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#and it was so.... :') to see it in the series
ruporas · 7 hours
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your love returns in tragedy (ID in alt)
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lazorbeanz · 2 days
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THE BROTHERS!!!!
❤️💙💛
TAILS FINALLY GOT SOME POPCORN!!! (Well for a minute there anyways lol) 🙌🍿
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jerswayman · 3 days
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LOVE THY GOALIE. GIVE THY GOOD BOY HEAD PATS.
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maybe-arts · 8 hours
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IT'S DONE! HAPPY BIRTHDAY KIRBY!!!
If you've been following me the last month, you've seen me posting invitations to join Kirby Birthday Collab. Well, as today is 27th, I'm proud to present the result of this collab!!
This collab ended up even bigger than the last year's one. When last year we mainly had only Dream Friends (with some special guests like Morpho, Galacta and Elfilin), this year we've got characters from many more groups, including villains! We've almost left no one behind lol
The image above might be a bit scuffed (anti-AI protection, and all that), but no worries! You can click on it to see full, uncompressed image and see everyone's work that's been put into this!
A HUGE thank you to everyone who participated, and to everyone who wanted but either learned about it too late or didn't manage - don't worry! Looks like this thing might be annual from now on (or until i run out of steam lmao), so you'll get plenty of chances to join next year! Just keep your eyes peeled around March-April :3
And now, everyone who participated in this collab:
@squeak-art - Daroach, Dark Nebula and Squeakers + two bonus polaroids (the one with Nebula and the one with Squeak Squad) @sacrificecage - Hyness and Shadow Kirby @aseuki - Sectonia (absolute madlad) @giantchasm - Elfilin, Fecto Forgo + possessed Awoofy and Rick @taranzas-biggest-fan - Taranza and President Haltmann + bonus polaroid with Wave 3 trio and Kirby @sourghostsoda - Dark Meta Knight and Galacta Knight @spidersandtomatos - Zan Partizanne + bonus polaroid with their OC and Zan @kachikirby - Samus Aran and Francisca + bonus polaroid with Samus @eleart - Meta Knight @azumetapraline - Magolor @tinybandee - Sailor Dee and UFO @a-stardusted-sky - Landia @mementomarx - Morpho Knight @xxmooncheetosxx - Ribbon @rosakikoza - DMS and Zero @hascaple - Chuchu @deafeninggardenerpanda - Void and Arthur (also special thanks for allowing me to organize it on his server that i've been advertising all this month lol) @pixbit - Prince Fluff @eryth-arts - Susie and Flamberge @deefighter2739 - Bandee @skitty-kirby - Sword and Blade Knights @hoshi-no-mahoroa - Coo @diroxide - Fecto Elfilis @starrveria - Tiff @nausylemmyj - Adeline @thecreatorlynne (on Instagram) - Miracle Matter + bonus polaroid with all the Matters @thundermarisol - Pitch, Pick, Mine, Shiro, Nyupun and Pitch Mama @michirikapchiyyy - Falspar and Dragato @galapathy - Nonsurat and Nightmare @wybienova - Clawroline + bonus polaroid with Clawroline @mistilteinn-magolor - Gooey @superskullz64 - Spinni, Doc and Storo @starrysorry - Tuff, Fololo and Falala @tazmilygray - Elline and Keeby @icy-dark-star - Leongar @yokyoaaa - Nago and the Meta-Knights (Axe, Trident, Mace and Javelin Knights) @itsquakey/@chickenhoops - Marx @chibihuey - Drawcia, Claycia and Kine (and colored Nightmare) + bonus polaroid with four Kirbies
and yours truly was the one who combined all of this in a single piece + drew Dedede and main birthday boy himself, Kirby!
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meiieiri · 2 days
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when do we get to see megumi in your new series ^3^
𝐛𝐞𝐰𝐚𝐫𝐞 𝐨𝐟 𝐤𝐢𝐬𝐬𝐞𝐬 ! [toji fushiguro]
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synopsis: “you really are your mother’s son,” toji grumbles to megumi as the little brat yet again refuses another kiss from him.
pairing: toji fushiguro x f!reader | art: @/amulin67 on twt/ig | hidden inventory: the lost tapes series masterlist
warnings: n/a | a/n: finally welcoming megumi to this series, yay! 💓💞
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“I’m just gonna go nap for a bit. Promise me you’ll wake me up if something happens. But either way, his bottle is over there, just heat it up when he gets hungry and you know where his diapers are—“
You are interrupted by a sweet kiss that still manages to catch you off guard ‘till this day.
“I wasn’t done, you know.” You place your hands on your hips, shooting him a warning glance. “And don’t you go tossing him too high. Need I remind you, our apartment has a literal ceiling fan—“
“—You worry too much,” Toji cuts you off again with another kiss. “Not gonna lie though, seeing you all worked up like that is kinda turning me on.”
“You’re horrible,” you conclude. Honestly, at this point, almost anything and everything you do can be classified as a thirst trap for Toji. You blush when Toji inches closer, his hips pressed against yours, a smirk plastered on his face when he sneakily squeezes your ass causing you to yelp. “Ah! Toji!” you swat his hand away, burying your blushing face in his chest.
Chuckling at you, he plants a soft kiss on your temple as he pulls away. “Alright, mama, go get some rest. I’ll hold down the fort.”
“Thank you.”
No one ever told you that motherhood would be so stressful. Which is why you’re so blessed to have a supportive husband who may have started out a little awkward with caring for your newborn son but gradually became a natural with this whole fatherhood business as time went by. And that’s mostly because when Megumi arrived in this world at half past two in the afternoon of December 22 with nothing more but a small hiccup as he slipped into his papa’s waiting arms, Toji fell in love. And you don’t pretend to not know why. Because whenever you look at Megumi, your heart always just seems to melt at his pudgy rose-colored cheeks and his deep expressive green eyes that fill up with tears regardless if he’s crying or being overcome by a laughing fit whenever you pepper his tiny face with kisses.
