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inky-duchess · 4 months
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Etiquette of the Edwardian Era and La Belle Époque: Courting
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This is a new set of posts focusing on the period of time stretching from the late 19th century to the early 20th Century right up to the start of WWI. I'll be going through different aspects of life. This series can be linked to my Great House series as well as my Season post and Debutant post.
I get asked a lot about courting, what's acceptable or what's off limits and how one may woo a prospective spouse. So let's explore how to win the hand and heart.
Meeting (not so cute?)
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Firstly, it is really difficult to have a meet cute in the Edwardian era. Women and men are kept separate for most of the day, only really getting to meet at designated events: A dinner, a ball, a social event. Meeting in the park is a cute idea but a gentleman can't just approach a lady (or another gentleman) without being introduced by a third party, either a senior party or a mutual friend. However, an introduction at a ball is sort of like Cinderella's get up, it ceases to matter when the ball is over. Your gentleman must not approach a lady after that ball, he must be reintroduced. Once an introduction has been made, he can speak with her.
An Interest
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When an introduction has gone satisfactory, a gentleman must make the first move by calling to her parents'/guardian's home and making a formal request to begin courting. Her parents/guardians must consent, usually leading to a short brief interview of the gentleman's family, his connections, his wealth (though in not so vulgar terms, they may inquire where he lives which is an indicator). The woman's opinion did matter, she could give her reasons for accepting or turning down the offer. When the interest is approved, the gentleman can start offering invitations.
Three's Company
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Of course, just because the parents agree, doesn't mean the couple gets to be alone. The young lady will be accompanied by a chaperone either a lady's maid, a governess, her mother or another female relative. While the couple is together, the chaperone will always be a few steps behind or have them in sight. She's there to ensure that nothing more than a conversation happens. This is not only for her young lady's reputation but also to save the man from any claims of impropriety. The chaperone also serves as a sort of spy, gauging whether this relationship is worth pursuing.
Activities & Tokens
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A gentleman may invite a lady out to lots of different activities. He can invite her for a promenade at a local park or gardens, out the theatre, visit her at home, invite her to galleries, to balls or to be his companion at sporting events such as the races, tennis matches or boat races. When visiting in the house, the gentleman would be expected to speak with all the family, be polite and courteous. This is how the family guages his suitably. The gentleman must provide transportation and funds for any excursion. Gifts are to be refined as well. Expensive gifts are considered vulgar and will likely be turned down. Small gifts such as flowers, books, cakes are acceptable. Gifts aren't as important as the time spent together.
Rules of Engagement
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There are certain unspoken rules surrounding courtship that every gentlemen must follow for a successful courtship:
A gentleman should always pay attention to his lady, and not exclude her or cast her off for others
A gentleman never smokes in front of his lady nor forget to remove his hat.
A gentleman must always offer to refresh his lady on an excursion
A gentleman must defend his lady from any offense be it an insult or a scene unfit for her eyes or within an argument. Throwing in an apology for any offense can add a cherry on top.
However if she's the one giving offense, without any reason, the gentleman must seek to create peace, apologising on her behalf.
When walking, a lady will be placed in the inside of the pavement.
A gentleman should never spend above his means to impress his lady. Staying within his means is not only smart but a show of restraint and a glimpse of what life ought to be if they marry.
A gentleman should always offer his assistance when a lady is exiting a carriage or going up a flight of steps or carrying anything heavy.
If a man accompanies a woman to a ball, he's expected to dance with her on her first and last dances of the evening.
A gentleman must always make his intentions known and not string a lady along with no intention of marriage. He must never joke about his intentions or lead her on.
Marriage
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Courtship usually promises marriage which is why a gentleman or lady should not enter into courtship unless they would consider marriage. Courtship may last a few months or a few weeks and while it is going on, both sides should consider whether marriage would be a viable option of either of them. Parents/guardians would be consulted, the gentleman must make his intentions known to her father or nearest male relative before approaching the lady and popping the question. A courtship that doesn't end in marriage is seen as a failure and may damage the reputation of both parties, leading people to wonder what happened and who is to blame. For example is a perfectly eligible gentleman will not marry a perfectly eligible lady or she turns down his offer, people will usually leap to the conclusion that there is something lacking.
