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#things that make me feel like we are in a parallel universe

scarefox · 23 days

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Ok since we are already talking about the toxic side of shipping culture. Here is a post that is marinating in my drafts since weeks

And since we today finally got the closest Net & James ever got since months on a picture / video, let me rant a little

youtube

Because it is so very obvious that they are not allowed to be seen on each others posts atm due to the fan backlash of their separation... and this is so fucking sad. EVEN THO they ended their acting-partnership clearly stating they are still friends and supporting each other. That nothing bad happened between them. AND it is also so obvious that they are constantly at the same events. If it's Domundi group events, some party, birthdays, concerts from their coworker etc. There are so many photos and videos of Net and James taken few seconds apart, almost standing next to each other. You can see by the location, background, their clothes, the people standing next to them.

But the problem with this is, that people think they had a fight and this must be the true reason for their separation...

If they had bad blood they would not still like each others posts. And sure as hell would not sit near each other at such a big event in the photo, where they could sit next to whoever from their coworkers. They just had to put Nat between them so toxic shippers can't use this as "NetJames reuniting" or whatever.... (also once again reminder: James did not quit acting nor Domundi, he just quit from one acting job while Net stayed and gets a new partner... why is this even such a drama)

They can't win this either way:

if they show they are still hanging out and interact, the toxic shippers will keep annoying and begging them to get back "together" and continue their actor-ship instead of Net getting a new partner. It could even endanger Nets new partner getting hate, if they keep showing up together. (he already got hate for being excited that "Love Upon a Time" can now finally get started since he found a new partner, but he didn't show excitement when James still was his partner... people with brain might understand why that is, when James was unsure about his decision since months which paused the project)

but staying on distance looks like the haters are right that they had a fallout even though they said they are still friends. Hater and toxics eat that up and are looking for who of them to blame for the ship bubble to burst (which is James because how dare he quit a job for multiple personal reasons that are nobodies business but are officially: James has other life goals he wants to focus on as well & got a leg injurie that takes forever to heal properly. But unofficial yet also obvious: James mental health & some secret issue they mentioned but don't tell, which means it is nobodies business)

I would love them to go option 1 with a clear shut down message to the problematic crowd.

It's sad and ridiculous. I just hope this doesn't harm their friendship behind the screens....

It's so mindboggling for me how so many people are (still !!!) looking for someone to blame and put hate onto, even though it's one of the most peaceful and understandable mutually agreed on separations... I don't get it, why people can't just leave it at that and be happy about the good things they both gave us as a duo. But instead they have to turn it into a war... like it's not even the first time ship partners go different ways or someone drops out of a production for personal reasons. Chill.... there are worse things in life. And I say that as big NetJames fan. Like half of the NetJames posts in the tumblr tag are from me.

I have to admit that they both felt more distant with their online presence for months before James quit LUAT. Maybe they tried to soft launch the separation since they knew for a while. Maybe they drifted apart as people. But watching their last fan meeting vlog together, they seemed fine despite them not hanging on each other the whole time. Also their snowboard trip, they both had friendly jokes with eo on xitter and on the photos literally a day before James injury and him dropping out of the drama shortly after.

But those (and the OffGunTayNew thing) are reasons why I hate this real shipping culture in this current form. Don't get me wrong I do love actors having fun together, fun-flirting and them enjoy fanservice even on the most unhinged levels they feel comfortable with. So many of the actors clearly state nowadays that they are not dating, that they are just buddies, coworkers and teasing for fun and good vibes. NetJames were always honest about that too. But some fans are still not able to take the "shipping glasses" down and separate between the acting jobs, promo and them just being coworkers who are also friends. Even if they would have dated for real and now broke up it still wouldn't be fans business to butt in and demand explanations on who, why and what and then even demand them to stay together despite it not working for them.

#i do not care about actors ships I care about their friendships #things that make me feel like we are in a parallel universe #netjames #net siraphop #james supamongkon

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luveline · 11 months

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𝐚 𝐬𝐭𝐮𝐩𝐢𝐝 𝐡𝐨𝐩𝐞 | 𝐦𝐢𝐠𝐮𝐞𝐥 𝐨’𝐡𝐚𝐫𝐚

miguel does everything he can to make you feel better after a civilian casualty steals your ‘sunshine’. —a fic featuring reluctantly adoring miguel and his sad spider-girl. pre across the spider-verse but contains spoilers. requested here. fem!reader, 4k

cw character death, violence, reactive depression

˚ʚ♡ɞ˚

"Miguel," you say, your voice grained by the communicator in his ear, "this universe is almost the same as mine, right?"

Miguel stares down at a Doc Ock variant you're staking out, lying in wait for the anomalistic antagonist to make his first move. He's trying desperately to maintain his focus but you have a nice voice, and you ask him with a confidence that betrays your total faith in him. You haven't considered that he might not know.

Well, Miguel does know. He's not sure he should start this discussion and distract you, but he has trouble saying no to you in any capacity, so he does.

"I don't know every difference, but yeah, they're the same. Same geography, world leaders, roughly the same fast food chains." He bites his lip. He's at work, more than work —you're attempting to save an entire dimension, here— and he shouldn't feed the conversation anymore. But he knows you'll be interested in this. "Donuts aren't a thing, here."

"What?"

"They have donuts, but they aren't called donuts, and they're nowhere near as popular."

"This is a very strange way to flirt," Lyla says, her flickering hazed by a golden aura as she changes rapidly between laying on her front, legs kicking, and her back, as though she's in a therapist's daybed. She floats across his vision lazily.

"That's because I'm not," Miguel says.

"What?" you ask.

"Nothing. Talking to Lyla."

"How come Lyla doesn't talk to me?" you ask sweetly.

Miguel can see you in the distance, your simple black suit like an ink splodge against the blue grey glass of the skyscraper you're standing on. Anchored with a web and your body tensed, you're perfectly parallel to the ground below, as though you're standing on the windows.

"It's not that I don't want to," Lyla promises. "Miggy won't let me."

"That is not true."

Projections cover Miguel's vision, powered by his favourite lying intelligence. Movements are mapped in a bright marigold yellow, though the net turns red to signify potential danger, chance percentages bouncing up and down. Doc Ock raises an arm and it turns an eye-straining red. He sits down on a park bench and his body turns yellow again. It's a smart program, but it can't account for everything.

"Something isn't right."

You hum appreciatively. "It feels weird, how he's acting. Like he's two separate people."

Doc Ock glitches hard, the air around him fractured by colours in varying depths, like a tangible, physical screen tone. They've been coming faster. He doesn't have much time before he begins to tear apart, and that tearing will prompt panic. Panic will prompt anger.

"What should we do?" you ask.

Miguel doesn't know. He regrets asking you to come with him, not that you aren't capable. When you first joined the Spider Society you'd hadn't been Spider-Girl in your own universe for very long, and you weren't particularly proactive. You were kind-hearted but lackadaisical, and after worming your way into his life, a flower budding between concrete slabs it shouldn't have the power to crack, (he seriously doesn't know how it happened, only that you'd been bringing him things, carefully wrapped foods and trinkets you'd made, your bad conversation, and suddenly you were worrying about him and doting on him in the strange way that you do, suddenly, he was doing the same), you decided you wanted to help. You've trained hard on Spider-led courses at the Society, improving your overall fitness, your stamina, your technique, to become the fighter you are now. You can hold your own well.

Miguel knows what motivated you. You want to look after him. You'd all but admitted to it. And that's why Miguel wishes he asked someone else to come with him, because you'll put yourself in harm's way as he would for you, to protect.

"Why did you want to know if this universe was the same?" he asks, the nano of his suit morphing over his hands, claws growing long and minaciously sharp.

"Oh! Because, I used to have these favourite cookies called Butter Leaves, but they stopped making them in my dimension 'cos of the Whey disease. Even when it was better, loads of companies couldn't come back…"

You give him the entire history. He already knows it. He tries to listen to you with the attention you deserve anyway, only he's weighed the options, and taking down Doc Ock feels much more important than listening to your cravings.

"They were really thin and they had this sweet coating brushed over the top. You'd like them, I think." Miguel drops the last hundred feet to the ground, ignoring the jarring heat in his ankles at such a landing without having rolled into it. "If they were a little softer and had some sugar they'd taste just like polvorones, Miguel."

"You could say that about lots of things," Miguel argues, tone measured as not to alert bystanders nearby of his presence.

"This doesn't feel like a good idea," Lyla says. Standing now, alert.

Miguel toggles the communicator so you can't hear him.

He wonders if you'd even notice him speaking over the intensity of your excitement, "I know it's not professional but maybe we could go and look? After we beat the bad guy. They're more than worth it, I swear," you say hopefully.

"It's fine," he says to Lyla, throwing out a hand, shins braced and ready to burst into a tackle.

"It feels off, you both said it."

"It always feels off. He's in the wrong dimension, his presence caused a shift. The wrongness is unavoidable, like the body–"

"Rejecting an organ transplant," Lyla says. "I know. You say it constantly."

"If you know, why are you asking?" he asks, deadpan.

"Good to know your girlfriend can ask questions and I can't. You're a trailblazer for equality, O'Hara."

Not my girlfriend, he thinks, but he isn't sure how true that is. Miguel realigns his eyesight, the holographic netting that pinpoints anomalistic stress a menacing red where it maps Doc Ock's limbs. The colours are abrasive against the yellow-green leaves fluttering in the breeze to the grass below, trees like arms stretched toward one another standing behind the simple brown bench where Doc Ock murmurs drunken-sounding ravings.

Miguel's fangs slice through gum and lock into place. He tries not to salivate. The paralysing agent produced gives him a numb tongue.

Miguel attempts to work quickly. Approach the target. Lock the target in. Incapacitate. He rears back and takes a deep breath.

"Wait! Behind! Behind you, Miguel, there's something behind you!"

He twists backward without hesitation and swings his arm around a cold neck. He squeezes hard, hears a metallic crunch similar to a mortar and pestle, but the person in his chokehold isn't a person, it's a robot.

"Octobots!" Lyla shouts.

"HELPFUL!" Miguel shouts back, grunting as a robotic arm curves around his back, and then a second, a third.

The hills of his muscles strain against white-lacquered steel, a sweat breaking at the back of his neck as he groans, desperate to stop the octobot from crushing his arms to a powder. He can practically hear the creaking of his humerus.

Around him, civilians scatter, screaming for their lives as a small horde of octobots descends on the park. Doc Ock doesn't react to the chaos. He sits there muttering to himself as people run past him and his octobots play cat and mouse. Miguel finally snaps the arms off the robot holding him with a pissed grunt, punching the carcass of machinery away from him while you tuck and roll from a dive to the ground. In an impressive show of your improvement and coordination, you throw out a web as you roll and hit Doc Ock square in the face, a second binding his chest to the bench. You spring to your feet, shooting at bots one after another. You must take down six by the time he's gathered his bearings.

"On your left," Lyla says. Miguel smashes a bot at the apex of its white body and she laughs. "Nice. Behind."

Miguel falls into the fight as though it's a well-practised dance. With the stress maps locked on, quick-thinking, and Lyla's pointed direction, Miguel can decapitate or incapacitate each bot swiftly as long as they don't get a hold on him like the first one managed.

You're like Lyla in that a good skirmish seems to set you off —you're giggling, cheering, enjoying yourself much more than you should be. "This is just like that video game," you say, leaping onto a moving octobot and shooting webbing at the joints, gumming them up until they can't move. "With the girl and her super powered puppy, you know that one?"

"Of course I don't know that one." Miguel brings his claws down into the aluminium shell of an octobot as it swipes your legs from under you and tears it in two. It cracks like a halved apple, the gore of its inside sparking and smoking as it hits the ground in tandem with you. Your head whacks hard into the concrete pathing beneath. He doesn't have time to help you.

The arm of a bot races forward like a stinger. This one must be the head of the hive, the Queen bee so to speak, far more complicated than the others in the plating of her ivory bodice and chain-mail like shielding on her arms.

Miguel swears under his breath and vaults at it.

He pulls your droid feed up in his display, watches you writhe from one side and the other as your pained moans play in his ear. You clamber onto wobbly footing as Miguel descends, the screeching cry of metal while it's shorn apart beneath his hands not half as loud as your useless gasping —you're winded, likely concussed.

"Civilian entering range," Lyla says.

"What? Where?"

Lyla has your drone's camera spin on the spot to show Miguel the civilian stupid enough to enter an active fight zone. They aren't stupid at all, it figures, but unaware. A man in activewear jogs the beaten path with headphones in, eyes to the ground. He stops for a moment to look at his sports watch, and like the octobot can tell, it shakes Miguel like a bothersome flea and surges for him.

You're closest.

"Y/N!" Miguel shouts, knowing it's too late before he so much as closes his mouth. You turn, your head braced in your hand, breathing hard with pain. Miguel would take it back if he could.

You can't save the civilian, but you can watch him die.

—

People look at him like he's a ghost, sometimes. Wide-eyed, horrified, they move aside in the halls. They treat him how he feels on his worst days, like someone who should've died a long time ago. Today, things are different.

No less than three Peter Parker' have stopped to stare at him unabashedly. Nearly all make the same jokes, Late for a date?

He'd honestly prefer feeling like a ghost. He can't deal with their derision and he doesn't want to, ignoring their looks and their judgement as he treks to the elevator that's gonna drop him outside of the medbay. The only person he wouldn't mind poking fun at him is you.

You aren't in the mood.

Miguel doesn't acknowledge your prone form at first. He walks to your bedside table to deposit the bouquet he'd chosen, peonies for good health and strength, swapping old for new, changing the water in your small shared sink. He may orchestrate the Spider Society, but Miguel's special privileges can't reduce the extreme turnover rate of the medbay. You have curtains to partition the room for privacy, and you got the bed by the window, and that's as much as he could get you. You deserve better.

Miguel opens the window to drown out the smell of antiseptic. He stands in front of it, his shadow stretching over your twisted hip. You're not sleeping, you're resting. Doctor's orders.

Miguel wishes you'd deign to rest in your own bed, or his, but you're a little too catatonic for a safe discharge either way.

He sighs quietly. You likely hear it with your enhanced senses and still you remain an impassive lump under your blue hospital blanket.

"Good morning," he says, instead of the thousand other things he wants to say, that he's too much of a coward to ask. "Let's get up."

He doesn't give you any choice about it. Starting slow, Miguel rounds the bed to meet your eyes through your sluggish blinking. Perhaps you'd been more asleep than he thought.

Gentle, Miguel peels down your blankets enough to push his hands under your armpits. He pulls you up into a sitting position, and it —it breaks his heart. He's a monolith, he's hurting, he has years and years of loss and grief behind him and it doesn't matter, it finds him again. His heart breaks at your limblessness and your willingness to be positioned like a paper doll.

Miguel arranges the sad pillow behind you and puts the remote for the adjustable bed frame in your hand. The last time you'd been here in the medbay after a training exercise fractured your ulna, you'd spent pretty much the entire time messing around with your bed, even as they crafted your cast. It made for messy work. Miguel must've told you to quit it fifty times.

Your fingers curl around the remote.

Miguel perches on the mattress on one knee to fix the protective style your hair is in. Nothing serious, just smoothing the tiniest of stray hairs and making sure it's still comfortable. He strokes your temple absentmindedly, checking you over one feature at a time. Tired eyes, nose tip looking parched, your lips chapped. Frowning, he sits properly, and he pulls your big hospital bag from the bedside table, his hand falling to your wrist to say, Hey, I'm here, and I'm not going far.

He finds your smaller bag of toiletries and necessities and unzips it. He tries not to think about the last time he had to take care of someone like this as he cleans your face with a wet wipe, two fingers wrapped in the wipe and petting at your skin carefully. He notices the life returning to you inchingly, his touch a tether you're pulling on, so he prolongs his actions. He smooths moisturiser over your face extra slowly. If you asked why, he could say it's cold, but you don't ask.

Your face shiny in the sunshine filtering in through the wide windows, you almost look like yourself again.

"Are you hungry?"

You shake your head. An almost imperceptible gesture.

"This is why you don't feel well," he says. "You're not eating enough."

"That's not why," you say.

He aches to hear your voice. I know, he thinks, but doesn't say.

"Eat something," he says.

You shake your head again. He managed to bring you back and squash you back down in less than a minute. He really doesn't like himself, at that moment. Often, but especially now. He's failing you. He failed you with the octobots and he's failing you now.

Miguel refuses to fail someone he cares about again.

He takes the remote for your bed and lifts the top section so you can sit back comfortably. He shakes the blankets out over you, and he puts away your things. Hopeful, Miguel places new pyjamas and underwear with your shower caddy at the end of the bed and pulls a strict pose, hands crossed over his chest.

"I need to go. Shower, eat breakfast when it comes. Please."

You give him a look that might mean Yes but probably doesn't mean anything, laying down as much as the bed allows and turning your face from him toward the flowers. Miguel leaves, stopping a ways away to look back, and watches through the gap of your curtains as you reach out to touch the flowers he'd brought. Your pinky finger is less than an inch from the petals when your movement stutters, your hand falling back to your chest with a soft thud. You close your eyes.

When Miguel returns, he's thankful to find you've done as he told you. Showered, changed, a discarded breakfast tray at your feet. You've attempted the oatmeal and left the toast to go cold, congealed butter white against golden yellow.

Miguel swaps the tray for his bags. He's hoping you might be tempted to look while he's gone. He knows before you would've known the entire contents of the open bag by the time he'd left the room, but he returns having taken your tray to the rack and is sorely disappointed.

That's fine, he decides. You don't have to look. He doesn't mind laying things out for you.

First port of call: extra pillows. He pulls the plastic wrapped 'hotel pillows' up onto your sheet and tears the plastic. They pop out. He didn't think for pillow cases, so he slides them behind your hospital pillow and pushes you down by the shoulders, not cruel but not particularly gentle —you actually laugh at his handling. He bites back a smile.

"What, you got me presents?" you ask as he dumps a blanket onto your lap. It's one of those soft, shiny fleece ones patterned with those characters you love so much, the girl and her super powered puppy.

You rub your hands over it appreciatively and spread it out over your legs. "What's that mean?" he asks, pointing at the Chinese characters, '超級汪汪!'.

"Chāojí wāngwāng!" you cheer, an impression missing the majority of your usual pep. "Super woof. It's his level five power up. He yaps and Joyce gets her HP back."

Miguel pretends to know, like he'd forgotten, and you're reminding him. "Ah."

You're watching now, interested. He puts his back between you and the bag and you whine weakly, "Miguel."

"What? You think these are for you?"

"Please, I want to see."

He gives in like a cheap tent, passing you a packet of pearly beads for your bracelet making, skeins of variegated thread that change colours, a packet of pencils with frogs on the lids, a plushie. You don't know how to react and Miguel doesn't know what to say. He honestly doesn't want to say anything, vulnerability stopped being his thing a while ago, but he clears his throat. "Do you know what I look like in the middle of Miniso? Picture it."

Miniso being a Chinese home goods store lined floor to ceiling with plushies.

You laugh weirdly. Miguel knows it's guilt holding you back.

"One last thing." He sits down on the bed next to you, hands big enough to cover the box in its entirety. "You were wrong, by the way. Extremely wrong, these don't taste a thing like polvorones."

He passes you the box. You take it into steady hands, smiling widely, your thumb brushing up against the black cursive font. A box of butter leaves from one of your sister dimensions.

"I don't know if they'll taste like they did. Are they the same ones?"

You nod, loosing a breath between parted lips. "Same ones."