Speaking of kisses, today’s latest fiasco is centered exactly on that: kisses.
You see, you have this habit that goes way back to when you and Toji first started dating. Toji remembers it well, you have certain moods when it comes to kisses. Sometimes, you’re the one initiating it which mostly results in Toji becoming an incoherent blushing mess, or most times, Toji gets the party started by slowly kissing up your neck, his breath hot on your earlobe as he presses his hips against yours while you slept fitfully, your hushed dulcet whines ringing in his ear as your lips instinctively find each other. Fun fact: that’s exactly how Megumi came to be.
But there are times too, when you were just not having it and you’d gently nudge Toji’s face away when he tries to kiss you.
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It was a typical afternoon. Toji didn’t have work that day which was a huge relief for him because you’ve been suffering from dizziness and lower back pain all day. And being the helicopter partner and soon-to-be papa that he is, Toji keeps a close eye on you as you nap the afternoon away on the couch. He smiles softly as he sees you instinctively put a protective hand over your belly whenever you’d feel the slightest movements from the baby.
“Shhh, you’re alright,” he’d whisper to you as you slept, combing his fingers through your hair, a permanent worried frown on his face when a whimper falling from your pursed lips as the baby kicks you again. “It’s just the overgrown parasite fidgeting around.”
“Don’t call him that.” You brush his hand away, your eyebrows knitting in discomfort.
Toji chuckles, going to press a kiss to your soft lips only for you to place your entire palm on his face, applying gentle force to pry him away. “I mean, what is he then? Other than this thing that competes for your nutrients? He’s—“
“—Our baby boy.”
“—An overgrown parasite.”
Fuming at his words, you decide to hit back with a quick retort of your own. “Yeah? It really does take one to know one, huh?”
“What a cute comeback but maybe not as cute as you,” Toji smirks, his hand gently removing your smaller one from his face, his lips puckered up as he leans in. Teasingly, you place a hand over your lips, still refusing to indulge him with his much-craved kisses. “Come on, I just want one sloppy one~”
“No!” Your laughter-filled voice comes out muffled against your palm.
“Mm, yes,” Toji teases. “Yes. Come on, baby, just one.”
“You and I both know it’s never just one.”
Of course. Why else would you be in this situation if Toji knew how to spell the words: self and control? Still, it’s not like the two of you were complaining. After all, the bond you and Toji share is an unbreakable one that’s only been strengthened by time and the many trials you’ve survived together. And now, the arrival of the very product of your love is only a hair’s breath away. Toji rests his chin on top of your head, plopping down next to you and spooning you from behind. “Guilty as charged.”
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And unfortunately, it seemed your son had inherited that troublesome quirk of yours and it’s beginning to break Toji’s infuriated heart because whenever he tries to give Megumi a kiss…
“Mmph—“
There it was.
Toji’s eyes shot open, grimacing as Megumi turns his head away, his eyes trained stubbornly on his dog plushie, and his chubby hands pushing his poor papa’s chin away with all the might a six-month-old like him could muster. And to top things off, he must be imagining things because newborns surely couldn’t scowl right? Their tiny little brains couldn’t possibly have enough electrical energy to charge a snow globe much less, learn how to hate certain people’s kisses.
“You little shit—“
Sure enough, the tiny little baby seems gravely unamused, his eyebrows are knitted, the corner of his lips curled into a disappointed frown as if to say: Go kiss someone else, you even bigger shit.
Toji mirrors the unfriendly scowl on his son’s face, noting how Megumi seems to be glaring at him. Oh, okay. The brat ain’t messing around, his eyes twitches but somehow, Toji is also a picture of a proud father. At least the little shit’s got spunk. And he wonders momentarily who he should blame for that.
Definitely not him, that’s for sure.
Toji doesn’t recall the last time he’s ever had the comforts of a peace like this one. Actually, this might just be the first time that Toji knew what that word meant: “peace”. A freedom from disturbance; tranquility, as per the Merriam Webster Dictionary. But Toji has a better definition for peace: you and Megumi.
But…
“I meant what I said to your mother though,” Toji engages in a one-way conversation with his son. He won’t recall any of this, but it didn’t hurt for Toji to be candid about his feelings every now and then especially when it came to this little one that came accidentally into your lives but brightened it up nonetheless. “The two of you would be better off — maybe even happier — with someone else.” He presses his thumb against Megumi’s cheek. “It’s what you two deserve.”
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He’s been gone close to a whole day now and you were probably beginning to worry. Out of all the shitty things Toji has done, this, by far, has to be the shittiest. Standing outside a pachinko den, his back pressed against the wall, and his hand absentmindedly playing with the tokens he just bought. When he left the apartment that day, you knew that could very well be the last time you ever see him. Types like him aren’t keen on the whole picket fence idea of settling down.
“I’m heading out today.”
Your blood runs cold when Toji steps into the kitchen to inform you of his plans. You don’t even bother to look at him, your gaze simply settled on the positive pregnancy test on the table. The right thing to do was to stay, he should have held you in his arms and tell you that everything’s going to be okay not plant seeds of doubt in your mind by taking off and running away like a coward.
But for once, Toji was scared.
He had no business becoming a father when he’s lived in a dysfunctional household for majority of his life. What good would he even impart to his child? His pathetic existence has been a picture of disorder that was only recently resolved when you came into the picture. Well, if he were being completely honest, he still hasn’t figured things out quite as well yet. And as a father, that could be catastrophic for a child that required stability if nothing else.
