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The Goonies (1985)co-produced and directed by Richard Donner from a screenplay by Chris Columbus, illustrated by Noriyoshi Ohrai  
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mariocki · 8 months
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Alexandra Bastedo guest stars as "actress" Lola Wells in The Adventurer: Action! (1.13, ITC, 1972); actually she's a member of a sinister, uh.. anti-violence group, who will stop at nothing (not even.. violence..) to get their way
#fave spotting#alexandra bastedo#the champions#sharron macready#the adventurer#action!#itc#classic tv#character actors#the adventurer is a very dumb show‚ ok? in fact that's its saving grace#it's so dumb that it kind of cycles around and becomes charming for it#i mean Mr Gene Bradley‚ world's greatest secret agent and also most famous actor who ever lived who draws a crowd anywhere he goes?#it's absurd. as is the villain's plan this week‚ which is to strike a blow for peace by having Gene Bradley (film star) brainwashed into#assassinating a high ranking american general. who's in the country.. on peace talks? i think? it wasn't clear#or i switched off a little. i mean. it's just. dumb.#but yes lovely Alexandra is part of the deception and she gets to hang around and prod Gene into being a good brainwashee#alas no reunion with her former Champions costar Stuart Damon‚ who'd been fired by this point in production; speaking of which#in my fave spotted post for him i suggested maybe he was fired at Gene Barry's instigation. having now watched the interviews with Damon#and Adventurer costar Catherine Schell on the dvd set i feel confident in saying that is absolutely what happened: Schell backs Damon up#completely‚ supports his story that Barry had him fired bc he was so much taller‚ and also reveals various details about just what a dick#he was. it's honestly worse than i expected: Damon wasn't even told he was fired‚ just kept on contract for weeks as he watched various#guest actors turn up and fill his hastily rewritten part episode by episode. eventually a costume fitter let him know and he was allowed to#leave the production but not to do other work (still being under contract) and although he made some money from the experience it was so#crushing that he almost abandoned acting completely (luckily he later won his part on General Hospital that gave him job security for the#rest of his life). Schell was fired too incidentally‚ lasting longer than Damon‚ but Gene seems to have just hated sharing the limelight#with anyone and eventually had her taken off the series. even Barry Morse‚ a well known Very Nice Man‚ had nothing good to say about#Gene B.... which says a lot. yeesh.#oh but one minor bit of trivia while we're on the subject of assassinations (the ep remember?): for all his many faults as a tv show lead#Gene was also an astute political campaigner and supported the democrats throughout his life with contributions and personal appearances as#well as friendship and advice: he was particularly involved with Bobby Kennedy's campaign and was in fact present at his killing
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guillotineman · 1 year
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ghlostbob · 1 year
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His voice was rain
His voice was rain. At night when he shifted in bed to whisper goodnight into my ear, I felt as though I was a window, droplets of rainwater cascading down my sides and thrumming against my breast in a steady rhythm. In the mornings when he sang in the shower, his off-tune singing merged and got lost in the sound of water falling. When he said he loved me for the first time, my cheeks felt like the hot asphalt on late summer days and his voice soothed them like the first drops of a thunderstorm. When we fought, my tears stung in my eyes, as his words stung in my breast. When told me said he had lost feelings for me, I was cold, freezing. As though I was standing naked in heavy rain and the sharp drops of rain bruised my skin as his words bruised my heart. Even now, having found my way back from the bottom of the rainwater I had accumulated inside, I think of him every time I see my face in the reflections of the water on the window.
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wanderinginksplot · 11 months
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What to watch during the writer's strike:
Don't pay attention to companies who blame writers for delayed movies and television shows! The WGA strike comes from people who are trying to make things better - not only for themselves and other writers, but the films and tv shows we all love.
While we wait for a resolution, I thought I would share some existing television shows that I enjoy. I didn't bother with too much well-known stuff. Instead, I focused on shows I feel many people missed because of the glut of content that all premiered at once over the last few years. (I may make another one of these for movies later on, but this one is about tv.)
[Update: Movie version here]
Feel free to add on! Just try to give a quick, spoiler-free synopsis for the show and the streaming service where it can be found.
List under the cut!
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Netflix:
The Good Place (2016-2020) - A 'bad' woman is accidentally sent to heaven. She and her moral philosophy professor of a soulmate try to save her soul by making her a better person. Genre: Comedy with deeper implications and one of the best endings in television history.
Russian Doll (2019-2022) - When Nadia dies at her birthday party, she's more than a little confused to come back. Especially when it keeps happening. Genre: Time loop drama with a wicked sense of humor and a dash of theoretical physics. Potentially not ended?
Narcos (2015-2017) - The fight of the American DEA and the Colombian army against cocaine kingpin Pablo Escobar and his reign of terror. Genre: Drama with thrilling elements. Lots of violence, some sex and language. Lots of subtitles. Features Pedro Pascal and Boyd Holbrook, if you need some extra incentive.
Derry Girls (2018-2022) - Five teens grow up in Derry, Ireland in the 1990s, amid the final years of the Troubles, a low-level war that lasted roughly 30 years. Genre: Comedy. Some sexual content, some religious content, less violence than you would expect, and the best nun ever to appear on film.
Arcane (2021-?) - Two sisters are alienated when one accidentally kills their adoptive father. Their different paths threaten the fragile peace of a city already on the breaking point. Genre: Drama with elements of action-adventure. Though it's animated, Arcane's animation is beautifully done with tantalizing steampunk elements that will keep you invested.
Disney+:
Star Wars: The Clone Wars (2008-2020) - If you haven't seen any of the Star Wars animated series, this is a good place to start. Set in the time gap between Episode II and Episode III, this series helps flesh out Anakin Skywalker and the Jedi. It is also a great introduction to some of the characters and plots of The Mandalorian. (Star Wars: Rebels is another good choice.) Genre: Adventure with some drama. Violence and death are a large part of The Clone Wars, but it's usually appropriate for children. The clone troopers will steal your heart!
Gravity Falls (2012-2016) - Dipper Pines and his sister Mabel are sent to Gravity Falls, Oregon to live with their great-uncle for their summer break. But when Dipper finds a mysterious book in the woods, the pair find that Gravity Falls is far more mysterious than it seems... Genre: Adventure with a lot of comedy. Though it's billed as a children's cartoon, Gravity Falls is an intriguing watch with mystery subplots that will keep anyone guessing. It also features a famously strong and cohesive series ending. I was in my late 20s when I first watched this and I was still invested!
Daredevil (2015-2018) - After being blinded as a young boy, Matthew Murdock trained his other senses to replace the sight that he lost. He uses his skills to protect the helpless in the New York City neighborhood of Hell's Kitchen. Genre: Action and superhero. Features a lot of incredibly choreographed violence. (Jessica Jones is also an excellent show to watch, especially if you think of David Tennant as the consummate 'good guy'. He's got range!)
HBO Max (Just 'Max' now, I guess):
Ghosts (2019-2023) - Petty roommate squabbles don't stop just because you're dead! Alison and her husband Mike inherit a house, then a near-death experience allows Alison to see its ghostly inhabitants. Chaos and humor ensue as the ghosts try to adjust to the house's new owners. Genre: Humor. Ghosts is a British sitcom, but since the writers are comedians (writing and performing in Horrible Histories), the show is done in a style that feels more natural to American viewers. Hint: watch the BBC version, not the American one. They're fairly similar, but definitely not the same!
Pushing Daisies (2007-2009) - A pie-maker with the ability to bring back the dead helps to solve murders. He's helped by his once-dead childhood sweetheart. Genre: Comedy with some dramatic elements. Some of the CGI-heavy moments haven't aged particularly well, but the show has a unique premise and an incredibly talented cast!
Hulu:
Abbott Elementary (2021-?) - This mockumentary series showcases an inner-city elementary school in Philadelphia. The teachers and administration do their best for the kids, but they're constrained by budgets and the limitations of the educational system itself. Genre: Comedy mockumentary. Though Abbott Elementary is fictional, some of the issues brought up are all too real. This is a funny and incisive look at the American public school system.
