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echos-gal · 2 days

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ok i'm rapidly losing hope that Tech is still alive, and this sucks because it was basically the top thing i desperately wanted from this season. i wanted to see him survive. so here's my exhaustive and embarrassingly long list of reasons why he SHOULD still be alive, and if he isn't, why it was a missed opportunity. obviously no hate to the writers or anything, i love them dearly for creating this show!!!

(if you're a "Tech should stay dead for the stakes/so someone in SW stays dead for once/i hate delusional Tech stans" person, kindly keep scrolling, this ain't for you)

SEASON 2:

right from the start, Romar connects with Tech and calls himself "a survivor." HELLO???

in this same arc, Tech breaks his leg in a fall which he survives. he continues to walk on it, fighting off troopers to save Echo & Omega, showcasing his persistence and grit.

one of Phee's first lines is "better late than dead," and we know she shares a connection with Tech. she flirts with him later in this scene. it would be a shame not to reuse this line, i'm just saying....

Cid still owes Tech for racing for her in Faster. we see Cid looking miserable as she betrays the batch in Plan 99, so her playing a part in his rescue/comeback would be a nice way to show her growth. (i'm afraid there isn't enough time for this, though- as much as i thought a Cid redemption was on the horizon!)

Phee and Tech's departure is awkward, and although we have some context from season 3 (they talked more than we realized), the scene would do best if reconciled in person imo. it felt like it was setting up for something, and feels weird to leave hanging.

"don't go running off with any pirates or smugglers" could not have just been a throw away line. it set up for him to do exactly that. how fitting would it be if pirates or smugglers actually did manage to pick him up before the empire made it to the railcar crash site?

Hemlock's retrieval of the goggles shows that he sent a team to look through the wreckage. he thought there was a chance Tech survived, and may have him.

i won't go into the logistics, but big falls ARE survivable. in star wars especially. we have no idea what was below the layer of clouds/mist Tech fell through.

SEASON 3:

this is mostly CX-2 centric. their armor is very similar: the jaw/mouth shape, the hexagons over the ears, the rectangles on the chest, and the pouches/pockets.

"domicile." that is all.

CX-2 uses technology more than the other operatives we've seen, and he gets past the encryption on Phee's ship with ease.

"who are you?" was enunciated in the exact same way Tech says it to Trace and Rafa, which i definitely think was intentional.

CX-2 stops to use his rifle scope in the exact same spot where Tech and Phee stood to let down the ladders in the sea surge on Pabu.

he survives a waterfall plunge on Teth, which appears to have fooled Rex's group into thinking he'd died. the writers could have killed him off there and sent a new operative, but they chose to stick with CX-2 pursuing them to Pabu.

it's worth noting that while this CX is designated as "2," Tech's CT number is CT-9902. he is associated with the number even on a visual level: he's a dual-wielder, he wears goggles, he salutes with two fingers.

FROM A STORY PERSPECTIVE:

firstly, i am sorry and i LOVE the writers, but if you want people to accept a character's death, you've got to show his family and friends' grief. we saw no reaction from Crosshair or Phee, no tears from Hunter or Echo. it feels like fans were sadder about Tech's death than the characters in the story.

Tech seems to have been mentioned more in the second half of season 3 than the first half, which works if they want to bring him back in the finale.

the finale is called "The Cavalry Has Arrived." i really don't think you can have the cavalry (aka the bad batch) arrive without every member present. i also don't think it would feel right to play their theme without Tech there. idk, that feels incomplete!

we saw no body, and Hunter received Tech's goggles not from a trusted ally or friend, but from Hemlock. this calls into question the legitimacy of his claim that the goggles were "all he could salvage."

Tech alive and being held on Tantiss would provide a nice parallel to Echo in the first mission where we meet the batch, in TCW. and [ep 14 SPOILERS] we see that Echo is currently looking more like his TCW self, with his earpiece removed.

feels kinda sour that a character who a lot of people related to as neurodivergent representation would die just a few episodes after having a deep conversation with his sister about it.

likewise (and as a white woman i can't speak for WOC), from what i have seen, Black women are rarely the main love interest of a series! Phee is the ONLY love interest in this whole show, and it would suck to just cut off that romance before it could really become something. a lot of people wanted to see TechPhee become canon.

CX-2 is the one who destroys the marauder. it works well storywise for its pilot to have been the one to do that- the person who worked so hard modifying it, flying it, and teaching his sister to fly it. i'll be lowkey pissed if it turns out some random dude blew it up.

it's also CX-2 who invades and sets fire to Pabu. this is emotionally gripping on its own, but if he is Tech, it's even more so.

we have no idea what the operatives go through. Crosshair isn't telling, but it clearly put him in a really bad place. if Tech underwent this conditioning in his post-fall injured state, there's a chance he could come back from it. Emerie is probably the key to this, if they take the CX-2 route.

this show is all about a family trying to stay together as the Empire desperately tries to rip them apart. seeing the whole family together again - even if not everyone survives - in the finale is the satisfaction that the show ideally would go for. the last time they were all together was the season 1 finale. that was about 2 years ago in the show's timeline.

leaving Crosshair and Tech's final interactions be where they parted on the Kamino platform also feels off. Tech was the one who really vocalized the need to rescue Crosshair in season 2's finale. Crosshair, in the meantime, has changed significantly as a person. Tech's comment about Crosshair being "severe and unyielding," and unable to change this facet of his nature, is incorrect. leaving Tech dead would mean that he never gets to see this change in Crosshair, which makes me feel like a deflated balloon.

FROM MY SELFISH PERSPECTIVE!!!

give me Tech with cool scars and slightly disheveled longer hair. this is such a good opportunity for the creators to give him a sweet new look!

we never got to see Tech without his goggles on, despite Phee constantly referring to his eyes. he definitely doesn't have them right now (they're in the Archium), so we could get Mister Big Brown Eyes if he's alive. it's another missed opportunity if not, imo!

the goggles being placed in the Archium was a beautiful scene that makes me tear up whenever i think about it. it's symbolic, it's bittersweet, and it's exactly where the goggles belong. but was it closure for me? not really.

Tech is a character who became a LOT of people's favorite in season 2, including my own. why kill off a fan-favorite with an entire season to go?

yes, i desperately want a Rex and Echo series. yes, i want the batch to cameo in it, and yes... that includes Tech. making up for lost season 3 Tech content 😎

the finale will feature the zillo beast, and Tech loves the zillo beast. FREE HER! REUNITE THEM! he would love to witness her rampage.

FROM A "SURPRISE!!!!!" PERSPECTIVE

it seems like most people think Tech is either CX-2 or dead. it would be a great finale twist if we DID get CX-2's identity, it's NOT Tech, the audience loses hope, and then he shows up. i think this is actually plausible given the other assassin schematics Hemlock was looking at in Point of No Return. Tech might be in Hemlock's grasp, but not an active operative. having an enhanced clone to toy with is something Hemlock would want to keep under wraps. we see him step out of the assassin chamber at the start of that episode - if Tech is anywhere on Tantiss, i think it's here.

i think the writers have expected us to have all lost hope by now, so his finale reappearance would ideally come as a shock. the finale is almost guaranteed to be a very long episode, so we really might have quite a bit of time to explore his return, if it happens.

secret 16th episode: i know, i'm putting my clown makeup on as i type this. but the previous 2 seasons each had 16 episodes, with a two-parter finale. season 3 is just 15, with a single episode finale. TBB formally ends may 1st, so what if we get a may 4th surprise episode detailing how Tech survived? (that or an epilogue leading into a new series, which i think is more likely actually!)

#i definitely forgot some points but i just need to post this and be done with it #feel free to add your own observations 👀#tbb tech #the bad batch #tech lives #techphee #tbb spoilers #the bad batch spoilers

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justarandompersononthehellsite · 1 day

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So... @muffinlance wrote a really awesome story. I read a post from a point in time, though I truly do not remember when since it seems like I've been working on this project forever, saying that she gives blanket permission for people to print and bind the story into a book (I think there was an also addendum saying that they do not give permission to be sold, since selling fic is illegal). This fic has had total control over my whole brain since it was sent to me (@creatorofthemind I believe it was you, so thank you forever for tuning me into it) back during the days of like chapter six or seven.

So here I am now, sharing this amazing journey of my first ever bookbinding adventure. Further reading below.

So to give you an idea of what's going on, this is a fanfiction about Zuko (Avatar the Last Airbender) (animated show version, the LA show did not exist yet and we do not speak of the movie) being adopted by Hakoda, Father of Katara and Zuko. (This might have also been what kicked off the Give Zuko A Parent craze, but don't fact check me.)

Overall, the characters from the show stick very well to the cannon versions, but where MuffinLance really shines is in the rich backstories and fleshed out feeling of all the non cannon elements. Especially the background characters. I would argue that the writing in this peice of fanwork could easily rival the cannon show at many points of comparison.

Now that you have context, we can get into the actual process.

To start, I used this guide to figure out where to even begin, and fount the included resource list to also be quite helpful. I cannot for the LIFE OF ME figure out where I found the template I used for the front matter and such, but it must be somewhere and I will link to it when I inevitably come across it again.

Then I began to typeset. This step took... a long time. I worked in chunks from about September of 2022 to late March of 2024. I would get a big section done, sometimes even the entire thing, but then find I hated the way I had done it and give up for months at a time. Such is the life of ADHD and flitting interest in projects I suppose.

And then finally, step one was done, and I was left with pages on a word document that look like this. (And do please let me know if you want the link to the document. It was so much work, and I would love to not be the only one to use it.)

Next step was printing out this beast. Ended up being about eight pages of front matter, and about 630 pages of body text.

That I printed wrong.

Twice.

Before finally getting it right. And then not getting a picture of it, because I finished at 4 am and had work at 7, and am also an idiot.

Then I simply stitched along, putting everything together into a beautiful text block.

And came up with a design for the cover.

Yes the glue did end up lumpy. Ignore it.

Yes I did have to sketch out the design onto a scraped page several times before I figured out what I was doing. Ignore that too.

The cover design does wrap around the entire cover. No I did not get a picture before I glued the thing down. See again: I'm an idiot. And just... massively impatient.

Finally, we get to the stage of gluing. Behold, my bookpress.

Of course, topped with Madam MuffinLances own actual professional-people book, Fox's Tounge and Kirin's Bone. It is Excelent. Here is the LINK so you can go and support this amazing author with the real-monies as well as the internet-kudos.

Then, once everything is glued together, one must give the book its "gilt" edges.

#atla #salvage #bookbinding #fanbinding #muffinlance #I'm a really big fan of this story and the characters ok?#They're really fun and I love them.

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triviallytrue · 8 hours

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Watching something as iconic as NGE is kinda funny because every now and then something happens and you're like "oh! that guy! from tumblr!"

General thoughts:

Poor Shinji. Dude keeps getting put in situations.

The Ender's Game comparison keeps coming up for me - child soldiers utterly essential to the cause. The big difference is that they are just completely flubbing their psychological management in NGE - in Ender's Game they had eyes on the kids 24/7 and maintained in-depth psychological profiles on all of them, whereas in NGE they have loads of money and manpower focused on maintaining the EVAs but their equally-essential pilots are just... going to school. Shinji got punched and they didn't know!

