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#so yeah they’re repressed for sure. but i also don’t think that makes them gay
danothan · 6 months
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I like to think of halbarry as two gay men who haven't come to terms with their sexuality and complete denial bc of their trauma and bullying
like what you said in flashpoint paradox where in that timeline he got the support system and no trauma I think
I think it makes sense to me them being gay than bi/pan. etc
oh this could not have come at a worse time, i’m drawing the most bisexual halbarryisms in the world rn 💔
#danswers#dc#halbarry#hal jordan#barry allen#green lantern#the flash#danbles#i never updated on this but i finally decided my ‘true canon’ is that they’re both bi!#and yes including hal’s pansexual ass. it doesn’t rly make a difference either way but EYE personally interpret him as bi too#and ik i said all that stuff abt fpp but i think the problem is that the hc dismisses barry’s current life#as if having trauma could negate newer experiences#i think it makes more narrative sense to combine the memories of both timelines to make him feel more complete rather than choose either or#rings some bisexual bells doesn’t it?#not to mention barry’s compartmentalization is not strictly gay in fact it works thematically with the bi angle#as for hal. well i want her to be bi^2 to put it simply. the bisexual bigender agenda. bigenda#i also think that the way hal views gender is deeply fascinating and makes it harder for me to view him as pan bc of it?#not that i think being bi or pan has any singular experience but ig it makes more sense to me as someone that has identified as both#idek if hal would use labels i just describe her with specific ones as a way to communicate my own interpretations. he’s just living life#so yeah they’re repressed for sure. but i also don’t think that makes them gay#the post you referenced was an oldie tho i’m glad it still resonated with someone!#none of this is canon anyway so hc whatever you’d like <3#i’ll only fight someone if they say barry specifically is the token straight. targeting him just bc he’s boring smh…
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azrielgreen · 1 year
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Touched CH6 Preview (a happy one)
He and Robin eat, they talk, they endure her Mom bringing Steve fresh squeezed orange juice when she oh so casually says she thinks of him as a son in law.
‘Mom!’ Robin warns, but she loves her Mother, she’d never be mean. ‘Stop it, Steve and I are best friends, that’s all! You gotta stop.’
Steve takes the juice, savours the taste.
Nora Buckley is unrepentant. ‘You’re a lovely boy, Steve, you deserve juice.’
‘Hey, I deserve juice too, y’know? First and only born here, could use some vitamin C!’
‘Robbie, whenever I make you juice, you complain it’s pulpy.’
Robin shudders. ‘Ugh, I forgot. I’m good. No juice for me, but please stop trying to get me and Steve hitched already, it’s not gonna happen.’
Nora’s smile dims a little. ‘Well, it might.’
Robin and Steve glance at one another and away quickly, Robin sighing heavily. ‘Yeah, I guess you never know, come on now, Mom, out please.’
Her Mom brightens a little after that and leaves pretending to grumble, but Robin is sad when she returns to the bed after locking her Mom out which is, Steve has learnt, standard practise in the Buckley house. Robin never grew up being afraid of her parents.
‘I hate how much it’ll break her heart when I tell her.’
Steve reaches for her hand, takes it gently in his own and she sighs, flops down so her head is in his lap.
‘She’ll still love you,’ he says, drinks more of the juice and god damn, but that’s good. ‘She’s a great Mom.’
Robin looks up at him, morose and frowny. ‘Will you marry me?’
‘No, babe, sorry.’
‘There’s a lot of juice in it for you.’
‘Even so, I must regretfully decline. You don’t need me, anyway. They’re gonna love you no matter what.’
She sulks, cuddling his knee. ‘Not like there’s any point telling them anyway,’ she mutters.
Steve strokes her hair. ‘What does that mean?’
‘I mean there’s no point. None. No girls in this town are queer. I’m the only one.’
‘That’s kinda defeatist.’
‘Steve, look around. It’s Hawkins.’
He sips more juice, likes the bits. ‘Hello?’
‘OK, but when have you ever seen a queer girl in the wild?’
‘That sounds like a cheap porno and when the hell have you ever seen a queer guy in the wild? It being a small town just means everyone is quiet and…’ He gestures with the glass. ‘Repressed.’
‘There aren’t even any gay clubs here.’
‘We could go to the city.’
‘But then it’ll just be like… a hookup! I can’t tell my Mom I’m a lesbian for a hookup!’
‘Babe,’ he says seriously. ‘There are queer girls here in Hawkins, OK? I guaran-fucking-tee it.’
‘What if I never meet one?’
‘You will.’
‘When?’
‘OK, seriously, you wanna do this? Because we’ll do this.’
She rolls onto her back. ‘I wanna do it. I wanna find someone. I want to kiss somebody. I want somebody to kiss me like Eddie kissed you in the hall.’
‘Were you—?’
‘I had to pee and you were right there, not my fault.’
He chuckles fondly. ‘Perv.’
‘Oh sure, I’m the pervert, not Eddie pushing you through my Mom’s wallpaper, huh?’
‘That was pretty tame.’
‘See?’ She wrinkles her nose. ‘I want that. But with a pretty girl.’
‘All right, you asked for it, we’re officially on a mission, starting right now.’
Robin beams. ‘Really?’
He strokes her hair some more, finishes his juice.
‘Absolutely. I’ve got a real instinct for these things too, OK? So you can trust me.’
‘You mean like when you didn’t think Eddie liked you back and you also didn’t realise you could be queer because you liked girls too?’
‘Uh, excuse me, do you want my help or not?’
‘I want your help, but like, maybe Eddie’s too.’
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nadia-zahra · 2 years
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Deeper Dive on Mike and his Gay Feelings
To give context to Mike’s s3 behavior first:
Like I said in my first deep dive on Mike, at the snowball he realizes he feels romantically towards Will and begins his “I don’t like like Will, I’m normal 😃” phase. Normal for him means being heteronormative. Mike thinks acting like a smartass, only spending time making out with your girlfriend, and not wanting to play d&d is what normal teenagers do. This is because of the influence both Ted and Steve had on him in s1. Y’all forget that Steve did literally everything I just listed when he was with Nancy and Ted makes subtle, but homophobic comments ab Will and Mike throughout the show. It makes sense that Mike thinks acting like a douchebag is what’s normal people do because that’s literally all he’s ever learned.
MAJOR MF EDIT OMG: I'm so angry with myself. After this has been up for a few weeks now AND I have reread this post at least three dozen times to make sure my message came across exactly how I wanted it to, I've just realized I didn't clarify Mike didn't know he wasn't romantically into El. Mike doesn't realize he's not romantically in love with El until 3x6. Before, he was confusing his platonic feelings for romantic ones. pls future readers know that whenever I discuss his feelings ab El before the cabin scene he isn't aware that his feelings for her are not romantic. He's not completely using El as a way to repress his gay feelings for Will, he genuinely thinks he like likes her because of his desire to be heteronormal/like girls. This post disproves the bi mike theory and mileven--just casually killing two birds with one stone lol (except bi mike is a national treasure)
Alright, *cracks neck and knuckles* let’s get into s3.
3x1 right off the bat lets us know mileven isn’t healthy. The first scene of these two is them making out, El puts her hands on him, he takes them off, he starts being goofy and sings the song that’s playing, and El doesn’t like it so she shuts him up by kissing him. Ok so Mike doesn’t like getting touched by El romantically…cool cool. This also gives us our first hint at how Mike and El are not compatible— he likes being silly and singing along to songs and she doesn’t. Just one of the ways we’re shown they don’t have similar interests.
After Hop busts them making out, Mike leaves and mileven has a brief lil convo over walkies. This talk shows us they are not equally emotionally invested in their relationship. El lovingly says “I miss you”, he replies “yeah. Me too”. He has annoyance in his voice--like he just wants to get off the walkie. El doesn’t pick up on it, but it’s clear as day from our pov. What’s really odd, though, is Mike not telling El about going to the movies with lumax and Will. Does this mean he’s never mentioned all the other times too?? Why doesn’t he tell her if it’s just the four of them hanging out?? Well...if he’s not telling El now its safe to assume he hasn’t before. Mike never telling her ab the hangouts implies he feels guilty for having more fun at the movies with Will than making out with her. He doesn’t want El to know he dislikes spending all their time together kissing, so he just lets her assume he’s sadly going home. El is clearly more emotionally invested with this relationship and genuinely has lovey feelings for Mike, but he only feels platonically towards El, even after they start dating.
Mike arrives at the mall where he meets lumax and Will to go to the movies. Lucas says three things that are important: 1) Mike’s late again 2) makes fun of mileven for only making out 3) calls these hangouts romantic time with Max. First gonna dissect the last thing I listed because Lucas basically calling it a double date lets us know the tone of these hangouts. They’re romantic in nature, it’s not just four friends hanging out. If lumax thinks it’s a double date...and Will wants it to be a double date...then Mike also senses it’s a double date. Another reason why he doesn’t tell El about them. Second, Lucas (and later Robin) mentions this isn’t the first one. The four of them have done this MULTIPLE TIMES. Mike hasn’t been on a romantic date with El btw, he’s literally only ever shown on one with Will. Like if the writers wanted us to believe mileven is emotionally connected and romantic, then they would’ve made a different opening milkvan scene.  Lastly, Lucas makes fun of him for only making out with El. This is really important because it tells us that the characters in stranger things notice this relationship isn’t healthy!!!
*milkvans speaking* But El is his first gf ofc they’re going to make out all the time! no. incorrect. wrong answer. lumax and duzie (idk is that what they’re callied lol) are great examples of how that ain’t true. Max is Lucas’s first gf and even he gets that it’s weird to want to ONLY make out. Suzie is also Dustin’s first girlfriend and they bond over The Never-Ending Story, not swapping spit.
When Mike replies with “Yeah it’s so funny I want to spend romantic time with my girlfriend” it got me thinking…does Mike think this is how dating is supposed to be?? And yeah, he does!!! He doesn’t understand how to build a deeper romantic relationship with El because he doesn't know his feelings for her are platonic. Mike’s just doing what he thinks he’s supposed to do. It proves to himself and others that he’s normal by forcing himself and El to make out (yes I said he’s forcing el I’ll discuss that later). Hopper is the second person to talk ab how mileven only making out is weird. It doesn’t help that Mike acts like an ass towards him, but he acts like that towards Hop because it’s a part of his new douchebag facade. Just gonna throw byler moments here: Mike gets defensive when Will agrees with Lucas, byler hardcore blushing at the movies, Mike staring at Will for roughly 24s while Will is having his war flashbacks, and both of them looking at each other’s lips multiple times in less than 6s.
3x2 Mike lies to El ab his nana and their very fragile relationship begins to untwine. Now I have to say this, Mike 100% wasn’t forced to lie and make up an excuse on why they couldn’t hang out. Hopper threatened to not let him see El again, but he covered the lie up by telling her Mike’s nana was fine. We never did get to hear what hop told mike, but Hopper doing this means he would’ve been ok with Mike coming over the next day as long as he didn’t act like a smartass and kept the door open three inches. Mike chose to add to the nana lie. Even after El asks him straight up if he’s lying he says no. Why would he continue to lie to her when he clearly had a way out?? To put it frankly: Mike didn’t want to spend his afternoon making out with El when he doesn’t even enjoy doing it. Ik…crazy…but Mike knows he’s shit at lying, so he heads to the mall with Lucas and Will to buy her an apology gift.
The whole present/mall situation is the biggest clue to how Mike and El just aren’t compatible from s3. He knows he needs to apologize, but he doesn’t know what she would like because he doesn’t know literally anything ab her interests. The only present he could find for her was too expensive (and Will coded), so he just ended up not buying anything for her. Dude what?! She would’ve been happy with literally anything. Ffs she says in this episode “how do I know if I like something”. The elmax scenes just further prove milkvan doesn’t work because it is quite literally “El being really happy because there’s more to life than stupid boys”.
I’m trying not to add the subtext byler clues to this but I just think this one’s funny: Lucas sprays a purple (mileven color) perfume on Mike, and he makes a super disgusted face lol
El breaks up with mike when her and max see the guys at the mall. I love this for her honestly because this was her first step into being independent and finally living the way she wants to live!!! Back to Mike and his gay feelings— from this point moving forward, Mike thinks they’re broken up. Ik you might think this is a weird thing to say cause like…no dipshit sherlock…but trust me you have to keep this in mind.
THE MOTHERF**KING RAIN SCENE
I was going to do a whole other post on the rain scene because it’s so much, but I figured I should just keep it in here because this is a deep dive on ALL of s3 mike and his gay feelings. You have been warned 😶‍🌫️
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This scene and what we’ve seen leading up from Mike’s pov is A LOT different than Will’s.
At the snowball Mike realized he like likes Will due to his jealous insecurity that someday Will’s going to replace him. His new personality is the result of this realization. And Mike’s personality change leads to him pushing Will away emotionally. Him making excuses on why they can’t play (Lucas is down to, Mike is the one that’s making all the excuses) and openly making fun of Will during the game (Lucas actually never makes fun of Will, he just laughs at mikes joke) are all a part of the facade.
Here’s the thing: Mike doesn’t know a) Will’s gay and doesn’t want to be normal b) Will like likes him back. He genuinely believes that their special friendship, the extremely deep and emotional bond they share, is all in his head— all just a childish, one-sided crush. Mike literally couldn’t tell Will was upset all summer because of his own insecurities in their friendship blinding him, not because he was so invested in menthol cigarettes.  
Will snapping (rightfully so) and leaving the basement finally gets Mike to pay attention to the other’s feelings. He thinks Will’s just upset over him not wanting to play d&d, but getting called out for being flakey and not caring ab the party makes Mike realize he’s noticed everything. You can see in Mike’s face he’s gonna defend his shitty behavior (he always plays defense in fights). But when Will throws in the “you’re destroying everything and for what? So you can swap spit with some stupid girl?!” Mike loses it.
Now the miscommunication comes in clutch. Both of them interpret the bolded sentence in different ways. Mike’s version: You’re destroying everything because you like making out with a girl who’s literally dumb. Will’s version: Your destroying everything because you like girls.
And Mikes response, “El’s not stupid! It’s not my fault you don’t like girls”, was also interpreted two different ways. Mike’s: El is smart, and it’s not my fault you haven’t grown up yet. Will’s: El is smart, and it’s not my fault you’re gay.
Yeahhhh the duffers were lying their asses off back when they said it’s not supposed to be interpreted as calling Will out. Everyone INCLUDING WILL heard it that way. It was written deliberately as “you don’t like girls” for a reason. Why else would Will get so upset when he’s canonically gay? We can all safely assume they lied because they didn’t want Will’s sexuality to be known yet.
OMG I JUST HAD A REALIZATION OF MY OWN. Idk where to put it so here it is: Mike’s whole thought processing with his crush on Will being childish is because he thinks Will is straight and still in the prepubescent mindset of “no romantic feelings exist I’m pure of mind girls have cooties 😇”. And at the snowball he sees a glimpse of Will being out of the child mindset, hence Mike begins wanting to grow-up. Anyways…
Mike can tell from the expression on Will’s face he’s gone too far. Now he’s not defensive because he can now see that he was unintentionally hurting Will all summer, and that his remark was below the belt (he doesn’t actually get the real reason why Will is upset, he just thinks he does because of miscommunication).
Mike’s rationalization for his shitty behavior is what he realized he’s afraid of back at the snowball. That Will is going to get a gf someday, and the two of them aren’t going to play d&d in his basement forever. He truly believes emotionally pulling away is saving him from a hell-reality where Will loves someone else more than him. Since he thinks all his questions are just facts, he thinks Will also believes this. Up until Will responds with “Yeah, I guess I did. I really did”. That completely shatters Mike’s false reality. Now knows literally every single word he’s said just made things ten times worse. All he’s thinking now is “if I don’t apologize for everything I just said, I’m actually going to lose Will”.
I’m ignoring Mike + Lucas going to the byers house and apologizing. 
Wait! Before you scrutinize me for acting like this cute scene doesn’t exist, let me explain!
The fight scene takes place in the day and the boys going to the byers happens at night. Why? Idk. If you just watch it once you don’t think ab the time difference, but when you do, you unconsciously write it off as Mike waiting for the rain to stop…except it never did. The show doesn’t explain the time jump and instead acts like it didn’t happen. I’ve really tried to think of a plausible answer to Mike + Lucas waiting and this is the only one I could find: when rewatching the show for my notes on this analysis, I noticed time is nonexistent s3. Almost every scene in s3 has a clock, but time in scenes and the order of sequence don’t match up. The time inconsistency within s3 is a whole other can of worms I am not smart enough to tackle, and I’m not going to act like I understand why the duffers chose to make the destruction of caste byers + this byler scene at night. Also ignoring it because if you take it out nothing changes in their dynamic from mike’s pov. He still wants to properly apologize, but he doesn’t because a) mind flayer is back and b) last byler scene happens but we’ll get to that later.
Other things from 3x3: El can’t tell if Mike’s a good kisser. This means she doesn’t really enjoy making out with him (she def thinks his kissing is a 3/10), but doesn’t want to admit it because she thinks Mike enjoys it. Like I get her not knowing what types of clothes she wants to wear, but her body is telling her she’s not that into it. Also means that Mike is the one in control of their relationship if she’s just kissing him because she thinks that’s what he wants. The sexist convo between Lucas and Mike highlights Mike’s internalized homophobia and inner turmoil ab not being normal. He claims, “women act on emotion, no logic”, but it’s just him projecting-- he obviously doesn’t believe this. Mike saying this means he’s bullied himself for having a very emotional friendship with Will (being girly/emotional=gay=not normal). And Mike is definitely lying ab not knowing why El is mad at him, and him acting clueless is just a part of the persona. Ffs the whole reason she caught him is because they couldn’t find an apology gift for lying to her.
This is something I haven’t touched yet (I probably should’ve by now whoops): Mike is not against El gaining independence, he’s against El not needing him in her life anymore. He sees himself as kind of her yoda; he was the first one to gain her trust and to teach her ab life outside the lab. He thinks she needs him as a friendly mentor figure, not as a loving boyfriend. He doesn’t understand that he can’t tell her how life is supposed to be like anymore because that was their dynamic before dating. S3 she’s not fresh out the lab or new to this world; she knows enough ab life now and wants to figure out her own opinions/interests with a supportive boyfriend.
Anyways back to Mike’s internalized homophobia...
3x4 is the beginning of Mike looking at Will in a different light than he has been all summer. Will admitting he thought it was gonna be them together forever made Mike feel less insecure ab believing this too. He still thinks their friendship is on the rocks, but at least he knows now Will wanted to play d&d together forever before the fight. This episode introduces Mike’s “new” body language of subtly (not subtly) sitting/ standing weirdly close to him and way more secret glances. Sadly, he’s still trying to cling to milkvan instead of facing his insecurities.
Mike and El meet for the first time post-breakup. If you take his playful joking at face value, it’s weird and insensitive towards her. But really he just forgot for a sec that they were on bad terms. Why? idk maybe because byler got into their biggest fight ever the day before, he’s scared and stressed ab the mind flayer being back, and the party is literally grabbing stuff to capture Billy (the scariest person in the show besides Vecna). Personally, I don’t blame him for joking with El ab the dummy to kinda lighten the mood. 
Mike thinks he’s gonna reel El back into a relationship by doing the exact thing that made her break up with him: by lying his ass off. Says Hopper told him to lie (no he didn’t Hopper cleared it up), she’s the most important person to him in the world (again a lie seeing as he never even apologized for the nana lie), and that Hop’s just some crazy, old man who thinks they spend too much time together (only true thing he says but weirdly enough it sounds like the weakest point). In the past El has just gone with everything Mike’s told her, so he’s shocked when she agrees with Hop on them spending too much time together. Interesting how out of all the things he says, El outwardly agrees with only the true one.....
Mike doesn’t still get that their relationship wasn’t healthy; that they can’t actually be a good couple if all they do is make out every day and don’t get to know each other. El basically saying “we’re done. I don’t want to get back together because I spied on you, heard some awful shit, and want to make my own opinions” destroys his idea of their dynamic. Before this, Mike felt in control of it (cause he was), but now she doesn’t just go along with everything he says. Now he knows El truly meant it when she dumped his ass. And ofc instead of admitting to himself she came to this conclusion on her own before the spying situation, he chooses this delusional ass mindset: he’s been spied on by elmax, meaning El trusts Max more than Mike, meaning Max somehow brainwashed El into dumping him and are now conspiring against him. 
I feel like I shouldn’t have to add this, but I will just so that Ik me and whoever is reading this are on the same page: Mike cares for El--platonically, like a sister. Ofc he didn’t think twice ab grabbing the metal pipe and whacking Billy with it. It wasn’t a romantic gesture it was literally him saving El from murder. 
3x5 begins the “conspiring against me” ordeal.  To be blunt, Mike gaslit himself into believing Max and El are conspiring against him and is unsuccessfully trying to gaslight everyone else too. For Mike, admitting to anyone (including himself) that their relationship wasn’t working confirms his insecurity ab not being normal. He’s fully choosing to believe two of his best friends are plotting against him rather than face the reality of mileven being over because it wasn’t good for either of them.
THE HOSPITAL SCENES
Mike thinks mileven is done. El has clearly said multiple times now she’s done and he’s accepted it. If Lucas didn’t tell him it was an olive branch then Mike wouldn’t have even thought twice ab the vending machine exchange. And even after Lucas explains it’s a sign El wants him back without explicitly saying “she wants you back”, Mike still thinks it’s an olive branch to get back on good terms and to go back as besties!! Mike offering her m&m’s wasn’t a way to show her he’s still boyfriend material, it was to show he’s still best friend material!! And because Mike is oblivious, he doesn’t notice El blushing and smiling like a freaking idiot!! Rewatch the scene, he literally blinks in her direction twice he ain’t noticing shit!!
3x6 is the climax of Mike’s s3 arc. He’s still desperately trying to convince everyone he’s being conspired against by elmax, but now Max is done with his bullshit and calls him out for being controlling. He knows they aren’t getting together, but he wants everyone to believe the breakup’s not his fault (he’s normal he liked dating El) it’s because of Max. He doesn’t see his behavior as controlling because he views himself as El’s life guru who makes decisions for her; it’s why he thinks the evil, conspiring Max is framing him to be sexist. He’s already getting defensive (he’s so shit at explaining himself omg) but Nancy joining in just makes it worse. He knows what Nancy and Max are telling him is true-- that El isn’t stupid and knows her limits. But Mike literally just got back into her good graces, they’re friends again and he doesn’t want El to kill herself looking for a monster they aren’t prepared for. 
His whole speech is literally what I’ve just explained except he did a worse job at explaining himself lmfaoooo.
Every single person heard him loud and clear say he loves El, and every single one of them thinks Mike is in love with her now. Mike looks stunned that he even said that out loud and he knows no one interpreted it as a platonic Ily. This is the moment Mike is done wanting to date El and is done ACTING NORMAL!!!! Hearing himself say that made him realize he can’t continue dating her and that he doesn’t even want to; Mike doesn’t want to be in a relationship where he's not in love!!! He’s accepted that he doesn’t want to date El (and probably all girls)!!! HE’S OKAY WITH BEING NOT NORMAL!!!! 
When he sees El walk out of the bathroom, he looks scared. He didn’t want El to hear him say it.  Mike can act as straight as he wants but saying I Love You is too far. He knows it’s really really hurtful to lie to her about this and that if she heard the accidental ily he wouldn’t be able to back out of it. That’s why he acts like nothing happened afterward.
3x7 reaffirms Mike doesn’t want to date El anymore with the grocery store scene. When he says, “I’ve been meaning to tell you something”, he’s not going to say “I love you”. We all know that because he didn’t say it back at the cabin, can’t even say “Love Makes You Crazy” and ffs s4 happens. What he’s been meaning to tell her is an apology for his shitty behavior towards elmax, that he’s okay with them not dating, and that he’s happy for El’s new friendship. 
Mike says he was jealous of El and Max hanging out all the time. Now I don’t think he realizes this, but he wasn’t jealous of them spending time together—he was jealous that El wasn’t listening to Mike anymore and was using Max as her life yoda now. You may think I’m putting words into his mouth, but if you rewatch the first episode you’ll remember he was in a hurry to leave El’s and half-heartedly said he missed her... not very clingy of him is it. And elmax was essentially Max telling her she doesn’t have to listen to anyone and to explore herself, something Mike never did for El.
Mike saying “I just, like, I’ve never felt like this, you know, with anyone before” isn’t about romantic love it’s about platonic love! He hasn’t gone through losing any of his friends like he has with El. He’s never had to mentor or guide any of his friends except El. Will is someone he romantically loves, and Mike’s unique love for him is very different from his unique love for her. His love for her is special and only something he’s ever felt for specifically her. And Mike understands his feelings for her, hence bringing up love makes you crazy. And once again, Mike wants to slap himself for speaking without thinking. There’s not a doubt in my mind he 150% didn’t think about who he was talking ab love with when he said that. He doesn’t want her to get the wrong idea, like worst case scenario for Mike is El thinking he is in love with her and wants to get back together. That’s why he goes out of his way to NOT say the L word.
I just wanna say thank you to every person that read this entire post I’ve spent days working on this and it means a lot <33333
3x8 THE BIG KAHUNA MOVING DAYYYYYY
By this point in the show, Mike has grown a hell of a lot. He’s done wanting to be in a relationship with El, he’s done acting like a douchebag, and he’s finally comfortable admitting to himself he’s not normal. Byler has been on the back burner since 3x3, but Mike has felt distant from Will and insecure in their friendship since the fight. He never really got a chance to apologize with everything going on, and now that Will’s leaving for Lenora it seems like their friendship is never going to be the same...
until...
“Yeah, but, what if you wanna join another party?” 
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This is the moment. THE MF MOMENT Mike knows he’s in love with Will!! His confident “not possible” confirms to Mike that even after all the shit they’d been through-- Mike being left behind at the snowball, pushing Will away all summer, the rain fight, and not speaking to each other after the mind flayer’s return--they are still their own separate team. It basically takes away the insecurities he had about their relationship. This simple “not possible” tells him Will still wants to play d&d together forever, and that the fight they had was just a fight... one they could come back from. It lets Mike know he’s never been crazy or stupid for thinking their bond was different, and it lets Mike think he has a chance with Will.
Mike sees El struggling for the teddy bear and decides to help. He’s still definitely thinking about Will, you can tell because of his body language. He’s super smiley, he’s fidgeting out all his excess happy adrenaline (I bet he wanted to take a victory lap after talking with Will), and even though he’s talking to El he can’t help but bring up Will in the conversation. He is so happy and care-free that he starts talking about how excited he is to open presents with Will and El on Christmas Day; this brings Mike back down to earth because he gets embarrassed for sounding like a kid and thinks he just weirded El out with his awkward ass.
He thinks El is leaving the room as he silently cringes at himself, but then she turns around and starts talking about the cabin scene. Mike knows where this is going, so he immediately starts acting clueless and like he didn’t say ily super loud. He asks “What did I say exactly” because he wants to make sure she didn’t hear ily...because that’s what he assumed when it originally happened (rewatch the cabin scene it was meant to look that way). He’s super fucking confused on why El’s walking fast towards him and suddenly in his face and--
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“I love you too” *aggressively starts kissing him*
He’s in shock BIG TIME. What you all are witnessing is Mike’s worst-case scenario come true and his reaction to what was possibly the worst thing that could happen in that moment. He’s not going to kiss back, he’s still processing what the hell just happened. He’s looking at El, just standing there with her suctioned on his face, with eyes wide and a face silently screaming “What the HELL just happened?!”
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After the kiss and El leaves is when it sets in. 
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Mike is screwed. He doesn’t have a good excuse to break up with her. He can’t say he doesn’t love her because El just said she heard him say it back at the cabin. And he couldn’t possibly explain he’s in love with Will, there’s just no way (even though she doesn’t know anything about society’s problem with queer folk)! So, he promises himself this, he’s not going to lead her on. He’s not going to say ily and he’s just going to treat her like a friend until she breaks up with him again.
The time finally comes for the Byers to leave and Mike’s really fucking sad. His bff of 5 years old/crush is going away--possibly forever. He can’t play with Will in his basement like they used to, he can’t see or talk to Will everyday like he has his whole life. Mike was just reassured by Will that their relationship will never change, after having lost him this whole season, but now it hits him he doesn’t know that for sure. He’s losing Will and El again, but this time he can’t save them.
Then we get literally the most heartbreaking montage of Hopper’s letter fitting into each character’s emotions, and ofc he says “I don’t want things to change” as Mike leaves the Byer’s empty home and “maybe that’s why I came here, to stop the change. To turn back the clock. To make things go back to how they were.” as he cries in his mom’s arms. 
Mike begins his “I’m in love with Will, but I have to act like I’m not because El loves me and he doesn’t 😃” phase that plays throughout s4. But it takes a turn when he starts noticing some sus behavior from Will and realizes maybe Will does like like him. but that’s for another byler analysis.
