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#descriptive adjectives list
susanhorak · 4 months
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#spoken_english #تعلم #learn_english #تعلم_الانجليزية كيف اتعلم انجليزي - الصفات فى اللغة الانجليزية - الصفات بالانجليزي وضدها الصفات فى اللغة الانجليزية هى قسم مهم جدا من أقسام الكلام فى اللغة الإنجليزية حيث أن استخدام الصفات بالانجليزي وضدها يأتى فى المرتبة الثانية بعد الفعل من ناحية الإستخدام. و لهذا اخترت لكم أهم الصفات فى اللغة الانجليزية على الإطلاق و المطلوب منك عزيزى المتعلم أن تحفظ هذه الصفات عن ظهم قلب نطقا وكتابة و كذلك أن تتعرف على الصفات بالانجليزي وضدها
لو عجبك الفيديو اعمل مشاركة من اللينك ده كيف اتعلم انجليزي - الصفات فى اللغة الانجليزية - الصفات بالانجليزي وضدها https://youtu.be/x7gfkydHh4k
ليصلك كل جديد اشترك بالقناه http://bit.ly/2HQGd4q
يمكنك الاستفادة من الدروس التالية كيف اتعلم انجليزي - الصفات فى اللغة الانجليزية - الصفات بالانجليزي وضدها https://youtu.be/x7gfkydHh4k
تدريب اللغة الانجليزية - تعلم اللغة الانجليزية بطلاقة للمبتدئين - تحدث الانجليزية بطلاقة https://youtu.be/-YKWz6Rm1aQ
كيف اتعلم انجليزي - اخبار الطقس - درجة الحرارة غدا https://youtu.be/VZA5JLMgiZg
تعليم انجليزي - المشاعر باللغة الانجليزية - كيفية التعبير عن المشاعر https://youtu.be/W0G2ZJ1vyi4
دورات اللغة الانجليزية - تعبير عن الاسرة - الاهل https://youtu.be/A0spa90P5Tc
دورات اللغة الانجليزية - المشاعر باللغة الانجليزية - كيف تكتب احساس بالانجليزي https://youtu.be/zEjxoSPSo9k #مواقع_تعليم_انجليزي #برامج_تعليم_انجليزي #تعلم_اللغة_الانجليزية #تعلم #spoken_english #english_speaking_course_online #spoken_english_in_telugu #نهي_طلبة , Noha Tolba
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2soulscollide · 1 year
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extensive list of character traits
hello hello, it's me! here's an extensive list of traits. note: if you're developing a character, check out this free workbook which has a complete character sheet :D
good character traits:
understanding
courageous
tenacious
resourceful
confident
diligent
persevering
empathetic
caring
respectful
patient
dependable
trustworthy
adaptable
charismatic
creative
innovative
encouraging
gracious
forgiving
generous
inquisitive
knowledgeable
modest
noble
optimistic
passionate
practical
principled
reliable
self-disciplined
selfless
strong-willed
thoughtful
wise
assertive
bold
decisive
dignified
disciplined
enthusiastic
faithful
friendly
humorous
imaginative
insightful
intuitive
open-minded
persuasive
practical
proactive
rational
self-confident
self-sufficient
sensible
sympathetic
tactful
team player
trusting
unassuming
visionary
well-rounded
bad character traits:
self-centered
rude
disrespectful
impulsive
greedy
arrogant
dishonest
manipulative
lazy
stubborn
moody
pessimistic
judgmental
aggressive
reckless
inconsiderate
paranoid
insecure
materialistic
irrational
vengeful
deceitful
disloyal
boastful
closed-minded
condescending
impatient
intolerant
narcissistic
obsessive
possessive
short-tempered
sneaky
suspicious
unpredictable
unreliable
wasteful
weak-willed
withdrawn
agonizing
cynical
possessive
aloof
intimidating
sadistic
bitter
passive-aggressive
evasive
procrastinating
irritable
dismissive
disrespectful
confrontational
overbearing
domineering
pompous
biased
inflexible
impetuous
misanthropic
overcritical
arrogant
hope this was useful! have a nice day <3
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pearlm00n · 1 year
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!First Post! 4 minutes to write as much adjectives as possible.
+Shimmering
+Gleaming
+Twinkling
+Majestic
+Graceful
+Delicate
+Bright
+Dazzling
+Blinding
+Alluring
+Otherworldly
+Ethereal
+Softly
+Silky
+Rough
+Vivid
+Quick
+Flashing
+Amazing
+Smoky
+Clear
+Dreamy
+Suffocating
+Gloomy
+Scary
+Suspicious
+Menacing
+Smooth
+Creaky
+Unreal
+Illusory
+Ruffled
+Darkened
+Icy
+Cold
+Hot
+Dry
+Burning
+Rippling
+Striking
+Ghostly
+Flourishing
+Burgeoning
+Nocturnal
+Nightly
+Gently
This is my first post aaahh! I plan to make posts about writing in general and maybe writing prompts sometimes. I hope this post was okay!
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mysticdragon3md3 · 2 months
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pleb-the-original · 6 months
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Bonus Day 1: All the Adjectives
(Welcome to the bonus entries! These'll last until the 11th, all based off of the alternative prompts in the writing version of cringetober. For this one I had the idea to use those people whose entire job was to go around pretending to be other people back in the Victorians times like a Carribbean princess or a feral child.) Name: Sir Dr. Montgomery MD. Esq. PhD. the III Species: Black-crowned Central American Squirrel Monkey Personality: Fibber, storyteller, eccentric, a bit annoying, crowd-pleaser Summary: Back in the old days, all you needed to be famous was a good story and the ability to commit to the bit. A perfect storm for old Montgomery to make his mark on the world. He wanders around into every city and town carrying with him a name longer than the roads he walks on and an endless amount of stories to tell. With just a nickel, he’ll tell you one of his many adventures. He never tells the same story twice, but he always keeps track to make sure they all align and make sense. He also keeps track of where he’s told a story, when he’s told a story, and the mood of the story. Each location he has visited has known him under one personality or another. In one town, he’s a joyous retired Carnie who's using his retirement to finally see all the places he couldn’t while under the tent. In another, he’s a mournful loner going around seeing the world after the loss of his wife in a tragic boating accident. A social chameleon at heart, wherever he goes he’s bound to be someone different and have a good story to tell you why.
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letters-to-lgbt-kids · 8 months
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My dear lgbt+ kids, 
Some of those adjectives in positivity posts probably do not apply to you - and your existence is still a positive thing. 
Maybe you are not funny, or perhaps you are not smart. And I’m sure you are actually not always looking beautiful and you aren’t always kind, either (because, let’s be honest, who is?). 
And you know what? That’s fine, and not just in the “You have your own highly individual positive qualities because humans are so diverse that a sweet little text post with a bunch of generic keywords can’t possibly cover everyone’s unique strengths” sense - but also in the way that its fine to just be alive. 
You are not meant to be a walking list of all those positive qualities. You aren’t a bunch of descriptive words. You are alive. 
You don’t need to fit into the labels funny or smart or creative or hot or whatever. You just need to be alive. You are the only one who can think exactly like you do. You have the unique quality of being able to experience the world like you do, to see the world through your eyes. 
Your life is worthwhile because you are living it. 
With all my love, 
Your Tumblr Dad 
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atzfilm · 7 months
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— 『 𝐖𝐎𝐍𝐃𝐄𝐑𝐖𝐀𝐋𝐋; 𝐨𝐭8 』 [2] (M)
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— 𝚠𝚘𝚗 • 𝚍𝚎𝚛 • 𝚠𝚊𝚕𝚕, adjective. having someone who serves as a pillar in your life, who offers a sturdy place to lean in times of trouble. somebody you find yourself thinking about constantly and are completely infatuated with.
❝humans were such strange creatures. wretched in their mere existence. none of the eight were ever truly interested in them until they found you. they just find. it strange that despite their status and rank, you'd rather spend time with your lover. that isn't much of a problem, though. one they can fix with ease.❞
〘ʏᴀɴᴅᴇʀᴇ, ᴍʏᴛʜ, ꜱᴍᴜᴛ, ꜰᴀᴇʀɪᴇꜱ〙(m.list)
— pairing: ot8 x reader, mxm (this chapter); wooyoung x reader, yunho x reader; 11.4k
— note: this is a yandere fic. sensitive topics such as manipulation, gaslighting, murder, and other topics involved with the genre. please heed the warnings and read this work of fiction while keeping this in mind.
CHAPTER WARNINGS: murder, manipulation, blood, torture references, dark magic, kidnapping, emotional turmoil, injuries, slight descriptions of gore
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Desire is such a futile thing. Grasping at a fleeting fit of passion that will be over in just a few breaths. Yearning for a moment ever so brief, it was like it never even began. It only continues to ponder you as you stare at the book of forgotten history, tucked between an old Jane Eyre and newly found poetry. It's an odd place, but Soobin himself is odd. He thought that it would allow someone to find a new interest – resting unlike books next to one another. You yourself didn't even know the book existed until you stumbled upon it. Your fingers glide along the pages, many dog-eared. A part of you hopes that whenever Soobin comes back he could tell you why he noted these particular pages. If he ever does, that is. The lump in your throat continues. You flip a page with hopes to distract yourself.
The multitude of Fae folk is still unknown. Ranging from the dozens to hundreds, not one researcher agrees on how many exactly exist, or if they truly exist at all. But what we all know is that it begins with disappearances.
Until a town is drained dry.
You close the book, the familiar chill creeping up again. The store is closed now and you've checked twice to make sure it's empty. There is no real reason why you feel fear. But you're not one to ignore it. You tuck the book away, locking up the front gates to the store and exiting promptly, the apartment above the store left abandoned.
It has been over a month now since Soobin has disappeared. You've been interviewed by the local sheriff's department for your involvement and your plea for innocence was believed. No one could say nor prove it was your fault that Soobin suddenly vanished. Nothing tied you to it. Even the townsfolk, as bitter as they may be that you weren't the one to leave, told the police that you were at various stores in town when he was no longer around. You could only thank them. Perhaps your reputation isn't as heinous as you once thought.
Contacting his family was your biggest fear. His parents told you that Soobin called at the time, explaining he needed time away then never called again. They aren't as worried as you, apologizing for the way he broke up with you. Neither of you understand why he just left. It's not like him. He fights tooth and nail and never just leaves. Foul play has been ruled out but you just can't wrap your head around it. The two of you loved one another. Giving up that easily… Do you even know the real Choi Soobin?
Have you ever?
"Haven't I told you not to walk home alone?"
Seonghwa appears next to you as he always does. Hands tucked in his sleek trench coat, the same friendly smile on his lips. His strange appearance is nothing new. A few times a week he seemingly conjures up on empty streets and sidewalks to walk you home. Only another check on your list of him not being human. He never threatened you nor persuaded you with anything nefarious as of yet, but his presence still brought fear. One day the visits wouldn't be so meaningless. One day he won't be as kind.
"There's no one ever around for me to be scared, Hwa," you say. "Unless you want me to be afraid of you."
"You should be mindful. Not everyone is as they seem. You should know from experience."
Whether or not his words are a purposeful jab is frivolous, but they do sting. "Feels like a warning for me to stay away from you, Seonghwa."
He doesn't stop walking, his voice is softer this time. "I didn't mean it that way. You know that."
You do. Since you've met the mysterious man all he's done is stand up for you. Irritate the locals with his snarky remarks, enough so that many began to leave you alone. Sure, the lack of customers is quite severe at this moment, it was better than having to force a smile on your lips as they mentioned how Soobin ran the store better than you ever have. There's only so many strained smiles you could muster.
But trusting Seonghwa? The creature of the night who you are ninety-five percent sure is a Faerie? An Unseelie one at that? You can only hold back your scoff. What you have found about them is helpful. One of which you haven't tested yet – whether or not they could lie. Now is a prime opportunity. You glance at the man walking next to you, before speaking. Low ball questions first, before you can gradually ask the important ones.
"Do you think I'm doing well?" You ask.
His brow raises. "Change of subject?"
"A bit, but not really. I just… it's been a lot, being on my own now. I was self-sufficient before I met him and still am, but things are different. I wanted this dream with him. I wanted to struggle with him. Sometimes I wonder if all of this is worth it. If I should even wait for him."
"You are doing well," he murmurs. "As well as a human can under these circumstances."
Your chest begins to tighten at his words. The thought of proving yourself right is gone. The sincerity of his goes in one ear and out the other. Only one word you can focus on. One sticking out in the sentence, bile gathering at the back of your throat.
Human.
No one you've met in your entire life speaks of people that way. You struggle to hold your poker face. Pretend that nothing is wrong. You take a slow breath. "Thank you."
"It's not a problem. Ah, I must go now though, my family will be wondering where I am by now," he glances at his watch, before shooting you a small smile. "I will see you soon, y/n. Have a good rest."
He turns on his heels before you can say more, disappearing into the night. You hold your bag closer to yourself, steps quickening. You have little option left. You can't leave the town no matter how much you want to – that'll mean leaving the bookstore behind. A sound minded person would forget about it and just leave but you can't. Despite how disappointed you are for Soobin leaving you alone, you can't leave the store. It's silly, but you still care about him. It'll hurt you to see the store fall apart. You just hope he'll come back soon.
Maybe then he'll be able to tell you if you're being delusional or not.
-
"She knows." Seonghwa enters his home, frustration coating his features. "I fucked it up and now she knows."
"Told you~" Wooyoung's falsetto tone rings through the corridors. "I should have gone to her instead."
The glare Seonghwa sends him is enough for Wooyoung to drop his grin, exiting the room. Jongho and Yunho are the only other two in the room, both focused on reading. They're underdressed for this time of night; Seonghwa knows that Hongjoong planned another visit to the human world for food. And it's their turn to join them, though they look too involved in their own separate readings to even change out of their sleepwear. Yunho looks up from the writings.
"On a scale from Hongjoong tripping on a rock to Mingi setting fire to a village, how bad?"
Seonghwa sighs. "I said humans in front of her."
Jongho winces, "No coming back from that. What did you do after?"
"I panicked and left. Her heart rate picked up and her perspiration began coating her forehead. I thought I would be able to last longer–"
"She is quite intelligent. It wouldn't have taken her longer than another week to put the pieces together. You just sped up the process," Yunho murmurs. "But the question still remains: How do we explain this to everyone else?"
