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cy-cyborg · 2 months

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The Jaws Effect and what it means for media representation

The Jaws Effect is the name of a phenomenon that described the panic and fear that sprang up around sharks, fuelled by Steven Spielberg's movie, Jaws. While the fear of sharks and other marine predators had always been a thing, Jaws launched the fear of sharks, and Great White Sharks in particular, to new (and mostly unfounded) heights. Most people will never encounter a real-life shark and so their only knowledge about the creatures come from movies and other forms of entertainment. Entertainment that largely portrayed them as mindless, unfeeling killing machines. After Jaws, sharks became a staple in the creature-feature genre of movies, which only perpetuated the idea of sharks as dangerous monsters even further, reigniting and reconfirming the beliefs the public held about them in the process. These ideas about sharks are, of course, not true, but the misconception and fear has had a real, observable impacts on shark populations, shark conservation efforts and even laws and legislations surrounding sharks and shark conservation around the world.

Ok but Cy, this is a blog about disability and disabled representation, what do sharks have to do with anything you talk about? Well, Because The Jaws Effect is just one of many examples that shows how massive of an impact representation in the media can have, for better or for worse, especially when talking about subjects the public generally knows very little about.

This conversation is not unique to disability representation, nearly every person I've seen who's talked about how to write and design characters from any minority brings it up eventually, but the media we consume, the movies we watch, the books we read can all have big impacts on people's perceptions on those topics. When talking about disability specifically, it's an unfortunate reality that not many people know all that much about us, and so, much like sharks, for many, their only real exposure to disabled people is through the media they consume.

If you don't know anyone in a wheelchair, and your only knowledge of life as a wheelchair user comes from books and movies like Me Before You, of course you're going to (spoiler) come away thinking that life in a wheelchair is horrible and death is better than living like that. If you don't know any DID Systems and your only exposure to a condition like that is through movies like Split (and honestly, a number of other horror movies and crime shows) of course you'll think people with DID are unstable monsters who could become violent any moment. If your only exposure to autistic people is Music, then it's not shocking that you might think Autistic people are "trapped in their own minds," completely unaware of the world around them and lacking any kind of agency. As much as I'd like to be able to say these are "just movies" or "just books," and that if we don't like them, we can just not watch them, they all had an impact on the real world and real people's perceptions of the disabilities they depicted, as do the many, many smaller examples of bad representation.

This is why I personally spend so much time focused on the portrayal of disability in the media, why so much of my content is focused on creating resources for creators to represent us better, and why I think writers, artists and other types of creators should care about the representation they include.

Unfortunately, people believing misinformation and stereotypes, while annoying, isn't the worst of the impacts bad rep can have. If a stereotype is prevalent enough, and enough people believe it, it can both put us in harms way and cause us to loose access to things we desperately need and things designed to help us. One really common example of this is when movies and TV shows show a character getting up out of their wheelchair, and use this as proof that the person is faking being disabled. However, in reality, there are many disabilities that might mean someone has to use a wheelchair, even if they can still walk a little bit or stand up. The stereotype of someone standing up from their chair being a fake, especially when it's reinforced over and over again in the media, leads non-disabled people to believe that anyone who stands up from their wheelchair is faking, and results in a lot of real disabled people being harassed and denied things like access to disabled parking, toilets and other accessible spaces. There were even a few cases of people reporting those they see get out of their wheelchairs to Centrelink (The Australian "welfare" department, for those not familiar) as frauds, and while these investigations don't usually go far before someone realises what's happened, it has, on occasion, resulted in people loosing the income they depend on to survive, even temporarily.

But the impact of representation, of course, can go both ways.

I was in high school when the first How To Train Your Dragon movie came out, and at the time, I didn't really like people being able to see that I was a leg amputee because I was sick of kids in particular staring, pointing at me, asking their parents "what's wrong with them?" or asking me directly, "what's wrong with your legs?". I wore long skirts and big, bulky tracksuit pants to keep my legs covered, something that became dangerous in the hot Australian summer, but I didn't care.

But the impact of How to Train Your Dragon came in two ways. The first, was that it was one of the first times I'd seen an amputee (or rather, multiple amputees) who didn't keep their prosthetics covered or hidden, and it gave me the little boost in confidence I needed to do that myself and wear clothing that was more comfortable and functional. And second, the comments from children changed, albeit slightly, but enough that it was noticeable. The questions and comments went from "what's wrong with you?" to "oh cool, your legs are like Hiccup's!" I even had one little girl ask me once if I had a pet night fury. They went from being scared of me and my legs, or at the very least concerned for me, to genuinely curious and impressed. While reactions like that did become less and less common over time, they didn't fully go away either. Even today, I occasionally get young kids asking me why I have legs like hiccup. A friend of mine who was born with one arm shorter than the other and without fingers on that side had a similar experience with the movie Finding Nemo. Her disability was a bit more complex than what I described here, and she always found it hard to explain "what happened" to small children, however, after Finding Nemo came out, she was able to simply tell kids "this is my lucky fin, like what nemo has!" and that was enough to take her from someone "scary" to these kids to someone like their favourite characters.

Of course, it's much easier to see the impact positive representation can have on people's perceptions when we're talking about kids media, but it's not exclusive to it either.

When it comes to a minority like the disabled community who are so thoroughly misunderstood by the wider public, misinformation can and does spread easily. What people see and read in the media they consume plays a big roll in how people perceive the real people attached to the stereotypes. We often hear people say "Fiction imitates life" but the reverse can and often is also true, life can imitate and be influenced by fiction, and those of us creating should be mindful of this, especially when we're talking about a group of vulnerable people.

[Thumbnail ID: An illustration of a Great White Shark swimming near the rocky bottom of the ocean, surrounded by silver fish. In the bottom left corner of the image is "The Jaws Effect and what it means for media representation" in big, white bubble text. /End ID]

#Writing disability with Cy Cyborg #Disability 101 #Long Post #Disability #Disabled #Disability Representation #Writing Disability #Writing #Writeblr #Authors #Creators #Writing Advice #Disabled Characters #Disability History #On Writing #Disability in Media

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fixyourwritinghabits · 2 months

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Checking In

Good day my fellow exhausted creatives, it sure does be A Time we're going through. There is certainly a lot of things happening at once, and like many of you I'm struggling to stay afloat while desperately playing catch-up. I'll be honest, shit's pretty damn fucked up. Sometimes it helps to take a step back and reflect on some reminders.

Don't panic.

People are facing a lot of hard choices when it comes to what platforms to use, and I know it's pretty tempting to burn everything down. Take a deep breath and think about your options. Nightshade and Glaze aren't perfect, true, but they're open about their limitations and are still tools you can use. Look into alternative word processors beyond Google Docs that won't have AI-scraping. Take your time deciding what to do with your creative output and where to share it. I am Old, and I have seen several social media websites crash and burn. You will always have more options.

