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#2020movies
stevebuscemieyes · 2 years
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If you can't see him, is he really real?
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The Invisible Man, 2020
Dir. Leigh Whannell
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ephyz-universe · 1 month
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Secret Society of Second Born Royals movie 2020
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About Secret Society of Second Born Royals movie 2020 Born to defend. They just have to learn how. Sam is a teenage royal rebel, second in line to the throne of the kingdom of Illyria. Just as her disinterest in the royal way of life is at an all-time high, she discovers she has super-human abilities and is invited to join a secret society of similar extraordinary second-born royals charged with keeping the world safe.
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Secret Society of Second Born Royals (2020) Genre: Action, Adventure, Comedy Release Date: Sep 25, 2020 Stars: Peyton Elizabeth Lee, Niles Fitch, Isabella Blake-Thomas Source: Secret.Society.of.Second.Born.Royals.2020.720p.DSNP.WEBRip.DDP5.1.Atmos.x264-CM Language: English Subtitle Language: English
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laylaskeating · 4 years
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So, how to conclude? My name is Enola, which, backwards, spells “alone”. To be a Holmes, you must find your own path. My brothers have. My mother has. And I must too. But I now see that being alone doesn’t mean I have to be lonely. Mother never wanted that. She wanted me to find my freedom, my future, my purpose.
MOVIES WATCHED IN 2020 ⇒ Enola Holmes (2020), dir. Harry Bradbeer
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juneandmay · 2 years
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Gravity is matter's response to loneliness.
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lvcygraybaird · 3 years
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MOVIES I WATCHED IN 2020 ⇢ PROFESSOR MARSTON AND THE WONDER WOMEN (2017)
My name is Dr. William Moulton Marston. And I am the creator of Wonder Woman. Wonder Woman is a love letter. She is a fantasy. She comes from a distant place where there is beauty, and justice, and respect. I write what I see about women I know. Women who are every bit as just, and strong, and capable as Wonder Woman.
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adamwatchesmovies · 2 years
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Love and Monsters (2020)
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Love and Monsters is like Zombieland crossed with How to Train Your Dragon. You could do far worse than a movie that pleasantly reminds you of two other good ones. You might even like this creature adventure film better.
Seven years after a wave of uncontrolled mutations caused all cold-blooded animals to grow to enormous size, humanity survives by living underground. Joel Dawson (Dylan O’Brien) has reconnected with his girlfriend Aimee (Jessica Henwick) via radio. Tired of being alone and feeling like the rest of his bunker won’t miss him if he’s gone, he decides to take a chance and go find her.
The setup might make it seem like Joel has serious self-esteem issues but that’s not the case. The bunker really won’t miss him - he’s that much of a screwup. Though well-intentioned, Joel is no good in a fight. Against a three-eyed amphibian the size of a swimming pool, he’s useless. Who knows? With all the time he’s spent listening to stories about the monsters and no delusions about his survival skills, he might even have a chance. Things are already looking up when he befriends an exceptional dog named “Boy”.
This film's running time is just about perfect. We see a lot of Joel barely managing enormous jaws. Just as the laughs start to wane, he hits a growth spurt and becomes world-savvy enough to stand a chance. The balance is roughly 50/50. Until we get to that point, there are several endearing encounters to keep you invested. It’s either lessons similar to the rules of Zombieland, moments of bonding between him, his dog, or other hardened survivors he meets along the way (Michael Rooker and Ariana Greenblatt have small but memorable roles), or a pause that allows him to reminisce about the world that’s lost.
In terms of monsters, this film knows what it’s doing. There’s a wide variety of creatures ranging from the disgusting to the creepy, to the comical. All of them look spectacular - that $30 million budget was working overtime - and the designs are memorable. Their introductions are also well done. Director Michael Matthews knows how and when to whet your appetite before the big reveal.
Aside from a side plot involving a robot that belonged in a different movie, the only major flaw in Love and Monsters comes towards the end when an unnecessary villain comes in. On the one hand, it caps off the lingering questions you might’ve had about Joel and Aimee, and appropriately concludes the heroic journey Joel has embarked upon. On the other, this movie could’ve thought of something more clever or more original.
Although it’s reminiscent of other movies, if you were only mildly enamored by Zombieland (perhaps you thought that extended Bill Murray gag wasn't as funny as everyone else), this could be the one you’ve been waiting for; a mash-up of wildly different genres that works. Love and Monsters is fun, imaginative, and with a fair share of surprises along the way. (October 22, 2021)
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enidsinclesbian · 4 years
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it pisses me off so much that the news outlets automatically (pun unintended) preyed on the birds of prey and the fantabulous emancipation of one harley quinn movie with labeling it as a ‘flop’. if this same movie was created but with male dc universe characters they wouldn’t have to redo numbers or anything and it would be labeled as a ‘masterpiece’. in this essay i will -
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popcornworthy · 3 years
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rose-tylers · 4 years
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movies in 2020 | the old guard (2020, dir. gina prince-bythewood)
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i-bvrn-th1s · 3 years
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Summer of ‘85 - (2020) -  François Ozon
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maimovie · 4 years
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Here are the Popular Free Movies on Maimovie of Oct 26~30!
