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#MIXER Magazine
mixer-online · 6 months
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SZA / NOVEMBER 2023
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cerealkiller740 · 3 months
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1969 Canada Dry Ad
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leigh-anne for rolling stone uk!
pics by mariano vivanco
also stream don’t say love!
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annemariebush · 1 year
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Cool review-thanks! #review #single #usa #magazine #sound #america #usa #singer #singers #songwriter #producer #mixer #femaleengineer #femaleproducer #artist #rnb #rnbmusic #rnbsinger #rnbsoul #rnbartist #rnbbeats #edm #electronic #electronicmusic #jazzmusic #lofi #neo #neosoul #neosoulmusic #dub #dubstep @nordildmusic @ericklitgaard https://www.instagram.com/p/CqN5abjtslc/?igshid=NGJjMDIxMWI=
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onergconsultoria · 2 years
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Kitchenaid - Batedeira Stand Mixer Profissional 7.6L - Empire Red - 220V
Kitchenaid – Batedeira Stand Mixer Profissional 7.6L – Empire Red – 220V
Compre on-line      Detalhes do produto:   A Batedeira Profissional pode se transformar em um verdadeiro Centro Culinário. Com acessórios opcionais, vendidos separadamente e acopláveis no centro de conexão da batedeira, é possível preparar pratos como massas caseiras, hambúrguers, spaghetti de legumes, molhos e muito mais! Robustez: Seu corpo de metal e motor de ferro fundido tem a força…
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kingofooo · 10 months
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standee design by writer/storyboard artist Hanna K. Nyström
design cleanup by color supervisor Carolyn Ramirez
ADVENTURE TIME at SAN DIEGO COMIC-CON 2023!
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WARNER BROS. TELEVISION SCREENINGS
WEDNESDAY, JULY 19th at 6:00pm – 9:30pm
Ballroom 20
Comic-Con and Warner Bros. Television proudly continue our annual Preview Night tradition featuring the world premiere of the highly anticipated series Adventure Time: Fionna and Cake, alongside all-new episodes of Riverdale and Teen Titans Go!, and screenings of Mrs. Davis and Superpowered: The DC Story.
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MAX ORIGINAL ANIMATION
THURSDAY, JULY 20th at 11:00am – 12:30pm
Ballroom 20
Max Original Animation celebrates new and returning animated series' including an expansion in the Adventure Time universe, Adventure Time: Fionna & Cake; a new animated series, Young Love, based on the characters from Matthew A. Cherry and Sony Pictures Animation’s Oscar-winning animated short, Hair Love; and a preview of the upcoming fourth season for the fan-favorite Harley Quinn. The panel will feature exclusive sneak peeks, surprise panelists, and more. Moderated by Damian Holbrook (TV Guide magazine).
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SUPERSONIC: The 15th Annual Behind-The-Music Panel
THURSDAY, JULY 20th at 10:00am – 11:00am
Room 25ABC
Get a behind-the-scenes look at what goes into creating the scores and sounds to some of today's most popular TV series and films. Panelists include Phil McGowan (score mixer, Star Trek: Picard), Amanda Jones (composer, American Horror Stories, ADVENTURE TIME: FIONNA & CAKE), Chris Bacon (composer, Wednesday), Sherri Chung (composer, Gremlins: Secrets of the Mogwai), Kurt Farquhar (composer, The Proud Family: Louder and Prouder), and Michael Yezerski (composer, Cabinet of Curiosities).
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madeforstarker · 15 days
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《 prompt fill: pepper cheats on tony then wants tony back 》
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"Fuck! I knew it! I shouldn't have cheated on Tony on the first place!" Pepper mutters under her breath as she enters her ex's private elevator, she's going to say sorry and woo Tony back into her arms. She knows Tony can't live without her, he's probably drinking himself to death right now, Pepper grins at the thought, maybe they can even have hot steamy make up sex.
As the elevator stopped at the 75th floor, she was greeted by the soft scent of cookies, she frowns, since when did Tony ever have cookies? She hears soft giggles coming from the kitchen and a laugh that was undoubtedly Tony's. Pepper's eyes widened, why was Tony laughing? Why wasn't he wallowing in pain? Why wasn't he missing Pepper?
She took silent steps to the kitchen to see a young man propped on the counter, the kitchen was messy, flour everywhere, bowls, mixers, cracked eggs were all over the counter, the young man was giggling as Tony let out another laugh, Pepper can see Tony in between the mysterious man's legs, "I love you so much, tesoro," Pepper hears Tony say, in a tone the man never used on her.
"I love you too, sir," the man replies, cupping Tony's cheek, "you're mine now, right?"
Pepper could feel her heart breaking into a million pieces when she sees the softest smile on Tony's face as he looks at the man on the counter, her ex's eyes were filled with so much love and devotion.
"I have always been yours, Pete. Always. My heart, my body, and my soul belongs to you, bambino. No one else," Tony says softly, leaning forward to kiss 'Pete' on the lips.
She couldn't stand to watch this anymore, she turned her back and quietly exited the penthouse. She couldn't do anything, she was the one who cheated, the one who wanted someone else, and even if Tony did cheat on her too, Tony didn't cheat because of sex, no, Tony cheated because he loved whoever the boy was. She had never seen Tony look so... happy and in love.
Somehow, it hurts her even more... because she knows deep inside her heart that she can never compete with 'Pete'.
The next day, a picture of Tony and his boy was plastered all over gossip sites and magazines, a 22 year old mechanical engineering student at MIT with an IQ of 175 and– Tony's fucking personal intern for the last two years.
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deepdreamnights · 8 months
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Kleinheart Robotics Ad - Woman's Day Magazine, June 1952
The 1952 model was a classic, back when you could do your own maintenance. Younger readers won't remember this, but back in your great-grandma's day, Kleinheart was primarily a manufacturer of electric hand mixers, transitioning almost fully to robotics in just five years.
That's why all Kleinheart robots have an egg-beater (even the much-maligned Mark 17 had a <disdain>decorative</disdain> one) in the right forearm.
Multi-pass Midjourney composition with photomanipulation and graphic design elements.
Prompt: a magazine ad for an advanced humanoid robot, 1945
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justlike-awoman · 4 months
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Queen's chief road manager & FOH sound mixer John Harris's interview in the Roadies Page -segment of Beat Instrumental, December 1974 issue (article scanned & edited by me)
This interview with John Harris in 1974 gives very fascinating insights into the technical side of touring with Queen, including managing & transportation of the equipment, and balancing the books!
Beat Instrumental was a UK monthly pop and rock magazine aimed at musicians emphasising instruments, production and equipment.