LGBTQIA+ Courting
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Gay people have always been here. They have courted and they have loved. Whilst it was illegal in this time in many parts of the world, love did prevail. (fun fact: lesbianism wasn't illegal because nobody wanted to explain what it was to Queen Victoria). The good thing to know is that courting whilst gay was likely easier in this period. Whilst there were restrictions and rules for straight couples and chaperones haunted their every step, none of this would happen if two people of the same gender stepped out together. Two gentleman going to the opera together or dining at a restaurant or attending a ball together (dancing in public was unlikely) or two ladies promenading in the park or attending a concert would not be examined like a courting couple. They would have more freedom to move around but of course, with legal impediments PDA was kept a minium. Whilst they wouldn't be allowed to marry legally, there was little stopping couples from moving in together. Nobody would say much about two spinsters sharing a home or two bachelors crashing together
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deardragonbook · 2 years
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Writing immortals and age differences within relationships
When I was a teen, there were far too many books featuring characters that were hundreds of year old and dating teens. 
It still happens. But we’ve come to a point where many people agree this isn’t great. There’s a huge debate when it comes to age differences in media, but teenagers are generally too young to be dating immortals. 
A lot of these stories justify the age difference with the immortal having the body of a teen. Now, if they have the mind of a teen I can kind of see it, however then there’s the problem of, why even bother having them be hundreds of years old if that’s not going to play a role at all in their character? 
Personally I avoid them, kind of. 
Here’s the thing, in my own books there is a variety of species with very different life expectancy-s, some are immortal, others live for hundreds of years, some have the normal average human lifespan. 
So how do relationships work? Scratch that, how do healthy relationships work? 
Because we are allowed to write problematic relationships as long as we don’t fantasize them. 
Well, I use the life-long method of, it depends. 
Because a five year age different is not the same when talking 15 to 20 and 30 to 35. The same goes for immortality, a two hundred year age gap is completely unacceptable for an eighteen-year-old and two-hundred-and-eighteen-year-old. 
But what about a forty-year-old and two-hundred- and-forty-year-old? I allow it. Because the thing is, yes, this a complicated and layered relationship, but these are two consenting and understanding adults. It’s important there be communication about the different experiences and this relationships won’t be simple, but there’s no abuse happening here. 
A forty-year-old is capable of understanding what they’re getting into. 
The immortal character is also capable of understand their human partner won’t be around forever. 
For there me, there isn’t a number of years that makes an age gap acceptable or not. For me the youngest characters needs to be fully developed mentally, and there needs to be healthy communication. 
That isn’t to say I don’t have characters who are seven-hundred years old and refuse to date anybody under the age of five-hundred, but in their case it’s not a matter of morality, it’s about preferences. 
This character has experienced a life very different to that of a human or any other short life span species, and explaining that type of life can be difficult, hard work. They prefer to date people who share similar experiences. 
I have a variety of characters with a variety of relationship preferences and their own personal rules. But this is how I handle age-gaps.
I hope you found this interesting and I would love to hear if you have a different opinion! 
If you want to check out my books, free to read stories or other social medias you can check out my author website. I also have a discord for my book series where I’m open to talk about writing, publishing and books in general so if you’d like to reach out me join my discord!
My third book will be going into beta reading soon so if that something you’re interesting in, stay tuned! 
Have fun writing!
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Writer Resource: Emotions
Many writers are familiar with how to write the "bigger" most common emotions (fear, anger, joy), but struggle with nuances - I know that's one of my weaknesses in writing.
Found a clickable resource which explores the physical manifestation of emotions as a good resource for writers.