Take care of yourself first.

I've seen a lot of people burning themselves out hard over things they can't control. Gaza, anti-LGBTQ issues, American politics, it's a whole lot and it's all overwhelming. You cannot accomplish anything if you don't take the time to put your oxygen mask first. Eat, sleep, turn your phone off when you feel yourself being sucked in. This seems obvious, but it's often the hardest thing to do, believe me I know. You gotta keep yourself going before you can help others.

Small things still matter.

There's a lot of things you can still do even when you feel like you can't. You can sign petitions, you can promote the activism of others. Vote in local elections. Keep yourself informed without drowning - check your news sources once a day rather than all the time. Talk to your friends, spend time with your pets, find ways to help in your local community (a great place to find resources is your library!). Go for a walk with a trash picking tool and a garbage bag. A small difference is still a difference.

Recharge Creatively.

It can be hard to do creative things when you feel like there's so many other important things to do. But being creative - creating art, writing a story, doing a hobby - IS important to yourself and others. Sometimes you have to force yourself to do so - I have to put "watch a movie" on my to do list, or I'll never make time for it. Go to a coffee shop and make art. Play that new video game. Write that silly coffee shop AU. These things are important to you, and they will carry through with what you want to do for others.

Do what you can when you can and you will make it through.

#gentle suggestions for trying times

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ds30below · 2 months

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30 BELOW FEST: celebrating 30 years of due South

What Is 30 Below?

On April 23rd, 1994, a certain television movie aired in Canada. The rest is 30 years of amazing, rich and lovely history — still going in 2024.

30 below is a fest to celebrate this anniversary, run by @flownwrong. Whether you’ve been here from the get-go or just joining the fun — this fest is for you. Let’s spread the love for the wonder that is due South!

info —

🐢30 below will run from March 11th (The Eleventh Of March!) until April 23rd (the pilot airing date!)

🐢each of 7 weeks will have a theme, complete with prompts to help you get going; themes will go up on February 18th

🐢you are free to use any, all or none of the prompts and themes! they are optional and are here to inspire, not restrict

🐢this event accepts any contributions:

all fanworks: meta, art, gifsets, photo or video edits, fanmixes, fic, rec lists… anything you feel inspired to create!

community interaction: comments, shout outs, liveblogging, asks, etc — don't forget to post about what you got up to so we can all share the joy!

🐢contributions will be reblogged all throughout the fest, and you're never too late — the whole year is anniversary year!

🐢it's preferred that you post your themed contributions during the corresponding week, but you're welcome to share whenever!

🐢please mention the fest (@ds30below) and tag your post #ds30below so i can share it! I will be tracking the main #due south tag as well.

❗note that if you're reblogging something as a contribution (e.g. responding to meta), you'll need to mention @ds30below in your reblog, since it won't show up in the tag search.

🐢if you're not on tumblr, post wherever you're comfortable and let me know! (flownwrong on DW, emotionalrisotto on discord, ask/message here)

🐢you can also submit your contributions using the submit button on this here blog

— knock yourselves out, and happy 30th birthday to our favourite show!

🐢themes & prompts

🐢helpful resources

🐢navigation

#due south #ds30below #benton fraser #ray vecchio #ray kowalski #mod post

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somerandomdudelmao · 9 months

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I think this scene is so far my favorite part of the whole comic. Those three panels put my little writer's soul at ease. Major kudos from a storytelling point! It just accomplishes so freaking much. It highlights all of Leo's best character traits (love, strategic thinking, leadership skills), and fixes the problem of having an OP character in your story that otherwise would be able to solve the main conflict in a heartbeat. It does so much for Mikey. There is no one-person-per-portal limitation and I'll always end up wondering why they would not gather the resistance and simply take everyone and go. Sure Mikey might die or end up being left behind if he does so and of course, Leo/April/Casey would try to stop him but in the end, I feel like he would do it anyway cause as long as his family is saved Mikey does not mind. But with this clever twist, he can't do that, cause Leo would be stuck with him, alone and with no resources, and doomed. Not an option. Mikey loves his family above all. Don't get me wrong I think he'd sacrifice his own life to help everyone else (he does so already), but he would never sacrifice his brother. It's a greedy and beautiful love that always gets to me. The moral dilemma of one versus the many. Revealing the core of who you are and what you stand for. It makes him so much more real, more human. It elevates his character from good to great...

I don't know scenes like this - one willing to sacrifice himself and the other refusing - tend to come with a bitter aftertaste. But Leo is not brushing Mikey off. He says not 'no', therefore allowing Mikey's own agency to shine. And in adding his condition he still gives Mikey a choice ultimately helping to shoulder his brother's burden.

Don't get me started on Mikey's 'thank you' as a response cause I already have tears in my eyes! Here both of them bring the best out in each other and the thing I love the most is that it's never at the cost of the other.

All in all this scene is a great character moment, explains plot holes (from the movie), and did I forget something? Ah yes, sets up the upcoming conflict of Casey having to choose between them. And oh my gosh, I wouldn't want to be in his shoes. Leo's declaration to stay with Mikey makes it kinda unlikely for him to go with Casey and leave Mikey behind and though Mikey has some wiggle room in this regard, it is a decision that will not come lightly aka it hurts just to think about separating them...but then again they might even are not together in the first place. Wherever this may be. Who knows?

Thank you so much for creating and sharing this beautiful piece of art!!!

I..mhm..I mean...igdjndukvdjj sorry my brain don't want to do English words today. Thank you oh my god I don't know what to say it's just

T h i s

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hello-nichya-here · 5 months

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Did Sia insult topic of autism somehow?

Oh honey, it's sooooooooo much worse than that.

Sia wanted to make a movie about an autistic girl that manages to connect to people/feel safe and confident through music. So far, nothing outrageous, just a simple concept that would obviously put Sia's music front and center while doing something nice and educating people on autism.

There was controversy about her not casting an autistic actress as it would have been nice representation, but she could have totally gotten away with that since, come on, hollywood hasn't even figured out Rain Man isn't exactly true to life, they're not ready to have an autistic person playing an autistic character. Baby steps.

The real problem started when Sia started promoting the "charity/support group" that was helping "educate" her on the topic to make the movie. The "charity" in question was Autism Speaks - which is absolutely HATED by the autistic community for things like:

1 - Spreading the myth that autism is a mental illness that one can develop/catch like the freaking flue and potentially be cured of, instead of a neurotype, aka something starts in the woomb and cannot be "cured" because to do that you'd need to replace someone's entire nervous system, which is impossible.

2 - Using that myth to get outrageous amounts of money from people so they "search for a cure" - that doesn't exist and will never exist because curing autism is biologically impossible, AND despite the fact that the overwhelming majority of autistic people don't even want to be "cured" (plus, since said "cure" would essentially mean giving the person a new brain, it leads to the question of "Would I even be the same person, or would that just kill and replace me?")

