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So, how rare ARE Ford's extra fingers, anyway?
I'm not gonna lie, at first I was skeptical of Ford's claims that the Weirdness Magnetism had an effect on him. Like, yeah, the whole having six fingers thing isn't exactly common, but it's a naturally-occurring event. Stan describes it as a birth defect, and there doesn't seem to be a noticeably great number of people with those in Gravity Falls. It wouldn't be all that farfetched for Ford to think he was just Built Different, for like, at least 7 reasons, but then you start actually thinking about it.
Polydactyly isn't exactly common. Approximately 1 in 1,000 babies are born with some form of polydactyly. While it's true that postaxial polydactyly (extra digit is past the pinkie) is the most common form, which is shown to be the kind Ford has in the x-ray at the beginning of AToTS, there are several other extreme circumstances.
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Extra digits in polydactyly aren't usually found on all limbs. It can occur on hands and feet (and Alex has confirmed that Ford does, indeed, have six toes on both feet) but rarely does it occur on both feet, or both hands, much less both hands and both feet. And even when it does occur more than once on one person, the extra digits aren't usually fully-formed. Oftentimes they don't even have bones. When they do have bones, they're usually much smaller, or barely opposable (if they have joints at all). When they're big enough to be maneuverable, they usually interfere with the structure of the hands/feet in negative ways. All this means that an extra finger or toe which doesn't direly require a surgery to remove the extra digit within the first year or two of life is incredibly uncommon.
And let's remember: that's just for one extra digit. Ford has four.
For Ford to have fully functional polydactyly on both hands and both feet, to the point where it's basically impossible to tell which one is finger x without x-rays... the odds of that are astronomically unlikely. Never-before-recorded, one in a kazillion, borderline medically unfathomable sort of rare.
I think I do believe the Weirdness Magnetism could've affected Ford, actually.
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hellishunicorn · 2 years
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"There you are."
and why I feel like it makes sense for a scene like this to happen in season 2 between Ed and Stede.
I have seen some posts floating around about how this is something that couldn't/shouldn't happen (Stede saying this to Ed as he sees him without the makeup he (Ed) has put on by the end of season 1).
The main argument for why this shouldn't happen has been that Stede needs to learn to love all of Ed, but the thing is I think he already does.
He has seen him maim a few people, has watched his crew literally set someone on fire. Stede has stood by and watched as Ed ordered Fang to skin and drown a man. Ed started telling him about how he was gauging some guy's eye out that one time and Stede doesn't seem bothered by it, he just thinks it's not the right story for this particular crowd of people.
The one time he seems upset about some act of violence is when they make a crab fight a turtle and strap a knife onto the turtle's back that then stabs the crab. He says it himself, "That's just mean."
It seems to me that Stede isn't really that bothered by the violence, as long as the violence is justified, but Calico Jack is too similar to those bullies Stede had to deal with when growing up and he doesn't like that Ed is maybe acting like Jack and Stede's own bullies as an extension (could be reading too much into that one, not sure).
My main point is that Stede already loves Ed as he is. He doesn't have to like or agree with every single thing he does for that to be true. But he still loves the man.
As I've already mentioned, the makeup Ed places on his face during episode ten is a mask. It hides him, it closes him off from others in the same way that the gloves do.
I'm willing to go so far as to argue that Ed's beard is a mask at this point. It is a symbol of his status as "history's greatest pirate" as called by Chauncy. Blackbeard can't be Blackbeard without the black beard and all that.
Then, once the beard is off, he is a blank slate and can start reinventing himself. And Stede could have reacted a bit better to that, I think.
"What have they done with your face?" he asks Ed as if he was forced to do this to himself, or someone else did this to him. But Ed seems quite content with the beard off. Like this he gets to just be Edward and gets more space to figure out who that even is, without the beard reminding him of his status as Blackbeard.
The makeup at the end of season 1 is a mask Ed is hiding behind. He is not being his true self with it on, he is hiding his true self. And I think as he figures out who he truly is later on, the mask will be wiped off.
I do think it should be Ed who removes it, but I would like to see Stede react positively like with the sentence "There you are" when the mask has been removed and Ed is no longer hiding.
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dyscomancer · 5 months
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poorly-drawn-mdzs · 2 days
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Expertise can't help you here.