"We don't," Jongho closes his book softly, glancing between them. "Wooyoung is very likely running around our home right now telling every living soul what happened. We'll just have to deal with the repercussions. She knows now, which means that she will avoid you Seonghwa. And will very likely be wary of any new people hovering around her. It won't be as easy this time to convince her to come here."
"We keep her here then?" Yunho suggests.
"No…" Seonghwa stops pacing, thinking. "She trusts me. At least more than the rest of us. I can convince her to come here willingly."
"Can you?"
Seonghwa frowns. He's not too sure. He's broken it at this point. Struggling to mend it back together will just take too long. You'll slip right through their fingers. So despite how much he does not want to consider this choice, it's all he has. Perhaps the incessant little voice in the back of his head is correct.
"Wooyoung may be able to. I know we've avoided his particular methods, but there's little left to be done. The rest of us aren't as friendly as him, aside from Yunho. And you often avoid humans entirely because of your attachment issues."
Yunho frowns, "Thanks for pointing that out."
"Your decision has come too late," Another voice interrupts them, their gaze moving to the door. San leans on the threshold, cross arms against his chest. "The little turnip has already left our home. It's only a matter of time that he stumbles upon her path."
Their combined groans echo around the room.
-
Wooyoung sits on the edge of the stone fence, leg swinging. He can recall Seonghwa saying that he saw you meander by this path often, but it’s been several days now and Wooyoung himself hasn’t seen you once. Perhaps it was a different path? His fingers run along the stone, humming. Moss covers the gray now, the elements turning it into a darkened, brown color. He whispers into his fingers, pressing them back to the stone. His gaze softens when he sees the color slowly coming back.
“Humans,” he murmurs, scowling. A sweet smell fills his nose. He looks up from the rock, licking his lips. You stand at the end of the path, frozen in your spot. Your hands grip the straps of your bag. Eyes widened in fear. His match yours, but instead in glee, hopping off his spot. You don’t move – even as he slides down the hill, stopping just in front of you.
His hair is long and wavy, framing his cheeks. Kind eyes that seem to be without malice. But you’re not too sure of that. Faeries have a way of concealing their true intentions without much effort. He pushes strands away from his face, tucking it behind his ear. His wear is unusual – mossy green transparent attire adorning his slim frame, barefoot, though no sign of torn skin from the rough ground. You wrinkle your nose. Dwelling on odd observations won't pull you out of this situation.
“y/n. Seonghwa never told me you were easy on the eyes. It’ll be sadder for me to dance with you now,” he frowns, gaze flicking over your face. Dance?
He leans forward. “Your aura is bright. You remind me of a sunset.”
You try and pretend the familiar name does not phase you. It's difficult – you've suspected endlessly that Seonghwa is a faerie and his words are merely confirmation. So maybe this is a friend of his, or family? Either way it doesn't matter to you. Sticking around is the last thing you want.
“I have to be somewhere,” you say through tight lips. He shrugs, taking another step toward you. Panic settles in your chest. No one is around, no one would stop him even if they were. You're all alone in this. “Sir, pardon me–”
“Oh!” He grins, laughing. “Sir? Do not tease me, human. My name is Wooyoung. Ah wait, look at this my lux solaris.” He turns his hand over, palm facing you. You look away from it, a sigh echoing around you. “I won’t kill you, you know.”
“That doesn’t mean you won’t hurt me.” A quick thought crosses your mind: where’s Soobin when you need him? Just as the silly thought appears it's gone. Nowhere. Nowhere around here for all you know. You hate how your mind next moves to the kind Seonghwa. Would he do anything? Or will he only allow this to happen? And why are you depending so much on a man – no, faerie.
He purses his lips, “You know the way of the fae. Fine, I won’t hurt you or ensnare you or kill you in any way right now. Now look,” he nudges you slightly. You finally move your eyes down to his hand. Using his other hand, he drags his pointer finger across his palm. A bright yellow path follows it, disappearing off the edge of his palm. His eyes flick to yours, grin widening.
“It is solaris, like you.” he closes his fist, “I’ve practiced that trick for hundreds of years now, you know. It’s hard for humans to see the Will o’ the Wisp without falling prey. So you must be quite special."
You back away from him, "It was a trick?"
"No, because I can't lie as you know," he rolls his eyes. "I just knew you wouldn't fall underneath the spell because we have tried it already on you, silly."
"Excuse me?"
"You are resistant to our will, solaris. And none of us quite know why. I'm here to pretend to woo you and guide you back to our home to do testing. By any means necessary. And if my surly words don't work, I'll do it by force."
Everything he says confuses you more and more. "Why would you tell me you're to lure me?"
His smile slips. "What would you rather me do, lie? You know yourself that Unseelie cannot lie. So why shall I tread around the truth?"
"Will Seonghwa be there?"
He rolls his eyes. "Of course. He needs to be there so he can see that my method works much better than he has ever done or ever will."
"... Is there any way for me to get out of this?"
He pouts, shaking his head. "Of course not."
Debating on running would be also silly then. He lets you ponder, folded hands resting behind him as he paces. You look back at the path. Just as you're about to turn, Wooyoung appears by your side. His sudden presence makes you stumble, falling back to the sidewalk. He sighs, watching as you gather your things and stand again.
"Running would be useless. I can just make you come with me solaris. But I want to make this easy."
"Kidnapping someone is never easy," you murmur between tight lips. Why did you ever decide to enter this town? It seems like every signal mythical creature around is appearing. It wouldn't shock you if Soobin suddenly appeared, explaining his disappearance is due to him being a merman. The thought makes you snort.
Wooyoung grins. "Now you understand! Let's go!" He touches your elbow lightly, and before you can shove him off, an uneasy feeling settles over you. It grips your skin, painfully pulling against the surface before your surroundings change. You can barely breathe, falling to the grass beneath you. The sidewalk from before is gone, replaced with thickened underbrush and endless woods. You swallow, mouth dry.
"Hm," he bends down, eyes roaming over you once. "Perhaps Hongjoong was right when he told me humans couldn't demanifest."
"You're sick," you manage to speak, coughing. Your body slowly begins to feel like your own, trembles cascading through you. Wooyoung does nothing to help, looking you over as you finally bring yourself back to the reality in front of you. It's difficult to stand but you manage. Your bag is gone, probably somewhere between the split of reality he just dragged you through. "Never do that again."
"I won't. Demanifestation seemed to have done a number on you and I apologize for that. But it appears that a part of you was left behind."
You immediately touch your body. Your clothes are intact, fingers touching your hair. You look at him in confusion, his wicked smile stretching across his cheeks. The breath that comes out feels louder than before.
"You tricked me."
"No," his brows furrow. "Your bag. It's still back on the sidewalk. But your town is … well, I'm sure it will remain in the same place."
There's no reason to reply, steadying yourself. You look around, the forest too dense for you to see any opening. Whether you like it or not, you're stuck with the faerie. He knows it as well.
"We're done after this?"
He doesn't say a word.
“Our home is quite simple since we live in the middle of the Rowan trees. We have to make sure it’s hidden enough from both humans and other faeries,” he explains. You notice how light his steps are, as if he is floating over bricks, barely making an imprint in the dirt. Unlike yourself – stumbling ungracefully over rocks and forestry, trying your best to stabilize yourself. Wooyoung doesn’t point out your lack of coordination, still speaking about the grandeur of a house that’s … the opposite? You're not too sure on the nuances.
“There’s no need to worry,” he says after a moment, stopping just in front of you. "I'm not bringing you to your death."
"You vaporized me and transported me to the middle of a forest, and shortly after told me you didn't realize it would bother me. So I'm sorry if I don't exactly trust anything you say to me."
"It's true," he whines. You stare at him strangely. He has to be much older than you – Unseelie live to unfathomable ages from what you've read. They're conniving and humorous to capture you but after, ruthless and unforgiving. Now that Wooyoung has you, you can't see why he's still acting so silly. Humorous even. You might even enjoy his company if you weren't in the situation you are right now.
"Okay," you murmur.
He holds out his hand. Fear curls in you as you take his. His skin is warm, fingers entwining in yours with ease. He stares ahead, humming. "Humans can't see our home since we're quite close to neighborhoods. Hold onto me until we pass the threshold, alright? And don't let go until I tell you. It'll feel as if your body is being torn apart if you don't pass through properly. Do you understand?" There isn't any teasing like before, eyes focused. You nod, and he matches you. With his free hand, he holds it out.
The air seems to shimmer and bend beneath his fingertips, twisting reality. Just as quick as he does it, your surroundings change. What was once endless forest is now a large structure in the middle of overgrown trees. The home looks pristine despite its surroundings, vines covering and growing into the brickface. It looks to be three floors, a wrap around porch, all of the windows and doors ajar. Wooyoung lets out a sigh of relief. His fingers begin to slip from yours. Your own grip tightens and he furrows his brows, confused.
“Hm?” His lips part, recognition. “Ah, I’ve pulled you through the fabric of reality already, solaris. You can let go whenever you like. Though I don’t mind continuing to hold you.”
You let go, his laugh echoing through the forest. Without pause he walks toward the home, not bothering to turn and see if you’d follow. You do, of course. There’s no reason for you to try and run away now, you’re deep enough in the woods that you’d lose your sense of direction and end up lost. The smell of something sweet glides through the low breeze. Cinnamon-like. Wooyoung enters through the front doors, glancing around before turning down a hallway.
“No one’s around,” he murmurs, glancing back at you. “Seonghwa should be here soon though, he’s not out with the others.”
You pass by an open kitchen. Everything is neat and tidy, table set with lavish flatware and utensils. As you squint, you’re sure it’s made out of some type of gemstone. He continues down the hall.
“He’ll be going to his library first, so we should wait there.”
You stick closer to him now, carefully maneuvering so that your shoes don’t stumble over loose vines moving in and out of the hardwood. The doors down this hallway are closed, locks hanging from the knobs. You don’t say a word but he seems to notice your expression, grinning.
“Unseelie are quite forgetful when it comes to locks. We’ve locked ourselves out enough from places around here that we thought it best to just leave the keys in the knob.”
“None of you are afraid of an intruder?”
He chuckles, “No one would dare enter without our permission, solaris. That’s just a death wish.”
He opens the doors at the end of the hall, beckoning you inside and closing the door behind the two of you. The room is enormous, stories high shelving, endless literature surrounding you. Some titles you recognize from your own bookstore, others unfamiliar. There’s a lot in languages you cannot begin to understand or recognize. It seems endless as your eyes roam. Your stomach twists. Soobin would have loved to see this for himself.
“Ah, he must have cleaned up,” Wooyoung murmurs. “Wonder if he saw the mess Jongho left.”
You walk around slowly, careful not to disturb anything. “How many of you live here?”
“Why? Want a room?” Wooyoung sits on the edge of a table, legs swinging. “I don’t mind it.”
“Just want to know what I’m dealing with,” you frown.
“Hm,” he stretches his fingers, counting beneath his breath, “One, two… Eight. Including me.”
Eight Unseelies. And that's just the amount that live near your home. You can only imagine how many roam the streets, disguised as humans. Dwelling among you. You called the townspeople silly for believing in such superstitions. Now they would just laugh in your face if they knew the truth.
"The people missing…?" You trail off.
Wooyoung doesn't respond to your inquiry. He's moved towards a desk, flipping through the pages in silence. You almost repeat it until he turns to you, eyes flicking between yours.
"We simply ask for a dance. It's their decision on whether they'd like to take our hand. You are your own maker. It's more fun that way.”
A chill passes over you.
He balances a flask between his fingers, humming an unfamiliar tune. Allowing him to drag you through the forbidden Rowan trees into their home is not exactly what you planned, but is there any other choice? Figuring out what he is, what they are, is another point added to your list. There’s just no plan after it. So what if they’re Unseelie? The townsfolk would rather sacrifice you than their own family members. And you can’t blame them. They’ve already blamed the disappearances on you. This will only be something else added to their endless list of hating you.
"You scare me."
Wooyoung looks at you, eyes seemingly somewhere else entirely. "A wise choice."
The door slides open, familiar hands gripping the panel before sliding it back. His eyes slide over to Wooyoung, before looking at you. He lets out the loudest sound you’ve heard from him, groans bouncing against the walls. It’s a bit surprising to see him in such fancy wear, close to what he wore when you first met. His fingers gently rub his temples, obscenities mumbled under his breath.
“You’re just getting worse by every moment,” he murmurs, shaking his head. “If I were Hongjoong you would have been thrown to the Seelie by now.”
“You wouldn’t!” Wooyoung gasps. It’s very much exaggerated, eyes wide. The moment that just passed between the two of you long gone.
“I would. Fortunate for you that I cannot,” he barely glances at you. “You’d follow a stranger into the woods? Have you not listened to any of the words I’ve said?” His tone is harsher than before, formerly kind eyes filled with mire. It was quite silly of you to think that for a second he actually did enjoy your presence. Unseelie are the way they are. He is no different than the rest.
“I had no choice, he threatened the town.”
Seonghwa rolls his eyes, “Of course he did. Why do you even care for a town that doesn’t care for you?”
“Why am I even here?” you say. Seonghwa does not bother to reply to you, fingers gracing one of the leather bound books. He walks past the two of you, lounging in the chair in the farthest corner.
“Hello?”
“Seonghwa wants to experiment on you,” Wooyoung shrugs. “Each attempt that he’s tried to use his abilities on you has faltered. It’s like you’re immune to it. That’s why he’s been spending so much time with you, learning the way you work, your habits and schedules. To see if there’s some explanation for your resistance. Unfortunately he hasn’t found a lead yet. So, I decided to bring you here to see if any of the others can penetrate that strong will of yours, and for him to continue to conduct his research.”
"You're joking."
Wooyoung shakes his head. "Not in the slightest."
You grab your bag, ignoring the pleading eyes Wooyoung attempts to send you. He steps in your way and you only slide beneath his outstretched arms, leaving the room all together. Wooyoung turns around to catch Seonghwa's gaze, pout burned into his lips. Said man still doesn't look up from his book. Of course, Wooyoung could have stopped you if he truly wanted to. An Unseelie versus a human is an easy match. But his mate likes the theatrics of it all, so Seonghwa sinks further into his seat, frames resting on the tip of his nose. It's for show – none of the Unseelie have bad eyesight.
Wooyoung slumps over, knees hitting the mossy floors. "Hyung, please," he whines.
"Typical Wooyoung. Only respecting me when he needs something," Seonghwa murmurs, flipping a page. "Go after her, I'm not your babysitter. Preferably sooner rather than later, unless you want Jongho or Mingi to stumble across a human in our home."