3 - Using the myth of "We don't know what causes autism" (we do, it's genetic) to, of course, get MORE money from people so they can "do research to find the missing puzzle piece" (if you ever see autistic people complaining about a puzzle piece being used to represent the condition, that's why, it was started by Autism Speak's massive disinformation campains).

4 - Falsely "confirming" things like soy milk cause autism with one of the world's most ridiculous "research", losing only to "vaccines totally make kids autistic, buy MY vaccine instead, guys, I am totally not an unbelievably biased person, it's ALL the other doctors/scientists lying to you. GIVE ME MONEY!"

5 - Pushing the narrative of "autism is inherently a tragedy" to distract from the fact that all the money they waste on stupid shit could be used to help autistic people and their families. Instead, they focus on creating more and more panic, making parents in particular despair even more - to the point that one of their "awareness videos" includes a mother talking about how she wants to murder her autistic daughter and then kill herself... while sitting right next to said daughter.

6 - Promoting ABA "therapy" - which was created by the same guy responsible for the attrocity that is gay conversion "therapy." Both have led to unbelievably high rates of confirmed PTSD and suicidal ideation in patients (victims), and ABA in particular has been compared to literal dog training. Very fitting since it was created by a guy who famously did not believe autistic people truly counted as thinking, feeling human beings, and said as much several times. Despite that, it is still praised by some utter bastards because "it makes the patients act less autistic when they're not crying in the corner or trying to jump out a window"

So yeah, working with these guys is a genuinely horrible thing to do since they're basically a scam/hate group pretending to be a charity - and people were STILL willing to give Sia the benefit of the doubt, since Autism Speak uses all their resources to make sure they're the first thing people see when looking up how to help autistic people.

Lots of Sia's fans, both autistic and allistic, warned her repeatedly, politely, that she needed to supporting them IMMEDIATELY as their goal was the exact opposite of the one she claimed to have - aka raise awareness through an accurate portrail of autism. People were even kind enough to name organizations like ASAN as replacements to help her fix any damage done to the project.

And instead of being a decent human being, Sia decided to cry on twitter about how the mean retar-I mean, autistics were bullying her even when she was so kindly using them for her vanity project.

Because yes, that's how the movie turned out. An unwatcheable piece of garbage, with the autistic "character" being so fucking bad even the people who actively use "autistic" as insulted being offended on our behalf - and of course, she was used just a prop to show how awesome Sia's character was.

Seriously, it was so bad the actress playing the autistic girl was sobbing in between scenes because she knew how it was horrible and she didn't want to insult anyone, but Sia is literally her godmother and helped her career by putting her in nearly all her music videos so she felt obligated to go along with it.

So yeah, fuck Sia and fuck Autism Speaks.

#asks #sia #ableism #autism speaks #actually autistic #aba therapy

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watercolourferns · 5 months

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If there0s a villain that actually scared the soul out of me in a very raw and "I wanna get out of her presence" way, is Dra. Volumnia Gaul.

Viola Davis as a villain?? More excellent and mesmerizing than you'd think! She nailed the character, imo. And she did it so well that I think I'll have nightmares.

Don't worry, no spoilers from the movie, but by now I'm sure you've read the book.

Dr. Gaul comes off as not just villanous and 100% evil, SHE COMES OFF AS NON-HUMAN. In contrast with Highbottom, Arachne, and Grandma'am (yes, she's sort of an antagonist as she molds Snow's character negatively a lot) Dr. Gaul doesn't look like your typical villain in a dictatorship; she simply doesn't react like a regular human does.

She's not overly arrogant, nor overly spiteful, she knows she's good and she knows the power she wields not just as Game-Maker but also as a doctor; yet she's far removed from what's happening around her in the sense that it doesn't affect her negatively...up until the 10th games, but as I said, no spoilers. And even after that she recovers very well and doesn't take it personally.

She views humans and Panem literally as her laboratory and she takes her role as Game-Maker very seriously, but she's not pompous about it. She's a lot like Heavensbee in the sense they're both cunning, cold calculators... but Dr. Gaul takes it up another notch and isn't afraid of using innocent humans for her own research ends, and punishing people? A breeze. I think she doesn't regard humans as anything other than hairless apes she can do her research on. She reminds me of a certain doctor during WWII...

She's not driven by anger, hate, vengeance, pride... I'm not sure what drives her to do the things she does... it could be power? But I think it's a kind of undiluted, twisted, sick curiosity of how things work and how far she can push the limits, how much she can play to be a God before she breaks it... and part of the reason she needs to retain power is to keep the resources to continue pushing the limits of biology to satisfy her morbid curiosity... If there's a portrayal of psycopathy that isn't over the top, clownish, but has flair and is quite interesting that's Dr. Gaul.

I think she's responsible for the... feel of the Capitol in THG books and movies, that fakeness, plastic, unnatural coldness of it that puts Katniss off so much. It's like she created a psycopathic ENVIRONMENT, no empathy, no compassion, no feelings...

Re-watching and re-reading the saga I can see Dr. Gaul's trademark in a ton of things... and that's why I think she's the scariest villain... She bred a whole host of psychopaths that don't know they act psychopathic and are so vapid and shallow they can be pupeteered to do anything the people in power want... The Capitol was her largest experiment and her biggest success...

P.S. All my respect to Viola Davis... she's embodied a character that will probably mark the way villains are seen after this. I love her range and mastery of acting so so much.

#fern is speaking #thg #the hunger games #a ballad of songbirds and snakes #dr gaul #volumnia gaul #viola davis

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wrecklessbutterfly · 9 months

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Hi everyone

I just thought I would share this resources because it is mind blowing.

youtube

This girl has ADHD and talked about how she has always struggled with time blocking and keeping a calendar. She created a new method that works better for her.

Instead of having different coloured colours calendar for different areas of your life and then struggling to know what to do with events that belong to multiple areas. It works by having different colours for each calendar that helps you prioritise tasks. I myself have a hard time deciding what's important.

I have outlined my modified calendars that make sense for me but check out the video for hers.

Appointments

This calendar is for time sensitive things that have be done and/or would have a negative impact on others if you don't follow through. These can't be moved or would be really difficult to move.

Examples: actual appointments, work shifts, classes, scheduled group rehearsals/trainings, someone's birthday dinner/party

Bottlenecks

This calendar is for things that don't need to be done AT a specific time but do need to be done BY a specific time. This means they can be moved around whenever before the deadline but need to be done before the deadline otherwise they create a bottleneck in your schedule and lead to you getting overwhelmed.