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tadpoled-ranger · 1 month
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I like the idea that Faron, being sheltered in Candlekeep for his entire childhood (he’s a half elf so he’s getting rushed out right near when he reached adulthood), would not understand terms like bisexual or trans or cis or anything. Even after being out in the world and I’m pretty sure becoming arch Duke of Baulder’s Gate (not that far yet, working off of what I got from bg3 and some quick Gorion’s Ward info).
So Kane and him are getting buddy buddy in some weird au (since Faron might be canonically dead by bg3? Idk if Jaheria’s lines are meant to imply that Gorion’s Ward is still alive or if she means another Bhaalspawn), Kane brings up the fact he’s gay so Faron says “the fuck? Happy?” Kane goes “no like the sexuality?” Faron is like “yeah well everyone has some form of sexuality and intensity of it, your sexuality can’t be ‘gay’.”
Kane’s like “okay so say there was a guy tiefling and a girl tiefling—” Faron interrupts with “why tiefling?” Kane baffled goes “wait you know what a tiefling is? I thought you were 2E.” Faron laughs and goes “okay just because I’m from 2E doesn’t mean I don’t grow with the other editions buddy. We’re in 5E together, right? I know what the fuck a tiefling is.”
Kane resumes “okay I would go for the guy tiefling because I am gay, which means to me personally that I would only go for the guy tiefling.” Faron nods and is like “okay but what’s the point of labeling it? I’ve made out with men and I’ve kissed women, doesn’t mean that needs a name.” Kane goes “that’s not the point though, it’s just for ease. Like someone who isn’t interested in sex could say they’re asexual.” Faron is understandably miffed by this and goes “yeah but why, can’t they just say they don’t want sex? I don’t get it.”
Kane shakes his head and goes “okay, but like. Labels should always be chosen by the person using them and the meaning of it specifically differs from person to person. More importantly they can help people find community and sometimes it’s nice to have a label for what you are, like bhaalspawn.” Faron furrows his brow and goes “bhaalspawn makes sense, it’s figuring out who you are and why you’re like that. I still don’t understand why there needs to be labels for sexuality?”
Kane nods slowly, a bit annoyed, but he knows better than to fuck with this Bhaalspawn “okay the labels are self chosen, Faron. I just. When I found out I was a bhaalspawn it felt like I was finally getting answers and understanding things, which I think you might’ve felt too. That’s what many people feel when they find a label that they feel fits. When I figured out I was gay it felt right, especially after having my sexuality repressed for so long.” Faron nods “mmm, I mean, you have fucked corpses. Wouldn’t call that too ‘repressed’ but yes I guess I sorta understand to some extent.
“Wait I have one question relating to your sexuality,” Kane says, “are you really that sexually active?” Faron laughs “Ja’eria tell you that? I mean, yeah, sorta I guess. Mainly one and done’s. I mainly go for rangers, fighters, and Druids.” Kane smiles “why’s that?” Faron looks him slowly in his eyes “Jaheria and Minsc. No, shut up Kane, think about it from my perspective. My foster father gets killed, the only people I can truly trust at this point are Imoen, Jaheria, and Khalid. Also look at Minsc.” Kane goes “you knew Khalid, and liked him?” Faron goes “not like romantically towards any of them, but yeah Khalid rocks.”
I could go on but we’d be here all day. In my head Faron and Kane are talking to each other at every chance. Um au where Gorion’s Ward is alive at the same time as Urge (which might be true considering Jaheria’s line but idk. We’ll see when I trigger that line again).
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likeshipsonthesea · 3 years
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mianmian gets to the lan sect lectures, discovers very quickly that every one of her peers has decided to use this time to figure out how quickly they can get into bed with someone of the opposite sex, and decides almost immediately that she has to pick a suitably unattainable guy to have a crush on.
the thing is, mianmian is lanling jin’s head disciple. she is capable, intelligent, and very very gay. the last of these things she isn’t exactly keen on telling people yet for a variety of reasons up to and including jin zixuan will be so awkward and stubbornly supportive about it and she doesn’t know how to deal with that yet
so when her friends giggle over the other young masters and finally turn to mianmian-- who’s trying to memorize at least some of the fifty-thousand rules before their quiz tomorrow--and they ask her, “who do you like, mianmian?” she says the name that she carefully picked out of a handful of options.
“lan-er-gongzi,” she says, without looking up from her textbook, and she assumes that will be the end of it. 
lan wangji is both incredibly attractive and unrelentingly resistant to all attempts to flirt with him. she, like half the other female cultivators, can moon over him (or pretend to moon over him) all they want and nothing will come of it. it’s perfect. she’s a genius. the worst she’ll have to do now is pretend to be infatuated with him when her friends start gossiping. it’s fool proof.
spoiler: it’s not
it’s not, no, because her friends are horrible and immediately start gossiping about it to everyone, and usually mianmian wouldn’t care but then jin zixuan finds out. jin zixuan, whose marriage complex is being brought to center stage with the forced proximity to his bride-to-be. jin zixuan, who for some reason decided he has to live his stolen crush-addled youth vicariously through his only real friend that isn’t related to him. jin zixuan, who for some godforsaken reason takes it upon himself to contrive situations for mianmian and lan wangji to be alone together incessantly.
it unfortunately takes mianmian longer than she would like to figure out what’s happening. she’d give herself a break for it-- she was being responsible and studying, thank you very much-- but she doesn’t have much sympathy for her own stupidity seeing as she’s currently locked in a section of the lan library with the second jade of lan
and suddenly, suddenly she’s just so fucking tired. of studying, yeah, the tests here are brutal and there’s no one to bribe to make sure she doesn’t lose points on stupid things, but also tired of lying to the people she loves and tired of training this hard and being an amazing cultivator only for people to care more about her eventual marriage-- to a man of all things!-- and also, let’s be real here, she’s been in lectures with beautiful capable intelligent women for like months and she’s losing her gay ass mind
and so maybe, possibly, as she’s locked in a library with a clearly confused and annoyed second jade of lan she kind of, momentarily, loses it and rants all of this at his steadily widening eyes
at the end of it, she realizes with no small amount of panic that she’s just confessed not only her attraction to women but the fact that she’s been letting wen qing’s ears of all things distract her from her studies. if anything, she’s sure lan wangji will fault her for inattention
but the second jade of lan, after a drawn-out moment filled only with mianmian’s labored breathing and rising panic, simply says, “i understand.”
mianmian stops. she squints. she tilts her head. she squints some more. lan wangji’s ears go pink and just like that she realizes -- “you’re a cut-sleeve.”
lan wangji’s ears go even pinker. he doesn’t nod, or agree, or outwardly react in any way, but mianmian is a capable, intelligent cultivator, and she’s sure of it.
mianmian sighs with a relief she didn’t know she could feel. “thank the gods.”
lan wangji doesn’t seem to know what to make of this response, or mianmian’s increasingly frequent trips to the library following their conversation, or mianmian’s staunch determination to befriend the guy, but that’s alright. mianmian is old hat at befriending awkward sect heirs by this point.
it’s not like lan wangji expressed any desire for her friendship, but the prospect of not being the only one with absolutely no interest in the straight shenanigans happening at gusu lan summer camp is enough to let mianmian ignore his obvious confusion. lan wangji is a great listener and only sometimes blushes when mianmian waxes poetic about the beautiful women she’s forced to surround herself with every day
“no but you don’t understand,” mianmian insists, alone in the library with lan wangji, “jiang-guniang asked me to help her with a sword form. i put my hands on her waist. i said something idiotic bc she was so pretty and right there and then she laughed. lan wangji. i’m in love.”
“yesterday you were in love with wen-guniang,” lan wangji says as he impassively turns a page in his book. “has this changed?”
“no, i’m in love with both of them. all of them. lan wangji. they’re all so pretty all the time. it’s horrible.”
lan wangji presses his lips into a firmer line, which mianmian’s come to understand means he’s repressing a smile. “i’m sorry to hear it brings luo-guniang such trouble.”
mianmian groans, fairly undignified, but that’s a lost cause with lan wangji at this point anyway. “i swear, if jin zixuan says one more bad thing about her i’m going to punch him and marry her myself.”
lan wangji says, “mn,” which mianmian takes to mean that he supports her in this line of thinking, which she finds both quite sweet and ridiculously funny.
grinning, she teases, “lan-er-gongzi, if i do end up marrying jiang-guniang, will you bear witness to our elopement?”
lan wangji’s lips press again, this time in the way that means he’s repressing a frown. “jiang-guniang’s brothers wouldn’t allow for an elopement,” he says.
mianmian huffs. “as if yunmeng or lanling will deign to host our wedding.”
lan wangji appears to ponder this for a moment before he says, “gusu will host it,” and it’s at that moment that mianmian realizes she’s actually gone and fucking befriended the second jade of lan.
what is her life.
of course, it’s not long after that that she goes to find jin zixuan and explain that she can’t make their weekly sparring match today because she has plans with lan wangji (jiang yanli tenderly brushed some of mianmian’s hair away from her forehead while they were working on sword forms and if mianmian doesn’t tell someone about it she’s literally going to explode) and she’s trying to be as polite as possible only for jin zixuan to scoff and pout (”i don’t pout”) and say, “i never took you for one of those women who throw themselves so wantonly at a man”
it’s only for having been friends with this absolutely horrible communicator for most of her life that she doesn’t immediately punch him in the face. “what did you just say to me,” she demands, but jin zixuan just sets his jaw and looks away, flushing down his neck in the way his mother describes as unbecoming and--
and mianmian suddenly realizes that her ridiculous best friend is jealous of lan wangji. 
(in a friend way, of course, he’s like her brother, the one time his mother implied that he ought not get too close to women in case it jeopardizes his betrothal to jiang yanli, he insisted he didn’t have any female friends repeatedly as his mother delicately danced around outright saying mianmian’s name until finally she broke and jin zixuan was basically like huh?? mianmian doesn’t count?? she made me eat dirt like six times when we were kids)
the sheer ridiculousness of jin zixuan, to set her up with a guy and then get jealous when she spends all her time with him
and fuck her, but she loves her stupid awkward ridiculous sect heir best friend and she doesn’t want him to think she’s gone and left him for someone else (gods know jin zixuan’s loyalty complex rivals his marriage one (on second thought the two might be connected)) and so, after making a few quick decisions, mianmian grabs her stupid best friend by the wrist and pulls him to the library
he protests all the way there, but he’s been letting her drag him wherever she wants since they were five and it isn’t as if he’s going to break the pattern now. she drags him to the library and sits him down across a startled lan wangji and then finally breaks and gushes about jiang-guniang’s fingertips brushing her forehead and doesn’t look at jin zixuan once the whole time
lan wangji, on the other hand, sends jin zixuan frequent glances, as if worried on mianmian’s behalf, which is super sweet and also how the fuck did mianmian get two awkward sect heirs to care about her platonically wtf. she spares a thought for her poor auntie, who would’ve loved to have a sect heir care about her niece in much less platonic ways.
at the end of mianmian’s rant, jin zixuan is blinking quite a lot. “you like women?” he asks. he’s always been a bit slow on the uptake. mianmian nods. “you like jiang-guniang?”
mianmian shrugs. “more or less. she’s just really pretty and i’m dying about it. it’s fine.”
lan wangji says, “mn,” sympathetically and jin zixuan continues to gape.
mianmian winces. “you’re not going to be weird about this, are you?”
jin zixuan shakes his head quickly. “no, no-- of course not, i--you know that i--you’re my best friend, i don’t care--what does it matter to me, who you want to--to touch your hair.”
it’s probably the most awkward sentence he’s said to her in years, but possibly more articulate than she’d been expecting. it makes her tear up regardless and she punches him in the shoulder to hide it, and that’s basically how the three of them start hanging out in the library nearly every day after lecture.
sometimes they go to the sparring ground, bc who’s better sparring practice than the second jade of lan? and sometimes (once or twice) mianmian manages to convince lan wangji to join her and jin zixuan for lunch in caiyi town when they don’t have lecture, but mostly they meet in a secluded part of the library where mianmian can rant about how pretty all the women at lectures are, jin zixuan can turn pink whenever she mentions jiang-guniang, and lan wangji can “mn” and nod sympathetically at all the right parts
and mianmian thinks that’s going to be the end of it, they’re just going to be friends now and everything else will move on as usual, bc by some ridiculous trick of fate lan wangji and jin zixuan seem to like each other. which makes sense in hindsight bc they’re both awkward sect heirs who care about cultivation and people a lot even if they’re not great at showing it 
(and he’d never say it but mianmian thinks jin zixuan’s easy acceptance of her liking women is probably the first time lan wangji’s ever seen someone accept that kind of thing before (maybe, possibly, other than his brother, lan xichen seems really cool, even if he does smile kind of intensely at mianmian whenever he happens upon her hanging out with his little brother.))
so they’re friends, they’re unexpected friends, and sometimes lan wangji even makes jokes in that dry deadpan way of his and sometimes jin zixuan doesn’t completely trip over his own words and manages to act like a normal human being and mianmian gets two idiots to care about and a perfect place to vent her womanly frustrations, and she thinks that’s the end of it and then wei wuxian accosts her after lectures one day
“do you like lan zhan?” he asks accusingly, eyes narrowed to slits. “what am i even asking, of course you like lan zhan, but do you like-like him?”
mianmian thinks sadly to herself that she’s much too into women to be dealing with all these men’s emotional problems. “lan wangji is my friend,” she says, carefully sidestepping wei wuxian, who continues to squint at her suspiciously. really, he’d been amusing when he flirted with her, but this? this is just ridiculous.
“does he know that?” wei wuxian asks. “because if he doesn’t, that’s just leading him on, and it’s really not nice to--”
“lan wangji knows we’re friends,” she says, trying to enunciate to get her point across clearly. “you can ask him, if you don’t believe me.”
wei wuxian squints a moment longer before he turns and flounces off. mianmian thinks this is the end of it until she’s accosted again after dinner with, “he said you were friends!”
for some reason, wei wuxian seems even more troubled by this than earlier. mianmian tries to suppress her eyeroll. “i told you he would?”
“but how,” wei wuxian says, suddenly whining. “i’ve been trying to be his friend for months and he refuses to acknowledge me.”
oh, mianmian realizes with a quickly dawning horror. she and lan wangji are not the only cut-sleeves at cloud recesses this summer. (she has suspicions, of course, but no confirmations on any of the others, but this. wow.)
she also realizes, decides really, that she has enough repressed sect heirs in her life and she cannot deal with wei wuxian’s cut-sleeve crisis or his evidently large attachment to lan wangji right now. she turns decisively and walks the fuck away. not her problem.
the lectures end eventually, of course, and mianmian and jin zixuan return to lanling with a horde of golden robed disciples, freshly deflowered and not all together more learned. it’s what, she thinks grimly, their sect leader would want.
the first few weeks go by and she realizes that she’s missed unloading about her frequent and fast falling-in-loves. jin zixuan just doesn’t sympathize right, bless him, and so mianmian takes to writing letters. she sends two without receiving a reply and just starts to write the third when a letter with the gusu symbol is delivered to her room.
she’s almost expecting to find a single mn written on the page-- she would’ve been delighted with just that, actually, the sheer hilarity of such a thing-- but instead she finds several pages filled with lan wangji’s perfect calligraphy.
it’s more than he’s ever spoken out loud, but it seems that propriety dictated that he return mianmian’s extensive letter with one of his own and he’s done so admirably. he responds to the events mianmian detailed in her letters-- most succinctly summarized as, woman are gorgeous and i’m dying-- and then writes about his own life in cloud recesses. apparently, he went on a little night hunt with wei wuxian and also nie huaisang and jiang cheng were involved? seriously, mianmian misses out on all the fun.
he’s also apparently taken in some rabbits, which mianmian immediately decides she needs to see. lan wangji, sitting prim and proper, with a bunch of rabbits in his lap? amazing. wei wuxian would die on sight, she’s sure of it.
he also ends his letter with a warning about qishan wen that has mianmian frowning. she takes it to jin zixuan who reads the paragraph and frowns. “i’ll talk to my father about it,” he says, which she can tell by his hunched shoulders he doesn’t expect to do much.
“talk to your father’s general too,” she suggests, because that man at least thinks with his head and not his dick.
jin zixuan nods but doesn’t hand back the letter. he skims it instead with a barely concealed surprise at lan wangji’s previously hidden expansive vocabulary. mianmian snorts and grabs the letter back. “you can write to him yourself, you know.”
jin zixuan flushes down his neck. “i know!” he insists and then turns and runs away because he’s a coward. mianmian shakes her head, smiling. what an idiot.
still, another week goes by and a letter arrives from gusu and, when mianmian takes it, assuming it’s for her, she finds it addressed to jin zixuan in lan wangji’s impeccable calligraphy and she grins to herself like an idiot. look at jin zixuan, making friends
(she suddenly understands why lan xichen gave her all those intense smiles during the lan lectures)
they go on in this way, writing letters to lan wangji from lanling. sometimes mianmian steals jin zixuan’s letters before he sends them so she can squeeze in some ranting in the post script without wasting a whole second thing of paper, and lan wangji replies dutifully, more verbose than he ever was in person, and it’s nice okay, like. she and jin zixuan have been best friends since they were kids but neither of them has ever been any good at listening and lan wangji is just so honest and earnest in everything, like they didn’t realize that people outside of lanling were actually not always plotting your downfall??? who woulda thunk
and then of course the wens go and ruin everything. they go to the wen lectures bc jin guangshan doesn’t want to “anger our trading partner” like the guy isn’t obviously going to burn carp tower to the ground the first chance he gets, and mostly mianmian and jin zixuan are just vaguely annoyed and put out about it
then lan wangji shows up with a broken leg and a burned sect and they are ready to murder some dudes
after years of breaking in and out of carp tower she and jin zixuan are old hats at this breaking and entering stuff and they manage to sneak into lan wangji’s guest quarters and tend to his wounds, ignoring all his silent glares and ranting furiously about how they’re going to murder wen chao by making him choke on his own dick (mianmian) and how they’re going to war with the wen sect even if he has to threaten his father with acknowledging all of his bastards as proper siblings in public to do it (jin zixuan)
lan wangji just says “mn” and makes various muted, distressed expressions, but mianmian thinks he’s touched.
“are your brother and uncle alright?” she asks, when she’s set his broken leg and forced pain medication down his throat.
“brother escaped with our sacred texts,” lan wangji says. “uncle is... unwell.”
mianmian knows lan wangji hates touch but the way he says it, with this horrible little frown, emoting more than she’s ever seen him, his barely suppressed anger and grief literally making his hands shake into fists, mianmian can’t help it, she hugs him. “we’ll make them pay,” she swears into his shoulder, ruining the lines of his robes with how she clutches at them. “i promise you.”
jin zixuan awkwardly pats lan wangji’s shoulder, which is a lot for him and mianmian spares a moment to be proud of his growth.
unfortunately, wen chao seems to delight in torturing lan wangji on his injured leg and lan wangji refuses to show weakness, which both impresses mianmian and pisses her the fuck off. she approaches wen qing (and her still gorgeous ears, sigh) and asks her to tend to lan wangji, since she’s like actually a doctor. wen qing does bc she’s beautiful, intelligent, and kind and mianmian spends most of that night sighing deeply as she relates this to a significantly drugged lan wangji
the cave of the xuanwu goes about the same as you’d expect. wei wuxian saving her from getting her face branded off is pretty rad of him, though he could’ve just like knocked the brand away instead of throwing himself in front of it but whatever, you do you boo. when lan wangji gets left behind the two of them don’t even have to wait for jiang cheng to grumble and ask for their help, they’re already on their way to carp tower for an army, thank you very much
when they rescue wei wuxian and lan wangji and lan wangji immediately turns to walk back to cloud recesses on a broken leg mianmian says, “fuck no, that’s not happening, you’re getting medical attention and then someone will fly you back home, okay, wtf wangji, sit down.”
and lan wangji is a stubborn bitch so obvs he’s like no but he’s also severely starved, dehydrated, and injured, so it’s not like he can just shake off mianmian holding him down and this goes on long enough for wei wuxian to wake up and see mianmian touching lan wangji, and something in his poor little brain just like breaks and he demands says, “lan zhan, come back to lotus pier with us.”
his argument, as he explains it, is that lotus pier is closer (it’s not; they’re just as close to carp tower as lotus pier) and that it’s closer to gusu for when lan wangji has to return home (it’s not; same deal) but then jiang cheng starts yelling, possibly in support possibly not mianmian’s not sure, and jin zixuan starts getting awkward, probably about the whole golden army behind him bc he’s a nerd and hates being overdressed at functions (this is basically the same thing), and mianmian looks at lan wangji and she sees--
something. she isn’t sure what exactly, but lan wangji looks at wei wuxian as he argues with his brother and he presses his lips into a thin line in the way that means he wants to smile and mianmian thinks, oh. maybe wei wuxian isn’t completely unrequited in his lan wangji obsession.
growing up in lanling, she knows how to use information to her advantage, so she immediately says, “young masters wei and jiang, what a great idea. lanling’s disciples would be pleased to accompany you and second young master lan to lotus pier to ensure everyone’s safe arrival.”
everyone splutters, indignant, confused, awkward (jiang cheng, wei wuxian, and jin zixuan, respectively) but lan wangji narrows his eyes at mianmian and doesn’t try to convince her to let him walk to gusu again, so she counts it as a win.
sect leader jiang and his wife seem surprised and annoyed, respectively, to be taking in so many guests, but sect leader jiang merely smiles pleasantly and directs them to some guest quarters and mianmian and wei wuxian ask, simultaneously, for doctors to tend to lan wangji and wei wuxian makes a face at her and mianmian sighs to herself that she really is too gay to be in the middle of his thing with lan wangji.
turns out, walking a lot and fighting a cannibalistic turtle on a broken leg doesn’t do wonders for healing. lan wangji is also the worst patient ever, he keeps trying to sneak out and get up even though word came from his brother that he’s safe and alright and that cloud recesses is starting to rebuild after qinghe nie and lanling jin came to its aid and pushed out the wen
but with the combined efforts of mianmian, jin zixuan, and wei wuxian (and even jiang yanli at one point, bc who could say no to her soup??) they manage to get lan wangji to just rest for a fucking second, really which results in the jin disciples and lan wangji staying in lotus pier for longer than anyone could’ve expected
mianmian spends most of her time (when she isn’t forcing lan wangji to just fucking stay in bed) working with the jiang disciples, practicing archery, sword forms, and mooning after all the beautiful women here.
(”lan wangji, i know she’s scary, but have you seen madam yu? she could whip me with zidian and i’d thank her” “luo-guniang, please don’t ask madam yu to whip you” OR “lan wangji, i’m almost positive madam yu’s maids are a thing, do you think they’d let me join them just like once” “luo-guniang, could you please pass me my sword?” “why” “i’d like to put myself out of this misery” OR “she made me soup. lan wangji. lan wangji, i know you’re not sleeping, wake up, you have to listen to me, this soup”)
they end up staying so long that when wang lingjiao shows up threatening a child about a kite while sect leader jiang is away, she has a lot more to deal with than madam yu. since none of this had been a “sanctioned visit” no one actually knew that there was nearly an entire troop of jin disciples staying at lotus pier, so when the wens attack they are sorely unprepared for what they’re going to face.
(and ofc lan wangji breaks out of bed heroically and keeps madam yu from whipping wei wuxian, which means they aren’t down one of their most powerful fighters and mianmian has to suffer through the moon eyes they’re making at one another in the middle of a battle no less, she knew wei wuxian had no shame but she’d been hoping lan wangji would have some)
after the wen attack (and defeat) on lotus pier and the jin’s inarguable part in it, the war starts in earnest. lan wangji, after his long rest, heals fine and goes back to gusu to help rebuild his sect and plan for war, and mianmian and jin zixuan return to carp tower to plan as well, ignoring jin guangshan and focusing instead on his general to ensure lanling supplies necessary aid in the war effort
and war is always shitty, of course, and mianmian hates watching her sect family die on the battlefield, hates waiting for updates after every battle to see who’s still alive, hates the politics and jin guangshan trying to wheedle his way out of fighting when there’s fucking lives on the line
(and she could never know, how much easier it is, with yunmeng jiang at its full strength, with one of the brightest minds of their generation there to plot and help, with two of the best fighters not out searching for someone and instead focused on the front)
they reach nightless city after months of fighting and mianmian is ready to just fucking stab wen ruohan herself when they’re suddenly trapped. blocked in on all sides by puppets, their fallen soldiers rising again to turn on them, and it--it looks like they’re gonna die.
“this sucks,” she says to lan wangji, stifling her fear and choking it down. “i never even got to kiss a girl.”
lan wangji just says “mn.”
jin zixuan, beside them, says, “i was an idiot about jiang-guniang.”
lan wangji just says, “mn.”
then wei wuxian pulls out a fucking flute and a-- floating piece of metal?  the army of puppets and corpses stops advancing, held in place by-- music, apparently? and wen ruohan emerges from his lair, black energy falling off him in waves, wei wuxian the idiot flies forward to meet him, gets wen ruohan’s hand around his throat for his trouble.
lan wangji yells, “wei ying!” and mianmian thinks, really not fair that lan wangji is gonna get a boyfriend before i get a girlfriend
and then wen ruohan gets stabbed by jin zixuan’s half brother of all people. wen ruohan, along with his puppets and wei wuxian, fall to the ground. lan wangji rushes forward to catch wei wuxian, mianmian runs after him, finds herself in company with jin zixuan and jiang cheng. when they get there, wei wuxian is barely conscious but he’s-- he’s fucking grinning up at lan wangji from the cradle of lan wangji’s arms
“lan zhan,” he says, “you caught me.”
lan wangji nods, says, “mn,” which is basically his equivalent of i’ll always catch you, wei ying.
“really,” mianmian says aloud, “it’s so unfair.”
the aftermath of the war is more annoying than the war itself, what with all the politics and in-fighting and jin guangshan trying to be the biggest dick there ever was. jin guangshan tries to name himself chief cultivator in wen ruohan’s stead but nie mingjue suggests jiang fengmian instead and the lan sect backs him. jin guangshan tries to demonize the wens but at wei wuxian’s loud rebuttal and sect leader jiang’s backing (which is then backed by both gusu lan and qinghe nie) he’s once again shouted down. and then jin guangshan tries to propose to jiang-guniang for his son and the poor woman just seems so awkward and her father doesn’t seem to know what to say and--
mianmian elbows jin zixuan whose eyes widen ridiculously but, after another, harder hit, he suddenly stands. all eyes go to him, which mianmian knows he hates, but he bows to his father, then jiang yanli, and says, “jiang-guniang, forgive my father’s impertinence. this is not the time or place to be making such an offer, but he--” jin zixuan winces visibly. “--he knows of my feelings and wishes to make his foolish son happy. please, do not feel the need to respond.”
then he promptly sits down, flushing down to his neck, and mianmian shares a disbelieving glance with lan wangji from across the horrible nightless city palace room.
she’d really only meant for him to suggest jiang yanli answer privately, at a later time, but wow, jin zixuan really went for it. also no way jin guangshan knows his son has fallen in love with jiang yanli, so nice save face there. maybe he has been paying attention in all of their etiquette and political espionage classes.
jiang yanli flushes way prettier than jin zixuan and nods politely, stands and bows and thanks the jin clan for being considerate in this time of turmoil, perhaps they can discuss this matter at a later date (jin zixuan looks like he nearly faints at this, and mianmian feels vindicated in all her forlorn ranting. overreacting her ass)
when everything has been settled, wen qing has been appointed the new sect leader of qishan wen with promises to return land to those who lost it and pay reparations to the hurt civilians, as well as have the yin iron destroyed for good. during the final ceremony where all the sects have tea and pledge to be loyal to one another (until the next great war, of course) mianmian leans close to lan wangji and sighs, “her ears look even lovelier with her hair tied back by her new sect leader hairpiece.”
lan wangji says “mn” because he’s a cut sleeve in love with wei wuxian and has nothing even closely resembling taste.
mianmian, on her own, decides to make them both happy. before the jin clan departs from nightless city, she goes up to wei wuxian and asks for a moment of his time. wei wuxian seems confused but follows and, once they’re alone, he says, “mianmian, are you about to get me into bed, because i must tell you that i am a respectable young cultivator and you’ll need to marry me before--”
mianmian gives him her best unimpressed look (she’s had much practice with it, thank you jin zixuan) and cuts him off with, “i like women.” 
wei wuxian’s eyes go wide. “but you and lan zhan--”
she cuts him off again before he can say something so stupid she has to stop talking to him to refrain from breaking all laws of propriety. “look,” she says, “you’re friends with wen qing. now that she’s sect leader, your brother can’t go after her. i, on the other hand, very much can. if you promise to figure out a way for me and her to get close, i’ll tell you a secret you’ll like very much.”
wei wuxian seems hesitant for all of half a second before he breaks. “tell me.”
“do you promise?”
wei wuxian raises three fingers. “promise.”
“on your sister’s life?”
begrudgingly, wei wuxian nods.
“on her soup?”