Amazon Prime:
Fleabag (2016-2019) - The unnamed protagonist of the show struggles through life on her own with limited support from her alienated family and the memories of her recently deceased best friend. Genre: Comedy with lots of dramatic elements. Lots of sexual content and references, some language, breaking the fourth-wall, and several characters you just long to hit. I watched the second season in a single day, that's how good this was.
Unknown Streaming Service:
Black Sails (2014-2017) - This prequel to Treasure Island features elements from the book, original characters, and real pirates from history in a setting that emphasizes realism. Captain Flint and his crew search for a legendary prize... one that might allow them to claim Nassau for their own. Genre: Action and adventure. Think Game of Thrones, but with pirates. Incredibly well-written and well-acted with gorgeous scenery, LGBTQ representation, and just enough historical accuracy to keep things grounded. Black Sails also boasts one of the best endings ever given for a television show.
Like I said, please feel free to reblog and add your own television show recommendations onto this list! There are plenty of things to watch and plenty of ways to support the WGA strike that don't involve giving in to big studios.
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Hiiii I have a community question I wanted to ask!!
Abed mentions all sorts of movies and tv shows through out Community, but I just wanted to know if maybe you have like a list of which ones are real and which ones he seemed to like more than others.
I can only think of the dark knight because of the dvd Annie broke, and the Star Wars movies (except he apparently hates the prequels) and cougar town!
great question! sorry for the delay on a response.
so, he mentions/references an insane number of movies and tv shows throughout the series, and I unfortunately do not have a list of every single one. although, I am (VERY slowly) working on an in-depth episode-by-episode analysis of the entire series, and listing every pop culture reference is a subsection in that. but that's not helpful right now. moving on
I don't have the picture, but there's this questionnaire abed filled out (outside of the show, it must have been uploaded to a website as promotional material for the show). he says his favorite movie is a tie between:
ghostbusters (1984, comedy/horror)
an american werewolf in london (1981, horror)
back to the future (1985, sci-fi/comedy)
blade runner (1982, sci-fi/action)
stand by me (1986, adventure/comedy)
stripes (1981, comedy/war)
star wars (1977, sci-fi/fantasy, also called "a new hope")
star wars: the empire strikes back (1980, sci-fi/fantasy)
star wars: the return of the jedi (1983, sci-fi/fantasy)
ferris bueller's day off (1986, comedy/drama)
jaws (1975, thriller/adventure)
raising arizona (1987, comedy/crime)
jurassic park (1993, adventure/sci-fi)
seven (1995, crime/mystery)
the matrix (1999, action/sci-fi)
the goonies (1985, adventure/comedy)
the breakfast club (1985, comedy/romance)
real genius (1985, comedy/sci-fi)
better off dead (1985, comedy/romance)
the fog of war (2003, documentary/war)
pulp fiction (1994, crime/thriller)
(btw if anyone knows what I’m talking about and has the screenshot please rb with it! I cannot for the life of me find it lmao)
I believe this is a list he apparently made in 2009, either in the first few weeks of school or right before the school year started. so it's possible he would answer differently as the series progressed. also, I do take some of these extra-canon things with a grain of salt, as on the same form he said his favorite place on campus was study room D or something, when obviously they definitely meant to write study room F. so, the credibility of my source for this information isn't exactly rock-solid. although, he does mention a lot of these movies on screen, and expresses love for many of them (the most notable ones probably being star wars episodes IV-VI, the breakfast club, and pulp fiction)
as you can see from the list, abed particularly loves american movies from the 80's. just a trend I thought I’d point out.
here's a few others he mentions loving, or just pretty notably references:
the dark night (2008, action/crime, as you mentioned)
rudolph the red-nosed reindeer (1964, musical/animated, is the whole basis of 2x11 abed's uncontrollable christmas)
the shawshank redemption (1994, horror/crime, is the basis for his plot with troy, annie, and shirley in 4x05 cooperative escapism in familial relations)
freaky friday (I believe it's the original one from 1976 specifically, but it's been remade a bunch. comedy/fantasy. it's the basis of abed and troy's story in 4x11 basic human anatomy)
rambo/first blood (series starting in 1982, action/thriller. abed talks about how messy the progressive series titles are in 3x14 pillows and blankets)
ocean's eleven (2001, crime/thriller, the basis for the heist scene from 3x21 the first chang dynasty)
hearts of darkness (1991, documentary/war, abed mentions it while pointedly filming dean pelton's production of his greendale commercial rather than helping with the commercial itself. similarly, hearts of darkness filmed the making of apocalypse now)
apocalypse now (1979, war/action, see the above explanation)
die hard (series starting in 1988, action/thriller, abed mentions wanting to do a die hard homage for christmas multiple times throughout season 4)
good will hunting (1997, thriller/romance, troy and abed's story in 1x24 english as a second language is filled with references to this movie. abed is doing homages on purpose, troy is not)
my dinner with andre (1981, comedy/drama, abed does a very elaborate homage at jeff's accidental expense in 2x19 critical film studies)
indiana jones (raiders of the lost ark, temple of doom, and the last cruscade only. he mentions loving the first three indiana jones movies in 1x04 social psychology)
aliens (1986, action/adventure/sci-fi, he and troy dress up as an alien and ripley in 2x06 epidemiology) (side note, I believe they're specifically referencing aliens, which is a sequel to alien. could be wrong though)
blade (1998, horror/action, they watch it over the course of 3x15 origins of vampire mythology after troy and abed assert multiple times that it is an amazing movie)
I think he generally talks about movies more than he talks about tv shows, but he does mention quite a few of them. some notable mentions are:
friends (1994, sitcom, mentions at least twice)
m*a*s*h (1972, sitcom, mentions in passing in 1x05 advanced criminal law, and references throughout 1x13 investigative journalism)
the cape (2011, action, mentions throughout 4x13 advanced introduction to finality)
who's the boss (1984, sitcom, is the premise of his whole storyline in 2x20 competitive wine tasting)
LOST (2004, sci-fi, mentions at least twice)
obviously there are a LOT more, but I just tried to list some of the most important ones, plot-wise and for understanding of his character. hopefully I’ll be able to get back to everyone with a super long list of every tv show and movie he ever mentions lmao, but that'll take a while. (there are lists online that say they list every movie and tv show abed has ever mentioned, but ngl I don't 100% trust those, so I’ll make my own lmao. but I put the link to one of them if you're curious. here's another one too)
at this point anyone who has seen community knows there are some really really big ones that I haven’t mentioned yet. pieces of media that are INTEGRAL to abed as a character. I was saving them for last lmfao. they are:
kickpuncher
inspector spacetime
cougar town
if I had to pick a holy trinity of media for abed, it would be these three things. these are EASILY the things he talks about the most, which is interesting, as both the kickpuncher movie franchise and the inspector spacetime series are completely fictional, and only exist in the community universe. (this is probably so they can show abed actually watching some of the shows/movies he talks about, without the obvious copyright issues that come with playing clips from an already existing movie/tv show on your screen. they kind of do that with blade in 3x15, but they only play vague fighting sounds, and never show their tv on our screen. anyway. not relevant.) to answer one of your questions from the ask, I believe those two are the ONLY fictional pieces of media abed talks about. as far as I know, everything else he mentions is real, including cougar town.