And what is Misato's deal, anyway? She's in her 20s and has a crazy amount of authority (she just requisitioned all of Japan's power) and they're just kinda... letting her manage Shinji? It's not her job, but she's just doing it? She's his commanding officer but also his mom/sister, which is a really bad combo. Also I don't think I'm imagining the grooming undertones, those seem intentional.

The real motivator for someone like Shinji is (of course) his social connections - the two schoolkids and Rei, and then maybe to some degree Misato, and then even more distantly his father. Kids don't put themselves through severe distress just for the abstract concept of "saving the world," especially a world that has thus far been very unkind to them. To bring back the Ender's Game comparison, this feels like a very deliberate point that Graff and friends were aware of (the way they used Valentine as a strategic resource) but in NGE it seems to be mostly happenstance that Shinji made some human connections before completely shutting down.

Rei thus far is an interesting foil to Shinji. Normally I get kind of put off by scenes like the one where he walks in on her, but it gives you a lot of important information about both of them. Shinji, underneath all the abandonment issues and repression, is still a pretty normal kid - awkward, horny in that embarrassing adolescent way, deeply self-conscious. Rei is alien (or perhaps just very autistic). She just doesn't clock 90% of the tension at all. She pilots the EVA without complaint (though perhaps with equal psychological distress, just heavily repressed). She also gets along very well with his shitass dad, which is revealing in its own way.

I'm told there is another child, a red haired one, named Asuka(?), the thus-far only implied Second Child. Wonder why she isn't here yet?

I heard that it was some kind of twist that the EVAs were alive in some sense, but doesn't that naturally follow from the first couple episodes? Unit 01 moves to save Rei without a pilot and then goes berserk to kill the angel. Maybe there's more to the twist that I don't know yet.

What's up with the angels? Why are they here, what do they want, what are they exactly? Who cares. They are a plot device in purest form - they enable the rest of the show, but the show is not meaningfully "about" them. They didn't half-ass it though - the designs are absolutely phenomenal.

Oh, and there's some second project NERV is working on, a human transformation thing that got mentioned once and never again. That will probably be important eventually.

#i'm doing femmenietzsche's suggestion of watching 6 episode chunks as arcs #finished the first last night #nge #arc 1

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nalyra-dreaming · 2 days

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Something something about the sequence of "Marius de Romanus, Venitian contemporary of Tintoretto's", "The Groan" and "I serve a god" in the very same dialogue exchange + Real Rashid + Marius burning Eudoxia's acolyte Rashid + Eudoxia wanting to take TWMBK for herself + the way Children of the Millennia worshipped Akasha + Teskhamen being part of Akasha's original cult, the founder of the Talamasca and Marius' maker + the Talamasca finding Marius' painting + these paintings hanging in Dubai

I sound schizophreinc but I swear I'm not. I feel like I'm onto something that I can't fully grasp yet but something like the show merging the concept of Marius and the Talamasca together somehow??? I don't know I need to watch S2 right now😭😭😭

Alright *cracks knuckles* :)

So I am (not sure if you know but probably) firmly in the team "Marius is somewhere around and TWMBK are in the basement. And Lestat is probably there in his coma as well.".

For me (myself and I) all the hints point to that.

The painting, the comment re the prime minister, the groan, Fareed, Armand's little comment re serving a god. If the groan is Armand being annoyed or TWMBK will be something that will be interesting to see, but...

I really do not think you schizophrenic :)))

Marius has ties to the Talamasca (Raymond Galant), not only through his maker (though that is indeed a rather strong tie) but also through his contacts to it through the ages.

I absolutely believe that some of his painting will play a rather important role still in the show(s), especially since the set design emphasizes their meaning so much.

So yes. Marius' painting(s) in Dubai. I would bet anything that there are (at least a few) more in the basement. I would bet a lot that there is more than furniture in the basement, too. (In fact I think @cbrownjc might be right on the track in their fic installment, but that just as a note, this aligns to 99% with what I expect as well^^).

It's just the setup of it all. It carries meaning.

Like, Armand wouldn't hang that painting if some things haven't happened. And, as much as he loves/hates/wants Lestat... would he say Lestat is a god? Then again, him being sun-proof (and Louis not) puts us in such an interesting time frame in the books.... and that little easter-egg/hint with the "Book of Hours", too... because remember where that was mentioned?? Right, in Memnoch. By DAVID. David, who implies that they, aka the Talamasca, were tracking said Book of Hours... which had been lost in Berlin in the Second World War. (Btw, I will forever and for all time adore them if Louis just happens to lose some luggage with that darn book on his and Claudia's travels. Seriously. Please.)

Fareed and Seth... and Gregory. And Teskhamen. And Raymond. Hesketh. The Talamasca. Gregory's pharmaceutical empire and Fareed's research. (Which could easily produce special medicine for Daniel). Seth, Akasha's son. The paintings in the living room depicting "mother and daughter"... and "twins".

It's all connected.

And I mean.... knowing the last books... it's not really a far stretch that Marius is involved with the Talamasca. Leads them even, maybe :))))

The show is building up the lore in a quite incredible way, imho. I just hope they do not lose sight of all the threads, because this... if it unfolds over the next seasons as I suspect it will??? ... will be breathtaking.

#Anonymous #asks #ask nalyra #amc iwtv #iwtv #amc interview with the vampire #interview with the vampire amc #iwtv amc #iwtv 2022 #interview with the vampire #the vampire chronicles #vc #vampire chronicles #marius de romanus #iwtv marius #talamasca #vc lore #iwtv lore

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dragonvhs · 2 days

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I've been wanting to do this forever so why not now

RATING SPYRO'S MODELS IN EACH GAME (these are the models themselves, not like his designs outside of the games in like promotional materials and stuff. That may be a later post idk yet)

Spyro 1

The classic Spyro design. The small line of blue scales. The little yellow gradient on his cheeks and snout in cutscenes. The brown horns and big, expressive eyes. Oh yeah, this is prime Spyro right here. Will take points because the wings are very small and awkwardly shaped, which to be fair it is 1998 playstation so like. What can you do.

9/10

Spyro 2/3

Now this? This is perfection here. Takes everything the Spyro 1 model does and does it better. Still has the little blue scales I love so much and the brown horns, but with much better wing shape and size. Top tier Spyro model. Might be my favorite of all of them, even.

10/10

Spyro: Enter the Dragonfly

I like how they decided to texture in more scales during the jump from ps1 to ps2. Sadly this may be the only thing i like about this model. It's not the worst thing i've ever seen, but it looks so... gummy? Some of the details look kind of odd to me, like the yellow claws and unevenly spaced lines along his chest. This also removed the blue scales lining around his underbelly and adds the yellow horns which I'm not crazy about. A few points for still trying to be mostly loyal to the ps1 designs shape wise.

5/10

Spyro: A Hero's Tail

Now this is a pretty good improvement from the enter the dragonfly model. I'm not crazy about the snout shape, looks a bit too round and i think the nostrils are a bit too high on his face, but overall a good spyro! the introduction of the purple eyes is cool too (personally im a red eyed spyro truther but still)

7/10

Spyro: Shadow Legacy

HAHAHAHHAHAHAHHAHA HOLY FUCK HAHAHHAHA. okay okay okay to be fair this one is a ds game and spyro himself is suuuuper small on the screen so like. of course he'd be low poly. does get some points for spyro having sharper and more mean features. though you probably wouldn't notice in the game

4/10

Legends Spyro New Beginning/Eternal Night

Might be nostalgia talking but I actually still really like this design. I like his snout shape and more lightning bolt shaped horns, and i find his head and back spikes kinda cool, even if i like the classic shape of them better, it works for this design. His horns are a tad bit more brownish (it's more visible in the game), which you know I love. This spyro is overall very cute!! Maybe a bit too cute, but I enjoy him

8/10

Legends Spyro Dawn of the Dragon

I don't. like him.

the back legs look fucked up, the wings are way too thick at the base by the shoulders and then they're so small but then get so long by the end. i like the little added scales along his underbelly. that's about it. you would think taking the previous model and making him older would be easy but i guess not. a point because you can tell he's older and if you only look at his head the model is nice. not the rest though. god.

2/10

Skylanders

This might be controversial but i dont care. i actually like the skylanders spyro design. he leans more into the cool factor than cute, which i can appreciate, and he kinda reminds me of a pug a little bit and i really like pugs. he's got kind of a beast/monster factor i really like. i love love love the horn shape and the big claws, and the yellow claws dont even look awkward here!! the red eyes really pop too! i think he's really fun

7/10

side note i also LOVE spyro's design in the skylanders show too ESPECIALLY HIS COLORING LOOK HOW NICE HE LOOKS it takes the best parts of the game model and improves it. i know this isn't from the game but it's too good not to include.

9/10

Spyro Reignited

I do really really really love this model, it's near perfect. perfectly balances the cute/coolness factor. the shapes are all good, the wings are small but not too small. love the darker scales across his body. his little thumbs are so fun too. honestly this is the best they could have done for a remodel of the first 3 games. only taking off a point because im not crazy about the colors, i prefer the darker purples and brown horns.

9/10

BONUS: CRASH ON THE RUN

Im so torn on this one because on one hand the cartoony stylization really works in these models. i love the bigger snout, i think it's fun, and i LOVE LOVE LOVE taking his head spikes and kind of splitting them up like hair. that's so fun! but on the negative end I HATE THE WAY HIS FEET LOOK SO MUCH OH MY GOD. they're like wretched lumps of clay with little claws jammed into them. granted this was for a mobile app BUT STILL. the feet really just fuck me up a lot

6/10

Okay that is all thanks for reading <3 maybe next time i'll rate spyro renders or something <3

#spyro #spyro the dragon #tlos #the legend of spyro #skylanders

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reanimatestar · 1 year

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quick sketch of my best friends clark kent and superman

[image description: two pencil portraits of clark kent (also known as superman) from dc. the first drawing is him as clark kent while the second is him as superman. he is smiling in both portraits. /end description]

#clark kent #superman #dc #kal-el #<= i think that's his kryptonian name but i might be wrong don't correct me <3 #oh look - a star!#made these designs up but i do think superman is one of those designs where it's like. Iconique. no notes <3 #you don't stray very far because you don't need to <3 #i don't keep up with the dc universe by the way i just like the idea of superman i've built up in my head <3 #like a genuinely nice guy with superpowers <3 who's also jewish and bisexual <3 #i don't think i've read any superman-centric comics. i've read the Big dc comics like the killing joke and the dark knight returns and #swamp thing the original one. i'm actually reading the first comic where superman appears right now actually <3 #i like how instead of flying he used to jump and run i like seeing little quirks that come up when a character premieres and they're trying #to figure out what works and what doesn't that's neat to me <3 #anyways they should stop having gritty movies where superman is mean because power corrupts or what the fuck ever.#just make him a good guy like a genuinely good person maybe it won't make a good movie for some people. i'll have a great time though <3 #maybe i'm just behind on Superman Lore. i don't know i don't watch movies or shows or read books <3 (exaggerating for comedic effect)

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aberooski · 8 months

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Okay so, if y'all know me you know I adore tmnt. It was my obsession before I ever watched even the original YGO much less GX. And now I'm watching tmnt 2012 for the first time, I'm about halfway through season 2 and honestly you guys are so lucky I'm not live blogging it because well.... I don't like it 💀