"You're supposed to help me."
"Your mess, not mine," he points out. "Why do you expect me to clean it up? Do it yourself."
"What will you do if they think she's food?"
Seonghwa shrugs. “They know who she is already.”
"Your experiment!"
Seonghwa pauses in his reading for a moment, looking up. He does want to see what exactly is different about you. A clan member taking your life before it happens isn't what he wants. But he's grown tired of fixing things that aren't his problem. Especially one as monumental as this. He gets up, pushing past his grinning mate and exiting the room. It isn't hard to trace your tracks, your heartbeat louder than anyone else's in this home. He just hopes that he gets to you first.
Walking through the home is easy and straightforward. You don't bother glancing to the side, previously closed doors ajar casting fear in your heart. Wooyoung so easily lets his words flow, telling you that Seonghwa planned on experimenting, perhaps even dissecting you. All of it is too much, too soon. Too overwhelming for you to comprehend without losing your mind. You step out the front doors, suddenly stopping.
Wooyoung warned you of stepping through without holding his hand. Is that danger gone, or do you still have to worry? Are you forced to stay here against your will?
You should never have gone to that silly bonfire.
"You'll die if you leave without our permission."
You turn, Seonghwa standing there. His hands are tucked in the pocket of his cardigan, glancing over your shoulder. "We never leave it open. A few more yards and you'd be vaporized."
"Wouldn't you enjoy that?"
His lip quips, "Wooyoung told you that I wanted to experiment on you. It would be difficult to achieve that if you're only dust in the wind."
The change of personalities is still difficult to grasp.
"Then what do you propose?" You say.
"Stay longer. I'll let you go after I've tried a few things. None of it involves seriously injuring you. It's just blood sampling and majik tests. Should be no more than an hour. Once that is complete I will do further tests, but that will be in a few days."
"... and then you will let me go?"
He nods, "I have no reason for you to stay. You're not a real burden to us since no other faeries are around. As of now you’re no threat."
The alarms are blaring in your head as you stare at him, fidgeting with the hem of your sweater. His words aren't enough to convince you, but you have little choice. You need one of them to help you leave. And you're positive they wouldn't until you let Seonghwa do whatever he needs to test and see why you're resistant to them. There's nothing else to debate or dwell on. The front porch creaks, Wooyoung leaning against the doorframe, arms crossed. The same smug look on his face.
"Pretty," Yunho whispers to himself, sitting on the edge of the roof. He leans forward, dust and leaves from the tiles cascading down to the ground. It's as if in slow motion, your gaze flicking to the fallen leaves. Surprisingly, you don't look up to see where they've come from. Instead, you catch one between your fingers. Examining it for a brief moment you tuck it in your pocket, following Seonghwa into their home. Yunho almost slips as he follows your movements, flustered. He sighs, pressing his hands against his cheeks. They're quite warm despite the drop in degrees tonight.
Too pretty, he thinks. Humans aren't this pretty. The others said you weren't a faerie, but were you something else? He lets his thoughts linger, until the loud stomping of Mingi's feet distract him. He glances back, his friend sitting to the right of him. His clothing is freshly pressed. No evidence of tonight's events covering him.
"You're getting distracted already," Mingi points out, the front door closing behind you and Seonghwa. "This isn't something to attach yourself to, Yunho. An experiment and nothing else."
Yunho rolls his eyes, "I know I know, and I'm not getting distracted. She's just a human." He narrows his eyes. Right.
You're just a human.
"Arm."
Wooyoung’s eyes widen as he stands there, almost perturbed at the thought. “Pardon?”
Seonghwa rolls his eyes, “I need a baseline for the testing. Having your blood is necessary to see the differences and compare.”
“I don’t want to be used in your experiments on her!” Wooyoung’s voice rises, glancing at you. “Sorry.”
“No need,” you shrug. Your arm is wrapped, Seonghwa already pricked you with the small needle. Bottles of your blood sit on the side, labeled with symbols you recognize from Unseelie literature scattered about. He didn’t say anything to you as he took it from you, passed you a sugary drink and a cookie. It would have been endearing if he didn’t look so frustrated while doing it. You debated on calling him out at the look but again, you’d rather not irritate a being you know nothing of. The Seonghwa you’ve met is gone. Replaced with this angry and quite bitter Unseelie.
“Why do you make everything so difficult,” Seonghwa rubs his forehead. “Why are you even standing there if you’re not willing to help-”
“I’ll volunteer.”
Another voice enters the conversation, your gaze moving to the man who just entered the room. He’s taller than Seonghwa, quite tall actually. His face is kind, brown eyes filled with glee as they look at you. Unlike Wooyoung’s teasing which seems a bit unnerving at times, his look is easy. As if his lips naturally sit in a small smile. He lifts his sleeve, stepping around Wooyoung.
“Nice to finally see the shining star. I’m Yunho,” he holds out his hand and you take it. You can’t help but notice how despite how you always insisted that your hands are pretty big, he just engulfs yours.
“Hi. I’m y/n.”
He laughs softly, “That I know.”
Wooyoung’s voice rises. “Wait-”
“We don’t have time for the back and forth with you,” Seonghwa murmurs, beckoning Yunho closer. “Next time just say you’re okay with it and move on.”
Wooyoung’s frown only seems to deepen. He huffs, glancing between all of you before exiting the room. The door slams quite loudly, unable to stop yourself from flinching.
“It’ll be quick, you already know what to do,” Seonghwa says. Without another word he slides the needle into Yunho’s skin. You notice that his blood is clear, a thicker consistency than yours. Seonghwa pulls out several vials of it, the silence growing. Just as quick as he began it’s over. He grabs the vials, glancing between the two of you. “I’ll be back in a moment, talk amongst yourselves.” He walks off, murmuring something about refrigeration.
Yunho’s gaze easily slides over to yours. “I’m sorry about Wooyoung. He gets a bit antsy when it comes to things like this. We are wary of sharing their blood.”
“Can I ask why?”
He nods. “You might know a bit about us already from interacting, but when it comes to our essence it is sacred. Faeries are sensitive to blood exchanges because it is only something you do with a fae you are mated to. The majority of us would never willingly give up our blood for something like this. That’s why Seonghwa didn’t offer himself, and why Wooyoung was so flabbergasted at the thought of your blood mixing with his. It’s a quite sensitive topic.”
“And yet…” You trail off. And yet you did it without a second thought.
“Mhm,” he agrees, still staring at you. “The others think you’re special. So I would love to have the honor to be the baseline for the experimentation,” he chuckles, sliding his sleeve back down. “Seonghwa isn’t coming back, by the way. He’s told me to guide you out the forest and back to your home.”
Trying to decipher the wording is too much for your tired mind to comprehend right now.
“Demanifestation again?” Your stomach lurches at the thought. You’re not sure you’d survive it a second time.
Yunho shakes his head quickly. “Never. Wooyoung is a fool to have done that to you. We’ll be traveling on foot. Your home isn’t too far away from where we reside. I just need to help you through the barrier.”
You agree, standing slowly. Yunho reaches out his arm and you take it, thanking him softly. The hallways are quiet as you walk through, glancing at him. You can see his gaze glued to one of the doors you pass by, giving you a quick smile as he picks up the pace. You exit their home, and he does the same as Wooyoung did. The forest warps, the home disappearing behind you.
“You can continue to walk straight. The forest will guide you home,” he says softly, bowing. “I wish I could accompany you, but some Unseelie has been making a bit of a mess in our home and I need to fix it before Hongjoong comes.”
Hongjoong. You’ve heard the name a few times. Enough so that you can guess he’s their leader of sorts. But you’ve involved yourself enough. “Thanks for helping me. Straight you said?”
He nods, “Straight. See you soon, y/n.” He turns on his heels, dissipating into the forest. You can only imagine what the town would say if you told them of this encounter. Staring at the spot he once was, you turn back around, walking straight.
-
Yunho winces at the noise, shutting the front door. All of the doors of the home are open, various items thrown carelessly on the hardwood floor. He notices that the door to the library is shut. Seonghwa has had enough of it, it appears. Yunho does not blame him in the slightest. He steps over the broken vases and torn books, head aching already.
“What an incompetent Unseelie. Thriving in chaos does not mean we want it all over our floors,” Seonghwa’s voice echoes through the hallway. Ah, perhaps he is trying to deal with it now?
Yunho steps around the corner, entering Wooyoung’s room. It’s in a dire state, clothing and potion spilled, sheets ripped in half. Just as Yunho steps through the threshold, he’s thrown against the wall. Wooyoung’s hand wraps around his neck, his claw digging into Yunho’s skin. It doesn’t hurt, no, but it is a bit uncomfortable.
“What’s the reason?” he says through struggling breaths. He pulls his hand off with ease, coughing. “Shit.”
“You are always there, always stealing things from me. Could you not rest? Why in every lifetime do you have to take her away from me?” His voice cracks at the end. Yunho’s brow furrows at his words, confusion mounting. “It is always you, everytime. You always ruin my fun.”
“You’re acting like a child because I willingly exchanged blood with the human?” Yunho scoffs. “You shouldn’t have made it such a pressing issue if you wanted to do it.”
“You…” Wooyoung points his hand at him, slowly dropping it. “Give me a chance this time. Don’t steal her from me again.”
“We’ve just met this woman, Wooyoung,” Yunho says. “She is not anyone else.”
His eyes narrow, “You know what I mean.”
The front door slams loudly. Yunho closes his eyes, knowing his headache will only grow once Hongjoong enters the room. He looks at Wooyoung, blinding slowly. “You can do whatever you want with her, I don’t care. The blood exchange is complete now. You’ll have to find another way to bond with her. Figure it out yourself,” he steps out the way, feeling the wrath of his leader just behind him. Hongjoong gives him a look and he does not bother saying anything else, leaving the room.
The door cracks against the frame as it shuts.
--
It’s been a few days since you’ve heard from the Unseelie. You’ve been on edge all the while, tensing everytime the bell rings against the door. Only your fellow townsfolk have entered your shop now, picking up essentials and other things they need. The talk about Soobin has significantly decreased, much to your surprise. You expected for the talk to continue until the end of time. Or maybe they’re just not saying it to your face this time. You still look at your phone every time it rings, hoping to see an unknown number. You answer every time, waiting for the soft voice of Soobin on the opposite side. Instead it’s mostly robocalls. The sinking feeling has not gone away when it comes to him.
Why would he leave you?
The bell rings, and you barely glance at the door. You turn around to place a book on the shelf, dropping the one you have in your hand. He catches it with two fingers, holding it out to you. Taking a step back, you take it from him.
Wooyoung’s barely a foot in front of you, hands tucked in his pockets. He grins, brows wiggling. “Long time no see, solaris.”
He’s wearing casual clothing quite similar to Seonghwa’s wear. Instinctively, you glance down at his feet. He wears shoes this time. In fact, you’re sure you’ve seen Seonghwa wear the exact same outfit. He catches your eye, slipping from the aisle and standing in the middle of the store.
“You like?” he asks, spinning in a circle quickly. “I dressed Seonghwa in my clothes whenever he visited you. He only had those strange trench coats. Stuck out like a sore thumb.” He does the same, thumb in the air for emphasis.
You place your book on the shelf, not sure what to say to him. “Didn’t expect to see you,” you admit. “I thought Yunho or Seonghwa would come around again.”
“Seonghwa won’t dare enter human owned land again after his brief experience,” Wooyoung says. “He hates it. And Yunho isn’t really permitted to leave our land unless he’s given explicit permission. Me on the other hand,” he tilts his head. “I allow myself to enter whenever and wherever I’d like.”
They seem more restricted than you previously thought, minus Wooyoung. How he’s roaming around while - even as briefly as you’ve met him - Yunho not being able to, is a bit strange. The difference in temperament is noticeable. You saw how Seonghwa physically relaxed while taking blood from Yunho. The friendly giant feels more human-like than Wooyoung ever did.
“Why are you here?” You ask, pushing your cart into the next aisle. “Does Seonghwa need me for something?”
“Can’t I just come and visit you, solaris? Is that such a crazy idea?”
“Crazy no. Weird, yes.” You glance at him, eye twitching when you see his leg resting on the loveseat. “You act like you haven’t been around us in thousands of years. I can’t see why you’d want to hang out in a bookstore when there’s so many places in town to go to.”
“The bookstore is the only place that has the sun,” he shrugs.
“You say even stranger things,” you murmur. “And would you stop calling me that?”
“No,” he says immediately.
All you can do is sigh, continuing to place books on your shelves. Wooyoung interrupts you every now and then, either poking fun at you, or telling you another fact about them. Apparently, they’re the only group of Unseelie in town. Unseelie are rare in the faerie species, most eradicated by Seelie. He states the fact with a bit of a somber look in his eyes.
“There were thousands of us at one point,” he explains. “Then the Great War happened. Years ago, so far beyond your comprehension. So many of us fought to the death to survive. The hatred for each other runs quite deep. Most of the time when we stumble upon each other it ends in death. Now that our numbers have dropped so low - we’re not even sure how many of us are left now. Our species of faerie is dying.”
“Is that why Seonghwa is persistent in finding out why I am the way I am?” You ask, and he nods.
“If humans are developing resistance to our abilities, we will die. And not just Unseelie. Faeries as a whole thrive off of human auras. Having that removed from our societies will be detrimental. Mermaids, Seelie, Cave dwellers, Unseelie - so many of us will be gone. If there is a way to prevent that from happening we would do anything for it. But,” he shrugs. “None of us are majikians. Majik can only take us so far. Even if we find a cure, we’re in a new world. Humans will eventually discover us in masses. There will be a war, that I know of. Then Unseelie will be completely eradicated. We will be nothing.”
He twists his body to look at you. “That is why you are my solaris. My sun. You are capable of bringing us life and prosperity. You are also capable of destroying everything we have ever known. Right now you shine brightly. Let us hope that you continue to.”
“I didn’t know this was so important.” Is all that you say.
“Would you have if I didn’t just tell you?” his brow raises. “I’m not here to convince you either way. You would have to come with me whether you’d prefer it or not. It’s just nice to give you some background,” he gets up from his seat, moving around the shop. “It’s quaint here. Small town places always make me feel warm inside.”
The sudden shift of conversation is something you should get used to around them. “Soobin designed it that way. He’s been wanting this place for a while. It’s his home.”
“Soobin is your partner,” he states. Your back is turned, so you don’t see the shift in his expression. How terrifying it would be to see the ghost of a grin on his lips. “He’s not around anymore.”