"If you don't eat them all, I won't get them for you again."

"That's so mean," you murmur. Miguel would apologise if he thought you meant it.

"That's how it is. Eat your cookies. I'll come back later to make sure you actually ate dinner."

He stands. You immediately grab him, cookies dropped in favour of braceleting his wrist in your warm fingers.

You look up at him through your lashes, a frown dampening your pretty features. At least, in his eyes.

"Please don't go," you say. Your eyebrows pinch together. It's even more heartbreaking than your catatonia, this pleading loneliness, like you think he won't stay.

"You have to talk to me," Miguel says. He softens at your chastised wince, sitting back down again. "Did you want a hug?" he asks.

It's an apology to offer it, though he should've asked you this morning, or yesterday, even the day before. You'd been inconsolable when it happened. Miguel's never seen you that way. Your sunshine shattered, your shoulders shaking under his hands as he led you away from the scene, he didn't hug you like he wanted to. It wouldn't have made a difference at the time. You couldn't speak. You could barely walk.

Seeing something like that happen leaves a mark, even if you've seen it before.

You sweep aside your gifts and twist your legs to climb onto your knees. Miguel hadn't realised how much you wanted to be close to him until you're bordering his lap, your arms sliding over his shoulders, your pyjamas soft and smelling of antiseptic under his nose. A switch flicks at your nearness. He pulls you into his lap and sandwiches you there, chest to chest, thankful for his stature because it means he can encapsulate you effortlessly. He can hide you from the world for a short while.

You choke him half to death.

"It's okay," he says, your back curved into the length of his forearm, leaning forward so you can take the weight off. "You're okay."

"I don't– it's not me. I'm not worried about me."

"It's over," he says. "What's done is done." Which isn't to say it isn't tragic, or that it didn't leave a permanent mark on the world. But you're punishing yourself for a crime you didn't commit.

"It's all my fault," you whisper, your cheek pressing to his shoulder, face hidden in the juncture of his neck.

He tilts his head toward you. "It's my fault. I jumped in. I wanted it to be quick."

"I let him…"

"You had a grade ii concussion, you didn't let anyone do anything. I'm lucky you didn't pass out right there. I'm lucky you had the ability to defend yourself, because I left you defenceless."

"No, you didn't, it–" You rub your cheek against his shoulder. "It happened really fast, you were making sure that bot didn't get me because I was stupid enough to leave myself open–"

"Stop it."

It's harsh enough to stop you in your tracks. Miguel sighs hard, hair blowing away from his face.

He lays down backward, skewiff on your bed, and pulls you with him in a secure but gentle hold. You make a quiet 'oof' as you go down. Apologetic yet again, Miguel rubs a line up and down your back, fingertips between your shoulders, palm flattening as he reaches the small of your back, your shirt inching up. He's sure you look foolish to anyone watching, but for once, he's past embarrassment.

"I don't want to hear you blaming yourself. It's not your fault."

You've twisted on your side on the mattress rather than crush his pelvis, though your chest remains pressed to his. You twist a strand of his dark hair around your finger. "Why did you bring me all this stuff?" you ask softly.

"To make you feel better."

"But why… do you… want that? Why does it matter that much, that you'd waste time going to get me things?"

"Why do you think?" he asks.

Your lips ghost the column of his throat. "Mm… 'cos you're nicer than you let on."

"Wrong."

You laugh again. He's more grateful than he'd ever say aloud.

"Because you care about me too much."

Too much is right. He feels like he's at the stern of the universe's most important ship. The universes, plural. That ship is heading square for an iceberg, for the precipice of a gargantuan whirlpool, and there's nothing Miguel can do but hand out buckets and veer sharply to the left, hoping it will be enough, knowing deep down that it won't be if something doesn't give soon. And he's lived a life, two lives, before he even met you. He's tired. He doesn't want to lose anyone else, and he hoped he could do that by never caring again.

What a stupid hope.

"I just want you to feel like yourself again," he admits.

"I really wanted to save him."

"You can't save everyone."

He knows better than most.

"I know," you say, no tears left to cry, voice impossibly small.

Miguel wraps his arms around you and doesn't let go for a long, long time.

˚ʚ♡ɞ˚

thank you so much for reading, I really really hope you enjoyed! please think about reblogging if you liked it, I appreciate it <3

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astroboots · 11 months

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Every You Every Me | Issue #7

COLLABORATED WITH @thirstworldproblemss

Pairing: Miguel O'Hara x female reader

Summary: You finally get some answers out of Miguel about who you are to him.

Word count: 5,700 words.

Series Masterlist | Spiderverse Masterlist | Astroboot’s Masterlist | thirstworldproblemss' Masterlist

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"So let's take it from the top," you tell him, as you sit down and put down the Trenta-sized caramel flavored hot chocolate with extra whipped cream and chocolate syrup in front of the man named Miguel O'Hara.

The two of you are sitting across from each other at a small booth at the nearest Starbucks you were able to find, seeing as you're homeless now, and there's nowhere else you could think of to go.

He's dressed in a large fitted hoodie that drapes down to his thighs. Where he's managed to find something that is oversized in length on him, you don't know because he's not exactly short.

"I'm from a dimension known as Earth-928," Miguel says.

Before he can continue, you raise one hand, and you can see his right eyebrow twitch unhappily at the interruption.

"Yes?"

"Just to clarify, so we don't have another ‘coffee cake’ misunderstanding. When you say Earth-928, do you mean a different version of the Earth we’re on now? Or is this a habitable planet in another galaxy that happens to be partially named Earth?"

"It's a parallel universe characterized by distinct physical parameters and initial conditions, accounting for the diverse manifestations of our observable universe. So still Earth," he says, sweeping his gaze across the café, nose wrinkling the way one does when there's something off-putting in their vicinity. "Just a little bit less primitive."

Of course he would say that, wouldn't be able to resist the jab would he.

You peer up at him across the table. He is very technical and thorough with his explanations. But as grateful as you are for him finally being willing to answer your questions, you hadn't expected those answers to be quite so information dense. You need to pick your questions more carefully or you are going to have to go down the street to buy yourself a notebook in order to keep up.

"How did you end up on this Earth?" you ask.

"Where I'm from, I'm a scientist, a researcher. One of the things I studied was the theory of physical cosmology and the existence of the multiverse. My work was concentrated on the theoretical ability to navigate between distinct universes within a hypothetical multiverse–”

Ah shit, you should've been more narrow in your question. Should have asked him to simplify it a bit more for you. Because now you're sitting here blinking up at him, pretending you understand half of what he's saying.

It makes sense that he’s STEM. He speaks like the type. Smart as hell with none of the social skills to gauge whether the other person is following the conversation.

Listening to him reminds you of that time in college, when you'd walked into the wrong lecture hall, wound up in advanced chemistry instead of your math class, felt too awkward to leave and just sat there drawing doodles with an attentive expression until the class was over.

And he’s still at it, “– employing advanced mechanisms that manipulate or transcend conventional spacetime frameworks, enabling exploration–"

"Okay, wait, hold on a sec," you interrupt, once it becomes obvious he’s not going to stop any time soon on his own. "Can you... simplify, please?"

He stops mid-sentence, taking a deep breath as he looks up at the ceiling and considers your request, with a serious expression as if he's thinking really hard on it. "I’m a scientist. I study the multiverse. I built a parallel universe traversal device, it allows me to visit different dimensions." Your brain feels insulted that it clearly took more mental effort for him to dumb it down for you than to just give the supergenius version.

“So… a machine that allows you to jump between alternative universes?”

“Yes.”

There’s a pause between you as you run through the questions in your mental list you want to tick off now that he’s turned cooperative and talkative. But with everything that’s happened in the last handful of hours, a lot of the questions you previously had seemed outdated. The one question, the most important one, you’ve wanted to ask from the start though remains.

"Who am I to you?"

Miguel takes the large sized drink in his even larger hands and somehow this big paper cup still manages to look tiny in his grip. "You and I were... involved," he says.

You frown. ‘Involved’ is such a vague term. It belongs in the trash with other useless terms to describe relationships: “situationship”, “complicated”, you hate them all.

"So I was your girlfriend?"

"Yeah, something like that," he concede, fidgeting with the thin gold chain looped around his neck, his eyes not quite meeting yours, like he's embarrassed to use the term.

‘Something like that,’ you chew on his answer unhappily, sympathizing with your other dimensional self and how the other you seemed to have snagged a commitment phobe.

Other-you, who isn’t here in this dimension with Miguel. You wonder why that is.

"What happened to me?" you ask.

His eyes are glued to the table, not looking up at you as he answers you in a voice so quiet you can barely hear it. "She died."

"Oh."

The revelation shouldn’t take you by surprise.

Every time Miguel’s brought up your other self, it’s been tinted with earth-shattering sadness. It's not hard to put one and one together and come to the conclusion that whatever happened to you in this other dimension didn't end happily.

Still it's an odd feeling to know that out there, somewhere, a version of you has died. A version of you that was clearly very important to the man in front of you.

"I'm sorry," you tell him.

It feels silly to say. It's bizarre to give your condolences over your own parallel death, but Miguel looks so heartbroken. He’s slumped in his seat, large shoulders rounded until his frame looks so much smaller than you're used to, and you don't know what else to do.

"So what is happening to me now," you start, not sure how to word what the phenomena that you're going through is, "these continuous near-death experiences, is that how she died?"

"Yeah."

"And do you know why that... kept happening to her? Why is it happening to me?"

"I don't, and I don't know how to stop it. Believe me I tried."

He cradles the paper cup in his hands, the grip a little bit tighter now until he's creasing the paper and the caramel liquid oozes and leaks from the top.

"What I do know is that the universe isn’t going to stop trying to kill you, no matter what you do. And with every near death incident you manage to survive, these incidents will escalate in nature, until..." he stops, eyes flickering away from the cup to meet yours, but it's like he loses courage and doesn't want to say the last part.

"Until, what?" you prompt.

"Until your dimension collapses."

The blood freezes in your veins. "Wait, collapses!? What do you mean?"

"I can't guarantee it will happen again. But that's what happened last time. When the other you kept cheating death, the universe eventually started to collapse in on itself."

You slump back in your chair, trying to process what you've just been told. What does that mean? That even if you managed to defy all odds to survive, doing so would doom the rest of this universe as you know it?

"When will that happen?" you ask, and you're surprised you manage to get the words out because there is a hard lump in your throat that makes it hurt to even swallow.

"Judging from the trajectory and escalation of events, you have about three months give or take."

The two of you sit in heavy silence, for the moment you're not sure what else to ask him. Because it feels like you are trapped in a building looking for an exit sign, but all that’s tacked onto the brick wall is your death certificate, waiting to be signed and formalized.

There’s no way out. Nowhere to go.

"Give me your hand," he says, breaking the silence.

You give it to him without hesitation, watching, puzzled, as he takes off his watch and secures it around your wrists.

"Why are you giving me your watch?"

"It's not a watch," he says, then he presses something on the face of it, and an image of a young woman flickers into existence in the space above your wrist, vaguely see-through. A hologram!

"This is Lyla," he introduces.

Wait, wait? Lyla? As in your mom Lyla? You watch the tiny woman floating above your wrist. Short bob-cut, and flashy heart-shaped sunglasses, with a twinkle in her eye.

The hologram looks nothing like your mom. You part your mouth, about to ask about the name but you're interrupted by the energetic buzz of a female voice greeting you.

"Boss-girl! Long time no see. Want me to catch you up on the latest multiversal gossip? I compiled an edit of highlights set to Despacito."

"Lyla," Miguel warns, tersely. "Not now."

"Ruuuuude! You're the one who woke me up you know."

"Lyla, go back to sleep."

The female avatar grumbles, but then her image flickers away and the watch turns back into, as far as you can tell, just an ordinary watch.

"Why did you name the watch Lyla?"

"It's not a– " He cuts himself off, sighing with exasperation. "Lyla is an advanced A.I. she's going to be with you at all times. She's an added layer of security, built to protect you."

He didn't answer your question. Completely sidestepped it as if the two of you are having two different conversations.

Built to protect you, he'd said. Does that mean he still intends to do that?

"So you're not going to leave?" you ask him.

He leans back in his seat, eyes drifting towards the table. "No."

You look up at him, stumped. Not sure you're understanding what he's saying. Because not even a few hours ago, when the two of you were in your apartment, this man was adamant there was nothing to be done to save you. That he was going to leave and you were never going to see him again.

Right now though, his actions seem to be contradictory to that. You can't make heads or tails of him. Hot and cold doesn’t even begin to cover it.

"Why not?" you ask, "I mean, not that I’m not grateful, but you seemed pretty set on the whole ‘I can’t save you’ thing. What changed your mind?"

“You did.” His eyes narrow as he looks down at you, crossing his arms ever his chest, "You told me you wanted to live. Have you changed your mind already?"

“Wha– NO! I just want to know why you changed yours.”

“I–” He hesitates, another wave of sadness passing over his face. “I’m a superhero. I save people… or try to. It’s what I do. I’m not gonna just leave you to die after you tell me you want to live.”

It’s a good answer, even if you don’t buy that it’s the whole truth.

You look down at your wrist, and the shiny chrome of the not-watch he's just gifted you winks back up at you. "Do you think I have a chance of surviving all this?"

"It's pretty hopeless," he says, and there’s no break in his expression as he continues. "Your chances of making it out alive are pretty much mathematically impossible."

It's odd though. Even though he's outlining the futility of your situation, basically telling you to raise the white flag and surrender, there's something contradictory in the tone of his voice.

"What do you want to do?" he asks you.

It’s a challenge, you realize. An encouragement. He has faith in you. It's all of these things rolled into one. As if he's telling you to prove the universe wrong.

"I want to live," you answer. "If the universe collapses in three months, then please stay with me. Give me time to solve this and find a way to stay alive."

His mouth curls into a hint of a smile. The very first you've seen from him since you've met. It's bright and boyish, erasing the harsh lines of his stern expression until it gives way for something much softer underneath that makes your heart leap in your chest with triumph.

You grin, a strange elation of happiness buzzing in you as you stretch out your hand to him, in an invitation for a handshake to seal the deal.

"Deal?"

Miguel leans over the table, clasping your hand in his much larger one as he squeezes it back gently.

"Deal." That small smile from before is still there. "So what's next?" he asks.

The thing you never realized, being an ordinary person bereft of super genes or other superhuman powers is just how convenient commuting can be if you have them.

No longer do you have to brave the Lynchian nightmare that is the NYC subway system. Half-naked manic street preachers giving sermons as you’re held hostage, with nowhere else to go in the carriage. Being chased down by a drunk trumpeting Mariachi band. Instead, all you need to do to get from point A to point B (A: being the Chrysler building and B: the building formerly known as your home) is to hold on tight to Miguel as he swings you both above the city gridlock.

You imagine that this is what paragliding must feel like, except it's so much better because here you don't have to do the safety training beforehand or pay $3,000 for the privilege.

The city skyline is a dark evening blue, dotted with the sparkling lights of office buildings, cab roof lights and street lamps, as the wind ruffles through the fabric of your clothes.

It's such a different sight when you're flying above instead of walking on the streets below, that you don't even clock that you're in your neighborhood, until you see a building with a collapsed wall that's been blocked off, looking like a crash site. Only then do you realize... you're home.

Miguel carefully sets you down on your feet on a small patch of concrete that is clear of the rubble and destruction.

"Why did you want to come back here again?" he asks.

It’s a good question. Now that you're here, standing in the middle of charred debris and cracked bricks, you're not sure either. You had some vague plans of seeing what you could salvage, hoping for some clothes, maybe your electric toothbrush, or really just any of your stuff. Something that’s yours, no matter how small, to hold on to after the events of today have ripped away life as you know it.

But there’s nothing left. The furniture, all your books and knick knacks, and even your dirty laundry piles have been demolished. Your home as you know it is gone. There's only piles and piles of rubble and traces of white fire extinguisher foam on the ground. The fire has been out for hours, but the pungent smell of smoke and sulfur still pervades the air.

"You okay?" Miguel asks.

He's still standing at the outer edges of the apartment, close to where your window would have been if a helicopter hadn't crashed through it.

"Yeah... I guess the silver lining is that I didn't have anything expensive. Though it'd been nice if I could've saved my mom's Le Creuset set or at least the nanny-cam so I could return it and get a refund," you joke glibly.

You nudge aside some concrete rubble with the cap of your shoes. There's nothing under there, no treasured memorabilia that's still miraculously intact. Just more burnt concrete and rubble.

"Why did you have a nanny cam?"

You turn around at his question, to see him hovering close to you, one eyebrow raised with an unhappy set to his jaw.

From the displeased expression on his face, he's probably misunderstanding something here. Probably thinks you're operating a very unlucrative Onlyfans business, when what you've really been doing is spy on him and his nightly visits. You don't know which is worse to confess to, so you don't confess to anything.

"No reason," you say, ignoring the way his already raised eyebrow twitches with irritation at your lack of an answer.

"Come on, let's go," he says, and he waves towards you in a come hither motion like he's commanding a dog.

"Go?" you ask him. "It's past midnight. My place, as you can see, is wrecked. Go where exactly?"

Miguel shoots you a strange look. "A hotel," he says, like it's the most obvious thing, and– okay, he's not completely wrong in that assumption.

Problem is, you didn't have time to pick up your wallet or phone before your impromptu interdimensional visit. They’ve been incinerated along with all the rest of your worldly possessions, which means you don't have any way to pay for a hotel.

Plus Manhattan hotel prices average $400 a night. Even if you still had access to your debit cards, your budget’s pretty tight right now after all the capital you invested in your unhinged quest to trap the superhero before you.

"In the city? I don't have that kind of money and it will take months for any insurance payouts to come in."

You should know. As an insurance claims adjuster, you know you’ll be lucky if your claim is processed before the end of the year. And, ugh, just the thought of the paperwork you’ll have to fill out is enough to give you an anxiety migraine.

"I’ll cover the room," Miguel says casually before holding out a hand to you, "Come on, let’s go."

When Miguel said he’d cover it, you expected a reasonably-priced room at one of the Days Inn across the river or the like. Hopefully a place with no rats or bed bugs, and maybe clean bedding over a somewhat comfortable mattress for you to pass out on if you were lucky.

You didn't expect this.

Standing in front of the Midtown Four Seasons, you find yourself on sleek marble so polished you can see your own reflection. You haven't even stepped a foot inside yet and there are two old fashioned doormen, wearing immaculately fitted suits, with an even more impressive posture opening the majestic double-set doors for you as you approach.

It's swanky as hell, and you can’t help gawking like a tourist, eyes glued to the decadent carved ceilings that must be at least 30 feet tall, soaring above you. Honey-colored limestone that looks like it’s been looted from Ancient Rome.

You feel more than a little bit out of place. This is way outside of your budget. You could probably work your job for a lifetime, and not have enough disposable income to stay the night at a place like this.

"Uhm, Miguel... this place is way too–" you start, turning towards him.

But as you were busy lamenting the state of the housing market, he's already walked away from you (for such a bulky guy, he moves swiftly and silently) and as you whip your head around to find him, he's already standing in front of the receptionist.

Damned antelope legged man, would it kill him to wait up for you once in a while? You run up after him and have to tip-toe in order to see over his shoulder because the giant mammoth is blocking the check-in counter.

And wow, even the receptionist here is of a different caliber than the ones you'd find at Holiday Inn. A fashionable bob-cut with razor sharp edges, looking like a model cut out from a Vogue cover.

