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#we’re already here
firstkanaphans · 7 months
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I took off work so I wouldn’t have to watch a PowerPoint, P’Tha 🙃
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thedaddycomplex · 2 years
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Tumblr is now advertising Tumblr on Tumblr.
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erasurecloud · 1 year
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I’m about to introduce a new character in my book and she’s had one name throughout all my note-taking but I’m considering changing it.
If I do change it however, I’m stuck between 2 possibilities and I can’t choose. What do
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batwynn · 10 months
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I’m seeing a weird uptick in people commenting nasty stuff on people’s non-cat/dog pet stuff again and not so gentle reminder:
Your phobia or dislike of certain animals does not give you the right to harass and bully people who love and share them.
Use the blacklist tag like a normal human being, and leave people who love rats or snakes or bugs etc. the fuck alone.
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elodieunderglass · 11 months
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Ok so you and I are meeting up. Maybe in your home territory, or maybe somewhere that you know well - don’t doxx yourself - but we are meeting up to explore something particularly. you are in charge of picking the museum, bog, weird antique store, bog, bookshop, bog, gallery, arboretum, botanical garden, show, or bog. Where are you showing me and why?
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touchlikethesun · 5 days
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if you told kageyama and hinata that they could improve their timing and strengthen their hitter/setter bond by kissing they would immediately start making out. even if they weren’t interested in the other like that at all before, those boys would do anything for volleyball
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autism-alley · 3 months
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hi originally posted this at the end of a long thread of back and forth, here’s the og post if you want full context but i feel like this needs to be its own post especially bc i keep seeing this argument being made—the argument that the kids (in this case it was annabeth) SHOULD just know the monsters are monsters and who they are and how to defeat them before ever encountering them, that it’s a problem if they don’t.
the problem is not if 12 year olds should recognize a trap when they see one, even if they’re smart 12 year olds, and if that’s realistic. that is entirely beside the point.
the problem is rick riordan wrote a book series whose formula is bringing myths to the modern age and he’s not sticking true to that in the show—percy jackson and the olympians’ Shtick is taking these classic, ancient threats and giving them a new face. these traps work because these kids are not walking into a cave marked with Get Out and getting ambushed by monsters—the monsters are disguised as harmless mortal human beings, in harmless mortal human being places (for the most part) and i think we—and more importantly, the show—are all forgetting the mist, the magic involved here. it’s not just that medusa is a “creepy lady with her eyes covered” it’s that there is ancient magic at work here, magic that, like the systems of abuse pjo exists to criticize, has been evolving and continuing its malevolence for millennia. it’s formulaic, that’s the point. it’s the same trap you’ve learned about all your childhood, the same trap a thousand children before you learned all their childhoods, and still, it works. you fall into the trap. because that’s how generational abuse works. it’s a trap. it isn’t enough to learn monsters exist, what they look like from a second hand story that originated thousands of years ago. if you want to escape alive, you have to adapt as quickly as they do, recognize their face, and ultimately, beyond any individual trap, the game itself has to change. real, generational change.
so. the problem is rick riordan wrote a series with a formula for action that perfectly captures the overarching, systemic conflicts he was commentating on, and then threw that formula out in the show because it was “unrealistic”. i don’t give a damn about realism when it works to the detriment of the story. this is a story about generational abuse, yes, but it’s told through ‘a tale as old as time’ and that’s why it works so fucking well. and when it comes to basic storytelling, if your characters know the threat before they even walk in and you do practically nothing to then make up for the stakes you have removed, that’s a flaw. now you’ve lost the entertainment value for your audience, on top of also lessening your themes.
something else that is so. honestly soul-crushing as a writer and a creative, is that to me this is reflective of the way we are now afraid to tell earnest stories. stories where we care not for listening to the people who want to pick apart fictional, mythical, fantasy stories for not being “realistic” instead of aligning with our target audience who acknowledges reality is not what makes a story. think of your favorite movie, show, book, comic, what have you—has the reason for your favoritism ever been because it is the most reasonable, the most grounded, the most practical out of any you’ve seen? or is it because of the emotion? the way it speaks to you, to your life and the person you are? the journey it takes you on? is the percy jackson and the olympians book series so good because it’s inherently realistic?
the secret to storytelling is, very simply, focus on your story. everything else is secondary. if it’s written well, it doesn’t matter to me that the characters walk into a trap that, to the audience, is obviously a trap. because i can understand how the characters don’t know it, and how the story falls apart if the narrative just tells the characters it’s a trap from the jump. that’s what dramatic irony is—first used in greek tragedies! this is literally a tale as old as time in every sense except for the end—where it’s happy. and it’s not earned if we don’t first see, over and over, the status quo as a tragic trap.
it’s not about if annabeth (or the other kids) is “smart enough” to not walk into a trap, or about if she’s just too prideful to not walk into what she knows is a trap (or any reason that could apply to the other characters), it’s that annabeth, at the end of the day, is a character. she is a storytelling tool for the messages of the narrative. that doesn’t make her any lesser. in fact ignoring it reduces her, because it reduces what she represents. it’s about how rick riordan, or whoever else at disney, has fumbled the storytelling bag so ridiculously hard that they can’t take the simple, effective formula outlined from start to finish (by good ol 2009 rick himself) and adapt it to the screen without answering the most unimportant, derailing, anti-story questions.
