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#like get fucked why are you either stealing children or beefing with them
levitatingbiscuits · 8 months
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ok finally saw across the spiderverse and maybe im just a lesbian but i do not understand the hype about miguel o'hara at all
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The Boys as bus drivers [Celestial Remix]
Hey Gamers! Today I’m surviving off of 3 hours of sleep, spite, and blasting “It’s My Party” on repeat so I thought I’d give you even more of our boys as bus drivers while I’m still at work! If you haven’t seen the first part [ click here ]
Diavolo
He goes slightly above the speed limit at all times
Does not care for rude people and has kicked several off the bus before
If he’s a school bus driver he brings snacks for major holidays
Has told corporate to “fuck off”
The people like him and he’s been working there too long to get fired easily
He’s a supervisor
Will tell you to stop cursing and stop standing.
Plays the “cool” radio stations to be hip with the kids
8/10 I would want him as my substitute bus driver
Barbatos
LMAO THIS MAN WOULD NEVER DRIVE A BUS
He’s a bus monitor
The kids respect him because he doesn’t nag them
He has yelled only once. To stop a brawl.
The kids started crying.
He apologized and told them he didn’t want them to “get written up”
They thought he was chill after that
He sometimes just comes in dressed up fancy as hell
Several people in the yard have a crush on him
He always says he is taken
No one can figure out who he’s “taken” by. It’s the gossip of the bus lot
Somehow is never late?? Even to last minute bus changes
9/10 because there’s no way parents and drivers both don’t fight over him being on their bus
Now on to the Celestials
Simeon
He says good morning to you every morning.
He warns you when he’s gonna run in to traffic
If you don’t have enough money and you’re his regular, he will cover for you.
He will work as a school bus driver on the side just to ensure the kids are safe.
That being said, there is absolutely NO CURSING on his bus.
There is no tomfoolery either! You either behave or get off.
The only exception is if you’re 5 or have any sort of stims or tics that you quite literally can’t stop
He has yelled at passengers for being mean to other passengers before
If a kid is sad he tells them he thinks that they are a ✨star✨
Is pleasant to almost everyone on the lot
He and Barbatos have a rivalry to be the most liked person in the bus yard
9/10 he’s just a generally nice fellow who doesn’t like bullies on his bus
Michael
He has beef with every other driver
He steals routes
His timing is always the same
But he will drive away as you’re running to the stop
Lucifer was trained by him
He then proceeded to get Lucifer’s promotion to supervisor taken away once he deemed Lucifer too good
Wants to be in corporate
Does not drive anything over or below the speed limit.
Does not play the radio
Writes people up
Parents love him, children hate him 😤
5/10 simply because he doesn’t technically break the law
Raphael
Oh boy here we go
I do not think this man should have a license
Admittedly I know nothing about him
The only thing he drives is a dirt bike
He is banned from driving on all highways
If he has a chaperone he can maybe, maybe, drive on the road
He ran Michael off the road 2 times
This is why he can’t drive
Unrelated but he looks like he’d call Michael “Mikey”
Yea like the ninja turtle
6/10 for the memes
Thirteen
She puts those lil window stickers on her bus windows
Has a matching purple vest with Asmo
I also know nothing about her
But I feel like she’d slay
Drives by the rules sometimes
Gives stickers to the kids that behave
Gives disappointed looks to those that don’t
Tells all the kids that she’s any magical creature they think she is when they see her hair
Most kids think she’s a mermaid
She does what she wants honestly
8/10 simply because she calls out sometimes to go attend concerts
BONUS
Solomon
He does not drive
He got demoted from a driver to a monitor
Why you ask? He tried to use the bus in a street race after hours
Asmo had to step in and say that Solomon told him “he had no idea he was driving in a street race. He just wanted to get the bus away from the crazy drivers”
No one believed him
But Asmo has pretty privilege and a generally good record so Michael let it go
:[ he would have won if he didn’t forget that buses do not go well with speed bumps
He tells the kids he’s a magician and does minor illusion tricks to keep them distracted if there is traffic
Likes to mess with the other monitors
Is mainly the reason gossip spreads in the bus yard
10/10 I would genuinely be excited to go to school if he was on my bus when I was little
Luke
He’s like 10 years old
He can’t drive.
Simeon makes him the line leader when it’s time for the kids to get off the bus :]
Sometimes talks about the funky cars they see on the road
Once got into a fight with Mammon over the fact that his school id counted as “his license”
It does not
Mammon let him win tho
Dressed up like a bus driver for Halloween
Tells everyone that Solomon is half cat
Solomon does not understand why this small sassy child is convinced he’s a cat
10/10 he would be a great bus driver in like 30 centuries :]
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blossom-hwa · 3 years
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pirate!ateez |2|
The continuation of the pirate ateez au inspired by pretty much every wonderland stage and the kingdom wonderland performance!! Once again credits to mai @wingkkun for the ideas that sparked san, mingi, and yeosang’s stories!
(Reading part 1 isn’t required to understand what happens here; however, there are spoilers for previous members’ stories!!)
Pairing: Ateez x gender neutral!reader
Word count: 11.9k (total)
Genre: some fluff, mostly angst, pirate!au
Triggers: cursing, blood and death (sometimes semi-graphic) - specific triggers for each section are listed below the header!
Part 1 (Hongjoong, Seonghwa, Yunho, Yeosang) | Part 2 (San, Mingi, Wooyoung, Jongho)
Ateez Masterlist
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san (ABS - specialty in swordsmanship)
warnings: cursing
so. san.
poor dude i put him through a lot in hongjoong’s part :/ he didn’t deserve that i’m sorry san
but let’s start from the beginning
unlike some of the others, san has only ever known the streets. he has no memory of real parents, just various random caretakers who ended up causing him more harm than good
there are two singular exceptions to this during san’s childhood: you and an older pirate named jongin
you’ve been there ever since san can remember. even now he’s not entirely sure how or when you two met, he must’ve been very young, but he just knows you’ve been with him for what feels like forever
the two of you wandered the streets together, begging and stealing food whenever you could
it only makes sense that you two would fall in love once you were old enough to understand it (which comes a little later than either of you would’ve liked - you’re probably sixteen or seventeen when you get the guts to press san against a wall and kiss him like person starved as san kisses back with just as much fervor)
when you were still together, it sometimes felt like you were the only reason san could stay alive
you mean the world to each other. the literal world
so that’s you - someone san knows will never abandon him willingly, will always stay by his side as long as they can
now uh moving on to jongin
you two were young when you tried to pickpocket him that one time
immediately it was clear you’d messed with the wrong guy - he noticed you two immediately and you were caught
but surprisingly, all he did was smile and offer to buy you something to eat
and being the hungry children you were (san thinks you were around twelve at the time) you said yes without a second thought
luckily jongin didn’t have any ulterior motives - in fact, he taught you and san to become better pickpockets, how to take advantage of people’s blind spots and your natural talents
so naturally, he became both of your role model
and because jongin was a pirate, you two resolved to become pirates just like him when you grew older, even asking him to take you on his ship whenever he returned to the city to visit.
but every time, jongin refuses. when you’re younger you kind of accept it, but as you and san grow older you start to insist more and more
there’s nothing left for you two here except a life still on the streets, and isn’t being a pirate pretty much the same? stealing and pillaging, just on the ocean instead of on dry land
neither you nor san flinches at blood, and you can both deal with injuries
but jongin still refuses, finally telling you just how far from heroes pirates really are. they kill and steal, often more than they need, not taking just enough money and food to survive or pass out to those less fortunate the way you and san both do
this kills the dream a little for you and san, though you both come to the conclusion that not all pirates have to be horrible - look at jongin
so you still resolve to become pirates, maybe on a crew that isn’t as terrible as the ones jongin has told you two about
this sort of dream goes on for another year or so. you and san figure out your shit and finally kiss, jongin mock claps when he finds out before disappearing again, you and san wander the streets again still with little aim but your interlocked hands are purpose enough
until you get kidnapped. 
san literally almost goes insane when he can’t find you after two days. tears around the city like a man possessed, looking everywhere you might be and then everywhere you definitely aren’t on the off chance he’ll find you
but even when jongin arrives back in the city a few weeks later and joins san’s frantic search, you’re never found
it’s all too much. way too much for san - he’s literally lost the one person who keeps him sane - and honestly the last straw is when jongin asks if he wants to join his crew now
deep inside san knows he means it out of the goodness of his heart. jongin isn’t evil and he’s hurting too with your disappearance, he’s just trying to give san a semblance of a new home
but san explodes. none of this would’ve happened if jongin had taken them in earlier, had let them join the crew together, if he’d even taught them more - it’s his fault, it’s his fucking fault
jongin tries to grab san but he just twists away - jongin’s touch feels like fire burning against his skin - and runs
for how long he runs, san genuinely doesn’t know. he just knows that he can’t stay here, can’t stay in this city anymore 
so he becomes somewhat of a highway robber? holding travelers at sword point and demanding what they have
the sword he uses was gifted to him by jongin and it makes him feel sick every time he pulls it out, but even though san is sometimes irrational, he’s not stupid - he needs a weapon, and if this is the only one he has, so be it
doesn’t matter if memories of you and an older pirate come flooding back every time he grips the handle.
san makes a name for himself - people whisper about him, tell travelers to avoid the paths he frequents, but the thing is he doesn’t really frequent anywhere. he’s a wanderer too, which makes him so dangerous because he’s so unpredictable
until hongjoong appears and san makes the mistake of challenging him to a fight. 
i say mistake but really, it was probably one of the singularly most life-changing events for san except for 1. meeting you, 2. your disappearance, and 3. leaving jongin 
because when hongjoong has his sword positioned over san’s neck and san thinks he’s about to die, hongjoong gives him a choice - join his crew or get his throat cut
san just scoffs at first and is like why would you want a highway robber on your crew? don’t you know who i am?
hongjoong does know, of course - he actually tracked san down because he needed a good swordsman to join his crew and thought san would be perfect
san is on the edge of saying no, but hongjoong is one of three people who’ve ever beaten san in a fight (jongin, you, and now joong) so he’s got a little grudging respect for the guy
but even more than that, he remembers you and remembers your pact to find a semi-decent ship and join the crew 
it seems like a childish pact now, but for some reason, once he remembers it, he can’t put it out of his mind
(maybe it’s because if you’re dead, which you probably are, san wants to at least fulfill his part of any promises you made so long ago)
so he says yes
for the first few weeks, san really considers jumping ship
seasickness is a bitch, first of all, even if the ship’s doctor is nice enough to give him tips on how to handle it
but the main issue isn’t just him being sick - it’s the people
not all of them. most are fine. but san has a particular problem with wooyoung and his partner, not because they’re assholes or anything, but because they remind him way too much of him and you. childhood friends who grew up together and wouldn’t part for the world, except they’re still joined at the hip while you’re lost
and san just thinks it’s horribly unfair that you had to be torn away from him while others are allowed to stay together
but really, the ship is better than living on the edge on land. besides woo + his partner, the others are nice, and san has found himself a match in sword fighting with hongjoong and yunho
so as time passes, san acclimates to the ship. he gets closer to everyone there and comes out of his shell, even becoming friends with yeosang whom he previously deemed too close to woo + his partner to deal with
and because yeosang is a package deal with the other two, san eventually becomes friends with them too
for the first time in a long time, san thinks he’s happy, even though he still sorely misses you and wishes you were here. but you’re dead or at least long gone, and he’s not going to find you again
so when you turn up on an enemy pirate ship several years later, san nearly has a heart attack when he sees your face (wooyoung actually has to catch him when he stumbles)
from the widening of your eyes, it’s pretty much the same reaction for you
there’s no fight, at least not then. the town your ships have docked in is safe ground for pirates, meaning the villagers will deal with them but won’t tolerate fights
so your crews resupply, all the while studiously ignoring the pirates from the other ship
but san is itching to talk to you - even just see your face one more time
you look so different yet somehow exactly the same and san wants to know what happened to you - how did you get that scar down the side of your face?
you feel the exact same way. 
when you were kidnapped, you were taken on a pirate ship that was far less respectable than hongjoong’s. meaning you went through a fucking lot
you tried to escape at least five times but each time you just got caught, so you eventually gave up. so here you are, ignoring the literal love of your life because your ship is shit and happens to have beef with hongjoong’s
meaning you couldn’t escape if you tried. 
so you’ve resigned yourself to mere stolen glimpses of san’s face but then your captain gives all of you a mission
he wants a hostage. and he wants you to lure one of them in. 
you don’t want this mission. you fucking hate it and you hate your crew and you don’t want anything more than to just run away so you just ignore it and resolve to subtly sabotage your crewmates’ efforts in any way you can
and for the most part it works
but then you’re on deck, helping one of your crewmates put some supplies away
when a crowd comes on board, bruised and bloodied, and drops choi san onto the wooden floor.
the captain is ecstatic - they’ve managed to catch hongjoong’s best swordsman, no doubt they’ll get a hefty ransom for him
but you’re not listening. all you can do is avoid san’s sharp gaze
and think of a way to help him escape.
the ship sets sail within hours, trying to get away from hongjoong as quickly as possible. san lives his days in one of the tiny cells belowdecks, barely fed between questioning sessions during which he says nothing
but he can feel hope slipping away, day by day - even he can’t break through chains, and even if he could, his sword is gone. five or six pirates he could maybe take alone without a weapon, but there are far more on this ship
still, when the ship finally docks, san has resolved to at least attempt an escape. he knows the captain is in negotiations with hongjoong over getting him back so hongjoong has to be in the same port, or at least nearby
so when someone opens the cell again, san literally launches himself at them in an aborted attempt to run
you subdue him quickly - you’re not dehydrated and underfed, after all
san just gapes into your face that’s barely lit by a torch on the wall outside his cell. he has so much he wants to say, the first being how could you do this to him, did none of your time together mean anything - 
but then you unlock the chains around his wrists, toss him a bundle of fresh clothes, and tell him to get changed
dressed in the new clothes, he looks like a member of the crew, and you tell him to keep his head down as you bring him up out of the ship and into the village
san’s still kind of dumbfounded so when you tell him to run, he doesn’t understand at first. run where?
hongjoong’s ship is in the next port, you say. on foot, it’ll take a few days to get there, so he needs as much of a head start before people realize he’s missing
therefore - you push back his forehead with a finger - fucking run, choi san. i don’t recall you being stupid before.
when he understands, he tries to tell you to come with him - hongjoong’s a decent captain, he’ll probably understand
but you shake your head. you yourself need to leave. once your captain realizes san has disappeared, it’s only a matter of time before you get found out, considering the number of unconscious and dead bodies you left in your wake, and you need to be long gone and away from san before that happens. you’re not going to bring more harm on him again. the least you could do is maybe divert their attention for a while
san’s heart sinks when he realizes you have no intention of coming with him, no matter how much he tries to convince you
and he almost starts crying again - just when he’s finally gotten you back, fate is forcing you to slip through his fingers yet again
you just hug him and apologize for everything, for getting kidnapped, for not helping him escape until now even though none of that is your fault
san says that and more, apologizes for even thinking you’ve changed - he should’ve known you were still the same person he’d fallen in love with so long ago
but there’s no more time and now you’re pushing him away and telling him he needs to go before it’s too late. in the process, you press a blade into his hand. 
for protection. 
it’s faintly familiar. and when san looks a little more closely, he realizes it’s the blade that jongin gave you so long ago, a copy of the same one he gave san. only the initials etched into the handle are different.
it makes him feel sick. san had switched his blade out for another sword the second he could, too many memories of you and jongin attached to it. but you never stopped using yours. 
that knowledge makes his insides burn with shame and he tries to give it back to you but you force him to take it. i have more weapons than just this. you have nothing. and now you need to go.
he kisses you one last time. you kiss him back with just as much fervor and when you break away, there’s a small smile on your lips 
you tell him you’re glad he’s found a kind crew, a crew he’ll be happy to remain with. you’re glad he’s luckier than you
san tries to tell you again to come with him, but you shake your head. hongjoong won’t be happy to take in a member of an enemy crew, and even if he was, that’d only turn your ship’s sights on san’s for a long time. you won’t have that. 
so you disappear with a last reminder not to be stupid, a wavering smile on your face 
it takes everything san has to return to hongjoong’s ship without chasing after you, and he’s welcomed back with open arms and warm words
but despite being back with his family, san’s heart sinks the farther they get from the harbor, knowing that he’ll probably never find out what happened to you, his original family, after this
wooyoung tries to comfort him, saying not to lose hope - after all, you met once after your separation, you might meet again
however, fate isn’t kind. san knows that very well. twice you’ve met, and twice you were separated
san hopes wooyoung is right, hopes he’ll see you once more
but as the ship cuts through the water into the open ocean and land fades from sight...
deep inside, something tells san he won’t.
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mingi (ABS)
warnings: cursing
you look me in the eyes and ask how it is possible for me to write angst for someone like mingi. i tell you i will try my best
that is a threat and a promise
anyway! let’s get on with it
mingi is a pure-hearted orphan who has somehow survived the demoralizing and horrible orphanage system in his hometown
he never knew his parents, all he’s ever known was that shitty little orphanage, it’s a miracle that didn’t break apart his pure personality
it helps that from a young age, mingi was taller and bigger than his peers - people didn’t want to mess with him
also when he’s not smiling, he can look pretty scary
but that left mingi lonelier than he wanted to be, so he resolved to smile whenever he could so that people wouldn’t feel intimidated by his stare
it didn’t win him many friends??? like the kids his age were more just weirded out by him smiling when they lived in a fucking orphanage. but he did get more free handouts from adults when he’d pretend to act like a cute kid, so he just kept doing that
eventually when he grew older, maybe mid-teens, he got a job working at his town’s port
mingi’s pretty smart and more importantly here, he’s very strong - just the type of worker his supervisors were looking for
the job is okay - not horrible, but it’s kind of boring and mingi’s supervisors aren’t always the nicest
but mingi’s always been the type of person to just content himself with the fact that hey, things could be worse
he might not have survived the orphanage
he might not have been born with strength
he might not have gotten a job that comes with a semi-stable roof over his head
so for a couple of years, this goes on, mingi helping ships unload and reload, stuff like that
until hongjoong’s ship pulls into port
it normally wouldn’t mean anything if hongjoong hadn’t been half dead on his feet with his partner and seonghwa pretty much carrying him down the gangplank
most people were just shoving them around, totally ignoring the fact that hongjoong clearly needed help
but even though his supervisor told him to go help one of the bigger ships, mingi saw hongjoong and went off to go help them
recommended a cheap place to get rest and offered to help them with some of the ship repairs so they wouldn’t have to pay so much (because their boat was... a little beaten up to say the least)
after a few days, hongjoong recovers from his sickness (brought on by exhaustion, not eating well, and god knows what else - his partner chewed him the fuck out), and they all thank mingi profusely
they’re about to leave then - the ship has been repaired thanks to mingi’s help and they’re ready to set sail again
but a glint appears in seonghwa’s eye and he suddenly turns around and asks mingi if he’d like to come with them
mingi: wha - you mean me?
seonghwa: is there another guy named mingi around?
mingi: i mean technically yeah, there’s a lee mingi working on the other end of the shipyard -
at first mingi’s like... no i don't think so because he has a stable job here, right? nothing really happens and it’s kind of boring, but being a pirate sounds kind of scary
but another part of him has been aching for something more interesting than the monotony of working at the port day in and day out
besides, hongjoong seems like a much nicer person than his supervisors
so in the end, mingi throws caution to the wind and joins the crew
he kind of questions it at first because he really doesn’t seem to have a knack for swordplay, also he kind of tends to panic/get squeamish when there are fights
but seonghwa keeps faith in him no matter what - he was the one to ask mingi if he wanted to stay, after all
so as time goes on and more people join the crew, mingi adjusts to life as a pirate. he finds his role on the ship in making repairs when they’re in port or even when they’re on board, which makes him happy - mingi likes being useful
he also likes jongho, who joins him as one of the ship’s repairmen when he ends up with the crew
he even becomes a fair swordsman - definitely not the best on the ship, not by a long shot, but after being trained by first hongjoong and then yunho (with san occasionally interjecting when he joins the crew), he definitely has the skills to defend himself and others
emphasis on others. because while mingi might panic during a fight where he’s only defending himself, when those he cares for come into play, mingi is a demon. an absolute demon. 
