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#are you listening nintendo do you hear me??
hooves-of-hyrule · 11 months
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Extremely hot take but I think it would be neat if during the gap between Breath of the Wild and Tears of the Kingdom, Zelda and Link were of course living together but weren't like. Officially calling themselves a couple or anything. Like the feelings are definitely there for both of them, but each keeps putting off actually telling the other how they feel. They go through life fairly content to just be Really Close Friends and each one thinks 'well I'll just... Say it when the time is right' (the time is, of course, never right, for one reason or another).
And yes they have only one bed but hey friends can share a bed too y'know. Beds are expensive and the loft isn't big enough for two beds anyways. Besides, I think they'd both really appreciate having somebody right there so when they each inevitably wake up in the middle of the night from some stress dream or PTSD nightmare, they can be comforted that the other is right there with them still safe and sound.
Anyways so Zelda was going to tell the Great Deku Tree to tell Link that she loved him we all know it, and Great Deku Tree said "tell him yourself." I think it would be really cool and neat if she didn't even get to tell him because the two of them were too busy trying to heal from everything they already went through on top of trying to help the kingdom rebuild. And then the two of them lose each other again before she even gets the chance to say it, but this time it seems like she really never will get the chance to say it because this time there's supposed to be no way she is able to come back :D
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strang3lov3 · 6 months
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GameStop
Summary: Mall Rats 4! (Can be read alone or, catch up with the mallrats in my masterlist) Joel tells you not to fuck with the Nintendo he stole from GameStop. His one rule. You fuck with it. That’s okay, though. Joel makes you play Mario with his fingers knuckle deep inside you.
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Warnings: JOEL IS WEARING GRAY SWEATPANTS THIS IS NOT A FUCKING DRILL🚨‼️ fingering, teasing, edging, orgasm denial blowjobs, unprotected piv, creampie, jjoel is so tender and such a dick, arguing, inglewood up to no good, domestic moments, minor injuries, when will these two fucking kiss!?? Idk
W/C: 4.6k
A/N: thank you very much @papipascalispunk i appreciate you taking the time to edit this. I love you so much. did you know that? And everyone else, do you know how much I love y’all for reading and engaging? I do. In case you didn’t know already 🥰
Joel stands in front of your house early afternoon on Saturday, a box of cords and plastic in one hand as he urgently knocks on your door, “Open up,” he barks, “This shit’s heavy.”
“Fuck,” you groan, walking up to your front door wearing nothing but an ill-fitting t-shirt and some old boxers. You can see Joel waiting impatiently through the window. You open the door and squint at Joel, the daylight too bright for your eyes, “What do you want, Joel?”
“Need to use your TV,” he demands, stepping inside your home and placing a hand on your hip to move you aside, “Move.” 
“Why?”, you resist.
Joel motions toward his box with an annoyed expression on his face and your eyes light up. “Oh yeah,” you say, leading Joel to your living room where he sits in front of your old and boxy television, flipping up panels and tinkering with buttons before plugging in cords, “Can I play too? Will you show me how?”
“If you listen to me, maybe,” Joel mumbles as he’s setting up the console before turning to you, “Are you gonna be good and listen to me?”
“Of course not,” you smirk.
“Figures.”
You didn’t listen yesterday, either. You never do. 
-
Something had caught your eye and you went ahead of Joel, something he absolutely hates. He tells you your place is next to him or behind him. He leads. You follow.
“Would you quit fuckin’ wanderin’, Inglewood?”, Joel hissed at you in the second level of the mall, “I give ya an inch, ya take a mile.”
You rolled your eyes, “Why do you call me that?”
“Cause you’re always up to no good.” 
“I don’t understand that reference.”
“I know you don’t,” Joel sighed.
An odd clicking noise startled you both. It wasn’t quite that signature sound of a clicker, but it was enough to set you both off. You turned to Joel with wide eyes, and he reflexively pulled you close, one hand over your mouth and his other arm wrapped around your waist. Behind me, he mouthed. 
You nodded and took your place behind Joel, heart pounding in your chest. He walked forward slowly before stopping, pulling out his gun and his flashlight. In front of him was a dark silhouetted figure, something he couldn’t quite make out. It stood in front of a store with a broken sign, white and red glass lettering shattered. As he tiptoed closer with you following close behind, his eyes began to piece more things together. The figure was unmoving, and upon closer inspection it looked to be wearing almost…tactical gear? Was it FEDRA? He wondered what the clicking noise was. Probably just the mall deteriorating. If there were infected in the mall, they would have shown themselves by this point.
The figure stayed still, unmoving. Finally, Joel saw it. On the figure’s chest read, ‘Call of Duty: Out October 29, 2003’. Joel let out a breath of relief and put his gun down, “False alarm,” he said. “Wait.”
“What is it, Joel?”, you asked as he took quick steps toward the unmarked store. “Oh, fuck yeah,” he said, and you could hear the smile in his voice, “Get your ass over here. Follow me. First good thing in this godforsaken mall. Do you know what this is?”
“You know I don’t know what this is.”
Joel explained that it was a GameStop. They used to sell video games and stuff, had all sorts of fun things. He looked like a kid in a candy shop, stealing consoles and cartridges and gushing about how much he loved these games long ago. 
When you and Joel had returned from the mall, he practically sprinted into Ellie’s room, setting up their shared TV with a PlayStation and introducing her to some games. Ellie was ecstatic, and Joel knew she and the TV would be inseparable. 
-
Which leads him here, to your house, in front of your TV. 
“So I take it Ellie’s excited about the games and stuff you got her?”, you ask amused.
Joel fumbles with a controller to a Nintendo Entertainment System. “Big time,” he says. “They’re attached at the hip. So I’m commandeering your TV for today.”
“You could’ve asked, you know,” you tease, “I would’ve given it to you, asshole.”
“Don’t need you to give me nothin’. Just here to use your TV for a bit,” as he draws the curtains in your room, turns on your TV and adjusts the input, then sits back on your couch, legs outstretched on your coffee table, “It’s more fun when I take it from ya, anyway.”
You wonder if Joel gets physically ill at the thought of being polite, being kind to you. Nothing’s ever easy with him. He’s always ready to argue, ready to instigate. You roll your eyes, then leave Joel to take a shower and get dressed. You’re not sure what you were planning on doing on this Saturday, but video games with Joel seems to be your fate. 
By the time you have showered, Joel has already been playing for nearly 2 hours. You dress yourself in some comfy sweatpants and a hoodie, expecting to hunker down in front of the TV with Joel all day. You can hear the soft music from the video game from your room and Joel’s strings of expletives, or his cheers, depending on what’s happening in the game. You make a couple of sandwiches, some sliced apples, and pour a couple of glasses of water before you greet Joel in the living room. Standing in front of the TV, you watch as Joel tries to continue playing. There’s a little guy wearing a red hat, jumping over blocks and stomping on mushrooms. He makes a cute little ‘boing’ noise when he jumps, and the music playing in the background is playful, melodic. 
“Sweetheart, y’make a better door than a window. Get out of the way,” he gruffs. Joel’s got some fucking nerve today. He could have just kindly asked you to move. Tauntingly, you wiggle your ass in front of him, so he reaches over the coffee table and smacks it, “What’d I say about listening? Do you wanna play the game or not?” With Joel’s eyes still transfixed on the TV in front of you, you sit down next to him and place your two plates on the coffee table. “Everyday it’s somethin’ with you. Always tryin’ to get under my skin, always-”, Joel’s voice trails off as he glances at his plate, “Did you make me a sandwich?” 
You shrug, “You’re extra cranky today. Figured you could use a snack.”
“I’m not cranky,” Joel argues, “And I don’t need you makin’ me any snacks. Can make my own food.”
“Okay,” you say, eating your own food, “You don’t have to eat if you don’t want to. I’m not gonna shove it down your throat.”
Joel stays focused on his game until he hears the crunch of you biting into a slice of apple. “Wait, are those apple slices?”, he asks in a low tone. 
“Mhm.”
“You didn’t happen to cut any up for me, did you?”
“I did. Sprinkled cinnamon and sugar on top,” you smile proudly.
You watch Joel grumble to himself and play the game silently until he beats the level he’s on, then he pauses the game and sets his controller down. He picks up his plate of food and eats a couple of apple slices before inspecting his sandwich, “Did you poison this?”
“No, not the sandwich. The apples, yes. Don’t you taste the rat poison?” 
Joel rolls his eyes and takes a bite of his sandwich, “Gonna have to try harder than that, sweetheart. Up the dose next time. Tasty sandwich, though.”
“Noted,” you smile. Joel smiles too, almost imperceptibly, but you see it, the sparkle in his eyes and the way his face lit up when you told him you sliced up some apples for him too. 
“Tell me about your game.”
Joel raises an eyebrow, “It’s Mario. You don’t know Mario?”, and you shake your head no. “Jesus…you age me,” Joel takes another bite of his sandwich before continuing, “Mario’s a video game. Super Mario Brothers. He has a brother, Luigi. They’re plumbers and they fight Bowser to save Princess Peach. So that’s what I’m doin’ here,” Joel motions to the TV, “Savin’ Peach. Eventually.”
“Is it hard?”, you ask. 
“Kinda. Haven’t played in forever. But Tommy and I’d play all the time. Were always fightin’ over the damn Nintendo,” Joel chuckles, “Drove Mom fuckin’ nuts.”
“Maybe we should invite him over then,” you muse. 
“Nah,” Joel says, “Just me and you today.”
You smile, “Just us?” 
Joel nods, finishing the last of his sandwich and his apple slices, “Unfortunately.” He stretches his legs and his arms out long, then rubs his soft belly with a groan. “You’re trouble,” he tells you, “Tryna’ make me fat. I’m gonna go home and change into something cozier - jeans are fuckin’ tight.” 
“Bet I could make them tighter,” you bite your lip and nudge his thigh. 
“That’s a nice offer. You’re a charmer, Inglewood. Maybe later.” You huff as Joel picks up both of your plates and walks them to your kitchen sink, scrubbing and drying each one before pulling on his jacket. He walks back over to where you sit on the couch and points to the TV and his Nintendo, “Do not touch this,” he says, “It doesn’t have a memory card. So if you fuck with it, my progress is gone. Don’t unplug nothin’, don’t touch the TV, don’t–”.
“What if I–”.
Joel doesn’t let you get another word out, “Nope. Don’t do that either. Just leave it be, sit pretty and behave yourself. I’ll be back soon.”
You scoff and cross your arms as Joel leaves while staring at the paused screen of Joel’s game, then flicker your eyes lower to the controller Joel left on the coffee table. He didn’t say anything about playing the game. What’s the worst that could happen?
You reach for the controller and begin messing with the buttons, playing with the D-pad until the screen changes and you press ‘Start Game’.
The game starts. It catches you off guard. You fumble with the buttons until you figure out how to make Mario move, how to make him jump. A couple times you hit an angry looking mushroom and he dies. You snicker to yourself. Figures. Before you know it, you’ve passed Level 1-1 and you’re onto Level 1-2.
Level 1-2 comes and goes, and then Joel’s back at your door. You pause the game as he lets himself in. You wear a mischievous smile when you see him in his gray sweats and a t-shirt – your weakness. You can see the outline of his dick in those pants, and it sends a pang of arousal to your core. “Well don’t you look handsome,” you purr. 
“Pipe down, horndog,” Joel sits down on the couch next to you. Before he can reach for the controller, you slide your hand over one of his thick thighs and palm his bulge, then slip your hand under the waistband of his pants and play with his cock. He sighs as you stroke him, his sweet sounds getting you all hot and bothered. His cock is thick and warm, half hard and growing harder, but he grabs your wrist and pulls your hand away. “Later,” he reminds you, “C’mon. I know you can wait. I don’t have much of the game left to play.”
“Okay,” you mumble. You scoot closer to Joel as he picks up the controller, wrapping your arm around his and resting your head on his bicep. You squeeze your thighs together tightly, trying to relieve some of the pressure at your core. He tries to shake you off of him, but you don’t budge. “I’m cold, Joel,” you protest.
“So get a blanket. I ain’t your heater,” he complains, but you feel him relax with your touch, snuggling up to you a little closer like maybe he’s cold too, “God, you make me nuts.”
You say nothing as Joel reaches for the controller, presses a couple buttons before the game starts again. He starts playing, then squints and furrows his brows. “Woah, woah, woah,” he says, “This ain’t right. What - why - what happened? Did you touch this? Tell me you didn’t touch this.”
“I didn’t touch it,” you lie. 
Joel turns to you and glares, “What. Did. You. Do.”
“I tried out your game,” Joel continues glaring at you and you raise your arms in surrender, “What?”
Joel cups your cheeks in both of his big hands and shakes your head gently, “Why would you do that?” 
“You told me not to unplug anything. I didn’t unplug anything.”
“I also told you not to touch anything,” Joel groans, “Do you know how long it took me to beat those levels?”
“Just pick up where you left off, Joel.”
“I told ya, it doesn't work like that. No memory card, no progress. I have to start over now,” Joel whines, “Why don’t you ever listen to me?”
“Beats me,” you say, “But–”, you take one of Joel’s hands from his controller and suck his fingers before slipping it under the waistband of your sweatpants, “Now we can get down to brass tacks. Hmm?”
“One rule,” Joel hisses as cups your mound, “I gave you one fuckin’ rule.”
“Yeah, yeah, I know. But now that you’re not playing Mario anymore, you can make me come. And then I’ll make you come. And you’ll forget you were ever mad at me.”
Joel sighs and pinches the bridge of his nose before turning to you, his eyes now mischievously lit up. “You’re right,” he says, “I’m not playing Mario anymore. You are.” He places the controller in your hands, “I told you I wanted to beat the game, and mayb then I’d fuck ya. So now you’re gonna get me back to where I was so I’ll finish up the game, and maybe, maybe after that, I’ll fuck you. Cause I’m not doin’ all of this again. I’ve got other games I wanna play too.”
“Piece of cake,” you reply confidently. Though really, playing Mario is harder than it looks.
“Oh, really? Is it that easy?”, Joel says, raising his eyebrows in amusement at your confidence as you nod, “If ya say so. I thought you said it’s harder than it looks. Whatever. Go on, then.” Situating yourself next to Joel, you adjust your grip on the controller. Joel’s hand is still beneath your pants, fingers resting against your lips. You look at him, wondering if he’ll pull his hand away. “You put it there,” he says. “It’s stayin’.”
Whatever. You start the game feeling confident in yourself, and then Mario hits a mushroom and he shrinks. And then he hits another mushroom, and he dies. Joel hums in amusement and you shove your elbow into his side. “I didn’t say anything,” he smirks.
It takes you about ten minutes to get the hang of it, but eventually you do. When you start a new level, Joel presses two of his fingers against your pussy and it startles you. Mario hits a turtle and he shrinks again. “Joel,” you gasp, “What are you doing?”
Dragging his fingers up and down your folds at a leisurely pace, Joel shrugs, “Nothin’.” He’s definitely not doing “nothing”. It’s getting harder to focus now, and you’re making mistakes, getting hit by enemies, missing those little mushroom power ups that come at you every so often. You huff in frustration, and Joel chuckles to himself, “You suck, sweetheart.”
“Shut up, Joel.”
He presses the tip of his middle finger against your entrance, pushes inside before pulling his finger back out and dragging it up to your clit, smirking when your breath hitches in your throat, “Do you need some help? Pointers, maybe?”
“No,” you grit, “Shut up, Joel.”
“Hmm, alright,” he hums, his thick fingers now circling your sensitive bud. You can feel his intense gaze on you as you play the game, squashing Mario’s enemies to the best of your ability, but you were right the first time, it’s harder than it looks. Joel turns his attention back to the TV, “Hit that box with the question mark.” You raise your eyebrow in suspicion. It’s probably a trap. With Joel, it’s always a trap. “Watch what happens,” he instructs, so you hit the box and a flower emerges. Joel tells you to jump on it, so you do. Warily, though. Mario changes outfits. “There you go. Now if you press B,” he taps the other button on the controller, “You can shoot those guys with a fireball. Try it out.” 
Mario does in fact shoot fireballs at the enemies. This advantage makes the game come along smoother, so Joel ups the ante, drawing tight circles into your clit. “Joel,” you moan, “Quit it. You’re distracting me.”
“Thought you wanted me to make you come,” Joel taunts.
“I do, but not like thi–fuck–Joel, stop.”
“Tough luck,” Joel responds, “Beggars can’t be choosers.”
You do your best to ignore the sensation of Joel touching you, but it’s hard. He knows exactly where to touch you, how to touch you to make you squirm and moan for him. You have to fight yourself to keep your eyes from rolling back when Joel pushes two fingers inside you, pumping them in and out for a moment before abruptly curling them upward, hitting that sweet spot he knows and loves. “Jesus, Joel,” you moan, accidentally pressing the lower end of the D-pad. On the TV, Mario slides down a pipe and is brought to a new area. He’s able to run across the top of the screen, then finds an area with a bunch of pipes called the Warp Zone. This changes the game. You’re able to skip levels, making this whole thing go by even quicker. You’ll be on your way to fuck town in no time.
“Was wonderin’ when you were gonna figure that out,” Joel rubs his thumb over your clit as he fucks you with his two middle and ring fingers. You’re able to find a couple more pipes that allow you to go to Warp Zones, which doesn’t require quite as much focus on the screen. You allow yourself to savor the way Joel touches you, that warmth building up in the pit of your stomach. 
“Fuck, don’t stop,” you moan. That familiar edge begins to creep up just as you’re finishing another level. Your breathing quickens, your pussy dripping and gushing with every movement of Joel’s thick fingers. “Don’t stop, don’t stop, don’t–”.
“Thanks sweetheart. That was a big help,” Joel yanks the controller from you with his free hand, then pulls the other away from your core. Now that you’ve gotten him to where he left off in the game, he focuses all of his attention on the TV, as if he was never touching you. 
“Are you serious?”, you’re in disbelief but Joel doesn’t answer, “Joel, I was about to–”.
“I know.”
You scoff, “Fuck you, man.”