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Full transcript under the cut:
Roadies Page-
QUEEN'S John Harris (and team)
QUEEN ARE going the same way as Yes. That's not to suggest there are any musical similarities, rather the band believe in working for the future.
As soon as Yes started to earn decent money, they ploughed it all back into improving their act and giving better value for money in the hope that the public would respond. Respond they did and the investment paid huge dividends, as everybody knows.
Queen are doing the same thing. And that gives John Harris and his team quite a few problems. John is Queen's chief road manager. He's been with the band from the very beginning when they were called Smile and when the band went pro, he cast aside his college training and left his future in their hands. He's not regretting that.
John's team is a continually expanding and contracting one. His assistant is Robert Johnstone who joined the band in Scotland about nine months ago. Then there's a lighting crew (including someone to mix the lights) and truckers to do what roadies used to do a few years ago.
'The main problem is the worry,' admits John. 'It's such a great responsibility getting this lot of stuff around.’
We were talking at a full rehearsal of the band, held in a disused cinema in Ealing, West London, shortly before the band undertook their UK tour. In addition to the vast piles of source amplification, there was a massive RSE PA system, three mixers (one for fold-back mix), on-stage lighting towers, a massive mobile overhead gantry for lighting (very new), a number of high-power spotlights and a mixing desk for lighting. These are the basic units.
On stage the band's equipment is as follows. For bass there is a mixture of Hiwatt and Acoustic amplification delivering about 300 watts into a mixture of Sound City and Acoustic cabinets. Brian May insists on using Vox AC30s. He uses six of them for lead guitar. His initial guitar signal is amplified by two AC30s, the output is miked up and fed to the PA. The signal is also fed into an Echoplex and that output is, in turn, fed into two more AC30s. That output is miked up and fed to the mixer and it is also taken to a second Echoplex which is fed to the last pair of AC30s. That output is also miked and sent to the mixer.
ORIGINAL
'Brian's a real AC30 freak.' explains John. 'Most of his amps are original but we're trying out some of the new AC30s on the market and he says he likes them.' The piano is miked by a contact mike and amplified via a Hiwatt system which delivers through two Peavey cabinets. The drums are amplified via ten mikes.
Most of the microphones are AKGs with D190, D1200 and 202 models predominating.
One of John's most important tasks is the sound mixing. Because he's been with the band so long he understands exactly the mix required for their music.
'I think the most important requirement for a sound engineer on live gigs, is an understanding of the band's music. If you understand exactly what the band is trying to do in each section you're in a far better position to get the sound just right.’
John has to deal with two mixers. Both are supplied by RSE from whom the entire PA system is hired. One is a 20-channel mixer which mixes vocal and instrument mikes together and the other is a fifteen-channel unit used just for drums. The effects units are Binson and Echoplex echo chambers and the system has an output around 23KW.
The fold-back is also mixed separately, but the band adjust that from the stage. The massive lighting system that the band carry is hired from ESP.
Going on tour for Queen is a mighty expensive operation with this kind of set up. To get it all around the band hire a 32-ton artic, that costs over £500 per week (including driver). The hire bill for the PA and lighting equipment (including crews) is over £2,000 a week and during the time the band are rehearsing the cinema costs £150 a week. In addition there's the back line and that costs about £5,000.
All this is John's responsibility.
'I suppose I spend two hours each day working out the figures.
It really takes some organising making sure that the budget is properly spent. It must be said that Queen don't make anything out of touring, there's just no money in it. It's all to promote the records.
'I don't think tour rigs can really get any bigger or any more expensive. I think we've reached the end.’
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spreadyovrwings · 24 days
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64 Oslo Square
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"Companion' Middle English. From Old French 'compaignon', literally 'one who breaks bread with another.
Strapped for cash, John gets a job at a bakery as their new delivery boy. Juggling school and Queen and work is exhausting, but it's more than worth it. It's worth it because of you.
Warnings for this chapter: the knowledge that i started this FIVE YEARS AGO FFS
//
Chapter Ten
It was late afternoon on Sunday, the tail-end of a painfully uneventful weekend. But then again, these days, ‘uneventful’ was something of a relief. Boring meant safe. Dull meant no more horrible surprises or eviction notices. You were just happy to have a few hours where the world didn’t feel like it had been completely turned on its head.
You weren’t the only one enjoying the peace and quiet. Even Gladys seemed a little cheerier when you bumped into her on your way back from the shops. She was busy in the office, sorting papers and getting everything tidy, though you struggled to ignore why she was getting herself organised.
Despite her effulgent greeting and the gorgeous sunshine, the bakery kitchens still felt eerily quiet. The ovens hadn’t been switched on in weeks. Once gleaming jars of ingredients sat gathering dust on the sides, even though you often came down just to give everything a quick clean when you were feeling restless. Just because the bakery wasn’t yours anymore, that didn’t mean you should let it fade away.
The old equipment - mixers, utensils, recipes - watched you, almost accusingly, as you walked through the kitchen. The whole room seemed to hold its breath whenever you entered, as if it blamed you for what had happened, as if it was waiting for you to promise you’d fight back, that you weren’t just giving up.
You placed your palm flat against the tiled wall, letting the cold seep into your skin. An apology.
In her office, Gladys was muttering away to herself. It wasn’t her usual warbling, it was much sharper. Behind her faux smile, she was angry with herself. You knew it, but couldn’t bring yourself to talk to her about it yet. You supposed you were still angry with her too.
Pressing your cooled hand to your forehead, you pulled in a breath deep enough to settle the tightness in your chest, then headed upstairs with your bags and bags of shopping.
Mickey was supposed to pop round later with Rita and the baby. Gladys had offered to buy you all dinner, an apology for what had happened and a thank you for years of hard work. Again, you struggled not to think about the reasons for the dinner. It would just be nice to see Mickey and to have a family dinner.
Tucking your hair back behind your ears for the umpteenth time, you twisted your wrist and curved a rubber spatula around the inside of the mixing bowl. It was a bit of a busman’s holiday for you, you could admit that, but you’d spent most of the week packing up your tiny and it was starting to weigh in your chest.
That morning, you had awoken with a renewed sense of determination, but when it finally came to packing up your poky kitchen, you had found the cupboards stuffed with ingredients. Rather than waste them all, you’d popped to the shops for what little else you needed and had been baking all morning, throwing together last minute gifts for your work family.
You’d just divvied up the mixture into identical tins when the phone rang. Swearing under your breath, you brushed your hands against the front of your old work apron, streaking the dark coffee-brown material with streaks of pale cake batter.
The phone continued to trill brightly as you picked your way through the living room, carefully skirting around cardboard boxes and stacks of books, magazines, records, and Lord knows what else. You checked your palm, grimaced, then gingerly picked up the phone.
“4531?”