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transmasc-wizard · 2 years
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list of weapons to give and/or inflict on yr characters. because coming up with character weapons is hell sometimes. under the cut bc there's a lot but they're sorted by stabby/slashy bladed weapons, blunt force weapons, & long-range weapons. obvious WEAPON TW (including guns)
have fun kiddos
stabby and/or slashy bladed weapons:
longsword
rapier
broadsword/basket-hilted sword
cutlass
katana
gladius
machete
Urumi
Bayonet
Scythe
Shuriken
Spear
Hunting knife
Throwing knife
Dagger
Battle axe
Tomahawk
Hatchet
Poleaxe
Throwing axe
Blunt force weapons (some of these are. creative)
Hammer
Baseball bat
Golf club
Canne de combat
Baton
Club
Mace and morning star (no spikes vs spikes)
Brass knuckles
Nunchaku
Flail
Long(er)-Range Weapons
Hand cannon
Blowgun
Boomerang
Swivel gun
Trebuchet
Cannon
Handgun
Shotgun
Rifle
Revolver
Musket
Grenade launcher
Rocket launcher
Flamethrower
Bow and arrow
Crossbow and Repeating crossbow
Scorpio
there are. so many weapons. but i think that's enough for one list
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novlr · 9 months
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The symbolism of flowers
Flowers have a long history of symbolism that you can incorporate into your writing to give subtext.
Symbolism varies between cultures and customs, and these particular examples come from Victorian Era Britain. You'll find examples of this symbolism in many well-known novels of the era!
Amaryllis: Pride
Black-eyed Susan: Justice
Bluebell: Humility
Calla Lily: Beauty
Pink Camellia: Longing
Carnations: Female love
Yellow Carnation: Rejection
Clematis: Mental beauty
Columbine: Foolishness
Cyclamen: Resignation
Daffodil: Unrivalled love
Daisy: Innocence, loyalty
Forget-me-not: True love
Gardenia: Secret love
Geranium: Folly, stupidity
Gladiolus: Integrity, strength
Hibiscus: Delicate beauty
Honeysuckle: Bonds of love
Blue Hyacinth: Constancy
Hydrangea: Frigid, heartless
Iris: Faith, trust, wisdom
White Jasmine: Amiability
Lavender: Distrust
Lilac: Joy of youth
White Lily: Purity
Orange Lily: Hatred
Tiger Lily: Wealth, pride
Lily-of-the-valley: Sweetness, humility
Lotus: Enlightenment, rebirth
Magnolia: Nobility
Marigold: Grief, jealousy
Morning Glory: Affection
Nasturtium: Patriotism, conquest
Pansy: Thoughtfulness
Peony: Bashfulness, shame
Poppy: Consolation
Red Rose: Love
Yellow Rose: Jealously, infidelity
Snapdragon: Deception, grace
Sunflower: Adoration
Sweet Willian: Gallantry
Red Tulip: Passion
Violet: Watchfulness, modesty
Yarrow: Everlasting love
Zinnia: Absent, affection
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writers-potion · 30 days
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Can you please share some words to use instead of "Look", I really struggle with that, it's always "She looked at him in shock" or "He looked at her with a smile". I know there's "Gazed" and "Glanced" but I wanted some advice to use "Look" less
Words To Use Instead of "Look"
Words Closest in Meaning (w diff connotations!):
stare
eye
study
behold
glimpse
peek
glance
notice
observe
inspect
regarding
view
review
look-see
get an eyeful
peer
give the eye
eyeball
size up
size up
check out
examine
contemplate
scan
recognize
sweep
once-over
judge
watch
glare
consider
spot
scrunitize
gaze
gander
ogle
yawp
Other (more fancy) words:
glimmer
sntach
zero in
take stock of
poke into
mope
glaze
grope
rummage
frisk
probe
rivet
distinguish
witness
explore
gloat
scowl
have a gander
comb
detect
surveillance
squint
keeping watch
rubberneck
pout
bore
slant
ignore
audit
pipe
search
note
speculation
simper
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bookished · 7 months
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HOW TO GIVE PERSONALITY TO A CHARACTER
Giving personality to a character is an essential part of character development in storytelling, whether you're writing a novel, screenplay, or creating a character for a role-playing game. Here are some steps and considerations to help you give personality to your character:
Understand Their Backstory:
Start by creating a detailed backstory for your character. Where were they born? What were their childhood experiences like? What significant events have shaped their life? Understanding their past can help you determine their motivations, fears, and desires.