Frowning, Toji leaves the pachinko den, chucking the tokens in the trash. It was far too early in the day to be hanging around shady places like these anyway. He wanders the streets for a good while, his hands buried in his jacket’s pockets as his mind swirls with thoughts about the all too terrifying future.
A pang of guilt strikes his heart and he wonders what you’re doing now. You must still be in the kitchen, your face buried in your hands as you try to think of something. You were probably assuming he wasn’t coming back. After all, you did say: “I don’t wanna pressure you into staying, Toji. You deserve to live your life the way you want it.”
A life without you? Sounds pretty miserable.
Toji must have been walking on autopilot because for some reason, he unknowingly finds himself in front of a bank. Mizuho Bank, Toji reads the sign, his eyes flicking over to one of the posters plastered on the window about opening a savings account.
He looks at the promotional material, transfixed at the picture of a family of four donning on those typical wide stupid grins in ads, the father is holding a hundred yen bill and is seen dropping it into a piggy bank that was filled with both cash and words like: health insurance, family vacation, utility bills, rent, tax, school, and…happiness.
Toji returns to the apartment at around eight in the evening after making a quick stop at the supermarket and the pharmacy. He finds you asleep on the couch, your cheeks stained with dry tears. He crouches on the edge of the couch, worriedly taking in your appearance. You’ve been crying. “Hey…hey, wake up,” he gently shakes you awake and your tired eyes flutter open. “Got you something.”
He holds out a shopping bag, chock full of fresh produce, and from the pharmacy, some camphor oil to relieve your symptoms and those folate supplements the attending pharmacist kept yapping about.
“You didn’t leave,” you said, bewildered. “I thought you—“
“—You thought wrong,” Toji says firmly. He pulls out something from his back pocket and you stare at him, perplexed.
“A bank passbook?” You open it to see that Toji had just made his first deposit amounting to fifty thousand yen earlier today. “You opened a savings account?”
Toji nods, looking a little proud of himself. “Yeah,” he tries to play it off with a shrug of his shoulders. “Every week, we’ll be depositing fifteen thousand yen in that thing. Ten thousand for your maternity needs, and five for the little brat’s schooling one day.”
Tears spring to your eyes upon realizing that Toji was here to stay. “You mean you’re—?” You are cut off by a warm kiss on your lips, and you place a hand over Toji’s chest, your fingertips gripping the fabric of his shirt as his lips move against yours. He pulls away after a while.
“Gonna spite the hell out of the Zenin clan and send my brat to the most expensive preschool in Tokyo? Yes, I am.”
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Toji sighs, his thumb rubbing across Megumi’s chubby cheek. “But maybe — just maybe — hear me out and don’t you give me another glare.” Megumi’s not gonna remember any of this. After all, memories begin when the brain can fully register speech. But Toji felt the need to say this so, subconsciously, his son will understand just how much he’s done and he’s willing to do for the both of you.
“…Maybe I deserve the two of you too, you know.”
Megumi looks up at his father, curiosity gleaming in his eyes. Toji sticks his tongue out at the little one causing the latter to…hiccup? Nah, Toji was sure that was a giggle.
Smirking, Toji leans down to give his son a kiss, thinking he’s patched things up between them now only for Megumi to curl up again, his feet and hands resisting against Toji, his lip downturned in effort as he pushes him away yet again. Conceding, Toji grumbles, rubbing the spot where Megumi roughly pushed him away.
“You really are your mother’s son.”
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derinwrites · 3 days
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The Three Commandments
The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.
Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And
The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.
1: Thou Shalt Have Something To Say
What’s your book about?
I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?
The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).
Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)
Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?
2: Thou Shalt Respect Thy Reader’s Investment
Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.
Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.
Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.
The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.
But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.
If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.
3: Thou Shalt Not Make Thy World Less Interesting
This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.
“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?
Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?
If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.
Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?
Hopefully these can help you, too.
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Posting this since no one else seems to have it up yet.
But Wade fucking carrying Knuckles and giving him a hug in his daydream is living rent free in my head forever.
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elodieunderglass · 3 days
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Honestly thought I'd never hear the word "usborne" again. My mom used to live and breathe that company, and while I certainly don't regret a fair chunk, I do find it amusing as I look back now. I legitimately thought it had fallen off faster than Juice+.
In reference to a post where i mention my kid has the usborne “see inside germs” book.
So if people don’t know, usborne is a weird publishing company that has done indispensable books for British children for generations; they’re in every library, school and nursery, and have shelves devoted to them in every bookstore. They are how many people learned to read, and are the originators of many hyper focuses. They’re famed for doing educational lift the flap books for all ages, like “see inside your body”, as well as as the ubiquitous touch-and-feel series, “that’s not my….” In which a mouse comments improbably on various creatures not being their creature. “That’s not my dragon,” the mouse says, inviting you to stroke a dragon with a patch of fur on it, “its tummy is too soft. That’s not my dragon,” on the next page, where the dragon’s ears are lined with textured paper, “its ears are too bumpy.” This seems like such an inefficient way to find one’s missing dragon, a fact that simmers underneath you through endless repetition. Why does the mouse own so many things (pirates, ducks, polar bears) and why is it interrogating other people’s pirates etc by feeling their legs.
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At any rate, turn a parents’ house upside down and these books fall out.
Which is why it’s completely hilarious that they are also an MLM.