"Do you have a reservation, Sir?"

You half-expect him to say no, and that the two of you would have to tuck your tail between your legs and walk out of here to the backdrop of a sad trombone playing.

To your astonishment he says your name. The receptionist tip-taps away at her keyboard and then she nods and smiles gracefully at you both.

"Yes of course. After reviewing your reservation details, I am pleased to inform you that all necessary arrangements have already been made, including advance payment and verification of your identification. Your room is ready for you, we trust you will enjoy your stay."

She flashes you a pearly white smile so shiny it's almost blinding and hands you a hotel key card.

When you turn around, to your confusion Miguel is no longer next to you. How does he keep disappearing like this?

"Cielito," Miguel’s voice calls. The nickname doesn’t register at first. It doesn't even occur to you that he’s referring to you, until he barks it out a second time.

Your head darts up to see him standing by the elevator, tapping his feet impatiently as he waits for you to make it over to him.

"How did you do that?" you whisper loudly to him as you step into the elevator. "Where did you get my ID? How did you make a reservation? How did you--"

He takes your hand, mid-sentence, turning your wrist upwards and taps the watch.

"The computer systems in this universe are child's play for Lyla to manipulate. Reservations, money, ID, she can take care of all of that easily," he explains.

"She can do that?" you ask, and Miguel merely nods at you as the elevator closes behind the two of you.

You tip your head down to inspect your gifted watch. In awe of this technical marvel that would make Siri look like it’s from the stone-ages. You wonder if she can boost your credit scores. She could probably hack any wi-fi password so you'd never have to worry about data throttling again. She could get you table reservations for Libertine! The possibilities are endless!

You turn to Miguel. "Can Lyla get me Beyoncé tickets?" you ask.

He just shakes his head at you with what almost qualifies as an amused smile.

The room upstairs is massive.

It’s easily three times the size of your little studio apartment, and the ceilings are twice as tall, with a hanging glass chandelier that’s sparkling bright enough to blind you. It looks like one of those places featured in Architectural Digest.

Everything is in an art deco style, with expensive looking furniture and even more expensive art hanging on the one spare wall that isn’t covered in floor to ceiling windows. There are large shelves and a sleek looking kitchen, complete with an opulent looking velvet lounge chair of emerald green that looks like something a Roman emperor would be fed grapes on.

In this colossal space of a room, there is only one bed. One colossal, plush-mattress-topped, goose down duvet and probably 1,000,000,000 thread count sheet covered bed.

You tense up, not sure what the arrangements Miguel had in mind. Did he want the two of you to sleep in the same bed?

Miguel did pay for the room, so you’re not going to start voicing objections. After all, it wouldn’t be the first time in the short time span that you two have known each other to do that. This bed is also a lot wider than your tiny double bed, so it wouldn’t be the cramped disaster it was last night. You’d just have to make sure to use the bathroom before bed this time so he doesn’t jab your full bladder in the morning again.

Without saying anything, Miguel strides across the length of the room with impatient and determined steps. His hand reaches for the balcony doors and slides them open.

"Wait wait, where are you going?" you ask him as you run up to the middle of the room.

“I’m sleeping outside,” he says over his shoulder, and your mind boggles with that.

“Why? Isn’t it better for you to stay here?”

"This is the 62nd floor. That’s about as safe as you’re going to get. I’ll keep a lookout to make sure no more helicopters come crashing in.”

You’re not sure if he means the last part as a joke or not, but as you watch his broad back retreating as he walks away from you, a sickening sort of the deja vu twists through your chest.

I can’t save you, he’d said back in your apartment, Nothing can.

The feeling clawing at your chest feels alarmingly like panic. It screams that he’s leaving you. That he’s never coming back. That you’ll never see him again.

You’re being irrational, and you know it. You remind yourself that he wouldn’t have done this much for you only to bail in the middle of the night, but that doesn’t stop the fear that’s festering, sharp and urgent, under your skin, or the way your heart races, your whole body flashing hot and cold at the same time.

You want him to stay.

“Miguel,” you call out, and he immediately stops and turns to look back at you, one eyebrow raised in a skeptical question.

Please stay.

You open your mouth, but the words won’t come out. You can’t ask this man—this big, sarcastic, rude hulk of a man—to have a sleepover with you because you’re scared to be alone in the dark. He would laugh you out of the hotel room.

“Uhm… thank you,” you say instead, but it’s no less sincere, “For everything.”

His eyes soften, the sharp narrowness of them easing up. “It’s fine,” he mumbles, and despite the cold chill of the evening, you think you can see a faint flush blooming in his cheeks, before he quickly ducks his face from you. “I’ll be right outside if something happens.”

He turns back around and walks out, closing the patio doors with a gentle click behind him, leaving you by yourself.

It’s quiet.

You survey the empty room you’re in. Without Miguel’s large frame taking up space, it seems even bigger than it did before.

It’s a beautiful room. Something that you’re pretty sure you’ve seen in a movie set. You don’t know why you’re not as excited as you were before. This is you living your Pretty Woman moment. You should be filling up the big jacuzzi tub you saw with bubbles. Heck, maybe ask Lyla to order you a bottle of champagne from room service.

Instead, your eyes linger on the glass patio doors leading to the balcony terrace. You walk over to the bed, perching yourself down on the edge of the mattress, then flop down.

Might as well try to sleep, you think to yourself as you climb under the covers and switch off the light. The best thing you can do right now is catch yourself some rest so you’ll be alert while trying to figure out your next steps tomorrow.

3 months… That’s what Miguel told you.

That’s all the time you have left.

That means you don’t have time to waste, but you also have no idea where to start. The local library doesn’t exactly carry any resources on how to stop the universe from trying to kill you.

The Universe.

An infinite cosmos, grander than any human being can possibly comprehend. This vast space containing all the galaxies with its billions of stars and planets, where an individual being does not even register as a speck, and it wants you dead. How can you possibly fight against those odds?

You lie wide-eyed and awake staring into the dark of the room, and the feeling of dread gnaws into you.

You don’t want to be alone right now. Turning in the bed, your eyes find their way back to the blank slate of the pitched night outside the balcony doors.

You really wished he had stayed with you.

Sitting upright in the bed, you consider your options. You can lie back down. Suffer insomnia and the existential horror of knowing the universe is trying to murder you. Or you can man up, swallow down whatever tiny morsel of your pride you have left and ask Miguel to come back inside and stay with you.

Flinging the duvet from your body, you get up to walk over to the balcony. You hesitate for a moment before tapping the window pane the way you might knock on a door, giving a polite head's up before you slide the balcony patio open. But when you poke your head out, turning your head left and right, Miguel's nowhere to be found.

Okay, that’s weird. He said he’d be right outside if you needed him. You walk up to the ledge of the balcony terrace, leaning over the rail and peer down to see him dangling upside down, from the ledge of your balcony. The sight nearly makes you scream.

"Miguel!”

At you calling his name, he pulls himself up, one clawed hand gripping at the concrete wall as he climbs his way up and over to you. He makes it look easy, as if gravity does not exist for him, and it’s only a moment until he’s perched on the ledge of the balcony, facing you.

“What’s wrong?” he demands, eyes concerned, and you’re suddenly aware of how very close he is. His face mere inches from yours, your noses nearly touching.

“What’s wrong? You’re hanging upside down from the 62nd floor! What are you, a bat?!"

“Why did you come out here?” he clarifies, and his words give you pause. You try to gather your thoughts after the bizarre sight you just walked into and remember what you came out here for.

He’s still looking at you with his full and intense concentration that makes your skin prickle with warmth.

God, it’s embarrassing to ask. You feel like you’re five years old, asking your parents to turn the nightlight on, even though you know you’re a big girl now and aren’t supposed to be afraid of monsters hiding under your bed any more.

You look down on your hands, where you’re wringing them together, then back up at him, and make yourself spit it out, "Could you… maybe… stay with me tonight?"

His eyes widen at your question, but he doesn’t actually answer you and gives you no physical indication one way or the other.

"I feel safer when you're with me,” you admit.

“I am with you out here,” he counters, because of course he can’t make this easy for you.

“I can’t see you out here.”

The line of his shoulder eases, and he ducks his head down with a resigned sigh. "Fine. Get back inside, Cielito. You're going to catch a cold like this."

You shuffle back inside to your bed, watching out of the corner of your eye as he follows you inside and settles himself on the lounge sofa. He’s so tall that his feet are sticking out over the armrests, like a long-legged stork.

Hiding a smile, you climb back into bed, wrapping the bedding all around yourself.

“Good night,” you call out, and he makes a grumpy noise of acknowledgment.

Your head drops back onto the soft pillow, and you close your eyes, ready to sleep. It’s such a nice bed. The sheets are cool and soft against your skin and smell of fresh eucalyptus. The mattress is the most comfortable you ever remember resting on, firm but somehow soft at the same time. You feel like you’re sleeping on a cloud.

Moments go by, and you revel in the sumptuous bed, waiting for the best sleep of your life to claim you.

Except it doesn’t.

Somehow… you still can’t fall asleep. Is it… too soft maybe? You turn in the bed, twisting your torso to get into a position you can comfortably sink into, but something doesn’t feel right. There’s no lumpiness like at home, but that should be a good thing.

Except… despite the decadent softness of the bed. Despite the fact that the sheets probably have a thread count with more zeros than your checking and savings accounts combined. Despite all of the luxury that surrounds you, you still find yourself tossing and turning and wide fucking awake.

The bed is too big. You don’t know what to do with all this space. Your body is not accustomed to this sort of decadence. What if you suffocate sinking into this soft fluffy pillow in your sleep? What if you toss and turn until you fall off this massive bed and break your neck? Maybe that’s how out of all of the universe’s attempts to kill you, you end up dying?

Fuck!

You can’t sleep.

You turn to your side and stare into the velvet lounge chaise on the opposite side of your room, where Miguel is.

Quietly, you pad up to his still form until you’re standing in front of him and hunch over, trying to decide how rude it would be to wake him up again when there's nothing he can do about your stupid insomnia anyway.

In the dim light, you spot something glinting at you. Looking closer, you notice that the thin chain looped around his neck has escaped his shirt to pool on the fabric of the sofa cushion under him. You gently drag the loose end of the necklace toward you, and find a smooth golden band threaded onto it.

Picking it up cautiously, you flip it in your hand and find that there's something engraved on the inside. It's hard to see in the darkness, but when you lean closer and squint your eyes, you can just make out what it says.

'MO'—undeniably the initials of one Miguel O'Hara.

Twisting the ring slightly, you find a tiny plus sign followed by your own initials, and your heart drops into the pit of your stomach.

Oh.

The memory of sitting across Miguel at Starbucks returns to you, when you had asked him who you were to him. You think of the avoidant gaze and how he couldn't look you in the eye.

‘Something like that,’ huh?

Guess the other you wasn't just his girlfriend after all, you think, chest drawn so tight it’s painful.

Holding the wedding band in the palm of your hand, you slide down to sit down on the floor with your back pressed against the chaise lounge.

Your heart aches for the man in front of you and everything he's lost. You really, really hope you're not going to end up as just another regret on his list.

~ Next Issue

Dedication & Credits: As always to my best friend @thirstworldproblemss I am half asleep and running on fumes. I'm wording things poorly but I just want you to know that I am very happy I have you. Thank you for being my friend and for the time we get to spend together. I have the most fun when I'm with you.

Also to @guruan who is my muse, my source of inspiration. This chapter is dedicated to her because have you seen this beautiful piece of artwork she did for EYEM?!

#miguel o'hara x you #miguel o'hara x reader #miguel o'hara fic #miguel o'hara #miguel o'hara fanfic #miguel o'hara fanfiction #spiderverse #oscar isaac #across the spiderverse #marvel #spiderverse fanfiction #miguel ohara x reader #miguel ohara #miguel ohara x you #marvel mcu

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feroluce · 14 days

Text

On Sampo's name (ALL of his names!)

I feel like everyone who's a fan knows the meaning of Sampo's full name by now- the sampo was a legendary item that could magically make endless supplies of gold, flour, and salt, all priceless items at the time! So it works perfectly for a scammer businessman like Sampo. ☆

"Koski" is the Finnish word for "water rapids" which might seem kinda random but actually makes sense for him, since Aha and the Masked Fools are also referred to with water terms:

This kind of analogy isn't specific to only Aha and the Masked Fools, but it does still tie them together. So water rapids fits perfectly! Sampo wants to stir the pot! He likes to shake things around and spice things up! He's taking that stagnant pool and turning it into water rapids! It would actually explain his ridiculous hair color, too; a dark blue wave tipped with white foam haha

EDIT: an amazing contribution from @ricochetlovebombs, who heard it from hoyolab user Rattaboy. If you interpret his first and last name together, instead of separately like I did, you would get something like "money river."

In other words, Sampo's name literally means CASH FLOW SKXJMDMDMD

What I really wanted to talk about is his drag alias name, though, Brughel Poisson, because to me that's where it gets really interesting.

So like in the English version, Sampo goes by Brughel Poisson when he's in disguise. Searching for just "Brughel" itself doesn't seem to get you much at first: a Flemish and Dutch Renaissance painter named Pieter Brueghel the Elder, who was famous for his landscapes and peasant scenery, especially Hunters in the Snow and The Blue Cloak.

He's referred to as "the Elder" because he had a son also named Pieter Brueghel (the Younger), and he began a long line of painters, all named Brueghel. Some of them did original work, and many of them created reproductions of the Elder's art to sell. The Elder was also famous as a printmaker. All of this is hilarious when you remember that Sampo is an infamous counterfeiter and has sold a relic called the Parallel Universe Printer JSKZJSMD

There is also something called Brueghel's Syndrome, named after one of Brueghel's paintings called De Gaper, which pictured a man yawning widely. It's a condition that causes the mouth to open and gape uncontrollably, twisting a person's countenance into a distorted mask of their usual face.

Tumblr doesn't have a way of censoring pics like twitter, so for the sake of the medically squeamish, I'm just showing De Gaper here. But if you look up Brueghel's Syndrome, you can find pictures of actual patients, some of whom really do make faces resembling Aha's comedy and tragedy masks!

In the Chinese and Japanese versions, his alias last name is a lot more silly- In those, "Sampo" is phonetically written as "san-bo" and "san-po." And in disguise, his last names are phonetically written as... "Bo-san" and "Po-san." The Chinese version uses different tones, but still. This smug asshole seriously just decided to write his own name backwards and called it a day NDMKXMDMD

In the English version, Poisson itself is kind of a reused Hoyo asset- it's also the name of Navia's fishing village in Genshin Impact. Which is a really silly name for a village, because it literally just means "fish" in French smzjxkdkdk but!

Again, more water imagery. And in English, if something is suspicious, we say that it's "fishy," which is perhaps the most fitting association yet for someone as shady as Sampo ☆

And for a good while I thought that was the only connection. But then. My beloved @hydrachea, who is an actual native French speaker, dropped this on me right after April Fool's Day:

Poisson is literally the word you use to pull an April Fool's prank.

#honkai star rail #sampo koski #brughel poisson #hsr sampo #hsr sampo koski #hsr #I feel like I should note that all the info on the CN/JP versions are things I know secondhand #it was posted in a server where there ARE actual people who can read/speak Chinese and Japanese and no one corrected it-#-so I'm assuming it's at least decently legit. but if it's in any way incorrect I would love to hear from others!#I'm especially interested in CN since it's the original. and I've never heard anything about 'Brughel' in any other languages.#so anyone else with fun tidbits about Sampo's name in LITERALLY ANY LANGUAGE please feel free to reblog/tag/askbox me that shit #I love learning stuff like that it's so fun ♡#fun story in the old myth the sampo was lost in the sea. and in genshin impact the village Poisson was flooded by the sea.#not only that but Brueghel's last painting- which was unfinished due to his early death- was titled The Storm at Sea.#something something foreshadowing-

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nyaskitten · 4 months

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EDIT: THIS POST IS INACCURATE !!!

I made the assumption Olive was editing the wiki articles, and while that's a very logical conclusion to reach, it was actually someone who shares the same viewpoints as them!!! Anything including the wiki articles and Olive's involvement is wrong and that's my bad!!!

Alright fellas, I guess we did it. We have reached the tipping point. I'm going to dedicate this post to calling out one specific person, @olivescales3, and their very toxic behavior. This post will be a bit messy, and I do apologize in advance, I'm writing this from the perspective of a Ninjago fan who also thinks beyond just the petty fandom stuff, what they're doing is just not cool.

I will clarify, I do not make this post for petty fandom drama, I make this to better spread awareness on some of the bullshit they're doing, so you can look out for and understand that they're bullshitting. Without further ado, I think we should just get into it.

So, what have they done?

Now, I should say while there is no 100000% concrete link between hyenabro and olivescales, I think based on their talking points (as well and the information I've recieved from friends in the Chima fandom, who have a bunch of prior experience with them,) it's safe to make this assumption!

So, what has olivescales DONE in this case? Simple, they've vandalized the Chima wiki on NUMEROUS occasions, even after several different people have revised their revisions, so as to discredit any conenctions between Dragons Rising and Chima.

(Green is their edits, red is the ones prior to theirs, I found this while going through their contributions section on their Fandom account, HyenaBro119)

As seen here, they have (under the username HyenaBro119) edited the pages for Chima AND the Forever Rock (I have two similar screenshots of essentially the same thing, one was from the Forever Rock article, the other was from Chima) and claimed Ninjago's lore to be some alternate universe. To further validate it, they write "Ras' visit to," but Ras NEVER claimed to have VISITED these locations, just that he knows them. They also claim the Forever Rock was destroyed, a blatant lie. Only a small section of rock on the Forever Rock was actually destroyed, not the whole thing.

Now, you're gonna ask "but Raine, how can you 100000% say it's them?" and I will cite common sense. While I cannot directly tie Olive to hyena, I CAN say their wording is SO very similar.

Both Hyena and Olive call DR "a parallel/alternate universe," and again, claim Forever Rock was destroyed, WHICH IS A FULL ON LIE. They're so adamant to protect "the sanctity of Chima's pre-established, set-in-stone lore" that they can't stop to think maybe, JUST MAYBE, sometimes a story can get new lore which can ALSO be canon!

I'd also love to share this HILARIOUS screenshot of one of their many posts, which not only backs up what I'm saying, but it's like damn they really set themself up huh!

Gee I wonder why you feel alone! Maybe it's because you are! Maybe it's because you're lying and making shit up to prove yourself right! No one is as big of a hater as you!

The also LOVE saying Ninjago cannot do anything with Chima unless they get express permission from the creator of Chima, some guy named John Derevlany, but oh man what's this I see before me?

CO-CREATOR? Oh but Olive, I thought he was the CREATOR of Chima, not CO-creator... ALSO Lego owns the rights to Chima, and Ninjago, and every other theme, as said by Doc himself! If anything he wasn't really dodging the question, just giving a vague answer, because he doesn't know much about the old contracts!

From what he said, it's clear that if they wanted to use anything from the other themes, they'd have to consult folks over at LEGO, not John Derevlany or Tommy A.!

Now here's the THING, I GET where they're coming from, it CAN be annoying to have people only care about a thing you like in relation to something else, but when you're going out of your way to argue that none of it can be canon and it's all an alternate universe it's like... god it's so sad and pathetic really.

Their lies and BS don't even end there with the wiki shit, because I have THIS glorious gem.

A) They bring up that the Ninjago folk do not know who the Phoenixes are which is like, okay??? Why the fuck are they gonna know about how another universe was created??? That's like if someone told me I don't exist in the same universe as my glasses because I have no clue who made them, that is to say, that's stupid as FUCK to say!