2. Define Their Goals and Motivations:
Characters often become more interesting when they have clear goals and motivations. What does your character want? It could be something tangible like a job or a romantic relationship, or it could be an abstract desire like happiness or freedom.
3. Determine Their Strengths and Weaknesses:
No one is perfect, and characters should reflect this. Identify your character's strengths and weaknesses. This can include physical abilities, intellectual skills, and personality traits. Flaws can make characters relatable and three-dimensional.
4. Consider Their Personality Traits:
Think about your character's personality traits. Are they introverted or extroverted? Shy or outgoing? Kind or selfish? Create a list of traits that describe their character. You can use personality frameworks like the Myers-Briggs Type Indicator or the Big Five Personality Traits as a starting point.
5. Give Them Quirks and Habits:
Quirks and habits can make a character memorable. Do they have a specific way of speaking, a unique fashion style, or an unusual hobby? These details can help bring your character to life.
6. Explore Their Relationships:
Characters don't exist in isolation. Consider how your character interacts with others. What are their relationships like with family, friends, and enemies? These relationships can reveal a lot about their personality.
7. Show, Don't Tell:
Instead of explicitly telling the audience about your character's personality, show it through their actions, dialogue, and decisions. Let the reader or viewer infer their traits based on their behavior.
8. Create Internal Conflict:
Characters with internal conflicts are often more engaging. What inner struggles does your character face? These can be related to their goals, values, or past experiences.
9. Use Character Arcs:
Consider how your character will change or grow throughout the story. Character development is often about how a character evolves in response to the events and challenges they face.
10. Seek Inspiration:
Draw inspiration from real people, other fictional characters, or even historical figures. Study how people with similar traits and backgrounds behave to inform your character's actions and reactions.
11. Write Dialogue and Inner Monologues:
Writing dialogue and inner monologues from your character's perspective can help you get inside their head and understand their thought processes and emotions.
12. Consider the Setting:
The setting of your story can influence your character's personality. For example, a character who grows up in a war-torn environment may have a different personality than one raised in a peaceful, affluent society.
13. Revise and Refine:
Don't be afraid to revise and refine your character as you write and develop your story. Characters can evolve and change as the narrative unfolds.
Remember that well-developed characters are dynamic and multi-faceted. They should feel like real people with strengths, weaknesses, and complexities. As you write and develop your character, put yourself in their shoes and think about how they would react to various situations. This will help you create a compelling and believable personality for your character.
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lyralit · 11 months
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writers' resources
sick of using "very _____" ? : https://www.losethevery.com/
want to simplify your writing ? : https://hemingwayapp.com/
writing buddies / motivation ? : https://nanowrimo.org
word you're looking for but don't know ? : https://www.onelook.com/thesaurus/
need a fantasy name ? : https://www.fantasynamegenerators.com/
need a fantasy name ? : https://nameberry.com/
want a name with meaning ? : https://www.behindthename.com/
who wants a map maker! : https://inkarnate.com/
story building / dnd ? : https://www.worldanvil.com/
need some minimalistic writing time ? : https://zenpen.io/
running out of ideas ? : https://blog.reedsy.com/creative-writing-prompts/
setting a goal ? how about 3 pages / day ? : https://new.750words.com/
what food did they eat ? : https://www.foodtimeline.org/
questions on diversity within writing ? : https://writingwithcolor.tumblr.com/
now what was that colour called ? : https://ingridsundberg.com/2014/02/04/the-color-thesaurus/
want more? : https://www.tumblr.com/blog/lyralit :]
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imastoryteller · 3 months
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10 Tips for Crafting Authentic Characters
Give them depth: Create characters with multidimensional personalities, including strengths, weaknesses, quirks, and flaws. They should have a mix of virtues and vices that make them relatable and interesting.
