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dtrhwithalex · 3 years

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TV | Leverage (Season 2, Rewatch)

Rewatch of the second season of TNT's LEVERAGE (2008-2012), created by John Rogers and Chris Downey together with Dean Devlin and his production company Electric Entertainment.

In anticipation of the show's reboot / revival / sequel LEVERAGE: REDEMPTION coming to IMDbTV on 09 July this year, I am rewatching the original 77 episodes and writing about my favourite moments and things from each episode, season by season.

201: THE BEANTOWN BAILOUT JOB

D: DEAN DEVLIN. W: JOHN ROGERS. Original Air Date: 15 July 2009.

We here at the Rabbit Hole adore the Beantown Bailout Job very much (and by we I mean me). It is such a great season-opener and everything about it sets up the season so nicely. Also let me just say, I love the cheesy intro. I like to imagine that this plays on whatever website the clients usually end up finding the team. It would be so confusing. And wonderful.

This episode, of course, also introduces another of my favourite characters: Lt. Patrick Bonanno, State Police. And I am very sad that there is zero chance we'll ever get to see him in the reboot, since the wonderful Robert Blanche has unfortunately passed away last year. Bonanno was such a fantastic addition to this show and I love him very much. He is just brilliant in every episode he is in.

Aside from the introduction of Bonanno, Beantown is a brilliant episode for various reasons, but I wanna talk about this one most of all. John Rogers talked about this on his blog, I think -- not one member of the team can come straight out and admit that they need the others. It is the impromptu meeting at Sophie's performance that brings them together again (very much against Nate's best attempts). Only once they're at McRory's and Parker suggests stealing something to cheer up Sophie is when they all fess up and tell Nate that they want this team back together again. And then, of course, we have one of my favourite sequences in this entire show: Nate forcefully being bullied back into this family. They do exactly what he did to them in The Second David Job -- they get him to contribute knowledge to the case that they, allegedly, lack. And he knows what they're doing, of course, he's not an idiot. Well played, indeed.

I would also like to personally thank one Nadine Haders, this show's most brilliant costume designer, for every single piece of clothing she put on Christian Kane for this episode. That green sweater with the brown jeans jacket? All my love to you, Nadine. All of it. Also, uncharacteristically, Nate has some very good looks in this episode (the man looks healthy for once!) and I am unreasonably mad about it (actually, he has some very good looks this entire season).

One last thing: I would like to have a word with whoever decided to play the Andy Lange song here that Sophie's departure in The Two Live Crew Job is set to. It makes this first half of the season a circle. Who do I need to have words with? Who?

202: THE TAP-OUT JOB

D: MARC ROSKIN. W: ALBERT KIM. Original Air Date: 22 July 2009.

An absolutely amazing episode for Eliot but also very much for Sophie. They are the Conference Of Mom Friends, and I adore them very much, thank you. It is a fantastic episode for them individually, but especially also for the specific relationship these two people have. There is an amazing post floating around on this website (this one here) talking exactly about this episode and Eliot and Sophie in the role of protectors in their team, their family.

There are a few scenes here that I really like and really, most of them are about or with Eliot. I love in the briefing at the hotel that Eliot does not just dismiss Sophie's misunderstanding of wrestling, but takes the time to explain to her what the sport is about -- and she listens. We also here get a nice glimpse at the fact that Eliot teaches them certain fighting skills and self-defence techniques, which I just love so much. Just as Sophie coaches them all in their grifts, he makes sure that they all have a certain know-how in fighting and protecting themselves. It's so good.

I am also very fond of both the moment where Eliot brings Sophie to the restaurant to meet with Rucker, but also Sophie showing up at the gym at night to talk to Eliot while he's preparing for the fight against Tank. Eliot gives away so much of himself in this episode, and it is very interesting to me that the person he does this with is, continually, Sophie. The others may be on comms, and might be, for all we know, listening in, but it is Sophie he tells these things to. It's like Hardison says later in The Two Live Crew Job: "We trust Nate to make sure the plan works, we trust you (Sophie) to make sure we're all okay." While I would not necessarily call Sophie the heart of the group (that's Hardison), she is very much the emotional centre of it.

This episode is also just very lovely to see how they all take to an environment that is, for once, not big city life. Eliot takes to it immediately, which makes sense, because he probably is from a town not much different from this one. Parker, somehow, fits in immediately as well (I love her I <3 Nebraska shirt). I feel like Nate never has any issues fitting in anywhere, he just takes things as they come. It is Hardison and Sophie who have difficulties -- Sophie because she is, after all, a bit posh and needs certain standards met, and Hardison because his world of technology does not mix well with a small, rural Midwestern town ("Can't hack a hick" anyone?).

203: THE ORDER 23 JOB

D: ROD HARDY. W: CHRIS DOWNEY. Original Air Date: 29 July 2009.

I occasionally see some posts on here that call what the team does to Charles Dodgson in 512: The White Rabbit Job the worst thing the team does to a mark. I have to say, objectively, I think what they do to Eddie Maranjian in this episode is much worse. Of course, Dodgson is a good person, and Eddie is a crook, but still. Objectively? This episode is more evil.

Anyway, this episode has some fantastic moments that I adore a whole lot. I love Eliot and Hardison as cops, Sophie's act is absolutely amazing, and I have a super soft spot for both Nate teaching Parker what he is doing, and also Eliot and his side quest of helping Randy.

I am so incredibly fond of all these little moments where Parker's eventual role of Mastermind is already being planted. She always asks Nate questions, if she doesn't have a part to play in the con, she is with Nate, learning. She says it in the pilot episode already: "I'm really good at one thing, only one thing, that's it. But you, you know other things, and I can't stop doing my one thing, can't retire." And then she does her best to learn the other things Nate knows. This episode particularly, how Nate explains to her how NLP works, that what he is selling is fear. Nate is so patient with her, too. I love them both so very much.

Eliot's side quest with Randy and his abusive dad is an absolutely excellent addition to this episode. Especially after the previous Eliot-centric episode, this small thing just goes to show that, at their core, these are good people. Yes, they are criminals, the lot of them. But they are not bad people. Things like this just make me think that, it had to have been this exact combination of people Dubenich put together. Any other thief, any other hacker, and Nate would have walked away from this alone. It had to be Parker, Hardison and Eliot for this to work exactly as it did. And Eliot looking out for Randy even though they are in the middle of a con, taking his time to make sure Bob, the U.S. Marshall goes to see Randy, is exactly something that brings this point home.

Lastly, I adore that everyone shows up at the court house when Eddie goes to find his money. He knows they all conned him, but they know no one is ever going to believe him. It's a fantastic gloat scene. And I also really love that Nate explains why this works to the others: "So, here's everything you need to know about criminal law. Every crime has two elements, Actus reus, the act itself, and mens rea, Literally "The Guilty Mind." ... Now, for escape, the prisoner has to both break out of custody and show the intent to escape. ... Which brings us back to our friend Eddie and how the brain reacts to fear. In the heat of the moment Eddie didn't ask himself a simple question, who would doubt his guilty mind?"

204: THE FAIRY GODPARENTS JOB

D: JONATHAN FRAKES. W: AMY BERG. Original Air Date: 05 August 2009.

This one was Bernie Madoff inspired, if I recall correctly, who was arrested in 2008, around the time Berg, Downey and Rogers were already bouncing ideas back and forth for this season.

There is so much to love in this episode! Where to even begin. Maybe with Parker replacing Sophie at the client meeting? Or Sophie immediately heading for both popcorn and the cookie tin after the breakup? How about Parker perching on Eliot's arm rest with her food? Nate's headmaster act? Eliot as Coach Brewer (red is a fantastic colour on him, thank you Nadine)? Hipster rich newlyweds Parker and Hardison? The return of my beloved FBI fools McSweetheart and Taggert? Taggert being McSweetheart's biggest supporter in his affection for Parker? Sophie and Widmark? The actual science-sical with all these adorable kids singing about science?

So much to love. Chock-full of greatness, this episode. Also Frakes, once again, directed the hell outta this. I love this episode so very much.

One moment that does, however, absolutely win out over everything else, is the scene at Nate's apartment after Hardison and Parker meet McSweeten and Taggert again:

Eliot: One of you two can identify the gunman, right? Hardison: Oh, yeah, sure. He stopped and let me take a picture of him as I was chasing him. Eliot: Hey, you know what, man? I've been around little kids all day. I don't need to come home and do all this crap.

That line, Mr Spencer? "I don't need to come home and do all this crap"? Home? Sir, we are four episodes into the second season, and you are already calling Nate's apartment home. Honestly, that boy has been invested into this group as a family from the moment Hardison hands him a check in the pilot episode, if not earlier. And I am very much here for all of it.

205: THE THREE DAYS OF THE HUNTER JOB

D: MARC ROSKIN. W: MELISSA GLENN & JESSICA RIEDER (GRASL). Original Air Date: 12 August 2009.

This is another one of those episodes which, when I think about it, I am not entirely into, but then when I watch it, I always love it. It's a brilliant episode, but the mark rubs me in all the wrong ways and I think that's why my general reaction to this episode in theory is mostly "ew". Which I think is kind of the point, as well.

There is much to love in this episode, though. Sophie being Nate in this one, Nate being very wary of this concept and also having difficulties letting someone else take control ("If you don't mind, I would still do the 'Hardison, run it' thing" Nathan you precious little man, I love you so much). I think it's so nicely done. I mean Sophie has run cons before -- she was the Mastermind behind the First David Job, and she runs their con in the Second David Job as well -- but then she was confident, now she is going through things, on the brink of rediscovering herself for who she is. And of course, it bites her in the ass a little bit.

I absolutely adore Conspiracy Nut Hardison and his fantastic apartment. Set Design did a magnificent job here. I am so fond of Parker asking Eliot about the different things -- the council, the moon landing, Loch Ness monster -- and also very much the bit at the end where he and Hardison answer Parker's questions while he prepares food. That ending bit overall is just absolutely excellent and I love it with my whole heart. Eliot cooking for all of them in Nate's kitchen, giving Parker stuff to try, while Hardison sits there and sips his orange soda out of a wine glass. Meanwhile Nate pouring wine for Sophie, and then going over to her to make sure she is alright. For his slightly more sadistic streak in this season, Nate is so good with Sophie here. And honestly I think this conversation here is one of the reasons why Sophie feels able to leave them for a while. It is Nate's reassurance of "Whatever you need, I'm here for you" that lets her take this leave of absence.

206: THE TOP HAT JOB

D: PETER O'FALLON. W: M. SCOTT VEACH & CHRISTINE BOYLAN. Original Air Date: 19 August 2009.

I adore this episode! The fantastic Veach and Boylan on the keyboard for this one (who, I've had to find out, are both tangentially involved with my latest hyperfixation, SHADOW AND BONE -- Veach having written my favourite episode, and Boylan being married to the showrunner), which is just lovely, because they are both excellent.

First off, I would like to, once again, give all my love to Nadine Haders for that Pizza Guy outfit she put Kane in for the recon sequence. A+ costuming, thank you Nadine.

This episode has so many excellent comedic beats and a wonderful many Hardison/Eliot moments. Sophie trying to set up Nate with their client is absolutely hysterical -- especially considering that she had just been broken up with and had been urging Nate to figure out what it is that is between them since day one. I especially love her attempt at finding things Nate has in common with Jameson: "She's a scientist. And well, you're a bit nerdy, aren't you? ... And food, she works with food. Well, you eat, don't you?" Like, girl, what are you trying to do here, really?

I absolutely adore Hardison and Eliot trying to get into the server room so Hardison can access the data they are trying to get before anyone can get rid of it. Eliot hooking Parker's rope to Hardison's belt, Eliot's complete awe at Hardison's ability to remote access their mark's phone ("You can do that?" Eliot, honey, he can do so much more), the two of them wedged underneath the desk, and then, of course, Eliot's huge smile when Hardison hacks the scanner at the door with the help of his gummy frogs. I love these boys together so much, and this episode has given me so many great moments.

I am also incredibly fond of Nate's magician act. That is a brilliant role and it suits him so well. And I love how genuinely enthusiastic he is about magic.

207: THE TWO LIVE CREW JOB

D: DEAN DEVLIN. W: JOHN ROGERS & AMY BERG. Original Air Date: 26 August 2009.

This is an absolutely brilliant episode for so many different reasons. Let me get two things out of the way straight off the bat: 1) Where do I address my "Chaos For Leverage: Redemption" campaign to? and 2) Where do I address my "Apollo Robbins For Leverage: Redemption" campaign to? I want both of them back desperately!

Of course, this episode is important as a major stepping stone in Sophie's character arc. Because of Chaos and his bomb, she has to kill off one of her aliases which is the last thing that then leads to her taking a leave of absence to figure out who she is and who she wants to be. That scene in her apartment with the bomb is also just an excellent moment for the team as a family. The care with which everyone interacts with Sophie, Parker's instant pudding hack, Eliot's instructions on how defuse this situation, Sophie's immediate shift into protector mode once it becomes clear that the only real solution is to run and telling everyone to leave immediately, Nate staying behind and even when Sophie tells him to leave, waiting for her by the apartment door -- they care for each other so much.

I also really love the con-off with Starke's crew. It is so nice to see how similar yet different he and Nate are, and the same goes for the other crew members. I adore their individual confrontations a lot. Eliot's non-fight fight with Mikel Dayan, Parker's thief-off with Apollo, Hardison and Chaos' baby monitor fight. It just really highlights who our beloved characters are and what makes them them, now that we see them, metaphorically, in front of their mirror.

And then, of course, the actual heist is also just amazing. I adore that Starke chooses Nate as his alias to gain access, it is such a great move. Parker and Apollo talking in the ventilation shaft about birds is also just so lovely. And as an admirer of Eliot's arms, I am also very fond of his fight with Mikel. Good choices have been made, I appreciate all of them. The reveal at the end is also absolutely amazing. To beat them they had to save them? Brilliant.

Lastly, of course, Sophie's goodbye at the graveyard with Nate. What a spectacular moment. Also just, the visuals are so beautiful. I love the lighting here. And of course the return of Andy Lange's song, which is just perfect. I am so happy that this is the journey they decided to give Sophie when it became clear that Gina would not be able to be in the full seasons due to her pregnancy. They accommodated her so beautifully and gave Sophie such an amazing moment of character growth. This is why I love this show and the people who made it so much. All my love, to all of them.

208: THE ICE MAN JOB

D: JEREMIAH CHECHIK. W: CHRISTINE BOYLAN. Original Air Date: 02 September 2009.

We love The Ice Man Job! Another fantastic episode by one Christine Boylan who we love in this house. Our very first episode without Sophie being there, and it's a great one. I absolutely adore how they worked in moments with our favourite grifter in a way that so wonderfully accommodates Gina's pregnancy.

I absolutely adore the moments where all of them eventually end up calling Sophie. Parker, hiding underneath the bar after Nate tells her she'll be the grifter in this one, calling her mom Sophie in a panic without wanting the others to know, but still needing her advice and missing her so much. Then Eliot, calling to complain to his mom Sophie about Hardison going overboard again with the grift, needing the knowledge that his concerns are being heard and aren't unfounded, needs to hear the other protector of the family acknowledge his rightful fear that things will go sideways. And of course also Hardison, calling mom Sophie so she can pick him up from the party help him out of the mess he's made, hoping against all hope that she'll be able to help without having to involve Nate. The others both had the luxury to ask Sophie not to tell Nate -- Hardison had no other choice but to let her call it in. Lastly, Nate too, at the end, calling his wife Sophie. And honestly, I love that Sophie drops her phone into her drink after the call, because Nate is the only one not giving her what she wants to hear. The kids, all of them, called with an "I need you" and that is the one thing Nate doesn't give her.

There are many other things in this episode that I love very much. The opening briefing, Parker feeling alone on the big empty couch, trying to sit next to Eliot, but he makes her move. Nate's big DadTM moment of "Eliot, can you please sit next to Parker" and Eliot's very long-suffering oldest child answer "No! I'm sitting here now."

Then of course Eliot and Hardison's two moments -- Eliot telling Hardison "I ain't bailing your ass out" and then when he eventually does anyway, Hardison's smug joy, forcing Eliot to sort-of-hug him back at McRory's. Eliot's unsuccessful attempt to make him helping Hardison a decision forced onto him by Parker, and Parker refusing to accept the "blame" immediately. Their whole dynamic this episode is just so good. Neither Eliot nor Parker being happy with Hardison in this role (Parker's refusal to ride with him in the Ferrari), Eliot proudly watching Parker do her thing over the security camera ("Stuck it!").

Lots of love also to Pasha Lychnikoff as our main Russian goon, who is just fantastic here, our much beloved Lt. Patrick Bonanno, and also Nadine Haders for so many amazing looks, especially on Eliot.

209: THE LOST HEIR JOB

D: PETER WINTHER. W: CHRIS DOWNEY. Original Air Date: 09 September 2009.

Court-room episode, which means we have our friend Chris Downey on the keys here, and he gave us an absolutely excellent introduction for Tara Cole played by the lovely Jeri Ryan. Honestly, the more often I watch this episode, the better it gets. Tara is just so good.

Highlights of this episode include: Sophie's immediate "who died?!" when Nate shows up at her apartment in London, Hardison playing "Where is Waldo Ford," Hardison and Eliot in prison, the first appearance of Nate's lawyer alias Jimmy Papadokalis who wears brilliantly loud and obnoxious suits in outrageous colour-combinations, Hardison stalling Blanchard at court security with his keys, Nate's reveal of Ruth as Kimball's daughter (I am fascinated that he completely drops the character here -- he is just Nate now), and of course, the reveal of Tara at the end.

Honestly, this is such a magnificent episode to introduce Tara's character. We have just watched the team scramble and fuck up without Sophie, and then their next job gets more complicated because of this random lawyer who shows up. And she's so righteous and law-abiding and absolutely not someone they should be taking with them on their job. And Tara plays it perfectly. Her honest try at getting Orson to talk to them, her confusion about her "dogs", her excited smile when she gets to con Blanchard and be a bit dishonest -- it is so good. And then we get that complete 180° when the team finds her in Nate's apartment. Not just visually, but the personality. Her voice drops a bit too. Jeri fucking rocked this introduction. The reveal is so damn good.

210: THE RUNWAY JOB

D: MARC ROSKIN. W: ALBERT KIM. Original Air Date: 13 January 2010.