“Yeah, I know you wanna. But I told you, you gotta wait til I’m done. You’re very forgetful, you know that?”
Frustrated, you shove your hand under your sweats and pick up where Joel left off. He clears his throat, “You can play with your pussy, or I can. Pick one but we’re not doin’ both. It’s up to you.” 
Jesus fucking Christ. This is bullshit. Joel can take control of your TV, but not your pleasure. You watch him in astonishment, how he pays you no mind as he plays the game. His eyes are glazed over and his lips slightly parted, deep in focus. It’s like you’re not even there. You lower your eyes from his face to his lap where his fingers move deftly, still slick and shiny with your juices. His thumbs dart back and forth over the D-pad and the buttons, and you wish he was still touching you like that. Expertly, with dedication and precision.  And then it catches your eye – the tent in his sweatpants, that little spot of dampness where his head rests against the fabric. He’s fucking rock hard from playing with you, leaking precome. You’re impressed with Joel’s ability to ignore his own arousal. Good for him. You, however, won’t ignore it. 
In a swift maneuver, too quick for Joel to even process, you pull down his sweats and let his cock spring free, setting the waistband under his heavy balls. You don’t even think, you just do it – lifting up his arm, you dive under and grip the base of his cock. You guide his tip to your mouth, swirling your tongue around his swollen head before letting it part your lips. Joel groans, “Think you can play dirty too, huh?”
“Mhm,” you mumble against him. 
“Knock yourself out,” he tells you, “You’re forgettin’ I have something you don’t – self control, my darlin’.”
You don’t care. This is more for you than it is for him, anyway. You haven’t gotten to taste him yet and it’s been on your mind. He tastes heady, salty, and slightly sweaty on your tongue. He’s warm and thick, you like the way his cock feels in your mouth. His smooth skin, how he squirms when you slide his cock to the back of your throat. 
Joel groans as you work his shaft, one hand gripping his base, the other fondling his balls. You hum against him, sending vibrations down his shaft. He rests the sides of his hands on your head as he plays with the controller, pushing you further down on his cock. “Last level,” he tells you. You suck him mindlessly as he plays, listening to Joel hissing expletives. You smirk with him in your mouth knowing which of his curses are directed at you and which are directed at the TV. 
Joel’s cock stiffens and twitches, he’s getting closer. You know it and so does he. “You know,” he says in a soft, warning tone, “If ya make me come, you’re shit outta luck. Can’t fuck you.”
Oh, shit. You weren’t even thinking about that. You pull your mouth off of him instantaneously, smacking your head against his controller and sending it flying out of his hands. “Fuck,” Joel barks. 
The controller lands upside down on the corner of your coffee table, the buttons hitting the edge just so, and Joel watches in horror as Mario disappears from the TV and is replaced by the main menu. 
You rub your head where you hit it on the controller, but Joel is no longer staring at the TV in disbelief. Instead, he’s looking at you. “Shit. I’m sorry, Joel,” you apologize, “I didn’t mean to do that. I’m really sorry.”
You expect Joel to be angry like usual, but he instead pulls your hand away from your scalp, lowers you so he can check the area you hit and give it a kiss, then lifts your chin back up while rubbing your bump. “It was an accident,” he speaks soothingly, “Mario can wait. Are you hurting?”
“Not terribly,” you tell him. And it’s the truth. 
“No? You sure?” You shake your head no and Joel nods. He rubs your head for a little bit longer, his big brown eyes are soft and sweet and worrisome. The kindest he’s ever looked at you, kindest he’s ever been to you. And all you had to do was smack your head on his video game. He holds your chin with his thumb and forefinger, then pulls you close and whispers quietly, “Would you still like me to fuck you? We don’t have to if you’re not up for it anymore.” 
You grin and nod your head, “Yes, please. I want it.”
“Get your ass over here, then,” Joel says as he lifts your hips and pulls your pants off, then pulls his own further down his thighs. He guides you to straddle his lap, holding his cock loosely between his middle and index fingers and his thumb. He drags his tip through your folds, then notches himself at your entrance before pulling your hips down, burying himself in you all the way to the hilt. 
You grip his shoulders and press your forehead to his own, sighing softly as you get adjusted to his girth. “I missed your cock,” you breathe, “Missed it so much.”
“I know you did, sweetheart. I missed you too.”
When you’ve adjusted, you begin to roll your hips, rubbing your clit against that soft patch of hair at the base of his cock, moaning and grunting softly, “Oh, Joel. Feels good.”
“I know it does,” he sighs as he leans forward to lift up your shirt and pulls it off of your body, then takes off his own, “That’s better.” He runs his thumbs over the soft curve of your tummy, then slides his hands up your rib cage before cupping your breasts, twisting and rolling your nipples. 
The way he looks at you makes your cheeks feel hot. You lean forward to hide your face, grinding your hips into him. He holds you close to his body with his hands wrapping around your back before gripping your ass and bouncing you up and down on him, stretching and parting your insides. You allow yourself to rest against him, letting him do the work and take care of you. His cock feels incredible. So thick, so hard, hitting against all of your favorite spots. “So good, takin’ me so good, sweetheart,” he praises, “Ya always do.”
Joel squeezes your ass tighter. He can see your reflection in the TV, loving the way your body moves, how you tremble, how you rock your hips, how you whimper his name. It’s all for him. “Wanna, fuck,” he sighs, snaking his hand between your bodies as he finds your clit with his fingertips, rubbing circles around it, “Wanna make you come on my cock. Make those pretty noises for me.”
With Joel’s cock hitting you right where you need him, his fingers playing with your clit, it’s not long before your orgasm approaches. “Right there, Joel. Like that, just like that,” you moan breathlessly, “I’m gonna come for you.”
“Yeah, gimme a good one,” he says. He fucks you expertly, each of his thrusts deep and intentional. It’s all for you. He just wants to watch you come, hear you moan his name, feel you soak his cock. Your breaths quicken and your moans quiet as you near your climax, and you come with loud cries and moans. Joel pulls you close, fucking you through it as wave after wave of pleasure washes over you. “Fuck,” he hisses rocking his hips into you once, twice, three more times before he comes with a groan, painting your insides with rope after rope of his hot seed. 
You fall forward, resting your face against the couch as you both catch your breath. He rests his head next to you, looking deep into your eyes before flicking his gaze to your lips, then back up to your eyes. You stare at his lips too.
“Your head still okay?” he asks, “Smacked it real good.”
“Think so.”
“Gonna keep an eye on it anyway,” Joel whispers, “What am I gonna do with you, Inglewood, hmm?”, bringing his hand to your face and rubbing your cheekbone with his thumb. You’re still staring at his lips. His pink, pouting lips that have never kissed your own.
“I’m not sure,” you murmur, “What do you think?”
Joel runs his thumb along your bottom lip, pulling it down before letting go, “Haven’t got a clue.”
Joel leaves you to grab a warm wash rag and clean you up, then helps you back into your clothes. He reaches for the controller and starts up Super Mario Brothers one more time, and you snuggle his bicep like before. This time, he doesn’t try to move you. 
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wonryllis · 4 months
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ENHYPEN WHEN THEIR CRUSH CALLS THEM BABY.
────𝖺𝗅𝗍𝖾𝗋𝗇𝖺𝗍𝗂𝗏𝖾𝗅𝗒, 𝗐𝗁𝖾𝗋𝖾 𝗒𝗈𝗎 𝗆𝖺𝗄𝖾 𝗍𝗁𝖾𝗂𝗋 𝗁𝖾𝖺𝗋𝗍 𝗌𝗄𝗂𝗉 𝖺 𝖻𝖾𝖺𝗍.
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( NOTES. ) enhypen as dumbstruck loverboys. fluff. fem!centered. lowercase intended. unedited. 981wc. from my old acct. 𓈃 ๋ 𝐍𝐄𝐖 峠
𝒢𝓁𝒸 ─ LEE HEE-SEUNG. 이희승 you both went to spend time at the karaoke while the other members went to the arcade intentionally leaving you two alone knowing heeseung’s crush, at first you both sing a lot of pop and trot korean songs and later when you’re a bit tired, you put some slow romantic english song and while heeseung sits to listen as it’s your turn. you sing a lyric containing the word baby turning to look him in the eye the moment you say the petname, both of your cheeks burning hot and heart beating fast, eyes locked as the song plays in the background. “are you flustered baby?” he asks when you turn away in an avoiding manner, giggling and laughing at you shying away. when it’s his turn, he chooses a similar song and sings it while looking at you.
𝒢𝓁𝒸 ─ PARK JONG-SEONG. 박종성 jay is busy, playing on his nintendo switch with all his attention invested in there. you on the other hand are trying to find your phone which niki stole minutes ago, moving around the dorm looking for a peek of it from somewhere he could have stuffed it in. just as jay is done with a level, passing it with satisfiable scores, you spot your phone right next to him on the couch deliberately close to him so you won’t be able to see it. without realizing it slips from your mouth and jay is left stunned not being able to process your words,“baby can you please pass me my phone?” he silently gives you your phone while his mind keeps replaying your voice calling him baby and smiling and getting happy internally. remembers to you call you baby from next time.
𝒢𝓁𝒸 ─ SIM JAE-YUN. 심재윤 the boys have practice for an upcoming award show, so even when it’s lunch time already they barely have time to go get some food and therefore you take up the job of asking each one what they want to eat and get it from the hybe cafeteria for them. when it’s his turn it unintentionally slips from your lips,“baby what do you want?” he freezes the moment he hears you, and you purse your lips as he turns to look at you like ‘what did you just call me?’ with happy hearts in his eyes almost smiling. he thinks he hallucinated you calling him baby because of his massive crush on you but he swears you actually said it but then he needs to make sure it was real, “I’ll have anything you get for me…baby?”,and the look you give assures him it was.
𝒢𝓁𝒸 ─ PARK SUNG-HOON. 이희승 you, him and jay are out spending your free time on the streets of hongdae, window shopping and shopping. at one point jay goes his own way, leaving you and sunghoon in another shop trying on a number of hats to find one which satisfies sunghoon enough to buy it. unfortunately it that shop you’re unable to decide on one and end up leaving walking ahead looking through the shops to see if any other has good ones. it is then when you spot a black one which exactly like the imaginary one sunghoon had described, in excitement you beam,“look baby!” dragging him in and putting it on,“this one’s perfect!” you don’t realize it but he does, mumbling under his breath,“baby..- baby?” grinning and thinking about it for the rest of his life day.
𝒢𝓁𝒸 ─ KIM SUN-WOO. 김선우 sunoo and you are at the candy store, picking out sweets, candies amd jellies for the rest of the members back at the dorm and for yourselves. you’re trying every single sample available and reading at the back of the packets and bottles how it’s supposed to taste like to choose one you would love. it’s like your own hansel and gretel candy house adventure. and once you find one whose taste absolutely tingles your taste buds you can’t help but call out to the boy in all excitement, “sunoo, baby this one tastes so good! you should try it, here!” rushing to him and shoving a piece into his mouth. definitely he realizes what you just called him, it makes him giddy and with every bite he’s thinking baby baby baby, now he’s never gonna get over you.
𝒢𝓁𝒸 ─ YANG JUNG-WON. 양정원 today half of the boys are gone for a schedule while three of them including your secret crush jungwon, are having a day off at the dorm and also being victims to your baking trials which might or might not be edible at times but that depends on your mood. fortunately you’re feeling a rush of happy adrenaline almost done with some macarons. when you’re watching the three have it later, especially jungwon you ask without a filter, “do you like it baby?” to which jungwon first replies without a thought, “yes baby i do!” only realizing what he said when the other two snap their heads towards you both in a what and what twice for each ‘baby’ making jungwon look at them and you back and forth, “did you just call me baby?” “did I? oops.”
𝒢𝓁𝒸 ─ NISHIMURA RI-KI. 西村力 “you’re supposed to do it like this!” niki shows the move on his character trying to make you understand how mariokart works as you three play late night. you try copying and successfully move past him after sometime now aiming to cross heeseung. towards the end you’re in the lead while heeseung and niki are just behind in a tie and that’s when niki uses a bullet on you and you’re off the victory shouting at the scene, “baby no! what did you do!” at that he’s leaving the game in a shock, “baby?! you called me baby?!” while heeseung is crossing the finish line as first. “you lost!” you try to distract him embarrassed, “I don’t care-” heeseung cuts him off, “you just called him baby yk?” and niki’s hyper, “yes yes yes! what?” and confused.
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honey-milk-depresso · 3 months
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Batboys x reader who is a game/singer streamer
So I'm assuming that s/o is a singer + game streamer from what I can see soooo yeah! I think I went to focus on the gamer part than singer though. Also I could only do this for Dick, Jason and Tim because 😭 sorry ;-;;;
TT o TT
Batboys with a game (mostly) + singer s/o
Dick Grayson
Don’t even get me started on how hype Dick’s gonna be. You game??? And stream?????? Epic-
Dick has played video games with Tim before it’s just that he sucks at playing the modern one sometimes-, so he probably wants to do co-ops with you and maybe join your streams and play with you.
He sucks ASS though in Among Us because he’s bad at lying when he’s imposter and too trusting when he’s just a crew mate. He’s so funny though when you record him while playing with you and your other streamer friends.
“Awww, look at me and s/o walking together and building snowmen! We are so—”
*Kills him* “…” “s/O WHY HAVE YOU FORSAKEN ME ARE YOU TRYING TO BREAK UP WITH MEEEEEEE????”*loud sobbing*
Obviously, no, it’s just what you had to do as an imposter and you have to apologise to your sulky boyfriend.
Fun fact: bought your two of those matching cat ears headphones and he’s so sappy, dear god- he loves those earphones.
Also your voice?? IT’S SO GOOD??? You made your own songs and that’s so cool!! No wonder your fanbase is so big, damn-
And he’s obviously your biggest fan! <
Jason Todd
He’s trying, he really is. Because the last thing he played before he died were Game Boys and then he awoken to Wii Games, Nintendo Switches and whatever the fuck those online games are.
Those sus game ads he clicked randomly made him question what happened when he was still dead-
Jason thinks it’s pretty cool you stream gaming content and all, although don’t ask him to play any RPG with you because he’ll rage quit. He will go insane.
Jason keeps insisting on wanting to join your streams in Among Us but like come on- WE ALL KNOW HE’S GONNA START RAGING MORE-
When he gets killed, he calls the imposter a “Joker” 💀 Sometimes you have to calm him down and tell him it’s their role as imposter to do this. Also, when he gets imposter, he’ll kill everyone except you. Like he’s your bodyguard or something and everyone’s out to get you. You don’t even need to be imposter. If you did kill him before, he’ll kill you back though-
He’s okay if you let him play Minecraft together though, he finds it peaceful (on creative mode).
Listens to your songs on repeat while he’s repairing vehicles or hear it live on your stream when he’s reading. Wholesome supportive boyfriend stuff. <3
Tim Drake
Immediately follows all forms of social media you have, and give subs to every time you go live and stream. No hesitation.
He thinks it’s cool you stream games and all, something he wished to do but just doesn’t have much time to do so, and that he has no idea how to start up a fanbase anyways so-
Tim would join your streams every once in a while to play with you and he doesn’t mind any sort of games, he’s pretty good with the controller… well, maybe RPG. Because if he’s doing a multiplayer game like with Genshin needing to join servers and all, most of the time, people wouldn’t listen to his plans and end up dying and then he goes berserk. Only you listen s/o… wHY?? WHY DOES NOBODY LISTEN TO HIS STRATS????
Also, cat ears headphones?? He has one and he looks so cute in it and would ask if you want one too- he only wears those headphones in private though, or in front of you.
Anyways, Tim loves your singing too! Would listen it live or hear it on Spotify if it’s available. If you sing covers, it’s gonna ruin him. He can’t listen to the original track anymore because it’s just not the same-
Overall, gamer boyfriend you got here. <3
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Napoleonville [Chapter 5: The Haunted House]
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Series Summary: The year is 1988. The town is Napoleonville, Louisiana. You are a small business owner in need of some stress relief. Aemond is a stranger with a taste for domination. But as his secrets are revealed, this casual arrangement becomes something more volatile than either of you could have ever imagined.
Chapter Warnings: Language, references to sexual content (18+ readers only), dom/sub dynamics, smoking, drinking, drugs, infidelity, kids, parenthood, Adventures With Aegon, Targ family dysfunction, bodily injury, no Willis this time yay!!! 🥳
Word Count: 7.3k.
Link to chapter list (and all my writing): HERE.
Taglist: @marvelescvpe @toodlesxcuddles @era127 @at-a-rax-ia @0eessirk8 @arcielee @dd122004dd @humanpurposes @taredhunter @tinykryptonitewerewolf @partnerincrime0 @dr-aegon @persephonerinyes @namelesslosers @burningcoffeetimetravel-fics @daenysx @gemini-mama @chattylurker @moonlightfoxx @huramuna @britt-mf @myspotofcraziness @padfooteyes @aemonddtargaryen @trifoliumviridi @joliettes @darkenchantress @florent1s @babyblue711 @minttea07 @libroparaiso @bluerskiees @herfantasyworldd @elizarbell @urmomsgirlfriend1 @fudge13 @strangersunghoon
Let me know if you’d like to be added to the taglist! 🥰🧁
Every house is haunted, not just by phantoms of the past but by the ghosts of what could have been. They live in shadows, in doorways, in the periphery of your vision; you walk through them like smoke or mist. Their blood—pooled and pulseless—is a cold spot in a sweltering room, their fingerprints are the woodgrain swirls of floorboards. If you listen closely, you can hear them at night in the chorus of the cicadas and the owls and the wet westbound wind. They whisper questions you’ve never been able to answer: Have I made the right choices? Have I done the best I could? Is love a myth or does it only exist for other people? Am I a prisoner of the past or the future or myself? Why have I never been chosen?