Example: homework, taking the bins out, paying bills, filming youtube videos

Critical (yellow)

This calendar is for things that you deem critical to your goals and growth. These can be moved around if needed but are things you want to try your best to get done each day.

Examples: workouts, reading 10 pages of a book, doing a full skincare routine

Daily Routine

This calendar is for parts of your day that happen regularly. These can be moved around where needed.

Examples: habits, chores, meals, travel time

Extra Fancy

This calendar is for extra fancy stuff that your ideal self would like to get done. These are nice to do or want to do but nothing bad will happen if you don't do them.

Examples: doing a facemask, watching a movie, doing some arts and crafts

Favourable Rememberables

This calendar is for things that you need to remember in the future.

Examples: birthdays, days off, due dates (I recommend creating separate events for submitting assessments or paying the bill and put them as appointments which are your top priority)

I hope this can be useful to someone because I think it will have a big difference for me. 💗

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femmefatalevibe · 11 months

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Femme Fatale Guide: Tips On How To Be A High-Value Woman

Table of Contents:

Prioritize Your Self-Respect Above All Else

Set & Uphold Clear Boundaries in Every Area of Life

Make A Deliberate Effort To Discover Your Values, Passions, & Boundaries

Build A Strong Personal Brand & Cult of Personality

Center All Aspects of Your Health & Well-Being

Read, Study, & Build A Strong Skillset

Consistently Invest in Your Appearance

Remain Dedicated To Lifelong Learning

Personalize Your Interactions & Learn Proper Etiquette

Master The Art of Engaging Conversation

Become Extremely Discreet Yet Utterly Shameless

Embrace Growth Without Succumbing To Your Perfectionist Expectations

HOW TO BE A HIGH-VALUE WOMAN:

Prioritize Your Self-Respect Above All Else: Get goals and standards that align with your needs in every area of life (career, finances, physical/mental/sexual health, emotional well-being, friends, family, intimate relationships, self-development). Express and act in alignment with your standards and dreams. Don't allow the displeasure of others to dictate your actions or daily activities.

Set & Uphold Clear Boundaries in Every Area of Life: State them calmly and clearly. "No" is a complete sentence. Reciprocate this effort to others. Practice the art of discernment, differentiation, and interdependence. Get to know yourself, and learn how to observe your needs independently of others' expectations and desires.

Make A Deliberate Effort To Discover Your Values, Passions, & Boundaries: Figure out what matters most to you in life. What activities, topics, aesthetics, art, clothing, hobbies, sounds, movements, books, television shows, movies, songs, and types of conversations most light you up inside? Here are some resources to guide your self-discovery journey HERE, HERE, and HERE.

Build A Strong Personal Brand & Cult of Personality: I have more tips on building your personal brand, creating your persona (or ‘Dream Girl archetype’), and an ultimate Femme Fatale playbook linked HERE, HERE, and HERE.

Center All Aspects of Your Health & Well-Being: Physical, Mental, Emotional, Sexual, and Spiritual. Celebrate your needs – they make you human. Eat a healthful, plant-based diet, exercise and walk daily, meditate, read at least 10 pages a day, journal, make to-do lists, declutter your space, self-pleasure, recite your affirmations, lean into shadow and mirror work, create morning and nighttime routines. Feeling in alignment is essential to allowing your magnetic aura to shine through. Find all my tips to cultivate self-regard in every area of life HERE.

Read, Study, & Build A Strong Skillset: Designing the life of your dreams is an inevitable aspect of living in your queen energy. Stay informed, read books and articles on your industry, interests, current events, cultural happenings, history, and any other topic that brings you joy or you would find intriguing if someone brought up the subject at a dinner party. Mastering an evergreen skillset is essential for succeeding in your career or building a business. Living in your queen energy means living in abundance. While queen energy is a mindset, it is impossible to fully live in this dream reality without having passions and your finances in order. Start with my entire Femme Fatale booklist HERE and guide to building your dream career HERE.

Consistently Invest in Your Appearance: Choose between investing time, money, or extra effort into upkeeping a polished style, beauty, grooming, and physique-maintaining routine. Wear clean, wrinkle-free, well-fitting clothes – styled and accessorized in a way that appears thoughtful & put together with impeccable grooming (clean hair, nails, skin, etc.). Stay consistent with your beauty/makeup/skincare routines, smelling nice daily, and maintain a scheduled routine (weekly, monthly, every 6 weeks, etc.) for specific treatments that make your life easier and make all the difference. These practices don't need to cost a lot of money. You choose to spend more money, time, or effort on these practices, depending on your personal preferences and based on your lifestyle and circumstances.

Remain Dedicated To Lifelong Learning: Make it a priority to read a few articles and 10 pages of a book daily. Ensuring keep up with your learning & education on different topics and the world is fulfilling and enables you to enter into a wider pool of conversations. This practice also strengthens your mind, sharpens focus, and helps your brain relax.

Personalize Your Interactions & Learn Proper Etiquette: Address people by name, and offer a firm handshake. Maintain eye contact. Say "please" and "thank you." RSVP promptly. Communicate clearly and compassionately. Make the person feel special and like the only individual in the room while introducing yourself. It’s the secret to leaving a lasting impression,

Master The Art of Engaging Conversation: Prioritizing self-presentation, learning how to listen, holding your own, and encouraging others to feel relaxed are the secrets to becoming magnetic in any social situation. Be mindful of how much you listen (more) and speak (less). Carefully consider your tonality and word choice. Remember and recounter the small details of another person’s anecdote that felt important to them. Acknowledge their emotions and validate them. Read more of my tips HERE.

Become Extremely Discreet Yet Utterly Shameless: Do as you please, but keep your business (or pleasure) to yourself. Privacy is peace, power, bliss, and radiates quiet confidence – the greatest telltale sign that someone is living in her queen energy. Learn to hold your own. You will be guaranteed to earn respect within seconds of gracing anyone's presence.

Embrace Growth Without Succumbing To Your Perfectionist Expectations: Remember that every skill, successful relationship, and goal takes time and experience. No one has it all figured out. It’s okay if you’re not where you expected to be or desire to be at this stage of your life. Stop comparing yourself – we all have our own paths. Choose to do one small thing every day to make your life better – either a step towards reaching a goal or indulging in a deep desire. Ensure there's a healthy (not necessarily equal) balance between the two. Leave your future self better than you found your past self. Express compassion towards yourself and acknowledge that you’re doing your best. Everything starts to make considerably more sense in hindsight.

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brotherconstant · 9 days

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GIFMAKING TUTORIAL: PHOTOPEA (for Windows)

Screencapping

Gif Width/Size Limit/Ezgif

Loading Frames

Cropping and Resizing

Rasterize/Make Frames

Sharpening

Coloring (not detailed. Links to other tutorials included)

Exporting

Obligatory Mentions: @photopeablr ; @miwtual ; @benoitblanc ; @ashleysolsen Definitely check out these blogs for tips, tutorials and resources, they're a gold mine. Finally I recommend browsing the PHOTOPEA TUTORIAL / PHOTOPEA TUTORIAL GIF tags. DISCLAIMER: English is not my first language and I'm not an expert on what I'm going to discuss, so if anything's unclear feel free to drop another ask.