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snek-eyes · 7 months
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Can we go back to this for a sec? To Aziraphale having to explain the concept of being in love to the other angels? Because I cannot imagine what a trip it has to be, falling in love with someone when that is literally not something you are supposed to be able to do. When it is something you barely understand. When the object of whatever this is isn't supposed to be able to feel this way either, except as time goes on you start to realize it's happening to him too. And neither of you can actually talk to each other about it.
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bruciemilf · 3 months
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“Bruce is emotionally incompetent and can’t step outside his own morality” yeah it’s a character flaw.
“Dick is extremely stubborn and thinks he’s right all the time” yeah it’s a character flaw.
“Jason has hypocritical tendencies” yeah it’s a character flaw.
“ Tim is entitled and doesn’t think about people when seeking results, and often acts uncaring” yeah it’s a character flaw.
“Damian is rude and bratty” yeah, it’s a character flaw.
Also, some people may not even regard everything listed above as flaws.
Having negative traits allows incredible flexibility within your characters, what makes them intriguing, what makes them easy to relate to. If you want to write people, then write people. But they can’t be good and clean all the time.
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catharsistine · 11 months
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The scene in the Barbie trailer when Barbie is skating around with Ken and asks "Why is everyone staring at me?"
THAT'S EXACTLY WHAT IT FEELS LIKE TO BE AN ADOLESCENT GIRL.
Living in Barbieland (childhood girlhood) but then suddenly you're all grown up in the real world subject to scrutiny and sexualisation (the guy slapping Barbie's ass) and feeling like existing is a crime?
Being forced by adult men into a box (which leads to the not like other girls syndrome) and exploring the 'real world' (being forced to grow up too quickly) while fighting the realisation that maybe the world sucks and being a woman is so difficult while hoping with all your heart that it's not always going to be this way.
Losing touch with the very things that made you happy because they're considered immature and girly? (The group of teens that said they hadn't played with Barbies since they were five.)
Older women telling you that you have to learn the truth about the world and that you can never have your old life back (Kate Mckinnon's Barbie) despite it being the only thing you yearn for, but also older women being a bright spot and support (the old woman on the bench) in the endless slough of life.
And this is just the trailer!!! I'm so excited for this movie I can't breathe, Greta Gerwig the woman that you are 😭
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spn2006 · 4 months
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the fact that eric kripke isn't even christian really adds something to the way christianity is depicted on supernatural. because its really not about being christian at all, but about living in america, a country dominated by christianity, and having to decide for yourself how to handle that. faith is huge in supernatural, and the mythology of the show is very bible-centric, but notably, christ is never there. even sam, who starts out revering the angels, who once said he prays every night, doesn't actually call himself a christian or imply that he believes in jesus--the show is steeped in christianity and biblical lore and yet neither sam nor dean are christians. in fact, over and over again the church itself is depicted as a haunted house that sam and dean will only ever enter as strangers, as outsiders. priests, preachers, faith healers, chapels, crypts, etc. are all just iconography that create an intense sense of unease that sam and dean respond to instantly. as a jew, its very relatable. an essential part of living in america when you're not christian is that exact sense of unease, of knowing that the culture of your country has ensured that you'll get knocked over by christianity no matter where you go, that you'll see hundreds of people truly believing they're good people while doing awful things in the name of their god, and you have no choice but to confront that. kripke gets it
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fearandhatred · 6 months
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"you have three reasons for calling me:
you're bored (nothing is happening)
you need to tell someone about something clever you did (something good is happening)
something's wrong (something bad is happening)"
ok so all the time. all the time then. you're telling me he calls crowley All the time. what you're saying and what i am hearing is that they call all the time
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rithmeres · 8 months
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i don’t think i’ve rewatched atla since becoming a committed pacifist and i just finished what was probably my tenth rewatch and i have never loved aang more. i've seen it so many times but i still came away with a new appreciation for the way the end of the story was handled. aang is the only survivor of a genocide and he is clinging to the last remnants of his culture and religion, and everyone is telling him the only way to save the world is to kill the dictator whose regime is responsible for the genocide, but to do so would abandon the deeply held beliefs of his people. if aang goes against his beliefs and kills ozai, his people's way of life dies completely and sozin wins.
