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#THE HAT????
...... Oh wait a fucking second....
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A civilization based around science and technology. Their main goal is utilizing speedforce. Taking over planets and turning everything into machines. A never ending hunger for power and resources. An Empress, who is probably a hostage, with a convenient metal hat on.....
Holy shit. It's the Thinker.
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I'll bet that fancy hat on the Empress' head is actually the Thinking Cap!!
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And he probably kidnapped Iris for the same reason he got Linda last time! He needs leverage! He's smart enough to learn from his past mistakes and he knows that the speedsters can/will stop him. So he needs some assurance. I bet he went after Iris because she has a connection to everyone. That's probably where he got the twins from as well and he used them to develop his speedforce tech.
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Devoe is a living computer. The last time he attacked he turned all of Keystone into a giant machine. Looks familiar, right?
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He was obsessed with getting Wally because of Wally's speed. With Wally's brain the Thinker could process information at light speeds. This would make him unstoppable and he would be able to take over the world in seconds.
BUT! Wally kicked his ass!
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Wally's brain moved too fast for the Thinker and Wally essentially shredded his data. They thought he was gone for good... but what if he had a backup in the cap? What if there is still a 'Fraction' of the Thinker left over?
He's learned his lesson this time. The speedforce is too powerful to hook up to him directly but it can still be used as a tool. He can make 'artificial conduits'. Conduits that can't fight back. He can take the 'organic' conduits and use them solely for power. No need to repeat the same mistakes! And using the speedforce as a tool he can slowly but surely turn the entire universe into one giant computer.
It's the Thinker!
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jettkuso · 5 months
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Real observations since I started wearing a wizard hat daily:
- Brim is so wide that I stay BONE DRY taking walks in the rain
- Brim can be positioned to block the sun from ever getting in my eyes AND keeping it off the back of my neck
- The pointed top part creates an air pocket, keeping my head from getting hot or squishing my hair as it might in a ball cap
- Hat can easily be pulled down over the tips of my ears without looking dumb, protecting them from wind chill
- Strangers say they like my hat, giving me the chance to tell them that I am a wizard
- When you’re wearing a wizard hat, ALL OTHER FASHION CHOICES become secondary, allowing you to branch out with style
Embrace ego death. Stay protected from all elements. Wear a wizard hat.
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sully-s · 3 months
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Listen, if I had the time I would just make Justice Leauge the mockumentary, lol.
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drag0nerd · 1 month
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you ever get Supernaturally Beckoned to draw something
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themetalhiro · 7 months
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atomikats · 6 months
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dinner conversation (based on this)
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leaff0dil · 3 months
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They’re so silly
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orangelemonart · 9 months
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Preorders available, dial 1-800-073-NAMI on your transponder snail now!
bonus:
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rainydaysfw · 2 months
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Words cannot express how much I find radiosilence hilarious, but drawings can
First comic in like 2 years wow
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heyhoneylook · 7 months
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Everyone please say hello to Sock!
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She is very small!!
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koobiie · 7 months
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yeah sorry your princess came back wrong :(
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hattiestgal · 12 days
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Everyone say thank you women with deep low pitched voices
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soaked-doors · 4 months
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“no one is born in this world to be alone!”
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elodieunderglass · 8 months
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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myjetpack · 9 months
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A recent cartoon for New Scientist
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