kickpuncher is obviously reminiscent of sci-fi/action films from the 80's, like robocop. like I said earlier, taking their place so that they could have a more substantial role in abed's on-screen life without any copywrite worries. it's a whole franchise, so there are multiple movies: kickpuncher, kickpuncher 2: codename: punchkicker, kickpuncher 3: the final kickening, kickpuncher: detroit, kickpuncher: miami (?), and kicksplasher (?). kicksplasher is apparently shown as a poster on abed's wall, and I’m assuming it's from the same franchise, although that could be wrong. the point is there's a very elaborate universe for kickpuncher, and it's a big part of abed's, and later troy's, film taste. the first time they mention it is in 1x15 romantic expressionism, when abed, troy, shirley, pierce, and chang all get together in abed's dorm room to make fun of stupid movies together. it's funny that it was introduced as a stupid movie to watch ironically, then troy and abed both end up genuinely loving it lmao. classic
inspector spacetime is obviously reminiscent of doctor who. they're both british sci-fi series that have been running for decades. doctor who uses a police box to travel the multiverse, while doctor who uses a telephone box. doctor who has malicious daleks who chant "exterminate," while inspector spacetime has blorgons who shout "eradicate." the concepts of the shows are obviously the same, with the actor for the doctor changing every season, etc etc. they're essentially the same exact show, but, like I said before, changed slightly so they can world-build without getting copywrited. there is something a little bit silly about this, though. it's definitely a continuity error and it's up to everyone whether they want to accept it as canon or not, I guess, but there's an episode where abed is actually wearing a doctor who t-shirt. (it also references bill and ted, but the doctor who part is what's relevant.) here's some pictures:
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awesome shirt tbh, but it is a little bit funny that is essentially makes it true that doctor who and inspector spacetime both exist in the community universe. and, these pictures are from the cold open of 4x11 basic human anatomy, which is way after inspector spacetime is introduced to the show (3x01 biology 101). so, is inspector spacetime just a rip-off of doctor who? is abed a fan of both shows? if he is, clearly he likes inspector spacetime better. anyway. I would guess that this wasn't intentional. but that is definitely a tardis on that shirt. maybe it's just a classic season 4 continuity mistake. oh well. I guess that's just how the cookie crumbles. anyway.
cougar town time! yes, it's a real show. I didn't think it was but it is. what's not real is cougarton abbey, the short-lived british remake that britta gets abed into in 3x01 biology 101. but yeah. it has 6 seasons and is streaming on hulu, if you're interested. I’ve heard it's not good but who knows for sure. something cool about cougar town is that abed is actually in an episode. let me be clear: not danny pudi. ABED. it's similar to the story abed tells about being invited to the cougar town set and shitting his pants while having an existential crisis about the layers of reality. here is a youtube clip of the scene. I found out about it while stalking danny pudi's wikipedia page months ago, you know, a typical sunday afternoon activity, and I saw a cougar town credit on there. I didn't even know it was a real show at that point so you can imagine my surprise lmao. anyway. idk if you knew that already but it's one of my favorite community easter eggs. so funny.
okay! I hope this is enough information to suit your needs, and I am once again opening the floor to anyone who wants to add anything 💯 this was fun, thanks for the ask, and stay fresh everyone ✌️
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arch-obsessed · 11 months
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Inside the Barbie Dreamhouse, a Fuchsia Fantasy Inspired by Palm Springs
Barbie’s Dreamhouse is no place for the bashful. “There are no walls and no doors,” says Greta Gerwig via email. “Dreamhouses assume that you never have anything you wish was private—there is no place to hide.” That layered domestic metaphor has proved rich fodder for the filmmaker, whose live-action homage to the iconic Mattel doll hits theaters July 21.
To translate this panopticon play world to the screen, Gerwig enlisted production designer Sarah Greenwood and set decorator Katie Spencer, the London-based team behind such period realms as Pride & Prejudice and Anna Karenina. The two took inspiration from Palm Springs midcentury modernism, including Richard Neutra’s 1946 Kaufmann House and other icons photographed by Slim Aarons. “Everything about that era was spot-on,” says Greenwood, who strove “to make Barbie real through this unreal world.”
Neither she nor Spencer had ever owned a Barbie before, so they ordered a Dreamhouse off Amazon to study. “The scale was quite strange,” recalls Spencer, explaining how they adjusted its rooms’ quirky proportions to 23 percent smaller than human size for the set. Says Gerwig: “The ceiling is actually quite close to one’s head, and it only takes a few paces to cross the room. It has the odd effect of making the actors seem big in the space but small overall.”
Erected at the Warner Bros. Studios lot outside London, Barbie’s cinematic home reinterprets Neutra’s work as a three-story fuchsia fantasy, with a slide that coils into a kidney-shaped pool. “I wanted to capture what was so ridiculously fun about the Dreamhouses,” says Gerwig, alluding to past incarnations like the bohemian 1970s model (outfitted with trompe l’oeil Tiffany lamps) and the 2000 Queen Anne Victorian manse, complete with Philippe Starck lounge chairs. “Why walk down stairs when you can slide into your pool? Why trudge up stairs when you take an elevator that matches your dress?” Her own references ranged from Pee-wee’s Big Adventure to Wayne Thiebaud’s paintings of pies to Gene Kelly’s tiny painter’s garret in An American in Paris.
For Barbie’s bedroom, the team paired a clamshell headboard upholstered in velvet with a sequined coverlet. Her closet, meanwhile, reveals coordinated outfits in toy-box vitrines. “It’s very definitely a house for a single woman,” says Greenwood, noting that when the first Dreamhouse (a cardboard foldout) was sold in 1962 it was rare for a woman to own her own home. Adds Spencer: “She is the ultimate feminist icon.”
In Barbie, as in previous films like Little Women and Lady Bird, Gerwig set out to realize a whole world. “We were literally creating the alternate universe of Barbie Land,” says the director, who aimed for “authentic artificiality” at every opportunity. As a case in point, she cites the use of a hand-painted backdrop rather than CGI to capture the sky and the San Jacinto Mountains. “Everything needed to be tactile, because toys are, above all, things you touch.”
Everything also needed to be pink. “Maintaining the ‘kid-ness’ was paramount,” Gerwig says. “I wanted the pinks to be very bright, and everything to be almost too much.” In other words, she continues, she didn’t want to “forget what made me love Barbie when I was a little girl.” Construction, Greenwood notes, caused an international run on the fluorescent shade of Rosco paint. “The world,” she laughs, “ran out of pink.”
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thatonecatcat · 3 months
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i present to you, the hilda room! do not enter this room if you are frida or if your martial status with any of these aus are above friends if you do not want to get side eyed
here is our arranged hildas based on the opinions of the audience
-local flower shop and disney princess hilda has ran out the room sobbing due to the stress of one of our more feral hildas, we’ll get back to her later
-total fashion disaster and drama queen hilda is coiled up attached to the ceiling due to panic and overall depression
-theatre kid and ride the cyclone fanatic hilda has took the world by storm with a new diss track called “beating the hell out one of her kind”
-literal gay panic and taylor swifts version hilda is hunched up and about to be munched up by a choir of cello strings; due to her controversial opinions on a music genre
-late bloom american and daddy issues hilda has been hyping up our DJ on the stage with a nuke of murderer to murderer puns
-hatsune miku and digital waifu hilda has turned the tables and watches this shakespearian tragedy action film, instead of them watching her for once
-amanda the adventurer and edutainment trivia hilda is resting peacefully in her plastic skin and boneless vhs tape, baking a strawberry cake with rice and minced meat
-beep boop beep and wyd when i pull up hilda has given glares across every corner of this stage as a foreign tourist in the audience, yelling freestyle hip hop background music every time something terrifying happens
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Kaiju Weeks in Review (September 10-30, 2023)
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I adore Godzilla Final Wars, but it's a movie with an identity crisis, unsure whether it wants to be headlining a Toho Champion Festival or mesmerizing American teenagers at a mid-aughts multiplex. @spacehunter-m's Final Wars 2004: The Year We Make Corn-Tack gives it a strong tug in the first direction, whittling the runtime down to 77 minutes and replacing most of the music and sound effects. She was inspired by Space Warriors 2000, of all things; as she put it, both films are "largely comprised of nonstop, monotonous action." As in that bizarro Ultraman compilation film, the kaiju trash-talk each other. It makes you wonder why Ryuhei Kitamura didn't at least bring back the speech bubbles from Godzilla vs. Gigan. Kaiju fan edits are rare, and this is in a class all by itself. Download it here.
