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peterneptune16 · 3 years

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Why I love RoseGarden (Full Essay[?, Idk what to call it])

Reason 1: How They Support Each Other

Okay so this is probably the biggest part of this all but I really wanted to talk about this because- Oscar and Ruby have supported each other A LOT, so of course this gonna be the 1st reason I discuss, but enough of my rambling, onto the reasoning:

Let’s take a look at the past 4 Volumes real quick and do an alaysis of 7 scenes in particular

-Volume 5-

Scene 1: Dojo Scene (V5 Ep5)

In the scene that all RoseGarden fans, including myself, love so much. We have Ruby comforting Oscar and being there by his side to give him support and encouragement to keep pressing onwards, to keep going on cause he will get stronger and that just by being there, it already says alot about him. This shows that Ruby does believe in Oscar and knows he can do this, he just needs a little help along the way. A little push.

Scene 2: Ruby is Hurt Scene (V5 Ep12)

In this scene that all RoseGarden fans ALSO love, Oscar immediately rushes to Ruby’s side whenever she is hurt by Emerald and knocked down. Kneeling down and encouraging her to get back up and keep fighting, telling her that they need her. This shows that Oscar has already developed pretty strong feelings for Ruby atleast as a friend by this point in time, despite them not knowing each other for very long.

-Volume 6-

Scene 1: Ruby reassuring Oscar (V6 Ep4)

In this fairly short scene, we see Ruby return Oscar’s cane back to him and comfort him after what just happened with Jinn. When Oscar asks her if he is just another one of Ozma’s lives, Ruby is quick to reply saying that he isn’t, that he is his own person. Even putting her other hand ontop of his, showing that she does genuinely care for Oscar and doesn’t want him thinking that he doesn’t matter, that he’s not just another Ozma, that he’s Oscar Pine and that wasn’t changing.

Scene 2: Oscar reassuring Ruby (V6 Ep10)

In this also fairly short scene, we see Ruby looking doubtful about the whole plan she has involving Cordovin’s Mech. Obviously having a hard time believing that it’ll work out, to which Oscar steps in and reassures her that it will work. His confident smile during this all, shows that he does believe in the plan and isnt just saying he does for Ruby too feel better, but that he trusts her and knows that it’ll all work under her leadership.

-Volume 7-

Scene 1: Ruby trusts Oscar to keep the lamp safe (V7 Ep3)

In this scene, which is somewhat short, Ruby hands the lamp off to Oscar, cause she is going down to the Tundra. She knows that Oscar will keep the lamp safe and out of the wrong hands while in Atlas, which he does, all the way until he ends up getting ambushed by Neo and the lamp is stolen. (Not focusing on the Oscar side of this scene here, but we will discuss that in the next scene analysis) The fact Ruby shows no restraint when handing the lamp off to Oscar, despite the fact Ozpin is in his head and could return any minute for all they know, shows that she really does trust Oscar as Oscar. She knows that he knows the right thing to do and isn’t worried about what choices he’ll make.

Scene 2: Oscar takes the burden off Ruby’s shoulders (V7 Ep9)

In this scene, which gets build up in the previous scene with Oscar asking Ruby if hiding Oz’s secrets from Ironwood was a good move or not, we see Ruby and Oscar, very nervously, talking about how they feel about telling Ironwood. In which they both reveal that they both think they should tell Ironwood. Which I think is all well and good, and really cute, but I’m more focused on what comes after. Ruby says that she’ll tell Ironwood what Jinn told them, but upon seeing she is needed elsewhere, Oscar immediately steps up to take on the burden of telling Ironwood what Oz was hiding, no matter what Ironwood’s reaction would be. He is willing to take this huge burden off of Ruby’s shoulders because she needs to do something even more important at the moment, and he doesn’t wanna hold her back from doing it. Despite how Ironwood may react, Oscar shows no fear or hesitation and is more than willing to do this for Ruby, in place of her.

-Volume 8-

Scene 1: Ruby going to find Oscar (V8 Ep1)

In this scene, which is an absolute gold mine for all us RoseGarden shippers, a good amount goes on. First off, Ruby goes out to find Oscar, though she likely is unsure if he is even alive, and eventually does find him. When she does, she is visibly very happy too see him again, alive and somewhat well. Oscar and Ruby are then seemingly talking about what happened in Atlas, with Oscar claiming that every choice he made was the wrong one. She then reassures him that he just did what he thought was right, that they all did, and that she is just glad to see him alright. Too which he blushes upon being touched by her and told that (Boy definitely crushing but more on that later). This whole scene was just really cute and wholesome too see how Ruby does care about Oscar alot, and that she is happy too see him alright. Which is really just- pure. While also reassuring him that he isn’t too blame for all that happened, that he can’t be beating himself up over this all and it isn’t his fault.

So basically, I just like too see these scenes because they show that the two have alot of trust in each other, and are always there to reassure each other through anything, that they’re there for each other, and are always a support for one another. That one can always lean on the other for support if needed, they’ll be their rock. Also if the pattern keeps up, possibly another Oscar supporting Ruby scene coming this volume! Cause those are always in the later half of the volumes, while the Ruby ones are always in the earlier halves.

Reason 2: How They Inspire Each Other

How Oscar inspires Ruby: While he may not inspire her as much as she inspires him, Oscar still does inspire Ruby in a few ways. She seems to be genuinely impressed with how he handles things despite being so young. Like when he successfully lands the airship despite being just a fourteen year old farm hand. She seemed geniunely surprised and impressed, and this probably isn’t the only time he has made her feel that way, so it seems safe to say that Oscar in some way does inspire Ruby.

How Ruby inspires Oscar: Ruby inspires Oscar in a whole multitude of ways. Ruby is the inspiration that gave Oscar a reason to keep pressing on and keep fighting despite everything, despite how scared he was. She made him realize his true inner strength and bravery, made him realize that he can do this. After that talk she had with him in Volume 5, he seemed much more confident and ready for the road ahead. She also inspired him to see himself as more than just the next Ozpin in Volume 6, or atleast, tried too. It was hard with how much others were kind of holding him back from doing so due to their frustrations with Ozpin at the moment, but It seems Ruby was in some way able to help Oscar realize that he is more than just Ozpin part 2.

Reason 3: Oscar’s (Hinted at) True Feelings

Something that was pretty much confirmed this volume is that Oscar does have some deeper feelings towards Ruby, most likely a crush, whenever he blushes at her just putting her hand on his shoulder and saying that she is glad too see him alright.

But this was not the first hint that Oscar may have some feelings towards Ruby, as there have been a few sprinkled throughout the series if you look close enough. Which is something that I really like about this ship, there have been small subtle hints too it for a while now, in reality, since the very beginning. When Oscar first even meets Ruby, the first thing he seems to notice about her is her eyes, and says the quote “You have silver eyes” but the way he says it and the look on his face, gives more the impression of him finding them unique and beautiful, rather than a source of power like most other people would. (A girls eyes are also often one of the first few things a guy notices about her and finds attractive, which seems to be the case here for the young pine tree)

There was another moment when they first met that also gives the impression Oscar may have started having some sort of feelings for her right off the bat, keep in mind though, I’m not saying this was a crush just yet, rather he just found her pretty and/or attractive in some way. This was that whenever the two first met and Oscar saw Ruby smile and giggle, he immediately blushed and became a little bit nervous around her in an adorkable way. (A smile is often another thing a guy first notices about a girl he finds attractive, as is her laugh)

Another thing I wanna mention is that he almost always looks at Ruby whenever the two of them are in a room together, she doesn’t even have to be saying or doing anything and his eyes will still drift towards Ruby without fail. Which could just be a cute subtle way of showing his growing emotions towards Ruby as the series progresses. And if he ever sees her in any sign of danger he is always quick to call out her name and usually reach out towards her.

Aswell, the next point I’d like to mention in this segment, is how Oscar changed up his outfit to have bits of red in it. But, this red doesn’t really make much sense at first glance if you look at it, as it seems to just be there cause it looks kind of cool on his outfit, but this is RWBY and almost everything has some kind of significance too it, especially colors, so this could be one of those cases where a character adds a color to their outfit too show a fondness or closeness for another character. To show a closer attraction towards them, as it was confirmed people in Remnant do that. But who could this red be for- none other, than Ruby Rose herself. The only one with red as their main color and the one Oscar has grown the closest too across the course of the series. Like how Jaune has red in the form of Pyrrha’s sash, to show he still has a close bond with her, even after her untimely death. Or how Ren and Nora both wear pink, idk if that counts, but I think it does dang it. Anyhow, I think this is possibly a cute little way of showing how Oscar has grown stronger feelings for Ruby, add onto it she was the first one too comment positively on his new combat gear, saying it looks good. Aswell it looks like the exact same shade of Red as her combat gear.

For the final point I’d like to mention this segment, is one that I will spoiler warning the whole post for because of the fact that it just really does mean alot for Oscar’s character. It’s that Oscar was the one to offer a hug to Ruby, not the other way around, when they met up again in Atlas. Ruby has been the one too offer a hug to everyone else but never really the one to get offered a hug, and Oscar has always been the one to recieve hugs from others but not offer them himself. So seeing Oscar offer a hug to Ruby and seeing his smile just seeing her again- my fucking heart y’all-

So I think CRWBY has been dropping small hints all along that Oscar would grow feelings for Ruby somewhere along the way. And he just now is starting to see those feelings as more than just close friends, but rather that he has a developing crush on Ruby.

Reason 4: It Isn’t Really One Sided

Though Ruby may not exactly feel the same way about Oscar that he does her and we don’t have as much evidence for her as we do for Oscar, we do have some small pieces of evidence here and there that suggest Ruby could possibly start feeling similar feelings for Oscar that he does for her.

The first thing I would like to point out is that Ruby seems to look out for Oscar in alot of ways, and she seems to keep an eye on him whenever they’re in a fight or whenever he is in any sort of danger. The first time this happened was during their sparring match where she was quick to call back to Oscar after she knocked him down, like she was asking if he was alright, and then again in the same sparring match when she rushed too his side when Ozpin handed back the controls and he seemed hurt and exhuasted, a clear look of worry across her face. She also kept her eye out for Oscar whenever Hazel went after him during the Volume 5 fight and was quick to let the others know that he needed help, which shows that she was worried for him during this fight despite the fact Ozpin was also there, she was worried for Oscar nonetheless. She was also the first one to ask Oscar if he was okay in Volume 6 when they saw him again, which was honestly adorable. She also kept her eye out for him during the Volume 7 Mantle fight, whenever he killed that sabyr and didn’t notice another jumping up to strike him from behind, she was quick to be the one to respond by shooting it and giving a nod and smile to Oscar, almost as if showing she was proud of Oscar in some ways for how far he’s come as a fighter over such a short time actually fighting, and also reassuring him that she had his back in this. It was also cute how in the first episode of this volume, she was the one who went out to go find Oscar, she was the one who reached out too him when they saw each other again, and she was clearly happy too even just see him again, she likely didn’t even know he was alive or even down in Mantle, but she was still going to go look for him. Then of course there was this past episode, where she noticed that Oscar was right beside Emerald and she immediately went to draw her weapon before Oscar stepped in to stop her, showing pretty much an identical expression and reaction to the one Oscar had whenever he noticed her get knocked down during the fight at Haven. Which, these just seem like really cute and sweet moments on Ruby’s part, how she kind of is always there looking out for Oscar whenever he is possibly in any sort of danger or is hurt in any way and she is actually there to help prevent it, like she’s protective of her farm hand Cinnamon Roll.

Another thing I’d like to mention is that she is a bit awkward around Oscar at times, sort of like he is around her. She seems to hug herself a bit whenever she is around him and it’s just the two of them together, as she did this both in Volume 5 and Volume 7, like she is a little bit nervous, and she gets a little gigglgy and awkward, making it seem like she has some part of her that does have some kind of awkward dorkish feelings toward Oscar, similar to how he can get kind of awkward and nervously flustered around her aswell, she’s just better at not showing it.

Like I said, there are less pieces of evidence for Ruby’s side of things than there are for Oscar, but she does seem to have a few hints here and there that she may at some point reciprocate the feelings he feels for her, just towards him.

Reason 5: Extra Little Details

These are just small things here and there honestly, just cute things about these two that could possibly hint at them being a possible thing in the future. Or maybe they’re just purely coincidental, who knows? I still pretty much just find them cute regardless, needless to say, this is my weakest of the five points. But I still wanted to mention these things cause they do contribute a little bit.

Oscar and Ruby’s main colors are complementary. This is a point that is extremely obvious to anyone who just knows well- anything about colors. Red and Green are complementary colors, and these two have the main colors of Red and Green. This is a bit of a weak point, but it’s still cute none the less and given how important colors are in RWBY, ya never know.

This next point is really pretty weak and honestly just for fun, but, their eyes do complement each other a bit. Light Green and Light Yellow are colors that complement Silver. Though this is probably unintentional, It’s just something cute I wanted to note.

There are other things that could be considered cute small pieces of evidence, like how Oscar has an Aunt and Ruby has an Uncle, or that Miles has defended RoseGarden saying that the ship is fine with the age difference stuff. But those things are pretty much well known by anyone else who ships RoseGarden and more than likely just to RWBY fans in General, so I’d feel a bit wrong putting them here and giving them too much attention. I did want to mention them but that’s about it. Anyways, onto the conclusion.

Conclusion

So in Conclusion, There are quite a few reasons that I ship RoseGarden, but hey, this is just my personal opinion. Honestly I’d love too hear anyone else’s opinions on the ship aswell! And if there are any reasons that you ship these two that I didn’t list here, feel free to tell me, I’d love too hear them! Just please be respectful in replies, after all, these are just ships. We all ship for fun so may aswell just keep discussions about ships fun. But that’s all for now and hope others like this post and like the ship for these reasons aswell! Hope everyone has an amazing day ^^

#rwby #ruby rose #oscar pine #rwby rosegarden #rosegarden #rwby rosepine #rosepine #ruby x oscar #rwby volume 8 spoilers #volume 8 spoilers #rwby v8 spoilers #rwby spoilers #v8 spoilers

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stomp-that-ho-regard · 3 years

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Retcon

noun

(in a film, television series, or other fictional work) a piece of new information that imposes a different interpretation on previously described events, typically used to facilitate a dramatic plot shift or account for an inconsistency.

verb

revise (an aspect of a fictional work) retrospectively, typically by introducing a piece of new information that imposes a different interpretation on previously described events.

Retroactive Continuity

Reframing past events to serve a current plot need. [...] In its most basic form, this is any plot point that was not intended from the beginning. [...]

Post-hiatus C2, and the Great Retcon...

(The retconning really started with the playlists, but we’ll come back to those.)

First, some context:

SDCC (July ‘18) - Marisha was asked directly about Beau and Yasha and if she and Ashley had discussed it. “After the first few times that I kinda put the moves on her, we were at break, and I could sense that Ashley was wanting to ask me something. And she was like, ‘Hey, I’m just curious... is Beau- ’ And at that exact moment someone’s like, ‘Yo Ashley! We gotta go! We gotta get on stage!’ And I was like, ‘Bye!’” Then Brian asked, “And you haven’t had a further conversation about it?” Marisha said, “Nope!”

(Seven months into the campaign, and no discussions. Hmm.)

NYCC (Oct. ‘18) - Marisha was asked about who would Beau get flustered over if they ever flirted back, and yes, she said Yasha and laughed, but then said, “It’s like throwing pebbles at a brick wall.” Meaning, she was putting stuff out there and not getting anything back. (And, she really wasn’t. I still remember when a major portion of the fandom, including the diehard shippers [of which I was one at the time], weren’t sure if Ashley was even interested in this. More than that, it wasn’t until the Zuala reveal, that the fandom and the players found out for certain that Yasha was actually into women.)

(To me, Marisha’s answer here also suggests that at this point, there were still no discussions.)

Talks Machina for ep61 (May ‘19) - Marisha was asked ‘What was going through Beau's mind when Yasha revealed her past with Zuala? Has this changed any feelings Beau might have? Or has Beau's character growth allowed her to mature a little more with regards to her feelings about Yasha?’ Which Marisha instantly pegged as a shipping question. And she said, “I’m trying to figure out a way to answer this to not ruin everyone’s internal canon, in their brains. I don’t want people to overestimate Beau’s intentions towards Yasha. But then also, is that on me? Have I been leading everybody on?”

So, you had all of that, all the way up to ep61.

None of this indicates that ‘it’s been happening since ep1′ or that it’s ‘the slowest of slow burns.’ In fact, it shuts that down completely.

Moving forward to the Beau and Fjord convo (ep108)...

Marisha suddenly having Beau say “There was something about Yasha from the moment that I saw her”. She’s retrospectively attempting to give that moment more weight, when (based on the examples above) we know that the over-the-top flirting was just for fun. And truthfully, she really wasn’t flirting with Yasha any differently than she was flirting with any hot female NPC the party crossed paths with.

And now it’s clear that that one line she said is the reason why BY shippers have suddenly clung on to the idea that “It’s been happening since episode one! SLOooOowBuUuuUrn!!!!!” when its clear that it was not planned. (Not before the hiatus-from-hell, anyway.)