“Come look out your window in… Ten seconds.”
“John?” You wrinkled your nose, confused, and pressed the receiver closer to your ear. “What d’you- Which window? Front or back?”
“Er… Back.”
You glanced towards your kitchen. Set into the wall, just beside the sink, was a small square window that looked out onto the alleyway outside. It offered a lovely view of the bins and the graffiti-covered flank of the building next door.
“John, don’t you ‘ave an exam tomorrow? Shouldn’t you be revisin’?”
“Nah, I never really revise for anything.”
“That kinda makes me wanna hit you a bit.”
“That’s fair. Y’know, they called me “Easy Deacon” at school.”
“What, because you-”
“Nope. Exams and things are just… Easy for me.”
“Kinda wanna hit you a bit more now.”
“Just come to the window.”
The line went dead with a faint clunk. Shaking your head fondly, you replaced the receiver then went to the window, as instructed.
It was almost insufferably hot in your flat. London in July was always awful. The buildings, built for keeping the heat in, left the air inside uncomfortably claggy and close, so you had all the windows flung open already.
Sticking your head out of the one in your kitchen, you peered down into the alley, just in time to catch John jogging round the corner, travelling far faster than you would have thought possible or safe considering his chunky platform boots.
For the first time in days - in fact, for the first time since you last saw him - you laughed.
“You’re daft, y’know that?” you shouted down.
Panting and grinning, John tilted his chin up to see you better.
“Good afternoon, Skip!”
The warm, yellow sunlight lit up his face, catching in his hair and making his eyes shine. John’s tiny T-shirt hugged his slim frame. He had a rucksack slung over his shoulder, his bony elbow sticking straight up in the air, like a model on the cover of a magazine. To call it a ‘bicep’ was generous, but his upper arm looked so good tensed like that, you couldn’t take your eyes off him.
“Are you comin’ up?” you asked hopefully, letting your gaze slip up and down his body a few more times.
John smiled sheepishly.
“If that’s alright? I’ve got some work to do and there’s a big party tonight, so halls are a nightmare.”
“You’re not goin’?”
“Where?”
You laughed.
“To the disco!”
“Oh, right.”
John shrugged, then tilted his chin back even further, so now you could catch every angle of his lovely jaw and pale throat.
“I know where I’d rather be.”
Pressing down a charmed smile, you huffed and shook your head.
It turned out, you were right. When John walked into the bakery just before closing on that drizzly January night, you knew that there was more to that anxious, fidgety boy with the daft hair and shabby clothes. You knew instinctively that if you just got him to relax, to smile and feel at home, he’d show a side of him that very few were lucky to know. Cheeky, silly, and divertingly charming. And it was just for you.
“Well,” You nodded your head back over your shoulder, gesturing to your living room. “You better come in then.”
John grinned.
In a blink, he had disappeared inside the back door to the bakery, then you could hear his heavy-booted footsteps on the stairs.
You wasted no time getting him comfortable. With only four weeks left till Alastair officially took hold of the bakery for good, you had begrudgingly, painfully begun sorting your things.
There were boxes piled up everywhere, some brimming with clothes for the charity shop, some packed full of bric-a-brac you’d collected over the years and couldn’t bear to part with, an all manner of books and records, teapots and cutlery, posters and jewellery. Some of it had managed to spill out from your living room into your bedroom, crowding the kitchen table and making it difficult to tread anywhere without toppling a pile of tat over.
You scooped up a stack of bills and letters from the coffee table and dumped them on the kitchen counter instead - a feeble solution but the only one you had.
“Here you are,” you said, brushing off imaginary dust from the low table so that John could place his rucksack down.
“Thanks, love. Erm, you know…” John chewed at the corner of his thumb, his gaze struggling valiantly to hold yours. “If you did wanna go out tonight, you still owe me a dance.”
“I do, don’t I.” You glanced in the direction of the boxes piled high against the doorframe of your bedroom. “I don’t think ‘ave any clothes, though.”
The corner of John’s mouth twitched. As he sank to his knees beside the table, he opened his bag and took out a few tedious looking books.
“Sounds fine to me.”
You rolled your eyes and gently hit his arm with a stray magazine you scooped up from the coffee table.
“Nice clothes.”
“You’ll look beautiful in anything.” Rubbing his arm dramatically, John smiled so broadly, it made his cheeks bunch up and his eyes shine. “I just wanna go out with you.”
It was unbearably tempting. The thought of being pressed up against John in a dark nightclub, the music thudding in your ears and his hands in yours, or on your hips, your back, wherever they wanted to be.
You could see it, John’s little curls sticking to his damp forehead and temples, his tight clothes clinging to his tiny frame, his funny mouth by your ear as he shouted over the music, asking if you wanted to get out of here.
You’d end up back at yours, falling onto your bed or even the sofa, if you couldn’t wait another second. You honestly couldn’t care less. You just wanted, needed John’s mouth on yours, on your neck, his big clumsy hands mapping your body and his pretty eyes gazing up at you, so dark and full.
He’d been on your mind since you met him, everyone knew it, even John. Dancing with him, letting him pull you into him, sinking your teeth into his neck and grabbing his hips tight - it sounded like heaven.
You smiled.
“I’d love that.”
“Yeah? Really?”
John looked so pleased, you could’ve kissed him. Instead, you thought about it, and pushed his books towards him across the table.
“Go on, you be’er get started.”
Turning away towards the kitchen, you bowed your head, tucking your chin into your chest to hide your broad, excited grin.
Your life had been turned upside down, the cardboard boxes littering your poky flat were a reminder of that, but John still managed to make you feel several stories high. Somehow, despite everything, he made you feel like the world wasn’t ending. Just having him near made you forget about life outside these four walls for a while. It was just you and him, safe in a sanctuary just for two.
“Tea?”
“Please.”
“Have you had lunch?”
You barely glanced over your shoulder. You could guess the sheepish expression on his face without needing to look.
“Stupid question,” You lifted the kettle from the stove and held it under the tap. “I’ll make us somethin’. Any preferences?”
When he didn’t respond, you frowned.
“John?”
You flipped off the tap and settled the kettle back on the stove. You twisted your wrist, igniting the hob, then turned to find John peering out of your front window. His bag and his books lay ignored on the coffee table.
“Johnny? You alright?”
He still didn’t seem to hear you.
Before you could ask what was wrong, John pressed nearer to the window, so close now that the tip of his nose was practically bent up against the glass.
“Er, Skip?”
You watched his brow furrow in the reflection of the window.
“Did you know he was coming over today?”
Bewildered, you went to join him at the window.