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Shigeru Kayama's novelizations of Godzilla (1954) and Godzilla Raids Again are out—hopefully the first of many to come. My copy only arrived on Saturday, so I haven't had the chance to read the whole thing yet, but I've made it through Godzilla. It's interesting to see Kayama, who wrote the initial treatment, take another swing at the story after the film was finished. He puts back moments like Godzilla eating a cow and attacking a lighthouse, and is also more overt with the wartime allusions. There's an incredible moment where Dr. Yamane muses that studying Godzilla and learning his secrets could be Japan's way of redeeming itself after "caus[ing] a great deal of trouble to people throughout the world." Note that these are novella-length, so much less in-depth than the novelizations of American Godzilla films you might be used to (Godzilla Raids Again is less than 80 pages). The book ends with an afterword by translator Jeffrey Angles contextualizing the tales.
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Godzilla: War for Humanity continues to be a standout IDW miniseries. There's a new and very weird monster in the second issue, plus a no-nonsense Mothra (she tries to recruit Godzilla to fight Zoospora by shooting him in the back of the head and dragging him into the ocean in front of Minilla).
I've also got to mention the solicitation for another Godzilla Rivals installment, due December 20. Nola Pfau is writing, Megan Huang is illustrating.
Jen Onça is not excited to start her new, fast-paced fast-food career at Minilla Burger, but she'd much prefer a mundane day to the sudden return of Megalon! The monster brings destruction, trapping Jen in a forgotten lab deep beneath the restaurant with only the half-built form of Jet Jaguar to help her get out! She must repair the robotic defender to save herself and the city, but first she needs to escape the rubble trapping her in this tense adventure!
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Yuzo the Biggest Battle in Tokyo, Yoshikazu Ishii's follow-up to Attack of the Giant Teacher, has also been picked up by SRS Cinema. No release details yet. I can't really speak to the film either, since it screened at the same time as Yumiko Shaku's panel at G-Fest, but as you can see from the poster, it's set during the pandemic.
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The GAMERA -Rebirth- Gyaos has joined Godzilla Battle Line as an unusual sort of swarm unit. Your first summon of the match calls forth two sub-adults, and by the fifth summon you're sending out two sub-adults and three adults, still for four energy. They're probably the best swarm in the game, though still highly vulnerable to AOE units like Godzilla '01. I'm having fun with them in the Challenge Battles.
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Notzilla, one of the sharpest kaiju comedies out there, is unexpectedly getting the graphic novel treatment. Mitch Teemley is adapting his own screenplay, with art by Zumart Putra. The comic is already finished, although I'm not clear on how folks who didn't back the Kickstarter (which wrapped on September 11) will get it. Useless trivia: the terrific cover above (one of four) is by Ben Dunn, who wrote the How to Draw Manga book I poured over in middle school.
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After Troll shattered Netflix streaming records (according to Netflix), it's not super surprising that the company wants a sequel. Priority one: coming up with a title that's not Troll 2. Screenwriter Espen Aukan and director Roar Uthaug will both return.
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Toy highlights of the past few weeks:
After confusing everyone by teasing its silhouette the day before April Fools', Tamashii has fully unveiled an S.H.Monsterarts Godzilla '72, a rare Showa figure from the line. It comes with two heads, one of them bloodied (see above). Due at the end of February.
After finally running out of ways to repaint their mold of Hedorah's Perfect Stage, Bandai is making a Movie Monster Series figure of the kaiju's Landing Stage. A Godzilla Store exclusive, it'll be released October 25.
After over two years, Funko is releasing a trio of Godzilla Singular Point Pops. Hopefully they go all-out with this show—it's not like there's any other plausible way for a Satomi Kanahara figure to exist.
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cesarescabinet · 6 days
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(this is spacekrakens lmao) dude idk anything about like 1950s Japanese cinema, do you have any recommendations? looking for stuff to toss on the watchlist now that I'm a bit burned out on horror (unless you have some horror recs)
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Hey! If you’re curious about Japanese cinema (particularly 1950s), there’s a lot of avenues to explore! Musicals, crime, horror, historical—it all depends on what mood you’re in. (Putting this under a read more because I'm DEFINITELY going to be long posting about this!!!) Hope this is useful to you lol.
(Also noting if anybody wants to add to this list with their own recommendations feel free!!)
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With old school Japanese cinema, I’ll always recommend Akira Kurosawa (obviously). He’s made some of the best Japanese movies (and arguably, the best movies of all time imo) and I feel like his work is a good gateway. It’s readily available on physical media/streaming too.
Specifically ‘50s stuff; Hidden Fortress (1958) is a good adventure flick whose structure was swiped for Star Wars, Throne of Blood (1957) is Japanese Macbeth if you like Shakespeare, and if you don’t mind a longer movie Seven Samurai (1954) includes Toshiro Mifune acting like this;
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Gotta admit, though—my personal favorites from Kurosawa don’t come from the 1950s; Drunken Angel (1948) and Yojimbo (1961). One has a pathetic gangster as the main lead, the other is just a solid, breezy proto-action film (also has my beloved Unosuke but that's besides the point)
Some personal favorites of mine from the 1950s:
Life of a Horse Trader (1951) is a bittersweet story about a man trying to be a good single father to his son in the backdrop of Hokkaido. He tends not to be great at it. Stars Toshiro Mifune, the most famous face of Japanese cinema and for good reason!
Conflagration/Enjo (1958) is a single Buddhist acolyte’s fall into quiet insanity. Raizo Ichikawa is another amazing actor who I love! Also includes Tatsuya Nakadai who is the GOAT (in my heart).
Godzilla (1954) is AMAZING! If you liked Gozilla Minus One, it took a lot of familiar cues from this movie. It also technically counts as horror, depending on your definition.
Japanese horror from the 1950s:
Ugetsu (1951) (Not one I’ve seen personally, but it’s on Criterion)
The Beast Shall Die (1958) (American Psycho, but in Showa Japan. Tatsuya Nakadai is terrifying in this and absolutely despicable—stylish movie tho!)
Ghost of Yotsuya (1959) (Old-school Japanese ghost story. Honestly, there are so many different versions of this story on film that you can pick which version to watch and go from there—I’m partial to the 1965 version myself, because of the rubber rats and Tatsuya Nakadai playing a crazy person).
The Lady Vampire (1959) is the OG western-style vampire movie from Japan. Plays around with the mythos a lot, but hey our Dracula looks like this;
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Misc movies that I think are neat or good gateway movies:
The Samurai Trilogy by Hiroshi Inagaki, which stars Toshiro Mifune as Miyamoto Musashi. Found that people otherwise uninterested in Japanese cinema really enjoyed this!
You Can Succeed, Too (1964) is one of my favorites from the ‘60s, also directed by Eizō Sugawa. A fun satire on the corporate world that's super colorful with catchy songs.
The Sword of Doom (1966) is also another favorite of mine, starring my beloved Tatsuya Nakadai as another bastard man (seriously though Ryunosuke is FASCINATING to me--). Fun gore effects and action scenes!
Kwaidan (1964) is an anthology of Japanese folk tales, labeled a horror film but in that kinda sorta old-school way. Beautifully shot by my favorite Japanese director Masaki Kobayashi (who, if you like this you should seriously check out his other work!)
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misstycloud · 11 months
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Riddle Levin
Description: A young man of average height, with a toned body. He has auburn hair that is slightly wavy and brown eyes. There are two moles on his body, one on the back of his neck and the other below the left side of his lips.
Riddle is a fun and out-going guy. Friendly and helpful is the word people would associate him with. Loves making his love laugh at his antics. He knows how to be serious when it matters, however. If his wife’s not feeling well or is upset, you can count on this man to be your crutch. Absolutely hates when she’s scared. She’s supposed to be happy all the time!
Still, there is a hidden side to all the welcoming smiles. Riddle will of course do anything to protect his wife’s happiness and safety. His initial personality does not give off bad vibes, but do not let that fool you. People have underestimated him before and let’s say that did not end up well for them.
What doe he like?: Riddle is a pretty average guy in general. None of his interest stick out and are common. He is a great fan of American food like hamburger and fries, but he balances that with working-out regularly. Movies he enjoyed are often action filled with adventure, however, he does think it's nice settling with a softer more sensual film once in a while. A fan of comedy; nothing better than a good laugh in his mind. Although a candlelit dinner would be lovely too.
Riddle's Hell No's: Don’t ever ask this man to remove any insects. If you’re scared of them and shout for him, the chance is he’ll just scream with you. His fear stems from an incident in his childhood. Just thinking about it send shivers down his back.
