A Note to Writers #4
Actual advice from a creative writing class I took.
No, said is not dead. It’s still a good idea to use ‘said’ for the majority of your dialogue tags. Said and asked are the generic terms for regular conversation. Terms like ‘declared’ or ‘exclaimed’ let your audience know your characters mean business. It’s like putting too many exclamation points or italics in one paragraph; the effect actually becomes less intense.
Exceptions to this advice: extremely flamboyant and over-the-top characters.
19 notes
·
View notes
I'm begging people to stop saying "said is invisible"
It's not invisible, it's a simple locational device. It shows the reader nothing more than who is speaking. Which is super useful!
Use said effectively and appropriately as you would any other dialogue tag. But for the love of all that is good please stop pretending it's invisible. If every dialogue tag you use is "said" it gets really visible really fast and it goes from visible to annoying pretty sharpish after that too.
The solution to the Dialogue Tag Problem is learning when to use a tag at all versus when to not. (I have a whole video on this here if you want it but)
There are 4 ways to denote who is speaking and the primary and most important one is Context
If you have 2 people in a conversation and one says something, then there's a line and different dialogue - it's the other person speaking.
Eg:
Context, Merry and Kalik are sparring, they are the only two people in the scene.
"Why would I find someone else when you're right here and almost willing to help?" Kalik asked
"Almost?"
"Almost."
Another option is Action Blocking (sometimes referred to as stage direction), where you describe what a character is doing and follow it up with dialogue, or dialogue then character action.
Eg:
Kalik pulled a crystal from his pocket. "What colour is this crystal?"
Or
"You wanna spar?" Kalik was already shifting over to the sparring mats in anticipation of agreement.
Then there's Dialogue Tags that come in two forms: specific and generic.
Specific Dialogue Tags are ones that have specific connotations like yelled, hissed, snarled etc - these should only be used with intent and purpose. And they should be used sparingly lest they undermine the message of your story and dialogue. Characters should match one another and, in all likelihood, you won't need to use more than one each unless the character is actively changing tone.
(context, Merry and Whitclé are the only people in the scene)
"No," Commander Jonathan Whitclé said flatly.
"What do you mean no?" I snapped.
"You are not suitable for the position."
"Well why the hell not?"
Then there's Generic Dialogue Tags which are used as locators to remind or out and out tell the reader who is speaking but not how (or that they're speaking in a level way or you can pair them with an adverb of piece of description like "through clenched teeth" or whatever but I digress). These are your saids, your askeds, your respondeds and answereds, things like that.
These should also be used with purpose. Ask yourself if the reader needs to be reminded who is talking. Pair them with a chunk of description or internal monologue to reorientate the reader to who is/was talking. Use them to make the point that one character is emotionally heightened and another is not.
.
All this to say, said is not invisible it's just plain, like a palate cleanser between rich courses of a meal. It's a shitty meal if all you get is palate cleansers.
(also the reason your English teacher told you not to use said was so that you would get familiar with using other dialogue tags so you could do what I'm describing in this whole post. It's not their fault some people clung to that task and never let go. This is the blue fucking curtains all over again!)
2 notes
·
View notes
Dear fellow writers,
‘Said’ is beautiful. Please use it more. It isn’t anything to be feared of hated. It’s not boring or overused. It makes all the other dialogue tags more special when they’re used on occasion.
‘Said’ makes your writing less cluttered. It can be a simple way of reminding the reader who is talking without bombarding them with synonyms.
“Use it along with action to make it more interesting,” she said, picking up her pencil.
He smirked, and said, “Or with expressions and body language.”
“Or,” she said, “just as a quick reminder of who is talking.”
“And if you know who is talking, a dialogue isn’t always necessary.”
Of course you can use other dialogue tags, but please don’t exclude ‘said’. It’s heartbroken from being ignored.
‘Said’ is beautiful.
3K notes
·
View notes
Damian has been partnered up with Daniel in their Home Ec final.
And Daniel...is putting no effort at all into cooking.
Damian keeps trying to convince him to help, but Daniel keeps wriggling his way out of the responsibility.
Damian ends up having to handle the Turkey! Unacceptable! He does not condone the death of animals for food unless it is for survival! This part must be handled by Daniel.
He shoves the turkey in Daniels' hands.
There's a soft green glow.
He hears Daniel whisper a horrified "oh shit no".
And the very dead turkey that they were supposed to be cooking comes to life.
It is very, very angry.
4K notes
·
View notes