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#it's just two of them out person no 3 is unaccounted for
elytrafemme · 8 months
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guys i laurv college like actually. went out w a group of ppl and went to CVS and a mediocre pep rally. had a really sweet exchange w a bus driver. roommates are going out in a large group to have some of that sweet liquid sillies allegedly. i am alone in my dorm despite thinking i'd be the last one awake i am literally the only one here. and i'm happy i think :D
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otdiaftg · 2 months
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Kurt obviously expects the Foxes to submit without a fight, because he drops his arm and lets Nathaniel through. He should have waited a bit longer, as Nathaniel's teammates start arguing almost immediately. Dan's outraged voice carries the easiest when she snaps, "Twenty minutes? You've got to be joking. Why do—oh my god," she breaks off when Nathaniel steps into the room. The rush in her voice isn't anger or disgust, but terror-fueled relief. "Oh my god, Neil. Are you okay?"
Nathaniel opens his mouth, but words fail him. Last night he knew he'd never see any of them again. Having them back is a salve on every one of his aching wounds, but he is keenly aware he is just here for goodbye. It will kill him to walk out of here. He owes them explanations and apologies, but he doesn't know where to start. All he can do is look from one stunned face to another. There is a hollow look on Kevin's face and dark bruises on his throat. Nicky is a disconsolate mess near the window. Allison and Renee sit on the far bed with two black eyes and a couple dozen bruises between them. The spots on Allison's arm are obviously left by fingers. Nathaniel hopes Allison beat up whoever was stupid enough to grab her so hard, but maybe Renee had handled that for her. One of Renee's hands is bandaged and she wears a brace on her other wrist. Aaron sits halfway down on the same bed, and for once even he looks more upset than angry when he looks at Nathaniel. Matt and Dan are on the nearer bed. Matt has a white-knuckled grip on Dan's shoulder like he'd had to stop her from charging Browning. Matt had taken a severe beating in the riot and still has ice packs strapped to both hands. His shirt is filthy and torn in two places, and Nathaniel can see ugly bruises through the gaps. Abby stands between the beds, her first aid kit open on the blankets near Matt's right hip, but she drops the antiseptic she is holding when she see's Nathaniel. Abby's mouth moves, but Nathaniel doesn't hear a word she says. Browning said the Foxes only suffered minor injuries and that none of them had ended up in the ICU, but only seven of them are here. Wymack is out moving the bus, but that leaves one person unaccounted for. Nathaniel's blood goes cold, and he can't keep the alarm from his voice when he starts to ask, "Where's And—"
Day: Saturday, March 9th / 10th* Time: 3:38 PM EST
*Due to the Leap Year, I have opted to highlight the day rather than the date to keep the events in occurrence to the 2007 year. I will continue to mark both days accordingly.
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limnsaber · 9 months
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Mandalorian Gen Fic Rec List - Volume II: Clan of Two Part II
Hello all, and welcome back to Lim's SW fic recs! This is the second post about my favorite The Mandalorian gen fics-- and this post is just about Clan of Two. Check out the previous installment (Volume I!) and the upcoming volume about side characters & adventures and encounters. For shorthand, 🔐 means a restricted work and 💜 means an personal favorite, but they are all honestly must reads. Please let me know if you like&read them, and please give your love to the authors we owe so much to!! -Yours, Lim <3
Clan of Two
People Expect Big Things From a Man With a Jetpack by @cosmicoceanfic (Din & Grogu, Gen, 2k)
“It’s like watching a baby bird try and take off for the first time,” Cara says. She holds out a corn popper to the Child, who pauses in his singleminded quest to try and devour the pendant to eye it thoughtfully. “I could kill you any which way right now,” Din says. Cara chews, slowly and deliberately. “You could definitely try.” The Child takes the corn popper and stares at it. “Relax, part of practicing something new is getting your ass handed to you every now and again. It’s just my right as a person to laugh at you for it.”
Higher Education by JordannaMorgan (Din & Grogu, Gen, 0.7k)
Peli wonders if Mando might be overdoing it just a little.
💜 Child-Centered Approach by @devildoll (Din & Grogu, Gen, 32k)
In which Grogu goes to school on Nevarro, Din chaperones a field trip, and nothing could possibly go wrong.
In These Soft Places by Ruuger (Din & Grogu, Gen, 1k)
Din's injuries from the battle catch up with him. Set right after Book of Boba Fett Chapter 7 ends.
Baby's Bounty by @ooops-i-arted (Din & Grogu, Gen, 4k, Parenting Shenanigans)
Din must hunt down a valuable bounty, and there will be dire consequences if he doesn’t find his quarry…
🔐 Out of Time by @ginnyq (Din & Grogu, Gen, 11k, Angst)
When a last-minute pit stop on the way to Tython turns deadly, Din has to ask Grogu to do something he hoped would never be necessary. But even successful plans have unforeseen outcomes, and the consequences are worse than he could have expected.
🔐 under the moon and stars by @oathkeeperoxas (Din & Grogu, Gen, 1k, Post-Season/Series 03)
Din indulges Grogu his favourite food, and decides to try something new that his son might like too.
💜 He is his father’s son (series) by @hinderr (Din & Grogu, warning this one is sad as hell, Grief/Mourning, POV Grogu)
Prince of a thousand enemies.
The Way Home by @starryreys (Din & Grogu, Gen, 2.5k, Alternate Universe - Canon Divergence)
“Hey,” Cara’s voice from behind him suddenly startles him out of his thoughts. He turns around to look at her where she’s still standing in the doorway. “Are you alright?” she asks. He looks down to the kid in his arms, tired and hurt, but safe and here. “Yeah,” he says, “I am. (Din and Grogu make it off Gideon's light cruiser together, and Din removes his helmet for an entirely different reason.)
The Father by @starryreys (Din & Grogu, Gen, 2k)
Din’s mother had given him a wavering smile before she hugged him goodbye. His father’s hands had been steady on his shoulders as he kissed his forehead. He hadn’t realized the strength it must have taken them not to crumble until now. Din watches the kid, his eyes never wavering, a small smile on his lips and a reassuring nod on his head. Din waits until his kid is gone from his eyeline.  Then he crumbles.
Unleash Your Creativity by wingedcats (Din & Grogu, Gen, 2k, Parenthood)
Din frowned. The silver-green smudge stared back up at him, revealing little. “It’s a self-portrait?” “Must be.” Cara hitched one shoulder in a shrug. “Lucky we’re chasing down a Jedi for him, not an artist. Doesn’t look like he’s got much of a future there.” “You don’t know that,” Din said, feeling unaccountably defensive. “He’s just a baby.” Din decides to give the Child an opportunity to explore his artistic side. With mixed results.
i can’t believe they just sent baby yoda off to boarding school by wellwhiskey (Din & Grogu, Gen, 2k, Post-Season/Series 02)
“Was it worth it?” Gideon asks now. Cara knows he isn’t directing the question at Reeves. “Somehow it doesn’t feel like it was.” i'm sick of it i'm sick of star wars
Belonging by DistantStorm (Din & Grogu, Gen, 2k, Post-Season/Series 02, The Book of Boba Fett, Luke Skywalker, 1.5k)
Luke believes he is observant, and yet— The Force itself seems to be laughing at him. Outside the stone framed window, Luke watches his student sit at the edge of the wildflower meadow near the stream, folded into a meditative pose. A white butterfly has landed on top of his head, and several more flit around him in a shimmer of pollen and sunlight.
🔐 Undying Sea, Unquenchable Dragonfire* by @renardroi (Din & Grogu, Gen, 10k, Alternate Universe - Fantasy, Fae & Fairies)
Kyramud, his mind tries to remind him. This is his enemy, this is the child-thief. But it seems even he is weak to the enchanting magics of the fey people, the allure of their wild beauty. They move and look and feel like a ballad that has come to life, a siren drawing him in so that they can drown him. Medieval Fantasy AU Mandalorians are a dying clade of knights, the jetiise are fey creatures.
(*I see the tags on this one but they aren't yet reflected in the work and the vibes are impeccable you'll just have to trust me)
The Last of His Name by @coffeequill (Din & Grogu, Gen, 36k, Alternate Universe - Fantasy)
“I don’t joust,” says Din, out of breath. “You do now,” says Cara, and she gives him a grin before swinging in again. He deflects it with a ring of the sliding metal. ---- After escaping the clutches of Moff Gideon, Din and his foundling travel the country in search of the boy's magical people, armed with naught but beskar and horse. As money runs tight, a return to bounty hunting seems their only option. Cara enlists his help in bringing in a difficult target, but help involves his participation in a tournament, competing for a handsome pay. To take care of his son, Din accepts, only to receive far more than he bargained for.
Boreas Sylvatica by @milokno (Din & Grogu, Gen, 17k, Alternate Universe - Post-Apocalypse, Human Grogu)
Grogu stirs. His eyes flutter open, for just a moment, and he shifts closer to Din. He stares down at the kid. His own eyes soften. The sharp, jagged lines that divide his face don’t completely disappear, but they do fade. His legs still ache, and his exhaustion doesn’t loosen where it’s constricting around his ribs— digging into the bones that stick out, ever so slightly. All of it, though, becomes inferior to the warmth that spreads throughout his chest. OR While on a supply run, Din finds a child. They take care of each other.
💜 A Short Guide to Fatherhood by @burglarhobbit (Din & Grogu, Gen, 9k, Luke Skywalker, Ben Solo, Found Family, one of my favorites!)
“Well, development isn’t just for the child,” Skywalker says, inclining his head to Din. “It’s very good you’re taking the time to explain things to him that he may not yet understand, or to emphasise what he may already know but has not yet taken in very well. You can learn from him, as he does from you.” Din nods shakily, and Grogu, settled between his legs, leans into his body. Din’s hand ghosts over Grogu’s head, and he slowly pats the child. It feels awkward, with his gloves still on, but Grogu doesn’t move away. Skywalker moves on to the next parent in the circle, and Din feels as if he has passed another test of this so-called parenting thing. Or: Luke Skywalker does development circles with the parents of the students in his Academy. Din isn't yet sure if that's actually helpful or not.
home again, for the first time by @icecreambeach (Din & Grogu, Gen, 2k, Post-Season/Series 03)
It’s time for Din and Grogu to rest, but not before Din does his Dad diligence. (post-season 3 finale spoilers)
Apostates and Ever Afters by DistantStorm (Din & Grogu, Gen, 1k, Found Family, The Book of Boba Fett)
A clan of two, reprised.
build it together by @ckerouac (Din & Grogu, Gen, 2k, Post-Season/Series 03, Family)
The house itself is small, but the two of them have never needed much space. After the events on Mandalore, Din and Grogu start to build their life on Nevarro.
cookies (to share) by @hinderr (Din & Grogu, Gen, 5k, Family Feels)
Happy Valentines day. You are loved <3 - Four things that Din Djarin learns, and one thing that Grogu Djarin has always known
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chimeragirldick · 2 months
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personal deltarune/undertale gaster thoughts
triggered by this post: https://www.tumblr.com/gasterofficial/742325606551863296/my-theory
and this video: https://youtu.be/RsSUyfmvJKI?si=wSwiE3JFVlS2aaZz
(saw the post first and just watched the video)
so getting it out of the way i am a person who believes the (when you think about it strangely obvious idea) that there are multiple gasters. considering we’re already exploring an alternate universe with different versions of existing characters and gaster has been “shattered across time and space” (quite literally if that one gaster follower holding a piece of him is to be believed). which does make it kinda weird it hasn’t had a more present idea in theory crafting (at least until recently i think)
the egg man
anyway, going with the multiple gasters thing i think the egg man is gaster, specifically a fragment of undertale gaster. as spookydood says in his video, gaster in deltarune doesn’t really have an association with sudden disappearance unlike undertale gaster so maybe that ties the egg man more strongly to ut gaster. if the card is also from the egg man it could also explain his confusion, being shattered across time and space potentially missing memories and definitely missing pieces of himself would probably do that.
also a funny idea about the weird eggs and egg man, what if the eggs are pieces of gaster like the one held by the gaster follower, it is kinda egg shaped and gaster (mystery man sprite which based on the 66 fun value to find him i think is probably gaster) does kind of look like an egg.