I have zero interest in fashion but I honest to God love every single one of these characters at fashion week. Fashion!Eliot is absolutely fantastical and I love him. Julien, my beloved. Fashion!Parker is very cute with her braid and even before she gets the model makeover she outshines every single other person at the event. Fashion!Hardison is surprisingly understated but I dig it. Tara as Caprina is also just excellent. And I absolutely, un-ironically adore Fashion!Nate. Jacques is such a character. Nate exchanged the usual "obnoxious and greasy" with "gay," slapped some would-be-French that sounds like German on top of it, and called it a character. And I love it.

I also very much love the three video calls with Sophie in this episode. The kids calling in the beginning, complaining about Tara. I absolutely adore both the "she's hot" moment and Eliot's "...and all the way to Europe?" when Sophie says Nate lets what is good for him walk out the door. Parker's little "I just miss you" before they hang up has me all the way up in my emotions every damn time. Tara calling Sophie to complain about Nate is also just excellent. The whole bit with Nate's "I'm sexy because I'm broken" thing is just *chef's kiss*. And of course Nate's call at the end. I love that Sophie hangs up on him, it is so fair, it is absolutely justified. And I think he knows that too.

So many great other moments too -- Hardison's Steven Seagal comment about Eliot's clothes, Nate's "Julien, sweetheart" and Eliot's little clap before taking the money, Nate and Parker at the mark's house, Eliot and Tara vs the Triads, Eliot and Parker at fashion week together ("It's a fashion show, not Thieves'R'Us"), and of course Tara's "For what it's worth, Sophie was right. You guys are the best I've ever seen ... But no one in the world, is as good as you think you are."

211: THE BOTTLE JOB

D: JONATHAN FRAKES. W: CHRISTINE BOYLAN. Original Air Date: 20 January 2010.

This episode has got to be one of my favourites, if I were forced to chose some. I love a bottle episode, and this one is just magnificent. Excellent client, great mark, fantastic additional characters, wonderful episode for the team. All around just, so good. Not surprising if Frakes and Boylan are at the wheel together, of course.

The addition of Cora is so lovely. I would have loved to see more of her, to be honest. She is such a great character. I love what her presence does to who we see Nate as. I adore when characters get to show new sides of themselves, it's so nice. Also, Nate's comment to Eliot about him not wanting Eliot to like Cora because she's like his niece? Most excellent.

I adore our three police officers too. Mickey, Danny and Johnny are such great additions. I really liked them. How they just went with whatever Nate was planning and in the end decided to just pretend none of this ever happened, it's just so good.

Doyle and the Liams as our villains of the week are also just fantastic. Also I just love Irish accents, it sounds so good. I love to hear it.

Other highlights of this episode include: Tara's "I'm Trish and I'm lonely", the kids going for their individual emergency funds stashed in Nate's place (they are all so fantastically in character, I love it), Nate using his dad's name as his alias, everyone stopping to see if Nate is going to succumb to the booze again, Hardison's excitement about pulling off the wire in under 2h, Hardison faking the weather, Eliot and Parker on safe duty. Also, rewatching this episode, I am absolutely 100% convinced that what Eliot is doing to distract the Liams from Tara conning Doyle, absolutely categorises as flirting. The way he throws that dart at the board and then buys them beer? Mr Spencer, sir, you are flirting with these guys.

212: THE ZANZIBAR MARKETPLACE JOB

D: JEREMIAH CHECHIK. W: MELISSA GLENN & JESSICA RIEDER (GRASL). Original Air Date: 27 January 2010.

The wonder twins with yet another magnificent episode. No surprises here. We have not just the return of Maggie but also of Sterling! We love this!!! (Seriously, I want both of them back in the reboot. I don't care that they're most closely tied to Nate. Bring them back.)

This episode has so many absolutely excellent moments as well. I love the opening sequence in the bar, with them going over possible next clients together, Nate kicking Eliot for flirting with the bartender, and then of course also Sterling walking in. The interaction Nate and Eliot have here is just fantastic.

Sterling: *walks in* Nate: Eliot, I'm gonna ask you not do do anything violent. Eliot: Wha-what are you talking about? I only use violence as an appropriate response. Sterling: Hello, Nate. Eliot: *responds appropriately*

And to think that Sterling only gets beat up here because Mark Sheppard's son was visiting the set that day and wanted to see his dad get beat up by Eliot. We stan one Sheppard Jr.

I very much love the scene where Nate and Sterling go over what they have on Lundy, and then Parker interrupting them out of nowhere, just sitting there on the counter, like she's been there forever (which she probably has). Also just, fantastic clothes on Parker, thank you Nadine. Maggie showing up here is of course also brilliant and I am very fond of Parker making Maggie a fugitive bag. It is so completely adorable. I love my girl so much.

Another favourite moment is, of course, Tara and Eliot getting Chernov to tell them where the sale of the Fabergé egg will take place. Tara not saying a damn thing, Eliot grumpily doing what Tara tells him to ("Do that thing with your eyes that scares people" / "What -- I don't know what you're talking about"), Chernov's complete unease about this whole entire situation, and then of course Tara and Eliot's other interaction:

Tara: What we imagine is always so much better than reality. Eliot, with the tiniest voice possible: Like love? Tara: *just stares at him, confused*

Just, *chef's kiss* this scene.

The scenes in the embassy are also just excellent. Tara and Nate pretending to be a couple, Nate's inability to deal with the idea of Maggie and Alexander, Maggie and Tara hysterically giggling while talking about Nate, Sterling pretending to be drunk (and incredibly gay) to get Parker access to the egg room -- brilliance, all the way through.

I adore Eliot taking charge of the situation once it becomes clear that Maggie and Nate have been taken hostage. Parker doing her magic and switching the bomb with the empty briefcase in the elevators is beautiful. Maggie kissing Nate instead of Lundy in what could have been their final moment and regretting it instantly the moment Parker shows up is excellent.

And the final scene back at McRory's is also just wonderful. The kids watching the news about Sterling with Tara ("I hate this guy" / "Now, you're part of the team"), and Nate talking with Maggie. I adore Maggie in this scene so much. Her and Nate's relationship is so lovely. We know Sophie understands how Nate ticks, but Maggie knows him so well too, still.

213: THE FUTURE JOB

D: MARC ROSKIN. W: CHRIS DOWNEY & AMY BERG. Original Air Date: 03 February 2010.

This episode is so good for so many reasons. First off, I adore Luke Perry (I'm still sad about him) even if he plays creeps like Rand in most everything I've seen him in. He was just so good. Second, Medium Tara is probably my favourite role of hers. It's a lot softer than many of the other characters she's done, and I love it. Also the costuming is just excellent.

But I want to talk about Parker most of all. The scene where Rand cold reads her is so well done. Riesgraf knocked it out of the park here. Also, I love how Nate, as soon as Rand starts approaching and doing his act, barely ever takes his eyes off her. He occasionally glances at Rand, but his attention is on Parker at all times. And it just makes me feel things.

The team coming back to Nate's to find Parker sitting on the floor in front of the couch, crying also makes me super emo. They are all so very careful with her here. Even Tara, who hasn't been with them for that long. I quite like how Eliot and Hardison choose to sit a bit away, giving her space, and Nate carefully approaches and sits closest to her. They are all so good with her here, I love them all so much. And I absolutely adore this part of the conversation:

Tara: So what do we do now? Parker: Cut off his arms. And his head. Yeah. I wanna kill him. Can we make that happen? Eliot: Yeah, I can...I mean, I could...

Also earlier, after Tara acknowledges that Rand is good at what he does, Hardison says "He should be shot." I adore how both our boys would not hesitate to end this man for hurting Parker like this. That's their girl and he went too damn far. And even though Nate suggests a way of retaliation that is less final, he isn't above hurting the man either. Because that's his girl, too:

Hardison: Nate had me rig the table with a mild electrical current. Eliot: You electrocuted him? Nate, smugly: Yes, I did. It helped sell the bit. Parker: I approve. Nate: Thanks, Parker. Eliot: No, her agreeing with you is not a good thing. Nate, whispering to Parker: Thanks.

And add to that the absolute joy each and every one of them have when fucking with Rand to fulfil Tara's predictions? *Chef's kiss.* Absolutely beautiful.

There is so much more absolutely fantastic content in this episode, but I just wanna point out the ending where they meet with the client again. Nate is so good with them here. The way he talks to Jodie about her baby and how she will see her late husband in the child, makes me cry every damn time. Just like Tara says, "Yeah, now I see why you do it," this is why this show is so damn good. It's because of this exactly. Because for one shining moment within so much suck and tragedy, there is goodness and a wrong that has been made right. They help people and it isn't just fleeting momentary relief. They change people's lives for the better. I love this fucking show so much.

214: THE THREE STRIKES JOB

D: DEAN DEVLIN. W: JOHN ROGERS. Original Air Date: 10 February 2010.

First half of the second finale! Patrick Bonanno my beloved! I get so sad every time he gets shot here. My man deserves better than this. I love Bonanno so damn much, man. I absolutely adore that Nate goes to see his family at the hospital. Like, this is a cop. The very opposite side of the law Nate and his people operate on. But he goes to see him anyway, because this is their cop. And I love that Bonanno's wife recognises Nate's name. "He wanted to buy you a drink. And then arrest you." That's just so good.

I also absolutely love Richard Kind as Brad Culpepper, the corrupt mayor. I would love to see him back in the reboot, but I doubt there'd be any reasonable explanation why on earth they'd have to see this particular mayor again. I just think Richard Kind is an absolutely fantastic actor.

Anyway, favourite moments. Hardison and Eliot at Bonanno's house is beautiful. I am so fond of how Hardison deals with law enforcement while impersonating law enforcement. He tears them down and builds them back up again, every single time. And I adore how Eliot just smiles at his antics. He crawls around on that carpet with the young cop and Eliot just stands there and smiles. I love them, guys. I really do. Parker pretending to be Brad's pregnant lover with Tara's help is also just most excellent.

And of course: Roy Chappell. Baseball Eliot, my most beloved. There is so much to love about this whole concept. Eliot's reluctance at first because he doesn't like baseball. The discovery that baseball is actually something cool and something he is good at. His absolute childlike joy at the energy drink commercial Hardison made him. His damn hair during the actual game. The sandwich! The enthusiasm about the sandwich. Hardison admitting that the sandwich thing is cool.

I also absolutely love Hardison and Parker as Beavers Fans. The badly photoshopped picture of Dean Devlin and John Rogers as the radio hosts makes me smile so much. So does hearing their voices on the show. Both Hardison and Parker's phone calls to them are also brilliant. Parker speaking Spanish? Marvelous. The two of them demonstrating the Beavers leaving? *Chef's kiss.*

The final showdown with Brad and then the FBI is also just most excellent. Nate going ballistic on Brad because of Bonanno. Hardison and Lucille. Parker giving Lucille a little kiss before they send her to explode as a distraction. Hardison quoting Spock to say goodbye to Lucille. Hardison being pissed at Nate about Lucille. And of course: Jim Sterling, Interpol. The bastard. I love him.

215: THE MALTESE FALCON JOB

D: DEAN DEVLIN. W: JOHN ROGERS. Original Air Date: 17 February 2010.

Second half of second finale! And it's a good one, too. This show has absolutely brilliant finales, lemme tell you.

What do we love about this episode? MUCH. Tara's naked bit is excellent. Eliot and Parker sharing a look after watching Tara's naked bit is even better. Parker turning on the porn channels on the hotel tv is hilarious. Eliot talking to the receptionist about the gym is hysterical ("Ah, the fitness spa. Isn't the Zen Steam Garden divine?" / "Yeah....delicious").

Nate on stairs vs Sterling in elevator is probably the pettiest thing I have ever watched on television and it is absolutely amazing. I don't think anything can ever top this as pettiest moment. It is just so good.

Sterling, of course, is always great fun. I love that he has his own little villain theme that announces him before he even enters the screen. Love a good villain theme. And I adore his moment with FBI Bob outside Brad's hotel room.

Sterling: Name's Bob, right? Bob: Yes, sir. Sterling: You've been here the whole time, Bob? Bob: Yes, sir. Sterling: And nobody's gone in or out, Bob? Bob: No, sir. Sterling: Then would you mind explaining, where the HELL THE MAYOR IS?!

Absolutely perfect.

Nate going back to his place always has me all up in my emotions. Also, I think Sterling here absolutely believes that what he is offering Nate, is good for him. That he can save him from himself or something. They were something like friends at some point, after all. And of course, Nate calling Sophie. She is, of course, unbeknownst to him, already on the way to save his ass. But he calls her and finally tells her exactly what she wanted to hear at the end of The Ice Man Job: "I need you. Not the team, me." Sir. I am emo about you.

And then of course the final con and the reveal of Sophie's return. I absolutely love that Parker's first reaction to Tara possibly betraying them was to try and throw her off the roof. That's my girl (I love Tara, but that was fair). Also just, if you pay attention on the boat scenes, you can see Sophie from as early as Kadjic hearing Nate's offer and then leading Nate and Eliot below deck. If you can pick out her hair and know the colour of her coat from the scene in the helicopter, you know that she is there. And then, below deck, you can see her so many times -- at one point essentially back to back with Nate -- before any of the characters know she's there. And can I just say, I absolutely love Nate's completely shocked face when he hears her voice. Those comedically big eyes are just excellent.

Everyone seeing Sophie again is done so well. Hardison and Eliot's confused "Sophie?" when she walks past. Eliot winking at Sophie after they free Nate. Parker hugging her immediately once her and Tara arrive on the ship. Hardison putting his hand on the small of her back as he passes by her to go down the stairs. I just love them all so much.

And lastly of course, the reveal of the plan, Nate cuffing himself to the railing and making Sterling leave his family alone. What Nate says to them always makes me so emo too: "You guys are the most honourable people I have ever met in my life. You have become my family, my only family. And I will never forget that." John Rogers, sir, we need to have some words once I get this lake out of my eyes. And I obviously can't not mention the kiss. Finally, finally Nate gets his shit together. And she slaps him and it is perfect. And then they leave and he sits down and bleeds and Sterling, for a moment, is genuinely concerned about Nate as a person and not merely about Nate as his only way to nail Kadjic.

Bob: Who the hell is this guy? Sterling: I have no idea. Nate: My name is Nate Ford. And I'm a thief.

Yes. Yes you are, you magnificent bastard.

[image taken from the electricnow website]

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cinematicbeauty · 3 years

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the infinite dream.

Stars shining in the sky, blinking their magnificent glow down on us for eons. They have been there and have witnessed countless of humans live and die. Living through their dreams and dying facing their fears.

Ever since the dawn of ages, dreams and hope were one of the few constants that tethered humans to ambition and their intended future.

Jay Gatsby, a fictional character created by author F. Scott Fitzgerald, dreamt of becoming a wealthy and educated man to win the heart of Daisy Buchanan, Gatsby’s subject of infatuation. He then proceeded to change his identity from his poverty-riddled background to one filled with riches and prosperity.

My dreams are not as big or as powerful as Gatsby’s, but they are still my own. Personal ambitions and inspirations have always been a part of me, ever since I was a dreamy curious child.

I knew I wanted to make a change in the world, regardless of who I impacted, as long as it was a positive one.

My father enjoyed watching the Indiana Jones films, and that was how I came to love archaeology. That, and through playing a video game called Tomb Raider, which centralized around a British protagonist whose family salvaged artifacts from around the world.

Indiana Jones and The Lost Ark || dir. Steven Spielberg, 1981

I wanted to venture out to the deserts and other terrains, where the veil between the ancient and modern world becomes blurry. Discovering and unearthing items that were hidden for centuries, even millenniums, and preserving their significance to the cultures that they belong to was a passion of mine.

Personally, I enjoyed preserving items that were of value. They always hold a special place in someone’s heart, regardless if that person is living or not. It contains a culture of someone’s life, and in most cases, one that is either rarely seen in our world today, or not at all.

After my archaeology phase, I had a sudden fascination towards criminal cases and criminology in general. I have books ranging from the most notorious criminals ever recorded in history to infamous unsolved cases lined up in order on my bookshelves back in Malaysia.

I have always found the human mind interesting and the complexities of how it works. Made me want to practice Criminology once, even. How these criminals and felons worked were just morbidly fascinating to me. This is also probably another reason why I tend to lean on books, films, and even television shows that showcases such actions, and the knowledge they offer.

Dexter || prod. Daniel Cerrone, Sara Colleton, et al. , 2006-2013

Se7en || dir. David Fincher, 1995

Knowledge is power.

To know and understand the things going on around us is definitely something that all of us should be able to do. Dissemination of knowledge comes in a myriad of ways and sources. My personal favorite, is through books and films.

That is where the idea for this blog came about. To just have a safe space to converse about films.

Although a good plot is substantial to the amazing quality that a film would be able to produce, there are also different matters that have to be accounted for. Sound designs, cinematography, color grading, etc.

The Shining || dir. Stanley Kubrick, 1980

Blade Runner 2049 || Denis Villeneuve , 2017

Such films would bring hope, inspirations, and dreams to many. One of the most powerful ways something could give an impact on someone is through visuals and audio, and film ticks both of those boxes.

It made me want to actually study how film works, and have it as a passion to digest and indulge them during my free time.

I do hope that you, readers, would enjoy films as much as I do through my blog.

#dreams #aspirations #inspirations #hope #film #movies #tv shows #the great gatsby #indiana jones #dexter #se7en #the shining #blade runner 2049 #denis villeneuve #spellbound #alfred hitchcock

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fromthefishbowl · 3 years

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10 italian songs that are terribly horny

Kind of a sequel of this post I wrote about the three Italian songs every Italian knows without fail, here comes another in the same vein and, as you might guess from the title of the post, they all are horny.

Because there’s absolutely no need to title your fic about Nicky losing his virginity after a Hozier song, when the Italian music scene of the 1970s has already blessed us with Cristiano Malgioglio!

Beware that this list features: threesomes, implied choking, implied masturbation, lengthy descriptions of dicks, and a whole lot of “dying”.

So, if you’re new to the Italian music scene, I bet you now have two questions: who is Malgioglio, and why is that “dying” in between quotes?

Cristiano Malgioglio is an Italian songwriter who has been working in the music industry since the early Seventies. Now known mostly for his flamboyant style and white strand of hair in his otherwise completely black head, he was a close friend of Fabrizio de Andrè, who was actually the one who introduced him to the music world. He has written a lot of songs that are LGBT+ themed and has always been very open about his sexuality, to the point that he has never even felt the need of coming-out. Out of the ten songs here presented, he has written three of them, and one of them is about one of his boyfriends.

As the censorship didn’t allow for song lyrics to be too explicit, songwriters and singers had found a way around it: rather than saying “coming” or “orgasming”, they would go with “dying”, which was a lot more elegant and could be inserted in literally every song without the censors being able to complain. And, trust me, there’s a lot of dying.