It was a busy day. The high street was always packed with brightly coloured people, rushing to work or flitting from shop to shop like butterflies between meadow flowers. Scarlet buses streaked past, and between them, dark cars slotted into place. They moved together, like bees in a hive, individuals all moving in one great dance.
But there was one figure unlike the others, and your heart sank to see him. He moved like a shark towards the bakery, steady and focused, his dark suit setting him unnervingly out of place amongst the sweet wrapper colours all around him. Alastair.
“What’s that bastard doing back ‘ere?”
Your teeth clenched, your jaw compressing so tightly, it began to ache. As you watched, he pushed open the door to the bakery and disappeared inside. Your hands balled into fists.
Without thinking, you immediately stormed back into the kitchen and wrenched the hob’s dial back to ‘off’.
“I can’t believe he’d-”
You couldn’t think straight. All your ideas and plans for a nice afternoon with John had slipped from your mind, as well as all reasonable and rational thought. You couldn’t remember ever being so angry in all your life.
“I can’t believe- ‘Asn’t he caused enough- He can’t just-”
You fizzled and sparked like a dying firework, your mind in a million different places. Finally, you caught John glancing towards the door. You seemed to have the same idea at the same time.
Heart racing, you thundered down the stairs, taking them two at a time. You were moving so quickly, you practically fell into the door at the bottom, with John picking his way much more carefully behind you.
“Wait, love,” he whispered, just a step behind you. “What are you going to-”
You took a deep breath, then placed both hands flat against the door and shoved.
You found Alastair leaning over Gladys, her cheek cradled in his hand. She was sitting in Mickey’s chair, her eyes closed, but her mouth was drawn into a thin line, like she was trying hard not to cry.
Alastair lazily turned his head in your direction, as if annoyed that you’d interrupted him. His dark eyes switched over your face, the way he always did, like he was assessing you, calculating your worth. This was as a man who saw the world in percentages and figures; people were just another commodity. You should never have let him into your bakery.
“Ah, the cavalry,” he drawled, already turning back to Gladys.
Alastair didn’t remove his hand, not immediately. Not until he’d dragged one long, angular thumb across Gladys’ painted cheek.
Her shoulders tensed, her eyes still squeezed shut, as if trying to take herself away from him, to somewhere safer. Gladys was clutching a bundle of folded papers, her fingers wrapped so tight around them that the paper was starting to audibly crease and bend.
“Glad, you don’t ‘ave to let ‘im in,” you said quietly.
You didn’t take your eyes off Alastair as he finally drew back his hand and slipped it into his pocket.
“Actually, she does.”
He pulled out a familiar set of keys. They twinkled and shone in the low light of the kitchen.
Beside you, John tensed.
Gladys’ spare lipgloss, a piece of pink ribbon from a dress she kept telling herself she’d fix, her own spare house key, painted purple with nail varnish, they glinted from the keyring hanging carelessly from the tip of Alastair’s bony index finger.
“This is my building,” he said, swinging Gladys’ keys back into the pocket of his immaculate jacket. “I own the lock.”
“Righ’, exactly,” You glanced at Gladys, trying to gauge if she was alright. “You already ‘ave everythin’ you want, why can’t you just leave us alone?”
“Well, I came to see my best girl.”
Alastair smiled coldly down at Gladys, who finally opened her eyes. They shone with tears.
“We have lunch plans. Don’t we, darling?”
“You’re joking,” John scoffed. “She’s not going anywhere with you.”
He was standing close behind you, his chest almost pressed against your shoulder blade. It felt good to know he was close by and just as angry as you. Keeping your eyes on Gladys, you reached back and gently took his hand, giving it a grateful squeeze.
“I’m sorry,” Alastair’s nose wrinkled as he looked John up and down. “Why is the delivery boy talking to me?”
John’s hand tightened in yours. You could practically feel the nervous energy radiating off him, but Gladys rose to her feet before either of you could speak.
She reached out a hand, as if to place it on Alastair’s arm, then seemed to think better of it.
For the first time, you thought about what it must be like for her. Forty-seven years old, a business owner for twenty-five of those, a valued member of her community, and beneath the veneer of her brightly coloured clothes and wild hair, quietly and incredibly lonely.
You, Mickey, and now John were all she had. If a handsome, rich, seemingly kind man like Alastair had come along and swept you off your feet, you probably would’ve fallen for it too.
And now it was all gone, and she was alone again. And worse than that, the man who’d broken Gladys’ heart had taken everything she’d built away too, her business, her little family.
You hadn’t spoken to her about it, not really. You’d been so wrapped up in your own selfish anger, you just hadn’t thought. But as Gladys rose up and levelled Alastair’s gaze, you couldn’t help being immensely proud of your boss.
“You should go, Alastair,” she said, quietly yet firmly. “And don’t come back again. We don’t want you ‘ere.”
Alastair seemed unbothered, though perhaps a little surprised. He chewed the inside of his cheek, as if debating whether he should try to sweet talk her round, one last deception, but eventually, he raised his smooth hands in surrender.
“Fine, fine. Fair enough. We’ve said everything we need to say, haven’t we, dear?”
He smiled wolfishly at Gladys.
She just stared at the centre of chest, unblinking, her mind probably a million miles away, somewhere better.
The bakery door swished open with a bright chime.
You looked round to see Mickey in the doorway. When he saw Alastair in the kitchen, his warm face immediately sank into anger and he stopped mid-stride, his palm still pressed against the glass in the door.
Mickey was a good half a foot taller than Alastair, and one of Mickey’s biceps was about the same size as his head. Worst of all, Alastair had upset Gladys, and you, and worried Mickey’s family. There wasn’t a safe place to stand.
Alastair seemed to realise this too. It was the first time you’d seen him look even remotely flustered.
“Well, you all have a lot to discuss. I’ll leave you to it. Have a good weekend, everyone.”
He squeezed Gladys’ shoulder, making John huff and your fists clench. Then he edged towards the door, ducking under Mickey’s enormous arm, and hurried around the road.
As soon as he was out of sight, Mickey let the door swing shut with a bang.
“What was that twat doing ‘ere?”
You ignored him, choosing instead to take Gladys’ hands. They felt cold in yours, like all the life had been drained from her just by being near to Alastair again.
“Gladys, what did ‘e say to you?”
“Nothin’, nothin’.” She sniffed and blinked away tears, turning her face to the ceiling. “He just came for the paperwork and to let me know that the builders will be in next week. And to drop off this.”
She chucked the stack of papers Alastair had given her onto the nearest counter, letting them spill out and flutter. Some even fell to the floor.
You watched Gladys, waiting for a ‘but’, waiting for her to say it was all going to be alright. Slowly, then all at once in a sickening rush, her words finally sank in.
“Next… Next week?”
You felt your stomach twist and knot, your throat so tight, you couldn’t speak. The kitchen seemed to darken at the corners.