the mystery man
now when it comes to the main gaster we talk to there are two thoughts in my mind. one: it is deltarunes gaster, two: it is another fragment of undertale gaster. deltarune gaster could’ve been experimenting with darkness like undertale gaster was, but maybe he didn’t fall into his creation so he is whole and wouldn’t face the complications of being shattered across time and space like ut gaster would.
however him being another fragment of ut gaster is interesting story wise, it continues the clear ties undertale and deltarune have ti each other to form a complete narrative (while both games of course still have their own separate narratives) the differing personalities could also be explained by the whole being shattered thing, maybe some pieces are more whole, or twitter/intro/death gaster is a gaster after having been able to find more of his pieces and become as close to whole as possible, potentially the gaster seen in the mystery man room. maybe eggaster is so vaguely described as simply “a man” is because is made of less pieces and is thus less whole and more non-descript.
some random ideas
also a self indulgent belief, if we are talking to two different undertale gasters then deltarune gaster is unaccounted for and can then slide into the head cannon i’ve seen which i like and that is that gaster is a professor at asriel and chara’s college and the three of them get up to silly shenanigans together. also i like the tie it would give to undertale.
also with eggaster being a ut gaster fragment, i like the implication this has for the eggs. while the other gaster is more important to deltarune’s story eggaster could focus more on some loose ends from undertale eg. where sans and pap come from (probably deltarune) and this could occur via the eggs somehow, undertales remaining questions could be answered in deltarune and could remain as they should be in deltarune “not too important, not too unimportant”. while a leap there is a small thing (that depending on 3&4 could be cemented in my mind) the final resting place for the eggs thus far is with an undertale character, so if this continues that’s interesting. of course the fact that most of the characters are undertale ones weakens this as it’s more of a majority thing, so going a bit more specific it could specifically be with the lost souls that the eggs final destiny lay. assuming that chapters don’t go beyond 7 (as it’s possible they do) this works well, there is a spare egg which can be solved with two ideas, one: there will be no chapter 7 egg, two: one egg goes to asriel the non-literal lost soul.
finally a small idea i had about another meta thing with gaster is the potential that two gasters with vastly different personalities and the idea that gaster has been shattered across time and space could provide a meta commentary on the idea of fan interpretation of characters. even before deltarune when the only content of gaster was fully serious there where many goofier interpretations of gaster. as a very mysterious character he also has a lot of potential for speculation and interpretation, is he related to sans and papyrus; is he their father, grandfather, brother, uncle; what kind of scientist was he, was he a mad scientist; was he a good person? the two different gasters could represent the two different gasters in the fandom. in a way, when characters are written into fan works they are shattered, pieces of them taken, emphasized, explored more than others and in a literal way this has happened to gaster. it’s not unlikely he was a man of multitudes that have now fractured and simplified.
so yeah that’s it rambling over. it’s probably poorly formatted with some contradictions or weird wordings but this is just a word splurge direct from my brian.
youtube
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decepti-thots · 2 years
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[Big Bang fic] saw fires from far away, 11k, mesothulas/prowl
Title: saw fires from far away
Fandom: Transformers (IDW)
Rating: Explicit
Wordcount: 11k
Warnings: animal death, mild gore
Relationships: Prowl/Mesothulas, past Prowl/Chromedome
Additional Tags: pre-canon, first meeting, first time, developing relationship, ambiguous relationship, sticky
Summary:
The final mech on the manifest still unaccounted for was easy to find: he had collapsed only a short distance away from the wreckage of the ship. His plating was dented but nothing more. Prowl waited a moment, just in case of a trap, and when the mech didn’t move he got out the stasis cuffs he kept in his subspace at all times.
The Peaceful Resolution was carrying seven neutrals when it attempted to leave Cybertron. Only two of them survived the crash when it was shot down.
(A pre-canon fic about one possible way Prowl and Mesothulas met.)
On AO3.
--
Surprise. I did the Big Bang (@tf-bigbang) this year. (I haven't been talking about it much because I… didn't want to jinx it, lmao.)
This is more or less the first writing of any substance I have been able to complete in a very long time, for various personal reasons. I did the BB in part because writing has been really, really hard for me this past 18 months or so, and I thought if I could just do something that pushed me through a whole project, I might get back on track.
This is possibly the most self indulgent TF fic I've ever written as a result. I wrote it for myself, but I hope some of you folks might enjoy it too. I certainly had fun writing it, despite how damn hard it was.
In addition, the absolutely incredible @quadrilioquy has drawn an AMAZING piece of artwork for it and I am so grateful for their beautiful work! You can gaze upon its glory on the AO3 link. And you SHOULD. It's stunning, and I can't believe someone drew it for me still, haha. <3
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roses-in-the-shade · 1 year
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At what point do the depot agents realize that there was two of them the whole time?
Thank you for the ask, anon! <3
It's definitely gradual, not so much a realization as a suspicion that grows as the evidence piles on, especially after Emmet's promotion to Subway Boss.
The obvious thing is that no human can possibly be in two places at a time, and Emmet, by all accounts, is definitely human. Eccentric, but that means little in the pokemon world, and lobbing a pokeball at people is just plain rude. Before the Battle Subway, the depot agents that had been his coworkers at a time only thought he had an eerie ability to make his way through the subway very quickly, with that limb swinging fast walk of his. He's pretty tall too, that helps. But talking to each makes it clear that occasionally the timing of Emmet sightings are way too close together and distance way too far apart.
And then Emmet becomes the Boss, and the discrepancies become too numerous. The Singles line and the Doubles line have overlapping schedules, Emmet's ability to run both seemingly by himself should be an impossibility. The white coat and the black coat. There's definitely no time to run to the changing rooms between challengers, and Emmet never seems to be carrying an extra coat around. He also apparently doesn't wear the black coat outside of the Singles line. And then the wildly different personalities and scripts. (Emmet and Ingo are making a point to not try hard to act like each other. They know their depot agents are trying to piece the puzzle together. It's verrry entertaining to watch them run their brains around in circles like a torchic with its head cut off.)
The idea that the person running the Singles line is someone else entirely does come up many times, but the depot agents just can not find the conclusive evidence no matter where they look, and the thought becomes odd when they really think about it. Because whoever it is, they look exactly like Emmet. 100%, no differences save for facial expressions. Even if Emmet somehow found a body double to work the other line for him, there's no way he'd be able to find someone who looks that similar to him. And whenever they go looking through the employee files, they can't find anyone in the files unaccounted for amongst them. The employment file for another Subway Boss doesn't seem to exist.
Unless it's stored inside Boss Emmet's office. And nobody is willing to risk their life invading Emmet's privacy. They can't stomach the idea of betraying Emmet and bearing his wrath. (Which is all fine anyway, because the file does not, in fact, exist at all. And at this point, the agents become convinced that Emmet really is fucking with them hard. Emmet's occasional sly smiles are not a coincidence, the smug bastard.)
And then, one day, a depot agent that works on the Singles line finally notices an interesting oddity when making an end of shift sweep through of the train at night. In the 21st car, there is a floor paneling that is just slightly out of place, located precisely where the Boss stands when facing challengers. When investigating, they find that it dislodges down and to the side, underneath another paneling, and what's underneath is inexplicable. A layering of highly conductive metal connected to a switch and a high voltage battery.
The agent reveals the find to the others and they cross reference together. The agents working the Doubles and Multi line confirm that no such hidden contraption exists on those lines, and likewise the 21st car of the Singles line is the only car to have it.
They have no idea what is means, but it's the only hint they've ever gotten that the person running the Singles line is not even run by a human at all.
(Chandelure, silly girl, didn't double check to make sure she hid it away completely.)
Oh, right, btw. Jackie knows. :)
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jennawynn · 9 months
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Enterprise Season 3 Ep 19-finale
Episode 19
All that damage and hull breaches on at least 3 levels... and only 5 people are dead.
I feel like a lot of my opinions of this show are formed by my experience on a Navy ship. Almost every door can be sealed in case there's a hull breach. Redundant systems and personnel. And if your ship goes down in the ocean at least you might float a while before drowning but in SPACE? You'd think they'd be a lot more conservative about safety against hull breaches.
Oooh... now the number is 14 with 3 unaccounted for. Out of what, 84?
They said beam lol
This is a pretty understandable and even believable descent to the other side for Archer. T'Pol having secret troubles staying calm is interesting, too.
Really? Making T'Pol turn herself into a drug addict so she can push Trip's buttons? Why does she keep ending up getting the worst kind of plotlines?
I don't know why it didn't occur to me- I thought the training exercises were just so Malcolm could have beef with the Major... but turns out it's so they could justify still sending SENIOR BRIDGE OFFICERS INTO DIRECT COMBAT IN SMALL TEAMS INSTEAD OF THE MARINES THEY HAVE ON BOARD FOR EXACTLY THAT SITUATION.
Episode 20
Now we're up to 18 lost. How does the number keep going up? "For the 18" has a bit of a better ring to it than "For the 14" I guess.
They found two bodies in a damaged section... but somehow they didn't get blown out the holes with the atmosphere.
Why hasn't T'Pol washed her face? 😂
Fun Fact: The only time that I "had" to eat MREs was after a hurricane while my ship was in drydock. We didn't have shore power and I was on duty so they had some hot dogs on a grill and MREs for anyone who wanted them. We ate in our office by flashlight so it'd feel like camping. 😂 That said, I was - at the time - on a prepper/libertarian kick with my colleagues and we had some 'just in case' and tried them at least once. Surprisingly expensive from places like the Army/Navy Surplus Store, but not terrible. Plus the tech behind heating them was novel.
Goddammit Trip... at least take the flightsuit off before you get in bed. Gross. This isn't a cartoon where it's too much to design a second outfit and animate you under the covers so you leave your boots on in bed. We know you have your standard-issue blue underwear.
It is a nice touch that they automatically use Celsius when referencing temperature. They say things like 'his suit temperature is 44 degrees' without saying Celsius, but you know it can't be Fahrenheit.
And wasting resources by just letting the panel cover float away instead of saving it so they can be like 'look they're in zero g!'
"As Jane's Commanding Officer"- That is not correct. Commanding Officer is a specific title given to the highest ranking person of the base or vessel. Archer is the Commanding Officer. Just because Trip was her boss does not make him her CO.
Episode 21
I have to admit... it's growing on me. I found myself last night almost deciding to keep watching even though I was no longer working.
Women only make up 1/3 of the crew? Why? In the illuminated future, we're still only 1/3??
Part of me thinks that they shouldn't know who they marry or have kids with but the other part of me remembers that I wish I could go back in time and tell myself I'm queer and shouldn't marry the guy I did. /shrug
Of course they'll probably erase this 'past-future' with whatever's about to happen anyway.
The convo between T'Pol acknowledges that it's not 'destiny' but a product of environment. That because the Enterprise wasn't sent back in time, the choices made can be different... but there's obviously going to be a bias for most people, reaching out to the people they know they had kids with before.
Episode 22
Ah American, sorry I mean HUMAN Exceptionalism at its finest. The existence of Earth changes the trajectory of history across the whole universe! Across dimensions, even!
ha disposable MAKO. why would he have climbed up to such a precarious position to fire anyway, though?
Episode 23
For one moment, just one moment I thought maybe the major taking a shot to the heart in transport would caus-- oh shit they did actually kill a crewmember who has been in multiple episodes. They might have actually turned this ship around.
To be clear, I don't condone deaths for shock value. However, thematic deaths are another thing. Plot important deaths. You can't have a war with dark themes and never kill anyone. It doesn't make sense.
Hayes says use McKenzie with his dying breath... and then he picks 3 volunteers that are not named that.
The moment where Reed asks for volunteers and all the MAKOs step forward was a nice touch, though, even if the actors couldn't figure out how to stand :joy:
Episode 24
I think it would be nice if just once the sliding scale of ally to enemy wasn't always just who looks most or least like you. That the arboreal and primate species are most human-like while the aquatic, lizard, and insects are not. I kinda hope that the humanoid lizard people are kept as the enemy and the manatee and insect like less human people stay allies. At least the lizards are recognizably human shaped.
Here we go! Finale time.
Personally, I'm not a fan of the Great Man theory which Enterprise seems to consider correct. Great Man theory, as I understand it and use it here, basically says that some people are born to change things. That they are 'integral to history'- that the names we grow up learning like Newton or Washington or Einstein or even Hitler are Special in some way and that they are responsible for the leaps and bounds we take in discovery and such. That if you time traveled back and killed one of them, say Hitler, then it would change everything about the future. Stop the Holocaust and WW2.
