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#poetry about hope
local-ink-lover · 11 months
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tws: religion
a quick unfinished doodle poem inspired by AURORA's youtube bio lol
the gods we can touch
are often much grander
than the ones we imagine,
read about in books,
so amazed,
so confused,
we call it "scripture".
the gods we can touch
are often not able
to change the world,
to grant wishes,
turn water to wine,
but still,
so powerful,
we cannot resist their shine.
the gods we can touch,
they come in
too many forms,
and yet,
only one.
the gods we can touch
are not people,
not souls with intentions
or intelligent designs,
they are a smile,
a ripple in the pond,
the sunlight raining down
through translucent leaves,
they are the laugh
when faced with a rejection letter.
the gods we can touch
are a rebellion,
against cynicism
against defeat
and hopelessness
the thick darkness
drowning us—
and they are not a cure.
after all,
the gods we can touch
can only do so much.
but, sometimes you don't need
some formless,
ethereal being from above
to grant your every wish,
so long as you
believe hard enough,
so long as you
are pure enough,
clean enough
sometimes, you need
so much more.
you need a smile
when you've lost hope
of ever being "pure",
when you're tired of
believing in someone who's
never cared for you,
you need something
that doesn't have a plan.
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fluttershiesworld · 9 months
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[ID: text reading:
Frequently Asked Questions:
How did you become like this? How was your childhood? Do your loved ones find you constantly grating? "Your clinician may ask to talk to family or loved ones to get complete information on the ways that your symptoms are [affecting] you. "Did you know you can lead a normal and fulfilling life? Did you know no one will ever truly love you? Do you know what compassion feels like? Do you care? How does anyone deal with you? How should I talk to you? Wow, you seem so different from everyone else who fits this arbitrary group of symptoms that I vaguely know. Why are you different? Are you special? Are you stupid? Are you human? Are you cursed? Are you monstrous? Are you possessed? Are you made of metal? Is rust eating you from the inside out? Are you a real boy? Are you a real girl? Are you raw meat? Are you beautiful? Are you an angel corrupted by pride upon seeing the shape of god? Are you an abstract painting? How can I make you what I want you to be in my singular narrative? end ID]
frequently asked questions, sunny valentine
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john bull's other island and major barbara (1907) - george bernard shaw
"dont be scraed"
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corvidcall · 2 years
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None Of You Know What Haiku Are
I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.
If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?
Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!
First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.
For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.
In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).
Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?
Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.
(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)
Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.
Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.
Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:
古池や 蛙飛び込む 水の音 (Furu ike ya kawazu tobikomu mizu no oto) (The old pond — A frog jumps in The sound of the water.)
You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.
English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.
Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.
Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)
The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel
We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.
"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:
meteor shower . . . a gentle wave wets our sandals
When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.
"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?
I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards
a year at most . . . we pretend to watch the hummingbirds
Sources: (x) (x) (x) (x) (x) (x)
Further reading:
Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine
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ghostpajamas · 8 months
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pretending
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inkskinned · 1 year
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"it's so embarrassing you like that popular thing" "oh ew that geeky/strange thing is so cringe lol" "oh it's kind of weird you get excited about that harmless shit"
dude i love how ironic and jaded you are and that's so cool and sexy of you. and i am so so glad to tell you - you won!! we all had a meeting and we decided that you won, and we are writing your name on the inside of a burger king crown. the marker smeared, sorry, but we knew any form of real effort is ugly to you. but anyway. congrats! you are officially the coolest, most ironic, most jaded person in-the-world-right-now. we would throw you a party but you would think it was totally boring - and besides, we're weird so we wouldn't have been coming. we would have brought our love of beetles and of baking and of little canapes. we would have brought our artsy videogames and pages of writing. we would have written a poem with you, our hands covered in ink, and spread out a canvas to dance on, the night so lurid and pink.
but do not worry. we will not throw the party. we will just get you a ringlight and that crown i mentioned. it is a nice crown, except for where one of us dropped it.
