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#i'm glad to be back btw
fbfh · 10 months
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busy busy busy (but never too busy for you) - dad!tony + stark!reader
wc: 1.5k
pairing: dad!tony + (gn) stark!reader
genre: minor hurt/mostly comfort
warnings: needing to spend time with your parent, crying, emotional comfort, if you have daddy issues this one's gonna hurt lol
summary: after traveling with your dad on business, you find yourself missing spending time with him. Tony can't have that, of course.
song rec: walking the wire - imagine dragons
a/n: first fic finished post top surgery!!!!!!! the next few weeks posts will probs be shorter until I finish chapter 1 of the next multichapter fic lol. Also if I didn't say it recently I love you guys, thank you so much for all your love and support <333 PS if you need more personalized dad!tony.... character.ai works well for that lmao
tags @afidiofobia @lizziebitch33 @hopefullhearts @thatawkwardlittlefangirl  @dustyinkpages  @inthehoneymoonwithconnorrk800 @liberty-barnes @followingthefanfiction @youkissedareaderinthedark @girlfriendwhoseawitch @mrscarolscaramoucheplease
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You climb into the car, settling into the plush leather seat as Happy closes the door next to you. You set down your bag and try to get your seatbelt buckled while your dad sits next to you, wrapping up a phone call. 
“No, no. I don’t care. I said-” He stops, listening to someone on the other end for a moment. He’s clearly annoyed. He’s had to deal with people simultaneously trying to kiss his ass and tell him what to do all week, and you can tell he’s getting tired of it. 
“Throw as many conferences as you want, they’ll all be Stark-less. Throw a whole party, while you’re at it- you know what? No, don’t do that. I might actually show up to that.” He mutters the last part, something that would normally make you laugh. He glances over at you, but you’re still fussing with your seatbelt. 
“Alright, how about this. I’ll refer you to Stark Industries CEO, Pepper Potts.” The person on the other end is already objecting, but your dad couldn’t care less at this point. He’s said what he needed to say, and this idiot doesn’t want to listen. He continues to wrap up this disastrous phone call as the car pulls into the street, and starts driving you to the airport. 
“She’ll help you get this sorted out.” 
He hangs up without saying goodbye, then looks over at you. As soon as he does, he knows something’s wrong. You’re not yourself. You’re staring at the bottom of the seat in front of you instead of out the window, or going on your phone. Usually you can’t wait for him to finish business calls, sometimes texting him in the middle of them - texts he’s always happy to receive. You’ve rescued him from pointless conference calls with those texts more times than he can count. You always have something to tell him or update him on, whether that be the latest social media drama, friend group drama, the show you’re watching on Netflix, or even Avengers memes you find online. You always have something delightful you’re excited to share with him without even having to try, and it lights up his day each time. Except now, with you staring into space. 
He hands you the coffee he got you, taking his out of the cardboard holder that had been resting on his lap until now. You look over briefly, accepting the drink. 
“Thanks,” you say lightly, but there’s something in your tone that tips him off. 
“You okay, kid?”
You pause sipping your drink, wondering how he figured you out so fast. He’s your dad, you suppose. That’s kind of his job. You thought you’d been doing an okay job at masking the hollow sadness that’s been eroding you from the inside out all weekend. It doesn’t happen too often, and you tried everything you could to distract yourself until it stopped working. Until now. 
“Is it school? Boys? Girls?” He asks when you don’t answer right away. There’s a note of humor to his voice, but there’s also a sincerity, and you know that even if it was school or boys or girls that he would help you through it. “C’mon, you gotta keep your old man up to date on all the tea. The hot goss.”  
You let out a weepy chuckle, tracing the lid of your drink. He’s always the first to know when your Starbucks order changes, and he always knows exactly the perfect drink to get you without even having to ask. It’s a little thing, but it makes you feel even worse. You’ve spent the whole weekend trying to ignore how much you’ve been missing your dad, missing spending one on one time with him that’s not in between meetings or over a late dinner. He works so hard, and he has so much on his plate, but he always makes time for you. 