They've repeatedly said that without Archer at the helm, the Federation would never exist. That the Guardians will succeed and wipe out everything. Whatever it is now to try to give him a safety belt when he's so damn set on throwing himself out the window of a moving starship.
I don't agree. I think that discovery is built on waves. That if Newton hadn't put pen to paper and 'discovered' the theory of gravity, someone else would have with negligible difference in time. _Especially_ when it comes to things like science because science is built on collaboration and you build off other people's work constantly.
Maybe Archer did do all these things, but had Archer not been selected for the NX-1, the other guy would've done it. And if not them, maybe the Vulcans. Sure the details might change, but this, I think, is what time travel media refers to as the resilience of the timeline. There might be disruptions, but it typically course corrects.
Gotta love Archer's dramatic... casual jog away from the explosions.
Hah. I kinda love the reveal of T'Pol's age. She's been so coy about it.
"Captain didn't make it." Yeah... I'm not gonna believe that until at least the middle of the next episode.
lmao time travel shenanigans. As soon as they said no word from the orbital stations, I assumed it wasn't a matter of where but when. Oh and look... Archer's alive. Surprise. But he was found by the Nazi's? Who have an alien officer? Sure. Turn their famous obsession with the occult towards aliens instead of supernatural.
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foxingpeculiar · 1 year
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Disco Elysium liveblogging, round 3 (spoilers):
Okay, so I’m talking to the Union dudes on morning two. There’s a LOT going on here. 1) I did not expect them to confess, just like that. Like I thought they were gonna draw that out longer, at least. So what does that mean, where is this going? Is that there is an eighth person (a woman) unaccounted for? Is it that Whirling hired mercenary strikebreakers on the sly? Who are they protecting and why? How are those things going to tie into each other? I need to talk to that lady on the boat again—she’s up to her neck in this. 2) The way these guys are describing the behavior of the man they killed… sure sounds like something Harry would do, based on some of the prompts I was getting at the start of the game. Y’know, the whole “I’m Oranjenese (or w/e) Special Forces and I’m gonna fuck you all!” while singing karaoke bit. And the worse stuff—the harassment and rape… I dunno, there’s a sexual self-loathing flavor to some of Harry’s subconscious that I could see that fitting into pretty neatly. They’re really hammering home the connection between Harry and the corpse, like HARD. That has to have some major significance (and I still think it’s an ontological one at this point, at least in some way).
The cargo container is fucking with me. Like IS there some significance to it, and that’s why it keeps prompting me to think about that? Or is this the game playing “what’s in the box” to make some psychological point about me as a player? Like, I am *I* getting played by being as drawn to that as Harry potentially is? This feels like the kind of game that would pull that shit, and hard.
The highest mountain in the world is a volcano called “Corpus Mundi?” Okay. What is a volcano—it’s where new Earth spills out from underneath the surface. It’s also specifically a shield volcano. Which, scientifically, I think refers to the shape, but c’mon… shield, like defense, like from something horrible? And Corpus Mundi? That’s almost too easy. A direct acknowledgement of a layered existence, I suppose you could say. Like the hits just keep coming that all is not as it seems here.
And that ^ is why I knew before I even clicked on it that whatever was behind the “Slipstream SCA” button was gonna be weird. I was not disappointed. And like whatever she was talking about, it fits with the whole “left and leaving” theme that’s been cropping up. And it said she sounded “submerged,” which reminded me of the whole car-saying-it-was-underwater thing. I dunno. Why’d she call me Michel, though? Something to tick away.
Okay, I knew there was going to be something with the racist mug. So Evrart talked me into doing his thing (that conversation generally did not go that well) and, cat-killing curiosity be damned, I went in and now here we are. Kim is like “I don’t think this will lead to anything” but I do.
I sweet-tongued Plaisance (“yeah, I’m totally a paranormal detective!”) and now I’m back examining the diagram on the wall in, I think the window shop? The network of radio frequencies. And the one at the center is called “The Game Master Frequency,” and a thing about “Developers of the most advanced RPG in the universe.” I just… I dunno. Is there some meta-level happening here? Something else to kind of watch for. Like on the “Project Dread Board” nearby, the “Heat Death scenario” wherein “Wirral becomes untethered from its sun, drifting through the Universe.” That sounds like a very flowery way of describing a breakup, and maybe, by extension, the game I’m currently playing?
So I got the body into the bear fridge (which is awesome, btw) and then, against the odds (28%) passed the perception check and found the bullet. So what do I know? Dude was killed with a bullet. Meaning the Union dudes are protecting someone by faking a lynching. That someone is probably a woman, the so-called “eighth Hardie” and she has an odd gait. There’s also supposedly a woman hiding back in here somewhere (the “entity” that Plaisance was talking about). And there’s the mysterious nightclub lady at the Whirling-in-Rags. But I dunno. I guess we’ll see.
Okay, hold up. I’m talking to the dice lady, who says that none of the doorbells on the building work. But I talked to Plaisance through one, and heard the weird Slipstream message through another. So either she’s an unreliable source of information or I’m hallucinating. Either way, that seems worth registering. Wait no, Tricentennial Electric was there 100 years ago? Okay, so… I dunno. I don’t know what to make of that. This lady seems genuine, I guess, but there’s something creepy about her, lurking back here.
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alyjojo · 7 months
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The Person On Your Mind in October 🤵🏼‍♂️ 2023 - Capricorn
Whole of their energy towards Capricorn: Ace of Swords rev
Either this is a relationship and you two have been pissed at each other & separated for a bit, or this is someone in your family with similar feelings. There hasn’t been any communication or clarity because you or they have needed to heal wounds, 9 Wands. There is no intention to actually end this for good, but they want to bite your head off, so they back off. 4 Wands could show them staying somewhere else during this time, you are, or that this is normally a stable relationship that’s going through a difficult time. You could have argued about a literal home. Drugs comes out on your side, take or leave that, it’s the only place I’m seeing it, not in the cards.
Feelings: 8 Cups rev
If you’ve left, they feel certain you’ll be back, and if they’ve left, they have no intention of staying away. 4 Cups shows them just being irritated with the options in front of them, could be relating to a living situation or family. If they’ve tried coming back around already, you could’ve been the one irritated or annoyed by them, one of you told the other one to piss off. Your messages show “not ready”, it could be you. They know it’s temporary, they aren’t happy with “Justice”, whatever decision has been made, or having to make one at all. They’ve healed from some hurt but still want to bite your head off. If you’re avoiding them, that’s why.
Intentions: 7 Swords
Your Head, Sword, Floor. They’re pissed at you. Or they’re avoiding you for that reason, either or. They’re the ones with this heavy Sword energy, I assume it’s them. They definitely have words about this conflict between you, and their communication can tend to come out viciously, like a knife to the heart. They could be avoiding an interaction like this and wanting to keep it kind, but they don’t know if they can do that because whatever happened caused 3 Swords & 9 Wands in the first place. Their tongue whips like lashes and they’re aware of it. In the case it’s you, same thing but switch it, they’re afraid of your mouth and conflict, or they want to bite your head off for being unaccountable and dodgy, stealing or sneaky behavior. It gives off ick vibes no matter who it is. With Ace of Swords rev, they could be avoiding the truth, because that would piss you off, and they don’t even want to hear it. Or you are. It could simply be intending to avoid communication, and this issue along with it. This could be your kid, or your parent.
Actions: Page of Swords & Strength rev
They’re not holding back for long. Page of Swords upright is the nicer version, that’s good, they will definitely be chatty and won’t have any issues covering EVERYTHING they want to say. Everything they’ve held back for however long. I don’t see a conflict though. This Page seeks information, to learn, for the purpose of 10 Pentacles, a rock solid foundation. The Empress can show growth, maturity, a spouse, a mother, this can be a reason for coming back around or maybe someone meddling in the middle of your affairs. Gossiping Mom, with Page of Swords. I don’t see them as a problem, they seek to come around, to understand, communicate, and fix whatever is wrong between you. It can simply be you haven’t talked in forever, they’ve gone through a lot - separately - or you have, and the two of you are catching up with Page of Swords. Ultimately a very positive connection with a positive outcome, regardless of who they are 💜 Are they mad, yes. Will they show it? Maybe, but not in a difficult way.
Messages:
Their side:
- Obsessed with YOU
- Bad Cycle
Your side:
- Not Ready…yet
- Drugs 💊
- It’s DESTINY, baby!
Possible signs:
Libra, Aquarius, Gemini & Virgo
If you’re dealing with:
5 Swords…ick energy. You could have some nasty conflicts with several people, or are constantly going back and forth with people trying to “prove a point” or put them down, some may be this way with you. This energy is snide, cruel, mean, condescending, there is no winner with this conflict, because the winner loses people, and the losers have to heal from the pain of whatever was done in the midst of conflict.
Aries - rushing in with truth & communication you’ve been waiting on, could be relating to emotions, romance, or a particular person
Taurus - could be this person, they have Wheel of Fortune rev “bad cycle”, leaving, and repeats…there’s something about loving or romantic actions that they either don’t know or fear, maybe both
Gemini - has deep feelings but would rather wait for things to develop naturally than make any waves, very patient with what’s going on
Cancer - either a friend you’ve cut off because of drama & bs, or one that’s been injured because they did something foolish, emotionally or physically
Leo - something good is happening with work, they’re just waiting on it - possible promotion or recognition is coming their way ☀️
Virgo - breaking their back and not getting anywhere at work or financially - not right now anyway
Libra - being set free, or freeing themselves from something that’s held them back, at home or work, extremely excited about this 🥳
Scorpio - could also be this person, holding back for now because they’re not thrilled with the decisions you’re making, or switch that, but otherwise a normally stable relationship
Sagittarius - defensive that you’re unreliable or you feel that way about them
Capricorn - avoiding an opportunity for love, with you?, because they’re super pessimistic and holding back from *life* generally, not because of anything you did or didn’t do
Aquarius - just gave up and didn’t give you any option or say in the matter, that hurt you, or switch it
Pisces - excited and happy for a cycle to close out so they can get started on something else, there’s a passionate and giddy energy with them 😁
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a-gal-with-taste · 2 years
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When do you think Silco/his goons realized he has a soft spot for Jinx? The fact he gives her a pass whenever she screws something up must’ve been known for a while, considering he'd probably punish someone else for doing the same thing.
In my humble opinion, they knew something was up with Silco the moment these scenes happened:
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"But Gal that's literally the first few minutes of Silco meeting Jinx-" Yeah, and what's the first thing he's doing? Hugging her, comforting her.
And in the first gif, not doing a damn thing when she throws herself at him for a hug.
And that HAD to have sent off some weird, 'boss, wtf' signals to the remaining goons around him, consitering literally everything that they witnessed/experienced in the last... hour? 30 minutes? Maybe 10??
Because for context, THIS is what happened in the last 60-10 minutes in that warehouse:
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As a quick note before we dive into this; I personally do not think, despite the image of Silco walking up to her with a knife, that he was going to kill Jinx.
Do I think he was capable of it? Yes, and I think the shots ominous shots of him with a knife, standing over a crying Powder/Jinx, was meant to represent that he is 100% capable of doing it. But I do not think that was his plan.
Threaten/intimidate her if she proved to be as hard-core as he saw Violet to be, and definitely as bait if Vi was still alive, but I don't think he would've killed her here. I imagine the ones in his gang in this scene were 100% expecting him to, but I do not think he was going to actually stab Powder/Jinx in this scene.
(I honestly also don't think he would've killed Violet either. I personally see the image of him coming around the corner with a knife, as him preparing to stab Vander a second-time, as he's unsure whether or not he's truly dead yet based on the INSANE amount of Shimmer Vander had to have taken, definitely more than Silco ever had Deckard take.)
(That's just my two-cents, I could go on for hours about Episode 3 and what the hell I think Silco was doing/thinking, but I'll keep it short here, y'all can request more rambling if you want.)
Regardless, put yourself in a henchman shoes: Your base of operations just blew up. At least a dozen of your fellow goons are unaccounted for, probably dead. All or almost-all of the Shimmer, made to be a weapon that evens the odds against Topside, has literally just gone up in smoke...