B) OH they say something REAAALLL funny ohohohho I am actually dying. Olive says the Phoenix icon "appeared in a Ninjago episode" and "Ninjago tends to reuse assets." Yep, NINJAGO is the one who reused the phoenix symbol, mhm. The symbol that was made in 2011 for NINJAGO, which cameoed in CHIMA in 2014, was actually just an asset reuse by Ninjago. I feel like this actually goes to show how desparate they are to feel right and validated, because this? This a lie! Ninjago made the symbol, and because Tommy A. is co-creator to both, he wanted to slip in a neat Ninjago reference, so he slipped in the Phoenix symbol Nya uses for the Phoenix tribe, not the other way around!

Another REALLY funny thing they did, aside from the wiki and Phoenix symbol shit, was this hilarious attempt at being right!

Yes, the compared the WOLF Masks to BATman's cowl, and did a horribly rough comparison illustration that very much does not make sense. If you actually compared them side by side, the only similarities would be they're both angry animal themed mask with pointy ears, which does NOT go very far in the long run. The foreheads they drew aren't even the same fucking shape lol.

OH ANS WE CANNOT FORGET THIS ONE! Their using a post about the Palestinian genocide and boycotting Lego in order to complain about Ninjago.

They claim Ninjago is produced by Lego, unlike other Lego shows, which is an EXTREMELY bullshit fucking claim. Just like Chima and Nexo Knights, Ninjago is produced by Lego, it's not JUST Ninjago produced by Lego, they are all Canadian-Danish CGI action shows, and they're all known to have Tommy Andreasen involved in the creation of them.

They're using a post about boycotting for the sake of innocent people DYING to complain about a lego ninja show for... killing evil people? It doesn't glorify war, the worst it does in regards to war is like not address how fucked up it can be in regards to the Serpentine War, but that's like it. I think it's so funny they want to single out Ninjago as if it's the only TV series where villains die for trying to conquer/destroy the world.

So, what do I want the takeaway from this post to be? What do I want you to get from it? I don't really know anymore, I just don't want Olive's horrendously toxic behaviors, and straight up lies to stop. If anything I think it's beautiful that Ninjago is making others interested in revisiting Chima again, stop being such a fucking hater dude. They act like Chima is some holy grail of Lego, the greatest thing since bread, but it, just like Ninjago, Dreamzzz, Hidden Side, and Nexo Knights, have Tommy in creative roles.

To act like Chima is somehow greater than is to place it on an unrealistic pedestal as if it's a godsend, when in reality it was co-created by Tommy Fucking Andreasen.

If you read through all of this, I do THOROUGHLY appreciate it, I didn't mean for this post to descend into an angry ramble but ehhh yk how it is. And Olive, if you see this, please, just stop with the bullshit.

#ninjago #lego ninjago #ninjago dragons rising #lego ninjago dragons rising #lego chima #lego legends of chima #chima #legends of chima #callout post #long post #edited all 'she' for 'they' here !!

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hwanchaesong · 2 months

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Enhypen: Tropes & Parallels

Synopsis: Love portrayed in different kinds of ways and worlds.

🥀 Heeseung: Sanctuary (Love Epiphany)

genre: angst, smut, fluff

"Will you believe me if I told you that you're my whole sky? Dazzling like the orange sun, prettier than the sinking sunset over the glistening cerulean sea. You are my calm during the night. Will you believe me if I said that from the start to finish, you're the one I've prayed for?"

Preview

🌌 Jay: Chatoyant (Soulmate)

genre: angst, fluff, smut

"Every waking day, I asked the sun to look after your well being. Every sleepless night, I wished for the moon to let you be safe. I implored the whole universe to guide you back to me. Here, in my arms. So I could marry you like I always promised. So you could love me like how I deserve it."

Preview

🪐Jake: Idyllic (Mutual Pining)

genre: fluff, angst, smut

"How many times do I stumble down this dead end? How many times should I meet all these wrong people just to meet the right, destined one? Tell me, how long should I tolerate more of this suffering? When will I be able to leave this hell hole? When the sweet happiness finally has turned into an ugly resentment?"

Preview

❄️ Sunghoon: Quintessence (Forbidden Love)

genre: angst, smut, fluff

"Do my words mean nothing to you unless they are on an old paper, written metaphorically? Are any of my sentences and paragraphs trash just because they don't rhyme poetically? Then, what if we let the stars align tonight, by chance, by fate, by destinies and against all odds, will you allow me to enter your life?"

Preview

🤍 Sunoo: Labyrinth (Unexpected Love)

genre: fluff, angst, suggestive

"These pretty faces won't be the reason why I'll let myself fall in love again. I will not accept someone who brings an unreasonably expensive bouquet only during special occasions. I can't make any promises anymore, not in a tranquil and joyful way. Please forgive me, because if I open my heart again, I don't think I will be ready for it to bleed until I die."

Preview

🍀 Jungwon: Ephemeral (Second Chances)

genre: angst, fluff, suggestive

"Were your feelings truly genuine or you just weren't patient enough? Did you really love me or were you in love with the thought of having someone kiss you during your darkest nights, or having someone hold you during your coldest days? The chances that weren't given to you, you only chose me for that, right? Successfully distracting your heart that wasn't meant to take a risk."

Preview

Read here

🪷 Riki: Paradox (Enemies to Lovers)

genre: angst, fluff, suggestive

"No, not once did I question the moment where I felt like drowning when you decided to walk the other way, turning your back on me. Surprise was the last emotion I felt when someone took my spot once I'm out of the picture. The only thing that is wrong here is me. I made the mistake of asking you the truth, then choosing to believe the untrue."

Preview

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a/n: again, another one that's in my drafts for so long, i had to post this and add to the masterlist ig. feel free to message, send an ask, or comment under this post if you want to be added to the taglist :3

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pencileraser1 · 3 months

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things i noticed/thoughts about most recent rewatches of dps (plus laserdisk deleted scenes):

whenever theres a group scene i've started watching the characters that the story isn't focusing on to see what they do and i've been having a fun time with that. pitts and cameron specifically seem to almost always be doing something interesting in the background.

hopkins!!!! my favorite minor character who somehow got character development despite having like 2 lines!!!! the last guy to stand on the desk but he did it!!!

sometimes i do like to think about what the rest of the students thought about the dead poets society, esp in alternate timeline neil lives dps keeps meeting universe. like yeah theres this guy in their class whose one of the most credited students in the school and we think he maybe started a cult. idk though. but that group runs out into the woods every few days to do god knows what and one of them keeps talking about "dead poets honor" whatever that means and holy shit welton star student neil perry started a cult.

i watched the movie with headphones. and maybe it's because ive seen this movie Far too many times and mabe i'm listening too hard but it was Really obvious sometimes when audio was added in post production. llke in the sweaty toothed madman scene when you can hear laughing and to be fair the camera is behind their heads. but it does Not look like anyone's laughing. my favorite is at the end of the phone call to chris scene where knox is like i'm gonna seize the day!! and runs up the stairs and the poets are cheering him on and neil is sort of yelling "carpe!!!!" and i could be wrong but i'm like 75% certain that the person singing is Also rsl so now neil is just speaking two times at once somehow. anyways it didn't ruin the experience for me or anything it was maybe just a little bit funny to notice but very sorry if this did ruin anyone's viewing.

people talk a lot about how rsl and ethan hawke really made their characters what they are but i have to add dylan kussman to that list. I get the impression that older versions of the movie didn't really give as much depth to cameron and watching dylan kussmans performance is like. he Knew who his character was so fucking well and it shows!! like the deleted scene of them getting clubs assigned. like i could tell So Much about cameron from that scene

for how little she actually appeared, there is an emphasis put on the fact that neil's mom smokes pretty frequently. and i think that's interesting considering neil is one of two poets shown actively smoking. neil's mom doesn't appear for very long in the movie but during that time it definitely seems like the movie is intentionally making parallels between the two, particularly in the last argument with neil's father. neil and his mother are both sitting for almost the whole time, which contrasts with his father who is standing. they are both almost powerless in this scene. they stand up at almost the same time. anyways there's a couple different possibilities for what this could mean? that i've though of? 1. to show that neil's mother is in a similar situation to the one neil is in in regards to neil's father and 2. maybe a stretch here but the theory that neil inherited his mental illness at least partially from his mother. i'm pretty sure 1 was fully intentional on the directors part, not entirely sure about 2 though

unmanned flying desket scene: it's probably cause he and ethan wrote the scene themselves but the way rsl talks in this scene feels more like the way he talks in general than the rest of the script. like briefly neil perry is talking in rsl's voice. one of my absolute favorite scenes though the sarcastic dialogue is so good.

the light of knowledge at the first shot of the film vs. todd standing on his desk at the last shot of the film paralel

#there was a whole additional part of this post that was about knox and charlies relationship with their parents #but it ended up being half of what i wrote here and i still had more to add so i'm making that a separate post #that should be posted in a few days i'm not a fast writer #neil perry #richard cameron #gerard pitts #todd anderson #dead poets society #dps #hopefully coherent

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weirdly-specific-but-ok · 4 months

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the bafta livestream out of context: top 60 cursed quotes.

There is nothing more cursed than the livestream I just witnessed, and I made a summary post but now I'm just going to put in quotes by the worthy maggots in the stream with no context, because BELIEVE ME THE CONTEXT DIDN'T MAKE ANYTHING BETTER. The livestream chat was NOT A PLACE OF THE LORD.

I'm going to make the quotes that were by me a different colour. Please know that I am NOT RESPONSIBLE FOR A SINGLE QUOTE OTHER THAN THOSE. SO HERE'S THE TOP 60 IN NO PARTICULAR ORDER:

Barbenhimer awakened things in me ok

aroace people the most disturbingly sexual talkers on the planet fight me on this

WHO JUST GASPED

MICHAEL SHEENS BABY TALKING BARK BADK IM A DOG BARK WOOF

I feel so sorry for this woman. She's being so heartfelt and we're here thristing over a slinky that possessed a man

IRELAAAND PLEASE ADOPT ME AS YOUR OWN PLEASE TAKE ME TO THE LAND OF UNPRONOUNCABLE WORDS, GREEN FEILD, CATHOLISISM AND HOZIER PLEASE

the urge to go to france and misgender a croissant is real

Devastated the slutty knees have gone away

So many men nowadays are so submissive and breedable like thank you lord for these men thank you

witches and murder slime tutorial

speaking of royals did the bloke who ISN'T lizzy's husband but her son apparently die yet

Turtleneck Crowley is my gender.

WE COULD HAVE LEFT IT AS NOT SAFE FOR WORK WHY THE DRTAOLS ASMI

SAY AN BFUIL CEAD AGAM DUL GO DTÍ AN LEITHREAS AN WE'LL LET YOU THROUGJ

"Oompa loompa doopety dee, I really hated being in this movie" -Hugh grant probably

IF YOU'RE A CHILD AVERT YOUR EYES FROM THAT MESSAGE IM SORRY

i want the kilt back this a betrayal

if someone put me in a room with kilt!david tennant one of us is walking out of that room pregnant and its not gonna be me

a lot of these words are in the bible and none of them should be in that order you need jesus

Can we vote to make david wear that kilt back? Maybe make him do a twirl this time

You mean Bildaddy? 😏

Honey what make you think a dude who roamed around with prostitutes and got himself more holes for mankind won't be calling bildad bildaddy? [this was about jesus btw.]

FREE THE KNEE

Show us the knees!

AND YOU'RE COMING AFTER ME FOR MY BLOWJOB BANANA

He looks like those fancy chocolates. Imma take a bite outta him. Think you'll leak molten goo like them?

My brain isn't working, I read "bratty couch jr"

i'm sorry the what holes

FIND ME ON GOAD AND I WILL MAKE YOU PAY APPROPRIATELY

I genuinely thought it was a road typo and I thought you were threatening asmi with physical violence on the road

OHH FLOWER OF SCOTLAAAAAAND

Combine that with the unfortunate oranges and see what happens.

DEVASTATING NEWS I ATE UP ALL OF THEM SO I'VE BROUGHT A BLOWJOB BANANA INSTEAD

That reminded me of the army video where the guy was deepthroating a 7 inch banana without a hitch.

OMG THEY JUST FLASHED BACK & I GOT A GLIMPSE OF THAT KILT 🥵🥵🥵

thats why apollo had to deliver you at an illegal sushi restaurant

How long do you think it would take to get david naked from his chocolate man suit? Can we set a new speedrun category?

SUPERBOWL FOR TENNANTISTS

Big feelings about pants straps in the chat tonight

Last time i check yoire supposed to thank the lord gor his gifts

HEY GUYS ASMI'S FROM A PARALLEL UNIVERSE CONFIRMED

I just have a deep appreciation for ireland

Can you use suspenders as bondage gear? I mean it looks like it would be fine? I mean if you make the length a bit more they might be more comfortable than ropes. Just sayin

All i can think when i see him in the costume is the one specific ken and oppenhimer slash fic. Lord help me i can't be saved

GIVE MY LOVE TO THE LEPRECHAAAAAAAAAAAUNSSSSSSSSSSSSSSSSSSSSSSSS

Like a giant orange slice on her one arm.

Stop hitting the lectern geez / what if its into that?

Men who wear suspenders are such losers like why do you need so much cloth to keep your pants up. Why dont you just wear a belt. Where do you live. What is your timezone. What are you office hours

what is this suspender shaming ari chappal for you

Aziraphales office hours are: fuck off

Put me ina room with a suspender wearing man and he shall have the same fate as kilttennant

MARIYADAM E ILLAI

It was titled "snake in my b***" It meant butt lmfao

CROWLEY AND LOKI MY GENDERFLUID ICONS

THE KNEES ARE BACK

THEKNEES GOD SAVE ME FROM THESE SINFUL THOUGHTS

What if slutshaming is my kink?

NOT THE BLOWJOB FACE NO

AT THIS POINT IF NEIL HASN'T UNFOLLOWED ME YET HE'S ASKING TO BE MENTALLY SCARRED IM SORRY

I am failing

Tagging the main culprits whose tumblr handles I know:

@thearoacemess @vitrilol @queermarzipan @good-usernames-were-taken

Cheers, maggots.

#good omens mascot #weirdly specific but ok #asmi #good omens #maggots #good omens fandom #crowley #bafta awards #bafta 2024 #bafta #suspenders #discord livestream #david tennant #michael sheen #barbenheimer #oppenheimer

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effortandmore · 11 months

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the sleeping hours | knj x f!reader

summary: namjoon thinks there must be infinite versions of the universe, and in every one he’s known, he’s meant to love you.

pairing: namjoon x f!reader

rating: explicit (18+ please)

genre: fluff, smut, angst

au: okay. so this is canon-compliant but also maybe a little bit of a time-travel/multiverse au

warnings/tags: here we go... time travel (kind of), discussions of war, descriptions of famine, talks of anarchy/revolution, descriptions of ww2 germany and nazis, minor character death (not a tannie), implied gun violence, the japanese occupation of korea, sex worker!namjoon, soldier!namjoon, architect!namjoon, idol!namjoon, spy!reader, namjoon has a big dick (ofc), mentions of blood... smut, including: biting, unprotected sex, sex work (this is not the unprotected sex), oral sex (f!receiving), a little bit of cumplay... idk i think that's all but honestly it's not as weird as it sounds i promise

word count: ~12k

a/n: i have wanted to write a songfic for "here i dreamt i was an architect" by the decemberists for... years now. and with my three month vacation from work, i've finally done it! listening to the song will help this make more sense, but essentially there are three verses, and they start like this: "here i dreamt i was a soldier," "here i dreamt i was an architect," & "and in spain i was a spaniard." so, i thought it would be fun to turn that into a story about namjoon and reader across all these different universes. my research for this fic was completely unhinged, and i'm sure i still got some things wrong. if you need translations for any of the dutch, german, or spanish in this, lmk but i think it's pretty readable given context. i hope you like it, but even if you don't, i'm glad i wrote it. thank you so so so much to @ugh-yoongi who assured me this was not too unhinged for the locals—ily and i appreciate you

read on ao3

Namjoon always tells people he doesn’t have dreams, but it’s a lie… Sort of.

If these are dreams, he doesn’t know how billions of people aren’t talking about them like they’re magical experiences, can’t fathom why so many people still don’t believe in multiverse theory.

Lying about it seems infinitely easier than trying to explain it to people. His “dreams,” if that’s what they are, seem so real. He can smell the scents, he can feel the rain and the blood and the orgasm that courses through him when he inevitably, in every single one, finds a version of you. When he wakes up, he can feel the phantom pain, feels like his skin’s just barely dried out from a shower, feels loose and lazy with the pleasure he’d felt while he was asleep.

So, he says he doesn’t dream, because he’s halfway convinced they’re actually happening, and he has absolutely no clue how to explain that to anyone. He thinks there must be infinite versions of the universe, infinite versions of him. At first, he thought maybe it was a past-lives sort of thing, but he’s lived parallel paths on different parts of the planet during the same time frames. Or, he’s dreamt that he has, anyway… maybe they’re dreams. Maybe not. What he’s sure of, though, is that you must be out there in the universe he lives in—you must exist outside of this near fugue state where he always finds you. If you’re on the streets of Germany during the war, if you’re in Andalucia dancing the flamenco and catching his eye on every twirl… If you’re fleeing with him to Jeju as more and more Japanese soldiers encircle your small farm town… If you’re all of those places, he knows you must be here, too.

There must be infinite versions of the universe, and in every one he’s known, he’s meant to love you.

Every dream is different, but the love he feels for you? It’s always the same, and it goes like this:

Birkenau, Germany — April, 1942

He comes to, and he’s lying in a cot. It’s dark. It would be pitch black, except there’s a crack of light on the floor that’s muted and warm-looking even though the air around him still carries a bit of leftover winter chill. Somehow, he knows there’s a coal shortage this spring because of the war. There’s an everything shortage, really. No coal, no clothes, no food… He can’t think of a time he’d eaten anything but potatoes in days… Namjoon can’t think of anything, really. It’s strange, his memories feel dull, rounded around the edges and blurred out, everything just slightly out of reach. Maybe it’s lack of sleep, maybe it’s hypothermia (he’s a little dramatic), maybe it’s hunger; he doesn’t know. Doesn’t want to know, because there’s not much to be done about whatever it is. Knowing the future doesn’t always mean you can change it, he thinks, rubbing the sleep from his eyes.

The clothes he is wearing are stiff—they make it hard for him to bend his elbow to reach his own face. There’s a worn crease in his right sleeve from saluting, dirt that will never scrub out on his lapels… his badges and patches do a poor job of covering the wear and tear. Although his brain isn’t fully awake, the thoughts still cloudy, two are clear: he is ready for this war to be over and he is terrified that he is a little in love with the woman lying next to him.

If someone asked him how he got here, to Birkenau, Germany in the middle of the spring in 1942, he couldn’t tell them (a consequence of for some reason not remembering anything concrete prior to this week at the moment—just feelings and sensations and language and you). He feels as if he doesn’t belong at all and at the same time, as if he’s always existed right here.

He teases you awake slowly. Whispers sweet nothings to you in a language he finds himself surprisingly fluent in—it’s not his native one. He doesn’t know if it’s yours, either, but he knows you like hearing his voice. Remembers how you ask him to tell you stories of his home, how you hum softly along with the folk songs he sings to you when he thinks you’re almost asleep in his arms. He knows he likes the noises you make as you start to come to, knows you need a soft re-entry into wakefulness or else you’re a little off for the rest of the day.