That’s why he started taking you along on business trips like this, because you both hated being away from each other. Usually it’s fine, usually you’re off exploring whatever city you’re in, going shopping, or generally finding somewhat entertaining ways to pass the time that you can tell him about next time you catch up. It’s usually really fun, too. It’s just when it gets busy like this, you think, when he has all these meetings and you have all your stuff that you’re juggling that you start to get like this. 
“No, no,” you say softly, rubbing the bottom of your eyes when they start to get misty. “Nothing like that…” 
Tony listens intently in the silence that follows, waiting to see if you have more to share with him. The smell of his cologne is paternal and comforting, a familiar reassurance that floats around him and feels like a hug.
“I just miss you, I guess…” you start, speaking your mind before you can even think. Your dad has that effect on you, it’s so easy to share how you feel and what you’re excited for or worried about that it feels automatic sometimes, like it’s impossible not to. Tony feels his heart break as he realizes what a toll all the recent traveling has taken on you, both of you. He pulls you in for a tight hug. You feel the tears you’ve been fighting start to spill, Tony rubs your back reassuringly and it finally feels safe enough to. 
He tries not to dwell on the fact that you got to feel like this in the first place, tries not to let that voice tell him he should have noticed how you felt sooner, that he’s a terrible dad, because he knows inside that he’s not. He’s not his father, and he sure as hell won’t make those mistakes. He could let himself worry about how he’s doing with you, let it keep him up at night - hell, it still does some nights, even when he doesn’t want it to. It’s been that way with you since he became your dad. Instead of worrying about that, he does what he does best. He takes action. 
“You are such a sweet kid.” He states, pressing a kiss on your forehead when you pull away. He brushes away the tears spilling down your cheeks. “Unfortunately, sometimes being a genius-billionaire-superhero-superdad requires some meetings and boring stuff. But don’t think I forgot about the most important part of that.” 
The dad part. He doesn’t even have to say it, you both know that’s where he’s going with this. You nod along, sighing as your breathing starts to slow back down. 
“But you’re right. It has gotten to be too much lately.” 
He reaches into the small mini fridge sitting between the driver’s and passenger seats, crisply cold and stocked with both your favorite drinks. He grabs a water bottle, opening it and handing it to you. 
“How about this? We’ll spend the whole plane ride back watching movies together - or that show you were telling me about, the one with- god, what’s his name…” He tries to remember the name of that actor you’ve been talking about the last few days, and you chuckle, supplying the answer. He snaps his fingers in recognition, repeating it back to you.
“Yes. That’s the one. We’ll watch all those movies, and you brainstorm what we’re going to do this weekend. Dream big, kid. I’ll have Pepper help you organize the whole thing.” 
Your eyes widen in excitement, and you hug him tightly again. 
“Thanks, dad.” You smile. You really are both long overdue for some quality time together, and Tony knows if he has to attend one more meeting, he’s going to lose his mind. The cave he built his first arc reactor in was more interesting than some of the people he’s spoken to recently. 
“I love you, kid.” 
He looks at you fondly for a moment, basking in pride at what a wonderful, amazing person you’ve become. It’s not time for him to get all sappy on you with the dad stuff, not quite yet, so before he can, he grabs a fluffy throw blanket and spreads it across you. 
“Now, we’ve got a big weekend ahead of us, so get some shut eye. I’ll wake you when we get to the airport.” 
Right before you start to doze off, you hear him on the phone with Pepper, filling her in on the plan. 
“Alright, so they’ve got about 25 more minutes of Stark business time, then I’m off the grid till monday.” Pepper says something about how they’re not going to like that, and Tony laughs, glancing over at you sleeping peacefully. “They don’t have to.” 
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Aspec men deserve much more respect and recognition in the aspec community than they receive. They often face a different form of aphobia specific to them ("men are naturally sexual they can't be ace" "all men are unromantic that's not unique") this rhetoric is spouted by many, even members of our own community and I hope for a day where that is no longer the case. As an ace and demiro woman (demigirl but that's beside the point) I want to encourage folks to take the time to give the aspec men in their lives support and to the aspec men reading, you are who you say you are no matter what people say and you deserve the world. I'm sorry for the ways in which toxic masculinity has harmed you. You are a valued member of the aspec community and the queer community as a whole. No ace or aro person is broken and neither are you. I'm sorry if anyone has ever told you otherwise.