“just get on with it!”
mianmian smirks, pushes onto her tiptoes, and whispers the secret into wei wuxian’s ear. with that, she returns to the pavilion where all the sects mingle as they wait to depart, wei wuxian trailing behind her in a daze, his mouth hanging open.
lan wangji, who had been watching since mianmian asked wei wuxian for a moment to talk, frowns nearly imperceptibly. mianmian grins at him and his frown grows.
ah, whatever. she walks over to him, unbothered by the quickly growing alarm in his eyes. once next to him, she turns around to see wei wuxian staring unabashedly. her smile only widens.
“you’re going to thank me for this,” she says.
wei wuxian shakes himself, his eyes focusing, and immediately starts walking towards them.
lan wangji, voice flat but wavering, asks, “luo-guniang, what did you do?”
mianmian laughs, says, “i get to give a speech at your wedding,” and walks away just as wei wuxian reaches them.
(she does, actually, give a speech at their wedding. she may or may not be drunk during it, jin zixuan gets embarrassed for her, and she starts tearing up and has to hide it in the shoulder of her wife’s lovely well-tailored robes. it’s alright, though, wen qing doesn’t mind)
EDIT: now on AO3 with a real fic version from lwj’s pov!
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army-of-mai-lovers · 3 years
Text
in which I get progressively angrier at the various tropes of atla fandom misogyny
tbh I think it would serve all of us to have a larger conversation about the specific ways misogyny manifests in this fandom, because I’ve seen a lot of people who characterize themselves as feminists, many of whom are women themselves, discuss the female characters of atla/lok in misogynistic ways, and people don’t talk about it enough. 
disclaimer before I start: I’m not a woman, I’m an afab nonbinary person who is semi-closeted and thus often read as a woman. I’m speaking to things that I’ve seen that have made me uncomfy, but if any women (esp women existing along other axes of oppression, e.g. trans women, women of color, disabled women, etc) want to add onto this post, please do!
“This female character is a total badass but I’m not even a little bit interested in exploring her as a human being.” 
I’ve seen a lot of people say of various female characters in atla/lok, “I love her! She’s such a badass!” now, this statement on its own isn’t misogynistic, but it represents a pretty pervasive form of misogyny that I’ve seen leveled in large part toward the canon female love interests of one or both of the members of a popular gay ship (*cough* zukka *cough*) I’m going to use Suki as an example of this because I see it with her most often, but it can honestly be applied to nearly every female character in atla/lok. Basically, people will say that they stan Suki, but when it comes time to engage with her as an actual character, they refuse to do it. I’ve seen meta after meta about Zuko’s redemption arc, but I so rarely see people engage with Suki on any level beyond “look at this cool fight scene!” and yeah, I love a cool Suki fight scene as much as anybody else, but I’m also interested in meta and headcanons and fics about who she is as a person, when she isn’t an accessory to Sokka’s development or doing something cool. of course, the material for this kind of engagement with Suki is scant considering she doesn’t have a canon backstory (yet) (don’t let me down Faith Erin Hicks counting on you girl) but with the way I’ve seen people in this fandom expand upon canon to flesh out male characters, I know y’all have it in you to do more with Suki, and with all the female characters, than you currently do. frankly, the most engagement I’ve seen with Suki in mainstream fandom is justifying either zukki (which again, is characterizing her in relation to male characters, one of whom she barely interacts with in canon) or one of the Suki wlw pairings. which brings me to--
“I conveniently ship this female character whose canon love interest is one of the members of my favorite non-canon ship with another female character! gay rights!” 
now, I will admit, two of my favorite atla ships are yueki and mailee, and so I totally understand being interested in these characters’ dynamics, even if, as is the case with yueki, they’ve never interacted canonically. however, it becomes a problem for me when these ships are always in the background of a zukka fic. at some point, it becomes obvious that you like this ship because it gets either Zuko or Sokka’s female love interests out of the way, not because you actually think the characters would mesh well together. It’s bad form to dislike a female character because she gets in the way of your gay ship, so instead, you find another girl to pair her off with and call it a day. to be clear, I’m not saying that everybody who ships either mailee or yueki (or tysuki or maisuki or yumai or whatever other wlw rarepair involving Zuko or Sokka’s canon love interests) is nefariously trying to sideline a female character while acting publicly as if she’s is one of their faves--far from it--but it is noteworthy to me how difficult it is to find content that centers wlw ships, while it’s incredibly easy to find content that centers zukka in which mailee and/or yueki plays a background role. 
also, notice how little traction wlw Katara ships gain in this fandom. when’s the last time you saw yuetara on your dash? there’s no reason for wlw Katara ships to gain traction in a fandom that is so focused on Zuko and Sokka getting together, bc she doesn’t present an immediate obstacle to that goal (at least, not an obstacle that can be overcome by pairing her up with a woman). if you are primarily interested in Zuko and Sokka’s relationship, and your queer readings of other female characters are motivated by a desire to get them out of the way for zukka, then Katara’s canon m/f relationship isn’t a threat to you, and thus, there’s no reason to read her as potentially queer. Or even, really, to think about her at all. 
“Katara’s here but she’s not actually going to do anything, because deep down, I’m not interested in her as a person.” 
the show has an enormous amount of textual evidence to support the claim that Sokka and Katara are integral parts of each other’s lives. so, she typically makes some kind of appearance in zukka content. sometimes, her presence in the story is as an actual character with layers and nuance, someone whom Sokka cares about and who cares about Sokka in return, but also has her own life and goals outside of her brother (or other male characters, for that matter.) sometimes, however, she’s just there because halfway through writing the author remembered that Sokka actually has a sister who’s a huge part of the show they’re writing fanfiction for, and then they proceed to show her having a meetcute with Aang or helping Sokka through an emotional problem, without expressing wants or desires outside of those characters. I’m honestly really surprised that I haven’t seen more people calling out the fact that so much of Katara’s personality in fanon revolves around her connections to men? she’s Aang’s girlfriend, she’s Sokka’s sister, she’s Zuko’s bestie. never mind that in canon she spends an enormous amount of time fighting against (anachronistic, Westernized) sexism to establish herself as a person in her own right, outside of these connections. and that in canon she has such interesting complex relationships with other female characters (e.g. Toph, Kanna, Hama, Korra if you want to write lok content) or that there are a plethora of characters with whom she could have interesting relationships with in fanon (Mai, Suki, Ty Lee, Yue, Smellerbee, and if you want to write lok content, Kya II, Lin, Asami, Senna, etc). to me, the lack of fandom material exploring Katara’s relationships with other women or with herself speak to a profound indifference to Katara as a character. I’m not saying you have to like Katara or include her in everything you write, but I am asking you to consider why you don’t find her interesting outside of her relationships with men.
“I hate Katara because she talks about her mother dying too often.” 
this is something I’ve seen addressed by people far more qualified than I to address it, but I want to mention it here in part because when I asked people which fandom tropes they wanted me to talk about, this came up often, but also because I find it really disgusting that this is a thing that needs to be addressed at all. Y’all see a little girl who watched her mother be killed by the forces of an imperialist nation and say that she talks about it too much??? That is a formational, foundational event in a child’s life. Of course she’s going to talk about it. I’ve seen people say that she doesn’t talk about it that often, or that she only talks about it to connect with other victims of fn imperialism e.g. Jet and Haru, but frankly, she could speak about it every episode for no plot-significant reason whatsoever and I would still be angry to see people say she talks about it too much. And before you even bring up the Sokka comparison, people deal with grief in different ways. Sokka  repressed a lot of his grief/channeled it into being the “man” of his village because he knew that they would come for Katara next if he gave them the opportunity. he probably would talk about his mother more if a) he didn’t feel massive guilt at not being able to remember what she looked like, and b) he was allowed to be a child processing the loss of his mother instead of having to become a tiny adult when Hakoda had to leave to help fight the fn. And this gets into an intersection with fandom racism, in that white fans (esp white American fans) are incapable of relating to the structural trauma that both Sokka and Katara experience and thus can’t see the ways in which structural trauma colors every single aspect of both of their characters, leading them to flatten nuance and to have some really bad takes. And you know what, speaking of bad fandom takes--   
“Shitting on Mai because she gets in the way of my favorite Zuko ship is actually totally okay because she’s ~abusive~” 
y’all WHAT. 
ok listen, I get not liking maiko. I didn’t like it when I first got into fandom, and later I realized that while bryke cannot write romance to save their lives, fans who like maiko sure can, so I changed my tune. but if you still don’t like it, that’s fine. no skin off my back. 
what IS skin off my back is taking instances in which Mai had justified anger toward Zuko, and turning it into “Mai abused Zuko.” do you not realize how ridiculous you sound? this is another thing where I get so angry about it that I don’t know how useful my analysis is actually going to be, but I’ll do my best. numerous people have noted how analysis of Mai and Zuko’s breakup in “The Beach” or Mai being justifiably angry with him at Boiling Rock or her asking for FUCKING FRUIT in “Nightmares and Daydreams” that says that all of these events were her trying to gain control over him is....ahhh...lacking in reading comprehension, but I’d like to go a step further and talk about why y’all are so intent on taking down a girl who doesn’t show emotion in normative ways. obviously, there’s a “Zuko can do no wrong” aspect to Mai criticism (which is super weird considering how his whole arc is about how he can do lots of wrong and he has to atone for the wrong that he’s done--but that’s a separate post.) But I also see slandering Mai for not expressing her emotions normatively and not putting up with Zuko’s shit and slandering Katara for “talking about her mother too often” as two sides of the same coin. In both cases, a female character expresses emotions that make you, the viewer, uncomfortable, and so instead of attempting to understand where those emotions may have come from and why they might be manifesting the way they are, y’all just throw the whole character away. this is another instance of people in the fandom being fundamentally disinterested in engaging with the female characters of atla in a real way, except instead of shallowly “stanning” Mai, y’all hate her. so we get to this point where female characters are flattened into one of two things: perfect queens who can do no wrong, or bitches. and that’s not who they are. that’s not who anyone is. but while we as a fandom are pretty good at understanding b1 Zuko’s actions as layered and multifaceted even though he’s essentially an asshole then, few are willing to lend the same grace to any female character, least of all Mai. 
and what’s funny is sometimes this trope will intersect with “I conveniently ship this female character whose canon love interest is one of the members of my favorite non-canon ship with another female character! gay rights!”, so you’ll have someone actively calling Mai toxic/problematic/abusive, and at the same time ship her with Ty Lee? make it make sense! but then again, maybe that’s happening because y’all are fundamentally disinterested in Ty Lee as a character too. 
“I love Ty Lee so much that I’m going to treat her like an infantilized hypersexual airhead!” 
there are so many things happening in y’alls characterization of Ty Lee that I struggled to synthesize it into one quippy section header. on one hand, you have the hypersexualization, and on the other hand, you have the infantilization, which just makes the hypersexualization that much worse. 
(of course, sexualizing or hypersexualizing ANY atla character is really not the move, considering that these are child characters in a children’s show, but then again, that’s a separate post.) 
now, I understand how, from a very, very surface reading of the text, you could come to the conclusion that Ty Lee is an uncomplicated bimbo. if you grew up on Western media the way I did, you’ll know that Ty Lee has a lot of the character traits we associate with bimbos: the form-fitting pink crop top, the general conventional attractiveness, the ditzy dialogue. but if you think about it for more than three seconds, you’ll understand that Ty Lee has spent her whole life walking a tightrope, trying to please Azula and the rest of the royal family while also staying true to herself. Ty Lee and Azula’s relationship is a really complex and interesting topic that I don’t really have time to explore at the moment given how long this post is, but I’d argue that Ty Lee’s constant, vocal  adulation is at least partially a product of learning to survive at court at an early age. Like Mai, she has been forced to regulate her emotions as a member of fn nobility, but unlike Mai, she also has six sisters who look exactly like her, so she has a motivation to be more peppy and more affectionate to stand out. 
fandom does not do the work to understand Ty Lee. as is a theme with this post, fandom is actively disinterested in investigating female characters beyond a very surface level reading of them. Thus, fandom takes Ty Lee’s surface level qualities--her love of the color pink, her revealing standard outfit, and the fact that once she found a boy attractive and also once a lot of boys found her attractive--and they stretch this into “Ty Lee is basically Karen Smith from Mean Girls.” thus, Ty Lee is painted as a bimbo, or more specifically, as not smart, uncritically adoring of Azula (did y’all forget all the non-zukka bits of Boiling Rock?), and attractive to the point of hypersexualization. I saw somebody make a post that was like “I wish mailee was more popular but I’m also glad it isn’t because otherwise people would write it as Mai having to put up with her dumb gf” and honestly I have to agree!! this is one instance in which I’m glad that fandom doesn’t discuss one of my favorite characters that often because I hate the fanon interpretation of Ty Lee, I think it’s rooted in misogyny (particularly misogyny against East Asian women, which often takes the form of fetishizing them and viewing them only through a Western white male gaze)  
(side note: here at army-of-mai-lovers, we stan bimbos. bimbos are fucking awesome. I personally don’t read Ty Lee as a bimbo, but if that’s you, that’s fucking awesome. keep doing what you’re doing, queen <3 or king or monarch, it’s 2021, anyone can be a bimbo, bitches <3)
“Toph can and will destroy everyone here with her bare hands because she’s a meathead who likes to murder people and that’s it!”  
Toph is, and always has been, one of my favorite ATLA characters. My very first fic in fandom was about her, and she appears prominently in a lot of my other work as well. One thing that I am always struck by with Toph is how big a heart she has. She’s independent, yes, snarky, yes, but she cares about people--even the family that forced her to make herself smaller because they didn’t believe that their blind daughter could be powerful and strong. Her storyline is powerful and emotionally resonant, her bending is cool precisely because it’s based in a “wait and listen” approach instead of just smashing things indiscriminately, she’s great disabled rep, and overall one of the best characters in the show. 
And in fandom, she gets flattened into “snarky murder child.” 
So where does this come from? Well, as we all know, Toph was originally conceived of as a male character, and retained a lot of androgyny (or as the kids call it, Gender) when she was rewritten as a female character. There are a lot of cultural ideas about androgynous/butch women being violent, and people in fandom seem to connect that larger cultural narrative with some of Toph’s more violent moments in the show to create the meathead murder child trope, erasing her canon emotionality, softness, heart, and femininity in the process. 
This is not to say that you shouldn’t write or characterize Toph as being violent or snarky at all ever, because yeah, Toph definitely did do Earth Rumbles a lot before joining the gaang, and yeah, Toph is definitely a sarcastic person who makes fun of her friends a lot. What I am saying is that people take these traits, sans the emotional logic, marry them to their conception of androgynous/butch women as violent/unemotional/uncaring, and thus create a caricature of Toph that is not at all up to snuff. When I see Toph as a side character in a fic (because yeah, Toph never gets to be a main character, because why would a fandom obsessed with one male character in particular ever make Toph a protagonist in her own right?) she’s making fun of people, killing people, pranking people, etc, etc. She’s never talking to people about her emotions, or palling around with her found family, or showing that she cares about her friends. Everything about her relationship with her parents, her disability, her relationship to Gender, and her love of her friends is shoved aside to focus on a version of Toph that is mean and uncaring because people have gotten it into their heads that androgynous/butch women are mean and uncaring. 
again, we see a female character who does not emote normatively or in a way that makes you, the viewer, comfortable, and so you warp her character until she’s completely unrecognizable and flat. and for what? 
Azula
no, I didn’t come up with a snappy name for this section, mainly because fanon interpretations of Azula and my own feelings toward the character are...complicated. I know there were some people who wanted me to write about Azula and the intersection of misogyny and ableism in fanon interpretations of her character, but I don’t think I can deliver on that because I personally am in a period of transition with how I see Azula. that is to say, while I still like her and believe that she can be redeemed, there is a lot of merit to disliking her. the whole point of this post is that the female characters of ATLA are complex people whom the fandom flattens into stereotypes that don’t hold up to scrutiny, or dislike for reasons that don’t make sense. Azula, however, is a different case. the rise of Azula defenders and Azula stans has led to this sentiment that Azula is a 14 y/o abuse victim who shouldn’t be held accountable for her actions. it seems to me that people are reacting to a long, horrible legacy of male ATLA fans armchair diagnosing Azula with various personality disorders (and suggesting that people with those personality disorders are inherently monstrous and unlovable which ahhhh....yikes) and then saying that those personality disorders make her unlovable, which is quite obviously bad. and hey, I get loving a character that everyone else hates and maybe getting so swept up in that love that you forget that your fave is complicated and has made some unsavory choices. it sucks that fanon takes these well-written, complex villains/antiheroes and turns them into monsters with no critical thought whatsoever. but the attitude among Azula stans that her redemption shouldn’t be hard, that her being a child excuses all of the bad things that she’s done, that she is owed redemption....all of that rubs me the wrong way. I might make another post about this in the future that discusses this in more depth, but as it stands now: while I understand that there is a legacy of misogynistic, ableist, unnuanced takes on Azula, the backlash to that does not take into account the people she hurt or the fact that in ATLA she does not make the choice to pursue redemption. and yes, Zuko had help in making that choice that Azula didn’t, and yes, Azula is a victim of abuse, but in a show about children who have gone through untold horrors and still work to better the lives of the people around them, that is not enough for me to uncritically stan her. 
Conclusion    
misogyny in this fandom runs rampant. while there are some tropes of fandom misogyny that are well-documented and have been debunked numerous times, there are other, subtler forms of misogyny that as far as I know have gone completely unchecked. 
what I find so interesting about misogyny in atla fandom is that it’s clear that it’s perpetrated by people who are aware of fandom misogyny who are actively trying not to be misogynistic. when I first joined atla fandom last summer, memes about how zukka fandom was better than every other fandom because they didn’t hate the female characters who got in the way of their gay ship were extremely prevalent, and there was this sense that *this* fandom was going to model respectful, fun, feminist online fandom. not all of the topes I’ve outlined are exclusive to or even largely utilized in zukka fandom, but a lot of them are. I’ve been in and out of fandom since I was eleven years old, and most of the fandom spaces I’ve been in have been majority-female, and all of them have been incredibly misogynistic. and I always want to know why. why, in these communities created in large part by women, in large part for women, does misogyny run wild? what I realize now is that there’s never going to be a one-size fits all answer to that question. what’s true for 1D fandom on Wattpad in 2012 is absolutely not true for atla fandom on tumblr in 2021. the answers that I’ve cobbled together for previous fandoms don’t work here. 
so, why is atla fandom like this? why did the dream of a feminist fandom almost entirely focused on the romantic relationship between two male characters fall apart? honestly, I think the notion that zukka fandom ever was this way was horrifically ignorant to begin with. from my very first moment in the fandom, I was seeing racism, widespread sexualization of minors, and yes, misogyny. these aspects of the fandom weren’t talked about as much as the crocverse or other, much more fun aspects. further, atla (specifically zukka) fandom misogyny often doesn’t look like the fandom misogyny we’ve become familiar with from like, Sherlock fandom or what have you. for the most part, people don’t actively hate Suki, they just “stan” without actually caring about her. they hate Mai because they believe in treating male victims of abuse equally. they’re not characterizing Toph poorly, they’re writing her as a “strong woman.” in short, people are misogynistic, and then invoke a shallow, incomplete interpretation of feminist theory to shield themselves from accusations of misogyny. it’s not unlike the way some people will invoke a shallow, incomplete interpretation of critical race theory to shield themselves from accusations of racism, or how they’ll talk about “freedom of speech” and “the suppression of women’s sexuality” to justify sexualizing minors. the performance of feminism and antiracism is what’s important, not the actual practice. 
if you’ve made it this far, first off, hi, thanks so much for reading, I know this was a lot. second, I would seriously encourage you to be aware of these fandom tropes and to call them out when you see them. elevate the voices of fans who do the work of bringing the female characters of atla to life. invest in the wlw ships in this fandom. drop a kudos and a comment on a rangshi fic (please, drop a kudos and a comment on a rangshi fic). read some yuetara. let’s all be honest about where we are now, and try to do better in the future. I believe in us. 
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deancasheadcanons · 3 years
Text
Slightly Gayer
[ao3]
7.3k words post-15x18 domestic Dean/Cas (loosely) inspired by this artwork by skepticalfrog
Dean is sitting at the kitchen table drinking his coffee and halfheartedly scrolling through the news. He can’t focus because his eyes keep drifting over to the other side of the kitchen, where Cas is cooking breakfast and talking on the phone with Claire.
Cas looks different, is the thing. He’s wearing a pair of bright green boxer briefs and one of Dean’s old gray t-shirts, neither of which fit him right. Since becoming human, Cas exercises constantly, stacking his arms and legs with thickly corded muscle.
But he eats, too, and loves eating as much as Dean does, so his stomach juts out big and round from his muscular chest, several inches of tan underbelly visible out of the bottom of Dean’s shirt. The fabric is caught in the crease between his chest and belly, taut around the outline of his nipple rings. The sleeves are also too tight around his biceps, revealing the Enochian tattoos that extend from shoulder to elbow of each arm.
Dean knows what Cas looks like, of course he knows. He knows every inch of his perfect body. But the way Cas moves, Dean is still getting used to. Still studying.
Cas has the phone tucked between his shoulder and ear, his hands occupied with making pancakes and eggs. He has his weight shifted to one hip, his butt sticking out even more than it already does, and he keeps waving the spatula around animatedly as he talks. He takes a drink of coffee, then scratches his belly, then gestures with his hand, flipping his wrist rather...limply.
He turns around to the kitchen island to plate the pancakes and catches Dean staring at him. He smiles and winks in his direction while continuing his conversation with Claire.
Dean tries to look back down at his phone. He makes it about five seconds before his eyes find their way over to Cas again. He takes a long drink of coffee and sets his mug down as he stands up. He strides over to Cas and comes at him from behind, wrapping his arms around his middle and burying his face in his soft neck. He kisses the tattoo that’s on the juncture of Cas’ collarbone and neck—Dean’s name in Enochian.
“I’ve gotta go, Claire,” Cas says, his voice as deep and gravelly as ever. “Tell Kaia I said hello. Yes. OK, bye.”
Dean squeezes Cas’ belly and presses long, slow kisses to his neck.
Cas turns the stove off and moves the eggs over to a different burner. His hands, now free, fold over top of Dean’s. He laces their fingers together.
“Claire said they’re thinking of coming by to visit in a few days,” Cas says, leaning his weight back against Dean.
“Mm. Good.” Dean continues his kisses.
Cas huffs a laugh and rubs his hand up and down Dean’s forearm. “Feeling affectionate this morning?”
“Always. C’mere.” He tugs at Cas to get him to turn around in his arms, then he fits his hands to his hips and presses his flat torso against Cas’ gut before leaning over and kissing him on the lips.
Cas puts a hand to the side of Dean’s face and the other on the counter behind him, supporting his weight against it. He moans into the kiss, pushing his tongue hungrily into Dean’s mouth and rolling his hips in an intoxicating rhythm.
They stop after a few minutes. Cas keeps his hand on Dean’s face, rubbing the pad of his thumb back and forth across his cheek as he smiles softly up at him.
“What?” Dean asks self-consciously. He circles his own thumbs into Cas’ love handles.
“Nothing,” Cas replies, his smile widening. “You’re just very beautiful.”
Dean ducks back in for another quick kiss. Then, “You move differently than you used to.”
Cas tilts his head to the side, furrows his brow. “What do you mean?”
“You’re, uh, I don’t know. Your mannerisms...you’re more feminine. Gayer.”
Cas laughs and drops his head forward. His hand falls away from Dean’s face, and he flips it out palm up. “Well, Dean, I am gay.”
Now Dean is laughing. He pulls Cas closer to him and once again pushes his face against his neck. “You were just so stiff before.” He pulls back again and looks Cas in the eye. “I don’t like thinking that you were, I don’t know, holding yourself back. Repressed.”
Cas barks out a laugh. “Yes, please, tell me more about how I was repressed.”
“Yeah, yeah, shut up.” He squeezes a soft hip. “I’m starving, let’s eat.”
They sit perpendicular to each other at the kitchen table. Cas rubs one socked foot up and down Dean’s calf while they eat.
“Do I move different?” Dean asks with a mouthful of eggs.
Cas frowns at him, mug of coffee in his hand. “Is that a trick question?”
“Oh god, I do, don’t I?”
“Well, first of all, Dean, your voice is an octave higher than it used to be.”
Dean blushes and shoves more food in his mouth, avoiding eye contact.
Cas leans his elbows on the table, closer to Dean. “And you carry yourself differently. You’ve always been confident in your body, but you don’t posture anymore. You carry yourself in a more relaxed way—like when we’re walking, and you keep one hand in your pocket and the other holding mine. You don’t puff your chest out so much, and it makes you look more natural.”
“Gayer?”
Cas laughs again. “Yes, Dean, I think when you, uh, rub my lower back and kiss my temple while we wait in line at the grocery store or something, you definitely look gayer than you did before.”
Dean reaches over and tangles their hands together, swinging them back and forth playfully on top of the table. “Can’t help it,” he says gently. “If you’re near me, I gotta touch.”
They smile shyly at each other. Cas eventually moves Dean’s hand up to his mouth and kisses his knuckles. “I’m not too gay for you, am I? My mannerisms don’t bother you?”
Dean rolls his eyes. “You’re fishing for a compliment.”
“So give me one.”
He scoots his chair closer to Cas’ and moves his hand under the table, spreading his fingers over one of Cas’ thick thighs and squeezing the soft muscle. “I’m fucking thrilled that you’re comfortable in your own skin, sweetheart. I love the new ways you move, and I love how you’ve made your body your own. I get distracted staring at you so much that I can’t even read one crap news article without looking at you.”
Cas takes a deep breath. A tear slips down his cheek, and he wipes it away delicately. “I don’t know if I’ll ever get used to hearing you say stuff like that to me. Not even in my most self-indulgent fantasies did I imagine...”
Dean laughs and tugs on Cas’ shirtsleeve, coaxing him over to him, patting his legs so Cas straddles his lap. Once they’re settled, Dean rubs soothing circles into Cas’ back fat and looks up at him reverently.
“I’ll always think you deserve better than me, but, uh,” Dean starts. “I guess if you want me instead of somebody better, then I gotta be the best version of myself. I’m sorry I wasn’t this me sooner.”
Cas presses their foreheads together. “You mean this gayer version?”
Dean laughs into a kiss. “Only took you confessing your love and dying for me to get my head out of my ass.”
Cas puts a finger to the tip of Dean’s nose. “No, actually, it took more than that. Seven months after I came back, Dean. It took you seven months.”
Dean winces. “Worth the wait?”
Cas sighs and kisses Dean’s cheek before climbing laboriously off his lap, grunting as his gut shifts. He pulls at the hem of his boxer briefs to get them down over his huge thighs; Dean pinches his butt as he walks away.
In the time it takes Cas to refill their coffee mugs, Dean’s phone rings.
“Hey, Sammy,” Dean answers.
“Hey, what are you doing?” Sam asks.
As Cas comes back and hands Dean a mug, sliding his arm gently across his shoulders before making his way to his seat, Dean says, “Having breakfast with the love of my life. What do you need?”
“Eileen and I are going on a hunt, gonna take a few days. Can we drop Jack by later today?”
“What? The kid can’t stay by himself in the bunker?”
Cas flattens his lips and raises his eyebrows, silently chastising Dean. Dean throws his hand up and shrugs.
“He’s 4, Dean,” Sam says.
“He’s as powerful as God, Sam.”
Jack’s voice comes through the phone, sounding far away. “I don’t like staying here by myself. It’s lonely.”
“Of course you can stay here, kid,” Dean says loudly enough for Jack to hear. To Sam, he says, “But make sure you stop by the store on your way and pick up some food for him, because Cas and I are on a diet.”
“Seriously?” Sam asks.
“No,” Dean scoffs. “C’mon, dude. I’m sure the kid’ll be thrilled to get some real food instead of whatever rabbit food crap you and Eileen feed him.”
Cas snorts a laugh and tucks back into his stack of pancakes, pouring more syrup over them before taking a bite. Dean watches him, obsessed with the dainty way he holds his fork.
“You know, it’s gonna catch up to you one day,” Sam says. “You’ll wake up and suddenly realize you look like Cas.”
“Mm,” Dean hums, eyes still glued to Cas. “You mean I’ll be hot as shit?”
Cas winks at him.
“Yeah, I walked right into that one,” Sam mutters. “See you this afternoon.”
“Bye, Sam.” He hangs up.
“I don’t know why you goad him into judging our eating habits,” Cas says. “He asks about my weight every time I lift with him.”
“What? I’ll kill him.”
“No, it’s—”
“Where’s my gun? I’m gonna kill him.”
“Dean,” Cas says, exasperated. “He only asks because he doesn’t see me every day. You’d notice I was getting bigger, too, if you only saw me every week or so.”
Dean pouts at him, offended. “I touch you and stare at you constantly every day, of course I fucking notice. You’re big, Cas. And you take good care of yourself. Sam can mind his own fucking business.”
“I don’t need you to defend my honor to your brother, you insane man.” Cas stands and picks up their plates to take them to the sink. “And you need to limit the number of ‘fucks’ you say when Jack gets here.”
