I probably won't finish this piece any time soon, but I wanted to share the unfinished version with you anyways!
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i saw someone talk about how they have to prepare the future actor for Nico di angelo. But the real question is how are they going to prepare the paid guinea pig actor in s2?? That tiny little animal has to look scared, insecure and at the same time, has to look like a simp.
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𝖵𝗂𝗇𝖼𝖾𝗇𝗍 𝗏𝖺𝗇 𝖦𝗈𝗀𝗁'𝗌 𝖻𝗅𝗈𝗌𝗌𝗈𝗆𝗌
1- 𝘚𝘱𝘳𝘪𝘨 𝘰𝘧 𝘍𝘭𝘰𝘸𝘦𝘳𝘪𝘯𝘨 𝘈𝘭𝘮𝘰𝘯𝘥 𝘪𝘯 𝘢 𝘎𝘭𝘢𝘴𝘴. 𝘝𝘪𝘯𝘤𝘦𝘯𝘵 𝘷𝘢𝘯 𝘎𝘰𝘨𝘩, 𝘈𝘳𝘭𝘦𝘴, 𝘔𝘢𝘳𝘤𝘩 1888 2- 𝘈𝘭𝘮𝘰𝘯𝘥 𝘉𝘭𝘰𝘴𝘴𝘰𝘮. 𝘝𝘪𝘯𝘤𝘦𝘯𝘵 𝘷𝘢𝘯 𝘎𝘰𝘨𝘩, 𝘚𝘢𝘪𝘯𝘵-𝘙𝘦́𝘮𝘺-𝘥𝘦-𝘗𝘳𝘰𝘷𝘦𝘯𝘤𝘦, 𝘍𝘦𝘣𝘳𝘶𝘢𝘳𝘺 1890 3- 𝘗𝘦𝘢𝘤𝘩 𝘛𝘳𝘦𝘦 𝘪𝘯 𝘉𝘭𝘰𝘴𝘴𝘰𝘮. 𝘝𝘪𝘯𝘤𝘦𝘯𝘵 𝘷𝘢𝘯 𝘎𝘰𝘨𝘩, 𝘈𝘳𝘭𝘦𝘴, 𝘈𝘱𝘳𝘪𝘭 1888 4- 𝘛𝘩𝘦 𝘗𝘪𝘯𝘬 𝘖𝘳𝘤𝘩𝘢𝘳𝘥. 𝘝𝘪𝘯𝘤𝘦𝘯𝘵 𝘷𝘢𝘯 𝘎𝘰𝘨𝘩, 𝘈𝘳𝘭𝘦𝘴, 𝘈𝘱𝘳𝘪𝘭 1888
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i have lots of flaws but i do at least take a fair amount of comfort knowing that, if i were a customer NPC in a fast food/retail management game, i would be one of the chill early-level ones that can wait a super long time before they start getting impatient, and you breathe a sigh of a relief when you see them show up in a harder level
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Broke: Acknowledging that a character who is an objectively terrible person is also a complex and intentionally well thought out individual with different levels of nuance you can empathize with in some ways while not in others is immediately “woobifying” or “poor little meow meowifying” them.
Woke: “This character is a bad person” and “this character is still a person” are two statements that can, should and do coexist and admitting that they exhibit nuance and depth and are more than just their bad actions doesn’t immediately excuse or condone their bad actions or mean that you’re ignoring or trying to soften the canonical version of the character.
Bespoke: That’s the whole point, that’s always been the point, to be made to empathize with horrible people so you can understand that they can be anyone, that bad people can be likeable, can be interesting, can be human, are human, and it’s scary to think about all the ways they’re just like you and all the ways they’re just like everything you hate, forcing the use of critical skills in media analysis, forcing a confrontation of the duality of man.
Whatever Level is Above Bespoke: But sometimes, yeah, sure, maybe they are a poor little meow meow, what are you gonna do, get a lawyer
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