an enemy pirate once got within a hair’s breadth of killing seonghwa once and mingi just unleashed absolute fury. first time he ever killed someone
it haunts him sometimes, but the knowledge that he was protecting seonghwa keeps him from dwelling on it too much. that’s how much mingi cares about his crew
and that comes into play when you enter his story
you’re the child of a couple corrupt aristocrats who have never, not once in their lives, given you the attention you deserved
no matter what you did, they didn’t care
you studied your ass off. you worked so hard on swordplay. you’re literally the golden child in the aristocratic circles of your region and other nobles wish you were their child, but all your parents ever do is give you a passing glance and a fake smile
sure they’ll praise you at parties and things when they talk to other nobles, but it’s all empty - they only barely remember all of your accomplishments. they just don’t care
then one day, hongjoong’s crew pisses off your family - ruins trade at some port or whatever
so your father puts a bounty on his crew’s heads
it’s not exactly a common thing to put bounties on the heads of pirates, but it can happen if a crew fucks around a little too much
and when the bounty goes out for the crew of the aurora (hongjoong’s ship), you seize on it as your last chance to gain your parents’ approval, the approval you’ve been seeking for quite literally your entire life
you’re not dumb - you know it’ll be hard, and you know your family is only going to be completely satisfied if you bring back proof that the captain is dead. not some other random crew member, though that’s a step in the right direction
you decide to go for one of those crew members first, preying on the fact that if one goes missing, the captain will likely be easier to capture
you’ve heard stories about hongjoong, he isn’t heartless. he actually does care about his crew, each of whom plays an integral role on the ship
which means if you can get one of them, you can lure him out - you might not even have to kill off the rest of the crew if you can just take him out
therefore you set your eyes on one song mingi. from the rumors he’s the worst at fighting, but he’s also essential when it comes to ship repairs 
the perfect target for your plan
so you set out on your journey. your idea is to try and see if you can befriend mingi somehow, get him to trust you, then take him hostage
and somehow, you get lucky at the first port you visit - hongjoong’s ship is right there, aurora emblazoned on its side
it’s not hard to spot mingi - he’s one of the tallest, and he’s busy tinkering around the side of the ship
it’s even easier to get his attention
because your master plan is simple and dumb as fuck
fall into the water and pretend to drown. 
mingi, being the pure-hearted lovely soul he is, jumps in to save you despite you being very able to swim
he’s worrying over you when he pulls you out of the ocean, spitting and choking water
and all you can think is 1. mingi is very handsome but more importantly 2. all of this is genuine. like too genuine
it unnerves you - how can a pirate be so pure of heart?
but you push that thought away. there has to be some hidden side of mingi that he hasn’t shown yet, he’s a pirate after all. you can’t feel guilt for using him - you need to gain your parents’ approval. you need to
so you do your damn best to keep him in port. every night you go out and subtly undo some of the repairs he’s made and create a few new problems as well
the ship ends up staying in port for a few more weeks than expected
and during that time, you find that mingi... is really not hiding anything
at all
you keep trying to prod at him when you invite him to bars for a drink, when you “coincidentally” catch him on the streets, etc. 
but there’s nothing to mingi except his very kind personality that sometimes, against your better judgement, sweeps you off your feet
like when that horse-drawn carriage almost hit you and mingi pulled you away just in time
or when you bumped into the wrong person and they pulled a knife on you that mingi was fast enough to deflect
by the time those several weeks are over, you haven’t made any headway in your plan to kidnap mingi
you tell yourself that it’s fine, this mission was always going to take a long time - you could be here for over a year before the right opportunity presents itself after all, and mingi probably doesn’t trust you enough just yet for that to work anyway
mingi ends up sailing off again, and he promises to come back
also makes you promise to stay and wait for him. 
you tell yourself another lie, that you’re happy he’s asking you to wait just because it’ll make your plan so much easier - plus, it means he likes you, which is a step towards trust
it’s definitely not because mingi’s smile is as bright as the sun itself. 
the next time you see the aurora come into port, you swear to yourself you’ll do it this time. you’ll kidnap mingi, force hongjoong to come out so you can put his head on a silver platter
but it doesn’t happen. and the next time it doesn’t happen, either. 
and in the end, you have to accept that the reason you keep sabotaging the ship, trying to keep mingi in port as long as you can, is that you like his smile. way more than you actually should. 
some stupidly hopeful part of you tries to convince you that it’ll be fine, you can continue living like this
but another part of you knows lies never last
and a last part of you screams that you’re a disappointment to your family, falling in love with one of the pirates your parents have put a bounty on when that pirate probably doesn’t even love you back
he does, though. he really does
mingi loves the curve of your lips when you smile genuinely, when the clouds in your eyes disappear for a moment of pure, blessed happiness
he’s fallen in love with your mind, with your quick wit and light banter when you speak
for the past two trips on the ocean, mingi has dreamed of little more than holding you close and kissing you and he’d resolved to that, finally, when he came back this time
which is why his heart completely shatters when he finds you by the ship one dark night, carefully undoing some of the repairs he made just this morning
he never suspected it, but as he stands, watching you work, the pieces begin to click together
mingi isn’t stupid, after all - he knows you’re smart, knows you’re good with your hands, and you’ve also been extremely secretive about your past
even more secretive than he is about being a pirate.
you sense his presence when he gets closer before he even says anything and your hands freeze
for a moment, neither of you says anything
then mingi just lets out a cracked why?
you could lie. you consider it for a few frantic moments, mind working to conjure something credible 
but it’s mingi. it’s fucking song mingi, the pirate you’ve fallen in love with against every single one of your wishes
so the truth behind all of your lies spills out in one go
in the moonlight, you can see mingi’s eyes turn from confused and betrayed to even more betrayed
but what really drives it home is when you mention hongjoong, and how you were trying to use mingi to lure him out
mingi’s eyes turn angry for the first time since you’ve met him
because like i said, mingi doesn’t take kindly to anyone who tries to hurt those whom he cares about
like yeah, he cares about you, but hongjoong is his captain, the captain who’s saved mingi’s life multiple times, often at risk of his own
that’s when mingi’s eyes narrow and his expression turns cold
a chill runs down your back, a chill you’ve never felt before in his presence
and mingi tells you then and there that he better not see you ever again
because if he does, it won’t end well
you’re in the next town before you allow yourself to process anything that just happened, mainly because you know that if you try you’ll start crying
and that’s exactly what happens in a dark little tavern at the edge of the city
you cry over yourself, over losing mingi, over failing your stupid mission for stupid parents who were never going to accept you anyway
you cry because you hurt someone so pure of heart just for two cold aristocrats who didn’t give a shit
you cry because now you have no purpose in life - you’ve catered your entire existence to your parents, and they don’t even care
what’s the point of anything now?
back on the ship, mingi doesn’t cry. he just stares at the fading town as the aurora draws farther and farther from land
your story plays in his mind over and over again
he sympathizes for you, he really does - mingi isn’t cruel or heartless, he heard the desperation in your voice when you talked about your parents and he’s seen the clouds in your eyes firsthand
but it doesn’t change the fact that you’d sought him out with the intention of hurting his crew beyond repair
he tries to tell himself this as comfort, to reaffirm that he did the right thing by chasing you off
deep inside, though, even if he’s sure he did right
the pain of a broken heart and what could have been, he knows, will never fully go away.
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wooyoung (ABS)
warnings: cursing, death, blood
before i start i’d like to preemptively apologize
probably should’ve done that before every other part too idk why i'm only doing it now
maybe it’s because this one is 3.4k long and the second longest is a mere 2.8k (fuck you san)
doesn’t matter i've done it please don’t come for me
wooyoung is a ball of pure sunshine aboard the ship. almost literally
sometimes shines a little too bright (ie he gets annoying), but without him, the crew would fall into darkness
but a light needs a source, doesn’t it? it doesn’t just spontaneously emit out of nowhere - fires need kindling, candles need wax, even the sun burns on fuel
and wooyoung’s fuel is you.
like i mentioned in san’s part, you and wooyoung are childhood friends. probably not quite as long as san and his partner - you met when you were a bit older, maybe just after you turned twelve or something, but that doesn’t mean your bond is any less strong
wooyoung remembers your first meeting very clearly - in fact, it’s one of his favorite memories
some older kids were pushing him around, and wooyoung was just trying to run away
he’d just broken free and was running off when a hand grabbed his wrist, dragging him behind an empty market stall, and another hand slapped over his mouth to muffle his cry of surprise
the older kids ran past, then stopped, looking confused, but when they couldn’t see wooyoung anywhere they just left
you finally let go of wooyoung and he turns around to look at you
and from then on, he swears you’re his savior
seriously, wooyoung thinks you’re literally the greatest fucking thing on this planet. might not act like it all the time because he’s a little shit, but you mean more to him than anything in the world
you don’t plan to get attached to him, not at first - you’re a little more standoffish, you told wooyoung you only helped him because you really hate the group of kids that was messing with him
but wooyoung attaches himself to you like a fucking limpet and as the months pass, you find you don’t mind. not at all. 
you’re both street orphans, pickpockets and all that - neither of you are in the orphanage (wooyoung just never ended up there, while you ran away early on) and you’ve both been alone for a long while, so it’s nice to have someone with whom you can trust your back
and as time goes on, you start thinking of wooyoung less as an ally and more as a friend, then less as a friend and more as someone you love
wooyoung, on the other hand, has been head over heels since day one - getting into your space, pressing stupid little kisses onto your dirty face even as you try to bat him away
but he obviously doesn’t make a move at first because he’s like fucking twelve and doesn’t understand what he feels, and when he grows older and figures it out, he refrains from doing too much (like kissing your lips) because you don’t seem to feel the same way
except you are an impatient fuck
so once you figure it out and more importantly, you figure wooyoung out, it takes less than a day for you to have him pressed up against a wall, kissing him with all the strength you can muster
when you pull away, lips swollen and eyes suddenly shy, wooyoung tries to crack a joke like wow, didn’t know i was that irresistible
you just smirk and say you’re the one who’s been staring at my lips day in, day out for the past several years, woo
oh yeah that’s when wooyoung knows you’re the one
(he does ask why the fuck you waited so long if you noticed everything over the past few years)
(the truth is you only really figured it out a few days ago, but you tell him you just wanted him to suffer)
(it cues a lot of angry whining and cute pouts even though he knows it’s a joke so what can you do but kiss him until he shuts up?)
anyway you and wooyoung more or less rule your small section of the streets
master pickpockets and all that, plus you know how to use a knife very well and wooyoung is adept at fighting with whatever the fuck happens to be nearby
you’ve got a good head on your shoulders and though you never truly lie, your reasonable-sounding words always have several layers of meaning, which is very useful in negotiations
meanwhile wooyoung is just really, really good at sliding out of sticky situations - you turn your head the other way for one second and he’s disappeared
people don’t really dare mess with either of you because they know that if one of you get hurt, the other will literally go out for blood
the same goes for yeosang - you met the quiet orphanage boy on one of the rare times he went outside, and everyone knows not to mess with him since he’s under your protection
this reputation precedes you, which is why you and wooyoung are very surprised when a tall, gangly looking dude comes into your little pocket of territory looking very lost
both of you immediately think this is someone good to pickpocket, or at least harangue for news - he’s clearly not from here
too bad mingi has a hongjoong on his side who is very worriedly looking for his tall lost repairman
and in the middle of you two getting up in mingi’s space, hongjoong appears, wielding a very scary-looking sword
both you and wooyoung know this is someone not to be messed with, but curiosity gets the better of you - who is this guy, why is he here, and why doesn’t he know to stay away?
instead of asking, though, you both run away fast enough that hongjoong doesn’t have to deal with you
the next day, though, when you see a familiar face with a familiar sword hanging around the market, you decide to tail him for a bit
turns out he’s a pirate, which is intriguing in and of itself - it also explains the unfamiliarity with the territory
but what’s even more intriguing is how he manages to defend himself against your knives all the while answering your peppered questions in the most evasive manner possible
in the end, hongjoong has you pinned against an alley wall, sword inches from your throat
he clearly expects you to start begging for your life
but you just laugh breathlessly and say - hey, i’ve got two friends who’ve got nothing left here, just like me. do you have an opening for three on your crew?
hongjoong thinks you’re joking but you’re dead serious. there’s nothing in this town, you’re sick and tired of pickpocketing people and protecting your little territory to no end - there’s no point to it all
you know wooyoung feels the same way. he’s so energetic, always looking for something new, and even though he doesn’t say anything, you know he’s itching to get out of here
yeosang might take a little convincing, but if you can prey correctly on his desire to visit the lands he’s only ever marked on maps, he’ll come too
hongjoong asks what you have to offer to his crew. you say a sharp tongue, resourceful fighters, a navigator
and most importantly, a source of light. 
(hongjoong doesn’t ask and you don’t elaborate on the last one, even though you can see a hint of confusion in his eyes)
he gives you two days to convince wooyoung and yeosang, if you don’t show up by then he’s setting sail
wooyoung is convinced almost immediately - his only qualm is seasickness, and you tell him he’ll get used to it
yeosang takes a little more effort, but with your persuasion skills, he agrees
and so the three of you join hongjoong’s crew
being a pirate isn’t as glorious as you originally thought it’d be - the first few weeks are just being seasick all the time, and there are fewer fights and less exploring than you’d like, more just running around and maintaining the ship
but the crew makes up for it more than tenfold
you and wooyoung have never really had family - just each other and then yeosang
but now that you’re with the crew, that sense of home you’ve only ever felt with woosang just multiplies
you love it on the ship. so does wooyoung
(he says it’s because there are so many hidden places where you can hide to kiss, but you think it’s because he has seonghwa to annoy now and not just you + yeosang)
both of you are on cloud nine, even with the nonstop work day in and day out
it’s all worth it when you can see the new cities, pilfer a little something in the marketplaces every now and then
life goes on like this - some crew members are lost and others join
you mourn for those gone, especially hongjoong’s partner, and you try to welcome the new members as best you can
(san is a tough nut to crack, but in the end, you and wooyoung are both happy that you kept at it long enough to see the results)
it’s a constant give or take - you know the ocean isn’t kind, know that the life of a pirate isn’t kind, and you’ve learned to live with it even though a piece of your heart breaks away with every crew member who falls
but then yeosang falls. literally. 
and wooyoung begins to fade away.
wooyoung feels his emotions deeply, he’s always known that - it’s what binds him so strongly to you and what bound him so strongly to yeosang
so when he fell during that battle, stabbed several times, and could only watch yeosang fall into the ocean from the crow’s nest - essentially yeosang’s home on the ship - 
wooyoung cries for hours after the battle, locked in your arms
and for once, even the knowledge that you’re by his side doesn’t seem to be enough to fill the void left by yeosang’s loss
the entire crew is experienced with their own types of loss, loss of partners and friends
but this is the first time wooyoung has felt it so deeply, like a knife carving out a hole in his chest
eventually, though, he recovers
it takes months, but he still has you. he still has san. he still has yeosang’s grieving friend, who might have become his partner had he lived, and he still has all of the crew
and you let him latch onto you whenever the void comes creeping on him again, because though wooyoung might be the light, you’re the source of fuel that keeps his sputtering flame burning
(guilt eats at you, too - you’re the one who convinced yeosang to join the crew, after all. but wooyoung calls it bullshit - you’re not at fault, not at all, yeosang understood what he was risking - and when he latches onto you, you take your own comfort in the warmth of his arms)
life goes on after the battle and yeosang’s death. wooyoung takes a long time to recover from his injuries and you’re by his side the entire way
but then san gets kidnapped and wooyoung almost goes off the deep end again - he can’t lose another friend
thankfully, san returns, so wooyoung doesn’t lose himself completely
but he begins to fear the disappearance or death of one of those whom he loves even more than he used to
as time goes on, he realizes he might not be able to handle the life of a pirate - he cares too deeply, too much, losing the people he cares for is breaking him slowly, bit by bit
you ask him what’s wrong one day and he spills all of this to you, sobbing
the next day you ask hongjoong to leave you and wooyoung at the next port - you can’t be on the crew anymore
hongjoong asks why, but when you explain he doesn’t even hesitate to nod and thanks you for your service
he does say that he’ll miss the source of light on his ship, the light and its kindling, but if this is what you and wooyoung really want, then it’s what he’ll give you
wooyoung feels a guilty sense of relief when you bring him back the news - he’s relieved that you two are going to leave, but there’s also the guilt of taking you away from a life that you enjoy
but you remind him that he’s your life. wooyoung is everything to you, and if he isn’t happy, you’re not going to be happy, no matter what
so it’s settled that you two will split off from the crew at the next port, which you’ll reach after a few weeks of sailing, maybe
you reach the port and are ready to part ways, saying goodbye to the rest of the crew
the aurora is staying in port for a couple of days for repairs, and you and wooyoung decide to stick around for at least the night before you go off
you go on a walk that night with him, darkened streets lit up by evenly spaced torches and lanterns
which is why you see the other ship pull into port with a navy seal on its side. and your blood freezes. 
with one look, you and wooyoung are racing off to where you know the crew of the aurora is staying because you have to warn them
hongjoong looks grim. there’s a fight, it’s going to be inevitable, and you can feel wooyoung tensing up next to you
your former captain says you don’t have to fight if you don’t want to, you’re technically not part of the crew anymore
but one look between you and wooyoung settles it. one last battle to help the family that took you in
the battle is in the dark, bloody and brutal and made even worse by the fact that you can’t see the rivers of blood flowing down the streets - it’s all a mess of sticky black that your feet leave tracks in on the roads
you and wooyoung are back to back with san, the three of you fighting to the last
until there’s finally an opening and you manage to escape into a little alley
except the alley ends in a wall. a wall tall enough to climb over, maybe, but wooyoung has a wound in his stomach and san’s bleeding out of his side and you’ve got injuries of your own so you’re wholly, completely fucked
as several naval soldiers appear at the end of the alley, all you can think is how you and wooyoung were supposed to have gone off today, were supposed to have left to find a more stable life together
but at the same time, you know that if you hadn’t stayed for the night, your crew, your family, might not have gotten enough warning to save at least a few of their lives
wooyoung is starting to wheeze behind you. san doesn’t look much better, and you feel like you’re going to collapse
there are four soldiers standing in front of you, and there’s no shred of uncertainty in your mind when you think we’re not going to survive this
except - maybe if you can buy yourselves some time - 
your eyes light on one of the torches on the side of the alley and a really dumb plan springs into your mind
you spring forward, ignoring wooyoung’s cry, and snatch up the still-burning torch
with a prayer that the ground is flammable, you hurl the torch in front of you 
and thankfully, a flame begins to burn
you turn around and start helping wooyoung boost san over the wall
wooyoung is about to go next, grasping san’s hands - you go to help push him up
but then metal flashes in corner of your eye and you have to whirl away, dropping wooyoung to dodge the sword that came a hair’s breadth within slicing the skin off your cheek
how the soldier got past the fire, you have no idea - it’s still burning
maybe they got over it when it was still low
but then there are two shadows, not just one, both with blades flashing
and you know with a stark certainty that both you and wooyoung are going to die if you don’t get up that wall immediately
the problem is, there isn’t enough time to get both of you up - one is going to be slashed to pieces by the time it’s their turn
but one of you...
you block one of the blades and send the soldier crashing to the ground. the other is farther away and for one split second, you lock eyes with them
there’s enough light to see your smirk
give me a moment here, will you? you say
then you turn around and kiss wooyoung on the mouth. 
it’s a brief kiss, barely longer than a second, but it’s all you have time for before you bodily lift wooyoung as much as you can so that san can reach him, arms pulling him up
san acts on reflex - he doesn’t realize what you’re planning just yet and neither does wooyoung
but they sure as hell figure it out when you duck under the second soldier’s swipe and begin fighting, despite the blood streaming from your face and body
in the background, you can hear wooyoung screaming and no doubt he’s thrashing around in san’s grip
but it’s all you can do to focus on the fight at hand - two against one with the one injured isn’t fair, but since when has the navy played fair?
you notice the sword flashing down at your side. you notice it, but you’re not fast enough
white hot pain bursts below your rib cage and you fall to your knees, blades clattering from your hands
another explosion of pain enters your back and you let out a scream of agony, collapsing to the ground
wooyoung watches you fall in the moonlight, red and black blood pooling beneath you
and only then does he stop thrashing in san’s hold
because he’s crying too hard, too hard to see or do anything but let a silently crying san carry him away
san takes him back to the ship where hongjoong manages to set sail in record time, leaving the navy behind
wooyoung doesn’t even move from where san has laid him on the floorboards - the only sign he’s still alive are his eyes, deadened eyes that track the land they’ve left behind, growing smaller and smaller in the distance
the land that holds your body
the body he’ll never see again.
several hours pass. someone’s moved him into the medbay, wooyoung doesn’t know who because all he can see is you collapsing to the ground over and over again, dark blood flowing endlessly from your wounds
tears build up behind his eyes again and he wants to scream, scream how nothing is fair, nothing is fucking fair, he was the one who wanted a new life that wasn’t that of a pirate and you were just going along with it but now he’s still alive and on the same fucking pirate ship he wanted to leave in the first place 
and he’s lost both of his childhood friends, first yeosang to the waves and now you to the navy
with this loss, wooyoung is grasping his will to live by a mere thread
and he isn’t even sure he wants to hang on any longer.
there is no sun aboard the aurora anymore, at least not in the form of jung wooyoung
because once a fire’s fuel is gone, it can no longer burn
and wooyoung’s fuel is out.