the vote was a really hard one because we had so many cool ironic people to pick off the shelves. all of you have hands that rot fruit, how strange is that - you can't look at something without destroying it for other people. you like it when you can squeeze a person into a pinpoint - all us small ones scampering our little feet around our ugly joys. the vote was also a hard one because we kept our voices down because you don't like it when we talk too loud. you were on your phone at the time, talking to people other than us. you are a ghoul of every moment - half in, half out, you resent us for being here without shame or embarrassment.
so good news! we have invented an island for people like you. you get to go there and speak into the air things like if you still like watching harmless twitch streamers in 2023 you're fucking boring. you will say things like liveplay podcasts are fucking ugly and it's kind of awkward they try to make everything gay. on the island we made you, all of your words will have weight. they will form in the air like icicles, large white behemoth letters that will crumple in anvils around your feet. maybe we will send someone there once in a while to sweep, but honestly you might be there for a while, alone, waiting. we are busy being outside looking for mushrooms and flapping our hands and humming. we are busy kicking our little heels while we watch cringey tv. we are busy - sorry! as an apology, we have pre-filled the island with every bland, mediocre, unscented thing we could find. the island has the texture of american cheese. the island has an ocean that never gets angry. the island is perfect for you, trust me. you will be so happy there - as happy as you can be, ironically.
we want to say we are sorry for doing harmless things that you find annoying, childish, or unappealing - but we are not sorry. we thought we could help you, because we don't mind laughing at ourselves, but it turns out you are allergic to color and noise and atmosphere, so this is the best that we can do for now. we are all making a big shirt that says i voted in the ironic monarchy. we got you one that is just a fast fashion buttondown. i am so excited for you and this island and the big life you have won. you have a cool jaded grey life and miles of irony to roam. i love you! be well.
now leave us alone.
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welcometogrouchland · 4 months
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I understand that literature nerd Jason Todd is kind of overblown in fanon compared to it's actual presence in canon (a few issues during his pre (and post?)crisis Robin tenure that highlight it) BUT consider that I think it's hilarious if the unhinged gun toting criminal has strong opinions on poetry
#ramblings of a lunatic#dc comics#Jason Todd#batfamily#it's just a fun quirk! it's a fun lil detail and I simply cannot slight ppl for enjoying and incorporating it into works#like obviously jason isn't the only one. I'm a big believer in the batfam having over lapping interests they refuse to bond over#i know dick canonically used the robin hood stories (which are pretty flowery in their language far as i can tell) as inspo for Robin#and i know babs was a librarian and even tho her area of nerddom is characterized as more computery she probably knows quite a lot-#-about literature as well#duke is a hobbyist writer i believe? i saw a fan mention that- which if so is great and I hope he's also a nerd#(i mean he is canonically. i remember him being a puzzle nerd in his introduction. but i mean specifically a lit nerd)#damian called Shakespeare boring but also took acting classes so i think he's more of a theatre kid.#Tim's a dropout and i don't think he's ever shown distinct interest in english lit and i can't remember for Steph?#I'm ngl my brain hyperfocused on musician Steph i forget some of her other interests I'm sorry (minus softball and gymnastics!)#and then Cass had her whole (non linear but it's whatevs) arc about literacy and learning to read#went from struggling to read in batgirl 00 to memorizing Shakespeare in 'tec and is now an avid read in batgirls!#she's shown reading edgar allen poe but we don't know if it's his short stories or his poems#point to all of the above being: i know Jason's not the only lit nerd in the batfam#but also i do need him to be writing poetry in his spare time and reading and reviewing it#jason at the next dead robins society meeting: evening folks today I'll be assigning all of us poems based on laika the space dog#damian and steph who have been kidnapped and brought to jasons warehouse to hangout: LET US GO BITCH#speaking of^ random poem i think jason would like: space dog by alan shapiro#wake up one morning in an unfamiliar more mature body with a profound sense of abandonment. the last four lines. mmm tasty
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fromdarzaitoleeza · 2 months
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Spring is here , the true beginning of the year , the season where my soul reborns and blooms .
I have made some progress in terms of the person I am becoming, truly in all my honesty all that i have done is to stop caring for everything that once used to matter , the less I care about anything in particular the less I am bothered and the happier i stay. And i really hope everyone here is doing well and I appreciate all the love that was sent.