Provide backstory: Develop a detailed backstory for each character, even if only a fraction of it makes it into your story. Understanding a character's past experiences, traumas, and motivations will inform their actions and decisions in the present.
Show their emotions: Allow your characters to express a range of emotions realistically. Show how they react to different situations, both internally and externally, to make them feel human and relatable.
Give them distinct voices: Each character should have a unique way of speaking, with distinct vocabulary, syntax, and speech patterns. This helps readers differentiate between characters and adds authenticity to their dialogue.
Create internal conflicts: Give your characters inner struggles and conflicting desires that they must grapple with throughout the story. Internal conflicts add depth and complexity to characters, making them more believable.
Show their relationships: Develop meaningful relationships between characters, whether they're familial, romantic, platonic, or adversarial. Show how these relationships evolve and influence the characters' development over time.
Make them evolve: Characters should grow and change over the course of the story, driven by their experiences and the challenges they face. Allow them to learn from their mistakes, overcome obstacles, and develop as individuals.
Ground them in reality: Anchor your characters in the real world by giving them relatable experiences, hobbies, jobs, or cultural backgrounds. Incorporating realistic details adds depth and authenticity to their portrayal.
Show their flaws: Imperfect characters are often the most compelling. Don't be afraid to showcase your characters' flaws and vulnerabilities; these imperfections make them more relatable and human.
Give them agency: Allow your characters to drive the plot forward through their actions, decisions, and choices. Avoid making them passive observers or mere vehicles for the story's events. Characters with agency feel more authentic and engaging to readers.
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willtheweaver · 2 months
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Ways to solve the Why Can’t They Use Magic To Fix Everything problem:
•Magic has a cost. The more powerful the spell, the more it drains the caster’s life.
•’We tried that ages ago.The gods grew angry at our arrogance and stripped most of our powers away.’
•Magic is tied to the stars and planets. Its full potential can only manifest on certain astrological events.(And these are once-in-a-millennia type events)
•Only one will a pure heart and selfless intentions can use their full power.
•All magic users are descendants of a (god/spirit). As the years have gone by, the blood has become more diluted, and magic has grown weaker as a result.
•Spell casters can only cast (finite number of spells). They end up using their gift on trivial matters.
•’After the war, we realized the dangers that magic presented. And so we sealed it away, lest it destroy the world.’
•Everyone has magic. Trying to solve one problem is futile as it can be easily undone(often violently and with much destruction)
•inverse of the above: everyone has magic, but their powers are limited and (mostly) harmless.
•Individual, company, or nation has a monopoly on the only substance that can negate magic. As they rule the world, they have installed anti-magic devices everywhere.
•Individual, group, company, or nation has a monopoly on magic. To insure their grip on power, all magic users that do not submit to them are killed.
•An act of good will spawn one of evil. The use of fire will cause somewhere to grow cold and dark. And to save a life, one must sacrifice another.
•The only magic people have access to is Chaos Magic. No one uses it, for obvious reasons.
—••• •• ——• ——• • ••• —•• •• —•—• —•— ••— •••
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madlyfluffy · 2 months
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Yearly reminder to everyone trying to find alternatives to tumblr/social media in general: go make a Neocities account and teach yourself basic HTML and post your art/writing/shitposts there.
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It does take extra time to set up (but there are templates out there!) but it is so so worth it to have a site that is 100% YOURS!
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You don’t even have to be that good at coding. I’m not. My site is not very accessible via mobile devices but that is fine with me (keeps me off my phone) but there are plenty of ways to make your site mobile friendly. There are plenty of bare bones/accessible sites I adore purely for the media on it.