aang knows it would be wrong but he can't see another way out so he prays for an answer, and the universe hears him and the spirits send out the lion turtle, and the creator answers him. and here's the thing that i never put together before today: aang would not have been able to energybend ozai if he had given in and wanted to kill him. the lion turtle tells aang that only the incorruptible can bend another’s energy, or else they will become corrupted themselves. and i think that aang, because of his love for the fire nation as he had once known it, was never corrupted by personal hatred for the fire lord or the fire nation. he was able to expertly hold two conflicting beliefs in harmony better than any adult could, the belief that ozai is a horrible person and the world would be better off without him and that he's still a human being with a life that is sacred.
and i don't think it's a matter of selfishness like some people make it out to be. aang is not some immature little kid who doesn't want to kill because killing is for bad guys. he's an incredibly wise and spiritual person who was shaped by airbender beliefs and upholds airbender beliefs, and he can see beyond the scope of this war. the balance of the world depends on the existence of the four nations, and aang does not just represent the air nomads, he IS the air nomads. he's all that's left.
despite many people’s interpretation of the four past avatars’ advice, none of the past avatars outright tell him to kill ozai. they tell him to be decisive, to bring justice, to be proactive, to be sacrificial. but none of them tells him definitively to kill him. he doesn't disobey or ignore their advice, he follows their ancient wisdom while still staying true to his beliefs. yangchen actually comes the closest to outright telling him to kill ozai (even more than kiyoshi, surprisingly) but what she fails to account for is that aang is not just the avatar, he is the last airbender, and being the last airbender is far greater a burden than being the avatar. no matter what happens, once he dies, there will always be another avatar. but if he is not careful to preserve the airbender way of life, there will be no more airbenders. yangchen could sacrifice her air nomad way of life for the sake of her duty to the world because there were thousands of other air nomads to continue their traditions. aang has no such privilege.
and it's not that he doesn't want to kill, it's that he actually doesn't think he can do it -- both that he won't be able to emotionally bring himself to kili someone, and, prodigy that he is, he doesn't have the raw bending skill to overcome a comet-powered master firebender. and then it turns from 'i don't think i can do it' into ‘i can’t do it.’ and when the avatar state gives him enough power to actually do it, he changes the answer to ‘i won’t do it.’ he overcomes all the combined power of his past lives to say no, i have found another answer and i will remain incorruptible. to kill is to maintain the power struggle of the fire nation and to reject air nomad wisdom and without airbenders the world CANNOT be brought into balance.
the only thing ozai cares about is power, and that's what the entire fight with ozai is about, physically and ideologically, because ozai only sees power in terms of force, fear, threats, and violence. to ozai, aang (and his entire people) are weak and undeserving of life because they are largely pacifists, but he fails to see the magnificent power that the airbenders do hold, spiritual wisdom and mastery of the self and contentment and joy and harmony and a deep understanding of the world that a man like ozai could never obtain. to kill ozai would ratify ozai’s worldview that power as he defines it is the most important pursuit in the world and the only way to assert one's right to be in the world is to be cruel and violent like him. i think to ozai, becoming powerless might be worse than being dead. he wants power, or he wants death, and aang gives him neither. it upends everything he believed in. aang, the avatar, but more importantly, the last airbender, armed by his past lives' power and his people's love and the spirit world's blessing and the lion turtle's omniscience (and toph's mastery of true sight through neutral jing), ends the war 100 years to the day after the air nomad genocide, in the way that his people taught him, with power that goes beyond force and violence, with spiritual wisdom, with an incorruptible soul, with mercy -- mercy that is not weakness, mercy that brings justice.
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thymechaos · 9 days
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i just can't believe that oda fucking create sanji, a stereotypical ladies man who simps to an embarrassing degree for women while having his hackles comically raised around everyone he perceives as a man - and most notably butting heads with the more obvious ~manly man~ of the crew. haha, classic anime running gag, the kind that gets obnoxious at times but still makes you laugh.
AND THEN, like a billion chapters later, motherfucker steeples his fingers and goes "soooooooo... what makes a person Like That?"
and the answer is that he grew up in fucking Toxic Masculinity, The Kingdom. the answer is that he was always Different, in a way other guys instinctively perceived as weak, and that made him the target of visceral scorn and violence. the answer is that he was sensitive, sweet, caring, nurturing - feminine-coded traits which are only valued by patriarchy insofar that they're performed by women in service of men. the answer is that in a kingdom comprised almost entirely by violent men, the only ones who were ever kind to him, the only safety he ever had, were a girl and a woman.
so cooking is for women and servants, it makes you less of a man. only women will ever really value you for your passions and dreams. women are also actively hurt by the way the world works, they are unsafe unless they comply with men's violence, and you have to protect them.