The problem is I care a lot about everything and i don't even get the bare minimum in return and when i do get it it's too late, so much time has passed by then ,when it comes by then i do not want or need it because it's the not care that came out of love it came out of their guilts. And the longer i wait for it to come by -the more I learn why I don't need it anymore .
I am slowly learning to value myself ,trying to put myself in a position where I can agree that i too deserve all the good things and love even on the days when i have nothing to offer .
Idk guys I am just here to rant and to be stupid
Better late than never they say , I guess it's not too late for me either, I will start my life and live up to what I want & how I feel ,i don't have to care about anything else as long as I feel alive in my bones things will eventually flow, I will fall in love with myself little by little day after day.
I will choose myself instead of choosing others and I will fall in love with my solitude instead of bearing it with me , i don't care if I end up alone if I do end up all by myself I will be with someone who i know has a tendency not to give up .
Life is really short i just don't want to sit and watch it pass by , if I am lucky enough I will have 40 more springs to experience , I have clear boundaries and thoughts in my head now, eventually i will find peace through it I hope so.
Ramdan kareem to people who celebrate it here please remember gaza in your prayers and fastings
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firstfullmoon · 8 months
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Russell Edson, from “The Marionettes of Distant Masters”
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lotrmusical · 2 years
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a. e. housman, from 'hell gate'
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lilllium · 1 year
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— J. Allyn Rosser, from Sugar Dada
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cryinginthedeep · 24 days
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natalie wee, "least of all", Our Bodies & Other Fine Machines
(x, x, x, x, x)
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unclewaynemunson · 1 year
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Tadaaaa here is the sequel to this post, which came from an ask that got me in a chokehold for days now so kudos to the lovely anon who sent that prompt to me! You can also read the whole thing on ao3 :)
As soon as Eddie got into the passenger seat of his Wayne's truck, he saw the whole world go blurry. He tried to blink away his tears, but it was no use – nothing ever escaped his uncle's notice anyway.
'Wanna tell me what's wrong, boy?' he asked while he started the car.
Eddie grimaced. 'You know how they say you should never meet your heroes?'
'Hm?'
'Well, I met mine. On the fucking train. Just yet.'
Wayne shot him an incredulous glance.
'What was the Black Sabbath guy doin' on a train?'
'What? No, it wasn't... No.'
'The Hobbits guy?'
'Jesus Christ, Wayne, Tolkien died like fifteen years ago, keep up.'
'You want me to keep guessin' or you gonna tell me?'
Eddie rolled his eyes.
'Yeah, no, you wouldn't guess it right anyway. It's this poet.'
'Don't think I ever heard you talk 'bout poetry before,' Wayne remarked.
And that was exactly the thing. Ronan Right had been something... private. Something between Eddie and the faceless blob in his mind that embodied Right – and maybe Jeff. Okay, and Jeff's mom. But it wasn't someone he'd talk people's ears off about on any occasion he got, like he did with plenty of other musicians or writers that he'd get all obsessive about.
Until Steve, that was. Steve, who had been casually listening to his music. Steve, who had recognized the book in his hands and effortlessly opened the floodgates of his obsession. Steve, who had said the most beautiful things about Corroded Coffin without even knowing who Eddie was. Steve, who had talked with him about their shared passions for hours. Steve, who he now somehow had to merge with Right in his mind.
Steve, who seemed so perfect that it made all of Eddie's alarm bells go off at the loudest possible volume. Because this couldn't be real. This was something straight from a disgustingly sweet romcom scenario, and if there was anything Eddie could be certain about, it was that his life was no romcom.
So during the short walk from the station to Wayne's car, Eddie's head had already come up with a dozen scenarios that were completely spiraling out of control – even though they'd all make for great songs, no doubt about that. Steve would die some kind of tragic death on his way to their first date. Steve was secretly addicted to crack. Steve was a stalkerish fan who had lied to him about being Ronan Right to get close to him. Steve would cheat on him on their wedding day.
The list of possibilities was endless and terrifying – while the list of possibilities for this having a happy ending, on the other hand, was exceptionally short.
'Was it that bad?' asked Wayne while they headed out of the city.
Usually, Eddie enjoyed amping up his dramatics to a maximum around Wayne, providing the much-needed balance to his uncle's calm and steady demeanor. But right now, Eddie felt himself deflate in his seat. He couldn't bring himself to make a show out of it.