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shimmershy · 5 months
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Holiday sweaters!
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journey-to-the-attic · 3 months
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(有点晚的) 新年快乐!
happy (a little belated) lunar new year!! sorry i haven't been answering asks, been a busy week - i'll try to get to that tomorrow ^^
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lab-gr0wn-lambs · 5 months
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I don't think I'm capable of drawing King Z not grinning like a maniac. Cereal mascot lookin ass
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uncanny-tranny · 6 months
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I don't need to count stitches; I operate on a vibes-based system, and counting kills my vibes 🦐🦐
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caluupin · 1 month
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been catching up on TGAA/DGS !! :D
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bonefall · 7 months
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NGL: Stuff like Brambleclaw being a terrible namer is like. really fun but also kinda hits with the 'he;s not some meglomaniacl villain hes just a shitty guy'. like. you could see squirrelflight finding that really endearing. IDK if this is some mastermind shit, or if i'm just reading wayyyyy to into this, but i like how you give characters that are pretty bad dudes very humanising qualities. Especially when they're silly/cute. Kinda reminds you that like. theyre like. a person. well. cat but yknow. and they chose to do bad shit, with influence from their past, rather than being inherently terrible. 👍
YEAH MAN, that's what I'm SAYING
Abusers, ideologues, and other terrible people are not masterminds. They aren't born evil. They're not inherently smart OR stupid. They can love, they can be funny and polite, they do things they believe are justified and want to be good people. They don't think of themselves as villains.
Evil isn't complex. It's really, really not. I feel like that's the #1 cause of confusion when I get a question like, "Why does this person do this malicious act, when it's bad/inconsistent/mean?" The answer is always simple;
They wanted to control someone.
They wanted something and didn't mind who they hurt.
Spite and short-sightedness.
Look for anything deeper and you will not find it. Heroics are complex, being a good person is ongoing and changes over time. We're in a constant state of growing. Malice is childishly simple; it feels good to get what you want.
With Bramblestar especially... it always goes back to what I said here, when talking about the idea of an Evil!Bramble. He's a person, and you ruin everything that's so interesting about him by stripping away that nuance. Squilf and Bramble loved each other, truly, and legitimately. He can be charming. He can be nice. He still hurts her. Reconcile with this.
He is not wiser for what he went through, as a child. His pain doesn't make him better. Man's just a jerk... that's it.
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raiiny-bay · 2 months
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finished dhes & kel's character pages so here are the lil edits i made for both of em :-)
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yuriyuruandyuraart · 10 months
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AFTERMARE WEEK: Day 7- the end of a beginning/ the beginning of the end
make me believe and raise my hopes up one last time, then haunt my dreams for the rest of my life
aftermare week is hosted by @bluepallilworld
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4lph4kidz · 1 year
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Hey! Do you want to read about Jake and Dirk having a terrible time exploring a dungeon in their godawful broken Void session? Do you want to see their relationship break down in real time? Do you want to see the context behind this art by my wonderful friend @mildlycuriousdragon ?
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I don't know how you're supposed to promo a fic okay! Just please consider reading the thing I wrote!
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luna-moth-0 · 5 months
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Okay you know what you can think about to break your little heart? Just imagine this:
Hannibal killing Abigail directly and manipulating Will into eating her/ force feeding her to Will to make him go through the same thing he went through with Mischa.
I mean it was his becoming why can't it be Will's ? Just think about Will crying and screaming while eating her, begging for this to be a dream and for her to come back while Hannibal is soothing him with his little asshole smirk.
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qalrey · 3 months
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dec 2016 - feb 2024!!!
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manderleyfire · 5 months
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hey, ali! i feel your pain about the tbosas adaptation! i cried so much during the movie but not because i felt emotional, seeing MY book comes alive on screen but because we were robbbbbbbbbbed and shot 😞😞😞😞😞😞 anyways, what's your opinion on the music tho? fav/least fav song? (my is the oldtherebefore and least fav the 0livia r0drigo's one)
hey, lollis!