“Jesus, when did you become such a nagging wife?”
Cas turns away from the sink, sets a hand on the shelf of his belly, and says in a deadpan, “When I became pregnant with our third child.”
It’s a joke he stole from Dean, but Dean still lets out an embarrassing laugh like it’s the first time he’s heard it. He then joins Cas in the kitchen, hugging him from behind again and sneaking a hand up under his shirt so he can cup one of his pecs, teasing his thumb over his piercing. He kisses the shell of his ear as he mumbles, “I’ll clean up in here. I know you wanna go work out.”
Cas shuffles around in his arms and kisses him languidly. Even though they’ve been together for months and have shared at least a thousand kisses, a thrilling warmth washes over Dean’s body every time Cas initiates.
“What?” Cas asks gently when they break apart.
Dean kisses him again, squeezes his sides. “I just love you so much.”
Cas fights his smile and fails. He runs a hand up through Dean’s hair, which Dean is growing out, because Cas likes to touch it. “I love you so much, too.”
“C’mere.” Dean pulls him into a hug, wrapping his arms around his back and holding him tight, nuzzling his face in his neck while Cas fists his hands in the back of Dean’s t-shirt. “Loved you for so long. Should’ve told you sooner.”
“Yeah, you should’ve.” Cas squeezes him. “I should’ve, too.”
Dean clears his throat as they break apart. “We’ve turned into the biggest fucking saps. Go, go lift your silly weights.” He shoos Cas out of the kitchen and smacks his butt as he goes. “And hey! Don’t forget to walk your sweaty body through here on your way to the shower.”
Over his shoulder, Cas says, “Of course. I would never deprive you of that, Dean.”
When Dean finishes cleaning the kitchen, he heads to the living room where they’ve set up a workspace to help hunters out. Sure, it would be easier to do the job from the bunker, but Dean and Cas wanted their own space, a homier environment for hunters to stop by and rest. They have a room for Jack, a room for Claire and Kaia, and two extra bedrooms for anybody else who shows up—although, one of the rooms is half-full of Cas’ exercise equipment.
Dean has his eye on a rundown bar down the road, too, but not enough time has passed since they committed crimes to get a loan for their house, so he has to wait before they can buy it.
While Dean is doing research for a case that Garth is working on, Jody calls.
“Yeah, go ahead,” Dean answers, putting her on speaker.
“I’m three hours from your place,” she says, sounding tired. “Can you guys take the kid again for just, like, one week? Please.”
“Yeah. Yeah, of course, Jody,” Dean replies, his posture straightening with excitement. “But you already knew that, because you’re already driving her over here.”
Jody laughs. “Yeah. Thanks, Dean. See you soon.”
Dean shoots a text to Sam: Raven’s gonna be here, too. ETA?
Sam texts back right away: Whenever we feel like it o’clock.
Bitch, Dean types.
Whore, Sam replies.
When Dean and Cas got together, they didn’t get the chance to tell Sam. They were on a hunt, and Sam was at the motel doing research while Dean and Cas ate dinner at a bar nearby. Cas was talking about the case and reached over and stole a fry off of Dean’s plate, and something about the gesture broke something inside of Dean. He blurted out, “I love you, too,” like a fucking idiot, causing Cas to nearly choke on the fry.
The truth was that Dean was in shock when Cas came back from the Empty, and he could not believe that this ancient unknowable being actually loved him. But then Cas was human, and ordinary, and he grew more comfortable around Dean as his body filled out. Easy warmth and affection radiated from him, like loving Dean was as natural to him as breathing.
And Dean knew that his own feelings couldn’t be buried anymore. They were clawing their way to the surface with each day that passed, until finally they burst free with an I love you, too over a stolen goddamn French fry.
They finished their meal quickly and quietly, then they walked out to the Impala together and Dean couldn’t wait a second longer than the nearly 13 years he’d already waited, so he pushed Cas up against the driver’s side door and kissed him.
“Oh,” Cas breathed between their mouths.
“What?” Dean mumbled.
“I didn’t—realize—when—”
Dean moved to kissing Cas’ softening jaw and neck so that his mouth was free to talk.
“I wasn’t sure you meant you loved me like this,” Cas explained.
Dean abruptly pulled away. “Oh. Uh, did you not—we don’t have to if you don’t want—”
Cas cut him off with a bruising kiss. “No, no, I definitely want.”
“Thank god.”
It had taken all of their willpower to get in the car and drive back to the motel, and Dean had barely put her in park before dragging Cas to the backseat and messily stripping clothes off. There wasn’t nearly enough space, so they ended up rutting against each other while making out like horny teenagers, and that’s when Sam knocked on the window.
Dean cracked it the smallest amount, his body still tangled with Cas. “We’re a little busy here, Sammy.”
“Yeah, uh, I’m gonna get another room so you guys don’t have to do...this...out here.”
“Sammy, you’re the best brother in the world,” Dean said stupidly as he and Cas struggled out of the backseat, holding their clothes half-on, shirts and overshirts and jackets in hand and jeans unbuttoned. Dean dragged Cas by the hand up to their room.
And so Sam (homophobically, in Dean’s opinion) started calling Dean “whore” instead of “jerk.”
Dean is typing on his laptop when Cas clears his throat from the hall. Dean looks up immediately, raking his eyes up and down Cas’ glistening, swollen body as he walks shirtless toward their bedroom.
“Hey, hey, hey, no, come back here,” Dean says, scrambling to get up, tripping over his own feet, then finally making it to Cas so he can squeeze his biceps and press kisses to his sweaty shoulder.
Dean moves his mouth down Cas’ collarbone and chest, hunching his body so he can get a better angle as he works his tongue around a nipple ring.
Cas cards a hand through Dean's hair. “Do you want to shower with me?” he asks patiently.
Dean reluctantly lets go of his nipple and straightens up. “Does a bear shit in the woods?”
Their shower is just big enough for both of them, but it’s too difficult to do much more than wash each other’s bodies. They talk loudly to each other over the spray, which is why neither of them hear the front door open and Sam and Eileen announce their arrival.
Dean walks out to the kitchen wearing a towel around his waist and one around his hair. Sam and Eileen are making sandwiches while Jack sits on a barstool at the island reading a book.
“Oh, hey, guys,” Dean says. He grabs a La Croix out of the fridge and takes a long drink. “Didn’t hear you come in.”
Cas comes in next, wearing just boxer briefs, his wet hair dripping water onto his body. He greets everyone then puts a hand on the small of Dean’s back and kisses his cheek. He takes the La Croix right out of his hand and drinks it before giving it back.
“Cas, are your nipples pierced?” Eileen asks, shocked.
“Oh, yeah,” Cas says flippantly. He pats the tattoo of Dean’s name on his shoulder. “Dean talked me into it when I got this.”
Dean mutters, “Not like you needed much convincing.”
“So are you guys gonna bother putting clothes on, or…?” Sam asks bitchily.
“Oh, I’m so sorry for existing in my own house,” Dean teases. He settles against Cas’ side; Cas wraps his arm around his hip. “Maybe if somebody had told us when they would be here, we could’ve been ready.”
“Yeah, well, we were anxious to get here,” Sam says, looking pointedly at Eileen. “We have some news.”
“Uh-oh, this sounds like something I should be wearing clothes for,” Dean says.
“I’m pregnant,” Eileen says and signs. She makes a face like she’s sorry about it.
Cas sucks in a sharp breath. Dean’s eyes widen.
“Yeah, uh.” Sam sighs and throws a hand up. “We’re not totally sure how we feel about it, you know, never really planned on…”
“We don’t want to stop hunting,” Eileen finishes for him. “But if there’s a good reason to stop, this is it.”
“We can help,” Dean says quickly. He nervously sets his water down on the counter so he can sign and talk. “You know we’re always willing to take care of a kid. Especially a baby.” He looks over at Jack. “No offense, Jack.”
“I told them I would help, too,” Jack says cheerfully. “I would love a little brother or sister. And I can heal most injuries other than death, so if they keep hunting while Eileen is pregnant, it’ll be OK.”
“We’ll be here every step of the way,” Cas adds. “Whatever you need.”
“Yeah,” Sam says solemnly. “We know it’ll be OK, we’re just...I don’t know, I’m just not naturally maternal like you, Dean.”
“Come here, Sammy,” Dean says, walking away from Cas and putting his hand up on Sam’s shoulder to bring him down for a hug. “You’re already a great dad. You’re not gonna fuck the kid up, I promise.”
Sam laughs and squeezes Dean once before letting go. He frowns down at Dean’s bare torso and says, “OK, go get some clothes on, please.” Under his breath, he mutters, “I don’t understand how you and Cas even fit in a shower together.”
“Hey.” Dean points a menacing finger at him. “If you don’t lay off my boyfriend, he’s gonna use his massively buff arms to kick your ass.”
“No, I’m not,” Cas says in a monotone, flipping his wrist to blow Dean off. He kisses Eileen on the cheek as he leaves the kitchen.
“What? I’m not—I don’t care what Cas looks like,” Sam says. He opens the fridge and gestures dramatically to it. “I just think it would be good every now and then if you guys ate, like, one vegetable.” He looks Dean up and down. “Also the fact that Cas works out and you don’t, you look like a skinny little beanpole next to him. He makes you look ridiculous.”
Dean crosses his arms and pouts. “He likes how I look. Says it makes him feel big and strong when he picks me up.”
Sam and Eileen both laugh. Eileen asks, “He picks you up? What, like during sex?”
Dean blushes. He halfheartedly says and signs, “No, I mean, like, when I fall asleep on the couch and he carries me to our bed.”
Sam and Eileen laugh harder.
“I think it’s sweet,” Jack interjects. “I would never laugh at your relationship with Cas, Dean. You two love each other very much.”
Eileen rolls her eyes. “Yeah, perfect little angel over here has never said a mean word about anybody in his life. We get it, Jack, you’re better than us.”
Jack straightens his back and smiles, proud of himself. Dean passes by him on his way out of the kitchen and squeezes his shoulder in thanks.
“A baby, huh?” Dean asks excitedly as he rummages through his and Cas’ closet for some clothes. “We should plan on staying in the bunker with them for the first few months, you know, help them out and stuff.”
Cas scoffs from the master bath. “You just want to hold a newborn.”
“Yeah, so what?” Dean joins him in the bathroom, taking his towels off his head and waist and hanging them back up on the racks. He takes a piss while Cas stands at the sink messing with his hair.
Cas is wearing a pair of black joggers and a faded pink tank top, a denim overshirt sitting on the counter. A long chain rests against his chest between his big pecs, three rings hanging from them. Two of the rings are Dean’s old ones, and the third is a new one Dean picked out for him when they moved into their house together.
Dean checks his hip against Cas’, nudging him out of the way so he can wash his hands at the sink.
“Does it bother you that we can’t just accidentally have children?” Cas asks, turning toward Dean seriously, unaffected by his naked body.
“What? No,” Dean answers. “Why, does it bother you?”
“Maybe. I don’t know.”
Dean grabs deodorant and pushes Cas’ arm up so he can apply it for him. “We got plenty of kids, honey.” He does the other arm. “And we’re old. I don’t need us to be the sole provider of a child for the next 18 years.” He picks up the denim shirt and helps Cas put it on.
Cas places a gentle hand on Dean’s bare hip and rubs his thumb in circles against his skin. “I just think...I think about how perfect Jack is, and how if I was still an angel and could’ve borrowed a female vessel for a while, then maybe we could’ve…”
“Jesus Christ, Cas.” He pats the slope of his belly. “OK, no more jokes about you being pregnant. It’s fucking with your head.”
“Mm, yeah.” He leans forward and presses a kiss to Dean’s mouth. “Now be honest with me, does this shirt make me look fat?”
Dean laughs as Cas expands his big stomach out and pulls at the fabric of the tank top to make it tight.
“You look perfect, sweetheart.” Dean jiggles his belly. “Fat and very gay.”
“Thank you.”
Dean puts on his usual jeans and flannel over a plain black t-shirt. He also has a necklace with a ring Cas gave him, but he wears it under his clothes and out of sight. He likes feeling it against his skin.
They eat a quick lunch with everybody before Sam and Eileen head out for their hunt. Cas and Jack go in the backyard to tend to Cas’ garden, which is full of beautiful flowers and absolutely no vegetables.
Jody shows up right when she said she would, and she passes Raven off to Dean before she’s even stepped in the door.
“I’m gonna spend the night here if you don’t mind,” Jody announces as she kicks her boots off.
Dean is cooing at the baby and tickling her belly with one finger. Right now she has dark olive skin and a head full of black hair and big gray eyes, but that could change any minute. Jody got her just a few months ago when she was trying to help her mom, a teenage shapeshifter, but the girl had a lot of complications and died during childbirth. She asked Jody to name the baby Raven after Mystique from X-Men.
Jody, claiming that she’s too old to raise a baby on her own, brings Raven over to Dean and Cas’ for at least one week per month.
“Dean?” Jody presses.
“Hmm?”
“I said I’m gonna stay here tonight.”
“Yeah, yeah, that’s fine.” He kisses the baby’s head. “Cas and Jack are outside. Make yourself at home.”
Under her breath, Jody says, “Give a baby to Dean Winchester if you want him not to pay attention to you at all.” She walks to the kitchen and puts on a teapot.
Cas barges in the back door and makes a beeline for Dean, his hands outstretched. “Baby,” he commands.
Dean frowns but hands Cas the baby anyway. He knows if he tries to hog her, he and Cas will have a petty fight about it later.
“Yeah, good to see you, too, Cas,” Jody says, still talking in a dejected tone, grabbing mugs out of the cabinet. “You look good, you been working out? Of course you have, look at you. Yeah, I know, I look good, too. New haircut. Thanks.”
“Hello, Jody,” Cas greets, turning toward her but keeping his eyes on the baby cradled in his arms. She looks impossibly small in his hold. “Your hair looks very nice.”
“Well, thank you, Cas,” Jody says smugly. “Would you like some tea?”
“Are you offering us tea in our own house?” Dean asks.
“You told me to make myself at home.”
Cas moves Raven up to his shoulder, spreading his long, thin fingers over her back to keep her in place with just one hand. With his other hand, he pulls out a barstool at the island and takes a seat. His tank top gets stuck between his underbelly and his lap, and Dean watches, transfixed, as Cas demurely lifts his butt off the chair and flicks his free hand against his shirt to unstick it.
“Dean? You OK?” Jody asks, amused.
“Hmm?” Dean whips his head toward her. “Yeah, sorry.”
“You looked a little lost there for a second, buddy.”
“Oh, yeah,” Dean says. “I don’t know if you know this, but I’m very obsessed with Cas.”
Jody laughs. “It’s impossible to even make fun of you anymore. Like, if you’re going to be blissfully happy, at least act a little embarrassed about it.”
Dean walks over to Cas and puts his arm across his middle, presses his cheek firmly against the side of Cas’ chubby face and looks at Jody as he says, “No.”
“Jody, I would love a cup of tea,” Cas says, ignoring Dean. “Thank you.”
Raven fusses and nuzzles against Cas’ shoulder, so Dean reaches his arms out for her and says, “Too much muscle in your shoulder, she can’t get comfy.”
As Cas hands the baby over, he says, “Yes, because your bony body is so much better.”
“Do you guys even like each other?” Jody interrupts.
“No,” Dean and Cas answer in unison. They then look at each other and smile.
Cas asks Jody about the girls, which gets her on a long-winded rant, so Dean kisses Cas’ hair and heads out the back door with Raven. He walks across the porch and takes a seat on the porch swing and watches as Jack stands in front of a flower, says something to it, then moves onto the next flower and says something else.
“Are you talking to every flower, kid?” Dean calls.
Jack turns and tilts his head with a gentle smile. “I didn’t hear you come out here, Dean. Yes, I’m giving each of them longer lifespans.”
“Oh. Well, thanks.”
It’s mesmerizing, swinging back and forth and watching Jack tend to the flowers. Raven falls asleep quickly, tucked up facedown against Dean’s chest with her head turned to the side.
“See, I’m plenty easy enough to fall asleep on,” he mutters to her.
Jody comes outside a few minutes later, tea in hand. Dean scoots over so she has room to sit next to him on the swing. She doesn’t say anything, just takes a seat and drops her head to his shoulder.
“You know we can keep the kid longer if you need us to,” he says. “Cas has baby fever, so I’m sure he’d be thrilled.”
“Hm. I might,” Jody considers. “Alex is really attached to her though. I am, too, but. I don’t know. It’s different for me.”
“You never thought about having a baby again in your life, did you?”
“No.”
“Hmm.”
Cas walks out next and stops right outside the door, staring straight ahead at Jack. Cas has both his wrists bent against his hips, hands palm out, straight-back posture making his gut look more pronounced than it already is.
“Hey, Jody,” Dean starts, his eyes on Cas.
“Hmm?”
“Do you think Cas is different? I mean, different than how he was as an angel.”
Jody snorts. “Um. That Cas looks like he would eat angel Cas for breakfast.”
“No, I don’t mean—” Now Dean is laughing, too. “Obviously he looks different. I mean, like, the way he’s standing right now. Don’t you think it looks a little…you know…”
“Gay?”
“Yeah.”
“Well, yeah, but only slightly gayer than he used to act.”
Dean balks at that. “What? Really?”
“Honey, I knew Cas was gay the second time I met him. Sure, he’s definitely more comfortable and open and maybe a little more, uh, effeminate now, but he’s always been pretty clearly gay. No offense, you just weren’t paying attention.”
“Hm. Well, I’m paying attention now. Very close attention.” He surreptitiously licks his lips.
After a pause, Jody asks, “How did you live so many years of your life unaware of how horny you are for him?”
Dean puffs out a breath. “Shit, I don’t know. I honestly don’t know. Like, I have a sleeping baby on me right now—one of my favorite things in the world—and yet it’s taking all of my willpower to keep sitting here with you instead of going to put my stupid hands all over him.”
Cas turns toward them then, offering a close-mouthed smile and a delicate wave of his hand, totally oblivious. “Jack is talking to the flowers,” he says loudly.
“Yeah, I know,” Dean says back, less loudly so as not to wake the baby. “Powerful as God, and he’s here talking to our fucking plants.”
Cas furrows his brow. “What did I say about cursing?”
Dean rolls his eyes.
They all hang out outside until Raven wakes up and cries for food, so Dean takes her inside and paces around the kitchen while he gives her a bottle. Cas walks through on his way to the bathroom, and Dean stops him with a, “Hey. C’mere.”
“What?” Cas asks, smiling as he closes the distance between them.
Dean leans to the side, keeping the baby steady as he kisses Cas on the lips.
Cas shakes his head when they pull apart. “You have zero impulse control.”
“See Cas, touch Cas. That’s how my brain works.”
His smile widens. “You’re lucky I’m patient.”
Later, Dean is in charge of getting Raven down for the night, Jody is taking a nap upstairs, and Jack and Cas are out picking up takeout for dinner.
The four of them eat at the kitchen table, and Dean inhales his food quickly so he can relax and sling an arm over the back of Cas’ chair while everyone else finishes. He rubs and scratches at Cas’ back while they all talk, occasionally looking over to watch Cas eat. With how muscular he is, Cas would have to have a high-calorie diet even if he didn’t also just love food, but still he eats slowly and properly as he demolishes at least twice as much as everybody else.
Dean, itching to move and sick of being in the same spot for too long, eventually leans over and nips and kisses at Cas’ neck and face, forcing him to eat even slower. Every so often, Cas turns and pecks Dean on the lips in acknowledgment of his ministrations.
“Dean, you look smaller every time I come over here,” Jody says.
“No, optical illusion. It's 'cause Cas is getting bigger,” Dean responds. He pats a loving hand against Cas’ full belly. “He can’t help that he looks extremely cute like this.”
Mouth full of food, Cas turns his head and kisses Dean’s temple in thanks.
“No, I definitely think you’ve lost weight,” Jody continues.
“Yeah, I think you have,” Cas says. “Not that you weren’t skinny before, but you’ve lost weight since you stopped drinking.”
“Mm. Yeah, I guess.” Dean puts a hand on his own stomach, noting how flat it is. He ignores the heat rising to his cheeks at the basic knowledge that Cas notices things about him.
After dinner, Jack asks if they can watch a movie together in the living room, which they of course oblige. Dean can count on zero hands the amount of times he and Cas have told Jack “no” when he’s at their house.
Cas privately asks Jody if she wants a glass of wine, which she turns down. Dean sees the conversation take place as he’s turning the TV on due to his inability to take his eyes off Cas for even one minute.
Jack, god help him, picks some tragic foreign language film and sits cross-legged on the couch with Jody. Cas and Dean settle in sideways on the loveseat, Cas’ back up against the armrest and one leg hanging off the side so Dean can sit between his thighs and rest back against his chest. Dean rubs his fingertips against Cas’ knee and listens to him unwrap candy after candy, occasionally offering one to Dean.
After about 15 minutes, Dean turns his head and cocks an eyebrow at Cas.
Cas looks back at him, confused, as he puts another candy in his mouth. “What?” he whispers.
“You’ve had, like, 20 of those.”
Cas’ face changes into gay bitchiness as he unwraps another one. “Now who’s the nagging wife?”
“Can you two can it?” Jody asks at a regular volume. “I’m trying to hear what these sad French people are saying.”
Dean ignores her and whispers to Cas, “I don’t give a shit about you stuffing your face, babe, I just wish your hands were more Dean-focused.”
“Oh. Of course, Dean.” Cas tosses a wrapper aside and puts his arms around Dean’s torso, squeezing him firmly back against him.
“Mm, that’s better.” Dean snuggles down and bends his arm up to feel Cas’ bicep.
Jody shushes them again.
Cas presses a chocolatey kiss to the bolt of Dean’s jaw and moves one hand across his waist, teasing with the waistband of his jeans. Dean grabs his hand, stopping him.
“Not in front of the kid, dude,” Dean says through gritted teeth.
“I’m not doing anything,” Cas says innocently, his lips still on Dean’s skin.
Jack pauses the movie and looks over at them with a smile. In a sweet, polite tone, he asks, “I don’t mean to be rude, but can you guys please shut the fuck up?”
Cas nudges his head against Dean’s in fake annoyance. “What did I tell you? What did I fucking tell you, Dean?”
Dean can’t stop laughing. “Yes, Jack, we’ll shut the fuck up.”
With nobody to talk to and with Cas carding his perfect fingers through his hair, Dean falls asleep within 10 minutes. He half-wakes up a little while later and finds himself curled up on his side with his legs pulled up to his chest, using his big boyfriend as a bed, his big arms a blanket, big pecs a pillow. Cas’ chest vibrates beneath his ear as he whispers something to Jody, but Dean doesn’t hear it. He balls his hand into a fist and nuzzles his face against Cas’ shirt like a baby and falls back asleep.
When he wakes up again, it’s because Cas is trying to carefully lift him up and take him to bed. He wraps both arms around Cas’ neck and his legs around his waist and hangs on tight as Cas stands, only one of his muscular arms wrapped around Dean’s butt to hold him in place.
“Wow, he really has you whipped,” Jody whispers to Cas.
Cas responds completely seriously, “Why else would I exercise so much if not for this?”
“G’night, Jody,” Dean mutters against Cas’ neck.
“Night, little baby Dean.”
Dean smiles, his eyes still closed. “I like that.”
Jody sighs. “Seriously. Impossible to make fun of him.”
Cas starts walking toward their room as he says, “Dean is an all or nothing person. So many years with so much shame, now he has absolutely none.”
“Hmm. Yeah,” Jody replies. “Night, Cas.”
Dean is fully awake by the time Cas lays him gently down on the bed. He gets up immediately, changes into pajamas and goes to the master bath to brush his teeth. Cas joins him at the sink, wearing just boxer briefs and one of Dean’s shirts. It barely covers his belly button.
“You can’t possibly be comfortable in that,” Dean mumbles with a mouth full of foamy toothpaste. “I don’t get why you’re still wearing my shirts to bed. I told you, you stretch them out and then I can’t wear them.”
Cas spits his own toothpaste into the sink and looks up at Dean through the mirror as he wipes his mouth. “Until the sleeves cut off circulation in my arms, I will keep wearing your shirts to bed.”
Dean pulls at the hem of one of the sleeves, pointing out where Cas snipped it with scissors. “Cheater.”
Once they’re in bed, Dean presses up against Cas’ side, throws one leg over him, buries his face in the crook of his neck, squeezes his butt.
“Finally,” Dean says against his skin. “I’ve been dying to touch you all day.”
Cas smiles and wraps an arm around Dean’s back, shoving his hand down his pants to grab his ass. “Yes, and you showed remarkable restraint by not touching me at all today.”
“C’mon, you know what I mean.”
Cas hums, thinking. “You don’t like having your attention divided. If you can’t focus fully on me, it feels like you’re being deprived of something.”
“Yeah.” Dean rolls completely on top of Cas and kisses the pocket of fat under his chin. “Don’t let it go to your head, though. It’s not like I’m, like, completely obsessed with you or something crazy like that.”
Cas smiles into a kiss, putting his hand to the side of Dean’s face to pull him down to his lips. Dean groans in the back of his throat and rolls his hips.
“Do you want to have sex?” Cas asks between their mouths, like he almost always does, because he has a take-it-or-leave-it attitude about sex and is perfectly content with any amount of physical contact with Dean, no matter how little. So he leaves it up to Dean: a person who needs to touch Cas so badly all the time that he feels like he’ll die if he doesn’t.
“No, not with us on baby duty,” Dean says. “Let’s just make out until I fall asleep.”
“Mm, that’s exactly what I fell from grace for.”
Dean laughs and pinches his shoulder, kisses the corner of his mouth. “Hey, you knew me when you fell. You knew what you were getting yourself into.”
Cas’ face softens. He rubs the pad of his thumb slowly across Dean’s cheek. “I did. I was willing to give up everything without ever even knowing what your lips feel like against mine. So, excuse me for thinking every second with you now is just icing on the cake.”
Dean blinks. “You’re getting better at food metaphors now that you eat so much.”
Cas allows him to trivialize the moment. He just simply smiles up at him as he wipes a tear from Dean’s face.
So Dean closes his eyes and kisses him, slowly, until he falls asleep.
-----
Dean wakes up to the sound of Raven crying over the baby monitor. She only cried once during the night, when she shapeshifted into a fat pale baby with brown eyes and thin hair and needed a bottle and a change before going back to sleep. Now it’s morning, and Dean blinks awake to the sunlight streaming onto his face. He’s on his stomach, arms wrapped around a pillow under his head, his skin unreasonably warm.
He shifts and feels Cas’ heavy arm draped across his back, his chubby hip squished against his side. Dean shuffles and turns, picking Cas’ arm up and kissing his hand before setting it on the bed and standing up.
Cas is also facedown on the bed, but instead of getting up, he burrows deeper and mumbles sleepily, “Start the coffee, please.”
Dean pinches a sliver of his love handle and leans down to kiss his cheek. “I’ll bring you a cup. Go back to sleep, sweetheart.”
Cas snores softly in response.
It’s early. The house is dimly lit and quiet, and Dean takes his time changing and feeding Raven. When she’s done with her bottle, he puts her on his hip and carries her out to the back porch to listen to the birds. His phone rings.
“Yeah?” Dean answers.
“Hey,” Sam says. “So, uh.”
“Spit it out, Sam.”
“You know our new rule?”
“Not monsters until they act monstrous,” Dean says, his heart racing. “What happened?”
“Nothing too bad. It’s just that, uh, we think this pack of werewolves may have abandoned their, uh, young.”
“How old? How many?” Dean asks quickly.
“Twins. They’re small, Dean. Six months at most.”
Dean looks at Raven then at the garden in front of him. He thinks about Cas, about how wonderful of a father he is, about what he said yesterday. Then he says, “Well. Bring ‘em here if there’s no other option. We got the space.”
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baya-ni · 3 years
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The Queer Appeal of Sk8
Recently @mulberrymelancholy reblogged a post of mine with a truly galaxy brain take about how Sk8 “is a show made for queer fans” and generally how sports anime often depicts love and relationships in a way that’s more accessible and relatable to ace/arospec people than other mainstream media does.
Just, *chef’s kiss* fucking brilliant. I urge you to read their post here (note I’m referring to the reblog not the actual post).
And basically, it got me thinking about this concept of Sk8 as a Queer Show, and the kinds of stories and dynamics that tend to attract queer audiences in droves, regardless of whether its queerness is made explicit or hell, whether that queerness was intended.
And that’s what I’ve been pondering: What are the cues, markers, or coding, in Sk8 that set off the community’s collective gaydar?
I obviously can’t speak for the community. So here’s what aspects of the show intrigued me and what, for me, marks Sk8 as a Queer Show beyond the subtextual queer romances: a punk/alternative aesthetic, Found Family, Shadow as a drag persona, and The Hands.
1.) The Punk Aesthetic
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All three of the above screenshots are taken from Ep 1, and every single one of them depicts background characters. They’re nameless and ultimately unimportant characters, yet each of them designed so distinctly and so unique from one another, one could mistake each of them for the main character(s) of another story.