Then Marisha having Beau go from describing Jester as “She's fun. She makes me laugh. I like her ridiculous plans. I think she's complicated and layered.” to “It’s easy to lust after her”. I’ll direct you to Talks for ep85. After Marisha had mentioned that it was a bunch of little things that build, and then pinpointed a few of them, Brian tried to make a joke and said “So you’re saying it’s been more a series, than just one moment that you can point to and say ‘It was right here when I went, let’s fuck!’” Marisha specifically countered that with “It’s not even about 'let’s fuck’. It’s nothing sexual in this case.” (Having her backpedal on this so heavily was such a huge gut punch and was the thing that wholly soured everything for me.)

There were so many better, more delicate ways Marisha could’ve had Beau examine/come to grips with her feelings for both women, but all the reduction and saying they were ‘transferable’ was nothing short of insulting.

On that same Talks episode, Marisha also said this: “Going into this campaign all of us were like, ‘No relationships!’ I didn’t want it! I didn’t ask for this!”, while smiling. What this shows me is that she was thinking of a relationship in regards to Beau’s feelings for Jester. As if she was maybe even anticipating this culminating into something? Why even mention relationships at all if this was nothing serious and was always meant to fall by the wayside?

Brian then followed up with, “In my opinion, as a viewer, Beau’s someone who seems to be on the search for innocence. Whether innocence lost or just innocence in general. And to me it makes sense that you would be attracted to someone who exudes genuine and sort of intrinsic innocence.” Marisha replied with “Fairly astute.”

The next question was, ‘Beau has taken a pretty casual, no-strings-attached approach toward sex and relationships so far. How do her feelings for Jester compare to her previous romantic flings?’ Marisha answered immediately and very seriously with, “Noncomparable. It’s more than that.” She wasn’t playing coy and it didn’t take her a century to find the words. She didn’t even have to think about it. Succinct and direct.

How did all of that ‘organically’ disappear completely, after only 14 episodes?

(Everything felt more genuine back then, because it seemed like Marisha was going where the character was taking her, and not where she thought the character should be going.)

Post-hiatus, everyone and their mother are acting like BY is some epic romance-of-the-ages that was all mapped out, and like Beau having feelings for Jester was just some sort of temporary curveball. That Beau was confused, or was just missing Yasha and projected onto Jester.

That’s really fucked up no matter how you try to justify it. I honestly don’t think I’ve ever seen another piece of media backpedal this hard, and this callously.

None of that squares with what we were shown or with what we were told. Until, everybody made a hard pivot and now they've done (and continue to) do everything they can to rewrite campaign history, even though we have plenty of footage that contradicts the new ‘company line’.

Now, where the retconning truly began, with the playlists...

Remember the first round of playlists? Those were released randomly, whenever the cast felt like posting them. I also don’t remember there being announcements every time one came out either.

This time though, they had a fixed schedule, complete with official twitter announcements. As they started to just get back into the swing of things, Yasha’s playlist was released right after the first episode back.

So, right out of the gate, they had to make sure they started to drill home a certain mindset for viewers. That’s why Yasha had a song called ‘Let Me Hold You’. (Lo and behold, a few episodes in, Beau randomly asks Yasha to hold her.) A few weeks later, Beau’s playlist was released, and there was a song with the caption saying ‘Ultimately, all she really wants is someone to hold, and someone to hold her’. (But sure, no planning here! The wording is just a total coincidence, folks!)

The other song, directly about Yasha, mentions ‘a crush forged in battle’ (ok), and ‘awkward flirtations’ (???). Yasha never openly flirted with Beau before the hiatus, until maybe right after the Obann arc, in a very vague way.

On Beau’s playlist, there’s nothing about Jester. The one track that mentions her is actually about Artagan. Which, after all they’ve been through together, is fucking ridiculous no matter how you slice it.

In addition to that, Marisha had made Beau’s time in Kamordah (ep92/e93), and the incidents with her family and the Hag, about the group now, not about Jester, fully contradicting her own reiterated words that ‘Jester saved Beau’.

When Beau was talking to her dad, reverting back to her old self and getting all riled up, Jester helped her in that moment, and saved her. Yes, the group was very supportive, and yes, Yasha said something to him before they left the house (that Beau was out of earshot for by the way), but Jester was Beau’s rock throughout that whole thing.

With the Hag, when the group was having a hard time coming up with a solution, and they realized they might actually lose Beau, Jester stepped up and took control of the situation. She, single-handedly, saved Beau/the group from the Hag. And with that, Jester also became Beau’s hero.

In both instances, Marisha thanked Laura/Jester. First on Talks for ep92 with both of them on it. She reiterated, “You saved me. You saved Beau.” Then on Twitter after ep93 with, “Still processing last night. Saved by a cupcake? Eh - saved by @LauraBaileyVO ... again.”

But now suddenly, it’s the group. Just the group?

Now, don’t get me wrong. The entire party showing Beau support was incredibly important. The M9 showed her that they value her, that she’s important to them. It solidified the theme of ‘found family’, which was beautiful. But, to not also highlight how crucial Jester was in all of this, after making such a big deal about it?

That is very deliberate retconning of some hugely important, highly emotional moments for Beau that directly involved Jester.

Any of Beau’s organic and genuine connection with Jester (which encompasses their deep friendship as well as Beau’s romantic feelings) has been massively reduced (and now erased), specifically to prop up a supposed ‘deep’ connection with someone else that was barely ever there, is still barely there, and has no actual depth at all.

Case in point, the BY date (ep126) showcased this fact to the most extreme degree...

Yasha’s infamous line: “I fell in love with you in Kamordah.” So, Yasha literally watched Beau relive her childhood trauma, and caught feelings during it. I’m not wrong in thinking that that’s just a little disturbing, am I? Also, if that’s the moment she supposedly fell for her, why did she not offer her any form of help? I mean, besides that one sweet moment with TJ, the entire time Beau was in Kamordah, she was the most broken down she’d ever been and needed some real comfort, which is something Yasha did not give her. (Jester did though. In spades.)

So, on multiple levels, this seems highly out-of-place.

Several people have said that that line was not thought through. In my opinion, it actually was thought through and was only said specifically to have viewers completely dismiss everything else that happened in the Kamordah episodes. Despite the FACT that Beau and Yasha barely interacted during those episodes, they have now stripped down the party’s experience there, and twisted it into a giant BY shipping moment. (Further feeding into the retcon.)

Their ‘trip down memory lane’ was laughable. Most of the things that were mentioned, Yasha wasn’t even around for.

Gee, remember when the cast was actually good at separating what they knew from what their character knew? When you start injecting what you know into your character (who isn’t supposed to know, because they literally were not physically there), you are metagaming.

The entire date was one big metagaming bonanza. And it had to be, or else they would’ve had nothing to talk about. There is not one thing they have to call their own. To people who don’t have BY tunnel vision, it was made glaringly obvious that they have nothing in common and their dynamic is fairly shallow. Meanwhile, the rest of the cast are sitting there watching this unfold, smiling and nodding along as if it all makes perfect sense and isn’t utterly ridiculous. (And I’m sitting here wondering when I got shunted into the Twilight Zone.)

The shallowness holds true for FJ as well. Aside from both of them being from the Menagerie Coast, what exactly do they have in common?

While Fjord has grown as a character, as far as Jester goes, he still does not seem to have the capacity to fully understand her as a person, or fully respect her abilities/emotional strength/intelligence. He doubted her often, which led to Jester getting irritated with him several times over the course of at least the last third of the pre-hiatus episodes. He even continued to doubt her judgment (in regards to the Traveler) in the post-hiatus Rumblecusp episodes. But hey, they’ve kissed now (ep118) so all of that gets wiped clean, and he’s being touted as her ultimate romantic soulmate who’s oh-so-perfect for her.

For fuck’s sake, why does that sound like something pulled right out of a CW show?

(I'm convinced that the only reason FJ is ‘popular’ is because the shippers have projected Travis and Laura’s real-life marriage onto the characters. If Fjord and Jester were played by different people, or Travis and Laura were not together, people would realize how paper-thin and half-assed this pairing is and hardly anyone would care about it.)

Beau and Jester had developed the deepest, most genuine friendship and overall dynamic in the entire party, that should have absolutely been given the chance to be explored further. They constructed a pretty solid foundation that could have easily been built upon, and the fact that it’s been unceremoniously pulverized and snuffed out in favor of such overwhelming tepidity and flavorlessness will never not infuriate me.

Finally, to finish this off, I will say with my whole chest, that that is one of many nasty, rotten patterns that I’ve seen far too much of in all kinds of scripted media, which is...

Not wanting to commit to the thing that’s actually growing organically, because it’ll ruffle too many feathers. It’s too inconvenient. It gets in the way. Because of course, nobody wants to do that. Nobody wants to take a risk, or you know, actually follow where the natural fucking chemistry is taking you. Of course not! Heaven forbid, we go down a different road! You have to go with what’s ‘expected’, no matter what, at the great expense of something new that’s come along that’s clearly better. Even when what’s expected is hollow as fuck and doesn’t make sense anymore, because characters have grown and dynamics have changed, they decide to dig their heels in with the most fanservice-y options instead.

Yet this is UNSCRIPTED media. A D&D campaign, that’s supposed to be mostly improvised. D&D, that’s all about taking chances/going with your gut/making bold choices/etc., from people who have claimed up and down that they “like to see things play out at the table”.

So why are those same disingenuous patterns being utilized here too?

One of the big reasons I got into CR was because I naively believed that because the format was different, that the storytelling would be different. I thought I wouldn’t have to worry about running into this nonsense here. That I wouldn’t have to worry about getting bullshitted, jerked around, and having my intelligence insulted left and right, but alas, here we are.

In conclusion... [TL;DR, kinda?]

Reframing past events (between B & J, and B & Y) to serve a current plot need (railroading BY):

Beau playlist ignores Jester’s importance to what transpired in Kamordah. (minimizing/erasure)

Beau playlist doesn’t acknowledge/hint at Beau’s feelings for Jester. (total erasure. could have at least included a song about feelings being lost, or being confused about feelings for a friend, but Marisha took the cowardly route, and didn’t bother mentioning it at all.)

Beau playlist claims that Beau and Yasha have both been flirting forever. (easily debunked by session footage.)

In her conversation with Fjord, Beau says, “There was something about Yasha from the moment I saw her”. (it was just about hooking up then, and stayed that way for a majority of the campaign. This line suggests that Beau has had ‘deeper feelings’ for and/or has been ‘in love’ with Yasha since the first episode, that this was all intentional build-up, which again, is easily debunked by session footage, panels, and TM.)

In her conversation with Fjord, Beau says, “It’s easy to lust after her.” (minimizing/erasure/twisting of Beau’s feelings for Jester, which Marisha had previously stated were ‘noncomparable’ , ‘more than that’, and that her attraction is ‘nothing sexual in this case.’)

This isn’t a fucking conspiracy theory. This is plain evidence of a planned retcon.

#op #super long post #uber rant #happy thursday! ;)#beaujester #i wrote this up back in december but didn't have the energy to finish it until now #it got longer as i went #guess i still have a lot of bitching left in me lol #that's what happens when you feel like you've been getting kicked in the teeth for nine months

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kaizokuou-ni-naru · 3 years

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The Voyage So Far: Wano (Part Two)

east blue (1 | 2) || alabasta (1 | 2) || skypiea || water 7 || enies lobby || thriller bark || paramount war (1 | 2) || fishman island || punk hazard || dressrosa (1 | 2) || whole cake island || wano (1 | 2)

okay so the wano flashback is possibly my favorite in the whole series for a whole bunch of different reasons, and oden as a character is a big part of why. honestly, i think he’s great. he’s wildly entertaining and ridiculously likable, just like a folk hero should be.

i care about oden and the akazaya nine a lot. they have one of my favorite found family dynamics in the whole series, up there with the strawhats themselves- a bunch of thugs and castoffs who wound up gathering around this one wildly charismatic moron and deciding to be stronger and better for him.

i think they really feel like a family, in these little moments we get of them just interacting and messing around, and it only makes later events- oden’s death, the twenty-year separation, kanjurou’s betrayal- hurt all the worse.

on god it is the funniest thing on earth to me that this is how oden and izou wound up on whitebeard’s ship.

the roger pirates!! i really really like the roger pirates!! i love that there’s this entire predecessor crew who are both absolutely fucking fascinating from a lore perspective and who are just all individually really good characters with really fun relationships. the dynamics we get to see just in this brief part of the flashback are absolutely delightful. i think the fact that i would read a whole series just about the roger pirates is a testament to oda’s character writing.

there’s a specific sort of tragedy to the roger pirates, and i think it really hits home in their last few pages in this flashback. by all appearances, they were a crew just as close-knit as the strawhats are. they cared about each other a lot- that ship was their home.

and then their captain died, and they just- fell apart.

awhile back, in my sabaody post, i talked about how we get to know roger first as a story and then as a character by getting to meet characters who knew him personally. to the rest of the world, roger is a story, a name to curse or a height to aspire to. but for shanks and rayleigh and crocus and buggy and all the rest of the roger pirates, he was their captain.

the whole wano flashback, possibly more than any of the others in the series, really feels to me like a story being told, a folk tale being passed down, which makes sense, since it’s canonically framed as oden’s diary entries. and i think that framing device just adds so much to the atmosphere of this entire section of story, the feeling of myth and legend to it.

i honestly really like how oden’s death is handled. i have trouble articulating it, but it’s so much, so over the top, so heavily set up and foreshadowed- a legendary death for a legendary man, if that makes sense.

toki’s prophecy is one of my favorite motifs in this whole arc. wano is all about a country that’s been trapped and dying for years and years, holding out desperate hope for salvation. toki is the one who gave them that hope. she doesn’t try to tell them that everything will be okay, she says it will be dark and the darkness will be long, but the dawn will come, and even though she gave her life to do that, she did it smiling.

without toki, the wano arc never would have happened, because there would be no future to fight for.

this panel is the header on my favorite op discord server and sometimes i just scroll up and stare at it. it’s so good.

this entire sequence, starting from luffy law and kidd’s entrance, is probably my favorite in wano arc. it’s the turning of the sides, the daybreak after the darkest hour- these three show up, and then jinbe, and denjirou reveals his true colors and it’s revealed all the rest of the samurai left before orochi blew the bridges, and it turns out they haven’t lost a single step to kanjurou’s treachery. it just feels so good to read, after the prior hopelessness of the akazaya and the tragedy of the flashback.

i really like how the akazaya nine are absolutely ready to roast each other at any and all times. that’s how you know they’re best friends.

i think i mentioned it back in fishman island, but one of my favorite things is the strawhats just being absolutely cheerfully, chaotically destructive. every time we get to see them wreck havoc while nonchalantly bickering with each other it puts a huge smile on my face.

i think ulti and page one are very very funny and i like their dynamic a lot, it’s a laugh riot. i also like that oda lets luffy seriously fight a woman here!! i’m serious, we don’t see enough no-holds-barred fights between men and women (conventionally attractive women, specifically) in this series, so i’m pleasantly surprised when it does happen.

i do appreciate wano’s ability to continuously raise the “holy shit!” quotient without it ever really feeling like a twist just for the sake of the audience. like, i don’t know that anybody saw kaidou killing orochi coming, but at the same time, it feels like it does make sense, given what we know about kaidou, for him to do this.

my heart goes out to momo, honestly. he’s only eight, and in that time he’s lost his home and family and his whole world when he was thrown twenty years into the future, and he has the weight of his whole country resting on his shoulders. he’s borne up admirably under that stress, starting from zou and building up to this point.

i LOVE kin’emon’s speech to kaidou about luffy SO much. kin’emon’s come a long way from being a mostly comedy relief character in punk hazard to here, where he’s shouting down an emperor. i really like this progression- kin’emon doesn’t change, exactly, but the side of his character that is revealed in wano is very likable and admirable. it goes back to something i’ve mentioned before, about how one piece’s characters are very rarely one-dimensional.

kaidou’s dragon form is extremely cool, and so are most of the panels where it appears- it’s extremely striking, especially in panels like this, where he’s silhouetted against the moon.

i love... the ripple effects of luffy just being himself that spread throughout the world of one piece, and i think this is one of the best examples. luffy befriended coby all the way back in chapter two, mostly by accident, and now, nine hundred and some chapters later, that’s what leads to drake joining the strawhats’ side. because drake is friends with coby who says luffy is trustworthy, so when drake is stuck with nobody else to turn to, he turns to luffy.

moments like this really reinforce just how much the world and story of one piece is built on relationships between people, and i really like that. i like that instead of necessarily being built around abstract ideals or morals, characters’ actions are, more often than not, motivated by either specific personal goals or by their relationships with other characters. it feels much more true to life.

i like the loss of kiku’s arm, because it showcases exactly how serious the fight is on both sides. it both shows that kaidou is fighting to maim and kill and do whatever it takes to win, and that the akazaya are fully prepared to take whatever he throws at them. kiku gets back up smiling after losing her arm. neither side in this fight is even close to backing down, now or ever.

i genuinely can’t believe how long it took me to talk about yamato, so let me just say: i love him so much. part of this, i’m sure, is my personal bias towards any and all kickass queer characters, but part of it is just- he’s so cool. he’s ten feet tall and carries a club about as big as he is and tanks explosions like they’re nothing while also bickering with luffy and falling out of ceilings and generally being like... stupidly lovable.

i just like yamato a lot.

a thousand chapters in, and every strawhat but robin has had a moment where they declare luffy is going to be the king of the pirates, but honestly, i think nami’s might be my favorite yet. nami has always been a person who acts at a distance, not one inclined to direct confrontation and putting herself in danger-

and yet, when it comes down to it, when faced with a choice between death and disavowing her captain’s dream, even when assured by usopp that she would be fully justified in lying for her life, nami chooses luffy. even in the most dire of circumstances, all of the strawhats know luffy is going to be the king of the pirates, and none of them would ever deny it.

i kind of alluded to this back in my dressrosa post, but i really like the development of law’s new dream being discovering the meaning of the will of d. it just feels like a very good and natural progression for his character, given he’s the only holder of the will of d who we’ve been shown is consciously aware of it and what it might mean. and in general, i like seeing him having something else to work towards after doflamingo’s defeat.

i’ll end this by just saying i am so desperately curious to know what is in that book, and what yamato knows about the will of d, about the dawn of the world, about laugh tale.

guess we’ll find out, huh?

thanks for reading through to the end!! i had a lot of fun putting these posts together, and writing them up was a really cool way to be able to compile my thoughts headed into chapter 1000 and beyond. i can’t wait to see where oda takes us next.