This place that had been home to you, this place that had housed you, fed you, given you purpose, led you to your new family, to John, it was being pulled from your grasp and there was absolutely nothing you could do about it.
You looked back at Mickey.
For such a big man, he suddenly seemed like a lost little boy. How broad shoulders were low, his gaze fixed on the floor, his huge hands bunched at his sides. His second home had been taken from him too, the place that let him do the work he loved, the place that supported his wife and daughter, the two loves of his life.
Finally, you looked at John, only to find him already gazing at you.
You knew what 64 Oslo Square meant to him, what it had given him. The bakery had been an escape, from uni, from his lonely halls, from worrying where his next meal would be coming from. Oslo Square had been a warm embrace, a place to grow and learn, and a reminder that there was more to life than exams, dingy tube rides, and lugging a heavy bass guitar around.
His expression, as always, remained fairly impassive. But when you met his eyes, John softened, only a touch, but you caught it. He was just as heartbroken, and for once, logic and reason wouldn’t give him a distraction or a way out.
The ringing in your ears grew louder and louder as the kitchen began to spin around you, and all that really registered was the deep bass drum of your heart.
You were faintly aware of Gladys talking as tears streaked down her face, carving dark mascara lines into her bright pink cheeks.
“I’m so sorry, love.” She took your hand, then Mickey’s. “Both of you, I’m so sorry. I thought I’d be able to think of a way out of this but ‘e’s- ‘E’s got it all there in black and white, darlin’s .”
John’s sharp eyes fell to the papers Gladys had discarded on the counter.
“It’s alright,” Mickey tried to summon a smile as he squeezed Gladys’ hand. “Don’t upset yourself, love. C’mon, now. It’s alrigh’, Glad. We’ll be okay.”
“But what am I gonna do with myself? Eh? Without the shop I’m… I’m just a li’le old lady.”
Gladys brushed away her tears, smearing black smudges across the back of her hand.
From behind you, John held out a tissue he must’ve silently gone to grab.
Gladys took it gratefully.
“And you,” She patted Mickey’s broad chest. “You’ve got your family. And you, sweetheart, you’re-”
You looked back at John. He gave you the tiniest smile, so faint you barely caught the slight twitch at the corner of his mouth. It wasn’t warm, it wasn’t soft, but it was full of promise, and when he nodded quickly, his hazy grey eyes switching nervously between yours and somewhere near your collar, you knew what he was trying to say.
“I’ll be okay, Glad,” you said, grabbing her another tissue.
“Oh,” Gladys sobbed. “And it’s nearly your birthday!”
You exhaled sharply, taken-aback.
“Well, that’s- That’s very sweet of you, Gladys, but that’s the least of me worries, right now.”
“It’s nearly your birthday?” John asked.
You nodded.
“At the end of the month.”
“You never told me.”
“Well, it didn’t seem very important, considering...”
“And it was gonna be such a special one, too,” Gladys wailed.
You frowned, glancing at Mickey for help.
“Was it?”
Gladys sighed as she dabbed at her eyes, pressing blue eyeshadow into the creases by her nose and right up to her painted eyebrows.
“I was gonna to surprise you. Well, I- It was always gonna be- It would’ve been for your birthday or for your anniversary here, whichever came first and now…”
You have a hollow laugh, hardly listening now.
“It’s fine, Gladys. Don’ worry.”
But John frowned
“What was?”
Gladys looked up.
“Hm?”
“What was the surprise?”
“Well, I went to the- Oh, what d’you call it? Henry sor’ed it for me a few months ago.”
“Henry?”
“Her uncle,” Mickey put in helpfully. “He’s a lawyer.”
“Really?”
“Well, not legally, I s’pose.”
“Anyway, he sorted it with Companies House and…” Gladys sighed again and sank back down into Mickey’s chair, her hands folded and shaking slightly in her lap. “I’m sorry, love. I had him add your name to the deed. I thought it would be a nice present. Wan’ed to show my appreciation for all your ‘ard work over the years, y’know.”
Silence fell in the kitchen. All eyes turned to you.
“You added…”
You tried to speak but found you couldn’t actually say the words out loud.
Mickey looked gobsmacked, like he too couldn’t believe what he’d heard. You’d worked together for years, he’d heard you harping on about your dream for longer than he’d known his own wife, about how you would own 64 Oslo Square one day and how wonderful it would feel, to be your own boss, to be in control for once in your life, to make decisions and create something that you and your community could be proud of.
You glanced sideways at John. Beside you, always right beside you. He never gave much away, not when it wasn’t just you and him, so his expression remained flat. But there, there in the outer corners of his eyes, in the slightest dip of his eyebrows, his bottom lip pulled between his teeth, you knew he was thinking exactly what you were.
How cruel. How cruel to give you what you’d always wanted, but give it too late. How cruel to give only to take away again.
“When did this happen?” John asked, ever the pragmatist, needing all the information before making a decision.
“Oh,” Gladys flapped an airy hand, not seeming to realise the gravity of her news. “Months ago. Who can keep track of that sort of- Before you started ‘ere, New Boy. At least.”
“So,” John looked at you, his eyebrows pushed together. “You’re part-owner?”
You opened your mouth to respond but Gladys grabbed your hand.
“You’ve just always been so wonderful and this place is practically half yours anyway, I thought, y’know, in a couple of years, I could retire and you could take over. It’s always been the plan.”
“Oh, Glad…” You forced a smile though it barely touched your eyes. “That’s really sweet of you.”
John pointed at the papers Gladys had carelessly discarded on the counter.
“Is that the contract you signed with Alastair?”
You frowned at him in consternation but his expression gave nothing away.
Gladys had barely begun to nod when John grabbed for the papers, gathering them up in his hands almost frantically. He scanned the pages, his clever eyes rapidly darting back and forth.
“Look, it doesn’t ma’er now,” Mickey said gently. “We’re not just gonna let you fade away, Glad, I promise. When I find a new job, I’ll see if they’ve got something for you too, eh? We’ll look after you. I promise. Won’t we, Captain?”
The idea stunned you even more than Mickey’s optimism, but Gladys looked up at you so helplessly, you couldn’t find it in you to be realistic with them.
“‘Course,” you said, forcing a smile. “We’ll sort somethin’ out.”
“She could always move in with you.”
“Well, let’s not get ahead of ourselves.”
Mickey smiled genuinely for the first time that day. Beside him, still wiping away tears and trying her best to catch her breath, Gladys was starting to smile too.
“You mean you don’t want me kippin’ on your sofa?”
“I don’t even have a flat!”
“I thought you was movin’ in with ‘andsome over there.”
“I haven’t decided y- ‘Ang on, how do you know about that?”