He tries, but cooking is not on his skill list. The man wants to learn badly so he can give his wife what she deserves. Best thing is to not leave him in the kitchen for too long without supervision- he hasn’t burned down a house or anything but one can never be too careful..
Definitely not a classical fan, whether it be music or dances. If his wife wants to go see a play, of course he’ll go with her. But don’t expect him to understand a single part of the story. Riddle is the kind of guy who wouldn’t be able to distinguish characters.
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Films the Crows would like:
Kaz: Trainspotting, Kill Bill, The Killing of a Sacred Deer (even though I think it's bad), Gone Girl, Parasite, Snowpiercer, A clockwork orange, Citizen Kane, Sin City, The Dark Knight, Tarantino films, the Godfather, Come and See, V for Vendetta, Prisoners, Silence of tbe Lambs, No country for old men, City of God, Shawshank Redemption, Kubrick's and Hitchcock's work (except lolita bc that's gross), Hunger Games Trilogy, All of Aronofsky's work (Black Swan, Requiem for a dream etc.), Memories of Murder, Donnie Darko, Fight Club, Taxi Driver, Oldboy, Blade Runner 2049,
As for series he would like Breaking Bad, Death Note, Aot and Vinland Saga, Berserk maybe, Prison Break but like only the first two seasons and The Walking Dead.
Inej: Ladybird, Little Women, Anna Karenina, The Virgin Suicides, Marie Antoinette, Lost in Translation, Girl, Interrupted, Everything Everywhere all at once, Nomadland, The Florida Project, Alice in Wonderland (the Tim burton one), Hard Candy, In the Corner of this World, portrait of a lady on fire and Princess Mononoke. I can't really think of other ones to be honest.
I'm not really sure what series she would like. Maybe Ai Yazawa's animes? I'm not sure.
Jesper: Star Wars (the original trilogy and the prequels), Indiana Jones, Life of Brian, Ferris Bueller's Day off, American Pie, MIB, Terminator, Ghostbusters, Scream, Back to the future etc. He definitely likes fun adventure movies. Also a lot of animated movies like The Lego Movie and Lego Batman (masterpieces) and Pixar and Dreamwork's Movies (his favorites being Toy story and Shrek). Also Disney classics like treasure planet and Atlantis. Probably also western movies and he'd idolize Clint Eastwood.
Favorite Series are The Office, Cowboy Bebop, Samurai Champloo etc.
Wylan: Perks of being a wallflower, Ladybird, Howl's moving castle, Billy Elliot, Your Name, Dead Poet's society, Stardust, Narnia, La La Land, Lotr trilogy (his comfort movies), Call me by your name and all of Wes Anderson's movies. I think he'd be secretly a huge filmnerd who also loves A24 movies, David Fincher, arthouse movies etc. But I think he would be a bit embarrassed by it.
His favorite series are Doctor Who (David Tennant Version because that's the best one), Fargo and Good Omens.
Nina: A sucker for romance and chick flicks, especially romantic comedies. The Notebook, Mamma Mia!, When Harry met Sally, Mean Girls, She's the Man, badly written Netflix romantic comedies,
She likes reality TV and desperate housewives, sex and the city, friends and modern family.
Matthias: 1917, Saving Private Ryan, All quiet on the western front, Hacksaw Ridge, The Notebook, Dunkirk, John Wick movies and other action movies. My taste is completely different so it's very difficult for me to think of other movies he would like.
I don't think he would watch a lot of series because it takes up a lot of time. Not the guy to concern himself with entertainment and media really but does enjoy a good story.
Feel free to criticize me or suggest other media. Maybe I should also make a list about the music they'd like?
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Underwater Urban Legends: Jacques Cousteau's Secret Discovery?
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(Carthago vol. 3, “Le Monstre de Djibouti”, by Christophe Bec and Milan Jovanovic, 2013)
When I first got interested in ocean creatures as a little girl in the late 90s, we had several oversized white-covered books about Jacques Cousteau's ocean expeditions around the house that my parents let me page through, even though the text was way too small for me to read. A little later on, I read the Cousteau Society's young readers' magazine Dolphin Log/Cousteau Kids every month at the library, especially the selections from Dominique Serafini's comic book adaptations of the Calypso crew's adventures.
As an adult who's still interested in marine science, I've read several of Cousteau's books, and seen some of his documentaries. In 2019, I even got to hear his grandson Fabien speak at an event at the American Museum of Natural History.
Across film, TV, literature, comics, and even music, the Cousteau family’s underwater adventures are pretty well-documented. But one persistent bit of sea-folklore I've come across in various forms and places is an urban legend that at least one adventure wasn't. Somewhere in the world, these stories say, Captain Cousteau saw (or heard) something underwater that was so shocking that he kept it a secret from the world. (Except, presumably, from whoever is repeating the story.)
Could there be any truth behind this fantastic story? What was this "secret discovery"? And where and when did all of this happen? Like most urban legends, there are a lot of conflicting accounts and not a lot of proof.
I'd love to see a site like Skeptoid do a deep dive (heheh) into this story someday, but since they haven't yet, my research is below the cut.
A Secret Discovery?
It's alleged that after a submarine expedition, undersea explorer Jacques Cousteau said, "The world isn't ready for what's down there." (How Stuff Works)
As a reader and a writer, I have to say, this is an excellent pitch for a story. A world-famous explorer who witnessed all kinds of undersea wonders and environmental tragedies choosing to keep a remarkable discovery a secret for some unknown reason? Wouldn't you read that book? I'd read that book!
In fact, I did read that book! The French comic Carthago, first published in 2007 and translated into English in 2014, features a character based on Cousteau named Major Bertrand, a famous ocean explorer who made a discovery so shocking that he not only kept it a secret, but retired and lived the rest of his life onshore afterwards. The actual scene shown in flashback is a beat-by-beat retelling of the "Red Sea Monster" version of the story we'll discuss below. According to an interview with the comic's writer Christophe Bec, that scene (and the comic itself) were inspired by an article in the French paranormal magazine Le Monde de l'un découverte (The World of the Unknown) published in February-March 2001. That article is in French here.
Here are the broad outlines of the story as I've seen it in various places online:
Cousteau surfaces, shaken from a dive, OR
The Calypso crew recover either a shark cage that has been destroyed OR
An underwater camera or hydrophone that has recorded something
Cousteau says some variation on "The world is not ready for what I have seen"
Cousteau orders any film or audio recordings of the incident (taken by either divers, underwater equipment, or film crew aboard the ship) to be either destroyed or suppressed and hidden away in a safe
(Some accounts have people saying they actually saw the incident happen on TV, which is unlikely as I don't think any of Cousteau's documentaries were live broadcasts.)
Cousteau is so shaken by what he saw that he never returns to the site of the incident
The Red Sea Monster
The most famous and detailed version of the story, and the one Carthago adapts, sets the action in the Gulf of Tadjoura off the coast of Djibouti, near where the Red Sea meets the Indian Ocean. Investigating legends of a sea monster in a cove called the Ghoubbet al-Kharab, or Gulf of the Demons, Cousteau's team lowered a camel carcass within a shark cage. When the cage was raised, it had been badly damaged, perhaps even destroyed.
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[The Ghoubbet al-Kharab is the little inland bit at left almost cut off from the sea x]
The article in Le Monde de l'un découverte says this incident happened sometime before 26 June 1995, when the secret was revealed by a writer(?) named Stéphane Swirog, and that it had also been discussed on French TV in 1987. (I cannot find any information about a “Stéphane Swirog” online except in reprints of this story, although there is apparently an MMA fighter with that name. Is this one of those hoax articles with backwards names where “Goriws” sound like something hilarious in French that’s lost on me?)
This is a plausible part of the world to set this story, because Cousteau very famously did explore the Red Sea several times! A lot of his film The Silent World was filmed there, and his Conshelf underwater habitat was on the floor of the Red Sea off Sudan. In 2004, Cousteau's son Jean-Michel and grandchildren Fabien and Céline returned to these sites fifty years later for a new documentary you can watch here.