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stergeon · 1 month
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"I was laughing but at the same time I really wanted to give El a hug, I felt so bad for her"
Edelgard: Thank you for your concern but I am quite alright now.
Um, what's going on with this?
Byleth: Hey, I'm not complaining. Ever since we got together my squat game has been insane. My ass has never looked so good.
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what they could’ve had but instead alex wanted to be a dramatic bitch
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the original meme and the drawing with a white bg
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runningonadhd · 14 days
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JATP cast trying to beat the season 2 allegations but the fantom is too delulu to not take everything they say 100% seriously
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emry-stars-art · 7 months
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All right so. I forgot to mention I am planning on doing some of this whumptober prompt list and it’s like. All about Abram and Evermore 🫣
Day one: drugging/sick/poisoned (full under the cut)
Find the royal au masterpost here
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We’re messing with the idea of Lola and Nathan being sent with an entourage late-timeline to try and ‘reclaim the Wesninski house heir’ the ‘fair and correct’ way. It’s announced to Palmetto, Nathan coming with intention to fight for his heir back, challenge Abram directly; Lola came just in case Nathan somehow ended up losing. There are very strict instructions from the Moriyamas not to come back without a Wesninski heir.
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darlingod · 3 months
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Cardan’s last three letters to Jude progressively having ink splatters
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rubikor · 1 year
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luck
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landwriter · 1 year
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13!
Shut Up by Stormzy.
Hob is a literature professor. Dream is an underground electronic music artist who goes by Morpheus. They never would've met. Never would've even known about each other.
Except. Hob is bit addicted to Twitter. Except. Hob has a bit shit taste in music. Except. A student cancels her presentation because she got last-minute tickets to a Morpheus show and Hob looks him up and gets irrationally mad at a stupid skinny little goth that doesn't even play any real instruments or sing and whose photo of a sneaker drop, whatever that is, got a thousand retweets within hours.
This is the story of how Hob sends a petty tweet and then sort-of-accidentally starts iconic Twitter beef with Dream.
Death, acclaimed hip-hop artist and meddling older sister, is delighted by a random man in a sweater-vest rudely insulting her brilliant baby brother, and insists on catching up with Dream so they can collab on a diss track, because it'll be very interesting. Hob finds out about it at a lecture and plays it in front of his whole class. It's clever and funny and absurdly referential. He falls a little bit in love with the wrong person, because he thinks the lyrics are Death's.
He slides into Dream's DMs to tease him about his older sister to protecting him (and maybe ask for her number), and Dream cops to writing it. Hob reacts with so much earnest wonder that he has to swiftly follow it with calling Dream a pretentious cunt, just to balance things out. They continue talking, under the flimsy auspices of being mean to each other.
One day, Dream video calls him while stuck at an airport, wearing stupid glasses and a stupid hat like a some kind of celebrity traveling incognito - because he sort of is, Hob belatedly realizes - and that's when he sees Dream laugh for the first time. It's because of him. He realizes he wants to kiss the stupid skinny little goth. Wants Dream to be his stupid skinny little goth. Has no idea how to do that. He pines. Dream pines.
When there's a show playing near Hob, Dream sends him a VIP ticket, day-of, with no other message or context. Hob goes, of course, feeling tremendously uncool at the venue. But during the show he finally understands, in a way he didn't before, how Dream pulls whole worlds to life with his music, how he weaves something new and incredible from samples alone. How he tells stories without words.
After, awed, he goes backstage, and almost regrets it when he has to face half of Dream's entourage, whose ruthless teasing is absolutely secret screening to see if he's Good Enough For Our Morpheus, but he gives as good as he gets, and, unable to bear it any longer, Dream tells them all to fuck off. Then it's just them, and Dream makes some vulnerable little joke about whether Hob still thinks it's not real music, but Hob is just standing there, bluescreened before the sight of this man, who he wants to be his, who he's spent hours with online, who he's never even touched, so human and real suddenly. Dream is flushed and sweaty and a bit of his hair is plastered to his forehead. The energy of the crowd is still glowing underneath his skin. Hob is hapless. Hob can only think to ask to kiss him. So he asks, and that's how their first time ends up being in a shitty little greenroom in Manchester. And their second. The third, at least, is in Dream's hotel.
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clingyduoapologist · 8 months
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I just need another innitsona man I am going through so much fucjing withdrawls can he like arginnitify a sorry boys video… for me???? I just want to hear tommyinnit broken and defeated with a thousand yard stare you guys or I’m gonna lose my ficking mind
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kumapillow · 6 months
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Reading the synopsis for episode 6 and OMFG they’re already adapting these chapters?! 😆😆❤️🥹😭
The synopsis only focuses on the chapter from the second link, but the episode title seems like Momose’s lines in the first link 😄
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Oml I’m excited for the next ep 😫😆😭
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