Of what little I know about Punk subculture, I do know this: that the ethos of Punk is heavily built around a celebration of individuality and non-conformity. Sk8 seems to have incorporated this ethos into the very fabric its worldbuilding, and the aesthetics and culture upon which it takes inspiration appeals specifically to a queer audience.
I don’t really need to explain why Punk has such deep ties with the queer community. For decades, queer people have found community and acceptance within punk spaces, and punk ideology is something that I think is just ingrained in the queer consciousness as both lived experience and a survival tactic.
Therefore, a show that adopts punk aesthetics is, by association, already paying homage to Queer culture, intentional or not.
Queer fans notice this- like recognizes like.
2.) Found Family
This also needs little explanation.
Too often, queer individuals cannot rely on their “born into” families for support and acceptance. Too often, we are abused, neglected, and abandoned by those who we were taught would “always be there for us.”
And so, a universal experience for queer people has been redefining the meaning of Family, having to build our families from scratch, finding brothers, sisters, mothers, and fathers in people with whom we have no blood relation, and forming communities tied together by shared lived experience rather than shared genetics.
And this idea of Found Family is also built into Sk8′s narrative.
Like, for example, the way that Reki promises MIYA that he and Langa will “never disappear from [his] sight,” filling the void that MIYA felt after his friends abandoned him.
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And in the way that JOE becomes a paternal figure for Reki, teaching him ways to improve in skateboarding, and ensuring that Reki doesn’t self isolate when he’s feeling insecure.
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And in the whole Ep 6 business with Hiromi acting as babysitter to the Gang.
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Hell, even ADAM (derogatory) is associated with this trope. Abused as a child, he finds solace in an underground skateboarding community and culture he helped create- his own found family (or some powertrippy version of it anyway).
Again, queer fans see themselves depicted in the show, but this time in the way that the show gives importance to Found Family relationships between its characters.
3.) Shadow and Drag
This is one that’s more of an association that I personally made. But I was intrigued by the way that Hiromi adopts his SHADOW persona. He wears SHADOW like a mask, and adopts a personality seemingly so opposite to his day-to-day behavior.
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Further, the theatricality and general “gender fuckery” of his SHADOW persona, to me, just seemed so similar to a the characteristics of a drag persona (I don’t know a whole lot about drag but enough that I’m drawing superficial similarities).
There’s also this aspect of a “double life” that he, and actually all the other adult characters of the show, have to adopt, which is a way of living that I’m sure a lot of queer viewers see themselves reflected in.
4.) The Hands
Ohhhh the Hands.
One of the things I noticed very early on is the way the show constantly draws our attention to Reki’s hands, which I thought was a little strange for an anime about skating. After all, skating doesn’t really involve the hands, or at least the show doesn’t really draw attention to hands within the context of skating.
I count 3 times so far between Eps 1-9 in which hands are the focus of the frame.
First, when Reki teaches Langa how to fist pump after Langa lands his first ollie, second, when Reki and Langa make their Promise, and finally, when Langa saves Reki from falling off his board.
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And you know what they say, twice is a coincidence but thrice is a motif (no one else actually says this I think I’m the only one who says this lol).
I’m not really certain why hands seem to be such a shared fixation among queer people (at least among those I interact with). All I know is that gay people are just fucking obsessed with them.
I have a Theory as to why, and at this point I’d love for other people to chime in and “compare notes” if you will, but I think it basically has to do with repression. And in the same way that queer people have had to redefine the meaning of family, we’ve also had to redefine intimacy.
Being overtly physically affectionate with someone of the same sex, even if they’re your significant other, or often specifically BECAUSE they’re your significant other, can still be dangerous, even now despite the “progression” of society. Queer people know this, this vigilant surveillance of our environment and ourselves, always asking ourselves, “Am I safe enough to be myself?”
Already, Western culture is pretty touch-averse. That is, it’s considered taboo to touch someone unless they’re a family member or a romantic partner. And to touch a person of the same sex in any way that could be misconstrued as romantic (which is most things tbh) is a big no no.
There’s just A Lot to unpack there.
But basically I think that queer people, by necessity, have had to learn to romanticize mundane or unconventional ways of being physically intimate so that we can continue to be romantic with one another without “being caught” so to speak.
Kissing and hugging is too obvious. But a handshake that lingers for just a second too long is much more likely to go unnoticed, braiding someone’s hair can easily be explained away as just lending a helping hand, touching palms to “compare hand sizes” is just good fun.
But for queer people, these brief and seemingly insignificant touches hold greater meaning, because it’s all we are allowed, and all we allow ourselves, to exchange with others.
God, I’ve gone off and rambled again. What’s my point? Basically that the way the show draws attention to Reki’s hands, and specifically how they’re so often framed with Langa’s hands, is one of the major reasons why I clocked Sk8 as a Queer. It’s just something that resonated with me and my own experience of queerness, and I know that I’m not the only one who noticed either.
~
So in conclusion, uhhhh yeah Sk8 the Infinity is just a super gay show, and it’s not even because of the homo-romantic subtext (that at this point is really just Text).
Because what’s important to understand is that Queerness isn’t just about same-sex romance.
Queer Love isn’t just shared between wives/girlfriends, husbands/boyfriends, and all their in-betweens. Queer Love can be two best friends who come out together, queer siblings who rely and support one another, a gay teacher who helps guide one of their questioning students, a queer community pitching in to help a struggling member.
And that all ties with another important thing to consider, that what we refer to as the “queer experience” or “queer culture” isn’t universal. In fact, it wrongly lumps together the unique experiences and struggles of queer BIPOC all under one umbrella that’s primary White and middle class.
So I think what drives a lot of my frustration about labeling a show like Sk8 as Queerbait is this very issue of considering queerness and queer representation within such narrow standards, and mandating that a show must pass a certain threshold of explicit queerness to be considered good representation.
I get that someone might only feel represented by an indisputable canonization of a same-sex couple. That’s fine. But labeling Sk8 as Queerbait for that reason alone ignores the vast array of other queer experiences.
The aspects of Sk8 that resonate most deeply with my own experiences of queerness is in the way that Reki and Langa share intimacy through skating (intricate rituals heyo). For me, them officially getting together ultimately doesn’t matter- I’ll consider Sk8 a Queer show regardless.
Similarly, @mulberrymelancholy​ finds ace/arospec representation in that very absence of an on-screen kiss. A bisexual man might find representation in Reki, not because he enters a canon relationship, but in the depiction of Reki’s coming of age, growing up and navigating adolescent relationships. A non-binary person might feel represented through CHERRY’s androgyny.
That’s the thing, I don’t know how this show will resonate with other members of the queer community, and it’d be wrong to make a judgement on Sk8′s queer representation based on my experiences alone.
That being said, Straight people definitely don’t get to judge Sk8 as Queerbait. Y’all can watch and enjoy the show, we WANT you to enjoy these kinds of shows, and we want you to share these shows and contribute to the normalization and celebration of these kinds of narratives.
But understand that you don’t have a right to tell us whether or not Sk8 has good or bad queer representation.
And even members of the queer community are on thin ice. Your experience of queerness is not universal. Listen to the other members of your community, and respect that what you might find lacking in this show may be the exact representation that someone else needs.
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variousqueerthings · 3 years
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Daniel LaRusso: A Queer Feminine Fairytale Analysis Part Three of Three
(another massive, massive thank you to @mimsyaf​ )
part 1
part 2
8. Queerness and femininity and masculinity and the colour red and *record breaks*
If we spin the record aaalll the way back to this paragraph: “…looking at what it is girls and women in fairytales have/don’t have, what they want, and how they’re going to get it. It’s about power (lack of), sexuality (repressed, then liberated), and men.” Reading Daniel as a repressed, bisexual boy in a society that doesn’t accept his desires it’s interesting looking at how he moves through the world of the Miyagi-verse, at how threatened other men are by him, at how obsessed they are with him.
He’s out in the symbolic woods and these large boys and men see him and decide for whatever plot reasons to come for him. And they are large and violent and attractive and apart from Johnny again, they don’t have the nebulous excuse of fighting over a girl and even that excuse dies by around the midpoint when Johnny kisses Ali just to get a rise out of Daniel. He’s not trying to “win her back,” he’s not even really looking at her. He’s just trying to get a reaction. They don’t have any of the fighters in Rocky’s excuse either of Daniel being a macho opponent. 
You can read whatever subtext into TKK1 and TKK2 (which becomes especially tempting once CK confirmed that the guys he fought at seventeen have been thinking about him ever since – for thirty-five years), but TKK3 is where it’s really At in terms of obsession and lust and forbidden desires.
Silver is presented as both a handsome prince who saves Daniel and mentors him (where Miyagi is undoubtedly cast in a fatherhood role) and later on becomes twisted into a dark secret that Daniel has to keep, while he turns that thing that Daniel loves (karate, it’s… it’s karate… it’s also men, but it’s definitely karate, because karate makes him feel… things...) into an abusive, violent version of itself.
A wolf in sheep’s clothing.
But he’s also offering him something liberating. Whatever is going on in that nightclub scene is about something other than breaking Daniel down. Even the bloodied knuckles aren’t just about revenge. It’s about giving him something that he isn’t, in the end, willing to receive, at least not from Silver. In that roundabout, strange way of these feminine fairytales, it’s exploring hidden desires through the metaphor of karate.
Daniel wears red because it’s his colour. In the movies he wears red a lot. Often in scenes with violence in them (the beach/the hilltop in TKK1 and the date/the destruction of the dojo/the final fight in TKK2), but he also has a variety of shirts (and in TKK3 pants) that pop up all the way through the narrative. He wears a red jacket when he accepts Terry’s training, when he punches a guy in the face, and when he tries to get out of the training again (as badly as that goes).
Did anyone consciously think about red’s link to desire, obsession, and violence when they made these? Eh. But is it there symbolically? When he meets Johnny, when he fights Chozen, when he’s in emotionally fraught situations with Terry? Hell yeah.
Probably the most lust-and-violence infused red is that aforementioned punching-board-until-knuckles-bleed bit – not that I thought Terry was going to pull him in for a kiss, because I knew, logically, of course he wouldn’t right? There’s no way… is there? Or later on when Daniel punches that guy and ends up with blood all over his shirt and Terry once more grasps him, euphorically. Blood is violence. Blood is also desire. Red is Daniel’s colour, even though he doesn’t acknowledge it come Cobra Kai. (Maybe he just needs someone else - cough Johnny Lawrence cough - to inspire it in him again).
Daniel LaRusso’s narrative is exploring that most feminine of fairytale tropes: To want and be wanted by monsters and having to hide those desires.
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“Maybe this time that strange churning in my stomach that feels like a mix of anticipation and fear will turn out good for me.” - Daniel’s mind.
At the end of the story, Daniel saves himself, with all of the strange mixed narratives around it, and the acknowledgement that the end of The Karate Kid Part Three isn’t satisfying and its aftermath will likely be delved into in the next season of Cobra Kai.
Nevertheless, he saves himself. Not from Silver or Kreese or Barnes, and not entirely, but he makes a decision not to give in to fear (and he continues to try and live by that decision, making it over and over again for the next thirty-five years, even when the return of Cobra Kai makes that difficult for him). 
He doesn’t do it by being the strongest in the land or even through a lucky shot (although that too). He does it by refusing to be like the male antagonists that surround him, by telling them they have no power over him. The narrative isn’t just his getting lost in the forest and all the monsters he finds there, it’s about how he redefines power for himself within that forest. 
He’s a man who isn’t violent, whose victories include helping out a girl whose ex-boyfriend just broke her radio, successfully doing the moves to a cultural dance he’s trying to learn, sitting with his father figure while he cries over the death of his own father, telling a girl that she’s just made her first friend, and breathing a sigh of relief that a tree that got broken has healed. 
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Daniel LaRusso is a good boy is the point!
Karate is a metaphor. It can turn into many things: A series of lessons learned about how to be his own man and take care of his own house, a respect for the history of the father teaching him and sharing his home and story with him, fear, desire, masculinity (and the different forms that can take). 
When a tall, handsome stranger offers to teach him karate in the dark, without Daniel’s caretaker knowing how to help him, and twists that karate into something that hurts him - when he reclaims that, over and over, that means something too. 
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This man is fine and definitely isn’t carrying the weight of buried karate-based queer trauma - could a traumatised man do this? *stares blankly at a former tormentor as blood runs down his forehead*
9. In Conclusion Daniel Has Kissed Dudes… Symbolically… But We Can HC Literally:
So there’s Daniel and his coded feminine fairytale narrative. It’s all a series of fun coincidences.
1. Ralph Macchio is just Like That
2. Red. All the red. 
3. large portion of his storyline is about lack of power. Yes, he regains that power by the end of the first and second movie through A Fight, but generally he is framed as powerless opposite these almost monstrously physically powerful boys/men. And in the third one it’s barely even about physical prowess (he’d still lose a real fight against Barnes or Silver) and more about regaining lost autonomy off the back of a manipulative, abusive relationship with an older guy.
4. The third movie in particular is narratively a mess, but if reimagined as a fairytale makes a lot of sense (because it’s secretly all about how karate is bisexuality and Daniel gets manipulated through that desire to be better at karate).
5. Queerness and femininity and themes about hidden desires that can only be approached sideways through couching those desires in symbolism: Handshake meme.
6. The fact that the more I think about it, the more feral I am for a Labyrinth AU.
7. To sum up over 5000 words of text: The inherent homoeroticism of wanting to be slammed against a locker by a bully, but extended over three movies and ever-more inventive ways of hurting pretty-boy-Daniel-LaRusso.
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Johnny’s not going to be happy when he realises Daniel’s got other ex-rivals buried in his closet...
10. Some Other Stuff Aka The Laziest Referencing I’ll Ever Do
Further reading on trans Matrix
Further reading on masculinity and rape narrative in The Rape Of James Bond
Youtube Video from Pop Culture Detective (Sexual Assault Of Men Played For Laughs)
Some film/TV references in this: Dracula (Coppola), Princess Bride, Buffy The Vampire Slayer, Labyrinth, The Matrix, Rocky, Princess And The Frog, Cinderella, Enchanted, Shape Of Water, Swamp Thing, Phantom of the Opera 
Some fairytale references: Red Riding Hood, Cinderella, The Wolf And The Seven Little Kids, Alice in Wonderland, Wizard of Oz, Sleeping Beauty, Snow White, Beauty and the Beast, Company of Wolves (Angela Carter), Through the Looking Glass, Princess Bride
Also referenced is Alison Bechdel’s graphic novel and the subsequent musical Funhome. Further thoughts on this by @thehours2002​ and @jenpsaki​:
https://thehours2002.tumblr.com/post/650033577171533824/daniel-larusso-and-fun-home-click-to-enlarge
https://jenpsaki.tumblr.com/post/650530225997971456/cobra-kai-fun-home-inspired-by-goldstargirls
My list of Cobra Kai meta posts
I wanted to delve into fairytale movies more, but then I was like “fuck, I have actual work to do,” but I was interested in the ways male and female characters are written in these stories:
The Last Unicorn, The Never-Ending Story, The Dark Crystal, Legend, and Stardust.
The Last Unicorn is an interesting one because she’s not really human, until she is. It’s more like The Little Mermaid (the fairytale, not the Disney film) in tone, and of course there’s a pretty substantiated rumour that Andersen wrote that one as a metaphor for falling in love with another man (who eventually got married). 
Andersen in general is just fun to analyse as someone who popularized so many fairytales and exists as an ambiguously queer historical figure – might’ve been modern-day gay, bi, ace, but we’re just not sure. All your favourite fairytales can be read through the lens of queer loneliness and ostracization. Just like horror.
Anyway I didn’t go into the whole Little-Mermaid-Last-Unicorn transformation bit so much as the Monstrous-Desires bit, but I think there could be something to that too, with monsters representing otherhood and all. Stardust is a kinda-almost-this, except she sticks to her human form and all is okey-dokey by the end, she’s allowed to marry the handsome man and be a star.
The Never-Ending Story has Atreyu and Bastian and because of a lack of female characters, an interesting bond between the two of them, but mainly Atreyu is absolutely a go-gettem Hero Type and it’s just interesting to see how Bastian relates to him as both an audience insert, but also eventually as his own character in that world.
The Dark Crystal contains certain… androgynous elements of feminine and masculine coded characteristics in the main character because of how he’s not human, but also they do have a “female” version of his species that he needs to go save (and bring back to life) by the end, so in a way it’s both more and less heteronormative in its characters.
Legend sees another example of a monster (literally called Darkness and looking like a traditional devil) trying to seduce a princess through promises of power, and she “goes along with it” in order to trick him and succeeds in that trick, but is ultimately saved by the male lead. 
In conclusion: I don’t even have Shrek in this.
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hakasims · 3 years
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The Most In-depth Analysis of Luca Marinelli’s Characters You’ll Ever Need
You’d think I was done with classifications, but I’m not! There’s so much more I can say about Luca Marinelli’s oeuvre and his magnificent roster of characters. And yes, I’ve made this post before where I highlighted specific tropes that show up in a lot of his movies, but that was surface-level shit. This is an actual exploration of what makes a Luca Marinelli character besides being a kinky little whore. And don’t worry, it’s still in that user-friendly question-answer format because I love you.
Here’s the thing: Luca is a chameleon but he also has a type, and this type is:
✨ a (likely) queer repressed addict with daddy issues ✨
That’s the skeleton. Let’s see how many of his major roles possess that skeleton at all and what flavors they add to the picture.
Disclaimer: I excluded characters with little screen time and Joseph from Mary of Nazareth because he doesn’t deserve rights. Also, instead of going in the boring chronological order, I’m gonna start with the least typical character for Luca and end with the crème de la crème. The results may not surprise you.
Nicky (The Old Guard)
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Is he queer? Undeniably.
Is he repressed? No.
Does he have an addiction? No.
Does he have daddy issues? I know we’re all deeply affected by our shitty father figures but I would genuinely question Nicky’s sanity if he were still on that shit at the ripe age of 951. A little tip for daddy-hating immortals out there: just do what Angel did and kill your shitty dad. Problem solved.
Is he violent? Despite doling out tons of violence, he doesn’t have a violent nature and seems uninterested in hating his enemy or delivering retribution.
Does he need a good night sleep? I’m sure nothing helps one sleep better than a Joe-shaped big spoon.
Does he need a good cry? Doesn’t seem like it.
Flavors: A perfect immortal warrior bean in a healthy relationship.
Conclusion: Ironically but unsurprisingly, Nicky is the least Luca-like character.
Guido (Tutti i santi giorni)
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Is he queer? I don’t believe so but who knows? If someone told me he’s demisexual, I’d believe it.
Is he repressed? The movie may disagree, but I say yes, obviously.
Does he have an addiction? Not unless you count his romantic relationship.
Does he have daddy issues? His family is so supportive and wholesome it’s almost parodic.
Is he violent? He’s the opposite of a toxic macho dude, but then he has a violent outburst out of nowhere because the movie is bad.
Does he need a good night sleep? He doesn’t like sleeping at night.
Does he need a good cry? Naturally.
Flavors: An adorkable awkward nerd with flowery speech.
Conclusion: I can forgive straightness and wholesomeness but I can’t forgive lack of complexity.
Martin (Martin Eden)
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Is he queer? I don’t believe so.
Is he repressed? Yes.
Does he have an addiction? No.
Does he have daddy issues? Not to my knowledge.
Is he violent? When he deems it necessary to be.
Does he need a good night sleep? Sure.
Does he need a good cry? Cry your little heart out, Martin!
Flavors: An arrogant, pretentious, politically confused writer.
Conclusion: A little too straight for your typical Luca, but he makes up for it with being complex and complicated.
Loris (Il mondo fino in fondo)
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Is he queer? I don’t believe so.
Is he repressed? So fucking repressed!
Does he have an addiction? Nothing beyond his savior complex.
Does he have daddy issues? He has a shitty dad he’s spent his whole life trying to please, and also his mommy left, so like yeah, obviously.
Is he violent? He has his straight dude moments.
Does he need a good night sleep? Definitely.
Does he need a good cry? Oh yeah, let him cry, it’s good for him.
Flavors: A casually homophobic mother hen.
Conclusion: Ruined by heterosexual agenda.
Lui (Ricordi?)
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Is he queer? I don’t believe so.
Is he repressed? Very.
Does he have an addiction? No.
Does he have daddy issues? A big sack of them.
Is he violent? No.
Does he need a good night sleep? Oh yes. To sleep, perchance to dream about anything other than his traumatic memories.
Does he need a good cry? So much.
Flavors: Up-his-butt and pensive.
Conclusion: Leave it to Luca to take a guy who would be an absolute nightmare in real life and turn him into someone I actually want to watch for two hours and see happy by the end.
Gabriele (Waves)
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Is he queer? There’s evidence he might be gay.
Is he repressed? I’d bet on it.
Does he have an addiction? Doesn’t seem like it.
Does he have daddy issues? Nobody knows.
Is he violent? No.
Does he need a good night sleep? He probably will with how the movie ended.
Does he need a good cry? At least one.
Flavors: A sweet introverted guy who loves boats.
Conclusion: While not particularly complex, Gabriele has layers and nuances. Also give him a big muscular daddy.
Fabrizio (Fabrizio de André - Principe libero)
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Is he queer? I don’t believe so.
Is he repressed? He was before music became his only career.
Does he have an addiction? Alcohol, cigarettes, sex, cheating - take your pick.
Does he have daddy issues? Not as bad as some of the other guys here but he’s heard his fair share of “I’m not mad, I’m disappointed” speeches.
Is he violent? He’s soft.
Does he need a good night sleep? He’s an artist, what do you think?
Does he need a good cry? He’s an artist, what do you think?
Flavors: Fabrizio de André is the flavor.
Conclusion: Even though it’s a biopic, there are still many Luca-isms there. He’s just that kind of actor.
Milton (Una questione privata)
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Is he queer? It could be argued that he is bisexual.
Is he repressed? Do you even need to ask?
Does he have an addiction? About half of the breaths he takes are filled with cigarette smoke.
Does he have daddy issues? He seems to have a good and loving relationship with both his parents.
Is he violent? Not by nature.
Does he need a good night sleep? Yep.
Does he need a good cry? He certainly does.
Flavors: A repressed bisexual feeling powerless in a horrible world.
Conclusion: This is proof that Luca can carry a whole entire movie on his sexy shoulders, alone. Also Milton needs a safe and loving triad.
Mattia (La solitudine dei numeri primi)
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Is he queer? I personally read him as asexual. Though assigning asexuality to characters who are traumatized is a dangerous path so don’t quote me on this, okay?
Is he repressed? Just the most repressed.
Does he have an addiction? It’s debatable whether self-harm and eating disorders can be considered addictions, but they’re part of his character, and I thought you should know.
Does he have daddy issues? His parents played their part in messing him up which then led to the big thing that really messed him up, though other than that his dad is barely a presence.
Is he violent? Not at all.
Does he need a good night sleep? At least 17 hours.
Does he need a good cry? Oh, so much. He needs all the cry.
Flavors: A quiet genius with lots of guilt.
Conclusion: Can you believe this was his first film role? Our boy is talented af!
Fabio (Lo chiamavano Jeeg Robot)
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Is he queer? Undeniably.
Is he repressed? You could argue that he is repressed by being limited in his place in social hierarchy.
Does he have an addiction? Amazingly enough, no. He has fixations, though.
Does he have daddy issues? Thinking his father was a loser and not wanting to end up like him is textbook stuff.
Is he violent? Very.
Does he need a good night sleep? Yes please.
Does he need a good cry? He needs to purge his soul from all the bottled up stuff.
Flavors: A campy psycho.
Conclusion: Luca’s most iconic character, so of course he scored high on the list.
Paolo (Il padre d’Italia)
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Is he queer? Undeniably.
Is he repressed? I can’t even start listing all the ways in which he’s repressed.
Does he have an addiction? He smokes a lot.
Does he have daddy issues? His issues are more of a mommy variety.
Is he violent? Not in the slightest.
Does he need a good night sleep? He’s the poster boy for needing a good night sleep.
Does he need a good cry? A good cry, a good weep, a good sob, a good bawl, *googles more synonyms* a good wail, a good squall...
Flavors: A self-loathing gay orphan in need of some life goodness.
Conclusion: What can I say about Paolo that all of you aren’t already thinking? Decent film, great character, excellent portrayal.
Mickey (Die Pfeiler der Macht)
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Is he queer? Undeniably.
Is he repressed? It’s Victorian England, you guys.
Does he have an addiction? He smokes casually but other than that... eh. And don’t tell me he has sex addiction. He uses his body strategically.
Does he have daddy issues? If what he has isn’t daddy issues, I don’t know what is.
Is he violent? He’s got tons of bottled up aggression.
Does he need a good night sleep? It would be great if he could use the day’s darkest hours for sleeping.
Does he need a good cry? Undeniably.
Flavors: A conniving slut extraordinaire.
Conclusion: A major player in the book (says me who managed like 50 pages), Mickey Miranda was turned into such a nothing character in the miniseries that they needed a truly extraordinary actor to make him memorable. And guess what, Luca delivered.
Cesare (Non essere cattivo)
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Is he queer? Not explicitly, but come on.
Is he repressed? Lethally.
Does he have an addiction? He’s an addiction textbook.
Does he have daddy issues? *Jake Peralta voice* Yeah, the guy without a daddy is the one with daddy issues. Explain that logic.
Is he violent? Oh yeah, he’s a rabid little trash goblin.
Does he need a good night sleep? So much.
Does he need a good cry? He’s had his fair share of good cries, but he could always use more.
Flavors: A aimless junkie.
Conclusion: The quintessential Luca. Beautiful.
Primo (Trust)
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Is he queer? Listen, just because we don’t see him fuck a dude on screen it doesn’t mean he isn’t a motherfluffing queer icon. It’s not subtext; it’s TEXT.
Is he repressed? Where do I even fucking start?
Does he have an addiction? Oh yeah. And a coke nail to prove it.
Does he have daddy issues? I would need a whole separate post to unpack his daddy issues.
Is he violent? So very violent.
Does he need a good night sleep? Yes, please. On an actual bed in an actual bedroom.
Does he need a good cry? You can just tell.
Flavors: A ruthless criminal with a strong mafia boss potential.
Conclusion: The pièce de résistance of the Luca Marinelli filmography. Not only does he tick every box, he gets bonus points for the excellent wardrobe choices that emphasize Luca’s best features. Primo Nizzuto is everything great you want from Luca, except singing. (Though in my headcanon that whole white car in a snowstorm monologue was a musical number.)