#the voyage so far #arc: wano kuni #one piece #long post #opmeta #not japanese

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mxgilray · 3 years

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Loki Season 1 Thoughts

Overall, I really liked this series. It has some issues without question, but I sincerely don't think it's the dumpster fire so many viewers on this site treat it as. Did it go how I expected? Not at all? Did I enjoy the heck out of it and look forward to it every Wednesday? Hell yeah!

Loki's Good Guy Personality

A big complaint many have had with it is how much Loki's demeanor has changed and how his emotional growth feels rushed or his personality is ooc. Truth is, he saw his entire future, saw what his angry, power hungry, I-work-alone persona would get him in the end, and it snapped him back to reality. He has always been shown to be quite emotional and craving attention and lacking in self assurance, it's just in the past movies he's masked it with violence and fake narcissism, and he's always been a secondary character so his perspective is rarely shown. But if you really pay attention it's obvious he isn't truly villainous; we all know that, it's largely why he has such a huge fan base.

Right after meeting Mobius, Loki got an infodump of his future, saw his parents both die, found out that free will means jack shit, and learned he's absolutely powerless in this realm. On top of that, this is 2012 Loki, fresh off of being under Thanos' control, suddenly being shown that the guy who controlled him is going to end up killing him. Frankly,, I think it all broke Loki. He was too shook up by it all and by the sheer helplessness he found himself in at the TVA that he let all his barriers down momentarily. Just long enough for him to open up to Mobius about his motivation and his lack of self confidence. And you know what I bet? Loki felt relieved after talking to Mobius. A weight was lifted, because he bore his heart to someone and wasn't rejected or laughed at or treated like a psycho. And after letting his walls down fully, Loki didn't feel the need to put all of them back up. He stayed guarded around other people, but he didn't need to pretend around Mobius. Mobius has seen under the mask, so Loki doesn't feel pressure to perform as an all knowing, all powerful God around Mobius. That freedom is life changing.

People who gravitate towards broken, pseudo-villain characters do so because we relate to their internal conflict, their mental illness, their need to fake it around everyone close to them. Their turmoil and depression and self destructive behavior are familiar and we see ourselves reflected in their actions. Now, when a person really truly let's their guard down, drops all their layers of facade, and embraces themself, they tend to change demeanor and even personality pretty drastically. It's jarring in real life, so of course when it happens to a fictional character who you usually relate to it is going to be jarring, maybe even more so because it feels like a change you yourself would never go through. I know this sounds bad and people might get at me for it, but...

I believe the issue here is that a large part of Loki's fan base doesn't want him to get better. They don't want him to move past his mental illness, to learn how to cope with anger and disappointment in healthier ways, to be happy. They like his damaged persona, they like the internal conflict. Maybe it's because they're still at that low place themself and feel like a relatable character is getting taken away from them, maybe it's because they don't understand how much being at peace with yourself can alter a person and to them it feels like he's been changed too much. To those of us mostly on the up and up from battling depression and mental illness, it's comforting to see Loki getting a chance to be genuinely happy and accepting of himself.

Sylki and Lokius

First things first, I'm not anti anything. Ship what you want, idc. Personally, I do not see the Sylki dynamic as romantic, but I get why people read it that way. I thought the series did a good job of showing unrequited love, namely Loki falling for Sylvie and Sylvie feeling zero romance towards him. This was aware of his attraction and in the end used it as a distraction so she could get the upper hand. The show played up the potential romance because we are viewing things from Loki's perspective and he's become smitten as a kitten. I do think in the long run they'll have a more sibling-like dynamic, one Loki realizes that you can feel extreme love and care for a person without it being romantic. I enjoyed how the show explored their relationship, though I do wish they hadn't had every character under the sun mention their moment on Lamentis-1 like it was some big deal to bond with someone you're about to die with.

I'm bitter towards the development of Lokius. It had a strong start in the beginning, and in ep 5 had some potential reignited, but then they had Mobius not know who Loki is at the end. I'm still hoping they're playing the long game with this ship and that it'll come to fruition partway through season 2. The chemistry is there, and Mobius knows Loki very intimately and isn't put off by his past. Loki also feels much more at ease around Mobius than he does around Sylvie. It's the comfort of a deep loving bond with Mobius verses the nervousness of a new crush that he feels for Sylvie.

I don't think Loki is quite aware of his feelings for Mobius, simply because it's based in friendship and mutual respect and isn't a hot and heavy lust. Plus, as soon as he was away from Mobius he was thrown into a near death experience with Sylvie and developed a surface crush during their heart to heart. Since Loki's still figuring out what genuine feelings are beyond anger and sadness, he sees the simplistic crush he has on Sylvie as love and the intimate bond he's been forming with Mobius as friendship. He doesn't understand his own feelings yet, but I think he'll figure it out next season. I mean, he was probably already rethinking his feelings for her after she kissed and betrayed him, mentally kicking himself for expecting her to not pull a Loki betrayal like he would've in the past.

The Time Variance Authority

I really like the concept of the TVA, the structure of it, the methods they use, the deeply fucked way they recruit employees, the cult like motto, shady Miss Minutes who is definitely playing her own long game, and the blind acceptance TVA agents have of the Time Keepers' will. It's all very well done... until your dig into the core, aka He Who Remains. They built up the idea that the Time Keepers created the TVA to prevent a multiverse war and that they created agents to enforce their will. Then the creating agents turned out to be fake, the Time Keepers were fake, I expected the reason for the TVA's existence to be fake to. It felt too simple to have it genuinely exist just to keep the multiverse in check. Why the anonymity, unless it's to keep from having agents target and prune versions of himself which.. songs like a decent solution. HWR made it sound as though the multiverse war was just a bunch of versions of himself screwing shit up, so why isn't the TVA's focus on eradicating every other variant of this guy? Sounds a lot easier and nicer than fucking with the free will of every other living being. So either Marvel made a bad call when choosing what HWR's motive was for creating the TVA, or he was lying about it all to cover up something sinister.

Overall Storyline

I'm fairly happy with the plot as a whole. There were some pacing issues and I think a few missed chances for deeper conversations between various characters. While I enjoyed the Loki variants, I honestly would've been happier seeing Tom playing most the variants (except Kid Loki and Classic Loki since they are clearly different age ranges). If there is supposed to be one sacred timeline, it seems off to me that Lokis would be allowed to vary so extremely without it causing a nexus event(an alligator, whose nexus wasn't that he's an animal who obviously can't do any magic much less command Thanos' army, but that he ate someone's cat) and not just in appearance but in life path (ie boastful Loki collected all the infinity stones but it wasn't till he had 6 that he caused a nexus event even though him gaining control of the Soul, Power, and Time stones should've each caused nexus events since on the sacred timeline he never interacts with those 3 and taking any one of them would've fucked up a lot of other timeline parts)

I love the display of Lokis raw power, and 2012 Loki coming to the realization that he's way more powerful than he ever thought. And it wasn't just Classic Loki who spent thousands of years alone honing his skills, 2012 Loki reversed time on a goddamn falling building! I also liked the small magic, the fireworks, the tablecloth blanket, Loki yanking Sylvie away from HWR with just magic.

As someone who is both bisexual and genderfluid, I would've really loved more concrete representation. The comment about there never being another female Loki hit me in the gut; it undermined the Easter egg "Sex: Fluid" on Loki's TVA file. With how big a deal Sylvie being female was made out to be throughout the season, I expected her gender to play a key role in taking down the head of the TVA, like it was foretold that only a female Loki could end it all or some shit.

I don't mind the idea of Loki finding love in a straight passing relationship. I don't even mind the selfcest all that much. It just feels so obvious to me that Sylvie is written as not having any romantic inclination towards Loki, while Mobius is clearly written as falling in love with someone he shouldn't and trying to maintain an heir of professionalism to keep from wrecking his bond with Loki. I really really hope they come through on season 2 and give Lokius the canon relationship and proper representation they deserve.

Mmkay I thinks that's all the thoughts I've got right now. If you've been feeling cheated or clowned by how things went this season, maybe my perspective of things can help ease your pain.

#loki spoilers #loki series #loki #mobius m mobius #sylvie laufeydottir #lokius #sylki #tva loki #time variance authority #marvel #mcu

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qqueenofhades · 3 years

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Keeping my fingers crossed for that Black Widow meta

Aha, okay. As usual, I am ludicrously easy to enable, so let's take a crack at this. The ask obviously contains SPOILERS for the Black Widow film (and is also tagged "black widow spoilers" if you're planning to filter), and discussion/reference to other films/properties in the MCU, though I don't feel like any of those are still a secret.

Anyway, as I said in my earlier post, I can't believe I am actually still trying to critically analyse a Marvel production in the year of our Lord 2021, but then, I feel like we all have a complicated relationship with it. Likewise, the feeling of "oh wow NOW you're giving Natasha a solo movie after you killed her off in a cheap and fairly sexist way in Endgame?" If this film had come out ten or even five years ago, it would have been major, but holding it off until now seems to have left most of us justifiably unimpressed. Plus, as I am absolutely not the first person to point out, it renders Natasha's sacrifice in Endgame "because I don't have a family" even more narratively incoherent. I realize that this film was written after that one by totally different people, there's no point in expecting the MCU to make consistent canonical sense throughout its eighty billion different films/series, we were all stuck with a mess after the Whedonified Age of Ultron Nat, and so forth, but still. Natasha explicitly SAYS that she has two families (her wacky Russian found family of spies and the Avengers) and her decision to leap off the cliff in Endgame to save Clint and his retconned perfect white heterosexual nuclear family.... Hmmmm. To which I say to you, I do not bite my thumb at you, sir, but I do bite my thumb at Male Writers, sir.

Likewise, while I am wildly attracted to Florence Pugh as Yelena and deeply desire to be wrapped between her thighs, the movie felt more like her story than Nat's. Yelena drove most of the plot and the action, while Nat was just kind of along for the ride. As a solo piece, we really didn't learn that much about Natasha aside from the opening scene (which felt like it was straight out of The Americans and probably worked the best of the whole film for the reason) with her childhood in America. But even the infamous "what happened in Budapest" backstory with her and Clint was quickly info-dumped rather than shown, and they could have taken more narrative risks or included more flashbacks or otherwise given us more NATASHA, y'know??? Instead of cramming the film into the small space between Civil War and Infinity War and making it even weirder that Nat seemingly has no memory or reference to these events when she returns to the team at that time. Why not show her looking for Yelena or her actual defection to the Avengers or anything else we might want from a film that purportedly exists entirely to provide backstory for a now-dead character? It felt like even in the film universe, the main quest was being repeated -- she tried to kill Baddie McSoviet once before and it didn't work out, so she has to do it again, something something. Okay.

As for that, good ol' Marvel and its American Superiority TM. The only actual Eastern European actress in this film about Eastern Europeans was Antonia/Taskmaster, played by the Ukrainian Olga Kurylenko (and I was very interested in her?? If she's supposed to be a narrative foil and a ghost of Nat's past and mark of her former sins, etc., why not develop her as an actual character?) Everyone else were Brits and Americans hamming it up with even more chew-the-scenery fake Russian accents than Elizabeth Olsen's "Sokovian" accent as Scarlet Witch. If it's established that they all have perfect American accents at the start of the movie, why is Nat the only American-accented character in the modern day if she had presumably the exact same childhood as Yelena? I know it's another way to set her apart, but that and Baddie McSoviet (the Russians are finding a way to steal free will from people's brains! Zomgz!!! Is this 2021 or 1981?) were straight out of the Cold War in terms of its not-so-veiled American Supremacy Message. Likewise, making modern!Natasha a former KGB agent never really made sense, since she says in Winter Soldier that she was born in 1984, and we see her in this film as an 11-year-old in 1995. But the USSR collapsed in 1991, when she was seven, and the Red Room appears to be an entirely unrelated flying....lab....thingy run by a generic evil Russian (Ray Winstone, likewise Hamming Up Accent). So like. What is she, guys?? Make up your minds!!!

Likewise, Baddie McSoviet/Dreykov as a villain obviously plays into the hoary old Hollywood "All Bad People Are Recognizable As Being Terrible Sexists and Also Probably Russians" trope, but aside from that, he doesn't make sense. He has this entire army of basically unstoppable Widows and he has just been.... waiting around and causing random explosions? Or was just waiting for Nat and company to return so he could Put His Evil Plan Into Motion? Are we really supposed to believe that this guy has just been sitting up in his flying saucer and essentially never doing anything this whole time? He had about a million chances to launch this take-over-the-world plan long before Natasha ever got there. Plus, I.... am.... not sure what to think (aside from /deep sigh/ MARVEL) about the fact that all the Widows we see dying/getting killed on screen are women of color. (Then the Black surgeon who was about to remove Yelena's brain in the Red Room and the only other Black guy being Natasha's errand boy, which just... in context... YIKES.) I think the fact that there are random Black background Widows are supposed to mean that they're inclusive and badass or something? Scarlett Johansson also has her own issues with White Feminism and all the other things we've critiqued her for before, so after TFATWS and the Flag Smashers, Marvel clearly has found its subtly racist sweet spot. As usual?

The end of the film also just basically turns into the standard Marvel empty-spectacle/cool-looking fights/people flying through the air thing, and I wanted a lot more focus on the wacky found-family Russian-spy hijinks (I did love them, for reasons) and character dynamics, rather than all of them separately fighting baddies in different places. I did obviously have feelings about Natasha putting the parachute on Yelena to save her life. But why were we then denied Nat/Gamora parallels/relationships/any character development or interaction at all in Infinity War/Endgame? Both of them are trained assassins adopted into a non-biological family that they have a complicated relationship with, but end up forging a strong bond with their sister (Yelena/Nebula) nonetheless. Of course, that would have required Endgame to put more effort into its female characters than what it did, which was one (1) Epic CGI Charge Scene at the very end, and literally nothing else. Not that I am still salty about this or anything.

Anyway. The movie was genuinely fun in places. The wacky Russian found family of spies was definitely the best part, even if it made Endgame even more nonsensical as a result. But I wanted this movie to be a lot better than it was overall, though I probably would have liked it more if it had actually come out in a timely fashion and wasn't only released after they killed her off. It just feels like there were so many possible threads of potential that could have been done with Natasha if they were actually interested in experimenting and exploring the character and not just coming up with new baddies and ways to go boom, and it unfortunately missed the mark with that.