I will say I'm enjoying season 2 more than season 1 so far but still 💀

#I'm trying so hard I really am #as a don stan I hate all the april stuff #as a lover of april I hate what they've done and will do with this one #I hate the whole karai is really splinter's daughter thing #the kraang make me want to die every time they speak they're so annoying #I dunno a lot of the humor is just not landing with me either for some reason #i never liked the 3d cg animation style i always thought it was super ugly which is part of why i never watched it until now tbh #I kinda resent just how childish mikey is which is silly of me I'll admit that but still #leo has always been my least favorite that hasn't changed #don always was my favorite so I really hate that so much of his character revolves around april it really adds nothing and holds him back #raph is fine it's hard to mess him up tbh i don't have any issues with him so that's a win 👍#plus I adore sean astin so bonus points #I do actually like splinter and casey though #historically I love casey the most of the human characters though so if they end up messing him up later I'll never forgive them #karai is fine I just hate the her being splinter's daughter thing. I also don't like her design at all. at all. they did her dirty af.#I don't like to compare the other shows to 2003 since nothing ~really~ compares imo but karai's 2003 design > every other karai design #I know there's some 2003 storylines and characters they do in 2012 so I know the comparison is inevitable but I think I've done well #so far in keeping them separate. i haven't had that issue with 87 or rise so I trust myself #but honestly my intense love and admitted bias for 2003 has never interfered with my enjoyment or opinions of other turtle media #-so that's not an issue here #I just genuinely don't care for 2012 so far. I didn't particularly care for rise either but tbh atm I like it more than 2012 #the rise movie was great though I loved that legitimately. the show itself though? not really for me.#I'm gonna watch 2012 to completion and I really hope I change my mind but it's looking bleak so far #plus I already know a lot of the big story beats so there goes that lol #oh yeah I lied #I also like ice cream kitty 🤭#tmnt #abby's just rambling don't mind her #abby chooses violence #wake up babe new tag dropped

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doubleedgemode · 1 year

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It's about time I drop my class ideas for the g.o. AU:

Note. I don't think the class names end in S if you're saying it on a plural way but, whatever:

Iops: Sol, Baiken, Leo, Zako B, Kliff, Slayer and Nagoriyuki (the latter two are iops in a much more vampiric way than usual)

Sadidas: Jam (being surrounded by plants does absolutely NOT help with a flammable restaurant)

Ecaflips: Johnny, Chipp, Zako C

Cras: Bridget

Xelors: Axl, I-No, Bedman and Delilah

Fecas: Potemkin, Answer and Anji

Sacrieurs: A.B.A, Raven

Eniripsas: Faust, Fanny and Leap

Ouginaks: Izuna

Huppermages: Ky, Judgment.. Zappa too perhaps?

Osamodas: May, Giovanna and Testament

EliAtropes: Ramlethal, Happy Chaos

Eliatrope Dragon: Elphelt

A very special eliatrope/dragon: Aria/Justice/Valentine (yes they're the same person in this au. Actually, it's not set in stone but at least Justice would be a super cool dragon for sure)

EliOtropes: Dizzy, Sin

Maskeraider but, not like the canon ones, I think: Jack-O

Minor almost godly spirits which are basically personifications of the Paladir/Necrome thing: Undine and Necro, respectively (come on even his name fits)

Regular unaffiliated humans: Goldlewis, Vernon, Daryl (I might make him a hupper..? but maybe he'd then be too similar to Ky) Crow

Steamer: Haehyun and Zappa (that or a hupper or unaffiliated..)

Steamer adjacent robot or something: Robo-Ky and RK MK II

Sacrimages *: Asuka

Srams: Millia and Venom

Roublards: Zato and Zako A

Shushus: Eddie, Lucifero, Roger, S-KO, Angra, the bad guy that got ahold of Judgment and Paracelsus

Elemental/or some sort of regular dragon: Dr Paradigm (I GUESS)

As for Leopaldon.. I don't know. Maybe the human is an osa, the dog is a milou and the gear is a shushu but.. Dunno. Leopaldon is Leopaldon lmao

Idk for Ariels either.. Maybe a hupper?? Probably I'll go the boring routes or make her (spoiler) canon in this au, as the gg one, or just a high level shushu

Goldlewis' coffin friend: A very minor god who's almost in the verge of disappearing due to people not believing in them. Their only believer? Goldlewis, but he believes they're an unexplained monster (monster as in the kros.moz definition where they just commonly exist) so, they're there but not that powerful..

Janvis or whatever the jellyfish cat is called: Chacha :)

*ofc hybrid classes are a topic of contention but, they are Technically canon yet very rare. Asuka is straight up a Hupper, and probably was one before, but his perspective about pain and his eye thing that remind me of larmes de sang (sacrieur technique) so he became both. Sacrimages is a made-up word, but with Nitura calling hybrid classes a combination of their names (ex: osadida) I thought Sacrimage would fit the bill.

#Long post #U can tell I love iops.. Beloveds #Surprisingly idc as much abt huppers haha #Guilty Omelette #Footnotes: Judgment is a hupper witch like Julith #Idk if RK is a series made robot that gets a conscience OR the especific RK we know is a wak.fu era steamer (aka a person who was turned #Into a robot. Basically). Whatever the case... He's powered by weird looking crystals #Sorry do.fus era steamers. I ignored you. Wait. Maybe I should make zapppa one for variety. Shrug #Yeah I will.#Obvs El can take on a human form but Has a dragon form. She obvs doesn't look 100% human. Think of Phaeris and especially adult Grougal #From the show. Yeah #U notice no enutrofs or pandawas cause. Idk if I'll even include them. Enus are too close to some stereotypes from what I've read. I ignore #Them. Pandawas. Same but maybe not as Bad. But idk abt them #Ik enus not being a thing throws off the wo12 denomination but. Both for GO and my kros.moz things. Maybe Ouginak was in the pantheon from #The get go. He's just reclusive lol. Idk #Oops I got carried away um.#Faust is.. A necrome eniripss probably. Idk if that happens after the strive equiv or he was just like that. We have to let normal enis to #Be weird from the get go cause Equality. Fun fact. The one paladir eni dude reminds me of axl #Umm anji uses shields instead of fans. He probably doesn't use a staff. Answer n Potemkin prob do however. Though they also use shields #Idk if Pott is straight up a necro. Probably not. But the canon necro feca guy w the shield mask?? HIS VIBES..#Venom prob has a sort of skull design rather than only the eye but like. Idk.#Also u can tell I love shushus lmaoo #Sorry this is rough I'm editing as I write. I'm prob forgetting things #Suggestions for this are accepted #@people who don't know wtf I'm talking abt in regards to this au: Don't worry about it #text tag2b named

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tearlessrain · 1 month

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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

#I found their original stuff while I was researching various waterhorses and their folklore for no reason #because one of the characters in their original work happens to be an each uisge #and then it turned out it ALSO included a lot of figures from welsh folklore in general #so yknow if you happen to have my incredibly specific hyperfixations you'll love it but even if you don't it's great #I didn't mean to bring up phantom of the opera so much it just happens to be very relevant to a lot of my talking points #I haven't actually seen it in years

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angeltism · 7 months

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Ugh fragmentsidering characters uu know literally nothing abt is so weird like I cannawt describe this nor justify it but Boy (genderneutral) Why Are Uu So Me

#➳ the fool speaks #HH. MUST. KEEP. READING. KAGE.PRO. AND WATCHING. BS.D. HRGHH.#literalyl. 1 kag.epro. and 2 MORE fuckijg bs.d gayasses. and one of em had been BUGGING ME SINCE I FUCKING SAW HIS DESIGN BC HOLY SHIT #STOOOOOOP #but i know NOTHING abt him so far and I am NAWT fucking telling ANYONE until he shows up in the anime #..which actually might take a while oh fuck #uur very helpful hint is he's fuvking GAYYYYYYYYYY but that isn't helpful at all. this is bs.d we're talking abt after all.#and other bs.d I've mentioned beforeeee and kag.epro is en.e which I am nawt hiding bc i don't feel the reason 2 #aqua fan land (population of like. 1.) feel free 2 make theories abt what bs.d character i mentioned first or. whatever uu all do when I'm #gone and uu all are left to be without mwe ^_^ /silly #wait. wait. 2 kage.pro. and yeah the other one is also being a secret bc i know Literally Nothing still. but again idk theories are fun ^_^#(actinf as though people actjally care)

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confessedlyfannish · 7 months

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DP x DC Prompt #4

When they all convene at the cave, Alfred is silently wrapping Dick's knuckles. Damian hovers beside him. Tim and Barbara are hunched over the batcomputer, not even sparing Bruce a glance as he strides over.

"Report," Batman grunts. No one reacts.

"Report!"

"Hood pushed his panic button at 2:34 AM," Barbara says shortly, straightening.

The button had been a joke, mostly because Jason would never use it and everyone knew it.

"I patched into his comm at 2:35. This is what I heard initially." At her nod, Tim presses play. What occurs next is a garble. There is the sound of high winds, as if Hood is rushing through the air, even though the comms are designed to filter out any ambiance otherwise the Bats would never hear each other. Interspersed is a mixture of static punctuated by high, inhuman screeches of metal and something else unknown.

"This goes on," Barbara says after thirty long seconds, switching it off. "Red Hood failed to respond to any attempts at contact. I dispatched Nightwing to Hood's location at 2:36 AM. He was approximately two miles away." She pulls up a GPS map of their respective locations, their beacons blinking.

"At 2:41 AM, Red Hood's comm goes off, as does his GPS," Barbara says, swallowing softly as the red beacon indicating Jason disappears. "Nightwing arrives at 2:42 AM."

Dick doesn't say anything, head hanging low as he grips the metal table he sits on. Damian glances between the two of them, expression flat but fists clenched.

"Nightwing, report."

"..."

"Scene was empty, B," Tim speaks up. "No trace of Hood, no sign of a struggle. No cameras in the alley. We've been checking the ones nearby but so far there's no sign of anyone but Hood heading in that direction...and no one, Hood included, caught in the cams heading out, not within that time frame."

"So he's still in the area," Batman concludes. "The local buildings?"

"All the entrances have cameras, which showed no evidence of Hood nor any evidence of being tampered with," Barbara says. "Nightwing, Red Robin and Robin canvased within a half mile radius to check for any signs of disturbances in any of the windows or rooftops but found no evidence to support Hood being taken. A scan confirmed several serial offenders, but when interviewed and searched there was no sign of Hood. Several in the area reported an unusual quiet for Crime Alley."

Batman forces the next question out. "Did you check the dumpsters?"

"Yes," Nightwing grits out. "Empty."

Barbara clears her throat. "I have attempted to reconnect to Jason's GPS and comm as well as restart both remotely but there's no signal at all. The thing is, when there's a disruption like that it usually leaves some sort of sign" she pulls up the audio waves, pointing at the end where the spikes conform into a straight line that makes everyone deeply uncomfortable. Upon playing, the noise from before plays before going abruptly silent. "But there is no large spike, this is clean. It just ends. His GPS is much the same. It's not off, it's just gone."