Well. Kind of. In the old school sense. It’s less about signing up a pyramid scheme and more about getting a random citizen to buy a crate of perfectly popular books and try to sell them on from their home. It’s very traditional for Mums On Maternity Leave to do this. Pre-social media and online ordering, they’d hook up other mums at toddler group. Today, they post awkwardly on social media. The idea is that buying from another parent is cheaper than the bookstore, and they get to keep the markup. They get intense about things, and I believe they attend conferences. Nobody makes a huge amount of money and it’s unclear how undercutting local bookstores is helpful; it’s also basically the same RRP as Amazon I think.
And the books are perfectly respectable and sell perfectly well in bookstores.
So. Like. This marketing scheme is completely weird. Why?? Why does it still exist? People buy the books normally! You don’t need to promote them aggressively! You don’t need elaborate independent local middlemen schemes! You can just buy them! I have never understood this. I just file it under one of those weird mat leave hustles.
But don’t worry OP. They’re still going. They’ll never stop. The thing is that your mom got bored and online sales probably ate whatever residual profit margins were left and it’s probably very liberating for everyone to grow out of the “that’s not my cow” stage, but Usborne books are going strong.
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mewjimewjimewji · 22 hours
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i love dungeon meshi and the way it views people in a way i grew to think no one else ever would. the way it frames bodies and nudity without it needing to be inherently sexual, and any fanservice or sexualization there is only feels very honest rather than perverse. the neutral way things like the harpies or humanoid monsters have exposed boobs and nipples. or the farcille bath scene being fanservice in a way but feeling intimate in an entirely different way than that to me. it feels so removed from the weight of the way others view people with beauty standards and other imposed characteristics—yet it paints people as beautiful around its own definition based on the way people actually are. the way it frames human beings as a whole, as living like any animal does with universal and inescapable needs. no matter how we see ourselves we still get hungry, we still get hurt, we still get sleepy, we still get thirsty. the characters have magic and anime fighting strength but remain as fragile as any living thing, being able to be killed in one shot. and every shape the different characters take with their diverse bodies is drawn with equal appreciation for their form. there are many things dungeon meshi feels passionate about, such as how clearly invested ryoko kui had to be in zoology and stuff for a lot of worldbuilding, but that wouldnt be complete without this touch too. i just love how much this series was clearly created by someone deeply in love with and invested in human beings.
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Every Part of You
Pairing - Grumpy!Bucky Barnes x Sunshine!Reader A.N. - Alright, I've been asked to write about Bucky and Sunshine's first time many, many times. And the thing is, like sure, I could write that, but also I want us to take a moment to consider trying to build up to that. There's so many firsts buried in there that I think need to be navigated through before they even get there. This is one of those firsts. Like the first time you see Bucky's shoulder.
Bucky Barnes Masterlist | Grumpy Sunshine Series
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"You're just- " You stop speaking, searching for his lips again. Though you're breathless, you can't bring yourself to pull away from him, "You're so pretty."
You shudder as you feel his hand slip under your sweater. The occasional graze of the cool metal on your skin enough to send shivers down your spine.
His lips trail down, nipping at your jaw, "I'm not pretty."
Your hands, winded in the hair at the nape of his neck, glide down his neck, to clutch the fabric of his henley. The moment he feels your fingers toy with the collar of his shirt, his heart hammers against his ribcage. Not in the sort of way that he usually feels in these moments with you. He feels a sense of dread, of panic. It wraps around his spine like a python. It feels like he can't breathe.
"You're so -"
He wrenches away from you, his chest heaving, "Stop, stop, stop."
You freeze, immediately dropping your hands. Panic starts creeping up your throat, coating your words. "Did I - did I do something wrong?"
He gulps, silently shaking his head. It takes him a moment to regain his composure, to regain the ability to speak clearly, "No, no, you're - you're perfect."
Guilt starts to eat at him. He can see you doing your very best to keep your own feelings off your face. He can see the sting of his rejection in the way your lips press together in a tight line. The embarrassment in the pallor of your once flushed cheeks.
You two have worked so hard to overcome your own personal issues and traumas, to build trust in each other, moments like these hadn't come easy. And he so callously pushed you away, it makes him feel worse. And what makes his heart ache even more, he sees nothing but concern for him shining in your eyes. You just look so worried for him.
Your hands rest in your lap. You twist and untwist your fingers. "If you don't want to, we don't - we don't have to do anything. I'm really sorry -"
"No, no, please don't be sorry." He reaches for you, gently squeezing your hand. It soothes him as much as it does you. "I want to. You don't know how much I want to."
"But?"
His eyes squeeze shut. He can't bring himself to meet your eyes. "You haven't seen it before - my arm, my shoulder."
"Oh."
He drops your hand. That feeling takes over him again. It feels like there's not enough air in the room. He slides away from you, closer to the edge of the tiny couch in your apartment. "It's - I am not pretty."
It breaks your heart, watching him pull away from you. You can only imagine how many people have turned away from him before. "James..."
He fervently shakes his head, refusing to open his eyes, "No, no, I know what you're gonna say, but it's bad. A lot worse than you're thinking."
"How do you know what I'm thinking?"
"It's bad," he insists. "I see it every day and I can barely - it's just bad, okay?"
You take his hand, squeezing it tightly. "It's okay if you don't want me to see it. I understand."
He finally opens his eyes again as his eyebrows pull together. He still doesn't meet your eye. "No, no, I want to - I trust you with this, I do. I just - I want you to be prepared."
In that moment, you realize that it's not really about preparing you. Not at all.
He thinks you're going to react badly. He thinks that this will make you turn away from him for the first time ever. He's worried that the love and adoration in your eyes will turn to disgust and repulsion.
It's less about preparing you for the scarred flesh, and more about warning you that he couldn't take a bad reaction. He's not sure he could take it if you turned away from him too.