‘robbed and shot’, exactly. i couldn’t have said it better myself because unfortunately, that’s spot on 🥲
I LOVED THE MUSIC! a dystopian reflection of our reality through intentional use of folk/bluegrass music is something that resonates strongly with me. i mean, they knew how to strike the right chord in the hearts of book readers for sure! *the only other thing i wish was different about the music it's the variety of tempo and rhythm because as much as i LOVED the unified sound of LG's songs, i would prefer each song to have its own individual tune and ~aura)
my absolute favourite adaptation that they did was 'nothing you can take from me' (boot-stompin’ version); i am utterly in awe of the powerful passionate energy that they gave to this song?? also i loveeed the similarity of rhythm and tone between 'nothing you can take from me' and a traditional american folk song 'man of constant sorrow', i kinda feel it was a deliberate parallel which worked just great. (also i’m glad they added maude ivory’s 'keep on the sunny side'!)
my least favourite is perhaps 'the ballad of lucy gray baird'?.. and though i did enjoy rachel’s rendition (she copies a young dolly parton in such a warm-hearted respectful manner!), and the respect for traditional appalachian music, she sang it in a cheerful 'to hell with you!' manner which is less intense and intimate that i remember it from the book to be? to quote tbosas here: 'the haunting melody set the tone, and her words did the rest as she began to sing in a voice husky from smoke and sadness' – the movie version really failed to capture both the haunting tune (their version doesn't really tell the story musically because of a major key) and the lucy gray's vulnerability here for me. in the book she did what carrie fisher told us all to do: 'take your broken heart and turn it into art' while in the movie she isn't even angry at billy taupe?? like his betrayal (and her place in the games) is not a big deal? she's openly rebellious and sassy with out of place 'i need no man' attitude and that simply didn't work for me personally.
it took some time for 'pure as the driven snow' to grow on me (i expected it to be more of a waltz-like, similar to maiah wynne's cover), but i'm coming around to it. yet… i wish it was STAGED differently??? they had to combine certain scenes and songs in the film but it was such a SURREAL idea to meld PATDS with 'sell you for a song' setting? and it took away so much from that moment of love and connection and unconditional acceptance, where lucy gray is finally ready to be emotionally unshielded in front of her lover (maybe for the first time ever)?? it was a PIVOTAL snowbaird moment but they needed to blend two songs together because obviously PATDS can't be love confession in form of a song because it should be taken as an ominous warning instead (duh!). 'bitch you better not turn out to be a bad guy even tho i knew you were a villain all along' :??? and it could've worked in its own angst-y way, if there had been any development in snowbaird love story?? but since movie!they are full on survival the whole time (there's no canonical teetering on the edge of an actual fondness/love and survival instinct), PATDS makes no sense at all. so… i extremely frustrated by the use of PATDS on screen but at the same time i love the sound of the full version on the soundtrack album.
annnd i'm actually IN PAIN because they had the audacity to leave so many songs out?? especially given their ties to the original trilogy?? 'deep in the meadow' aka rue's song???? 'the valley song' aka the one peeta mentioned seeing katniss sing at school when they were children????  the festive 'crawling to you' ('that thing i love with') likely performed at finnick’s wedding?? idk maybe it's a musical nerd who is speaking in me but i wish they could have included more of the book songs at least on the album, if not in the actual movie (even tho i'm still sure, it would've been possible to present the whole complexity of this book AND its poetic side too, if they decided to split the film in two).
[the score album wasn't much to talk about but 'snow lands on top' piece tho… vivid, striking, remarkable]
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riisume · 2 months
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Do you have any plans to draw Kikuo/Nebo tickling outside of asks, or are you saving it for when the mood strikes?
Needless to say, I hope I'll get to see that cherub wreck that leopard maaaany times. Sorry Nebo, but you do deserve all the tickles.