#anonymous #ask #black widow #black widow spoilers #mcu #long post

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milkpuddjng · 3 years

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sex education s3 thoughts!

oh my god. so many thoughts. i’ve never been too into sexed just cause. but i have SO many opinions about this season and they NEed to be heard. i think i’ll also be making a post about young royals later on so. yes.

i think i’ll just. start off by saying. what the fuck was that? the only enjoyable characters to watch this season were Adam, Ruby, Aimee and the adults. the rest of the cast (that I had originally really enjoyed watching the first two seasons) were absolutely butchered and made to serve extremely boring, there-for-the-sake-of-it ideas. like?? huh?

for one, Otis felt like. an absolute loser this season. not just because he is the archetypical “loser”, but also because he was just so. bland and had such little zest. i understand that the whole point of the season was that he had no more clinic and couldn’t help people and therefore felt like a dampened version of himself, but wtf? his excuse was terrible. that in no ways would make you as different from your original self as you are in this season! the way he went about his relationship with his mum was good though - that was quite nice to watch. but his friendship with Eric this season just felt.. forced. it didn’t feel like it really did anything with the narrative, they were kind of just there for each other as fodder. and and GOD the character just flip-flopped between being spineless and an asshole, and it really didn’t read well with me. I thought the delicate kind of balance and characterisation of Otis they had in the first two seasons really fell through and it’s honestly a shame they let him ‘develop’ into this in this season.

and don’t get me started at ALL on Eric. to me this was the worst and most cruel character DECIMATION this entire season. my reading of Eric was as someone who had only recently developed into his gayness. he had only recently reclaimed his own identity and found pride in his gayness and flamboyance. this being a way-too-overdone gay trope aside, I had originally rooted for him lots in the first two seasons because it felt like he was doing it at his own pace and slowly getting comfortable with that. in s3 though, it feels like he is condescending BECAUSE of this confidence, and frankly that really just did not sit right with me. they made Eric out to be cruel, tone-deaf and insensitive. throughout the entire s3, even in his scenes with Adam, he’s uninterested, and really doesn’t show much interest in Adam apart from wanting a relationship and all its physical and social perks. he’s so preoccupied with having a Perfect gay relationship and takes no interest in actually knowing more about Adam, and that honestly really rubbed me off the wrong way, especially with the way their relationship was portrayed as being more emotional and something vulnerable in the last seasons. Eric this season felt like he was making use of Adam the whole way, and what was originally something I was looking forward to a lot in this season ended up being the thing that disappointed me the most. and i’m not sure if it’s the writing or not, and the lack of material for them to work with, but the chemistry between them this season was so lacklustre. really really disappointing.

fk i hate tumblr. i wrote a whole thing about adam and how much i love that his line was written in a delicate and sweet way, but it got deleted. rip. anyway i liked his relationship with Rahim, Ruby and interactions with Ola far more than his relationship with Eric, and I enjoyed how he became sweeter and more delicate towards Ms Sands and his own mother! to me this season was about him unlearning and trying better to relate to the people around him, and connect with himself on a deeper level and it was really very sweet to watch as that panned out. would have loved to see more interactions of him and Ola and them confiding in each other, but I swear if he and Rahim’s friendship develops into a romantic relationship I would lose it. ok but i love stoic boy learns emotions for people around him trope and the scene of him crying on the bridge really fucked me up :”) OH and i also enjoyed how the entire Groff family had their own individual developmental arcs this season, and i really hope that means something for them as a family unit later on and their reunion as a healthier, albeit un perfect still family.

on the topic of people who deserved more! i think viv for sure. i frankly don’t understand the point of giving her a hot boyfriend and of not exploring her friendship with Jackson more. not TO mention the own blandness of Jackson’s character,,, god. they had so much to work with and truly just abandoned it all. it made sense to me that she would engage in such ‘treasonous’ behavior with Hope and all, but I didn’t understand what the sexy boyfriend and sexting did for her character. i would have much preferred deep emotional talks between Jackson and her, and of the three of them solidifying as a solid friend group. would also have appreciated her becoming better friends with Cal but. wtv. very disappointed with her character this season, especially because her and Jackson’s friendship last season was done so well.

and on Jackson and Cal, i like Cal lots. really. but i really didn’t see the narrative function of their character in the show this season. while I really respect and enjoy the show’s decision to have more diversity of representation etc., i thought Cal as a character was quite unnecessary, especially because this season proved that the writers were struggling a lot to develop everyone’s characters and their backstories etc. Cal, while fun, just distracted from existing relationships and characters the show would have benefitted from exploring more. and i just didn’t see the chemistry between them and Jackson, idk at first I felt it but after a while it didn’t seem very genuine or legit to me and it felt even a bit forced. idk if this is unpopular but i honestly really enjoyed Jackson with Maeve a lot more. this was in my opinion, quite a disappointing match-up. also i missed Jackson’s mums - thought it would have been nice to spend more time thinking about that and showing that relationship as well. also didn’t think Jackson doing drugs was like. necessary. it was nice but like. ? i didn’t see the character development with that.

Maeve and Isaac. i really started off season 3 hating Isaac’s guts, but i thought that as the season went on, I really saw the chemistry between them which I truly thoroughly enjoyed. I also don’t know. why and how Maeve is still attracted to Otis - frankly, Isaac understands her way more, and allows her that much independence that I felt was necessary for her growth. Oh but I did like Maeve’s growing into accepting help and setting down her pride - especially in her relationship with Anna. i felt Maeve was more or less stuck in the same place as last season save for her letting down of her pride though. although her and Aimee as usual! were very enjoyable to watch.

ok i think this is all i have to say for sexed for now, when and if I do find more to talk about i will uPdate this!

#sex education #sex ed 3 #sex education season 3 #maeve wiley #jackson marchetti #otis milburn #eric effiong #adam groff #netflix #sexed #sex ed #sexed 3

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kentokunn · 4 years

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fluff alphabet; shinobu kocho

[ an. i have some scenarios in my drafts but i want to do some fluff alphabets for my favorite characters, feel free to send requests for these with certain characters! (also, this fluff alphabet is templated by @wonderwxlls) ]

attractive (what do they find attractive about the other?);

Shinobu is extremely attracted to your skill and movements in battle. The way you hold yourself up, never letting a moment for mistake, or giving an opening for your opponent. You’re quick on you’re feet and you’re an even quicker thinker, being able to dodge and attack demons with elegance that she felt outshined her own beautiful movements.

You are attracted to Shinobu’s eyes. They hold the path to the soul, and her’s is rather broken after the death of her sister. She holds so much anger in her, and that resides in her soul, but when you look into her eyes you only see the light that’s hidden behind the dark. You were the reason that when she smiled it was genuine, and that showed through her eyes.

baby (do they want a family? why or why not?);

Shinobu would love a family, however she knows that isn’t a possibility, not after her sister died. She could love one and endure the risk of losing them, but she could not say the same if it were her own child, whether by blood or otherwise. She never mentioned it in conversation with you, and you never offered to bring it up.

cuddle (how do they cuddle?);

Shinobu loves cuddling, although she never admits it. Typically they very depending on who is holding who, however, if you’re holding her you will typically tuck her under your head and into your chest, holding her tight so that she feels safe and so that you know she’s protected. You want to do your very best to make her as happy as possible.

If she’s holding you she’s typically do so from behind, having her chest pressed up to your back. Her hands will be on your stomach, holding your own as she runs her fingers over the back of your hands and knuckles until, occasionally placing gentle kisses to the back of your neck.

dates (what are dates like with them?);

Dates are extremely calming with Shinobu. Your most common dates are in the gardens of the Butterfly Estate in which you both sit atop a blanket and enjoy a mean, or lie together to gaze at the sky. Dates aren’t typically far from the Estate since Shinobu is constantly working on something new, whether that be medicine or an antidote to a poison, but any date with her is pleasant.

everything (you are my ____ (e.g. my life, my world...));

She is your motivation. Before you met Shinobu you slayed demons with no purpose other then to slay and protect, a rather dull purpose for a demon slayer when all seemed to have a motive as to why the became one, whether for revenge, or for a goal. When you met Shinobu you now had a reason to go into battle and survive, not just for yourself, but for Shinobu as well. You wouldn’t be able to see her mourn your death from above, you couldn’t take the sight.

You are her light. After her sister’s death, Shinobu felt nothing but anger, one that dwelled deep within her heart. She seemed revenge on demon’s, her only drive keeping her moving forward in the darkness of her own mind, but when she met you she felt a new purpose join the other. It lit a light in her dark path, a light that you provided.

feelings (when did they know they were in love?);

She knew that she was in love after you had stopped by to visit the Butterfly Estate after the first mission you had taken after leaving the first time. She had felt as though something was missing after you’d healed and moved on to continue with your missions, but it left her with a sense of misery, more then before. When she had seen you again she felt a sudden urge to cry of relief, knowing you were alive. That was when she realized she never wanted you to leave again. That’s when she knew she loved you.

gentle (are they gentle? if so, how?);

Extremely! She’s very heavy on physical touch, and tends to reach out to you unconsciously, whether that’s to just hold your hand, or graze your arm. Her touch is always soothing, and just knowing that she’s holding you, that you’re there makes her feel secure.

hands (how do they like to hold hands?);

Shinobu likes to intertwine your fingers, typically when you’re alone or lying in bed. She wants to feel as much as she can of your skin on hers, that includes between her fingers, which requires for them to be interlocked.

impression (what was their first impression?);

Her first impression of you was concern and confusion. Your first meeting was after a battle in which you had lost a lot of blood from, although came out victorious. You were bleeding so badly and in so much pain, and yet throughout your treatment at the Butterfly Estate you could only smile and thank them all from the bottom of your heart. It confused her to see such an injuried being be so grateful when in such horrible pain.

jealousy (do they get jealous?);

Occasionally she can get jealous. This is typically when one of the other Pillers makes a comment or does an action or even gives a look that she deems inappropriate for two friends. When she’s jealous she’ll take hold of your hands before finding the first opportunity to pull you aside and give you a long kiss. You never complain.

kiss (how do they kiss? who initiated the first kiss?);

Shinobu’s kisses are very soft, tender, but long and passionate- although that’s not to say they can’t be rough at times. Typically she’s always touching your shoulders or holding your cheeks, anything to feel and be close to you as you kiss.

You initiated the first kiss, however. It was after a dinner with everyone at the Estate, and Shinobu had gone to take a seat outside before going to bed. On your way to your own bed you’d spotted her and decided to join her. She looked your way but said nothing until you couldn’t take anymore of the tension you’d been feeling for months and finally kissed her.

love (who says ‘i love you’ first?);

Shinobu did while you both lied in bed together. She had been at her desk practically the whole day and you were determined to get her to join you in bed for the night so she could get some sleep, knowing that if you didn’t she wouldn’t come to bed till the next morning, if at all. You had dragged her to bed, and both thankful and tired she let the words slip out before falling asleep, missing the fact that you had said it as well.

memory (what is their favorite memory together?);

Her favorite memory of the both of you is the first time you made her genuinely laugh to the point she was in tears. You had cracked an odd joke that had surprised her and she couldn’t hold in the laughter, bursting out a delightful sound that you’d grow to absolutely adore after that day. The memory ended with you joining in with her laughter and wiping your own tears as she did the same.

nickel (do they spoil? do they buy the person they love everything?);

Shinobu occasionally buys you gifts, such as your favorite flowers or food, and even a kimono. However, Shinobu typically makes her own gifts to you, whether that be some sort of medicine or even a butterfly clip (she doesn’t expect you to wear it, but just seeing it in your room or on your person makes her whole day). She knows she’s not the best with gifts, but you know it’s from the heart and that makes any gift she gives/makes you your favorite.

orange (what color reminds them of their other half?);

Blue reminds them of you, because not only is it a cool and calming color but it symbolizes loyalty and intelligence, two of the first key characteristics she assigns your with whenever she thinks of you.

Purple reminds you of her, because of her beautiful attacks you always get to see her beautiful butterflies, and although they’re a mix of colors the most prominent to you is purple.

pet names (what pet names do they use?);

Shinobu isn’t big on pet names, but her favorite to call you tenshi which means angel.

quaint (what is their favorite non-moder thing?);

Shinobu’s favorite non-modern thing is temples. She loves the architecture and design on them, visiting nearby temples and shrines with you when you can both spare the time.

rainy day (what do they do on a rainy day?);

She’ll typically work on a rainy day, but on the rare occasion you can drag her away from that you’ll both lie in bed together and read, or, if your both up to it, even train in the rain together. It’s good to get used to training in all sorts of weather, so you found it to be the perfect opportunity.

sad (how do they cheer themselves/others up?);

Shinobu isn’t very good at cheering herself up, instead bottling up her emotions and hiding them, so you’re the one that cheers her up. You’ll talk with her, hold her, crack a joke here and there. You do whatever you can to make her smile, a genuine one, and it’s hard for her to risist that when you’re the person she loves most.

talking (what do they talk about?);

Shinobu likes to talk about her medicines a lot, she loves what she does and she’s great at it. She’s passionate about her work so having you there to listen to her makes her extremely happy. If she feels like she went on too long she’ll apologize, always blushing as you assure her that it’s okay.

unencumbered (what helps them relax?);

Shinobu’s biggest stress reliever is your humming. You didn’t know you did this at first until she pointed it out. You had apologized profusely, hoping you didn’t sound too horrible, but when she just laughed softly and shook her head, telling her she rather loved the sound you did it more often. Sometimes all it takes for her to fall asleep is lying her head on your chest as you hum, feeling the gentle vibrations of your voice.

vaunt (what do they like to show off? what are they proud of?);

Shinobu’s extremely proud of her medicine and loves to show you new ones that she makes or that she reads about, but she loves to show you off, especially to the other Pillers. They always tease you both about it, causing you to blush and for Shinobu to state proudly that she’s glad to have you as her partner.

wedding (when, how, where do they propose?);

Shinobu never planned to get married, and when she met you she never really thought of it either. She loves what you both have and she never thought about changing it. She didn’t realize that having the title wife would make such a difference to you, until you proposed. It was nighttime out in the city you both had gone to gather supplies and groceries. You both went out to eat first before shopping when you were holding each other’s hands across the table and looking at each other intently. It sort of slipped out of you but you didn’t regret it one bit, when after processing for a minute or so, Shinobu said yes.

xylophone (what is their song?);

A song that associates with Shinobu is queen of broken hearts by blackbear. (I don’t know if this really suits her, but I was going through my playlist and it was the one that stuck out to me the most.)

yes (do they ever think of getting married/proposing?)

As stated, no, she doesn’t really think about it, but she doesn’t say no when you ask her to marry her yourself. She’s rather enthusiastic about it actually, as long as it was a rather private ordeal, just the two of you and a few others at the ceremony.

zebra (if they wanted a pet, what would they get?);

Shinobu is the Insect Piller so she’s very much in love with insects, and especially butterflies. She loves that they roam the Butterfly Estate, but other then insects, she wouldn’t want any other pet. It’s canon she dislikes cats and dogs.

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translations-by-aiimee · 3 years

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Dig a Grave to Dig Out a Ghost - Chapter 16

Original Title: 挖坟挖出鬼

Genres: Drama, Horror, Mystery, Supernatural, Yaoi

This translation is based on multiple MTLs and my own limited knowledge of Chinese characters. If I have made any egregious mistakes, please let me know.

Chapter Index

Chapter 16 - Game

Ten minutes later, Lin Yan appeared on the stage awkwardly wearing a silver-grey robe with a small dragon pattern embroidered on it. All ten participants took their seats. Even the Professor File Folder put on a traditional teacher's outfit. The buzzing activity coming from the crowd made Lin Yan blush. It felt like he was sitting on pins and needles; it was uncomfortable no matter how he tried to adjust himself.

This whole situation felt like a melodrama between Liang Shanbo and Zhu Yingtai. He couldn't help but glance back at Xiao Yu several times. The only real ancient man in the audience was standing behind him with a frown. Looking at him with a serious stare, he pressed his hand against Lin Yan's shoulder, like he was trying to comfort him.

When he changed his clothes, he noticed that something was wrong with Xiao Yu, or maybe it was just everything that was wrong. In the dressing room, the ghost had wrapped himself around him and hugged him. He pushed and shoved the other around the narrow room, creasing his costume. Just as Lin Yan was about to start fighting back, Xiao Yu suddenly stopped tugging him around. He pulled him over to the mirror, put his chin on Lin Yan's shoulder and he stared at the person in the reflection. For the first time, his chaotic eyes seemed calm, even holding a quiet sadness.

The mirror surface swayed, like a droplet hitting a calm pool of water, waves rippling away from the center. Standing in the brass mirror was a young man standing with clear eyes, hands resting beside a cloud brocade waistband, and a face exuding pride. Lin Yan backed away in horror. He almost screamed. The person in the mirror wasn't him. Although he had the exact same face, life had done a number on him and he wouldn't be able to make an expression like that anymore.

The scent of agarwood incense in the room was intoxicating. The young man's eyes softened. The tall man in the traditional Chinese clothes adjusted his chin on his shoulder, raising his long eyebrows. His voice was slow and hoarse, as if he hadn't spoken in a long time: "I've been waiting for you for so long. . ."

Lin Yan's head snapped back to the mirror. He staggered forwards and leaned against the mirror. The person in front of him had hair as black as paint, and his mottled blood coat didn't match his eyes that seemed so sad and hopeless. . .

I have been waiting for you for a long time.

Lin Yan scrambled out of the dressing room.

"The break is over. Please quiet down and we'll get started with our next activity." The girl in the red jacket skirt read.

Lin Yan sat in the chair in a daze. The bright stage lights and the dark crowd in the audience made him feel like what just happened in the dressing room was a hallucination, and Xiao Yu was no different. Lin Yan looked back at him, panicked. Xiao Yu leaned down and held his trembling hand. On the table were a small whiteboard and a soft black marker. Xiao Yu motioned for him to pick it up and he moved his hand across the whiteboard: I'll help you.

Lin Yan was stunned and wrote out: Do you remember something?

Xiao Yu didn't seem to want to answer. He shook his head and let go of his hand. He still stood behind him holding onto Lin Yan's shoulder for support.

The audience quieted down, and bright white chasing lights hit the mahogany silk box on the centre of the stage. The red jacket skirt girl stepped forward to open the silk box, revealing the glass box within. The audience let out a few exclamations, and Lin Yan's eyes lit up. It was a beautiful moon flask with two handles. The maiden leaned against the tree art, the linework was meticulous, the enamel fully covered the flask, the piece was still intact, and the overall flask was in good condition.