1. SCREENCAPPING -> PotPlayer (the one I use) or MVP or KMPlayer

INSTALL PotPlayer (tutorial)

Play your movie/episode and press Ctrl + G. The Consecutive Image Capturer window will pop up. Click Start to capture consecutive frames, Stop when you got what you needed.

Where it says "Image Type -> Format" I recommend picking PNG, for higher quality screencaps.

To access the folder where the screencaps are stored, type %appdata% in windows search, open the PotPlayerMini64 folder (or 32, depending on your system) and then the Capture folder. That's where you'll find your screencaps.

Admittedly MVP is a lot faster but I prefer Potplayer because it generates (at least in my case) higher quality screencaps. MVP kind of alters the hue and it made it harder for me to color my gifs. Still, if you're interested in how to use it, I recommend this tutorial.

As for KMPlayer, every tutorial out there is outdated and I couldn't figure out the new version of the software.

2. GIF WIDTH/HEIGHT, SIZE LIMIT, EZGIF OPTMIZER

At this point you should already know how big your gifs are going to be. Remember the ideal gif width(s) on tumblr are 540 px / 268 px / 177 px. These specific numbers take into account the 4 px space between the gifs. No restrictions on height. Here are some examples:

You can play around with the height (177x400, 177x540, 268x200, 268x268, 268x350, 268x400, 540x440, 540x500, 540x540 etc) but if you go over the 10 MB limit you'll either have to make your gifs smaller/delete some frames.

OR you can go on ezgif and optimize your gif, which is usually what I do. The quality might suffer a little, but I'm not really (that) obsessed with how crispy my gifs look, or I'd download photoshop.

Depending on the gif size, you can decrease the compression level. I've never had to go over 35. It's better to start at 5 (minimum) and then go from there until you reach your desired ( <10mb) gif size. Now that I think about it I should have included this passage at the end of the tutorial, I guess I'll just mention it again.

3. LOAD YOUR FRAMES

File -> Open... -> Pick one of your screencaps. The first one, the last one, a random one. Doesn't matter. That's your Background.

File -> Open & Place -> Select all the frames (including the one you already loaded in the previous passage) you need for your gif and load them.

(I recommend creating a specific folder for the screencaps of each gif you're going to make.)

WARNING: When you Place your screencaps make sure the Crop tool is NOT selected, especially if you've already used it and the width/height values have been entered. It will mess things up - I don't know why, could be a bug.

You can either select them all with Ctrl+A or with the method I explained in the ask: "when you want to select more than one frame or all frames at once select the first one, then scroll to the bottom and, while pressing Shift, select the last one. this way ALL your frames will be selected".

WARNING: Depending on how fast your computer is / on your RAM, this process may take a while. My old computer was old and slow af, while my new one can load even a 100 frames relatively fast, all things considered. Even so, I recommend ALWAYS saving your work before loading new frames for a new gif, because photopea might crash unexpectedly. Just save your work as often as you can, even while coloring or before exporting. Trust me, I speak from experience.

Now you can go ahead and delete the Background at the bottom, you won't need it anymore.

4. CROPPING AND RESIZING

Right now your screencaps are still smart objects. Before rasterizing and converting to frames, you need to crop your gif.

Technically you can rasterize/convert to frames and then crop, BUT if you do it in that order photopea will automatically delete the cropped pixels, even if you don't select the "Delete Cropped Pixels" Option. Might be another bug, unclear. Basically, if you crop your gif and then realize you cropped a little too much to the left or the right, you can go ahead, select the Move Tool (shortcut: V) and, after selecting ALL YOUR FRAMES, move them around on your canvas until you are satisfied. You won't be able to do this if you rasterize first and then crop, the excess pixels will be deleted. I don't know why, I found out by accident lol.

CROPPING

(Cropped pixels: the gray/opaque area outside of the selected area. That area disappears once you press enter and crop, but the pixels are retained, so you can move the frames around and reposition them as you like. In this case I could move the frames to the left and include Silver's figure [curly guy in the foreground] in the crop)

After deleting the Background, you will need to select all your frames (using the Shift key), use the C shortcut on your keyboard to choose the Crop tool. Or you can click on it, whatever's more convenient. Once you do that, a dropdown menu is going to appear. You need to select the "FIXED SIZE" option, as shown in the following screencap.

Once you do that, you can type in your desired width and height. Do not immediately press enter.

Your work area should now look like this. Now you can click on one of the white squares and enlarge the selected area until the edges are lined up. You can then move it around until it covers the area you wish to gif.

WARNING: to move the big rectangle around, you're gonna have to click on a random point of the work area, PREFERABLY not to close to the rectangle itself, or you might accidentally rotate it.

See? When your cursor is close to the selected area it turns into this rotating tool. Move it away until it reverts to your usual cursor, then you can start moving the rectangle. Press Enter when you're satisfied with the area you selected.

RESIZE

This isn't always necessary (pretty much never in my case) - and it's a passage I often forget myself - but it's mentioned in most of the tutorials I came across over the years, so I'd be remiss if I didn't include it in mine. After cropping, you'll want to resize your image.

IMAGE -> Image Size...

This window will pop up. Now, should the values in the Width and Height space be anything other than 540 and 400 (or the values you entered yourself, whatever they might be) you need to correct that. They've always been correct in my case, but again. Had to mention it.

5. RASTERIZE & MAKE FRAMES

Now that your screencaps are cropped, you can go ahead and convert them.

LAYER -> Rasterize (if you skip this passage you won't be able to Sharpen (or use any filter) on your frames at once. You'll have to Sharpen your frames one by one.

Photopea doesn't feature a timeline and it's not a video editor, which makes this passage crucial. When you select all your smart objects and try to apply a filter, the filter will only by applied to ONE frame. Once you rasterize your smart objects and make them into frames, you can select them all and sharpen them at once. Unfortunately this also means that you won't be able to - I don't know how to explain this properly so bear with me - use all smart filters/use them in the same way a photoshop user can. For example, you can sharpen / remove noise / add noise / unsharp mask... but you can't act on those filters in the same way a photoshop user can. When you work on smart objects you can change the blend mode - which is critical if you decide to use a filter like High Pass. If you simply apply a high pass filter on photopea you won't be able to change the blend mode and your gif will look like this (following screencaps). Or rather, you will be able to change the blend mode by clicking on the little wheel next to "High pass" (circled in green in the 2nd screencap), but you'll have to apply the filter to each frame manually, one by one.