And we know Jacques Cousteau actually DID explore the coast of Djibouti in 1967-68! In his book Life and Death in a Coral Sea (1971), he says that when docked there, his crew, err, heard a strange story...
...we decided to visit the Goubet, a famous gulf of the Red Sea. Before leaving Djibouti that morning, one of our crew had by chance asked a local Arab diver about the Goubet. "Ah, sir," the man had replied, "it is a most extraordinary place. It is bottomless, and it is inhabited by monsters so large that they can drag down lines attached to 200-liter cans. Moreover, in 1963, Commandant Cousteau went there with Fredéric Dumas and his best divers, and they were so terrified by what they saw that they ran away." Naturally, we were eager to see the place in which, according to local gossip, we had earned so ignominious a reputation. I must report, however, that the Goubet was a disappointment. It is an inland sea or gulf that connects with the Red Sea by a narrow pass in which there is a very strong current, running up to seven knots. The surrounding area is very beautiful, and very wild, being dominated by volcanic mountains bare of foliage and marked in shades of red, yellow, and black. Once in the Goubet itself, we lowered the diving saucer to a depth of over six hundred feet without catching sight of even a small monster. The divers then suited up and went down also, but they saw nothing more remarkable than some very large sea urchins. There seemed to be very few fish of any kind. It is my guess that the "Goubet monster" of Arab legend was originally a manta ray, seen by some shepherd from a hill top. Manta rays are plentiful in this area, and it must happen occasionally that they wander into the Goubet and – because the inlet is so narrow and because mantas are not the most intelligent of beasts – have trouble finding their way out again. (Page 42)
(This is one of those "white-covered books" I still own a copy of!)
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That's right, this story is so old it was told TO Cousteau in the late 1960s! It's the only version of the story he seems to have actually heard and commented on, and it was to deny the monster story.
It strikes me that two of the fearsome feats attributed to the Red Sea Monster— pulling air-filled cans/barrels underwater and destroying a shark cage— are things the shark in Jaws also does. While Peter Benchley’s novel came out in 1974, several years later, he did research sharks when writing it, so I wonder if “pulling barrels underwater” was just a bit of shark lore that was going around in the late 60s.
(At least the way it’s shown in the 1975 movie, the MythBusters showed a great white shark is strong enough to briefly pull barrel floats underwater but not to hold them there.)
The more embellished 2001 article post-dates Jaws and may be inspired by the cage-destruction scene in the film.
The Depths of Lake Tahoe
Apparently, years ago, Cousteau went scuba diving in Lake Tahoe. He emerged from the water shaken, but not with cold. He said, “The world is not ready for what I have seen.” (Jennifer Skene, “Rumors and Truth in Lake Tahoe”)
Another common account of the “secret discovery” story says that it didn’t happen at sea at all, but rather in the depths of landlocked Lake Tahoe, on the California-Nevada border. This is the version of the story most commonly associated with the “the world isn’t ready” quote. The Lake Tahoe version usually keeps things vague, speculating that perhaps Cousteau saw local legendary lake monster Tahoe Tessie OR a layer of hundreds of perfectly-preserved bodies of Chinese railroad workers or mafia victims floating eerily in mid-waters, OR some other mysterious thing too horrific to describe.
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[Unspeakable horrors such as dinky maps found on Bing]
Both Tessie and the well-preserved bodies are urban legends seen discussed elsewhere without the Cousteau connection. Other legends speculate that the lake hides sharks, mermaids, an underground tunnel to Pyramid Lake, a crashed WWII bomber, and a fortune in gold bullion. Just your ISO standard set of underwater legends, really.
However, unlike the Red Sea, there is no evidence that Jacques Cousteau ever visited Lake Tahoe, let alone dove there!
According to other explorers who have explored the lake’s depths, the cold, clear waters do provide eerie visibility to the shipwrecks and sunken trees found there. While people have died in and around the lake and bodies are sometimes found, the more sensational claims of uncanny preservation and bodies eerily floating in mid-water, never rising or sinking, do not fit with Lake Tahoe’s known physical conditions.
The Screams of Hell
Indeed, the French diver Jacques Cousteau was swimming over Cuba some years ago, and he heard screaming noises at the bottom of the ocean. ... And Jacques Cousteau was so shaken up by what he had heard in the seas off Cuba, he never swam there again. ... He heard what he believed to be screaming, shouting, people being tortured, just as the Bible teaches. ("Ex-Catholics for Christ")
Yet another version of the story says that Cousteau heard the sounds of agonized screaming underwater, either while diving himself or recorded on a hydrophone, and possibly considered them the screams of souls in hell. These versions of the story tend to be vaguer, not always naming a time or place when this happened. (That version put it in Cuba, another in Greece, others vaguely “somewhere in the Bermuda Triangle”.)
That's probably because this version is just an adaptation of another, more well-known urban legend about Soviet geologists digging into hell and recording screams that has been repeated in various places since the 1980s. (You can see some of the problems with that story at the site linked.)
(Cousteau did explore Cuba’s waters in the mid-1980s as seen in the documentary, Cuba: Waters of Destiny. You won’t hear any screams from Hell in that documentary, but there is a guest appearance from Fidel Castro!)
Another religion-related urban legend about Jacques Cousteau is that he converted to Islam after discovering the Quran was correct about the mixing of the waters of the Red Sea and Indian Ocean. This isn't true, either. In some places I'd seen this repeated in the same context as an equally-untrue claim that Neil Armstrong converted to Islam after hearing the call to prayer on the moon, and misremembered this as a claim Cousteau had heard the call to prayer underwater for a less-disturbing twist on the idea that the secret discovery was something heard underwater rather than seen, but as far as I can tell, that isn't the case.
Bells in Random Order
Do you know Jacques Cousteau? Well, they said on the radio That he hears bells in random order Deep beneath the perfect water ("Perfect Water")
The Blue Öyster Cult song "Perfect Water" has the lyrics above, which may be a reference to the "secret discovery" legend and specifically the above idea that it was a mysterious sound heard underwater. The band is known for having many references to legends, conspiracy theories, and the supernatural in other songs. "Perfect Water" was on the album Club Ninja, released in December 1985, post-dating Life and Death in a Coral Sea but predating the most famous accounts of the “Well to Hell” story. I can't find any other sources talking about Cousteau and mysterious bells.
This website instead thinks the lyrics are referring to Cousteau's actual descriptions of walruses as making sounds similar to bells in his writings and films. You can hear a walrus making a bell sound here.
Ask Me Anything
During an AMA session on Reddit in 2018, Fabien Cousteau (FCNomad) was asked about three different versions of this story (Djibouti, Lake Tahoe, and Fort Peck Reservoir in Montana.) He seemed most familiar with the Lake Tahoe version.
sotpsean: Hello, Mr Cousteau! It's an honour. When I was a child, family lived in Djibouti, Africa,(my father was a French Foreign Legionnaire). There was a local legend about a "sea monster" living in Lac Goubet. I've heard that your Grandfather might have investigated Lac Goubet in search of this "monster". Locals have thought it to be a prehistoric shark cut off from the sea. I've always wondered if someone might be able to shed light on this subject. Have you heard of this? Thanks for doing this AMA! FCNomad: Great to chat with you. French foreign legion? Serious stuff. There are legends of "sea monsters" in every body of water out there. Until we explore them we will not know for sure ;-) Lets go see! [x]
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HulkVomit: Why did your grandfather never want to dive in Ft Peck Reservoir again? Would you ever come dive in it? Account-002: I am also REALLY curious about this. My Dad thought it was because if the siltyness of the water, combined with a possible encounter with multiple giant catfish/paddlefish that put him off. FCNomad: That does seem plausible and potentially sound due to the potential risks. He was focussed on filmmaking and if you can't see anything its hard to tell a visual story… [x]
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TeddysGhost: Hi there, I live at Lake Tahoe and it is a common story around here that your grandfather went into the lake once and when he emerged he warned people that the world isn't ready to see what's down there? What do.you know about that story? Is there even a shred of legitimacy and if so what did he see? FCNomad: Ive heard this rumor as well. We were supposed to investigate on a new TV series but we never got the chance… [x]
Conclusions
...yeah, all versions of this story sound pretty fake to me. Sorry.