“Walls ‘ave ears.”
“You two, I swear to-”
“He doesn’t have it.”
You all stopped bickering. One by one, you looked round to find John still staring at the contract.
His gaze was still, his lips slightly parted. His fingers were tight around the paper, just as Gladys’ had been, like he was terrified someone might take them from him.
“He-” You blinked, trying to figure out what he meant, but nothing sparked. “What?”
Finally, John raised his head.
“He doesn’t have the bakery,” he said slowly, steadily, as if he could hardly believe it himself. “Skip, you’re part-owner. Gladys put your name on the deed. She signed this contract but you didn’t. He doesn’t have anything, this is-”
For the first time in weeks, you heart began to beat again.
“Worthless,” you whispered.
John raised the papers for you to see but couldn’t take your eyes off him. If you looked, it meant everything would change, and you weren’t sure if you could take any more life-altering news.
Either he was wrong, and your broken heart would only grow heavier. Or John was right, and the world would be turned on its axis yet again. It was safer just to keep looking at John, keep your eyes fixed on his, and find your answer there.
“Wait,” Mickey shook his head, stunned. “So you’re sayin’-”
“I’m saying 64 Oslo Square is yours, Skip.” John pushed the contract firmly into your waiting hands. “Not Alastair’s.”
There was a pause, just a beat of silence, and then the bakery erupted.
Gladys shrieked as she leapt up from her chair, pumping her two fists above her head, like her team had just scored before the final whistle. She practically fell into you as she threw her arms around your neck in a hug tight enough to bruise.
Mickey grabbed John by the waist and heaved him up over his shoulder, hollering at the top of his lungs.
“Oh, you beauty!”
John gripped Mickey’s broad shoulders as they span around and around.
“Well, hang on. You’ll need a lawyer to confirm-”
“Oh, shu’ up, New Boy. You’re a fuckin’ diamond!”
You clapped your hand over your mouth as you watched the boys but your smile was far too wide to cover. You realised you were laughing with Gladys, with Mickey, laughing so loudly and jubilantly that you were sure passersby would be able to hear you outside on the road.
When Mickey finally put John down, he staggered in his heels, his head probably spinning, but you reached out and caught his hand before he could trip.
John beamed as you pulled him into you, his eyes bright and shining.
“I thought I might kiss you,” you said, just loud enough for John to hear.
His expression hardly changed. He just smiled at you, warm and gentle, but his eyes were alight. John inclined his head, his long hair falling around his face as he let you pull him in even closer.
“Yes, please,” he said softly, his smile growing wider.
“You proper little-” Gladys stuck her hands between you and grabbed John’s face, pulling him towards her instead. “Bobby-dazzler!”
Pulling him down to her height, Gladys peppered John’s face in kisses, leaving his cheeks stained with pink lipstick. She was so much shorter than him, John was practically bent in half, his face all screwed up as she pressed kiss after noisy kiss to his skin.
“Looks like Gladys has taken care of that for me,” you laughed.
John managed to shoot you a crooked grin before Gladys held him at arm’s length again.
“You,” she practically squeaked. “You are getting a pay-rise, New Boy. And another kiss, c’mere.”
Gladys pulled him down again, kissing all over his face while John laughed softly and let her.
Finally, when she had released him and John could breathe again, Gladys threw her arms around you, then Mickey.
“C’mon, pub,” she said. “I’m buyin’ everyone a drink and I’m not takin’ no for an answer.”
Her words washed over you like water on the shore. You were faintly aware of your family talking, still giggling and clutching each other tightly as they moved to the door, but you couldn’t focus properly.
Heart still thrumming in your chest, you couldn’t figure out how to make your mouth move. You wanted to call out to the others, to laugh, to cry, anything, but you felt numb in the very best way.
It was yours. 64 Oslo Square was yours.
When you finally managed to get your tongue working again, you leaned your body against the doorframe, catching the door with your foot so that you could lean out and say,
“You lot go on ahead. I’ll catch up in a minute.”
Mickey and Gladys hardly seemed to hear you. They were practically skipping down the road, singing an old drinking song as they swayed in the direction of The Gardener’s Arms.
Only John hesitated. He looked like he might protest but seemed to understand what you meant. Against the late afternoon sun, he seemed to glow as he glanced back over his shoulder. Finally, he gave you a small smile, then followed after the others.
Crossing your arms over your chest, you stood in the centre of the shop floor, waiting for the door to close behind you. The July heat didn’t seem quite so harsh anymore. In fact, everything seemed to have shifted slightly. The world was as it was, as it had always been, but the lead-like weight in your chest and on your shoulders was gone. You hadn’t felt so light in years.
Slowly, you turned on the spot, taking in what was now all yours.
The dark wooden shelves lined with tins and jars, bags of coffee, and photos of Gladys’ proud parents. The pinboard on the far wall, the step you tripped over every morning, the till that tried to bite your fingers every time it closed. The counter painted bright scarlet, just like the writing over the door, a door enrobed in bright summer flowers, lighting up the whole road. All yours.
Slipping your hands round to rest on your hips, you walked into the kitchen.
A smile tugged at the corner of your mouth at the sight of the familiar, bottle-green stove. It seemed to smile back at you. The whole kitchen did. Battered old pots and pans, mosaic tiles that remembered the Blitz, the bins out the back. It was all so ordinary, all so completely conventional and prosaic.
You pulled in a long breath, filling up your lungs until you felt your chest rise. Yours.
The bakery’s front door opened with a bright chime. You heard quick footsteps cross the wooden floor, unfaltering, sure of their destination. With no one around, they echoed so unnaturally, it set your heart on edge.
You turned, smiling, and felt two hands slip around your jaw to cup your face, then John was kissing you. You knew it would be him. He’d promised you. John always kept his promises.
Your chest lurched as you pressed your palms against the backs of his hands, keeping them against your cheeks as his mouth moved against yours. A sob sat in your throat, half relief, half joy. You knew if you pulled away it would rise up, so you pressed closer, keeping your mouth against John’s.
He groaned softly against your lips, the sound starting in his throat and ending up in yours, and all the while he kissed you so sweetly, you could hardly believe you weren’t dreaming.
You grabbed handfuls of John’s shirt, keeping his narrow little body pressed tight against yours until you could almost feel his heart thumping against your chest. His hands slipped up into your hair, sending shivers over your skin as his blunt nails grazed your skin, then travelled down your back to your waist, where they found a home and squeezed softly.
It was simple, sweet, and when he pulled back to catch his breath, you could feel John’s hands were shaking slightly.
You half expected him to look worried, like he always did, so anxious and cautious, he could barely move a muscle. But there was no fear in John’s eyes. There was vulnerability and uncertainty, but only about what to do next, not of his actions, not about you.