"I love you," you promise him. "There's nothing that you could show me that would change that. I hope you know that."
There is no response to that. And you know that he won't believe it until he sees it. It takes him a moment. His hand toys with the hem of his shirt. His hand grips the hem, only to let it go.
"I love you," you remind him.
He takes a large gulp of air, pulling off his shirt with one quick movement.
You weren't really sure what you were expecting. You knew the story. You knew how Bucky lost his arm. He even confided the bits and pieces he remembered from getting his vibranium arm.
Your eyes trail over his skin. The shoulder is scarred, scars jut in every direction. Each scar is etched into his skin. It's clear it was a painful, violent experience for him. The metal plate protrudes from the scar tissue in a way that you're sure was painful when first placed. You look on with curiosity, you're not really sure how this, a sign of survival, a badge of resilience, could ever make anyone turn away from him.
He's as breathtaking as you could ever imagine.
Your eyes flicker up at him. He looks at the blank wall of your apartment, scared to watch your facial expressions as you take it in. "Can I?"
He nods, barely able to look you in the eyes. He sucks in a breath when your fingers make contact with the scar tissue surrounding the metal plate.
You immediately pull your fingers back, worried you've accidentally hurt him. "Does it hurt?"
"No," he answers reflexively.
You know he's lying. "I've seen you holding your shoulder before - holding it like it hurts."
"Sometimes," he amends. "The doctor said there's a lot of nerve damage. Things they can't fix."
"Does it hurt now?"
"No."
You run your hand over the plate, over his scars, down to his shoulder blade.
"Still think I'm pretty?" he sarcastically remarks.
You press a gentle kiss to his bare shoulder. "I'll always think you're pretty. Every part of you."
Bucky Barnes Masterlist AnonymityIsFun Masterlist
Reblogs and comments are always appreciated! 💛
Taglist: @marianita195 @meli18gonzalez @ludicbouquetfromearth @matchat3a @famousbreadcherryblossomsstuff @valoraxx @blue786sworld @buckyandgeraltsupremacy @geminigengar @ansaturn @ecolle @lexhalstead3 @ybflkmj @mediocre-daydreams @shanye1112 @thegirlnextdoorssister @toomanyfanficsbruh @moonlightreader649 @breathtaking-cynthia @mirikusashes@beans-and-toast @niyahcoca @katiechikin @elxvrr @antiheroxsblog @infamouslyclumsy @krissydclayton93 @buckysbarne @deadheadwbedhead @qualitygiantshoepsychic @whitexwolfxx310 @getosprettyboy @matchat3a@weallhaveadestiny@mostlymarvelgirl @honeydew3064@michealharrypotter @mrs-bucky-barnes-73@withyoutilltheendoftheline@the-photo-hoe @rae-nna@sarachabeans1 @double-shot-of-tequila @spookyparadisesheep
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norrisleclercf1 · 1 day
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Stop Growing Up
Pairing: Dad!Lando Norris x Mom!Reader
Rating: PG
Words: 1.2K
Warnings: None
Mini Lando Series Masterlist / Previous: Just the Beginning
A/N: Surpriseeeeee haven't written for Aiden and Lando in a hot minute
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Tying his shoes, he couldn't help but stare at the pictures of his little boy. Little Aiden was growing up, and Lando had a hard time because his little boy wasn't so little anymore.
Staring at the pictures, he looked at the picture he had taken when you first saw your bump, the guys all over with you smiling brightly with a large bump, and then you holding Aiden. Lando moved, looking at the picture of him shirtless, exhausted, with tear-stained cheeks, and smiling brightly at the camera. 
Carlos was in the next frame holding his godson, with a little chili plushie that Aiden was biting. Of course, Adam and Cisca were there, his sisters and brother, and even Mila sat next to her cousin. Lando missed those days, the days when Aiden was so damn happy when he saw Lando and squealed, kicking his feet and unable to wait to be held by his father. 
Now Aiden just smiled, seeing his Dad, but Lando just guessed it had to be because he was now graduating high school and wasn't his father's little boy anymore. Sighing, Lando smiles as you walk into the bedroom, wearing an elegant but simple blue dress with sandals. Lando wore a pale blue button-up, black slacks, and dress shoes. His curls were no longer the vibrant color but lined with grey, and of course, he had grown out the beard again, chuckling when the kids made fun of him for it. 
"Lando, you okay?" You knew how hard this was for him. It was his baby boy, all grown up. Lando always cried when the kids hit life milestones; he just wanted them to stay little. "Should we have another baby?" Earring slipping out of your hand, you curse and turn, glaring at him, but he isn't joking. Instead, he is very serious. "Lando, no. You're hitting 40. We're not having another child. Isn't four enough?" You tease, but Lando shakes his head. 
"No, our firstborn is about to move to fucking Scotland. And now, our others are growing up too fast." Lando groans, rubbing his eyes with the palms of his hands. "Lando, Aiden is 17, for the love of god. Caleb, Will, and Odette are 14, 12, and 9 years old. Stop acting like they're all suddenly turning 18 and moving out." You bristle. Lando turns, pouting until he hears Caleb and Daniel yelling. "I've got it." He stops you, gets up, and heads to Caleb's room. He sees them fighting over a pair of shoes. 
"They're mine, stupid!" "No, dingbat, they're mine!" Lando sighs, dropping the head and shaking it. "Hey, knock it off, or no going to the track with me this weekend." The boys stop fighting, knowing their father would be serious about his threat. "But, Daddddd," Caleb whines out the d, and Lando narrows his eyes. "Caleb, you're 14, don't whine. Will, whatever you started, apologize to your brother. And if you don't, so help me, god, I'll get Uncle Max involved." Will and Caleb swallow hard and nod their head. 
