DONT BE AFRAID TO COMMENT ON OLD FICS DONT BE AFRAID TO COMMENT ON FICS IN A FANDOM THE AUTHOR MAY NO LONGER BE ACTIVE IN. IF THE STORY IS STILL UP LET THEM KNOW YOUR THOUGHTS IT MIGHT JUST BE THE REMINDER THAT MAKES THEIR DAY.
SINCERELY SOMEONE WHO JUST GOT A REPLY THAT MADE ME WANNA MAKE THIS POST
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when ao3 is back up i want all of you to leave comments on the fics you were interrupted from reading, the fics you were looking to find, the fics you were thinking about re-reading, and the fics left open in your tabs for months now.
when ao3 is back up, i want you all to show some love to your favourite writers, favourite fics, or even just the 600 word one-shot that brought a smile to your face that tuesday three weeks ago.
when ao3 is back up i want you all to remember that comments and explicitly voiced appreciation are what keep writers going.
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ppl who r using poll results as a way to Prove Something about society or come to any conclusion.. i hope you are aware that tumblr users are one of the most biased population groups you could conceivably find. gob bless
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the problem with mainstream fictional media today is it is predominantly made for people who don't like fictional media all that much
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Average gotham knights experience (the game crashes not even 30 seconds later). Shoutout to @magnusj the most stealthy redhood player.
[Robin: OK. Let's do this SNEAKY STYLE.
[Robin: Jason NO-]
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Thinking again about how Suzanne esentially subverted the "beloved famous man that is actually a horrible person in real life" with Finnick, who is the complete opposite of that.
Finnick has this whole image costructed around him by the people that abused him for years: the Capitol's darling, their golden boy, the sex symbol of Panem, the man that has countless lovers but leaves them constantly and doesn't look back etc. And you would expect, initially, to meet a man that retains at least a part of that persona in his day to day life. But Finnick doesn't, not even one bit.
You see instead a man that is deeply in love and completely devoted to the one woman he quite literally adores, a man that protects Mags, his old mentor and his mother figure, as much as he can, a man that wouldn't leave Johanna behind, a man that gathers whatever strenght he has left to speak publicly about the abuse inflicted upon him at the government's hands; the opposite of what the Capitol's media and reputation made him out to be.
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“don’t cry, my child”
i was thinking about how venti canonically refers to the people of mondstadt as his “children” and how kaeya is included in that… then the brainrot took over and then i thought, what if when kaeya was a little kid and he felt lonely sometimes, venti would decide to shapeshift back into his little wind sprite form to comfort him…
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