'No,' he said, quietly. 'He was perfect.'
And Wayne must've heard it in his voice, must've picked up right away that this wasn't Eddie being dramatic, that something serious was going on here, because he gave him this look that was cutting way too deep into his heart.
'Nobody can be that perfect, you know,' Eddie continued. 'It's impossible. And he – he gave me his number. And I just know that if I call it, and we get to know each other better, I'll get crushingly disappointed sooner rather than later. Because something has to be, like, disturbingly wrong with this guy.'
Anyone else than Wayne would probably tell Eddie that he was being ridiculous, that he should get over himself and call Steve; that he should allow himself to let good things happen to him or some shit. But Wayne wasn't just anyone. Wayne was the one person who knew exactly what Eddie meant. The one person who had seen from up-close the shitshow that Eddie's life had been, who had retained a front row seat through all of it. And he had had his own fair share of misery himself, Eddie knew that much. He was too old and had gotten punched down too many times to still hold naive illusions of the possibility of good things.
So he didn't give him some bullshit advice. He merely patted Eddie's knee and turned up the radio.
---
Ever since Eddie had left Hawkins, it had become a habit of him to stay with Wayne for a couple of weeks every now and then. For all his desires to get the hell out of that town when he was younger, he still spent way too much time at his uncle's trailer. But it wasn't Hawkins that he came back for, it was uncle Wayne.
It was home. And it helped him breathe whenever the city got too intense. Helped him get detached from everything that distracted him from the shit that actually mattered. Helped him get his head right when Chicago was threatening to make him lose it.
Time seemed to move differently in Hawkins than in the city. Slower. More naturally, too, somehow. Maybe it was because of the lack of nightlife and flashing neon signs when the world was supposed to be wrapped in darkness. The fact that he could still see the stars when he stepped out of the trailer at nighttime. Maybe it was the quiet, which allowed him to actually hear himself think. Or maybe it was the predictability of it all: Wayne waking him up with a cup of coffee in the morning, the two of them sharing cigarettes on the porch, Eddie helping Wayne with some chores and then trying to write new songs until well into the night, when the world was his and his alone.
He kept reading Right almost religiously, but it was different, now. Now that he could hear Steve's voice say those words, now that he could envision the way in which the sun shone on his hair through the dirty train window and the shape of his hands clutching a walkman that had Eddie's music in it. It was all different.
After a week, Eddie had a whole album worth of songs about the deception of things that seemed perfect. He hadn't been able to write even one song about things ending well, about things working out. That wasn't his life. Things never worked out. Why would they, for a boy born in a household where the trifecta of poverty, addiction and violence was all he had ever known? In the five albums he had produced so far, he'd never experienced a lack of demons to write about.
So no, he wouldn't be calling Steve, even though he had read the number that was written down on the sleeve of his own album so often that it'd probably be impossible to ever erase it from his mind again. He'd protect himself, this time. He'd cherish the hours he got to spend with Ronan Right, the memories that were already starting to feel like a fever dream, and not let his heart break any further. Not this time. Not again.
---
'Got mail for ya.'
An envelope landed in Eddie's lap.
'What's this?'
'I dunno, 's your mail,' Wayne answered.
Eddie didn't recognize the handwriting and the Indianapolis post stamp didn't give him much of a clue either. It didn't make sense that someone would send him a letter at his uncle's place.
He frowned, roughly tore open the envelope and pulled a single sheet of paper out of it. It was neither directed at nor signed by anyone, but that wasn't necessary for Eddie to know who sent it.
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'What is it, boy?' Wayne asked, a worried edge to his voice upon hearing the choked sob that freed itself from Eddie's throat.
Eddie knew that the words were only meant for him. But he and Wayne were a unit, always had been, ever since Eddie moved into Forest Hills. So he wordlessly handed the paper to his uncle, roughly wiping the tears from his eyes.
Wayne assessed the text with a wrinkled forehead, holding the paper at an arm's-length in order to read it.
'That from the boy you met on the train?'
Eddie nodded.
When his uncle looked up from the letter, Eddie caught an almost unfamiliar look in his eyes. It was soft, hopeful. Optimistic.