Then you can rasterize/make into frames, but it's extremely time consuming. I did it once or twice when I first started making gifs and it got old pretty soon haha.

Layer -> Animation -> Make frames. This passage will add "_a_" at the beginning of all your frames and it's what allows you to make a (moving) gif. As I said in the ask, if you skip this passage your gif will not move.

6. SHARPENING

Some people prefer to color first and sharpen later, but I found that sharpening filters (more or less) dramatically alter the aspect of your gif and already brighten it a bit (depending on your settings) and you may end up with an excessively bright gif.

Now, sharpening settings are not necessarily set in stone. The most popular ones are 500/0.4 + 10/10, which I use sometimes. But you may also need to take into account the quality of the files you're working with + the specific tv show you're giffing. I've been using different settings for pretty much every tv show I gif, especially in the last couple months. Some examples:

followed by

AMOUNT: 500% RADIUS 0.3px followed by AMOUNT: 20% (or 10%) RADIUS 10px

You'll just need to experiment and see what works best for your gifs.

Some gifmakers use the UNSHARP MASK filter as well (I think it's pretty popular among photopea users?) but it makes my gifs look extra grainy, makes the borders look super bright and it clashes with my coloring method(s), so I use it rarely and with very moderate settings. Something like this:

Again, depends on the gif and on what you like. I've seen it used with great results by other gifmakers!

REDUCE NOISE

Sometimes - and this is especially the case for dark scenes - your gif may look excessively grainy, depending on how bright you want to make it. Reducing noise can help. Keep it mind, it can also make it worse and mess up the quality. BUT it also reduces the size of your gif. Obviously, the higher the settings, the more quality will suffer.

These are my standard settings (either 2/70% or 2/80%). It's almost imperceptible, but it helps with some of the trickier scenes.

ADDING NOISE

Adding noise (1% or 2% max) can sometimes help with quality (or make it worse, just like reduce noise) but it will make your gif so so so much bigger, and occasionally damage the frames, which means you won't be able to load your gif on tumblr, so I rarely use it.

You'll also want to create ACTIONS which will allow you to sharpen your gifs much faster.

HOW TO CREATE AN ACTION ON PHOTOPEA

The Action Button (shaped like a Play button as you can see in the following screencaps) may not be there if you're using photopea for the first time. If that's the case click on the magnifiying glass next to "Account" (in red) and type "actions". Press Enter and the button should immediately show up.

Once you do that, click on the Folder (circled in yellow)

and rename it however you like.

now click on New Action (circled in red). now you can press the Recording button (circled in green)

Now

FILTERS -> Smart Sharpen

and you can enter your values. Then you repeat this passage (WITHOUT pressing rec, WITHOUT pressing new action or anything else, you just open the smart shapen window again) and, if you want, you can sharpen your gif some more (10%, 10px, or anything you want.)

Maybe, before creating an action, experiment with the settings first and see what works best.

When you're satisfied, you can PRESS STOP (it's the rec button, which is now a square) and you can DOWNLOAD your action (downwards facing arrow, the last button next to the bin. Sorry, forgot to circle it) .

You need to download your action and then upload it on your photopea. When you do, a window will pop up and photopea will ask you whether you wish to load the action every time you open the program. You choose "Okay" and the action will be loaded in the storage.

When you want to sharpen your gif, you select all your frames, then you click on the Play button, and select the Action, NOT the folder, or it won't work.

Actions can also be created to more rapidly crop and convert your frames, but it doesn't always work on photopea (for me at least). The process is exactly the same, except once you start recording you 1) crop your gif as explained in step 4, 2) convert into frames. Then you stop the recording and download the action and upload it. This won't work for the Rasterize step by the way. Just the Animation -> Make Frame step.

7. COLORING

Now you can color your gif. I won't include a coloring tutorial simply because I use a different method for every tv show I gif for. You normally want to begin with a brightness or a curve layer, but sometimes I start with a Channel Mixer layer to immediately get rid of yellow/green filters (there's a tutorial for this particular tool which you will find in the list I mention in the link below)

[Plus I'm not really an authority on this matter as my method is generally... fuck around and find out. Two years of coloring and I still have no idea what I'm doing. 70% of the time.]

Simple Gif Coloring for Beginners -> very detailed + it includes a pretty handy list of tutorials at the bottom.

8. EXPORTING

Now you can export your gif. Some gifmakers export their (sharpened) gifs BEFORE coloring and then load the gifs on photopea to color them. I'm not sure it makes any difference.

FILE -> EXPORT AS -> GIF

(not colored, just sharpened)

As you can see, unlike photoshop the exporting settings are pretty thread bare. The only option available is dither - it sometimes help with color banding - which, and I'm quoting from google for maximum clarity:

"refers to the method of simulating colors not available in the color display system of your computer. A higher dithering percentage creates the appearance of more colors and more detail in an image, but can also increase the file size."

SPEED

When you export your gif, it will play at a very decreased speed (100%). I usually set it at 180/190%, but as for every other tool, you might want to play around a little bit.

GIF SIZE/EZGIF OPTIMIZER (See Step 2)

And that's it.

P.S.: worth repeating

Save your work as often as you can, even while coloring or before exporting.

#photopea #my inbox is open if you have any questions <3 #image heavy under the cut #photopeablr #tutorials #gif tutorial #allresources #photopea tutorial #completeresources #gifmaking

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writingquestionsanswered · 12 days

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I’ve been reading some craft books and online posts about the world building because my story is an urban fantasy set in present day US, in a fictional town, and theres not a secondary world where the fantasy happens, it’s all in the real world, except the magic is a secret that only certain people know about, but all of the resources I find about world building only talk about fantastical worlds that exist by themselves and not the kind of more subtle world building that I’d have to do. Do you have any tips?

Guide: Creating a Fictional Town in the Real World

Step 1 - Choose Your Location - There are two ways to go about choosing a location for your fictional town. One is to go the "Springfield U.S.A." route, ala The Simpsons, and be vague about the specific location (borough, parish, district, county, region, state, or province) and instead give a broader geographic region... "the East Coast," "the Pacific Northwest," "Central Canada," Northern Scotland," etc. The other option is to go ahead and put your fictional town in a specific location. Just figure out where (for example, somewhere outside of Des Moines, Iowa) and go to Google Maps, click on satellite view, then start zooming in on big empty areas. Choose a place big enough to fit a town. Yes, in reality it's probably farm fields, pasture, or someone's property, but that doesn't matter. You don't have to actually show it on a map. It's just a plausible spot to build your town. Now you can measure how far it is to other places, you know what highways to take to get to it. You can even do street view to get the lay of the land, see what the landscape looks like and try to envision the buildings there. You can also use what's there to create parks, popular recreational areas, and anything else your town needs.