You’d both fallen asleep after what some people would call lunch, although the persistent pit in Namjoon’s stomach would argue that. It’s hard to have energy when you can’t really eat, so the two of you do your best to conserve it.

Tonight, though, tonight he wants to be special. The carnival is in Birkenau this week, maybe longer, but he won’t know. He’ll leave soon, onto the next base, the next battle. It’s a miracle he’s able to go tonight, being a foreign soldier here is dangerous and the demands on him are high. He wears his uniform while he sleeps to stay warm, but doesn’t dare wear it in this town outside of this private and safe space that you’ve carved out for him. It’s been going on for a while, this sneaking away to be with you. There’s another soldier, Seokjin, on his base, who always covers for him. Namjoon doesn’t know how, it’s one of the fuzzy things he can’t figure out. Regardless, he’s here with you now and he knows he’s always grateful to his fellow soldier. And here, he’s someone different. He’s not Namjoon the soldier, he’s Namjoon who loves you, who will give up almost anything to be with you.

Except the one thing you ask him to.

He may be grateful to escape for a while, but he is duty-bound—loyal to his country, to the cause. He is, above everything, a soldier, and that cannot change. The Remington on the cheap bedside table is his best friend, and a reminder that this between you is dangerous, that it has a time limit.

And you? You have to leave, too. He knows it, you know it. It’s not safe for you here, probably just as dangerous as it is for him.

You don’t wear a uniform, you don’t carry a gun (often), but you move under the cover of the night and you deal in secrets you’re not supposed to know. The work you do is just as important as his—sometimes he thinks it’s probably even moreso. He admires you, adores you, thinks you’re brave and beautiful and brilliant. Maybe he thinks some of those things because of how dangerous you are, because of the risks you’re willing to take. Being with him, hiding him here with you is a big one.

Beside him, you stir. Your voice is a melody, always lilting, tumbling from one word to the next. “Love you, Namjoon. What time is it, baby?” Later, he won’t know why he never thinks it’s strange that you weave words across several languages. Maybe that’s just how all spies are; and that’s what you are, at the core of it, isn’t it?

“Is it time?” you ask into the darkness.

“Yes. I need to change and then we can go.”

“Do you think we’ll find something to eat there?”

Namjoon smiles even though you can’t see him in the dark. “We will. Sausages and sauerkraut, I’m sure.” He waits for you to make the gagging sound he knows you’re about to.

You do. “I hate German food,” you complain. “Can’t wait to get out of here once and for all.”

“They’ll have schnitzel,” he says, trying to make you laugh.

“Germans and their pork,” you say dismissively, “swine for swine.”

“They’re not all bad.” He means it, but it sounds a little weak when he says it. It’s hard to see the forest for the trees, sometimes. Doesn’t help that the both of you see the worst of people… that the both of you sometimes are the worst of people.

“Hmm…” you hum, he knows you agree with him. “I know, I'm sorry. I’m just tired. And don’t want to leave you.”

“I know.”

“You could come with me. Run away with me, Namjoonie.”

When you say it, he almost believes it could work. Knows it wouldn’t, knows you’d both end up dead or worse, knows he could never go home, never see his mother again. Knows it would break his heart to bear witness to the secrets you have to keep, to the lives you take.

He never responds, just lumbers off of the cot and strips his uniform off, trades it for the street clothes you keep here for him. They’re ill-fitting, cheap and scratchy. He loves them because they smell like you, smell like the soap you carry with you from France—lavender from Provence—the one luxury you allow yourself.

The two of you walk hand in hand through back alleys and quaint cobblestoned neighborhoods, making your way to the carnival. He hears the barkers getting louder the closer you get, promising fun and winnings and love and only happy fortunes told. In reality, there are no happy fortunes here, and you both know that. But Namjoon’s happy to give into the fantasy of it all, just for tonight. Just to see you smile. He’d do anything to see you smile. Except…

“Win me a prize,” you coo sweetly. It’s futile, since you never take anything with you, and later tonight (or very early in the morning), you will leave Birkenau for good—a mission needs completing, and dead or alive, you won’t be back here again.

“Whatever you want, jagiya.”

You bounce on your heels in excitement and drag him to a booth, one offering cheap stuffed birds. There are swans, peacocks, parrots, ducks… He doesn’t know what you’re drawn by, but he’ll knock over as many milk jugs as he has to get you what you want.

“My strong soldier,” you whisper in his ear after he knocks the top three over. It makes him grin, makes him show you his dimples. He loves you so much, loves how you tease and bait him with your words—then with your body in the privacy of your hideaway. Loves your confidence and your unwavering belief. Loves your conviction. “You can do it, Namjoon.”

He does.

The final three jugs topple off the ledge. With you by his side, he thinks he can do anything. He knows he can.

“Wähle eins,” the barker shouts at him, Dutch accent thick in his German.

“De pauw,” you answer immediately in his native tongue, pointing to the top shelf.

The man pulls one of the blue birds down and hands it to you with a smile. You can charm anyone, Namjoon thinks. A skill you’ve honed doing the work you do, he supposes. “Voor de dame,” the huckster says with a bow and a flourish of his hand.

You giggle as you take it. Namjoon’s enamored with you.

As the two of you wander (you clutching the peacock tightly under your arm), he watches as you make friends with a fortune teller and charm free pieces of chicken schnitzel from a mustached French man. Your greatest feat is sneaking the two of you onto the ferris wheel. Namjoon’s in awe of how you move—though sleight of hand is usually what he catches you at, you’re not as skilled a pickpocket as you are a liar—how you can weave in and out of a crowd unnoticed, how you can blend in with any surrounding, any language, any group… It’s a skill he wishes he possessed, too. He’s too large, a little lumbering, a little awkward in his long limbs made to feel longer as he loses muscle to months of being malnourished. But somehow, you make him nimble, you make him invisible to everyone but you. He wants to chase that feeling forever, wants to bottle it up and uncork it again when you’re gone, when he’s so desperate with the want of you that he’s got no other solace.

Bellies unusually full, legs tired, and peacock secured, he leads you back to your basement apartment. He pulls you along to follow a different path to return than the one you took there—a trick he’s learned from you. Don’t give people the opportunity to see your face twice.

It’s still dark, and you have no electricity, no oil for your lamps, so Namjoon makes love to you by memory.

He feels so foggy, but this he knows how to do, like he’s done it a million times and will do it a million more until you and he become different versions of the same thing. Maybe you already are.

Slowly, using time you don’t have, he undresses you. He’s careful with the buttons of your blouse after he slides your cardigan off of your shoulders. Takes time to press his nose into the skin of your neck once it’s exposed, to try and remember the way that you smell, that lavender soap and the iron of the hard bathwater and the danger that rolls off of you in waves.

When he lets his arms drop from your body, you walk backward toward the cot, unlacing your skirt as you go. Namjoon can’t see you well, but he hears the sounds of the cotton strings being pulled through the gussets, the soft swoosh of it hitting the floor when you shimmy out of it.

“Come here, Namjoonie,” you whisper. He would, even if you didn’t ask. Wouldn’t be able to help himself. Always pulled to you like a magnet.

“Yes, jagiya,” he breathes, now trembling fingers removing his own clothes as he moves. When he finally can feel your skin under his hand, he’s fully undressed, thinks you are, too. Lets his fingertips explore your limbs just to confirm.

You straddle him on the cot, press your thumbs into the meat of his thighs and tell him he’s brave, powerful, that you’re so lucky he’s chosen you. But he knows it wasn’t a choice. Can’t explain it, but he’s always existed for you, would always find you. Couldn’t choose anyone else if he wanted to.

He doesn’t.

The way you kiss him feels like forever, but he knows better. Chases something deeper and messier as his heart rate rises. Knows you don’t have time to draw it out, knows he won’t be able to be as gentle with you as you deserve. No one’s ever gentle with you, is what you always tell him. People who know you know how dangerous you are and they treat you accordingly. Except Namjoon. Namjoon who reveres you and knows you and he are cut from the same cloth—the one where you need to fight for what’s right at any cost. It doesn’t make you dangerous to people who don’t deserve the battle scars you dole out, he thinks. It makes you a hero. To him, you are a lionheart.

Your palms press into his chest above his own heart and you sink onto his length. Every time you’ve been together seems to bleed together for him, but he knows you know exactly how to move to bring him bliss, knows you feel like the god who seems to have abandoned you made the two of you for one another.

It’s a risk, but he reaches up to pull the thick curtain back just a few millimeters. Wants the sliver of light to illuminate the tendons in your neck with your head thrown back as you ride him. Wants to see the peaks of your nipples, the smooth skin over your ribcage, the mole you have right on the plateau of your collarbone. Wants to let his eyes roll back in his skull, that’s how good you feel, but can’t let himself pull his attention from your body.

“Come here,” he says quietly, wraps his spindly arms around you and pulls you down so your chest is flush with his. “Be with me,” he almost begs, “look at me, love.”

Your hands cup his face, and his guide your hips on top of his.

“I want to feel like this forever,” he thinks he hears you say, and Namjoon can see a tear dripping down your cheek before you lean in to press your lips to his. He licks at your mouth, gets you to open for him, plays melodies along your tongue with his.

He thinks they’re love songs.

He hopes you know.

You’re all tight heat around him, and your nipples brush his chest in time with his tongue brushing yours. Your lavender scent is a balm, your tears drip onto his cheeks from above, and your breaths come shallow and labored as he fucks into you.

“I think I’ll love you forever,” he says.

“Mijn schat...” You whisper, brushing your thumb across his cheekbone and smiling the sad kind of smile. Quietly, you tell him that you want to feel him, beg him to move.

He knows he shouldn’t, but he doesn’t stop. Thrusts into you, lets the sound of his skin against yours get louder and filthier. He knows he should stop. Can’t make himself. “Are you sure?” he asks, but it’s probably too late.

You’re nodding anyway, letting out a sweet little moan when his fingers find your clit and he comes, deep inside of you. Feels like a claim he shouldn’t be making. Gets one back from you just moments later when you squeeze around his softening cock, shuddering with your release above him.

Against his chest, you breathe, and he waits for the moment when your inhales align with his. It’s going to be the last time you share the same air, he thinks.

Your work tonight will be messy. He doesn’t ask what that means, thinks he already knows. Eyes the Remington in his periphery and you give him a tight-lipped confirmation. Yes, you have things you have to do. Yes, they’re worth sacrificing your life if you have to.

Namjoon spends a lot of time wondering about the balance between sacrifice and selfishness.

Never seems to decide where he sits on the spectrum.

Lithe like you are, he should barely feel it when you climb off of him, but it’s a crushing weight. Feels like his heart might be melting, like his lungs can’t expand anymore.

Once you’re dressed—in clothes he’s never seen before, those usually given to people of a different gender, maybe a different time—he watches you toss your skirt into the hearth first, then the clothes you’ve been lending him for your trysts. He watches you find the smallest vial of kerosene and some tinder you’d been collecting and add those, too. It’s as if he can see you in your full vibrancy now: focused on the mission, focused on destroying the you that has existed in this space, the him that has loved you.

The fire burns more brightly than he could have imagined after all the time you’ve spent together in the dark. It allows him to see the hope in your eyes when you lean down to kiss him one last time. Allows him to see the tears you no longer let fall when you hand him the peacock, press it close to him so he can hold it like a child.

“Why the peacock?” he asks when you turn to leave. It’s the only question he can think of that he suspects you’ll give him an answer to.

“Immortality, Joonie. You know, the Greeks thought the flesh of the peacock would never decay? Perfect and enduring even in death.”

“Are you the peacock or am I?”

“I guess we’ll find out,” you say as you heave open the door.

He shudders with the cold gust and wishes he knew what to say. Wishes he could choose you over his gun. Wishes you would choose him over yours.

“Until next time, Joonbug,” you say against the wind.

You pull the door hard behind you, and when it punches shut, Namjoon is startled out of his dream.

Seoul, South Korea — Present Day

“You gotta stop falling asleep in here, hyung.” Jeongguk’s voice is almost drowned out by Seokjin’s laugh.

“I covered for you at the last meeting, told them you were chasing down an idea… don’t interrupt a genius… creative flow… you know.”

Namjoon rubs his eyes and sits up. Of course he’s not in Germany during World War two. Of course he’s in his studio in Gangnam, and apparently he’s slept through a meeting.

He hates these dreams because he feels so thrown off when he wakes up. The pain of losing you always sticks with him for a while afterwards, makes his whole world tilt about one degree. Not enough to change anyone but him, but more than enough to notice.

He loves the dreams because he gets to be with you—tries not to let that thought be concerning.

“What’s that smell?” he asks, still half asleep.

“What smell?”

“Mmm… you know, the lavender smell.”

“Hyung, are you having a stroke?”

“I think people who have strokes smell toast,” Jin says.

“Nevermind,” Namjoon sighs as he gets off the couch. “Thanks for covering for me, hyung.”

“You owe me now.”

“Sure, yeah. Of course.” Agreeing is always easier than arguing with Jin.

Namjoon’s awake enough now to notice the looks that Jeongguk and Seokjin are passing between each other. He knows they know something’s going on with him, sees how they adjust the ways they move around him after these dreams, when he’s out of sorts and halfway out of commission for a half a day or so. It’s not just them, either. Jimin has tried to talk to him about it, but didn’t get very far. Hoseok knows Namjoon’s had a few bad dreams, but that’s the extent of it.

It’s not that he doesn’t want to tell them, it’s more that he doesn’t know how to explain it without sounding like he’s completely batshit. Doesn’t know how to tell them that he knows you’re real, that he believes in you the same way he believes in the existence of his sister or his best friend, Heeyoung. It’s part of the problem, really. Because every time he has one of these dreams, he finds himself actually looking for you. In real life. In Seoul. In every city they have a show in. Thought he saw you once in Switzerland, but was too afraid to get close enough to know for sure… Still isn’t sure if he regrets that or not.

It really messes with him when he’s in a city that he’s dreamed you in. Once, in Sevilla, he was too fucked up about it to even leave the hotel room. Tried to explain to one of the managers that something bad had happened last time he was there, but it got complicated when Namjoon couldn’t explain when exactly that was.

“What’s on your mind, Namjoonie?” Seokjin’s tone is gentler now, cautious.

“Spain.”

Another look of concern between Jeongguk and their hyung.

“Do you want to talk about it?” Jeongguk asks softly. “Sometimes it helps to talk about things—you taught me that.”

He can’t help but smile at that. Caught in his own words. And he’s so tired of this, so tired of feeling like no one will understand… he’s tempted. To be honest, he could probably talk about it with Taehyung. Maybe that’s what he should do, he thinks. Tae would listen, wouldn’t judge him. But maybe Jeongguk and Seokjin wouldn’t either. Namjoon has assuredly done more questionable things than possibly believe in a ghost. Or whatever you are.

He sits back down on the couch. “I’ve been having these weird dreams,” he says.

“About Spain?” Jeongguk and Seokjin find seats to settle into, too.

“About a girl, mostly.”

“Want to tell us about her? Is she Spanish? Is she someone you know?”

“I’m not sure,” Namjoon admits. “She’s whoever I want her to be, I think.”

Seokjin’s eyebrows almost lift off his face. “Okay, Namjoonie. Why don’t you tell us about these dreams?”

Namjoon nods. “Well, the one I just woke up from, we were in Germany.”

“All of us?” Jeongguk asks.

“No, I don’t think so. Just her and me. I think hyung maybe, too, but I never saw him in the dream.” He gestures to Seokjin.

“But you have these dreams often?”

“Yeah.”

“And one of them was in Spain?”

Namjoon’s not sure what they’ll think of him once he tells them, but maybe he doesn’t have to give everything away, he decides. Maybe he can just tell him about one of the dreams and see what they think.

“Yeah, I can tell you about it if you want.”

Jeongguk nods eagerly and Jin does, too. He supposes he can’t back out now.

“Alright… well, here’s what I remember…”

Andalucia, Spain — Summer, 1913

The heat is relentless.

Namjoon sweats so much under normal conditions—this is borderline torture. If it were up to him, he’d be back in Sevilla with you, content in the small pension you both scrape together rent for every week. It’s shaded by the orange trees surrounding it, feels safe and private and cool, and most importantly, it’s yours.

Ronda is less forgiving. Maybe because he doesn’t know it as well, isn’t sure who might be someone to know and who might just be pretending. He’s done this for long enough that he thinks he has a pretty good sense for it, but he’s still sucked into having his time wasted on occasion. Wouldn’t mind it so much except it’s time spent away from you.

Blas Infante has been yelling on the steps for a while. His throat should be raw, but the adrenaline of agitating the people of Andalucia keeps him fresh, voice ringing clearly through the square. Namjoon has been watching the wealthiest in the crowd drift away, paying attention to where they’re going, making sure he’s got a line on which bars and cafes will be the best to move on to. The time is about right, he thinks. They’ll be a few drinks in and soon the wider crowd will disperse. Wants to make sure he can find a seat at the bar next to someone rich, attractive if possible. If they’re a little desperate that’s even better.

They probably all will be given the way the political winds are shifting in Andalucia.

As he turns from the crowd, he hears Padre de la Patria Andaluza shout, “the moment has come for the privileged to die!” The remaining crowd roars like the lions on their flags, angry and proud. He agrees with them—as long as he gets his money first.

When he slides onto the barstool, he makes sure to order his own drink first. Chilled palo cortado says he’s from around here but maybe a little down on his luck, otherwise, he’d be drinking Fundador.

It’s strange, he knows he grew up poor, but he can’t remember any of the details. It’s as if his whole life before knowing you is completely out of focus. He feels the resentment, though, the frustration of knowing there’s more for the taking if you have the right family, the right education, the right skin color.

But he’s older now and while it’s there, it’s in the background. Because he knows how to get his share, knows now that it’s also for the taking if you have a nice smile, a silver tongue, and a willingness to do whatever it takes to succeed—including changing your definition of success. Including sacrificing the things you believe in the most.

Good thing the only thing Namjoon believes in anymore is you, and you’re willing to stick by his side no matter what.

She’s not anywhere near as attractive to him as you are. She’s round in all the places he likes—soft hips, soft stomach, thick ass, but there’s something with her face. Too drawn, a little gaunt in a way that doesn’t suit her. It’s age maybe, she’s got to be thirty years older than him.

Age is another one of those tricky things that feels a little elusive to him.

He thinks he’s around nineteen and she’s probably fifty. Doesn’t care, really, as long as she’s got pesetas.

She does. A lot of them.

He fucks her slow in a room above the bar and calls her “Princesa” because she asks him to. Because she’ll pay him more if he does, because he knows how women like her work. It’s been quiet between them since he took her upstairs. They don’t talk about her husband, her children… They don’t talk about you.

She shifts a little below him and it almost hurts. He’s not used to sex so dry like this—makes it hard to imagine it’s you beneath him. Digs his thumbs into the flesh at her hips and tries to picture you instead, but her noises aren’t as sweet as yours, her skin isn’t as supple.

At least, he thinks as he thrusts over and over to her guttural cries, he’s doing this for you. For the future the two of you have dreamed of since you were basically kids and he would throw stones at your window after dark to sneak a piece of your attention. He’s fairly certain you almost have enough saved up to escape, to get away from your father and brother who have never once approved of Namjoon. In their eyes, it’s bad enough he’s a foreigner, but then he has the audacity to be poor in addition.