(Sidenote: Do they even know at this point how the explosion happened?? It had to have come out of NOWHERE from their POV, so, I'm sure they're still reeling from that alone)
Sevika is missing a limb, most just got their asses-handed to them by Violet, and then by an extremely pissed off yet still weakened Vander. (If you headcanon as them living at the cannery) then they probably just lost their damn home too.
They witnessed their boss stabbing Vander, while being actively strangled, before Vander turned into a Shimmer-induced monster that obliterated THEIR shimmer-induced monster (Deckard) the one thing that made their normally cool-headed, no holding back, I'll turn one of my henchmen into a shimmer-beast no-problemo, 'we're-going-to-war-with-Topside' boss take ONE look, and be like:
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"Yeah, we're not going to even try to salvage anything here, fuck this, everyone out."
This all happened, MAYBE 10 minutes earlier?? And now Silco's just...
Hugging? This random crying child outside of their blown-up base?? Their boss, Silco? Allowing and then SHARING a hug??? And if they recognize Powder/Jinx as one of Vander's kids, then they are 100% in the mindset of:
"...what the hell? Why are you not shoving this kid off? Why are you letting her sob all over you? What the fuck are you even doing? Literally everything just blew up in our faces, PROBABLY because of these damn kids, why are you just siting there-... you're hugging her now?"
In their eyes, if they know for a fact that this is one of Vander's kids, and if they suspect for a moment that she had something to do with literally everything going to hell not minutes earlier, it's no wonder they're watching Silco interact with this kid with these kinds of expressions:
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Because, they had to have seen Silco do some dark shit under his employment. They know what kind of lengths he plans to go to for his goals, they know what kind of man Silco is, and that he'll go to the absolute extremes to get what he wants.
They know exactly what kind of stuff Silco is capable of doing by now, and while it may not have been in Silco's plan (in my theory) to stab the kid on-sight, they 100% expected him to be capable of doing it. Especially if it's a kid of Vander's, even more so if they suspect Jinx had anything to do with the ordeal of the last 10-30 minutes.
But he doesn't. And their obvious confusion/perplextion at watching him NOT do it, speaks volumes, because this just. Isn't. Something. Silco. Does.
(The more I watch parts of Episode 3, the more I'm convinced this is one of the closest we get to true, almost open-vulnerability from Silco, except in Episode 9. It's not verbal, and he has some incredible control of himself for most scenes, but make no mistake: the man was slipping in this episode. Reacting with emotions, trying to keep it cool when he's clearly on the verge of 'going-thru-it'. ('You would die for the cause but you won't FIGHT for one/heard the rumor/You had your chance!') Like, there's SO much bottled-emotion that's slipping out just from his lines alone in this episode, he's not at his 100% here)
((Again, could ramble for a while, but I'll spare you the scrolling for now))
We know that Silco gives Jinx a LOT of leeway after the timeskip. And it started right here, though I'm sure no one expected it, least of all Silco, to go to the extent that it does in the future of the show.
But I think everyone knew something was off when their boss decided to hug Jinx here. They didn't know to what extent, but they knew this went beyond a 'oh, he's just playing along' or 'no, huh, this isn't normally like him.'
No, I think this is the moment, literally the first, that they're seeing Silco vulnerable around Jinx. Possibly in front of them as well, but mostly, they're witnesses to how he drops a fragment of his walls with this child. The first moments of where he's developed that protective, needing co-dependency with her, that's going to define their characters.
I don't think any of them knew it yet, how massively defining this moment is to... well, EVERYTHING. But they clearly know there's something up with the image in front of them, based on the fact that is just... not something they expect their boss to do. Although based on his response to all of Jinx's antics for the rest of the show, I doubt they could be surprised, after seeing THIS as his first-response to Jinx-
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In conclusion, Silco's gang knew something had changed the moment Powder/Jinx flung himself into his arms. His response to her, the fact that he allowed her to do it, and then reciprocated it?
Yeah, they knew that something had changed here. They knew it the moment Jinx came into his life, but they had no idea what this would mean in the long-term. Only that yeah; something was definitely changed here.
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the-bau-quinjet · 3 years
Text
Secret's Out
Summary: Request! Reid and Y/N are secretly dating, but their business doesn't stay their business for long.
Warnings: Criminal Minds level violence
Word Count: 2974
a/n: Thank you for the request! I hope you like it :)
Sorry this took forever! It took me a while to think of case details that I liked and then I kept rewriting parts. I think I'm finally happy with it though!
Masterlist
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"Spencer!" You pushed him away. "The doors could open at any moment! How are we supposed to keep this a secret if Morgan walks in on us kissing in the elevator?" You raised a brow at him.
"On average, elevators travel at a speed of 200 ft/min or about 4 seconds per floor. Being on the fifth floor means we have about 20 seconds to ourselves." He smiled triumphantly.
"Yeah, until someone surprises us on floor 3." You rolled your eyes, stepping out of the doors once they opened.
"I can't help it. I'm just... really happy with you." He whispered softly.
"I'm really happy too." You smiled at him. You were about to lean in when the elevator doors opened once again to reveal JJ and Emily.
"Hey guys, ready for another case?" Emily glanced between you suspiciously, but thankfully didn't ask any prying questions.
"Yep, let's go!" You turned quickly, walking into the round table room without so much as a glance back at the three agents by the elevator.
"What's with her?" JJ questioned.
"Said she didn't sleep well last night. Must be all the caffeine." He held his own cup off coffee up in solidarity before also walking to the round table room.
"Alright, we've got 3 dead in Billings, Montana. All three were law enforcement, and all three were found this morning around the city." You listened as Penelope introduced the details of the case.
"Could be someone who feels the police didn't do a good enough job protecting a loved one?" You threw out a theory.
"Or someone who feels wronged by the criminal justice system as a whole." Rossi added on.
"Either way, they likely won't stop until we catch them. Wheels up in 20." Hotch rose from his seat as he spoke, wasting no time in preparing for take off.
You all dispersed briefly to grab your go bags, meeting back at the SUVs to head to the jet.
Once boarded, it didn't take long for the conversation to start up again.
"When we land, L/N go to the morgue. Dave, Prentiss take the first and second crime scenes, they're only a mile apart. Morgan and Reid, check out the third scene. I'll head to the precinct with JJ."
With Hotch's instructions set, you took what little time you had left on the flight to go over the causes of death.
-
"Anything stand out to you on the bodies?" You asked the ME after going over the blunt force trauma and bullet wounds.
"There's tape residue and bruising on the wrists and ankles. Based on the state of bruising, they were likely held for about 3 days before they were killed."
"Thank you for your help." You shook hands, pulling out your phone to call Hotch.
"Hotchner."
"Hotch, they were held for days before they were killed. How did nobody notice they were missing?" There was nothing in the reports that indicated the victims were reported missing prior to being found.
"We just found the same pattern. They all used vacation days for various reasons in the days leading up to their deaths. Meet us back at the precinct and Reid can explain the whole pattern."
"Okay, I'm leaving now." You hung up just as you reached the SUV. Throughout the drive, you couldn't stop thinking that something wasn't adding up.
The victims were taken in the same day. It didn't make sense for the unsub not to escalate. So, why aren't any officers unaccounted for?
Suddenly, a truck crashed into your SUV, sending you flying off the road. A figure dressed in black opened the door and dragged you from the car.
"Agent L/N, it's so good to see you again." A male voice spoke, but you couldn't place it.
He hit you over the head with a handgun before dragging you to his own vehicle.
-
"Where's L/N?" Emily questioned when her and Rossi returned from the second dumpsite.
"On her way back from the ME." Hotch answered. "Did you find anything useful?"
"They truly are dumpsites. Both bodies were found by dumpsters, sending a pretty clear message." Dave replied.
"Same for the third site." Derek added on.
"All three victims were single and took time off leading up to their death. Nobody would've notice that they were missing until it was too late." Reid supplied the final bit of information gathered.
Hotch's phone rang before anyone else could comment. The frantic sound of Garcia's nails clicking against her keyboard echoed through the phone. She was talking before anyone could greet her.
"You need to see this, check your tablets."
Confused glances were exchanged as everyone, barring Reid, opened their tablets. Reid glanced over Morgan's shoulder to observe as well.
A seemingly live video that Garcia received a link to was streaming to the tablets.
A single woman sitting in a chair could be seen in the frame. Her wrists and ankles were bound to the chair with thick, gray tape and a bag was over her head.
"Garcia, what is this?" Hotch asked almost immediately.
"I was emailed the link just now. It's not streaming anywhere else online." Her reply came quickly, the sound of typing still filling in the silence.
"Can you trace it?" Rossi questioned.
"I'm trying, but it's being routed through multiple proxy servers."
"Did the email say anything?" Emily chimed in.
"No, it was just the link- Wait. I just got another email." She paused as the new email loaded. "It's addressed to Reid."
Every set of eyes in the room turned to Reid.
"What does it say?" He felt the nerves beginning to grow waiting for Garcia to read the words aloud.
"Dr. Reid,
I hope you remember me. What am I saying, of course you do. I've got something of yours that you might want back. You see Dr. Reid, you and your team ruined me. My family, my career, all of it, just gone. I thought I'd return the favor. A person's phone can be so informative. Tell me, does your team know about your girlfriend? I've so enjoyed getting reacquainted with her.
Happy hunting."
Spencer's face went white as he looked at Morgan's tablet again. His thoughts were racing. How did he not recognize you before? Even with the bag over your head, he should've known it was you.
"It's her." His words were barely a whisper.
"This is your girlfriend?" Morgan gestured to the screen again. Spencer could only nod in reply, his mind unable to focus on anything except you.
"Reid, listen to me. You've got to tell us everything you know about her. We'll have to split up. You can go back to Quantico with Emily and Morgan, the rest of us will stay here to work on our current case." Hotch was already devising a strategy to work both cases.
"There's no need." His words made sense to him, but sounded cryptic to the rest of the team.
"Kid, of course there is. We'll help you get her back." Morgan placed a hand on his shoulder, effectively shocking him back to the present situation.
"There's no need to split up because she's here. She's in Montana." Before he could continue, everyone was asking questions.
"Give me a phone number and I'll get you a location." Garcia was already typing away again.
"Are you sure she's here?" JJ's brows furrowed. She did her best to hide the hurt of her best friend hiding his girlfriend from her, again.
"Why would she be here?" Rossi added.
"How did she get here? Maybe we can track the transportation and figure out means of abduction." Emily was the only one thinking about the case.
Like ripping off a bandaid, Spencer blurted out the truth.
"It's Y/N."
He was met with silence in the room as everyone absorbed the information.
Garcia caught up first, a sudden gasp sounding through the phone.
"So, then that's Y/N... in the video..." Her voice wavered.
As if a switch was flipped, the team was back on the case.
"Garcia, get me a list of anyone who would have a grievance with the team." Hotch ordered.
"Go through anyone who was falsely accused. Start with cases in or around Montana. He would want to keep this close to home." Rossi specified.
"We've only had one case in Montana since Y/N joined the team." Reid supplied the knowledge as it came to him. "A name, I need a name." He muttered to himself, pulling his hair as he roughly ran his hands through it and over his face. "Garcia, look into Jameson Braddock."
"Got it." She immediately began a background check, searching through case files and news articles for additional information. "i'll get back to you with locations." With that, she hung up.
"Fill us in, kid. Who is Jameson Braddock." Morgan lead Reid to a chair, gently easing him into it.
"Our last case in Montana, Emily and I went to interview a witness." Emily nodded, the memories slowly coming back to her.
"He wasn't very forthcoming, and then he tried to run." She added on.
"Exactly, except he didn't make it very fair. We arrested him, but it turned out he was only guilty of selling alcohol to minors. When word of his arrest got out, the whole town thought it was for the serial rapes and murders we were investigating even though it was never confirmed."
"By the time we corrected the media, it was too late." JJ supplied, also remembering the man.
"So, he killed three officers just to draw us out back out here?" Morgan refocused the conversation on the current case.
"It looks that way now. The media knew we were coming, so he must have as well." Emily theororized. "If he followed us from the airport, he would've seen Y/N leave by herself."
"He likely didn't know about your relationship until he abducted her and went through her phone." Hotch paced the room.
"He's flaunting his power over us." Rossi chimed in just as Hotch's phone rang again.
"Garcia, what've you got?"