This authentification wasn't difficult for a student studying cultural relics. Lin Yan carefully looked at the glaze texture and enamel of the flask's body. He wrote his answer on the whiteboard after double-checking that it was correct. When the time was up, the host walked past the square table and stopped when he reached the PSP guy, holding up her mic and asking: "You, what's your answer?"

The PSP guy’s whiteboard turned out to be empty. He was leaning on the table and his attention was focused on his game. When the host asked the second time, he raised his head as if he had just woken up. He glanced lazily around and sarcastically twitched the corners of his mouth into a smile. "It's genuine," he spat out. Then he brushed the host off and lowered his head to continue playing the game.

Lin Yan knew this guy was arrogant, but he didn't expect him to act this to everyone. The girl in the red jacket skirt was embarrassed by PSP's attitude. After putting a polite expression back on her face, she nodded and walked to the next student.

"Well. . . There were nine students who got the answer right, might as well switch it up for the last one." The audience let out a good laugh, and the boy three places down from Lin Yan grinned and left the stage. The professor briefly spoke about the flask. Lin Yan cleaned off the whiteboard and waited for the next question. His mind couldn't get over what he saw. He thought that most people wouldn't make a mistake on such a simple question. It seemed that the people on the stage were not as professional as they thought.

Professor File Folder also seemed a little disappointed. He took a sip from his stainless steel cup and turned his attention to the laptop, not knowing what he was looking at.

The brocade box in the center of the stage was swapped with a smaller one. After the mysterious sound effect, the box slowly opened. It was an ancient book. The host motioned everyone to take a closer look. Lin Yan stood in front of the glass box for a while and returned to his seat to write the next answer: "Genuine, the Southern Opera "White Rabbit" published in the Ming Dynasty, unearthed from the tomb of the Xuan family in Jiading."

He had seen this thing in the Shanghai Museum. Lin Yan thought, this lecture is like an antique appreciation meeting. No wonder it attracted so many people. After they all answered the question, another person left the stage amidst the applause and whistle of the audience, leaving another armchair free.

The questions were asked one by one, gradually getting more and more difficult. A fake yet elaborate sunflower gold hairpin inlaid with gemstones stumped three people, and then a bucket-colour fine-grained water chestnut bucket imitation with a "grinding" technique even had Lin Yan hesitate with his answer. After the authenticity of each item was announced, the professor simply added a few points on the piece, which could count as educating the audience on the topic. The seats were vacated one by one. When the eighth object was brought out, there were only two people left on the stage. Lin Yan glanced to the right, and it was the PSP guy who had toughed it out until the end.

He looked careless, but he didn't expect that he understood the field so well. Lin Yan put his cold palms on his face to cool down and took a long breath as he waited for the next question.

The red jacket skirt girl was holding a delicate paper box in her hand. Instead of showing it to the audience first, she walked over to Lin Yan and the PSP guy, signalling them to come forward. She opened the paper box and carefully took out a fan.

The ink on the front of the golden fan wasn't very visible; it wasn't well-preserved. The ribs of the fan were slightly damaged, and there are signs of water damage on the ink-painted mountains. With this kind of condition, it would be difficult to fetch a good price in a private auction if it wasn't made by a famous artist. But when the inscription on the face of the fan was exposed, Lin Yan and the PSP man couldn’t help but breathe a sigh of relief. On the front, a few lines of the unruly inscription were written on the fan: “Wildwater Bridge Road, The Village of Barren Chickens and Fallen Leaves. Returned to Hou Xidu, The Child Sweeps the Firewood Door." What surprised the two of them were the three small characters following the poem: by Tang Yin.

Lin Yan's heart sped up. If this was Tang Yin's authentic work, then the fan in front of him was worth at least 500,000 yuan. Wasn't he afraid of being robbed bringing such a valuable thing to school? Then a clear picture of the fan was shown on the big screen. As expected by Lin Yan, an exclamation sounded from the audience, and even the host's voice was drowned by the buzzing discussion.

Professor File Folder grew impatient and coughed into the loudspeaker to signal the audience to shift their attention back to the event.

Lin Yan carefully looked at the light brown fan in front of him. He couldn't help but take his time with his answer. Tang Yin's paintings were extremely difficult to distinguish in the field of calligraphy and painting. His style of painting changed throughout his pieces, and he rarely indicated the year on the paintings so it was difficult to guess the painting based on its creation year. Therefore, there were countless counterfeiters and imposters on the market. To be honest, judging this kind of work could only be based on the painting style, date and seal inscription. The most important thing is the eye and inspiration of the connoisseur. Being extremely familiar with the author’s style, the first time he saw the work, he could only make a guess. This wasn't just an answer determined by years of study, but it was also just a luck-based gamble.

In the early years of the founding of the People’s Republic of China, many collectors relied on this ability to make money at auctions overnight, but it was too difficult for students like Lin Yan who hadn’t even finished school. He frowned and thought carefully. Regardless of the painting style, the date and the handwriting of this fan were almost flawless. Although there was a slight deviation from Tang Yin's other landscape paintings, the vigorous and unrestrained spirit of the brush strokes clearly distinguished this piece.

It should be the original one. . . Lin Yan bit on his pen and hesitated. Halfway through writing out his answer, his wrist was suddenly grabbed. Xiao Yu bent down and studied the fan carefully. His fingers lightly tracing the red seal and he seemed surprised. He shook his head at Lin Yan and crossed off the half-written "true" on the whiteboard with his hand.

"After so long, you still haven't figured it out?" PSP guy leaned over to Lin Yan casually with a disdainful expression. Seeing Lin Yan still holding the pen hesitantly, he couldn't help but sneer, "I thought you were so awesome."

The file folder-like professor was staring at his notebook in a daze. Hearing these words, he couldn't help turn his head around and looked at the two with interest. Lin Yan just focused his attention on the painting instead and had forgotten to be nervous. As soon as he raised his head to meet the professor's gaze, his cheeks became hot again. He couldn't help but cry inside. He originally planned to wait for the end of the event to ask the professor backstage regardless of whoever won the contest. Now he feels like he wouldn't be able to ask him anything if he lost to this guy in this activity.

"Hurry up, hurry up." PSP guy tapped the table with a pen and made some muffled noises. "Just go home already, you aren't qualified for this."

When the professor heard this, he couldn't hide his amusement and turned his face to take a sip of water to cover up his expression.

That was rude. He hadn't finished yet. Lin Yan clenched his fist and asked Xiao Yu as quietly as possible: "Are you sure?" Xiao Yu nodded, his pale fingers stroked his throat, and frowned. After a long time, it seemed that it took a lot of effort to say slowly and hoarsely: ". . . I drew it."

Lin Yan's eyes widened. He looked at Xiao Yu in disbelief, and then at the fan. In ancient times, there was no perfect reprinting technology. Famous paintings and calligraphy were often copied by literati and calligraphers. Some were for practice, some were to give to friends. Some were for selling, and the prices of those high-quality copies were even comparable to the originals. But Xiao Yu's counterfeit actually appeared here. . . Wasn't this too much of a coincidence?

"Dude, if you don't know what it is, stop wasting our time." Seeing Lin Yan's hesitation, the PSP guy shook his head impatiently. He lowered his head and continued to play his game, pressing the buttons with his thumb, clicking them loudly.

Lin Yan was also irritated but by this person's attitude. He took a deep breath and wrote his answer on the whiteboard. The crowd in the audience couldn't wait. The people in the nearby seats pointed at the PowerPoint. Someone nodded gently, seeming to recognize the authenticity of the painting.

The sound effect of a gong sounded, and when the host read out the answers of the two, Lin Yan heard a commotion in the audience and even a disdainful sneer from the corner of the room. However, the PSP guy completely ignored the audience’s reaction and crossed his legs. He glanced at Lin Yan, touched the pimples on his face and raised an eyebrow with a chuckle: "You're right, not bad."

The same answer was written on both whiteboards: fake.

The professor showed an appreciative smile on his face for the first time. After he said the right answer, he grabbed the microphone and explained to the audience: "Tang Yin's fan "Xiqiao Going Back to the River", a work made during the Ming Dynasty Chenghua period. The author is unknown. The two students answered correctly."

There was a sigh from the auditorium. This time, most of the people who had thought they were right about their guess couldn't help pointing at the screen to discuss the flaws in the fan. There was even a school official wearing a black suit in the front row who had turned around and argued fiercely with the guests in the back row.

Author unknown? Lin Yan wasn't focusing on the fan, instead looking back at Xiao Yu. His hands still rested on his shoulder, but he didn't respond to anything Professor File Folder was saying. Instead, he frowned as if immersed in memory. He seemed really lost in thought. Lin Yan looked into Xiao Yu's eyes, no longer as wild as a beast like when he first saw him. Now, his dark eyes were like the surface of the river after sunrise, and the turbid fog was slowly burned away in the sun, revealing a hint of clarity from within the chaos.

"Now that the first nine rounds are over, please give your attention to the last round with these two classmates, which is also the most difficult round today." The red jacket skirt girl raised her voice and signalled to something behind her.

#dig a grave to dig out a ghost #chinese bl #chinese novel #english translation #yaoi #danmei #yaoi novel

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goneseriesanalysis · 3 years

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Caine Soren

Hiya guys, so here are my thoughts and opinions on Caine from my re-read of the first book. I was planning on writing this quicker but my ADHD told me no. I’m prolly gonna write up a bunch now though because I’m ✨in the zone✨ Also, apologies but this is another long one because I am physically incapable of being concise

Spoilers for Gone down below

Original Opinion: Most of my criticism on him as a character came as a result of later development so I’m not quite sure whether that will change as of yet. But as far as his role as a villain, I really enjoyed his character and what he brought to the story.

New Opinion: I still maintain that Caine is a good main villain for this book. I found him to be waaaaay different and way less competent than I remember, but boy is he interesting. I have so many thoughts on Caine and it was a real struggle getting them all down.

1.) CAINE’S APPEARANCE:

Ok so we are first introduced to Caine in chapter 14 through Sam’s POV. We see him standing apart from the other Coates kids “wearing a bright yellow V-necked sweater instead of a blazer.” This is obviously done to set him apart from the other Coates kids, and (forgive me for going all English teacher on you) the colour yellow has connotations of corruption and deceit, which fit in pretty nicely with Caine as a character. Sam then goes on to give us a more detailed description:

“He was handsome, even Sam noticed that. He had dark hair and dark eyes, not much different from Sam himself. But this boy’s face seemed to glow with an inner light. He radiated confidence, but without arrogance or condescension. In fact, he managed to seem genuinely humble even while standing alone, looking out over everyone else.”

This is one of my least favourite descriptions in the whole book because it simultaneously manages to tell us almost nothing about Caine’s appearance whilst making me cringe so hard that my muscles start to atrophy. Seen as we get very little description of Sam, telling us that Caine looks like Sam is pretty much useless – although it nicely sets up the brother twist – and dark hair and dark eyes could mean anything. Are his eyes blue, brown, black?? Is his hair black or brown?? Who knows?? Not me. And don’t even get me started on his face glowing with an inner light. Because no. I hate this line so much it actually hurts. I thought at first it may be in reference to his connection with the gaiaphage. But that makes no sense. It reminds me of the scene in The Great Gatsby where Nick describes Gatsby’s smile for about half a page and he just sounds ridiculous. I will admit the last two sentences give a good example of Caine’s ability to charm and manipulate those around him but the rest is just aaa

We also learn that he is handsome, which is then followed by what I consider to be a writer’s greatest sin. “He was handsome, even Sam noticed that” – Every. Single. Time a male character describes another male character who just so happens to be attractive in any given book from any author, we get this line. It is the writer’s equivalent of saying no homo and I’m going to make it my personal mission to call them all out on it.

Ok moving on – sorry about that. Rant over.

Sam then says that “His voice was clear and just a little higher, maybe, than Sam’s, but strong and determined. He had a way of looking at the crowed before him that made it seem he was meeting every person’s eye, seeing every person as an individual.” This is good at further establishing Caine as a leader, and shows his relationship with crowds, it gives the reader some indication of his ability to control. He is able to easily win over those of Perdido Beach with his charm.

Caine gets referred to as being attractive by a few other characters throughout the book, but the last main description we get of him is from Drake’s POV in chapter 20:

“Caine sat in his over-large leather chair, the one that had previously belonged to the mayor of Perdido Beach. It made him look small. It made him look very young. And to make matters worse, he was chewing on his thumbnail, which made it almost look like he was sucking his thumb.”

This description is kind of reminiscent of the scene with Sam and the shirt that I talked about in my Sam Temple post. He has taken over the mayor’s chair but he is not fit to take on the position of mayor. Whereas Sam’s weakness in leadership stems from his insecurities and doubts, it is Caine’s narcissism and over-confidence that make him unfit to lead. Michael gives Caine the compulsion of biting his thumbnail when he is nervous. This is a habit that people often pick up to deal with challenging emotions is a less destructive way (as opposed to having a meltdown or getting angry) and works nicely for Caine’s character. It shows that while he does have his moments where he loses control, he is capable of controlling himself to a certain degree, making it seem more likely that someone like Diana might align herself with him. This also helps to further the idea that despite his narcissism and delusions of grandeur, he is still just a kid. And of course sets up the idea that Drake is somewhat resentful towards Caine.

2.) CAINE’S PERSONALITY:

Caine’s personality is a difficult one to analyse as there are two main aspects to it – the personality he projects in order to manipulate people and his actual personality – and sometimes the line between these blurs to the point where it becomes unclear which one we are seeing. One thing that I did notice is that in this book we don’t actually get a Caine POV until the Thanksgiving battle, so we mostly see him through the eyes of Sam, Jack, Drake and Diana, who all have very different relationships with him.

As I mentioned before, we first see Caine through Sam’s POV, where we are introduced to what I’m gonna call his fake personality. Michael uses phrases such as “Caine appeared interested” alongside Astrid’s commentary, which lets the reader know that Caine is not what he appears to be, but of course the general population of Perdido Beach are not aware of this. One criticism I had towards the way that Caine’s character is portrayed is that it is initially hinted that the reason he is able to gain such control over people is because of his proficiency in manipulation and his superficial kindness (such as when he comforts the kid who asks for his mum). And yet he manages to fool almost no-one?? Astrid, Sam, Edilio, Albert, Mary and Howard all immediately see through his façade, which makes it hard to believe that this is how he gained such influence over people. (And of course all the kids at Coates who were cemented saw through it too). In fact I found myself to be kind of confused as to why anyone follows him at all?? Is it just a fear of his power?? That’s… a little disappointing. He doesn’t become mayor because he charms the population. He becomes mayor because no-one else wants to do it, and no-one can be bothered to oppose him. And even when people start to become more afraid, they aren’t afraid of Caine. It’s Drake. Although, you of course have to take into account the fact that these are just children who want someone they can look towards for help and guidance. Perhaps Caine’s persuasive abilities are less about using his charm to completely win people over and more about him being able to take advantage of situations that are presented to him. He has just enough superficial charm and makes just enough beneficial changes (such as laying down rules and protecting the food) that people are willing to overlook some of the more sinister things that he does.

That being said, I think my main issue with so many characters being able to see through Caine so quickly, is what it says about or “hero.” Sam doing nothing to stop Caine, despite him clearly knowing that Caine is bad news makes him seem a little selfish?? His insecurities stop him from doing what is right, and while it is good to have a flawed hero, his willingness to allow Caine to terrorise Perdido Beach up until he threatens Sam personally seems less like a small character flaw and more like a pretty big lapse in morality and compassion. Would Sam have ever taken control if Caine hadn’t kidnapped him?? If Sam had been fooled by Caine’s manipulation that would imo have made both of their characters better fit their respective roles of protagonist and antagonist.

That being said one of my absolute favourite lines regarding Caine is “Then let’s go in together,’ Caine said. He turned and marched purposefully up the church steps. The rest of the chosen fell in behind him.” in chapter 14. I think this perfectly captures the contrast between what Caine says and what he does, and I really love it. One of Michael’s strengths is adding little throw away lines that can perfectly sum up a character and their intentions. And this idea of Caine saying something but meaning something else is pretty central to his character – the biggest pay-off we get from this in book 1 is him promising to protect the little’s and then (horrifyingly) feeding them to the coyotes in the final battle. This was a scene that I did not previously remember and man did I feel some emotions when reading it. There wasn’t even a second thought, absolutely no indication of remorse. I know a few times it’s mentioned throughout the books that the difference between Caine and Drake is that Caine only does what is necessary – but the scene with the coyotes really contradicts that idea.