"I know you don't like to hypothesize this early on, B, but we think this involves a meta," Tim says, rewinding the audio. "We've been running the audio from Jason's comm through different filters, playing with the levels and isolating what we can and, well, take a listen--"

The screeching drops to a sort of muffle and in the background, distantly, they can hear bits of Jason's voice.

"No, I'm not---"

"--don't need--"

"get AWAY from--"

a particularly desperate yell that makes Tim flinch, "I am NOT--!"

and almost a whimper that makes Batman's blood run cold, "please..."

And then, unfairly clear even through the faint garble, Jason says "I don't have a choice, do I."

And a minute later, quietly: "Ok."

The audio cuts off.

The defeat in Jason's last words is palpable, and fundamentally wrong. Jason has never sounded defeated a day in his life, and no one knows how to process Red Hood all but giving his hands over for the cuffs. Nightwing pushes himself off the table.

"I'm going back out there," he growls. No one tries to stop him as he stalks out the cave, not even Alfred.

"I will accompany Nightwing, make sure he does not punch any more walls." Damian says, nodding tightly.

"B?" Barbara asks.

"Keep working on it. See if you can identify what could be making those noises if Hood was standing still in an alley," Batman says, walking towards the zeta tube. "I'm going to make a few calls."

#batman #danny: how do i take this incredibly volatile vigilante that shoots first talks later and scares the crap outta me to a doctor #danny: I scaRE HIM HARDER #danny phantom #red hood #nightwing #red robin #dp x dc #oracle #dp x dc au #batfam #dp x dc prompt #dp x dc crossover

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wileycap · 2 months

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So, uh, Netflix Avatar, huh? Yeah. I guess I'll make a really long post about it because ATLA brainrot has is a cornerstone of my personality at this point.

So.

It's okay. B, maybe a C+.

That's it.

Now for the spoilers:

The biggest issue with the Netflix version is the pacing. Scenes come out of nowhere and many of the episodes are disjointed. Example: Aang escaping from Zuko's ship. We see him getting the key and going "aha!", and in the next scene he's in Zuko's room. And then he just runs out, no fun acrobatics or fights, and immediately they go to the Southern Air Temple where he sees Gyatso's corpse, goes into the Avatar state, and then sees Gyatso being really cheesy, comes out of it, and resolves that conflict. Nothing seems to lead into anything. The characters don't get to breathe.

The show's worst mistake (aside from Iroh fucking murdering Zhao) is its' first one: they start in the past. Instead of immediately introducing us to our main characters and dropping us into a world where we have a perfect dynamic where Aang doesn't know the current state of the world and Katara and Sokka don't know about the past, thus allowing for seamless and organic worldbuilding and exposition, they just... tell us. "Hey, this is what happened, ok, time for Aang!" There's no mystery, no intrigue, just a stream of information being shoved down the audience's throats and then onto the next set piece.

The visuals are for the most part great, but like with most Netflix productions, they just don't have great art direction. It feels like a video game cinematic, where everything is meant to be Maximum Cool - and none of the environments get to breathe. It's like they have tight indoor sets (with some great set design) and then they have a bunch of trailer shots. It's oozing with a kind of very superficial love.

Netflix still doesn't know how to do lighting, and with how disjointed the scenes are, the locations end up feeling like a parade of sets rather than actual cities or forests or temples. As for the costumes, Netflix still doesn't know how to do costumes that look like they're meant to be actually worn, so many of the characters seem weirdly uncomfortable, like they're afraid of creasing their pristine costumes.

The acting is decent to good, for the most part. I can't tell if the weaker moments come down to the actors or the direction and editing, but if I had to guess, I'd say the latter. Iroh and Katara are the weakest, Sokka is the most consistent, Zuko hits the mark most of the time, and Aang is okay. I liked Suki (though... she was weirdly horny? Like?) but Yue just fell kind of flat.

The tight fight choreography of the original is replaced with a bunch of spinny moves and Marvel fighting, though there are some moments of good choreography, like the Agni Kai between Ozai and Zuko (there's a million things I could say about how bad it was thematically, but this post is overly long already.) There's an actually hilarious moment in the first episode when Zuko is shooting down Aang, and he does jazz hands to charge up his attack.

Then there's the characters. Everybody feels very static - Zuko especially gets to have very little agency. A great example of that is the scene in which Iroh tells Lieutenant Jee the story of Zuko's scar.

In the original, it's a very intimate affair, and he doesn't lead the crew into any conclusions. Here, Iroh straight up tells the crew "you are the 41st, he saved your lives" and then the crew shows Zuko some love. A nice moment, but it feels unearned, when contrasted with the perfection of The Storm. In The Storm, Zuko's words and actions directly contradict each other, and Iroh's story gives the crew (and the audience) context as to why, which makes Zuko a compelling character. We get to piece it out along with them. Here - Iroh just flat out says it. He just says it, multiple times, to hammer in the point that hey, Zuko is Good Actually.

And then there's Iroh. You remember the kindly but powerful man who you can see gently nudging Zuko to his own conclusions? No, he's a pretty insecure dude who just tells Zuko that his daddy doesn't love him a lot and then he kills Zhao. Yeah. Iroh just plain kills Zhao dead. Why?

Iroh's characterization also makes Zuko come off as dumb - not just clueless and deluded, no, actually stupid. He constantly gets told that Iroh loves him and his dad doesn't, and he doesn't have any good answers for that, so he just... keeps on keeping on, I guess? This version of Zuko isn't conflicted and willfully ignorant like the OG, he's just... kind of stupid. He's not very compelling.

In the original, Zuko is well aware of Azula's status as the golden child. It motivates him - he twists it around to mean that he, through constant struggle, can become even stronger than her, than anyone. Here, Zhao tells him that "no, ur dad likes her better tee hee" and it's presented as some kind of a revelation. And then Iroh kills Zhao. I'm sorry I keep bringing that up, but it's just such an unforgiveable thematic fuckup that I have to. In the original, Zhao falls victim to his hubris, and Zuko gets to demonstrate his underlying compassion and nobility when he offers his hand to Zhao. Then we get some ambiguity in Zhao: does he refuse Zuko's hand because of his pride, or is it his final honorable action to not drag Zuko down with him? A mix of both? It's a great ending to his character. Here, he tries to backstab Zuko and then Iroh, who just sort of stood off to the side for five minutes, goes "oh well, it's murderin' time :)"

They mess with the worldbuilding in ways that didn't really need to be messed with. The Ice Moon "brings the spirit world and the mortal world closer together"? Give me a break. That's something you made up, as opposed to the millenia of cultural relevance that the Solstice has. That's bad, guys. You replaced something real with something you just hastily made up. There's a lot of that. We DID NOT need any backstory for Koh, for one. And Katara and Sokka certainly didn't need to be captured by Koh. I could go on and on, but again, this post is already way too long.

It's, um, very disappointing. A lot of telling and not very much showing, and I feel like all of the characters just... sort of end up in the same place they started out in. I feel like we don't see any of the characters grow: they're just told over and over again how they need to grow and what they need to do.

To sum it up: Netflix Avatar is a mile wide, but an inch deep.

#avatar the last airbender #atla #atla spoilers #avatar netflix #netflix avatar #atla live action #netflix atla #zuko #iroh #katara #aang #sokka #zhao #ozai #review

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cupid-styles · 2 months

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renaissance (art teacher!yn x single dadrry)

in which y/n is harry's son's art teacher and he develops a big dumb crush on her. or: kids art teacher!yn x single dad!harry

word count: 6.5k

content warnings: none, just kids! some mentions of different types of familial relationships/dynamics (death of a parent)

masterlist | talk to me

. . .

"Alright, kiddos, let's clean up our big, beautiful messes!"

Y/N claps her hands three times to signify that class is slowly crawling to an end. Her hour-and-a-half art course for kindergarteners is one of the longest and, if she's being honest, labor intensive classes that she teaches. It's set at the end of the school day from 2:30 pm to 4 pm, designed specifically for parents that work late or need to place for their little ones to go after school is over. Most of her students' parents are single and working full-time, or have intense careers like nursing or... whatever it is they do.

Y/N weaves her way through the small smattering of children ambling over to the sinks. She watches to make sure they're having an okay time with washing out their paint cups and rinsing their brushes, followed by using the correct amount of hand soap to scrub paint stains away.

(That one almost always requires extra help — to this day, she tries not to get frustrated when she thinks about Johnathan dumping an entire bottle of Dawn soap all over his clothes because he had a tiny bit of yellow marker on his tee-shirt. It was the price she paid to teach kids, though.)

"Clementine, do you need a little help?" she asks, peeking over to one of her quieter students. With fluttering lashes and a slightly baffled look on her face (Y/N could always tell when she was getting stressed out by the way her little eyebrows wrinkled together), Clementine nods, and Y/N makes quick work to appear behind her. She gets down to her level, where her Mary Jane-clad feet are resting atop a stool to help her reach the sink. "What's going on, lovebug?"

"'s everywhere," Clementine whines lightly, her bottom lip forming a sad pout. "Paint all over my hands!"

"I see that, sweetheart! But you know what?" Y/N makes a show of pretending to look side to side to ensure no one else can hear her. "It's okay if we get a little messy sometimes. The cool thing about everything we play with in this class is that it's colorful and pretty, and if it gets on our clothes or our bodies, it can get washed away."

Clementine considers this for a moment. Her hands are still stuck under the lukewarm stream of water, where the caked on hues of bright pink and orange are slowly starting to fade away. "What about on my art?" she asks slowly. "Will that get washed away?"

"Nope," Y/N shakes her head. "That stays forever. But on your clothes and body? It doesn't stand a chance."

"Oh. Okay."

And just like that, Clementine's minor stressed out moment floats away. Y/N smiles to herself as she pours a bit of soap into her small hands and helps her scrub them together, the lingering paint forming a pretty swirl down the drain.

"There you go, lovebug," she murmurs as she stands back up, giving her head a light pat, "Don't forget to grab your painting when mommy picks you up, okay?"

Clementine nods and scampers away to her table. She chuckles, placing her hands on her hips as she takes stock of the kids. She has about 10 minutes until it's officially time for dismissal, and most parents are good about picking them up right at 4 pm. She thinks about playing a game with them to keep them occupied, until she sees it.

Riley Styles. With globs of red paint in his curly, brown hair.

"Oh my god," Y/N mumbles to herself, rushing over to Riley's table, "Riley! Can I ask what happened here?"

She tries to keep her voice at a measured, not-freaked-out level, but it's kind of impossible given the child standing before her is dripping with paint.

"My cousin has red hair." Riley answers simply before shrugging his shoulders. "I think she uses paint, too."

"Ohhhh, I see," Y/N replies, pressing a gentle hand to his back, "Well, Riley, I think it would be best to clean this up. It look like it feels a little messy and icky."

Her stomach is bubbling with anxiety as she glances up at the clock. There's now eight minutes to dismissal time, and Riley's dad is never late.

"But you told Clementine that messes are okay—"

"Messes are always okay!" Y/N exclaims in an embarrassingly high-pitched voice, "Um, why don't you come with me to the bathroom, Riley?"

She doesn't give him an opportunity to reply before she's looping his hand with his and making quick steps to the faculty bathroom. Realizing she's just left 15 kindergartens in a room unsupervised with a plethora of art supplies, she peeks into Lea's classroom.