Here is the list, from the least horny to the most horny.

Chi Non Lavora (1970), by Adriano Celentano

Link to lyrics and translation here.

Commonly called Autunno Caldo (Hot Autumn), the workers strike that begun in 1969 and dragged itself into the August 1970 greatly influenced this piece (but for all the wrong reasons). Workers were demanding safer working conditions, which had been completely ignored up until that point. As the days went on and the more people joined the protests, the police got more and more violent, to the point that they had begun shooting people on sight. This caused a huge uproar from the protestors, and when the voice that people had been shot and harmed by the law enforcement, even more workers and even students joined the fight. Through a year of strikes, they forced the Italian government to create a new set of laws that would protect both workers and students.

The song mocks this movement: the singer complains about the fact that, since he is on a strike two days out of three, he cannot give his wife enough money and therefore she’s going on a strike too and won’t have sex with him. Basically this song is nothing but the woes of a privileged, extremely wealthy man who thinks that people protesting for the rights of a safe work environment is inopportune and stupid.

The only reason why I included this song is because “Chi non lavora non fa l’amore” (Those who don’t work don’t make love) is still very much used to this day. If you want a piece of media that actually explores the protests and the work environment of the time, I suggest watching La Classe Operaia va in Paradiso (The Working Class goes to Heaven), a movie from 1971.

10 Ragazze per Me (1969), by Lucio Battisti

Link to lyrics and translation here.

Lucio Battisti is a national treasure and if I’ll ever do more of these, he’s surely going to end up in more of them. Whereas De Andrè would write more traditional music and focus on the lyrics, Battisti’s music was a lot more danceable and his lyrics a lot lighter, usually focusing on loneliness and heartbreaks rather than social issues.

In this song, the protagonist is bragging about how he wants ten girls for himself, all for different reasons (one because she knows how to dance, the other because she’s a virgin, that other one because she has been with everybody but him). It is soon revealed, however, that the only reason why he’s doing it is because he’s still thinking about a very specific girl who broke his heart.

Remembering the note above, peep that “And red lips to die upon”.

Gelato al Cioccolato (1979), by Pupo

Link to lyrics and translation here.

First song written by Cristiano Malgioglio and also the one about his ex! And yes, it was sung by another man, but... oh, well. The lyrics are the same.

I feel like the only thing I need to say, about this song, is to quote it directly: “Chocolate ice cream, sweet and a little salty”. And that’s it, because the subtext is right there and it’s impossible to miss what it implies.

What I think should be added is the fact that the singer had absolutely no idea of what the song was about. Like none. It was only in 2007 that Malgioglio told him that he had been inspired to write it after spending a torrid summer in Tunisia, where he had gotten a boyfriend with whom he’d often get ice cream.

Carlo Martello Ritorna dalla Battaglia di Poitiers (1967), by Fabrizio de Andrè

Link to lyrics and translation here.

Translating this song absolutely murdered me: Paolo Villaggio, one of De Andrè’s best friends and an extremely important figure in Italian entertainment history, wrote it to play over Middle Ages sounding music, so the words chosen and the way sentences are structured are reminiscing of that time, and it was incredibly hard to find English words that matched.

This said, it’s possibly one of De Andrè’s most light-hearted songs (probably because he and Villaggio wrote it while their wives were giving birth to their sons), even if it does mention social issues.

King Charles Martel comes home from Poitiers but has lost the key to his wife’s chastity cage, so he doesn’t even go home before looking for another girl that can quench his thirst. He sees a beautiful maiden taking a bath and, seduced, convinces her to have sex with him. It is only when he has finished that she reveals that she’s actually a prostitute and now he has to pay her, but he runs away before doing so (but still after having complained about the rising prices).

The lyrics of this song were censored and fought against by the censorship so much that, even to this day, records with the uncensored version are extremely difficult to find.

Una Carezza in un Pugno (1968), by Adriano Celentano

Lyrics and translation here.

Yes, another Celentano song. I don’t like him either, it’s just that we cannot get rid of him for some reason.

Anyways, here we begin to get into hotter waters, as this song is about a man asking his girlfriend to think of him while she masturbates. Of course, since he cannot be left out of the question, he will think of her while he jerks off too.

Basically, unlike what a first read might make you think, the “fist” he makes while thinking of her is not because he wants to beat her up.

Il Triangolo (1978), by Renato Zero

Lyrics and translation here.

Renato Zero is another extremely flamboyant personality of the Italian music scene, and “Il Triangolo” is one of the songs of his that are best known.

As the title may suggest, this song is about a threesome. The protagonist goes on a date with their boyfriend and finds out that he has brought a second man, with the intention of convincing said protagonist to have a threesome. Although at first they need a little convincing, the protagonist then agrees to it and finds out they enjoy it a lot, to the point of coming to the conclusion that “Geometry is not a crime”!

Kobra (1980), by Donatella Rettore

Lyrics and translation here.

This song is about dicks, there’s no way around it and there’s nothing else to say. The singer sees a certain man and thinks about his dick, getting wet and fantasizing about the many things she could do with said dick. That’s it.

Pensiero Stupendo (1978), by Patty Pravo

Lyrics and translations here.

Second threesome song!

Unlike “Il Triangolo”, this song is a lot more subtle. It’s clear what the singer is talking about, but the lyrics are not as on the nose and leave more to the audience to feel it, rather than hearing it through words.

The song begins with the three people part of the threesome that are already doing it, and are still doing it by the time the song ends. It’s not about the act in and on itself, but more about the sensations it brings.

Ancora ancora ancora (1978), by Mina

Lyrics and translation here.

Second song written by Malgioglio!

Mina is probably one of the best known Italian singers, as her voice is said to be one of the best in recorded history and has an impressive rage of three octaves, so it really says something, the fact that this piece is so difficult that even her voice broke while holding a note (in an incredible way that only gives it character, but still).

The lyrics play with the fact that in Italian the word “ancora” can be translated and understood as “still”, “again”, and “more”. I couldn’t really give it justice in the translation, but it’s as if she was saying “Your hands still”, “Your hands again”, and “More of your hands” at the same time, and this kind of logic is repeated for every “ancora” she sings.

Even if the lyrics are suggestive, what was censored in this case was the video (the one linked with the song), as the close shots of the singer’s face, and especially of her mouth, were considered to be too sensual to be freely aired.

L’importante è Finire (1975), by Mina

Lyrics and translation here.

Third and last piece written by Malgioglio!

The story behind this song is a little nebulous, but I have read that apparently Malgioglio wrote it for Dori Ghezzi, De Andrè’s wife, but that that project never came to life and, in the meantime, he had managed to meet Mina, and had tried to get her to sing it. But... not sure if this story is directly related to the song in question or not.

Anyways, even for this piece it’s impossible to escape it’s meaning, to the point that, even if it didn’t contain any forbidden words, it was censored anyways for weeks, forbidding radios to air it and Mina to sing it on TV. However, people were so eager to listen to it that it still managed to climb the charts and was, eventually, allowed on air.

#italian sources #italian songs #sources for tog writers

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igotswag77 · 3 years

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Courtly Love In Thrawnbine - My Review

This Tumblr inspired me to try again on the concept of COURTLY LOVE -- thanks for the nice art.

This is long... No tl;dr. I have been writing my THRAWNBINE fanfiction since 2014-2015. The initial transcripts were lost because my computer and the external hard drive crashed. Therefore, the research, development, key ideas, metas, etc. are gone. I have to start from scratch, hope some of them are in the cloud, and rely on my memory, which is another discussion. This piece here is not about the validity of the THRAWNBINE ship. It is a discussion of story elements I wanted to include as I write this fanfiction. It is not about me forcing any fan to accept my proposal. As a Star Wars fan, I like creativity and this piece is an example of what I think about when I develop my creative writing for fanfiction. It is what I want to do with my life right now because I can do it now.

However, a while back in one of the SWAG77 blogs here, my group discusses the idea of COURTLY LOVE: As I understand it as a beginner creative writer, it is how the COURT of the kings, queens, princes, princess, (on down) and knights in the Middle Ages and Medieval times expressed their love to each other. (x)

From my interpretation on my reading, not just Wikipedia but others, when noble single men, who were knights, often fought "religious wars" returned home to the court and would appeal to royalty to marry a certain young woman. They planned to "woo" these women with sayings, phrases, poems, etc. as an expression of their commitment and love. The issue is, most young women at a certain age (late teens, early 20s in the 13th -15th centuries) were considered "old maids" (spinsters) and they were made to marry whoever their families could get who were often older men 10+ their senior. Once married couples could not divorce, because of Church, and if caught cheating on their husband, women could be thrown away or killed. Many marriages turned loveless. When the knights returned home, they discovered the love of their lives was married, and therefore, they could not marry her because it was against the Church. Of course, back then, there were not a lot of sexual infidelities, because women could be killed for that, and any resulting child was forced into servitude, enslaved, or killed.

What couples did that time to express their love, devoid of sex to relieve that tension, the nobles created "courtly love" where the knight would serve his lady in any command and he would in turn be chivalrous along with his poems and sayings of love.

"The Lady and the Unicorn" (x), (x) tapestry art from finished in 1500 in France, is an allegory for "courtly love" by its subjects in the art, and symbols. The art comprises six tapestries that depict individual senses in each of them:

In the sixth tapestry, the words display, "À mon seul dési," while obscure in meaning it says roughly:

"To my only sole desire" "According to my desire alone" "By my will alone" "Love desires only beauty of soul" "To calm passion"

In my literature review to build the THRAWNBINE ship, I weaved the idea of "courtly love" as a plot element, in case my story hypotheses were inaccurate. That no matter what, Grand Admiral Thrawn knew he would have to serve under Countess Sabine Wren due to her royal status. By the time Thrawn meets Sabine face to face, she might be royalty with the rank of a countess, or she might be a rank higher than one because she has a direct right to Darksaber, as explained.

Sabine Wren might be a Marquise because she has an exemplary war record. I believe that Sabine Wren is the rightful heir to the Darksaber over Din Djarin because when Djarin defeated Moff Gideon, the Moff is NOT Mandalorian. All Djarin did is confiscate the Darksaber FROM Moff Gideon to give to the rightful heir. Lady Bo-Katan Kryze is not the rightful heir. She was given the Darksaber because Sabine believed in her. But the Darksaber is magical, like the Excalibur sword, and this saber did not choose Bo-Katan, and Bo-Katan never won it by ritual combat. The last Mandalorian who fought against another Mandalorian in ritual combat was Sabine Wren. Why Sabine gave it to Bo-Katan? Maybe the Sabine Wren character is like Nimue, the Lady of the Lake who gives worthy people the Excalibur, and in this case, it would be Sabine. But the Darksaber is ENTRUSTED to one that is worthy to wield it and NEVER lose it to scurrilous powers or persons. If Filoni et al. is using parts of the Arthurian Tales to explain why Sabine gave the Darksaber to Bo-Katan, then it was Bo-Katan's job not to lose the Darksaber. But she did and somehow, Moff Gideon "acquired" it -- he is definitely unworthy of it.

Maul, while he fought in ritual combat to obtain the Darksaber and killed for it, CHEATED during the fight with Pre Vizsla. Ritual Combat is a test of pure fighting skill, will, and strength. In the book, "Darth Maul: The Shadow Conspiracy", Maul has the fighting skill, a will, and the strength to fight Pre Vizsla, but there is the Force, and Maul used it to defeat Vizsla with his Force abilities in precognition. Maul knew all the moves that Vizsla would take before he made them. In my opinion, that is cheating.

While the Darksaber will work in a non-Mandalorian's hands who can wield a saber, the crystal used for plasma that Tarre Vizsla built, is responsive to the worthiness, nobleness, and chivalry of the wielder. Most stories written about enchanted swords say they do not work optimally in the wrong hands. Did it fail Maul, probably not, because Maul was so Dark Sided that he could "bleed" a lightsaber crystal for his uses. But I can imagine that a Mandalorian who uses weapons for his religion, like Tarre Vizsla who has the Force, would build his lightsaber in a way that his crystal, while it can be bled by a Dark Side user, still holds its resilience hoping for a worthy, noble and chivalrous Mandalorian to bring together the people and raise an army.

Another caveat to this story I think is Sabine Wren wielded the Darksaber while she was possessed by the Nightsisters trying to relive as Maul wanted. She almost kills Ezra Bridger, but Bridger was strong enough to pull the ghosts out of Sabine (and Kanan) in the Star Wars Rebels Episode 11, "Vision and Voices". Anyone who understands possession by spirits knows that not ALL of the spirits leave the body. Moreover, one possessed by spirits is not always evil. It is an ancient practice by those who are a part of the Vodoun culture in Western Africa, the Caribbean, Louisiana, and Gullah -- my culture (which I have some practice in it). Part of Sabine's ability to wield the Darksaber and other lightsabers come from the memories of the spirits that entered her body on Dathomir and the touch of the Daughter, which I have repeatedly written about on the Sabine Wren site (x), (x), (x).

The point is since the spirits entered Sabine Wren and not all of them left her in that SWR episode, and she picked up the Darksaber once clear of the complete possession, the Darksaber, especially the power of the crystal and the "spirit of Tarre Vizsla" encased in it, wanted Sabine to become the Mandalorian to rally all other Mandalorians together as one.

In SWR Trials of the Darksaber episodes, after Sabine defeats the Imperial Mandalorian, Gar Saxon, only to be killed by Sabine's mother, Ursa Wren, it shows that the Darksaber is rightfully hers. Why Sabine gave it away? The writers of SWR do not add scenes or dialogue meaninglessly, every piece of scenery with lighting, etc. and dialogue is added into each episode carefully to tell the story that these creatives want you to see. Sabine felt she did not have enough political skill to command Mandalorians, or better yet, military leadership to command Mandalorian -- for "you don’t tell Mandalorians what to do. You suggest it and they either heed your advice or not. (forgotten reference)"

Thrawn had to have learned that Gar Saxon died well before Season 4 Episode, "Heroes of Mandalore" part 2. Also, Thrawn knew a lot about Mandalorian culture through its history, philosophy, and art. What he did not count on is that he would find an artist -- Sabine Wren. I don't know when Thrawn discovered Sabine was an artist that painted the graffiti on the retaining wall. Through his studies, he deduced it was her by the armor she wears, the changes in her armor, and how important the armor is to the Mandalorian culture. This is why he was able to figure out that Sabine built the weapon. Her method of creating art reflects on how she builds weapons whether she knows this fact or not. But then, the Darksaber, which he has not seen, and would not really know its lore because it seems that story that Fenn Rau told Kanan is an "oral tradition" than a written one, and the fact that it was "liberated" from the Jedi seems like an embellished story -- liberated? More like "stolen" maybe? Thrawn had not heard that story. But Sabine knows it. I am not sure if Thrawn knew that Sabine is the rightful owner of the Darksaber. But during the battle sequences, he must have gotten glimpses of it and piecemealed what exactly it is as his job as a strategist to know what he is going up against. However, the Duchess Arc Reactor was not reconstructed to blast through Mandalorian Armor as the new leader of Mandalore, Tiber Saxon desired. It was a test and a chance for Thrawn to see the strength of the fight of Mandalorians (who fight each other all the time), and a chance to meet Sabine Wren in person. He had not met her. He met everyone except, her.

____________

I think that Sabine Wren would be a higher royalty if Filoni et al. were to write that Sabine is a rightful heir with a title. Therefore, she would be a Marquise who protects the frontier. In this fanfic, Thrawn would have to marry Sabine to obtain the title of Marquis to protect the border of the galaxy from the Yuuzhan Vong (lite = Grysks), and his military background fits in this fanfic story. Therefore, he will do whatever it takes to keep Sabine alive, protected under the symbol of the Darksaber and her people with his military (army). He would have to show "Courtly Love" with the addition of sex, to serve as her advisor, confidante, and supreme commander of her militaries. While he could keep his titles, they are not royal, but political, such as "Ranking Distant" or "Syndic" or "Patriarch" -- but that's the Chiss Ascendancy and he has been exiled from it (on paper: meaning officially he is exiled, unofficially he is in a black operation for an intelligence-gathering mission.)

As a separate story, he knows he really can't return under his current position back into the Chiss Ascendancy. But he can annihilate threats in the Unknown Regions using Galatic Empire resources -- of course, the Emperor nor Darth Vader like that idea. When the Deus Ex Machina scene occurred, wherever the space whales took Thrawn and Ezra, the end result should be, IMO, someone in the Chiss Ascendancy rescues them. And it can't be just two people, it has to be a group of them, mostly Imperials. And they take them to a planet, apparently under snow and ice in the Dave Filoni art.

Before I knew anything about SWR in my first fanfic, Thrawn met Sabine at an art auction.

After the Ezra Bridger Deus Ex Machina with space whales, it seems based on Dave Filoni's art of Sabine Wren and Ahsoka Tano, Thrawn officially meets Sabine. For many headcanons, metas, and short drabbles I can't get into atm, they kick off their relationship, and for Sabine, it is unexpected. And while Thrawn might strategically want Sabine to stay (to seal the deal), they have to have legacies. With legacies, Sabine would not want to leave unless she had to.

In this fanfic, any acts like these are about consent. I strive to write consent in my stories.

The conflict in this story becomes how the HAYLE did Sabine agree to all of this? She IS strong-willed like most Mandalorian women are. For Sabine to consent to this life path is:

Sabine DESIRES it; she WANTS to do a pair bond. She figures out that she is getting old and her biological clock is ticking, and perhaps she is tired of constant war and needs a break. But whoops, she did not think that her desire would overtake her and create many legacies. That does happen in real life. Therefore settles that now, this is her life. (This fanfic is the easiest one to write, but slightly dull).

From the LADY AND THE UNICORN held in Paris. Each tapestry depicts the physical senses: (1) Sight, (2) Hearing, (3) Taste, (4) Smell, (5) Touch, (6) Desire. There are allegories and symbols for each tapestry and element. The major symbols are a Lady, a young woman virgin, with a Unicorn, loyal to only her.

There is more information from this youtube: https://youtu.be/5hCWZNm3qpc. My issue about this video, while most of the information seems accurate, the poets are interpreting the tapestries with their modern experiences. In my opinion, it is difficult to understand these tapestries without historical context. To think the woman is in pain is a modern interpretation. Back then, people LIVED in real physical pain because there were no "doctors' like we have now; it is very judgy to make that assertion. Thus, the comments in the video are opinions, and the producers did not announce that opinions were going to be shared. It's kind of like the point of the tapestries was missed without the historical basis.