Stepping down the hall, he hears them mumble and apologizes. Knocking on the door, he hears a soft come-in; smiling, he sees the bouncy curls of his baby girl as she plays with her dolls. Lando couldn't be happier that she took after you; he had three mini-mes, and finally, he got a mini-you. "Baby, are you all ready?" Odette turns and gives him a big, toothy grin, and he has to stop himself from laughing. She recently lost both her big teeth, and every time she smiles sh, she loses every tooth but those. She was pleased when she got a big gift from the tooth fairy. 
"Yes, daddy. Aiden got me dressed." She stands wearing her favorite blue dress. It was a soft blue with little bows and sparkles everywhere. Uncle Max gave her a gift when he took her out for her birthday. "Okay, baby, you keep playing." Odette nods and sits back down, playing with her Barbies. Stepping out, he takes a deep breath, goes to the next room, and knocks, slowly pushing it open. Lando has to take a deep breath to stop the burning in his eyes as his baby boy stands in his cap and gown. Aiden fusses over his hair, and Lando chuckles, alerting his son to his presence. "Dad, I love having your hair, but at this moment, it fucking sucks," Aiden groans, and Lando lets the curse word slip for this moment. 
"Stop, you're going to pull your hair out," Lando slaps his son's hands, ruffling the curls, slowly putting the cap on, and smiling. "Better?" Aiden groans but nods, "It'll have to do," Lando steps back and can't help his eyes water. "Dad, don't cry." Aiden turns, facing his father, who shakes his head and wipes under his eyes, making a croaking sound as he clears his throat. "Just, you grew up so fast." Aiden sighed and hugged his father; he knew Lando would be the one to take this hard, "I love you," Aiden whispered; Lando made a strangled sound and hugged Aiden tighter before slapping his back.
"Alright, you're uncles, grandparents, and your mother are downstairs." Aiden nods and grabs his wallet and keys. Rushing down the hall, you hear Odette's door open. "Dottie, come on." Little patters of feet and heavy feet are heard as Lando strolls behind them. Stopping, he looks back into Aiden's room and takes a deep breath. Aiden took his first steps, saying dada for the first time; the sleepless nights of rocking him to sleep and comforting him over broken hearts were all in this room. Smiling, Lando closes the door and heads downstairs. 
"No! Uncle Carlos!" Aiden whines, Lando knew all too well that Carlos probably ruffled his curls, and he's proven right as Aiden dodges his hand and lightly slaps it away. "Eh, don't slap my hand, come here." Carlos glares, and Aiden dodges, moving faster than his Uncle. Carlos hisses as Charles and Max chuckle. Already, Odette was in Max's arms and giggling at whatever the grown-ups were laughing at. As the baby and only girl, Odette was spoiled by everyone in the family. Max was the one who spoiled her the most. Penelope giggles at Aiden, with Kelley fixing Odette's curls. Aiden talks with Penelope and still dodges Carlos's hand. 
Lando moves up beside you, talking to his parents, and Adam gives him a slight nod. Caleb and Will come running past. "Boys," Lando says, giving his tone a deeper drop. They stop running and sit next to Lorenzo, or Enzo, as he likes to be called Charles's oldest boy. Enzo extends his phone, and they start giggling, most defiantly watching old videos of the drivers when they are close to Aiden, Penelope, and Enzo's age. "You alright," He pulls his attention to you and nods. "Yeah, yeah, I'll be okay." Kissing the top of your head, he draws you in as Aiden throws himself down next to Penelope, and they start talking about Formula 3. 
Aiden was offered a seat but turned it down, preferring to work with the cars rather than drive them. That was proven when he got a full ride to a prestigious university for Mechanical Engineering and Aerodynamics. "He's still our son Lando, just...older." Lando smiles as he looks around the room, taking in his family, laughing, and having fun. Turning back to you, he smiles, his genuine smile of the day. "I know, just....he needs to stop growing up." You giggle and kiss under his jaw as he holds you in his arms. Lando sighs and kisses you again. Aiden was growing up, but he'd always be his first little boy. 
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pharawee · 2 days
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Garfield Pantach Kankham as KENTA
▷ PIT BABE 2
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strawberrynull · 2 days
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──౨ৎ ˙🌙 ̟ cuddling with riki
엔하이픈 | Enhypen | Nishimura Riki
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──Pairing: bf!riki x gf!reader
──Genre: FLUFF
──Synopsis: (Part 2 of the cuddling series) Ways you and Riki would cuddle or hang out
──Warnings: skinship, kissing, i think thats it lol
──A/N: Thanks for another request! Requested by @rikiisthelomllll
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☆ First of all, we ALL know you'll be sitting on Riki's lap while he plays video games every day. Of course, when he's done playing games, he'll keep you on his lap wrapped in his arms. He'll hug you tight with his face nuzzled into the crook of your neck.
☆ Or you would sit on Riki's lap while he lets you play video games. He would teasingly poke your sides or your face to make you lose the match. Or he would cover your eyes for a few seconds so you can't see the game. When he's not being a bother, he would help you with whatever game your playing by giving you tips.
☆ When he's sitting next to you, he would lean on you and put an arm around your back, holding onto your waist. The other hand would rest on your stomach because Riki tends to rub people's stomachs to show affection.
☆ If you're laying down, he will definitely lay across your stomach so you two are laying in a cross shape. He lies there despite being bigger than you are. Because he's so tall, he leans on his elbows to take some weight off you but still be able to lay together. He's so silly.
☆ While you lie on your stomach with Riki next to you, you would throw your leg across his body almost like you were climbing on him. He would instinctively rub your leg, holding your waist with his other hand.