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jongho (ABS)
warnings: cursing, death, blood
ah yes jongho stronk boy
when i listed the best fighters i bet you were expecting me to put him in there too
but what i meant by best fighters is best sword fighters
see, jongho is extremely good at fighting and has the arms to prove it
however, his skills don’t solely lie in swords - hongjoong/yunho/san are better than him there - but he will fight with whatever the fuck else happens to also be around him
mingi sometimes likes to bring up that one time there was an enemy pirate fighting next to him and jongho just picked him up, swung him, and knocked out a second enemy pirate right then and there
so yeah. that’s jongho. well-rounder extraordinaire
no one knows how the fuck he’s so good at everything and at this point most of the crew is afraid to ask
but anyway let’s talk about the back story a little shall we
unlike most of the others, jongho has parents that he remembers and as far as he knows are still alive
however that does not mean he likes them
they weren’t abusive, exactly - they just were never around and when they were, jongho mostly got ignored or ordered around to do stuff like cook dinner or fucking whatever
so that’s what he suffers through for most of his childhood
during that time, he learns how to be pretty self-sufficient - he’s the one who takes care of himself, after all
he learns to cook, clean, etc.
but most importantly he learns to repair things, like the house
he gets really good at it too, to the point that people start hiring him to help them with fixing their shit
which is how hongjoong finds him
well, more accurately, yunho finds him
the aurora has docked in jongho’s town after a long storm and the ship has a lot of damage that’s going to take mingi a lot of time to fix
so yunho sets out to find someone who they can hire to help mingi out
he asks around and everyone recommends jongho, so yunho goes to find him. after losing his partner in that storm, hongjoong is in no shape to leave the ship, san is still recovering from injuries and guilt, and seonghwa’s busy tending to the crew members and making sure they don’t fall apart
when jongho answers the knock on his door, yunho is like ???? at first because what the fuck this guy can’t even be older than him - is he really that good at fixing things??
tbh yunho was expecting some middle aged man with massive muscles or something
but jongho’s staring at him like wtf do you want and yunho remembers he actually has a purpose here plus jongho does have really big muscles even if he isn’t middle aged so he’s like hi i heard you’re jongho can you help us fix our ship we’ll pay you
and what’s jongho gonna do? say no? 
so he works with mingi for the best part of a couple of months, fixing up the aurora
and during that time, he meets the rest of the crew, who come and go
jongho gets to know them and he grows to like them - he used to be a pretty solitary person, but it’s really impossible to stay that way after meeting one jung wooyoung and his partner
even after he puts it together that they’re pirates, he still likes them
jongho isn’t stupid, it’s pretty obvious after working with mingi for a couple of weeks - they talk of treasure and travels when they think he doesn’t hear
but really, jongho doesn’t care too much - pay is pay, no matter who it comes from
and really, pirates can’t be much worse than the greedy nobles and aristocrats who run his city, right? their illegal acts are just blatant and out in the open, while the aristocracy try to keep their wrongdoings under wraps
he does ask mingi about it one day - why he decided to join the crew of the aurora
after the initial spluttering of we’re not pirates, cueing jongho’s deadpan expression that has mingi immediately quailing, mingi tells jongho more or less his story of joining the crew
maybe a few embellishments because yknow it’s mingi and we love him for it
and jongho listens carefully. his story is a little similar to mingi’s, actually, even if he knows his parents and was never at an orphanage
they were both alone, they both learned to do repair work...
that night, jongho lies awake in bed in his empty house, thinking about what mingi said
as they continue working, jongho prods mingi for more and more stories about the crew and their adventures, and though he visibly shies away from some topics (major fights and major storms, particularly the one that drove them into this port), mingi tells jongho enough for him to see that hongjoong’s crew isn’t immoral. far from it, really
there’s no explaining away the battles and murder and pillaging, but as far as jongho is concerned, at least they’re upfront about it
nobility does the same shit, they just prefer to call murder “the hanging of criminals” and pillaging “taxes”
and jongho is tired of both
after about a month or a month and a half, he decides to himself that he wants to join the aurora
so he asks mingi one day how hongjoong might feel if jongho wanted to join the crew
he doesn’t know hongjoong, he’s only caught maybe a glimpse or two of the captain because he’s been grieving this whole time, which is why he goes to mingi first
mingi tells him to come back the next day, he’ll see if seonghwa can better answer that question as the second in command since hongjoong is still out
seonghwa takes a liking to jongho almost immediately, and the feeling is mutual
even just minutes after meeting, seonghwa gives jongho the sense that he truly cares for him in a way that jongho really hasn’t felt before, not even from his own parents
so the deal is settled and after the repair job is finished, jongho returns to his small home to pack up his stuff. the next day, he’s sailing into the open ocean without looking back
like almost every other new crew member, jongho gets seasick for the first few weeks he isn’t on land
meaning he stays in the medbay more often than he’d like to
but it’s fine - because that’s where he meets you
you’re the ship’s doctor. relatively new since the last doctor was killed in battle maybe half a year ago, but wooyoung was lucky enough to befriend you, an apothecarist’s apprentice, in one of the towns the aurora docked in 
you come from a town that’s a safe zone of sorts for pirates - the locals are friendly if wary, and pirates don’t get into fights on your land
it’s a pretty decent existence if you ignore the fact that royalty/nobles would have all of your heads if they could find definitive proof that your town likes to harbor criminals, but people keep their mouths shut here so it doesn’t happen
however, as decent as this existence is, you got a bit of the short end of the stick
your parents died after you were apprenticed to the apothecarist, leaving you with no nearby relatives or places to stay other than the orphanage or the apothecary
and the orphanage in your town majorly sucks so you just opted to stay at the apothecary
except the apothecarist is not a good human being. major leech. creepy. you hated being around him any more than necessary
which means you learned everything as fast as you could just so you could stay away and look after customers on your own
and when the opportunity to use your skills elsewhere came up, you barely hesitated before telling wooyoung please get me the fuck out of here
only thing that made you balk was the possibility of death on the seas, but you’re young and naive and when you’re at that age, you feel like you’re invincible - therefore you brush it off
plus, everyone dies eventually, right?
you’re the new blood for several months until jongho joins the crew
and because he’s the new guy now, you take it upon yourself to familiarize him with how the ship and the crew work while he’s currently bedridden
it gives him something to focus on other than the rolling sea beneath him
and it’s nice to talk to someone who’s just mildly sick and not bleeding to fucking death
even after jongho gets better, he continues to spend a lot of his free time in the medbay because he likes being around you. your voice is soothing and somewhere in the back of his mind, he probably associates it with care and comfort, given how you treated him during those first few weeks
slowly but surely, you grow closer and closer
you’re the one jongho goes to when he feels a little stifled, too used to independence on land and unfamiliar with the teamwork that comes with being part of a crew
and you like to talk to him when you’re exhausted after treating wound after wound after wound after a harsh storm or bloody battle
it feels like you understand him, no matter what, and jongho does his best to lend you a listening ear as well - it’s the least he can do
you feel comforting, but in a different way from the rest of the crew
like yeah, seonghwa’s comforting in that mother sort of way, hongjoong has that tired dad vibe where jongho knows he can go to him with whatever, and the rest of ateez are like older brothers he knows he can trust
but there’s something different about you
he figures it out, of course, because jongho isn’t dumb or clueless - but he is a little afraid of being so attached to you
because what if he loses you? then what happens?
he tries to go to seonghwa to talk about it because he’s genuinely so scared
but seonghwa’s not in his room and instead, a tired-looking hongjoong catches jongho in the hallway knocking on seonghwa’s door and asks what he needs from hwa
jongho is slightly nervous because he hasn’t spoken that much to joong, or at least not as much as some of the other crew - after all, he joined the crew when hongjoong was still in grieving and has only really been talking to him for a few months
and by now he knows what happened to hongjoong’s partner in the storm - the same storm that wrought the damage on the aurora that jongho helped repair
so he isn’t sure if it’s a good idea to talk to joong about it
but hongjoong presses him a little, saying that hwa is dealing with some other stuff at the moment and that jongho can talk to joong if he wants
so in a fit of recklessness (he’s also been holding it in for kind of a while, he needs to talk), jongho spills it in hongjoong’s office
and hongjoong goes silent. 
jongho regrets his entire existence during the few minutes of silence and he’s opening his mouth to apologize and take his leave
but hongjoong talks first
and he says to go for it. 
you can’t live your life in fear of what might happen, especially when it comes to love
losing love hurts, but the memories you make are worth the pain
hongjoong’s eyes look haunted, but there’s a faint smile on his face that jongho somehow knows isn’t faked - his words are the truth
and he takes them as comfort when he goes to talk to you later about how he feels
turns out you’ve felt the same way for a while, but you didn’t think the feelings were reciprocated so you didn’t say anything, just kept caring for him in the ways you know best
you talk the entire night about what this means for the two of you, and it ends with you and jongho holding each other on one of the medbay beds, curled into the other’s warmth
it turns out to be a blessing that jongho talked to hongjoong about this and not someone else
mingi/yunho/san don’t have partners on the ship, while wooyoung and his partner have been together for literally forever - getting together was barely a decision for them, more like the only logical path to follow
seonghwa would’ve been good to talk to, probably - he lost his partner (at this point he still thinks they’re dead) and would’ve said something similar to hongjoong 
he still wears the ring, after all
but the talk with hongjoong breaks down that last wall between him and jongho, and they grow closer
which is something jongho really appreciates, because hongjoong is as dependable as seonghwa and another figure jongho can now trust
life goes on - it gets better for jongho, actually, what with you and finally growing close to every member of the crew
he loves sword fighting practice and delights in terrorizing his crew members during mock fights by using whatever happens to be nearby, not just his sword
he also loves sitting with you on deck and breaking an apple in half, wordlessly handing one part to you and keeping the other for himself, all the while staring at the clouds during the day or the stars at night
just being near you makes jongho instantly feel not safer, but more comforted
because jongho’s in as much danger as he always was, he knows that
but having you close by makes him feel more able to handle that danger.
at least, until yeosang dies. 
jongho watches him being flung off the crow’s nest and into the water, never to resurface
watches his partner race to the railing and scream until their throat goes raw and the screams die to begging wails
the scene replays itself in his head again and again after the battle is over
only instead of it being yeosang flung through the air, it’s you
which doesn’t make sense. you’re the doctor, you stay belowdecks during fights and have never ventured into the crow’s nest as far as he knows
but suddenly jongho is confronted with the very real fear that you could die any second
he knew that before, but like you, he was young and reckless and thought himself invincible
now, though, he knows what could happen
and it worries him. you’re not the worst at fighting on the ship, you can defend yourself pretty well, but you don’t have have as much experience as even mingi because 1. you’ve been on the ship for less time, and 2. you don’t go above decks during fights - you stay in the medbay with someone designated to protect you. a ship’s doctor is valuable, after all
your instincts are to heal, not to destroy, and that terrifies jongho
it gets even worse after wooyoung loses his partner and jongho sees the shell that he’s become
jongho didn’t see it happen, but san tells him and seonghwa several days later, eyes haunted as he tries to describe the sight of wooyoung’s partner jerking under the blades, wooyoung going limp as a rag doll as they fell, san being forced to bring basically a corpse back to the ship - the only reason he knew wooyoung himself wasn’t dead was because of the tears running down his face
the story cuts deep into jongho’s heart - wooyoung’s partner was a very good fighter, far better than you, and even they were lost
what if it was you, not them?
jongho decides it’s better to be paranoid than to do nothing and he trains you harder, asking san/yunho/hongjoong to help
you notice the change in his demeanor but don’t question it - after all, you’re wrestling with similar thoughts to his
you confide to him during long nights with you two curled up together on one of the infirmary beds and jongho talks, too
neither of you wants to end this, and you both agree that ending it won’t do much, anyway - you still live on the same ship together, and breaking apart will only hurt you two more
but jongho wishes there was something he could do about this constant fear that he’s going to lose you
wooyoung is still a shell of his former self - jongho doesn’t know if he’d become the same way if you died, and he doesn’t want to test it out
he tries to ignore the fear, to just enjoy every day with you like it’s his last
pressing his lips to yours always makes him feel a little better, anyway
the fear never goes away, though - it’s almost like something is warning him that he will soon suffer the same fate as wooyoung and his partner
jongho ignores it. prays to every higher being he knows that you’ll be safe and extends his prayers to those he doesn’t even know
but prayers don’t work when fate has already decided its path. 
the battle comes quickly, and jongho is thrown into the fray, incapacitating as many navy members as he can
he’s so focused on the fight to see the two navy soldiers going belowdecks
because nobody goes belowdecks. the fight stays on top of the ship, only when the ship is being pillaged after the fight do they go below to see what’s there
but since when have naval officers played fair?
jongho has just stabbed an enemy soldier when he hears the muffled yell through the floorboards
a yell of fear, familiar yet unfamiliar at the same time because he knows the voice, but he’s never heard it so frightened
no one has ever seen jongho move that fast. he crashes through the throng of individual battles, earning himself a scrape in the side and several cut ons his arms, but in the moment, he doesn’t feel any of the stinging pain
he crashes belowdecks and freezes for a second at the sight of a dead crew member on the floor, the crew member who was assigned to guard you during this battle
and in that frozen moment, he realizes that there’s no screaming anymore. 
jongho throws himself into the medbay
and the first thing he registers is the blood all over the floor.
grief pulls a desperate cry from his lips
the soldiers turn around
and jongho doesn’t know what happens next.
when his mind catches up to the present, jongho’s throat is raw and two naval officers are dead at his feet, their blood seeping into the floorboards, almost ripped apart
but he can’t even take sick satisfaction in that
because no matter how much navy blood he spills, you will still be gone
dead
your blood staining the medbay floors
jongho falls to his knees - blood soaks into his pants, your blood or the officers’ blood, he doesn't have any fucking clue
all he knows is that you’re dead, gone forever the way he always feared
and no amount of blood he spills will ever bring you back.
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If you enjoyed, please don’t forget to reblog and leave a comment to tell me what you thought! Thank you for reading and have a lovely day <3
(1 reblog = 1 prayer for me these parts were so much longer than they should’ve been I think I’m going insane)
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lnterjection · 3 years
Text
About the whole Hermit Tommy AUs
So as someone who watches both DSMP and Hermitcraft I’ve been seeing a lot of the whole Hermit Tommy concept where Tommy ends up on Hermitcraft in one way or another and gets Therapy TM or whatever. What’s really funny to me is that realistically, while the Hermits would try to not be jerks, especially around him, I highly doubt they would go all mother bear or whatever like a lot of people assume. 
Y’all forget that the Hermits kinda (jokingly, of course) act like jerks sometimes too, just in a different way than people on the DSMP. Just because you’re not allowed to grief, steal, or kill without permission doesn’t mean there aren’t other ways to be a bad person, and I’d argue the Hermits get really creative with it. Like if you consider the lore implications of a lot of those Turf War bets some of them are really unsettling. For example, the whole Bdubs being Etho’s employee and the power imbalance it creates, combined with the way Etho seems to gleefully take advantage of that with what could be argued is very demeaning and threatening behavior is like, bad. And considering how abusers are often victims themselves in the past, and how it echoes Beef’s previous treatment of Etho, it doesn’t bode very well. And let’s not forget the time Scar and Grian literally did HUMAN ORGAN TRAFFICKING for Cleo’s Head Hunt. Not even just that, they literally bred up a whole society of people just to kill them all for a single organ like they’re cattle or something. Like lore wise these are not good people. 
So like they all care about each other, but the really, really closed off attitude they have towards outsiders (again, just going by roleplay and lore, we can assume story Hermitcraft follows the same rules as actual Hermitcraft) means that I don’t think Tommy would last very long on the server, especially with his stealing and griefing tendencies, unless he learns to adapt super quickly. For example, Hermitcraft has a “no children” policy, I believe (adapted sometime after Mumbo joined, of course), and in order to be whitelisted you have to have the approval of every active member. No exceptions. So if Tommy shows up out of nowhere, even if he begs to not be sent back off to DSMP. to avoid any trouble from both Tommy and Dream the Hermits would most likely ship him off to some other world and say something like “not our problem, please keep us out of your drama, we very much would like to continue living our Hermit existences in peace.”
Sooooo cue Tommy getting passed around various SMPs like a hot potato because no one wants to be the cruel server to send him back to Dream, but none of them want to deal with Dream either because let’s be real here, why would you fuck with Dream for the sake of some teenager who steals all your stuff, most people are not that nice, so Dream goes on this wild goose chase through various servers to try and find Tommy while Tommy keeps trying to get him off his trail by convincing members of various servers to let him in and hide for a bit. He goes from HC to Vault Hunters to X-life to Legacy to Truly Bedrock and gradually learns about relationships and worlds and just things outside DSMP in the process. Which honestly has the potential for a really good character arc. 
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ajbwasntwriting · 3 years
Text
Daughter!Reader x Negan, Reader x Daryl: Chapter 5. Secrets hurt
First | Previous | Next
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Listen I don’t know why I decided to give each chapter an artsy title I just did. Also as anyone following this may have noticed this story isn’t gonna be regularly updated but rather updated when I have something I’m proud enough to post though I am determined to finish this series, just school comes first. I hope you understand.
I’ll only post more chapters if previous chapters get a good reaction so if you enjoy this please heart it, reblog it, and/or reply to it. Interaction inspires.
if you wish to be added to the tag list please dm me. All chapters can be found under the tag AJ’s Negan’s Daughter AU
The winter continued like that. He’d bring you food and you’d give him goods, even visiting multiple times a week. Sometimes he’d tell you about the stuff, holding up a jar of applesauce ‘from The Kingdom. The guy who runs it used to own a tiger’ or loaf of bread ‘the hilltop grows the grain, but Alexandria makes it.’ You would hum and nod along, knowing he was just trying to convince you to come back. Mainly because he’d ask if you wanted to come back with him and you would be ‘grateful but happy where you are’
You had asked him to start making lists so you knew what to find and you always tried your best to deliver. Cloths, blankets, kitchen utensils, baby bottles-
“Baby bottles?” you asked, pointing at the item on the list. He nodded.
“John and his wife are pregnant and we don’t have enough to go around.” He explained from the comfort of your couch, feet up on the table.
“But you have some?” you continued, not believing what you were hearing “You have...children? As in...babies?”
“Yea. I keep telling you we’re building a society.” he laughed at your bewilderment. “You’d fit in gr-” your mind ran as what you knew was coming ‘Here it comes again. No never works with these people. How do I get him to shut up?’
“Would you like to stay for dinner?” you cut him off, smiling. You turned to your kitchen unit, pulling out a large bot, a can of vegetable soup, and salted beef that Daryl had brought that day. “You’ve brought me so much it’ll probably go bad before I can eat it all.”
In that time he had stood up and walked over to the kitchen, now leaning on the counter. His sudden appearance made you hold your breath “When did ‘get out’ become ‘stay for dinner’?” he asked, seemingly amused.
“When you stopped understanding what ‘I don’t wanna be part of your group’ meant.” You retorted, cutting up the salted beef with a dedicated kitchen knife. “Are you staying or not?” you turned to him, stopping your cuts for the moment. He nodded with a shallow ‘yeah’, making you smile then go back to cutting. You poured the meat and soup into the pot, placing the lid on top. “Some snow on top to water it down and we’ll be sleeping with full stomachs tonight.”
You had him carry some bowls and a ladle up to the roof. Within an hour the fire outside was lit and the food was cooked atop four bricks you were lucky enough to be able to upgrade your cooking fire with, the old lamp now repurposed into a weapon. There was no conversation but you didn’t feel like you needed it. The wind was calm, letting Daryl look out over the city. “Do you know where the museum is?” He asked while you were stirring the soup.
“A couple of blocks down,” you called back. “Why?”
“Me and a few others are planning on raiding it in the summer” he answered, not turning back to you.
That’s when you realised something. You had heard about all these friends. Carol, Michone, Saddiq, Rosita, Eugene, Henry, Ezekiel, Lauren. He’d mentioned them in passing, saying how they made something he brought you or appreciated something you brought him. Yet he always came alone. It would’ve made more sense if Rick was doing these deliveries, you’d met him before the winter. Sure you stitched up his leg.
The two of you were sitting in front of the fire as it fizzled out when curiosity got the better of you. You swallowed the food in your mouth.
“Why are you always here alone?” you asked, he looked up at you from the other side of the fire. “It makes more sense to have people watching your back but for the past month or so you’ve been visiting me on your own. Why?”
“That’s how it is” he scoffed between mouthfuls.
“That’s how what is?” you snapped.
“You’re allowed to be all secretive but I’m meant to have my cards on the table.” he cut back. You thought it over a second, then went back to eating. You both finished up as the fire mellowed, taking your leave back inside. You carried the pot while he held the bowls. Back in your unit, you piled the dishes into the sink.
“I should get going,” he said, going to pick up his back.