'You know I ain't any good with words, like you, or this – this poet,' Wayne said. 'But this...' He pressed the letter back into Eddie's hand. 'This looks like he knows you, Ed. Like he sees you. For all that you are.'
He didn't tell Eddie what to do; that wasn't his style, never had been. But what he did say kept bouncing through Eddie's head unceasingly, making him unable to sleep, unable to write, unable to think about anything else.
---
Eddie desperately wanted to say something meaningful when Steve picked up the phone. He wanted to thank him for reaching out, to apologize for being too much of a coward to call earlier – but what came out of his mouth instead was, 'How did you know where to find me?'
'Eddie, is that you?' It sounded like Steve didn't quite believe it.
'Yeah – yeah, it's me,' was the only thing he managed to get out of his mouth.
'Look, I'm sorry if I overstepped,' Steve told him. 'I just – I couldn't get you out of my head and it all felt so right, you know, like fate or some shit, so I just had to... I needed to try. And I knew your name, and that you were staying with your uncle, so I got help from some friends and they managed to find your uncle's address.'
And as if Eddie hadn't been enough of an emotional wreck over the past week, his vision got blurry with tears yet again.
'Sorry, was it – did I go too far?' Steve sounded nervous.
Eddie could perfectly envision the way he would be frowning and anxiously running a hand through his hair; as if they had already shared a whole lifetime of getting to know all about each other's mannerisms instead of a few stolen hours on a train.
He hated the idea of Steve thinking he had done something wrong when all he ever did was so fucking right, so he determinedly shook his head, then realized Steve wouldn't be able to see that, and started scraping for words.
'No, Steve, you... You're perfect. And that scared the shit out of me, because so far, my life hasn't really done perfect. Most of our songs, they're – well – creative retellings of my own shit.' Now that he started talking, the words actually came a lot easier. 'They're all real, at the core, when you peel away the layers of, like, monster slaying and fantasy imagery. Like, everything underneath all that, it's all... me. Damage, betrayal, fear, violence – all that shit is true. Life hasn't been kind to me, Steve. And I was convinced that you'd only become an addition to that long list of crap, because you seemed way too perfect. I never thought I could have something good. And you're good, Steve, you're so fucking good. So I couldn't believe it.'
A long silence ensued at the other side of the line. Then, a sigh.
Then, 'Eddie,' in the softest voice possible, like his name was something breakable. Eddie didn't remember ever having heard his name said like that.
'I think that was exactly what I heard in your songs. Why I kept listening to them. Why they inspired me so much.'
Eddie tried to swallow away the lump in his throat, suffocated by the emotions bubbling up inside of him.
'I wish I could hold you, right now.'
Eddie's breath caught. He knew exactly what he needed to do: he needed to stop running. He needed to trust that Steve could be right, for him. That Steve could be something good.
'I mean, you could come over to Hawkins and do just that, you know,' he suggested.
'D'you want me to?'
He nodded, again forgetting that Steve couldn't see him.
'Yeah, I'd like that. Probably still got half that cookie somewhere in my pocket, y'know. Maybe we could share it.'
Credit where credit is due: the line “He sees you, for all that you are” isn't mine, it's one of my favorite quotes from Schitt's Creek and I really wanted Wayne to say that to Eddie about Steve, so here we have it <3
@ My beloved 🥐 anon: I hope you like this ending, and that I came close enough to your suggestion to have Steve make Eddie a character in his next poem <3
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poemsonmars · 6 months
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the universe talks to me
when no one else is around,
but you didn't hear that from me.
she shares her secrets
and shoots her stars
and tells me stories
about the most beautiful things
that she has ever encountered.
you are at the top of her list.
you are at the top of mine, too.
-mars
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fairydrowning · 1 year
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Knowing someone tea/coffee or other food orders is a love language.
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arcanespillo · 10 months
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The sheep or the horse, numb as the moon, need God to be sung unto them. The dog needs it too. He is sick of dead bodies.
The Saints Come Marching In, Anne Sexton\Dream a Little Dream of Me script\How to Be a Dog, Andrew Kane\Angel of Hope and Calendars, Anne Sexton
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