"Lea! Hey, um, Riley and I need to go to the bathroom to clean up a little mess! Can you keep an eye on my kids?"

Lea, who already has her jacket zipped up and looks like she's about to walk out to her car, furrows her eyebrows. Her eyes widen when Y/N backs up slightly to give her a view of Riley, who has been trailing red paint with every step they take.

"Oh my god!" she all but squeals, and Y/N's jaw clenches, "Yeah! Sure! No problem! Good luck with that mess, Riley!"

Y/N resists the urge to roll her eyes at her friend as they finally make it to the bathroom. She glances down at her watch, which tells her that took a whopping three minutes of their time. Swallowing tightly, she tries to figure out the best plan of attack, ultimately deciding that it would be best if she just attempted to wash his hair with soap and water while he stood there.

"Alright, Riley, can you try and stand still for me?" she asks, already pumping an absurd amount of hand soap into her hand, "I'm going to try to help get this mess out of your hair. Don't you miss those pretty curls you have?"

He shrugs as she begins to lather the soap between her hands. "I thought my cousin's hair was pretty."

"I'm sure!" she replies, massaging the foamy liquid into his hair. She's never been so thankful for washable paint before as the tints of red that latched onto his strands begin to wash away. "She probably didn't use paint though, and it's important that we keep the paint on our projects instead of our hair."

"Messes are okay, though. You said it."

She grimaces. Why do kids remember everything?

"You're right, messes are totally fine! But those are accidental messes. It's alright if we get it on our shirts or hands, but paint doesn't go in our hair. Does that make sense?"

His hair is completely saturated with hand soap now. She doesn't have a better way to wash it out (other than dunking the poor kid's head in the sink, which definitely feels unethical), so she's simply getting her hands wet and washing out section by section. It's going moderately well, especially since Riley's hair is on the shorter side, until the bathroom door bursts open, followed by angry footsteps.

"Riley!"

Y/N turns, her mouth forming an embarrassed o-shape when her eyes make contact with a seething Mr. Styles.

"Daddy!" Riley exclaims, rushing over to his dad. He latches his arms around his leg, giving them a squeeze, and getting the watered down red paint everywhere in his wake. Y/N winces.

"What are you doing alone with my son in a faculty bathroom?" He demands, jabbing his finger in Y/N's direction.

"I'm so sorry! H-he put red paint in his hair and I needed to wash it out, this was the only place I could do it since the kids' bathrooms aren't big enough—"

"And you didn't think to take another faculty member with you?" He spits angrily. Riley's now running around in circles, shaking his hair out like a dog. "How do I know you weren't doing anything—"

"I would never do anything inappropriate and you know that, Mr. Styles," Y/N cuts him off, feeling rage bubble up in her chest, "You've been sending Riley here for two years and this is the first time anything has ever happened. Until now, both you and him have only ever been happy with your experience here."

Mr. Styles clamps his jaw shut, his gaze falling to Riley, who's now pacing back and forth with his hands behind his back.

"It's washable, then?" he asks through a clenched jaw. "The paint?"

Y/N swallows, then nods once. "Yes. Everything we use is washable and water-soluble. It was coming out fine before."

He straightens his posture and runs his tongue over his two, slightly overlapped front teeth. "Okay. Riley, come on, we have to head home now."

Mr. Styles stretches out his hand and Riley takes it happily, his smaller one clutching his dad's fingers. The sight makes Y/N's stomach squeeze, but she quickly diverts her gaze and clears her throat.

"I can grab his backpack and jacket," she says, boots clicking against the tiled floors as she walks out of the bathroom. Her face is warm and she feels tears lining her eyes, but she refuses to let herself cry in front of a parent. What she said to Mr. Styles — it's true. She's been working at the studio for five years and nothing has ever happened. She supposes a fuck up was overdue, especially since she works with kids, but it doesn't lessen the sting any.

She's surprised when she hears footsteps behind her, realizing that they're following her. She swallows the lump of tears in her throat and flashes Lea a small, forced smile when she returns to her classroom. The rest of the kids are gone already, their belongings and paintings with them.

Y/N walks over to the cubbies, where Riley has his jacket and backpack hooked. Gently, she removes them, and turns to hand them to Mr. Styles.

"Again, I apologize for today. I was helping another student clean up and I must have missed this entirely," she says, trying her best to keep an even tone.

Mr. Styles nods awkwardly, taking Riley's stuff into the crook of his arm. "I, um, apologize for insinuating that you'd do anything... unsavory. I know you wouldn't. I just panicked."

"I understand completely." she replies, and she means it genuinely.

"Daddy?"

They both look down to see Riley tugging at his dad's pant leg.

"What does usavory mean?"

Mr. Styles and Y/N's heads both snap back up, eyes wide as they stare at each other.

"...Nothing," he says with a small smile, making Y/N's own lips curl into a grin, "I got you dino nuggets for dinner. Doesn't that sound yummy?"

Mr. Styles waves goodbye to her as he pulls Riley out of the classroom, chanting dino nuggets! dino nuggets! on his way out.

. . .

When Riley doesn't show up for class the following week, Y/N sincerely contemplates poking her eyes out with paintbrushes.

She feels stupidly embarrassed. It took her two full days to move on from the whole red-paint-in-the-hair thing, in which she replayed every single moment of Mr. Styles staring her down like he wanted to pummel her across the city. And while she thinks things ended on a relatively decent note, she wonders if he was just being polite and now he was pulling Riley out of her afterschool art classes.

She's never had a parent unenroll their kid for reasons that weren't out of her control. Moving? Sure. Wanting to try a new activity? Understandable. Parents wanting to spend more time with their child? Y/N wouldn't dream of getting upset over that. But Mr. Styles, who always showed up at 4 pm on the dot in his neatly pressed slacks and crisp button downs to retrieve Riley from class?

She didn't know much about him. Unlike other parents, Mr. Styles didn't care much for idle chatter or small talk. For most of her students, she knew at least something about their personal lives or home dynamics — Reese's mom was a pediatric nurse, Tyler had a twin sister who preferred playing soccer after school, and Sabrina's dad passed away when she was a baby, so she lived with her grandparents and mom.

Anything she put together about Riley's home life was from pure speculation: His mom never picked him up, so she wasn't sure she was in the picture. (She doesn't think Mr. Styles is married, either, considering he doesn't wear a wedding ring, but that's neither here nor there.) He alway showed up to the art studio in professional work clothes, which led Y/N to assume he came straight from wherever he worked. Riley never spoke about having any siblings, so she thinks he's an only child.

And that's about it.

She spends the entirety of class holding her breath and mentally preparing for her boss to ask to see her once all the kids were picked up. Nina would probably start out by thanking her for all of her hard work over the past five years, and then before Y/N even realized it was happening, would switch over to her lack of care for Riley and the complaints made on Mr. Styles' behalf. She could envision the words leaving her mouth now: And so, we have no choice but to let you go, Y/N.

Except... to her surprise, that doesn't happen. Nina doesn't come in after dismissal and she even tells her to drive safe on her way out of the building. There aren't any meetings placed on her schedule in the week that passes by before Y/N's next course with Riley's group, and she's damn near shocked when her students come bustling in seven days later, the curly haired boy included.

Today, Y/N teaches them about working with oil pastels. She breaks the medium down to a very basic, understandable level for kindergarteners and lets them go wild after her usual 15 minutes of instruction, instructing them to let their creative minds run wild. It's one of her favorite parts of teaching art to kids — they rarely overthink it, instead just allowing whatever flows to come through to the paper.

Unsurprisingly, oil pastels aren't as messy as paints, so there's less clean-up required than their previous unit. At 4, the parents arrive in quick succession, though when her eyes flit to the clock, she's surprised when Mr. Styles still hasn't picked Riley up by 4:07.

She doesn't like to bring attention to late parents (she's found that some kids get all knotted up about it, worrying that something happened), so she usually has a few busy activities prepared for this very event. She grabs her folder of coloring pages to bring over to Riley's table, who's busying himself with peeling glue off of the worn, messy table.

"Okay, Mr. Riley, what are we in the mood to color tonight?" she asks, flipping open the folder, "We have a garden, a firetruck, or a puppy!"

Riley silently contemplates the pictures in front of him and for a moment, Y/N feels like some childhood psychiatrist analyzing his decision. She has nothing to examine, though, beyond the fact that she's hoping he opts for the puppy or firetruck so she can work on the garden as they wait for Mr. Styles. With his small tongue poking out from the side of his mouth, Riley taps his finger decidedly on the puppy.

"This one, pwease."

She smiles and nods, stuffing the firetruck back in the folder and keeping the garden and puppy out. Riley always expressed good manners, and his sweet "pwease" and "tank you"'s always warmed her heart.

"Sounds like a plan," Y/N pulls the cup of used Crayola crayons so they're within easy access. She buys a new pack every semester because, as she expected from her very first year working here, kids love to destroy crayons, even if they don't always mean it. Even from just a few months of use, the current 64-array is in rough shape. "Do you have a puppy at home?"

Riley shakes his head as he immediately grabs a teal color to color in the fur. "No. I want one, but Daddy says no."

"Puppies are definitely hard to take care of," Y/N nods as she pulls out a light pink for the flowers on her page. "I have a cat. Her name is Biscuit."

"Biscuit?" Riley giggles. Y/N grins.

"Mhm. She loves to jump up on the kitchen counter and eat whatever food I make," she leans in closer and lowers her voice. "It's pretty naughty, if you ask me."

Riley's giggles erupt into full-fledged laughter. Y/N can't help but chuckle, too, but it's almost immediately cut off when Mr. Styles rushes in, looking frazzled with a bouquet of flowers in his hand.

"Oh! Daddy's here, Riley," Y/N announces, standing up from the little table. Riley turns around with a grin, excited to see his dad as always.

"Hey!" Mr. Styles greets loudly, though his tone teeters on nervousness more than excitement. "I'm so sorry I was late. I had to, um... make a stop, and there was a lot of traffic. Rush hour."

Y/N nods understandingly, "That's alright. Riley, do you wanna show Daddy what you made today?"

"Actually, uh, one sec bud— why don't you keep coloring that... blue puppy, huh?" Mr. Styles's eyes peer over the page he's diligently working on, an expression of confusion making Y/N press her lips into a small smile. Completely content, Riley continues on, and Mr. Styles darts his eyes back over to Y/N. "Um, do you have a moment?"

She nods, swallowing harshly. She assumes this is it — the moment when he tells her that he's pulling Riley out of the program because of her unprofessionalism. It kind of hardens the blow a bit more given the massive flowers in his hand, which he assumes are for a girlfriend at home, maybe Riley's step-mom to-be. Or maybe he's trying to work things out with his birth mom. It's none of Y/N's business, but for some reason the thoughts swirl around in her brain, making her feel all the same — anxious, worried, self-conscious, and even a little down.

She leads him to the corner where her desk is so they're able to speak quietly and freely, out of Riley's earshot. Mr. Styles doesn't say anything for a brief minute. He's always been quite kind to her, so she figures he's trying to figure out the nicest way to say, "you're the worst art teacher and I never want my kid to be around you ever again."