Caine’s ‘real personality’ imo is shown in little moments throughout the books. By Caine’s real personality, I’m referring to the part of him that we don’t really see at all in this book, the part of him that is only really hinted at by Diana, and occasionally Drake. Even when Caine is around Diana and Drake, he still tries to keep up a persona – this time that of a cold and detached boy with little to no emotions. But this isn’t really who he is. I think the ‘real’ Caine is an extremely emotional person (although I would like to clarify that by emotional I mainly mean angry and sometimes scared) and there are a couple of moments where this does shine through. There are a few times where Caine loses his temper with both Drake and Diana, using his powers to injure them and to reiterate the power he has over them. I think this shows how insecure Caine truly is, despite what he would have others believe. He only ever breaks character when his authority is mocked or threatened, even if the threat holds no real intention (such as Diana’s jibe after he kisses her). I do find it interesting that, at the core, Sam and Caine are quite similar. It is how these insecurities manifest and project themselves that really define them as different. Caine’s insecurities also shine through in these quotes from Diana:

“Yes. Sam is a four bar. And Caine would freak.” – Chapter 29

“Caine, despite his over-sized ego, his looks, his charm, was terribly awkward with girls.” – Chapter 39

Caine needs to be in control. He needs to be the most powerful person in the room at all times, and the only two people who can really be considered a threat to him in this way are Diana and Sam. Sam is his main threat and Diana, of course, holds a certain amount of power over him due to his feelings towards her. However, any time that Diana seems to be gaining or trying to gain more power (most notably when she makes fun of him for kissing her and when she tries to make him call off the coyotes) he reacts with violence. But I’ll go into that more when I make a post about their relationship.

Another thing that I noticed about Caine that I hadn’t previously remembered is that, he’s a bit of a coward. We first see this in chapter 34 when Little Pete frees the Coates kids “Caine was quick. He backed away, turned, and ran for the building.” The one thing that really got me about this is that he didn’t wait for Diana. He just turned and saved himself. Which kind of brings into question why Diana stays with him. Does he offer protection?? He certainly didn’t here. He literally abandoned her and ran for the hills. The other time we really see this side of him when he uses Astrid as a human shield in chapter 45. Diana even comments on this, telling him to “be a man for once.” I don’t have much else to say about this, but I think it’s an interesting aspect of his personality that certainly makes it easier to dislike him.

Now the last thing I want to talk about in regards to his personality is chapter 36 (the chapter where Drake gets his arm cut off). Caine gets in three good moments during this scene, the first one being:

“It’s not Diana or Chunk or even me,’ Caine said. ‘It’s none of us, Drake. It’s Sam. It’s Sam who did this to you, Drake. You want him to get away with it? Or do you want to live long enough to make him suffer?”

This is one of my favourite Caine moments in the book, and it’s really one of the only times that we see his manipulation actually work on someone. He knows exactly what to say to Drake in order to shift the blame in the direction he wants. Forget that I left you behind to deal with Sam and the escaped kids yourself. Forget that Diana is sawing your arm off. Just focus on Sam. And I think this line had such an effect on Drake’s psyche (which I will explore more in my Drake post) and really excellently shows off Caine’s ability to take advantage of a pre-existing situation in order to benefit himself.

The next two moments are where I really think the lines between Caine’s persona and the ‘real’ Caine blur to the point where it’s unclear which side of him we are seeing – and I think there is an argument for both although imo I feel like it’s his persona that we are seeing.

“It’s the only way to stop the pain,’ Caine said, almost showing some emotion, some pity. ‘The arm is done for Drake-man.”

“Don’t cut off my arm,’ Drake cried. ‘Let me die. Just let me die. Shoot me. ‘Sorry,’ Caine said. ‘But I still need you, Drake. Even one-handed.”

So, we first get the idea that Caine, at least somewhat, feels sorry for Drake. Drake’s injury is horrific and it’s clear that other characters, such as Jack and Diana, who are usually nothing but hostile to Drake (and rightfully so) feel some sympathy towards the situation. Now it’s also important to note that this scene is from Drake’s POV so we don’t actually know if the sympathy Caine is showing is real, is part of his attempt to manipulate Drake, or isn’t there at all and is just something that Drake wants. (I think the last option is entirely plausible as Drake often seeks praise from Caine, so in a situation like this it makes sense that he would seek some empathy). However, Caine then goes on to refuse Drake’s plea for death… because he needs him. Not because he’s a friend – or even just an ally. Not because he doesn’t want him to die. But because he needs him. That’s cold. And it’s really cold to tell him that – which leads me to believe that the almost sympathy Drake sees earlier on was never there, or at the very least was just a manipulation tactic. Caine cares so little for the people around him and I find it quite funny that it was his treatment of Drake (the person probably most deserving of it) in this scene that really showed me how much of a villain Caine can be.

3.) CAINE’S MOTIVATIONS:

Why does Caine do the things he does?? Why does he need to be in control?? And while we don’t really get much insight into Caine’s head in this book, there are a few good moments which allowed a reader to speculate as to what his motivations are. The first moment that really stood out to me was in chapter 39, where Caine tries to open up to Diana about his parents:

“I always had the feeling, you know? That my family wasn’t my real family. They never said I was adopted, but my mother – well, the woman I thought was my mother, I don’t know what to call her now. Anyway, her, she never talked about having me. You know, you hear moms talking about going into labour and all. She never talked about that.”

From this, we can see that Caine always felt like an outsider within his own family, he always felt like he didn’t belong. And this seems to be a pretty big motivator when it comes to Caine’s need to take over, to have power over everyone else. If he has control, then he will always have a place. He will always belong because the world will be his. Caine never fit in in the real world, his narcissism (and probably psychopathy) distanced him from other people right from the get go. But in this new world, in the FAYZ, Caine has a chance to be important, to be a ruler and he’s willing to do pretty much anything to get that. I think this idea, of his need for power and control stemming from the lack of acceptance and belonging he felt with his family, is emphasised in chapter 46, during the poof:

“Caine seemed spellbound, unable to tear his gaze away from the gentle, smiling face, the piercing blue eyes. ‘Why?’ Caine asked in a small child’s voice. […] ‘Why him and not me?’ Caine asked.”

This is the only time I felt the slightest bit of sympathy for Caine during my re-read of this book. He is 14. A kid. He spent his whole life feeling like and outsider and now he knows that a woman he knew, a woman that he saw almost every night is his actual mother. That she also knew this and yet never tried to talk to him, to explain, to do anything. And now he’s looking at ‘her’ and all he wants to know is why. Why did she give him up?? He lacks empathy and many other emotions that allow healthy relationships with others, yet he still wants people to have that connection with him. He needs him and rely on him. So his solution is to gain enough power, enough authority and control so that people have to listen to him and have to rely on him. He doesn’t care how many people he hurts or pisses off, because in the end, if he gets what he wants, that won’t matter. He’ll be too powerful for it to matter because they’ll still need him anyway. And that’s why “All that matters is winning. So save it.” – Chapter 45

4.) CAINE’S INTENTIONS/ HIS ROLE AS A VILLAIN:

Caine’s intentions are pretty obvious from the very first time we meet him in chapter 14. And, of course, it is these intentions that really define his role as a villain. Now, in chapter 14, it never outright says that Caine’s intentions are to take complete control over Perdido Beach. In fact, Caine tries to make it seem like he wants to make a collaborative effort to help them all move forward. But once again, his actions contradict his words, most notably in these lines:

“Orc grunted, shifted the bat from right hand to left, and stuck out his thick paw. Caine grabbed it with both his hands and solemnly looked Orc in the eye as they shook hands.”

“But Caine grabbed his elbow and manoeuvred him into a handshake.” [Referring to Sam]

“Caine had moved confidently towards the altar.”

These lines subtly show that, whilst Caine talks about working together, he is really the one in charge. He is the one dictating what is happening and when it is happening, forcing Sam and Orc to shake his hand. Giving them jobs so that he can keep an eye on them (Orc) or keep them out of the way (Sam). And of course, he won’t stand with them in the church. They don’t sit around a table and talk as equals. Caine has to be up at the front. He also gets extremely angry when other people make demands, or give an idea that he can’t take credit for. The most obvious example of this being in response to Howard telling him that they wouldn’t be working for Drake. “Sam saw a coldly furious expression appear on Caine’s handsome face, then disappear as swiftly as it had come.” This is then followed up by Caine ripping a 12ft cross off of a wall and launching it at them, so it’s safe to say that he doesn’t appreciate his authority being challenged.

Later in the book we then get more obvious examples of his intentions, as his role as the villain is fully unveiled:

“Caine, to the surprise of no-one who knew him, had taken over the mayor’s office.” – Chapter 15

“Number one says Caine is the mayor of Perdido Beach and the whole area known as the FAYZ.” – Chapter 16

After Caine basically walks into Perdido Beach, tells everyone what to do, and gets away with it, he begins to be more outright with his intentions. He immediately takes over the mayor’s office, and makes his new title of mayor the very first rule to be enforced. He isn’t really all that secretive about his intentions, at least not after the initial meeting. I think this is a measure of his confidence – he doesn’t feel at all threatened by the people of Perdido Beach. I think one of the reasons that Caine is such a good villain, is that when he is in control, he isn’t that bad?? I mean sure, having Drake as sheriff is less than ideal, but Caine himself is not a bad leader. He comes up with rules that both make sense and do actively increase the quality of life of those in Perdido Beach (minus the no magic tricks rule). It’s only what Caine is willing to do in order to get that power that actually makes him the villain. Once he has it, he’s not really a threat?? And then of course, we get Caine’s fantastic little speech in chapter 42 that really just sums up all these ideas in much less words:

“What was I supposed to do? Coates? That’s it? How do you not see what an opportunity this is? We’re in a whole new world. I’m the most powerful person in that whole new world. No adults. No parents or teachers or cops. It’s perfect. Perfect for me. All I have to do is take care of Sam and a few others, and I’ll have complete control.”

Because if it wasn’t for his ego, if he hadn’t attacked Sam, if he hadn’t used Drake to cause fear and enmity, he would have had it. He would have gotten his complete control, because no-one else really wanted to be in charge. The fool is his own worst enemy.

5.) CAINE’S POWERS:

So, the last thing I wanted to discuss about Caine, is his powers. To me, it seemed whilst reading that his powers are almost an extension of his personality. Caine is naturally a very domineering person, and so it makes sense that his power is the ability to control things with his mind. The first time we see Caine’s powers (also the first time we see anyone purposefully use their powers) is in the church:

“Caine sighed, raised his hands, and used both palms to smooth back his hair. There came a rumble, up through the floor and pews. A small earthquake… […] But then came a rending sound, steel and wood twisting, and the crucifix separated from the wall. It ripped free of the bolts holding it in place, like an invisible giant had yanked it away. […] The crucifix toppled forwards. It fell like a chain sawed tree. As it fell, Caine dropped his hands to his sides. His face was grim, hard, and angry. The crucifix, at least a dozen feet tall, slammed with shocking force down onto the front-row pew. The impact was as loud and sudden as a car wreck.” – Chapter 14

I like how, similarly to the way he talks, the first time we see a display of his power, he is hiding it – his body language is suggesting one action whilst he is actually doing something else entirely. This again makes me feel like the powers are an extension of personalities (and I will give other examples of this is later posts). I also noticed that the use of his powers is almost always as a response to his anger, something that Sam also learns to do thanks to Astrid’s guidance. These two scenes are great examples of this:

“Caine’s smile was cold. He raised his hand, palm out. An invisible fist hit Sam in the face. He staggered back. He barely stopped himself from falling, but his head was reeling. Blood leaked from his nose.” – Chapter 21

“Caine reached back over his shoulder with one hand, not even looking back. He spread his fingers, bared his palms. The fallen portion of the wall came apart, brick by brick. One by one, as though each brick had sprouted wings, they lifted off and flew. The bricks hurtled past Caine’s head and through the open door as fast as machine-gun bullets.” – Chapter 31

Unlike Sam, who often uses his powers as a defence strategy, Caine always uses them as a method of attack. He attacks Orc’s gang, Drake, Sam and Andrew – not as a last resort, but as a warning. He likes to make a big display of his power in order to deter people from actually engaging in a fight. Although when it does come down to an actual fight, he tends to be a little less confrontational and a little bit more of a coward. I mean come one. Hiding behind Astrid was low. At least this is the case in book 1.

Next, is the development of his powers. Unlike Sam, we know that Caine did not discover his powers alone:

“Several of us developed strange powers, starting a few months ago,’ Caine said conversationally. ‘We were like a secret club. Frederico, Andrew, Dekka, Brianna, some others. We worked together to develop them. Encouraged each other. See, that’s the difference between Coates people and you townies. In boarding school it’s hard to keep secrets. But soon it became clear that my powers were of a whole different order. What I just did to you? No one else could do that.”

The Coates kids formed a sort of support group for each other, which is why they have such a good understanding of their powers, as opposed to Lana and the Perdido Beach kids, who either hid their powers or else didn’t discover them until the FAYZ began. One thing that I do find interesting about this, is that the Coates kids all seemed to develop their powers pretty late. Caine says that the powers started a few months ago, and yet Sam first used his 14 months before the FAYZ began. I think that goes to show how the Coates environment really gave Caine the ability to experiment with and foster his powers, which is why he has such control. He achieved in a few months what is took Sam over a year to do. (One thing that I think would have been nice to have is perhaps in a later book some flashbacks on the Coates kids working together to do this. But oh well)

Thank you so much again for reading, and please feel free to add your thoughts. Next up is Diana and I have a lot to say about her. :)

#the gone series #caine soren #Gone

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takerfoxx · 3 years

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The Owl House, Season 1, Episode 19, “Young Blood, Old Souls,” First Impressions!

As well as what I think will happen going forward.

So now I’m all caught up with The Owl House. The end of season one. The grand finale. And with it, the show has finally acquired what I feel has been its missing element.

See, I’ve talked about how difficult this show has been to comment on, owing to its very episodic nature. There’s a neat premise with some cool characters, and each episode seemed like it would just throw some new shenanigans at them. They were fun, they were funny, I enjoyed watching the characters do stuff in this world, but there was still a strong lack of a single unifying conflict, something to hold everything together and keep the audience coming back for more. I mean, sure, it’s sister show Gravity Falls was also very episodic (up until it wasn’t), but at least with that one they introduced the mystery of the journal’s author and kept it going throughout the show, building upon it and even having it drive several episodes. With The Owl House, you had Luz and she wants to learn magic, sure, but there was no real urgency there. Hell, her magic lessons only played into a couple episodes.

Honestly, I think that’s why the whole Lumity thing blew up like it did (in addition to it being really cute and groundbreaking and the characters having good chemistry), because it offered something that was clearly a work in progress and worth coming back to see develop!

But now The Owl House no longer has that problem, because it has found its central conflict.

Emperor. Fucking. Belos.

Oh yeah. That’ll fucking do.

I...really like this guy. In a world of goofy weirdoes, someone this serious and intimidating just stands out. He’s like the abomination hybrid of the Lich from Adventure Time crossed with Horde Prime from She-Ra, someone who is NOT funny, who ranges from unsettling and pretty creepy to absolutely terrifying, but also has this casual charm and sense of control about him. He’s someone who’s on top of the game, good at rolling with the punches, able to to turn even losses into wins, from his regaining control of the crowd after Eda’s escape to him shrugging off Luz hurting him to bouncing back from having the portal destroyed. He is smart, he is cunning, he is determined, and he is terrifying, definitely a fantastic antagonist.

But what is he? And what does he actually want? Well, I have a couple theories. First, perhaps he is another rogue palisman. We saw him destroying another palisman and absorbing its soul. Perhaps he’s like the Bat Queen in that regard.

Second, maybe he is also a human, and he wants the portal to get back home. His magic is much different than everyone else, in that he doesn’t use circles or charms (though he clearly can), but instead seems to rely on technology, such as that pimping staff of his. Maybe he’s like the Wizard of Oz or John Frum, someone who used smoke and mirrors to deceive the locals and take control, until he figured out how to gain actual power.

Also, anyone notice that his power seems to have a sort of flesh golem theme to it? Maybe he’s manipulating the corpse of the Titan itself. Also, that freaking skull centipede from the opening finally showed up. Brrrr, that thing genuinely freaks me out.

And now Luz is trapped on the Boiling Isle, with no way to get home. What’s more, Eda is now without power. She has her mind and humanity back thanks to Lilith, but they both have lost their magic, and now Luz has to be the one to teach them to get by. There are...so many things they can do with that, so count me interested!

Now where will this show go in the second season, now that Luz is trapped and Emperor Belos as revealed himself as a threat? Well, obviously I don’t have a clue, but I can posit a few guesses.

So, here’s one.

What if Demon King turns out to be the Titan? Like, reincarnated or something?

I mean, think about it! His skull thing he wears looks kind of like the Titan’s skull, and he keeps talking about his glory days when he had power, which is always played off as a joke. But what if it isn’t a joke? What if he truly was not only a powerful ruler, but the one that everyone seems to worship? What if destroying that beating heart Emperor Belos has in his throne room restores King to what he was?

Also, this next one isn’t so much of a prediction as it is something I hopes happens.

I want Lumity to become official midseason instead of at the very end.

Look, it’s great that there’s more LGBTQA+ relationships in kids’ media, but they always seem to hook up in the final episode, from Korra to She-Ra to Adventure Time to Kipo. I want Luz and Amity to figure out their attraction to each other and actually have to build a relationship in the show itself. I want to see them go on cute, awkward dates; I want to see them get into fights; I want them to be a COUPLE. And I never want that! You know me and how much I cringe at that stuff! But if they actually have these two become an official couple and have them develop and work at their relationship over several episodes, I will gladly endure all the cringe!