You take his statements as questions. “Yeah, he is. Well, was. We had a disagreement and…” You stop in your talking. “You should know already, I’m sure Seonghwa told you about it.”
“He did, I just like hearing you talk. It’s much more soothing than his irritated, quick words everytime he speaks to me,” he murmurs. “Why aren’t you afraid?” he asks after a moment.
“Hm?”
“Before,” he slowly walks up to the opposite side of the counter, sitting on the stool. “You were afraid of me when I showed up. I heard your heart beating against your chest, but it’s silent now,” he raises a brow. “What changed?”
“You said I was in no danger with you,” you say, and he nods, waiting for you to continue. “I didn’t see a reason to continue to be scared, so …”
“That is perfect then,” he smiles, resting his head against his palm. “I’m glad you feel that way. I don’t want you to be afraid of me anymore-” He stops, turning around. This time your heart does rattle against your chest. His teasing is gone, sliding off the chair. The door swings open, bell ringing. You cannot see the door from where you are, the opposite side of the store covered by the wide shelves. Not skipping a beat, Wooyoung turns to you.
“Hide. Now.”
You immediately turn, heading to the back office. Despite how much you want to turn around and look, you don’t. You hear a loud crash, the sound echoing through you. Your back office door is open and you enter, shutting it and locking it behind you. There aren't many places to hide in this room, except for exiting the store through the door. Hearing Wooyoung’s words in your head, it wouldn’t be safe for you to just leave. But there’s people out there. It’s evening. Whatever is here wouldn’t attack out in the open, right? Taking the chance, you swing the door open.
The figure standing there is terrifying enough to make you halt your escape. Its claws grip your throat, pushing you back against the back wall as it enters. Wide, golden streaks dripped down its pale body, several limbs severed and dragging along the floor behind it. Its touch is cold, nails sinking into your skin. You can’t say a word even if you wanted to, fear unlike anything you’ve ever experienced sinking into you. Its mouth opens, rows of jagged teeth lining its jaw, stench horrid.
“I’ve been looking everywhere for you,” it hisses. Its finger slips, ripping your skin even more. You cry, hands gripping the one on your neck. It leans forward. You cannot tell whether it’s looking at you or not, holes where eyes would usually be.
“This is what they were floundering over. This is what the Unseelie are concerned about,” It spat, “Weak just like the other filthy humans.”
Its mouth stretches, the hole large enough to swallow you whole. Tears roll down your cheeks. You feel its spit drip against your forehead. Just as you have accepted your fate, you’re thrown out of the creature’s hand, body slammed against the floors.
“Repulsive.” Yunho holds the creature against the far wall, face twisted in disgust. The look is unfamiliar to you, already used to the warm gaze he shot you. He grips its neck, twisting it harshly to the side. The sound of bone and flesh being torn apart fills the air. It’s enough to make you look away. The distraction is gone, pain increasing rapidly as you look down at your injuries.
“Yunho shouldn’t be here,” Another voice appears. Seonghwa looks around the room, eyes immediately roaming over your figure. “Hell.” His body is soaked in what you can only assume is blood, immediately crouching down over you. “Think you can stand?”
You nod. You rest your hands on either side of your body, muscles straining to lift yourself up. Seonghwa merely sighs, reaching out an arm and pulling you up with ease. You stumble, pressing yourself against his chest. He doesn’t say anything more, lifting you into his arms. Your eyes roam behind him, Yunho’s face unrecognizable as he rips the being apart. Wooyoung must have entered without your knowledge, pulling his friend off the creature.
“Relax Yunho – it’s in ruins now. You don’t have to continue.” He pulls on Yunho’s arm again, this time thrown back against the floor at his attempt. Yunho does not bother turning around, continuing to rip into the thing.
“Fuck off, Wooyoung.”
“Time to get Mingi,” he sighs, glancing back at you. His brows contort in worry, “Oh my solaris, it stole your shine.”
“Get him under control enough, Mingi should be arriving soon,” Seonghwa helps you through the door, easily carrying you. You notice townspeople walking, none bothering to glance your way. Too tired to question it, your body slumps in his arms.
“The Seelie almost tore you apart,” he starts, waiting for a car to pass before crossing the street. “Wooyoung called for us just in time. Ah, your neck,” he winces as he looks at it. He lifts a hand and lightly touches your skin, mumbling words underneath his breath. “That should seal it up enough. We’re almost there.”
Your mind is too clouded with the events to give him a response. He takes it in stride, stepping into the forest. You aren’t sure how long it has taken to get to their home, but you see the familiar woods, trees gathered around the house that sits in between. He says something to another in passing, stepping into the library and shutting the door behind him. Seonghwa places you in a seat.
His hand lightly touches your temple, exhaustion slowly fading away. You blink quickly, glancing around. The room is lined with glass, contents unknown. He turns around to grab a small case, finger dragging across the surface. Inside are several bandages and other first-aid kit items. You want to thank him but your mouth is dry. Only a small wheeze escapes your lips. He glances back at you, wiggling his pointer finger.
“It is a binding spell. No words can escape until I let it be so. The claws of that Seelie dug in deep. If you speak, it may only worsen your condition.”
He rests on one knee, humming to himself. The jar he has in his hand is written in unknown scripture. He picks up the ointment with two fingers, slowly brushing it against your skin. “This is toad puss. Disgusting name and scent, but it will seal your wound much quicker than ordinary human antibiotics. Ah,” he glances behind you. “Took you long enough to arrive.”
You cannot twist your neck, moreso out of fear of tearing your skin. Wooyoung appears beside Seonghwa, glancing over your wounds. “The Seelie almost shredded her. I looked around the bookstore as I cleaned up but there was no sign of any carvings. There’s nothing on her body either. I’m not sure why they came or how they found her. ”
“Us, silly,” Seonghwa rolls his eyes. He grabs the gauze, slowly wrapping it around your neck. “One of the Seelie found out that we knew of a human like her. They followed one of us, or both of us, and located where she resides. Though I don’t know for sure if they followed you today and or followed me weeks ago. It doesn’t matter, anyway. Her bookstore is compromised.”
“Then what do we do?” Wooyoung asks, eyes still on yours.
“We talk to Hongjoong.”
You can see how his body deflates immediately. “But –”
“He’ll be furious, yes, but we need to tell him that the Seelie are back. And what steps we take from there. Actually, I think I heard him rummaging around his room. After I get her fixed up, I’ll go speak to him. I’m sure he’s already listening in on our conversation anyway.”
Wooyoung doesn’t say anything else, but you can see how Seonghwa’s words weigh heavy on him. You wish you could speak up for yourself. Your mind is leaning towards yelling at them for putting you in this mess in the first place. Wooyoung leaves without another word, the tap of the door closing behind him.
“What a mess,” Seonghwa sighs. He looks at you, humming again. “You are probably furious right now, aren’t you?”
You nod, and he merely laughs.
"Well you might as well get used to it. No such thing as happy endings for demonic creatures like us. Unfortunately for you, you’re now associated," he rips off the gauze wrapping with his teeth, spitting flyaway pieces to the side. His fingers slowly lift your leg. His touch is soft in comparison to his words, glancing at your face for any signs of discomfort. Not seeing one, he continues. "We Unseelie exist to balance the universe. We are not inherently evil, no. But our mere presence is distasteful, disastrous. We cannot feed without hurting humans, we cannot survive without interfering in your lives. We breathe chaos. It is all we've known and all we'll ever know – oh, did that hurt?" His voice is soft for a brief moment, seeing your brow furrow at his pressure. "Tight?"
You don’t say anything. His eyes widen for a moment, fingers brushing against a sliver of skin peeking out from the bandages on your neck. “Apologies. I was wondering why you remained so quiet.”
Your voice escapes you, quite low. "I’m fine."
He narrows his eyes but continues, much slower this time. You're not sure where this conversation stems from, but you don't dare interrupt. It's the most any of them have spoken to you about their kind. "It's not like a human would understand that it's natural for us. We enjoy killing because it is in our nature. We cannot live without it. It's a shame, really. So many Unseelie have tried to pull away, tried to stop killing. But all attempts have failed. Each one has died in the process. It is like if humans decided to stop feeding on plants and meat and decided to eat air instead. It won't work. It's unsustainable."
"I understand."
He pauses. "No, you don't. Not really."
You clear your throat. "Who are we to tell you what to do? We've considered ourselves the top of the food chain for so long, we can't think of something stronger or faster or wiser than us. What am I to do? Kill off every faerie I see?"
He nods. "That's what many human hunters have done. What many have decided to do over centuries."
"But not me."
His eyes flick between yours, expression unreadable. You don't bother to fill the silence and neither does he, hooking the gauze together with a small metal clip. You think the conversation is over, until he speaks up again.
"You are a strange one. It is of no wonder so many of us admire you."
“What –”
"It is funny what humans think of us,” he interrupts, not allowing you to comment though you desperately want to. “There is no good versus evil. Despite how much we hate the rigidness of the Seelie, they are faeries just like us. But they are not innately good just as we are not innately evil. If the world was that simple, we would have been eradicated long ago," Seonghwa muses. "Us Unseelie value chaos, sacrifice. We fight for our positions when necessary, and enjoy power. Though we all dislike humans, perhaps hate in some cases, we do welcome you. Even if it is temporary. Just because we live in forestry hills does not mean our heads are filled with dirt."
"Do you like me then?"
He grins. "I enjoy you as an experiment if that would make you feel a bit better."
"Ecstatic," you murmur.
"Well you know we cannot lie, so it must give you some reprieve. Unfortunately for us, you can lie," his eyes narrow. "What is your ex-partner's name again? Soobin?"
You say nothing. Allowing him into your head, letting him question you – it is exactly what you should not do when meeting a faerie.
"Ignoring my words?"
"You should know why I am."
He narrows his gaze, "Filthy humans and their silly rules."
"They keep us safe."
"They ruin the fun we have,” he sighs. “I can’t have you back at that bookstore, or your home,” Seonghwa stands, fingers dragging through his hair. “It’s no longer safe for you. You’ll have to stay with us for now.”
You want to debate with him, want to say that you’d rather tough it out and deal with it on your own. But you cannot forget how utterly terrified you were when that Seelie attacked. How you froze. If they weren’t there, you would’ve been long gone by now. Your family would mourn your disappearance, desperate for answers that you wouldn’t have been able to give them. Perhaps wondered if you left with Soobin, wherever he went.
It’s not something you’d ever want.
“Okay.”
He nods. “Okay then.”
He stands, about to leave. "Seonghwa."
He turns around.
"Before, Wooyoung was telling me how you would never enter the human owned land again because you despised it. But you did today. Why is that?"
A strange look crosses his face. "Wooyoung told you such words?"
You nod. "He did."
A breathy laugh follows suit, "That seems like something he would do. I'll set up your temporary room and be back." Seonghwa doesn't say another word, exiting the room. His avoidance of the question only creates more confusion.
-
“You are all making a fuss for a human you don’t even know. Curiosity can only stretch so far. What else are you going to do? Sacrifice yourselves so that she can live? This is more than silly. It’s stupid.”
Hongjoong paces back and forth in the library, Seonghwa flipping through several documents to see if there is any solution to what’s happening now. If he can find some semblance of an answer, perhaps she wouldn’t have to stay at all. But as of now he has found nothing of consequence. Nothing to stop the Seelie from coming after you.
“If the Seelie are after her and want to kill her, then there’s something there. Why give up now?” Seonghwa says, barely looking up from his literature. “It doesn’t have to involve you if you don’t want it to. We can keep her away from this side of the house.”
“That’s not my point and you're more than the wiser to understand that."
“Then what is?”
“You are undermining me,” Hongjoong’s eyes narrow. “You all made me the leader of our spark. And it is my duty to protect us all from harm. Ever since this human has come around, things have been happening. You should have just killed it when you first stumbled across it. And now Yunho is all out of sorts and Mingi has to watch him. Seelie have emerged again. None of this is okay.”
Seonghwa merely rolls his eyes. “We are Unseelie, we’re trained for this.”
Hongjoong stops pacing, shaking his head. “We are very few in number, Seonghwa. We cannot risk our extinction. Not for a useless human. Once the news has spread that you three have killed Seelie, there will be war. There is only so much I can protect us from.”
“We can protect ourselves. And it is too late anyway,” Seonghwa says simply. “We killed the Seelie for a reason.”
“You could have let them kill her and we would have had this problem eradicated.”
“No.”
“Why not?” Hongjoong pauses. He stares at his friend, his mate. Seonghwa does not often express his care. Has not for a while. “Unless you care for it?”
Seonghwa frowns. “Stop suggesting silly things.”
“Say you don’t care for it and I’ll believe you.”
Seonghwa stares at him, desperate for the words to escape him. But his true nature prevents him from doing so. He can only hope that Hongjoong does not push the issue further. He’s already dealt with endless pestering today. He thought he'd at least get a bit of reprieve from Hongjoong. Instead he is only being scowled. It's no wonder he actively avoids his presence every chance he gets.
“Say it, Seonghwa.”
“Haven’t we all irked him enough today?” Yunho enters the room, Wooyoung close behind. Not seeing Mingi hanging around is a bit odd, but neither of them mention it. “Pestering him about this is a mute point. We all have to keep an eye on her for now. Until all of this is settled. Maybe we should pick up the talks tomorrow.”
Seonghwa grabs the book he has in his hand and leaves the room, Hongjoong exiting in the opposite direction. Yunho sighs softly, exhaustion riddling his body. He doesn’t acknowledge Wooyoung trailing behind him, lounging on the long sofa. Said Unseelie paces around his resting figure, picking at the skin by his nails.
“I’m not going to hurt her,” Yunho murmurs, one lid opening to look at his friend. “I’m okay now.”
Wooyoung sits in front of him, head pressed against his thigh. Yunho reaches down, fingers massaging Wooyoung’s scalp. It's a common routine. Anytime he's overwhelmed, Yunho hears the soft tapping of his knuckles against his bedroom door. Most times he needs the comfort of their bodies against one another's, breathes mingled in the low light. But this is one of those rare moments that Yunho isn't able to provide such a comfort. His mind is too consumed with thoughts unlike his own. And Wooyoung seems to know it as well, trembling underneath the scratch of Yunho's nails against his scalp.
He lets out a long breath, looking up at his mate. Yunho's eyes look heavy. Exhausted. “It is not her I am worried about right now, Yunho. I shouldn’t have called you.” Wooyoung starts.
“You only thought of the first person on your mind. It’s alright.”