“Y/N!” you nearly yelled. “My name is Y/N,” He looked back at you incredulously. A tense silence fell over you both “Before this,” you waved your hand to motion to the apartment “I was with a few people...including my father. We managed to secure a building, kept the walkers out but after some time new people arrived and a few of them got...Protective, I guess. Including my old man.” You crossed your arms and leant against the sink, the floor now far more interesting than the man in your apartment. “People died keeping me safe when they didn’t need to, all ‘cause my old man refused to let me help, but we were still bringing in new people but not everyone was helping, either cause they weren’t allowed to or didn’t want to. That caused anger to boil in the group and then...more people died.” Thinking back on the Sanctuary tears began to flow, but your voice didn’t shake and your body stayed firm. “I ran away and I’ve been hiding ever since ‘cause I know they’ll kill me if I’m found.” You finally looked back at Daryl who had been hanging on to your every word. You wiped away your tears. “You said I can’t be secretive, well there it is.”
“I didn’t mean-”
“You don’t wanna go home” you cut him off. “You don’t like where you rest your head, that’s why you’ve been spending more and more time out here with me. I get it.” you pushed off the sink, leaning under it to pick up a jug of water to do the dishes with. “You can leave or you can stay the night. I don’t mind.”
You turned your back on him to focus on the dishes. He picked up his things and left without another word. ‘That’s it’ you thought as you scrubbed the pot, now getting more aggressive with it, ‘you fucked up Y/N.’
The following morning you woke up, opened your bedroom door, and saw a familiar red-neck on your couch. You couldn’t stop the smile that plastered your face, but you did grab some clothes from your closet then went back to your room to dress. This time when you left he was up. “‘Morning” he croaked as he stretched. “This couch was a lot comfier the first time.”
Your relationship continued like that for the next while. He’d visit you more regularly, stay for dinner, and usually, he’d stay for the night. You got tired of the complaints about the couch and cleared out the second bedroom. You liked having him visit and were willing to facilitate it. He’d even begun leaving a few things there. Functional stuff like arrows for his bow and fuel for his bike. You found him some clothes and extra blankets, and a bigger bag to carry stuff home.
You didn’t ask why he didn’t want to be with his people. After keeping everything a secret for so long it didn’t feel right, but you could guess. Between your family and your time in the army, you had developed a skill in reading people, a skill you noticed he also had. Maybe that’s why every second didn’t need to be filled with conversation. Though you wish it was so you could know more. He was kind, there was no question of that with everything he did for you without even knowing your name. Though when he came to your apartment he was tense, and he was never happy to leave. This made you think he was going somewhere he didn’t want to be, but he had to be. He always talked so highly of the settlements, trying to get you back there. He must be going someplace else.
The winter passed, your garden began to flourish again, and the walkers thawed. You thought after the winter Daryl would stop visiting but he still showed up. He didn’t come as often for a time, saying he wasn’t gonna make the trip unless he had enough to offer you. You frowned at this “Do come out” you ordered him. “You’ve got people relying on you. Children and everything and I’m able to find stuff in the city you need.”
“I don’t wanna leave you short. Our deal ya know-”
“Screw the deal, Daryl.” you huffed “You’re my friend and I wanna help you”
“Oh we’re friends?” he commented, with a cheeky smirk “Didn’t you try to kill Rick.”
‘So Tara told them’ you thought. “Yes,” you said “In a friendly way.” normally he wouldn’t find that funny, but these past few weeks escaping away to your hide-out had given him a chance to get close to you. “Come and visit me when you can, please? I got nobody else to steal my food.” That afternoon you both search for some last pieces for Daryl, having to go deeper and deeper into the city. You talked about his group’s plan to go to the museum and raid it for seeds and old machinery. You saw first-hand what a crack-shot he was with his crossbow, you whistled as another went down “Not bad bow-boy. How’d you get so good with that?”
“Before all this” you started, walking ahead to pull the arrow out of the dead one. “Me and my brother, Merle, used to move around a lot. We used to hunt sometimes for sport, sometimes for food, but he’d always make it a competition. Decided to learn a quieter weapon so I could beat that son of a bitch.” Another two walkers approached as he spoke. He shot a bolt through one of them while you took the other down with your knife. “After that, he never helped hunting again”
“Sounds like a sore loser” you commented, pulling the arrow out of the walker's head and handing it back to Daryl. He took it and reloaded the bow.
“You have any brothers or sisters?”
“Nah” you shook your head, keeping a lookout while he reloaded. “My old man said I was a miracle baby. Mom was always sick. They thought they’d never have any. I used to hate it but after hearing how Merle left you in a cell while he ran off with your girl, I’m glad.”
“Ahh, he wasn't all that bad,” he commented, walking alongside you.
“No one is as bad as they seem when you know them. At least that’s what my superior officer said”
That evening he couldn’t stay, but he left with a heavy bag and that made you happy. As the evening descended you went back to your unit. The following week would be quiet since Daryl had his big raid coming up. Though you didn’t realise how quiet until you were in the midst of it.
You had scavenged a few things. At this stage, the apartment building had been picked dry but you had a few children’s cloths and some old bandages from first-aid kits that had seen better days. As usual, you had piled everything in Daryl’s room. As usual, you were reading another book. As usual, it failed to entertain you since you’d read it about three times now. As usual, you fell asleep on the couch, not completely though because you heard the front door open.
You sat up sharply. “Dary-”
Thwack
~ Tag List ~
@softsebastian​
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bisexualkiecarrera · 4 years
Text
4 times JJ complimented you + 1 time you complimented him
JJ Maybank x Fem!Reader
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wordcount: 3.5k+
warnings: just drinking, smoking and cursing!
1. 
Hanging out in a group of only hot guys and your best friend Kie wasn’t always easy. You loved your friends dearly and normally, any day spent with them was a good one. There were just some days that you just couldn’t bring yourself to have fun when all you could think about was how you looked in your bathing suit. 
You’d explained it to Kiara during a sleepover once when she asked why you hadn’t come in the water that day, opting to stay on the boat in your baggy t-shirt. She didn’t really understand but she tried her best to be helpful whenever she saw you get in your own head after that. John B and Pope were either absolutely oblivious or smart enough to know not to push the subject when you answered their concerned questions with “I’m just a little tired, don’t worry about it.” JJ knew without you ever muttering a word, familiar with the feeling of being uncomfortable showing people your body, even if it was for a completely different reason. 
The day in question was the hottest day of the year so far, and even though you were sitting in the smallest bit of shade the HMS Pogue’s tiny driving console provided, you felt a line of sweat drip down your spine. 
“Babe, come in! Seriously, it’s way too hot for you to not be in the water!” Kiara called as she swam up to the side of the boat, head barely resting on its edge. Your eyes skittered over to the boys, treading water several yards away, but the only one who seemed to be listening to your conversation was JJ. He gave a small encouraging smile before turning back to the two boys splashing each other like children. 
You bit at your lip for a second, mulling over your decision before realizing it really was too hot to stay dry. You mumbled out a “fine” as you went to slip your arms out of your sleeves, “but go back to the boys and I’ll meet you over there.” Kiara gave you a wide smile before pushing off the boat, swimming gracefully back towards the group. 
You shed your shirt quickly and got in the water, trying your hardest to make as small of a splash as possible. You sink your head under the water, wetting your hair as you make your way towards your friends. You take a look at Pope now floating peacefully on his back and make eye contact with a smiling John B. “Hey, little minnow. Nice of you to join us.” You roll your eyes fondly at the nickname, leftover from when you were kids. Back before you the world taught you to be self conscious, it was nearly impossible to get you out of the water and back into regular summer clothes, and so your fishy nickname was born.
You wink at JB before swimming quietly towards Pope, who still had his eyes closed as he faced the sky. You get close before stilling for a second, letting the waves settle around you. You lean in towards his ear and let out a “boo!,” sending the boy flailing. The three others laugh off to the side as you and Pope begin a splash fight. Not long after, JB can’t help but join in, followed by Kie. You take this as an opportunity to wade over to JJ, who’s looking at you with pride mixed with something you can’t quite place. “What’s the look for, J?” He takes a second to look over your face again, brow furrowed slightly in confusion. 
He shrugs a little as he answers, meeting your eyes. “You just look really pretty like this, all happy and back in the water.” You feel heat unrelated to the temperature cover your face as your eyes dart back to your friends, Kie now hanging on Pope’s back. 
“You’re just glad there’s finally someone who can beat JB in a race in the water.”
2.
A movie night at the Chateau just isn’t complete without an all-out pig fest, food scattered on every counter and table. Kie is generous enough to supply you all with enough fries from The Wreck to last a lifetime, and Pope brings along some ice cream, but always the cheap kind that his dad is willing to part with. John B mans the grill, making you all hot dogs and cheeseburgers while JJ provides the bud and whatever beer he can steal out of his fridge or convince his cousin to buy for him. Over the years, he’s also claimed the spot as your assistant, hovering over your shoulder as you move around the Chateau’s already cramped kitchen making brownies. 
It’s been years that you’ve been making what you call “kitchen sink” brownies for you and JJ and JB. They appear at every birthday and holiday and whenever someone is especially sad. They’re really just boxed brownies with whatever snacks you can find thrown into the batter, but JJ loves to be the one who gets to crunch up the toppings and sprinkle them, and you figure that the world owes JJ Maybank every second of happiness he can find. Tonight, the search through your kitchen at home proved especially successful, coming away with not only chips and pretzels, but also mini oreos and a pack of m&ms. 
JJ walks around the counter to see your finds spread out on the counter and his jaw drops. Your giggle tears his eyes away from the assortment and he raises one eyebrow in question. “You’re sure your parents are cool with you taking all this stuff?” The question makes you laugh, and you lean in like you’re about to tell JJ a secret.
“If I’m gonna be honest,” you drop your voice to an almost-whisper, “I think my mom bought extra snacks this week just for this.” A small smile appears on his face, and if you hadn’t known him for so long, you would have no clue that there was a little sadness behind it, thinking of his own parental situation in comparison to yours. “C’mon, J. Batter’s done, pan is greased. All I need is your supreme topping skills.” 
What seems like forever, but in reality is only 30 minutes, passes by before you slip back into the kitchen to take your brownies out of the oven. The raggedy oven mitt JB leaves on the counter for you is barely hanging on by a thread so you grab the extra cleaning rag to wrap around your covered hand for protection. The second the pan touches the oven, JJ is there behind you, looking over your shoulder. You turn to him, eyebrows raised in scolding as his hands fall to your hips. You place your hands on the plane of his chest and push gently backwards, shaking your head. “I’ll put a five minute timer on. Go sit, you know they’re too hot right now.”  He allows you to guide him back to the couch before you pull out your phone and set the alarm, pulling you to settle into his side. 
The timer goes off and JJ jumps so quickly it genuinely startles you. You all share a chuckle at how fast his feet moved, and in no time at all, he’s back next to you, a brownie on a paper towel in each hand. He extends one out to you and you gladly take it. “Hey, man, thanks for getting me one too, really thoughtful of you,” John B says as he makes his way to the kitchen to cut one for himself and Kie and Pope. JJ’s mouth is already full of brownie and there’s a smug smile on his face as he swallows. He shouts a “yeah, of course, buddy!,” after your friend’s retreating figure before turning to you. 
“You know these brownies are ring-worthy, right? Like, SO fucking good I’m considering proposing right now.” 
You giggle at the statement as crumbs fall from his lip. Your only answer is “JJ, you know you did half the fucking work, right?” He laughs at your response and wiggles his eyebrows. 
“Guess that makes us both wifey material!”
3. 
By far, your least favorite part of your friendship with JJ is tending to his various cuts, bumps and bruises. Between JJ’s general recklessness, his ongoing beef with Rafe Cameron, and Luke Maybank himself, it felt as though you spent every other day standing between his knees as he sat on your bathroom counter. This time, a particularly heated run in with the kooks had thankfully left JJ with nothing but a busted lip, bloody knuckles and an adrenaline high. His mouth was running a mile a minute, recounting every step of the fight despite the fact that you’d witnessed it all first hand. 
“Did you see the look on Rafe’s face when he hit the ground? Absolutely unreal!” You let out a frustrated huff as he waved his hands wildly, not noticing your own hand outstretched to grab his. 
“Yeah, J, I saw but please give me your hands. I need to put antiseptic on.” Your voice is a little pleading and he quiets at your request, laying his wrist in your hand and watching your face as you get to work. You dab at the cuts with a soaked cotton ball, and it doesn’t escape either of you that JJ no longer flinches at the sting. Once you’ve moved on to the other hand, his stare intensifies as you carefully move his rings around to make sure there’s no hidden nicks underneath them. When it’s time for you to move onto his face, he places his hands gently in his lap and lets you inspect his face closely, turning it from side to side with a finger at his chin. Your demeanor lightens a little when you’ve decided the damage is as minimal as possible. “Really glad you managed to keep Rafe away from the money maker this time. Well, mostly.” You punctuate your point by pressing the cotton to the tear in his lip and the pressure makes him hiss. You pull your hand away and grab the vaseline, smearing a small amount over the cut as gently as possible. “You really should ice that, J. Keep the swelling to a minimum.”
You realize a little belatedly that he hasn’t taken his eyes off your face the entire time you’ve been working and your eyes raise to meet his. The look in his eyes is a little confusing and a little startling, and his voice is gentle when he says “Thank you for patching me up. You always take the best care of me.” 
You let out a deep sigh before patting his leg gently and moving towards the door. “I think I could find work as a school nurse with all this experience you’ve given me.”
4. 
A boneyard party used to be your absolute favorite way to blow off steam on a Friday night. The sand, music, booze and weed were the easiest way to melt away the stress of a long week, but lately, the stress of seeing your best friend sneak off with some random had you absolutely dreading stepping foot on the beach. Most of the time, you had a pretty easy time keeping your less than platonic feelings for JJ at bay. You always rationalized swallowing your emotions down by telling yourself that you both needed each other as a friend way too much to jeopardize that. It was getting harder and harder to listen to your own advice lately, and partly because you weren’t quite sure what he was feeling. He’d been especially affectionate lately, not giving second thought to curling his body around yours on cold nights around the fire. His compliments had become less silly and teasing, and sometimes when he looked at you, it felt like he was staring straight into your soul. 
Tonight, you’d allowed Kie to pick you out an outfit from your closet, not wanting to spend time debating with yourself and getting yourself stressed. She’d picked out a pair of high waisted denim shorts and a cropped white t shirt, topped with a yellow scarf to tie around your ponytail. It was simple enough that she knew you’d be comfortable but cute enough that you’d feel confident. 
Secretly, she’d also seen the way JJ eyes had dragged slowly over your figure when you’d worn those shorts the week prior. Neither of you had spoken to her, or Pope or JB, about your feelings for the other, but they as a group had all witnessed the gentle way you handled each other and had their suspicions that one of you would break soon. She’d driven you to the boneyard, promising to stay sober enough to relocate you all back to the Chateau at the end of the night. She pulled your hand along, heading straight to where she knew your friends would be congregating, just behind the keg. JB and Pope each had a full cup in hand when you approached and JJ had a joint hanging from the side of his mouth. “Gentlemen, let’s get it going,” Kie startled the boys, a giant smile across her face. 
A few hours into the party and a considerable amount of beer later, the realization hit you that JJ hadn’t wandered off to find someone to mack on yet. He’d even turned down the touron who approached him first, despite her tiny skirt and flawless makeup. It had to be some sort of record for him, usually his presence at these parties was fleeting. You thought back to just the week before when you’d watched him lead a beautiful curly-haired girl back to the Twinkie. You’d felt nauseous watching them flirt, his legs parted as he sat on a low hanging branch with her settled between them. Her hands rested on his chest as she stared up at him from under her eyelashes and you had to rip your gaze from the pair when he slid from his perch and wrapped her hand in his. You kept your eyes on the ground as they passed, but like a train wreck you couldn’t help but watch, you were unable to stop yourself from throwing a last glance in their direction as they approached the van. He’d turned to look at her with a sly smile on his face and must have caught your eye over her shoulder. His smile dropped quickly and something looking like an apology crossed his face for a second but when you looked away again, focusing on holding the burning tears in your eyes back, he recovered and smiled back at the girl, pulling her into the spacious backseat. 
Even just the memory had you tense, and JJ felt the uneasiness radiate off of you from his position by your side. He called your name gently so as to not call attention to the two of you and you turned your head quickly, blinking away your thoughts. Your eyes focused on the concerned look on his face. “You alright? Did someone upset you?” JJ’s eyes were already scanning the crowd for who could have possibly upset you and it pulled a small smile to your face. 
“No, J, I’m alright, just thinking. All good now.” His face turned back to you, a small pout gracing his lips. He asks if you’re sure and when you nod in agreement, he turns his attention back to your friends. The two of you watch Pope and John B argue about if Gatorade was actually better for you than regular water or not for a few minutes before you turn back to JJ. “Hey, JJ?” Your voice is small and it surprises the boy beside you to hear you so timid. When his attention is turned on you completely, you start your question. “Is there a reason you turned down that girl before? She was like, stupidly pretty.” You’re finding it a little hard to meet JJ’s eyes as you ask, so you fiddle with the strings on your bracelet instead. 
A small chuckle leaves his lips before he replies with “I got the prettiest girl at the party standing next to me already. Why would I leave?” Your eyes meet his and there’s no humor anywhere on his face and you can feel yourself get hot under his gaze. You’re left speechless for a second before the sound of Kie’s voice pulls you from the moment. You clear your throat and turn back to your friends, mumbling under your breath. JJ replies with a “hmm?” and you repeat yourself a little louder this time, so he can just hear you.
“Kiss ass.”
+1
Somehow, Kiara had managed to convince her parents to allow you to come to Midsummers as her guest and by an even greater miracle, you’d managed to save enough babysitting money to buy yourself an appropriately fancy dress, floor length and blue with pretty flowers embroidered on it. You arrive at the Carreras’ house early in the afternoon to begin getting ready, helping Kie put her hair up with some flowers pinned in. You chose to keep yours mostly down and let your best friend weave some braids in, tiny beads sprinkled down the length of them. Neither of you put on very much makeup, but it was still more than you’d worn in recent memory, and it felt nice to look in the mirror and actually feel pretty and put together. Kie comes up behind you as you look in the full length mirror and wraps her arms around your waist, chin resting gently on your shoulder. “We look fucking good, don’t we?” She giggles and scrunches her nose up as you meet her eyes in the mirror. 
You nod emphatically before turning to face her, a wide smile on your face. “Hell yeah, we do, baby! The lady pogues know how to clean up good!” Your response makes her laugh, head thrown back, and it makes you wish all your friends would be in attendance, despite how much you love girl time with just you and Kie. 
Your dreams of being able to spend the night with all of your friends almost came true, spotting John B on Sarah’s arm from across the room upon your arrival. The night became even sweeter when you saw Pope standing next to his father, but even as the five of you stood together at the edge of the party, people watching and laughing, you couldn’t shake the feeling that JJ was the piece you were missing most. Kiara and Sarah left to make their way to the restroom and Pope was pulled away to help his dad, leaving you and JB standing in the corner. “You should go see him, you know. Skip out early, I’m sure Kie wouldn’t mind.” You turn to look at your friend, confused at his sudden idea. You had a feeling you knew exactly what he was saying, but you waited for clarification, fiddling with the glass in your hand. “JJ is at the Chateau and before I left, he seemed pretty upset that he wouldn’t get to see you in your dress.” 
He holds out the key to the twinkie and your jaw drops a little, and it makes JB chuckle, shaking his head slightly at your obliviousness. It really hits you all at once, exactly what JJ’s recent change in behavior meant. The intense stares, the end of his slew of meaningless hookups, and especially the sincere compliments that you’d been taking as a joke. You knew you had to see him, so you looked up at JB and handed him your glass, taking his keys from him. “Tell Kie where I went, please.” You turned and started to make your way through the crowd and you heard John B’s cheer through the noise of the party, smiling as you reached the door. 
You don’t even bother turning the radio on when you get in the van, the pounding of your heart loud enough. When you get to the front door of the Chateau, you can hear the television on and it takes a second to see JJ’s outline resting on the couch. The front door slams behind you and JJ doesn’t turn right away. “Jeebs, why are you ho-” The question catches in his throat when he turns and sees you in the doorway instead of John B. He breathes out a quiet “wow, hi.” You move towards him, wrapping your arms around his shoulders so that his hands fall at your hips. 
“JB told me you wanted to see me in my dress, so here I am.” You look up at him teasingly as a blush spreads across his cheeks. “Plus, I couldn’t really have any fun at the kook party. The cutest boy in town wasn’t there.” It’s JJ’s turn to be left speechless and it makes you giggle. The sound pulls him out of his trance and its milliseconds before his lips are pressed to yours. You snake your fingers into his blond hair and you feel his hands squeeze at the meat of your hips as your lips part and he licks into your mouth gently. It feels a thousand years before you pull away, resting your forehead against his. “You’re my favorite person, JJ Maybank. I think you always will be.”