☆ Swear on everything, Riki would most definitely make you food and have you sit on the counter while he cooks. Whenever he would have a free hand, it would immediately go to your waist. He would take frequent breaks from cooking to place a few gentle kisses on your lips.
☆ Riki would love when you cuddle with him while curled up to his chest. You would look so small compared to him. He would lay there with you with his hands on your waist. To Riki, you were so cute that he wanted to hold you close and hide you from everyone else because you were only his.
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© strawberrynull, 2024. Do not copy my work. Please DM for permission before translating or reuploading. Thank You
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monzabee · 1 day
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mr. big (social media au) - cs55
masterlist ||
Summary: The one where there he was, wearing armani on a sunday, your boyfriend, Carlos.
Pairing: carlos sainz x romance writer!reader (model used: random people i found on pinterest)
Warnings: none other than some cursing? carlos being an old money dream as always
Request: "For a smau, would love to see romance writer!reader with Carlos (he is just Disney prince vibes) where fans aren’t quite sure how they got together but the influence him on her work is greatly appreciated" by my lovely @percervall
Author note: OKAY JUST REALISED I AM A CARRIE AND BIG APOLOGIST, WHO WOULD'VE THOUGHT (i might be freaking out about them, but i will always be a charlotte girl)!!! (might honestly turn it into a series because who doesn't love a satc x old money crossover???)
Please also note that all of my works are protected under copyright, and not available for reposting on other platforms.
yourusername
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Liked by carlossainz55, yourbestfriend, readersdigest and 438,927 others.
yourusername: busy, busy, busy bee.
user: thank you mother for feeding us with another hot billionaire novel
yourusername: you are more than welcome
user: how is she not only one of the best romance authors, but also a fashion icon??
user: can't wait to read what carlos inspired this time!!
carlossainz55: you are not wearing you glasses again, cariño
yourusername: why don't you come put them on yourself??
user: oh, they are so cute it's sickening
user: GIVE US THE MANUSCRIPT AND END OUR SUFFERING
view all 2,387 comments.
user: how did they get together again??
user: i think he ran into her at one of her book signings in madrid?
user: i thought it was when she went to the paddock for some good old r&d?
user: i heard somewhere that a friend set them up
yourusername posted a new story!
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carlossainz55 posted a story!
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yourusername
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Liked by carlossainz55, landonorris, goodreads and 682,928 others.
yourusername: life lately & "between love and loathing" out june 23rd.
user: we love the romantic getaway, and a new book!!
user: we're being fed in more ways than one, and i am not complaining at all!!
user: oh shit, we're about to read the best romance novel of all time
view all 13,726 comments.
carlossainz55: i'm so proud of you, you have no idea
yourusername: way to make me cry
yourusername: i love you though
carlossainz55: te quiero más
user: I CAN'T BELIEVE THEY ARE THE OLD MONEY COUPLE WE NEEDED ALL ALONG AND WE DON'T KNOW HOW THEY STARTED DATING
user: it will remain forever a mystery
user: but at least we have content to keep us going through these hard times
carlossainz55
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Liked by yourusername, scuderiaferrari, charles_leclerc and 977,520 others.
carlossainz55: one of us made the pancakes, and one of us stood there looking pretty.
yourusername: hey, it was your turn to make breakfast
carlossainz55: and i loved every second of it
yourusername: even doing the dishes?
carlossainz55: especially doing the dishes
user: this is by far the most romance book thing this man has done
user: i still don't understand how they started dating, but good for them i guess
view all 35,726 comments.
landonorris: hey, i didn't get any pancakes, did you? @charles_leclerc
charles_leclerc: didn't even know we were having pancakes, where are our pancakes @carlossainz55
landonorris: and cooking in a towel?? how is that sanitary??
charles_leclerc: he's breaking at least a dozen health codes
carlossainz55: i hate you both
yourusername: you are all a pr nightmare
scuderiaferrari: i agree
user: damn he got lucky
yourusername
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Liked by f1wagss, carlossainz55, sarahjessicaparker and 736,928 others.
yourusername: and there he was, wearing armani on a sunday, carlos sainz.
user: SHUT UP!!! SHUT THE FUCK UP!!
user: what kind of an iconic cunt slay is this
user: and just like that... they became the coolest couple on the internet
user: NEW NOVEL IDEA, SEX AND THE CITY RETELL WITH CARLOS
user: girl wtf
yourusername: no let her cook
yourusername: you might be onto something here
user: don't know if i want to be her or be carlos
view all 44,736 comments.
user: everybody say thank you mom for blessing us
carlossainz55: amor
yourusername: amor x2
user: oh she's working overtime god bless you
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youaresimplylovely · 14 hours
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Fashion n' Cars (Part Two)
Pairings: F1 Grid x Verstappen!Supermodel!Reader Summary: Max Verstappen has a sister who is a famous supermodel but what happens when other F1 drivers start taking interest in her? Warnings: Fluff, humor, some flirtingg fc: Emily Ratajkwoski Proofread!! A/N: Happy 200 followers!! Still in awe that it has been like a week since i started this acc and you guys have been so supportive. I love you all with my whole heart! That's why to celebrate i am going to post 5 stories in celebration. Here's to more lovelies! and again if u want to be added on my taglist u can input ur user on this form ^^ https://forms.gle/4Pk1HSDjTEg51Xo79
part one
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"𝐋𝐨𝐯𝐞𝐥𝐲'𝐬 200 𝐅𝐨𝐥𝐥𝐨𝐰𝐞𝐫𝐬 𝐂𝐞𝐥𝐞𝐛𝐫𝐚𝐭𝐢𝐨𝐧 𝐏𝐨𝐬𝐭𝐬 03"
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ynverstappen
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liked by georgerussell63, lewishamilton, and 49,238,319 others
ynverstappen you need to calm down <3
view all comments
user LOOKIN HOT AS ALWAYS QUEEN!!!