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freddiekluger · 3 years
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I am all ears for your season 3 cap's big gay awakening ideas 👀👀
alright, you asked so sit down and strap in
before we get started- a few details are recycled/repurposed from earlier headcanons/ask answers (characterisation is like that), and i came up with all this a couple weeks back, so any overlap with other peoples suggestions is totally unintentional! i’ve just been finding the energy to properly write them up as originally i riffed them with a friend late at night lmao
the captain: homo evolution
introduction (scroll down if you’re not bothered for the hardcore analysis/logic)
this isn’t necessarily what i think WILL happen as much as how i would do it. over the past two seasons of Ghosts, we’ve seen the captain’s main character arc being centred around him loosening up, from learning to value mike, alison, and the other ghosts more as equals than soldiers/means to an end to the season 2 finale, where cap is not only expressing an interest in flowers and fashion (distinctly un-soldierly pursuits) but joining the party and other men (the direct opposite of About Last Night, in which cap bah humbugs partying/’gay abandon’ and is left speechless by the mere presence of a mostly naked man). that being said, the captain is still the captain: his character is still centred around this need for rules and structure and he still finds his identity in the archetypal WW2 military man- all of his incremental moves towards a more ‘modern’ perspective have ultimately been made possible because, like Ben said on twitter, the captain isn’t CONSCIOUSLY aware that he’s gay. he has the underlying feeling that he’s different, he knows of his tendency to attach himself to specific men and form incredibly close bonds (and, as demonstrated by his attempts to hide them, is at least somewhat aware that that’s not the norm), but in his mind he’s written that off as merely “not being a ladies man”. 
the captain is from the 1940s- it’s one thing for him to see and be supportive of a same-gender wedding in present day England where gay=legal unions, marketed doritos, and homophobia being still present but generally frowned upon, and another thing entirely for him to have to apply it to himself. we’ve already seen that the captain appears to be stuck in the past more than any of the other ghosts (”the war is over!” “is it, alison? is it?”- he also references the past more frequently than most of the others), and in his past sodomite gay=punishable by imprisonment and chemical castration, back alley hookups, and the constant threat of blackmail and violence. obviously, despite all this, there was a vibrant underground queer history taking place in England during this time & not all of the above is accurate, but it’s what cap would have seen, and the England of the early 20th century is denoted as being a particularly brutal period for lgbtq+ folks (the destruction of the first world war exacerbated rage and frustration, and lgbtq+ people weren’t the only gorup to end up on the receiving end of that, but i digress). this is basiclly just a really long way of me saying that the captain compartmentalising to that degree was, and to some extent is, a survival mechanism. confronting his homoseuxality means confronting what it means for a 1940s man to be a dreaded homosexual, and all of that directly conflicts with the image of ‘the Captain’ he’s built in his mind. 
we’ve seen this in Redding Weddy, where the captain is aware that Havers means/meant more to him than was normal for a captain/2ic relationship (he does attempts to hide his affection- “i shall miss you, Havers. by which of course i mean we shall miss you “he left me, i mean he left for the front”), but is never able to fully verbalise WHY, and it only takes a series of increasingly dramatic prompts before he will even mention the idea of Havers, let alone begin to articulate their relationship. 
all this just goes to prove that for the captain to properly ‘come out’, there needs to be an external inciting incident- he could easily have gone on shadowing attractive men whenever they visit and avoiding interrogating those feelings for another seventy years if Button house remained without alison and mike. 
while at least julian, pat, and robin have noticed that the cap is not the most heteroseual of men (they’re the only ghosts who have visibly reacted when cap says gay shit), they all appear to have decided to just not mention it, which makes alison and mike our wildcards. not only has alison’s ability to see and communicate with the ghosts already connected them more to the modern world than they ever have been, alison, and mike by extension, has a personal stake in the wellbeing/general growth of the ghosts. happy ghosts=happy house, and like it or not some of them are even beginning to become friends. [i probably didn’t need to write all this like explaining my decisions, but i think figuring out the motivations behind everyon just develops the flavour and lets us have a sexy and accurate headcanon]
so,
the episode
while the captain might not consciously know he’s a fruit (derogatory), he is well and truly terrible at concealing the thirst (it’s not his fault things just keep slipping out!)- i love the idea of just having a supercut near the beginning of the episode that just shows that the captain has gotten even GAYER since last season, with slip ups becoming almost a daily occurence, but it’s getting to the point where it’s actually becoming a serious hazard. last week, he was supposed to be looking out for alison while attempted to put up blinds, but one of mike’s friends (who was over ‘helping out’, which mostly meant eating chips and covering himself in paint) walked through the room with his shirt off and paint handprints on the seat of his shorts, distracting the captain from realising that alison’s stepladder was about to give way. 
with the increased presence of non elderly men in the house (the previous owner wasn’t exactly the life of the party) the captain is getting gayer and gayer, but he’s also becoming more and more defensive, while his brisk demeanour and need for control regresses to much more of a season 1 state (a subconscious attempt to regain control as things get close to spilling over). it’s not the first time his repression has almost slipped, he spent much of his life surrounded by soldiers after all, but with no war and no corporeal body he’s got almost nothing to distract himself from it. needless to say, between the safety hazards and the almost agressive defensiveness which derails any interaction, something needs to be done about the captain.
throughout the week, alison tries to find the opportune time to talk to the captain about what’s going on with him for everyone’s sake, but cap keeps masterfully evading any ‘deep’ talk with willful misunderstanding or just straight up dismissal (which at times gets a bit rude), and alison really doesn’t have the time- her and mike are caught up with managing the first official room redecoration and butting heads with a passive agressive delivery driver. insert general shenangigans, but at some point the captain’s whole “accidentally sabotage something by being distracted and then attack anyone who dares even look at him the wrong way afterwards” act causes alison to exasperatedly blurt out “we all know you’re gay! we get it! you like men! you can drop the act!”. there’s no malice or anything but, as we know, when alison gets run ragged things don’t tend to come out quite right.
everything falls silent (and mike is vaguely confused), and the captain just looks like a deer in headlights. as alison catches her breath, pat pipes up with a “it’s alright, cap, we don’t mind- now we can focus on the task at hand”. the captain sort of regains his composure and once again attempts to brush them all off with a scoff and a “i haven’t the faintest idea what you’re talking about. if any of us is distracted, i-it’s... kitty!” but it’s easy to tell he looks rattled. most of his words don’t come out right, and after trying to blame kitty for their failures (she just had the unfortunate luck of being in his line of sight), he ends up doing an awkward little walk away which quickly turns into a full on sprint. mike, having finished processing alison yelling about gay shit to the air and kind of pieced together what must have happened awkwardly chimes in with “it’s okay to be gay!”- alison just pats him on the back (”yeah no he’s gone, mike.” “gone?” “sprinted away.” “huh”)
the episode continues with the captain flat out avoiding alison and the other ghosts to an almost funny extent as the other plots continue. it takes a bit for alison to realise why the captain reacted so badly (in fact, it’s actually mike who remembers that he’s 1940s ghost- “he’s probably just scared and taking it out on everyone else”). while thomas and julian vote for leaving the captain be so they can have some peace and quiet, fanny/pat/alison/robin decide someone needs to talk to him (fanny surprised everyone but after all, she got murdered because her husband had to live in secrecy- if talking to the captain will avert any further crises, she’s happy to make sure someone else does it for her). kitty’s still upset about being singled out, but she knows better than anyone that sometimes all you need is a friend- cue realisation no. 2.
with the captain avoiding everyone, sending in a regular emissary isn’t going to work. they need to find the least threatening person possible, with no agenda or history other than being there to help (a friend, if you will)- cue everyone looking at mike.
a quick offscreen briefing later, we see mike wandering out to the field where the captain has exiled himself- remember that up until this point, the captain was still in conscious denial about his sexuality, so being forced to confront it head on (and finding out that apparently everyone ‘knew’, which for cap would feel like an intimate invasion of privacy/forced vulnerability) would rattle him to the point of self-exile- he might not be able to run from his sexuality, but he can run from people. the thing is, mike can’t see or hear the ghosts, which means the captain can’t be frightened off by any expectations (mike actually talks to/at cap while facing completely the wrong direction, but consdiering the above point, this works rather well). 
the captain was alternating between pacing, fiddling with his swagger stick, and sitting, but he unconsciously stands to attention as mike wanders over. he’s used to mike not being able to see them, so mike asking to sit down takes him by surprise, disrupting his instinct to flee again.
mike begins a little awkwardly (”mind if i sit?” *silence* “...i’m just gonna assume that’s a no. or is it a yes? yeah anyways i’m just gonna sit. so... heard you’ve been going through a rough patch”), and the captain almost scoffs and wanders off, but something about the clumsy earnestness in mike’s voice, the captain’s vulnerable state, and the fact that it’s been so long since cap has had anyone actually check in on him, that he stays put. he keeps standing and staring away from button house, and mike keeps speaking to the empty air to his left, and alison and the ghosts stay hidden behind their bush a few metres away, but at least the captain is listening. for the first time in weeks, he’s not on the offensive.
“i can’t actually see or hear you, so i’m just gonna talk and assume you’re listening. alison mentioned you have a habit of running away but, um, maybe don’t do that please?”
“my mate daniel's gay. uh, homosexual, you’d probably say- did you have gay when you were alive? did it just mean happy? anyway, he didn’t come out- that means tell people- until he left high school. we all kind of guessed it, the other kids at school gave him a real tough time for it, but he just squashed it down. couldn’t imagine that all the things people were shouting at him were true, so he ignored it. he’s doing good now though. got married to his husband last year, currently runs a bookshop. so that’s nice.”
it goes quiet for a bit. the captain hasn’t moved, and we’re still only seeing shots of him from the back, but there’s a little less tension in his stance than there was before.  mike clears his throat before continuing.
“i’m guessing you’re probably pretty scared right now. i would be- i mean not that you should be, you shouldn’t, but coming from your... situation, i’m guessing it’d be hard. no one’s saying you have to be anything you’re not ready to be, but lots of things that are scary are actually not bad. airplanes, skydiving, clowns- well, not the clown from that movie, but he gives clowns a bad rep- i’m sure there are plenty of lovely clowns out in the world. still give me the creeps though.” the captain makes a captain-y noise of assent about the clown comment- he never liked them either. 
mike glances over to the bush where alison and the ghosts were attempting to listen in (they could only catch every few words- mary got particularly concerned about why mike had referenced clowns), and the captain still hasn’t run away, so alison motions for mike to keep going. he starts telling the captain a story from his uni days. it’s got nothing to do with the captain, or being gay, or self-acceptance, or anything like that- it’s just a standard tale of comedic but inventive problem solving. the captain sits himself down next to mike (to his right, avoiding mike’s gaze, and still staring away from button house), muttering that his legs are getting a bit tired. he sits there for a while, and mike just talks. sometimes he circles back to the gay thing, sometimes he just asks the captain questions, before remembering that he can’t actually hear any answer, but then he keeps asking anyway, thinking that cap might need to talk. he doesn’t at first, but slowly he offers up a word or two. and then a sentence, and then maybe more- mike will accidentally cut the captain off, or leave the silence to long, but the captain doesn’t mind (it’s a nice reminder that nothing he says will actually go on to have consequence). at one point, mike gets out his phone to show the captain photos of his mate daniel and daniel's husband, not just their wedding day but casual photos- couples drinks with him and alison, dinners at each other's places, the bookshop. 
alison and the other ghosts have long gone, and the sun is just about to sink below the horizon by the time the captain stands himself back up with the traditional knee crack and grunt. he looks at mike and nods, giving him a simple thank you before turning to walk (not run) back to button house, head held slightly higher and looking more relaxed than he’s been all episode. the captain has still got a lot to figure out, but at least it’s a start.
[i love the dramatic ending but the implication is that alison has to go and fetch mike bc he has no ideas cap has left and is prepared to keep going lol- also by no means is cap suddenly going to ditch his characterisation and become a yas kween gay right away, i didn’t go into the aftermath bc this is alreayd fucking LONG but let me know if you want follow up????}
EDIT: i've rbed this with the follow up/part 2 attached!
EDIT 2, much later: switched out mike's reference to his 'younger brother' to a school friend, since the christmas special confirmed mike only has sisters and we're all about accuracy here
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ok bhah ch11 my longest yeah boi ever
i’m literally... so excited I can’t even read it ok ok
oh no not the wedding invitations not this
i swear to god if we have to go through this wedding. knifeemoji
listen I have a fear that we’re gonna get the break up and the car accident same as canon dear god don’t put us through that either
no fears *literally everything that could make bhah more painful* several fears dot meme
god not the jamie invite. she cant even do it. another sign from god you are choosing to ignore
straight to Jamie’s house oh
lmao the red door I just worked out that’s a hill house reference from when I was wondering in like ch3(?) lol the inner workings of my dumbass brain never stop
“can we talk?” it’s happening what is happening
Dani was so tired of lying oh my god
my heart is literally beating so fast
alone in Jamie’s room bro wtf wtf
Jamie is just so soft and understanding always always aaaahhhhh
fuck she just wants out of this wedding so bad but she can’t even tell him
AAAHHH SHE KISSED HER OH MY GOD IT’S HAPPENING
fuck fgkjhdfkjgh this is not good oh no. Dani finally finally fucking doing something for herself and Jamie so aware that this cannot be happening like this right now
and yet both of them just falling into it anyway oh my goddddd
jesus christ jesus christ “Dani had half crawled into Jamie’s lap, kissing her with a fierce and fervent heat” I am on deaths door
god they’ve both wanted this for so so so so long I can’t believeeeeee
(i am so thrilled that y’all just went there right away btw)
“Please, just - I just want to feel how I’m supposed to.” oucchhhh Dani
god her just... knowing. after one kiss w Jamie that she can finally do it and talk to him and end it and it’s so terrifying but goddd yes
“You think I can ever say no to you?” oof
“Ask,” Jamie breathed. “Ask me.” fucking fuck the power of this line oh my god Jamie is so fucking ready to jump of a bridge for her it’s- the dedication the love the longing the everything I am going insane is it too early to start drinking at 1pm
you’re not you can’t NOT THE CANON DINER SCENE
fuck this is like watching a car crash i can’t look away it’s so fucking visceral and nerve-wracking and painful
but god I’m so proud of her for finally saying what she wants
oh thank fuck y’all didn’t take him out with a passing delivery truck
“You must have known. You know me.” oh god this sentiment always kills me
“She couldn’t say it — the words ‘I’m gay’ forever out of reach — so instead she said, “I can’t.”” my whole body is on fire oh my god this is.... too fucking real
jesus christ the near miss w the truck are u trying to kill me (i actually kind of love that Dani will have to deal w her feelings w him face to face instead of having to bury it all in grief like in canon I am so excited to see how y’all handle that)
a fucking HOUR in the car dfkjghdfkjh the torture
oh honey. literally both of them suffering so much ouch
her favourite saucepan pls this is all so awful and sad but that make me laugh so much the poor confused little duck I am glad she has her comforts
god poor Dani
"Is she here to cook something?"  fgkjdhfkgjhfkjgdf
“No. I think you’re brave.” oh
“We’ll figure it out." listen listen I am undoubtedly losing my mind god this is soft
“She had spent so long being asked and not asking. Never asking. She never dared. To ask was to be known, to be made visible, words forging reality as surely as a smith’s hammer. And yet Jamie waited, letting Dani gather the courage herself.
"Can I -?" Dani said, "- stay?"” please fuck I am just so !!!!!!!! about Dani getting to know what she wants and having a fucking voice. just !!!!!!!!
“Jamie inviting her in” fucking just both of them finally getting some of that quiet courage w each other I am yelling so much
“Dani knew that it wasn't just her feeling this, that it had never just been her.” YOU’RE GODDAMN RIGHT BABEY
““But you do?” Dani asked. “Want to?”
Jamie’s answering laugh was brief and incredulous. “You have no idea.”” I AM: HOOTIN. AND: HOLLERIN
“I am here” hello? hello I am not coping I am on another plane of existence. DANI FINALLY FEELING SO PRESENT AND WHOLE IN THIS MOMENT
god they’re just holding each other i’m tearing up. Jamie is her home
Dani finally sleeping through the night ow my fucking heart
Mikey’s so chill about all of this sdkdhfdkj I love him
Jamie going out n buying her favourite jam... god the tenderness. love is stored in the strawberry jam and the hairdryer
hmmmmm her attraction to Jamie is so closely tied to a lot of really hard feelings this is gonna take a bit to work through huh???
aw Jamie going to Carson I am so happy she has her little band of gays to help her rn
I love that she can just kiss her now when she gets the urge like maybe chill out a lil just landing all these surprise kisses but like good for u girl. good for both of u
the warmth of the house hmmmmm I love that she’s found this esp because she is perpetually cold and Jamie is always warm but keeps it like that for the kid (and probably for Dani too) aaahhhh
cgjkdfhkjgh Dani is so thirsty poor Jamie trying to keep them in check. these moments are so fucking loaded holy shit
Dani Jamie and Mikey are the cuuutest lil family aw
god the tentativeness between them trying to figure this all out and the casual intimacy and just. all of it is so much and so beautiful to watch unfold
i love this little bubble inside Jamie’s house and Jamie kind of drawing the curtains around them both physically and metaphorically while she lets Dani figure things out and lets it settle between them
it’s all about the hands
oh my god Hannah instantly asking if she needs a place to stay she really is the best
soft little mornings with her Jamie like... once Dani finally defeats the ball of guilt in her chest there is so much goodness to look forward to and I am v glad she has that right now even as she is still struggling a bit. my girl needs all the sweetness in her life
also the idea of Jamie getting to wake up to sleeping Dani in her bed every morning after a lifetime of trying to repress her feelings... god
heh she’s already figuring out all the ways to push Jamie’s buttons god these two are going to have some fun w each other
this idea of learning the creaking floorboards of a new home is so... warm
Jamie leaving all the curtains drawn for her oh my heart keeping her safe keeping her safe
Nan would be so proud of ms Dani u know it’s true
awww Mikey comin home to keep her company
Mikey Dani time is always so sweet I love them
my god Dani n Jamie are so intense w each other and just so full of fucking desire... when those floodgates finally open will they even survive
oof Dani is dealing with soooo much ugh. Jamie always there with a gentle way to bring her back down to earth tho my hearrrtttt
“You’re allowed to be happy.” she is SHE IS ty Jamie Taylor voice of reason
a pinky promise to deal with everything together awwww
“why are you so good to me” “you know why” oh my goddddddd. that’s so soft that’s so gentle that’s so much love
Dani finding little bits in herself in media god i love this
Dani Mikey hours best hours
god Carson... sweet boy. And Judy sending over a whole bunch of food oof just. these quiet little reminders of their love for her. Dani’s about to go through a whole bunch more emotions huh?
fkjdfkjgfh Mikey going into protector mode when Carson is there pls i love hm
ohmy “our room” aaaaaaahhhhh
god Dani expecting him to be upset with her I am so fucking emotional. I relate far too much to Dani in canon and in this story and it’s just. painful as hell to see someone go through the things you know hurt the most holy shit
please Carson is so sweet and understanding and telling her he’s proud of her is making me cry so much I can barely see
this whole like.. uncomfortable but relief-filled kind of coming out between her and Carson is so so beautifully done I can’t stop fucking crying
“God, you two were agony to watch.”  fglkdfgkjdfhkjgh Carson a voice of the people
“You deserve to be happy.” - Carson and also me and also everyone reading this
god he is so wonderful!!!!!! this reminder that she’s not alone and everything will be ok!!!!!!! Carson I love you so much
the box being described as “the beating heart of their childhood“ god the imagery
Jamie so sweetly making room for her and welcoming her into a home I am emotional again the tears have really been unlocked now I’m gonna be a mess the whole rest of this chapter (i say as if I haven’t been already)
the really sweet way Jamie gets her to open up and trust her with the things that have been on her mind
and Dani doing the same for her god this gentle honest space between them makes my heart feel so full I am just so happy that they’ve got each other
“I want you to stay.” please (also now I’m thinking about AE putting Stay on her Jamie playlist jesus christ I am being tortured)
they get... to wake up.... in bed together. i’m so close to crying again when will this stop
i kind of love there hasn’t really been any like... just no more kissing u know but we still get this insane intimacy between them in a way that’s not them shying away from the way they want each other but so carefuly and sweetly and honestly coming towards each other
awww them always waking up all tangled is so cuuute (also Dani feeling so safe and comfy with her that her subconscious is like lets latch on she is good she is home)
lmao Dani having to mediate between these two dweebs and their playfights is so good
Jamie having her lil family surrounding her aww
(also i just noticed the rating change oh god)
sfkjfhdg Jamie looking at her hips all dark eyes and wanting we’ve all been there girl
“you can look” BOLD DANI MY BELOVED
god these two........ the grabbing her silver chain god @ google how to breathe properly??????
“Then show me.” oh my god
fkgjhdfkj so much electricity they shorted out the power
“this is just as nice” when they’re just hugging please they are so soft
i love that there’s just like... gentle soft banter between them in these quiet moments so much
“Dani, give him more homework.”  ghrfjkhjgkjgh
god the heated cheek kiss
this ‘game of chicken’ god they’re just.... really in it huh this is so fun
hmmm Dani going through the suitcases and sort of being able to bring some of herself/her past into this new place is so nice
heh this lil family and their snowfights are so cute
:( she can’t bring herself to eat Judy’s food
Jamie bringing her flowers oh soft
ugh they’re just so softly melting into being together it’s so sweeeeeeeet
“You’re lovely.” and the way Jamie just sinks into her with Dani’s fingers in her hair pleeease I am dying this is so warm
aaaahhhh they’re dancing soft soft soft
“gray eyes fluttered closed, as though the weight of Dani’s touch was too much to bear” god i am..... aaaahhhh
“a gentle calm settling within her. It had seemed that for all her life she had waited for the quiet of this” y’all this is so beautiful and lovely and wonderful and all the good things
ah that kiss. kinda feels like their first real kiss where they just get to be god I am so happy “a profound sense of finally” oh oh oh that’s such a pretty concept
god I love how much they just want each other that second kiss and them just all over each other is perfect and having to try and reel that in and being able to because they know it’s not going anywhere please it’s so so good
god Dani vs Desert Hearts I love this callback and the entirely different circumstances of her watching it again
dsjfhdkjfh oh no Dani losing her mind at Jamie touching her knee god these two have got the biggest storm coming
dfkdjhkgdjh god them like.... trying to take things slow but still letting things happen while having to be aware of Mikey is so funny but I kinda love it and how indicative it all is of them being so grown up and able to approach their relationship in such a mature way. as much as I wish they’d had their teenage love story I do like that it’s unfolding this way now.
“it struck Dani then that she couldn’t remember ever laughing while doing this.” aww
Mikey’s “oh gross” hahahaha poor kid
god this is so funny
“ferret kid” jamie why are u like this sfkjhdfkjf
oh lordt it seems we have reached the unabashedly horny phase good show ol’ chaps
god they’re still so soft tho this is so fun to read
i looove how flustered they both make each other w just their presence. it’s just so !!!!!!
lmao Dani knowing exactly what to do to drive Jamie insane is fdkgfdkjgh perfect amazing show stopping more neck kisses more teasing more barely restrained desire i love it
“the reckless rush of being in each other’s arms” AAAAAAAAAHHHHHHHH
lmaooooo Mikey Jamie is going to lock you outside if u keep doing this
the fact it can just fade back to comfortable companionship too is like. ugh i love them together
“Yeah. You can touch me whenever you want.” oh jesus
“No more interruptions, no more waiting, no more holding back.” it’s happening god it’s happening everyone stay calm (also the slow build to this point has been so fucking perfect y’all are writerly geniuses)
lmao Dani is like please can we just get naked why do u want to watch a movie I am literally right here
oh she is not waiting anymore THAT’S MY GIRL GO GET EVERYTHING YOU’VE EVER WANTED I LOVE YOU
“What do you want?” god the tension
aaaaahhhhh just. them being so out of their minds with want but still all nervous and wanting to check in but still just. wanting this so much god this is *chef’s kiss*
lmao Dani already having the hair pulling thing figured out is so good. poor Jamie lol is she even going to survive this
god the fact they’re both still fully clothed n still getting this fucked up just making out n grinding on each other I love this for them
mum just came in to tell me dinner is ready I AM ALREADY EATIN GOOD
lmao fuck I am just... so thrilled for Dani finally getting to experience this get ur whole world rocked baby u deserve this
thumb in her mouth i-
“my idiot” pls that’s so soft
“You have me.” i know this is like. horny but it’s also so romantic sfgkjhdfkjg
ayoooo Jamie’s tattoo excuse me while I lose my mind a lil bit
my god Dani is so impatient to get her naked I love her for it so much “I just want to feel you”... ma’am
Jamie being all nervous is so cute aw
god having this lil moment where they just call each other beautiful n get all cute about it while they’re fully naked n grinding on each other.... perfection
god I can’t stop thinking about every other mention of Dani having sex w Eddie and it just being like adequate or like her not letting him touch her and now LOOK AT MY BABY GO SHE’S REALLY HAVIN THE TIME OF HER LIFE LITERALLY BEGGING TO BE TOUCHED LET’S GO LESBIANS LET’S GO
I feel like I’m like cheering Jamie on rn sfjkghdfkj u guys need anything? some snacks? a condom?? ur doing great!!
Dani crying and thanking her like this is an acceptance speech love that for her
Jamie kissing all over her face aww
I can’t believe this whole chapter is them just getting to fall in love for real
“I want to taste you” i am blushing goddamn Jamie get it
oh my god the dream. she’s literally living out her dreams
“that same focused intensity that could make kingdoms fall” I love that Jamie is just as into getting Dani off as Dani is getting off lmao GOOD FOR THEM
Dani: desperately tryin to get Jamie off. Jamie: are u sure u want to tho??? miss ma’am let the girl touch u already she deserves it (but i do love that she’s always just like.... never wanting to make Dani do anything she doesn’t wholeheartedly want to)
“You sitting here on top of me like this is doing more for me than you can imagine.”  iconic jamie moment
Jamie literally just like.... ‘you can do whatever you want to figure this out’ is so sweet I love her capacity for just. giving herself over to Dani in every way (not just the horny ones) to let her forge her own path
“It was easy to understand now, the exhilaration of it, why people went crazy for it.” god I love this for her so much everything just falling into place
they’re so soft n comfy together and it’s all just so right and lovely
i love that once they’ve started they basically can’t stop honestly get it girls u deserve all the orgasms
“When did you know?” “Sixteen years.” oof my heart she’s known the whole time aaahhhh. all these lil memories god it really was all out of love I could cry. and Jamie admitting the scarf/scar thing whew she really carried around that moment on her face for the whole world to see (also lol at Dani being so fixated on it this whole time that’s so perfect)
heh they’re so cute with their lil teasing banter exchange
lol goddamn this so so spicy I am just dfklghfjkdjghkjdf (that is to say well fucking done I can’t even speak rn)
Jamie just being like you could literally just look at me and I am turned on I... love this whole situation for her so much
god they’re really just going all in Dani is getting like the.... lesbian sex speed run amen
oh god not Karen on the phone just hang up Dani do it do it
god she is so evil
omg she told her abt Jamie go off Dani I am v v proud of u right now
and she hung up on her godbless babe i LOVE your audacity
heh Jamie so transfixed by Dani’s lil purple sweater and skirt I love her
Dani u are such a tease sfkgjdfkg good 4 u tbh
awwww she got Dani’s desk for her oh my god that’s so lovely
Dani n Jamie being entirely not subtle over dinner w their lingering glances and Carson just laughing at them fkjghdkfjgh i love it. he’s so happy for them even w his teasing aw
aaahhh i just love Jamie giving her this space and this room in the house and Dani feeling so right in it
oooh an almost “I love you” god they’re just fuckin u-haulin in love perfection huh
and now we’re back to horny hours love this for them. gotta bless that desk somehow huh!?
i love the mentions of all this soft stuff about belonging when they’re about to rail each other it really rounds it out emotionally
“Get on your knees.” OH MY GOD THE JAMIE ON HER KNEES REDEMPTION MOMENT IS THIS REALLY HAPPENING
HELL YEAH IT IS this is truly what we all deserve
oh my god literally ripping her clothes off her fuck i love how desperate they are for each other and just how into this they both are always
dfgkjdfh jesus Dani are u ever going to be able to get work done at this desk again after Jamie does.... all of this to u on it
“Good girl.” the single most powerful sentence in the lesbian language
jesus christ this is still so incredibly steamy sdflkhskhg it never ends. and them like.... experiementing a bit w some different um. approaches? lol good 4 them good 4 them (and us)
my god them instantly getting all soft after about making each other happy please they’re so dang cute
ok love that we are also getting Dani on her knees it’s equality.gif
this little “I like you” “I like you too” confession right now is... so fucking soft and like... after everything they’ve gone through they still have the power to kinda knock each other off their feet w lil things like this huh?? sappy lil shits
oh no Judy I am scared
holy shit Dani “Didn't think you'd love me anymore” owwww my heart
god Judy is such a good mama I love her so much. reassuring her she’s still a part of the family my god I am so emo. she loves her so much
aw I love this lil shared bathroom scene after so many awkward moments w Dani and Eddie in their bathroom and so many mentions of her fogged reflection. things are finally clear and it’s wonderful!!
lol Jamie well if u didn’t want Dani to get all horny u shouldn’t have worn suspenders!!!!! it’s simple math!
god Dani has changed so much this chapter which only takes place over a couple of weeks right?!?!? after so much anxiety and being so unsure of herself this is so fucking beautiful to see
stop the car thing oh my godddd. she doesn’t even care about having her own cause she’s so happy w the person she’s sharing with I’m so overwhelmingly happy
“You’re perfect.” please I will cry this chapter was so perfect (also so are the memes I cackled so much)
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vaguely-concerned · 3 years
Text
X-men Evolution; the great 2021 rewatch liveblog
exactly what it says on the tin, about halfway through the show I had TOO MANY FEELINGS and had to start writing some of them out haha (gets quite gambit & rogue/gambit heavy in the latter half, Because of Who I Am as a Person)
- this is my childhood’s x-men, my formative experience with them, and I’m happy to report that still seems like a good thing. the little eleven year old within me gets to geek out and have a good time with the characters and the surprisingly good animation and writing, adult me gets to CACKLE at regular intervals at the fashion/technology/absolute bonkers hot garbage comic book nonsense they use to justify a storyline every now and then, it’s been a good time 
- I was like ‘ah well it is super dated it probably won’t be quite the same now’ and then rogue’s HAIR did the THING in the opening and ‘it’s all coming back to me now’ started playing in the background... the little baby queer in me swooning across time and space
- such a good beast, both his design and the writing, my heart aches for him all the time. he’s just so passionate! about being a teacher! helping young humans learn the stuff they’ll need in life! the most wonderful nerd man, just let good things happen for him
- I’m going to go ahead and assume that rogue’s ‘crush’ on scott is more of a deeply complex psychological process about desiring normalcy and intimacy and trying to figure out if she’s queer and dealing with her emerging sexuality and latching on to the first and best safely unavailable and nonthreatening older boy to project these issues onto rather than actually being a real thing, because I respect her so much as a person and I cannot bring myself to imagine she’s honestly attracted to a man who has POSTERS OF CARS on his bedroom wall. (I’ll give jean a break just because she seems to have a longer deeper history with him that might counteract some of that libido-kill, and also she’s a jock so lol)
like I am very sorry but can u imagine being a teenage girl with any interest in a boy with model cars in his bedroom when gambit’s swanning around being a much, much, much worse choice on almost every possible level but in a teen girl kryptonite kind of way? inconceivable  
(I drag scott quite a few times in this and it’s not because I don’t love him, it’s just his tragedy to be the most draggable man in the world)
to be fair by the time gambit shows up that whole Situation has mostly played itself out I suppose but still  
- toad’s design is so ineffably brilliant, I can’t quite tell you why but that ugly cute charm has really stuck with me, he’s one of the characters I remembered the best to this day just visually
- poor evan... he truly never had a chance, did he, they just saddled him with the most 90s teen bullshit they could come up with like he’s some kind of ‘what adult writers think teens like’ frankenstein’s monster ;______; it’s not your fault honey
- poor poor POOR storm, she gets one focus episode and they were like ‘we’re going to make an episode so racist -- ‘
I’m still STUNNED at how bad it was, but undeniably I laughed hysterically to the point that my neighbours were probably worried when that dude was earnestly like ‘He [stunningly breathlessly racist caricature of a ‘witch doctor’ guy] has stolen her powers, and he’s going to use them to take over Africa!!!’ fhajsdlfhsakjldfh oh really? tell me more, like how the fUCK this could be on television within my life time fasdlfhsdkjfhsad f  just... fahjksdfh
- it’s a testament to gambit’s appeal as a character that his charm can survive what they’ve done with his hair and beard choices in this one fajskfhs regrettable but true I still fuckn LOVE him and in my highly biased yet Correct opinion he should have been around much more. get you a man who manages to stay hot through sheer Vibes even with a bowl cut
- aw scott/jean is kind of sweet in this show even if it’s taking them forEVER to get there, I like it 
- it’s very nice of rogue to not mention magneto’s romantic daydreams and nostalgic memories about charles xavier after touching his face that one time... or maybe her brain did her a service and repressed it, there’s some stuff you shouldn’t have to know about your father figure   
- the danger room is the very definition of ‘why do we even have that lever’ and I wonder what the fuck prof x does to have enough money to replace everything that gets busted all the time
- I’d say that a lot of the writing holds up surprisingly well! (but some of it is also incredibly inexcusably racist in ways that beggar belief, so... not full marks here) the characters have distinct voices and their arcs are set up and delivered on solidly for the most part, and there’s a lot of love showing through in small moments that are just there to have a funny/interesting thing to say about the characters and how their powers work separately and in combination. listen, sometimes I get so thirsty for like. basic goddamn competency in storytelling, let me have this
- ugggggh why is there captain america in my x-men have I not suffered enough... very very funny when prof x goes ‘sounds like you knew rogers personally’ and logan is like ‘I did ;)’ *all the students ganging up on steve rogers* “did you fuck our teacher, captain america?!”