In the bathtub, you stare at the pale blue walls veined with cracks like the legs of a spider. On the tree swing in the front yard—here long before you moved in, inherited from the effort and care of another family’s hands—you skim your bare feet over emerald blades of grass and watch the lightning bugs appear at dusk. In Cadi’s room, you play the Nintendo when she asks and try to forget who gave it to her; and when she asks about Aemond, you say he’s busy with work, because how else can you explain his absence to a child? In the kitchen, you break eggs into glass bowls of vanilla, sugar, flour, butter, baking powder, but you keep getting pieces of shell in the mix, something that almost never happens anymore. You snap, grab an egg, pitch it against the refrigerator where it explodes into calcium carbonate shrapnel and sterile yellow gore.
Amir looks up, startled. Behind his rectangular tortoiseshell glasses, his eyes dart between you and the viscera that stains the refrigerator door. At last he says softly, seriously: “What is it you liked so much about him?” Implicit in this statement are others: You’ve never liked a man this much. You’ll never see Aemond again.
You study your palms, tools of creation, tools that destroy. “I spend every second of my life consumed by responsibilities. The house, the car, the bakery, the bills, Cadi, Willis, myself, even you. There’s no one to tell me what the right thing to do is. There’s no one who can carry the weight for me. I can’t show it when I’m tired or frustrated or scared. And so to have someone who—even for an hour, even for fifteen minutes—could take care of me, and make all the decisions, and convince me to trust him…it’s the closest I ever get to being at peace.”
Amir gives you a sad, vanishingly small smile. “I’m so sorry.”
“Me too.” And you wet a dishcloth so you can begin to clean up your mess.
~~~~~~~~~~
It’s Thursday, and you’re coming home after delivering cakes for a birthday party down in Thibodaux. Your car radio is blaring Message In A Bottle by The Police. When you roll into the gravel driveway, the red Audi Quattro is waiting for you: parked right beside the house, like he belongs here, like he owns it. You throw open the door of your Chevy Celebrity and rage up the sloping, groaning steps of the front porch.
The first thing that hits you is the cold. There is an ambient humming, a chill that raises goosebumps on your bare arms. When you rush to the kitchen, you find an air conditioning unit in one of the windows, a metal box that turns the Fall-Down House into a tundra. They’re sitting at the hastily-cleared counter: Aemond leafing through the ledger book containing the financial records for the bakery, Amir beside him sipping a glass of sweet tea. Aemond glances up at you and then back down at the pale green pages, the lines of his face intense, focused. Amir greets you with a nervous titter, hiding behind his sweet tea. Ice jangles in the glass.
“What the fuck is that?”
“Our new air conditioner!” Amir says, overjoyed. “The customers are going to love it. No more waiting around in a stifling kitchen. You know how miserable it gets in here during the summer. We won’t be able to get rid of them! They’ll be purchasing cupcakes by the dozen just to have an excuse to get out of the heat!”
Aemond is still scrutinizing the ledger. “Why aren’t you buying more things in bulk?” he asks Amir. “The shelf life on things like sugar and flour has got to be six months at least.”
“We don’t have the liquid capital. We can’t spend cash if we don’t have cash.”
“And all these business expenses—mixers, coolers, pans, blenders, knives, the gas you burn when you make deliveries, the water you use to wash dishes—those are all tax write-offs, right?”
Amir hesitates. Aemond is aghast, his eyebrows shooting up into the blonde hair that shags over his forehead. The strands are damp with sweat and curling at the edges; he’s been working hard. He’s the one who heaved the air conditioner up onto the window ledge. His Marlboro jacket is draped over the back of his barstool. He’s wearing jeans, a black MTV t-shirt, and his Adidas sneakers.
“Please tell me you haven’t been paying income tax on money you aren’t actually keeping.”
“I didn’t know what we were allowed to write off, I was petrified to make a mistake! I don’t want to end up in Rikers!”
“They don’t put people in Rikers for tax evasion. You’d only go to minimum security.”
Amir rolls his eyes. “Well now you’ve convinced me.”
You are betrayed, furious. “You’re showing him the book?”
“He’s very bossy,” Amir says, slurping his sweet tea. “As you know.”
Aemond asks you, making notes on a legal pad he’s commandeered: “Do you have an IRA?”
“A what?”
“An IRA,” Aemond repeats slowly, emphasizing every syllable. “An individual retirement account.”
Should I? Could I? What the hell is that? “Um. I don’t think so.”
Aemond sighs, exasperated. He jots down another bullet point on his legal pad. “You need one.”
“I need you to get out of my house.”
“Shh!” Amir pleads. “He bought us an air conditioner!”
“Do you know how much that’s going to cost us in electricity? The bill is going to go through the roof. We’re not going to be able to afford this. And he doesn’t care, because he hasn’t even thought of it. Drop an oil rig into a lake and solve the unemployment crisis. Throw an air conditioner in a window and buy someone’s loyalty. He doesn’t understand us. He doesn’t care about us. He’s not capable of it.”
“I’ll pay for the electricity,” Aemond says. Now he’s looking at you.
“Get out,” you demand.
He seems—perplexingly—to be genuinely wounded. “I’m trying to help you.”
“Get out!”
Aemond stands, walks to you, backs you up until your shoulder blades hit the refrigerator. The metal door is cluttered with Cadi’s drawings, secured there with multicolored alphabet magnets: dinosaurs eating people, Rambo, astronauts rocketing to the moon, Teenage Mutant Ninja Turtles. Aemond is so close you can smell the cigarette smoke and cologne and sweat on him, see the smudges of ink on his fingers. His right eye travels all over you, defiant and hungry. His left eye—and you only notice when there’s no space left between you—is an impassive, glassy, not-quite-identical blue that never moves. It’s an imposter, and a very good one; but it’s not him. You think, unable to say it: What happened to your face? Who hurt you? Instead you strike out to shove Aemond away with both hands.
“Get out of my house—!”
“You want to get rough with me? Will that make you feel better?” he murmurs darkly, ignoring your palms when they collide with his chest, his collarbones, his jaw. Your flesh can’t hurt him, it can only graze his skin like stray bullets. “You want to hit me? Go ahead. I’ve had worse. I promise you I have.”
“I hate you!”
But you haven’t said the right word, and you both know it. He grabs your wrists, holds them still, whispers low and menacing into your ear as you struggle to rip your hands out of his grasp. “I dreamed about you all night. Tying you down, stretching you open. I want that. I think you do too.”
“I don’t want it,” you hiss; but already you’re imagining him on top of you, inside you, in control of you, and to resist that is like trying to fight the instinct to seek water, sleep, sunlight.
“Then tell me to stop.”
You glare up at Aemond, raging, burning. His gaze locks with yours and stays there. You are suddenly aware of the heat of his fingers linked around your wrists, of the pressure of his hips against yours as he pins you to the refrigerator. You can’t say it. I don’t want him to stop touching me. I don’t want him to leave and never come back.
Again, Aemond dares you: “Tell me to stop.”
From the kitchen counter, Amir is gawking at you both, his eyes huge, stunned, painfully uncomfortable. Nonetheless, he doesn’t look away. “I’m not leaving,” he informs Aemond. Just in case you’re weak enough to agree to something you’ll regret later; just in case you need a friend.
The spell breaks, the curse lifts. Aemond releases you and takes several steps back. He breathes deeply, running his fingers through his damp hair, composing himself. “You’re a good person,” he says to Amir.
“Thanks. I’m afraid I can’t return the compliment.”
Aemond turns back to you. Now he’s penitent, measured. Already, a part of you misses the weight of his bones on yours. But that’s not why Aemond is here. “Let me talk. Let me explain.”
No, you almost say. I’m not interested. I don’t want you anymore. There’s nothing you can tell me that will make me feel at peace with you again.
Instead, after long moments colored by waning sunlight and the whirring of the new air conditioner in the window: “Okay.”
~~~~~~~~~~
You’re on the tree swing, gripping the ropes and swaying slightly back and forth as you push off with your bare feet, rocking from your heels to your toes and then back again. Aemond lights a cigarette and takes a drag as he sits cross-legged on the grass in front of you. Amir keeps peeking out from between the blinds of the living room windows. Aemond glances around the yard, and you realize he’s searching for the alligator. His Marlboro jacket is folded neatly on the ground next to him.
“The gator’s not here right now, Aemond. She’s probably over in the trees. She’s not going to hurt you.”
He nods, but he doesn’t seem convinced. He fidgets restlessly with his cigarette.
All that money, all that power, all that ecological ruin, and he’s petrified of a five-foot gator that’s probably never eaten anything bigger than a pelican. It’s ridiculous. You smile weakly. “I think you have a phobia.”
He gestures to his scar, to his ruined left eye. “I’m afraid one will sneak up on me and I won’t be able to see it.”
He’s never spoken like this to you before, acknowledging his limitations, his impairment. He’s trying to be honest. He really is. “Where’s Christabel?”
“Back in the U.K.”
“When are you getting married?”
He shrugs, uninterested. “A few months from now, I guess. July. August. It doesn’t matter. I’m not really involved in the planning.”
“You’re a cheater,” you say. It comes out less accusatory than mournful. Why did you have to disappoint me? Why did you have to ruin this?
Aemond is dismissive. He puffs on his cigarette. “Everyone cheats.”
“No they don’t.”
“Everyone from my world cheats,” Aemond amends. “You marry for money or status or land or whatever, to prove you can snag someone who should be above you, to make your parents proud of you, to make sure your children have the right last name and titles. Then when the novelty fades—and it does, it always does—you find passion elsewhere.”
“That’s barbaric.”
“That’s aristocratic. Poor people get divorced two or three times. They have public brawls and call the cops on each other. We just have a different solution to life’s inevitabilities. My mother cheats with Criston, Daemon and Rhaenyra cheated with each other, I cheat with you, Aegon cheats with…I couldn’t even list them. A lot of people.”
Aegon. So that’s the debaucherous brother’s name. “Not all fancy rich people cheat. Prince Charles doesn’t cheat.”
Aemond bursts out laughing. “Of course he does! He’s been fucking Camilla Parker Bowles since like 1970!”
Your stomach sinks. Poor Diana. “I thought they were just friends now.”
“Yeah, sure, that’s what the tabloids say.” He inhales smoke—cancerous, lethal—and then exhales it in a grey gale like fog. “I think they stopped for a few years after he got married. But presently they spend as much time as they possibly can rendezvousing at all their friends’ country estates. Charles and Diana are miserable, but they’ll never split up. She’s entertaining herself with a cavalry officer named James Hewitt. Who looks suspiciously like Prince Harry, by the way.”
“And who does your father fuck on the side? Nancy Reagan?”
“He prefers the memory of a dead woman to my living mother. I’d say that counts as infidelity.”
The photograph Aegon showed me on the Targaryens’ refrigerator. Rhaenyra’s mother. And what else had been on that refrigerator? Pictures of the rest of the family? Old sketches and report cards? Souvenirs? A calendar with upcoming birthdays circled or starred? No. There was nothing. You consider Aemond with a disorienting blend of pity and barbed, venomous frustration. “I’m sorry Viserys has never been a good father to you. But that’s not an excuse to ruin other people’s lives.”
“Look, what you did…” Aemond begins with sizable effort. He puts the end of his cigarette out on the sole of one of his Adidas sneakers. “To walk away from something you believe isn’t right when everyone else is telling you to stay…that’s not easy. And maybe for you it didn’t feel so insurmountable because you’ve had to learn how to survive painful things on your own before. But all I’ve ever done was break my own bones so my father would notice me. I don’t mean that as a metaphor. I’ve fractured my ribs, my hands, my skull. And it’s still not enough. Love isn’t given in my family. I have to earn it. It’s all I know.”
“You could learn something new.”
He shakes his head. “I can’t. I won’t. That’s not a language I speak.”
Exactly how bad of a father was Viserys Targaryen? “Aemond, what happened to your face?”
“I don’t want to talk about that.”
You study him. “What do you want from me?”
“I want you to be my Camilla,” Aemond says.
“No. No way.” But you’re amazed by how badly you want to say yes. One word and he’ll touch me again? One word and I can have him back the way we were before? It doesn’t seem possible to resist that. It’s not something that should be expected of any mortal.
“I want to be around you. I want you to keep making me feel the way you do, because it’s…it’s…it’s not something I get from anyone else. And I want to make your life better. I have the ability to do that.”
“Because you’re an oil tycoon.”
“Yes,” Aemond agrees. “I was born to be one, and so I am. But even if I wasn’t—if I refused, if I died—it’s not like the trillion-dollar industry would just disappear. There’s Jade Dragon, sure, but there’s also ExxonMobil, Shell, British Petroleum, Chevron, Valero, Marathon, a hundred others. Someone would be drilling on Lake Verret regardless. But the person in charge might be less scrupulous than I am. I’m doing the best I can here.”
“Were you in Ketchikan when the spill happened there?”
“No. I’ve never been to Alaska. That was someone else’s project. It was a fuckup, it was Jade Dragon’s fault. But my father is the one fighting it in court. I have no control over that.”
Someone else’s project…
“Come to my house tonight,” he says.
“No, Aemond.”
“Then come over on Saturday.” And you think: He remembered which days Cadi is usually with Willis.
“I don’t want to be your mistress.” I want to be more than that, oh God, I want so much more. You think of Christabel touching him and wrenching nausea cuts through you like a blade. You imagine Aemond’s hands taking off her clothes—zippers, buttons, ribbons, belts—and you feel like there’s almost nothing you wouldn’t do to stop it from happening.
“We’re from two very different words,” Aemond says calmly, sensibly. “And it’s going to be impossible for us to understand each other unless we make an effort to learn about where we’ve come from. You’ve invited me into your home, your business, your family, and I’m very grateful for that. Now I need to do the same. And I think if you see more of my life, you’ll realize why I make the decisions I do and what it would mean for us to be together. Because in my experience, husbands and wives aren’t soulmates like they are in books or movies. It’s someone else who you actually…” He breaks off, then continues once he’s decided on the phrasing. “Spend most of your time with.”
Part of you knows that this arrangement would be hopelessly inadequate; you would feel like you were settling for less than you want, you would feel unchosen. But the louder part of you is clinging to it like a life raft. I want him to touch me again. I want him to make me forget about everything else. “I’ll think about it. Visiting the house, I mean.”
“Please do,” Aemond says. “How was Cadi’s weekend fishing?”
He really does listen to you; he remembers things. Even things you mention once and then never again. “She loved it. Willis knows more about the bayou than I’ll ever know about baking. They caught three catfish, four breams, and a bass, and then they made them into fish sticks. Thank God she has one parent who can cook. Even if Willis thinks Hungry Jack mashed potatoes are a vegetable. You know what he puts in the pot instead of milk? Coffee creamer. Cups of it.”
Aemond doesn’t seem pleased to be reminded of Willis’ existence. He says, rather mechanically: “I’m really glad Cadi enjoyed herself.” He grabs his Marlboro jacket, rises to his feet, scans the yard for the alligator. She’s made an appearance at last: she’s sunbathing about ten yards away, nowhere near close enough to be a nuisance. Still, Aemond frowns. Then he clears his face and looks back to you one last time as he strides towards his Audi Quattro. “And Cupcake?”
You peer up at him, shielding your eyes from the late-afternoon sun. “Yeah?”
“When you come to the house…” He grins. Not if. When. “Bring your swimsuit.”
~~~~~~~~~~
You cut the engine and survey the grand entranceway of the house that the Targaryens call The Last Desire, words in Greek that you couldn’t pronounce. The blue merle Great Dane—Vhagar, you recall, yet another bizarre foreign name—is lurking between the towering white columns of the wraparound porch. “Fantastic,” you mutter, stepping out of the car. It’s Saturday, 2 p.m., hot and muggy and cicadas screeching in the southern live oaks. Green anoles dart across the cobblestones and freshly-painted white wood of the porch. Whooping cranes, haughty and fragile, ogle you with reptilian yellow eyes.
You pause when you reach the bottom step of the porch. The Great Dane growls at you, her lips curling up to show long fanglike teeth. You’re carrying two bakery boxes stacked on top of each other: one contains a dozen blueberry pie cupcakes, the second filled with fresh Cap’n Crunch Treats. You glance around for someone to assist you with the hostile dog situation. You have no interest in attempting to shove her away like Alicent did on the day of the engagement party.
Blessedly, the head butler materializes in the doorway and beckons you inside. When Vhagar snarls as you approach, the butler pulls a small plastic water gun from the pocket of his black dress pants. “I’m terribly sorry for the inconvenience,” he tells you, and then squirts the dog several times. Vhagar reluctantly lopes away. “Please allow me to escort you to the pool. Mr. Targaryen instructed us to be on the lookout for you.” Then he breezes into the house without checking to make sure you’re following him.
You trot after the butler through the white-and-gold foyer, the deep red living room, and then out into the garden. There is a long row of neon green lounge chairs on the side of the pool opposite of the water slide. Three of the chairs are occupied. Helaena is stretched across one wearing a frilly one-piece, floral with ladybugs; her chameleon is perched on the top of the adjustable backrest. Alicent is in the chair beside her, dressed in a turquoise blue coverup that matches the pool water and reading The Silence of the Lambs. They both wave nonchalantly, seemingly unsurprised by your presence. And then there’s Aegon. He’s smoking a joint as a black boombox beside him plays The Cure’s Why Can’t I Be You? You place both bakery boxes on a table shielded from the sun by a large green umbrella.
“What’s in there?” Aegon asks. He’s wearing pink plastic sunglasses, a radiant fuchsia sunburn, and a Speedo patterned with pineapples. His ferret is curled up in his lap and napping.
“Blueberry pie cupcakes and Cap’n Crunch Treats.”
“Yes! Pass me one of each.”
“Don’t be rude, Aegon,” Alicent says dully, turning a page of her book. “She’s not a servant.”
“She’s a literal baker. I’m asking for baked goods.”
“Dear, I’ve been singing your praises to every single person I cross paths with in this jungle of a town,” Alicent tells you, ignoring him. “Have you noticed yet?”
You hand Aegon his treats; he marvels at the miniature blueberry pie placed atop the cupcake frosting before scarfing it down. “I think we’ve had more customers than usual this week, now that you mention it. Thank you so much! Amir and I are more grateful than we could ever express.”