History for the THRAWNBINE ship is an important part of the fanfic. I am not a great writer, but I work hard to write it. I have reviewed the literature, not think up this ship out of my ass as some fans would assume. I have put a lot of work into it. Also, I am well-read on many Star Wars Legends books and the new Thrawn canon books. Therefore, it is not like I do not know much about Star Wars when I do. I have REAMS of information that I like to share with fans who ask me about it. A few fans do. Moreover, I am not so vain to think that my ideas are the ONLY point of view available. I like trying to write fanfics as close to the Star Wars canon because it is fun, and that is my thing. But there are other ideas out there. It would be wrong to say my way or the highway. Also, I am not young, and those who are asinine toward me, well, I know you're younger than me because I'm old, and I want to do this with my life, I like to do it, and I'm having fun. Some young people do not GET that idea until they fall flat HARD on their face with a lost future. But don't give up your bright-eyed and bushy-tailed aspirations -- you never know where life will take you, and you might be the one. Congrats. Believe me, life can get shitty when you're out there in the real world, like me. And when you can grab your chance at something you find fun, I say do it. Money isn't everything -- but it keeps the kids in touch. I bring up these issues because some young people take huge umbrage against the THRAWNBINE ship due to the perceived huge age difference. Okay, I can see why some young people are freaked out by that. Because someone taught them to be freaked out by the age difference. Moreover, I come from GenX, and most of us, aren't freaked out by that at all. Some of us are in that situation now. So it's no big deal to us. And any generation before ours -- THAT WAS THE WAY... I would not BE if not for huge age differences between my grandparents, great-grands, and great-great grands. Of course, for my greats- yeah, there wasn't much consent. But for my grandparents, at that time and age, there actually was consent. My grandmother was 18 years old when she married my grandfather at 26 years old. By 21, she had 3 babies. One is my father. So, I grew up not caring about age differences in relationships. But for some Millenials (not all) and GenZ (not all) and afterward (not all) -- IDK?

I guess the equivalence for some of the younger generation to understand why I am doing an age-difference story is that the younger generation demands older generation acceptance of relationships that were not allowed to exist in public because one could be killed. It was not until 1967 that people of different races could marry legally in all states. Shid, one couldn't divorce over irreconcilable differences (at will) until the 1970s. Women could not have their own bank accounts until the late 1970s, and LGBTQIA+ RECENTLY were allowed to marry legally in all states, although assholes are stopping them. Then... some of the younger generations are from IVF-assisted pregnancy situations. Some are surrogates. SHID.......... That was not allowed until the 1980s... Both 1970s and 1980s were when I grew up, when I hear younger generations wracking my brain over CONSENSUAL LEGAL age-difference, I think folks don't know the history and therefore are doomed to repeat it. It is NOT a suggestion to return back to that time where women had no choice. My fanfic is about a man falling in love from afar with a woman who actually has no clue, and he knows he is a lot older than her. Somehow, he has to tell her, and he is afraid because of rejection. Look, some Star Wars fans come from parents who have an age difference between 10+ years. If they grew up fine, and their parents are okay with their relationship, who would we judge? I am not talking about a child with a much older adult; that's not legal. I am not talking about nonconsensual (the age of consent in some states is 16-17 years old). I'm not talking about child marriage. My fanfic is about two adults making a choice to be together in an adult relationship. To say someone older can take advantage of someone younger due to experiences, well, that is a false analogy, and the opposite can be true, too. It isn't the age difference that causes bad relationships. It is the power and control, and all generations have individuals who use power and control manipulation to force and abuse another person.

Matthew Perry on that super expensive dating site was matched up with a young woman profile and wanted someone to talk to and have fun with. Not do unsavory things as the woman painted that picture. She lied about it too.

Matthew Gaetz is an asshole, and he deserves everything that the law can throw at him. I actually do not think he knew better. And as far as the young women, including the underage young lady, he manipulated them because he leveraged his power and control. This isn't because of age differences; it's about power and control by manipulation. "Oh, wow, I'm a big shot congressman; worship me." Bith, puh-leeze. You ain't shit. Look, fans teased me when I first discussed "Courtly Love," and I abandoned the idea because I could not justify it. Which is my choice; I made that choice, I chose to do it. But, some in the younger generation and nascent Star Wars fans must understand that you have no right to say who can fall in love with whom just because there a legal and consensual age difference. It is not fair. You cannot ask the older generations to accept your relationships and choose to have them if you can't accept, assuming that they are legal with consent. Because a long time ago, they were not... And when you have a longtime Star Wars fan who is older that is okay with your desires for legal and consensual relationships, killing us is not going to get these hateful toxic fans off your backs. You need longtime fans to be in your corner fighting for your cause because a lot of us have seriously fought for real shit, too. Not just protesting, but having rocks and police beatdowns and water canons, too. Blame by authorities for throwing in prison all the time. Shid...you should have seen us Spelman women rip a new asshole to fight Apartheid in South Africa against Amnesty International. We fought hard for that.

But you need to be cool with our stuff too. Just ask me. I'll tell you.

#thrawn #sabine wren #courty love #lady and the unicorn #fine art #tapestries #thrawnbine #thrawn x sabine #sabine x thrawn #star wars #swag77 #age difference #generation gaps

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96nebula96 · 2 years

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Review of The Forest of Wool and Steel by Natsu Miyashita

The Forest of Wool and Steel

by Natsu Miyashita

The Summary:

The story revolves around Tomura who discovers the beauty of the piano and decides he wants to become a Piano tuner, through the book we see how he practices under three mentors: Mr. Itadori, Mr. Yanagi, and Mr. Akino.

As for the characters, they are all very real with their own distinct view towards life, art, and piano tuning. Mr. Yanagi especially was an interesting man who had an artist’s perspective towards life, comparing the piano to flowers and cheez. His beautiful metaphors guide you to understand the other dimensions you missed about the piano and how it can affect your life.

As for Tomura, our main character, his dedication and yearning to learn inspired me to go back to my passion of painting. It would definitely be interested in trying something!

As for the rest of the characters each give you a different outlook and makes the story so much more exciting.

The writing style is poetic and easy to understand (I read the English version) and the pacing was a bit slow, even though it is less than 200 pages, but it was the right one for me since I wanted to enjoy the book as long as it takes.

An important component of the story would be the use of imagery and metaphors. The author was very good at using this to connect us to the characters even if we are not pianists or understand the first thing about creating music. Here is an excerpt to give you an insight into the lovely writing style and the use of metaphor, it is taken from the chapter where Tomura realizes how hearing the piano for the first time changes his life:

“It liberated me to have a word for these things - for the trees, the mountains, the seasons. To call them beautiful meant I could take them out any time I wished, exchange them with friends. Beauty was everywhere in the world. I had just never known what to call it or how to recognize it - until that afternoon in the school gym, when it flooded me with joy. If a piano can bring light to the beauty that has become invisible to us, and give it audible form, then it is a miraculous instrument and I thrill to be its lowly servant”

For my general impression, this book made me reflect on how each person views “beauty” and “art” differently. However, it also made me think how auditory art is the least form appreciated today, in the era of photoshop and aesthetic visuals. The appreciation for the music I see here is similar to the one in the novel “Kafka on the Shore” by Haruki Murakami.

This idea also brought back memories of listening to Quran reciters such as Subhi Taha, or Houssam Al-Din Abbadi. Or listening closely to the music in Disney movies such as Brother Bear. Auditory memory has a way of evoking nostalgia like no other sense.

Another thing this book brought to my attention is the idea that we always appreciate the music and the instruments but know very little about the people who fix them and tune them. Lots of effort and practice goes into bringing the right noises out of the instruments, and more importantly, it needs an "understanding the vibrations and interactions among and between the notes".

Lastly, I think if you look for a heartwarming and inspiring book this might be it !

Other similar books that I enjoyed and have the same heartwarming component are Sweet Bean Paste and The Travelling Cat Chronicles.

I would like to know your thoughts about this book if you read it or tell me about a book that made you reconsider your thoughts about something?

#natsumiyashita #bookreview #theforestofwoolandsteel #book blog

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ruffianbc · 4 years

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SO. My beloved shippers. You wanted some RadioShow shit? Now take it!

I was recently asked how I would describe this couple or they relationships? Well, I answer - half-sided sadistic bromance through mutual hatred. Shortly - like killing dance. I THINK (and this is headcanon) they both know how to dance swing (THIS IS THE BEST DANCE ON THE DAMN PLANET) and I can't leave you without thematic music ~~~

So, for this art - Music: The Correspondents - Fear & Delight

Now let's talk about music. I created a small playlist on my youtube channel and I want to share it with you:

https://www.youtube.com/playlist?list=PLI9Ha7CzBO8x5lMTTYevHnpWRsyKUBE61

Alastor, Husk, neutral

Fear and Delight

How far would you go?

FMLYHM

Burn

Kiss me you animal

Animal I have become

Exit Strategy

White noise

Play with fire

Paranoid

Everything black

Whispers in the dark

Enemies

Dangerous

My sweet prince

Gift for you

And big thanks to @norikodblackcat (CatCalls on AO3) for fanfiction! They really inspired me. For this art I chose (or this song chose me earlier I DON'T KNOW) - Music: Burn the ballroom - Kiss me you animal

BONUS:

Now it's headcanons time!

I put everything in my head in one big pile, so I'm sorry about this big mess)

in life, Al wasn't be a "social person" at all, but he was very well developed acting skills. People saw him as he wanted them to see him and because he was so masterful in his bloody affairs without consequences for himself, but with a public resonance nevertheless.

in hell, Alastor just wildly pumped communication skills, because he can directly persuade anyone to his side and make a deal. And of course he's a good judge of character.

demon Al and human Al are somewhat different personalities. I believe that in hell he became the embodiment of a directly violent and bloodthirsty spirit, and also became more unpredictable and (here it is difficult to apply the word "mad", because he is though insane, but extremely smart and calculating bastard). In life, Alastor was twice or even three times more stable.

when people go to hell, they remember their life as if it were a dream. That eventually begins to be forgotten. Someone immediately, someone very slowly, and someone then catches flashbacks.

as a child, Husker really wanted to be a magician when he was growing up in a casino and in the midst of all this environment. But life has created a great fucking joke with him, he didn't shy away from fraud and in general his youth shook him well so, and by maturity he became a really tough man. As a result, his demonic form actually mocks him.

when Husker gets drunk, everything goes according to two scenarios: either he becomes even more angry and irritated and in the end someone may not count his teeth, or he begins to entertain himself with his favorite things with genuine enthusiasm, which does not always lead to good. When Alastor gets drunk, it gets fucked up (like drunk driving, which is one of the most harmless things he does).

Niffty may be the only one whom Husker has ever had a warm feeling for and a sense of "fatherly care," though she may give him a real head start on some issues.

Alastor is a fucking troll over 9000000+ level. And even though he considers showing emotion to be a weakness, he really REALLY likes to bring Husker out on these very emotions, because it's a hell of a lot of fun to watch. By the way, Niffty had learned from Alastor the habit of constantly smiling. She sometimes tries to copy his habits.

I don't know how about in the canon, but I think Alastor and Niffty have known each other longer than Alastor and Husker. And also, I'm thinking about the part that Niffty and Husker made a deal with Alastor and got their powers through it. All three of them have the same auras. However, Husk could be initially with a considerable level of strength and it's unlikely that he was persuaded the first time.

Alastor doesn't recognize the personal space of others AT ALL. But God forbid you to touch him without warning/approval.

Husk also has a reflex to sudden touches. He had been used to this feature of Alastor for a long time, but thanks to the war, he still couldn't shake the urge to grab something sharp in the unpredictable course of events.

of weapons, Husk has a clear preference for firearms. Actually, another thanks to war, he can use anything as a weapon.

well, only Husk and Niffty must have seen Alastor in a rage a couple of times and survived.

Alastor and Mimzy were good friends in life, and Mimzy was hopelessly in love with him until Alastor killed her under the influence of circumstances.

after one nasty fight, Alastor had to get out of the woods in blood-spattered clothes. The dogs were set on him, and during the chase one of the hunters mistook his silhouette for a deer. The result is a bullet in his head.

in the old years, Husker was drunk enough to hold a trophy gun to his head several times, genuinely hating his life. But the final shot never came.

my friend thought that in the Husk's family could be Russian-speaking people, and it is interesting headcanon.

Husker's tail works like a cat's, which sometimes gets him in trouble and annoys him.

during aggression, he can make a whole set of sounds of growling and hissing, and the tail moves from side to side.

he purrs, and it makes him MAD TOO.

well, he can lick himself, but almost never resorted to it, as he considers it disgustingan and unworthy occupation. And fur very very long dries up after washing.

for Alastor to start using obscene language, a real fucking thing has to happen.

Alastor is asexual and childfree, in modern terms.

although Husker is always challenging Alastor most of the time, sometimes this crazy deer scares him and he would be happy to never mess with Al in his life. Alastor knows this and it gives him pleasure to watch what is happening. I would also call him an energy vampire.

in general, if Alastor begins to be interested in some person, it sometimes turns into an unhealthy interest, which is also FUCKING scary.

Husker usually keeps a certain level of alcohol in his system at all times, because otherwise stress, flashbacks, migraines and apathy the size of hell begin to fall on him.

Husk hates his fur. HATES. And those damn wings, like he didn't have enough fur and shit.

Baxter is still a good companion and interlocutor for him, but sometimes they can just and correctly say each other to fuck off.

Sometimes Baxter even feels sorry for Husk that he has to go through so much shit, from FUCKING fur to having any dealings with Alastor.

posttraumatic syndrome. Just two words, and how much sense.

very defensive, just like I said, Husk is clearly not inferior to Alastor in this.

these triple have been dealing with each other so long that Husk and Niffty can read a HUNDRED expressions of Alastor's smile. Or more.

Like that: "oh fuck he's got right corner of his mouth at 45 degrees"; "run?"; "run."

A LOT OF LETTERS. Thanks to those who reached the end. I hope you enjoy it!

#hazbin hotel #hazbin art #vivziepop #hazbin alastor #hazbin husk #hazbin niffty #headcanons #radioshow #radiohusk

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nomadicism · 4 years

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In that one Voltron post about Keith in Voltron Force, you mentioned that "I don’t think that many western writers would ‘get’ that archetype". What do you mean by that exactly?

Hi! Great question, thank you for the Ask!

I’ll start this off by stating that when I say something like “western” or “American”, I don’t mean to conflate the two. The latter is a part of the former, and the cultural context is relevant to why I said “I don’t think that many western writers would ‘get’ that archetype.”

Not “getting it” comes down to DotU Keith’s original archetype is that of the super sentai team leader, and that’s not a thing that exists in the western popular media culture (we have something different in place of that). And, kind of like how westerners frequently misinterpret ronin and samurai, if you don’t grow up with it—both the culture that created it, and as a common story type within popular media—then you probably won’t ‘get’ it, at least not without a lot of study and work and awareness of what super sentai is about (and that’s true of anyone’s perception or experience of another culture’s media). It takes time to ‘get it’, and in some case one might not ever fully get it (and that’s okay).

The more I try to figure out super sentai—and the +40 years of popular Japanese culture around it—the more I realize that I have more to learn. Just like with super robot stories—while it’s really about selling toys and entertaining people—there’s something else to it, like the why of how its entertaining. That something else is the cultural time-and-place conditions that gave rise to super sentai and super robot in the first place. Those conditions did/do not exist in the west. Different cultures have different kinds of heroes, kind of like how Superman was borne out of the time-and-place conditions of his creators.

Super sentai team leaders (and for this, I’m including anime with super robot combining mecha team leaders that are based on the super sentai formula) are similar to pre-80s American super hero team leaders in comics, and thus some of the difficulties in writing them also happens in super hero comics too. This is how DotU Keith becomes Voltron Force Keith-with-all-the-toys, even though the story is supposed to be about the next generation of Voltron pilots or whatever (I never got the feeling that they made up their mind about that). It’s an awkward merging of two similar but different types of stories that come from different cultures. I don’t say that to imply that such a merge can’t be done, it’s just easy to do awkwardly (or worse).

What follows is some breaking that down a bit more:

VF Keith (and later iterations of Keith to a certain extent) is an example of the American tendency to de-emphasize the team-aspect of leadership, as well as the leader’s soft skills, while emphasizing solo action hero skills and lone wolf traits, and adding Marks of Specialness. I’m not sure if other western cultures have the same kind of Individuality vs Collectivism dynamic that we do in the U.S., but that’s something I see at play in how Americans write team leaders. It’s not a problem in the “Action hero has a backup team” story (and I think that type of story comes from the placement of the Individual over the Collective), but it doesn’t work well in a super sentai story where the Collective is structurally more important than the Individual, and the Leader is important b/c of his innate personality-based traits or virtues that inspire and bring together the Collective to save the day.

Technically, a super sentai leader doesn’t have to be a great leader, or the most qualified. He just has to inspire through personality and by being a virtuous paragon. It can be hard to quantify what a virtuous paragon is, but it is not the same thing as a moral paragon in the western sense, even though the virtuous paragon occupies an analogous place in a story. One could say that I’m splitting hairs there, but there is a distinction between “virtue” and “moral”.

So at first, DotU Keith had the super sentai team leader feel as he wasn’t changed too much from his counterpart in Golion. The most noticeable change to Akira’s character as Keith in 80s Voltron were that his spiritual traits were de-emphasized due to broadcasting/syndication rules at the time. Those spiritual traits are not a requirement for a super sentai team leader, but within the context of a Japanese story, they help define the leader’s soft skills and shape the kind of virtuous paragon he’s supposed to be. (that’s a tangent into some heavy cultural analysis though).

By the time we get to Voltron Force (nearly 30 years later), we run into the 90s Superman problem with DotU Keith (e.g. how do we make the boy scout relatable? plus edgy characters are en vogue). Voltron Force’s solution to that problem was to keep adding new traits/skills/marks of specialness to Keith in order to make him “more interesting” (in some cases, those traits/skills/marks of specialness were already present in other characters). The assumption is that “more interesting”, is how to get people (in this case boys aged 7-9 or 9-12) to pay attention to and relate to a character that was never meant to stand out in that way to begin with.

In the context of super sentai, of course Red Leader is the bestest Japanese Everyman and will lead his team to victory, but he doesn’t get all the toys, and he needs the team to come together to form the giant robot at the last minute. And since he doesn’t get all the toys, then that means that he doesn’t get all of the traits/skills/marks of specialness that are associated with having all the toys, nor does he get into conflict situations where resolution is completely dependent upon his ability to be the solo action hero or lone wolf with lots of toys. This is where Voltron Force goes wrong with Keith…and VLD S6-S8. (Arguably that could be S3, but a lone wolf/solo action star temporarily stepping into the moral-or-virtuous paragon’s leadership role can totally work as part of a growth arc.)