"These are for you," he says, stretching his arm out to hand Y/N the flowers. Her eyes go so wide they feel like they could pop out of her head. It takes a second for her brain to compute the words and he looks at her expectedly, waiting for her to accept them. Finally, she does, hand clutching the brown wrapping around the excessive bouquet of stems. (Seriously, there's at least 25 in here.) "I wanted to apologize for last week. Again. It was... so rude of me to say anything even remotely close to that. You've been nothing but a bright light in mine and Riley's lives and I was just having an awful day already, and... kids are kids, they do silly things, and I shouldn't have taken it out on you."

Y/N's eyebrows still feel like they're glued to her hairline. She's beyond surprised. In her years of working with kids, she's had parents say way worse things to her, and she never received an apology for any of it.

"Oh... Mr. Styles, this is—"

"Harry." he cuts her off, a wrinkle forming between his brows. "You can call me Harry."

She nods slowly, still processing the information. "Harry, this is very kind of you, but so, completely unnecessary. I didn't— I love Riley, he's a great kid, and I was worried you didn't want him to come back when he wasn't here last week."

Harry quickly shakes his head. "No, no. He had the flu. Ever since he started kindergarten, he's been getting sick left and right."

"Oh," Y/N says dumbly, beginning to realize that she worried herself sick for a week over quite literally... nothing. "Oh. That makes a lot more sense."

He chuckles and stuffs his hands into the pocket of his slacks. "Yeah. So, anyway, I hope you accept my apology, and even if you don't, I understand. Just know that I'll have Riley try to dye his hair blue next time or something," he teases, his face instantly falling the second the words leave his mouth. "That was a joke. I'd never do that."

Y/N laughs. "See, and I think pink would fit his complexion better."

Harry grins widely, and she realizes she's never noticed the cute little dimple that pops out of his cheek when he does.

She secretly hopes she gets to make it happen again sometime soon.

. . .

"How was Riley today?"

Y/N smiles knowingly at Harry as she wipes off one of the empty tables. "You know the answer to that. You don't have to ask."

Harry shrugs, putting his hands up in mock defense. He still has one of the Clorox wipes in his hand, quickly returning to cleaning off the crayon- and paint brushed-filled cups.

"I just like to make sure he isn't a complete menace, that's all."

"He's never a menace," Y/N replies, tossing the wipe in the garbage, "He's always very well behaved and well mannered. Kind of wondering if you built him up in a lab."

Harry chuckles. "Nope. Not quite how those things work."

Y/N's cheeks warm so she turns on her heel to glance up at the clock in the front of the classroom. It's edging closer to 4:30, which is about as long as she likes to stay after work. She always makes quick work of cleaning up the floors and tables, de-sanitizing them little kid germs for her 11 am disabled adult class tomorrow morning.

Ever since she and Harry had that chat with the enormous bouquet of flowers (they're all nearly wilted by now, but Y/N refuses to just throw them out), Harry comes to get Riley a few minutes after 4. By then, Riley's the only kid left, save for one or two on days with bad weather. Y/N will have them set up with their coloring pages and, instead of immediately helping Riley pack his things up to leave, Harry just... sticks around. Riley doesn't mind because he adores the different print-outs he gets to choose from, and Y/N can't help the way her heart hammers in her chest as Harry offers to help her clean up or ask about her day.

It's been nearly a month of this — once a week, dancing around tiny tables and conversations accompanied by the scent of Clorox — but Y/N secretly hopes that it's because Harry wants to spend time with her. She doesn't see any other reason why he'd do it, but she doesn't want to seem cocky, either.

"Okay, let's get you two out of here. It's already dark." Y/N announces as she unlocks her small closet in the corner, pulling her coat and bag out.

"Is it alright if we walk you to your car?" Harry asks.

She turns around to see Harry helping Riley zip his jacket up. The sight makes her chest tighten. The love he has for his son is so incredibly sweet that it makes her feel crazy some days.

"Um... sure, if it's not too much," she eventually replies, swallowing harshly, "I'm just a few rows back."

Harry nods and stands up from his place on the floor. He reaches down, a silent request for Riley to fit his smaller hand in his.

"Ri, what do you say to Ms Y/N for all the cool coloring pages?"

"Tank you!" he exclaims, his free hand in a tight fist, wrinkling today's coloring of a dinosaur.

"You're very welcome, cutie! I love that you made the dinosaur purple today." Y/N says with a grin. She follows them out, but not before turning all the lights off and locking the door.

"Daddy puts all my pictures on the refrig—refig—refigerator?"

"Refrigerator," Harry says as they walk down the empty hallway, "But close. Good job, bud."

Riley looks up at his dad with a grin. "Yeah! Daddy puts them all up. He says they're pwetty."

"They are pretty." Y/N nods, agreeing with a smile.

"He says Miss Y/N's pwetty too, and that's why we always stay late now—"

"Ah!" Harry yelps, cutting Riley off with an embarrassed flush. Y/N presses her mouth into a line nervously, trying to hide the excited smile curling at her lips. The conversation ends after that, though Y/N has trouble ignoring the butterflies flapping in her tummy. She clears her throat when they approach her car, her mitten-clad hands pressing the 'unlock' button on her keys.

"This is me," she says, pulling open the passenger's seat door to put her bag in.

"I'm so sorry," Harry rushes out. "I— that's not why we stay. Well, it is. Well, I mean, I think you're very nice and I like being around you, and I do think you're pretty, however I'm not trying to do anything that makes you uncomfortable. I just— I, um. Sorry."

"Don't be sorry," Y/N replies, this time allowing the smile to flower over her face, "We can always... we don't have to just hang out here. Like, we can get a coffee or something. Not in the company of your very sweet child."

He scoffs playfully, nevertheless pulling his phone out and opening his contacts. Hesitantly, he hands it to Y/N, who pulls off her mitten before accepting it and putting her information in.

"Text me when you wanna get together," she says as she gives it back to him. "Also, for the record. I think you're pwetty, too."

. . .

Harry texts her the following morning: I haven't asked someone out on a date in a long time, so I'm a little rusty... would you want to get dinner with me on Saturday night?

Y/N, who learned the whole wait-10-minutes-before-you-text-back thing back in college, doesn't even let her screen go dark before she messages him to say that Saturday sounds perfect, and he did a great job.

On Saturday evening, he picks her up at 7 pm on the dot. She's not sure what she was expecting, but she definitely didn't anticipate him getting out of his car on such a dreary, cold evening, ringing her doorbell, and bringing her yet another bouquet of flowers. She tries her best to hide the fact that she's shocked by his presence on her doorstep, her boots clacking against the wood floors of her rental, as she promises him she'll be back in a second once she puts them in some water.

Gentlemanly as ever, he escorts her to his car, a sleek, black sedan. She's not sure what he does for work and assumes he'll tell her tonight, but it's apparent that he has money — she doesn't think she's seen Riley in the same outfit twice and he's always showing up to pick-up in a stylish suit that may cost Y/N's entire biweekly salary.

They make slightly awkward, first date small talk on the way to the restaurant, which feels silly for both of them considering they know each other outside of this.

"What did you do today?" Harry asks, and Y/N's not quite sure how to say "I stayed inside all day doing nothing" without sounding like an elderly woman.

"Um, caught up on some TV. Painted a bit. Nothing too exciting, really. How about you?"

"Riley and I went to a kids science museum. It was fun, he enjoyed it," he replies, tapping his thumbs against the leather of the steering wheel. "Do you do a lot of art outside of work?"

Y/N nods, "Oh, yeah. I went to school for it. I actually wanted to be a museum curator."

"So how'd you end up working with snotty-nosed brats like my kid?" he asks teasingly. Y/N laughs.

"It was supposed to be a side gig until I found something more permanent, but... I started five years ago and got too attached, I suppose."

Harry hums. "Well, you're great at what you do. I've only seen you work with kids, obviously, but I'm always impressed with you."

Y/N shrugs, trying her best not to seem slightly overwhelmed by his compliment. He had a habit of doing that — making her feel dizzy and melty, all because he looked at her for a beat too long or said something she wasn't expecting.

"Thank you. It's nothing special, though," she says softly, swallowing tightly, "What do you do? I don't think I've ever asked."

"I'm in finances. It's incredibly boring," he replies almost instantly, as if it's a knee-jerk reaction. "But, um... pays the bills. You know how it goes."

It feels like an add-on, but nonetheless, Y/N nods understandingly. It seems like it does a lot more than pay the bills, but she doesn't question it.

The rest of the drive is on the quieter side. It makes Y/N's stomach bubble with anxiety, wondering if she's being too boring and attempting to come up with talking points that fall flat — every time she thinks of a question, she talks herself out of it, assuming it would sound silly leaving her lips.

Thankfully, Harry pulls into a parking spot not 10 minutes later. They're in a quaint part of town and, despite the holidays coming and going, the streets are still lit up with pretty snowflake displays. It's on the quieter side, which Y/N also appreciates — considering the fact that she already assumed Harry was fairly wealthy, she had worries that he'd take her somewhere far too fancy.

He looks slightly dejected for some reason when Y/N gets out of the car, burying her hands in the pockets of her jacket. He hurries over to where she's standing on the sidewalk, locking the car with the key fob.

"You look like you're freezing, I'm so sorry," he mumbles, wrapping an arm around her shoulders. It's an act he wouldn't do under any other circumstance if she wasn't all but shaking. "I should've dropped you off at the restaurant."

Y/N shakes her head, "No, don't be silly. Where are we going, anyway?"

He gives her shoulders a small squeeze as he guides her down the sidewalk. "Well, you mentioned not being able to find a decent sushi place nearby. This has been a favorite of mine for a few years."

She glances up at him, a look of confusion on her face. "I said that?"

"Yes," he chuckles. "A few weeks back."

She knows it's true — she gets a mean sushi craving at least once a week but has yet to dine at a spot that she dubs her go-to. She tries to think back to their conversations over the past month or so, but it's a fruitless effort, especially once he holds the door open for her, his large hand pressed against the small of her back. Immediately, the warmth of the restaurant is a welcomed sensation, but the feeling of his touch feels even more delicious.

"Reservation for Styles." he says to the hostess, who, without even looking down at the book on the podium, grabs two menus and walks them over to their table. Y/N's thankful that they're placed in a back corner, where she can cozy up and, perhaps slightly unattractively, stuff her face with spicy tuna rolls and sashimi until she can barely breathe.

"This place looks incredible, Harry," Y/N says softly as she looks over the delicate menu. "You come here often?"

She only says it because the prices are on the more expensive side, so it's difficult for her to imagine casually ordering in from here. She glances up to see him shrugging his shoulders lightly, eyes still glued to the menu.

"Every now and then." he answers vaguely.

As if on cue, a waiter approaches their table, placing down a bottle of wine.

"Your usual, Mr. Styles," he says, and Y/N swears she watches Harry's jaw clench, "Shall we do another tasting menu tonight?"

Her eyebrows furrow and a zap of anxiety electrifies her chest. Clearly, he does come here often. Why would he lie to her then? Was this where he took all his first dates? Y/N clears her throat uncomfortably, shifting on her bum as she starts to let her mind spiral. Suddenly, she feels like just another pawn in a man's game.

"Give us a few minutes, please. No tasting menu tonight, we'll be ordering entrees." Harry says curtly. The waiter nods with a smile and leaves them be.