- fskadfhas WHY are you showing me hot young-ified magneto’s ass fksjahfskj charles is not even here to see it, what a tragic waste erik 
- ...I was sort of kidding before but uh I think logan genuinely did fuck captain america (or at least wishes very much that he did lol)
- wanda can have a little watching the world burn. as a treat for the way every single adult in her life has fucking failed her (’aren’t they treating you well here’ professor x she’s in a straightjacket)  
- poor rogue tho can you imagine finding out after your biggest crush on a girl yet that she’s your fucking MOM in disguise... I would break out in cold sweat every time I thought about a boob forever after
- well seems like they really just had all that homoerotic rivalry stuff between quicksilver and spyke in their first ep only to never do anything with that again ever?? I mean even without the gay undertone that seems like a dynamic you spent most of an episode setting up writers what the hell haha
- dslhfkasjlh GAMBIT THERE HE IS MY BOY IS ON THE SCENE THIS IS NOT A DRILL!!! I don’t even care about his awful hair situation or the fact that his eyes are wrong here (coloured contact lenses, maybe, for a watsonian explanation? though he’d probably have to get them made special, considering he needs the sclera and the iris covered up in different ways, I’ve seen some comic panels indicating he has been known to?)
(cute little detail: when he shuffles the cards the first time we see him he ends with removing the top card to show the ace of hearts beneath <3 foreshadowing baBEY he’s a... good-ish boy deep down. hey he tries okay shit gets complicated sometimes lol) 
- cracking UP at gambit perched cheerily on the edge of a crate dispensing cards in the middle of the battle... he’s like ‘eh it’s a livin’ sfsajkhf remy stop working for supervillains just because you had nothing to do on a thursday afternoon and they said they’d pay you
- I’m guessing magneto must have imposed a strict order of silence on these guys or something because I cannot imagine any other reason for him to shut up, especially once he notices rogue is a QTE (or, far more likely, they hadn’t settled on any voice actors for the new characters until next season haha. it is kind of odd that they’re all keeping up near monastic silence, though, even sabertooth lol) 
- WHAT an epic first meeting for us rogue/gambit fans here... first his shadow like there’s fireworks going off behind him lighting him up and then he gives her the fuckn king of hearts and she’s so enchanted by his dumb handsome face she doesn’t even notice it’s about to blow up in her hands and it all happens in heavily meaningful silence afjsdfjashjk no wonder this ship ingrained itself in my hindbrain  
yeah look smug while you can remy she’s gonna have you on your knees one day and you’ll be happy about it lol
- god storm is so COOL, everything just fading out of focus when she really gets going... give her more screen time, show!!
- mystique is every person... this person... that person... that bird... that cat... that wolf... I’m not even sure she’s not also me... are you sure she’s not you? 
- holy fuck I respect the hell out of the decision to just... blow up the entire status quo in a season ender, I only vaguely remembered that (actually in general I appreciate how good the continuity is -- buildings and places that get damaged in battles need to be repaired or rebuilt, it makes the consequences feel more real even when no one gets seriously hurt. where they get the money to restore scott’s car and logan’s motorbikes every time they go cablooie is still an open question tho lol is it credit card fraud, professor? is it telepathically acquired blackmail???) 
- I first watched this when I was nine or so, so it’s a real experience to go from my starry eyed intrigued ‘oh my god... they’re teenagers’ to my horrified adult perspective of ‘oh my god... they’re TEENAGERS D:’
that goes double for the brotherhood boys honestly, I’m here with tears in my eyes like ‘I’m sorry the system has failed you so badly you’re all just a bunch of dumb kids whose caretakers clearly fucked up spectacularly’  
like lance is always waiting for mystique to come back because she’s the closest thing he has to a safe parental figure, may we speak about how crushingly depressing that is 
- rogue is so ready to throw hands at literally any moment and for that I love and treasure her immensely (I think getting to see her be so surly and unreasonable and sometimes difficult and jealous, like any teenager, meant a lot to me as a kid who was not really allowed to be any of these things, this version of the character has stayed with me so deeply. she holds on so fiercely to her right to feel what she feels and be what she is even when it’s ‘ugly’ or unreasonable, which I think plays in really interestingly with how her powers involve getting invaded by other people’s thoughts and memories to the point of overwhelming her own sense of self and the fact that she clearly has a lot of self-loathing and self-consciousness and confusion about her identity as well. I love her so much)  
- oooof this is the ‘the gang experience a microaggression’ episode huh (well more like macroagressions really)
hits a bit different with adult eyes and perspective huh
- hearing jean sound almost like a child when she says ‘that’s so unfair!’ somehow has me like ;______; -- she has to be so adult and responsible all the time, and having her be reduced to the kid she still is and should get to be in front of this awful awful man she could squash like a bug with the flick of a thought... ugh I’m Big Sad (it is funny that jean seemingly plays Every Sport tho djfhaskj)
- MY BOY IS BACK!!! this time with the duster coat and his eyes the right colour, im so happy (too bad about the subdued colour scheme tho; I adore his dumb bright pink getup with my whole heart)
it’s kind of adorable that he takes the time to take the bullies aside and go ‘I know these guys can’t wreck you without getting expelled, but I think you’ll find no law set down by god or man would stop me from doing so whenever I wanted to. so piss off and leave them alone’ lol he’s looking out for them, in his own way
- in this episode: remy lebeau wrangles some kids while looking bored yet mildly amused the whole time. what the fuck does magneto have on you for you to agree to this level of babysitting duty buddy
- fun detail I noticed b/c when I get a fave I hyperfixate: he gave rogue the king of hearts before, but he ‘introduces’ himself to the brotherhood here (lol) with the jack of hearts, probably to symbolize he’s here as someone who works for magneto in this setting and not as his own man? it’s a demotion he’s given himself there, anyway, might be he’s not very pleased about his current position huh 
- I like it when rogue and kitty team up, they’re not very effective together but their squabbling is so cute and non-aggressive 
- pietro is what draco malfoy would be if I ever found malfoy interesting to watch for even one moment, every time quicksilver talks I’m like ‘what wonderfully insufferable thing is going to come out of your mouth this time you little shit :’)’
- a) why are scott and logan shirtless for this scene? I am not complaining on the logan side of things at least but why and b) I laughed so hard I almost fell off my couch when scott asked logan if he’d ever been in love and he was like ‘once. she was the most beautiful bike I ever saw’ falsdfhaskjfhsakjlfhasklhjfd THE BEST VERSION OF WOLVERINE EVER, ACCEPT NO SUBSTITUTES 
- mystique’s sheer dedication to being a petty bitch is kind of inspirational tbh, almost makes me want to go on a completely bonkers and extra crusade of personal revenge myself  
- oooh they’re doing some genuinely cool things with vision/lack of vision in this one (it’s the scott left on his own in the desert without glasses one btw) even visually, dang! I’m so sad this show didn’t get more seasons than it did, honestly, it deserved it
- hell yeah jean wreck her, go get your man with the suspiciously specific clothing damage normally done to female characters 
awww :’) okay yeah they’re super sweet, I love the tiny loving animation details like how he leans his head against her and her stroking his hair away from his eyes
- nooo don’t bully evan leave my t0tally r4dical sk8er boy alone :(
- I love the running joke of people fleeing in blind panic only to reveal that what they’re running from is kitty’s cheerful well meaning little face fskfaskh 
- scott and jean are already peak married after officially being together for one episode and it’s adorable, and they just stone cold threw logan under the bus, rip wolverine we hardly knew ya
fjasdlfasldfhslajdkfhsadkjlfhsdkjalfhsdakfh h jean establishing herself as the alphabitch of this relationship by throwing her man to the wolves right after dsjfhaskjfhaskjhfsakjdhfaskjhfaskdhfskjahfskdajhf get smarter or get volunteered scott 
- ...eyepatch lady is so hot ngl
oh evan went to the place hank used to go to calm down ;________; (honestly he’s kind of won a place in my heart just by being a pretty normal teenage boy haha)
- jesus fucking CHRIST can you imagine being storm having to look her sister in the eye as she tells her ‘I lost your only child, he’s *vague gesture* somewhere in the sewers we think’ this poor woman
- amanda the self admitted monster fucker you are so VALID (I love her and her family’s design so much tho!)
- it’s so cool that even in his human ‘disguise’ kurt’s fingers follow the shape of his actual hand beneath it rather than moving like a five fingered hand, it’s such a lovingly consistent little detail 
- magneto and mystique in a breathless race to see who can be the shittiest parent... tune in next week for yet another parental nadir (also some low-poly gambit appearances in this one, for those at home keeping score (me), he’s in the background looking like someone drew him with their eyes closed fakjldfhasd look how they massacred my boy)
- someone please teach the brotherhood boys about consent huh
- jean ‘soccer mom before her time’ grey and her SUV dfhakjlhds :’)
- im sobbing rogue baby girl i’m so sorryyyyyy, this voice actress is so good, my parental instincts suddenly kicked into overdrive hearing the crack in her voice :( (bb me was right tho rogue centric episodes ARE the best episodes. that tension between ‘do I identify witn this character or am I crushing on her?? both???’ now has the fun new addition of ‘oh god oh no you are a baby I want to shield you with my body from everything trying to hurt you’)
- mystique is like ‘so you see despite you telling me you never wanted to see me again I completely disrespected that and posed as a friend your age, manipulated you by offering you the mirage of direly needed emotional intimacy and belonging and added some sprinkles of homoerotic tension to it just to massively worsen your already existing grievous psychosexual trauma and identity issues... out of love’
god go jump in a black hole you fucking monster 
- there’s some very interesting and quite subtle subtext about the people she’s morphing into and what that says about her mental state/how it shows off some of her emotional baggage with the rest of the team. it’s like she’s switching between people/powers that fit the purpose as if she’s going through cycles of fight/flight (and then bursts of freeze where she’s herself, which is... so sad)
- this whole episode is hurting my heart but rogue at full power is undeniably epic  
 - ‘professor x get your goddamn act together and get this poor girl some fucking tHERAPY’ challenge
- SAFE PAPA LOGAN ;_____;
- EYYYYYY opening straight on My Lad, I cannot stop winning!!!!! 
fasdfhsad disintegrating the window with a smiley face... remy I do love you more than my heart can bear honestly, hello may we speak about the fact that his urge to be a little shit is so deep and strong it survives mind control (that little breathed out ‘hiah!’ as he vaults the fence too dsakfjsd)
hahaha and he does up the coat fhsalfdsaj 
- magneto dismissing other telepaths like ‘puh-lease, your Meaningful Looks have got nothing on my ex-husband’s’ 
- :’) rogue and kurt sibling timeees
- say what you want but this pyro guy’s got job satisfaction in being a creepy arsonist with a weird recurring horse theme (well at least twice but still weird)
- I love how beast is the kindest man to ever walk the earth but also straight up savage, this man drags people so hard their ancestors wince in their graves
- gambit taking the time to complete the guard’s game of solitaire -- this episode is giving me everything I want. u little disgrace mr lebeau
and THEN he takes the spider out in the most hilariously bonkers way my heart is so FULL
(I love that when magneto moves by he looks startled and has to quickly move his head out of the way to avoid getting kicked in the temple too that’s a fun detail)
I’m so INTO how this sequence shows off that his greatest strength isn’t even his powers (which are pretty straightforward, really, he makes go boom, longer time and bigger thing bigger boom) but that he’s clever and creative and always extremely ready to be the most harebrained-bananapants-extra-in-a-deceptively-laidback-sort-of-way person in the room (I actually have some genuinely Deep Thoughts about how his whole character does a really interesting thing with having the straightforwardly destructive nature of his powers yield to what his nature as a person is, and how using the playing cards play (heh) into it, maybe I’ll write it out some day. just the fact that he could use anything, but he deliberately chose something that adds style and playfulness and corny charm to it and that also limits the damage of the explosions compared to if he habitually used something with more mass... I find it fascinating how much he’s made a story around himself with it and how deeply it shows he does have a good heart, at the end of the day, in almost a metatextual way. he doesn’t want to destroy things or people, he’s at worst (and best lol) a thief.)
- I honestly have literally no memory of white nick fury (which seems so weird now isn’t it funny) in this series from when I was a kid, he clearly did not make an impression on me lol
- mr wolverine ‘assigned canadian at birth’ x-men 
- oh man I dig the androgynity of x-23′s outfit (even tho they had to compensate with the long hair, which... kind of doesn’t make sense in-universe but does on a design level because it’s a crucial thing that she’s a female clone of logan so yeah okay fine whatever have your arbitrary gender markers if you must haha)
ooooooh that’s actually really clever, they make her gender gradually more obvious as she unravels through the episode and her outfit changes -- first the mask coming off, and then her jacket opening to show her silhouette more clearly, that’s cool!  
- my god what really sets this show apart is how much it invests in little character and relationship moments, it’s just so fucking GOOD! it gives laura looking in on those moments such depth and weight because it’s new to her but established to us as an audience, this is how you make found family devastating people (storm growing bonsai trees is so charming too haha) 
- ooof this is honestly quite harrowing 
SHE’S SO SMALL COMPARED TO HIM I’M CRYING (at least that part of his genes translated over faslkfsjdh short king, I say this with all the love and support of a fellow short monarch)  
- tabitha seems to just be running around doing precisely whatever the fuck she wants and you know what I support her even if she is an asshole her father left her a bunch of trauma and no fucks left to give 
- still thrilled about professor x explaining the spider key fuckup to magneto after the fact like ‘magnus you dumb bitch this is why we split up’ 
- awww kitty has anime and movie posters on her wall and sleeps with a stuffed toy :’)
-          remy                           rogue
                              🤝
doing completely unnecessary parkour around the brotherhood living room seemingly just for the hell of it... I’m not saying soulmates but fucking soulmates 
- fhsadkjlfhsakjldfhsadjkfhsdajkfh just as gambit’s soul-level need to be a little shit survived his bout of mind control, rogue’s deep and urgent desire to kiss gambit full on the mouth survived hers I can’t breathe
she looks so pleased with herself too GOOD FOR YOU GIRL at least get something out of this other than more trauma 
also not only the fact that he’s smart enough to figure out what’s going on (though he’s only partially right about who’s behind it. I do so enjoy gambit/mystique deep and sincere antipathy as a constant across all universes tho lmao pure wlw/mlm hostility) but also that he keeps fending her off like he’s not trying to hurt her even though she’s in nigh on unstoppable and invulnerable terminator mode... awww 
- gambit having absolutely no patience for wolverine and sabertooth’s bullshit macho-off and consistently being this little biker trio’s one brain cell is adding years to my life with every passing moment
his voice is a little different in these scenes too, a bit softer and less like he’s trying to impress someone, it’s nice
- hank: well I barely recognize any of these (completely made up) ‘ancient egyptian hieroglyphs’ but from what I can make out -- *proceeds to infodump a perfect coherent narrative* fjdhfak  
listen this whole thing is such nonsense on so many levels, I’m just turning my brain off so I won’t have to think about it okay, the compulsion to put ancient aliens in egypt haunts us as a culture 
- I am CACKLING about gambit in the snow after having to listen to these two chucklefucks ooze testosterone at each other for hours
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he started out taking it in good cheer and is now reduced to ‘dieu would both of you just jump off this fUCKING mountain please’
- ah. a little oops-a-daisy there, we seem to have unleashed the apocalypse. please stand by (they really don’t pull their punches with the season cliffhangers in this show haha)
- opening the season on gambit’s merrily grinning face is the easiest way to gain my favour. yes good this season may commence 
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baby u r my
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 ANGELLLLLLLL
(he’s so cute here tho haha I think it shows the design isn’t unsalvagable, just get him better hair and stubble more like logan has and you’ve basically got it) 
love his exasperated eyeroll when the dude gets spooked (by his eyes? or just the general weirdness?) too
he’s just trying to keep this crazy family of evil mutants together and unmurdered by one another until they’ve managed to avert the end of the world, bless him  
- oh NO rogue’s LIP wobbles my hhhhhheart ;____; such a good animation detail to put in
- like... I know kurt is just a sad scared teenager with a lot of shit going on and all the adults are too busy averting the end of the world to help him... but buddy maybe don’t ask your sister to wake her abuser (who forced her to kickstart the end of the world!!!!!) when she feels utterly unsafe even with her statue version around huh
- ...wanda is good and I want only good things for her. and for her dad to be disemboweled for what he did to her both the first time around and when he forced her to forget I mean what 
- magneto throwing an epic satelite-slinging tantrum b/c ‘no I am the biggest sexiest strongest mutant of the pack :(’... erik fucking get over yourself 
- yes boys absolutely go along with a plan suggested by a dude who looks at you like this 
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nothing bad can come of this surely asdfkhsa
- lance’s quarter of a braincell always trying to go ‘hey wait, maybe... not do this???’ and it never helps lol
- in this episode: Logan Has A Bad Day 
...some very specific bondage positions he’s held in here, I am sure this episode awakened something in someone once upon a time lol 
- logan shielding x-23 with his body... im fine it’s okay I’m not crying don’t look at me
- afsdhlsdfjasdlk those sure are some ‘scottish’ accents flsadkjhkdsjahfsd
- scott relieved to finally be able to cede the position of ‘charles xavier’s least favourite son’ to someone else fjsaklfhsajd (poor scott it’s not your fault honey)
supremely cowardly to suggest there is an ex-wife involved rather than charles slutting his way around the british isles back in the day but okay
- kurt with a cold is the cutest thing I’ve ever seen. it’s okay kid it’ll get better soon
- ...is there an implication here that professor x is naturally blond. because I am losing my entire little mind about it (i mean he at least has to carry the gene, as does this lady?)
ETA: upon doing some research into this I can indeed confirm that charles xavier does seem to be naturally blond, and after this knowledge I will never be the same 
- “listen, dracula” fskdafghasd oh scott you sweet baby angel I love you
- I know jean’s abilities are a bit ‘as strong or as weak as the plot needs right now’ at this point (so you can have the setup for what’s going to happen with them eventually and she’s basically invincible ;____;), and normally I’m cool with it but god I want her to just squash lucas like a little bug
- ewwwww please don’t ever say ‘daddy’ like that again
- ...what the fuck is even going on this episode’s a mess 
like okay the split personality thing could be something but the way it’s done... what just happened lol
- MY BOY EVAN IS BACK! with a real glowup too (...though kind of weird how he suddenly looks like a grown man)
- augh scott’s eyes are so pretty oh my god ;__________________________;
- that episode in the first season where evan makes the ‘this is my new family!!’ video is so sad now (also, again, his poor poor parents) 
- time for: life affirming road trip with gambit (involuntary) faskljdfhaskjd
stunt therapist remy lebeau 
- I mean the way he goes about it is batshit insane and it’s very much secondary to what he’s actually up to but this is the first time rogue’s sounded genuinely hopeful and confident and like herself in like a season <3 
- he is disconcertingly pleased about her nearly throwing him off the train, and may I just say I agree it’s so nice to see rogue with her old fire back 
- the first time I watched this it was of course dubbed into norwegian, so I had no idea either of these characters were southern lol (though to be fair I probably wouldn’t have had much context for what it meant exactly either, I was like ten at the time and not too interested in america) I seem to dimly remember the norwegian voice actor did a little more of a ‘french’-tinged accent for gambit all over tho haha  
- you know what respect where it’s due, pyro dude knows to live his life for the lols and one has to admire his sociopathic dedication to it
interesting that he, too, seems to have fucking hated magneto -- I wonder if the implication here is that he kept all the acolytes in line with blackmail or by keeping something/one hostage? (except sabertooth maybe he’d just have to say ‘you get to fuck shit up and fight wolverine’ and that’d be enough)
- fsdakfhsd he’s so focused on her he doesn’t notice that guy about to hit him fkafhsa 
- fuck everything else except whatever the hell these two’ve got going on
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- it’s weirdly cathartic to have rogue have a conversation with someone who was not happily adopted as well, I don’t think kurt like. gets it because his parents loved him unconditionally and still do 
birds of a feather motherfucker  
- fun detail: when the x-men team are on the shore and logan is sniffing around scott is stepping in something and trying to wipe it off his boots in the background
- when he wakes up after passing out from the touch he’s smiling even though she’s standing over him looking like the rage of god outlined by the moon fsajfsa well the last time he passed out like that it was from a kiss, maybe he still has some hopes and dreams in that direction lol (also he recovers from the tumble down the hill first and is checking on her before accidentally brushing her cheek with his hand, which I thought was sweet) 
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and it was in that moment he knew he fucked up *passes out*
- ‘I can explain’ can u remy. can u  
- did it ever even occur to you to just. ask her. to help you. I mean I know it didn’t but like rogue’s always one second away from throwing hands with some bully and is stupidly ride or die, if you’d given her the puppydog eyes she would have crumbled immediately (fair enough I guess this entire episode is telling us he’s not from a background where he has much experience with people just helping him without a price haha) 
- his eyes glowing when he’s angry or upset or using a lot of his power is undeniably cool as all hell. I’m just saying it would be Big Sexy if they sort of flickered with light in moments of genuine vulnerability okay  
- his coat... his coat is what makes the Silhouette tm and I could not be happier about it 
- another parent of the year contestant enters the running lol “hey remy have you ever considered that you’re more of a walking bomb factory than a person? that’s certainly how I think of you hahaha c’mon kid let’s go” 
- the running joke of jean luc getting dollar signs in his eyes seeing the other mutant powers and gambit being like ‘nO!!!!’ and pulling him along is amazing haha
- from the way he looks when he touches rogue accidentally and the way he talks to his dad I’m sort of getting the feeling this gambit might actually be a bit younger than he looks?
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here too -- idk why but it’s making the ‘wait is he baby???’ alarms go off in my head haha. very early twenties at most. 
- and we’ve officially seen him with all the face cards in the heart suit folks! (yes this is the sort of thing my brain notices no I don’t know either)
- poor logan running his ass off this whole episode in a panic and then she’s like ‘nah he’s fine (in several meanings of the word ( ͡° ͜ʖ ͡°) ) please put him down’ hfaskfsda
- rogue without makeup!!! her eyes look so naked like this haha <3
- oooh here’s a really interesting thing that tickles my brain a bit in this specific part of the scene where gambit frees his dad -- the part where he’s leaning against the door frame waiting for jean luc, who’s about to suggest using the opportunity to ruin the rival gang from the inside rather than slipping away while they still can
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from his expression here he knows what’s about to happen, what jean luc is about to say, and it’s clearly a ‘man who thought he’d lost all hope loses last additional bit of hope he didn’t even know he still had’ sort of situation. he KNOWS what jean luc is like, and it still hurts that he really, honestly can’t give him even this, can’t appreciate that remy’s already done all this shit for him when he extremely didn’t have to, without immediately (no really, it took him less than ten seconds to go there? jesus) demanding more.  
remy tells him “I’m just here for you” and jean luc does not understand it. remy seems to be sincere in this motivation -- rogue certainly thinks so, having experienced it second hand and found enough at least emotional merit in it to decide he was worth saving even after all his bullshit (lol a bit of a running theme maybe. I think it’s very telling that after she absorbed mystique she was like ‘what the FUCK you’re a fucking monster’, and after she absorbed gambit she went ‘you did the wrong thing for the right reasons’ after she got over the first wave of outrage) 
there’s also what he says as he stands there: “You don’t need me for that”, with the distinct implication that jean luc would only keep him around because he has a use for him and for no other reason -- and then jean luc shamelessly doubles down on that by specifying that it’s not even him he’s got a use for as such, just his powers. that’s some kicking puppies level of deliberately missing the point, it’s almost impressive in how cheerfully mean it is haha
this idea of using people is really important in this episode because remy’s doing basically exactly the same thing to rogue to begin with; it doesn’t really matter to his plan that it’s her that’s with him through this, just what her powers are. (I think it’s  p r e t t y  solidly implied that he does actually like her a lot outside of that too and maybe there is some comfort in having her around for this, but mostly he’s behind a smokescreen of lies through the whole thing sooo I doubt he’s even aware of it, honestly)     
but then it does matter that it’s her when she comes back for him, even after what he did. and unlike jean luc he understands what that means, that she did that for him, and that she didn’t have to. and instead of asking her for more, in return he gives her the thing it’s been established is what he considers the most valuable thing he has; his ‘last card’, the thing he’s credited with keeping him alive many a time, basically. it’s gone from using to mutuality, a tentative place of friendship, and at the end of the day he is a different man than his adoptive father, with a capacity for selflessness and love he lacks. which is of course some of the same stuff going on with rogue and mystique too, except rogue acted from a more fragile and unstable place and did something she regrets, or at least has a LOT of doubts about now, and she found some catharsis in helping someone make a different choice in a similar situation. man there’s some Stuff going on under the surface here haha
(by the way it’s a weirdly... meaningless yet intensely meaningful thing, the gifting of a symbol? of an idea? but he’s putting something very crucial of himself into her hands, is the subtext, and he expects her to understand, which she also does seem to do. at the beginning of the episode he’s proving that he’s seen something true about her -- “You’re such an unhappy girl”, knowing where she comes from, the way she’s mourning her lost confidence and autonomy with her abilities -- and here she’s proving she’s seen something true about him. :’) I wish this show had gone on long enough for this dynamic to progress, it’s really interesting and touching)   
- gambit dragging himself up onto dry land seeing someone approaching (to help?!): :D
gambit seeing that it’s logan and the look on his face: D: 
- rogue using her powers so confidently and fearlessly in this episode tho!!!! 
- *me crying* and then her FAMBILY comes to take her home and he says he’s looking out for her too and kurt still loves her even though they’re having a conflict thing between them and she’s finally able to use her powers without so much fear again and --
- ...did I just watch some baby lesbian love at first sight shit right now???  