“Oh, New Boy.” You smiled, lips tingling from the force of his kisses. “I said you’d be good for business, didn’t I.”
When John smiled back, something warm writhed in the pit of your belly. This stupid, lovely, gorgeous boy.
“Anything for you, love,” John said softly as he reached up and tucked some of your hair behind your ear. “You know me. Always anything for you.”
The next thing you knew, you had him pinned against the kitchen counter. He gasped sharply as the metal dug into his hip, but you were kissing him again before he had a chance to speak.
John’s hips fit so perfectly in your hands, you were sure he must’ve been made for you. His chest was warm and firm against yours as you leaned your body into his, and when one of his slim legs slipped between yours, you smiled, dragging your lips around the outline of his mouth.
“Easy, honey…”
John felt all the air squeeze from his lungs, his belly clenching. The edge of the counter was digging into his back, the metal cold even through his clothes, but he couldn’t care less. In fact, he liked it, liked how you kept him pinned against it, how little force you needed to get his body to comply, how your fingertips pressed into the tops of his thighs as you kissed him and kissed him.
You angled your head, catching his bottom lip with a playful flick of your tongue, and sucked, gently first, testing the waters, then again, harder.
John whimpered against your mouth as you kept him in his place but he never once made an attempt to move. In fact, his big hands slipped around your waist, holding your body against his, and when you pushed your knee between his thighs, you were certain you felt his hips rock towards yours.
He kissed like he needed it, needed you, like he’d been longing for this for a lifetime and could finally breathe. It had been a long, patient wait, but you were glad of it. Feeling John moan softly against your mouth, his needy hands grabbing at you, the culmination of months of craving, aching, hungry love, it was unlike anything you’d ever known, and when he pressed even closer, until his nose was crammed against your cheek and you couldn’t tell where you ended and John began, you knew he felt it too.
John whined pitifully when you finally pulled away. You hadn’t expected him to be quite so vocal but it made your chest heave.
John blinked down at you, panting, dizzy. Your face was flushed, and when his eyes dropped down to watch your tongue swipe his taste off your lips, his knees nearly gave out. His breath caught in his throat when he realised he could still feel you smiling against his mouth.
You were torn in several different directions. Mickey and Gladys would be expecting you in the pub. There were countless boxes, all waiting to be unpacked, sat upstairs for you. The cake batter you’d been about to bake still sat, abandoned, on the side, and you had a nice boy to kiss and kiss and kiss. The choice as easy.
Grinning, you took John’s hand and pulled him in the direction of the stairs.
“Where are we going?” he asked, his voice low and hoarse.
You pulled open the door up to your flat and shot him a bright smile.
“Dancin’.”
//
Master List
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pearlypairings · 3 months
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Hi babe happy birthday!! For the cute birthday scenarios, how about hellcheer and one baking a surprise cake for the other?
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eddie x chrissy || fun, fluff, goofy mistakes || 959 words
A/N: you've been so patient rosey, to be last but not least :) hope you enjoy the fluffy cake disaster that only a ADHD/distracted Eddie could make enjoyable <3 thank you for this one! ending on a high note:)
previous prompt
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A scoop of powdery white mystery rested lazily atop the magazine cut-out on the counter. Eddie couldn’t remember if he’d scooped the flour or the baking powder and smelling it gave him no further clue. He slipped the recipe out from underneath to reexamine the ingredient list. “Son,” Uncle Wayne mused, approaching from the trailer’s quaint living space to haunt over the haphazard piles of ingredients and bowls and spoons. “Wouldn’t everyone be happier if you just bought the damn thing? Leave baking to the professionals. I can’t remember a Munson ever baking a cake, not even Great Grandma Gin.”
“Exactly, Chrissy won’t expect it.” Eddie picked up the scoop and poured it confidently (still wondering how bad the mess-up would be if he switched ingredients on accident) into the big mixing bowl amidst other dry ingredients. “You know how she is, always one step ahead. I never get to really surprise her. It’s about time that I give her a real shock.” Wayne shook his head, peering into the metal bowl with skepticism before taking stock of the cracked egg shells and milk carton close by. “Your girl is more likely to get the shock of food poisoning, but don’t mind me. I’ve just got her health more on my mind than your grand ideas.” “Thanks for the vote of confidence. I’ll be sure not to save you a slice after your shift.” Eddie waved him away, his eyes glued to the numbers on the recipe instructions. With a shrug, he tossed the rest of the ingredients into the bowl and took their trusty, chipped wooden spoon off the sidelines. Sure, the recipe called for a mixer, but a little elbow grease and their lucky spoon had to wind up with the same outcome. His uncle stayed away from the kitchen while Eddie finished up. He’d had to borrow a cake pan from little Red and her mom down the way and promised to return it the way he found it—washed with maybe a few extra burnt bits stuck on the bottom. The Munson’s oven was more of a holding bay than an operational cooking appliance, so he cleared out the old frying pans and boxes of cereal too big for the cabinets before he clicked it on and set it to the proper temperature of 375 degrees…or was it supposed to be 325? Whatever, it’s hot enough at least. At any rate, the batter was to the brim of the pan when he slid it onto the rack like a brain surgeon who’d pivoted his career to expert baker. He saluted the oven, fully trusting it would honor its commitment to cooking the hell out of Chrissy’s cake. When enough time had passed (vibes were essential to this part, he thought a timer was a bit much), the dingy dishtowels were his gauntlets—primed and prepared to face the flaming hot metal inside.