He wants to give you a good life. There’s still a part of him that thinks someday he can give you an honest one, as well. There’s a part of him that hopes he’s not only his mistakes like your father thinks, that he’s capable of so much more than the world has allowed him to give so far. He thinks you see it, too. He’s pretty sure that’s why you stay.

As the work drags on, he realizes he’s made a critical mistake—he didn’t ask her how much she’d had to drink, didn’t think to slip the bartender a note to water it down a bit. Feels like she’s never going to come, and he can’t leave a job undone. God, he just wants to get home to you. Wants to take a lavender-laced bath with you and cleanse himself of this sin and the thousand others he’s committed before it. Wants to start on new ones with you.

The thought of you: in your orange grove, smelling of sun-dried linen and laughing while he chases you… it gives him the will to keep going.

Ironic that his love for you is the reason his cock is buried in someone else.

Eventually, she comes, and he lies and says he does, too. Makes quick work of ridding himself of the condom with his back to her. This isn’t the first time he’s lied. Would he sound like too much of a romantic if he said he’s only ever had an orgasm with you?

For tonight, his patron seems satisfied, romanticism or not. She asks to see him again the following week and he tells her all about how he’d love to, but he just doesn’t have the money, see? So, if she wants to see him, it wouldn’t be possible unless…

She’s more generous than he’s expected. What she gives him to come back to Ronda will pay for a month of your pension. He shoves it in his pockets and tells her he’s going to get them another bottle of sherry from the bar.

When he slinks out into the finally cool night air, all he feels is relief. He’s going to make it in time to hop the late train back to Sevilla, back to you.

He looks up and down the cobblestone street, taking a second to remember which direction he came from. Notices a man watching him, seems like it should matter, but all that matters is getting back to you.

Namjoon counts his earnings under the moonlight as the train rumbles through the countryside. It’s enough. He’ll need to count what’s at your home to be absolutely sure, but he thinks it’s enough to get you out of there. You dream of Valencia—of a different kind of orange grove, of thick and salty sea air, of vacations in Madrid or Barcelona, strolling the markets and church grounds.

He looks out the window at the moon and thinks of how bright your face will be when he tells you the good news. He looks at the stars and hopes they will guide you both faithfully to a better life.

The train pulls into the station at Sevilla several hours later. Namjoon feels like the time just slipped away, doesn’t quite know how he passed it. Maybe the wine was stronger than he’d first thought…

It’s quiet in Sevilla at this time of night, but he doesn’t pay too much attention to the bustle in front of him, the same man from outside the bar in Ronda rushing up the road ahead of him. Must be in a hurry to get somewhere—Namjoon can relate, he’s in a hurry to get home to you. His bag is weighed down from the coin he’s bringing home, but oddly enough, he feels lighter than ever knowing he may never have to give himself to someone that isn’t you again.

It’s freedom.

After years of conning and scraping and scratching to climb out of the poverty he’s known, he finally has hope for something better. Because of you, because you gave him something to believe in and to fight for.

Tomorrow, he’ll take you to the gardens at the Alcazar, and amongst the flowers and the peacocks you love, he’ll give you the news—tell you it’s finally time. Maybe you can even take the train to the sea that night.

He loves you so much, owes you everything because he gets all that he needs from your company and your faith in him.

As he draws nearer to you, dirt road narrowing as he approaches the pension, he hears raised voices. Yours and someone else’s. Maybe more. It’s all he needs to take off running, can’t fathom why you’d need to be fighting with anyone in the orchard after midnight.

“Namjoon!” you exclaim when you see him sprinting up the road.

He can hear the fear in your voice, and it only makes him come to you faster. “What is it? What’s going on?” he calls. And then he sees them: your father and your brother, gesturing wildly and yelling.

“Mija, you know what he’s doing in Ronda? How disgusting he is? How he’s making a fool out of you, making fools out of our family?”

You’re calmer than they deserve, standing your ground with your arms crossed over your chest, full skirts whipping around you in the breeze. You look brave, intimidating, and more beautiful than ever.

Namjoon starts to understand, realizes he should have known something wasn’t right, that the man in two places would be a problem. Hadn’t let himself believe your father would have had him followed, but why wouldn’t he?

“You know nothing,” you snap at your father. “Mind your own business, old man. I’m not your family anymore. He’s my family now.”

Namjoon joins you in front of the pension, stands by your side, wraps an arm around your waist and presses a kiss to your temple. “I think you should leave,” he says to the men facing you.

Your father spits in his direction, your brother makes rude gestures with both hands. They call him a whore, call him disgusting, claim he’s giving you diseases and ruining you for the god they say you need to meet one day.

(They still believe, Namjoon never has, and you think you already know god—that he lives in the way the birds call a bright greeting to the morning sun and the flowers bend to offer the bees what they both need to live.)

“Leave,” you say firmly. “We’re leaving for Valencia soon—you’ll never have to see us again. I’ll change my name, no one will know the disgrace you think we’ve brought to the family. Just let us be.”

And if Namjoon thought the crowd in Ronda was loud, he hadn’t yet had the screams of your father to compare it to. His face is a violent red, his whole body shakes with his anger, and Namjoon feels scared for the first time in a long time. The arm he has around your waist tightens as your brother pulls a revolver from the back of his trousers.

You are ever courageous—Namjoon can hear your racing heart, but you betray nothing, staring down your brother with iron conviction and pressing in tightly to the man at your side.

“No one will take you from us!” your father yells.

The barrel is pointed straight at the two of you. Namjoon can see your brother’s finger shaking and it’s as if he knows what’s about to happen. He can’t let it, would sacrifice anything for you, already has given up his body and his soul to you in some ways. He’s prepared to do it again. Would never make a choice that wasn’t to protect you. Loves you like you’re oxygen, like he needs you to survive.

He’s nothing without you, but you can be something without him. So, he moves.

And as Namjoon twists to pull you behind him, a single shot rings out through the Andalucian night, louder than a firecracker.

Seoul, South Korea — Present Day

“And then what?” Jeongguk asks, leaning so far in he looks like he’ll topple at any second.

“I don’t know,” Namjoon shrugs, fidgeting with the hem of his shirt. “That’s when I woke up. I had the window open and I think there was a car accident or one backfiring or something. Startled me awake.”

“That’s so romantic,” Jeongguk sighs. “Don’t you think, hyung?”

Seokjin nods along. “How often do you dream about her?”

“Every few weeks… for a couple of years now.”

“Shit.”

Namjoon explains how he can’t stop thinking about you for days after the dreams, how you always look different in them but he knows it’s you every time. There’s something in the way you speak to him, in the way you know his mind, in the way you move across each time and space so self-assured and brave and admirable. And then the words just keep coming. He tells them about how he always dreams of you existing at night—never in the morning. Never had a dream where the two of you have made it through the night and woken up together in love with no tragedy befalling you. He almost cries when he tells them how badly he wants to find you, how he knows you must be real, a person he’s just yet to meet… Says he’s not sure he believes in something like soulmates, but that sometimes his chest actually aches with the need to know you, to be with you. Tells them that you’re never perfect in any of his dreams, but you’re perfect for him: a partner in crime, a lover, an intellectual rival, a battleground ally, just always by his side making him sharper and better and happier. Tells them that all he wants is the chance to wake up next to you just once, sunlight and joy and no crisis clapping him awake. Tells them how lonely he is in the mornings.

When he finally trails off, out of ways to explain that each time he dreams of you, the desire to find you seems that much more urgent, Seokjin and Jeongguk are speechless. Jin looks like the fish he loves, mouth opening and closing but no sound coming out. Jeongguk is a little teary-eyed and his hand is rubbing careful circles between Namjoon’s shoulder blades.

“You have to find her, hyung,” Jeongguk says softly.

“I know.”

“We’ll help you find her, I promise.”

Namjoon thinks the commitment from Jeongguk is sweet, but doesn’t know how they could possibly help. You look different in every dream, a different voice, name, language… It’s an impossible task made even more challenging by the fact that you probably don’t actually exist. Just a figment of his imagination his brain has made to give him some stress relief, some friendship. He says as much, and he can tell Seokjin agrees with him, but Jeongguk is insistent. At the very least, it’s a little comforting that he’s told them what he feels like is probably his weirdest, deepest secret, and they didn’t laugh at him, didn’t march him upstairs to the company therapist.

After that day, Namjoon feels a little bit better about everything. Better enough that he doesn’t dream about you for a few weeks, starts to forget to look for you in the face of every person he passes. The best part is that he’s really able to focus on their upcoming tour, and by the time he boards the plane to another continent with the rest of the members, he wonders if he’ll ever dream about you again.

It’s been long enough that he misses you a little bit, as ridiculous as it sounds. He doesn’t mention that part to Jeongguk or Seokjin.

They touch down in a new city, and Namjoon rubs the sleep out of his eyes. He’d fallen asleep on the flight—no dreams. It’s early, but they don’t get the day to themselves. They’ll eat a snack in the cars on the way to the venue, run a short rehearsal for blocking and then Namjoon will do some foreign-language interviews from the hotel. He runs a hand through his hair and pulls his mask up, trying to mentally prepare himself a little bit for the remainder of the day. And then he smells it, as he steps into the airport, a gentle lavender scent that’s so familiar he thinks he might be imagining it.

Namjoon stops in his tracks right outside the gate and starts looking. It’s practically instinctual at this point, head on a swivel trying to spot you. It’s so ridiculous and he knows it. But there’s just something… it’s like he knows you’re here.

Unfortunately, it’s a terrible place to be having a crisis, and he’s literally knocked out of his search when another passenger on their phone runs right into the back of him.

“Fuck, sorry,” you say, only glancing up from your phone for a second.

Namjoon doesn’t look at you, just flushes with embarrassment as if anyone could possibly know what he’s thinking. Keeps his head down, says, “no problem,” and tells himself that the weird pit in his stomach is nothing and the smell he’s so drawn to is in his head. The you of his dreams isn’t possibly in this airport in a city on the other side of the world.

He tries to shake it off all afternoon, all evening, but doesn’t think he’s too successful. Thinks he probably fucked up a couple of the interviews, hopes one of his managers would have stopped him if he was too off the mark, though. It’s probably fine.

That night, for the first time in weeks, he dreams of you.

Gyeongsangnam-do, South Korea — Summer, 1931

In these most uncertain of times, Namjoon is sure of two things: you are the most beautiful woman he’s ever known, and he is so much in love with you that he feels shaky with it.

It’s quiet in your father’s farmhouse save for your soft moans. With a rare stroke of luck, your mother and father have left to negotiate with the angry man who owns their land now, and Namjoon has taken advantage of sneaking away from Pukyong’s campus to be with you. He’d come to review plans for a new barn with your father, but finding him gone was a blessing.

You and Namjoon haven’t been able to find much time alone since he left for Busan. He comes back when he can, which isn’t often, and you sneak out to the edge of the fields to meet him under the moonlight. He’s gotten used to fucking you quietly and in a hurry, helping you brush grass and twigs out of inappropriate places when you’re done. This though, this is a luxury, to be with you in your own bed, in the daylight. To be as loud as you both want—Namjoon could write a dissertation on how nice you sound when he fucks you.

You’re slick and tight, and you’re the only home Namjoon’s ever really known. He sucks one of your nipples into his mouth and watches as you arch your back underneath him, whine a little, tell him not to leave marks where your parents might see.

Because you’re young and reckless and you’ve both only ever loved each other, he knows he’s got to pull out soon, but it’s hard to remember in the heat of the moment.

You call him “Namjoonah,” you tell him how good he feels inside you, breathy and sweet, running your fingers through his hair to brush it off of his forehead. It’s gentle, the way you touch him, like he’s something worth taking care of. You say all the nicest things to him when he fucks you—you tell him he’s strong and handsome and so big, you always emphasize, widening your eyes and palming his cock through his trousers. It’s probably giving him a little bit of an ego, he thinks, but he likes it anyway. Being the focus of your attention is so flattering. He always wants your eyes on him, your hands on him, your thoughts about him. You make him greedy and selfless at the same time—he wants everything you’re willing to give him and he wants to give you even more in return. Wishes this fucking war were over so he wouldn’t have to be on edge all the time. Knows he’s lucky not to have been conscripted to the Imperial Army yet, but that it’s probably a matter of time.

It’s a blessing, being smart, which people have told Namjoon that he is since he can remember. At least they’ve spared him so far because he’s of more use to them at Pukyong, learning how to be the best architect he can be, than he would be as a soldier. Someday, his own father says, he will build castles for a Korean leader, walls to keep the Japanese soldiers out. Those conversations are had in secret, in whispers and gestures. It’s dangerous to be someone like his father, to think there’s a chance for Korean independence, to fight for it in secret… But it’s dangerous to be fucking you into your mattress when your parents could come home any moment, too, and that doesn’t stop Namjoon.

Like father, like son, as they say.

He’s sure it’s not a secret that he’s your boyfriend. Your parents know him, invite him for meals, they like him. They think he’s a sweet, smart, college boy who’s going to give their daughter a better life than they can someday, and they’re not wrong.

Though, he’s also sure they’d like him a lot less if they knew he was a sweet, smart, college boy who loves your body, loves the way your soft thighs feel around his head when he licks at your core, loves the way he can throw your calves over his shoulders and hold you in place as he thrusts home. Loves the small violet bruises he bites into your skin, hidden away under your long skirts and long linen sleeves. Loves how you let him pull out and cover those bruises with his cum, and then especially loves when you run a finger through it and lick it off—when you tell him he tastes good and you thank him for sharing with you.

They’d think he’s ruined you, and he’d cop to it even though it is absolutely the other way around.

You come with a sweet, loud moan. Your throat sounds a little raw when you say his name again, which only turns him on more. With a few strokes, he follows you, leaving his release across your stomach and breasts and thinking that if all art looked like you do in this moment, he’d change his major.

Lazily, he lies next to you and pulls you close. You should clean up, you should get dressed, Namjoon should be sitting at the kitchen table studying his drawings with his shoulders back and glasses smart across his nose when your father gets home. You don’t want him to leave though, asking him to stay just a little longer, turning your head to kiss him softly.

When he wakes up, it’s dark, and he panics. You’re pliant in his arms, still sleeping, and your parents should be home—what if they’ve seen you? What if they know that Namjoon is taking something sweet from you at every opportunity, paying you back with pieces of his heart?

Maybe it’s time he faces this like an adult, he decides. He’s going to marry you someday anyway, it’s a foregone conclusion. They may not like that you’ve been breaking so many of their rules in secret, but someday you will be his wife, and he will care for all of your family as his own, and hopefully that buys him a little leniency with your father. He kisses your temple and gets out of bed as quietly as he can, pulls his clothes back on, and pads out of your room to meet his fate.

He spots them immediately, and as soon as he has the thought that he’s going to be sick, he heaves all over your kitchen floor. It’s going to wake you up, but he needs to spare you from the scene. Somehow, he gets their bodies covered before you get up. It’s the best he can do but it’s not enough—the scream you let out is haunting, half shock and half anguish. When you crumple to your knees, he holds you, lets you sob and scream into his chest and rocks you steadily. He doesn’t know what else to do.

After that day, he files for a leave from school and essentially moves in with you. You use your anger to fuel you, fighting for independence in secret alongside the bravest Koreans Namjoon knows. Your landlord comes around and neither you nor Namjoon even try to hide your rage and disgust. You spit at his feet and he warns you to be polite unless you want to end up like your parents. Namjoon tries to convince you that the old man isn’t even worth your anger, that you’re better off serving your parents’ memory alive than alongside them in a grave.

As the war picks up, so does conscription. Namjoon thinks he’ll be called any day, but the idea of fighting in the Imperial Army makes him ill. So instead, he makes a plan.

It’s only a matter of months before you’re on the ferry to join him on Jeju. He’s been there, building and fortifying. Perhaps it’s cowardly to cut and run, but he doesn’t care. It’s the only way he can be with you, the only way he can keep you safe. With the farm equipment sold off and a bit of his family’s money, he’s made you a home there, and it’s finally ready for you.

There’s a tearful reunion on the dock, and it’s followed by a trip to the courthouse to get married. It all happens in a daze, the memories hazy and dim, but the way he felt as he kissed you and made you his wife burns in him bright, bright, bright.

He makes love to you on the floor of the new cottage that night, slow and sweet. Tries to make you understand how much he’s missed you, how much he loves you. Thinks he succeeds when you tell him you love him as you come, thinks he’s never seen or heard something more beautiful in his whole life.

Finally, he leads you up the narrow staircase to the room he’s built for you. It’s got a big bed, but not too big, because you always want to be close to him when you sleep. Its wooden floors are made warmer with a rug his mother made for you, a wedding gift. The balcony is small, but he designed it himself, based on a wish you’d told him about, that you’ve always dreamed of a place to read in the mornings. It’s shaded from the eastern sun with a balustrade you can kick your feet up onto. There are crude drawings of your favorite animals carved into the balusters, alternating lions and peacocks. Protection and immortality, built into the home he’s made for the two of you. When you see it, you look like maybe you finally understand the way he cares for you, the way he will do anything he can for as long as he lives to keep you happy and safe.

You let yourself out there, and light up the night with your happiness. Namjoon watches you from the bed. He’s been on the balcony, and it’s small. He’s not technically the architect he always thought he would be since he’s left school for good, but he tried his best with this design, and then tried even more when he built it for you.

Maybe he should have seen it coming, maybe he shouldn’t have been so confident. The funny thing about light and sound is that he sees it happen just barely before he hears it. Sees you stumble a little to your right, sees the balcony wobble and thinks his eyes are playing tricks on him. Then he hears the deafening crack and it’s perfectly timed with his stomach sinking and you disappearing from his view, the balustrade going with you.

New York City — Present Day

Namjoon wakes up in a cold sweat, the alarm blaring next to him. He hates this feeling—the one immediately after the dreams. At least he has most of the day off. The company always gives them time for the jetlag, supposed to be for sleeping, but he’ll use it to shake himself out of this fog that settles in after the dreams. Maybe the Met this time; he saw the Whitney last time he was here and he sort of wants to get out of Chelsea, anyway—thinks the walk might help him clear his head.

He sees you when he’s standing in front of a moon jar, wondering to himself what right these people have to even store this piece and then charge people to see it. Wonders if he could get it back to Korea somehow where it belongs, mutters something under his breath about colonialism and notices you smile at that out of the corner of his eye.

It’s exactly like he’d always thought it would be to see you: immediately he knows. There’s no question. You look different again, not quite like you have in any of his dreams, but you smell the same and you’re wearing a blue and green dress, tight around your figure and flouncy at the hem that reminds him so specifically of a peacock he wants to cry. You smell like fancy French lavender soap and you have a smile that could bring world peace.

The sight of you makes him freeze. What would he even say? There’s nothing he could tell you that wouldn’t make him sound insane, nothing that he’s willing to admit to a stranger, even if that stranger is you. His heart races and he feels himself start to sweat nervously. He’s been looking for you for years, and when he finally finds you, it sends him into a panic. How perfect for him.

He can’t stand in front of the same moon jar forever, though, so he swallows his nerves and stands up a little straighter and begins to turn to you, even if just to introduce himself like a normal person.

Namjoon’s heart sinks when he realizes you’re already gone.

He’s talking to Jeongguk while he sits on the steps of the Met, phone pressed to his ear.

“I know it’s her,” he says, sending Jeongguk into a frenzy of questions.

Namjoon is contemplating the possibility that he’s fucked up his only chance to meet you, when you appear, out of the blue, to take a seat a few feet away from him, he rushes out a “Gotta go, Kookie, bye,” and hangs up as Jeongguk is still talking.