"Three addresses in Billings, Montana. Jameson Braddock has been on a downward spiral since your last trip there. His entire life fell apart, like he said. Divorced, his wife moved to Nebraska with their two kids. He lost his job at the high school, and was evicted from his house when he could no longer pay the bills." She listed the information quickly.
"He has ties to three addresses. Nobody has moved into his previous house, so it's vacant. He's got a small apartment in the northern part of the city which he pays for through working odd hours at Taco Bell. Finally, he briefly worked security at a now abandoned warehouse."
"An apartment wouldn't be enough space to hold her without the chance of someone hearing. She's not there." Rossi eliminated the location as an option.
"We'll split up to cover the warehouse and the house-" Hotch began, but Reid cut him off.
"No, we shouldn't split up. She's got to be at the house. The warehouse has no connection to his previous life. He wants revenge for our perceived wrongdoing, he wouldn't make his last stand at a new location." Reid was already putting on a bullet proof vest. Despite how his mind was racing, he refused to show how afraid he was.
"You're sure?" Morgan asked, on the fence about committing to one location.
"Absolutely." With that, Reid was out the door heading for the SUVs.
-
"Rossi, Emily head around back. I'll take the front with Reid. JJ and Morgan, the side door." Hotch instructed the team to split up upon arrival at the house.
Reid wasted no time in approaching the house. He was confident you were inside, but he didn't know what was happening to you.
The main floor was cleared quickly. Again, the team split up to cover the upper level and the basement.
Knowing you were likely downstairs, Reid immediately started that direction, JJ and Hotch following him.
It wasn't hard for him to find you. You were still tied to the chair in the middle of the room, bag over your head.
Before anyone could stop him, Reid lowered his gun and ran to you. He gently maneuvered the bag off your head, stopping his movements only when he felt something press into his back.
"Dr. Reid. So kind of you to join us." Braddock spoke maniacally, pressing the gun against Reid's head.
"Drop your weapon." Hotch commanded, but the man only cackled in response.
'Y/N... Y/N." Reid gently shook you in an attempt to wake you up.
"She can't hear you." Braddock singsonged.
"What did you do?" Reid tried to turn to him only to feel the gun press further into his head.
"Like I said in my email, you people ruined my life. They took everything from me, so I thought I'd try to return the favor." During his short speech, Braddock shifted just enough for JJ to get a clean shot.
He fell to the ground, gun clattering across the floor.
Reid moved quickly to remove the tape binding you to the chair while Hotch called for a medic in the basement.
The entire team watched as you were wheeled into the ambulance, still unconscious, none more scared than Spencer.
-
"She's going to be fine, Spence." JJ tried to reassure him, nonetheless his pacing continued.
"You don't know that. We don't even know what he did to her." He had one hand anxiously running through his hair, the other pinching the bridge of his nose in distress.
Just then, a doctor emerged from behind closed doors.
"F/N L/N." She called into the waiting room, slightly taken aback when the group of agents rushed to her.
"It was touch and go for a while, but she got here just in time." It was visible to even the least qualified profiler how relieved the team felt. Their previously tense shoulders relaxed, frowns turned to small smiles, wide eyes and raised brows pinched together with joy.
"What happened?" Emily posed the question everyone was thinking.
"In short, she was drugged. It's not clear what exactly was used, but it was likely a mix of drugs that attempted to stop her heart."
"Can we see her?" Morgan spoke next, cautiously eyeing Reid.
"You may, follow me." The doctor lead them through a series of hallways to your room. "She should be waking up soon."
With that the doctor left, allowing the team to file into the room. You looked strangely peaceful for someone who almost died.
"So..." JJ glanced between you and Spencer. "Girlfriend, huh?"
His eyes went wide. Instinctively, he turned to you for help, but you were still asleep. He opened his mouth to answer, but no words came out.
"Relax, kid." Morgan grinned. "We're happy as long as you two are happy."
Spencer smiled gratefully, looking at you with an adoring gaze. "We are happy."
"How long?' Emily gestured to your joined hands. Just before Spencer could answer, you groaned.
"I want to hear your guesses first." Your voice was raspy, but there was a clear smile on your face. "Also, what happened?"
The quickly explained the email Garcia received and the events that followed.
"Now that that's cleared up, do tell us how long you think we've been together. I know you've got a bet going." You narrowed your eyes, playfully glaring at each team member.
"4 months." Hotch begrudgingly admitted. JJ followed with 3 months, Derek and Rossi both betting 10 weeks, and Emily going with 6 weeks.
"Ha, you're all wrong." You smiled triumphantly, leaning closer to Spencer.
"Wait, we haven't heard from Garcia." Derek smirked as he rung her on speaker phone.
"Oh, my beautiful crime fighters. Y/N, are you okay?" Your smile widened at the concern in her voice.
"I am indeed, but I have a very important question for you." You glanced as Spencer briefly before continuing. "How long do you think Spence and I have been together?"
"Oh, I know this one!" Her excitement caught everyone but you off guard. "7 months, 2 weeks, and 3 days."
Spencer's jaw dropped as he stuttered out, "that's exactly right..."
"How'd you figure it out?" The group of profilers wore matching expressions of surprise as Penelope explained.
"Well, we had just finished testifying in the Bigelow trial. The whole team went out for drinks, and I could just see it in Y/N's eyes the next day that something wonderful happened. At first I just thought that she got some, but then I saw her and the good doctor in the kitchen getting coffee and I knew." Penelope's voice held a mixture of smugness and pure excitement.
"Babygirl, you didn't tell me?" Derek sounded genuinely offended.
"Y/N asked me not to." Even though you couldn't see her, you knew she punctuated the statement with a shrug.
"You knew, she knew?" Spencer turned to you in shock.
You nodded. "I could see it on her face the second I walked out of the kitchen. But she promised not to tell, so I didn't either."
"The two of you, thick as thieves." Rossi lamented.
"I love you so much." Spencer whispered into your ear as he pulled you in for a hug.
"I love you too." You whispered right back.
"Honestly, I'm glad the secret's out." You smiled at Spencer before looking at the rest of the team. "Although, I wish I didn't have to be kidnapped to tell you."
You spent a few more hours in the hospital before being cleared to go back to the hotel.
The next morning, you smiled to yourself as you were finally able to cuddle with Spencer during the flight home.
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Permanent taglist:
@averyhotchner
@jesuswasnotawhiteman
@strawberryspence
@sebastnstn
Criminal Minds taglist:
@mac99martin
@goldeng1rl8
@measure-in-pain
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robininthelabyrinth · 3 years
Note
I'd like to see more of the Jiang Cheng has spider venom fic. Mostly because I want to see him bite someone else. How about a Jin?
Normal For the Spider - Extra: 5 People Jiang Cheng Bit, Some of Whom Deserved It
ao3
1 – Wei Wuxian
“So I’ve been exchanging letters with shijie on account of the whole theoretically banished business,” Wei Wuxian said as they strolled down the Qiongqi Path together, Wen Ning behind them making shy stuttering friends with the handful of Jiang sect disciples Jiang Cheng had brought along with him – he’d deliberately picked the friendliest and most social of the lot, the ones that acted like overgrown puppies and wanted to adopt everyone they met, and sure enough they’d mobbed Wen Ning like a bunch of crows intent on raising the poor little sparrow they found into a proper bird. It was no more than Wen Ning deserved, in Jiang Cheng’s opinion. Someone needed to socialize him, and clearly neither his sister nor Wei Wuxian were doing crap about it.
“That’s nice,” Jiang Cheng said. “If by nice you mean extremely suspicious. What about in particular?”
“Your family inheritance.”
“Is this about the summer house we have near that mountain lake? I told you, it’s been deserted for years and may possibly be haunted by something resistant to the usual liberation techniques, but if you really want to go there, you’re of course allowed…”
“That’s not the inheritance I meant and you know it.”
Jiang Cheng rolled his eyes. He did know it. “What questions do you have now?” he asked. “More medical stuff from Wen Qing?”
She’d recovered from the venom very well and immediately started wanting to know everything. Recovered a little too well, in Jiang Cheng’s opinion.
“No, this one’s for me,” Wei Wuxian said. “We’re going to Lanling City in order to let Jin Ling bite me as a way to establish familial ties and let him ‘absorb’ good aspects from my personality, right?”
Jiang Cheng nodded.
“So in some cases, biting is an act of affection?”
Jiang Cheng nodded, a little more warily.
“Then how come you’ve never bitten me?”
“It’s only affectionate when you’re a baby,” Jiang Cheng said. “Once you grow into your childhood venom, it starts being dangerous, even to family; you don’t do affection-bites after that point. And when you’re an adult…well, you saw Wen Qing!”
“Eh, she’s fine now,” Wei Wuxian said cheerfully. “I feel like I missed out! It’s not fair, Jiang Cheng. I deserve a bite! I’m practically your brother! We share essential bodily organs!”
“Wei Wuxian! Don’t talk about that!”
“Bite me and I’ll stop.”
“I’m not biting you just to make you stop being annoying –”
2 – Jin Zixun
“What are you doing here?!” Jiang Cheng demanded. “This is an ambush! Is the Jin sect considering waging an act of war against the Jiang sect?”
Jin Zixun scowled at him. “Not against the Jiang sect,” he said haughtily. “Against the Yiling Patriarch.”
“He’s my head disciple!”
That got a confused sort of frown. “But you banished him…?”
“Rumor,” Jiang Cheng said, with dignity, the way they’d always planned. “Baseless rumor, that’s all.”
Rumor he’d never denied, and had instead implicitly encouraged so that people would leave his Jiang sect alone for a little while as he gathered up strength and resources to tell them to fuck off.
“But…” Jin Zixun hesitated. “You just – attacked him?”
Jiang Cheng glared at Wei Wuxian, still lying prone on the ground with his head in Wen Ning’s lap to elevate it and his neck bandaged but still a little red – surely the paralytic had worn off by now?
Wei Wuxian noticed him staring and gave a jaunty little wave, grinning and very clearly regretting nothing, which meant that the paralytic had worn off and he was just lying there to be comfortable while watching the fun.
Typical.
“A friendly exchange,” he said, trying to maintain his dignity. “Also? Not the Jin sect’s business. What about you? What did you want with him?”
“I want him to remove the curse he cast on me,” Jin Zixun said, and he strode forward before Jiang Cheng could stop him and kicked Wei Wuxian in the side. “You hear me, you bastard?! I want the damn thing gone this instant or else –”
3 – Wen Ning
“So this is going to be a little awkward to explain,” Jin Zixuan said, rubbing his face. He looked tired, but that was possibly a side-effect of having Jin Zixun as a cousin. “Tell me, why are my cousin’s flunkies – er, I mean, my cousin’s friends convinced that it was Wen Ning that poisoned him?”
Jiang Cheng scowled.
“No offense meant,” Jin Zixuan added, nodding politely to Wen Ning. “It’s just, you know, you’re very much not a Yu, or even a Jiang.”
“No offense taken,” Wen Ning mumbled, though to Jiang Cheng’s eyes he looked a little pleased, even if his stiff wooden face still didn’t do emotions all that well. “It’s nice not to be automatically feared.”
“It’s because Wen Ning punched Jin Zixun in the face at the same moment that I bit him,” Jiang Cheng interjected, because someone needed to answer the actual question. “And then Jin Zixun fell over and someone started shouting about corpse poison – even though he’s obviously turned purple! Purple venom, purple spider, purple lightning…what part of this thematic color scheme is not obvious?!”
“Technically, the livor mortis spots generated by corpse poison are also purple,” Wei Wuxian said, completely unhelpfully. “According to Wen Qing, it’s the lack of oxygen in the blood pooling under the skin or something, which is the same thing your mom’s poison does.”
“Do you think you’re helping?” Jiang Cheng demanded.
“No, not at all. Did I sound like I was helping? I didn’t mean to.”
“I’m going to bite you again, you little…”
“My father isn’t going to want to let Wen Ning through the door if he’s considered a possible threat,” Jin Zixuan said, wisely deciding to carry on with the conversation despite their bickering. “You know he’s been saying all those things about how dangerous the Yiling Patriarch is – this’ll just feed into that.”
“I’m not going to Lanling City without Wen Ning!” Wei Wuxian exclaimed. “Wen Qing made me promise! It’s his first time visiting such a big place, too!”
“I’m pretty sure Wen Qing made you promise not to leave him behind because she was worried about your well-being, not Wen Ning’s ability to be a tourist,” Jiang Cheng said.