“Oh, it’s the least I could do, love,” Alicent says. Criston appears with a strawberry daiquiri and gives it to her, complete with a swirl of whipped cream and a little pink toothpick umbrella pierced through a wedge of lime. Criston wears a pair of roomy Hawaiian board shorts and his single gold earring. Alicent takes a sip. “Heavenly! I am completely revived.”
“Helaena, would you like one?” Criston asks.
“Yes please.”
“And one for Aemond’s friend too, please,” Alicent says. Criston nods and hurries off again. Nobody asks if Aegon wants a strawberry daiquiri. He gnaws moodily at his cupcake and then when it’s gone moves on to the Cap’n Crunch Treat. Helaena’s chameleon snatches a dragonfly out of the air with its tongue. Alicent shudders.
Aemond’s friend? Friend?? You sit down on the lounge chair next to Aegon, still wearing your pale pink coverup. He tells you: “Aemond should be back soon. He got a phone call and had to swing by the rigs after lunch but he didn’t think it would take long.” Then Aegon smiles toothily, and you notice he has residual white powder around the corners of his lips and just inside his nostrils. “It’s good to meet you properly this time, now that I’m aware of all your talents.”
“You know about Aemond’s…uh…preferences?”
“Oh yeah, and I knew he had a girl. He always has to have a girl. I just didn’t know it was you. He doesn’t usually bring them around the family.”
You steal a glimpse of Alicent and Helaena. If they’re listening in, they’re doing an excellent job of not acting like they are.
“I think we should address this,” Aegon says.
You are stymied. “Address what?”
“It would never work, me and you.”
“I hadn’t even thought of it.”
“Sure you haven’t,” Aegon says. He flourishes a hand melodramatically. “You need a dom. I am, lamentably, an irredeemable sub. I’m a sheep in wolf’s clothing.”
“Okay, Aegon.”
“I just needed to break the tension.”
“I think you’re imagining that.”
There are footsteps, the slapping of flip flops against the cobblestones, and then someone who looks like a younger, more cheerful, more sober Aegon arrives at the pool. He is dressed in royal blue swim trunks that stop at his mid-thigh; his wavy blond hair is down to his shoulders. Like his family members, he also does not seem at all surprised to see you. “Hi,” he says, shaking your hand. “I’m Daeron. I didn’t get to introduce myself at the engagement party. I’m sorry about that. I was entangled in a very competitive tennis match on the courts out back for most of the day.”
Alicent asks: “Daeron, love, would you like a strawberry daiquiri when Criston reappears?”
“Yeah, Mum, that would be great.” He parks himself on the available chair beside her and begins asking about her book. As they chat, a blue macaw flaps through the garden and uses its long, leathery talons to claim the backrest of Daeron’s lounge chair.
“It’s so sweet of you to take an interest in my reading, Daeron,” Alicent gushes. “None of my other children ever do…”
Aegon groans loudly. Everyone ignores him. Criston arrives with two strawberry daiquiris, one for you and one for Helaena. You take a sip through a plastic straw with several loops in it: icy cold and jarringly sweet.
“And one for Daeron too please, Criston,” Alicent requests. “Did you hear that he just got another article published? It’s about evaluating rock wettability.” Her tone suggests that she has no idea what this means; nonetheless, she is ardently enthusiastic.
“That kid is going places,” Criston says admiringly.
Aegon counters: “That kid’s had phone sex with Michelle Pfeiffer.”
You laugh, thinking that it’s a joke. Daeron just gives you a sheepish smile. Oh, you think. Not a joke.
Criston hustles back inside the house. An old man passes Criston as he strolls out to the pool. He looks around blearily, like he’s hungover or has just woken up from a nap or both. His bloodshot eyes skate over you without much interest. He squints at the pool floats that bob in the rippling, crystalline water, sparkly rings and an assortment of foam noodles and a giant cartoonish alligator.
“How was Kiribati?” Aegon says.
“Much better than here. This goddamn humidity!”
“I can’t believe you missed the engagement party, Father,” Alicent says glumly.
“Oh no, how could I! I’ll never have any way of knowing what transpired!” He plops down onto a chair near the end of the row. His bare feet are gnarled, his toenails long and yellowed. “Let me guess. Cake was served, champagne was toasted, people bragged about their stupid hobbies and their ugly children, that girl scuttled about with her perpetually-startled eyes and asinine comments. Do you remember when she tried to give me her condolences when she learned your mother passed away years ago? Why would I want some moonstruck idiot’s condolences? She didn’t know your mother. She doesn’t know anything.”
“Christabel is very young,” Alicent offers gently.
“She’s very something, that’s for sure. Very useless. Very irritating. This family would be in a much better state if Viserys wasn’t the one making all the decisions. His judgment has declined precipitously.” He casts a poisonous glare at Aegon. Aegon pretends not to notice.
“I like Christabel,” Helaena says. Her chameleon gobbles up a butterfly that ventures too close.
“Yes, I’m sure you do.” The old man’s voice is kinder now. “You see the best in everyone. But dear Helaena, we are in for a lifetime of insipid simpers and vapid conversations.”
“A lifetime?” Aegon says. “So not much longer for you, Grandfather. What a comfort.”
The old man glowers at Aegon. “We should have left you in Alaska to have your throat slit by those animals.” And you hear Aemond’s words reverberating in your skull: I’ve never been to Alaska. That was someone else’s project.
Aegon is rolling himself a fresh joint, accidentally spilling sprinkles of weed on his slumbering ferret. He snorts. “I don’t care what Alaskans think of me.”
Daeron says: “Aegon, you poisoned 1,000 square miles of the ocean.”
“The fucking ocean,” Aegon mutters. “What do we even need the ocean for?”
“Vacations,” Otto says.
Helaena adds: “Sushi.”
Daeron is distressed. “Actually, the ocean is super important.”
“Why are we talking about the ocean?” Aemond asks as he strolls through the garden and pauses by the edge of the pool to dip a foot in to test the temperature. He’s wearing black swim trunks and nothing else, just his skin, just his scar and his glass left eye. He sees you, smiles, goes to the bakery boxes and lifts out a cupcake. He sits down on the edge of your lounge chair as he licks off the wave-blue frosting. No one makes any comment, and no one brings up Aegon’s role in the Ketchikan oil spill again.
Criston returns once more with a strawberry daiquiri for Daeron. “Well, I’ve just about killed the blender, so hopefully we don’t need any more—”
“But Criston!” Alicent cries. “What about Aemond and my father? Perhaps they are in need of refreshments.”
Criston sighs. Crestfallen, he looks at Aemond. “Do you want a strawberry daiquiri?”
“No, that’s okay. I’ll just have a few sips of hers.”
Aegon says: “Can I get a pina colada?”
Criston turns towards the old man. “Otto? Daiquiri?”
“No, but if you could immediately teleport me back to the South Pacific, I would greatly appreciate it.”
“Pina colada??” Aegon says again.
“Okay, Aegon,” Criston snaps. “Calm down. Let me figure out if we have any more coconut cream.” Alicent’s part-time bodyguard and personal assistant, part-time babysitter, part-time affair partner vanishes into the house yet again.
Aegon lurches to his feet. “No one listens to me,” he tells you morosely. “You see that? No one remembers. That’s how you know they don’t care.”
“Don’t be dramatic,” Alicent tells Aegon, not looking up from her book.
“Wait, someone is missing…” Otto muses, stroking his beard.
Aegon staggers to the edge of the pool, drags over a sparkly turquoise inflatable ring, and flops onto it. He paddles himself out towards the center of the pool. His ferret bounds after him, leaps into the water, and swims until it reaches Aegon, wriggling through the blue like a golden-furred snake. “Hey Sunfyre, you wanted to come too?” Aegon lifts the soaked ferret from the water and places it on his chest, soft and sunburned. “My bad. I assumed you’d prefer dry land.”
Otto—cantankerous and grating—looks around, baffled. “Wait, where’s Viserys?”
“He’s inspecting some of the rigs out in the Gulf of Mexico,” Aemond says as he finishes the cupcake and takes a slurp of your daiquiri. “He won’t be back until the end of the week.”
“Thank God,” Aegon exclaims from the middle of the pool.
Alicent changes the subject. “How long have you been baking, dear?” she asks you.
“Forever, basically. But I started getting serious about making it a business when my daughter was really young, about nine years ago. Now Amir and I sell hundreds of items a week, sometimes thousands.”
Daeron is nodding along, but he appears a little confused. He has gotten himself a Cap’n Crunch Treat and is feeding pieces of it to his blue macaw. “And you do that because…you want to?”
“Well I have to pay rent.”
“Oh. Right. Of course.”
“And I could have been a checkout girl at the Doller General, or worked seasonally harvesting soybeans or sugarcane, or begged my ex-husband to get me a job in the Assumption Parish Sheriff’s Office…but I wanted to do something that didn’t make me miserable. And something that was really mine, that I chose.” Aemond is watching you thoughtfully. The other Targaryens are a tad interested but far more perplexed. They can’t understand work the way you do. They can’t understand money as something that must be counted.
“Brilliant!” Alicent declares at last. “Well, maybe one day we’ll have you making six cakes for Helaena’s engagement party, who knows!”
“It would be my absolute pleasure. Do you have a potential husband hanging around, Helaena?”
She giggles, covering her blushing face with both hands. Her chameleon creeps down to cling to her shoulder, as if to make sure she’s alright. Its conical eyes flit in random directions, an unmitigated freak of nature. You should have more compassion for it.
Aemond grins. “Helaena is responsible for no less than three broken engagements. She can’t commit.”
“And she’s only into guys who look like Aegon,” Daeron adds.
“No!” Helaena objects. “That is such a lie, that’s not true!”
“Evander?” Daeron says.
Helaena pauses to think. “Okay, yes, he looked kind of like Aegon.”
“He did, didn’t he?” Alicent frets, nibbling at the fingernail of her pinky.
“Dimitri?” Aemond says.
“Oh no,” Helaena moans; but she’s laughing too. “Oh no.”
“Sebastian?” Aegon says, and now they’re all howling.
Otto shakes his head. “Freud would definitely have some thoughts about this.”
“Bloody hell,” Helaena whimpers, swiping tears from her face. Her chameleon nudges her jaw with its shimmering, blue-green muzzle. “I totally only date guys who look like Aegon.”
Aegon shrugs from where he’s floating in the pool with Sunfyre. “Good taste, I’d say. Fuck them all, homegirl.”
“Aegon!” Alicent shouts, scandalized.
Criston dashes out of the house and to the edge of the pool, clutching a pina colada that is swiftly melting. “You better paddle yourself over here, kid. I don’t offer in-water delivery.”
“You’d do it for my mother.”
“Probably. But you’re not her.”
Aegon groans as he splashes around without making much progress. “Okay, okay, give me a second…”
Aemond turns to you. “How do you like the house? I realized I never got the chance to ask last weekend.”
“I like all the stained glass, and I like that every room is a different color. The living room is red, the dining room is yellow, the kitchen is teal, Aegon’s bedroom is black—”
“Wait, how do you know?” Aemond is alarmed.
You chuckle. “No, no, not like that. I was lost and looking for a bathroom.”
“Didn’t do anything,” Aegon announces from his pool float. “Didn’t do it, didn’t try it, didn’t even think about it. Well…maybe I thought about it. But I definitely did not do anything.”
“Okay.” Aemond exhales, relived. “Close call.”
“What color is your room?”
He’s not going to waste the opportunity to extend an invitation. “Let me show you.”
On the same floor as Aegon’s punk rock bedroom and the lilac bathroom, you trail Aemond to the end of the hallway. At last he opens a door to reveal a room that is a deep, vivid blue like sapphires. The bookshelves that touch the ceiling are filled not with texts on engineering or the energy industry but histories of people whose names you don’t recognize. He has a massive wooden canopy bed swathed in dark blue velvet patterned with circling koi fish made of stars. He has a writing desk, a wardrobe full of suits, a television with an extensive VHS collection. The stained glass windows are a whirlpool of cerulean, navy, aquamarine, indigo, steel, azure. When you peer through the glass, you can see the gleaming currents of Lake Verret and the twisted dead ends of the bayou that forms at its edges, treacherous and untamed.
And when you start to feel that if Aemond tried to grab you, undress you, tie knots around your wrists you wouldn’t stop him, you tell him that you want to go back outside to the pool; and Aemond listens, and he doesn’t try to touch you even once.
~~~~~~~~~~
It’s Monday, two days later, and Aemond calls to ask if he can bring you and Cadi dinner. He shows up with all the trappings of what he insists is real Italian food, doubtlessly prepared by his family’s private chefs: focaccia, caprese salad, ossobuco, risotto, Bolognese, panna cotta. He forgets the red wine, so you drink sweet tea instead, the three of you crowded around the kitchen counter, ceaselessly passing dishes back and forth while the little pink Panasonic boombox plays You Spin Me Round by Dead Or Alive.
“Hey Mom?” Cadi says as she chomps on a hunk of focaccia.
“Yeah?”
“Why don’t you ever cook dinners like this?”
There’s a tiny little gut punch, something you’re used to swallowing down even if it bruises you to the heart, to the bones. She doesn’t know any better. You can’t cry, you can’t get mad. You shrug, dispassionate. Aemond glances over at you, abruptly tense but not saying anything. “Well honey, it’s probably because my job can be really busy sometimes, and I spend most of the day in the kitchen, so when dinner time comes around the last thing I want to do is cook. But we always have food to eat, right?”
“Yeah. Like Amir’s leftovers or frozen pizza or something. But all my friends’ moms cook nice dinners most nights. Can’t you do that? When I go to Michelle or Erica’s house for dinner their moms make barbeque ribs, gumbo, seafood boils, etouffee, tasso ham, homemade macaroni and cheese, like real dinners. I want us to have that too. What if my friends want to eat dinner here sometime? I can’t bring them over and then just throw some Swanson’s meals at them.”
Aemond has put his fork down on his plate and is clasping his hands together, trying to figure out what to say. But he shouldn’t say anything. It’s not his place.
You tell Cadi, as calmly as you can: “Different families have different kinds of dinners, and that’s okay. I bet your friends’ moms don’t have cakes and cookies around all the time, but you always have tons of dessert options. Our situation looks different than theirs, but there’s nothing wrong with either one.”
“But desserts aren’t even good for kids. Dinner is way more important. You can’t say I get cakes instead of dinner, too much cake will give me diseases or something.”
“Okay, Cadi. That’s enough. Let’s talk about this later.”
“I’m just saying it seems totally unfair that my friends get real dinners and I almost never do.”
Michelle and Erica’s moms don’t work. They have husbands to support them. So they can spend all day babying a fucking tasso ham, but I don’t have that luxury. And I don’t want to be chained to a man. I don’t want to trade having a say in how my life turns out for being able to slave away over dinner for four or five hours. “I regret to inform you that I’m not like Michelle and Erica’s moms.”
“I wish you were,” Cadi murmurs, entirely unaware of what she’s done. You bite your lower lip so you don’t snap at her, or try to explain, or break down sobbing. You taste blood, hot sharp copper that blooms like wildflowers.
Aemond stands up. His barstool squeals against the sloping wooden floor. “Hey, can I talk to you outside for a minute?” he asks Cadi.
“Aemond, what…?” you begin, but he’s already headed for the front door.
Cadi blinks up at him, horrified. “Why?”
“You’re not in trouble or anything. I just want to show you something. Come on. It’ll be quick.”
“Okay,” Cadi says doubtfully, looking at you. You give her your best reassuring smile, and she slides off her barstool and follows after Aemond. The front door opens and shuts. You don’t hear shouting, you don’t hear much of anything except the air conditioner and the boombox and the mourning doves, the long-eared owl, the cicadas, the bayou, the universe. You go to one of the living room windows and part the blinds to peek outside.
What you see is strange. Cadi is sitting on the swing, and Aemond is kneeling in front of her so they’re just about at the same eye level. You can see half of Aemond’s face; Cadi is blocking the rest. He’s explaining something to her with patient yet insistent gestures of his hands. Cadi says something, and Aemond nods and replies. He points to his scar, his glass eye, and says something else. Cadi asks a question, and Aemond hesitates. Then he acquiesces and moves closer to where she is perched on the tree swing. He reaches up towards the scarred side of his face, but you can’t see his eye. When he lowers his palm, there’s a small piece of curved, oval-shaped glass that glints in the dying sunlight.
“Cool!” you can hear Cadi exclaim, muffled through the windows that are now closed on account of the new air conditioning unit. She says something else, and Aemond agrees. You watch her hand extending towards his face, towards the injury he has revealed to her for reasons you can’t comprehend. You rush to other windows, trying to get a better view, but there’s no way for you to get a clear line of sight. Before you know it, your hear their footsteps drumming up the porch steps. The front door opens just as you’re scrambling back onto your barstool.
“Everything alright?” you say, more nervously than you intend to.
“Yup,” Cadi replies. She climbs into her seat and resumes wolfing down focaccia and Bolognese.
You look over at Aemond, bewildered. His glass eye is back in its socket. He appears composed, but you notice the fresh sheen of sweat on his forehead, at his temples, at the nape of his neck. He gives you a casual little smirk and then returns to his barstool. He picks up his full glass of sweet tea and drains it in three massive gulps.
“Hey Mom,” Cadi says, and your throat is suddenly full of embers.
“Yeah, honey?”
“Tonight is really fun,” she says. She twirls her fork in the pappardelle pasta of the Bolognese, splattering red sauce over her cheeks. “This is great. I want to do this more often.”
And the embers in your throat cool, vanish, are replaced by something vast and free.
“You really do need a new house,” Aemond says as he helps you clean up after dinner; Cadi has already abandoned you both for her Nintendo. “There are new constructions a little further down Route 401, between here and Lake Verret. Three bedrooms, two baths. Not a castle or anything, just the right size for you and Cadi. We can go look at them sometime.”
“I don’t need a whole new house. There are midcentury homes all over the place down here. They’re small, and they might need fixing up, but they’re a lot cheaper.” Then you add, because it sounds less pathetic: “And maybe it’s nice to have a house with some history, some character.”