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Imagine having your site on your phone and showing someone- hey! I coded this from scratch. And I didn’t even have to pay a company like squarespace. All your images, links, writings, in one place. I have my fandom edits, memes, fanart, and custom graphics there.
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Neocities has a very bare bones follower and comment system, but you can disable this if you want your site to truly abstain from any social media-isms. I use it because its a great way to meet other webmasters and get help with coding problems. Neocities isn't an exact replacement for Tumblr (no reblogging here) but html coding is an invaluable skill to know, as is keeping a personal website in this day in age.
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The awesome thing about having your own website is if, god forbid, Neocities goes down, you can move your site to any other number of hosting platforms (like Teacake.org). Your site is truly YOURS, and no one else (shitty tech CEO cough cough) can take it away from you.
If you need help getting started, I recommend checking out sadgrl.online. (More links to resources in the comments section of this post).
I know neocities has been talked about before, especially within my follower circle, but I thought I'd bring it up again for anyone unaware of this awesome platform.
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inky-duchess · 5 months
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Fantasy Guide to Building A Culture
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Culture is defined by a collection of morals, ethics, traditions, customs and behaviours shared by a group of people.
Hierarchy and Social Structures
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Within every culture, there is a hierarchy. Hierarchies are an important part of any culture, usually do ingrained that one within the culture wouldn't even question it. Hierarchy can be established either by age, gender or wealth and could even determine roles within their society. Sometimes hierarchy can may be oppressive and rigid whilst other times, ranks can intermingle without trouble. You should consider how these different ranks interact with one another and whether there are any special gestures or acts of deference one must pay to those higher than them. For example, the Khasi people of Meghalaya (Northern India), are strictly matrillineal. Women run the households, inheritance runs through the female line, and the men of the culture typically defer to their mothers and wives. Here are a few questions to consider:
How is a leader determined within the culture as a whole and the family unit?
Is the culture matriarchal? Patriarchal? Or does gender even matter?
How would one recognise the different ranks?
How would one act around somebody higher ranking? How would somebody he expected to act around somebody lower ranking?
Can one move socially? If not, why? If so, how?
Traditions and Customs
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Traditions are a staple in any culture. These can be gestures or living life a certain way or to the way a certain person should look. Traditions are a personal detail to culture, they are what make it important. Tradition can dictate how one should keep their home, run their family, take care of their appearance, act in public and even determine relationship. Tradition can also be a double edged sword. Traditions can also be restrictive and allow a culture to push away a former member if they do not adhere to them, eg Traditional expectations of chastity led to thousands of Irish women being imprisoned at the Magdelene Laundries. Customs could be anything from how one treats another, to how they greet someone.
How important is tradition?
What are some rituals your culture undertakes?
What are some traditional values in your world? Does it effect daily life?
Are there any traditions that determine one's status?
Values and Opinions
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Values and Opinions are the bread and butter of any culture. This is the way your culture sees the world and how they approach different life hurdles. These may differ with other cultures and be considered odd to outsiders, what one culture may value another may not and what opinion another holds, one may not. There will be historical and traditional reasons to why these values and opinions are held. Cultures usually have a paragon to which they hold their members to, a list of characteristics that they expect one to if not adhere to then aspire to. The Yoruba people value honesty, hard work, courage and integrity. Here are some questions to consider?
How important are these ethics and core values? Could somebody be ostracised for not living up to them?
What are some morals that clash with other cultures?
What does your culture precieved to be right? Or wrong?
What are some opinions that are considered to be taboo in your culture? Why?
Dress Code
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For many cultures, the way somebody dresses can be important. History and ethics can effect how one is meant to be dressed such as an expectation of chastity, can impose strict modesty. While other cultures, put more importance on details, the different sorts of clothes worn and when or what colour one might wear. The Palestinian people (من النهر إلى البحر ، قد يكونون أحرارا) denoted different family ties, marriage status and wealth by the embroidery and detailing on their thoub.