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abrabloodycadabra · 3 years
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You're an idiot. The blog said from the start that asks excluding good faith would not be published and the senders would be blocked. Furthermore the work they're using falls under the Fair Use law if you as an artist actually knew it. They said from almost the first post that the blog was not impartial so why are you acting butthurt when you posted aggressive asks completely ignoring what they'd said prior?
People literally sent that blog asks BEGGING them to stay and keep up what they're doing now all of a sudden they should fuck off? You can't have it both ways and you are moronic for blaming the blog owner who is literally just doing what this fandom asked him to do past the initial 3 exposure posts. Not to mention when getting screenshots and doing a mandated report, it takes time. Outside of the online realm things don't happen fast like instant messages and they probably have a life outside of tending to this clusterfuck.
If you have a problem with the art theft, keep it about the art theft, don't attack the character of the blog owner since I don't really see you doing anything for the victims other than silencing their voices with your bitching. The most important things are the children in this situation and you can have beef with the blog owner but pay respects to the people's voices you deafen with your anger about a (legal) profile picture.
Brian or whatever your name is, sorry, don't remember, don't send me anon asks and unblock me already 💅
1. Good faith? I politely told him he stole the artwork without permission or crediting. Stealing = bad, so I told him about a bad thing? Believe me or not, I never sent an aggressive message, but it just proves there're many people insulted by that guy's actions.
And it's so convenient replying only to those messages where people kiss his arse. But if you just tell them "listen, your actions don't really make sense...", you are blocked immediately. That's so mature! True lawyers always act like this!
2. Fair Use? First time hearing about it. I googled it, turns out it's a USA thing, well, FYI, the world isn't USA only, and the author of the avatar was from Sweden, I guess. And I'm not American either, I don't need to know about your laws. Your laws are not my laws. Besides, I assume the info about this Fair Use stuff was published recently, after people said he was a thief. Oops, I guess someone's getting nervous and afraid to be exposed as well 🙊
Listen, the artist clearly said "NO", this is isn't about Fair Use. It's stealing.
3. PEOPLE ARE BEGGING TO KEEP IT BECAUSE THEY WANT DRAMA, NOTHING ELSE! Shit, it's clear. And what a wonderful coincidence - the new targets are the people who literally created this fandom, the pillars of it. Do you get what I mean? Y'all don't give a shit about children in here, you just want to cancel all the people who got some sort of, I dunno, authority in here?
And I repeat, internet is never safe for children. It's no use trying to protect everyone in here.
4. Oh my gosh, I attacked a person by saying they're hypocrite, I hope they are doing well, it's a really serious accusation! Not everyone can recover after that :(
I'm silencing the victims' voices with my bitching, plsss, I-
Listen. It's not about victims (if there any in this fandom) anymore. It's one person pulling the strings of their puppets who are craving for more drama, for a reason to be toxic, to hate, to attack. Oh, wait... No, I'm wrong! There are victims! The victims of hypocrisy and vanity. Y'all are victims. And you know who really is silenced? Those people who don't agree with him but they are too afraid to lose their reputation in fandom or feel vulnerable if they say it out loud. Because they'll immediately be attacked and accused of supporting criminals.
Why isn't he replying to the asks where his actions are questioned? Because it's no good faith? Please! Because they just show the contradiction in his actions and you may see he is not that pure and innocent either.
I thought this blog was created to defend "Jill" and show Ren's true nature. Well, the goal is reached. Ah, right, "people are begging them to stay". They need an official permission to hate someone certain:((( that's why this thing is still on, come on
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cynthiaandsamus · 3 years
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Custom Toonami Block Week 72 Rundown
Code Geass: Lelouch continues his plan to kidnap a little Chinese girl and Todoh gets to show off his new Zangetsu so the Black Knights enjoy having two Knightmares worth a damn for once, though as if on cue Kallen gets caught in the most bullshit way possible bringing them back down to one Ace. Xingke has home field advantage and a new Knightmare with spinny dealies and turns Zero’s bullshit tactics of fighting in the one place that basically wipes out the enemy for him against him. However the gods of the Code Geass world themselves said “You know Xingke’s way too OP, better Kimimaro him and make it so he’s terminally ill so he can’t do too much” so now the Black Knights are literally backed into a cave and instead of letting Xingke just finish the job the Chinese government swoops in with Britannian reinforcements to try and claim victory and seize power all at once. Also Lelouch is somehow back at school despite being in China and I don’t remember this part at all but I guess it answers my question from last time. I think it has something to do with Sayoko and  realistic Lupin III style mask or something.
Inuyasha: The Panther Demon filler continues as Inuyasha’s Group, Koga and his two goons and Sesshomaru/Jaken make their way into Panther Demon territory after Inuyasha breaks their barrier. Koga meets up with Royokhan and gets the low down on the Panther Demon backstory with Taiga killing their leader hundreds of years ago and then Sesshomaru beating them 50 years ago but losing a lot of men in the process. It’s kind of a neat turn seeing Jaken go try to get Inuyasha and Sesshomaru’s like “fine I guess we’ll let him help” and then getting mad when he finds out he can’t even come because he’s nailed to a tree. Like it’s a weird bit of complexity for Sesshomaru to feel betrayed by not getting help he never really wanted and now being determined to fight off the Panthers alone. Anyway all the groups square off against the Panther mini-bosses, Lightning Panther beats Miroku and Sango and gets them captured with Kagome, Wind Panther fights Koga to a draw, Ice Panther continues her beef with Sesshomaru and Fire Panther keeps teasing Inuyasha. It’s kinda nice that they give every group someone to fight and something to do but I kinda wish these fights lasted longer and Fire/Ice panther were scaled up a bit to match Inuyasha and Sesshomaru’s power because they’re firing huge sword beams at this point and it just doesn’t seem like they’d have this much trouble with them. Also Jaken and Inuyasha meet and both of them are like ‘hey you seen my group?’ which I just thought was funny.
Yu Yu Hakusho: A new arc begins and honestly this is the Yu Yu Hakusho arc I remember the least because I think I missed an episode or two in the middle of it since YYH came on right around when I got home from school back in the day. But yeah, Kuwabara suddenly decides he doesn’t wanna do demon shit anymore and Yusuke’s like “fine it wasn’t your job anyway you made me let you come last time” and then Kuwabara immediately backpedals on it because there’s a hot girl he wants to save. Also they still need to give Keiko a lame backstory about Yusuke interning with a detective that doesn’t explain all the zombies after her but Kuwabara’s sister being like “Damn who’s the spirit baby, here’s $50 for the bus” is fine apparently. Anyway we get the Toguro brothers’ introduction and it’s neat to see them effortlessly make Yukina cry to make jewels and then have Younger Toguro give her some advice about making herself cry on cue so she doesn’t have to suffer every time which is some weird tough love take it or leave it advice that says a lot about his character right away. Also Yusuke and Kuwabara fight a giant plant demon who’s all like “Yeah I’m a demon but I got bills to pay bitch” and like what bills does a demon have and why can’t they just steal from the rich human but it doesn’t matter because Yusuke and Kuwabara just blow him away.
Fate Zero: So the church is like ‘yo free Command Seal to whoever fucks up Caster’ which is strange because yeah Caster’s killing children and shit but UBW Caster killed a bunch of peeps too and no one blinked an eye and Kiritsugu blew up a fucking building and no one cares so I have no idea where the line is here. Also Iskandar gets a shirt from amazon and it’s hilarious but he forgot to order pants and Waver tells him he’s not allowed to wear pants until he murders a historical figure and Iskander’s like “you know what that’s fair” so he’s just gonna be freeballing it for a while I guess. Strategy meeting with Kiritsugu, Iris and Saber happens and Saber seems more than a little pissy that Kiritsugu doesn’t address her directly and is basically treating her like a Pokemon. They talk about the four spots the grail can appear at and since we’ve already seen UBW we know it’s gonna be in the huge residential place so it can murder everyone and also Shirou. Also Caster shows up for Tentacle Hentai time with Saber along with more child murder but Lancer’s like “Hey I am the Vegeta of this story and no one kills Saberot but me” while Kiritsugu does his Homura Akemi thing to fight off Kayneth’s T-1000 Black Clover Nozel Silva Mercury Magic which is just amazingly amusing to me that Kiritsugu’s fighting style is to just shoot all these demi-god mages in the face and end his battles in the most anticlimactic way possible.
Konosuba: So Kazuma’s dead again. Shoulda really occurred to him sooner that dying again would get him reincarned again but nah, Samurai Santa has to come off him so he can meet Eris but he actually seems to miss his friends a bit. Like he doesn’t ask to go back specifically we’re not being that cheesy here but considering Kazuma’s two purposes in this story are to complain and explain the joke it is nice that he has some lingering feelings for his party. Then Aqua’s all “Hey fucker get back here, you’re not getting rid of me that easily” and despite Eris saying they can’t just revive him because he doesn’t belong there Aqua just does it anyway, really gives the vibe of an older coworker being like “you’re not supposed to do it this way but this is the way I do it” kind of deal. But yeah Kazuma has a crush on Eris now and despite these guys saying how much they hate being in a group together they sure seem to turn down every out they have to get away from each other, idk I get the joke and jadedness but a little more sincerity would be nice.
Sailor Moon Crystal: Usagi wakes up at Mamoru’s place and he gives her his backstory about how he became Amnesiac Batman in Evening Wear. Luna knows Sailor V but for some reason is really cagey about divulging that to the rest of the group even though literally everyone has been assembled now. There’s a dated plot about Blockbuster taking over people’s minds that Usagi literally handwaves away when Zoisite comes out and punches her and defeats the whole team with one dark energy wave. Tuxedo Mask comes in and punches him in the face and then remembers he doesn’t have any powers and gets owned. The two have a sweet but ultimately cringy reunion before Sailor V saves their worthless asses.
Durarara!!:  With Mikado’s status as Founder of the Dollars revealed, Seiji goes on a stabbing rampage again and luckily keeps stabbing the only people that don’t actually get hurt by it, this time being Celty. Celty’s about to go grim reaper on Seiji’s worthless ass before Mika Harima runs in and tells everyone she isn’t really Celty’s head, weirdly enough Mikado recognizes this right before she says anything somehow, like makes sense Celty realizes it’s not her head but Mikado has no frame of reference aside from knowing she was wearing Mika’s clothes which in her cover story would be explained by Celty’s head leeching off Mika’s dead body. But yeah despite Seiji spending 18 hours a day staring at Mika he apparently couldn’t tell either which really throws a wrench in his “power of love justifies indiscriminate murder” philosophy which amuses both Izaya and me. Mikado breaks down the craziness that’s just transpired what with the stalking, murder, incest, identity theft, actual theft, and stabbing and tries to put a positive spin on it in that Seiji and Mika are both fucking crazy and deserve each other but it’s a hard sell my dude. Izaya tells Mikado that he’s going to be an excitement junkie like him soon if he keeps ramping up life in this crazy city and Celty just kinda forgives Shinra for knowing where her head is without telling her and also plastic surgerizing a yandere girl to look like her and give her her name which seems a little weird for them to just punch each other and call it a wash when Shinra was arguably as yandere as Mika here and they still get unofficially married. Seiji tells Mika he doesn’t love her but because of all the shit she went through to literally mold herself into the object of his obsession he guess she can hang around until he gets the headless sex toy of his dreams so… happy ending I guess. Everyone in this town is fucking crazy and they forgive each other way too easily but for a show that swings back and forth between how fucked up people are and saying humanity is fundamentally pretty decent I guess that’s kind of the point.
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dafukdidiwatch · 4 years
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Cool Cat Saves The Kids
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I watched this movie and I still can’t believe this is the actual cover art for it.
God I wrote so many notes about this that even my flipping Bullet Points were basically an essay. I don’t even know how to begin just thinking about it hurts my head.
Overview: Cool Cat is Cool. Things happen to him, and he has to deal with bullying.
That’s it. That’s the thing I watched. Because there is no Real Flipping Plot to this movie.
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This is a kid’s show. Or at the very minimum, a movie that is intended for children. It was based on a kid’s book series I’ve never heard of whose author Derek Savage decided to turn it into a movie. Though movie isn’t exactly what I would call it. When you watch it, it honestly feels like there are six 15 minute shorts that they just mashed together to a feature film, but even then that is a Generous Description.
Basically, the film tries to be a children’s program (and I guess has beef with Barney?). And you can see intent behind it being informative child-friendly psa. But the execution was so bad.
First, there is no plot. Sure the cover says that this is “an anti-bullying kid gun safety movie,” but it really give you nothing. What would happen is that Cool Cat has a problem, like someone bullying him or his friends. It would either A) be addressed immediately and solved so that’s great, or B) it is dropped immediately and never really addressed throughout the rest of the film.
And example of A is that the bully kid Butch just starts stealing candy just to be “evil,” Cool Cat sees that and chases him, and the kid gets arrested twenty seconds later. The End.
For B, Cool Cat gets a mean email. And...that’s about it. He responds to the email, but doesn’t actually address the issue and the subplot drops entirely until that VERY Last wrap up scene.
I think the reason for this lack of plot is that there was just WAY too many messages in here. Like, take a shot every time you see a psa announcement. It ranges from don’t bully, how to deal with bullies, being creative, crossing the street safely, to fricking GUN?! Like, the gun thing that I Guess was promoted in the movie tagline, only shows up the last 10 minutes. It caught me so off guard. You cannot call this a Gun Safety movie when guns aren’t even prevalent!!
And the lack of plot is counterproductive when you want to make a Kid’s Movie like this. If you want to tackle each issue as a show or a short, the messages would come across better. There would be more time to develop each message for kids to really understand. But because there is So Much to cover, a lot of the things are gonna fall to the wayside. There is no way a kid would pay attention to this, and if they do I doubt they are gonna learn everything that Derek Savage is trying to teach. There just isn’t any real focus.
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The acting, god like they Tried to go with the kid friendly vibe, but was not working. At All. It was like they thought that to add emotion is to just enunciate your words as loudly as you can. Cool Cat was way too yelly. Every line he was just screaming, has no change whatsoever. Even Elmo can sound sad when need be (fucking love Elmo, but he does has a similar voice vibe to Cool Cat, just better).
Then the kids....I don’t want to be mean but I’ll be blunt. They are just reading lines, this is a middle school stage play basically. I’m not blaming the kids, Butch look like he had a hell of a time doing his villain laugh. It’s just that some of the scenes felt like it was taken in one shot and they didn’t bother to retry. Example: One kid got too excited and jumped his line, but they couldn’t just retake that??
And the lines, man. OOF. Some of it was bad. Like, really really bad placement.They should have had someone proof-read this.
Cool Cat: “Why Are You Painting That Wall?”
Random Kid: “Because Nobody Loves Us”
lol what?
Maria: “I bet those kids have never been shown love before.”
Cool Cat: “Thanks, and it’s all true”
LOL What??
There are just a LOT of lines like that that should have been rephrased.
THEN there are the freaking technical issues.
The audio kept fluctuating in sound quality, which honestly started to hurt with Cool Cat’s constant yelling. Some scenes it sounds like they recorded in a studio, sometimes it sounded like the actors had to yell in order for the camera to capture it. There were echos, there were layers, you can’t hear the lines over the song, you can’t hear the song over the cheers. There was one point whispers overlaid on top of the lines where I thought that Cool Cat just got haunted now. And the fun side of having headphones on means I heard the phone button noises in only One Ear. LOUDLY.
Blocking could have been better. There were a lot of backs to the camera, shots of characters walking away from camera not just off screen. This didn’t bother me as much, because I know this isn’t professionally made. But it didn’t feel like they really tried as much as just half-assed it. Example:
Cool Cat was drawing a picture with different colors, but the actor only used one marker and just said different colors. Or Cool Cat is working on a poster but really just rubs the already completed poster  on a clean table as him “working.” Like, how hard is it to just film on a table with a bunch of craft supplies around you?
Then there are the questionable camera shots. LOTS of lingering shots to I assume fill up run time. These are shots of just showing Cool Cat walking round without having any real purpose. It shows Cool Catwalk all the way Up Stairs. Walked all the way Down Stairs. Walking into the House, walking into the Car. Even just shots of the parents doing things with no real motivation or impact to whatever Cool Cat is doing. It’s just there. If you want to say stuff like "oh well its to show the parents relationship" no it doesn’t. You can’t really add nuance to characters when the rest of the film is just one chaotic shot after the other. It just gets lost in translation.
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The music number is probably what hurts me the most. You see Cool Cat WRITE the song. Then he SINGS the song. Then he DANCES to a DIFFERENT song. And that was it. He just needed the song for the parade, but there wasn’t any explanation or anything. I don’t even know WHY he needs the song for the parade! There was no explanation. It was just an excuse to have two back-to-back bad music video of poor choreography that again, NO POINT to whatever plot/message/psa thing he is trying to do.
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I get that there should be some leeway since it looked like this was shot at Derek Savage’s house/neighborhood, so there really isn’t much they could do with their setting. But they could at least tried more with what they had. Cool Cat’s room doesn’t look exactly child friendly. There are only blank drab walls with two, maybe three posters of just Cool Cat himself. There is a reason the settings in other children shows have vibrant colors to engage them. Along with that, another half-assing moment was Butch graffiting Cool Cat’s poster, but it was one of those political posters you stuck on the lawn so it was like a foot tall outside. 1) You can’t really see that shit that small. 2) You couldn’t put the poster on a wall to film that scene at, to give a better view to the audience? It’s just a bunch of little things like that all over this film that really adds up.
Also, what’s with the posters only being about Cool Cat in his own room? A bit narcissistic if you ask me.
I'm also like 70%,sure they made this movie around the footage of them being in the Hollywood parade twice. They were at the parade, got the film, and wanted to use it so they made a movie for it. And I know it was twice because the announcers that were there to announce the arrival of Cool Cat had a costume change after switching scenes.
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And after ALL of this, there is just so many random shit that really don’t do anything. Elements are randomly introduced and just as randomly dropped. We get a “next day” transition in the middle of the movie when days have already passed before them. Cool Cat breaks the 4th wall a couple of times with no real reason why. There is this joke where the camera was following Cool Cat into the bathroom for Cool Cat to ask for privacy, only to just ignore that bit every time he goes to the bathroom afterwards. Cool Cat just makes random ass noises when doing things, not important stuff. Just Doing Things. And he does this weird thing where I think he is trying to do Air Guitar, but it just looks like he is just shaking his leg a lot. I don’t really get it.
(Oh Shit, it is only after like the 3rd proof-read of this review I notice that in the gif you can clearly see the dude’s actual leg. I don’t know how mascot suits actually work, but I’m pretty sure that you’re not supposed to let kids actually see that there’s a person underneath in a kid’s show.)
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There is also this....lowkey humblebrag going on? Which does not do the movie favors. After the first dumb song number, Derek shows off that he has a signed guitar by Van Halen. Like not just him playing it (which after the 15th zoom in on the guitar how could you NOT notice it thank you Derek), but pointing out to the audience that, Yes it was Indeed signed by Van Halen. Then there is the footage from the Hollywood Parade about the cars there. Sure, I get showing off like the Ghostbusters car, or Jurassic Park car, or the Batmobile. But Hurby the Love Bug? Night Rider?? Starsky and Hutch??? Magnum P.I.?????? The target audience is elementary kids, they aren’t going to know these old shows. So who is this for exactly?
Kudos to the cop for actually doing this, seriously. That cop probably had a hell of a lot of better things to do than arrest children for a bad after-school special.
And this is just SOME of the main problems of this film. There’s so much going on it would be impossible for me to go over everything without
The thing is, there is good material here. Maybe not great results, but there are a lot of ideas here that you can work with to make a decent kid’s movie. I actually loved the part where Cool Cat is dreaming and trying to figure out how he should handle bullies. I thought that was a good scene and a good way to show kids how to think through different options. There are good ideas here, but it was just way to much going on at once the movie basically shoots itself in the foot.
So here is My Version of what Cool Cat should have done. 
Cool Cat is running for School President. That’s the main story line. Early in the movie he learns of a writing contest where the winner gets their own float at the hollywood parade (stretch but roll with it). But Cool Cat has no idea what to write, and talks to it with his friends who offers ideas. So he is juggling that along with running for Student President.
However, the Butch the Bully doesn’t like that. He doesn’t want Cool Cat to win. So he vandalizes his posters. Cool cat still runs and makes better posters. Butch tries to frame Cool Cat for vandalizing the playground, but instead his cronies get caught and convinced that it was a bad idea. So Butch decides to cyberbully Cool Cat and his friends to scare them off. He works with the other kid running for President to make a hate ad against Cool Cat, telling everyone how terrible and bad Cool Cat is. Cool Cat tries to go against this my making his music video song over how cool he is to swing the votes, making Butch more angry and vindictive to his bullying scheme.