“It should have been Mingi or Jongho first. We all know how these things affect you and I messed up again. Much, much worse than last time.”
Yunho's fingers pause in combing his hair. A horrid reminder. He swallows slowly, pushing those thoughts away.
“Wooyoung,” Yunho shakes his head. “You can’t continue to blame yourself. The past is the past.”
He closes his eyes, lower lip trembling. “You could have lost yourself completely. Yunho, Mingi had to injure you to stop you. I should know what to do when you’re like that, I should be able to stop you–”
"Your presence was enough."
He shakes his head. "The Seelie was barely recognizable. It was a pile of mashed flesh –"
“Hey, stop,” he pulls his fingers from his hair, resting on the bottom of his chin. His strength is barely used as he tilts his head up to look at him. “I’m fine. We’re fine. I can’t tell you to stop thinking about it because I know you and I know you will, but I’m okay, Woo. I’m fine. Please don't let those thoughts burden you. You could not pull me out of it, but it's not your fault. I listened to your call. I decided to come. I could have told one of the others first. It was my choice.”
  "Yun…"
"Mmm," He lets go of his chin, arms opening. Wooyoung wastes no time in sinking into his embrace, chest rising and falling calmly. "I'm okay."
“Are you sure?” His voice is softer this time. His fingers dig deeply into the fabric of his blouse. “Don’t lie to me.”
“Unseelie can’t lie.”
Wooyoung narrows his eyes, Yunho’s warm laugh echoing around the room. “Fine. I am okay, and I’m not lying to you.”
"Promise?" He's persistent, hands cupping Yunho's face. "Promise me?"
"I promise, pretty faerie."
Wooyoung hides himself in the sleeve of Yunho’s shirt. "You're trying to distract me."
"It seems to be working," Yunho teases.
They enjoy each other's silence, Wooyoung lifting his head up again. "I'm sorry for before. For getting angry at you like that. I just let my feelings overtake me and blew up. I'm sorry."
"Already forgiven."
"You shouldn't, though. I hurt you," Wooyoung's eyes roam Yunho's neck. Though he has already healed, the puncture marks of his claws are still scars against his skin. Wooyoung leans up, pressing his lips lightly against the risen skin, Yunho's body trembling beneath the touch. "I hurt you."
"You can't help it."
"But I didn't try to stop myself."
"The human brings out the worst in us, it seems."
Wooyoung laughs, the sound not at all reaching his eyes. He ponders for a moment. "I like her."
Yunho takes his words with hesitance. It's been very apparent since he's seen you that Wooyoung has grown a soft spot for you. Though he can't quite understand how it happened so quickly. The Unseelie has barely spent more than a day with you. "I know."
"I want her to like me too."
"Good luck with that."
He frowns. "She will like me, Yunho."
"I know. You're too easy to like, Wooyoung. She will eventually feel the same as you."
"You think?" he gives Yunho a toothy grin.
"I know."
You sit on the porch, staring out into the night. The breeze is quieter than before, whistling through the branches and leaves. The throbbing pain in your neck has subsided greatly. You can only thank Seonghwa silently, fingers brushing against the gauze tight on your neck. You can still see the way that Seelie looked at you, the ferocity in its eyes. How easily it could have snapped you in half if it truly wanted to. Have you brought this all upon yourself? Letting Seonghwa creep into your life? Was the loneliness too much to bear that you've attached yourself to the next person who was a bit kinder to you? You rub your eyes, chest rising and falling slowly.
"Pathetic," you mumble, tucking your knees close to your chest. Your desperation for a reason why Soobin left you alone led you here. Stuck in a house filled with mythical beings. None of which care for you. You should have just gone home once he disappeared. Maybe then you wouldn't be stuck here. The stinging feeling in your throat burns. You hold it back. You can't cry. Not here. Not around them.
"Thoughts fogging your mind so deeply that you didn't hear me knock?"
You look up, Wooyoung's head peeking out from the overhang on the porch. His hair is wild, flowing in the breeze. He takes your non answer as acceptance of his presence, dropping down from the roof to sit on the railing. He tilts his head as he stares down at you. "You look upset."
"I'm stuck in a place I don't know with people I don't know because creatures I don't know are attacking me for a reason I don't know. So yes, maybe I'm just a little upset about my circumstances."
"You do know why they attacked you," he points out. "They want you dead."
"Reassuring," you give him a half smile. "Thanks for that."
"I'm… I'm not trying to get on your bad side, solaris. I'm trying to make you like me. I want you to be comfortable around me."
"You shouldn't care how I feel about you, Wooyoung. You've already done your job luring me here. Now leave me alone."
His lips frown, sighing softly. "What else can I do to help?"
"Is it not enough that you've trapped me here? I would thank you for saving my life, but you all are the reason those things came after me. I would have lived normally without your meddling. Seonghwa should have…" He should have killed you and gotten it over with.
"You don't mean that." He looks at you with such a pitiful, worried look that for a moment, you believe in his concern. Believe that he actually is upset for you. But you know it's not at all true. You know it's another ploy to make you feel comforted by him, by them. And you're not foolish, no. Unseelie do not care for humans.
They never will.
"I do."
"Solaris–"
"And call me by my name, Wooyoung." You slowly stand up, ignoring his hand reaching out to steady you. "Now goodnight." You slowly limp towards the French doors, shutting them behind you. You stare into his eyes as you turn the lock, shutting the curtains.
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v4voracity · 24 days
Text
TOO CLOSE - SELF AWARE COD CHARACTERS X READER
⥇❥"Reader" is described as "feminine leaning" or "feminine sounding"; however, they/them and it/its pronouns are used and no bodily adjectives are used in this part because reader is only described as "that person" or "the voice". Let me know if I should make an alternate post(s) slightly adjusted for masculine or androgynous description, and if I missed any content warning tags. I plan on making a masculine version for this one due to someone's request, currently deciding if I should just slightly re-write to change descriptions or fully-rewrite it :)
  ⥇❥Word Count: 3940, excluding warnings and text above the cut.
⥇❥CONTENT WARNING FOR:
↪ body horror(?) ↪ usual “Darkfic” stuff,  ↪ yandere tendencies ↪ Angst™ ↪ possible OOC characters ↪ american author writing (mostly) british people
I totally plan on continuing this drabble with another part so some of the warnings aren't quite apparent yet teehee <3
Link to main masterlist - Link to TOO CLOSE sub-list
You have been warned, scroll at your own risk.
There was always that nagging feeling that Ghost was being watched, paranoia which he had long since grown accustomed to. But, there were always times he felt it… heighten, where this…  this strange sense of dejá vu seemed to take root in his mind. Sometimes, he felt like his movements weren't his own despite it being his will that moved those joints.
It occurred often after he joined the military, and occasionally, when in the quiet of his thoughts, he could hear something. At first, he thought it was a teammate coming through his comms, yet “the voice” wasn't familiar. 
He remembered when he first heard it. 
A quiet voice saying something he didn’t quite catch. He sighed, heavy and annoyed at himself, focusing a bit more on the radio firmly strapped to his chest as he pressed a button with a familiar practiced ease. Despite the fact he laid prone on the ground, hidden amongst foliage he had no trouble reaching it and speaking up. It was… slightly embarrassing that he lost focus and needed to repeat instructions, but he’d rather face slight embarrassment over fumbling an important mission because he didn’t want to ask for them to repeat what was said. Not that Simon “Ghost” Riley was afraid of dying. As a soldier he honestly felt more fearful that he’d fuck up a mission and get yelled at by a superior. That he’d hurt people he was trying to protect. That he’d prove that nagging voice in the back of his head right, the annoying doubtful little shit always lingering despite his confidence that had grown with experience. 
Regardless, he didn’t care to debate with himself about yet another experience that would keep him up at night, wallowing in his bed thinking about everything he could’ve done differently. “Say again?” He asked, cautious to remain quiet and hidden, yet gravely tone firm and clear enough for the other side of his line to hear. Yet no one on the other side of the line said anything previously, voicing their confusion when he asked them to repeat something never said.
Yet no other soul was around the precarious position he perched himself, his scope aimed at distant enemies. He even briefly glanced around, surveying his surroundings for possible danger, anyone, anything. Then “the voice” came through again, energetic and excited— far too unprofessional for how serious that mission was. ‘A recruit,’ he would’ve thought if not for the fact nobody else acknowledged it.
However, once the mission ended, that strange feeling faded, and “the voice” didn't appear again… 
…Until a few months later, on another mission.
The uncomfortable feeling of being watched, the almost foreign feeling of his own body, and “the voice” returned. His skin crawled.
 As if something had forcefully crept beneath it, lifting the skin and making itself comfortable in his body. Claiming it for itself as it burrowed deep into the muscular fiber, into his organs, and flowed in his veins in place of blood. It felt… parasitic and invasive. It disturbed him greatly how the feeling came and went suddenly without cause. Leaving him as it wished and then showing up without warning, without his permission. How it happened to him regardless of how steeled his nerves were. Of how experienced he became.
And, as he would soon find, no matter how intensely he looked around, nobody else was present. Yet “the voice”, which he had to strain to even remotely understand, seemed to respond as if they could see him based on the few words he could catch. 
“HOLY SHIT! He looks so cool, dude! Look at his fuckin’ rifle, his gear! This was so worth the wait. He’s got a new mask too! I’m so glad they brought him back, ugh, literally my favorite poster boy of the whole franchise.”
And if Ghost focused a little bit more, he'd notice it didn't quite sound right, as if it wasn't speaking aloud. “The voice” didn't echo around the room when he was inside, didn't echo through the air when he was outside, nor did it have the crackle of the radio. It was simply muffled, like if someone talked from a room over.
“...Uh, yeah, it was totally worth the fifty-freakin-bucks. Rent can wait, my war criminal pookies can’t! …Yes I know they’re probably not actual war criminals. Yeah, I KNOW they’re… man, you’re no fun. Let me simp in peace.”
Ghost knew he hadn't exactly been the… most sound of mind, but he truly began to worry he might have been hallucinating. “The voice” had been following him for an increasingly long amount of time at this point, and he mostly tuned it out. He recently found himself in a new group though, which led to a disturbing realization that he wasn’t fully insane. His worries about that were swiped away when Soap (his new sergeant who was a little too talkative for his own good, in Ghost’s opinion) ever-so-casually asked about “the voice” he overheard during the mission, which he couldn't quite recognize. Everyone in the helicopter was surprised on the ride back, anxiously discussing that faint voice they'd all heard— had been hearing on and off during missions. It gave Ghost a whole new fear.
It was no secret that a majority of the people in base and on missions with them were men, so that distinctly feminine voice being hard to pinpoint caused a new worry among the team. The potential breach of their communication network. The topic came up as an innocent question from Soap about who “the voice” was before everyone realized they all heard that voice, contradictory in how it sounded so near yet so far, so clear yet it hurt their heads to try and process what was said, clouding their minds in a haze if they tried focusing on it for too long.
It was a clear cause for concern. 
Their task force, Task Force 141, a highly-qualified team, who frequently had taken on missions even some of the most seasoned veterans would find difficult.
Their task force, carefully hand-picked from all corners and crevices of the globe, skills compared, packed like a puzzle to cover all fronts. Their identities and information taken apart and put back together, their secrets in the open to the prying eyes of Captain Price as he was given the authority to form a team. Personalities scrutinized against one another to ensure the utmost efficiency and dynamic interactions between teammates.
Their taskforce, the best of the best, highly efficient, a well oiled machine crafted with the utmost caution for the most risky, dirty, and sometimes immoral missions that most wouldn't be able to stomach. All for the betterment of the world and for the protection of their homes and countries.
And yet they couldn't find a single trail, not a single damn clue, about this… voice. "That voice" that came and went almost exclusively on missions, too. There were very, very few cases where it breached outside of missions. Truthfully, Ghost didn't know what he found worse. That the team heard it outside of missions where they didn't have radio communication, simply just out and about, or that it had breached past the sanctity of the missions, crossing into the supposed safe zone of their respective bases, homes, and private lives. Passing the line that they usually hide behind for comfort after rough missions, the place they went to lick their wounds, to reload their guns, and to confide in each other. And this thing, brash and bold came through, kicking that metaphorical line in the sand and bouncing past their defenses without repercussions.
It started in instances where they could ignore it. 
Where it could've been just their mind playing tricks or someone who sounded similar.
At first it was Soap, running around the track and hearing it faintly. He could've mistaken it for the music blaring through his ears if it wasn't for the fact he knew the lyrics by heart, and the singer sounded nothing like "that voice".
“Whoa, Soap cutscene. We’re being fed today. Get your bowls 'n spoons.”
He could’ve sworn he even heard a ‘clank’ of glass or something. It was worse when he realized his earbuds didn't block out “the voice” anymore than usual. It was always somewhat muffled and incoherent unless he focused, even in the quiet. Yet the earbuds in his ears didn't alter it at all. He took a longer shower than usual that day, trying to let the cold water shock him enough to forget what he heard while thoughts ran wild in his head… It ended with him being slightly late to an important team meeting and getting assigned some training as punishment. He chose to keep why he was late a secret, not wanting to startle anyone about “the voice” or sound crazy.
Then it was Gaz. Friendly, slightly more inexperienced than the rest, Gaz. Gaz was on temporary time off, having accidentally pulled a muscle in his arm. He was simply walking through the streets of a nearby town where he had rented a flat. He rarely actually used the thing, since he spent most of his time at base and it was more convenient to use the barracks. Nevertheless, he still found himself in the quaint little town, going for groceries to stock his apartment's fridge. He was weaving through the streets when he heard that odd and unrestrained laugh, snorting and uncaring if it's an embarrassing laugh. 
“Gaz… my pookie-wookie, my cutie-patootie, my absolute ray of sunshine… WHOMST THE FUCK IS DRESSING YOU LIKE THAT?!”
He probably looked like a madman with how frantically he looked around, suddenly stiffened and still as some people complained behind him from how abruptly he stopped, causing them to bump into him. Yet nothing conclusive, he couldn’t even figure out the direction it came from, much less find out who it came from. He didn’t bother talking about it, only loosely mentioning it later when it came up in a discussion.
After that it was Price and Laswell. The two of them standing in a surprisingly mundane office in the base, not expecting much when that bold-fucking-voice echoed through both of their ears. Something about being a homewrecker? They… didn’t know. 
“Laswell!!! Man I wish they had her appear more often, she’s so cool… I’d totally marry her if she didn’t have a wife… What do you mean you’d become a homewrecker in seconds? Have some fuckin’ respect for the woman. Besides I thought you liked Price? He’s… single? I think?”