“Doesn’t matter! I’m not leaving him, and I’m definitely not going to not attend the party, so you have to fix this!”
“I don’t know how to fix this –”
Wen Ning coughed lightly. “Uh,” he said. “Jin-gongzi…would your father let me in if I wasn’t a threat? Say, if I was unconscious?”
A moment of silence.
“…does venom work even on fierce corpses?”
“Of course it does,” Jiang Cheng said irritably. “It wouldn’t be much of a defense mechanism for a cultivator if it didn’t.”
4 – Jin Guangshan
“I didn’t mean to!” Jiang Cheng said, his hands over his mouth. “I really didn’t mean to! It’s Wei Wuxian’s fault!”
“How is this my fault?!” Wei Wuxian asked. He looked amused, which was never a good sign, and even less so given the extreme crisis of the situation. “I wasn’t even in the room.”
“You encouraged me to keep biting people as a solution to everything!” Jiang Cheng hissed. “It got me in the mood. I wasn’t thinking!”
He looked down at the unconscious (and swiftly purpling) Jin Guangshan and grimaced. There was no convenient Wen Ning to put the blame on this time: it had been just the two of them, Jin Guangshan and Jiang Cheng, alone in a room together. Jin Guangshan had wanted to have words with him, sect leader to sect leader, which mostly meant that he wanted to throw his weight and seniority around to try to brow-beat Jiang Cheng into doing what he wanted, except that wasn’t going to work because Jiang Cheng was prepared, okay, he’d worked so long and so hard to try to build up the Jiang sect until it could resist Jin sect pressure.
And he’d probably just ruined everything.
“He has legitimate grounds to declare war against us now,” Jiang Cheng said miserably. “Or maybe to demand that we hand over that stupid Tiger Seal he keeps bugging you about as reparations, or in order to keep him from declaring war…”
“We can’t let him have it,” Wei Wuxian said at once. “It’s far too dangerous. I’d destroy it, first.”
“But then he’d still have a reason to strike against us…”
There was the soft sound of someone clearing their throat, and at first Jiang Cheng thought it was Wen Ning but when he looked up it was Jin Guangyao, instead. He looked the same as always, gentle and personable and smiling, which struck Jiang Cheng as being unaccountably weird for some reason that he couldn’t figure out until he remembered that the man’s father was currently lying on the ground being poisoned and maybe Jin Guangyao shouldn’t be smiling so much.
“If you don’t mind,” Jin Guangyao said, “I might have a suggestion that would get rid of that problem…”
5 – Wen Qing
“…and long story short, Jin Guangyao is going to run Lanling Jin until Jin Zixuan is done having kids, which may be never based on the soppy looks he and my shijie keep exchanging, and we all have the Jin sect’s blessing to move back into the Lotus Pier,” Wei Wuxian concluded. “All’s well that ends well, right, Jiang Cheng?”
Jiang Cheng crossed his arms and glared, admitting nothing.
“I’ll be happy to move anywhere that has decent food,” Wen Qing remarked. “This damn place won’t even grow radishes properly, and it’s Yiling; the radishes should be practically growing themselves.”
“I’ve arranged for some farmland for your people,” Jiang Cheng said, because practicalities he could do. “There’s still lots left over from before the war, lying fallow, and some of the places are medicinal herb fields – we need people with cultivation to tend to those, so I figured that might work for you. You’d have half regular farmland, to make sure you can grow whatever food you feel you need to be comfortable, and the other half, the herbs, can be sold to the Jiang sect at profit.”
“That sounds good,” Wen Qing said.
“Especially since they’re medicinal herb plants,” Wei Wuxian chimed in. “You could stock up on medicines you need!”
“A lot of medicines have to be obtained through trade, you utter nincompoop! I can’t make medicine just using what a single medicinal herb field will generate!”
Jiang Cheng nodded approvingly, thinking to himself that at least there was someone else in the world who understood exactly how aggravating it was to have to deal with Wei Wuxian’s unbridled and illogical optimism on a regular basis.
“And as for you,” Wen Qing said, turning to Jiang Cheng, who blinked owlishly at her. “Don’t think I missed the part of that story about how biting people is a sign of affection!”
“It’s – what?! No, you don’t – that’s when we’re children– it’s –”
Wei Wuxian started cackling.
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mochacoffee · 4 years
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I created a 3D model and floor plan of Aziraphale’s bookshop in Good Omens!
I really wanted one for reference and it seemed like many others did too, so I put together my best approximation of where everything is. Beneath the color version, you’ll see I’ve included two simplified, labeled versions of the plan. The verbal labels are so you know what the object is. The numerical labels are there to make it easy to find more information about the object. I’ve put a numbered index below the cut that features the relevant reference images I used for each object and some more information about why I put it where I did/why it’s relevant/etc. I want to be very clear that I did not add anything to this from my own imagination; every single item and feature represents something I actually saw in the shop.
If you have any questions or want more information about this, PLEASE do not hesitate to ask! I put so much time into figuring it out and I would be more than happy to be a resource for anyone who needs it. Also, if you notice any errors, let me know and I’ll update the post. I hope this is helpful!
Update: Here’s a link to an interactive view of the shop! It takes a moment to load. You can click the “3D” tab in the top right to view it in first person and walk around inside. Double click a spot on the floor to move there and pan around by clicking and dragging. The oval symbol next to the person walking gives you a birds-eye view.
Update 2: Here’s a higher quality rendering of the first person perspective! Update 3: I made an alternate first person render here complete with a ceiling, light fixtures, and ambient lighting from outside. This one is optimized for making it seem more like you’re actually there, whereas the previous one is for maximum visibility. This render also has some minor accuracy improvements, which are detailed under the cut in the relevant sections. (The first interactive link with the birds-eye view updates automatically.) Update 4: In case you’re interested in Aziraphale’s books specifically, I’ve made a catalogue of those here.
1. Unknown closet
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There is a door behind Gabriel when he talks to Aziraphale in the backroom. So where does it lead? Well. The wall we can see behind Aziraphale when he encounters Shadwell in the shop (see #17: boxes/storage) doesn’t have a door in it. It’s also facing the wrong direction and it’s in the middle of the southwest wall ⁠— we know this because Aziraphale can see Shadwell in the entrance from there. So the wall behind him at that moment is definitely not the wall of the backroom. We’re left with this door and unaccounted-for corner. The only thing that makes sense to me then is that there’s a closet there between the two spaces. My personal theory is that this closet is “the back” that Aziraphale refers to keeping the Châteauneuf-du-Pape in since I didn’t see any other obvious alcohol storage space in the shop. Update: @n0nb1narydemon has suggested this could be a bathroom for guests or because culturally it’s a room you can use to extricate yourself from situations, which is another possibility! They also asked where I think the doors behind object #20 lead, and I thought it would be good to add here that they might lead to the shop next door or to this unknown room. It’s possible the room actually extends further into the next shop and encompasses the part of the wall where the doors are, but I didn’t have concrete evidence to support that idea so I didn’t include it in the floor plan. Update: I was wrong about the Châteauneuf-du-Pape! In the DVD bookshop tour we learn that the cabinet in the top left corner of the backroom is where Aziraphale keeps his alcohol, including that particular wine. I added a reference photo of Neil pointing it out. Thanks to @fuckyeahgoodomens​ for bringing the existence of this tour to my attention — ya girl got the special edition blu-ray even though I don’t have a blu-ray player yet so I hadn’t actually seen it. Also, there is a chair right next to this cabinet against the wall which I missed in my initial rendering of the shop but have since added.
2. Part of shop next door (top right)
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This was very tricky to figure out because you can see from the exterior of the shop that there is no wall past the back door, but from the interior there is clearly more space there. BUT in a behind the scenes photo of David during the fire scene, you can see on this back wall that there’s actually a nook with two large entryways, similar to the one that makes up the backroom. From the exterior you can see that the area next to the back door is taken up by the window of the next shop, so I concluded that this little square of space was not part of the bookshop’s interior, but the nook did extend further back than where the shop appears to end from the outside. I had to make one bookshelf more nubby than the others to make this work, but after a LOT of trial and error I decided one nubby bookshelf was the only thing that could explain the apparent architecture of the space. Any floor design that accounted for a bookshelf of the same length as the others just did not make sense on a fundamental level.
3. Part of shop next door (bottom left)
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From the exterior of the shop you can see that this window belongs to the adjacent store, as the wall is a different color. Within the bookshop you can also see when Gabriel and Sandalphon enter the backroom, there’s no window behind them; there’s a sink. So it’s definitely not Aziraphale’s window. The wall of the backroom is also further into the shop’s interior than the wall Aziraphale’s desk sits against, so there’s a corner of space inside that’s unaccounted for. At first I assumed it was plumbing from the sink that had been sealed off or something, but when I realized that’s where the window was on the outside, I figured the space is probably part of the next shop over.
4. Aziraphale’s desk
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This is where Aziraphale sits in the shop like 90% of the time. It’s on the Eastern side of the shop because Aziraphale was the guardian of the Eastern gate in Eden and because production designer Michael Ralph is a goddamn genius (source). Shout out to @posted-omens for this fascinating post analyzing the chariot sculpture on his desk. Update: Fun fact, the ladder behind his desk is actually called a library chair, supposedly designed by Benjamin Franklin. It functions as a ladder but you can also fold it into a chair! Neil mentions this in the DVD extra bookshop tour. I added screen caps of it to the reference photos above since I don’t have a specific section for the ladders!
5. Phone Aziraphale calls Crowley from
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I will be honest with you: I think there’s something a little fucked up about this corner. It is my nemesis. I tried so many things to make it work and I just could not get it exactly right, but what you see in the floor plan is my best guess as to what’s going on. The conundrum is that the spot where Aziraphale stands when he’s on the phone with Crowley is definitely closer to the fence around the staircase than it is in my layout. But the table he’s in front of is also clearly against the outside wall of the backroom, and the stairs being where I’ve put them here is the only thing that made sense based on the reference photos. So there’s some weird spacing issue where there’s a little too much room between the fence around the stairs and this phone. If I were to move the walls to close that gap then there would be way too much space in the backroom and way too little space on the southwest side of the shop, so I think the walls are correct as they are. So  ¯\_(ツ)_/¯. What I can say for certain is that the phone is there and it’s on a table next to a lamp, and the table is definitely against the wall of the backroom and behind the staircase. The distance between these things doesn’t hold up perfectly, but their arrangement does. On another note, this is one of two phones in the shop. The other is on the table next to the cash register (see #9) which Aziraphale picks up when Crowley calls to say they need to talk about Armageddon. I believe this is the same one he uses to call Adam’s house in episode two, only he moves it from the table by the register to the top of a pile of books (which I’m pretty sure were stacked on the circular table between his desk and the sofa). Update: OKAY SO it turns out in the behind-the-scenes bookshop tour on the DVD we get two more teeny tiny glimpses of this corner! I added them to the reference photo album above. It appears I was right about the lamp, phone, and bookshelf being where they are, except that the bookshelf and table are touching. There’s also a ladder propped against the shelf. I’d say it’s possible there are actually two bookshelves here; based on the parallax in the DVD tour, the one next to the phone didn’t appear to be against the wall, but we know there is a bookshelf against that wall because we see it in the show. (P.S. There’s also another chair against that wall which I didn’t see because Aziraphale was standing in front of it, so I added that too.) This leads me to believe there’s one against the wall and another one further from it next to the table. But that’s just my speculation, so I won’t change the actual floor plan unless I find more evidence.
6. Where they’re drinking when Crowley realizes Adam has named the hellhound
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When Aziraphale sits down at this table, the background is of the same space he refers to as the “backroom” when Gabriel and Sandalphon show up. He’s across the table from Crowley, behind whom you can see a bookshelf, the staircase, and the coat rack. The table is half in the backroom half out, since the room has two large entryways in its wall. Update: I realized the wall behind this table actually dips back further! It is a weirdly-shaped wall! But in the DVD special tour of the bookshop Neil walks past it and there’s clearly an area that recesses even further, so I’ve modified that in the interactive floor plan :)
7. Bench of books that start the fire
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When Shadwell leaves the book shop and slams the door, one of the candles knocks over and rolls into a pile of books and other papers (including the Sound of Music lmao). You can see it’s the same bench the customer is standing in front of when he gives Gabriel a weird look after he yells about pornography. (I love this customer so much because they gave me a super HD shot of this particular area.) The poles of the fence around the bench, the staircase behind it, and the smaller shelves beside it holding Terry Pratchett’s books make it clear that the bench is in that spot in the shop and that it’s the place the fire starts.