Upon first glance, there may have been some spillage over the sides when it rose; he forgot about the whole “cake rising” part. And shit, sure, the edges looked darker (a rich toasty black-brown) than he expected, but the frosting would solve all of that, he assured himself as he placed the pan on the stovetop to cool. That much he remembered from little Red’s mother’s parting advice. By the time he’d finished swirling the last swatch of frosting, Chrissy would be here any minute. Wayne had already left for his shift at the plant and for that miracle, he was glad. Eddie would have never heard the end of his digs while they waited for her arrival, if he had seen the cake. Hell, his uncle probably would have gone out and bought a replacement cake for her. His disaster of a birthday cake had more potholes than the Forest Hills trailer park and more cracks than old Harry’s truck windshield. The only thing holding it up was his overabundance of frosting gluing pieces together and poorly filling the divots, lumps, and bumps across the top. A whole army of swirly, wax candles didn’t help his case much, but those were the finishing touches he needed for the surprise to feel complete. There were a couple of taps on the trailer door, and her familiar voice greeted him affectionately beyond the screen. Chrissy let herself in, wearing the prettiest white blouse he’d ever seen, probably a well-deserved birthday splurge from the mall. He called her over to the kitchen, stepping out to showcase his Frankenstein creation. “What are you doing in the—” Chrissy’s eyes froze on the deflated, over-iced cake. Her soft features exploded in glorious shock, and with a squeal, she rushed the last few steps and jumped into his arms. “That’s mine, right? You made that for me?” “I did, pretty girl.” He kissed her, hoping he still tasted like vanilla from all the frosting he’d been sampling. “Surprised?” “I can’t wait to try it!” She nodded, nuzzling into his neck and squeezing her arms tighter around him.  “Let’s light the candles first.” Eddie touched her feet back down onto the floor, looking between her pretty smile and the funky cake. He pulled open the drawer to get his lighter, shuffling a few items around to find the shiny black box while his back was turned. “You might wanna wish for a better tasting cake, just as a warning.” And before he had time to react, Chrissy had scooped a healthy finger-full of icing and slathered it down Eddie’s nose with a devious cackle. She retreated without hesitation, ducking behind Uncle Wayne’s favorite chair and hiding from the fistful of cake he carried behind his back. Her laugh was uncontrollable. Eddie had the biggest grin on his face. Sometimes cakes were really sweet. Sometimes cakes were made for throwing. Sometimes surprises went sideways in the best way. He wanted to record that laugh forever.
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mixer-online · 1 month
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BEYONCÉ / APRIL 2024
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cerealkiller740 · 11 months
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1951 Sunbeam Mixmaster
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fem sniper with ruggid masculinity, dirty sweaty smelly crooked teeth grin kind of thing, doesn't own a mirror and has never worn a bra, a fuckboi of a lesbian, a went-to-hooters-once lesbian, little bit of an asshat but got the goods to make up for it.
fem spy like learning how to tie a tie 14 different ways before actually feeling comfortable wearing one in public. wearing SO much cologne because shes paranoid about smelling bad ever since she stopped shaving even though she feels more like a person now. fem spy like buying mens clothes and having them expertly tailored because she can't stand the gaps where they dont fit her right. shes on edge. she still feels like a criminal, like a soldier caught out of uniform, like a gar��on manqué, lacking, always lacking. not that she would ever let that feeling show.
sniper having this sort of completely absentminded grace, a complete comfort in her skin, just 'knowing' how to be
spy being polished, hammer-hardened, something shaped by the cracks shes slipped through. something she made herself into, on purpose.
sniper told her parents she was 'gonna marry the magazine lady' when she was six. spy came out, if only to herself, in the bathroom of a corporate mixer when she was 34 years old. spy is older, but sniper has been “out” longer, if she was ever really “in”
sniper could never fit in the closet, not at nearly 6'5, she can barely lie to save her life and never knew a world that didn't tell her she was something less than human. shes never seen the daylight-bathed respectable side of any city. had a hard time fitting into the fragrant, frantic, spun-glass-delicate underbelly either.
so instead she was on her own in the outback so long she forgot to have an ego. became a part of the sun and wind and dry cracked earth. she's seen bones out there. some of them human. none of them gave her trouble for who or what she was.
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justaz · 2 years
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percy repeatedly asking annabeth to marry him, even after they’re married
annabeth glaring down at her textbook in college, bags deeper and darker than the mariana trench, hair in a rats nest haphazardly pulled back in a bun that is gonna be infuriating to undo and she will resort to just cutting the tie:
percy, laying in bed next to the desk she’s working at, lovestruck, heart eyes, blushing, giggling, kicking his feet: marry me rn
annabeth covered in flour and sugar bc she set the mixer on too high a setting while making cookies with percy in their kitchen at three am bc they couldn’t sleep, bent over hysterically cackling, tears pooling in her eyes:
percy, covered in flour and sugar, lovestruck, heart eyes, laughing almost louder than her, blushing, mentally flipping through his ideas of rings to find the perfect one to propose to her with: holy shit…marry me
annabeth sat on the couch in percy’s shirt and her own blue shorts, coffee in hand, magazine in lap, flipping through for ideas for their wedding, serene, peaceful even:
percy, attempting to make breakfast but keeps getting distracted by his absolutely stunningly beautiful fiancé (fiancé), definitely burning the pancakes, egg in hand that was ready to be cracked into the pan but instead was squeezed too hard and egg yolk began running down his arm: holy shit you gotta marry me rn if u don’t i’m just gonna stop breathing until you say yes
annabeth sat at a table drinking a glass of champagne, makeup completely ruined from dancing so much she began to sweat and from crying tears of joy, hair still somehow done up in the beautiful style sally had done three hours ago, wedding dress sparkling under the lights, wide smile on her face and hand in percy’s:
percy, breathless, still not completely processing what just happened, heart beating so fast he’s not sure if it’s beating at all anymore, unable to tear his gaze away from his wife’s (WIFE’S) achingly gorgeous profile, rubbing his thumb across the back of her palm, rubbing his ring against hers to feel the clink of the bands: marry me, beth
annabeth sat up in bed reading a book under the light of the lamp of the nightstand, one hand running through percy’s hair, occasionally coming down to rub his neck, hair falling down her shoulders and back in beautiful princess curls, gaze distant as her mind is in a whole other world:
percy, laying down next to her, staring up at her as if she was his god (which technically she is, the way he worships the ground she walks on and would do anything for her, sacrifice anything to ensure her happiness and safety), arms wrapped around her hips, finger drawing invisible images into her thigh, whispers so soft that he can barely hear it yet somehow she does: marry me
annabeth rambling on and on about her new hyperfixation and infodumping on percy over lunch which happened to be a picnic in the park, ring reflecting the sunlight multiple times into percy’s eyes during her rant, hair flying in all directions somehow regardless of the light breeze, a bit of mayo on her chin from her sandwich:
percy, unable to look away or even blink despite being blinded multiple times by her ring, pretty sure a couple of squirrels ran off with his sandwich like ten minutes ago, not retaining anything she’s saying but burning the resonance of her voice and the sparkle in her eyes into his memory: i have a ring, i’m proposing, marry me right fucking now holy shit
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ripeteeth · 2 months
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“It is a pleasant pastime to think of what might be a good kitchen for yourself. Just now it is very smart, too. Women’s magazines flash with brilliant colour-photos of dream-like rooms where glass walls and metal sinks compete with electric dishwashers and mixers for cake for the fascinated reader’s favour.
Washable chintz curtains wave in the controlled breeze. Ivy grows around the telephone table, where an easy-chair, a radio, and an alarmingly narrow cookbook shelf promise relaxation to the American hausfrau.
For myself, I should like a kitchen with some of these magic things, but none of the conscious design, the June-bride’s-first-little-home look about it.”
M.F.K. Fisher, Serve It Forth
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