(men will always know what you are, and they will hurt you if you let them.)
and even after he leaves... at baratie he is cherished and respected, but even that is an extremely masculine environment. we don't talk about our feelings, we don't let our guard down, the only love is tough love. when he tries to express his artistry and express himself through his cooking, rather than just filling orders and making money, he gets mocked.
so here is a man who will not raise a hand to a woman, because he rejects the masculinity he was raised with and refuses to become yet another man subjecting women to violence. he is desperate for women's attention and affection because it's SAFE, it's the only kind he can trust. other men are potential threats and must be treated as such. he must at all times be snarky, tough, Not Feminine, because to be perceived otherwise is to be powerless, to be hurt.
like y'all. the queer coding of it all? the overtly feminist themes? the active rejection of toxic masculinity and the way it's shown to be directly tied to imperialism? what the fuck.
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lgbtlunaverse · 26 days
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"Marcille hates all of Laios' freak traits but loves them in Falin" is honestly a really good joke but... you guys do know it's a joke right?
It's such a funny one I honestly find it impossible to get mad at even when people mistake it for an actual truth about the characters but JUST TO MAKE IT CLEAR
THIS is how marcille reacts when Falin is predictably just as enthusiastic about eating monsters as her brother was.
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That is not the face of a woman who thinks this trait is lovely and endearing as long as it's exhibited by the girl she loves. That is the face of a woman who is taking 7d8 psychic damage and yet knows deep in her heart she won't like Falin any less for it.
The way young Marcille reacts to Falin eating berries Marcille can't recognize but Falin knows are safe is pretty similar to how she reacts to eating monsters years later, albeit with more fear than disgust. The difference in her relationships with Laios and Falin isn't just that she's attracted to Falin, it's because the Touden siblings, while similar, are in fact different people. Not just genderswaps of each other.
Also, I think you all already know this, but just to say it: she doesn't actually hate Laios for any of his freak tendencies either. He's one of her best friends. She's just a lot quicker to be outwardly exasperated with him while she's quieter about it with Falin.
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loriache · 19 days
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"I've been waiting for ages for somebody to unmask them."
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This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.
I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.
Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)
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His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:
A) a short lived person
B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.
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The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.
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But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".
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So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.
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Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.
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The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.
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Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.
Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!
Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!
On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.
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That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.
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The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.
And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.
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And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.
Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.
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Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.
Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!
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I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.
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Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!
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and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.
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halemerry · 8 months
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Okay but like Aziraphale asking Crowley for things isn't just for Aziraphale. In fact it's often something Aziraphale does for Crowley. If Aziraphale asks, even wordlessly, this creates a scenario where Crowley is allowed to do something nice for someone while being allowed to hide it behind the context of an eye roll or an if you insist. It puts a degree of removal between Crowley and the act itself that makes it easier and safer for him to do. Crowley likes to do nice things. Aziraphale knows this. Just like Crowley knows Aziraphale likes to be cared for. They've stumbled this way into this mutually beneficial act where Aziraphale gets to indulge in being indulged and Crowley gets to indulge in doing the indulging - which are both things they do not normally get to indulge in - because they're complimentary even in this.
Asking the being that just quoted poetry at you to save this dying play you're both watching. Creating scenarios for him to rescue you when you know he loves the chance to get to save someone for once. Letting him drive you both around in his fancy new machine he's so delightfully proud of even though you got a license the same year he got the car. Asking him to remove a stain so he can act like you're the dramatic one while taking all the joy in theatrically removing it for you. They're all acts of mutual care and love. Because they're both so hopelessly smitten with another they can't help themselves from indulging the other.
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sighed-the-snake · 7 months
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Wait a minute. Wait a minute. This line hits differently after S2.
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You two?
The Antichrist KNOWS ALL ABOUT THEM?
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What did he do for them that he told them so confidently not to worry about their future? What did he change while he was in God Mode editing reality? WHAT DID ADAM DO?
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ansburg · 8 months
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Now, perhaps we might try a more — intimate style.
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