The problem here is the conflation of leadership with being “the most interesting” or being the solo action star, or that to be “the most interesting”, one needs to be edgy lone wolf. That’s literally not the point of a team-focused story, and that is not the place of a super sentai team leader.

In DotU, Keith doesn’t need to be the martial arts master brawler, that’s Hunk. Keith doesn’t need to be the tricksy-ninja, that’s Pidge (DotU de-emphasized that from Golion where Hiroshi had a ninja lineage). Keith doesn’t need to be cynical one that sees through the enemy’s tricks, that’s Lance. Keith doesn’t even need to be the heart, that’s Allura (in some cases the super sentai team leader takes on a larger heart role, but the real heart will always be the female character). Part of the super sentai team leader’s archetype is that he’s got a few things he’s great at (usually one combat skill set + driving/piloting + tactics), and he has flaws that are made up for by the rest of the team, as each member embodies the other archetypes that make up a super sentai team.

One of those flaws is a certain kind of naiveté, for example, Lance wouldn’t have gotten hit by a rock from behind by Lotor during a duel, as he never would have agreed to the dual in the first place, as Honor™ is not an innate part of Lance’s being. Honor is a virtue, and as the virtuous paragon, Keith’s sense of honor plays into his naiveté. Duals are honorable! Lotor gave his word, he must have honor! HAH. No. Honor in this context is an innate quality, and that’s very important for a super sentai team leader, even in an odd-duck combining mecha show like Voltron.

Not to be that weeb with a “the Japanese prize Honor” take, but they kind of really do when it comes to how to define villains and heroes within certain types of stories. Virtuous, noble, and honorable villains (or antagonists) exist, and they get a completely different kind of death (arc resolution, sometimes in an eastern tragedy this leads to the hero’s catharsis) than a villain who is dishonorable, or without honor (those are not always the same thing). The western concept of honor is different (that’s not a value judgement, and of course variations exist b/c not all western cultures are the same).

In the US—when we’re not appropriating samurais for cowboy westerns—we tend to make honor into more of an aristocratic thing (thanks England), and that’s exactly what Voltron Force does to Keith when they slap on a secret Arusian lineage and special parental legacy of an Arusian Honor Guard. That completely undermines Keith as a virtuous paragon. He doesn’t need any of those things…and again, wasn’t the story supposed to be about Daniel, Vince, and Larmina anyway?

A secret lineage would be the kind of thing you’d give to one of those three, in which case, that would be Daniel or Vince, since Larmina is already related to Allura, even though Allura told everyone that her entire family was killed by Zarkon when Keith et al first met her and Coran. Being Arusian and royalty were Allura’s toys, Keith didn’t need them, he already had enough toys. This is a way in which the writers didn’t ‘get’ the archetype, and tried too hard to make it into something else.

The DDP and Dynamite iterations of Voltron still “give other characters’ toys” to Keith, but it’s not a problem b/c those iterations are separate continuities that begin (or reboot) in a way that is not super sentai. A few of the super sentai trappings remain, but they are much more like American super hero comics, and that’s fine.

In DDP Voltron, Hunk’s martial arts prowess is given to Keith, but Hunk gains a different archetype in return (that I really love and wish I could have seen more of). Hunk still has combat skills, but his archetype is not the big dude kung fu brawler. Even though DDP Keith has gained DotU Hunk’s toy, he’s still well balanced between solo action star and team leader, since he is only team leader b/c that’s what he was assigned to do. He’s not there to inspire his comrades through innate virtuous qualities. He’s there to lead a hail Mary mission for the most powerful weapon in the universe that everything thinks is a space fairy tale.

Dynamite Voltron Keith is okay, but he kind of falls into the solo action star trap in parts of Vol 2. VLD started off strong with a different archetype for Keith, but ended up giving him all the toys as was done with VF Keith.

Any continuity can do what they want, and use different archetypes for the characters, but if part of the goal is to start off with that DotU feeling (or like actually continue the DotU story), then those writing should try to get a better understanding of why all the characters (not just Keith) are the way that they are in DotU (and Golion). And also question why there is this inclination to single out Keith as a solo action star, rather than one part of a five person whole. The inclination isn’t right or wrong, it just is, and it has consequences for characterization.

#voltron #voltron force #vf keith #character analysis #ask me anything #aquaburst3

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romeulusroy · 4 years

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Skin Crawler (Geralt of Rivia Oneshot)

Character/s: Geralt

Word Count: 1,342

Inspired By: going bonkers in quarantine :)

Tag List: @dontdowhatisayandnobodygetshurt @myriadimagines @lilyswritings @encounterthepast @biscottibitch @randomfandomimagine @fangirlsarah16

A/N: Writers block hit ya gurl like train recently. I've had so many ideas, but everything I write and continue to write feels wrong. Tonight though, I made it my mission to finish this fic! It turned out better than I expected, but I'm still really unsure.... Been stressed with family and about getting my results back from a school I wanna transfer to and it's gotten in the way of all writing and creativity, not just for fics. Gotta work through it and try my best, even if I'm unsure about the end result, right? Anyways, I hope you like it my loves!!! Feedback is always appreciated 💜💖💜

FIC MASTERLIST PART ONE. / PART TWO.

WANNA BE ADDED TO THE TAG LIST?

A myth. A legend. A story sewn through the years, from the mouths of babes, their toothless tales warping, drooling over the past, becoming mutilated with every new generation. The image of this creature, this beast, torn to shreds. Pulled apart limb by limb, tendon by tendon, strings of veins delicately plucked and knotted back together. It all depended on the family, the area, the one who told it's history. The creative freedom genetic, hereditary. The personal fears of the speaker embedded in the body of the beast. Big eyes. Six limbs. Sharp teeth. Claws. Eventually, it became truth. Fights, wars even, broke out when some dare utter it's name in public, drunkenly letting it slip past their lips. There was only one thing the masses could agteen on: it always came with a bloodlust. A hunger for bone, a want for flesh, something that could never be hushed. Across lands, even the most isolated places, feared this thing chewing them up and spitting them out.

A cursed thing. Hundreds of years pass by, and yet they still cower at the name. Children brought up to fear these things, warned that a death wish rest in the woods if they ever went alone when the sun went down. Deep within, that's where they lay. They used to be countless. Infinite. In packs all over the world. There was strength in numbers. Was. People of the past, they grew tired of being scared. Exhausted of fear, of terror, wanting something better for their children, for the future. They wanted the light to shine again. Sending their best, their biggest, to fight, to kill, to put an end to the terror. Some came back. Some didn't. Those that did carried skins of their backs of scales, of fur, whatever it was those things looked like. Massive. Night after night, a kiss on the cheek, a promise to come back safe, sending them off into the uninown. It wasn't immediate. It wasn't easy. It was a long, hard war, but they never stopped. Not until there was only one left. Going into hiding. Receeding, shying away for as long as it could, for as long as they were willing to hunt.

This time it was the one that was afraid. Unsure if it would live another night.

It would, though. Lived in hiding. Watching, one by one, the hunters grow grey, their kin grow up, grow old. Waiting long enough for them to trade their weapons for words. Creeping out of its prison, spotted in the night. Screams for help, for safety, looking for someone to put an end to the nightmares permanently. That's where he came in. Something of a beast himself. Split between the two worlds. They hoped he could think like it, see what makes it tick. Track it down and kill it. A poor people, putting whatever they had together as payment. Do whatever it takes to get rid of it. For too long they'd been haunted by ghosts, too long they went without a happy ending. He was that. He would be the golden eyed knight in shining armor risking his life to save them, his image stitched along the rest of the story, bringing it to an end.

He'd always had a fascination for it. A life as long as ten mens, an image created by weary eyes and infinite imagination. He'd seen more creatures than he could count, than he could name, but this was something special. Finally, something worth fighting for. It could have had the face of a million things created by man, compared to every living beast that ever wept under the sun. Beautiful and delicate, or broad, strong. As soft as a cub or razor sharp as a blade. This unfamiliar feeling settling in his gut, putting him off ale for the first time he could remember. It woke him from his sleep, filling his dreams with terror. Unlike the very thing he would slay in a few short hours, this had a name. This was familiar. This was doubt. This was uncertainty.

Geralt dressed at dusk. Nocturnal, they said. He begged to differ. He'd lived as both man and monstrosity. Sometimes it was safer to use the night as a cloak of protection, of invisibility. Whatever it was, it was smart. It wasn't new to survival. Part of him pitied it. The last of its name, like him. What a lonely world it must be. He made his way through the trails, going where no man dared, the grass that had been kicked up and trudged through growing thicker the further he went. Left his horse behind with a final goodbye. This was his own battle. One, he realized, he might not come back from. Everything too often ended in death. He could only hope it would not be his own.

You watched him, caught sight of his moonlit hair through the thick of the woods. Angry, determined, but there was something else in his footsteps, something greater: panic. His racing heartbeat like a drum, faster and faster, frantic with every step closer. Lived in the caves, beyond what the eye of man could see. He believed them, he trusted them, and now he had to trust you. Sword in hand, shiny, glittering, aching to tear the world in two. You huddled against the walls, crouching in the dark. He wasn't like them, you realized. Those men, those brutes, slaughtering mindlessly, praying on the weak, celebrating death. You'd watched them carry the skins of your friends on their backs, mourning their own and cheering on bloodshed all in the same breath. He came alone, taking the weight of it all on his own broken shoulders.

Reaching the mouth of the cave, the den that cradled you all these years, he sighed. The light ending, sending him into the abyss. You couldn't let him hurt you. You couldn't let him believe these ancient lies any longer. He had to know the truth. You had to show him the truth. Letting out a whimper, leaving him something to follow. Cautious, he stepped, his knees weak. What would he find? What would he finally come face to face with after all? His hand free hand outstretched, his other raised with the sword. You stuck your face out, eye to with him, bracing for the sharp edge of something sweet to slice through your neck in seconds, readying for your fate. Geralt dropped his weapon, his breath catching in his throat. Realization sinking in, flooding his body with relief, with guilt, with an overwhelming urge to cry. He'd been prepared to see anything. A dozen legs. None rows of teeth. The howl of a thousand screeching sirens. His worst nightmare, even. But not this.

Not your eyes. Not the very thing he fell in love with centuries ago.

They were right, after all. A curse. An unlucky bunch. One after the other, stumbling in the woods alone when the moon was full and the stars were alive. You never saw her coming. Blinded, dragged, no use in fighting. Thrown in the middle of their den. Screeching, crying, these creatures wailing. Not out of anger, but terror. Escaping the light of the lantern, avoiding the eyes of a woman. Beneath her cloak she became hysterical, throwing it in their faces, watching them wail. She found comedy within their pain. Each backing away, pawing at the rocky walls. You hadn't realized it until it was too late. They were just like you. And now, you would be like them. A kiss, soft, sad, an apology before she got to work, did what she'd intended to do. A witch, as close to one as you'd ever come. Your body torn apart, bones broken, blood vessels bursting, reborn into something new. Something bigger. Less human, more monster. She threw what you used to be in the trails, warning folks away. They didn't understand, though. Reading the messages all wrong.

Those beasts, they weren't feeding off those people. They were those people.

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fanfictional-creator · 3 years

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What is Fanfiction (Fanfic)?

Fanfiction is when somebody takes a character, universe, or story from a different scenario to create their own story. These characters and scenarios are commonly pulled from novels, TV shows, movies.

Everyone's writing process will vary, as everyone is different, so somethings within this might work for you, others might not. I have been writing fanfiction for the past 3 years. So I definitely don't know everything about everything. This is just to help clear up a few questions that I have seen floating around.

Before I jump straight into my writing / planning process; here are a few helpful links.

There are many apps to help you long the way; whether it be for a mobile device or PC.

https://youtu.be/rnZofVMjwqQ

https://youtu.be/AlQpj_dUxro

Here are some links for videos; if wanting to write on wattpad.

https://youtu.be/TEgvo8nIW-I

https://youtu.be/T07pP_gRWKY

Title Generator

Book Title Generator

Fanfiction (In Depth)

The Ultimate Guide To Fanfiction and Fanfiction Sites

Writing for a fandom I enjoy, although some believe there to be rules of do’s and don'ts. Some may say try and keep it accurate & true to canon; but that's just the beauty of fanfic; that it can stray far from being accurate to the original canon yet stay within the realms of canon at the same time.

There are many formats of fanfiction, such as;

Archive Of Our Own (AO3)

Fanfiction.net (FF.Net)

Tumblr

Wattpad

Personally I use Tumblr & wattpad, as I find it the easiest to navigate. However AO3 & FF.net have a vast library and a much better search engine designed for fanfiction specifically unlike wattpad.

Beginning

When starting; my ideas will perhaps originate from songs I have listened to, or even a simple word / title I have heard or seen; or even the simplest of concepts such as dancing in a ballroom.

A lot of my work will usually have the song title as the story title; which I use as my starting point. Now writing a story doesn't have to be in chronological order. There is no cement structure. You might start at the end, then go back to the beginning, before finishing with the middle.

Using songs for inspiration is different from including the song within your fic. A song-fic is; a piece of writing that features fictional work interspersed with the lyrics of a relevant song.

When using songs as inspiration; I take ideas from within the song; such as a key line, although never using the actual lines from the song, just the idea / concept.

Example; Brother By NEEDTOBREATHE.

Lyrics;

I ain't made for rivalry, I could never take the world alone

I know that in my weakness I am strong

But it's your love that brings me home

I’d take a section / verse and morph that into a usable idea. For this verse; the idea of having someone to return home to.

Now; once I have gotten my idea / concept, I begin to plan.

This is where apps & tools come in handy. Some apps contain certain tools that allow you to explore the character further. Such as their; height, age, looks / appearance, family / friends, personality, role within the story etc. This especially comes in handy when creating an Alternate Universe (AU), where you take canon and diverse from it, changing aspects of that character / world.

AU Definition

This is where characters are placed in situations opposite to actual events in the book/series. For example, if someone was to create an 'AU' story for the Harry Potter series, then they could write about what would have happened to Harry if his parents hadn't have died, like they did in the actual series.

Types of AU’s

Alternative timelines, contextual reassignment, "reality" swaps, crossovers, and predictive fiction.

An Example (Supernatural)

Instead of Sam and Dean Winchester growing up as hunters; after their mother died, along with their father; instead, Mary (Mother) Never died, meaning that John Winchester (Father) would never have hunted down the demon Azazel, changing the whole timeline. Sam would never have left John and Dean to go to Stanford. Meaning that Jessica (Sam's girlfriend) would never have died as they would have never met in the first place.

Supernatural - In S15, an episode aired based around an alternate reality / universe, of our version of Sam and Dean meeting another version of themselves, where things were different. Instead of John Winchester dying; he was still alive. The boys still hunted in the AU; although they did it world wide, and had a plane on stand by.

Sanders Sides

Thomas has the ability to project the different aspects of his personality in four different characters. Logic is his logical side, Dad is his moral side, Princey is his creative side, and Anxiety is his fear.

The sides have the same body - the host's one. Their appearance will be similar to each other and to the host, although with a lot of differences depending on what that Side represents. As such, they will also share several things that are inexplicably connected to the host, such as their sexual orientation.

When writing for the Sanders Sides fandom; I have a wide variety to pick from. I diverge from Canon; such as creating a world where each aspect of thomas’ personality is their own person. This is a Human AU. Other times I stick to canon; and create a piece that is accurate and true to the series. There is no right or wrong.

Idea’s

Now that I have my main idea; more will come along. Personally, I find that at times I have too many ideas; some that work well with the story and others that just don't fit. I believe that you shouldn't scrap / bin any idea. It never hurts to write them down and save them for later. I have found that later when creating a new story, something that didn't work for a prior story works for this one instead. There is also nothing stopping you from joining 2 ideas together; which I find works very well to create and experiment with.

I like to give myself the variety to choose from when it comes to anything and everything. I use pinterest when searching for dialogue / scenario prompts, quotes, images, songs etc. This can help fuel your creativity and inspire new ideas, which you can then expand on.

Example:

“Ready for another war?”

“Same war. It’s only the enemy that's different.”

This dialogue can be changed to convey different emotions of the character. Anger, sadness, realisation & clarity etc.

Songs can also help a huge amount. If your fanfic is set in a certain era such as the 1920’s.This adds to the immersion of the era, for both the writer and reader. It allows you to create a setting and write into that setting.

Swanee - Al Jolson

West End Blues - Louis Armstrong

Rhapsody In Blue - Paul Whiteman featuring George Gershwin

Ain't Misbehavin' - Fats Waller / Louis Armstrong

T For Texas (Blue Yodel #1) - Jimmie Rodgers

In The Jailhouse Now - Jimmie Rodgers

The Prisoner's Song - Vernon Dalhart

The St. Louis Blues - Bessie Smith / Marion Harris

Ol' Man River - Paul Robeson / Al Jolson

Research

Research is a big thing for me. No matter if it's a minific, one-shot, or a multi-chaptered series, I always do my research.

Example:

1920’s

Fashion in the 1920’s

Activities in 1920

Timeline / Events of 1920

Reference: People in the 1920s enjoyed many popular hobbies, including sports, film, toys, gadgets and music. The introduction of new technology, such as the addition of color and sound in movies, helped fuel some of the interests for those living in the period known as the "Roaring 20s."

Websites can give you a guideline of questions to ask for a subject, an item, a person, a band etc. From that reference I can narrow down the key points; Sport’s, Film, Toys, Gadgets & Music. From there I research further into those points, such as music - The bands & solo artists, types of music etc. There is no harm in ever doing too much research. Typically I chose 2-3 websites to take information and fact check from.

Getting ready to write!

After I have the idea down, gotten together my song playlist & prompts etc, it's time to start putting it altogether! Now don't limit yourself! Let your creativity guide you! Yes, there is no harm in preparation and planning ahead, however keep in mind what your goal is. To write. Not to create an award winning 120 chapter fanfic series. A good way to keep track of progress is make a to-do list. Break the process down into segments so as to not overwhelm yourself.

(Preparation) To-Do List:

Song Playlist - Check

Prompts - Check

Etc.

(Fanfic Writing) To-Do List:

Introduce Characters

Establish Setting

Etc.

There is no right or wrong way to go about this. A to do list is there to help you pick up where you last left off and help with organisation, as well as save time. There are apps / websites that can help you to keep organised.

Trello

Writing Process

Everyone’s process is different. Some prefer to type as they go, others prefer to draft and plan before a write / type up. Finally, uploading it.

My process.