Step 2 - Choose Your Inspiration - Even when you're creating a fictional town, it's still a good idea to use a real town (or two, or three) from that general area as inspiration for your town. For a fictional town in Des Moines, I would zoom in on the map to find a nearby town of similar size... like Elkhart, then I can take a look around to see what it's like. Just looking at the map, I can see they have a couple of churches, a couple baseball fields, a very small main street/downtown area with a couple shops and restaurants, a post office, a few different neighborhoods, and a cemetery. This would be a great model for a small fictional town outside of Des Moines. And, as I said, you could look at a couple other sand combine them. Once you have your inspiration town/s, you can walk around on Google Maps street view, go to the town's web site, watch a tour on YouTube (if one exists), or look up pictures in Google Image search.

Step 3 - Start Planning - This is the really fun part! First, you might want to draw a basic map of your fictional town using your inspiration town/s as a guide. This doesn't have to be a pretty map... just a basic line drawing to help you envision where everything is. Think about some of the basic things this town might have, like the ones I listed in step two, and any other things you might want your town to have, like maybe a library, a hospital, a city hall, school, and maybe a movie theater. It might even be helpful and fun to put together a collage of pictures to represent your town so you've got something in mind as you write about it. You can even choose representatives for specific locations in your story, like your MC's house, school, and their favorite hangout.

Step 4 - Naming Your Town - Start by looking at the kinds of town names that surround your town. Look for common naming conventions... suffixes like -ton, -ville, -dale, -burg, -wood, -field, etc. Words in a particular language, like a lot of French-inspired town names, or towns with geographical terms (lake, hill, valley, river, canyon, gap, etc.) My guide to Naming Locations has additional tips.

Step 5 - Populate Your Town and Give it a History - Last but not least, make up a little history for your town, again, using surrounding towns as inspiration. Who founded it? When was it founded? What's the town's main industry? What are the people like in this town? What jobs do they have? What do they do for fun?

Here are some other posts that might help:

Five Things to Help You Describe Fictional Locations Setting Your Story in an Unfamiliar Place WQA’s Guide to Internet Research Happy writing!

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

#wqaadvice

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crow-posting · 14 days

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Awoken Headcanons

note: this is mostly based on my own audacity rather than actual lore. 🤫

Earthborn and Awoken Guardians are like the book versions of LotR elves, while Reefborn are like the movie versions. They're actually similar, but to outsiders, Earthborn are friendly and full of life while Reefborn are aloof and elegant like their queen. This perception, though frustrating to people like Petra, generally works in Mara's favor so she allows it to continue.

Awoken Speech sounds more like creole than a separate language. This is due to the multitude of languages spoken aboard the Yang Liwei, which then carried over into the dialects in the Distributary. Although some argue Speech is a mixed language rather than creole, consensus from both the Gensym Scribes and Last City's Cryptarchy has not yet been reached.

Portmanteau examples:

daatma (ดาว/"dāw" + आत्मा/"ātman"): Awoken [older gen]

tulatma (tulay + आत्मा/"ātman"): Awoken [younger gen]

luxïn (luz + 星/"xīng"): starlight

noyam (noyer + يوم/"yawm"): Darkness

Traditional Awoken names usually sound "soft," with palatalized consonants and several vowels. The most common ending letters are "A" (Mara, Petra, Amrita) and "N" (Uldren, Jolyon, Nasan), while the most uncommon letter is "K" (Tulnik).

Most Reefborn are highly superstitious, due to the environment they grew up in. However they don't consider themselves superstitious, as it is only "practical" to refer to The Dreaming using epithets instead of names, or to look for omens in dreams, or to treat water and reflections as near-sacred, and so on.

Promises and vows / oaths are generally a life-long ordeal for Awoken, especially for Reefborn and especially if they are made to Mara. This is partly influenced by the post-Distributary riots, partly influenced by contracts with Ahamkara, and partly influenced by Mara's own charisma, which has created an almost religious devotion* amongst her followers.

*(Embarrassingly, when Calus sought to imitate this sense of devotion to lure Awoken Guardians to the Menagerie, he was partially successful.)

Balance is an important part of Awoken culture. Past and future and life and death are strongly emphasized by Reefborn, while Earthborn have integrated Old Earth philosophies like yin-yang and wabi-sabi. While Awoken Guardians tend to be less ardent about balance and/or a desire for it, there are noticeably less Awoken within the Praxic Order than in other Vanguard-affiliated organizations.

The Awoken don't believe in a physical afterlife, only the Unreal. This makes the existence of Awoken Guardians egregious to other Awoken, as they do not "return" from death, but rather "take form" of people who no longer exist. Even so, Guardians (or "Noble Dead") are still treated with respect - out of love for the ones they look like, and fear of the entities they are.

(Awoken don't believe in reincarnation either, as The Awakening is considered an "extraordinary" circumstance.)

Contrary to popular belief, male Awoken aren't ostracized in Reefborn society, and they aren't considered second-class citizens either. Even so, due to the 70/30 split [which has persisted since the Distributary], it is rare to see male Reefborn in high-level positions or as Techeuns. The perceived lack of opportunity has led to an increase in Reefborn emigrants in recent years, especially after the Battle of Saturn.

Due to the loss of resources and difficulties of growing food in the Reef, Reefborn dishes are "bland" compared to Earthborn ones. The most common seasonings are salt, cold-hardy herbs like mint, and corasteri (a star-shaped culinary variant of asphodelia). However, Reefborn food is both warming and filling, which is suited to a life in deep space.

The Dreaming City is surprisingly bare in terms of flora and fauna. Aside from pink asphodelia, queensfoil, baryon bough and memorial trees - most of which are cultivated - there are very few plants to be found. Spectral butterflies and non-native jewel bugs can be found in gardens and lost sectors, and starcats have free rein of the buildings, but there is no urban wildlife like in the Last City and Earth's metropolitan ruins. The vibrance is an illusion; it is as empty as the Reef's biodomes.

Earthborn do not live as long as their Reefborn counterparts; higher oxygen levels, increased gravity, and larger amounts of pollution make life more difficult for people adapted to space. Ironically, this is the inverse issue the Awoken faced when leaving the Distributary.

Awoken anatomy is uncanny if you look closely enough. Most traits fall within expectations (eg resistance to radiation, increased reaction time) but adaptations like tapetum lucidum can still startle people who aren't used to seeing them. Experimental traits, which are common in later-generation Reefborn, make some seem entirely inhuman. And the ability to track Guardians by their Light will never not be creepy.

Experimental traits include but aren't limited to: pointed ears; nictitating membranes (i.e. "third eyelids"); and genital slits [for Awoken specifically created for deep space missions].

Due to a history of bio-engineering, cybernetic augments are seen as unnecessary and rarely utilized outside of eutechs, and later, Techeuns. Fully robotic components, such as exo frames, are practically unheard of and often met with pity or revulsion.