Also, yes, I caught Amity’s asshole parents in the background of the flashback.

Speaking of which, I am very interested in what goes on with Lilith. Like I thought would be the case, the curse wasn’t intended to be malicious, it was something stupid she did out of desperation and insecurity without knowing the full consequences and has regretted ever since. But now that she’s part of the Owl House family, we will get to see her and Eda rebuild their broken relationship. That...okay, just her having to put up with King and Hooty is going to be a blast.

Luz. Luz, Luz, Luz. Man, poor girl. I’m still mad at her mom for the whole, you know, G-rated conversion therapy thing, but it’s clear that Luz is upset about being trapped. What is she going to do now? Is she still going to school? Is she now wanted?

Also, that spy character that was introduced at the very end. Is that someone we already know or someone new?

#the owl house #luz noceda #eda #lilith clawthorne #demon king #amity blight #emperor belos #lumity #reaction

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richincolor · 3 years

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Group Discussion: Fat Chance, Charlie Vega

*As is usual with our discussions, there may be a few spoilers ahead so beware.*

We were all eager to read something fun as we were getting to the one year mark in this very challenging time. Fat Chance, Charlie Vega seemed like a promising pick - and it proved to be exactly what we were seeking. I'm thankful that author Crystal Maldonado shared Charlie with the world. To find out more about Crystal, hop over to the interview here. It was great to hear directly from her about her writing.

Publisher summary: Coming of age as a Fat brown girl in a white Connecticut suburb is hard. Harder when your whole life is on fire, though.

Charlie Vega is a lot of things. Smart. Funny. Artistic. Ambitious. Fat.

People sometimes have a problem with that last one. Especially her mom. Charlie wants a good relationship with her body, but it's hard, and her mom leaving a billion weight loss shakes on her dresser doesn't help. The world and everyone in it have ideas about what she should look like: thinner, lighter, slimmer-faced, straighter-haired. Be smaller. Be whiter. Be quieter.

But there's one person who's always in Charlie's corner: her best friend Amelia. Slim. Popular. Athletic. Totally dope. So when Charlie starts a tentative relationship with cute classmate Brian, the first worthwhile guy to notice her, everything is perfect until she learns one thing—he asked Amelia out first. So is she his second choice or what? Does he even really see her?

Because it's time people did.

A sensitive, funny, and painful coming-of-age story with a wry voice and tons of chisme, Fat Chance, Charlie Vega tackles our relationships to our parents, our bodies, our cultures, and ourselves.

Let the discussion begin...

Crystal: Fat Chance, Charlie Vega made me smile just when I needed plenty of smiles. Over the past twelve months, I’ve found myself picking up many more rom-coms than usual. Even with the difficulties that the main character might face, readers still get to hope for at least a partially happy or hopeful ending and that is what I’ve been craving. Stories that deliver some joy can sure make a day brighter and Charlie’s story, totally did that for me.

K. Imani: I so agree. I’ve been doing the same over the past year and I really needed this sweet story. Like you Charlie’s story made me smile so many times. I loved how much she grew in this story and how she had such a loving heart.

Jessica: Ditto! There were so many times I looked up from reading and realized I was actually, physically smiling. I can’t get enough of YA romance right now.

Audrey: Fat Chance, Charlie Vega had some incredibly sweet and genuinely happy moments, and I was really glad we all agreed on this one for our first book discussion this year. That’s not to say there aren’t hard parts in this book--there are some that hit incredibly close to home--but it was so very nice to settle down with a book that had promised us an uplifting ending. I plowed through it in just two days and thoroughly enjoyed it.

Crystal: I found the cover to be simply lovely. Charlie is gorgeous and looks like she’s feeling beautiful in the midst of the flowers and warm colors. And she’s wearing glasses. I’ve worn glasses for most of my life, but when I was young, I thought nobody sophisticated or beautiful wore them if they could help it. Ruse by Cindy Pon, When Dimple Met Rishi (back of cover) and Slay by Brittney Morris are really the only other YA book covers I can think of that feature a main character with glasses. Mei in American Panda references her nearsightedness, but her mother says that “no woman is attractive in glasses” so Mei doesn’t wear them. Maybe there are other books, but there certainly aren’t many so it was fun to see Charlie rocking her glasses.

K. Imani: Fellow glasses wearer here too and I loved that the cover had Charlie wearing her glasses and that throughout the book she would fiddle with her glasses. It was such a small thing, but I loved how Maldonado wrote the little habits glass wearers do that are tied to how we’re feeling, use as a distraction, etc, that our glasses are really an extension of our being.

Jessica: Fat Chance, Charlie Vega definitely was one of my favorite YA covers to come out in recent years. The colors, the character, the font! Everything about the cover was just so gorgeous.

Audrey: I adore the cover. Not just because Charlie is a fat, glasses-wearing Latina like me but also because it reminded me a lot of Charlie’s references to the body positivity and fat fashion movements. The cover could be an Instagram post--Charlie front and center, looking right at the camera, all dressed up and with a gorgeous background behind her. Ericka Lugo, the Puerto Rican illustrator who designed the cover, did a phenomenal job.

Crystal: Charlie is delightful, but her relationships are seriously complicated. She has some work to do in her relationships with her mom, food, her best friend, her crushes, and most importantly with herself. This is the messiness that makes Charlie’s story feel real. The book did make me smile, but there are some struggles here too and I appreciated that Maldonado let us see Charlie do some hard work.

K. Imani: I feel like all the messiness from Charlie’s relationships is what really connected me to her. No one is perfect 100% of the time and sometimes we get into our own heads and can sabotage ourselves with our relationships. The thing with Charlie is that she learned from it, told people how she felt and made amends. Such great personal growth that is a tough journey to go on, but one we humans do on a constant basis.

Jessica: I loved that the book didn’t shy away from the messiness and complicated aspects of Charlie’s relationships, particularly with her best friend and her mother. I especially loved how Charlie’s relationships tangibly changed and grew as the book progressed -- she called out her mother on her mother’s toxic behavior, and got to a better place with Amelia. So many complex relationships were in play, and the nuance given to each relationship was really incredible.

Audrey: I think some of the most honest parts in this book were when Charlie knew--intellectually--that there was absolutely nothing wrong with being fat, that being fat doesn’t mean unhealthy or unloveable, but she was still affected by those messages and ideas. She still bought into some of them even while acknowledging they were wrong and unfair. It was rough to see her deal with those things and how they affected her own self-esteem and her relationships with others, but it was also incredibly genuine.

Crystal: Many of the issues with relationships are tangled up in how Charlie sees her body. She’s fat and is working hard to have a good and positive relationship with her body, but this is a journey that has ups and downs especially since it seems that some people aren’t willing to accept Charlie as she is. Her own mother seems to think Charlie’s body is not beautiful at the present size and thinks losing weight is essential for Charlie’s happiness. The U.S. culture strongly equates worth with our beauty standards and many of us don’t see how damaging this can be for ourselves and others. Readers can even see this in the relationship Charlie’s mother has with her own body.

K. Imani: Charlie’s relationship with her mother bothered me so much and showed how toxic our society is towards women’s bodies that her mother didn’t even realize she was hurting her child. I’m glad that Charlie sought out the body positive movement and referenced it a number of times throughout the book so folks could see how seeing yourself represented living a fully happy life, despite your size, is life affirming. It definitely was a nice juxtaposition to the messages she was receiving from her mother. On a side note, I really enjoyed how Charlie was a secret clothes hoarder and that she had a great sense of fashion.

Jessica: I sound like a broken record now, but I’m seriously in awe of how Charlie’s relationships -- particularly with her mother -- are portrayed. It’s messy, and tough, and I absolutely cheered when Charlie really told her mother how she felt. I also loved how the story depicted Charlie’s own not-so-linear journey when it came to her self-esteem, and the role that online communities played in that. Sometimes it’s easy to think of the internet as just a place of toxicity and trolls, but the truth is that there are so many wonderful communities online.

Audrey: Charlie’s relationship with her mom was so difficult and complicated, especially with her mother having put so much effort into losing weight and being able to keep it off. At one point Charlie acknowledges that her mom probably doesn’t even realize she’s being cruel. It was such a relief when Charlie was finally able to express her feelings about her mom’s behavior and comments. It didn’t magically make things better, but Charlie was able to say what she really thought and tell her mother that she was hurting her. There were a lot of painful conversations in this book, but in the end they helped Charlie sort out her important relationships and her feelings about herself.

Crystal: I agree with Brian and Charlie that Valentine’s Day isn't always great for everyone. The heart-meltingly sweet way that Brian dealt with that made me smile. To later find out that Crystal Maldonado experienced something very similar with her husband when they were younger made it even sweeter.

K. Imani: I loved what Brian did for Charlie, and their classmates, on Valentine’s day. It was so sweet and moving and definitely endeared me to his character.

Jessica: Regarding the valentines: Gasp. I did not know that! That’s so sweet. Wow.

Audrey: That’s so sweet! I really liked reading about Brian and Charlie’s relationship. The Valentine’s Day scene was incredibly endearing, and their bookstore date was also lovely. There were several great moments between them as their romance developed. I especially appreciated that Charlie--a fat character!--got to want and enjoy things like hand holding and kissing and being attracted to someone and feeling attractive. I loved all of that.

Crystal: I think we can all agree that reading this book was a delight. We recommend it especially if you’re looking for something to give you a little joy. If you’ve read it, please share your thoughts on the blogpost or on our Twitter account. We’d love to hear from you.

#crystal maldonado #charlie vega #fat chance charlie vega #ya lit

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siriusbunbryist · 4 years

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In defence of Abed x Annie.

Thanks to the magic of Netflix, I’ve rewatched Community at age 24, and still found Abed and Annie to have hit the heartstrings as much as I did when I was in high school watching the show for the first time.

But watching the series in its entirety just reinforces my thought that Abed and Annie had so much potential that was wasted, and it’s a shame that the writers planted all these seeds to only decide that perhaps this direction was not worth it / too risky / unfavoured by the audience. But I mean, Alison Brie herself (and I’m assuming Danny Pudi as well) endorsed them! Find here and here.

This was a pairing that with all the crumbs scattered throughout the show (I think we are all aware of these crumbs I speak of), could’ve easily played the “oh we’ve been secretly dating this whole time” trope during the last episode and it would’ve still made sense.

Naturally I did some scoping, and of course unsurprisingly the J.eff x Annie pairing takes the cake, while not a lot of love for Abed x Annie. So here are common points of contentions I see surrounding Abed and Annie, and my rationale on them.

Before I start, a note - I fully respect the J.eff x Annie ship and I don’t intend on starting a ship w.ar/debate. I understand where their support comes from! I just needed to vent because no one else in my social circle watches this show. No hate please.

1. Abed doesn’t see Annie romantically

I think on the contrary it’s been set up rather long ago that Abed at the very least is attracted to Annie.

Exhibit A: “What are you making” in Beginner Pottery

Exhibit B: “Flat B.utt and the one Abed wants to nail” in The Art of Discourse

This video basically explains it! The summary: Annie is Pierce’s favourite, Pierce constantly insults Britta, therefore Britta is flat b.utt.

Exhibit C: Not even trying to hide it in Accounting for Lawyers

But, a romantic interest has to be further built upon finding someone attractive right? There has to be intrigue to their character, such as

Exhibit D: “I can only connect to people through... movies” in English as a Second Language

youtube

It is pretty obvious here that Annie is a rare someone who has successfully broken the impartial screen that Abed filters everything through. Jeff saw it too which is why he said Annie was the ark of the covenant before Abed fell for her disney face. I can only imagine Abed to be quite struck with Annie’s infiltration.

A romantic interest should also share common interests, such as

Exhibit E: “Which makes Annie is my third favourite show” in Paranormal Parentage

I’ve said before that for Abed, a guy who lives life and communicates through comparing it with television and movies, it’s not unthinkable for him to be attracted to someone who genuinely watches his favourite shows and commits to roles during cosplay. And who, besides Troy, would fit this profile? Annie.

And finally, the biggest indicator of it all, we also see how Abed views the Jeff and Annie pairing in everyone’s favourite episode Remedial Chaos Theory. Keeping in mind that the timelines are rendered by Abed, out of all the timelines, J.eff and Annie only kis.sed when Abed left the room for pizza. As well, as conjured in Abed’s head, Evil Jeff and Evil Annie only existed as a couple in the Darkest Timeline. To me at least, it’s arguable that this alludes to Abed’s omniscient “director” standpoint that he may be the obstacle in the Jeff and Annie relationship - pointing towards him perhaps harbouring feelings for Annie.

2. Annie doesn’t see Abed romantically The general consensus on this point is that Annie is only attracted to Abed when he’s playing a character. I rather think that being attracted to someone, and being attracted to someone during role play, aren’t mutually exclusive. Let’s take a look at the different characters that Abed played.

Don Draper: serious, sophisticated, and smooth.

Han Solo: immature, flirty and a smarta.ss.

Batman: mysterious, complex, and brave.

Three different personas, yet Annie responded to all of them. Since the common denominator to all three is that they are played by Abed, I would like to offer a counterpoint that perhaps the attraction to Abed has always been there, it’s just emphasized when Abed plays a character. Who knows, role playing might even be Annie’s ki.nk. After all, during For a Few Paintballs More, it is shown that Annie is disappointed when Abed dropped the Han Solo persona after the battle ended.

Annie also loves big romantic gestures. Who’s better than doing that than Abed? Since the beginning, Abed has already been doing big romantic gestures of varying degrees for Annie. With this, it’s not ridiculous for Annie to see Abed as a romantic potential.

Exhibit F: Staying in a room for 26 hours in Social Psychology

Annie: You sat in a room for twenty-six straight hours. Didn’t that bother you? Abed: Yeah I was livid. Annie: Then why didn’t you leave? Abed: Because you asked me to stay and you said we were friends.

Exhibit G: Rescuing her from “captivity” and inviting her to move in in Remedial Chaos Theory and Studies in Modern Movement (even Troy was surprised at Abed’s invitation)

Exhibit H: Tearing down the Dreamatorium in Studies in Modern Movement

Annie: What about the Dreamatorium? Abed: Oh it's staying. The Dreamatorium is more important than any of us. But you're more important than our bedroom so we put the bunk bed in the blanket fort.

Bonus: Confirmed by Alison Brie

3. The show was about Jeff and Annie

Dan Harmon said that Community’s approach is that anything and any pairing is possible. We see this is as the series started with the classic “player vs smart snarky girl” trope with setting up Jeff and Britta as the main pairing. We also see Troy and Annie as the potential B couple in the show. The writers also threw Pierce and Shirley, Annie and Britta, Dean and Jeff, and even Chang and Britta in for a laugh.

And then the show subverted this all by introducing Jeff and Annie, and made Troy and Britta a couple, showing us that Community is a show that intends on breaking these classic sitcom stereotypes by experimenting with different pairings. Abed and Annie was no exception to this, as the writers often pair them up in different shenanigans and hint at possible grounds to explore*.

A few examples: Han and Leia in For a Few Paintballs More, Hector the Well Endowed and the Elf Maiden in Advanced Dungeons and Dragons, spy partners in Modern Espionage.

No doubt that the show dabbled in and out of Jeff and Annie throughout the series. However, to say that Jeff and Annie was the primary pairing in the series would mean overlooking Jeff and Britta. Especially when Jeff and Britta have the whole love-hate dynamic, three(?) marriage close-calls, and emotional snippets such as helping Jeff reunite with his father in Cooperative Escapism in Familial Relations.

Anyway, not to discredit Jeff and Annie, but knowing that the show explores the possibility of different pairings**, why write off Abed and Annie?

* Not to mention that the cop pairing in The Science of Illusion was originally written with Abed and Annie in mind! ** We also see a stray Abed and Britta during Horror Fiction in Seven Spooky Steps.

4. Annie is in love with Jeff To keep this short and shipper-goggle free, Annie has said on numerous occasions that she’s in love with the idea of Jeff, not Jeff himself. Specifically this scene in Virtual Systems Analysis:

Abed as Annie: "…We love Jeff…" Annie: "No we don’t, we’re just in love with the idea of being loved. And if we can teach a guy like Jeff to do it, we’ll never be unloved, so we keep running the same scenario over and over hoping for a different result."

And this scene in Conventions of Space and Time:

Annie: All right, I may have been play-acting that we were married, and then the staff thought you were cheating, and I had to save face. Jeff: Do I have to worry about this? Annie: No, I was just daydreaming. I mean, I've married you at least a half a dozen times. And Troy. And Zac Efron.

Not to mention that their conversation in the finale says it all.

Jeff: I don't wanna be fine. I wanna be 25 and heading out into the world. I wanna fall asleep on a beach and be able to walk the next day, or stay up all night on accident. I wanna wear a white t-shirt without looking like I forgot to get dressed.* I want to be terrified of AIDS, I want to have an opinion about those, boring a.ss Marvel movies. And I want those opinions to be of any concern to the people making them. Annie: Well I want to live in the same home for more than a year, order wine without feeling nervous, have a resume full of crazy mistakes instead of crazy lies. I want stories and wisdom, perspective. I wanna have so much behind me I'm not a sl.ave to what's in front of me, especially those flavourless unremarkable Marvel movies.