Are there traditional clothes for your world? Are they something somebody wears on a daily basis or just on occasion?
Are there any rules around what people can wear?
What would be considered formal dress? Casual dress?
What would happen if somebody wore the wrong clothes to an event?
Language
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Language can also be ingrained as part of a Culture. It can be a specific way one speaks or a an entirely different language. For example, in the Southern States of America, one can engage in a sort of double talk, saying something that sounds sweet whilst delivering something pointed. Bless their heart. I have a post on creating your own language here.
Arts, Music and Craft
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Many cultures are known for different styles of dance, their artwork and crafts. Art is a great part of culture, a way for people to express themselves and their culture in art form. Dance can be an integral part of culture, such as céilí dance in Ireland or the Polka in the Czech Republic. Handicrafts could also be important in culture, such as knitting in Scottish culture and Hebron glass in Palestine. Music is also close to culture, from traditional kinds of singing such as the White Voice in Ukraine and the playing of certain instruments such as the mvet.
Food and Diet
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The way a culture prepares or intakes or treats certain foods are important to a culture. In some cultures, there is a diet yo adhere to, certain foods are completely banned. With Jewish culture, pork is prohibited along with fish such as sturgeon, along with shellfish and certain fowl. Meat must also be prepared in a certain way and animal byproducts such as dairy, must never be created or even eaten around this meat. This is known as kosher. The way one consumes food is also important to culture. In some cultures, only certain people may eat together. Some cultures place important on how food is eaten. In Nigerian culture, the oldest guests are served first usually the men before the women. In Japanese culture, one must say 'itadakimasu' (I recieve) before eating. Culture may also include fasting, periods of time one doesn't intake food for a specific reason.
What are some traditional dishes in your world?
What would be a basic diet for the common man?
What's considered a delicacy?
Is there a societal difference in diet? What are the factors that effect diet between classes?
Is there any influence from other cuisines? If not, why not? If so, to what extent?
What would a typical breakfast contain?
What meals are served during the day?
What's considered a comfort food or drink?
Are there any restrictions on who can eat what or when?
Are there any banned foods?
What stance does your world take on alcohol? Is it legal? Can anybody consume it?
Are there any dining customs? Are traditions?
Is there a difference in formal meals or casual meals? If so, what's involved?
Are there any gestures or actions unacceptable at the dinner table?
How are guests treated at meals? If they are given deference, how so?
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modifieduchiha · 9 months
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Show, don't tell : Part 1
Directory Writing Masterlist Blog Etiquette Buy me a Ko-Fi?
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[ Angry + Frustrated ]
Red face
Tensing up jaw/body
Clenching fists
Gritting teeth
Stomped feet
Rolling eyes
Crossing arms
Kick/Hit something
Eyebrows furl
Face crunches up
Tight lips
Narrow eyes
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[ Happy + Excited ]
Laugh/Giggle
Smile from ear to ear
High tone in voice
Smiling/Grinning while talking
Heart Pounding
Clapping
Breathing deeply
Squeal/Scream
Talking fast
Contentedly Sigh
Tilted head
Hand clasped over mouth
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[Bored + Tired ]
Pace back and forth
Sigh loudly
Blank face
Play with fingers
Staring off into space
Yawning
Fidgeting around
Leaning head on hands
Rubbing eyes
Droopy eyes
Dark circles under eyes
Complaining
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[Sad + Scared]
Trembling lips/body
Tears in eyes
Bite Nails
Curl up/tuck knees to chest
Bite nails
Eyes burn/turn red
Stop breathing OR breathe fast
Lose appetite
Frowning
Darting eyes
Blinking quick or not at all
Pounding heart
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© ModifiedUchiha 2023 ★ Feel free to use them for inspiration , but give credit if adding to a list ★
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2soulscollide · 4 months
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free resources to write a novel in 2024
hello hello! it's me, rach!
as the new year approaches, many of us set goals and resolutions - myself included. one of my goals for 2024 is to write a novel (I've been procrastinating on this for quite a long time now). i assume that some of you might have the same goal, that's why I'm writing this post today.
over 2023 i've been releasing some freebies for authors just like me, so I thought I could compile my favorites in this post. hope you find this useful :)
1) the writer's workbook
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this workbook has over 60 exercises to help you develop characters, scenarios, etc. if you're ever stuck, I'm pretty sure this workbook will be your best friend.