Cool Cat doesn’t know how to get Butch to stop, but after getting advice from his friends, parents, teachers, and some hard thinking, he decides to confront Butch about his bullying issue, tell someone, and thus solves the problem. Later on after talking to Butch, maybe manages to convince him to start being friends. 
Finally, Cool Cat uses this scenario to write his story about how to deal with bullying and make new friends. Which wins and we end with the Hollywood Parade.
Is this perfect? No. But it focuses the idea to one main plot (running for president) with the other issues naturally coming off of it, instead of making each issue it’s own separate thing. There is no random shifts in narrative, no GUN moments (or GUN in general we kick that shit out) and just focus on the main bullying theme.
Overall: This was a weird and bad children’s show. You have to put in a lot of effort into making a movie, but there was just too much going on for this to be a Good Children’s Movie, least of all a Good Movie in general. But it isn’t to say that it wasn’t morbidly enjoyable. It’s was like playing Spot The Difference to find all the Wrong Things in here. It was fun in a bad way.
So will I show this to children? No. But will I play a drinking game with my friends where we take a shot every time someone says the phrase “Cool Cat”? Yeah that sounds enjoyable. 
Take a shot for every time you read “Cool Cat” in my review.
Side Note:
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You had this as a GUN PSA, wtf are you doing holding a gun!? Given how the only 3 videos this channel has is only Cool Cat Trailers, I’m assuming this is official Cool Cat. Soooo.....what the hell?
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Vendetta
A/n: I meant to post this a few days ago, but life happened. I hope you understand. Also, hey, John actually shows up in this chapter. That’s cray cray. lmaooo, that was so cringe. Here I am, at 01:52 procrastinating on my sleep by deciding whether or not it’s a good time to post this. Anyway, as always, I love you, no homo/hetero/whatever’s hip, and I hope you enjoy this chapter.
Chapters: 1 2 3 4 5
Word Count: 3552
Warnings: You’re gonna have to find out the hard way this time. Cause I dunno what to warn y’all about rn.
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Chapter 3
January 1st, 1926 Small Heath, Birmingham Y/n’s apartment
Ramona was sat on the couch in the living room with her slender arms and legs crossed when Y/n walked in. “And what makes you believe you have the right to be pissed?”
The oldest woman amongst the three snorted loudly. Surely, she wasn’t asked that question, and if she was, then Ramona had surely gone batshit crazy and lost her mind. Y/n kept her cool demeanor and her voice calm when she responded. “Maybe because I told you not to come and you did that anyway.”
“Okay? But it’s done. There’s no point in draggin' your shit ass attitude on.”
“You are probably the dumbest person in our family.”
“Oh, so now you’re callin' me stupid?”
“The fact that you’re asking me if I called you stupid right after I called you stupid, proves to me that you are, indeed, stupid.”
Ramona glared at her, but Y/n didn’t care. She could look at her anyway she wanted to, it didn’t change the fact that Y/n was right. “You never listen to me. Ever. I told you not to come for a reason and then you do that and bring Saraí along with you, on top of it.”
“You told me to watch out for her.”
“That didn’t mean you could bring her along. You’ve put the both of you in danger.”
“You’re here and you brought Victor with you… and our cousins.”
“They’re men. And this is just as much Victor’s battle as it is mine.”
“Then it’s mine, too.”
“No, Mona, it’s not.”
“Are you sayin' that because I’m a woman?”
“Yes, Ramona, I’m sayin' this just because you’re a woman,” she responded sarcastically before face palming and slumping down onto the chair in the kitchen. “My goodness, Ramo, you’re gonna give me an aneurism or somethin'.”
“Why come all this way just to ruin some other man’s career? You can just do that from home.”
Y/n shook her head, “I didn’t come here just to ruin his career. I came here to end his life and ruin his legacy.”
“Why? All he did was sell booze and compete with your prices.”
The twenty five year old shook her head once more. She wasn’t going to answer that question. She just wasn’t going to. As close as they were to each other, her personal issues with Luca Changretta was something she would never tell her little sister about. “You wouldn’t understand…”
“Then make me,” Ramona pleaded, tears welling up in her eyes. Y/n hated that; she hated seeing her cry. Ramona knew that, that’s why she did it. Every time things don't go her way with Y/n, she just cried her way into getting it.
What she wasn’t counting on was for Y/n to see through it and not be affected by it at all. What she didn’t know was that Y/n always saw through it. The difference was that this time, she didn’t give in. There was no way she was going to reveal her secret to her sister. A secret she’d kept between only her and her brother Victor. The reasoning behind that was that he was actually involved; otherwise, he wouldn’t have known about it, either. The only part of her ‘beef’ with Luca that she’d reveal to her sister would be the part that her parents knew. She didn't like to think about that time, but she couldn't help it. The memories would flood in at random times. Whenever she went out and saw mothers spending time with their small children. Hell, whenever she spent time with her own mother, she would start thinking about what it would've been like if she could do that too. She almost had that once. Back when she was just a naïve eighteen year old girl, dating Luca Changretta, the devil himself. She found out she was pregnant and when she was about to tell him, he broke up with her because he had gotten bored of her and his mother didn't approve of the relationship. She told him she was pregnant and he told her she was just lying to force him to stay. He ended up leaving her anyway. Jaime was the eldest brother and he let her crash at his house for the rest of her pregnancy. No one else in her family knew except for Victor and his boyfriend at the time because they were living with him. She was excited to see her baby and when she finally gave birth, she was ecstatic even though she was understandably exhausted. So one could believe her initial confusion when she saw the devil burst into her room, right after she'd been told her baby was a girl and yelled at her for not telling him the baby was being born. Exhausted from the labour, she didn't respond to his argument. He then snatched the baby out of the midwife's arms before Y/n could get a good look at her. Lemme see her. She requested even though she didn't fully comprehend what was happening
He said nothing before killing the midwife and leaving the room, the house, her life with her newborn child. When she was well enough to get out of bed, she sped out of the room, hoping to find Luca there with her baby. He wasn't there, of course. He'd only come to stir up some trouble and steal her kid. What she found a bit off about her surroundings was that none of the male residents of the house were present. It concerned her because she knew for a fact her brothers wouldn't leave her alone at such a crucial moment in her life. Cautiously, she opened the front door. On the doorstep, barely alive, was Victor. 
Y/n… call the ambulance. Y/n stood there, paralysed.
Y/n, call the ambulance now. She snapped out of it and did as she was told was told without hesitation this time. Once she hung up, she made her way toward Jaime and Raul. Victor grabbed her leg. Don’t bother, he advised her and then proceeded to explain that Luca had ordered his goons to kill them, that there was no point in trying to help anymore.
Y/n stood up abruptly, her lips quivered as she inched closer to her little sister. She pointed in various directions while she spoke, "he killed Victor's boyfriend. He killed our brother and you're sayin' that it's not reason enough?"
"It's not. You have your own life, you have to move on. You and Victor."
The twenty-five year old smacked Ramona not even a millisecond after she made that statement. Y/n stared at her coldly, watching the young woman bring her hand up to clutch her red cheek. Y/n stared, watching the young woman's eyes well up with salt water. To be frank, the twenty year old was fairly startled. The attacker was shocked as well but the girl didn't know that. Still, she tried not to show her sister that she was slightly scared of her at the moment. "You're not a murderer, Y/n." Ramona sniffled.
Y/n started her walk to her room, stopping just before she reached the hallway. She craned her neck to gaze upon the woman from the side of her eye. "Don't you dare tell me what I am and what I am not. You don't fuckin' know me so stop actin’ like you do. You're not entitled to know every fuckin' thing about my damn life. You're no one to tell me how to run it."
January 2nd, 1926 Small Heath, Birmingham Esme’s Funeral 13:30
It was an ugly day. The sky was gray, the sun wasn’t out, it was fairly cold since it was still the beginning of winter. The air smelled like shit and smoke and despite all of this, they’d still chosen this day to do the funeral. It just seemed best. They needed to get it out of the way, to let John say his final goodbye so they could all get back on track with what really needed to get done. For the most part, Thomas was on his best behaviour for now. Mainly because of the fact that it wasn’t just those in his close circle that were attending this funeral, but Esme’s family as well and because it was his brother who’d lost his wife as well.
This day was proving to be a long day for Thomas as he’d predicted. At least until after Esme had been lit on fire and the gunshot was heard, notifying him that his little plan had pulled through. At that point, everyone was frightened, everyone but him and his brothers, of course, because they knew exactly what was going on.
“At ease! At ease! Do not return fire. I repeat, do not return fire! Stand down.” Thomas commanded as everyone there immediately dropped to the ground like flies. Everyone except for him, Arthur, and John, of course. “The men doing the firing are on our side.” He paused and looked at them. “I took the trouble of getting an invitation to Aberama Gold.”
“Oh, fuck. Now it’s begun.” Said Johnny Dogs.
“You put us out in the open on purpose. You used Esmè's funeral fire as a fucking beacon.” Polly accused Thomas in disgust. She couldn’t believe he would stoop so low just to bring out their enemy.
“We were never in any danger, Pol,” Arthur spoke calmly with his head down in an attempt to reassure his belligerent aunt and keep her from completely losing her mind on his younger brother.
“You set a trap.”
“Finn? Finn?! Go to the yard and light the fires.” Thomas ordered. Finn scurried off to do exactly as he was told.
“You set a trap with us as fucking bait.” She marched up to him. “Who’s dead?” She asked, pointing toward Aberama and his group of men.
“Our enemies.” Thomas responded simply.
“Who’s dead?” She demanded.
“Want to know, Pol? Two fucking local Italians heard about the vendetta, tried to make a fucking names for themselves-- that's who.” He snapped. “We got word to them about the funeral: the where, the when. Told them where to stand for the best shot. And Aberama Gold will do the rest. That's the language of vendetta they take one of ours, we take two of theirs.”
She looked to John. “Did you even consider for a second how he’d feel about this? She’s his wife, for Christ’s sake!”
John looked over at her, sniffing and scratching the side of his nose a bit as he spoke, “I knew.” He revealed.
“We all did.” Arthur said as well.
Polly scoffed, her arched eyebrows lifting up, practically touching the end of her forehead. “You knew… ‘We all knew’, huh? Who’s we, Arthur? Because I clearly had no clue about this, and neither did the rest of us.” She turned her attention away from Arthur and toward Thomas. “When did we vote on this, Tommy? Tell me, I’d love to know why I missed it.” She challenged and turned to John. “How are you okay with this, John? It’s your wife’s fucking funeral! Your fucking wife, the mother of two of your fucking children. You’re telling me you knew? That you were okay with it?”
“I’m not. I’m not okay with it, but it’s necessary.” John blurted.
Thomas nodded, “right. And this is how things are going to be. We’re going to do things even if we’re not okay with them if we’re going to survive. Things aren’t all sunshine and rainbows, these people killed Esme on Christmas day. Clearly, they didn’t care. We can’t afford to have boundaries either.”
The same day The Garrison Pub 21:12
Y/n was scrubbing down the bar when she’d noticed Thomas walk in with two men to his left and one to his right. None of them seemed particularly happy. She watched as they all went into the private room right next to the bar and followed them in. “Would y’all like to drink anythin’ in particular or should I come a little later?”
“Got bored?” Thomas asked, curious as to why the woman suddenly decided to pick up the open barmaid job.
“Yes and my sister’s bein’ a pain in the ass.”
“Ah… Whiskey, please… Irish,” he clarified quickly.
“Same for me. I'm Arthur, by the way.” said the oldest looking man in the room.
“Me too,” said the youngest, earning a glare from the rest of them. The boy sighed, “fine. Some water for me. Er... I'm Finn."
“How about you, hon? You want anythin’?” Y/n looked directly at the second youngest man there. However, it seemed that the glare he’d sent over to the boy had now shifted over to her.
“No, I don’t focking want anythin',” he spat.
Although he was being really rude to her, she didn’t pay much attention to it, catching Thomas off-guard. He’d expected her to unleash her sword of a tongue and cut some heads off but he got none of that. Instead, she went on her merry way to retrieve the items that had been asked of her.
“She’s a fockin’ American.” John spat at Thomas, redirecting his glare for the third time toward his older brother.
Thomas didn’t seem to care much about his brother’s concerns. He just said something sarcastic and along the lines of, “I wouldn’t have guessed it, John,” while pulling out a pack of cigarettes he had refilled before the funeral along with a match; picking out one of the cigarettes, placing it in between his lips and lighting it with that same match.
“In case you’ve focking forgotten, the American fuckers are after all of us right now and here you are hangin' around an American bitch.”
“She hasn’t given me reason to suspect her of anything, so why wouldn’t I hire her? She just moved here and was looking for a job until I gave her this one.”
“I can’t believe I’m abou’ to be the one sayin’ this, Tommy, bu’ are you focking dense? Have you go’en hit in the fockin’ head one too many times? The Americans are fockin’ after us.” John repeated loudly. “They killed my fockin’ wife. Or did you forget that it was her fockin’ funeral you went to today? The one where you killed two Italian motherfuckers,” he ranted, pointing his index finger at Thomas accusingly. “And don’t act like you hired her. You were just as shocked to see her workin’ ‘ere as we were. You even commented on it. Don’t think I’m fockin’ stupid.”
Thomas inhaled his smoke before taking it out of his mouth with a sigh, “listen, we need all the help we can get, alright? The Italians,” he put emphasis on the word ‘Italians’, “are the ones that are comin’ after us. From all over, as well. You name the place, and they’re coming. Should we distrust every Englishman we come across as well? Some of them are born here, too.” The man sighed once again, “just calm down. She’s not dangerous.”
John sighed, crossing his arms. There was no mistaking how he fel6t, he made it perfectly visible. He was beyond pissed and he was in complete disbelief that his brother, Thomas Shelby seemed to be completely fine with having her work at the very place they owned. Mr. Thomas Paranoid Shelby was letting this foreigner work here right after his younger brother’s own wife had been killed by Americans. Italian-Americans, yes, but Americans nonetheless.
Saraí walked into the pub. Well, more like stormed into the pub. “Y/n, we’ve got a problem.” She announced once she reached her sister who’d barely finished preparing the orders.
“Can’t talk right now, darlin’. Catch me later.” Y/n sang as she walked back into the room with the drinks. Saraí followed her right in. Y/n was in the middle of setting the drinks down when Saraí began to speak-- completely disregarding her sister’s request.
“Y/n, por favor, escúchame, es importante.” Saraí begged. Thomas’ eyes shifted from the two girls to Finn. He noticed how the teenager’s eyes were fixed on the youngest girl in the room.
John was the first one to speak, hatred thick in his voice, “not dangerous, huh? That bitch is speaking Italian.”
“It’s not Italia-”
“I don’t care, get out.”
But Saraí didn’t move and neither did Y/n. What was he going to do about it, anyway? Thomas was fine with them being there. “I said ge’ the fock ou’ of ‘ere.” He yelled louder, grabbing Finn’s glass of water and chucking it across the room, barely hitting Y/n as it hit the door behind her and shattered. Finn complained and finally focused his attention onto the events that were unfolding in front of him rather than the pretty girl that came running into their private hang out.
Saraí and her sister quickly made their way out of the pub. “So, what was so urgent that you had to come barging into the place?” Y/n asked while they walked hurriedly back to their temporary home.
“The Changrettas know we’re here.”
The rapid footsteps came to a halt and for a fleeting moment, the woman’s face broke it’s stoic character to give away just a small bit of her emotions, only to swiftly shift back into its resting state before she started her walk back up. Saraí took her silence as permission to continue speaking, “they left us a little present. It was a bomb, in a box. We know it was them because they wrote ‘con molto amore’.  Luckily, Ramona thought fast. She quickly and safely disposed of it, none of us were hurt.” As she spoke, Saraí’s panicked state worsened; the gears in her head continued to turn. “Do ya think he sent one to our cousins?”
“No, no. He doesn’t even know our cousins. He’s only ever met us. Remember, in New York, we all stuck to our own sides. He hasn’t ever had the chance to spill a glance at them, let alone figure out they’re with us. I never put our cousins out to do work at the borders of our territory, so they’re fine.” Y/n reassured her seventeen year old sister before looking around cautiously. “Now go inside,” she pushed the girl in. “I’ll go in a bit.” She watched her sister enter the apartment quickly before turning back around to look at her surroundings once more to make sure she wasn’t going crazy and to make sure someone was actually walking over.
Y/n would’ve been lying if she’d said she wasn’t worried. She’d just gotten news about a bomb being delivered to her apartment far from home and everything in this country was foreign to her. She stayed outside for a bit to get some fresh air but the air in this place was so stuffy to her; much like the air in New York. She never did quite get used to New York. She moved there when she was eleven years old from her hometown, El Paso, Texas. When she moved, she worked hard to assimilate and even learned the local accent for the sake of fitting in; she stopped caring after the unspeakable ‘Luca thing’. In many ways, it was a good thing life informed her about the man she thought she was in love with; however, it was very unfortunate that she found out too late to save her loved ones from the turmoil. Y/n exhaled slowly. For the past seven, agonising years all she could think about was the horrible things that man had done to ruin her. What once was a happy young woman was now a miserable individual that only had revenge on her mind. What was she going to do after this was all over and done with? She didn’t know. She hadn’t thought about it until now; and even still she wasn’t thinking about it. She was simply asking a question she had no intention of answering.
A familiar voice called out to her, asking her if she’d like a cigarette. The voice belonged to none other than Thomas Shelby. It came as somewhat of a shock to her that he’d followed her all the way back to her apartment just to offer her a smoke. She politely declined and explained to him that she wasn’t much of a smoker. She never found the act appealing. Much like drinking alcohol; except, you’d have more of a chance seeing her drinking a bit of scotch than to see her sucking up the fumes of burning tobacco leaves.
“I wanted to apologise on behalf of my brother, John. He doesn’t know you’re working with me,” the cigarette he pulled out and lit for himself touched his lips.
“There’s no need for that, I understand completely. His wife just died. I don’t expect him to be in the best of moods.”
“Yes, well. I suppose you’re right. I still wanted to apologise just in case you did take offense to what he said.”
“I appreciate that. Thanks.”
Thomas nodded and waved his left hand around, saying it was nothing and then proceeding to come forward with the real reason he’d traveled to the rented living space. “My brother, Finn, appears to have taken a liking to your sister…”
~~~
Y/n, por favor, escúchame, es importante: Please listen, I’ve got some important shit to say is basically what it means. Not literally, but that is the gist of it.
Con molto amore: With lots of love.
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cecewarlock · 5 years
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Beefs I have with Voltron s8
Allurance:
-Disregarding Allura’s connection to Coran so that Lance can come out as a better option. Allura does have a family, it’s Coran, it seems the earth air gave her amnesia or something, or maybe the writers did, idk… I swear all I could think of during Lance’s “great” speech during their date was “what about Coran?”
-Lance saying “I love you” to Allura on their first date. I don’t think I need to explain this one lol (Ted Mosby)
-Not having any indication that Allura has a crush on Lance beside a blush in season 7.
-Allura giving Lance the Altean marks for absolutely no reason. (Other than having him remember her forever which ok.)
-Lance never being able to move on from Allura and ending up single.
-Lance getting what he wants instead of what he needs. (Which the writers said wasn’t going to happen)
-The nice guy™ trope that shows a woman deciding to date the good guy after declining his advances for a long time. (Big Bang theory syndrome)
Allura:
-Allura’s death is really unnecessary. Honerva has been shown to have the same or even more power than her sooo, why was Allura’s sacrifice needed? They could have also sacrificed Voltron since it seemed it was not needed anymore after they rebooted the universe.
-The death seemed cheesy and not earned at all. Of all of the members of team Voltron, not one tried to stop her (?????????)
-In Avatar the last airbender the writers made sure to show why Yue was the only one that could save the day with her sacrifice. It was poetic. They could have done that as well if they had added any thematic meaning to the scene. Maybe have Allura turn into the white lion that Honerva had previously destroyed, or the old paladins coming back to ride Voltron one last time to restore the universe. The problem isn’t really that she died, but how and why.
-The whole “Allura being possessed by a dark magic creature and going into Honerva’s mind” nonsense.
-Coran and Allura didn’t get to say goodbye.
Lotor:
-Terrible message for anyone who watches the show. His parents that are literally the ones who caused the war, and either directly or indirectly, have caused the death of millions of people while also abusing their son for centuries still get some kind of redemption, while Lotor doesn’t?!
-The shot of his corpse was horrifying and not needed.
-Lotor had the potential of becoming a great villain, and he was, for like two seconds until they decided to throw the whole character away.
-The Voltron team basically murdered him in cold blood, but you won’t hear anything about it. just like you didn’t hear anything about that time Lance died or Keith was about to sacrifice himself.
-That scene where they show Lotor reuniting with his family before the universe is rebooted and they act like its all cool.
Keith and Shiro:
-It doesn’t matter if you ship them or not, no one could deny they had a strong bond. That is gone now baby!
-Shiro marrying a dude with two lines.