But it forced both of them to lose their casual mood from before, because they both heard it and neither of them knew what to think about the fact that they were hearing it outside of missions now. That… that was very bad.
The last straw was when Ghost was handing spare masks to the team when there's a faint comment about it. He can't quite hear it, can't quite wrap his mind around what's being said. No one ever seems to make out the words; at least not fully. As if there's a barricade between them and “the voice”. A veil yet to be ripped away to reveal the person underneath. A blockade made to infuriate them and taunt their attempts.
“How many do you think he has?”
A small silence follows the initial voice, as if waiting for a response, then followed with a giggle. A response unheard to his ears, to anyone’s ears. The others tense, hearing "the voice", but no one comments on it at the moment. They had a mission to get to. But they all knew they needed to do something when they got back.
“They probably do smell. They’re out there hiding in grass, getting bloody and sweaty, sometimes deployed for a month, so they definitely stink.”
And yet nothing came of that either. The only thing that changed is that they were all aware of this voice that seemed to follow them. That only their taskforce ever seemed to hear or acknowledge it. That "the voice" came from everywhere and nowhere all at once, sounding as if it was being broadcasted directly to their brains. No trace of this thing only they could perceive, and they started coming to conclusions that were less than rational; because rational thought hadn’t gotten them anywhere thus far. Gaz suggested it might’ve been a ghost, to which Price corrected that it must be a demon rather than a ghost, Soap suggested it was some weird matrix shit, then Laswell tried to convince everyone it was some weird shared delusion. They couldn’t settle on any theories. Ghost didn’t need an explanation. Or at least, he tried convincing himself that, tried telling himself he just needed this thing gone.
These abrupt drop-ins by “the voice” went on for a long while. Something they regrettably got used to. Something they let fester and become a part of them, even if they didn't know it. “That voice” ingrained into their brains, the elated giggles, the annoyed groans, the triumphant cheers, the frequent queries, answers to questions they never heard, stupid comments, everything in-between... 
Ghost didn't notice at first. Time went on, the Task Force's missions increasing after they bombed General Ghorbrani during an arms deal Ghost intercepted. Things were escalating into a silent war the general populace wouldn’t notice, and likely never know about, kept quiet and under wraps to keep the waters calm. The voice lingering on every damn mission, somehow with all of them at once even if they were in different corners of the globe. 
Then he had a wave of realization wash over him.
It was an easy mission compared to the previous few. An easy in-and-out. Just him and Soap, watching a building from afar. Biding their time. He felt anxious, a long gone twitch in his fingers resurfacing as he felt his fingers become clammy beneath his gloves. 
He had to stay calm, stay cool. He was ‘Ghost’ right now, a walking dead-man without weakness. He was strong. This mission was easy. 
This was no time to be antsy. Patience, he reminded himself. It was just him coming down from the high of adrenaline of the previous missions, all fast paced and requiring frequent combat. That's what he tried to tell himself, when that bloody Scotsman casually began chattering over the radio.
Jokes, bad ones, yet jokes he shared an enthusiasm for with Soap nonetheless. Ghost could tell there was a slight edge to his voice as he spoke though, equally antsy. He may have been somewhat distant but he was perceptive. Picked up on behaviors in others. Read them and their emotions. It was necessary in his job, and he was sure Soap probably picked up on his nervousness as well, as he was smart, even if he sometimes seemed a little air-headed and brash at times.
"No laughs from 'that person' today?" Soap feigned offense. Then they both realized. They were anxious from the lack of that person. “The voice”. They obviously didn't know who it was or their name, but everyone on the force knew who was being referred to when someone said 'that person' or “the voice”.
 It felt laughable that they were startled by some incorporeal voice not being there. If anything, they should be grateful they were spared its presence. Yet they weren’t. Ghost laid in his bed that night, sleepless, a common occurrence for him. But tonight instead of the nightmares that played when he closed his eyes, he just… contemplated. Brooding.
It was a few nights later when he came to terms with it. He knew some things were wrong with him, hell, most soldiers had something wrong with them if they worked as long as he did. But, he found himself.. weirdly fine with it. It seemed some of his teammates felt the same way as he did, and others did not. Soap made jokes out of it, unafraid around other Task Force members to refer to “the voice”, sometimes speaking directly at it, most of the time not getting much in terms of responses. There was only really one time he could make out something from “the voice” in response to one of Soap’s direct words towards it.
“That line… didn't play last time I played this one.”
It was probably one of the only things he could make the full sentence out of, and it seems everyone else on the team heard it fairly clearly as well. “...‘That line?’” Price repeated, quizzical. Referring to it like a game. 
“Must… Must be an easter egg.” A nervous laugh followed. 
The next time he found himself on a mission with that strange feeling, as if he weren’t himself, as if something else willed his way… There was almost complete silence. Unusual, a first for that sinking feeling to be there without any noise. He noticed after the missions were over that only when he had that uncomfortable feeling was "the voice" responsive. 
“Not talkative today?” He asked, not really to anything in particular and not expecting any sort of response. He could almost intuitively tell whatever “the voice” was, was there. He was again alone for this mission and that probably was what gave him the confidence to actually speak to it. He wasn’t worried about anyone hearing him and sounding crazy. And the response? Well, it was hard to hear, almost inaudible to him, but he heard a small gasp, and a shaky breath afterwards. 
…That was probably the first time the weird feeling left his body mid-mission. As if it was the one unsettled when every time it appeared, he and his teammates felt out of control, a passenger in their own body, hazed and moving as if puppets. Hearing a voice that lacked a body, floating around and seemingly coming from nowhere. It had no echo, no substance or matter, as if the sound didn't vibrate through the air.
And it was a while before he, or anyone, heard that lovely— 
…“The voice” again. He was careful not to directly reference it. Them.
Ghost thought about it some more, and found himself talking to Gaz one night at the pub, Soap hammered, currently in the bathroom while Price tried to help him to get stable enough to get to the rented car so the four of them could return to base. “Maybe Soap wasn’t too far off with the Matrix idea.” Gaz idly swirled his cup, almost devoid of liquid and only really clinking the ice in it around. He wasn’t really talking to Ghost in particular, more-so rambling to the air and himself due to him being tipsy.
Ghost leaned back in the booth, his mask barely lifted enough to allow him to drink a bourbon he’d been nursing half the night. Didn’t want a hangover the next day, he’d already be in a bad mood since he had recruits to train and they were often stupid and infuriating. “Yeah? How so?” 
Gaz, who seemed to not really mean anything when he initially spoke, sat up straighter, more zoned in on the conversation upon seeing his Lieutenant had taken an interest in what he was saying. “I was thinking about some of the things I’ve heard, that the others have heard, and just… the reactions in general. And that feeling… I don’t know if you get it but—”
“Like you’re possessed.” He interjected, knowing what he meant. Gaz’s eyes widened slightly. While they all knew about “the voice”, it seems none of them knew that weird feeling was shared. The feeling of being possessed, watched, almost like they were prey, not highly experienced military men capable of defending themselves and others. He nodded and drank the rest of his bourbon, setting it down on the table and looking back to Gaz, tucking his mask back down over his face.
“It’s just like… Like they’re playing a game. Controlling us. The reactions… It's like when you complete an objective or something. And it’d explain the feeling, like we’re controlled. Plus with how they reacted to Soap that one time, I could see it.”
“See it? The hell you seein’?” He didn't want to believe his life was a game. But Gaz made some good points. Ghost… No, Simon didn't play many games. He’d played a few party games with his team during off-time, Price convincing them that Mario-Kart was in fact a good team-bonding activity and absolutely necessary. But his off time wasn’t usually spent playing games, it just wasn’t something he could relax enough to do, never able to get calm enough to focus solely on said game.
“Imagine you’re playing a game—”
“Hard to imagine.” He barks, slightly sorry at the tone, though he wouldn’t correct himself.
Gaz sighs and continues. “Okay, imagine that it's team bonding night, and we’re playing Mario Party. Imagine everyone having a good time, laughing, chatting, playing the game, when Mario turns directly to the screen and acknowledges you. Like, unprompted, never happened before when you’ve played the game hundreds of times before? You’d probably be a little freaked out if you knew it wasn't the type of game to do something like that.”
Price interrupts, Soap slung over his shoulder and motions for them to head out to the car after he pays for the tab. Once everyone is in the car, Gaz continues.
“It’s just, the shit they said made me think about it. ‘That line’, ‘last time I played this one’, hell, them directly talking about us talking to them as an ‘easter egg’ makes it seem pretty clear to me.” Price glanced over, raising a brow at Gaz, who was sitting in the front passenger as He drove. Ghost was unfortunately stuck with a very clingy Soap in the back seat. “It’s clear whatever they were referencing is similar to a game, one they’ve played before. “
“You talking about ‘that person’? ‘The voice’?” Price sighs, slightly exasperated at the topic. He wasn’t quite convinced about "the voice" being real. He was still slightly in denial, but his slight intoxication must’ve allowed him to continue listening to the topic, not shutting down Gaz’s line of thought quite yet.
“You see what I mean though? If you were playing a game and the character you were playing just randomly acknowledges you out of nowhere, suddenly fucking sentient, you’d probably be scared shitless, especially if they’re a normal civilian.” Price hums, and Ghost blinks slowly, taking the information in and moving away from partaking in the conversation. The reaction was pretty akin to the one from when he was alone and spoke to “the voice”.
“Who’d wanna play a game involving the shite we do? We’re a bunch of soldiers doing unsavory work, I doubt that’s entertaining.” Price shakes his head, gripping the wheel a little tighter, his knuckles slightly turning white before he relaxes his hand with a sigh.
“Maybe not to us since it’s real-life. But think about it like this, a ton of people watch horror movies or slasher films. It’s not that they enjoy watching people die or get scared, but it’s like… an adrenaline thing. And you know when ‘that person’ appears most? On missions.”
This time, nobody responded. Gaz didn’t bother continuing either, already having made his point clear. An uncomfortable air settled in the car, not even forgotten the next day, even Soap somehow was capable of remembering the conversation despite the fact his head was reeling and his stomach turning in the backseat of the car.
This time they had settled on a theory.
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em-dash-press · 1 year
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Grammar, Spelling, and Punctuation: Writing 101
I adored grammar lessons in grade school, but I realized they were specific to the school I was in when I switched school systems.
Not everyone gets to grow up with grammar quizzes and sentence diagram tests. Don’t feel bad if you can’t tell an em dash from a hyphen! Browse this guide and you’ll refresh yourself on everything you need to know.
Note: this is for American English and assumes you already speak it as a first or second language. It won’t explain verbs, nouns, etc. Also, some parts will vary by in-house style guides with various publishers. However, you can use these refreshers to problem-solve your WIP and feel more confident about how you wield your words.
1. Punctuation Around Dialogue
American English grammar rules almost always firmly state that punctuation around dialogue goes inside quotation marks.
Examples:
Wrong: “I don’t want to go to the park”, she said.
Right: “I don’t want to go to the park,” she said.
This rule won’t apply if you’re asking about something someone said. Otherwise, punctuation always goes inside the quotation marks to end what’s being said.
Examples:
Wrong: Did the teacher say, “Do your homework?”
Right: Did the teacher say, “Do your homework”?
Also, dialogue tags always have a comma separating what’s being said from the tag itself. That’s because the tag is an integral part of the dialogue since it identifies who’s saying the spoken words.
Examples:
Wrong: “I love chocolate ice cream.” he said.
Right: “I love chocolate ice cream,” he said.
2. Adjectives vs. Adverbs
Adjectives and adverbs often get confused. They both start with “ad” and describe other words. So what do they mean?
Adjectives are descriptors that apply to nouns.
Adverbs are descriptors that often end in -ly and apply to verbs, adjectives, and other adverbs. (Basically anything but nouns.)
Examples:
Adjective: He is a hairy cat. [“Hairy” describes the noun “cat.”]
Adverb: The hairy cat ran quickly across my yard. [“Quickly” describes the verb “ran.”]
Adverb: He really likes to roam. [“Really” describes the verb “likes.”]
Adverb: Even though we have a very small neighborhood. [“Very” describes the adjective “small.]
Adjectives are also considered stronger descriptors in writing because they’re more specific. Using adverbs occasionally is often fine, but publishers and editors that sift through submissions with a fine-tooth comb don’t like repeated adverb usage when a more direct description could fit the sentence.
Examples:
Adverb: I really enjoy going to the movies.
Stronger verb: I love going to the movies.
3. There, They’re, and Their
People often get these confused because the English language is very confusing. To put it bluntly:
There: a location
They’re: a contraction for “they are”
Their: the possessive pronoun form of “they”
Example:
They’re driving their car to that store over there.
4. Run-On Sentences and Fragments
Run-on sentences go on for too long. Fragments are incomplete sentences.
You’ll know both when you spot them because it isn’t how people normally talk. People pause to collect their thoughts, take a breath, and describe their thoughts in complete sentences (even with slang, the sentences still make sense).
Examples:
Run-On Sentence: She went to work and had a meeting at 11:00 before going to lunch at the restaurant across the street which had her favorite food on the dessert menu so she enjoyed it before going back to work and clocking out at 5:00. [This sentence addresses six different actions in too many phrases for a running list of commas with a conjunction at the end.]
Fragment: Every single animal. [Every animal what? There’s no context, so the sentence is incomplete. Sometimes writers use fragments as creative descriptors if they break grammar rules effectively, but you have to know how to avoid fragments to use them well.]
5. Em Dashes
Ah, the em dash. I’m so biased when it comes to this punctuation mark.
Em dashes indicate a purposeful pause, followed by essential information. They can also distinguish phrases or lists in the middle of a sentence.
Most importantly, they’re the length of an m.
You’ll know you’re using them correctly if you can replace your em dash with a pair of commas, a colon, or a semicolon.
Examples:
I love using em dashes—especially for sentences like this—so I may use them a little too often. [You could replace the em dashes with commas and it would still be correct.]
I couldn’t resist it—Em Dash Press had to be the name for my blog. [This em dash could be a semicolon.]
6. En Dashes
En dashes are the little sibling to em dashes. En dashes are two hyphens long or the length of an n. They point out the range in numbers or time, but can also stand in for “to” or “and.”
Examples:
The war lasted from 1434–1442.
I’ll be at the library from 6:30–7:30 p.m.
The final score was 32–34.
You have a ticket on the Chicago–New York flight tomorrow evening.