“Hi,” you say.

“Hi.”

“This is probably so weird, but…” You straighten out your skirt and don’t make eye contact. You look equal parts beautiful and nervous. “Do I know you from somewhere?”

Namjoon gets this question a lot. Usually, it’s fans trying to ‘play it cool’ when they run into him in Seoul, trying to give the impression that they don’t immediately know who he is. And yeah, he thinks he’s more humble than some people less famous than him, hates to assume, but it’s always pretty transparent. But, for as much as he gets this question, as often as he brushes it off with an, “I don’t think so,” and a rushed exit from wherever he’s been recognized, he has no idea how to answer it when it comes to you. So, he just gapes at you. It’s mortifying.

“Sorry,” you continue. “It’s just that… Well, this is probably gonna sound crazy, but I think I’ve had dreams about you.”

“Holy shit,” Namjoon says, living up to his reputation as a certified genius and a clever songwriter.

This response flusters you even more, it’s clear you’re embarrassed. The way your eyes flit around and look for an exit from the situation tells him everything he needs to know.

“Sorry again,” you groan more than speak. “Nevermind.”

You start to stand, and Namjoon barely gets his shit together in time to grab your wrist and finally speak. “It’s not weird. I have them, too. The dreams.”

“No fucking way,” you whisper, your eyes wide.

“Yeah.” Namjoon nods in agreement. “How’d you know it was me?” He asks.

“Just knew it,” you shrug, wrist still kept tight in his grasp. “I’m not sure. It’s like… you feel the same. You smell like you, too.”

“Come on,” he says, dropping your wrist finally and standing. “Want to get coffee or something?”

To his relief, you do.

It’s awkward at first. Where do you start with someone you feel like you’ve known forever but you’ve never actually met? Namjoon has a million questions he wants to ask you but none of them seem to fully form in his head. It’s bad enough he has to think through how to not be seen with you—his lifestyle adds a whole layer of complication you’d never faced together in his dreams. Eventually, you knock on his hotel room door about ten minutes after he gets in. It had been a little stressful, waiting for you. He made you promise three times you’d actually show up and then on the fourth one, he made you pinky promise. When you took his little finger solemnly, instead of laughing at him, he was finally (mostly) convinced you’d be there.

And now, here you are, sitting at the little table in his room, clearly trying to be polite and not look at the mess of stuff he’s accumulated in just one night. After all this time wishing he could find you, he’s got no idea what to say to you.

“So… why the Met?”

You smile a little sheepish and shake your head. “You’ll think it’s stupid.”

“I doubt that,” he says, trying to be as reassuring as he can for such a weird situation.

“I thought it’s where the lion statues were… you know… on the steps. I thought if I went there, maybe you’d be there. I was sure it was you at the airport but by the time I realized it, you were gone. So, I guess it was the only place I could think to look for you where you might look for me, too. But they’re at the library.”

“The lions?”

His confusion seems to make you a little shy; you duck your head and shake it, like you’re telling yourself off before you even explain. “You always say I’m like a lion in the dreams. No matter where we are or what’s happened to us. You say I’m strong and brave and beautiful—”

“A lionheart,” Namjoon whispers.

“Yeah,” you brighten at that. “Is it like that in your dreams, too?”

Namjoon tells you it is. And then he tells you about all the dreams he can remember. Not in detail, and not the worst of the bad endings, but enough that the two of you can compare notes. Enough that you realize you’ve been having basically the same dreams, although not at the same time. Both of you have had some the other hasn’t had yet. He loves it when you tell him about one that ended happily, the two of you betrothed in the Joseon era and figuring out how to fall in love. You think it’s supposed to mean something that the two of you are always facing something that’s keeping you apart—you wonder out loud what might keep you apart in reality, too.

“I hope nothing will,” he says without thinking.

“You don’t even know me!” You’re laughing, but he’s clearly taken you by surprise.

“Don’t I, though?” And the mood changes. You swallow thickly and he tries his best not to break eye contact with you even though he thinks you’re so gorgeous he might not make it through the day without passing out. “Can I kiss you?” he asks quietly, but he’s already moving to your side of the table and you’re already scooting your chair back to make space for him.

You don’t kiss like you do in the dreams. In the dreams, you kiss him like he’s the beginning and end, like you’ll take anything he gives you. There’s something nice about that, makes him feel wanted and strong. In reality, you kiss him like you know it’s the other way around. You’re confident, teasing—you smile against his lips when you do a thing with your tongue that makes him let out a moan.

In the dreams, he can’t remember ever kissing anyone but you. But now he’s got your lips on his and you’re definitely not the first person he’s kissed by a long shot, but you’re absolutely the best. It’s almost like having something to compare it to makes it even better.

Maybe there should be some hesitation, but neither of you seem to have any. Not when he pulls you up from the chair so he can kiss you without bending all the way over, not when he walks you back toward the hotel room bed, leaving a trail of tender kisses up your neck and across your jaw in a surprising show of coordination.

It’s inexplicable, he thinks, how he feels like he’s done this a million times with you before but in the best way. He can kiss you without any of the awkward, nervous, first time worries he normally has. He can trust you without knowing quite why, and that part is probably the weirdest thing about all of this because he can’t trust anyone outside of the members and his family usually.

“Is it weird I feel like we’ve done this before?” you ask as you run your hands from his shoulders down his arms.

Namjoon just shakes his head and winds his fingers with yours, leaning in to kiss you again. “No, it’s the same for me,” he says.

Because of the familiarity, maybe, it’s not urgent when you undress each other. He takes time to appreciate this version of you, the one he’s actually holding in his arms, the one who pinches his side gently and then laughs. “Just making sure you’re real,” you say when he yelps in protest.

There’s a moment when you’re both naked, standing in front of the bed, when the air feels thick between you. You’re holding his jaw in your palm and he’s got his hands around your back and neither of you speak for a long beat. For him, it just feels incredible to be here with you. He doesn’t care that he has no idea what you do for a living, where you live… Doesn’t know anything about you except that he thinks he has loved you for a long time. Thinks maybe he was put on this planet specifically to love you. Wonders how the two of you could have messed this up so badly in every other universe, but is actually really glad you did, because maybe that’s why you’re finally here with him now.

“I… I think I love you,” he says timidly. “Makes me feel crazy.”

You have a tear falling down your cheek, but you’re smiling—Namjoon is pretty sure you’re not supposed to be crying before sex like this, but you seem happy. “S’not crazy, I think I love you, too. I’m so happy I finally found you.”

“I looked for you in every city,” he confesses before he presses his lips back to yours, then kisses the tears off your cheeks.

You go soft under him, body pressed into his, and he guides you onto the bed. The two of you laugh into each other’s mouths, mutter how you can’t believe it’s happening, let your breath grow heavier as you take time to learn each other. Namjoon loves it when your lips move against his pulse point, when you get a little rough with him, leaving small bites and bruises in places the stylists won’t give him shit for. You like when he talks to you, tells you how you make him feel, how much he wants to be with you—he whispers right into your ear, the sweetest confessions sandwiched by pure filth that makes your breath hitch and a shiver travel down your spine.

Namjoon’s dreamed you a hundred ways, in a hundred places, but here, spread naked underneath him in this hotel bed and laughing with him while he fucks you slowly is better than any dream he’s ever had.

“Can’t believe you’re real, baby,” he breathes as you run your fingertips down his sides. He looks down to see where his cock is moving inside of you, and he thinks this must actually be a dream. You’re perfect, he thinks as he moves fingers to your clit and presses there gently. When you pull him down to kiss you, it feels familiar again. You brush his hair off of his forehead like you’ve done in every one of his dreams, and now he feels like he could cry—he’s just so overwhelmed by you, so in awe just like he knew he would be. Just as he always has been.

You whisper his name when he makes you come. You tighten around him and dig your nails into his shoulders and Namjoon thinks this is the closest to heaven he might ever get. When you finally work through your orgasm, you encourage him to change positions, to lay on his back and let you ride him.

The way you know exactly what he likes is magical, that deep grinding of your hips in his lap. You don’t have to ask to know what makes him tick, bringing his hand to your lips as you move, sucking two of his fingers into your mouth and whining around them.

He’s always preferred this to something faster. This way, he gets to watch you, feels like you’re taking your pleasure from him, feels like you’re both getting precisely what you want from each other. He could lift his hips and fuck into you, could hold your waist and get you to bounce on his cock like you’re making a sex tape. But this is better. This is you and him, moving like you’re meant to be connected.

You absolutely are, he’s sure of it.

It’s a movie script ending when you come again just as he does for the first time—he wishes he could feel all of you when he spills into the condom, wishes he’d found you years ago and built a more tangible history with you. Hopes more than anything that you want to try to do that with him now.

The two of you clean up with a little bit of shyness; you hide your face as he cleans you carefully with a warm washcloth, and he tries not to let you see him get rid of the condom. It’s not as easy as the dreams where those things sort themselves out, but Namjoon wouldn’t trade these awkward moments for anything.

There’s not really a need to ask you to stay, he knows somehow that you will, but he asks anyway, preens when you agree and ask to borrow a shirt.

He can’t really risk room service with you here, but he gets a manager to bring you food (hand stuck shyly through a crack in the door as to not interrupt), and while you eat, he peppers you with questions about your life. Feels like he knows the important things that are the same as in his dreams (he loves you, you’re loyal), but wants to learn all the mundane stuff, too.

Much later, before the sun rises but after some people would already call it morning, you fall asleep in his arms and he lets himself drift off thinking of lavender and peacocks and falling in love.

Namjoon’s alarm goes off, and the sun must be high in the sky because the light in the room is a bit muted. It’s the first time in a long time he’s woken up content, hesitates for a second before he remembers why, remembers everything that happened the day before, remembers that you were real and here and in his bed and his arms. He lets himself just exist there for a minute, eyes closed, thinking about what might come next, how he’ll explain you to his family…

Then it sort of dawns on him that you should be right there, that he fell asleep wrapped around you and now he isn’t. He panics for a split second when he realizes you’re not pressed against him, doesn’t think he could handle it if this was a dream, too. Tries to be rational, but for some reason can’t quite bring himself just to tip his head over and open his eyes.

Instead, he takes a deep breath, smells hotel laundry detergent and sex and the faintest hint of lavender. He says a silent prayer and then sticks his hand out to the other side of the bed to feel for yours. Thinks he might scream when he doesn’t feel you there immediately.

Namjoon snakes his hand across the sheet and hopes he never has to dream to see you again.

#bts x reader #namjoon x reader #rm x reader #namjoon smut #namjoon angst #namjoon fluff #rm smut #rm fluff #rm angst #bts imagines #namjoon imagine #rm imagine #kvanity #bts smut #bts angst #bts fanfic #namjoon fanfic #rm fanfic

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cucumberteapot · 1 year

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I feel like people aren't as open to discussing E-42 Prowle because there is so much about the character we don't know or the films haven't explicitly told us yet. However, I'd like to think writers have presented us with enough information that we can make a strong assessment as to not to what kind of role they'll serve (I think it's fair to say Miles G is going to be an antagonist later-turned hero or anti-hero in BSTV), but what kind of character this is and how they challenge Miles as the main character.

I'd like to discuss one crucial aspect of piece of body language and physical characterisation. This right here:

This is our first proper shot of E-42 Prowler and it closely parallels Aaron Davis in then first movie when he's watching Miles run away.

Now I want to pay mind that in deliberately holding off the plot twist of Aaron being the Prowler, the audience is given no key identifiers as to the Prowler's true identity. He doesn't even have any lines of dialogue until Miles is hiding in his apartment and we after we get the reveal. In every sense of the term, Prowler is a gun for hire. Except he doesn't use guns. The point is he is a hitman. He consistently does what he's told by Kingpin - "You can count on me, sir. I don't ever quit." But then when he's confront with the reveal of the kid he's been hunting is his own nephew and he must choose between his identities as Aaron and as Prowler, that loyalty is severed and it costs him his life.

Which leads us to this specific visual of E-42 Prowler dangling from the rafter before dropping down to face Miles. The camera doesn't cut away from how he drops. Instead we're put entirely in Miles' perspective as to this guy's every move. Between us and Miles, the crew don't want us to miss anything. So what are we seeing here?

Well firstly I think it's clear this is something the Prowler we know wouldn't do because this is a merge of personas of Miles as the Prowler and as a 15-year old. This reads to us as something a lanky kid would do on a jungle-gym, and the fact E-42 Prowler doesn't take his eyes off Miles not only demonstrates curiosity but almost an invitation to play. Not literally, but I believe this Prowler is someone who likes to toy with their victims (which he see a bit of towards the end). And in this case, Prowler is definitely testing Miles from the moment he starts talking about ideas counteractive to his reality - That Aaron Davis could be a "good guy" and that the Prowler identity is something detrimental to the E-42 dimensions' existence. Granted, Miles is speaking from the experience of someone who's Prowler didn't provide income for their family and represent a symbol of strength like the Spiderman identity, so it's a no brainer E-42 Prowler views Miles as antithetical to his state of being. Another thing is that this is how Miles hangs from his webs throughout the movie (under the clocktower, before going through the portal to mumbattan, etc.), so it's a nice consistent characterisation between the two.

But that only leads us into what separates them. After keeping their focus directly on the other, they have their first exchange:

Prowler: Your dad is still alive? Miles: What? Prowler: Your father... You said he's still alive. Miles: Yeah. Prowler: Oh.

Okay, let's dissect this. Specifically Miles' confusion at to why Prowler's asking this because the audience is in the same boat but for very different reasons.

Now I don't want to make assumptions but even before Prowler unmasks, Miles already knows it's his counterpart and his question isn't so much as not knowing but a request for confirmation. However the reason why Miles is confused here is because he expected that same curiousity about identity from his counterpart - not about relatives. Prowler doesn't ask who Miles is even though he doesn't really know, and when he gets his answer that, yes, Jefferson is alive in the other universe, his reaction is played off as dismissive, separating his identity and priorities from Miles. Whatever it is, considering it's the first thing he's asks, this is a vital piece of information for Prowler but his reaction removes any possibility he can be negotiated with... which Miles continuously fails at.

Miles: Who are you? Prowler: My name is Miles Morales. But you... You can call me the Prowler. Miles: If I don't get home, our dad is going to die. Prowler: Your dad. Miles: Please... You have to let me go. Prowler: And why would I do that?

That then leads us on to Miles' question because he's not only asking for his kidnapper's name, he's asking for who this person is. And in turn who we see isn't particularly angry or vindictive - we'll get to that. Instead, Prowler's expression is complete desolation.

It's only when Miles further insinuates they are the same by referring to Jefferson as "our dad", does he shoot back with "your dad". It's quick because this Prowler is still separating himself from this version of himself and the idea he could or would've been or had anything like his life. Finally Miles accepts that they are separate and ask Prowler to let him go, but Prowler has another rhetorical question which implies although he considers this Miles separate to himself, he still has use for him somehow. Which honestly if you had this strength-is-all mindset, it might feel rewarding to have captured this part of yourself that you considered weak - which for all Prowler knows, Miles is just this inferior version of himself who got decked in one hit.

And then lastly we have these two shots here where Prowler raises his "claw" beside Miles' head and sizes him up.

If Aaron can scare Miles by punching the sand out of a boxing bag while Prowler only has to put his fist on it, you tell me who's more terrifying?

But truthfully this last non-conversational exchange before Miles stares Prowler back down is evident that not only is Prowler going to beat the shit out of Miles, but that Miles' "flippy, little sassy jokes" as Spot puts it, is not going to help him here. Because if he wants to survive, he's going to have to match Prowler's energy. This film has a bittersweet ending not because Miles is captured but because Miles has internalised what he's been fighting against the whole movie - The emotional desolation of being Spider-man that lets them deal with or appear indifferent to the harm or death of people around them and it's exemplified when he applies Peter's first lesson of being Spider-man:

"Don't watch the mouth. Watch the hands."

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ccawz · 9 months

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moments IV

a/n: personal fav is ksm <3 my baseball boy 🩷

warnings: some sad themes in Minho, Felix, and Jeongin’s (mostly Lix) slight nudity in hyunjin’s (not explicitly, it’s implied!)

ot8! x gn!reader (no pronouns mentioned) established relationships | 1.1k total wc

“Do you think our parallel universe selves are together?” Chan asks quietly, watching patiently for a shooting star to cross the night sky.

Your hand brushes against his, sand follows with it, and you start to regret laying on the sand without a blanket underneath. “I like to think we are.” You reply, “That in every universe I’d find you, or you’d find me, and we’d save each other like we did here.”

Chan doesn’t fight the smile that comes to his face, bringing your hand to his lips to kiss, sputtering when grains of sand land on his tongue.

A laugh comes from you, and Chan melts at the sound. He stares at you like you’re the only one in the world, and in his eyes, you truly are.

“It’s five in the morning.”

At your groggy tone, Minho stares at the clock. Red digits blink tauntingly at him, and he fights the urge to throw the clock across the room. “It’s night over here.”

Silence falls through the line. Minho thinks you’d fallen back asleep– he doesn’t blame you. “I miss you.” He says. He’d only say it when he thinks you aren’t listening. “I want to see you so, so bad.”

He settles onto his bed, looking out the window, staring at the moon who smiles back at him. He scowls. He couldn’t help it. “When I come back home to you, let’s go stargazing.”

He hears you shuffle but doesn’t speak another word. Though his lips curve into a smile when he hears you sleepily mumble out an “okay.”

“Have you taken a break?”

You look at Changbin from the corner of your eye, your typing never stopping even when he’d lean against your desk beside you. “Yes?”

“Honey,” he says, closing his eyes in exhaustion when you don’t acknowledge him any further. “You’re going to burn yourself out if you keep this up.”

“I need you to understand something, Bin.” He nods, lowering himself to his knees to look at you. “I won’t be able to focus on you if this report isn’t done.” He nods again. “I want to be with you, I want to take a break, but I just can’t allow myself to do it right now.” He stands back up, pinching your cheek lightly with a smile.

“I’ll stay with you, maybe get some work done too. Is that okay?” You nod, grateful that he’s always understanding. Even if you’d both be working and not acknowledging each other, just being together was enough for him.

“I think this is cruel and unjust punishment,” Hyunjin says, holding his arms up awkwardly as you mark his skin with dotted lines. “I only ate your food. I thought as a couple we could share things like that.”

“Leftovers are one thing, new food is another.” You say, slapping another sticky note on his body, smiling at the way his eyes close with irritation. “You don’t like me touching you?”

His ears flush red, but the irritation is still apparent on his face as he looks at his body littered with anatomy notes. “I do, but not when it’s study-related.”

“Don’t eat my food then.” You shrug, moving behind him. He feels the marker glide over his shoulder blades, the muscles contracting at the temperature. A kiss on his shoulder makes his body warm, “Thanks for letting me do this.”

“I didn’t,” he grumbles, then in a quieter voice, “You're welcome.”

“Can you wash the dishes?” Jisung looks up at you with pleading eyes, then shuffles over to you when you don’t look up from the magazine in your hands. “Baby, please.”

Your hand brushes his hair back, fingers massaging his head lightly. Jisung nearly moans at the feeling, slumping against your body while your hands travel to the nape of his neck. “Why?”

“I don’t want to do them.” He laughs quietly at his confession, tilting his head when your thumb brushes over his pulse point. “I’m sorry.”