As Fabien says, almost every body of water has sea and lake monster legends attached to it, because the world’s waters really are mysterious, unpredictable, and dangerous. But over time, your local legendary water monster can become familiar, almost a sort of community mascot.
When reading the archives of The Liberator, a famous anti-slavery newspaper published in Boston in the mid-1800s, I found several articles where the writers referred to the New England sea serpent in these kinds of familiar terms, since to Bostonians it was a “local” monster. They even called it “our American sea serpent”— the children and grandchildren of the Minutemen, still defining their identity as Americans, could boast that England didn’t have such a cool monster.
In modern times, of course, a local monster legend can also be a major tourist attraction. Most of the sites I found repeating the Djibouti and Lake Tahoe versions of the story were… travel sites for Djibouti and Lake Tahoe (especially diving travel sites).
To present your local monster story as “verified” by a famous underwater explorer like Jacques Cousteau makes it sound authentic. It certainly spices things up for people planning their vacations, especially divers. And to say that your local monster scared away a globetrotting adventurer like Cousteau who had faced so many other perils all over the world definitely adds to the “local pride” angle. In Djibouti, a French colony that was having a vote in 1967 about whether to become independent, a story about a local monster scaring away a famous Frenchman may have had an appealing nationalist undertone.
The writer for Le Monde de l'un découverte, however, probably just wanted to tell a rip-roaring sea story. The presumably-French writer, writing for a French magazine, would have been writing for an audience who had grown up following Cousteau’s adventures. Perhaps they combed his writings in search of any mention of sea monsters that could fit in their paranormal magazine, found the passage about Djibouti in Life and Death in a Coral Sea, and created a more sensational version that conveniently left out Cousteau’s own debunking. For an audience who had grown up with Cousteau, what could be more exciting than hearing about one more adventure of their late hero, totally new and unseen, and a discovery so shocking it was being kept secret?
And, like I said, it does make for a great story! No wonder it inspired Christophe Bec to write his own version! And with the decades-long tradition of fictional stories parodying and homaging Jacques Cousteau, I can’t blame you if this piece has inspired you to write your own version of the “secret discovery” story— just please, make it clear that your fiction is fiction.
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stuffedteen · 1 year
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Tyler Posey grows more than an appetite 🤤
Tyler strutted into his agent, Tom's, office. He had been told Tom had urgent news for him regarding a new role. Tyler was pissed off when he got the call because he was taking this year off and had told Tom he wasn't applying for new roles. He decided to head to Tom's office to sort things out in person.
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"Hey Tyler. Do I have news for you man! I've got you a once in a lifetime role! I have Disney on the phone and they think you'd be the perfect next Captain America - you have a massive following from the younger audience and you've got the perfect body for the role. They're looking for a real heartthrob."
"Tom, I told you I'm taking time off. I don't want a role in some stupid action film anyway. Why don't you ever sign me up for respectable, exciting roles instead of boring adventure movies."
"Bro, I've already signed you on so you've got no choice in the matter. You know if you break your contract you'll never get another with Disney, Marvel, Pixar or any other film companies again. Its not your decision to make - you're taking that role"
"Fuck off man - I told you - I'm not looking for work at the moment."
With that Tyler stormed out of the office and went straight to his car. He was furious. How dare Tom sign him up without asking. There was no way he was signing up for this role. Captain America? Tyler would show Tom what a real American would do - he would head straight to MacDonalds.
Tyler ordered a large milkshake and a burger meal with cheese fries. This is what a real American man would do. After stuffing himself with fast food and feeling grease drip down his face he had an idea "I'll show Tom - I'll become a real American man and see if they still want to hire me then." The thought of growing into his American manhood made his heart beat fast in his chest. He drove back through the MacDonalds and ordered 4 burger meals with large fries and milkshakes. The thought of guzzling down 4 large milkshakes made a tent in Tyler's pants as he drove home.
Before he could even get inside he opened the burgers and inhaled them parked outside his house - sauce, grease and crumbs stained his shirt as he shovelled his greasy feast into his mouth. His chin dripped sauce onto his bloated belly and stained his tight white singlet. He guzzled down one milkshake after the other, leaving sweet milk on his upper lip and spilling the thick liquid on his shirt. One his gluttonous feast was devoured he looked down at himself. Tyler felt his member stiffen as he saw his bloated stomach and greasy shirt. "Holy fuck bro, I really am going to become an average American man" **buuuuurrppp**
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He went inside and changed into something more comfortable sat down on his couch and started watching TV. But even his favourite jumper felt a bit small after his wild stuffing session. Looking in the mirror he saw that his jumper no longer even covered his belly button. His stomach growled and he realised he was still hungry. "I'm really gonna show Tom" he thought as he picked up the phone to order pizza.
The 5 pizza's he ordered hardly lasted an hour as he mindlessly watch TV and shoved his face with slice after slice. Upon realising he had gotten to his last box Tyler groaned and looking down at his belly. "Holy shit I'm massive" his gut was rock hard and the size of a small basketball in his lap. "This is gonna be easier than I thought. Who knew being an average guy would be so easy." He got up to look for dessert, waddling to the freezer with his swollen belly. He grabbed a tub of ice-cream and stuffed it in his mouth with his hand, feeling the sugar dissolve in his mouth. His belly distended and bulged and it hurt to move.
Tyler burped loudly and slumped back on the couch with two 3l tubs of ice-cream. "I'm not moving from this couch until I'm fucking massive"
Tyler awoke in the morning with a huge hangover, how many beers had he downed. He saw two empty six packs next to the two family sized tubs of ice-cream - now empty. **buurrrrpp** "What a feast!" thought Tyler to himself, placing a hand on his growing stomach and immediately feeling his undies tighten. He lifted his jumper to check and the sight before him made his dick leak "Holy fuck bro - I grew overnight." His bloated, distended gut now sat soft and round around his growing waist.
A week later and his belly had only grown further. He had spent everyday stuffing himself and rubbing his bloated belly and his dick while staring at the TV or playing video games. His shaved stomach was now dark and hairy and his waistline had ballooned. As Tyler stood up to get another six pack of beer he had to use both hands to keep his belly from falling out of his jeans. "Oooofff standing up is too hard" groaned Tyler "I should get my bros to come over so they can play games and fetch booze for me." He reached for his phone and saw 12 missed calls from Tom. "I'll call Dylan and Colton."
"What the fuck had happened to you, bro?" questioned Dylan as soon as he saw Tyler pigging out on the couch. "Have you lost your mind? Tom's told us all about what's going on. Let's go talk with him, please!"
"No man, I'm too turned on by this - I wanna grow, get fucking huge, become a real man. You boys know you want to help your big bro out...
Wanna help me finish these pizzas and bring the beer over?" **buuuurrrrpp**
Colton and Dylan stood with their mouths open, drool dripping down their chins. "Fuck yeah" moaned Colton "we're your bros. Let's see how much we can grow tonight"
Tyler didn't hear anything, his eyes were glued to his TV screen as he watched a MacDonald's ad and stroked his dick through his boxers, but he quickly turned his attention back to his friends. "That sounds great boys, lets do it"
It took the boys 30 minutes to finish all the pizzas, beer and ice-cream in the house so they began to order in. The men stuffed pizzas, burgers, donuts, fish and chips, fried chicken and doners into their growing bellies. Midway through his 7th burger Tyler heard a loud PING and RIIIIPP and saw that Colton's pants had lost their button and Dylan's belt had snapped at the same time. "Way to go bros!" Both boys groaned as the fumbled to take their clothes off their growing bodies and soon all three sat shirtless in their briefs stuffing themselves.
"Fuck this feels good" moaned Dylan. "You said you wanted to grow, bro. How about you let Colton and I turn you into a real American guy."
Tyler was taken aback when Colton grabbed him by his shoulders and stuffed a greasy burger in his mouth. "Eat up bro. Grow bigger. Become a man" **buuuurrrrppp** was the only noise Tyler could make before Dylan was pouring a thick milkshake down Tyler's throat. "Man up Tyler" he ordered.