The 891 are forbidden from seeking information about their lives from The Time Before (aka pre-Collapse lives), as it is considered a "distraction" from Mara's plan. Descendant Awoken are also discouraged from pursuing such info unless it is considered pertinent to their mission.

Queenslaw has been partially lifted in the Reef, due to the influx of Guardians after the Battle of Saturn. Many things once considered illegal or taboo are now acceptable, and some things are even encouraged. Unfortunately, not everyone agrees with these "sudden" changes and it has done little to reduce tensions between factions, most notably the Gensym Scribes and the Last City's Cryptarchy.

Reefborn sobriquets often refer to relationships (Uldren "Queensbrother," Taranis "Rivensmate," Petra "Covensdaughter"). Earthborn nicknames are often more individualized but still invoke a sense of interconnectedness (eg "Swornsister" Takara, Avraam "Firstborn").

Although the Awoken are known for their music (for ceremonies, parties, mourning, etc.) Earth-derived music seems just as violent to them as the Guardians who enjoy it. Knowing this, RZ-3 intentionally made a playlist to "scare" Petra on missions, and has successfully startled several Corsairs by belting out the lyrics to "Teenagers" while doing patrols.

[official grimoire / lore books: The Maraid (D1); Marasenna, The Awoken of the Reef, The Dreaming City (D2, general); The Forsaken Prince, A Tangled Web, Ripples (D2, Uldren/Crow), Ecdysis (D2, the Emissary)]

[specific lore that Tickles My Brain: "Holdfast Bond," "The Supremacy", "Third Gift"; "Crow's Best Night"]

[see also: "Things I Think About: Awoken Edition"; "Awoken Phrases & Exclamations"; "Last City Lingo"; timeline in the Distributary; Awoken amethyst]

#I think I forgot a few things but this has been sitting in my drafts for over a month #so here it is #once again these are HEADCANONS not ''CANON'' CANON #feel free to discuss or add your own thoughts but pls don't come at me for not being a lore expert!!#this is just for fun!! 🙏#destiny the game #destiny 2 #destiny lore #destiny fan lore #destiny fanon #destiny headcanon #destiny awoken #crow-posting #oc-posting #the awoken brigade

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alexjcrowley · 1 year

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I realised my passion for crossover has just created a multiverse of, I don't fucking know, detectives and supernatural stuff (no, it's NOT superwholock)

So we start by assuming, like some already did, that Q from the Daniel Craig's James Bond movies is the fourth Holmes's siblings. So you get four Holmes: Mycroft, Sherlock, Eurus and Q. But then Q in clearly in a romantic relationship with James Bond.

Now it's undeniable that James Bond has a twin brother, Benoit Blanc, who is the world's most famous detective, and he is married to Philip (Hugh Grant). You can clearly notice from Benoit's...everything (passion for mistery and fasion sense most of all) that he is related to Fred Jones from Scooby Doo, he and Philip are in fact Fred's parents.

To conclude this part of multiverse of hyperfixation, James Bond exists in the same world of a bunch of teenagers with 1970's van and a talking dog. I cannot stress how important it is for me that Sherlock Holmes DOES NOT solve the mustery of why Scooby Doo can talk.

But let's now expand in a different direction.

For some of you who might not be acquainted with the medical drama House MD, it's one of the gayest shows ever made on God's green earth. And, as all the fans know, the REAL finale is House and Wilson running away together after all Wilson's problems suddenly disappeared (I am phrasing it like that because I don't want to spoil it). Now, of course they can't live in America because House can't exactly recover from his own Reichenbach falls, so obviously they have go to London. Like, no questions asked.

And as many have already speculated they are probably the married couple Mrs Hudson's friend was renting an apartment to.

Sherlock-Watson and House-Wilson have a complicated dynamic going on, I just know they suspect of eachothers because there's something wrong with the other couple.

London comes, of course, with all it inhabitants, such as Crowley and Aziraphale (whose supernatural presence could explain Scooby Doo being able to talk???? Maybe he is an ex-infernal hound sent to Shaggy??? Was Shaggy another aborted attempt at an Antichrist?????). I really likes to believe they're House-Wilson and Sherlock-Watson neighbours. And every one of these three couples tries to pretend they're a very normal couple, and not, like, non-human or a Government's resource or technically dead.

But also, you must not forget, London comes with Hob Gadling, the immortal lover of Sandman, who might as well exist in this universe, because why the fuck not, he stole the "meet every x years" idea from Crowley, the goddamn poser. Hob Gadling and Crowley clocked eachothers in a minute and now the two couples have dinners together because "they're the only other supernatural couple in the neighbourhood, we should befriend them!" (said Aziraphale and Hob while Crowley and Morpheus sighed).

ALSO to House MD fans I want to remind you that Wilson got arrested in Louisiana when he met House and there's a popular headcanon going on that Benoit Blanc is from Louisiana so do you think??? Benoit Blanc one day happened to interact with the police department of a city in Louisiana and a policeman was like "hey last week you missed a guy from New Jersey who deadass smashed an ancient mirror in a bar because they were playing a song he didn't like on the jukebox". And Benoit was like (I can't write his dialogues I am so sorry) "Mmhh yeah muhst say thur arh sum jingles I simply cannut grow fund of but by Guhd to,,, smash an ancient mirruh that wuld be bee-YOnd mahself"

And these connections are all canonical in my mind. (There are crossover fanfics between Good Omens and Sandman, and between House and BBC Sherlock, and between Sherlock and the James Bond franchise, and between House and Good Omens- there's a fic I really like with these fandoms- and there's a drawing I also reblogged on Tumblr of Fred presenting Benoit Blanc as his dad).

So, basically, in my head, Sherlock is highly pissed off by Benoit Blanc being considered the best detective in the world though he respects him, Q is Fred Jones's uncle and probably added a lot of cool MI6 features to the mystery machine, Gregory House, notorious atheist, lives in the same universe of angels and demons and the Sandman and pisses off Sherlock Holmes costantly just because they don't like eachothers, Hob Gadling amd Crowley looked at eachothers once and they knew neither of them were humans, Aziraphale and Crowley always stumble in every other characters' shenanigans and once in a while throw a miracle their way and Hugh Grant/Philip makes cupcakes for everyone.

And if you really want me to be precise, Dead Poet Society lore counts for Wilson, but Neil didn't, well, if you saw the movie you know.

And I know they are technically not correlated, but I would love to find a way to connect Dirk Gently, Todd Brotzman and The Rowdy Three in all this.

There's a part 2 to this post here

#house md #scooby doo #good omens #sherlock #james bond #dead poet society #glass onion #benoit blanc #hilson #johnlock #sandman #dreamling #00q #knives out #ineffable husbands

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