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ephyz-universe · 1 month
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The Swordsman Movie 2020 - Korean
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About The Swordsman Movie 2020 Synopsis: "The Swordsman" follows the journey of Tae-yeul, a skilled swordsman in his thirties who embarks on a quest to find his only daughter after losing one of his eyes. Along the way, he encounters Min Seung-ho, once the Joseon dynasty’s finest swordsman, who has chosen a simpler life after realizing the fleeting nature of power.
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Title: The Swordsman Genre: Action, Drama, History Stars: Jang Hyuk, Man-sik Jeong, Angelina Danilova Released Date: 2021 Meanwhile, Gurutai, the most formidable swordsman from the Qing dynasty, sets his sights on becoming unrivaled even within the Joseon dynasty. This gripping tale intertwines the fates of these three swordsmen, exploring themes of loyalty, sacrifice, and the pursuit of greatness against the backdrop of historical intrigue and conflict.
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laylaskeating · 4 years
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You are probably going to be a very successful computer person. But you’re going to go through life thinking that girls don’t like you because you’re a nerd. And I want you to know, from the bottom of my heart, that that won’t be true. It’ll be because you’re an asshole.
MOVIES WATCHED IN 2020 ⇒ The Social Network (2010), dir. David Fincher
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geekbroll · 3 years
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If you decided that The Craft: Legacy at $25 was too rich for your blood, you're in luck. It dropped down to $15 today. ($20 when bundled with The Craft (1996) on Vudu or Fandango.) #vod #thecraft #thecraftlegacy #craftlegacy #craft #witches #witch #magik #magic #2020movies #vudu #primevideo #fandangonow #fandango #itunes #coven #covenofwitches #wika #magicpowers #pvod #streamingwars #streaming (at Portland, Oregon) https://www.instagram.com/p/CIj_Y5WhNZ1/?igshid=m5vcfdp76g1u
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lvcygraybaird · 4 years
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MOVIES I WATCHED IN 2020 ⇢ LADY BIRD (2017)
Don't you think maybe they are the same thing? Love and attention?
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adamwatchesmovies · 3 years
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The Wolf of Snow Hollow (2020)
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The Wolf of Snow Hollow is a werewolf movie worth getting excited about. This is a smart movie that plays with the genre in a way I’ve never seen done before. Its satire and commentary are unusually clever. You get laughs with the scares in a way that makes every scene unpredictable.
After a brutal murder in the skiing community of Snow Hollow, strange clues are found in the snow. Officer John Marshall (Jim Cummings, who also directs and writes) has enough trouble dealing with his alcoholism, estranged teenaged daughter (Chloe East), and sickly father (Robert Forster). He doesn’t need people attributing crimes to a mythical creature. Although the bodies keep piling up and people keep remarking that the murders all take place on full moons, John refuses to believe a werewolf is responsible.
I love the way this movie plays with your expectations in a quasi-meta way. People in horror movies don’t know they’re in horror movies so is John smart... or stupid? We’ve seen the beast. We know it’s no ordinary animal. He doesn’t. Normally, there'd be an obligatory 20 minutes spent teasing the monster. We’d be fed the information at the same rate as the characters until they’d have to admit that a wolfman is indeed turning women into deli meat. Not here. It’s hilarious that no matter what John sees, he refuses to accept the evidence. Then again wouldn’t you be suspicious?
Whether the police are incompetent or not is a recurring question. Though it’s often played for dark laughs, it also leads up toward more profound ideas. If there is a werewolf on the loose, then John Marshall is a terrible police officer. He’s not piecing these clues together and is wasting time with other theories. Maybe if he wasn’t struggling with the bottle so much, he’d be able to see that, he wouldn’t be firing officers who suggest they arm themselves with silver bullets. Unfortunately, his personal life is such a catastrophe he can't think outside the box. The pools of blood and severed limbs are eroding his sanity and the tiny police department doesn’t have the resources to keep up with the media frenzy accompanying this kind of story. If there isn’t a werewolf in Snow Hollow… he’s still a mess, barely able to maintain a relationship with his daughter, picking fights, struggling to deal with the trauma of the crime scenes. But could anyone? Probably not. Then again, Officer Julia Robson (Riki Lindhome) seems to be doing ok. Does the fact that she’s a woman have anything to do with it? John comes from a family of law enforcers. Dealing with this should be in his blood and as the history books he reads point out, women are usually the victims of crimes like these. They can’t be both the victims and the heroes, right? Wait. You can’t be both the hero and the villain… and when was the last time you heard of a “wolf woman”?
I might be accused of looking too deeply into The Wolf of Snow Hollow but the movie is too smart - particularly during the ending - to be merely what you see on the surface. It’s funny in ways that make you wonder if it’s ok to laugh, and then it’ll scare you for real. You have no idea where it’s headed, or what’s going to happen to the characters. This is the kind of movie that makes you want to hit “play” again the second it’s over to see what details you missed the first time. (July 1, 2021)
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