user3 WE NEED TO KNOW WHO IS THE MYSTERY MAN
landonorris no man can calm down with you 😍😍😍
user87 LANDO "KID" IN LOVE ERA
maxverstappen1 HOW CAN I CALM DOWN I CAN SEE YOUR PANTIES Y/N VERSTAPPEN.
ynverstappen love ya >< maxverstappen1 DELETE?????
charles_leclerc ooh la la la
pierregasly beautiful as always bebe
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ynverstappen
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liked by charles_leclerc, f1, and 76,098,256 others
ynverstappen i've got my eye on you ><
comments are turned off
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TAGLIST
@euphoricchills / @charlesleclerx / @Inchident-jgp / @amethyst-bitch / @dr4g0ngirl @likedbygaslyy / @pansexualwitchwhoneedstherapy / @httpstoyosi / @evermore555 / @bibissparkles / @lokideservesahug / @emmy626 / @hiireadstuff / @urfavouriteanon / @darleneslane / @anon555xxx / @shelbyteller / @spookystitchery / @bearryyy / @justtprachisblog @alliwantisadonut / @kika-writes / @casperlikej / @funnelcakeee / @m-1805 / @firebreathingbitch17
should i make this into a series?? :>
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afterglowsainz · 2 days
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i'mgonnagetyouback | max verstappen
summary: after you and max broke up you released an album about it and when you go on tour, you didn't expected max to be there front row after being dragged by his new girlfriend's daughter
warnings: none
word count: 877
a/n: this is kinda told in max's pov (?, also heavily inspired on taylor's eras tour and i slightly changed the lyrics of the song to relate it a bit more to max
the tortured athletes department series
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the lights were out in the stadium but there was barely any darkness. the lights of flashes from phones and twinkling colored light bracelets illuminated the allegiance stadium in las vegas, every person there waiting for the one and only y/n y/l/n.
if you would’ve told max months ago that he was gonna be at her ex-girlfriend’s sold out concert the same weekend he was racing in vegas, he would’ve laughed in your face. but here he was, waiting with the other 69,000 people for her to show up on stage and sing all her hit songs, including the ones that she wrote about him after their breakup.
he had to remind himself that the only reason he was doing this was because of his new girlfriend's daughter, who begged them for weeks to take her to y/n’s concert or she would simply die. she was y/n’s biggest fan because, of course, karma had to do that to max. so there he was, in the vip section of the stadium without y/n’s knowledge, next to his new girlfriend and her daughter.
the lights on the bracelets turned off and the stadium went a bit darker than before, announcing the start of the show. when a huge clock on the stage came up and it reached the number zero, y/n came out singing the first song of the concert and the crowd went wild. max was immediately mesmerized by her. she hadn’t changed much since they broke up, that much he noticed, and she was as beautiful as ever.
he had to control himself not to sing along to her songs to not give his girlfriend a bad impression, even though her daughter was singing all her songs by heart. he just nodded and move along with the rhythm, avoiding the gaze of his girlfriend who was very well aware of her boyfriends history with the singer on stage.
y/n was singing her most famous songs and a few that were more lowkey, and when they reached the acoustic set of the concert, she was carrying a wide smile while playing a few keys on the piano. max smiled at the sight of her.
“hello, vegas!” she shouted at the microphone, making the whole stadium scream. “welcome to the acoustic set.” she smiled. “i’ve been meaning to sing different surprise songs every night, some that i haven’t played in a while, some others brand new. this one particularly is from my new album, i hope you enjoy it.”
max stopped breathing for a second. it was very well known with the public that y/n’s new album was about their breakup and she hadn’t sung any of those songs until tonight. he didn’t know what to do with himself or how to behave, so he simply crossed his arms and stood a bit further into the vip section. in the location he was he had a perfect view of her, but she hadn’t seen him all night.
soon enough y/n start singing one of the songs from the new album that max new for a fact was about him. he hadn’t listen to the whole album because he just didn’t want to relieve the breakup. in his defense he did try to give it a listen, but it was just to overwhelming for him so he had to stop listening mid-album, but this one he knew.
Lilac short skirt / The one that fits me like skin
max submerged himself in the lyrics and y/n’s incredibly familiar voice. only now she wasn’t singing just for him, but for thousands of people.
Whether I'm gonna be your wife or / Gonna smash up your car, I / Haven't decided yet / But I'm gonna get you back
a rebel smile appeared on his face, incapable of hiding how much she meant to him, how much he had missed her. seeing her there, singing her heart out on stage for a crowd of people who were crazy about her, god, how could he lost her?
I can feel it comin', hummin' in the way you move / Push the reset button, we're becoming something new / Say you got somebody, I'll say, "I got someone too" / Even if it's handcuffed, I'm leaving here with you
the smile on her face while singing the song she wrote made his smile even greater. he didn’t know the song fully like his girlfriend’s daughter, but he knew; he lived it, just as much as she did. in that moment in time, he felt connected to her in a level that no one in the stadium was.
I hear the whispers in your eyes / I'll make you wanna think twice / You'll find that you were never not mine / I'm gonna get you back
when the song finished, the multitude exploited in praise and y/n’s smile grew on her face. max completely forgot about everyone else and joined the crowd, screaming for her and applauding. y/n stood up from the piano and did a small bow before leaving the stage for her next set of songs.
it was as clear as day for max and it struck him like lightning. he was gonna get her back.
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