7. Hyphens
At this point, you’re likely wondering what’s even left for hyphens to do. The answer is quite a lot.
It’s one dash wide and joins words.
Examples:
Hello, my name is Alvina Stuart-Kelly.
I’m looking for a dog-friendly apartment.
She has a two-year-old child.
Typically, they don’t go after adverbs and don’t join words after nouns.
Examples:
Incorrect: My apartment is dog-friendly.
Incorrect: That child is two-years-old.
8. Commas (Oxford and Otherwise)
Commas are a curse and a gift for writers. Myself included. 
We often use commas that are unnecessary because in our mind, that’s where we’re pausing to breathe or collect our thoughts as we type the sentence.
Sometimes it just feels right to use too many—until it’s time to edit.
There are multiple types of commas. The first is the comma that connects a coordinating conjunction (and, but, or, for, so, yet, nor).
Example:
He’d love to hang out, but he has to finish his homework.
A comma can also go after an introductory phrase.
Example:
When we last spoke, it was still November.
Commas also go around phrases within a sentence.
Example:
My neighbor, who is a great painter, is open for commissions.
Then there’s the Oxford comma, which goes before the coordinating conjunction at the end of a list.
Example:
We need to get paper towels, apples, and flour at the supermarket.
You can also place a comma in between two nouns that are interchangeable.
Example:
The fresh, cheesy soup is delicious.
The cheesy, fresh soup is delicious.
There should be a comma after a conjunctive adverb at the beginning of a sentence if it’s contrasting something.
Example:
I don’t like swimming in rivers. However, I’ll make an exception for you.
Introductory prepositional phrases (you can find a complete list of prepositions below) also get followed by a comma if they’re more than four words long. However, you can put them after smaller prepositional phrases too. 
Examples:
[“After the game” is the prepositional phrase below.]
Correct: After the game we should get milkshakes.
Also correct: After the game, we should get milkshakes.
Also correct: After the game ends tonight, we should get milkshakes.
When a prepositional phrase ends a sentence, you don’t need to put a comma before it because they’re typically describing a verb.
Incorrect: We should get milkshakes, after the game ends.
Correct: We should get milkshakes after the game ends. [“After the game ends” is describing the timing of the verb “get” in relation to the object “milkshakes.”]
9. Prepositions
Prepositions are words that come before a noun, verb, or pronoun to indicate details like the place, time, direction, location and relationship to an object.
There are too many prepositions to list in this post, but you can find a ton of them over on this website.
Examples:
He left ~for college~.
They were born ~in 1972~.
~From September to November,~ I’m going to be very busy.
You’ll know you’re using a preposition incorrectly when it’s essentially dangling at the end of the sentence or can be removed without changing the meaning of the sentence.
Examples:
Incorrect: Where’s the mouse at?
Correct: Where’s the mouse?
Incorrect: He leapt off of the couch.
Correct: He leapt off the couch.
Notably, some uses of prepositions are colloquial. In real-world conversations, you might say things like, “Where are you at?” and that’s absolutely fine. It’s even fine to use them like that when writing dialogue for characters who have a specific vernacular usage of them, like regional or cultural phrasing.
When neither of those are present in the written word, editors will recommend revising your sentences to reflect prepositional usage rules like the ones above.
10. Apostrophes
Apostrophes have a couple different jobs.
First, they show possession when something or someone owns something.
Examples:
That is Henry’s car.
Watch out for the tree’s loose branches.
Apostrophes also go after an “s” if the plural noun has possession of something.
Examples:
The stores’ new parking lot looks much better.
The wagons’ wheels were made of wood.
The classmates’ party just began.
When a plural noun doesn’t end in an s, it usually gets the standard apostrophe before an s.
Examples:
The sheep’s pen needs a repair.
The people’s voice matters.
The women’s shoe section is over there.
Apostrophes join words to create contractions too. Contractions join two separate words to save time, effort, or word count. They’re what most people use in everyday language because contractions are less formal in tone. (I just used one in that previous sentence!)
Examples:
It’s time to go to bed.
They’re making dinner now.
I can’t run very far.
11. Colons
We use colons to make sense of too much information. Basically, they give order to lists, phrases, or titles.
Examples:
They need to call the following guests: Isabelle, Ana, and Richard.
The Urgent Need for Answers: A Call for Solutions to Healthcare Inequities [This would be the title of an academic paper, book, or article.]
We have one thing in common: the desire to write more stories.
12. Semicolons
Don’t be afraid of semicolons; they are here to help you!
Semicolons join two related ideas or clarify lists with multiple long phrases.
Examples:
I ate dessert before dinner; life is about doing what makes you happy. [The second half of the sentence provides clarity or reasoning to the first half. The semicolon could get replaced by an em dash or “, because” if you preferred it that way.]
When I wake up, I brush my teeth with an electric toothbrush; swish a sensitive-teeth mouthwash in my mouth for 30 seconds; and wash my face while I shower. [If you replaced the semicolons with commas, the phrases would be considered too wordy. Semicolons provide more visual order for readers in this context.]
13. Exclamation Marks
Some people avoid ever using exclamation marks. Others use them all the time.
I say that the correct usage depends on the situation.
If an overly enthusiastic, excited kid were telling their friends they were going to Disney World, they might breathlessly say something like, “I just got the best news! My mom got time off of work! So we’re going to Disney World!”
However, if a more serious or laid-back person said they had a good day and wanted to describe it, they’d likely say, “My day was good! I had a great lunch and the drive home was easy.” Finishing the last sentence with an extra exclamation mark would be out of character for them.
You also wouldn’t want to use exclamation marks in formal writing settings, like academic papers or newspaper articles, because it would come across as too casual. But it’s fine if you’re writing a social media post or texting a friend.
As long as the exclamation mark indicates excitement or urgency, you’re using it correctly. Consider who’s speaking and why to figure out if their dialogue would result in more than an occasional exclamation mark.
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I hope this helps clarify the basics so you’re more confident about writing your next story. Grammar is complicated and ever-changing (I’m looking at you, AP Style Guide), but you can count on these basics to structure things correctly for your readers.
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favourite or most interesting wenglish quirks non-welsh people might not know about?
I have no idea what people would be likely to know about or not, so I'm just going to list a bunch, I think.
Inversion! I.e the thing Yoda does! Welsh allows a degree of syntactic fluidity for emphasis, and Wenglish carries this over. "Look at Boris Johnson. An absolute clown, that man is." "I saw EEAAO on the weekend! Magical, it was, just brilliant." This one sometimes can sound almost... wrong, actually, when used by an actual Welsh speaker. A totally normal sentence I have heard my husband say is "So cute, the cat!" instead of "The cat is so cute!" He once looked at a Pomeranian and said to me "So small, the dog!"
Doubling up on the verb to be! Similar to 'innit', but... more. "I'm going to give him a piece of my mind, I am." "He's all tired out, he is." She's been on the go all day, she has." Sometimes this becomes inversion if the speaker drops the first part. So, that last one might be "Been on the go all day, she has."
Double dipping with adjectives! Specifically, adjectives that mean the same thing. English, being a Frankenstinian mash up of eight others, has a much bigger vocabulary than Welsh, and Welsh speakers in the 1700s being forced to assimilate were fascinated by it. So "There he goes, driving around in his big huge car" - a totally normal and not redundant description in Wenglish.
Double dipping with nouns! Same reason. "Whose coat is that jacket?" "Whose shoes are those boots?"
The negative question! I love this one. When asking a shopkeeper, you might say "Have you got any milk?" Not in Wenglish! In Wenglish you say "You haven't got any milk, have you?" (Grammatically, the correct answer to that is probably "Why, don't you want any?", but in reality the answer is "Yes we do" and that's linguistically correct.) Something something Welsh people expect to be disappointed something something.
Expanded words! 'Where' is usually 'where to'. "Where to am I going?" "Where to am I taking the kids?" "Where to have you put Mam Gu's medicine?" Sometimes it can be 'where by', "Where by does she live in Cardiff?"
'Do' gets added in before verbs in some parts of the south east. This comes from a method of Welsh verb shortening, actually. 'Cerddais i' means 'I walked' - 'nes i gerdded' means the same thing, but literally is 'I did walk'. And that's how they roll in Abertillery! "Whenever I go to town I do buy a cake." "Gareth do play rugby on the weekend". (For clarity's sake, that last one would otherwise be 'Gareth plays rugby on the weekend.')
'Look' and 'see' as verbal tags! Used at the end of a sentence for emphasis. "He's done fucked it up, look." "It's easier not to bother, see."
And a whole bunch of Welsh loanwords that get sprinkled in. Plus some English ones that we liked and used indiscriminately; the biggest and best example of that is 'tidy', which is the most overworked word in all of Wenglish. How much did you sell your car for? A tidy amount. Did she hand in the wallet she found? Yeah, she's tidy. How was your blind date? Tidy, yeah, might go for a second with him. Did you enjoy your meal? It was tidy, yeah.
Welsh ones:
Dwt (n) or dwti (adj). Very tiny. "He's a dwt of a boy." "Look at the kittens! I love the little dwti one."
Cwtch, my beloved. Best word. Closest English analogue is 'hug', which we also use, but a cwtch has connotations of being a little fluffy animal tucked cozy and safe into a comfy little space all happy and warm. Can be a noun (a cwtch), a verb (cwtch him up all nice) or an adjective (I love this room, it's cwtchy). There is safety, security and comfort to a cwtch. Lesser used, but it also applies to a method of wrapping your baby into your arm with a shawl (traditional Welsh childcare method: baby stays warm, your arm doesn't get tired, and you keep one hand free), and the small cupboard under the stairs.
Bach - small. Used as a term of endearment. "How are you, bach?" Generally used by someone older to someone younger.
Byt/byti - mate. Possibly where the American English 'buddy' comes from. Used like bach, but between peers rather than older to younger.
Titles. Especially for grandparents! We're still recovering from the lost generation of the seventies and eighties, so it's not uncommon for people to have Welsh speaking grandparents who didn't pass on the language but use the titles. Mam-gu and Tad-cu in the south (abbreviated to Gu and Cu), Nain and Taid in the north. But also Mam instead of Mum.
That's all I can think of offhand, anyway! There will definitely be more.
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hayatheauthor · 1 year
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How To Write POC Characters Without Seeming Racist
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Writing about a community you don’t come from can be hard. A lack of research or basic knowledge can often lead authors to wrongly represent or describe characters who belong to that community. But this is a simple mistake that can be reversed with a little bit of guidance and an open mind. 
If you’re a non-POC writer looking to accurately describe your POC characters without coming off as racist, here are some tips for you! From a POC YA fantasy author. 
Would You Describe Your Character Similarly If They Were White?
This tip is honestly a very basic technique that is often overlooked when discussing ways to combat racist descriptions in literature. The tip is simple: if you wouldn’t describe your character that way if they were non-POC, then don’t use that description. 
Think of every time you described your POC character’s physical features. Did you ever feel like you ‘had to’ write a certain description because your character was POC? Are your descriptions of your non-POC characters drastically different from that of your POC ones? 
If your answer to these questions were yes, then it’s very likely that your POC descriptions will come off as racist to your readers. 
I would recommend crawling through your manuscript and comparing the way you describe your non-POC characters to the way you describe your POC ones. More specifically, compare how you described your characters the first time they were mentioned in the book. The goal is to compare the two descriptions and figure out any differences between them, why these differences are present, and whether they exist due to a racist eye.
Word Choice 
An author’s word choice when describing their POC character is often a direct reflection of their perception of that community. When writing a POC character, it is important to consider what your character really looks like. This goes beyond their hair type or skin colour. 
Take a look to analyse your character’s physical attributes and come up with a list of words you could use when describing them. This can be beneficial in the long run when you need a quick adjective to describe said character during a scene. 
How To Describe POC Features 
Non-POC authors often don’t realise how discriminatory or redundant their descriptions of POC characters can be. They tend to water down their character’s features to the colour or visual depiction of it rather than actually describing those features. 
Saying your character has tan skin is an effective way to describe your character’s appearance, but it can come off as a cop-out when compared to detailed descriptions of your non-POC character’s fair skin dotted with light freckles. An easy way to better your descriptions is by using creative descriptions. 
Here is an expert from my WIP, The Traitor’s Throne, that describes one of the many POC characters: 
Her grandmother’s briefings of the royal guards failed her when Amaya needed them most, for try as she might, Amaya couldn’t recall anything to help her recognise the green-eyed man with a face like an acorn, both in shape and shade. 
I could have easily said he was tan skinned and left it at that, but the acorn analogy seems more alluring and helps the reader gain insight on the character’s features instead of their skin tone. 
When using creative descriptions, consider using words and phrases that tie into your character’s personality. A scary antagonist would have long black hair dark as night that curtained their pale face, a cute child could have golden skin that glowed under the sunlight. 
Refrain From Using The Word Exotic! 
The word exotic is possibly the worst thing you could use when describing a POC character. 
The Oxford dictionary describes exotic as ‘from or in another country, especially a tropical one; seeming exciting and unusual because it is connected with foreign countries’. Thus, this adjective would make no sense if your book takes place in a POC setting or is written from another POC’s perspective. 
Exotic is also often overused by non-POC writers and is seen as a lazy copout by many. 
Rather than describing your character as exotic, consider actually describing their features. Ask yourself why you chose to use exotic in the first place. Maybe they have wild curls unlike anything your character has ever seen, or their fair skin is so different from the tan skin your character is used to. 
Narrow down the reasons and then take the time to redescribe your character. This will not only help you ensure you don’t come off as racist but will also paint a clear picture for your readers. 
Are you facing a hard time trying to pick the right words for your POC characters? Consider checking out this blog by writing with colour on Tumblr that details how to describe skin colour. Their tips can also be applied to other aspects of your character’s features.  
Avoid The Stereotypes 
I can’t tell you how many times I’ve sighed in annoyance every time I come across a tan-skinned South Indian character in literature who is kind and smart and has long dark brown hair.
Yes, there are many Indians who look like that. But India is a diverse country known for its various cultures and people, and it’s unfortunate to see authors completely overlook the rest of our country in an effort to pertain to their stereotypes. 
The same can be said for many other POCs, such as East Asians who are always described as thin and dainty with sharp features and minds, or Middle Easterns and Africans who are extroverted, excitable and often portrayed as violent. 
Non-POCs often find racial stereotypes amusing, but they are really just frustrating and show us how uninformed non-POCs are when it comes to our cultures and countries. 