Without thinking much, Y/N leans over the length of the table, the bones of her elbows pressing into the bright red tablecloth.

"Do you always take girls here?" she demands, a bite to her tone. Harry's head snaps up with wide eyes.

"What? No, why would you—"

"Because you said you come here 'every now and then', but the waitstaff knows your wine order and asked if you wanted a tasting menu again," Y/N replies briskly, blinking at the man in front of her. "You know, I'm not just some girl you can mess around with—"

"Y/N," Harry breathes, shaking his head. "No. No. It's not like that at all. I take my employees here quite frequently and do business dinners here. I'm aware that it's on the expensive side and I just... money is an awkward subject."

"Well, it's even more awkward when you pretend like you don't have any—"

"I wasn't pretending," he mutters, swallowing tightly. "I know you're not like that, but I haven't dated in a long time. Partially because of Riley, but also because people I've been with have only cared about the money. So I just try not to let it be a focal point, especially on the first date. I'm sorry if I didn't do a good job of that."

Y/N's stomach plummets. She feels sick — she hates that she assumed the worst out of him, letting her own dating traumas get in the way of him just trying to protect himself. God, she was the worst first date ever.

"I'm so sorry," Y/N breathes out shakily. "I'm being an asshole."

"You're not." Harry mumbles as he looks down at his lap. "Just... first date jitters, maybe?"

She smiles gently. "Can we start over?" Harry flicks his eyes up at look at her. "I like you, Harry, and I really, really want this to go well."

She watches as his throat bobs, a smile curling at his lips.

"So, Y/N. What is it that you do for work again?"

. . .

Harry feels like he's known Y/N for his entire life.

When they leave the restaurant (she attempts to put her card down and he can't help but snicker at her before explaining that they already have his on file), her hand curls around his as they walk back to the car. It makes his entire body erupt into flames as their palms press against one another's, intertwining their fingers tightly. Their shoulders bump into each other's with lopsided, goofy smiles on their lips.

"Tonight was fun." she says as they approach his parked car. He gives her hand a final squeeze before unlocking the doors.

"It was," Harry echoes her sentiment. They separate briefly to get into the vehicle; Harry immediately turning it on to crank the heat up. "Would you wanna do it again sometime?"

"Yeah. That would be nice." She nods, grinning. "What did Riley get up to this evening?"

He chuckles, "He's with the babysitter for the evening. She's used to my late nights with business dinners."

Y/N hums, peeling her hands out of her jacket pockets now that they're a little less chilly. "So you're not in a hurry to get home, then?"

Harry's chest dings with a bead of nervousness. He swallows and flexes his hands in his lap.

"Sort of. Riley has swimming lessons in the morning."

It's not a complete lie. Riley does have swimming lessons, but Harry wants to stay out with Y/N more than anything. He's not in any kind of rush — he's just anxious about what she's thinking about proposing after not dating anyone since his son was born.

"Oh, sure," she smiles, and Harry's surprised by the way her face maintains its happy composure. "Well, we can just end the night here if you need to get back. No worries."

That makes Harry feel bad — the fact that she's just so incredibly understanding, even if he's feeding her excuses based on his own insecurities. He clears his throat awkwardly and attempts to shift in his seat to face her.

"I haven't done this in a long time," Harry blurts out. "And I'm very nervous."

Y/N's face crinkles into an adorable smile. "The date is over, Harry. I thought we established that we had a good time."

"We did!" he rushes, lifting his hand to run it through his hair, "No, we did. I had an incredible time with you. I really like you."

"So what are you nervous about?" she asks softly, reaching out to take his hand into hers.

That.

That's what he's nervous about.

"It's just... it's been awhile since I've liked anyone. Since I've... touched anyone." His throat bobs and his eyebrows shoot up as he realizes the insinuation of his words. "Not like that! Well, yes, like that, but— I meant, not just sexually. Holding hands. Kissing. We don't have to do a single thing anytime soon, but I haven't done this in years."

"You're nervous about physical touch?" Y/N says gently, her voice soft. He nods. "That's fine, Harry. Like you said, we don't have to do anything anytime soon. We can go at your pace, whatever that means."

"I... I want to kiss you, though," he admits in a raspy tone. "I just don't know... how."

Y/N's heart feels like it shatters into a million pieces. With a thumping chest, she leans into his side over the middle console and gently takes his cheek into her palm. His face feels cold from the chilly winter evening and he can't help but press into the warm, comforting feel of her touch. His eyes flutter shut and she smiles, nibbling on her bottom lip as adoration fills every inch of her body.

"Can I?" she whispers, punctuating her question with a nervous swallow, "You can say no. I just... I'd like to try."

"Please."

She's hesitant in her movements, not wanting to overwhelm him as she slowly inches closer. She tilts her head ever so slightly and presses her lips to his raspberry ones, eyes flittering closed as fireworks explode between their chests. It's perfect — it's slow, and it's leery as both of them try to find a comfortable pace, but of all the first kisses she's ever had, she's positive this is the best one she'll ever experience.

They sit in Harry's car kissing until Y/N's breathless. Neither of them know how long it's been but eventually, she breaks it apart, panting quietly through spit swollen lips. He keeps his forehead pressed against hers with a dopey smile.

"'s good," he mumbles, and she mimics his grin, "That was... yeah. It was so good."

She giggles and her tummy feels like it's filled with butterflies and carbonated bubbles and excited tingles.

"So good." she echoes.

He's surging forward with a grin to reconnect their lips not a moment later, and they're both positive they've never been so content before.

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pshaven · 6 months

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hi !! can I request afab reader putting medicine on jake’s cold sore in the practice room and the members teasing him about it? reader is bending down holding his chin and he hugs her waist while still sitting 🤭 you can start it however you’d like~

thank you! <3

THIS IS SOOCCUTEE idk if u wanted this nsfw but ill make it suggestive for you hehe<33

jake running around the practice room while squealing like a little girl was the last thing you expected to see when you opened the door to surprise him and the rest of the members.

“jake! please, sit still!” heeseung complains, already sounding exasperated like they’ve been at this for over an hour (it’s definitely been only fifteen minutes). jake is practically wailing, eyes squeezed shut as he runs in circles, all the members just laying and sitting on the floor as they watch him.

“y/n? hey! what’re you doing here?” sunghoon greets, purposefully raising his voice a bit louder so that jake could hear, stopping his temper tantrum at immediate effect. he stops in his tracks, eyes wide open as his head snaps towards the door to find you.

“y/n! please help me! these monsters are torturing me," he pouts exaggeratedly, arms wide open for a hug as he runs at you. ever the dramatic, and you've hung out long with jake enough to know that he's talking about his ulcers. "awwe," you coo at him, ruffling his hair like a puppy as he engulfs you in a hug.

"please do something about him, y/n. he won't let us put the medication on," jay sighs, swiping through his phone as he's more than done with jake's dramatic antics. you tilt your head curiously, having to push jake away from you before you walk over to the designated chair that was meant for jake to sit on in the first place.

you shrug, "i don't know exactly how i could help? i don't know how to put the medicine on him," you say, but the staff is desperate to get jake to stay still so they do their best to show you how to do it. you're still a bit unsure, not wanting to accidentally hurt jake (despite the fact it's going to hurt either way), so you ask the staff if maybe your presence is enough to let jake sit still.

"noooo, want y/n to do it," jake frowns, lower lip pouting out, causing you to roll your eyes at his childishness. "quit acting like such a baby, now sit," you point to the chair in front of you, and jake grins like he's got what he wanted.

"yes ma'am!" he plops down on the chair, manspreading so there's space for you between his thighs. you sigh, taking the tube from the staff before turning back to the boy in front of you. "do i need to tie your hands back or something?" you ask jokingly when you notice his fingers twitching a bit, but his eyes widen slightly and you don't miss it.

"uh- no? no! i can just, umm..." jake looks around helplessly until the idea of grabbing onto your thighs to help him resist from jumping up in his seat comes to his mind. "nope, got my own restraint right here!" he gives you a boyish grin before both his hands wrap around your thighs, giving them a slight squeeze that you hope only you can notice and not the other members and staff around you.

you furrow your brows together, giving him your best behave stare, but he only closes his eyes and opens his mouth slightly for you. to get him back, you decide to tease him a bit. your freehand grabs onto his bottom jaw harshly, forcing his mouth more open and his eyes blink open in surprise at your sudden action.

the fact that you look like you're staring more at his lips rather than the mouth sore is getting him more worked up and distracted than he anticipated, the hands on your thighs squeezing tighter and you begin to feel his fingernails pressing.

you slowly spray the medicine onto his mouth sore, holding his jaw tight so he can't budge or move away, and even though jake winces a bit through it, followed by some whines that made your stomach swirl a bit and your head woozy, the staff and members all cheered around the two of you.

"oh thank god, y/n you are our savior!" heeseung exclaims, standing up from the floor and giving you a quick hug to express his gratitude. "but i think jake has another problem you might need to fix..." he whispers in your ear, and when he pulls away he tilts his head towards jake's lap -- he popped a boner.

perhaps jake liked pain more than he led on, and maybe you'll just have to indulge with him later.

#enhypen smut #enhypen x reader #jake x reader #jaeyun x reader #jake smut #jaeyun smut #sim jake #sim jaeyun #jake fluff #jaeyun fluff #enhypen fluff #enhypen imagines #enhypen fanfic

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xreaderbooks · 4 months

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Asphyxiated | Azriel

Summary: you overhear your mate talking to the inner circle about someone being clingy and annoying, and you decide to remove yourself from the court and your mate to avoid further humiliation.

based on this request

Warnings: language, insecurity, eavesdropping, feeling unworthy, court of nightmares, there's a stalker, some random OC, angst, miscommunication, fluff

Word Count: 2.9k

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"Azriel," You sing his name as you walk into your secluded home. A decently sized cottage to fit your tall, broad, wide-winged mate, that you designed and built together, just outside the city of Velaris. "Look at what I brought you."

You walk into the sitting room where you and Azriel enjoy each other's company in peace, however rare the occurrence. He appears troubled in his sleep as you've found him lying on his back with his wings spread open and a hand draped over his eyes. He removes his arm from his face and blinks your way, feeling your presence as you enter the room.

"What do you have there?" His melodic voice makes your stomach flutter in a frenzy as it always does and you hope the bond doesn't translate too much to him, or his shadows, the gossipers that they are.

With a bright grin, you bring the box from behind your back and show him a white box with clear plastic for the perfect view of the treats inside. "Cupcakes," You reply cheerfully, awaiting a grateful response. "Went by the river today and Hilaria was working at the shop you like, did you know she found a job? how great for her!"

Azriel grumbles slightly and your smile falters but you don't let it show, opening the box you move to the couch and sit beside him with the room he gave you tucking in his wings.

"You got my favorite," Az murmurs, carefully taking out the beautifully decorated dessert. You take the statement as a note of appreciation for how well you know him, that much was obvious as you've known each other since birth practically, and in love with each other for half of that time.

He bent his neck down to kiss your cheek and muttering a thank you.

"Don't get too excited now, I heard from Rhys about where you're next assignment is gonna be and I expect a little something when you get back," You tease.

Azriel exhales through his nose and it sounds like a small laugh, "I'll be sure to return the favor if all goes well, love."