2) author's corner (notion template)
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this is the most downloaded freebie in my shop! it is a notion dashboard with everything you need to organize your writing and has some templates included (like scrivener)!!
3) another notion template
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this one has two themes you can choose from: cottage-core and dark academia. they're very similar to the previous template, but this one is more recent and I added some new features. feel free to explore both and pick the one you like the most.
4) the author's journal
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this is a cute printable with 20 pages that will help you stay on track and manage your social media accounts as a writer who shares their work online. you can also register what you're currently writing and your personal research and resources.
5) plan your book printable
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this is a 6-page printable for you to fill out and plan your book easily and effectively.
6) excel sheet to organize tasks & word-count
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this is a simple excel sheet, but it is very effective for keeping track of your tasks & word-count of your novels. also, it is 100% customizable to your liking!
that's all for now! feel free to explore my gumroad shop where I have plenty of freebies to grab! also, don't forget to subscribe so that you never miss any opportunity to get a goodie for free :)
hope this post was useful!
have a nice day,
rach
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dice-wizard · 7 months
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Okay writers listen up
I'm gonna tell you about how I wrangled my shitbird brain into being a terrifying word-churning engine and have written over 170K words in under a year.
I wanna be clear that before unlocking this Secret Technique I was a victim of my unmedicated ADHD, able to start but never finish, able to ideate but not commit and I truly and firmly believed that I'd never write a novel and such a thing was simply outside of my reach.
Now I write (and read!!) every day. Every. Single. Day. Like some kind of scriptorial One Punch Man.
Step the First
Remove friction between yourself and writing.
I personally figured out how to comfortably write on my phone which meant I didn't have to struggle with the insurmountable task of opening my laptop.
I don't care if this means you write in a Discord server you set up for yourself, but fucking do it. Literally whatever makes you write!
(if you do write somewhere that isn't a word processor PLEASE back your work up regularly!)
Step the Second
Make that shit a habit. Write every day.
For me, I allow myself the grace that ANY progress on writing counts. One sentence? Legal. Five thousand furious hyperfixated words? Also legal.
Every day, make progress. Any progress.
I deleted Twitter from my phone and did my best to replace doomscrolling with writing. If I caught myself idly scrolling I'd close whatever I was looking at and open my draft and write one (1) sentence until I made THAT a habit, too.
Step Two-point-Five
DO NOT REWRITE. If you are creating a first draft, don't back up or restart. Continous forward motion. Second drafts and editors exist. Firsts are for ripping the fucking thing out of your brain.
If you're working on revisions after an editor or beta readers or whoever has given you feedback, then you can rewrite that's OK (and it counts as your writing for the day!)
Step the Third
Now that you've found a comfortable way to write and are doing it every day, don't stop. Keep doing it. Remember, just one sentence is all you need. You can always do more, but if one lousy sentence is all you can manage then you're still successfully writing.
Remember: this is what worked for me. Try things until you find what works for you.
You can do it. I believe in you.
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deception-united · 4 days
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Writing Tips Master Post
Character writing/development:
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Creating Distinct Characters
Suicidal Urges/Martyr Complex
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Character Voices
Plot devices/development:
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Consider Before Killing Characters
Foreshadowing
Narrative:
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (More)
Transitions
Pacing
Book writing:
Connected vs. Stand-Alone Series
A & B Stories
Miscellaneous:
Overcoming Writer's Block
1000 Follower Special
Writing Fantasy
Character Ask Game
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