Hunk and Pidge:
-Lol who? Pidge’s arc ended the moment she found her family. My sweet boy Hunk barely even had one.
Klance:
No, but seriously, who??!! They had that one™ scene, which, again, what was the point of leaving that scene if it does nothing but confusing people? 
LGBT:
-I have seen people defending the two-second clip at the end by saying “Well they did as much as they could” which okay, I guess… I still don’t think they deserve congratulations for their “representation”. Some of you are probably like “But Adventure time did the same thing, and everyone loved it!” To which I would say no, its not the same thing. The wlw ship in AT had been teased all throughout, the series including a scene were princess Bubblegum sniffs one of Marceline’s t-shirts (I still can’t believe that was something that actually happened). If the writers of Voltron had been in charge of Adventure time Finn would have probably ended up with Bubblegum, and then she would have died lol. I have also heard comparisons to the Legend of Korra. which is understandable. But that show ended five years ago, when the idea of two main lgbt characters on a popular children’s cartoon show was almost unthinkable. I understand that some of the younger fans are used to shows like Steven Universe or She-ra, but back then the most “progressive” lgbt stuff were background characters that appeared for five seconds and had little to no lines. This whole “if we have them kiss, they’ll leave us alone” attitude is, in my opinion, very stupid. As a member of the LGBT myself I always think that having meaningful interactions with the characters is more important than just showing them kissing. This is the reason I hate most of the straight couple who do not have any chemistry whatsoever, or why I usually prefer non-canon gay ships to the ones that are. Although I personally don’t ship it, I think that it’s the interactions between the characters that make people ship Sheith or Klance. My point here is that things have changed. Disney, a company known to never explicitly acknowledge the existence of LGBT people had a major character in a children’s show (Cyrus from “Andi Mack”) come out as gay and have storylines dedicated to him instead of being sidelined. Having a last-minute wedding where Shiro marries a character we don’t know and with whom we haven’t seen him have meaningful interactions with doesn’t really cut it anymore.
General:
-All of team Voltron are so out of character it’s not even funny. I’ve already mentioned the lack of interaction between Shiro and Keith but it really extends to the whole team. Allura and lance are happy with each other for like 2 seconds when they go visit his family but that is it.
-The Altean Colony(s) are never truly explained. It would be okay if it was a minor plot point but the end of season 6 revolves around the twist that Lotor is actually evil and should have never been trusted, a twist that was based on the colony(s). Allura says that Lotor was in fact right in a certain way and the show acknowledges that he deserved better, but it is never revealed when she changed her opinion. Was there ever a second colony? I’m guessing not… Also, why did the colony where they found Romelle looked like the inside of the room Allura used to go to talk to her father? Someone smarter than me please explain the colony(s).
-Romelle. Look I’m all for having more female characters but damn if this is not one of the most useless characters I have ever seen. She only exists to be a witness to Lotor’s crimes and getting her friends to hook up, I guess.
-Balmera ex-machina.  
-Honerva: I actually like Honerva’s story, the flashback episode was probably one of my favorites. I just wanted to complain about the “If I can’t be happy no one else can” line because Jesus fucking Christ it sounds like if it was written by Skeletor. I wanna talk to whoever wrote that line and thought “yeah, that’s what a fully fleshed out, interesting and complex villain would say”.
Conclusion: Voltron had a great potential that couldn't have possibly been wrapped up in one season and both the storylines and the characters suffered because of it. 
Bonus: Things I actually liked
-The animation.
-The Lance Family interactions were great.
-Lotor stealing his mother’s cat.
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missingno · 5 years
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🔥 Pokémon and/or The Elder Scrolls?
This got. Really long.
Pokémon:
… Wow gen VII was a train wreck. I’m all for redeemable villains, but the problem presented was that neither Guz/ma nor Lusa were actually redeemable. Guz is noted repeatedly by his own grunts to be violent, one straight up calling him a bully, and is implied to have a pretty fucking terrible temper to the point he shatters bottles and destroys the house they’re hanging out in?? Like the grunts say that was his doing? His grunts are straight up afraid of him. He’s not very nice to you, the player either. I dunno, maybe I’m too biased because he reminds me of someone in my life but he seems way too horrible to be… Redeemed. Nor was there really any effort to show him changing… like he’s just suddenly “nice” now. At least with Archie and Maxie they were already pretty friendly to the protagonists and weren’t as threatening.
All of this criticism is two fold for Lusa. The problem is, Lusa is an INCREDIBLE villain. But GF for some reason doesn’t actually want her to be one? Sorry GF, but no, I’m actually not gonna be pleased by you redeeming a woman who abused her children. She says Lillie became beautiful and now we’re supposed to think she’s all good now? I can’t believe GF, the same company who gave us N and Ghet, are for some reason going “psyche, child abuse is okay if it’s your mom!!” They never even gave us a good fucking REASON for her acting the way she did!! Was she possessed by the Beasts?? Was she poisoned?? She was fucked up way before she fused with the jellyfish, so how the fuck does that justify her manipulating and emotionally abusing her children to the point that one runs away??? Like, Looker and Anabel are perfectly fine, so why is her contact poisoning her but not them??? WHY MAKE LILLIE HELP HER??? LILLIE, WHO WAS FUCKED UP FOR YEARS????? “Mother, you’re terrible!” to suddenly fucking off to go heal her mom because she’s “still my mom uwuwuwuwu”. That’s just such an UNBELIEVABLY BAD TAKE for a kids game to give to children. Kids with abusive moms owe said mothers FUCK ALL. There’s no justification for child abuse and it was such an unbelievably bad take I can’t believe this is from the same franchise that gave us a pretty good fukin’ take with N. She’s such a great villain, because she really makes me hate her and want to destroy her, but the game is more interested in making here a uwu mIsUnDeRsToOd BaBy than actually giving us a good villain. Who is, by the way, the only thing close to a female villain in this franchise.
Also the Ultra Beasts and Mega Evolutions are stupid but that’s just my onion there. Why are these aliens cooler than like… the OTHER aliens we have…? Like we have aliens already. Also why can some Pokémon evolve even MORE???
Also Sycamore can suck my dick but that one is absolutely because I think he’s annoying and not for any legitimate criticism.
For the Elder Scrolls:
… Todd…
I’ll start with Morrowind, since that’s where any self-respecting TES fan starts.
I’m joking, apparently Daggerfall is pretty good. I just never played it.
Anyways, Morrowind is conceptually good. I like… A lot of aspects about it. But here’s my HUGE beef with Morrowind: I work for the Imperials, yeah? And the Imperials are against slavery, yes? And House Telvanni practices slavery, mhm? So uhhhhh… WHY IS THE TWIN LAMPS QUEST NOT A MAIN QUESTLINE QUEST? WHY CAN I JOIN HOUSE TELVANNI? I DIDN’T because “slavery = bad” is an incredibly cold take at this fucking point but uhhhh hey Bethesda? What the fuck? Morrowind has a good storyline but that little fact about it kind of makes my skin crawl since it’s… So vile… I do the Twin Lamps questline of course but the fact that it’s an optional sidequest is very off-putting to me.
Plus Morrowind’s combat system sucks ass, but that definitely takes the backroads to you know. Slavery.
10/10 story but 0/10 game for letting people be slave owners because what the fuck.
Did you know Oblivion had their actors read their lines alphabetically? If you played Oblivion, you would. 
Shivering Isles is good, but both Oblivion and Skyrim suffer from the side quests being better than the main quests. In Oblivion’s Thieves Guild you have to STEAL AN ELDER SCROLL!!! Like how COOL is that!!!! Way better than the main quest where you just. Watch your buddy Martin. A lot of Oblivion’s quests feel like there could’ve been... So much more. For example, the Deep Ones. That could’ve been a really interesting quest but instead... It feels like it ended before it really began. The Mage’s Guild is just you being a hired thug for some magicians who barely teach you magic before promoting you, and the boss fight with Mannimarco is... So terrible. This man is a lich, almost a GOD, arguably BECOMES a god, and when you meet him he looks like a bitch in a dumbass Halloween costume. They did my boy Manni SO dirty. This is the KING OF WORMS and he’s treated like he’s just a bandit you have to kill and not, you know, the Necromancer’s Moon, the King of Worms, the GOD of necromancers, the man who tricked a Daedric Prince and almost got away with it. The Dark Brotherhood questline is good though, as is the Thieves’ Guild one.
Skyrim is as wide as an ocean and deep as a lake, I feel. A lot of the storylines feel half-baked. Again, the DB and TG are good questlines, but everything else feels a little... Less put together, and even those two suffer a lot. I hate the radiant quest system of post Hail Sithis! DB a lot... Mother, I am the Listener, the leader of the Black Hand, why am I the one who has to kill Idiot Farmer #3486 on a farm? I killed the EMPEROR, MOTHER! Have some respect for your favorite child! Seriously though, why can’t I pawn off these quests to the two new recruits, or to Nazir and Babette? Also why don’t the new recruits get names? Also why can’t I marry Nazir (please Todd I love him). 
Now, I don’t mind the radiant quests for the TG as much, to be honest, mostly because they’re optional and I can quit them. Plus, I like Vex and Delvin, so it makes me pretty happy to turn in quests to them. But goddamn WHYYYY do I need to go through so. Many. Fucking. RUINS?! I hate dwemer ruins with a passion, and I haaaaaaate that Blindsighted forces you to go through one. Also, somehow, the two trained thieves with my manage to alert the fucking falmer of our presence so I have to go save their asses because I’m the only healer. Also also why... Why can’t I marry Brynjolf... You give me a man who says “lad” enough to rival me, and then I can’t gently kiss his cheek?
Also the Nightingale Hall looks like shit even after you finish the quests. Which is stupid.
Also FUCK the main quest.
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Do do monsters come to being? I mean... we know how vampirism etc. Is transmitted, but how were they created? (We know about demons, but what about the others?) What is their offspring? Someone had to be the first. Was there a overall-being who was "god" for the monsters or was it a genetical defect? Or is it unknown? (There's probably a logical answer, but I'm just to tired to make it come to my mind)
You know how my tag for season 6 is “we don’t talk about season 6″? 
I am literally… like…
we need to talk about season 6 more, because:
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I love Eve, Mother of All
here’s her superwiki page:
http://www.supernaturalwiki.com/index.php?title=Eve
I like the speculation mentioned on that page that she’s a sort of Leviathan because I also have thought that. Specifically that she’s related to them somehow, but is also much more than them, since she seems to “own” Purgatory and that was a place created as a prison for them, and since she has her own powers of creation of a very twisted type, I see her as a sort of demigod or angel of the Leviathans - possibly created by God to manage Purgatory with as much power as she needed to keep the Leviathans from fucking everything up. Whether she started to make monsters because she was bored or needed them or it just filled a nice little niche to add some flavour to the world - or, well, because SHE was trapped in there with the Leviathans and this was her influence over the “main” creation (and perverting it to her own style and having a sort of rival creation going on is a really neat thing, especially as it was successful and her alphas and other methods of spreading monsters have created an apparently nearly permanent influence on the planet…)
I really like the speech from the alpha vamp in 6x07, which includes this line:
Alpha Vampire When your kind first huddled around the fire, I was the thing in the dark! Now you think you can hurt me?
it implies monsters have been around about as long as recognisable humans with their rudimentary stone age culture, fitting into the earliest sense of mythology humans could have had, and as monsters are sort of metaphorical of the anxieties and neuroses of human society, I like that they’ve been around from the start. 
Of course Eve also needs power to run Purgatory, and to contain the Leviathan (hey guess what happens after she dies and someone fucks up Purgatory completely by draining its power source completely :P) so it could be that whatever she initially had to manage them, wasn’t enough and the fight for the souls that heaven and hell are engaged in also began there - recognising the raw power of God’s favourite creation, she also finds a way to harvest it, and since Purgatory is a lockbox for the Leviathan that God put the seal on hoping they’d never ever get back into Creation, then the souls she takes from what’s basically a buffet for higher powers when they look at Humanity, are securely kept… Hell in contrast is like the low security prison people are walking in and out of all the time, and the purpose was never locking them away, but the torture, which incidentally involves trapping them there, but I guess only as long as it takes to make someone into a good demon for sneaking back out to raise hell on earth :P 
I also think she’s one of the most phenomenally wasted characters on the whole show because of her immense power and relevance to literally everything. There might not be other seasons with monster mytharcs, but there’s monsters in just about every season… (Uh… I haven’t checked for sure, but season 12 I think has only had one incidental vampire in a flashback in England, right? We haven’t had any monster episodes in the sense of children of Eve monsters?) … 
Anyway, thematically I would guess that Amara comes closest to re-treading this ground, but going way too far in the other direction of her beef with God 
Eve’s beef with God:
EVE You do know that Jesus was just a man.
RICK Sure, but he was also the son of God, sent here because he loves us.
EVE God doesn’t care about you.
RICK Sure he does.
EVE Your father made you and then abandoned you, so you pray. You see signs where there’s nothing. But truth is, your apocalypse came and went, and you didn’t even notice. A mother would never abandon her children like he did. You’ll see.
Instead of being his sister and focusing on the soap opera family aspects, her feeling as a rival creator is there. You could say all the alphas are like her monster Jesus-es that she sent to spread her message (uh by biting and turning humans - this thought is probably a little blasphemous but then I’m not religious and this show is probably worse :P)
… And she expresses this to a random trucker but it’s a sentiment weirdly similar to Dean’s anger with God he expresses in 12x21. Amara also spoke a few times about Creation and re-making it, but she never did a whole lot except the zompires thing, very aimlessly. I’m not sure when she spoke about re-doing Creation she meant obliterating the universe in some of the earlier discussions about it, since as a “child” she was interested in the natural world, and in 11x09 also expressed a fondness for Creation, having picked a nice picnic spot to take Dean, and saying,
Amara: I had no other reason to harm his chosen. My issue is with my brother, not his creation.
Meanwhile Eve is happily stealing humans for herself, intending to overrun the world with her creation, so she has a much more aggressive tactic, and if Dean hadn’t killed her when he did (and Crowley’s minions cleared up the loose ends) then her plan would have been one of the most destructive ones on the show, to rival what would have happened if they hadn’t stopped the Croatoan virus getting out in 5x21.
… Anyway as I was about to follow another thread on this I realised you only asked if she existed, not for a very long essay on All The Ways I Feel Supernatural Wasted Their Best Ever Character so um tl;dr the answer to your question is, yes, Eve is the Monster God who spread her monsters through the world via powerful and nigh-on un-killable “alpha” prototypes of all the usual* monsters.
*there are monsters in canon such as wendigo (*takes a shot*) that are not strictly “children of eve” although I wonder if the show would retcon them for a real return. It’s possible there’s a method of transmission that hunters have never analysed as the first season was working off vague folklore with no need to make a coherent set of worldbuilding rules underneath it. I’d also retcon the changelings from 3x02 into faires, and the striga in season 1 they classified as a witch, but I’d say is definitely a type of monster/fairy somewhere in the same family tree as the soul eater from 11x16 or banshee from 11x11 -  we just didn’t meet witches as we know them on the show until 3x09, which also retconned demons into humans, and changed them up from some sort of superpowered monster, and overall took the show in a very different direction with human threats and human nature vs the vast unknown of monsters and why they do such things. (… Also…. After 10x20 we also tracked a thread from grigori angels to djinn but djinn WERE Eve’s monsters and we know that from 6x01/6x10, which means either she perverted angels into them initially and through her monster infection powers it spread to humans, OR they just tap a very similar mechanic. The family trees are a mess :P)
Because hunters mostly wing it and just work out how to kill the thing and so on, it’s only really with the MoL that any magic-science has any sort of… accessible structure to it. They’ve done their research on monsters so it’s more of a chance to explain things than before… I’m sure if you asked Toni or Mick to explain where Wendigo come from they’d have a completely different answer to your average hunter working off legends of starving trapped loggers in the woods turning to cannibalism and becoming monstrous :P For one thing, there’s plenty of historical cannibalism recorded where people didn’t become wendigo (e.g. sieges or famines) and it seems to be based on location as well, so clearly there’s more at work there than hunters have ever really reckoned with, but… that’s also not really their job. :P
… I’m so sorry for this essay. I’m a writer and fantasy world building is one of my things that I really like doing. Throw Supernatural at me and I have a vein popping in my forehead making a coherent picture for it all because there’s so many HOLES and wasted potential and amazing ideas which are just lurking under the surface…
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adambstingus · 5 years
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7 Dumb Back To The Future Products You Won’t Believe Existed
A good 80 percent of Cracked’s content is devoted to peeling back the kaleidoscopic layers of WTF-ness contained within Back To The Future, but this article isn’t about that. Nope, this is about an even more ridiculous topic: the many confounding ways people tried to squeeze big bucks out of the Back To The Future flicks.
This ordinary tale of a time-travelling eccentric and his pet teenager has spawned such baffling shit as …
#7. The Back To The Future Cartoon Was A Fucking Crazy Parade
As we’ve mentioned before on the site, Doc Brown’s character-concluding decision to father children with a historically dead woman and blast through time in a screeching lightning train was reckless at best. And so it’s only natural that the 1991 Back To The Future TV show would follow the horrific mishaps of this family, sandwiched with live-action science demonstrations by Christopher Lloyd and an oddly mute Bill Nye.
They’re like the Penn and Teller of mad science.
But despite its audience of the young and curious, an average episode of Back To The Future: The Animated Series played out like Rick And Morty episodes Adult Swim rejected for being too bleak. Don’t believe us? The pilot for the series starts with Doc’s younger son Verne stealing the time machine and traveling to the Civil War … followed by Doc finding a photo revealing that little Verne died for the Confederate Army.
“But hey, it says here that the Alabama chapter of the KKK is named in his honor.”
Doc eventually prevents this by creating a truce between Verne’s Confederate pals and the Union, and the gang happily flies home like they didn’t just irrevocably alter the outcome of a Civil War battle. That’s basically the story of the series, as Doc, Marty, and Doc’s kids manhandle historical moments while Doc’s wife Clara waits back home with sandwiches.
In the third goddamn episode, Doc brings his kids to the very moment the dinosaurs are wiped out by a meteor, saving the group by hastily stopping the comet and changing the future into a lizard-ruled wasteland. (One of said lizards looks like Biff, implying that a Tannen once fucked a dinosaur.)
This means that Doc is forced to go back and kill the dinosaurs himself, re-altering his actions so that the meteor gets back on a collision course with Earth … but not before one of his kids befriends a scared pterodactyl. So how does Doc handle this unfortunate attachment? Obviously, the rest of the series would involve the group goofing around with their adopted dino friend. I mean, otherwise, he’d have to …
… tear his son from the sobbing grasp of a doomed animal …
… stuff him into the time machine and fly away …
This also serves as the official series finale for The Flintstones.
… and watch as the comet tears through the atmosphere and vaporizes the boy’s dinosaur pal. That’s seriously what happens in the special “watch all the dinosaurs die” episode of this nightmare series. Happy Saturday morning, assholes!
#6. A Japanese Video Game Made BTTF 2 Into Crazy-Ass Anime
Anyone who played the early Back To The Future Nintendo games knows that whoever made them clearly didn’t bother to see the movies. Either that, or Back To The Future Part III cut a scene in which Marty ingests a crazy amount of peyote and starts seeing mutant cow men everywhere.
Presumably named “Beef Tannen.”
The Japan-only Back To The Future Part II Super Famicom game, on the other hand, tried to follow the plot of movie … and somehow ended up being even weirder. You control Marty, who spends the entire time on his hoverboard — because, realistically speaking, if you owned a hoverboard, why the fuck would you ever not be flying around on it?
The game starts on a grimly prescient note, with trigger-happy 2015 cops shooting at Marty for no apparent reason.
When we reach the alternate 1985, Marty goes around fighting disoriented crackheads, mistaking their agonized gasps for taunting chicken noises. Marty then discovers his murdered father’s tombstone, and he … seems pretty copacetic with this development, all things considered.
Doc, on the other hand, turns into an angry pink Gollum.
If you’ve ever wanted to see these iconic moments reimagined as demented Sailor Moon episodes, you’re in luck. When Marty discovers the 1950s girlie mag instead of the sports almanac, the mere sight of boobs gives him a stroke.
Which is weird, because this is after meeting his mother’s gargantuan dystopian breasts. Marty’s perma-smirk in that scene is somehow even creepier than when he was standing at his dead dad’s grave.
Also, why are they in the Technodrome?
By the time Biff seemingly vampire-bites the almanac away from Marty and gets covered in a sea of 16-bit horseshit, you’ll probably never see Back To The Future the same way ever again.
“I won’t close my mouth. I deserve this.”
And speaking of which …
#5. A Hot Wheels Biff Car … Complete With Manure
There aren’t a ton of Back To The Future toys, but the ones that do exist are mostly DeLorean-based. There’s a DeLorean Lego set, a remote-control DeLorean, and even a Power-Wheels-esque DeLorean for ’80s kids whose parents wanted them to explore their confused Oedipal feelings outside the house.