I do! I'll be honest though, the asks really help me with tk ideas. :'D I have a hard time coming up with them on my own or I wind up feeling that my own ideas are lacking/boring so I don't draw them.
I do want to draw some more of my own ideas for Kikuo/Nebo tks tho!
There'll be plenty more where they came from, asks or not. ^_^ Nebo's a ler/dom (he doesn't like not being in a position of power), so seeing him out of his element is really cute and I've taken a B I G liking to these two's shenanigans.
Li'l cherub fox that's around 2 feet standing can make a 5' 9" leopard man crumple to the floor from several pokes to the ribs. uvu Adorable~
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mythvoiced · 3 months
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-. wait, I'm back, i need to post some thoughts on poppy playtime real quick because i'm running out of places to infodump this stupid thing i noticed about mommy & miss delight in, so forgive me dash, this is to satisfy my blorbo brain, i'll be out of your hair in a minute, spoilers for chapter 3
i am so obsessed with the way mommy & miss delight vocalize knowing who you are.
first off, miss delight vocalizes recognizing you, mommy includes knowing who you are in her villain speech. LIKE, i'm violently, vibratingly, neurotically overthinking this, but i love languages, i love the fine details of the way people communicate, i am obsessed with how a single change in wording and cadence can apply such a wholly drastic different meaning to any given information, how complex lying can be once you start toying with language etc etc.
miss delight recognizes you in the second voice line she speaks over the speakers, the first one is just some parody of a classic school announcement, but in the second one she literally recognizes you in the line, she sounds casual about it, maintaining her established speech patterns/tone, expressing surprise at you having survived, then something that sounds like disappointment and discovering the reason you're there, and then she extends a warning to you to leave the place before catnap finds out you're there. i mean, sure, she's completely lost it, she talks to her mace and hears it talk back to her, so how reliable can she possibly be, but still. she's got that deal with catnap that keeps her fed, but she still declares her willingness to fuck you up in absolute glee once you show no signs of leaving. once you show no signs of leaving. like, i am obsessed with the voice lines here. in relation to the thing with mommy, though, i love what her recognizing you after doing a double-take, essentially, implies about who player character could be:
someone miss delight had some marginal exposure to, but not enough to recognize upon first glance (sure, ten years, but you were an adult then and now you wouldn't change that drastically without some plot points that would have been too important to not mention, and the nightmare tape implies you weren't there at all on That Day so you have no disfigurements, PLUS the thing with mommy i'll get to in a minute)
someone she doesn't feel vengeful or even particularly hostile towards, if anything, she seems positively inclined if she takes the time to tell you to piss off before you prove yourself to 'not be a good listener' at which point she practically announces 'weLP! gonna hunt you down, then~' (which is also interesting because she actually only comes for you after you activate the generator and after first destroying the generator, as if she was waiting to see if you were trouble, kind of like some interpret to have been the case for huggy wuggy who only came for you when you started reactivating machinery, toy making machinery, the central piece watches you lmao)
someone she does absolutely enjoy killing if given the chance, so not someone she'd been fond of, though this point is wonky because she's lost it
MOMMY, whom i adore btw, goes about mentioning that she too knows who you are in a completely different way, which in on itself could imply a wide variety of things, one among them for example that poppy told her lmao, but honestly, the way mommy talks to you in general is so? i'm probably just overthinking things but i love overthinking about this lmao so bear with me
mommy has four voice lines before she off-handedly indirectly mentions knowing who you are:
when she nabs your red hand
before musical memory
after musical memory
before wack-a-wuggy
after wack-a-wuggy
she mentions knowing you in her 'villain speech' before the start of statues.
she says 'a new playmate' at the beginning, which doesn't necessarily need to imply you're new to her, just that you're new as opposed to the toys she usually 'plays with' or that you've never played with her; she gives you instructions without feeling the need to provide details, along the lines of 'you know what musical memory is, or at the very least where it's located'; she also says 'it'll be just like old times', which could be in reference to the situation in general or something that ties you two together (don't out me for thinking player character could be stella but i'd fuck with it, ask me about it i'll be wholly incoherent but we can get a laugh out of it).