- okay last two episodes let’s go
- HELL YEAH STORM (I love that she’s like ‘don’t give me a dumb order like that and I won’t have to disobey it’ too sdfjsaj) her voice has such command I’m usually very much not the ‘step on me’ type butttt
- y’know I feel like apocalypse’s main fault across all versions I’ve seen of him is that he’s like an immortal superpowered god king and he’s not even sexy. like at least make him hot if he’s going to be insufferable in every other way 
- also callout post for apocalypse: one time he made gambit into the Horseman of Death... and didn’t even make him sexy!!! you were handed remy lebeau, supreme bi disaster slut of the x men universe, and you couldn’t even make his brainwashed superpowered evil side hot?? a beautiful stubbled twunk with glowing red eyes and extremely charming :> face practically delivers himself into your hands and you do that to him???? I mean I’m sure apocalypse did some other bad stuff too but that was the worst one
(comics are so dumb y’all) 
- having to watch jean cry is emotional terrorism!! ;___; she has such older sister/mom energy, whenever she gets sad and helpless it hurts 
- oh, OH so PROFESSOR X you’ll make into a hunk and ~*strategically*~ rip his clothes to show off a nipple and a flawless pec in a way that makes me extremely uncomfortable because he’s like The Dad??? apocalypse you are rotten to the core this is unforgivable 
- so wait wanda never actually gets her real memories back. what the FuCk I hope that was a dropped storyline because they ended the show tragically prematurely rather than like. the plan
- why is spyke calling storm ‘storm’ show that’s his auntie o!! >:(
- as a society we need to acknowledge that apocalypse looks like a fucking clown
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- ooooh yeah I have been thinking that this show’s greatest visual weakness so far has been not having a visual way to show telepathy/battles of the minds, but this is a pretty cool way to do it! better late than never
- I’m so happy rogue gets to end this herself, since she was forced into starting it against her will, it’s just nice and neat storytelling
- YEAH FUCKING TELL HER KURT AND ROGUE I AM SO PROUD OF YOU and she has the temerity to look pissed off oh my god
the only valid thing mystique has done in her entire life is be in love with destiny. literally everything else she gets up to is a travesty. like I know objectively she’s hot but my loathing for her stops me from even appreciating it. I do enjoy loathing her tho so please don’t change her haha
(a bit odd to have kurt’s attitude to her swing so much but I’m just going to assume he and rogue had a good long conversation after ‘cajun spice’ and that he understands what’s going on better now)
- this last part is such a cruel tease faskdfhsdaj ‘here are all the cool-ass things we had planned. sucks you never get to see it huh’ im devastated 
- magneto without his helmet and playing charmingly with children like charles is going ‘well at least I saved my marriage finally’ fsadkhfjsd (honestly tho I would be super interested in seeing how they’d redeem this magneto because he’s been a real bitch the whole time lol) 
there’s an interesting thing here where magneto looks down at wanda as the last thing he does on screen before this epilogue part (yeah I hope it fucking haunts you forever what you did to her erik you absolute piece of hot garbage) and the last thing charles does is look at jean b/c he knows what’s going to happen to her and it breaks his heart... Dramatic Parallells  
- just the hint of jean as the phoenix has me in full D:D:D: mode tho maybe I wouldn’t have survived it
- gambit in the last groupshot with his arm around rogue ;^) I mean I’m sure they’re headed for some turns and roundabouts along the way but what’s that thing she says as her wedding vow, that she’ll always find her way back? anyway that got me in my heart
- man I really wish this show had been given more seasons, we were barely even getting warmed up here :’(
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Broken Mirror: Part One
Pairing: Spencer Reid x Reader
Word Count: ~1.5k
Warnings: canon violence, canon language, canon talk of death, methods of kill, and angst
Author’s Note: I do not own anything from Criminal Minds. All credit goes to their respective owners. If there is any warnings that exceed the normal death/kills from the show, I will list them. If you’ve seen the show, then it’s the same level of angst unless otherwise stated.
Feedback is gold, and it’s the only currency I take
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"When a good man is hurt, all who would be called good must suffer with him." - Euripides
Thinking about going on a date with Spencer is way different than actually doing it. Gideon got you two the good seats even if it is a first come first serve. However, you made sure to arrive early enough to get a seat by the exit so you didn't have to waste time just sitting around while everyone else leaves. Gideon picked a good day as well since they were playing a two special horror movies, Psycho and The Shining. Spencer hadn’t seen either of them, but you have and you knew you would have a good time.
“Okay, I got literally every sweet thing they had,” you announced, climbing into the bed of your truck. Spencer didn’t have a car since he preferred to take public transportation to work. Sometimes you would be his ride if he asked for it, so it was natural that you two take your car. It was better anyway since you had a 4x4 off road truck with a comfortable bed if you laid down blankets and pillows, which you did. Spencer leaned on the back of the truck as you sat next to him, handing him the candy he requested.
“I didn’t know you liked sweet stuff.”
“Sweetheart, my whole life revolves around sugar,” you chuckled, pausing when you realize what you just said. “Sorry.”
“What are you sorry for?”
“For calling you sweetheart. It just came out,” you chuckled nervously.
“It’s okay. I like it,” he smiled.
“Great, okay,” you immediately felt better.
“So, what do we do here?”
“You’ve never been to a drive-in theater before?”
“Never.”
“Well, some people stay inside the car with the windows rolled down, but that’s only if they have a bench for a seat so they can sit really close to each other. I don’t have that so I chose the bed. We can sit anywhere we want,” you began to demonstrate by moving all around the trunk to show him before settling right… next… to… him, “even here.” You go to move, but he placed a hand on your shoulder to stop you.
“You can stay here if you want.”
“Oh, okay, sure,” you cleared your throat, trying to get the awkwardness out of the way. It was clear Spencer didn’t do this too often which was fine, but you wanted to move past the awkward phase.
“Aren’t these movies two hours long each?”
“Yeah, or more, which I don’t know why Gideon thought getting us tickets for this day was a smart idea. He knows I fall asleep during movies all the time.”
“How do you know Gideon?” he asked. Your intentions were to lean against the car, but you shifted too much and ended up against his side, which he didn’t seem to care. Opening the bag of candy you got, you popped one in your mouth and chewed.
“He was the lead agent on my case,” you finished once you swallowed.
“What do you mean?”
“My sister was murdered by her boss since he kept harassing her at work and she would always deny him. He was the one who helped me through losing her. I mean, she wasn’t my blood sister since my parents were fostering a bunch of kids, but she was my sister. The man killed himself before Gideon and his team could get to him, but at least we know he did it. He had the whole plan and more laid out at his apartment.”
“I’m so sorry. I didn’t know,” he said quietly.
“You couldn’t have. It’s fine. The more I talk about it, the less it hurts. I was the one who led Gideon to his apartment since I saw the whole thing after it happened. After that, Gideon and I stayed in touch and would occasionally ask me for help on cases. It’s why he wanted me to join the BAU.”
“That must have been so difficult.”
“It was, but I’m glad I have it. I get to help a lot of people because of it,” you grinned. The first movie started playing, and you and Spencer got comfortable enough to sit through four and a half hours of both movies.
“Did you know due to how repressed Americans were in the 1950s, Psycho is actually the first American film to show a toilet on screen. Consequently, it’s the first American film in which we hear the toilet flush,” you informed him.
“I didn’t know that, no,” he chuckled. 
Halfway through the movie, Spencer began to feel your weight getting heavier as you gave up holding yourself up as to not crush him. He looked over at you to see your eyes closed and your mouth parted. He didn’t want to move for fear of waking you, but he couldn’t help but give a smile at your state.
Walking into work the next day, you couldn’t help but recall the events of yours and Spencer’s date. You did fall asleep halfway in the first movie, and you didn't know why he didn’t wake you since it was supposed to be a date. Nonetheless, when it was all over, you two got some ice cream which was way better. Gideon did a good job sparking up the flame between you and Spencer, but it was now up to you two to keep it lit.
“You fell asleep?” JJ laughed as you, her, and Penelope walked down the hallway to the bullpen. 
Of course, you told your two best friends what happened on the date. You three were getting closer which is why you thought it would be good to engage in some healthy gossip.
“Yes, I did. I always do. But Spencer and I went out for ice cream afterwards which was way better,” you chuckled.
“Did he kiss you?” Penelope asked with a grin.
“No, he didn’t. Well, not on the lips. He did kiss me on my cheek, but it’s a first date and I don’t even know if it’ll happen again. I mean, he hasn’t really talked about it. We haven’t had time to really talk about what this might mean. I can tell he’s nervous and tense which can either mean he’s trying to find a reason to let me down gently, or he likes me but won’t do anything about it,” you explained as you walked into the bullpen.
Spencer was on the other end of it talking with Derek, and when you two made eye contact, you gave him a small wave. He stiffly waved back, and you looked away with a sigh.
“His emotional state is all over the place, but I don’t know what it means,” you shrugged.
“Reid, Morgan, Y/L/N,” Hotch announced when he and Elle exited his office, “document's up on the screen regarding the kidnapping of Trish Davenport.”
“That’s my cue,” Penelope left the group.
“Keep me updated,” JJ whispered.
“Have you read them yet?” Spencer asked as you three walked up the stairs to follow the duo.
“Yeah, I got a copy from the document examiner.”
“What does it say?” you wondered.
“That we've got until 8:00 tonight,” he sighed, closing the door once everyone was inside the briefing room. The note that was left for Evan Davenport, the father of the kidnapped girl, was up on the screen.
“You will follow instructions carefully. You will do this to ensure the safety of your daughter. You will wait for the call. You will answer the call at 8:00 P.M. You will write down the instructions and follow them to the letter,” Spencer read it word for word.
“That gives us less than 9 hours to get to Connecticut, work up victimology on Trish Davenport, and prepare her father for the ransom drop.”
“How do we know the letter is real?” you asked.
“The handwriting is a match for Trish's,” he explained as he showed it. “He dictated it to her, and they found saline on the paper.”
“Her tears,” Gideon muttered.
“He never says ‘I’. He doesn't say, ‘I will call’. He says, ‘you will answer the call’. He's distancing himself from the kidnapping. If he said ‘I’, he'd be taking responsibility for it,” Derek noted.
“There's also another missing element. No mention of the police.”
“Ransom notes almost always forbid police involvement,” Elle stated.
“So, is he expecting law enforcement to get involved?” you wondered.
“Well, if he's expecting us, let's not disappoint him,” Gideon smiled.
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“Is everyone familiar with the father?” Hotch asked as he passed out the case files while the plane was in the air.
“Evan Davenport, U.S. Attorney, executive assistant southern district, New York, widower. He assigned U.S. Marshals three times in the past ten years due to death threats,” Spencer spit out the facts.
"Is the protective detail still current?” Derek inquired.
“Around the clock, but Trish declined protection when she turned eighteen.”
“But why kill the boyfriend?” you asked, crossing your legs in your seat.
“Well, if I'm gonna kidnap someone I know, I have to take out whoever's with them. It says here she's got a sister,” Derek stated.
“Cheryl.”
“Any problems? Were they close?”
“Yeah, they’re identical twins,” you showed everyone the picture of both sisters side by side. “Which makes me think was Trish the target or was Cheryl?”
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simply-not-an-egg · 3 years
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Cobra Kai, Future Season/s Dump Because I Have Many Thoughts
I’m gonna split this up into sections because oh boy are there a lot of things I’d like to see in the future of this series from these characters. DISCLAIMER; THIS ISN’T COMPLETE YET, SO KEEP CHECKING BACK TO SEE WHEN THIS DISCLAIMER DISSAPEARS BECAUSE AT THAT POINT IT SHOULD BE COMPLETE. I COULDN’T BE BOTHERED KEEPING IT IN MY DRAFTS.
Johnny Lawrence and Daniel LaRusso
So where we left off in Season 3 is Daniel and Johnny joining their dojos to become one to defeat the big enemy, Cobra Kai. But what does that also mean for them? They’re pretty much friends now, as much as either would them would probably hate to admit it. Anyway, these dynamics now presented, it opens up a lot of potential plots for them, the biggest of which being Lawrusso becoming canon at some point in the future, which I’d say is HIGHLY likely considering, as we all know, Ralph Macchio is the captain of said ship, and William Zabka, as far as I’m aware, is fairly supportive of this ship (FYI, Macchio has also said in an interview before that Johnny and Daniel have a very will they, won’t they? Ross and Rachel relationship, and imo, that’s not something you’d say about platonic friends). Anyhoo, below is pretty much what I’d love to see of them, and how it all happens, because trust me, there’s a long road to get to the point where we all want Lawrusso to be.
Personally, I would think neither Johnny or Daniel bat an eye about this whole potential relationship between the two of them until certain kids in their dojo start pairing up, and by certain kids I mean Eli/Hawk and Demetri, which would likely happen at some point during Season 4 after they’ve talked through their trauma and, for the most part, forgiven each other (mainly Demetri forgiving Eli/Hawk). 
The reason I say this is because I don’t think either Johnny or Daniel would have ever expected such a relationship to be considered normal, or for one just have it be accepted, because the two of them grew up in the 80s, where it was still shamed upon to be anything other that cis and het.
Such a thing leads me to the next point of internalised homophobia and repression, and the absolute confusion and probably shame that would come with realising that they aren’t straight, more or less on Daniel’s end. I feel as though Johnny wouldn’t have as much of a problem with it though because a) he’s a free agent, and yes I know he’s had an almost on/off thing with Carmen, but they’ve never actually, you know, laid the cards on the table and said, ‘yeah we’re a couple’, and b) I, like many others, are inclined to believe Johnny may be bisexual, which therefore gives him the crutch of ‘well I also like girls so I must be normal to a degree’. I also think Johnny would be in some way learning through the kids that all is well, and that’s it’s alright to feel the way he feels about people, because, I mean, let’s face it, literally no one in that dojo is straight. The show’s not Cobra Kai, it’s Cobra Queer. Now, Daniel, on the other hand, would have so much more trouble coming to, and accepting the conclusion that he may have a thing for dudes.
The biggest reason for that being, of course, his marriage to Amanda. I think that would definitely be the thing that messes with him the most, and I feel as though he’d be doing a lot of self-questioning, you know, such as things like ‘did i ever love her?’ or ‘have i been faking it all these years?’, which to both, we know, the answer is no, because, even if he was a straight A gay, it is possible to love someone without being attracted to them as per say. But anyway, I digress.
Daniel would probably end up questioning Amanda a lot too, whether she feels he’s good enough for her, or if he’s done right by her, et cetera, et cetera. This would likely make her question him, obviously, because her husband’s acting stranger than normal, and I feel like all that questioning on her part would likely lead to a breakdown on Daniel’s end in which case he would spill out all these emotions and feelings and realisations about him liking dudes. And obviously, all of this would absolutely crush Amanda’s heart, and he knows it, but she takes it in her stride, and does what she can to help him.
With this though would obviously come the divorce, something which is mutually agreed on, but they remain good friends. Course, they also have to tell the kids then why this is happening, and Sam is terribly accepting, of course. Anthony I’m not so sure about, but I think at the end of the day he loves his dad, nonetheless. I also think that Anthony would be inclined to live with his mother post-divorce, although he’d still come round on weekends to see his dad, meanwhile Sam lives with her father. 
Following their sexual awakenings then, along with personal acceptance, comes the realisations of the crushing. The way Johnny cares so much about the kids and how Daniel smiles at that, the way Daniel is always so calm and collected and how comforting of a feeling that is for Johnny. And I think, as an added bonus, the kids realise their senseis have a thing for one another before they even do themselves.
Their friendship grows though, one step at a time, and I think at some point there’s a night where Johnny and Daniel are sitting out on the deck at the dojo, drinking and reminiscing and laughing all the while. And it is that exact night that changes everything. Because at some point, when they’ve become substantially intoxicated, they let both their walls down completely, and in Johnny asking a question about Daniel’s divorce, the latter opens up as to why it happened. Because he’s gay. And I swear to god Johnny almost chokes hearing that, because, deep down in his subconscious, he’s been waiting to hear something like that from Daniel since they were in high school.
Suddenly, after that, the metaphorical blindfolds come off, and Johnny and Daniel actually, properly, begin to realise now that they are crushing on one another and hard. They’ve fallen head over heels and there’s nothing they can do about it. But they are both timid, and I feel Johnny more than Daniel in this case. 
Eventually Daniel gets the guts to ask Johnny out, on a date, to which the latter agrees, and they likely just spend their night eating gas station food (to Daniel’s begrudgement), and driving around various spots in town, including the sports hall where the All Valley Tournament of ‘84 was held. There I think they also really talk, for the first time, about everything that went down that night. Daniel thanks Johnny for giving him the trophy again, and Johnny ends up in tears when he talks about Kreese and what he did to him. And all the while Daniel comforts him, and probably gets a bit cheesy in saying they’ve got each other now, and they’ll take him down together, at which Johnny makes a snide comment about the cheesiness, but they laugh together nonetheless. They end the night with a very tentative first kiss outside Johnny’s apartment before Daniel drives home, smiling all the while. 
Of course, as fate has it, and schedules, the next day there is a karate session, and it’s likely a bit awkward between the two then because their stuck in that position of ‘we’re not friends but we’re also not in a proper romantic relationship yet and we’re also basically gay so like what do we do’. To fix said awkward tension, Johnny ends up asking Daniel out on a second date on the weekend, and Daniel agrees, granted he chooses what to do and where to go (because Johnny did that last time).
I feel like Daniel takes Johnny to the forest he took Robby to for that karate training session, because it means a lot to Daniel, that spot. And much like the last time, they find themselves talking more and more about whatever deep, unresolved trauma the two have, whether that be because of each other or because of external factors (family, friends, shared enemies, et cetera). I think this date also has them gaining a tad more confidence with each other when it comes to physical things, like kissing and holding hands and just all that relationship stuff (because they enjoy it a lot, they’re both just still afraid to do these things, because, again, this stuff was taboo when they were growing up).
They end up going on a third and fourth date, the latter of which they discuss their respective families (aka the children), and what and how they’re going to tell them, along with Johnny’s own fears about Robby and, if and when he comes back, how he’s going to feel about this. 
Following the fourth date they decide to make things official between them, and once again, there is a bit of tentativity when it comes to calling one another ‘boyfriend’ but they get over it soon enough, and in time the two are happily commiting to soft PDA whenever they see each other. All the karate kids(TM) are of course happy and accepting of their senseis. 
And I’m just gonna say, the moment their relationship becomes truly public is at the All Valley Tournament. They’re holding hands, their giving comforting hugs, and when their kids kick Cobra Kai’s asses, you bet they give each other the biggest, most public kiss ever. 
And following all of that, I just wanna see the domestic karate dads just being happy??
Oh and Robby has a great reaction to this relationship, because, you know, Daniel was like a father figure, so him just being with his dad is great (not to mention, it probably makes him more open about discussing his feelings to them about Miguel)
Demetri and Hawk
Miguel, Robby, and Sam
Robby getting chokeheld by Kreese after losing the All Valley. That’s it. I want that parallel between Robby and Johnny. Adding to that, Johnny then beats the sh*t out of Kreese, and as Kreese has made the mistake of trying to choke a minor in front of a crowd, this gets him arrested
Tory
Ali, Carmen, and Amanda
Kreese and Silver
As much as I hate it, I would like to see this Daniel’s trauma pop up in season 4, better yet if it affects Daniel to a point where it worries Johnny, because then perhaps there’ll be a good understanding between the two that they’ve BOTH had traumatic senseis in the past
What I’d also like to see is for Silver to continue Cobra Kai, if Kreese gets arrested for whatever public displays of violence, because that would create quite a large fear plot for Daniel’s part, and it would be really cool to then explore all his trauma
I’d love to see more of Kreese and his Sugar Daddy in general. Like I never thought I’d say it but I do ship them. Do I like them? F*ck no. But they are husbands imo, and I need to see more of those type of scenes in S4
Something I thought of was Silver showing up at Daniel (and Johnny’s) dojo while they’re doing a class, and I want that to be the first time Daniel sees him. It will make him freeze, I know it, and as much as I hate watching Daniel suffer, I also love it
The Lawrusso Dojo
Cobra Kai
The All Valley Tournament
LaRusso Auto Group
Other
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likeshipsonthesea · 3 years
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I don’t know if you take requests for nurseydex fics... but if you do the song “omg did she call him baby” by Beth McCarthy screams a heartbroken Nursey when Dex has a girlfriend
i like really can’t do genuine heartbreak but i CAN do angst that ends happy, so here’s my best shot :)
Nursey’s got a red Solo cup in one hand and a plastic champagne flute in the other and it’s sometime after three but before five and he is definitely not thinking about her or him or them together when he looks up between one sip and another to see the telltale blue hair reflecting the murky spotlights of the basement.
Nursey squints. He could be making things up--his brain is nice like that-- but he doesn’t think he’s imagining things. She’s got very distinctive hair, Dex’s--girlfriend. It’d been rather disappointing, actually, the blue hair. The whole thing had been easier to deal with when he’d been picturing some light-haired brunette going for an economics degree who smiled like a mom at soccer practice. Someone who Nursey could reasonably dislike on grounds of, like, predictability.
But no, Dex had to bring home a blue-haired physics major with a nose ring and good taste in music and the ability to out-argue Shitty while polishing off Bitty’s pie, i.e. perfect. Even Lardo couldn’t pretend like she wasn’t awesome for Nursey’s sake. Even Nursey can’t pretend like Amanda isn’t awesome for his own sake. She’s just so--so--
Nursey squints.
So-- making out with some random girl in a blouse at a frat party.
What the fuck.
Nursey is about two margaritas and three years too deep to be dealing with the emotional ramifications of catching the girlfriend of his best friend (who he’s also kind of sort of possibly maybe totally in love with) macking on some consultant for Goldman Sachs or some shit in the basement of arguably one of the worst frats at Samwell. This one doesn’t even have good music, Nursey’s only here to get drunk without the possibility of Dex calling Nursey Patrol and helping Nursey up the stairs and saying nothing about the poetry Nursey spills or the way his hands linger.
(Fuck does Nursey hate Nursey Patrol, fuck does he hate how much he loves it.)
Nursey downs the rest of the champagne flute--which was probably mostly orange juice at this point anyway-- and hands the red Solo cup to a freshman gearing himself up to talk to a cute boy a few feet away and then Nursey gets the fuck out of dodge. He manages to get a better look at the corporate recruiter Amanda is cheating on Dex with (and really, if you’re going to cheat on Dex, you’re really going to pick a chick in a blouse that probably has opinions on the stock market???) and if he hadn’t been sure before, the distinctive tattoo on Amanda’s shoulder proves that it’s really her.
(“Tattoos? Tattoos? I have tattoos.” “I know you do, Nurse.” “They’re really nice tattoos.” “I know they are, Nurse.”)
Emerging from the basement and then the frat house itself is instantly sobering. The chill from winter hasn’t quite left the air at night and Nursey wraps his arms around himself and doesn’t think about how Dex chirped him about not wearing a coat before he’d left. The frat isn’t far away from the Haus, thank god, but it is slightly farther when he turns left instead of right and then has to a backtrack a bit, but he still gets back in under ten minutes and he can still feel his hands, so overall, a win.
Attempting to get into the Haus quietly is a lost cause, given its one thousand year old floor and the fact that a ladybug could fart in the kitchen and wake up the guys in the attic. Still, Nursey gives it the good college try, which is why he’s creeping ridiculously through the living room when the light turns on suddenly and he screams, much to the amusement of Dex, standing in the kitchen doorway.
“Fuck, dude, what the fuck.”
Dex just smirks in that horribly attractive way of his. “How was the Psi-U basement?”
Nursey thinks of blue hair, washed out in the lights, Amanda’s hand on that girl’s cheek, the way Dex smiles when he’s around her. “Fine,” Nursey says, swaying.
The amusement falters and Nursey wishes he could figure out a way to keep the smile on Dex’s face the way Amanda does. Dex takes a step closer. “Are you alright?”
Nursey shakes his head violently and takes a step back, a step farther away. This is the part where he says yes, yes of course Dexy-darling, I’m right as rain, what about you? This is the part where Dex rolls his eyes and loops his arm around Nursey’s waist, his warm side pressed into Nursey’s. The part where they go upstairs, where Nursey writes his best poetry that he’s too embarrassed to write down when he’s sober, where Dex tells him to sleep well and lingers outside the doorway long enough for Nursey’s breathing to slow and then the floor creaks and Nursey knows he’s gone and wishes he’d held on just a little bit longer--
“Nursey, what’s wrong?”
Nursey shakes his head again. He means to say nothing, he means to say, I’m going to bed, he means to-- “Amanda, she--”
The concern turns to alarm. Why can’t Nursey ever make it better? “Is she alright? Did you see her? Is she okay?”
Nursey shakes his head again. He can’t seem to stop doing that. “She’s fine, she--she--” He swallows, and it’s sticky, cloying, citrusy and sweet on the back of his tongue. “She--there was this girl, she-- Amanda, she--”
Dex won’t stop frowning, concern knitting his eyebrows together with three short wrinkles, and Nursey has wanted to smooth them out with his fingertips every time he sees them since sophomore year, and he shouldn’t be doing this, shouldn’t be telling Dex this while he’s drunk, shouldn’t be telling Dex this at all, but he’s Nursey’s friend first and Nursey has to believe he’d tell Dex regardless of the love thing, he must--
“She was kissing some girl. In the Psi-U basement.”
The wrinkles smooth out. The amusement returns. Nursey--he can’t make sense of it over the ringing in his ears. Why is Dex smiling? Did--did Nursey do that?
“Did she look like a lawyer?” he asks, and at Nursey’s confusion clarifies, “The girl Amanda was kissing. Did she look like a lawyer?” Nursey nods dumbly. Dex’s smile only grows. Nursey is so, so confused and also more in love than he’s ever been. “Finally. I just won fifty bucks.”
What the fuck. “What the fuck.”
Dex laughs--laughs. “The girl’s name is Tammy. She graduated last year and moved to Boston. Amanda’s been in love with her forever, and I bet her that she’d get with Tammy before I--” Flush appears high on Dex’s cheeks, the soft pink one that means embarrassment and Nursey imagines would taste like cherry pie against his lips.
Nursey is--still quite a bit drunk. He needs--clarification. “You--you bet your girlfriend that she would get with her friend at a frat party?”
Dex’s nose scrunches up in Nursey’s favorite way--the same way it does when he’s trying to write humanities essays, the reason Nursey always says yes when Dex asks for help. “Girlfriend? Did you think Amanda was my girlfriend?”
Nursey remembers the start, hearing about Amanda every other day, then every day, then it was, sorry I can’t come, I’m meeting Amanda at-- and then one day at Annie’s, a girl with blue hair and a sharp grin yelled Babe! from across the room and planted a kiss on Dex’s cheek, her hand lingering on his shoulder, sipping from his coffee cup, getting him to smile like that--
“Well, yeah.” Nursey’s head is spinning and, for the first time tonight, not from the gin. “Is she--is she not?”
“Oh God, no, she’s so fucking gay, dude.” Laughter twinkles in Dex’s eyes. Nursey is drunker than he’s been since freshmen year of high school when Shitty snuck in some of his dad’s hard liquor and the janitors found them on the roof singing Disney songs at the moon. Dex’s girlfriend is gay. Dex’s girlfriend isn’t his girlfriend. Dex is--is smiling at him like he smiles at his girlfriend who isn’t his girlfriend.
“Oh,” Nursey says, dazed, “chill.”
“Oh wow,” Dex grins, leaning into the doorframe, “I can’t believe you thought--and you thought telling me my girlfriend was cheating on me at 3am while shit-drunk was a good idea?”
Nursey says, “Hey, honesty is important, and I’m not--” He stops. He remembers something. He squints. “Wait. If you bet 50 bucks on Amanda getting with Tammy, who did Amanda bet you would get with?”
The cherry pie blush is back. Nursey takes an absent-minded step forward. The room feels so much lighter now that Dex’s girlfriend isn’t cheating on him. The distance between them feels so much sillier now that Dex doesn’t have a girlfriend.
“Ah, well.” Dex rubs at the back of his neck, all country bumpkin sheepish to ask his sweetheart to the dance, and--and--
“I’m the sweetheart,” Nursey realizes with the kind of crystal clarity only afforded by the most copious amounts of alcohol.
Dex’s eyebrows furrow, those sweet little wrinkles appearing between them, and Nursey takes two long strides forward and presses his thumb into them. Dex goes cross-eyed trying to watch, but moves his eyes to meet Nursey’s after a moment.
Nursey grins, likely a bit sloppy from the gin, but he can’t find it in himself to care at the moment. “I’m the sweetheart,” he repeats, beaming.
Dex tries to repress the smile at his lips. “You’re not a sweetheart.”
“Yes I am,” Nursey sings, listing forwards. “You like me.”
“You’re an asshole.” Dex’s smile grows. Nursey watches its progress and sways.
“They’re not mutually exclusive,” he says, tracking the pink lips as they spread, revealing teeth and--and tongue and--
“I hate that you can still say mutually exclusive when you’re this drunk.”
“I’m not that drunk.”
“Yeah?”
“Mhmm. See, I’ll prove it.”
“How do you plan on--”
If Dex’s mouth weren’t so preoccupied, he might say that the taste on Nursey’s tongue is a good indication that he is in fact fairly tipsy, but as it is--well. He’s got other things to do.
(Amanda asserts that they tied since it happened on the same night and only pays $25. Tammy throws in five more and a condom and they call it even. Nursey kisses away Dex’s protest and pockets the condom, much to Amanda’s amusement. Turns out, she’s even cooler when she isn’t dating the love of Nursey’s life.)
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