The Town of Anywhere
Fandoms: Avatar: The Last Airbender, Star Trek: The Next Generation, Star Trek: Deep Space 9, Star Trek: Voyager, Steven Universe, Homestuck, Hiveswap, Cells At Work, The Kane Chronicles
Chapters: 31/?
Rating: Teen and Up
Creator Chose Not To Use Archive Warnings
Pairings: Many minor pairings, read the tags
Summary: “On the east coast of the US, there is a small town called Anywhere, where some of our favorite fictional characters keep washing up on the beach, often injured, with no memory of where they came from and who they are, the only clues to their past identities being the clothes they washed up in, their own names, and the strange feelings and dreams they occasionally have. Soon enough, they settle into their new life, but the questions still remain: who were they? And why are they here?”
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Witch au but Sam looks far too much like Martha Wayne than a lot of people are comfortable with.
I hear you ask, "but Sam is younger than her in this au" and I tell you that Martha Wayne had the genetic trait of looking younger than she actually was, a trait that was in her family for generations.
Thus, we have Sam who resembles Martha Wayne far too much, the philosopher's stone that makes her immortal, and a genetic trait that has Martha looking younger than she actually is and you get misunderstandings.
So, Sam was just minding her business trying to figure out what exactly for her castle to be anywhere that wasn't Amity Park when someone stepped onto her property and, getting a feel for them she realized that they don't seem to be magical in nature.
Also, scratch that, it was more than one person.
So, she decided to give them a... 'warm' welcome.
A group of people who believed in the supernatural decided to get together one day to explore the castle that spawned randomly one day in Gotham for shits and giggles. So there they were, stepping through the fog, barely able to see the ground let alone each other.
They had to solve a puzzle for the door to the castle to open in those conditions, which was weird but it was also the fun kind of weird so they weren't complaining about it. When they opened the door it was very dark, which made them second guess themselves for a second and then they decided to step in anyway.
They live in Gotham what's the chances of this castle being worse than what they go through weekly?
The door slammed shut behind them as soon as the last person stepped inside, leaving them in total darkness for a moment before candles lit themselves up and they saw the inside of the castle in its full glory.
It looked, very, very beautiful.
So beautiful in fact, that they almost missed the woman stood at the top of the stairs. She looked very, very beautiful and was wearing a dress that looked very expensive (think Blue Diamond from Steven Universe but black) with a red gem right in the middle of her chest.
The lady welcomed them into her castle, and suddenly they found their vision going back as the woman's sinister chuckle echoed all around them and they found themselves in separate rooms of the house.
Fun fact, this group of people were also streamers and streaming everything up to the point of Sam's entrance and then her magicking them all in different rooms. They also had a pretty good following, so safe to say the chats were going crazy over what just happened.
So, the various live streamers investigate the castle to find a way to escape before their assumed death, they solve various puzzles both with their own wit and the help of their chat that were magical in nature. The various puzzles and traps were, genuinely, very fun to solve, both for the chat and the streamers doing them.
All the streamers manage to meet up again, and boy are they genuinely thankful for the fact that-so far at least, this doesn't seem to actually be anything life threatening and just seemed to be a grand time all around.
Then they all headed down a hall together, and the chat just went absolutely ballistic when they saw a large portrait of the witch and another man standing together and smiling.
The chat never got a good look at her before the streamers got teleported to different rooms, but that painting?
It changed everything.
Because the woman standing in that picture-as pointed out by a chat member, looked an awful lot like Martha Wayne, and the man standing next to her? Thoms Wayne.
The streamers, obviously, think they've hit the jack pot because their viewer count is just going up and up because of this new information and also think they've hit some sort of scandal because, wasn't Martha Wayne dead?
Eventually, the find themselves sitting at the dining table with said woman who was silently drinking tea with a bunch of food sitting on the table in front of them. The woman smirked as she placed down her cup, asking if they enjoyed the various puzzles she laid out for them.
Everyone agrees, and the chat is exploding for them to ask if she's actually Martha Wayne.