The next time you draft up your POC character’s appearance and personality, take the time to consider why you chose to make them this way, and whether their personality is really a reflection of your limited insight into that character’s culture. 
Don’t Over Describe 
It’s important to paint a clear description of your characters, but it’s just as important to remember when your descriptions are redundant. Overdescribing POC characters is the biggest mistake you can make when writing a POC. As mentioned at the start of this blog, it’s important to consider whether or not you would describe your character that way if they were non-POC. 
For example, if I were writing a fight scene between the antagonist and an African character, I would likely use lines like ‘their dreadlocks slapped against the back of their neck as they raced away from the villain’ or ‘the blood staining their hands ran down their russet arms as they tightened their grip around the antagonist’s neck’. 
These are simple yet effective descriptions that help paint a clear image of the character without ruining the reader’s immersion. 
When writing POC characters, it’s important to remember that they are just like every other character you are writing. They are human. And their race or physical attributes shouldn’t change the way you describe your characters.
 I hope this blog on how to write POC characters without seeming racist will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and subscribe to my email list for new blog updates every Monday and Thursday.  
Looking For More Writing Tips And Tricks? 
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of my blog where I post writing and marketing tools for authors every Monday and Thursday. 
Want to learn more about me and my writing journey? Visit my social media pages under the handle @hayatheauthor where I post content about my WIP The Traitor’s Throne and life as a teenage author.
Copyright © 2022 Haya Sameer, you are not allowed to repost, translate, recreate or redistribute my blog posts or content without prior permission
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Questions about fanfiction that I need everyone else's opinion on, apparently (part 1)
An epithet is a descriptive term/phrase accompanying or used in place of a person/place/thing's name or pronouns, e.g. the blonde or the older man.
Note: In the poll above, I'm not referring to any of these types of epithets or other uses of the word:
An descriptor accompanying a name, e.g. Howard the Duck
Where surnames do not exist/are not being used, using adjectives to differentiate between people with the same name, e.g. Peter the Celestial-Human hybrid vs. Peter the spiderling.
A descriptor that is a title or alter-ego, e.g. The Mad Titan or The Hulk.
Using an epithet to refer to a character before the POV character knows their name, e.g. if Sam Wilson were to refer to Steve Rogers as The Annoying Guy Who's Running Impossibly Fast and/or Mister Speedy before he realizes who Steve is.
Situations where the word is used in its alternative meaning, to describe an abusive, derogatory, or defamatory word or phrase.
I'm asking only about the types of epithets that are often found in fanfics, and in slash fics in particular, to refer to a character instead of using their name or pronouns.
For example: "The first time Bucky began this phase, Steve didn’t know what to do, how to help the other man. Bucky’s therapist gave Steve a list of things he could do to help the blue-eyed man to ground himself in reality, but the one and only time the blond tried..."
Or: "The supersoldier stopped mid-word and stared at Bucky. The older man did some quick thinking then said..."
(because I didn't want to use any other published fics as an example, the above two examples are taken from two of my own published fics, and names or pronouns were replaced with epithets) (if you're not a Marvel or MCU fan, my apologies for using all MCU characters for the examples)
I personally don't like epithets for multiple reasons.
If you specifically do or don't like epithets, I'd love to hear why!
Please reblog for greater reach and more opinions!
Part 2
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2soulscollide · 1 year
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Hi! How can I write about a character who struggles to accept himself? Any tips?
hello hello!
writing about a character who struggles to accept themself is a great way to make a story relatable since lots of people go through it and it can even help the reader not feel alone in their own struggles.
in order to make them relatable and realistic, you should build a strong backstory:
what don't they accept about themselves?
why do they believe it? what are their limiting beliefs?
since when do they struggle with it?
how do they talk to themselves?
how was their childhood?
who raised them?
where do they live?
while building their profile, you should define their characteristics such as flaws, vulnerabilities, fears, weaknesses, etc. this is fundamental to understanding why the character struggles to accept themself.
another important thing is their role in the story. are they the main character and their struggle in the main plot? this will help you as a writer to figure out the amount of importance and depth to give to this struggle.
if it is a major part of the plot, you might want to connect it to their end goal, and create a character arc:
what is their main goal?
do they ever overcome their struggles?
if so, how?
did someone help them?
on an end note, i'd also like to remember to use common language and avoid using technical terms, unless it's really needed. people will feel more "at home" with relatable language!
well, i hope this was helpful!
i think you might also be interested in my free workbook, which has a whole section dedicated to character building. you can download it on my gumroad shop! it has over 400 downloads and I've been receiving good feedback from other writers <3
have a nice day!! :D
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elwenyere · 10 months
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Crafting Comments on Fics
So with Comment Fest approaching - and with the possibility of bot-generated comments undermining the value of reader-writer engagement - I thought it might be helpful to provide a short explanation of some different approaches I use in crafting comments, in order to identify a few places to get started for anyone who has wanted to leave more (or more detailed) comments but who feels unsure how to get going. 
This is far from an exhaustive list, and the categories are designed to allow for a mix-and-match construction with varying levels of development (from basic to more elaborate). At the heart of it, I think of commenting as a practice of paying attention to what I notice in a story and then crafting language to share those observations with the writer. So each of these categories starts from something we might notice when we read.
1. Affect: how the fic affected you/made you feel
This is a great place to start if commenting feels intimidating, because you’re drawing from your own emotional responses. A basic template might be something like “_____ made me ________.” You can pick a particular moment (the scene with the tooka infestation, the kiss in the Denny’s parking lot, the moment we realize character x was dead the whole time, etc.) or focus on the fic as a whole; and you can describe the effect in simple terms (made me cry, smile, laugh, feel soft, etc.) or extravagant ones (made me want to roll myself into the sea, made me feel like I had ascended to a new astral plane, shook me so deeply it registered a 10.3 on the Richter scale). The idea is to take one or more responses you had to the fic and let the writer know what they were/what about the story produced them. 
2. Memory: what from the fic has stuck with you
If a story has an especially strong effect on you, you might also let the author know what particular moments, lines, or images are going to linger in your mind after you finish reading. After identifying the detail(s) you want to flag (if you were going to bookmark this fic with a note to remind Future You which one it is, what image or scene or plot premise or line of dialogue would go in the “the one with the ___________” slot?), you can describe the way it’s sticking with you in general terms (I’m still thinking about it, chewing on it, rotating it like a Hot Pocket in a microwave), or you can point to some of the reasons why it’s sticking with you (it captures character x’s whole deal so well, it reminds me of y moment in the film/tv show/comic, it crystallizes a larger theme in the story so effectively). 
3. Appreciation: what in the fic seems beautiful, artful, striking
In this approach you’re giving a writer a sense of what stood out to you aesthetically about the story: the moments that made you feel like “put a frame around that fucker because I want to keep staring at it.” This category can feel tricky because there might be terminology specific to the form that we’re not familiar with, so it can feel hard to describe what exactly makes a moment strike us as well-crafted. But we might think about the appreciation approach as having a basic template: “_____ is so ________.” The first slot can be either general (the whole story, a larger scene, the way the author writes dialogue or description or a major character) or very specific (copying and pasting a particular line or passage, identifying a pattern of imagery, pointing out the way the author narrates a specific kind of experience). And the second slot can be just one adjective (beautiful, visceral, unsettling, powerful, stunning, lyrical) or a more elaborate evaluation (so effective at conveying emotions, so hard-hitting after the slow build-up, so vivid I feel like I’m actually there). 
4. Discovery: what the fic showed you/made you think about
Sometimes you read a fic that makes you think about the media/the ship/the characters in a new way, and that’s a really powerful thing to share with the writer. As with the other approaches, you can frame this in terms of the fic as a whole or pull out particular lines or plot points, and you can either describe the effect on your thinking in general terms (this changed my brain chemistry, this blew my mind, this is canon for me now) or in specific ones (I’d never thought about x moment in the film that way before, but now I’m going to think about it that way every time; the line where character x says y was like a lightbulb moment for me - it clarified so much about x’s motivations; I would never have thought about this show as being about z theme, but after reading this fic, I’m seeing z everywhere). 
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So there you have it: a non-exhaustive list of things we notice about stories and some ways to talk about that. I hope it’s helpful. And of course, when in doubt or when pressed for energy, a string of emojis, a keyboard smash, or an all-caps “I LOVED THIS!!!” are also wonderful ways to share a little love with fic writers.
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lol-jackles · 9 months
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I understand producers wanting a no risk lead and Jared earned that credibility and reputation. I don’t disagree with everything you said about Jared.
But I’m still surprised that Jensen didn’t earn the same reputation being co-lead and surprised he has not been given the opportunity to lead or co- lead again on another show. He seemed to have built a strong reputation with directors and producers and execs in the industry so shouldn’t he be on that same short list? I just don’t get what jensen is missing that jared or max theriot, Tom Ellis or Justin Hartley seems to have. What is that “x” factor?
The work he did on Smallville, Spn, Big Sky and The Boys, why didn’t that earn him points to have studio execs ensure he stays employed and part of a show?
Even in an industry that 97% are unemployed, Jensen seems to be a standout actor that gets constantly overlooked. Why?
Jensen was going to be a lead in Greg Bertlanti's unnamed project, but then Zaslav happened. But you ask a very good question on why the networks' bean counters don't have him on a Short List.
First, my wild guess is while Jensen's scene stealing talent improves the episode he's in, it's not the same as having screen presence to create a story, which is a must for lead actors to carry a show. For example, Jared's two-minute screentime in "The End" was not scene stealing, he became Lucifer for the sake of the story and left a memorable impact on the viewers' impression.
Think of every time spin-offs were created to capitalize on the scene stealers’ popularity, only for the scene stealers “special-ness” to evaporate into the ether when they have to carry the show by themselves.  Rebel Wilson had her own tv show called Super Fun Night. but it failed because fans expected to see the whacky side kick persona, but instead got a Rebel Wilson playing a normal woman who is sometimes socially awkward.
Second, Jensen has a bit of a branding problem.  If an actor doesn't understand what their brand is, then how do you expect casting directors to see it as well?  
Actors make the mistake of trying to please every customer by changing who they are and not understanding that getting hired starts with choosing a brand for themselves and sticking to it.  Say you own an Italian restaurant and I come in and say, “Oh, gosh! You know what? I want Mexican food.” And then you say, Okay, we’re cooking Mexican food now.”   This is what a lot of actors do.
I used to joke that Jensen was like an active from the show The Dollhouse. Actives are neutral human husks until they're downloaded a personality to carry out a specific mission.  You don't know what the true nature of an active unless you're willing to watch several episodes to look for clue crumbs to their innate personalities.  
I tell young aspiring actors on how to discover their brand by pretending to write a profile for an online dating site.  People usually don't write descriptive sentences but use adjectives: funny, athletic, intense, quirky, great smile, etc.  To help them along, ask their trusted friends and family members to make a list of 5 qualities that pop into their heads.  Then use the impression that appear over and over again because now you know that is you, your essence.
Too many times actors wait for an agent or manager to show up and tell them who they are. Or they ask me, “what do you think I am?". Actors have to decide for themselves and figure out their acting “singularity”  -- that exclusive combination of attitudes and behaviors that make them an original even when they're typecasted. Some people describe Jensen as a version of Dean-lite, but that doesn't make Jensen an original then.
Third, Jensen is not a natural born-leader. Most of us aren't, but like acting, you can constantly work on the craft. Leaders are supposed to protect their team, but Jensen was still soft-bashing Jessica Alba twenty years later. I don't care if Jessicca was a bitch, a real man is not supposed to betray a woman’s confidence. He can still talk about the difficulties of working with Jessica while respecting the position she was in and up against. In contrast, Jared immediately defended his female co-stars when it was popular to dunk of them: the Olsen twins, Paris Hilton, and Snookie.
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lyralit · 2 years
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writing characters who speak other languages
> similar sounding words.
if it sounds the same (table in french and table in english) or similar, the speakers of the other language often interject the word in that other accent into the phrase. 
> grammar
grammar isn’t the same in all languages! it’s very easy to translate something literally and have the words completely switch up to make no sense. adjectives often switch sides—so you can go from “run fast” to “fast run”.
> accents
[this is my personal experience] but I’ve never meet a French person speak with a sterotypical “ze toilettes iz zat way” accent. actually a lot of them speak with faint British accents, with a lilt toward more French-sounding words. and just because you speak another language doesn’t immediately equal have a thick accent.
> accents (ii)
also another note: if you speak spanish and french, for example, a lot of people will speak french with the spanish accent on certain words, or vice versa: whichever you know better. if your tongue is used to pronouncing a word that looks exactly the same a certain way, it’s easy to forget to switch accents.
> limits
maybe the character understands Mandarin, but can’t speak it for the life of them. knowing a language isn’t always having every base down! a lot of the time, especially if it’s not your first language, you tend to be stronger in certain areas: understanding, reading, writing, speaking.
> searching for a word
another thing would be forgetting a word in their weaker language: they’ll probably interject the word they know in their strong language with an (as an example) english-sounding accent. or, they run through a really absurd list of words to find the right one: it involves a lot of muttering, one seconds, and held up fingers.
> switching languages (i)
I don’t see people do this often. or at all. unless it’s expressed, or they give up speaking in their weak language and convert entirely to their stronger one. there’s no switching back and forth, half sentences in each language.
> switching languages (ii)
I do this. personally. I know a bunch of languages—english, french, mandarin, spanish—and when I’m writing, or occasionally speaking, in a weaker language, sometimes I will mix them up in the middle of the phrase. this is more for writing, and speaking I can usually manage. I have turned in more than one fremanglish test. (also when I’m speaking, I’m more likely to call my spanish teacher 老师 instead of señora, rather than switch languages completely)
> education
my first language is english, but I had a french education: so many subjects, such as maths and science, I only know the french terms for—even though I know english better. and they don’t always add up. (a triangle (?? I think that’s what it’s called in english) in geometry is an equère. and don’t ask me what a rapporteur is in english.)
other fun things that I too often suffer from ! :
very stupid-sound descriptions for the simplest object because the word FLIES from your brain
freaking grammar again. it was on the list, but french grammar is KILLER and it confuses me so much in english. chinese grammar is almost nonexistent, as far as I know.
jokes! they don’t translate well. my science teacher made a joke about a poisson pané and no one laughed.
slang. you don’t often run around speaking how you do at school. (something that confused other language speakers, I found is that “what’s up” is used to say “hello”, and the speaker doesn’t usually truly mean it)
swear words often convert back to their mother tongue
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