“Old can be charming and quaint, sure. But brand new is better.”
“Why’s that?”
He smiles. “No ghosts.”
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seratopia · 6 days
Text
donatello x reader (fluff?) - random headcannons
this list has been piling up, these are more general
No matter how much y'all say it, I don't think his love language would be physical touch. Donnie seems too awkward to return hugs or kisses, but nonetheless still notices/appreciates them when you do it. Instead, I feel like he'd opt for acts of service instead. Like, fixing your glasses, showing you cool features on your laptop, creating a custom chat interface for you two.
He lets you borrow that purple hoodie
You hear "Erm akshually-" alot lmaooooo ; he often infodumps the most random shit to you, you've become accustomed to listening to him.
Honestly, I wouldn't be surprised if he's slightly into LOA stuff (Law of Attraction). It's canon that he listens to positive self-affirmations while he sleeps, so maybe that's a thing for him idk
Steals your eyebrow pencil to fill in his brows for the day. It'd be cool to see him into makeup.
Plays SO MANY games holy shit, has tried everything on Steam.
Obviously he has Discord, no questions asked. Organizes his servers into neat, purple folders. He only uses dark mode, he hisses if he ever sees light mode. Also knows how to make and works servers very well; likes making embeds and such for fun.
^^ On top of this, he probably has a lot of online friends; he doesn't need to show his face or reveal his identity. I see him staying up really late, playing random games at 2 AM on a Discord call.
Very very techy; uses Linux, built his own PC, set up the lair's wifi router too. The brothers come to him all the time for help on their tech fixes, mainly on Nintendo Switch.
My boy is CHRONICALLY ONLINE, he definitely knows all those niche internet songs. He gives me weird kid vibes, like The Living Tombstone, Rat by Penelope Scott, dare I say a little bit of Miku?
He knows the FNAF lore
Secretly shops at Hot Topic from time to time. I'm seeing graphic tees, maybe a studded bracelet? He walks in and the employees are like, "Dude, nice cosplay."
CAFFEINE! Mostly relies on coffee, doesn't like Starbucks that much, and he has tried Monster before. Monster is like a last resort for him, like he's working on a project he MUST finish for his sanity.
Also, I feel like he has fucked up teeth idk. Like, how the hell would Splinter be able to afford dental care for not one, but four teens? Braces too, not only are they expensive, but inaccessible to mutants.
He needs glasses, just often refuses to wear them
Never, ever truly gets angry or mad. But when he does, its rare and it's kinda scary ngl
© 𝒔𝒆𝒓𝒂𝒕𝒐𝒑𝒊𝒂.
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lostindarkclouds · 11 months
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Yandere Alastor with Nintendo gamer fan Reader. Reader prefer to focus on gaming than paying attention to him.
(Yandere Alastor x Nintendo Gamer Fan Reader
[Headcanons]
-Alastor has great respect for your tastes and you.Sometimes he makes fun of your tastes to piss you off.(My man just wants to joke around.😩✋ He won't let anyone else do that.) But this time you're going too far.
-As Alastor speaks, he demands all the attention of his lover. Look at him! listen to him!
Your gaze does not leave the screen. Alastor looks at the computer screen. He called you three times and you didn't hear. He doesn't know if you really didn't hear him or if you ignored his call.
He's a little angry right now. Of course he won't reveal it. 😏
He doesn't understand what you find interesting here. The light of the screen hurts his eyes. There is a man who is just talking nonsense. The man is holding a box and talking excitedly. When the man gets excited, you get excited too.Alastor turns his head to the wall and looks at the clock. Half an hour has passed already... His coffee has gone cold and he is late for work.
Alastor tries to calm himself down. He sighs and calls out to you again.
"My love?"
You turn to look at Alastor for a very short moment, and then you continue to stare at the computer screen again.
This was the man's last call.
Alastor puts his hand on your shoulder and shakes it lightly. You turn and look at the alastor in amazement. (Alastor won't touch you unless necessary.)
Alastor reaches for the outlet and quickly pulls the cord. (This guy.really.angry.)
Alastor tilts his head at an odd angle and his pupils constrict a little.
(this scene has always been a bit scary for you. It's a scary habit of your lover<3 hehehe)
"Honey, I don't understand how you let the artificial lights and annoying noise distract you so much." (His hatred for Technology also contributed to his anger.)
You make a move to get up from the ground, but the alastor presses on his shoulder and does not allow you to stand up. Instead, he sits next to you.
You can't help but worry. "Alastor?"
"show me too."
You don't understand at first, but then it quickly falls into place.
"I want to see what deserves your attention so much."
(this guy is too proud to admit he doesn't understand all this tech stuff >°<)
You smile and plug the computer back in. While watching the video together, you tell your lover in detail what happened. (I don't know if you understand.)
Alastor smiles and listens carefully to everything you say. After a while, you realize that what interests the Alastor is not the subject. (Did this guy really listen to you? 🙄)
It's quite rare to see you smile so beautifully my dear. A smile as fresh and innocent as morning dew...
Alastor is not interested in technology. But he likes to listen to what you have to say and to see the facial expressions you show. You took advantage of this and tried playing video games on him a few times.(Of course he didn't agree and changed the subject. He can't admit that he thought he wouldn't succeed✋)
-- this request came to me as a 'Yandere Alastor' request. But I didn't know how to add Yandere theme here.So I'd like to share a few headcanon thoughts that fit this theme--
-Alastor wasn't jealous of your favorite Youtubers or players. Because it's normal like he likes the singers of the songs he likes.
-The only thing Alastor would be jealous of would be the time you spent on it. Because Alastor is a busy man (in his own way) and wants to spend all his free time with you.
-Alastor will sometimes want to spend his time doing other things with you. If you talk about the game and the players all the time, he will definitely get a little angry.
(Sorry for my bad English. Please remember to warn me of any typos.)
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blueskittlesart · 11 months
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any thoughts on how once again zelda was robbed of her agency because her "father figure" didn't listen to her? even if rauru was kinder to her than her father. and that she had sonia who was patient and loving for a little while before she died (just like her mother). i know rauru apologizes for his hubris but still, i wish we saw zelda be upset about it. and even if zelda was such a big part of the quest she still literally sacrificed her humanity once again because of someone else's mistake- because rauru literally didn't listen to the girl from the future that warned you that shit was going to go down. o know nintendo just loves putting zelda inside crystals and stones but i wish we got something better. even if it was her decision to become a dragon... did she have any other choice? it really just feels like they robbed her of agency again just like botw and the games before
i've been trying to figure out how to answer this one. because there are two ways i could analyze this plot point, either from a writer's perspective or an in-story perspective, but neither of those lead to me fully agreeing with your interpretation? I think there's definitely something to be said about zelda consistently being pushed aside in these games, but. well. ok let's get into it ig
from a writer's perspective, I do honestly have quite a bit of sympathy for the zelda devs as they attempt to navigate the modern political landscape with these games. The cyclical lore, though canonized relatively recently, holds them to a standard of consistency in their games in terms of certain key elements. one of those key elements is that there has to be a princess, and that princess must somehow be the main macguffin of the game. The player must chase her, and the end goal of the game must be to reunite the player and the princess. In 1986 this was an incredibly easy sell. women didn't need to be characters. players were content with saving a 2-dimensional princess whose only purpose was to tell them "good job!" at the end. but as society advances, that princess becomes a much more difficult character to write while adhering to the established overarching canon. (as a side note: i don't necessarily believe that the writers SHOULD be held to the standards of that canon. I think deviating from it in certain areas would be a good change of pace. but i also recognize that deviations from the formula are widely hated by the loz playerbase and that they're trying to make money off these games, so we're working under the established rule that the formula must be at least loosely adhered to.) Modern fans want a princess who is a person, who has agency and makes decisions and struggles in the same way the hero does. but modern fans ALSO want a game that follows the established rules of the canon. so we need a princess who is a real character but who can ALSO serve as a macguffin within the narrative, something that is inherently somewhat objectifying.
the two games that i think do the best job writing a princess with agency are skyward sword and botw (based on your ask, our opinions differ there lol. hear me out) in both games, we have a framing event which seperates zelda and link, but in both games, that separation was ZELDA'S CHOICE. skyward sword zelda runs away from link out of fear of hurting him. botw zelda chooses to return to the castle alone to allow link the time he needs to heal. sksw kinda fumbled later on by having ghirahim kidnap her anyway, but. i said BEST not PERFECT. botw zelda I think is the better example because, with the context of the memories, she's arguably MORE of a character than link is. we see her struggles, her breakdowns, her imperfection, specifically we see her struggle with her lack of agency within the context of the game itself. when she steps in front of link in the final memory, and when she chooses to return to the castle, those are some of the first choices we see her make almost completely free of outside influence; a RECLAMATION of her agency (within the narrative) after years of having it stripped from her. from an objective viewer's standpoint, this writing decision still means she is absent from 90% of the game and that she has little control over her actions for the duration of the player's journey. however I think this is just about the best they could have done to create a princess with agency and a real character arc while still keeping the macguffin formula intact--you're not really SAVING zelda in botw. SHE is the one that is saving YOU; when you wake up on the plateau with no memories, too weak to fight bokoblins, let alone calamity ganon. the reason you are allowed to train and heal in early-game botw is because SHE is in the castle holding ganon back, protecting YOU. When you enter the final fight, you're not rescuing zelda, you're relieving her of her duty. taking over the work she's been doing for the past hundred years. in the final hour, you both work in tandem to defeat ganon. while this isn't a PERFECT example of a female character with agency and narrative weight, i think it's a pretty good one, especially in the context of save-the-princess games like loz.
as for totk, you put a lot of emphasis on rauru not believing zelda and taking action immediately, which, again, from an objective standpoint, i understand. but even when we're writing characters with social implications in mind, those character's actions still need to... make sense. Rauru was a king ruling over what he believed to be a perfectly peaceful kingdom. zelda literally fell out of the sky, landed in front of him, claimed to be his long-lost granddaughter, and then told him that some random ruler of a fringe faction in the desert was going to murder him and he had to get the jump on it by killing him first. the ruler which this girl is trying to convince rauru to wage an unprompted war on has the power to disguise himself as other people. no one in their right mind would immediately take the girl at her word. war is not something any leader should jump into without proper research and consideration, and to rauru's credit, he DIDN'T ever outright dismiss zelda. he believed her when she said she was from the future, he allowed her to work with him and he took her warnings as seriously as he could without any further proof. but he could not wage an unprompted war on ganondorf. that's just genuinely not practical, especially for a king who values peace among his people as much as rauru seems to. as soon as ganondorf DID attack, giving rauru confirmation that zelda's accounts of the future were real, he began making preparations to confront him. remember that zelda didn't KNOW that rauru and sonia were going to be casualties of the war--she didn't make the connection between rauru's arm in the future and rauru the king until AFTER sonia's death, when rauru made the decision to attack ganondorf directly. I think the imprisoning war and the casualties of it were less an issue of zelda being denied agency and more an issue of no one, including zelda, having full context for the events as they were unfolding. if zelda had KNOWN that sonia and rauru were going to die from the beginning and was still unable to prevent it that would be a different issue, but she didn't. none of them did.
I think another thing worth pointing out with rauru and his death irt zelda is that rauru is clearly written specifically as a foil to rhoam. this is evident in how he treats both zelda and link, with a constant kindness and understanding which is clearly opposite to rhoam's dismissiveness and disappointment. consider rhoam's death and the circumstances surrounding it. He died because, in zelda's eyes, she was unable to do her duty; the one thing he constantly berated her for. Rhoam's death solidified zelda's belief that she was a failure, a belief which she KNEW rhoam held as well. his death was doubly traumatic to her because she knew he died believing it was her fault. Now contrast that to the circumstances surrounding rauru's death. Rauru CHOSE to die despite zelda's warnings, because he wanted zelda and his kingdom to live. rauru's death was not agency-stripping for zelda; in fact, it functioned almost as an admission that he believed her capable of continuing to live in his place. With him gone, the fate of the kingdom fell to her and the sages. he KNEW that he would die and still went into that battle confidently, trusting zelda to make the right decisions once he was gone. where rhoam believed zelda incapable of doing ANYTHING without link, rauru trusted zelda COMPLETELY with the fate of his kingdom. several details in totk confirm that when rauru died there was no plan for zelda to draconify, that all happened after rauru was gone. it was HER plan, the plan which rauru trusted her to come up with once he was gone. and I think it's also worth noting that zelda's sacrifice with the draconification parallels rauru's!! Rauru gives up his life trusting the sages and his people to be able to continue his work in his place. Zelda gives up her physical form trusting link and the sages in the future to be able to figure out what to do and find her. these games in general have this recurring theme but totk specifically is all about love and trust and reliance on others. zelda relies on link, link relies on zelda, they both rely on the champions and the sages and rauru and sonia and they all rely each other. reliance on others isn't lack of agency, it's a constant choice they make, and that choice is the thing which allows them to triumph.
The draconification itself is something i view similarly to zelda's sacrifice in botw--a choice she makes which, symbolically & within the confines of the narrative, is a demonstration of her reclaimed agency and places her at the center of the narrative, but which ALSO removes her from much of the player's experience and robs her of any overt presence or decisionmaking within the gameplay. again, I think this is a solution to the macguffin-with-agency dilemma, and it's probably one of the better solutions they could have come up with. Would I have liked to see a game where zelda is more present within the actual gameplay? yes, but I also understand that at this point the writers aren't quite willing to deviate that much from their formula. the alternative within the confines of this story would be to let zelda DIE in the past, removing her from gameplay ENTIRELY, which is an infinitely worse option in my opinion. draconification allowed her to be present, centered the narrative around her, and allowed the writers to reiterate the game's theme of trust and teamwork when she assists the player in the final battle, which i think was a REALLY great choice, narratively speaking.
In any case, I don't think it's right to say that zelda was completely robbed of her agency in botw and totk. Agency doesn't always mean that she's unburdened and constantly present, it means she's given the freedom to make her own choices and that her choices are realistically written with HER in mind, not just the male characters around her, and I think botw/totk do a pretty good job of writing her and her choices realistically and with nuance.
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kassymalone · 3 months
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A Little Rant about Fun
Remember fun?
Remember when you could do things just because they were fun?
It keeps coming to mind recently, and it's starting to drive me nuts.
I've always done things with my hands - I used to do art before uni destroyed my love and confidence, I write things, I cross stitch, I make models, and I do these things because I enjoy them. Unfortunately I've come to hate talking to people about my hobbies because the almost always have the same response - 'what do you do with that?'
Do I sell on Etsy? No I fucking don't, this pattern took me 15 hours to finish, do you know how much I would have to charge for it?
Do I do freelance writing? No I fucking don't, why would I want a second soul-crushing job on top of my first soul-crushing job?
Why don't I actually get published instead of wasting my time with fanfiction so I can actually make some money off it? WHY DON'T YOU DO IT IF ITS SO FUCKING EASY
I've been thinking of making a quilt recently, with patches of all my favourite things, but I don't want to talk to anyone about it because I can already hear them asking 'and what are you going to do with it? Is this your practice one before you sell them? No, don't do it that way, that's the wrong way, no-one will like it!'
(Don't get me started on the 'you're doing it wrong' crowd, gatekeepers are a different rant.)
JUST LET ME DO THINGS. NOT EVERYTHING NEEDS TO MAKE MONEY. I know we're in a cost of living crisis right now, but I've been hearing this shit since I was a teenager, twenty fucking years ago! I still remember being talked out of singing lessons when I had a little extra money because 'what would I do with it?' Well fuck, my fat ass was never going to be the next Adele, but maybe I could have just had fun doing something I enjoy, but better?!
ON A RELATED NOTE!
You know what disproportionately annoys me? When people call the Nintendo Switch a 'toy' as if it's a bad thing. Like... yes? It's a toy? I play games on it?
'But the frame rate!', 'But the graphics!', 'But it can't run XX game!' WHO FUCKING CARES.
Yes, the xbox and playstation can connect to netflix and play blue rays and cook you dinner and raise your children, but they also cost a months rent and have all these bells and whistles to distract you from the fact that they JUST FUCKING TOYS. There's nothing either of them can do that I can't do on my PC, better and cheaper, and not have to turn on five different peripherals to make it work.
'But 4K!', 'But you can see the character follicles in this new game!', 'But the horses testicles react to the weather!'
Are you not having fun? Are you not enjoying playing your game? Never once have I been in the middle of a game and thought 'I'd be enjoying this more if it had more pixels.' I'm not even against other consoles, use whatever you prefer - if you like modern real-to life graphics then more power to you, but the amount of people who act like it actually matters somehow is concerning...
Yes, the switch hardware is behind what the xbox and playstation can do... but its a toy. Nintendo has never forgotten that it makes toys, and that's why I like it. It sits on my table, connects to my other monitor. I listen to long form youtube videos while I play TOTK. If I'm feeling sassy, I play it handheld.
My niece has one. We play Pokémon together and I let her win battles because the point is to be fun.
WHICH BRINGS ME BACK TO MY POINT!
FUCK the grindset 'but how can I monetise every possible second?' bullshit, FUCK the 'taking this thing that should be fun way too seriously' bullshit.
LET PEOPLE DO THINGS JUST BECUASE THEY'RE FUN.
LET THINGS THAT ARE SUPPOSED TO BE FUN BE FUN.
And now I've used the word 'fun' so much it's lost all meaning.
Much like fun itself.
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squishymochithethird · 6 months
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Fuck it the companions ranked by how likely they are to beat me at Mario Kart
1. Jaheira
Not only do I think she’s the most likely to beat me, I feel like she would do it without even trying. She’s never played a video game in her life yet she manages to just completely wipe the floor with everyone. Also a great sport about it, 10/10 would let her beat me again.
2. Lae’zel
I think the first couple of rounds I’d have a chance, but she gets so competitive with it so quickly. She NEEDS to be the best damn racer in the room, and will not rest until she’s won a perfect round. Doesn’t miss a speed boost, has great aim with green shells, and always seems to have another banana peel on hand.