First, I create a front page in a notebook consisting of; a title, a prompt (if there is one), song inspiration list, character’s / pairings & ships, and a summary. That is what the viewers / readers will first see when looking at my post, along with a few added extras once it’s typed up & uploaded such as; a date & word count, as well as a beta reader.

After the first main page, I begin writing. Nothing more, nothing less. I don't set myself a goal for a word count, or a time limit to get it written as these things take time, even if it is just a 100 word drabble.

I write what I want, for as long as I want. This is my first draft. It’s not going to be perfect, there are going to be mistakes, plot holes & misconceptions. This is why it's a draft. After the written draft, it's time to type it up on google docs. There, I flush out any mistakes, fix plot points, and add detail. Finally it goes to my beta reader. The beta reader marks errors and suggests improvements.

Websites for more detail

Fanlore

Fanfiction - Wikipedia

Fanfiction Terms Glossary

One Shot vs Multi - Chapter Series (Long Fic)

One Shot

One shots in fanfiction vary in their content. They usually focus on a particular character's point of view, on a particular event or it could even be a short poem. Some one shots are created as part of a challenge set by other readers. A one-shot is a one chapter fic. A short piece of writing, as opposed to a multichapter work, that can be of any length. May also have sequel works related to it, while still being a one shot.

Long Fic (Chapters)

Long fic is a term that refers to a long fanfiction. Long fic usually has multiple chapters and more complex plots.

When writing a fanfic, you won't know whether it will remain a one shot, or will transcend into a multi-chaptered story. Personally, I leave all my fanfics open to a degree, so that in the future I want to create a second part, I can. Other pieces of my written work are clear cut with a solid end, and no continuation points. It's good to always keep an open mind, but there is no pressure to create a multi-chaptered story if you don't want to.

“If you want a happy ending, it depends on where you stop the story.”

#fanfiction #fanfic #writing fanfic

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atelier-dayz · 4 years

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The Conception and History of AtaLao

This is just a post for me to ramble on about how Ata and Lao (and Asha but he’s like 1/2 not an OC) got started as OCs and recount some of their history leading up to their roles in Under the Desert Sky. So for the one or two of you interested in reading this:

(GIF from awhiteshirt)

It’s long and convoluted so everything is under the ‘read more’ link.

Otherwise, just carry on scrolling through your dash! 8D

The Beginning

To talk about the start of AtaLao, I first need to talk (briefly) about Rogue One and The Lost Bladesman.

So I watched Rogue One and fell deep into Chirrut/Baze. That of course meant watching movies that Donnie Yen (DY) and Jiang Wen (JW) were in, which included The Lost Bladesman.

The Lost Bladesman was set during China’s Three Kingdoms period and starred DY as Guan Yu (GY) and JW as Cao Cao (CC). And lemme just say, in this movie (and in several other Romance of the Three Kingdoms adaptations, including at least one of the Dynasty Warriors games), CC is HELLA THIRSTY for GY. Which kicked off an interest in CC/GY and led me and two friends to evocates’ phenomenal Romance of the Three Kingdoms/The Lost Bladesman series a guide to (dis)honouring your deities which had an interesting approach to A/B/O.

Between that fic series and the many Hong Kong triad films and old “classic” HK films we watched, my friends and I ended up writing an A/B/O HK Triad AU in which CC was the head of a recently resurrected triad trying to protect/build up their home-city, while GY was one of the few good cops in a (obviously) corrupt system.

Anyways, getting to the AtaLao part...

On the left is General Zhang Liao, who acts as CC’s right-hand man in The Lost Bladesman. So naturally, he became CC’s second-in-command in our Triad AU! And look! He is, in fact, Asha! 8D Hence why I say Asha technically is and isn’t an OC LOL

As our Triad AU grew bigger, we added three “elders” to CC’s triad, people who had been important members of the triad before its collapse (due to the police) and were pulled back out of hiding when CC resurrected the triad. One of them, we decided, would be Elder (Ata) Zhang, Asha’s father. (Which was how CC also met Asha.) Elder Zhang had been The Accountant for the triad pre-collapse, knew where all the money in the triad was and went, highly trusted and held in high esteem. He was never arrested by the police, though they did pull him into interrogation once with...not great results for them. (Keeping this PG with minimal violence LOL I can talk about this another time if anyone is interested.)

I, on a whim, decided Elder Zhang’s facecast would be...

Tony Leung because it’s Tony Leung.

CC had his work cut out convincing Elder Zhang and Asha to support his bid for lead of the triad. *nods*

But what happened to Elder Zhang’s mate? Asha’s other parent? (Lao?)

(Aside: Andy Lau as his facecast because I LOVE HIM. And he and Tony Leung have SUCH AMAZING CHEMISTRY and ALL THE FODDER for me to use for inspiration, but I’ll stop myself here before I pic spam.)

WELL.

He died when Asha was about 5 or 6. He was shot and killed by the police while he and Ata were out on a date under suspicion of being a triad member. (”He has the face of a gangster,” they said.) The irony is, he is actually a normal civilian, a low-level architect, and has nothing to do with the triad other than being Ata’s husband.

Thus, by the time our AU took place, Lao hadn’t been present for...over 30 years and was only rarely referenced as a near mythical figure. (;﹏;)

So there we have the beginnings of AtaLao.

Their backstory makes me incredibly sad all the time. Especially when I think about their childhood/courtship and their dreams and plans for their future. I have lots of art drawn, content made, and thousands of words written for them so just say the word and I’ll share LOL

Proper AtaLao

What do I mean by ‘proper’ AtaLao? Well, when we were working on the Triad AU, none of the characters outside of the canon characters GY, CC, etc had names; we just abbreviated actors’ names. (Asha was just called Zhang. Ata was Elder Zhang. Lao was AL.)

Sooo that brings me back to Rogue One and....

The Ascension of the Lord of Imwe *jazz hands*

With so much inspiration material thanks to the movies DY and JW were in (and because I’m a martial arts nut), I started writing a Chirrut/Baze epic wuxia AU titled the above. It involved Chirrut inheriting the title of Lord (Baze as his right-hand / retainer), a power struggle between households to gain/hold the favor of the Emperor, and the Imwe household working to prove the murder of Chirrut’s father. (It is not posted anywhere. Don’t think it’ll ever see the light of day, but it exists. LOL)

Since the story involved such a huge cast, I thought, why not pull in Zhang to help Baze with security. And if I’m gonna bring in Zhang, I should bring in Ata and Lao! And give them a happy ending. ;u;

And as it turned out, Ata worked perfectly to serve as a parallel for Chirrut (and AtaLao for Chirrut/Baze).

(And this part, you’ll notice, I took to fill in his backstory in Under the Desert Sky.) Ata Zhang was the firstborn son of a prominent family, but he was born mute (a reference to an...incident in Triad AU) and treated poorly because of it. He would have been selected to inherit the family title, but was passed over for his “normal” younger brother. He took over the family’s bookkeeping (a reference to his role as The Accountant), and later, bowed to their wishes to an arranged marriage, from which he got Asha.

(Chirrut is the firstborn son of the Imwe family, fully expected not to inherit the title because of his originally sickly constitution and failing eyesight. To the surprise and consternation of many, he did in fact inherit the title.)

As for Lao, he was an orphan taken in by the Zhang family and initially raised to be a servant, before they switched him to security. He met Ata when they were tiny children, and he accidentally found Ata crying over the way people were treating him. Lao ended up promising to always protect Ata, and eventually becomes Ata’s personal bodyguard.

Please know there’s a LOT of PINING, and longing looks, and knowing they have feelings for each other but never acting on them, and then there’s Ata’s marriage, and baby Asha imprinting like a duckling on Lao, and-- aaaaaaaaah (　ﾟДﾟ)＜!!!!!!!!!!!

Eventually though, as I reference in Under the Desert Sky, Ata’s wife leaves, causing a scandal, and the family takes their displeasure out on Asha, which is the last straw for Ata. He takes Asha and leaves, but of course Lao goes with him. They finally work things out, and when we see them in the fic, they’re an old(ish) married couple who joined the Imwe household along with Asha to protect Ata from his younger brother, who is trying to assasinate him to secure his leadership in the family.

That is AtaLao.

(Please look at this picture of them that my dear friend Kei / kannibal on here and twitter drew for me and that has been my phone wallpaper ever since. ♡ฅ(ᐤˊ꒳ฅˋᐤ♪))

And since they already were in a fic with Chirrut and Baze, I figured, why not include them in Under the Desert Sky, an actual SW divergent AU and not just something wildly AU LOL And it works out perfectly as a pseud-parallel(?) with Ata as a Guardian, Lao as a Mando vs Obi as a Jedi, Jango the Mando. d(￣◇￣)b

Other Existing Iterations of AtaLao

I will keep this brief in the form of bullet points:

Infernal Affairs AU - After watching Infernal Affairs, I had to, had to write a mash up of it and our Triad AU. In it, Ata is still an accountant for the Triad, but was planted by the police. Lao is the mole the triad places among the police. Ata and Lao have a sort of missed connection history when they meet in the fic. I do want to finish it someday because I love what I have written so far. Maybe for the zine I’m hypothetically making one day...

In addition to Triad AU, we also ended up creating an epic high fantasy/Three Kingdoms AU and made two additional variations on top of it. The Main AU involved Lao as a High Priest and healer who ends up mentoring one of the Emperors’ daughters in the healing arts, while Ata is a major in the Emperor’s army who ends up leading a lot of supernatural investigations alongside Lao.

Modern AU is a urban fantasy version of the high fantasy AUs, with everyone in similar roles, just updated for the modern age.

AAAAND THAT’S IT. I’ll do a post on AtaLao in Under the Desert Sky sometimes since I know their backstory won’t be much of a focus in the fic. :)

PS I ended up making a little diagram to make sense of the AUs that ended up popping up in what order and from what influence. Not sure it’s actually helpful to anyone but here is it:

#miya rambles #atalao #my ocs #long post #probably not of interest to most people so just carry on 8D #I could yell about them all day #under the desert sky

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asweetlovemessage-blog · 4 years

Text

a sweet good morning message for my love | TAM RELAX

bacsiykhoa.com

- My Blog 13-17 phút

”

==>> A Sweet Love Message.

When it comes to Southern romance, it's no secret that choosing the right words is important. Crafting the perfect romantic message and expressing how much you care about someone may be difficult, but it can also be incredibly rewarding. If you need a dash of inspiration, explore these short love messages and quotes about love for a little help with telling your beloved just how much you care!

==>> a sweet and romantic love message.

==>> a sweet good night love message.

==>> a sweet i love you message.

10 Brainstorming Techniques & Tips for Tapping Into Your Creative Side by Quincy Seale 12-16 phút

Some of the links in this post may be affiliate links. If make a purchase through these links, we receive a commission at no extra cost to you. Please see our disclosure for more info.

James Allen wrote this about thought: “Man is made and unmade by himself. In the armory of thought he forges the weapons by which he destroys himself. He also creates the tools with which he builds for himself heavenly mansions of joy and strength and peace. Between these two extremes are all the many grades of character, and man is their maker and their master. ”

So if man is the maker and master of thought, how do you go about learning to harness your own thoughts to create a better reality and become a more efficient, more productive, and more successful human being?

Well, obviously there are plenty of ways to go about such an endeavor, but today I want to talk about one of them. Brainstorming.

Because in order for us to get better at thinking, we first need to learn how to produce more thoughts. The more thoughts we have, the more chances we have to bring something more exciting into this world, and the more we generate new thoughts, or brainstorm, the better our mind gets at creating these new ideas. The Key to Brainstorming

The key thing to realize about brainstorming is that it’s solely about creation. It’s not about judging the ideas that arise or forcing yourself to think a certain way. What it really is, when it comes down to it, is “forceful creation.” To put it another way, you are willfully forcing your brain to be creative.

And since creativity is something that should be allowed to run its own course rather than be intellecualized, the entire process is a bit of a contradiction.

For this reason, it is a process rife with confusion and hesitance. So today I want to go over some different brainstorming techniques you can use. And you can use these to attack any problem in your life – from coming up with a new marketing strategy for your business to writing a new book to launching a new website to designing a new life for yourself.

Let’s have a look. 1. Mindmapping Software

Mindmapping Software

Photo Credit: Wikipedia

The first tool I want to introduce is actually software, and I realize this might sound extremely counter-intuitive and possibly counterproductive. After all, how in the world can you tap into your mind’s innate creativity with an electronic-based program?

But I stand by my assertion that mindmapping software really is priceless when it comes to this type of thinking, and it’s very hard to describe until you just dig in and give it a try.

The type of software I’m talking about specifically is the kind used by MindJet MindManager and Freemind.org, the latter of which, as the name applies, is downloadable for free.

The way these program works is you have an empty page with theoretically as much room as you could ever need. You click on the blank slate and create a bubble or box, depending on which program you’re using. You then write in the box the main idea you’re working from.

Let’s say, for instance, that you’re planning out a new website. You might write the name of the website here. If you click on another place on the page, it creates new nodes that comes out from that. You might lable one “Marketing,” one “Products,” and one “Audience,” for example.

Then from each of these nodes, you can create other smaller nodes. From “Marketing,” you might branch out to “Follow-up Marketing,” “Social Marketing,” “Branding,” and so on.

And you keep branching out and getting more and more specific until you’re just hammering out specific ideas for each segment of the web you’re creating.

This is just one way to use it – your mindweb or mindmap can be ogranized however you see fit.

And of course you can also do this type of mind-mapping technique on paper. But I find it way more productive to do it with software. It’s like a whole new world of creativity opens up to me when I match the speed of my mind and the speed of a computer with this old technique. 2. Become a List Whiz

Become a List Whiz

Photo Credit: matthewvenn | Flickr

A great way to train yourself to be more creative is to get in the habit of writing lists. Set time aside everyday to write lists about random things, or pressing problems when needed. Feel free to write about zany, irrelevant lists if you can’t think of anything better; it’s really just about strengthening your idea-generating muscles.

Lists I often write include stuff like, “10 Novels I Would Like to Write,” “20 Businesses I Could Start Tomorrow,” “10 Blog Articles for My Site,” or chapter lists for books I want to write someday.

Do this each and everyday and watch your creative muscles grow. 3. Mastermind Groups

Mastermind Groups

Photo Credit: rosefirerising | Flickr

Mastermind groups are a fantastic way to leverage the thoughts, knowledge, and inspiration of others in your path to success and happiness. Masterminding is nothing more than surrounding yourself with like-minded people who have similar goals.

You can create a formal group that sits down and actually involves in group discussions or brainstorming exercises if you like. It’s a platform where you can bounce ideas off of each other and take turns commenting on them.

You can also create something more semi-formal, where you meet every once in a while and sit down to discuss issues affecting your central industry or interest and then fill each other in on your individual challenges and invite ideas.

Or it can be completely informal. Just go out of your way to work out and socialize, etc, with people on the same path as you – mastermind ideas and inspiration will usually evolve naturally through your social interaction.

Online forums are also a good resource for masterminding and you don’t even have to ask people to specifically brainstorm. Just make a thread about the issue or situation and people will chip in with their different experiences and opinions. 4. Meditate Before You Brainstorm

Meditate Before You Brainstorm

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One of the best ways to make yourself more emotionally healthy and tap into your creative juices is to develop the habit of meditation. After all, it’s hard to break into your intuitive side if your mind is filled with the clutter and stress of everyday life.

Meditation doesn’t have to be far-out or religious either. Just think of it as learning to calm and focus your mind. To mentally recharge. I make it a habit to meditate everyday as a part of a morning ritual I perform upon waking every morning – after working out and cleaning around the house. Just a quiet ten to twenty minute meditation.

Directly after this meditation is a great time to do a brainstorming session. In fact, you can make it a habit to brainstorm every morning after your meditation on whatever is currently your biggest goal, idea, or challenge. 5. Brainstorm in Your Sleep

Feeding yourself issues to handle while you sleep can often yield incredible results. Sometimes an issue is more appropriate for your subconscious than your conscious mind, and in cases like this, active brainstorming is nothing more than walking in circles. When you get in bed, meditate on the problem or idea for a minute, asking your subconscious to give you a solution by morning.

It can feel like magic at times. 6. Group Passing

While I do recommend masterminding, I’m actually not a big proponent of brainstorming in groups. Not that I don’t know they have enormous potential, but I’m just more of a solo-thinker myself and I find I don’t get as much out of them as most people do.

But if there’s one group-brainstorming exercise that really works well, it’s the concept of group passing.

Basically, you start with the central idea, or the foundation of what is to be brainstormed, and the first person in the group expands on that idea, without any input from the group. This person can even be tasked with coming up with the idea to be brainstormed.

Then they pass the paper to the next person and that person expands on it as they see fit. The idea is passed then to the next person and it evolves even further. The paper goes around the entire group and then the final result is shared with everyone.

Another thing I like about this tactic is that it can be done without physically getting together – over the Internet. Google Docs is a great way to do it; the online documents are easily shared and editable among the group. 7. Write It Out

Write It Out

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Using a good old pen and paper will never lose its effectiveness when it comes to letting your thoughts run free. In fact, some people prefer this as your mind works faster than you write, so by the time you finish writing down a thought, you’ve already got another in mind. In contrast, when many people type, they find themselves starting and stopping a lot, resulting in a much choppier process.

Do this any way you like. Free-writing is particularly effective for letting your mind run free. Write lists – this is a common brainstorming method for people who don’t even know what the word means, so it seems our minds intuitively work that way. And of course, you can create mindmaps.

One of the best things about writing is you can take this technology with you anywhere. Get a small notepad and keep it at all times, pulling it out when new thoughts cross your mind. I find this puts me in a constant brainstorming state, and I walk around creating throughout every minute of my day.

This type of constant approach allows you to catch yourself at your most creative. When intuition strikes, you can just sit down and get to spontaneous writing.

Whiteboards are also very effective. Hang one in your house with your major projects or developing ideas on them and it makes it official. You look at it and you get inspired. You have an idea and you add to it. It evolves as time goes on and sits further into your mind. 8. Give Yourself Omnipotence

I like the way Tim Ferris does this in his dream-lining technique. When he goes to goal-set, he asks himself what he would accomplish in three months time if he was the richest and smartest man in the world, and then starts from that foundation.

This essentially gives you liberty by removing all limitations. You don’t stop yourself from brainstorming down a certain path because “Oh, I’d need a couple hundred thousand dollars to do that” and then move on to another idea. Instead, you arrive at an idea that doesn’t recognize any boundaries and figure out a way to make it possible. 9. Brainstorm the Outlandish

Take the previous technique a step further by imagining nothing as impossible. Some of mankind’s greatest feats were accomplished when people decided to figure out a way to do something no one believed could be done.