8. Coat rack with Terry’s hat on it
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Aziraphale hangs his coat here right before Crowley calls him to say they need to talk about Armageddon. Out of focus in the frame you can see the lion sculpture that sits on the fence surrounding the stairs (see #11) and a bookshelf. The camera pans past the shelf and we see him walk past his desk to pick up the phone by the cash register, which puts that shelf right next to his sitting area. We can also see the coat rack in the background when Crowley realizes Adam has named the hellhound. The coat rack has Terry Pratchett’s hat and scarf on it in his honor (source).
9. Antique cash register
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You can see this register in the background when Crowley is on the couch and when Aziraphale invites Gabriel and Sandalphon into the backroom. I know it’s an antique cash register because it’s photographed and referenced directly on page 79 of the Good Omens TV Companion. It’s a typewriter in my floor plan because the website I used (floorplanner.com), who knows why, did not have a 3D model of a cash register from the early 1900s.
10. Back door
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Thank you so much to @fuckyeahgoodomens for this post where they figured all this out!! Wonderful work! You can see this door from the exterior of the shop and its existence is referenced in the Good Omens script book on page 94. It’s also in the background of a behind the scenes shot of Aziraphale pulling away the carpet so he can contact heaven. Behind him in that shot you can see the bust (which moves around a lot - see #19) and a grandfather clock, and in the show from one of the aerial shots you can see that the carpet is pulled west, further confirming the door’s location.
11. Fence around the stairs
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I have concluded that this is a fence to keep customers from going up to the second floor. It looks to be made of golden pillars with wooden shelving atop them. The fence crosses beneath the staircase on one side and the other side ends about where the stair’s railing does. You can see this fence behind Crowley when he realizes Adam has named the hellhound, behind Aziraphale when he calls Crowley to tell him he knows where the antichrist is, and next to the customer who gives Gabriel a look after he yells “PORNOGRAPHY!” It’s also visible in one of the aerial shots of the shop. Update: In the DVD extra bookshop tour I noticed the lion sculpture on this fence is not just a lion, but a lion with a woman holding its mane. I think it might also be a lamp? In one of the reference photos, the one that looks down from the second floor, it appears there’s a light in the woman’s other hand. I’d be interested to see if we can track down what this particular sculpture is and what it might mean. Update: @cantdewwrite has suggested here that the light/sculpture could be a replica of one of the bronze statues in the Victoria Memorial, which does look quite similar. I’m fairly certain Aziraphale’s sculpture is of a woman, which would make it the figure in the memorial representing peace.
12. Open book of illustrated story of Adam and Eve
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Shout out to @amuseoffyre for this post where she figured out what this was! Update: I’ve determined that this book is The Gospel in the Old Testament: A series of pictures by Harold Copping. The painting is, naturally, by Harold Copping. It’s called “Adam and Eve after the fall.” Unfortunately this book is out of print and I haven’t been able to track down an ebook or scan of it, so I can’t confirm the text just yet. But based on its premise, I think it’s safe to assume that it’s telling the story of Adam and Eve directly. Aziraphale has a second copy of this book visible on the shelf next to the sofa.
13. Antique computer
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This is the computer Aziraphale does his extremely scrupulous taxes with, as confirmed in this ask that @neil-gaiman answered from @prismatic-bell! It’s an Amstrad, according to the bookshop tour in the DVD extras.
14. Spiral staircase
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These stairs are in many shots of the shop so it was pretty obvious where they were.
15. Sink, teapots, etc.
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You can see this wall right before Gabriel walks into the backroom and behind Aziraphale when he’s drinking with Crowley at the end of episode one. It appears he has two hand towels, a ceramic angel soap dish (aw), some teapots, and a decorated box above it, among other things. On the floor beside the sink is what I believe to be a broom handle, though it could be a mop? Next to that is a bronze statue of an angel atop a small table piled with books. On the other side of the sink is an open book on a stand ⁠— it has a fabric bookmark in it with a crucifix at the end, so I’m assuming it’s a bible. Light reading while you make your tea I guess. Update: Thank you so much to @brightwanderer for pointing out in this post that he has four extra angel wing mugs above the sink as well! I couldn’t figure out what they were! Update: Neil said in this ask that you can see an oven by the sink when Gabriel and Sandalphon walk in. Which you can! It’s real small and there’s a little pot on top of it. I’ve added a screencap of it to the images album for this area. Update: I’m donating my heart and soul to @ack-emma for suggesting in the replies to this ask that the central object above the sink is a samovar!! I had never heard of this so I had absolutely no idea what it was, but I think they hit the nail on the head. Y’all Aziraphale really likes tea.
16. Sculpture
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Thank you @ineffable-endearments, @behold-my-squeees, @srebrnafh, @aethelflaedladyofmercia for contributing to this post about the statue and its potential symbolism! Update: @doctorscienceknowsfandom has added some analysis to the post above suggesting that this is a sculpture of Paris, the figure from Greek mythology. I’m inclined to agree! Update: BINGO! @tifaria​ has found Aziraphale’s exact statue (confirmed Paris!) in this post. Brilliant work!! This community continues to blow me away. Further discussion about the sculpture’s meaning in the context of the show here — be sure to check the notes for further commentary.
17. Boxes/storage
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These boxes and piles of books can be seen behind Aziraphale when he encounters Shadwell in the shop and behind Crowley while he’s rambling drunkenly about why they should stop Armageddon in episode one. They’re in a nook that goes further back than where the shop appears to end from its exterior (see #2 for more info on that!). 
18. Stacks of books
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You can see this stack in one of the aerial shots of Shadwell in the shop. I didn’t include most stacks of books in the floor plan because they’re literally everywhere and I had to manually set how high each book would be from the floor, so putting them in piles got tedious very quickly. But I did include a few notable ones, and this is one of those imo because there’s not much else in that area as far as I can tell.
19. Bust
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This little guy moves around quite a bit, unlike most things in the shop. In some photos/scenes it’s where I put it on the floor plan, but in others it’s closer to the northwestern wall and in this 360 video of the shop it’s right between two of the columns. I chose to put it where I did because it’s there in the scene where Crowley is drunkenly rambling about Armageddon, whereas the other locations I’ve seen it in were from behind the scenes shots and stuff. I’m not sure who the bust is of! It appears to have a little ribbon with a medal around its next though. Update: More speculation about the bust here, courtesy of @aethelflaedladyofmercia! Update: @fuckyeahgoodomens has confirmed in this post that the thing around the bust’s neck is the medal given to Aziraphale by Gabriel in this deleted scene!
20. Divider I think?
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Please for the love of god if you know what this thing is, tell me. My best guess is it’s a room divider because what else looks like that?? But I don’t know why you would put a room divider there. And it still doesn’t look exactly like a divider either. But the decorative element at the top and apparent gap between the metal frame and the red bit leads me to believe it’s not furniture or a box. This mystery object is my second nemesis after the weird corner (#5). Update: @brightwanderer has suggested that it might be an embroidered/tapestry draft screen, which I think makes more sense! Update: In the DVD extra bookshop tour I found a very brief image of this item over Neil’s shoulder which I added to the reference photos above. I think by some miracle I was right and it is a divider. It could be a draft screen but at the very least it is shaped like a divider with at least three sections. Wahoo!
21. Record player
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This is the phonograph that’s playing Franz Schubert’s String Quintet in C major (thank you again to @fuckyeahgoodomens for that info) when we first see Aziraphale in the shop. It also plays Queen’s You’re My Best Friend when Crowley runs into the fire.
22. Terry Pratchett’s books
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Another one of the many little Terry easter eggs in the show is this set of his books! @devoursjohnlock made a post highlighting some other specific books you can find in the shop.
23. Chess set
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I saw a post once pointing out this chess set and the implication that Aziraphale and Crowley must play together sometimes, which I thought was a really nice detail to put into the set. But I can’t find the post to credit it! I will update this with a link if I do. Update: Pretty sure this is the post I saw. Thank you to @losyanya for mentioning it :)
24. Circular entryway
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This is one of many circle motifs that production designer Michael Ralph incorporated into the shop. It’s gorgeous. I think there’s actually more room between the archway and the door than I’ve included in this floor plan; Shadwell takes a few steps through it when he runs out of the shop. But I think the fix is just the door being further out from the entryway rather than the entryway being further in. I didn’t want to fuck with the walls to improve this particular area because when I realized the spacing was wrong, I was almost done and would’ve had to manually move each object in the shop over a few inches over. Made more sense to leave the caveat in a footnote. Update: In the DVD extra bookshop tour you get a brief glimpse of something on the inside wall of the entryway. I think it’s a wall sconce or something along those lines. There’s one on either side. I added them to the reference album above! I also figured out how to extend the walls to accommodate some more space there without having to move everything else, so I did that. Update: Here’s a link to some meta discussion about the cupid sculpture in front of this entryway!
25. Sofa Crowley sits on when he suggests they could be godfathers
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You can see that the sofa is next to Aziraphale’s desk and the cash register, and also that there’s a bookshelf behind it. From the entrance to the shop you can see two bookshelves on either side of the central circle, so it was pretty clear that the couch was on the other side of one of those shelves.
26. Wall crucifix
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I find it very interesting that Aziraphale has this considering Jesus isn’t a big part of angelic lore or heaven’s general priorities in the show. It would make more sense to me that he has it because it’s another memento of his time with Crowley, sort of like the illustrated story of Adam and Eve by his desk (#12). Also, fun fact, the opposite side of this wall segment is where he put up all his maps and notes about the whereabouts of the Antichrist in episode three.
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valdomarx · 3 years
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@sugar-and-spice-witcher-bingo​
Prompt: Hugs Relationship: Geralt/Jaskier Rating: G Content Warnings: None Summary: Jaskier hugs Geralt. Geralt is grumpy about it. For @writinglizards <3
Geralt is utterly unprepared, the first time it happens. They’ve finished a job, everything went smoothly for once, and they’ve both been paid. He reaches out to hand Jaskier his share of the coin and suddenly Jaskier is coming toward him with his arms wide open and a joyful expression on his face.
Geralt steps back and grimaces, holding up his hands to ward off all that bard suddenly in his personal space. “What the hell, Jaskier?”
Jaskier stops short. “I thought you were going in for a hug,” he says, a slight pout to his lips.
Geralt contains a laugh. “Read that one wrong,” he smirks. Though it dampens his amusement somewhat when he sees the way Jaskier’s face falls.
-
Jaskier has been moaning about the lack of fresh meat in their diet for days, and even though Geralt could get by perfectly fine on jerky, he’s sick of the whining. So as they set up camp one evening he lays out some traps, catches a couple of rabbits and sets them roasting.
Jaskier comes back from collecting firewood, sniffing the air with eyes wide. “Geralt!” he gasps, “is that meat?”
Geralt looks at the two rabbit carcasses over the flames and silently raises an eyebrow. 
Before he can come up with a suitably snarky reply, Jaskier is flinging his arms around his shoulders and squealing in delight. “You are an angel!” he declares.
Geralt’s nose wrinkles with annoyance and he pushes Jaskier away. 
“Get off me,” he growls, showing his teeth. Jaskier doesn’t seem appropriately cowed, happily shuffling over to poke at the rabbit with visible enthusiasm.
-
The thoroughfare is muddy and crowded, but that’s the least of his problems. He’s barely back from a difficult and dangerous contract and now he is being viciously accosted in the street.
“Jaskier!” Geralt hisses. “We are in public.”
It doesn’t deter him.
“Someone will see.”
He feels Jaskier shrug his shoulders. “And?” 
“It’s… you’re…” he splutters. Jaskier is still hugging him. “People are staring.”
Jaskier’s chuckle reverberates in his chest. “Let them stare. I’m just glad you’re safe.”
Something hot crawls down Geralt’s spine at that. “You’ll get us driven out of town,” he grumbles. 
Jaskier keeps hugging him anyway.
-
They part at the end of autumn, when the last leaves have fallen and the frost is starting to creep in. Geralt assumes Jaskier would be looking forward to the comforts of the academy, but he’s been strangely maudlin all week.