"Ughhhhhhh" moaned Tyler as he swallowed the milkshake, "I love being a man. I feel myself getting bigger and bigger and I'm so fucking full." He gasped when Dylan squeezed his soft ass and Colton's hand began to pump his dick, "Stop it bro, I'm so full" he groaned. "I gotta stop eating. I can't take anymore."
Dylan and Colton burst out laughing as Tyler's belly expanded with each gulp. Despite his protests Tyler's greedy lips kept devouring every greasy, fatty snack that came his way. His belly was so bloated but it seemed like the only thing he could think about was shoving more food into his mouth. He couldn't believe how easy becoming a man had been - he loved the feeling of his fat spreading across his bulging stomach and his cock throbbing in his pants.
After a few hours of stuffing his stomach, Tyler took up most of his 4 seater couch - his belly, thighs and ass were touching the edges. Even though he was stuffed his mouth lust for more food and beer. "I need more food" he moaned. Dylan and Colton smirked at Tyler and grabbed Tyler's head. Their stomachs bulged with food and their dicks swelled in their pants. "Eat up bro" teased Dylan as they pulled down their tight boxers and shoved their erect members into Tyler's wanting mouth.
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His bros' fat dicks filled his mouth. Tyler's jaw ached from the strain but his dick grew harder and harder as he sucked, moaning and grunting with each deep thrust. The motions got faster and Tyler salivated at the taste of his bros' precum. Soon Dylan and Colton held their heads back in ecstasy and Tyler began guzzling cum. His bloated tummy bulged as he swallowed each drop.
When the boys stopped jerking off and drained their balls, Tyler's stomach was so full he could no longer stand. "Time to get up man" moaned Dylan.
"Huh? Bro, I'm so full." Tyler said as he looked down at his bloated stomach and huge, distended gut. He could no longer see past his huge midsection. "This feels so fucking good, bro. I'm never gonna move again. I'll be a real man, my bros will feed me." He looked up to see Colton and Dylan standing above him with their fat dicks out. They were already hard and leaking again. "Looks like its time for round two bro" Colton said.
Tyler smiled with pleasure as his bros pushed their cocks into his mouth and stroked him. He could feel his huge belly bulge outward and he knew that soon even his belly wouldn't be able to hold everything. "I'm gonna get so fucking big. This feels so good, guys." Tyler whimpered as his stomach grew and his ass spread wider.
Guzzling Colton and Dylan's, Tyler moaned in delight as his belly expanded. As soon as they had pulled out, they rolled a now immobile Tyler onto the floor and Dylan stuck his dick back into Tyler's mouth and Colton spread Tyler's growing ass cheeks. Colton started pumping his cock in and out of Tyler's tight hole, filling his ass with hot cum. Dylan groped Tyler's still expanding gut and pumped his dick into Tyler's mouth. "Oh god, I'm gonna explode!" Tyler moaned as Dylan's dick sprayed cum down Tyler's throat and face.
As Tyler continued to gulp down his cum, Colton began shooting cum up Tyler's hole and into his belly. Tyler moaned in pleasure as his belly bulged and expanded in every direction. "Too much, dude," groaned Tyler. "I'm gonna burst"
POP
Commission by zachavinst
let me know if you'd like any art 🤤 (Celebrities, pictures, stories, wishes)
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starfxkr · 2 months
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u can just ignore me if youve done this b4 but what do u think the guys’ & ur ocs’ fav shows/movies wld be? jj gives me like southpark vibes idk, rafe probably stares at the tv blankly without blinking not even watching it, idk 😭
-🌈
I've talked about the girls here!!!
we know canonically jj's favorite movie is chud, so id say he loves low brow comedy/horror the most. I also feel like he loves 70s kung fu movies/blaxspoitation like he enjoys "trashy" movies.
john b def loves old school adventure movies like indiana jones and goonies but he also gives that his dad watches lots of westerns so as a kid he would pretend to be the fastest gunslinger in the old west. but he also loves just regular action movies
pope in his typical nerd fashion likes sci-fi and fantasy but I could also see him being into "a24" movies like the florida project, the killing of the sacred deer and american honey. also think he's a wes anderson guy.
rafe likes typical "dude" movies like I feel like he rlly likes scarface and taxi driver but he's very stupid early on so he takes em the wrong way LOL. could see him liking uncut gems too actually
source: im a film student
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batmannotes · 5 months
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Justice League: Crisis on Infinite Earths – Part One
Available exclusively on Digital on January 9
4K UHD in limited edition steelbook packaging and Blu-ray arriving on January 23
Parts Two & Three of the Justice League: Crisis on Infinite Earths Trilogy to debut later in 2024
Based on DC’s iconic comic book limited series ‘Crisis on Infinite Earths’ by Marv Wolfman and George Pérez, join DC Super Heroes from across the multiverse in the first of three parts of DC’s new animated film Justice League: Crisis on Infinite Earths – Part One, which marks the beginning of the end to the Tomorrowverse story arc.
Produced by Warner Bros. Animation, DC and Warner Bros. Home Entertainment, the all-new, action-packed DC animated film features some of DC’s most famous Super Heroes from multiple universes including Batman, Superman and Wonder Woman, who come together to stop an impending threat of doom and destruction. The film will be available to purchase exclusively on digital on January 9 and on 4K UHD in limited edition steelbook packaging and Blu-ray on January 23.
Fans of this superhero adventure will also be able to indulge in a range of bonus features including interviews with the filmmakers on how they created a comprehensive universe across seven films.
Justice League: Crisis on Infinite Earths – Part Two and Justice League: Crisis on Infinite Earths – Part Three will be available later in 2024.
Justice League: Crisis on Infinite Earths – Part One features returning popular voice cast members: Emmy winner Darren Criss (The Assassination of Gianni Versace: American Crime Story, Glee) as Superman & Earth-2 Superman, Stana Katic (Castle, Absentia) as Wonder Woman & Superwoman and Jensen Ackles (Supernatural, The Boys, The Winchesters) as Batman/Bruce Wayne. Aside from the returning voice cast, a star-studded ensemble takes shape including Matt Bomer (White Collar, American Horror Story: Hotel) as The Flash/Barry Allen, Meg Donnelly (Legion of Super-Heroes, High School Musical: The Musical: The Series,) as Supergirl & Harbinger, Jimmi Simpson (Star Trek: Prodigy, Westworld) as Green Arrow and Zachary Quinto (Heroes, Star Trek) as Lex Luthor.
Additional cast includes: Jonathan Adams as Monitor, Ike Amadi as J’onn J’onzz/Martian Manhunter, Amazing Man & Ivo, Geoffrey Arend as Psycho Pirate & Hawkman, Zack Callison as Dick Grayson/Robin, Alexandra Daddario as Lois Lane, Alastair Duncan as Alfred, Matt Lanter as Blue Beetle & Ultraman, Ato Essandoh as Mr Terrific, Cynthia Hamidi as Dawnstar, Aldis Hodge as John Stewart/Green Lantern & Power Ring, Erika Ishii as Doctor Light/Dr. Hoshi & Huntress, David Kaye as The Question, Ashleigh LaThrop as Iris West, Liam Mcintyre as Aquaman & Johnny Quick, Nolan North as Hal Jordan, Amazo & Homeless Man, Lou Diamond Phillips as The Spectre & Owlman, Keesha Sharp as Vixen and Harry Shum Jr. as Brainiac 5.
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SPECIAL FEATURES INCLUDE:
Physical and Digital
Crisis Prime(r): The filmmakers reveal in detail their intricate plan to create a comprehensive animated universe across seven films, concluding with the events of the three-part adaptation Justice League Crisis on Infinite Earths.
The Selfless Speedster: Explore The Flash’s legendary role in the “Crisis on Infinite Earths” comic series, the creative process that brought him to life in the animated adaptation, and the vocal performance behind his heroic and romantic story.
Digital Only
Silent Treatment – Film Clip fromJustice League Crisis on Infinite Earths – Part Two
Preorder now at Amazon.
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