How can we hurl a huge chunk of metal through the air so fast that it stays aloft and use it to carry people around the world? How can I create a light that never goes out so we don’t need fire to do the things we can usually only do in the day-time? How can I manufacture a device that allows me to talk with someone on the other side of the world as if we were speaking face-to-face?

The only way to produce impossible results is giving yourself impossible challenges and attacking them with your mind. 10. Walk Away From Thinking

Walk Away From Thinking

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Sometimes you get too wrapped up in a problem and can’t extract yourself from it, so somewhere along the line in your brainstorming you may run into a dead-end or keep going in circles. What’s happening here is you’re trying to think yourself through it rather than tapping into your creative side.

Often, it’s best to get out from behind the computer or desk and go for a walk or do something that completely removes you from the situation. Your brain may just need downtime to sort things out, and you’ll often find that minutes after it’s out of mind an epiphany strikes. The Power of Thoughts

Thoughts may be the most powerful force on Earth.

In fact, they are so powerful that the existence of life on Earth is at risk due to things our thoughts have created – a worrying problem, no doubt, but a wild reality to contemplate.

Look around you. The computer mouse in your hand. Your laptop itself. The software that powers it. The table it sits on. Look up at the ceiling – the walls surrounding you and the building containing the room. The streets outside and the entire city laid out around you.

Everything you see and touch that is made by man was created first in the mind of a person and went through a process to be turned into a reality. In fact, some philosophers, and perhaps even some scientists, would go as far as to say that your entire reality is but a thought, and that your own thoughts can be used to direct and create the world around you.

I don’t want to get too esoteric on you today, but it’s clear that thoughts are an extremely valuable resource that has been recognized and even held in awe by wise-men throughout the centuries.

Will you be wise enough to see their value? Pick one of these brainstorming exercises and use it to start mastering your thought-creating capabilities. Tackle one of your greatest challenges today. And make doing so a habit. ”

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heartfeltheart · 4 years

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Alchemy: Tiny Steps

Chapters: 25/45 Fandom: Fullmetal Alchemist/Harry Potter Rating: T Relationships: Edward/Winry, Lan Fan/Ling, and May/Alphonse. Primary Characters: Edward Elric, Severus Snape Additional Tags: Crossover, Teacher!Edward, BrOtp Edward/Severus. Sassy beyond measure. Pro!Snape Series: Part 2 of 9. Summary: Part two of the Alchemy Series. Politics. Either you love it, hate it or you live it. For Alchemy Teacher Edward Elric, he lives it, hates it and loves it when he gets the upper hand. Here is to another year of hell… D/C: I do not own Harry Potter or Fullmetal Alchemist. Discord: La Red(Mesh Mash of… stuff.): https://discord.gg/KYjmVAb Alchemy Series: https://discord.gg/DejEYNJ

George Weasley: Shows a great aptitude in Alchemy along with his brother, Fred Weasley. Try to remember who is who. This one needs to develop his critical thinking skills, it is apparent that both brothers help each other with what the other slacks with. While George has a complete understanding of the laws but as stated before, critical thinking along with a clearer and advanced understanding of the laws. Warning: Chronic prankster.

Rachel McWilliams: If only I could get her a full evaluation, I could only do so much without fully knowing what more I could do for her. There is a difference between knowing something and remembering something. She remembers what she needs to remember and at her convivence, but does not fully understands what she is talking about. I have received several complaints of her constant chatter to the point it severely distracts everyone. There are times she will be quiet, but it is just as unnerving whenever she goes in those quiet tangents. Warning: If she does not follow our warnings, contact Filius.

Yaxley Prang: Has one of the biggest sweet tooth… Emphatic and cares for his housemates. Enjoys creating recipes and figuring out how cooking could be implemented into Alchemy. Makes one mean carrot and zucchini bread. Pomona mentioned to me he dropped an elective to continue studying Alchemy, ended up dropping divination and switched it with ancient ruins and added in muggle studies. Need to talk to him about adding extra classes, last thing we need is him running on caffeine. Warning: Lost his mother at a young age due to that moldy-mort, a very sore subject for him.

Emmeline Evan: Blunt, mature and very warm-hearted. One of the oldest students I have, shows some promise but not enough time to be taught fully. This was a clear example what I warned that cat woman about. Anyway, she has a tendency to be very oblivious to a lot of things and Alchemy cannot be one of them. Even if she see's facts, she does not see the full picture or ask the necessary questions to further her studies. Warning: Don't be surprised if students attempt to woo her and she has no clue what's happening. Very oblivious. (Don't you say anything, Al. )

Alphonse scanned through his brother's paperwork for Wednesday's class, Critical Thinking. Students that require a deeper understanding of the world around them, to think in and out of the box and so on. Important for them to understand that life is filled with color but behind the seams, it's black, white and grays of all shades.

So far, a lot of the students who just passed the entrance exam are skeptical of what was being said to them. A lot of them had an idea what they assumed to be Alchemy and what from what they were told. So far Alphonse kicked out one person just went on how Alchemy is supposed to be, to a wizard/witch point of view. One less student to teach. Let's see if he can bring down the numbers even more.

-.-

"My head..." Edward rasped out, wincing at how dry his throat felt. His arms felt like stone when he attempted to move them. The only thing he felt he could move is his automail foot. Vision blurry made it impossible to figure out where he was at that current moment. 'Where am I?'

Edward suddenly felt metal touch his lips and a cold liquid hitting his lips. The need of quench his thirst overtook his mind to question what he was being forced to drink but that was overthrown. His thirst won over and when the liquid touched his tongue, the eldest Elric Brother felt warmth filled his entire body. Feeling began to return and his vision becoming clearer. Once his sight returned fully to him, he saw that it was Severus holding a goblet up to his lips. The liquid in said goblet smelled like peppermint, rosemary, and… feverfew? Whatever it was, it was helping him get rid of the constant ache in his head. "Zank you."

Severus could only raise an eyebrow at hearing Edward's voice. Edward had started to lose his heavily accented voice, pronouncing English words easily and nearly fluently. Still had hints of Amestrian but nothing when he first met him. Now? It's like right back to the beginning for Edward. "How do you feel?"

"I feel like schit. Put vadeffer you kaffe me is making it ko avay." Edward slurred out, feeling sleep taking over him again. "Vat did you make drink…"

Severus watched Edward slurred out his words before returning to a magic induced sleep. This would be the last time the young man be forced to drink a sleeping drought. It was heavily diluted to help with the concussion Edward is suffering from. From what Poppy told him, that Edward is almost in the clear but needed one more potion and a long rest before going about his normal business. Well, normal business for Edward Elric.

"How is he?"

Severus turned around to see Alphonse entering the room from the second entrance of the room. "I gave him the last required potion. It would have been a fast process if he allowed Madam Pomfrey to use magic and fully utilizing my potions, but considering his stance towards that…"

"His stance against magic in or on his body…I know." Alphonse let out a despondent sigh. "He would rather suffer through the pain than make it go away quickly with magic. Don't use it against him, he already does that enough as it is."

"I know."

-.-

"The main colors of the wedding are red and gold?" Izumi attempted to describe the color of dress she needed to get for Edward and Winry's wedding. She was asked by Edward to stand in as the Mother of the Groom and right now, she is looking for a dress along with Gracia, Elicia and Riza. "I want something like this…"

Gracia could only chuckle and show complete apprehension at how Izumi described the dress she wanted. She turned her attention to another attendant of the bridal shop. She was asked to become the Mother of the Bride and wedding planner. Her daughter is to be the flower girl and have Black Hayate be the ring bearer. Riza is the Maid of Honor and is currently debating type of dress she wanted to wear for the wedding. Winry had gave free reign of her wedding. The only rules she did put in is that the colors are red and gold, no bachelorette or bachelor parties, and nothing to revealing. A simple country, fairy-tail inspired wedding. At least Pinako managed to convince her to not it all themed Automail and machines. That was a clear second. "For the bridesmaid's dresses, could we avoid lace, open-backs and something not to heavy? Color? Dark gold, of a dark enough yellow to pass it off…"

Gracia didn't need to look back to see how Riza let out a sigh of relief when she rejected a dress that would have been perfect, but the back had a see-through lace showing off the back. "Something like this back the back covered."

"Mommy, could my friend come to the wedding?"

"We'll have to ask Winry, dear. Which friend?"

"His name is…"

-.-

Alphonse slowly edged towards the trapdoor that was the only form of entrance and exit of the Divination Tower. The Divination Professor is freaking him out and is professing his future, past and present death. Now she is going on about how the color of his eyes only proceeds death of everyone that connects with him and his brother. "Truth… if this is your twisted away of punishing me… you've done it."

-.-

Terrence Higgs: One of my start students along with George and Fred. Despite coming from a Pure-Blood background, he does not see blood or house colors. See's the world as it is and from what he described, the Higgs are a Gray Family. Have him go over arrays and elemental alchemy. It may be too advanced for him, but I believe he could make it. Warning: He had to drop several classes to continue taking Alchemy and Quidditch. Keep in contact with Severus to see where he stands.

Edmond Mortin: I swear this kid's voice is so deep! Whenever he talks it's like a cross between Sid and Major Armstrong! The kid enjoys scaring the crap out of people and joins Fred and George in their pranks. Loves pranks. Very much… I might get this kid to transmutate something before he leaves the school. Warning: Only makes himself known when he wants to. Knows every rumor that goes around this school.

Wynne Rabnott: I swear she's like a mini Major General Armstrong in terms of being 'icy' towards everyone around her. Can't blame her, her family came from a primary non-magical background but quickly married into magic and allowed money to talk for them. She's with that boyfriend of hers due to the fact 'he's of good stock', I swear I never understand how their family make her face theses views. She is has a good balance but needs to have all aspects put together. Warning: She has that death like stare…be warned.

Nathaniel Praxley: May be Pure-Blood, but his family cares enough to suck in their pride to get help in a non-magical means. Found out he has a mild case of dyslexia, working with his parents, Filius and the doctor that diagnosed him. I believe I found a way to help him study. Now we have to find a way to raise up his self-esteem, the kid doesn't believe he's smart enough for Ravenclaw. If only he knew, the kid knows his stuff and doesn't even fully realize what he's truly capable of. Warning: I've heard many of his housemates are tormenting him, have to get one of my older students from the same house to watch over him.

Thursday Class.

Balance.

This day and the next, then hopefully Edward will be ready to get back to teaching. Alphonse could only wonder how his brother managed to get through teaching last year. To think that last year he would be teaching on his own. Oh truth… he takes back everything he ever told his brother about being a teacher. He'll be the one that would murder a student… or horribly maim them.

"Sir, isn't alchemy just a form of lost magical art form? Creating gold and such?"

"…Get out."

-.-

'I feel like I should start gloating…?'

#Alchemy Series #Tiny Steps #FMA #FMAB #HP #HP/FMA #HP/FMAB #Crossover #AU #Fanfic

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gold-from-straw · 5 years

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Writing Ask Game

A little while ago I was tagged by @stardustloki to answer these questions about fanfic, and decided they'd be quite good questions to write about my original stuff as well, so here you go! (Some questions were deleted because I gave the same answers, or because they weren’t relevant to original stuff)

At what age did you start writing?

I think ALL children write stories at some point or another when they're very young, but the first story I remember finishing (that wasn't for school) was about two stowaways on a big tanker ship who find a girl who's been living in the bowels of the ship, sneaking around and making her home in the hidden corners where nobody can find her. I think I was 14 or so when I wrote it, and I can't remember how it ended - and it's one I don't have any more because I used to hand my stories around school and it sort of never came back to me!

What is your favorite book?

Oh god… OK, I can’t choose just one! So here’s a bunch! Radio Silence by Alice Oseman, I just love literally everything about this story, and I can't really talk about my favourite part without spoiling a major plot point. But Aled Last deserves the world, and Francis' mum is the mum I want to be - she supports her daughter, and even helps her in a way that literally never happens in YA books! You SO RARELY get a parent helping their child against another adult, but they SHOULD.

Also The Trees, by Ali Shaw, which is wonderful and creepy and disturbing. And The Gentleman's Guide to Vice and Virtue by Makenzie Lee, which is sweet and bonkers. And Marian Keyes' books - This Charming Man was traumatic and I can't read it again BUT it was SO clever and I loved the resolution - women working together ftw! Things by Kate Atkinson are always brilliant but I can't choose a favourite, and also anything in the Discworld series! OK, I'm going to stop now, or it'll get silly...

What stories do you avoid like the plague?

I can't watch horror movies, and I find creepy books very hard to deal with as well. The pictures in Miss Peregrine's School for Peculiar Children was about my limit, and without the story that went with them I think I would have had nightmares! I've tried reading Mills and Boon books but I found it REALLY hard to believe in the romance at all, it was like they ended up together because... reasons? But one of them had the guy allow this girl to believe that Tara was his wife back at home, she got insanely jealous and really bitchy (like dude... you're not even together, chill?) and then it turns out Tara was his dog. Why? Why would you do that to each other? Do you LIKE each other? Are you SURE??

Ahem.

(Read Elegance by Kathleen Tessaro instead. Their relationship was cute. Or If You Could See Me Now by Cecelia Ahern! So cute!)

I also tend to avoid those books about abused children. Triggery!

What story do you wish to write but feel like you won’t manage?

I have SO MANY novel ideas, and I'm really precious about most of them (I WILL get to them, just... it takes me a while, OK?!) But one book that I've wanted to write and been too scared to attempt is called Morningstar. It's actually inspired by a fanfic I wrote where Loki and Jesus are good friends (and no, it's not religion bashing, I may be a pagan but I think Jesus is a pretty great character) called Happy Birthday, Jesus! (It was written on Christmas Eve, and it's really silly and fluffy!)

The thing is, I wanted to write a prequel about how they became friends. And then I ended up going to church with a friend and reading the bible (it was a book and it was RIGHT THERE don't judge me) and noticing a lot of references to punishing the children of the devil for the actions of their father. Distressing, for a start, but also reminded me of the Lokasenna.

So it turned into an idea where Lucifer decides to come and visit this so-called Son of God, and finds him at age 13, when he's annoying the hell out of all the priests by being a little too well-informed. Lucifer joins in and spreads discord and actually quite likes the kid, and over the years, he keeps in touch with him. Then, when Jesus is an adult, Lucifer's children are killed, and he's trapped (similar to how Loki was, with the snake venom) and Jesus comes to help him get out. Lucifer starts hanging around with the disciples. He annoys the absolute hell out of Peter for laughs, because Peter's really pious, he gets on really well with Mary Magdalene and Levi, the ex-tax collector. Jesus is just kind and happy to everyone, and while he listens to Lucifer ranting, he always argues with him - they just never let their very opposing views get in the way of their friendship. When Jesus goes out into the desert, Lucifer tempts him because he's worried about him, and angry, and eventually Jesus tells him to leave him alone because doing this is important to him.

It would change nothing about the story. Jesus still dies and is resurrected. It's just that Lucifer's around the whole time, being a twisty, sarcastic, bitchy arsehole, with fundamentally different views to Jesus, and still be his friend on a personal level. There would probably also be some natural disasters when Jesus dies.

However, I'm terrified of doing this story wrong! I would end up insulting a large group of people and aaahhhh! Maybe I'll write it when I'm an old woman and don't give two shits what people think of me any more...

What has been your favorite story to write so far?

Hmmm... probably Zero Degrees - it involved a lot more research than any of the others, because I decided to use references to so many different gods, but it was also one of the most visually creative things I've ever done! I was able to just go crazy, imagining dragons fighting giant spiders in a magical library, and rituals where the hair of a summer god is woven into gloves. It was so much fun! And I have no idea where most of it came from, but it made me realise I enjoy writing magic and magical realism way more than I thought I would!

On the other hand, The Forest Hotel is the only book I've ever written where it turned out pretty much how I wanted it to, practically on the first draft! I did like 7 edits anyway, but they weren't huge plot edits, more adding things in, and I'm still happy with how it turned out!

Why did you start writing? Why are you still writing?

…I really wanted to. That’s basically it? It seems like the more I write, the more ideas I get, and I love that feeling of creating something that I would want to read. These characters live in my head and I get to just peer into their world every now and again to see how they're doing, and it's just so enriching to me. I love it. I write because I want to, and I publish because it brings in a little bit of money and therefore justifies me writing a bit more ;)

Tagging anyone else who writes original fic! Off the top of my head I can think of @chronicintrovert , @focusdumbass, @deborah-writes, @luninosity, @nano-writer, @elizabethhollowswriting and @mosellegreen! If you also write original fic and I haven’t tagged you, please feel free to do this and tag me! I want to know!!

#original ramblings by Lyn H #Lyn's Writing #tag game #tag you're it #Zero Degrees #The Forest Hotel #morningstar #Book Recommendations

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moviesandmania · 5 years

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IT: Chapter Two will be released by Warner Bros. in the USA on Digital on November 19th 2019 and on 4K Ultra HD + Blu-ray + Digital combo (the one to get!), Blu-ray + DVD + Digital combo and Special Edition DVD on December 10th. Content options vary in other regions but they should be released around the same time.

Special features:

Audio commentary with director Andy Muschietti

Pennywise Lives Again!

This Meeting of the Losers Club Has Officially Begun

Finding the Deadlights

The Summers of IT: Chapter One, You’ll Float Too

The Summers of IT: Chapter Two, IT Ends

Here’s our previous coverage of the movie with stacks of reviews:

IT: Chapter Two is a 2019 American supernatural horror feature film directed by Andy Muschietti (Mama) from a screenplay Gary Dauberman (The Nun; Annabelle; Within; Wolves at the Door; et al), based on the novel by Stephen King. Seth Grahame-Smith and Barbara Muschietti produced.

Bill Skarsgård returns as Pennywise the clown, with Jessica Chastain (Crimson Peak; Mama) as adult Beverly, Bill Hader (The Skeleton Twins) as Richie, James McAvoy as Bill, James Ransone (Sinister; Sinister 2) as Eddie, Isaiah Mustafa (Shadowrunner: The Mortal Instruments) as Mike Hanlon, Andy Bean (Allegiant) as Stanley, Jay Ryan (Mary Kills People) as the adult Ben Hanscom.