"What's wrong?" You ask, the energy in the room has been off since the moment you arrived and you couldn't deny it frightened you a little.

You and Azriel have been going through a rough patch, it happens as often as he overloads himself with work but you have always managed to work through it, it's never too serious mostly the both of you missing each other.

Whenever Azriel was working, you were home, and whenever you were working- he was home. You've spoken to Rhysand about your and Azriel's assignments but it wasn't about when he wanted you both to work, it was simply what needed to be done when it needed to be done.

Both of you being spymasters of the night court, it wasn't ideal to send you both on the same mission unless needed. Most of the time, either one of you or both of you were needed in separate places.

On the days, weeks- if you were lucky- months, that you had 'easy' assignments or days off, you spent it together. You and Azriel would spend time in bed or with your family, going on outings, and trying new things to add to the excitement of life. You loved to be together, your relationship being very sacred to both of you.

"Just tired," Azriel shrugs. You know him better though, something was bothering him that he didn't want to tell you.

You felt his frustration through the bond, you wanted to help him but knowing Az he'd tell you when he was ready.

~~~

"-the fucking shop, I mean honestly how close is she trying to get?"

You didn't mean to eavesdrop. Originally you were coming by to talk to Rhys and Feyre about some of the rumors going around the court of nightmares, nothing too concerning but something that needed to be checked on the next visit. When you heard the muffled voices in the townhouse sitting room.

"Perhaps if you spent less time with her?" Mor suggested.

You couldn't think of anyone else Azriel might be spending time with if not for you. Did Azriel want to spend less time with you?

Your brain immediately jumps to conclusions, Azriel has been in his thoughts as of late, and he hasn't told you what's been bothering him. You thought it had something to do with the distance, perhaps a lack of communication. It was putting a strain on your relationship but you didn't think even more distance was the answer.

Azriel shakes his head insistently, "I don't spend time with her, ever. She finds me somehow, it's maddening and I can't tell Y/n to stay away while I figure out how to solve this, she's always just there."

It was like a dagger in your heart. If you were always there it was because you felt like you never spent time together, how were you supposed to have a relationship if you were never together?

You thought for sure, Azriel felt the same.

"She is a bit clingy," Cassian nods. You felt another pang in your chest, Cassian who was your partner in crime, Mor who was your favorite person to talk to about anything, and your mate had all agreed that you were too much.

"A bit is a bit of an understatement," You heard Feyre chuckle.

You almost couldn't believe what you were hearing, your fault for listening to a conversation you weren't privy to you suppose but you would've never guessed your family felt you smothered them.

Perhaps you were too clingy, you were over at their house every other day. You felt like you were dividing your time between the people you loved, maybe they didn't want you there, and you were an imposition on their daily schedule. You felt embarrassed and humiliated that they were in a meeting to discuss what to do with you.

"I can talk to her if need be, brother," Rhysand gives Azriel a reassuring nod.

Azriel shook his head, "No, no need. I will speak with her, it's my relationship, my responsibility."

Cassian snorted loudly, "Your need to fix things yourself is admirable brother, truly. Let us pray that this will not dig you a deeper grave."

You didn't hear the rest, didn't need to.

Silently, you slipped out the doors of the townhouse. You didn't want to lose your friends so if they wanted space- you'd give them space.

~~~

You disappeared for the rest of the day, and the next. You left a note to Azriel so he wouldn't worry- not that he wouldn't appreciate your shared home now all to himself. You still had your apartment in the city that you rented out when you moved in with Azriel.

There were currently no tenants as there were renovations to be done.

You avoided your room at the townhouse knowing you weren't as welcome as you thought. You didn't show up to training with Cassian and Azriel that morning. Instead, you met informants and did some investigating yourself.

You sent a letter to Rhysand with details on the Hewn City problem, told him that he should look into it as soon as possible, and asked if he wanted you to get a handle on it instead.

He replied with a note giving you thanks and telling you that he'd deal it himself but would call on you with the rest of the inner circle when the visit would happen.

Days passed by until it had officially been a week of no contact. Azriel had sent you letter after letter requesting to see you. You denied them all with sweet words to show that there was nothing wrong, that you didn't overhear what they said about you.

Where'd you go - A

Miss you -A

Come back, our home feels empty without you - Azriel

Are you alright? - Desperately need to see you, Az

Several letters with pleading undertones, each one more than the last.

Then letters from Cassian about training, you reassured him that you were following the usual routine. Mor had invited you to Ritas one night and lunch another day- you declined both with excuses of having too much work to focus on anything else. You didn't realize how much they felt it was an obligation to do things with you.

Eventually, the time came, and Rhysand called on you for the visit to the court of nightmares. You were anxious at the thought of seeing them again, maybe as time passed they would feel better with you around now that you gave them space.

~~~

You dressed appropriately for the setting, your leathers, and weapons strapped to your body. The scowl was natural as you hated being here, glares sent to everyone who looked your way, intimidation being the only way to survive this gods-forsaken place.

Bowing in front of Rhysand to fit the narrative, Feyre sent you a curious as you bowed to her, you felt her stroking the inner walls of your mind- a request to enter. You shut her out with strong mental walls, standing once she allowed you, and took your place next to Azriel, slightly behind him and Cassian.

Azriel's eyes followed you, he tried to brush a finger against your hand as you passed him but you clasped your hands behind your back. Through the bond, you felt a sting in your chest. You spared a glance at your mate, you missed him so much your body craved to be near him but you resisted.

It went as well as it usually did, a dramatically villainous speech from Rhys, with some added threats to those opposed to his reign. The High Fae in attendance got drunk on Faerie wine and danced with the whole night ahead of them.

Azriel attempted to talk to you over his shoulder, "Are you upset with me?" He muttered to you with a crease on his forehead.

You shook your head, "No, why would I be?"

"Where've you been?"

With the few looks you've gotten of his face he looked stressed, circles under his eyes, his hands were clenched and you could tell that it was to keep him from fidgeting.

"Now is not the time," You told him, straightening when you saw a reveler get too close to the High Lady.

"We're done here anyway," Rhysand's voice echoed in your mind. You didn't doubt Azriel heard him as well. You took your leave, Azriel right behind you, he caught up so quickly he held your wrist you didn't notice until you felt the world shift and you realized he traveled you both to your cottage home with his shadows.

Azriel had stood in the same spot he landed while you backed away from him a couple of steps.

"You've been avoiding me," A statement. It was heavy with questions, with want of information you didn't want to divulge.

You asked one of your own, "Have you watered the plants?"

"Have I watered the plants?" He scoffed out the last word. "I've barely been able to function without you, Y/n."

You flinched although he didn't yell but the tone in which he spoke felt like he was scolding you.

He continued, "Yes, I watered the plants."

A weak smile was pulled out of you, he probably loved those plants as much as you. You weren't as much a gardener as Elain but you managed a small garden of your own, they were like yours and Azriel's children, something you both grew together. A garden of both of your favorite flowers and fruits and vegetables.

"Seems like you've been functioning just fine," You responded in a smart tone, it just slipped out.

"Tell me what I did, please, it's driving me mad." He stepped in your direction, shadows reaching to touch you, and you saw Azriel forcefully reigning them in like he wanted to reach for you too.

You softened at the sight, "It's not something you did, Az."

"Something I said, then?" He didn't refrain from fidgeting now, in the comfort of the home, he fidgeted with his fingers. "Something I didn't say, I know I didn't want to talk about what was happening before, but I'll tell you whatever you want me to if you promise not to leave again."

You just about melted, you felt yourself wanting to sway at his beseeching. "What was happening before?" You questioned in barely a whisper.

"Hilaria happened. She- Nothing happened- I swear to you, she grew attached. She grew attached to me," He grimaced as he said it. "She was everywhere I happened to be, it wasn't normal, I've warned her off so many times I was glad you didn't notice. I didn't want you to be uncomfortable with her. The moment she got a job at the sweet shop, she got too close, you went there and I knew it wasn't a coincidence."

Azriel had a fucking stalker and you didn't know about it. That was what he was so stressed about. Hilaria- an Illyrian female who had a shitty life, Azriel had given her refuge, because she had no family left to care for her, and a female alone in that camp was no place to be.

You helped Azriel find her a living space, and gave her safety for her to heal from the traumas, she must've mistook that for something else entirely. You couldn't help but to feel bad for her.

"I went to Rhys, he and the others offered their advice and I tried to talk to her about her behavior. She didn't take it well, so we sent her to Dawn court with the assurance that they would do all they could to help her."

"You talked to the others about this?" It all made more sense now.

He nodded.

"Did Cassian say she was clingy?" You needed to be sure you were getting all the details now.

His brows furrowed, "How did you?"

"Because I was there when you were talking, but I didn't know you were talking about Hilaria." You sat on the couch slowly, forearms on your knees, hands clasped.

You laughed incredulously, slapping your hands to cover your face and running your hands into your hair. "I thought you were all talking about me."

"What?" Azriel's eyes were on you, deciphering your words when he pieced them together. "Why would we ever?"

"You weren't telling me anything about what was going on, I thought I was prying too much, I do spend a good bit of time with everyone, it wouldn't be too far off."

A smile tugged on his lips, one he was trying not to show. He was trying not to make you feel foolish but it was too late. "I love you, but this was not your wisest moment."

You grabbed a pillow from the couch and threw it at him with little force, "Az!"

"You had everyone concerned, they thought they had offended you in some way."

"Of course not!" You shook your head in disbelief, at how easily your insecurity took over.

"Now my family has some attachment issues, you couldn't get rid of them if you tried, you would probably want space from them yourself."

You rolled your eyes knowing them all too well, centuries with them and you still felt undeserving.

Azriel kneeled in front of you taking your hands in his and settling them on your lap then caressed your face in his hands. "I could never not want you near me, you're everything to me, understand?" His hands gave your head a gentle shake in emphasis.

"I don't think you understand where my mind was at the moment," You avoided his gaze. You didn't want him to know, the feeling of not being worthy enough for him, how you compared yourself to everything in his past and it didn't seem plausible for him to accept you. When he did accept the bond, it was the greatest moment you ever had the pleasure of experiencing.

Azriel was the love of your life, with and without a bond. It was hard for you to accept that he loved you without it if it wasn't for the fact that you trusted him to tell you the truth. He came to you and confessed his love and then the bond happened. You would have continued to pretend you weren't in love with him, otherwise.

"Do you not understand," Azriel sighed, "Do you not understand my love for you, at all?"

"It was easier to believe that you needed space from me," You confessed, shutting your eyes tight. Warm lips landed on yours, you were startled for a second before reciprocating the kiss.

He kissed you breathlessly, a minute, two or three- you didn't know how much time passed. Your blood pulsed in your ears, or was it his? it was rapid and created an electric current in your veins.

"I want to drown in your love, to be asphyxiated by it until all I know is you, in this life and after. I could never get enough of you." He whispered the promise on your lips with his eyes closed. You nudged your nose against his to open his eyes.

The warmth of his hazel eyes graced you and you murmur his name, he nudges your nose in response. "I love you."

Hours into the late night, after Azriel insisted on a bath together, you had a late-night snack nuzzled on the couch catching up on the lost time. You whispered sweet nothings to each other in bed with limbs entangled, and long-lasting kisses.

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