she does provide you with a detail about the wack-a-wuggy game, but you can be familiar with information and the other party might still 'reveal' it to you as a way to introduce a concept, a conversation, a topic, you name it. the line is
'The toys in this game used to have strings attached to them, so they could be pulled back when they got too close to the children. Hmm... Have fun.'
can be interpreted as 'here's information you're not familiar with that i'm giving you as sadistic warning' but if you're deranged like me also as 'this might be information you know, i'm just giving you a sadistic indirect warning that this is no longer the case', both would be evil because mommy is evil but i think she's fun
also, mommy never feels the need to explain anything to you, not really; she describes the rules of her game, but she doesn't stop to wonder if you know what the game station even is, that this used to be a place for kids to be at, mommy just straight up knows the entire time that you used to work there and weren't some rando curiously exploring the place, maybe poppy told her, maybe no rando would have made it as far into the factory to reach her, maybe she simply saw you and knew right away that you were a former employee, BUT doesn't that imply she recognized you instantly? and why doesn't she kill you right after she grabs poppy? (sure, "it's a videogame she can't do that there would be no game" we're doing this game theory style, hold them accountable for suspension of disbelief and 'il patto narrativo', design the game in a way that would make it illogical/impossible for her to kill you then and i'll buy it, but tbh she probs just wanted to fuck around with you, SHE'S FUN)
these are the pre-statues voice lines
It was always so sad to see the kids go... They called me "Mommy" because I was the closest thing they ever had to one. But they'd come for games, and never come back. They left Mommy to die alone. Mommy didn't deserve that! But you? You worked here. So if anyone deserves to die alone, it's you.
this is where Mommy officially states via implication that she recognizes you at the very least as former employee. i say 'via implication' because she doesn't actually ever stop to tell you 'i know who you are' or 'i recognize you' the way miss delight does; miss delight notices while watching you, to mommy on the other hand, this information was such a given that she did not feel the need to reveal it to you.
mommy loves to scare the shit out of you, and to play with you, she'd most likely gleefully gloat if she could use the information that she recognizes you to scare you, but she doesn't. the emphasis of that part is not on her knowing who you are, but on her declaring that your role as former employee makes you guilty and deserving of capital punishment lmao
she recognizes you, she recognizes you as an employee who had enough power to be an accomplice (which works for the nightmare tape, again, is this stella-); would mommy lump all employees into being worthy of blame for what happened? maybe, she is particularly hostile towards all employees, after all, but it is interesting nonetheless to interpret it as her recognizing that you are guilty in some aspect solely for working in the position you worked.
still, to recognize you as an employee - if you're most definitely not dressed in a uniform omg why would you-- - she'd have to... know you were one (unless she's hostile to all adults, but GOSH, always adding the antithesis as afterthought must be so exhausting to read lmao)
gosh, i'm losing my train of thought, damned neurodivergent brain, but basically: mommy states her recognizing you as an established fact that doesn't need to be re-established, not to her, and not to you. she shares it with you as a statement she doesn't assume you would find surprising to hear out of her.
sure, this is all according to my interpretation of tone of voice and whatnot compared to patterns in other auditive story telling, not to mention it's unclear how reliable deranged characters are BUT ISN'T IT INTRIGUING, ISN'T IT WORTH THE BRAINROT
i also love that it's mommy & miss delight so openly vocalizing recognizing you, two characters directly tied to stella in one way or another; i mean, that player character is most likely a high-ranking employee is pretty much a given at this point, but stella was head of playcare but also of game station. do you see my vision. it would tie in neatly with the nightmare tape and with the reversed radio tape in the nightmare sequence, 'you missed the meeting', and the guilt described, which goes beyond survivor's guilt and paints you/player character as someone who feels like an accomplice, like someone who, had they been there, could have made a difference. or who, via inaction/ignorance/passivity let the things that happened happen, which works for stella, who, as the hartmann incident tape confirms, did not know what was happening.
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and... i tired myself out and have to log off again, if you read any of this, remember matpat is retiring in march
on a separate note, could this bigger bodies mommy (our mommy ♥) be ms harper
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