3. Wyll
Probably exclusively played Nintendo games growing up. That being said he’s likely semi-familiar with some of the courses. Sometimes purposely throws the match. True gentleman behavior.
4. Halsin
I think he’d also be surprisingly good at Mario Kart provided I could convince him to actually sit down and play. He won’t be winning every round per say, but he can usually hit the top 5. The controller is a bit small for his hands though, so he’ll be complaining about cramping after just a few rounds. If you’re lucky you might hear him humming some of the music when he thinks no one is listening.
5. Karlach
Plays for fun more than competition. She loves hitting tricks but often lets the extra speed throw her off. Has no idea how to break and therefore crashes into every other wall. Her favorite course is waluigi pinball and she’s correct.
6. Shadowheart
Not super interested in playing, so she tends to hang back a bit. Not enough to place last, mind, she still has a reputation to keep. At least 75% of all blue shells thrown came from her, and that is accomplishment enough.
7. Gale
Would pick rainbow road because it’s pretty and reminds him of the weave. Would immediately regret picking rainbow road. Prefers to watch tbh.
8. Astarion
Not only is he bad at Mario Kart but he low key sucks to play with. He’d gas himself up before the first round. He’ll win, darling. It’s so easy, just watch. He immediately places last and refuses to play anymore. Yells and complains so loudly anytime he falls or gets hit by something.
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mystarsohee · 21 days
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theres nothing like doing nothing with you
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genre: fluff, a little bit of angst, comfort
inspired by bruno majors "nothing" mostly the first verse/chorus tbh (also my first post lowk scared !!!!)
!!! non-sexual use of daddy
cg!sohee gn!reader
silently coloring on the living room floor, which is one of your favorite things to do while trying to make time go faster so sohee would come home from whatever hes doing. usually you would wait to move into a younger headspace until sohee came home, but you felt upset. upset over who knows what, you just felt bad that day.
you didnt hear the door open. or sohee walking into the living room, until you heard his voice, "hi baby! im home now okay?" with a smile on his face which always made you feel at ease, and a kiss to your cheek. you only hummed at him. he decided to sit next to you, "your coloring looks amazing baby, you're gonna have to give that to me so i can hang it up!" again, only humming at him to express your agreement.
"do you want to play? or have you eaten? i havent seen you all day!" sohee questioned. you responded, "i dunno" not accepting it as an answer, he got up and headed towards your room. where was he going? all you wanted today was to be near him, but now hes gone again? you slowly start to sniffle, just because you felt bad all day without your daddy, but he disappeared! "baby? what happened?" oh. you looked up slightly, your favorite stuffed animal stared right back at you. "im sorry love, i could tell you were a bit upset and i went to grab a stuffed animal for you before i tried to talk to you." he said along with a kiss to your head. "cm'ere, lets sit on the couch together." without a word, followed his request, you cuddled up next to sohee, comfortably with his arm around you. not wanting him to think you're mad at him, you held your stuffed animal and tried to explain, "i feel really bad."
"bad? did something happen?" he placed the back of his hand to your forehead to check for an alarming temperature. you looked up at him with a pout, "no.. just feel bad." hating to see you like this, he quickly tried to come up with a solution. he brushed his hand through your hair, "well.. seunghan left his nintendo switch here, are you up for a game of mario kart?"
mario kart? sohee knows that you dont play around when it comes to mario kart. in this headspace or not, you wont go easy on anyone. "i'll beat you!" you sat up as adrenaline quickly rushed through you at the thought of playing mario kart. "we'll have to see about that baby, i've been practicing!" he responds, again, with that pretty smile of his.
after one round and your victory, sohee quickly asks for a rematch. "no fair! i was distracted by your cute face." he says, pretending to be defeated, though he knew he would lose because he cant resist your face while you concentrate on maintaining your spot in first place. you can't help but laugh at him, "daddy how did you lose, this one was so easy.." you ramble a bit and criticize his technique, and try to give him advice. though he makes an effort to listen, he focuses on the way your eyes sparkled while talking about something you love. he wonders if you look that way when you talk about him to someone else. snapping out of it, he hears you say "i don't feel like playing this anymore, it's too easy.."
"well, what does my baby want to do? how are you feeling after totally crushing me in mario kart?" he doesn't want to suggest anything, because you usually like to be the one who picks the activities you feel like doing that day. you think for a few seconds, while sohee cleans up the controllers, "i want to do nothing." you do this often, you request to do something that sohee doesn't really know how to give to you. he still does everything in his power to meet your needs. if you ever asked him to bring the stars down from the sky for you, he would do whatever it takes to get them to you. "alright then. nothing it is." so he just sits there. doing nothing. just like you asked. you did the same, sit against him in silence. and you felt perfect! exactly what you wanted. to be with your daddy, and do nothing! just be there with him is all you want.
the both of you sit there, for atleast an hour or two. you just fidget around with his hands, and admire his pretty moles. he just stares at you in disbelief, watching you somehow entertain yourself with just himself! no movie, no phones, just the occasional "i love you" or kiss coming from you or him. theres a million other things sohee could be doing right now, but he doesn't care about that. as long as you're happy and content with the current situation, he would be too.
"have i told you lately, i'm grateful you're mine?"
author note: my first post on tumblr ever !!!! i hope whoever reads this enjoys, and feel free to request something for me to write! im pretty much open to writing anything riize/nct whether its agere or not 💞 feedback would definitely be appreciated!
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wutheringmights · 1 month
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AUTHORS COMMENTARY FOR NEW CTB PLSSSSS😭😭😭
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Thank you! I would be more than happy to explain myself.
My commentaries have, historically, been a pain in the butt to read on a formatting level. I have attempted to fix this by breaking up the commentary into labeled sections. Consequently, this led to me writing out way more than I normally would.
So, enjoy.
[The Past]
Pre-Festival & Festival Day
As I mentioned previously, I wrote a significant part of this past section for the last chapter-- all the way up until Link asks for Icarius’s name. I ended up cutting the chapter into two for space, which meant that there was a few weeks between writing the first and second half of the icarius stuff. 
I really did not spend as much time with the latter half as I wanted to, and I think it suffers for it. I’ll elaborate on that in a second. Let’s try to stick to talking about the chapter in a somewhat chronological order. 
I joked about this last weekend, but Jakucho is extremely funny for hearing Link speculate about Icarius and Nephus and deciding, “Yup. Not my problem. Have fun with that.” Of course, she thinks he’s obsessed with Nephus and not Icarius. 
Gaze upon my weak attempt to confirm Ayane is trans. I think this might have been a bit of a clunky way to do it. I never know how to get characters to confirm their identities without it sounding too much like a script read. Hopefully, this was at least clear if not entirely blatant.
Holidays are such an important part of world building, and I think it is very silly when you are in a fun little fantasy world and they celebrate not-Christmas or the like. That being said, sometimes you are so exhausted of any ideas that you have to sit down and say “Fuck it. Off-brand Halloween.”
That being said, having a holiday to mourn the loss of the Sacred Realm feels fitting for the world, even if the inclusion of masks was a bit clunky. 
I really do think an under-explored area of Zelda lore is that the goddess’s realm is just... gone. Corrupted. Where are the goddesses now that the Sacred Realm is the Dark World? Is there a holy crusade to restore the Dark World to the Sacred Realm? I think Nintendo could do a dark fantasy spin off about this. Or when I finally get around to running that Hyrule homebrew DND campaign I have been cajoling my friends into playing, I’ll make it a plot point. 
Now that I am typing this, I am realizing that I really should have had a little moment where all the masks forces Link to remember the child. Fuck. 
In my original vision, Icarius was going to be very polite and quiet while at Jakucho’s estate, only for his next scene to be him snarking at some guys during a bar fight. What a bait and switch that would have been.
When I was a kid, I genuinely thought that the keaton mask was supposed to be a Pikachu mask (in part because I had only seen it in my cousin’s copy of Super Smash Bros). Hence, the yellow fox vs yellow mouse banter. 
Link’s House / Icarius Backstory
Writing Icarius and Link banter was surprisingly difficult. I have this whole vision in my head about these two being loving to verbally spar with each other. And for some reason, the dialogue was just not flowing the other day.
And by the other day, I mean that a part of my major revisions the day of posting was to fix this entire section. Did it work? Not really. But I got a D grade prose up to a B-, and that was going to have to do. 
My biggest gripe is their conversation in Link’s house, where Icarius info-dumps his entire backstory. In my brain, this scene would have felt dark and moody while still being a little romantic. They definitely hit all the points I needed them to hit for the plot, but it just... it’s so stilted. It doesn’t feel like Icarius is unloading years-worth of grievances on someone who he can trust to listen, if only for a night. It feels like Icarius is reading from a script. Ugh.
There was going to be an in-story explanation from Icarius as to why his hair is bleached that never actually came up. For those curious, it’s that Nephus had the grand idea first to bleach his hair but was worried it wouldn’t look good. So he had Icarius dye his first. Sure enough, he thought it looked terrible and decided to not go through with his end. Icarius was going to be very annoyed by that and would bitch about how long it would take for him to grow it out again. 
I originally was not going to give him the bleached hair to begin with, but after everyone made fun of Warriors for not recognizing him in the first place, I felt like I had to make a significant change to his appearance. It actually helped to get him to play the role I needed him to play in Link’s post-war problems.
Let’s rewind. In my original outline, Icarius was never here in Kakariko. This entire chapter would have instead been Link deciding on his own terms to get over his hang-up over being involved with men and going out to flirt with one. This would have been a random soldier who had been discharged and was just passing through town on his way home from the war. Link would have subconsciously been attracted to him because he resembled the engineer. 
For example, he would have made some comment about liking how strong his hands were. 
This soldier was truly going to be a random guy. At most, he would have mentioned rooming with a friend on-leave named Arlo (who appeared earlier in story as a soldier in the trenches). The whole point was that Link felt like he could connect with another person as long as he didn’t give them a chance to look too deeply into him. 
But after the House of Nephus characters were all introduced, I realized I needed to find some way to elaborate on them. Switching out the random soldier for Icarius was the easiest move.
Does it work? Kinda? It definitely helps the obsession plotline, but the original point got lost among all of the Icarius backstory.
So, Icarius backstory. I feel terrible for everyone who was looking forward to Link being swept away in a beautiful, touching romance. I tried to warn you.
Icarius and his relationship with Nephis is fascinating to me, and I really feel like I only have time to scratch the surface. Icarius is very smart, but believes that Nephus is one the “good ones.” But he can see that Nephus is starting to lose respect for him, so he plays these tricks to remind him that he’s still needed. He knows its foolish but his entire like has encompassed Nephus and he’s scared to know what it would look like without him. It works for a while, but not long enough. The reader knows that it stops working because that smart mouth of his that always picks fights gets taken away.
And that’s not even addressing the greater society Icarius lives in or the way Philo’s addition changes things for him even more. 
All that’s to say that even if Icarius is not the perfect romantic lead people were hoping for, I intended to suggest in-story that if either him or Link were in different circumstances, there could be something there. 
I actually really like the idea of Warriors’s love interest being an agent of an enemy state who is mean to him in the exact way he thinks is hot. Instead of inventing Hylian soldier or Sheikah warrior OC’s to be Warriors’s love interest, can there be more of this? It doesn’t even need to be Icarius. I just think falling-in-love with-the-enemy-but-the-enemy-is-a-shithead-about-it is an extremely funny dynamic.
There is also nothing funnier than Icarius thinking he’s met a nice, normal guy only to realize mid-act that he Messed Up
Also I hope this contexts helps fill-in the blanks for some of Icarius’s actions in the present day, which is no doubt a lot of “oh crap, it’s that guy I screwed that one time” and “how dare you forget about the one time we screwed!”
Post-Icarius Timeskip
I really needed to spend a few days at least on that last bit about Link’s realization. It’s so pivotal for his character, and I really just shoved it in at the end there. I’m going to have to add a lot of flowery prose to the beginning of next chapter to make up for it. 
That being said, it’s important to me that there really isn’t a specific trigger for him realizing what he’s done. He just finally feels comfortable and safe enough for his brain to start processing everything he did. 
It was very important to me that Link decided to stop dwelling in his past by putting a bowl into his cabinet, only for that bowl to break when he realizes what he’s done. Symbolism and stuff. 
[Present Day]
Ganondorf’s Arrival & Townhouse
I’m really happy that so many of you were excited for Ganondorf’s arrival last chapter. That scene was so cheesy that I was worried it would dampen the excitement of actually getting to see him. 
Originally, Ganondorf and Lincoln were going to have their argument in a bedroom, but I moved it to the foyer for convenience sake. But in my mind, I never moved Lincoln’s starting place from hiding in Ganondorf’s room, hence why he started the scene at the top of the stairs and not a more logical spot (in the hallway).
The reason it was going to be in the bedroom was because I thought Lincoln had snuck past Ganondorf’s guards and housestaff. But they all know about Lincoln, so it made more sense for Lincoln to subtly enter through the back entrance. It’s a whole thing. 
I think my favorite part of the Chain already being at Ganondorf’s house is that there’s an implied subplot that happened off-screen where they plus Lincoln had to go hunting for where they thought Ganondorf was staying. 
When Spirit pretends to not know who Ganondorf is, there was going to be a joke where the boys are trying to explain everything and he’s like “oh, so we’re all being racist here.” I ended up cutting it because, well, they were being racist.
Speaking of which, the whole thing with the maid calling Warriors “my lady” is that Warriors was going to try to gently correct her (because he thinks she’s stupid), only to find out that she was just being passive aggressive
Some may remember that one of the hardest cuts I made to CTB was a reporter OC. You can definitely tell that I am massively regretting that cut right now. Imagine how could it would have been for Warriors to pressure this antagonist journalist who’s been reporting all his fuck-ups into helping him fix everything. That sub plot would have been so good. 
I was going to have a few of the other heroes confront Warriors as to why he credited Zelda, reaching a similar conclusion that his narration provided. Ended up cutting it for space. 
A lot of the black blood stuff that I came up with for this chapter really doesn’t hit with LU, but at this point, I really don’t care. 
There’s something about how Spirit viewing monsters and humans the same resulting in him very easily killing people while also being the only one who would realize that black blooded monsters could have always been cured, had anyone thought about it before. I just enjoy the way this man thinks.
Also, Spirit really enjoying spicy food is such a stupid character quirk, and I am almost ashamed of how much effort I went to develop it. Originally, I wanted Wild to get so fed up with Spirit being unimpressed with his cooking that he would demand Spirit to cook one night, only to discover that he actually can’t cook and just overcompensates with a shit-ton of hot sauce. 
Ganondorf’s speech about how to win a war is partly the result of me spending months ruminating about how the Triforce could be used to end a war ethically, and partly an exploration of how Ganondorf thinks 
I wanted to do one last scene of everyone leaving, where Wind would confront Time about being an asshole to Ganondorf. I cut it for space, then convinced myself that I would have time to add it back in, only to then cut it for time. My apologies to the Wind fans who have gotten nothing as of late. 
Hospital & Family Dinner 
I said before that I wasn’t initially going to rescue Toto until the end, which means that I had no plan for how Toto would feel until now. I realized that Toto was just... done. He wanted no part in Warriors’s life any longer. Unlike Kat, who got a lovely send off, I think this will be the last we see of Toto: an unfinished, unresolved mess of emotions.
When I was first describing Lincoln’s casual fit, I remember thinking to myself that I was just describing a semi-retired aged rockstar. The image has not left my brain, and if I was willing to throw a few more anachronisms into the story, I would have 100% described Lincoln like that. 
Fun fact: Orlanda’s family was going to come back in the form of her sibling being a prominent member of the rebellion. I didn’t do it because it was getting ridiculous how many relevant people were related to each other. 
When I was first coming up with Linkle’s character, I had the idea that she had that shallow form of feminism where it’s a big win for women everywhere when, say, generic action heroine wears pants. So I had it in my mind that Linkle hates dresses on principle. So during the fever dream sequence, when Warriors dreamt that Linkle was fawning over a dress, it was to show that he didn’t really know her that well.
But I never really established this idea that well and no one knew this about Linkle, so into a dress she goes.
I told myself that I was going to scour the entire story to double check if I had ever described Lincoln laughing anywhere, but never got around to it. But the nice thing about unreliable narrators is that if I get something wrong, I can just blame Warriors (that is not really how unreliable narrators work)
I have a friend who “tee-hees” while she laughs, and it’s the cutest thing ever. I just think it would be fun if Lincoln also has an adorable little kitten laugh. 
I had to look up how they build roads on dunes for this chapter. 
I did write the full Lincoln and Ganondorf backstory in a post way back when, if anyone wants to review it. It would be nice to get to get all the small details into the main story, but it’s really not pertinent to any of the main action
I definitely talked about Niko before, but I can’t find the posts. To refresh: Niko is Spirit’s uncle, in that he’s a member of the Macaryll family but no one can remember who he’s actually related to. Spirit’s parents are dead, and he lived with a different uncle and aunt until his apprenticeship. Then he moved in with Niko since he lived near Alfonzo. 
Warriors hating chocolate is a character quirk that’s not necessary to the story, but I just think is too funny to not go out of my way to include
The idea of Linkle and Lincoln dancing came from a completely different scene idea. I played around with doing a similar set-up while the Chain is on the road to the Zora’s Domain. The scene would start with Sky showing Lana how to do a Skyloftian dance, which would lead to everyone else showing off their moves. When Warriors admits that he doesn’t think he could dance anymore, Spirit would teach him a New Hyrulean dance that required only one hand. 
That led to an idea of Warriors dancing with Linkle and Lincoln, then just Linkle and Lincoln dancing themselves.
The night was going to end with Warriors forgetting his scarf and, when he went back to get it, he would overhear Lincoln venting to Ganondorf about how the whole stepping up as the parent thing is going. This got cut because it’s more fascinating when you’re forced to infer that a character is thinking. 
The Walk Back & Out Dancing
This scene of Warriors and Spirit walking back together and opening up is my real pride and joy this chapter, which unfortunately got massively overshadowed by everything else. 
So I will now take time to gush.