*Shipper-goggle on: Part of me thinks this is a reference to Abed, whose iconic style almost exclusively comprises T-shirts. What Jeff is saying is that he wishes he is 25 again with his future open before him, someone who compatible with Annie, but here he acknowledges that he isn’t, and lets her go in the end.

5. Abed and Annie wouldn’t work as a couple Another point I see is that Abed and Annie are strictly platonic and are more like brother and sister. On the basis that they have made out a couple times and are attracted to each other, I would disagree with the sibling statement.

Troy, in contrast to Abed, I think actually resembles a more sibling-like relationship with Annie. Although Troy and Annie have the strong friendship of Abed and Annie, when disregarding the high school crush stage of season 1, their storylines never dwelled further down an attraction path, nor was there any specific episode that was dedicated to a deep dive of vulnerabilities and confrontation between them. As a comparison, Troy and Britta had opportunities to explore these setups (Troy admitted to lying about his b.utt stuff story and Troy helped Britta face Blade) - an indication that Troy and Britta were heading into non-platonic territory. Jeff and Britta too, had several opportunities to confront their feelings (up till the very last season), a clear indication of a non-platonic relationship.

For Abed and Annie, what I think pulls their friendship towards actual love interest potential is best pinpointed to Virtual Systems Analysis. Annie’s participation in the Dreamatorium prompted her to not only fully submerge into the way Abed thinks and comprehends his surroundings, but she also got to understand and address Abed’s stubbornness and flaws in a vulnerable way, confronting some of her own flaws as well.

Abed as Shirley: Your hospital school, young lady, is a simulation being run through a filter of other people's needs. Abed's been filtered out because nobody needs him. Annie: I need him!

And to point out this little tidbit in VCR Maintenance and Educational Publishing,

Annie: That's why Abed is like a brother to me. You guys are so alike. Abed: I can't accept that based on one time machine story.

This whole episode, instead of establishing Abed is like Annie’s brother, I would argue is rather doing the opposite. Abed and Annie’s hyper antics in the episode were basically matched by Anthony and Rachel’s blatant indifference and confusion. For lots of Abed and Annie supporters, this episode was a major setback. But I think it instead highlights how in-sync they are with each other, which is a good thing.

Another point, despite Annie trying to prove otherwise, Abed and Anthony had different vibes, and each shared different dynamics with Annie. And as Anthony pointed out in the end, who were Abed and Annie trying to replace in the apartment? Troy. The person who they are trying to fill is Troy - their roommate, their brother, their best friend. Troy was the brother role that neither Abed and Annie can fill for each other.

In Basic Sandwich, we get this exchange:

Abed: The point is, this show, Annie, it isn't just their show. This is our show, and it's not over. And the sooner we find that treasure, the faster the Jeff-Britta pilot falls apart. Annie: Got it. Thank you, Abed. Abed: You're welcome. I have a girlfriend. Annie: What? Abed: You were about to start a kiss lean. Annie: I was not.

Not only did Abed saw right through Annie’s anxiety and comforted her in his own uniquely Abed way, but he also felt the need to remind her of his girlfriend. The fact that he broke the fourth wall here is likely the writers’ way to be meta, but simply acknowledging the tension and bond there says a lot in between the lines. If tension does not exist, there would be no need for this line.

Besides, instead of thinking that they’re strictly platonic (which of course is also okay), they would rather work great as a couple. In terms of opposites attract, Annie grounds Abed with just the right amount, while Abed clearly encourages Annie to be her true self and be immature. Such as this scene in Foosball and Nocturnal Vigilantism,

Annie: I’m following him. Troy: You moving in here was supposed to tone us down!

Annie also doesn’t just tolerate Abed’s idiosyncrasies, she actually likes them and fully participates as multiple paintball games and cosplays would tell us. Special shoutout to the missing lovers footage in Wedding Videography, which through Britta, actually shows us that Annie is the only one who would go along with Abed’s projects - while Britta found the project extremely weird and unhealthy, Annie thought it was fun and commits well to her role.

And while others may tiptoe around Abed, Annie isn’t afraid to call Abed out when he’s out of line and makes a point to teach him about empathy in Virtual Systems Analysis. Remember that Britta tried teaching him this but it didn’t work as well.

I am Abed Nadir... And I don't know a lot of things everyone else knows. I wander the universe with my friend, Troy, doing whatever I want. Sometimes accidentally hurting innocent unremarkables. This week, however, Troy went to lunch and I adapted. I now have the ability to enter the minds of others using an elusive new technique known as "empathy".

As well as in the entire episode of Cooperative Polygraphy.

They also know each other best. Abed knew her cushion preferences, was the one who spelled out her true pas.sion for forensics, and after living together, Annie knew how to navigate Abed’s peculiarities and to soothe him whenever he had a nervous breakdown.

Annie also knows him so well that she can predict his reaction.

They are also each other’s exception. Annie was always the one who manages to pull Abed out of a trance and back to reality, usually with touch.

Abed is also very forgiving with her. An example is when Annie seemingly lost all common sense because she broke Abed’s special edition dvd in Foosball and Nocturnal Vigilantism.

Annie: Well, Batman, on behalf of all of us that aren't perfect, can I just say I'm sorry I broke your DVD? Abed: Apology accepted. But I wouldn't mention it to Abed. That guy's pretty ruthless. And that's coming from Batman.

And in Abed’s Uncontrollable Christmas, Annie was the only claymation doll that didn’t have a weird form (except Troy as toy soldier of course). Annie was a ballerina because Abed sees her as a creature of grace. Abed was also the first one who got her “brighter tomorrow” diorama and responded with enthusiasm.

They are also in the same stage in life. As Dan Harmon explains the choice of Abed and Annie being the ones who leave the group, with Troy gone, Abed and Annie symbolize the many possibilities of the future - a possibility that makes them viable. I like to think Annie transfers to the LA FBI office after her internship and they reunite.

And as the Spice Girls said, “if you wanna be my love.r, you gotta get with my friends”. In Paleyfest, Dan Harmon says this about whoever Troy and Abed ends up dating, “I mean a woman that comes into either of their lives is either going to drive them apart or she's going to have to be really accepting of a very special relationship”.

Britta tolerated their friendship but to a point of asking Annie to distract Abed for alone time with Troy, Troy dumped the librarian as she called Abed weird, Robin disappeared, Rachel we never got to see much of, but was pretty quiet and separated from the group. From this, logically speaking, Annie would actually be the perfect match for Abed, as we all know they’re the ultimate trio within the study group and a transition from friends to more will be natural.

Oh, and, Abed is wrong. They’re not Chandler and Phoebe with little storylines together, they’re Chandler and Monica.

Anyway, that’s it for my super long rant/analysis. Community the series is done and over, so there isn’t a need for any ship war. All I want to say is, if #andamovie happens, hopefully, the writers will actually take a leap.

#abed x annie #community #annie x abed #abed nadir #annie edison #sorry if you've seen this already i'm trying to figure out why my tags won't work #mine #thoughts

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ahsoka-lives · 4 years

Text

Iris pt. 2

Fun To Be Had

PART TWO of my Inquisitor!Cal series Part 3 is up!!

A/N: Hello again! This is part two to my Inquisitor!Cal series so please read part 1 first!! Its gonna be kind of a slow burn most likely lmao. I’d like to say thank you for the love on the first one it means a whole lot. It should be noted that in this story line that I created.......Cal can do what he wants sooo don’t worry about it folks! Writing this part made me have a huge crush on trilla so there may be a wlw trilla series coming oh god

I’ll shut up now. Plz enjoy and again, I love feedback!!

Warnings: None. (I Own None Of These Characters)

Word Count: 2151

“So, Y’n, how do you feel about the isolation?” A calm muffled voice asked from behind the mask of the Second Sister. “Are you looking forward to a new life of complete and utter submission?”

“What are you talking about, Sister?” You felt frozen in fear, not from the Sister, no- you two were as close to friends as she had but her words were sending you to a place of fear that made your limbs run cold.

“Oh, please. Don’t tell me you think you can stay.” She steps toward you and reaches for your face, caressing your cheek. “I can’t say I blame him, if a face like this belonged to me, I’d want it protected too.”

“I- Who- Protect me from what?”

“Cal has always been so possessive of his things.” She muttered and let her hand fall. “Well, better get up now. Don’t want to be late do you?”

You sat up in bed, clutching the side of your face. Your alarm was blaring from the table next to your bed, it was almost time for your first appointment of the day. Your appointment with the Inquisitor, with Cal.

What just happened in your head? You had one measly interaction with him and now you were having dreams about him? You must be really touch starved from living on this rock for so long. You shake your head and chuckle at how ridiculous you have been. He is an Inquisitor, cute or not it’s just not something you wanted to get yourself into. They were cocky, dangerous, and just mean.

A year on this base and the only one you managed to befriend is the Second Sister. She was the only one who paid you any mind though she refused to admit she had a friend that wasn’t a Sister, always said it’d make her seem “soft”. The two of you meet on quiet nights when she isn’t away tracking fugitives of the empire. You show her the magical world of normalcy and she shares her stories of adventure and sometimes she even shares a few tricks.

Now you were dressed and adjusting the sleeves on your sweatshirt. It was unfortunately time to start your day.

“BD-5, can you load my schedule onto my tablet?” You call to your droid.

“Of course, Y/n. Will you be returning here for lunch this afternoon or dining in the hall?”

“Oh, I’ll come back here, wouldn’t want you getting too lonely, would I?” You smile as you pick up your tablet and heading for the door.

“Need I remind you that I do not have feelings.” He chides and hands you your keys that you undoubtedly would have forgotten.

“That’s just not true BD, I made you.” You retort and step outside, locking your door behind you.

There’s less than 5 minutes until your appointment with the Inquisitor. You had already gone to the main office and retrieved your tools. Now you stand in the elevator that had accidentally stalled and attempt to gather your thoughts.

All you have to do is go in there, fix the droid, and get out. There is no reason to be nervous.

You take a deep breath and reactivate the elevator. Looking to your tablet you begin reviewing the complaint regarding the droid. You couldn’t help but roll your eyes as you read the description he gave. “Will be explained upon your arrival.”

Bing

The doors slide open to reveal a short hallway leading to a set of double doors. You hide any look of worry on your face and approach the doors. You bring your fist up to knock and take a precautionary step back. You have never felt such anticipation before. A few seconds pass before you hear a subtle click, the lock coming undone and the door opened.

The Inquisitor was standing before you with a tight-fitting black crew neck and matching black sweats. It was now that you realized he had a scar across the bridge of his nose and another on his jaw that somehow only made him more attractive. His hair was floppy and slightly out of place as he likely hadn’t touched it yet.

“Morning, Y/n. Come in.” He spoke calmly and stepped to the side to let you inside. He had been looking forward to seeing you again. You were adorable to him, the way you couldn’t hold eye contact without getting flustered and looking away. How you bite the inside of your lip and take a deep breath in an attempt to mollify your heartbeat.

“Good morning, Sir.” You offer a small, uncomfortable smile and take in the view. The hallway continued into the apartment for a few feet before opening up into a large living room. The living room felt calm in contrast with your thoughts that were racing through your mind. The furniture was dark and it contrasted well with the light grey walls. The room was lit by the sun shining in from the floor to ceiling windows that overlooked the beach the facility sat on.

“So, where is the droid?” You force yourself to speak as confidently as possible. You turn to face him and the two of you lock eyes for a moment as if to see who will break first, it was obviously you. You shift your eyes away from him and curse yourself for the painfully awkward feeling that was overcoming you.

“Hm, straight to the point. Are you no good at small talk, y/n?” He tilted his head to the side and raised an eyebrow at you.

“I’m uh, not sure what you mean, sir.”

“You were so quiet when we met yesterday, I assumed it was based on circumstance. I guess you’re just a quiet person, Y/n.” His words were light and almost playful as his eyes were scanning your face for any movement that he could use to read you. All the while, you were stuck in place trying to figure out what his little game was. “Unless I made you nervous... do I?”

“D- do you what?” You nearly choked on the air around you. He took a step toward you, you realized that the wall of the hallway was all to close to you. He was barely 3 ft in front of you, his large stature causing you to look up in order to make eye contact.

“Do I make you nervous?” His voice was deep and steady as he all but hummed the words to you. He was testing you. He wanted to see if you were bold enough to tell him off and he wanted an excuse to be closer.

You felt as if you were caught in some kind of trance that you didn’t mind being in. A small part of you acknowledged that he smelled like clean laundry and the idea of him being closer was all too tempting. That was until you remembered your dream from the night before.

“No, sir, I just uh don’t talk too much, I guess.” You regain composure and walk further into the living room, away from his alluring and intimidating presence. Was he doing this on purpose? He had to be. He was being such a conniving littl-

“Oh my, is that aggravation I sense? Have I aggravated you?” He muses as he moves to sit down on the barstool. He leaned his back against the countertop and tried to focus on the energy coming off of you. He could tell there was something hiding underneath the flustered mess of emotion that he caused.

You wanted to scream. Was he doing that the whole time? And what else of your thoughts and emotions was he listening in on? Ohno, did he know that you-. You inhale deeply and remember what Trilla taught you. If he was feeling out your emotions then he would be able to feel the desire that was hiding in the far corners of your mind.

“Sir, can I please see the droid so I can fix it. I do have other appointments today.” You were now forcing calm throughout your body as to not give him the satisfaction.

“Please, call me Cal.” He gave a small smile and there was a change in his demeanor as he got up and went into the other room. You let out a sigh of relief at your success.

Cal was surprised at how you seemed to be masking your emotion from him. Of course, if he wanted to know what was going on inside that head of yours, he could. Not yet, he thought to himself. There was more fun to be had.

He emerged from his room holding the droid in his hands. What was most interesting was that he carried it almost like a child. You wondered if he actually cared for his droid since you thought Trilla was the only inquisitor who had any compassionate bones in their body.

“So, whats the problem?” You ask as you begin to run diagnostics.

“Well, his converter seemed to be running slowly on our last mission and I’d just replaced it so it can’t be normal wear n tear.” He had his eyes locked on the droid and was now kneeling down next to him as you began unscrewing the panel that concealed his inner wiring.

“Wait.” You pause and scrunch your face slightly in confusion. “If you had the expertise to replace the converter, why did you need me to check it?”

Cal chuckled lightly and looked up at you from his position on the ground. He took a moment to feel around for your emotion but only found the sound of your rapidly beating heart.

You were once again flustered by the prolonged eye contact and close proximity but you were using all of your energy to keep from feeling any strong emotions.

“How else was I supposed to see you again?” He seemed genuine at this moment. “I can feel the way your heart quickens when you so much as stand close to me. I sense the way your thoughts become clouded when you try to hold my gaze.”

“I-I- You’re wrong.” You stutter out and you hear the tablet chime to tell you diagnostics are done. The droid is perfectly fine.

“I’m never wrong, y/n.”

“Well, you were wrong about the converter. Your droid is perfectly fine.” You huff and begin to pack up as quickly as you can. You are desperate to leave before you let your guard down.

“No, I wasn’t. I knew he was okay. I just needed to see you again and confirm my suspicion.” He stands up and picks the droid up off the table, placing him down onto the ground. “How long ago did Trilla teach you to conceal your emotions?”

You stop all movements as your eyes shoot up to meet his. Did he know the whole time? You really should have known but you wanted to believe you had outsmarted him.

“Thank you, that’s better. Now that I have your full attention again, y/n, you should know something.” This was the first time he had been so assertive and you felt your knees weaken. “I certainly enjoy you and the little attitude you seem to have taken up with me. I want to see more of it but not without knowing that you want to see more of me, too.”

He watched you take his words in one at a time. Your cheeks were flush and he swore he felt the flicker of emotion between the steady calmness you’ve been giving off. This was perhaps the longest you had held eye contact with him and he wondered if he had crossed a line. It didn’t really matter to him though, he already knew your answer. He just wanted to hear a confession fall from your lips and to know exactly what you felt at this moment. The urge to move forward and take the information from you himself was nagging at him but he needed to restrain himself, he would hate to scare you off so soon.

“Use your words, flower.” Flower. The name snapped you back to the present, to the dangerous and very attractive man who had his gaze locked onto you.

“Cal, I-I um.” You huffed, feeling out of breath from the tension in the room. Suddenly the clock on his wall began blinking and the tone of an alarm rang throughout the room. Thank the Heavens.

“Have dinner with me, tonight. Come back here at 2000, I’ll be waiting.” He instructed before slipping into his bedroom to change for the day.

You didn’t hesitate to turn and haul yourself to the elevator. Dinner. Tonight. In his apartment?? This can’t be good.... or it could be really good. The way he spoke to you was tantalizing and all you wanted was to listen to every word he said but that is just not you. You were never one to let someone boss you around. But something told you that this time you should.

#part twooo babyyy #cal kestis x reader #inquisitor!cal #jedi fallen order #i do what i want in my writing #i dont own these characters!!#star wars #inquisitor cal #cal kestis

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