Plot:

Twenty-seven years later, the members of the Loser’s Club have grown up and moved away, until a devastating phone call brings them back…

Reviews:

“The group dynamics of the (very good) cast propel the film as each Losers Club member faces down his or her personal demons. (Chastain especially gives the material a lift.) Taking each storyline at a time, all accompanied by flashbacks, gives each character some depth, even as the crowded film — at nearly three-hours long — verges on turning into a clown car.” Jake Coyle, Associated Press

“The whole film is going damn near overboard, for better and worse. It’s easy to admire Muschietti’s film for its excess and imagination. It’s easy to watch and enjoy it as a fright flick. It’s just harder to connect with the adult versions of these characters than it should be, and it’s harder to take this story seriously than it was before.” William Bibbiani, Bloody Disgusting

” …each scene begins relatively innocently before exploding into a waking nightmare that preys on the worst fears and repressed memories of each of the Losers. All good stuff, but more often than not, director Muschietti and the first-rate special effects team deliver gross-out visuals in favor of truly chilling and tense psychological terror. I mean, the Losers have to deal with a lot of arachnid-inspired imagery.” Richard Roeper, Chicago Sun-Times

“The devotion that Dauberman and Muschietti exhibit towards the Losers is palpable from start to finish, and despite some pitfalls in the film’s pacing, overall what they’ve managed to achieve with their collaborative efforts on IT Chapter Two is nothing short of monumental, and I think they’ve crafted something very special with these two films.” Heather Wixson, Daily Dead

“A psychologically merciless sequel, everything here is as it should be: deeper, scarier, funnier. Muschietti, in particular, has stepped up, skilfully guiding us through a rollicking funhouse. It is obscenely entertaining.” Alex Godfrey, Empire

” …even if Chapter One was example enough, there are no diminishing returns when it comes to shock value. Any time Pennywise feeds on life there is genuine sadness over the loss (the naivety and insecurities of his child victims contrasted with Bill Skarsgård’s master manipulator tendencies ensure it so), whether it’s a character we are attached to or someone newly introduced. ” Richard Kodjer, Flickering Myth

“The terror of Pennywise is best glimpsed fleetingly. See the clown too many times, and he becomes a familiar joke. But also letting the air out of things is Muschietti’s penchant for CGI scares, where practical effects would be far more effective. The movie’s many monstrosities – a crawling eyeball! a giant spider! an insect with the head of a human infant! – don’t inspire fear.” Barry Hertz, The Globe and Mail

” …Chapter Two seems to consist of an indefinite number of big, scary set pieces, featuring interchangeable snaggle-toothed creatures, or occasionally gigantic, fairground-sized monsters lurching grotesquely up out of nowhere. The scenes deliver reasonably efficient scares, but with the tension level repeatedly and disconcertingly reset afterwards to zero…” Peter Bradshaw, The Guardian

“Muschietti’s faithful adaptation, with all its creative and creepy set pieces, can’t justify that ass-numbing run time; especially not when the characters are just doing a lot of the same things they did in the first movie. They run into cobwebbed houses, stare down nightmarish visions and get tangled up with a clown that can morph into all kinds of silly, gigantic creatures. It’s all so easily forgettable.” Radheyan Simonpillai, Now Toronto

“Chapter Two is darker than the first, Bill’s attempt to deal with the guilt of losing his little brother by saving another ending in a brutal bit of bloodshed. Yet there are really only a couple of scary jolts, too many scary CGI puppets repeating themselves, too many effects beholden to Carpenter’s The Thing. McAvoy feels miscast here, perhaps a first for the actor. Chastain, Ransone and Hader do a great job updating their childhood counterparts…” Laura Clifford, Reeling Reviews

“Maybe it’s just that an evil clown terrorizing kids is intrinsically scarier than one going after adults. Or maybe it’s that the filmmakers, apparently believing this themselves, put the majority of their focus on a series of digitally created monstrosities. Whatever the case, It: Chapter Two, though ultimately satisfying, doesn’t get at the deep-seated creeps its predecessor did.” Michael Gingold, Rue Morgue

“IT: Chapter Two never really depicts the way dewy sentimentality can curdle into pain and regret or considers whether the other side of middle age offers a way of letting go of the past. Its monster only occasionally embodies the otherworldly fearfulness that leads the characters to speak of it in hushed tones. But at least Muschietti is trying for something epic and intimidating…” Keith Phipps, The Verge

” …when the filmmakers don’t force the story to fit into strict parameters and just let the story flow with these characters that we love, IT Chapter Two can be just as effective and emotional as the first film. For fans of the novel, you shouldn’t miss this because much of what we love about the book makes its way to the screen, even if it can’t completely hit every high point. IT Chapter Two is clunky, too long, and not as scary as it could have been, but when it hits, it really hits.” Alan Cerny, Vital Thrills

“Real trauma is given the same consideration as a literal funhouse of horrors, which cheapens what the characters and audience are put through.” Alan Silberman, Washington Post

“What stands out in It Chapter Two is not the clearly labored-over insect effects but that moment with Mrs Kersh and the scene of Pennywise as Beverly’s father — both reliant on actors rather than technical wizardry. The human eye can tell that there is not much in effects but effects themselves with a story like this about evil. But an actor like Gregson or Skarsgård can channel evil for us because they are human…” Dan Callahan, The Wrap

NB. Scroll further down past the trailers for YouTube reviews

The New Line Cinema production is obviously the sequel to the smash-hit horror movie IT (2017) which took a whopping $700,381,748 at the box office worldwide against a reported budget of $35 million.

Controversy:

As reported by 9news, some parents in Australia say that giant billboards of Pennywise’s face have been giving their young children nightmares.

“It just totally freaks them out,” Brisbane mother Kellie told the Australian news outlet, speaking about her kids’ reaction to the billboards. Her daughter Piper added: “I get really scared because it’s hard to go to bed when you have a scary picture in your mind. Before I go to bed, I have to check the whole room. And when I finally go to bed I will wake up after a nightmare.”

Another mother also told 9news that her child is terrified by the imagery. “Some people do enjoy going to horror movies and that’s fine and that’s their choice, and I understand that but we’re not choosing to see this poster,” said Jane, who issued a complaint with Ad Standards. The latter body has confirmed that the ads don’t break any of their rules. [Source: Bloody Disgusting]

Production:

Filming on IT: Chapter 2 officially began on June 20 in Toronto with a release date of September 6, 2019.

Background:

IT: Chapter Two clocks in at a whopping 169 minutes.

“A movie is very different when you’re writing the script and you’re building a story compared to what the final product is,” director Andy Muschietti told Digital Spy and other press.

“At the beginning, when you’re writing and building the beats of the story, everything that you put in there seems very essential to the story. However, when you have the movie finally edited and it’s 4 hours long, you realise that some of the events and some of the beats can be easily lifted but the essence of the story remains intact.

“You cannot deliver a 4-hour movie because people will start to feel uncomfortable – no matter what they see – but we ended up having a movie that is 2 hours and 45 minutes, and the pacing is very good. “Nobody who’s seen the movie has had any complaint.”

Cast and characters:

Jack Dylan Grazer … Young Eddie

James McAvoy … Bill Denbrough

Jessica Chastain … Beverly Marsh

Bill Skarsgård … Pennywise

Sophia Lillis … Young Beverly

Finn Wolfhard … Young Richie

Bill Hader … Richie Tozier

Jaeden Martell … Young Bill

Jay Ryan … Ben Hanscom

Kate Corbett … Dean’s Mom

Javier Botet

Xavier Dolan … Adrian Mellon

James Ransone … Eddie Kaspbrak

Owen Teague … Patrick Hockstetter

Jess Weixler … Audra Phillips

Jake Weary … John ‘Webby’ Garton

Nicholas Hamilton … Young Henry

Wyatt Oleff … Young Stanley

Isaiah Mustafa … Mike Hanlon

Jeremy Ray Taylor … Young Ben

Jackson Robert Scott … Georgie Denborough (rumored)

Teach Grant … Henry Bowers

Andy Bean … Stanley Uris

Chosen Jacobs … Young Mike

Stephen Bogaert … Mr. Marsh

Logan Thompson … Victor Criss

Taylor Frey … Don Hagarty

Ryan Kiera Armstrong … Victoria

Janet Porter … Richie’s Mother

Jake Sim … Belch Huggins

Amanda Zhou … Waitress

Kelly Van der Burg … Victoria’s Mom

Angela Thompson … Comedy Show Patron

Will Beinbrink … Tom Rogan

Ari Cohen … Rabbi Uris

Lyla Elliott … Dead Young Girl

Angelica Alejandro … Asian Waitress

Rob Ramsay … Meaner Nurse

Divan Meyer … Audience Member

Erik Junnola … Bully

Anthony Ulc … Joe The Butcher

Martavius Gayles … Paramedic

Connor Smith … Carny

Shannon Widdis … Cheerleader #1

John Connon … John Koontz

Elena Khan … Derry townsperson

Chris Jiggins … Paramedic

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Image credits: Brooke Palmer / Warner Bros. Entertainment

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IT: Chapter Two released on 4K Ultra-HD, Blu-ray, DVD, Digital soon – invite Pennywise into your home! IT: Chapter Two will be released by Warner Bros. in the USA on Digital on November 19th 2019 and on…

#2019 #Andy Muschietti #Bill Skarsgård #film #Gary Dauberman #horror #IT: Chapter Two #Jaeden Lieberher #Jessica Chastain #movie #review #reviews #Stephen King

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wisdomrays · 5 years

Text

The Four Great Deeds Which Take Willpower

QUESTION: The following is related in Al-Munabbihat (The Counsel) with reference to Ali ibn Abi Talib, may God be pleased with him: “The following four virtues are the most difficult of deeds: Being able to forgive while enraged, showing generosity during hardship, remaining chaste in the face of temptation while in private, always speaking up for truth in the face of another whom one fears or from whom one expects a benefit.” Could you expound on the deeds mentioned in this statement, and the Divine rewards to be granted in return?

ANSWER: When you consider other statements that are ascribed to noble Ali, his words included in Nahj al-Balagha (The Peak of Eloquence) and his style and use of language, and then also consider the fact that the Muslims had newly emerged from the Era of Ignorance so notions and concepts about different fields of knowledge had not fully flourished, and works about language and eloquence had not yet fully appeared, then these words, which require a certain literary background, do not appear so likely to be his. Therefore, one cannot help but imagine that perhaps the people of the third and fourth centuries, when different scholarly fields had been developed, ascribed the words they said to noble Ali, may God be pleased with him. However, when we consider his unique qualities such as being open to spirituality, having dynamic inspirations and his position as the father of a chain of saintly people, then it is highly possible for him to have said these words as a result of inspiration. On the other hand, the previously mentioned possibility should not be dismissed. In addition, it is also possible for those people from a later period to have rephrased his original statements by enriching them with the meanings and concepts of their own period. As it is not easy to have a decisive view on this, let us say “God knows its truth” and discuss the subject of the four deeds that are mentioned.

Our master Ali firstly expresses that the most difficult deeds number four. Actually, every deed has a difficult aspect of its own. Making ablutions five times a day, observing the Prayers, Fasting throughout the day particularly on long, hot days, donating from lawful gains, observing the duty of Hajj, observing the rights of parents without any complaint near them... When such acts of worship and responsibilities are viewed, it will be seen that each of them has certain difficulties of its own. I imagine that nobody views these deeds and worship as easy. However, he particularly draws attention to four issues that he sees as the most difficult among deeds.

1. Forgiveness while enraged

The first difficult deed is being able to forgive others while in a state of rage. Actually, swallowing one’s rage and showing forgiveness at the moment when a one’s rage overflows like magma is a deed the Qur’an praises and encourages people to do. For example: “They spend (out of what God has provided for them) both in ease and hardship, ever-restraining their rage (even when provoked and able to retaliate), and pardoning people (their offenses)...” (Al Imran 3:134). With this Divine verse, God states that swallowing one’s rage and pardoning others is a quality of God-revering and pious ones (those with taqwa). He brings to our attention that swallowing one’s rage is as difficult a task as swallowing a thorny cactus. Surely, the reward for a person who accomplishes such a deed will be greater accordingly.

Forgiving is easy for a person who is not disturbed by anyone, who is in a good mood, who is shown appreciation and love by others. What really matters is a person’s giving his willpower its due at a time when he is bothered and troubled by others, and is in a rage because of that—to not respond in the same way and show forgiveness.

In fact, a human being is not a creature that has to react in the same way when some others touch him with their horns. God Almighty, may His glory be exalted, left no gap in human abilities. He endowed humanity with the way to perfection and created them as perfect beings. He granted them such a willpower that, when a person is able to harness its full potential, he can carry out the most difficult deeds and subjugate his feelings of anger and rage by taking them under control.

As you know the original word for forgiveness is afw, and it means “erasing something.” That is to say, you deliberately ignore some of the attitudes and behaviors displayed by others which disturb and enrage you, and virtually white them out in your mind. You do not even allow all of these negativities to take a place in your mind or leave a trace in your neurons. Even if they pressurize you to the degree of affecting your health, you erase them from your cortex. This truly is a difficult deed to fulfill. However, once a person is able to accomplish that, namely, build a character predisposed for forgetting others’ evils, then the rewards in the afterlife will be very different. It is likely that in response to this forgiving attitude, the Divine punishment due for certain wrongs and sins committed by that person will be erased and he will be blessed with Divine forgiveness in return for having forgiven others.

2. Showing generosity in times of hardship

Secondly, our master Ali, may God be pleased with him, emphasized the importance of acting magnanimously when seized by hardship. It is easy for a person with a substantial fortune to be generous because it will not seriously diminish by giving some of it away. What will a person who has a thousand dollars lose if he gives away one dollar of it? What really matters is being able to give for God’s sake during hardship. As forgiveness during rage is an invitation for Divine forgiveness, generosity during times of hardship is an invitation for Divine generosity.

In a way, he drew attention to the altruistic virtue of ithar, preferring others over oneself; ithar is a person’s giving his food to another while he himself is hungry and thirsty. God Almighty states the following in relation to this issue: “...and in their hearts do not begrudge what they (other believers) have been given, and (indeed) they prefer them over themselves, even though poverty be their own lot” (al-Hashr 59:9).

During the Battle of Yarmuk, a Companion with dried-up lips, on the verge of death, was about to drink the water they brought for him. On hearing another dying Companion asking for water, he beckoned for the water to be taken to him instead. When the second Companion received the water, he heard the same moan from a third and beckoned for the water to be taken to him instead. This repeated until the water was taken to seven different people. In the end, all of them were martyred and none of those altruistic souls was able to drink the water. It is one of the most striking and beautiful examples of the virtue of ithar, preferring others over oneself, as an outward reflection of living for the sake of others in the true sense and remaining loyal to real human values.

3. Being able to remain chaste in the face of temptation when in private

The third difficult but good deed mentioned by our master Ali is remaining chaste in spite of being in a situation that allows one to sin in private..

In a saying, the Messenger of God, peace and blessings be upon him, referred to the seven categories of people who will be provided with shade by the Divine Throne on the Day of Judgment when no other shade exists. He revealed that one of these is someone who rejects the indecent invitation of a woman of status and beauty by responding to her by saying, “I fear God.”

In a way, it is easy to appear decent in others’ sight. It is not easy for people to commit sin while others’ eyes are on them. However, when someone finds himself in the vortex of such a tempting opportunity, when someone immoral is attempting to seduce him, it is very difficult for him to master his willpower and become an example of chastity; refusing temptation by exclaiming as Prophet Joseph, peace be upon him, did: “God forbid!” (Yusuf 12:23), and thus taking a clear stance against that temptation. In such situations where one is pushed toward negative things, it truly takes a willpower of steel to stand perfectly upright with the soundness of a mountain without being shaken at all. Undoubtedly, the reward for a person who withstands such temptation will be as great in the same degree.

During the caliphate of Umar ibn al-Khattab, may God be pleased with him, a seductive woman laid her eyes on a handsome young man and set a trap for him. One day, she somehow managed to make him take one step in through her door. However, the young man found himself reciting the verse with the following meaning: “Those who keep from disobedience to God in reverence for Him and piety: when a suggestion from Satan touches them—they are alert and remember God, and then they have clear discernment” (al-A’raf 7:201). Upon this, the young man’s heart stopped and he passed away right there. The Companions did not wish to inform the caliph about it; they took the body, which was found in front of that immoral woman’s house, and buried him quietly. On realizing the absence of this devout youth, who would normally take his place in the first rank of the Prayers, Umar ibn al-Khattab asked where he was. The Companions told him about the situation. After this, the caliph ran to the grave of the young man and recited the verse meaning, “But for him who lives in awe of his Lord and of the standing before his Lord (in the Hereafter), there will be two Gardens...” in address to him. Then a voice from the grave replied with the following words: “O leader of the believers! I have been granted twice more than that.”

This event also indicates that it is so hard, so valuable, and very important for a person to remain chaste in case of immediate temptation while in private. Unfortunately, as the recent few centuries have taken away so many values from us, it also destroyed our idea of chastity. We Muslims have become so miserable and corrupt in this regard. Under the banner of “freedom” some have laid all indecent means of immorality before us and thus made our atmosphere vulnerable to all kinds of immorality. But in spite of everything, we hold the belief that as far as those who protect their decency and chastity in our time are concerned, God Almighty will treat them with His Divine favors, honor them with two Paradises, and crown them with His good pleasure, absolute acceptance, and seeing Him.

4. Speaking up for truth when this is difficult

He explained the final good deed he thought to be difficult as “speaking out against another whom one fears or from whom one expects some benefit.” In situations where one fears someone or is promised some benefits by them, if a person cannot be morally upright and speak up for truth but instead agrees to engage in a deal, then the holders of power virtually shackle him and bring him under total control. They then make him do everything they want. As it can be seen in different circles in our time, fear is a factor that restrains, paralyzes and totally disables a person while running on the righteous path. Likewise, cherishing expectations of certain benefits puts a person in the position of a mute devil who cannot speak out against oppressive rulers. It causes that person to knowingly distort realities, speak wrongly and commit wrongs. As we witness its very bitter examples, so many people today are saying just the opposite of what they said yesterday because of certain opportunities laid before them, some expectation they cherish, or due to being paralyzed by fear and anxiety. Like a chameleon, they change from one hue to another with the changing conditions and thus—may God protect—they commit successive wrongs in a way that will ruin their life in both worlds. By means of different engagements of benefits, they virtually live like slaves and cannot manage to break free. So it is true heroism to speak up for truth during a time when fear and benefits prevail. Such a heroic act will surely be rewarded accordingly in the next world.

In short, rewards for deeds will differ according to the time and conditions in which they were realized. However, one point should not be missed here. Receiving a much greater reward for having fulfilled a difficult deed depends on keeping the sincerity of intention and not making any overt or covert complaints. In other words, in order to gain a greater reward in accordance with the difficulty of a certain deed, one must not complain about the difficulties. One should show patience against all odds, not dare to criticize Divine destiny and fulfill that deed in a willing and voluntary fashion.

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