“I don’t like goodbyes,” Jaskier says, lips twisted unhappily. He blinks at the fork in the road with watery eyes.
All this emotion seems rather unnecessary to Geralt. They’ll only be apart for the winter, and they’ll meet again in the spring. He may even be willing to admit that he’ll look forward to it. 
He’s aware though that time runs differently for humans. He refrains from making a disparaging comment, and opts instead to grunt in what he hopes is a vaguely supportive manner.
“Honestly,” Jaskier puffs up, and Geralt senses a rant incoming, “that’s all I get from you? A grunt?” He fixes Geralt with a penetrating stare that goes on a beat too long before he deflates, letting out a lungful of air. “You big idiot,” he says, and for some reason he’s smiling. “Come here.”
He holds his arms open and Geralt makes an effort not to shy away. However unnecessary he finds Jaskier’s fussing, he doesn’t want them to part on bad terms. He braces himself as Jaskier steps forward and gently wraps his arms around him.
Geralt stands very still. At a loss for what to do, he pats Jaskier awkwardly on the back. 
Then Jaskier buries his face into his chest with a happy little sigh and Geralt smiles in spite of himself. As he relaxes, he notices Jaskier is warm and comforting and he has that familiar scent of chamomile and road dust. It’s actually sort of nice.
He pulls back and Geralt absolutely does not feel any kind of a loss about that. He smiles, very softly, and cups Geralt’s cheek in his hand.
“Idiot,” Jaskier says again, and it sounds unaccountably fond. “See you in the spring.”
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Familiars VS Magickal Pets
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This article was written by "Dead" on the Pagans And Witches Amino. I have permission repost this. Link is at the bottom.
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What is a "Familiar"
First thing I will say, that many might not like: Familiars in folklore are spirit beings. Not just any spirits, but ones that a witch has made a pact with for various other tasks usually in exchange for offerings, lending of power, a foothold to the physical world, and sometimes protection as well.
They were also in folklore inherited from other witches, given/assigned to a witch by a more powerful spirit being (most often Fae Royalty, Divine Beings including God, or the 'Devil'), or show up on their own offering assistance in times of need. However, they still perform the tasks and expect reciprocity.
Familiars can and do in folklore, leave. They are not permanently bound to the witch and so will leave if their the relationship is no longer beneficial. A witch could also have more than one Familiar in their lifetime or at a time.
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Embodiment
Familiars did not always look like animals, they also could be plants or humanoid. Some are said to be capable of shapeshifting or possessing living creatures with the help of their witch. Interestingly, in my research, I found more accounts of humanoid Familiars that could shapeshift or had some beastial traits (they also ranged in size) in early folklore than I did actual animal Familiars.
Also, in the literature, I encountered they were about 8/10 times referred to as ‘Familiar spirits’ instead of just Familiar. They are also often described as imps, fairies, or demons. However, they seem to be closer or more often related to Fae lore. * Which when you take away the Celtic cultural context from the classification of ‘Fae’ it is basically distinction-less meaning any liminal being not human or divine. *
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History
“In the early 1970s, Jeffrey Russell noted that 'The small demons that became the witches' familiars of the later Middle Ages were originally dwarves, trolls, fairies, elves, kobolds, or the fertility spirits called Green men, any of whom could be either frightening or funny' and Keith Thomas claimed that the cunning man's fairy helper belongs 'to the same genre as the witch's familiar or the conjurer's demons?'
In 1971 Keith Thomas lamented that the English animal familiar was 'largely unaccounted for'.Despite such references to formality and fear, a large number of relationships between magical practitioner and familiar spirit were informal and intimate” (Wilby).
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Common tasks they performed?
Tasks included but were not limited to spying, shapeshifting, attacking or protecting others, give knowledge, warn and aid in times of danger, help a witch develop abilities, and travel between worlds.
What did they get in return?
The most common offerings mentioned in folklore was blood, energy, and a stable foothold in our realm. However, modernly people offer what one would standardly offer a spirit. Things like milk, honey, incense, food items, and items work just fine.
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What is a "Magickal Pet"?
A Magickal Pet is a physical animal that lives with a witch, that said witch uses for magickal purposes, involves in ritual work, and/or feels spiritually connected to.
This connection really isn't uncommon in pet owners in general and you could involve any animal in magick, so what really makes a Magickal Pet? Well, it is the belief that the pet is interested in the witches craft. Most modern witches cite things like seeming interest in their altar or actions during ritual work, as well as divination forms like interrupting tarot sessions.
Getting A Magickal Pet
You can get a Magickal Pets the same way you get any pet. You don’t need to have these animals from a young age to have a deep connection with them.
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JUST A NOTE ON CONSENT
There is a bit of an ethical dilemma when it comes to using your pets in your craft. This is that using your pets energy, fur, etc. and involving them in rituals can open them up to the same dangers you face during all spell work.
This like overextending their energy, spell blow-back, and connecting them to the work can and do occur. There isn’t really a way that they can expressly consent so if you are going to involve them then PLEASE ward your fur, scale, or feather babies.
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Calling a Familiar Ritual
Step 1: Introspection & Planning
This is when you ask yourself why you want a Familiar? Are you ready for one? What kind of Familiar do you think you can handle? As well as think up what your basic terms and negotiate terms are. This introspection period is often paired with meditation.
Plan your ritual. Time, place, tools, etc.? Take into account the weather of the day and be sure not to trespass. Maybe you want to make new portable wards or make/acquire a vessel, anchor, or conduit for the spirit (some spirits refuse to be bound to them and they are not mandatory).
Step 2: Wards, Circles, & Area Setup
Ward yourself and, if you use them, cast your circle. I recommend warding both your self and the space. Here is a pretty good wiki if anyone needs ideas or is confused: Wards
Step 3: Offerings
Lay out your offerings. Offerings can include food items, incense, burning herbs, etc. But if you are going to be doing this outside then I recommend non-toxic and biodegradable materials. Milk and honey are always an easy and safe bet.
Step 4: Incantation
Call to potential spirits. You can use the one below or make your own.
”Spirits of the forest, I pronounce my intentions to thee.
Come forth and seek me, and equal we will be.
Not master and servant, but familiar to familiar, to share our knowledge, our spirit, and our traits.”
Step 5: Meditation/Trance
Meditate and wait for a spirit to answer your call. This may take a bit and they may not show until you enter the astral plane, are sleeping, or at all. Just like in the show, spirits might not come to you right away and that's okay. However, if they don't come within about 3 days then you might want to try again.
Step 6: Negotiation
If/When a spirit shows you then negotiate your terms. Tell them what you want and expect of a Familiar and allow them to say their terms. Get a feel of the spirit and judge whether they are the right choice. Be flexible, but also know the terms you will not move on. Many spirits will take a mile when you give them an inch.
YOU CAN SAY NO AND VICE VERSA
The first spirit might not be your best choice and that’s okay, be careful not to bite off more than you can chew. For example, if you are a witchling or new to spirit work then you should probably respectfully decline powerful spirits like Aos si or mid-level demons (I don’t know how to express that better, sorry demonologists and workers).
Be realistic about what you can handle and try to avoid power/experience imbalances. * I personally have turned away spirits that I felt I was not ready for and there is no shame in it. * Don’t become disrespectful if a spirit decides to say no. They are sentient and often sapient beings that have the right to refuse.
Step 7: Vessel/Anchor/Conduit
Part of your negotiation may have included a vessel or anchor for them (you may make one and they refuse) and this would be the time for you to bind them to it.
Conduits are physical objects used to channel a spirit beings energy and a spirit may prefer that over an anchor/vessel. For example Sigils, the spirit might give you -or you can ask for- a sigil to represent them in ritual and for easy communication. Possibly bring a notebook and pen, just in case.
Step 8: Closing & Cleansing
End your communication with the spirit, close your circle (if you use them), and cleanse yourself to avoid having parasitic or negative spirits attach to you. Gather your stuff as needed.
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Conclusion
Many modern witches equate these two things but unfortunately, a Magickal Pet simply isn’t capable of many of the things a Familiar is. They can’t consent and they rely on you for spiritual and magickal protection.
If it wasn’t for the tasks and capabilities then I would be completely fine with people applying the label to their pets. I have no problem with people involving pets in their craft and I think it is great that so many people feel so connected to their pets as it tells me they are well loved, and that’s always great to see.
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Article Source : http://aminoapps.com/p/t2dah6
Image Source : https://pin.it/7kp+qqR]
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achorusofnonsense · 3 years
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mice & murder, the ten commandments of golden age detective fiction, and the actual genre of the show
so mice and murder is the "mystery season" of dimension 20, and it's supposed to owe a lot to the golden age of british detective fiction. well, here's what a notable golden age british detective novelist and critic of the genre said were the ten commandments of the genre. with one more episode to go, let's see how well brennan has done abiding by this rubric:
1. The criminal must be mentioned in the early part of the story, but must not be anyone whose thoughts the reader has been allowed to know.
this one's pretty basic. fletcher cottonbottom was brought up when sylvester was introduced, and we get a flashback with him in episode 3. although if one of the pcs ends up being involved in the murder plot, that would violate the latter half of the axiom.
2. All supernatural or preternatural agencies are ruled out as a matter of course.
this is one of the few rules brennan doesn't break, though he comes close to bending it. even the ghost of connor mccabbage has a (shaky, but plausible) explanation.
3. Not more than one secret room or passage is allowable.
broken flagrantly and without compunction. loam hall is nothing but secret rooms and passages.
4. No hitherto undiscovered poisons may be used, nor any appliance which will need a long scientific explanation at the end
the powerful magnet that killed squire badger by driving shrapnel into his heart, the network of ghost-projection units, and the mushroom-powered electric grid all fall under "appliances which will need a long scientific explanation." and the stitched-together pseudo-corpses, while not "undiscoverd poisons," fall under the same general heading of being extremely medically implausible.
5. No Chinaman must figure in the story.
okay, sure, full marks for not including any racist caricatures, something which would violate many more recent rules than these.
6. No accident must ever help the detective, nor must he ever have an unaccountable intuition which proves to be right.
brennan's house rule that nat 20s are an auto-success and give extra information backs him into a corner here: the 20 to see if ghosts are real forced a major coincidence (although whether it helped rather than confusing the issue could be argued), but brennan is generally good at framing high insight scores as a result of processing information rather than just getting lucky or being unaccountably omnisicent.
7. The detective himself must not commit the crime.
it's looking unlikely that any of the pcs will be directly responsible, but of course that's dependent on the outcome of episode ten.
8. The detective is bound to declare any clues which he may discover.
some of those blurred text messages come close to violating this rule, although so far i haven't noticed any which contain information that the player didn't eventually reveal.
9. The "sidekick" of the detective, the Watson, must not conceal from the reader any thoughts which pass through his mind: his intelligence must be slightly, but very slightly, below that of the average reader.
since there can't really be any narrative devices like a first-person narrator in an actual-play show, it's not really possible for brennan to violate this rule. still, of the six pcs whose thoughts we are able to see, none of them appear to be hiding any thoughts from us (though they definitely are keeping secrets from each other's characters).
10. Twin brothers, and doubles generally, must not appear unless we have been duly prepared for them.
i suppose gangie's grave robbing counts as due preparation, but it's still pretty cheap, as noted above. (sylvester cross, the world's greatest detective and brilliant surgeon, failed to notice that the pseudo-connor mccabbage he would have examined was a kitbash of two older corpses?)
so what's the end result? i give brennan a passing 7/10 score — unless one of the pcs turns out to have been involved, in which case it will be a failing 3/10. the definite violations as it stands are rules 3, 4 and 6. the potential violations, in the case of pc involvement, would be 1, 7, 8 and 9.
all of which is really to say that the genre of mice & murder is not actually the tidy logic-puzzle genre of golden age detective fiction, which, after all, is ultimately conservative in that it always upholds the existing social order, with the disruptive element of murder always being resolved and punished. mice and murder is, in fact, gothic fiction, a much older genre and one which relies much more heavily on coincidences, secret passages, unofficial exhumation, vast criminal networks, multiple deaths, and (not coincidentally) progressive social commentary. as a first-time effort from a dm best known for his fantasy worldbuilding, gothic fiction is a nice middle ground, as well as being a much more comfortable fit with d&d (a major portion of each episode is essentially a dungeon crawl) than straight-up detective fiction is.
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