Spirit’s photography... so I wanted to give this man a hobby because the man cannot just like trains. I know everyone headcanons it as his hyperfixation, but it’s also his job. He needs a richer life than just that one thing. Granted, I took the route of making him start as a trainspotter like the Spirit Tracks NPC Ferrus. 
I just feel like I am so correct about Spirit liking photography. I want this to be my cultural impact. I know I said that already about Icarius, but I mean this more. Go forth and give that man a camera. 
The official document Spirit was carrying around was his engineering license.  
Also, I was 100% ready for everyone to flood me with questions about Spirit’s ex-boyfriend. After the ickywars ordeal, I figured that there was a significant chance y’all wouldn’t be normal about him. I was prepared. And you know what? I’ve heard zilch. So, let me info dump about this man now.
Spirit’s ex-boyfriend is named Jean. He is on the cusp of 30 (compared to Spirit’s 23/24). He’s a mechanic, which is a few steps below Royal Engineer. He lost his leg in a work accident when a piece of machinery fell on him. They met through work. Spirit goes through phases of being a serial dater before swearing off dating for a few months, but Jean is the first person to make it past an awkward first date and hit relationship status. Spirit thought that because he was older, he would be more understanding. 
And Jean tried. He really did. But Spirit is massive defensive and always on the offensive, so every slight disagreement turned into an explosive argument. Jean decided that he could not deal with someone who could not have a rational conversation with him, so he dumped him after 6 months. This was fairly recent, about three months before Spirit returned to Warriors’s era. 
Spirit was going to name drop Jean in his speech later, but I couldn’t figure out a way to make it clear who Jean was without it sounding awkward. 
I really like Spirit and Warriors’s conversation about Icarius, if only because it shows where their communication fails. When Warriors insists that you have a duty to disobey bad orders, he is criticizing himself for falling into the military mindset. This sounds like a criticism to Spirit, who insists that people will do anything under orders because that is what he did. 
After Warriors has spent nearly every chapter since his amputation bemoaning his disability, I really wanted there to be a moment where he realizes that just because his ability level is different, he doesn’t have to give up doing everything he loves. That’s just an important lesson for him to learn, even if it is a little inspiration-porn-y.
The Hot Mess
You might realize that there is a massive elephant in the room I am not going to discuss here. That is because this post is going into the main tag. No one has complained to me yet, but let’s not tempt anyone right now. Just like the Neck Thing, I’ll make a separate post later for anyone who wants it. Just remind me in a few days.
With that being said--
Them sharing a cigarette was another scene that was originally conceived as taking place during the trip to the Zora’s Domain. Spirit’s anecdote about failing to make friends would have served as an early hint about his loneliness and inability to make friends. 
I also have never smoked a cigarette before, so I had to sit there on wikiHow reading up on  how to smoke one without coughing. 
The half in Spirit’s four and a half attempts at quitting is this time he decided to quit, only to relapse after three hours. It was too short to count as a full attempt.
Spirit’s speech hopefully reveals what exactly is Spirit’s problem, both how he sees it and how it really is. Unlike Warriors, he never found support and healing once the war ending. No one understood his experiences, and his coping mechanism of lashing out ward away anyone who could help him. Spirit just wants to feel better, but he doesn’t know how. 
Like... his whole thing about starting his own garage-- he’s a child prodigy who is used to be good at the things he does. He ended up tarnishing his own reputation, so he threw himself back into work because working on trains and fulfilling his dream is supposed to make him happy. He’s successful, but he’s not satisfied.
I was also expecting people to have a ton of questions about why Alfonzo disowned Spirit. In short, Spirit was already on a thin line with his lashing out and shitty attitude. Alfonzo was willing to let that slide until he realized Spirit was breaking work regulations to go on more runs without taking the legally required amount of time to rest inbetween. Spirit was a legal liability. He fired Spirit, but made it very clear that he was doing him a favor by not reporting him and getting his Royal Engineering license suspended. 
No one else in New Hyrule knows the real reason why Spirit was fired, so they all assumed it was his personality. So he has a bit of a reputation now for being hard to work with. 
Another thing that was not 100% conveyed in Spirit’s speech was that even if he didn’t hurt Zelda, he could not be with her because he does not want to be Prince Consort. His experiences in Warriors’s Hyrule thoroughly scared him off from politics, though he would have refused anyway since he would never give up being an engineer. 
 Fundamentally, Spirit is an extremely lonely person who has felt abandoned by everyone in his life. He knows that his life is the way it is now because of his experiences with Warriors. His guiding principle is trying to find some way to fix himself so that he can get the life he was supposed to have, one where he is happy and loved. 
I just... god, I love this character.
And then there’s Warriors, who feels like he not capable of change and that any opportunity he has to change has been denied to him. Fixing Spirit and Time’s relationship was supposed to be a part of his redemption. Making Spirit happy was supposed to mean he’s forgiven. He has no friends, not in the Chain or in Toto. No one needs him.
Warriors also just means so much to me. I adore this disaster of a human being. 
Warriors’s Plan Out
Does Warriors’s plan make sense? I am assuming it does since no one expressed confusion, but nearly every comment thus far has exclusively been about the Hot Mess (understandable). 
There was a reason I was peeved I had to cut every chance in earlier in the story to go back to Castle Town, and it’s because I’ve known that it was going to be an extremely important location. 
Warriors choosing to forgo a glorious revolution in favor of maintaining (if not manipulating) the status quo is not a great philosophy for our protagonist to be spouting in 2024. In my defense: a) I came up with this story in 2021, which was a different real world landscape, and b) Warriors would never become this ideal hero.
It feels more true for Warriors to not really become the idealized hero. His best is not that great. But if he can’t help being the worst, he could at least use his methods for good. 
I have mentioned before that I have low empathy. Lincoln’s speech about people naturally being better or worst at being good is a product of a lot of my musing about how I sometimes feel frustrated and resentful at how hard I find it to follow the social cues that would make me a “better person.” Wouldn’t I be a better person if I had an easier time recognize when someone is in trouble and needs my help. Instead, I have to depend on myself to remember the cues, and I am so prone to mistakes.
I want to be a kind person. I want to be the best person anyone has ever met, but it’s an uphill battle. I feel like I am always working against myself. But it’s still important that I make the choice every day to be kind to others. 
Besides, I have been told that I am more kind and helpful than other people, if only because I don’t rely on my feelings when deciding to reach out to others. So it has its perks. 
I’m not saying Warriors has low empathy. I have expressly written him as someone with empathy. But my philosophy that kindness and caring for others is an active choice just felt like it belongs here. 
There is story-canon low empathy character that I wanted to reveal in story to help Warriors beat the accusations and get people to not armchair diagnose him. I am still holding out hope I will have time and space to explore this in story, but if I don’t--
Four is written to have low empathy. It’s a consequence of the Four Sword splitting up his emotions, making it extremely difficult to tap into more than one emotion at a time, much less his empathy towards others. He can feel how this change in himself and has some thoughts on the whole thing. 
Is that the end of the chapter. Fuck yeah. I’ve been working on this since Monday, If you read all this... congrats! I hope it was worth it.
Also, I forgot to mention that this is the end of Act 5. My act system is a scam and not that important, but I figured I should let you all know.  
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tfp-enthusiast · 11 months
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Tiny!Transformers
Starscream
[Thank you! Sorry if it's a little late.]
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You where brought to the Nemesis in the middle of the day, Soundwave made an excuse for you at school/work, and you had no clue why
It didn't help that Knockout was laughing the whole drive
"Knockout, what happened?"
Over the com you could hear Breakdown chuckling a bit before answering for KO
"Don't worry, it's nothing big"
Knockout and Breakdown where laughing their asses off from that sentence
Let's say that when you saw what exactly the problem was you had to bite back some laughs
Of course it was some kind of bad pun to the situation, you guessed that but you didn't expect Starscream to be around half the size of your leg
"...Can I ask what happened to you?"
"I don't have to tell you anything!"
Of course he would say that infront of the others
You will just ask him when you're alone with him
Speaking of alone, you could see that Screamer was not only very uncomfortable but he seemed scared of the others, so you decided to ask Soundwave if you could just 'watch over' him at your home
"Don't think you can now treat me like a sparkling or some kind of pet."
You never would but the thought of putting a leash on him or put him in time out for bad behavior made you grin a little bit
But you kept that thought for yourself
For his sake
When you got home, driven by a Vehicon, you took Starscream to your room
"Hope it isn't too messy for you Screamer, I didn't expect visitors."
He thought for a moment if he should take that as some sort of bad joke but choose not too
He trusted you that far
"What do you fleshies do in moments like these? This berth seems very... wierd."
You chuckled a bit before going to your shelve, that stood next to your bed, setting Starscream down and getting out two Nintendos
"We are gonna play some games! You can choose what you want to play."
Starscream choose Super Mario at first, failed a few times and threw your Nintendo almost against the wall, but then he choose animal crossing
It was cute to see him play such a peaceful game
"By the way.. Why are you so small now?*
He let out an semi annoyed sigh before explaining that he found an relic but it seemed to off when touched, it was badly damaged, and it shrinked him
"Shockwave works on it... probably takes his sweet time with it.."
You just listened to his rantings while you both played and sometimes reassred him about what happend
You hated that the Cons where that mean to their own and while you could understand it to some degree, you didn't understand why they blamed almost everything on him
It began to get late and you got tired but didn't want this time to stop
It was very rare to see Starscream relaxed like this and you felt bad for him
But he noticed too that you where tired and even if it mostly doesn't seem like he cares but he does, in fact, care a lot
"Go to recharge now. I can't have you half asleep here."
You just nodded and smiled before getting ready for bed
Starscream laid next to you, seems like he liked the softness of your bed
After some comfortable silence he begann to talk
"Thank you for taking me with you."
You didn't know if he expected that you heard him but you answered none the less
"Of course i did. It's what friends do for each other."
You could see him smile and began to drift off to sleep
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THE NEXT MORNING
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You got woken up by someone cursing loudly
When you got up and let your eyes adjust to the light you saw Starscream fly around your room with something sticking to his vehicle mode
"Y/n help me! Whatever this is it blocks my ability to transform!"
You where confused but nodded before answering in a groggy state
"Then you have to come here, I will try my best at helping."
Upon looking closer it was a bit of flex tape
Where did he even get it from???
That would be the perfect add 'even stoops alien robots'
Whiile you where with busy not laughing at your own, bad, joke Starscream started looking trough your stuff
"What is this!?"
You watched where he was and saw he was mentioning towards your favorite book
"That's a book, we humans like to read them because they are entertaining and sometimes teach you new things."
Starscream just nodded as if he was taking in the information
Afzer a few seconds he just transformed and flew to where the Nintendos where and picked both up
He gave you one and then turned his on, they learn so fast, and smiled at you
"I want to play again."
You can't say no to that face
So you played the next hours animal crossing and even tried again to play Super Mario but seems like tthis kid of game was just not for him
Tho it was cute to see the joy in his eyes wheen new people joined
But even the best time has to stop
You got an SMS from Soundwave saying that you will be picked up in a few minutes and Starscream will be turned back to his original height
You swear you saw a sad look on his face for a moment
After Starscream was back to normal he treated you better, he did before just not infront of others
It was not all bad, just you missed bit that he seemed so carefree for a while
You still sometimes play animal crossing and he even does when you aren't there, he surprised you one time with an island themed around you and the things you like
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journalsouppe · 2 months
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I started and beat this within like 4 days in July 2023, and I just completely forgot to take photos of this spread T-T.
BUT I loved Tunic so much, one of my all time favorite games I've ever played. If this was a Zelda game, it might've been my favorite Zelda game. This was only beat out by Ace Attorney: Apollo Justice bc my aa brainrot is that bad hfjdkal.
All of the stickers come with ordering the physical version of the game on fangamer!! There's also a freebie fox sticker I got from TheLittleBirdeeCo thats below keep reading.
My writing is typed below as well as my game notes. I will not type out my game notes and I also don't recommend looking at them unless you have played the game.
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Game notes^ Plus a little blurb after rewatching a playthrough that I won't type out either since these are more just for fun.
Rating: 9.5 Played: Su 2023 Port: Nintendo Switch Favorite? Y Replayable? Y Recommend? Y
Comments
similar opening to links awakening
the start screen is gorgeous
THE POT SHARDS ARE MOVEABLE - i love the clay feel
tons of hidden paths and secrets
oooo you find the instruction booklet in the game
I KILLED MYSELF?
GIANT SKELETON SHOPKEEPER SCARED ME T-T he's chill tho
oooo you can hear the wind chimes
LOVE the mechanics of the draw bridge
what are the small tuner/bells for
i am apparently really good at finding hidden chests
i love that the fairies are stone versions of the oot/mm fairies
ENEMIES CAN FOLLOW YOU INTO NEW ROOMS?
it's hard to get acclimated since I'm so used to 2d zelda strategies and patterns
the statues of the hero perfectly encapsulate my view of oot link, i really love the design
the garden boss is hard T-T
the bell towers are so pretty
THE POTIONS REGENERATE? WISH I KNEW THAT
the west garden is so pretty omg
I FINALLY DID IT T-T-T-T-T-T-T-T-T-
IM SO TINY T^T
idrk what to do at the heros grave
the librarian fight reminds me of the links awakening nightmare fight
frogs domain music reminds me of the forest temple
A GUN?
who am i?
why is the cathedral filled with ... me?
the boss rush was fun but hard
I DONT LIKE THAT ELEVATOR WHERE DID THE CRUCIFIED THING GO
i don't think there's a set order to do "dungeons" so i'm not locked to doing only the siege engine
i thought cat man was pissing
why do i have the power to activate the boxes?
librarian's ghost?
COLOR CHANGE?
was the heir me?
Game Notes:
beautiful 3D animation and modeling - very pleasing
wide attacking range - don't just attack straight forward
incredible environmental design and path making
two endings - exploration and collection for good end
diverse attack patterns and learning curve + boss rush
Summary
What a phenomenal game. I loved playing this game so much. It was challenging and I wasn't used to the souls mechanics, but I learned fast and had so much fun fighting the bosses. I love the two endings. The Bad where you replace your former self as the heir, continuing the cruel cycle. The Good where you free the Heir and find out it's you, older, someone who is no longer stuck in the cycle, and you get to be friends together. The music is absolutely gorgeous. I listened to it while falling asleep and was just sobbing from it. I love how mysterious the lore is and how everything still hasn't been answered. I love the designs of the environments and enemies and how the game can go from nice and serene to dark and creepy. I loved how this game was a perfect blend of 2D zelda plus monument valley plus a souls game, it forced me to think outside of the box and use my journal to takes notes on all the little secrets and surprises. I can def see myself play this game again, it's such a charming game that has a lot of nostalgia despite being a fairly new game. I am so happy I bought the deluxe edition, I truly cherish this game so much and love the stickers and artbooks I received. I highly recommend this game to anyone, it is such an incredible journey to go through. I'm gonna be spending a lot of time watching and reading about the lore and digging deeper into this game. Truly what a phenomenal game with such a cute yet tragic main character, ough i love tunic.
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terminatorbuns · 1 year
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The Deep Cut Deep Dive: Overthinking the Deep Cut Dynamic in Excruciating Detail (An essay by @TerminatorBuns)
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This was originally posted on Reddit, but I want to share with Tumblr to see if Tumblr likes this format more. Also because I'm close to finishing a second essay about Deep Cut, focusing on Frye.
Deep Cut is great, I love them, and their relationship dynamic lives rent free in my head. The one thing Nintendo did for us this time is drop story mode lore for Deep Cut on Day 1, and it has fleshed out their relationship dynamic in IMMENSE detail, enough to rival what we know about Off the Hook. How much detail are we talking about, you might ask? A FUCKING LOT it turns out! We're talking about Tableturf secrets, we're talking about Frye's feet, we're talking about the implications of Big Man's breakfast on the course of his artistic development, this shit goes DEEP. I don't know who needs to hear this but Splatoon idol lore is the meatiest part of Splatoon world building and an absolutely BONKERS ride. I want to take you through that journey if you haven't been on it before, or just need more fuel for your lore headcanons.
I wish this was a bit more academic but I didn't have the time and patience to cite everything with game screenshots, so I'm assuming whoever is reading this has already played the story mode and has a rough idea of what I'm talking about. Spoilers obviously. At the very least I hope this will be an entertaining rant, feel free to yell at me in comments about stuff I got wrong, I welcome the discourse.
1. A Bunch of Theatre Nerds
Deep Cut primarily differs from Off the Hook in one way: they do not specialize in music, but in THEATRE. Each of the two humanoid idols are designed from the ground up to represent two different forms of traditional Japanese theatre, and it ties deeply into their dual roles in the game. The important takeaway is that each idol excels in one art, but struggles at the other, and we will explore what this means. Let's talk about Shiver and Frye; Big Man is a special case, we'll have to put a pin in him and come back to that.
2. Shiver is Rakugo
Shiver is a performer of Rakugo, or Japanese seated story telling. Deep Cut's day job as newscasters is represented as a Rakugo performance, and Shiver brings a fan and a little table to the job, both common props in Rakugo. Shiver exhibits all the qualities of a strong Rakugo artist, she sits in a Seiza kneeling position with excellent posture, and delivers the news with wit and poise. She has excellent, sharp facial expressions that she directs straight at the audience, she uses her fan to gesture in ways to attract attention, and she punctuates her delivery by tapping her fan against her table to create little sound cues for a listener. Her approach to drawing an audience to her words is multilayered and complex, and her vocal skills as a storyteller seems to parallel her strong vocals when singing (not that you can tell how good her diction is since she speaks in warbly Squid-Gibberish).
Frye is much less skilled by contrast, for a number of reasons. She doesn't even attempt to sit in a Seiza stance, and in fact can barely sit still without attempting to wiggle off her cushion. From a general speaking perspective, Frye fails to establish eye contact with the audience because she's always staring at the other two performers, whoever is speaking at the time. She also lacks all of Shiver's propwork and has no intentionality in her gestures. She compensates for her weak delivery with goofy, high energy antics that are charming in her own way, and this is what earned Frye a reputation as a fidgety gremlin baby compared to the cool, sophisticated Shiver. Before launch that was everyone's impression of Frye, but the arrival of story mode dropped a massive bomb on us that flips the dynamic COMPLETELY UPSIDE DOWN. Feet are involved, let's discuss.