She doesn't answer save for a cheeky smile and then suddenly they were standing outside of her castle and couldn't get back in.
Safe to say, reporters were flocking to ask various questions.
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I love that The Ghost and Molly McGee's forced cancellation isn't just frustrating to fans of the show but to people in the animation industry as well. They're just as sick as we are about how much studios disrespect animation. They keep looking for the next Spongebob, Simspons, or goodness forbid Family Guy, but instead having faith in the creators and their content, they just...wait. They wait to make a profit and do the bare minimum to market their shows and make them available.
Let's look at Gravity Falls for example. I remember that when Gravity Falls was still airing, you would be able to find out a new episode was coming out based on coming across a commercial by random chance or by the people working the show promoting it online. Add that with the fact that it was on a different channel that required you paying MORE for your cable to get it. It WAS available through Disney Channel, a channel more available at a cheaper price, but the entire of Season Two got moved to the more expensive Disney XD, where Disney shows go to die, because...REASONS. With no warning or announcement. I think I found out about Gravity Falls moving to Disney XD because the trailer played during a commercial break. And that's just the START the show's problems. Mixed in with poor marketing, the show would have a crazy inconsistent schedule, where we'd have four episodes a week, a few months of NOTHING, a few more episodes a week, nothing for a few months, a random episode playing between that nothingness with next to no promotion, and all of that happening to the rest of the show until it finally died a slow death with its series finale where four episodes got stretched out for six months. That...is NOT okay. And it doesn't stop with Gravity Falls.
Steven Universe, OK KO, Ducktales 2017, Amphibia, The Owl House, and now Ghost and Molly McGee are all shows that had similar and sometimes WORSE treatments as Gravity Falls did, where the networks gave next to NO marketing, the creators had to promote their own shows themselves, and the airing schedules were so inconsistent with wildly long hiatuses that only the most dedicated fans were willing to keep watching. General audiences (mainly kids) weren't willing to keep up with shows that had ongoing stories if the episodes stories kept being too spaced apart and never had reruns as frequent as other shows like Teen Titans Go or Big City Greens (Or whatever's constantly on network TV nowadays. I don't know. I mostly watch shit on streaming).
The people of the animation industry is catching onto all of these tricks, and they're getting sick of it. They're getting sick of inconsistent schedules. They're getting sick of trying to bend over backwards in every possible way to make the show they wanted. By either making serialized content as episodic as possible so the network could air it more or by condensing their stories as much as they can, already expecting that forced cancellation to happen sooner than later. And in some cases, they don't even get the luxury of being told their show is ending. Did you know that Inside Job and Paranormal Park both had seasons that were already in development before Netflix pulled the plug shortly after releasing new episodes of their shows? Did you know that The Ghost and Molly McGee was already working on a Season Three before Disney shut that down so they had to force out a series finale that would still be good despite the cancellation? Because it's true. It's ALWAYS true. Creators want to make MORE, but the studios won't let them because they didn't profit off of it. Except they WOULD HAVE if they treated it better.
I want kids to grow up with characters that stick around through their childhood, just like I did with mine. I want kids to have their own Ed, Edd n Eddy, Codename: Kids Next Door, Phineas and Ferb, or Kim Possible. I want kids to watch shows that last more than two-three seasons, stick around for years, and leave an impact as if they have all the time in the world because to them, it feels like they do. I want kids to have a show that ends on a high note because the creators wanted it and not because the networks demanded it. But the unfortunate thing is that it doesn't seem possible nowadays. Because if a mostly episodic show like The Ghost and Molly McGee fails, despite being charming and inoffensive and something most kids will love, the what hope IS left.
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*sigh* I missed all these work, wonder unless...wait a second did I just draw next Generation on them😳?
AAAAHHHHH😭😭😭😭😭😭💕💕💕💕💕💖💖💖💖💖 I made my 2 beans next Generation alright😂💖
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After all I made a Sunlight and moonlight's gemling, her name is Eclipselight😊 stay tuned!
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