For almost 50 years, Brazilian-born New York–based artist Lydia Okumura (b. 1948), like her contemporaries Dorothea Rockburne and Robert Irwin, has explored the realm of geometric abstraction by challenging our perception of space in her sculptures, installations, and works on paper. In the 1970s, as a young artist in her native São Paulo, she was introduced to Conceptual art, Minimalism, Land Art, and Arte Povera through the Japanese art magazine Bijutsu Techou. These movements, along with Brazilian Concretism and Neoconcretism, influenced Okumura’s dynamic work in which she uses simple materials such as string, glass and paint to balance line, plane and shadow.
This handsome exhibition catalog, produced to accompany the artist’s first solo exhibition in the United States at the University of Buffalo Art Gallery and to encourage a critical reassessment of Okumura’s oeuvre within art history, is a rich document of her minimal practice and independent vision. The catalog includes an essay on Okumura and her work by curator Rachel Adams; an account of vanguardism in Brazilian art from 1960 to 1975 by art historian Mari Rodriguez Binnie; a conversation between Adams and Okumura; and extensive photo documentation of Okumura’s work from the 1970s until today.
Edited by Rachel Adams & Charlie Tatum
Designed by Mark Owens with Sarah Cleeremans
Published by Sternberg Press and the UB Art Galleries
Printed in an edition of 1,200 copies
In English and Portuguese
Softcover, 112 pages, 48 b&w and 56 color images, 9.5 × 11.5 inches
ISBN: 978-3-95679-291-5
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Glass Sculpture By Hennie Elzinga.
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“Memento Mori” book with skull carved in the thickness of old books
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Bookshelf Sculptures // Junes Book Nooks
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The Pomegranate, Cherry Jeffs 2020
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Warped Sculptures Suspend Novels, Guidebooks, and Other Print Objects in Borax Crystals
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Head of a funerary couch, in the shape of Ammit 😛
Ammit is a celestial beast who bestows final judgement on the deceased and devours the unjust in the court of Osiris.
Populalrly depicted in funerary texts like the Book of the Dead, Ammit is usually a combination of a crocodile's head, the front legs of a lion, and the hindquarters of a hippopotamus.
Found among three ritual funerary couches in Tutankhamun's antechamber and made of stuccoed gilded wood with each animal's eyes inlaid with colored glass paste, this particular couch is variedly composed of a curiously different configuration: a hippopotamus' head wearing a wig, a leopard's body, and a crocodile's tail and crest
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Tamara Kostianovsky, Unbeknownst, 2007
Beef, leather, thread
https://tamarakostianovsky.com/home.html
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This 110-year-old dry pine became a beautiful book sculpture. The “Ladder of books,” pays tribute to teachers and their work in Guadalajara City, Mexico.
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