Sadly, this kid was easily taken out by Libyan terrorists.
So it’s only natural that the DeLorean be adopted by stalwart toy car company Hot Wheels. Recently, the company decided to expand their Back To The Future line to include not only Doc’s DeLorean …
Oh, sorry. Doc’s “Time Machine of Indeterminate Brand.”
And Marty’s sweet 4×4 …
“Complete with two coats of wax and Fat Biff’s tears!”
And even Biff Tannen’s Ford Super Deluxe Converti– oh, shit.
You can get a non-poopy version for an extra $300.
Yes, they produced a beautiful classic automobile overflowing with rancid manure, as seen in that scene and that other scene and that variation of the scene. It looks like an amusing Internet Photoshop job, but it’s a real toy which you could go buy right now … or, you know, make at home yourself with a toy car and some laxatives.
Couldn’t Hot Wheels have mass-produced Doc’s hover-train? Or one of those kickass police cars from 2015? Nope. Instead, we get the shit-encrusted rapemobile. Think of all the ways kids could play with this. “Oh no, Biff’s car got covered in manure … again …” Assuming your kid even knows what Back To The Future is, how are they supposed to integrate Biff’s car with their other Hot Wheels products?
“Yes! The race is delayed due to track turds!”
#4. ZZ Top Turns All The Characters Into Ogling Creeps
Along with “The Power of Love,” Huey Lewis and the News wrote “Back In Time,” the surprisingly engaged recounting of the events of Back To The Future from Marty’s perspective. Sadly, we were less lucky with ZZ Top’s “Doubleback,” a jabbering spray of temporally-themed rhymes in no way related to the third film.
The one band you’d think you could trust to hitch their beer-drinking, hell-raising wagon to Wake-Up Juice, but noooooo.
Now, “Doubleback” is a fucking abomination, an artistic charley horse clearly farted out 12 minutes from the studio call time. But then there’s the music video, which superimposes the band into random clips from the movie in such a disjointed, cookie cutter way that it comes alive like a serial killer’s scrapbook.
GOOF: ZZ Top were only teenagers in 1885, so they shouldn’t have beards yet.
It’s everyone’s third-favorite time travel movie, perpetually interrupted with the looming presence of three guys who look like the personification of bathroom assault. By the end, they’re literally sticking their faces over the action so that we don’t forget to be bummed out by their existence.
We’re all for them supplanting Marty’s mom in this scene to make it less creepy, though.
But the weird stuff begins when this monochromatic onslaught changes the movie’s finale to include a pimped-out ride randomly rolling into Marty’s standoff with Mad Dog Tannen …
… and releasing three jean-short bombshells of various ’90s fabric patterns and foxy accessories, to which the movie’s characters react with stock disbelief appropriated from the original scene.
OK, we have to admit that these guys clean up nicely when they shave.
That’s right — Doc reacting to Marty’s fakeout death is the same expression as his boner face. Or maybe he’s wondering how a Cadillac Sedanette went back in time without a bunch of nonsense sticking out of its hood. Either way: boner.
#3. Pizza Hut’s Back To The Future Ads Are Rather Sad In Retrospect
Having the ability to engorge on a puck of meat and cheese has been every child’s dream since Marty’s mom hydrated a Pizza Hut pizza in Back To The Future II.
The most fantastic concept here is a 2015 pizza without a gimmicky crust.
So delicious. At least, if you ignore the fact that eating a waterlogged dough slice sounds like a fucking nightmare, and that the Pizza Hut of this future solely makes the equivalent of microwave meals. In fairness, the brand’s own advertising campaign had a slightly different take on their role in the future:
Their kinder, gentler take on Robocop was probably their lamest (and most inaccurate) prediction of all.
According to one 1989 commercial, the Pizza Huts of 2015 are built like techno mosques. It makes sense in the context of the ad, which begins with two unknown ruffians taking the DeLorean out for a spin, presumably after swiping the keys from Doc Brown’s ransacked corpse.
To save you 15 minutes on IMDb: It’s Mikey from Parker Lewis Can’t Lose.
The ne’er-do-wells zoom to 2015, where, to the sad grumbles of their stomachs, they find the streets barren of any pizza eateries, as Domino’s has long been converted into a hardware chain. Luckily, there’s still one place in business, and it’s the all-hail Pizza Hut temple.
The Noid was executed after a show trial in ’94.
It’s unclear why a restaurant that makes cookie-sized products needs multiple neon spires, but it probably has to do with the announcer’s assertion that, even in the future, Pizza Hut is the “only one place to get a great pizza.” The fact that Pizza Hut was envisioning an all-exclusive Demolition Man scenario with their brand is made that much more heartbreaking by the company’s actual 2015 situation:
Also depressing: the current state of journalism, since no one realized this graphic should be a pie chart.
Turns out that all the movie projector pizza boxes and eye-tracking tablet menus in the world can’t get us to that Utopian Italian palace where dressing like it’s the ’80s is still hip and (according to another tie-in ad) absolutely everyone wears futuristic solar shades.
The nuclear fallout has melted all of our eyes by now.
#2. Doc Brown Teamed Up With Doogie Howser For Earth Day
Back in 1990, people were really committed to saving the environment … as long as the extent of that commitment was appearing in some kind of extravagant TV special instead of cutting back on fossil fuels. Regardless, this newly-discovered sense of eco-awareness led to one of the craziest moments in pop culture: The Earth Day Special.
The special starred a slew of wacky creatures, like the Muppets and Danny DeVito and E.T., who looks to have been living in a filthy alley since the events of his film.
He’ll touch you with his “magic finger” for $5 and some Reese’s Pieces.
Since this was the year that Back To The Future Part III came out, Doc Brown naturally joined the cross-promotional fray. Who better to promote environmental activism than a guy who hoards large quantities of plutonium in a garage in a residential neighborhood?
The loose plot of the special is about the personification of Mother Earth dying. Doc Brown shows up in his DeLorean and offers his assistance to the doctor in charge of healing Mrs. Earth — who, because this was 1990, is Doogie Fucking Howser.
“Not even Edward James Olmos’ mustache could revive her.” “We’re doomed.”
Doc whips out his suitcase TV and shows them footage of how screwed over the Earth is, which is kind of a dick move, considering how she’s right over there. It doesn’t help that the clips are seemingly stock footage pretentiously edited together by first-year film students.
“What are those ladies doing with that cup …?” “Whoops, wrong year.”
As always, Doc ends up finding the solution: science! Not any specific science but, like, the act of reading and shit. Look, it was 6 a.m. and someone wanted to finish that goddamn children’s TV show script already.
#1. The Back To The Future Novelization Gets Dark
Movie novelizations are generally terrible, but the one for Back To The Future takes it to a whole new level. It’s the Back To The Future of bad literary cash-ins.
“What do you mean it’s not about a kid with a camera who farts fireworks?” — the author, probably
The book opens with a vivid description of a dead family getting bent out of shape by the detonation of a nuclear bomb, which turns out to be a scene from a film Marty is watching. This never comes up again in the book — because the author is too busy thinking up even crazier, tangentially BTTF-related shit. For instance, we get a scene featuring the Libyan terrorists casually hanging out in a shitty motel, which answers the question you always had: Yes, one of them is a psychotic former fashion model.
You can only be told to look “sexy like tiger” so many times before something inside snaps.
And she doesn’t mind offing Doc Brown because he … “looks Jewish.”
Doc goes commando in his jumpsuits in this version.
Even when it’s a scene we recognize from the movie, the author’s prose manages to make everything seem a tiny bit seedier:
Not that “Let’s hire your attempted rapist as our live-in manservant” is any less creepy.
The novel also features the most disturbing context for the phrase “giggled naughtily” in all of fiction:
A parent’s naughty giggling is typically reason #1 Protective Services gives when taking away their child.
The whole book is so bizarre and creepy that it wouldn’t be surprising to learn that it was imported from the shitty alternate 1985. And we’re only scratching the surface here. A whole other book could be written just pointing out all the fucked up moments, page by page. Did we say “could”? We meant “someone on the Internet did exactly that.”
from All Of Beer http://allofbeer.com/7-dumb-back-to-the-future-products-you-wont-believe-existed/ from All of Beer https://allofbeercom.tumblr.com/post/181924707857
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allofbeercom · 5 years
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7 Dumb Back To The Future Products You Won’t Believe Existed
A good 80 percent of Cracked’s content is devoted to peeling back the kaleidoscopic layers of WTF-ness contained within Back To The Future, but this article isn’t about that. Nope, this is about an even more ridiculous topic: the many confounding ways people tried to squeeze big bucks out of the Back To The Future flicks.
This ordinary tale of a time-travelling eccentric and his pet teenager has spawned such baffling shit as …
#7. The Back To The Future Cartoon Was A Fucking Crazy Parade
As we’ve mentioned before on the site, Doc Brown’s character-concluding decision to father children with a historically dead woman and blast through time in a screeching lightning train was reckless at best. And so it’s only natural that the 1991 Back To The Future TV show would follow the horrific mishaps of this family, sandwiched with live-action science demonstrations by Christopher Lloyd and an oddly mute Bill Nye.
They’re like the Penn and Teller of mad science.
But despite its audience of the young and curious, an average episode of Back To The Future: The Animated Series played out like Rick And Morty episodes Adult Swim rejected for being too bleak. Don’t believe us? The pilot for the series starts with Doc’s younger son Verne stealing the time machine and traveling to the Civil War … followed by Doc finding a photo revealing that little Verne died for the Confederate Army.
“But hey, it says here that the Alabama chapter of the KKK is named in his honor.”
Doc eventually prevents this by creating a truce between Verne’s Confederate pals and the Union, and the gang happily flies home like they didn’t just irrevocably alter the outcome of a Civil War battle. That’s basically the story of the series, as Doc, Marty, and Doc’s kids manhandle historical moments while Doc’s wife Clara waits back home with sandwiches.
In the third goddamn episode, Doc brings his kids to the very moment the dinosaurs are wiped out by a meteor, saving the group by hastily stopping the comet and changing the future into a lizard-ruled wasteland. (One of said lizards looks like Biff, implying that a Tannen once fucked a dinosaur.)
This means that Doc is forced to go back and kill the dinosaurs himself, re-altering his actions so that the meteor gets back on a collision course with Earth … but not before one of his kids befriends a scared pterodactyl. So how does Doc handle this unfortunate attachment? Obviously, the rest of the series would involve the group goofing around with their adopted dino friend. I mean, otherwise, he’d have to …
… tear his son from the sobbing grasp of a doomed animal …
… stuff him into the time machine and fly away …
This also serves as the official series finale for The Flintstones.
… and watch as the comet tears through the atmosphere and vaporizes the boy’s dinosaur pal. That’s seriously what happens in the special “watch all the dinosaurs die” episode of this nightmare series. Happy Saturday morning, assholes!
#6. A Japanese Video Game Made BTTF 2 Into Crazy-Ass Anime
Anyone who played the early Back To The Future Nintendo games knows that whoever made them clearly didn’t bother to see the movies. Either that, or Back To The Future Part III cut a scene in which Marty ingests a crazy amount of peyote and starts seeing mutant cow men everywhere.
Presumably named “Beef Tannen.”
The Japan-only Back To The Future Part II Super Famicom game, on the other hand, tried to follow the plot of movie … and somehow ended up being even weirder. You control Marty, who spends the entire time on his hoverboard — because, realistically speaking, if you owned a hoverboard, why the fuck would you ever not be flying around on it?
The game starts on a grimly prescient note, with trigger-happy 2015 cops shooting at Marty for no apparent reason.
When we reach the alternate 1985, Marty goes around fighting disoriented crackheads, mistaking their agonized gasps for taunting chicken noises. Marty then discovers his murdered father’s tombstone, and he … seems pretty copacetic with this development, all things considered.
Doc, on the other hand, turns into an angry pink Gollum.
If you’ve ever wanted to see these iconic moments reimagined as demented Sailor Moon episodes, you’re in luck. When Marty discovers the 1950s girlie mag instead of the sports almanac, the mere sight of boobs gives him a stroke.
Which is weird, because this is after meeting his mother’s gargantuan dystopian breasts. Marty’s perma-smirk in that scene is somehow even creepier than when he was standing at his dead dad’s grave.
Also, why are they in the Technodrome?
By the time Biff seemingly vampire-bites the almanac away from Marty and gets covered in a sea of 16-bit horseshit, you’ll probably never see Back To The Future the same way ever again.
“I won’t close my mouth. I deserve this.”
And speaking of which …
#5. A Hot Wheels Biff Car … Complete With Manure
There aren’t a ton of Back To The Future toys, but the ones that do exist are mostly DeLorean-based. There’s a DeLorean Lego set, a remote-control DeLorean, and even a Power-Wheels-esque DeLorean for ’80s kids whose parents wanted them to explore their confused Oedipal feelings outside the house.
Sadly, this kid was easily taken out by Libyan terrorists.
So it’s only natural that the DeLorean be adopted by stalwart toy car company Hot Wheels. Recently, the company decided to expand their Back To The Future line to include not only Doc’s DeLorean …
Oh, sorry. Doc’s “Time Machine of Indeterminate Brand.”
And Marty’s sweet 4×4 …
“Complete with two coats of wax and Fat Biff’s tears!”
And even Biff Tannen’s Ford Super Deluxe Converti– oh, shit.
You can get a non-poopy version for an extra $300.
Yes, they produced a beautiful classic automobile overflowing with rancid manure, as seen in that scene and that other scene and that variation of the scene. It looks like an amusing Internet Photoshop job, but it’s a real toy which you could go buy right now … or, you know, make at home yourself with a toy car and some laxatives.
Couldn’t Hot Wheels have mass-produced Doc’s hover-train? Or one of those kickass police cars from 2015? Nope. Instead, we get the shit-encrusted rapemobile. Think of all the ways kids could play with this. “Oh no, Biff’s car got covered in manure … again …” Assuming your kid even knows what Back To The Future is, how are they supposed to integrate Biff’s car with their other Hot Wheels products?
“Yes! The race is delayed due to track turds!”
#4. ZZ Top Turns All The Characters Into Ogling Creeps
Along with “The Power of Love,” Huey Lewis and the News wrote “Back In Time,” the surprisingly engaged recounting of the events of Back To The Future from Marty’s perspective. Sadly, we were less lucky with ZZ Top’s “Doubleback,” a jabbering spray of temporally-themed rhymes in no way related to the third film.
The one band you’d think you could trust to hitch their beer-drinking, hell-raising wagon to Wake-Up Juice, but noooooo.
Now, “Doubleback” is a fucking abomination, an artistic charley horse clearly farted out 12 minutes from the studio call time. But then there’s the music video, which superimposes the band into random clips from the movie in such a disjointed, cookie cutter way that it comes alive like a serial killer’s scrapbook.
GOOF: ZZ Top were only teenagers in 1885, so they shouldn’t have beards yet.
It’s everyone’s third-favorite time travel movie, perpetually interrupted with the looming presence of three guys who look like the personification of bathroom assault. By the end, they’re literally sticking their faces over the action so that we don’t forget to be bummed out by their existence.
We’re all for them supplanting Marty’s mom in this scene to make it less creepy, though.
But the weird stuff begins when this monochromatic onslaught changes the movie’s finale to include a pimped-out ride randomly rolling into Marty’s standoff with Mad Dog Tannen …
… and releasing three jean-short bombshells of various ’90s fabric patterns and foxy accessories, to which the movie’s characters react with stock disbelief appropriated from the original scene.
OK, we have to admit that these guys clean up nicely when they shave.
That’s right — Doc reacting to Marty’s fakeout death is the same expression as his boner face. Or maybe he’s wondering how a Cadillac Sedanette went back in time without a bunch of nonsense sticking out of its hood. Either way: boner.
#3. Pizza Hut’s Back To The Future Ads Are Rather Sad In Retrospect
Having the ability to engorge on a puck of meat and cheese has been every child’s dream since Marty’s mom hydrated a Pizza Hut pizza in Back To The Future II.
The most fantastic concept here is a 2015 pizza without a gimmicky crust.
So delicious. At least, if you ignore the fact that eating a waterlogged dough slice sounds like a fucking nightmare, and that the Pizza Hut of this future solely makes the equivalent of microwave meals. In fairness, the brand’s own advertising campaign had a slightly different take on their role in the future:
Their kinder, gentler take on Robocop was probably their lamest (and most inaccurate) prediction of all.
According to one 1989 commercial, the Pizza Huts of 2015 are built like techno mosques. It makes sense in the context of the ad, which begins with two unknown ruffians taking the DeLorean out for a spin, presumably after swiping the keys from Doc Brown’s ransacked corpse.
To save you 15 minutes on IMDb: It’s Mikey from Parker Lewis Can’t Lose.
The ne’er-do-wells zoom to 2015, where, to the sad grumbles of their stomachs, they find the streets barren of any pizza eateries, as Domino’s has long been converted into a hardware chain. Luckily, there’s still one place in business, and it’s the all-hail Pizza Hut temple.
The Noid was executed after a show trial in ’94.
It’s unclear why a restaurant that makes cookie-sized products needs multiple neon spires, but it probably has to do with the announcer’s assertion that, even in the future, Pizza Hut is the “only one place to get a great pizza.” The fact that Pizza Hut was envisioning an all-exclusive Demolition Man scenario with their brand is made that much more heartbreaking by the company’s actual 2015 situation:
Also depressing: the current state of journalism, since no one realized this graphic should be a pie chart.
Turns out that all the movie projector pizza boxes and eye-tracking tablet menus in the world can’t get us to that Utopian Italian palace where dressing like it’s the ’80s is still hip and (according to another tie-in ad) absolutely everyone wears futuristic solar shades.
The nuclear fallout has melted all of our eyes by now.
#2. Doc Brown Teamed Up With Doogie Howser For Earth Day
Back in 1990, people were really committed to saving the environment … as long as the extent of that commitment was appearing in some kind of extravagant TV special instead of cutting back on fossil fuels. Regardless, this newly-discovered sense of eco-awareness led to one of the craziest moments in pop culture: The Earth Day Special.
The special starred a slew of wacky creatures, like the Muppets and Danny DeVito and E.T., who looks to have been living in a filthy alley since the events of his film.
He’ll touch you with his “magic finger” for $5 and some Reese’s Pieces.
Since this was the year that Back To The Future Part III came out, Doc Brown naturally joined the cross-promotional fray. Who better to promote environmental activism than a guy who hoards large quantities of plutonium in a garage in a residential neighborhood?
The loose plot of the special is about the personification of Mother Earth dying. Doc Brown shows up in his DeLorean and offers his assistance to the doctor in charge of healing Mrs. Earth — who, because this was 1990, is Doogie Fucking Howser.
“Not even Edward James Olmos’ mustache could revive her.” “We’re doomed.”
Doc whips out his suitcase TV and shows them footage of how screwed over the Earth is, which is kind of a dick move, considering how she’s right over there. It doesn’t help that the clips are seemingly stock footage pretentiously edited together by first-year film students.
“What are those ladies doing with that cup …?” “Whoops, wrong year.”
As always, Doc ends up finding the solution: science! Not any specific science but, like, the act of reading and shit. Look, it was 6 a.m. and someone wanted to finish that goddamn children’s TV show script already.
#1. The Back To The Future Novelization Gets Dark
Movie novelizations are generally terrible, but the one for Back To The Future takes it to a whole new level. It’s the Back To The Future of bad literary cash-ins.
“What do you mean it’s not about a kid with a camera who farts fireworks?” — the author, probably
The book opens with a vivid description of a dead family getting bent out of shape by the detonation of a nuclear bomb, which turns out to be a scene from a film Marty is watching. This never comes up again in the book — because the author is too busy thinking up even crazier, tangentially BTTF-related shit. For instance, we get a scene featuring the Libyan terrorists casually hanging out in a shitty motel, which answers the question you always had: Yes, one of them is a psychotic former fashion model.
You can only be told to look “sexy like tiger” so many times before something inside snaps.
And she doesn’t mind offing Doc Brown because he … “looks Jewish.”
Doc goes commando in his jumpsuits in this version.
Even when it’s a scene we recognize from the movie, the author’s prose manages to make everything seem a tiny bit seedier:
Not that “Let’s hire your attempted rapist as our live-in manservant” is any less creepy.
The novel also features the most disturbing context for the phrase “giggled naughtily” in all of fiction:
A parent’s naughty giggling is typically reason #1 Protective Services gives when taking away their child.
The whole book is so bizarre and creepy that it wouldn’t be surprising to learn that it was imported from the shitty alternate 1985. And we’re only scratching the surface here. A whole other book could be written just pointing out all the fucked up moments, page by page. Did we say “could”? We meant “someone on the Internet did exactly that.”
from All Of Beer http://allofbeer.com/7-dumb-back-to-the-future-products-you-wont-believe-existed/
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