3. Frye is Kabuki
Story mode showed us Deep Cut as a hilarious team rocket like villain team, but the bigger takeaway is that we finally see Frye in her preferred art form: Kabuki stage performance. Frye's entire villain persona is a stage act, she thrives as a stage villain and has the charisma and skills to back it up. I should note that Frye doesn't practice pure Kabuki with all of its strict discipline, but Frye isn't full, or even partially Japanese herself, since she's very much South East Asian in design. She has her own, maybe(?) SEA inspired take on stage performance, but some of her stances in the later sections of story mode are unmistakably Kabuki, it's clear where she draws inspiration for her style from.
Villain Frye is amazing, she's confident and charismatic, and genuinely menacing in demeanor before her fight. She has a professional code of conduct as a villain: she states her intentions clearly, paying respect to the player before her boss fight and offering to negotiate before fighting. She's the only one who correctly uses her smoke bomb correctly to make a dramatic exit, and she names all of her meticulously choreographed attack patterns like a proper anime villain.
Conversely, story mode is where we finally see Shiver struggle. Her villain performance is fun, yet inconsistent: she's unnecessarily melodramatic and overacts every scene, and she throws petty insults at you before breaking character to just try to run you over with a shark-bike. She fumbles her smoke bomb and becomes increasingly frustrated everytime you knock her down, unlike Frye who doesn't break character and recovers immediately after she is downed. Shiver still makes a fun, campy comedy relief villain, but she visibly loses the confidence and dignity she had as a Rakugo performer, highlighting how much she is out of her element. In Shiver's defense, she does manage to pull off that absurd sleight of hand in her intro where she switches her mask for her fan while delivering the spiciest piercing gaze, while Frye just chucks her mask off screen instead. Once again Shiver's dexterity in her face and her hands are her strongest tools.
4. Frye's feet
I feel like an absolute lunatic writing this section, but I assure you there is genuinely a need to discuss this topic in length. Forget Frye's forehead for a second, her FEET are easily her most important assets. Frye uniquely emotes with her feet more than any other idol the same way Shiver emotes with her hands, except Shiver's hands don't have enough lore significance to fill a whole section. Frye's feet DO. I would go so far as to say Frye's feet are one of the most SIGNIFICANT visual tools we have for contextualizing the difference between Frye and Shiver's entire professional art forms. Strap in.
For starters, Frye's footwork is MONSTROUSLY powerful. Take a look at her during her boss fight, she's playing an instrument, and hopping up and down on an Octostomp like it's a goddamn circus ball. It doesn't take a single eel hit to knock her off balance, you have to send her ENTIRE eel army at her before you can knock her down! I think the eels inside her Octostomp are moving it, so in theory she's not piloting it with pure foot power, but also she kicks it onto its side before she starts blowing into her flute?!! I have no idea, I can barely comprehend what is happening here.
At the same time, her feet fully solidifies her ties to Kabuki. Kabuki is an art form done without shoes, and since she performs her villain persona outdoors, she doesn't wear shoes anywhere. Kabuki is also a full body art form which requires precision footwork, and she has that in spades. This is in stark contrast to Shiver, whose seated Rakugo performance has no footwork whatsoever. Shiver's footwork is comparatively weak as a result.
Don't get me wrong, Shiver has enough footwork to dance in blocky Geisha shoes (I've been told they are Okobo shoes), but it's in a stage performance capacity where Shiver's footwork completely falls apart. Shiver doesn't know how to express body language through footwork, so she DOESN'T. Shiver stands completely in place during her villain performance and tries to compensate with her upper body expressions, but this lets Frye completely dominate her in stage presence. In most scenes with both idols, Frye physically takes up more of the screen through footwork: she positions herself one or more steps TOWARDS the audience and literally looks BIGGER as a result. Frye's full body poses are also wide and faces the audience/camera at an angle that maximizes her surface area to attract visual interest, which is a core Kabuki concept that, again, requires intentional footwork and positioning. Shiver poses with her feet together and her body turned to the side, so her screen presence is minimal every single time. In fact, she uses her feet so little in her villain performance that she's the one member of Deep Cut that fights on a vehicle and has no mobility of her own!
At the same time, Frye's feet are double edged swords and her greatest weaknesses. Take a look at Frye while she is newscasting, what is she doing in her default pose? Yeah that's right, HOLDING HER FEET. Her Kabuki background is so used to full body acting that she's restless sitting still, and she's holding down her feet because they literally want to EXIT THE PREMISES. Every once in a while she fails to contain herself and kicks off in every direction, threatening to kick a hole in Big Man's TV and boot Shiver's table off the stage. Frye's feet are a MENACE.
5. Big Man and Amateurism
Remember at the beginning we put a pin in Big Man? His arms are getting tired so we're letting him down from the wall now.
So how does Big Man fit into this dynamic? Nintendo confirmed that he is their composer, so he provides a music background to the team whereas the other two are theatre nerds. Big Man is unique in that his talents are largely background work, unlike our other two idols who specialize in stage work. However, that makes him a bit of an outlier in terms of theatrical performance. He follows Shiver and Frye around to both their performances but doesn't have much proficiency in either one. As a newscaster he stumbles over his words often, and his villain persona is just his regular persona but slightly angrier. He doesn't really dance and sing particularly well either, there's a sequence in the Anarchy Rainbow choreography where Big Man nearly smacks the other two idols out of clumsiness. Big Man is an odd duck in the Deep Cut trio, and yet, this is a central aspect of his design and his appeal, it's kind of the point.
The central theme of the Deep Cut dynamic is Amateurism, and this ties into Splatoon 3's core theme of Chaos. Each humanoid idol is a master at a specific performance art, and an amateur at the other art form, but the important part is that they show up anyways to clown around, and that in and of itself adds a distinct flavor to the performance despite their individual weaknesses. The chaos of Splatoon 3 is the contrast between a professional artist on a stage next to two absolute goobers, and the chaotic, yet dynamic performance that results from three artists of different skill levels colliding. In that sense, Big Man is the true amateur who shows up to everything in an effort to contribute, and his bumbling inexperience is extremely lovable. This is in direct contrast to the Off the Hook dynamic, as both members of Off the Hook are musically talented and completely aligned in their artistic interests, while the members of Deep Cut have differing interests but will always show up for each other, like absolute BROS.
The Big Man discussion does not end here, however. Big Man's sunken scroll depicts him as a member of the prestigious Manta Clan, with the fanciest dining set while the text describes the Manta Clan's meticulous breakfast habits. Shiver and Frye's sunken scrolls, in contrast, describe the ancient artistic history that both of them descend from. Jumping into story theories at this point, I would personally guess that Big Man comes from a different economic background than the other two. Splatsville appears to have the aesthetics of a rural city after a rapid expansion, many of the buildings are cluttered and old looking in contrast to some infrastructure that looks very new. If we assume that Shiver and Frye's families have lived in this area for quite some time, it would be quite likely that they were poor or middle class, partially explaining their concern for the underprivileged citizens of Splatsville. Big Man on the other hand looks like he comes from the richest, snobbiest kind of high society family. He's a fancy fancy boy.
The more important takeaway is this: Big Man seems to come from a family background that prioritizes formality and rules over personal expression. From this we can make an educated guess that Big Man started his theatrical journey LATER IN LIFE. Shiver and Frye could easily have been practicing stage performance from early childhood through their family history, but Big Man's family traditions doesn't lend itself well to open self expression, and whatever artistic ability he might have gained through his family does not translate well to the stage! Big Man's exposure to theatre would have happened outside of his family, possibly after he gained some amount of independence from them. I'd hazard a guess that his friendship with Frye and Shiver might even be the starting point of his stage career!
Shiver and Frye are letting Big Man, maybe even encouraging him, to perform with them on stage despite him being a relative newcomer to theatre. There's relatively little judgement, they too understand that all artists have been amateurs at some point in their journey, and continue to be amateurs at other art forms even after mastering their own. My boy is doing his absolute best to perform alongside his theatrical seniors and it's so precious. This dynamic is wholesome beyond my wildest expectations, I am HEALED.
6. Tableturf and Artistic Priorities
I added this section last because I only discovered this information after I had completed my original draft, and Nintendo is actively fucking with me at this point. Each of the three idols have personality traits that come through in their TABLETURF dialogue, of all places, and it's kind of the final piece that makes the Deep Cut dynamic click for me. Through their tableturf dialogue we learn a lot about each member's priorities as an artist, enough for us to explore in detail.
Shiver is an audience focused artist. Her focus in tableturf is centered on you, the opponent, and she makes it a matter of personal pride to compete against you and she takes her victories and losses very personally. No matter the outcome she requests a rematch, because her priority is the opponent's experience, as she seeks the approval of her audience. Her eye contact and graceful mannerisms are as sharp as ever up close as she is on stage. This plays well with the second aspect of her artistry, which is the fact that she has a Geisha aesthetic in addition to her Rakugo specialty. Hospitality and direct conversational interactions are a part of both jobs, even if she secretly has a bit of an ego and barely resists gloating if she wins.
Big man is a self-focused artist. He comes off as awkward and shy in a tableturf match, and we get to see a little bit of the bubbling insecurity behind Big Man's jolly smile. Big man's lack of stage performance abilities translates into his social interactions as well, and he uses self deprecation to downplay his abilities and expects to lose, being pleasantly surprised if he wins. What Big Man is primarily looking for is a kind of self-acceptance, as an amateur artist he wants to hone his abilities to a point that he can be confident in himself, and he shows the same anxiety in his social interactions and tableturf games. No matter if he wins or loses, his primary focus is on his own performance, and he mostly comments on whether or not he has met his own expectations. Every small victory seems to do great things for his self esteem and you just want this boy to be happy, let him win at card games.
Frye's tableturf mannerisms is the most interesting, as it turns out, and is actually the reason I even wrote this section (my Frye bias strikes again). The most important detail is that she fails to make eye contact with the player, AGAIN, just like when she's newscasting! At face value this is VERY strange: in the news room she is clearly staring at whoever's talking, but in a direct conversation with you, why does she still not look at you? I've also seen people complaining that she's one of the only players that insults the player after a win and makes no attempt to console the player, and that is completely true. What isn't very obvious is the additional layer of meaning in the same win dialogue that really clarifies her priorities in the moment, and this is a CRUCIAL piece of Frye's characterization. When she wins her first instinct is to tell SHIVER and BIG MAN about her victory.
Remember that Kabuki is a stage performance with multiple artists in multiple roles. Rakugo can be performed solo, and Big Man seems to compose solo as well, but Frye's Kabuki actively requires the participation of other artists, it is a collaborative performancr. This brings us to the realization that Frye is a uniquely TEAM focused artist amongst Deep Cut: her top priority is her bandmates, at all times! Frye NEEDS Deep Cut, her personal style of theatre doesn't even work without friends, and she's fixated on maintaining her friend group as a result. Frye is able to focus on an audience when she is actively doing her job as a Kabuki artist, but any other time she starts spacing out because she simply spends all her energy thinking about ways to impress her bandmates! She comes off as dismissive to the player, because her mind is literally wandering to her band friends, even when they are not around! Deep Cut means the world to Frye in a way that isn't as meaningful for her friends, and she's made herself into the glue that holds this friend group together; Frye is very much the heart of the Deep Cut trio. Frye's dedication to her friends is the actual CUTEST detail in this entire game, I CANNOT believe they hid this information in tableturf. Why is Nintendo like this?!!
7. Conclusion
Splatoon's world building is extremely art centric, and the lore they write for their fictional artists is some of their best, most detailed work. Looking at Splatoon lore through an artistic lens is extremely rewarding because there are secrets and details everywhere. I've obsessed over Off the Hook's similarly complicated character dynamic in the past, and Deep Cut is really making me relive those memories like that dude from Ratatouille, it's hitting me HARD.
In some ways even this write up is only a surface reading, I'm no expert on traditional Japanese theatre or SEA culture and I have no idea how many details can be uncovered by an actual expert. I also have no music background and the Splatoon team hides fricking lore in the fricking OST and I cannot begin to unpack any of that. I fully expect that there's more details I've missed or have gotten wrong, but I hope I've at least established how deep this rabbit hole goes, and how much fun it is to dig through Splatoon lore instead of getting enough sleep.
Anyways the next time someone asks me why Frye is best girl I'm gonna have 3000 words of documentation to show them.
8. Miscellaneous notes
- What is going on with Shiver's shoes, they don't have straps, how do they stay on? Are they glued to her socks? Does she have to take the sock part off to remove the shoe? She has to take her shoes off to perform on a tatami mat, but we can't see what's going on back there feet wise since she has a Rakugo table in front. Is her lower body even rendered back there? I draw fan art, I need to know this stuff.
- Shiver likes to take jabs at Big Man sometimes that he struggles to respond to, being a less experienced conversationalist and just socially awkward in general. It's not necessarily malicious, however, Shiver could just be giving him opportunities to practice his conversation skills and keep him in the discussion. Plus he's very cute when flustered, I dunno that Shiver can resist prodding him.
- Big man is differently abled in a very literal sense. He has no hands or feet with which to emote, he's trying his best to express himself with his flappy fins. He barely has functional vocal cords, just going AY and making warbling fish noises all the time. Big Man's body isn't great at singing or dancing, but it is very good at things that Manta Rays are traditionally good at. He mentions being able to filter feed, and his mobility is remarkably good in swim form. Big Man is also a pretty dangerous predator unless you have the sensor upgrade.
- Shiver's family situation is kind of a mystery, how do they have a tradition of Shark taming if Octarian society is a militaristic dictatorship run by DJ Octavio? I suspect that Shiver was never a part of his army and there are Octarians living outside of his rule. She's definitely a Splatlands native, members of Octavio's Octo Canyon army should have been able to identify Callie and Marie easily.
- Shiver's aesthetic shifts to a violent Bōsōzoku biker gang aesthetic when she boards Master Mega, since he's outfitted with motorcycle parts and wears those bad boy sunglasses. It's a sharp contrast to her polite Geisha presentation, and so is her entire villain persona. This is what I mean when I say Shiver's performance style is inconsistent, but Shiver's two-faced presentation is also super fun to watch and kind of her entire appeal. There's an aggressive pettiness underneath the polite outward presentation and the gap between her two personalities is peak comedy. - I only just recently realized that she's a Geisha with a shaved punk cut and that's amazing: https://www.reddit.com/r/splatoon/comments/xk5mtx/did_yall_notice_shivers_head_is_supposed_to_be/
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ghostussy · 10 months
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*slides you 30 crispy dabloons*
How about copia comforting ftm reader? Platonic, almost (mainly) fatherly?
Idk, I’m crazy- GOODNIGHT 👍🦅✨
One in the Same
Copia x FTM reader
Ao3
. . .
"Bambino... what is the matter?"
You freeze. You hadn't heard Copia enter your bedroom. He hadn't knocked. Or perhaps he had, and you just hadn't heard him? You supposed it didn't matter now, anyway; he was here, and you had to address him.
"Papa, I-"
"You may call me Copia, child. It is alright."
"Copia. R-right." You take in a shaky breath and look down, avoiding eye contact. "I am just... not feeling so well tonight. I am sorry if I have disturbed you."
You flinch when you hear his footsteps approach, and then the bed dips next to you. "Nonsense, child. You could not disturb me even if you tried. Please, tell me what ails you. Perhaps I can help." His voice is soft, gentle- like that of a father comforting his child. "I can tell that you have been crying."
"Don't worry about it. I'm fine."
When you look up, he's staring at you. You panic. "O-okay, maybe I have been crying. But that doesn't mean-"
"Stella..." His voice his soft. "It is okay. You don't have to tell me what happened. But please- perhaps there is something I can do to help? Tell me what you need." His hands reach out to envelop your own. They're soft, steady- warm. "I am here for you."
You sigh heavily. "Papa- Copia- I just... I feel wrong. I don't know how to explain it... but I've just been so goddamn dysphoric-"
Copia smiles softly. "Ah, si. I understand." He traces gentle shapes onto the back of your hands with his thumbs. "You see- you and I are the same."
"The same?"
"Si." He pulls his hands away, lifting up his t-shirt above his chest.
A few inches below his nipples sit two top surgery scars, light pink in color. "The same," he whispers.
He drops his t-shirt and pulls you into a tight hug, cradling you gently against his chest. "It will be okay," he whispers, pressing a gentle kiss against your ear. "You and I- we will get through this together, okay?"
"Okay," you murmur against his chest.
"Now, I want you to listen to me.
You are so special. You are loved. You are important and you are valued. You do not deserve the hardships that have been brought against you, but you persevered regardless. You are stronger than you think, caro. I know you do not think so, but I know otherwise. And until you believe the same, I will believe in you for the both of us."
He kisses your forehead. "I love you, piccolo mio."
"I love you too," you manage through tears.
A long time passes, and the two of you stay like that. Copia continues to hold you until he feels you relaxing further against him.
"Sweetheart, why don't we do something else for a little while. Would you like to play the Nintendo with me?"
"Yes, I would like that very much."
. . .
"Tesoro, you are terrible at this game," Copia laughs, watching you crash your character's car into the wall of the race track. He pauses when you don't respond, and your character remains stuck. "Tesoro...?" When he looks down, he chuckles.
You're pressed against his side, the controller hanging loosely in your hands. Your eyes are half-lidded, and you're completely relaxed against him.
"Ah, that explains it," Copia whispers softly, pulling the controller from your grasp with a soft coo. You don't protest, instead just yawning sleepily and curling your arms around his waist now that they're free. With your face pressed securely against his side, you breathe in his scent. It's comforting; he smells like men's shampoo, cheap cologne, and oddly enough; rat treats.
He chuckles softly as you snuggle close, noticing when your breathing turns soft and even. He pulls you closer before continuing to play his game, making sure to press soft kisses to your hair and whisper sweet nothings in your ear in-between rounds.
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