“It’s okay,” you tell him, smiling when his hair tickles your skin. “Will you do something else instead?” You ask, rubbing his back gently. “If you don’t mind.”

Jisung hums, kissing your arm softly. “I’ll take care of the laundry.”

“When’s the last time we kissed?”

Your eyes flicker to Felix, though there’s a wall of pillows hiding him from you. “I can’t remember.” You turn over, and he’s still facing the ceiling– you’re assuming. “Do you miss me?”

Felix doesn’t respond like you want him to. He keeps quiet and stares at the ceiling decorated with glow-in-the-dark stars you two had put up when you moved in.

“I’m sorry for what I said.” He whispers. The pillow closest to your leg gets tossed to the side. “I didn’t mean it. I was angry and– and you were yelling at me, but you were crying, so I was torn between being mad and comforting you.” The pillow near your waist moved next. “I’m so sorry I hurt you.”

Finally, the last pillow moved. Felix was crying, not hiding the tears that flowed and dampened his pillow.

“You're holding the bat wrong.” You roll your eyes at Seungmin, groaning when he comes up behind you to adjust your stance. “The way you were standing, you’d trip before you could even leave the plate.”

Seungmin smiles when you lean the slightest into him, nudging you back into place after a second. “Weren’t you a shortstop and the cleanup?”

“Yeah,” you laughed. Pointing the bat at his chest. “That’s how we met.” He smiles, leaning over your shoulder to kiss you. “I’m glad we made the bet that day.”

He quirks a brow, “You’re glad we made a bet that the loser takes the winner on a date? And your team lost?” Your elbow jabs into his stomach, a small groan of pain coming from him.

“Even if my team lost, I won 'cause I got you.”

“Have you gotten any sleep lately?”

You hum, holding the phone between your shoulder and ear. “Can’t sleep without you.” He tuts, and even though you couldn’t see him, you knew he was wagging his finger and shaking his head.

“Baby, you need to rest.”

“I am,” you tell him. It wasn’t a lie. “It just doesn’t come as easy as it does when you’re here.” Jeongin sighs, shuffling about on his end. “Have you been sleeping well?”

“Of course, I actually have a blanket at night.” A chuckle comes from you. Jeongin succeeds in his mission of lifting your mood. “I miss you though. I can’t wait to see you again.”

You hum, smiling to yourself at his open affection. “I’ll be waiting for you.” You can hear his grin through the phone, your smile growing when he laughs quietly.

a/n; making another member!reader vers so I can write another m!reader for this lil series (but I’ll also do a m!reader that’s non member too)

#skz x gn reader #stray kids x gender neutral reader #stray kids x reader #skz x reader #skz x male reader #bangchan x reader #lee know x reader #seo changbin x reader #hwang hyunjin x reader #han jisung x reader #lee felix x reader #kim seungmin x reader #yang jeongin x reader #lee yongbok x reader #lee minho x reader #bang chan x reader

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cat-hesarose · 7 months

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Izzy Hands and broken promises

Now that I've had a day to digest the ending, I'm still in the "Izzy should have lived" camp but can better understand why it soured an otherwise great season finale for me.

Keep reading if you like rants about storytelling and queer catharsis from people with a Bachelor degree's worth of overconfidence and strong opinions.

Bar a handful of icks (Zheng Yi Sao getting outsmarted by Ricky, etc), I loved this season and don't see a wealth of problems that would not have been solved by two additional episodes. That said, Izzy's death is one of the things I can't see making any more sense if they had more time to explore his journey because his journey is what problematizes djenk's stated reasoning for his death.

In that one interview (and to be fair, we only have a brief window into his intentions as of right now), djenks positions Izzy as two things, specifically to Ed: a mentor and a father figure. And yeah, mentor figures often die. Their student surpasses them, or acquires a new narrative drive from their mentor's death to continue a quest.

Neither of these things feel like a fit for Izzy and Ed's dynamic nor their respective arcs. Neither does "father figure". Izzy was a love interest. He was described as a love interest. He confessed love to Edward. His mentor relationship was more established with Stede, if anything, who is an unreliable narrator and may well have been lying about Edward claiming that Izzy taught him everything he knows.

The journey that Izzy went on this season was parallel to Ed and Stede but it was with the crew. It's one big queerplatonic love story essentially, of him finding himself as an individual through the support they give and the space they hold for him. Season 2 Izzy Hands is, among other things, a love letter and showcase of the queer community's power to revive hope and purpose.

Izzy has the world's messiest breakup with Ed when they're both at their worst, and his healing begins with the crew of the Revenge. He only interacts with Ed again after bonding with, and growing through, the crew. So yes, it absolutely makes sense that his journey would proceed towards making peace with/saying goodbye to "Blackbeard". But it does not make sense that it would end there, with his death.

Djenks says that they're pirates, and people die. And yeah they do. But in the hand-wavy logic universe of OFMD it feels dismissive to say that about the death of a major character. And odds are, David "Izzy is my favourite character" Jenkins is not dismissive of Izzy, so that leaves tragedy.

My issue with that is, season 2 Izzy is no longer an innately tragic character. If you told me at the end of season 1 that season 2 would end with Izzy dying in Edward's arms telling him to go forth and change and accept love, I would've gone "that's sad but it makes sense." Because it would have, at the time. Season 2 Izzy departed from the trappings (so I thought) of the doomed fate of the bitter old repressed grimdark pirate when he put on the gold-painted wooden hoof and embraced his new role as First Mate of Stede Bonnet's gay floating kindergarten.

His death feels like a betrayal because, in a show that does queer characters Really Well, Izzy's arc feels like a broken promise. To say nothing of the politics of having a character attempt suicide, begin to heal, then say "I want to go" before dying, I wanted Izzy to want to live. It really felt like that was where his character was going, where his character was supposed to go.

Death for a character who is showing all this potential is only a natural ending in a tragedy. It isn't presented as peaceful or to punctuate another character's growth. Season 2 Izzy Hands had ceased to be reliant on and subject to Blackbeard. If anything, he was tied to the crew, who all stood back and felt much more removed from his death than they probably would have been if the show had more time to show their emotional responses. Having him die in Ed's arms, apologising for fueling Ed's destructive tendencies and encouraging him to be himself and accept love, feels like he got shunted off his new arc and back onto the old one. It feels like he went through all of that just to take a last-minute huge step back and re-subjugate himself to this character who does not reciprocate his devotion.

It makes me wonder if his death scene was one of the first ones written, before all that energy was spent giving him a new life and new connections and new, you know, new reason to live.

Anyway, that's how I feel about it. TL;DR Izzy's growth should have included LIVING HIS HARD-WON NEW LIFE and if I ever see djenks i'm going to cross the road and avoid eye contact.

#ofmd #ofmd meta #ofmd spoilers #ofmd season 2 #ofmd season 2 spoilers #izzy hands #storytelling #comedy and tragedy #why yes i am participating in #discourse #media literacy #fandomposting #stede and izzy should have fucked

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zionworkzs · 8 months

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Okay, but I need to talk about Good Omens and The Sound of Music.

First of all, I’m genuinely obsessed with it being explicitly canon that The Sound of Music exists in the GO universe and is, for some reason, God’s favorite movie. Neil says here that Heaven misses the point of the movie/musical, but I find it incredibly fascinating that Aziraphale outwardly despises it.

Brief summary of The Sound of Music incoming as well as some really interesting parallels:

So we've got Julie Andrews playing Maria, who is studying to become a nun in an abbey in Salzburg. Problem is, she isn't the best nun, and is often late to chapel and just isn't the shining beacon of holiness that the rest of the nuns expect her to be.

In response to this, the Reverend Mother of the abbey decides to send Maria to live with sexy widower Georg von Trapp, a navy captain who desperately needs help with his seven children. The Captain is a bit of a hard-ass since the death of his wife, and has been treating his kids like little soldiers as well as banning music from the house.

The 7 kids are rambunctious and make things difficult for Maria at first. But one night, a thunderstorm scares them, and they run to Maria for comfort. The kids realize that Maria is really fun, and then later, when their dad is off to Vienna, the kids and Maria end up running around Salzburg singing, dancing, climbing trees, and having a blast.

When the Captain comes home and hears about this, he sends Maria away. But then he overhears the children singing a song Maria taught them and he gets all emo and remembers how much music meant to him and his late wife. He asks Maria to stay after hearing the song, telling her she's brought joy back to their house.

And oops, Maria and the Captain are falling for each other, but the Captain is sort of kind of dating this blonde bombshell.

There's a big fuck-off party, and the Captain and Maria dance together.

But, oh, no, Blondie saw them and can clearly tell they're in love. She tells Maria what she's seen and Maria is freaking out cause she's just realized she's in love.

Mentally, my girl Maria is going through a lot. She thinks she’s disappointed God by falling in love when she was supposed to be doing a job. She feels scared by the depth of her feelings and because of all these emotions, she runs away. Back to the Abbey. Back to presumed safety.

Mother Superior figures out what happened real quick and tells Maria that she isn’t wrong for falling in love. She sends her back to the Von Trapps, and it's such a great scene. If you wanna watch, I included a link below.

youtube

Maria goes back, and the kids are elated and she and the Captain confess their feelings (and oh my god, don't even get me started on the lyrics to the song they sing to each other while confessing, Something Good).

(I’m unwell.)

So that's the Sound of Music. There's a subplot going on with WW2 and the Captain being pressured to join the Nazi regime (which he is very against). King, we love him.

I pointed out some obvious parallels, but I'd also like to pull some random thoughts together here:

Mother Superior (God) is the one that sends Maria (Aziraphale) to help the Von Trapps (humans) in the first place.

Maria (Aziraphale) extends grace and patience with the children (humans) and refuses to give up on them, even going so far as to disobey their father by letting them fuck around and be kids (going against God's wishes and giving humans the flaming sword).

Mother Superior (God) also sends Maria (Aziraphale) back to the Von Trapps after realizing that Maria (Aziraphale) is in love with the Captain (Crowley).

Here's to hoping we see God telling Azi that loving a demon is chill and he should go back to earth in S3.

Overall, it's incredibly amusing to me that Aziraphale, our Aziraphale, doesn't like The Sound of Music, with the main plot being about a woman who choses love over religious obligations and a man who rejects an authoritarian regime so that he might make his own way in the world.

Maybe Aziraphale recognizes the parallels and is in denial. Or maybe he just prefers Sondheim...

#can you tell i watched the sound of music too much as a child #fuckin love this movie #ineffable husbands #aziracrow #crowley #aziraphale #good omens #aziraphale x crowley #good omens season 3 #good omens meta #good omens season 2 #the sound of music #Youtube

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probablyhuntersmom · 1 year

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The scenes towards the end of the finale were like an intersection of multiple characters experiencing the loss of father figures, in different shades:

Luz's relationship to her late father took on a different form, after King's own father passed on and his glyph magic was gone for good. Manny gifting her the Azura books before his death, and Papa Titan offering her glyph magic before he too passed on, helped Luz find her place in the world and defeat Belos.

Apparently this scene is what made Sarah Nicole-Robles bawl in the recording studio, right after she recorded the lines.

When these changes happen - when we experience the loss of a person, when our ties with them are wrangled into a new form, against our will - it can be devastatingly painful. Change and transformation make for fancy, dramatic scenes in fiction, and they always incur loss in some form, painful or not. It also made me so emotional when seeing how much 18-year-old Luz resembles Manny, and how her enrolment in the university is linked to both her biological father and Papa Titan.

King's experience of seeing the majesty of his father, however brief, left him in awe and exhilaration. He can rest in the beautiful knowledge that Papa Titan was watching over him the whole time too. The message that his dad left him, relayed by Luz, is something he'll hold dear forever.

Hunter will never be truly harmed by Belos ever again. But he can't discard the memories of Belos granting him attachment: even if the attachment ended up not being real in a sense. However, like what can be applied in real-life therapy, he can get guidance on how to rescript those memories.

Belos's lies about having good intentions don't change how it felt real to Hunter all those years ago. Hunter was a young child when receiving this 'love', and in a twisted way...the mission given to him by Belos kept him alive up till he could escape the Coven, because the mission gave his life meaning despite the circumstances being awfully terrible. A child cannot survive without attachment, and needs attachment even if the experience of attachment has been horrendous and scarring. And holy Titan don't get me started on how at age 16 (before the timeskip), he had yet to learn more grisly details about his predecessors - whom he might view as older brothers and fathers whom he never met - and the generational trauma in his Golden Guard family tree:

which would have definitely been explored before he could experience that amazing hard-won serenity and peace at age 20.

Even Philip's arc is inextricably tied to his manner of coping with how he murdered Caleb, who was the closest thing he had to a father, given how these two brothers were orphans. In the end, Philip meets his end while Luz gazes upon him the same way Caleb's ghost did. Philip won't be haunted by Caleb's ghost again, and he joins the person who was essentially his father figure in death. Till the very end, he was projecting onto another person because he didn't want to recognize the same traits in himself. He was the one responsible for his father figure's death.

But grief doesn't mean the relationships in question have ended altogether. It's kind of like what this post about the finale (link) says, and it even extends to the relationship between us fans and the show itself.

The cliché "5 Stages of Grief" is the most commonly mentioned grief model, but I follow the development and advocacy of a newer perspective on grief that challenges it. In fact, the 5 Stages was originally just intended for terminally ill patients, but it was taken out of proportion. I began a serious investigation into the newer models after I went through something that parallels Hunter losing Flapjack...eerily, it happened to me two weeks before TTT's release date. No wonder I feel so close to Hunter as a blorbo, I guess.

Unlike what the 5 Stages of Grief says, grief and linear time don't mix well. Without "stages" to follow, there isn't an expectation of some deadline or permanent end of a tunnel in the newer models. Such pressure wouldn't be honoring the sacredness of connections between us. Instead, less famous grief perspectives like the dual-process model and continuing bonds model, are a better fit to honor relationships that mattered, since they aren't given an expiry date.

I wonder how Luz would be feeling on the day she graduates from the Wild Magic University, and how King feels each time he unlocks his own new glyphs since he is the new Titan to supply the Isles with magic. And I wonder how Hunter felt when his coven sigil was replaced with the Flapjack tattoo, and how he feels when he sees the Gravesfield town seal and Wittebane statues.

There are ways in which they can get creative to integrate their grief (notice I didn't say "get rid of", "remove", "erase" or even "manage"...the pain is what is to be managed, not the grief itself) the best they can. In canon, we have examples such as the Hexsquad agreeing to get their Flapjack tattoos together. Luz letting go of the light glyph sheet here:

is also a fantastic representation of rituals like sending off a message in a bottle at a beach, tying a message to a balloon and letting it fly away (this happened in Reaching Out, didn't it?), or burning a message in a campfire to let it float up towards the sky in the form of embers.

It is a common recommendation to have exercises like letter-writing where the griever writes to the lost loved one. What many may not know is you can also do the reverse: you writing as your lost loved one, to yourself. Because the griever takes a piece of the lost loved one with them, that the griever has shaped within themselves. This is especially good if you need to extend forgiveness to yourself. An example from a book called Bearing the Unbearable:

The author felt responsible for the stillbirth of her child, but had a "happy accident" where she intuitively asked for forgiveness and then received it, by invoking the love that her child would have shown to her in a world where said child had remained alive.

I think Hunter in particular could benefit from something like this, writing to himself as the uncle whom he saw as genuine and nurturing, and gaining ownership of that part of him even though Belos was a liar and is now gone for good. It can help him move forward especially since he won't be spared from nightmares in which his loss is re-enacted. With this kind of rescripting, historical accuracy doesn't actually need to matter. After all, our own minds lie to us at times and mess with historical accuracy anyway, like Luz's thoughts telling her she was as bad as Belos, and how true that felt.

A physical loved one is lost to death, and it can feel just as painful - only in a different way - if people become estranged or separated without a literal death having occurred. But the connection to them isn't lost, it is only adapted. The bond continues. For better or worse.

I believe the pain in grieving is connected to each moment when we remember all over again that the one we loved isn't coming back.

It's like the needle of a gramophone getting stuck in the loop of an unpleasant-sounding record scratch noise. It's a bit like what C.S. Lewis says in his book A Grief Observed: "In each of my friends there is something that only some other friend can fully bring out." I can't find the other part but he later said something like, therefore if a friendship is lost, the part of you that only that friend could bring out, is also lost. Something in you is locked away forever, though new things can also be unlocked after the loss.

It wasn't shown onscreen but I wouldn't be surprised if it's regular for Luz to come across a meme and be freshly reminded of her dad's absence, because she can't show him that meme. King would be wishing that a new funny cat video he discovers is something his dad could also laugh at along with him. Hunter would be hoping that Flapjack, the previous Golden Guards and Caleb are watching as he brings back palismen.

Bereavement, and any grief that is significant enough to alter our personhood forever, are the forms of love that can never really grasp how time flows in a linear way. They can't be reasoned with, only experienced.

"...the howling at the center of grief is raw and real. It is love in its most wild form" - Megan Devine.

#I'm applying some of this to how I'm grieving the end of the show. our relationship with it has just changed..not ended #toh analysis #the owl house #luz noceda #king clawthorne #toh hunter #philip wittebane #caleb wittebane #manny noceda #papa titan #grief in The Owl House #loz writes a meta #death mention

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drconstellation · 5 months

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First-Order Archangels

Part 1: Maybe You'll Spot An Archangel

GABRIEL: I told you you could ask. However, I am the only First-Order archangel in the room, or, you know, the Universe, so I'm not gonna answer so much. But you feel free to knock yourself out with all the asking.

While I was writing my meta series The Passion Of Jimbriel it became fairly obvious to me there was something more going on between Crowley and Gabriel in S2 than just the numerous pointers to Crowley's pre-fall angel status. They are acting as both parallels and foils to each other, and in places you can swap their characters and get the same story at a different time – and that just opens up a whole new window of context and insight into things. For pre-reading, see this meta from @vidavalor that nicely lists some obvious parallels. It doesn’t mention everything though, so I’m going to discuss parts in more detail.

A foil is a character who contrasts with the protagonist, to highlight or differentiate certain qualities between the characters. Crowley and Gabriel do this because they have come from essentially the same place, and share some story elements, but they still end up in different places.

There is a lengthy original discussion about Crowley's pre-fall angel status here, for pre-reading. It points out the obvious and some not so obvious points that ops have noticed in S2 telling us about Crowley's pre-fall status. Rather than just go through them all again, I'd like to look at some other scenes in S2 that also tell us something about both the similarities and the differences between these two high-powered entities as I go along. In addition, I’ve done a series of posts looking at Gabriel as a shoulder angel (links at the end of post,) because quite often he’s on the demonic left-hand side – which makes sense when you realize he’s a Crowley parallel.

Take the arrival of Gabriel to Whickber St and the bookshop. I’ve already mentioned this parallel story line a couple of times now, but lets look at it again in more detail. It mirrors the opening of S1E1 where the serpent climbs the wall of the Garden of Eden, morphs into a demon and starts to converse with the angel standing on the wall.

Back in the present day, we have a Gabriel, who also tends to present on the sinister-side, walking up to the gate of the present day Garden (the bookshop), which is still guarded by the same angel as it was 6000 years ago, and basically tells Aziraphale he has “fallen.”

How to we know this? It is a reference to the Fall of Man, when Adam and Eve ate the apple the serpent offered them, they suddenly became aware of their nakedness, and hid from God. Gabriel has already upset the love-apple tomato cart on his way to the door of the bookshop, its a sign of the chaos to come.

The fallen angel is not sure of his name, so he prompts with a question…

And asks for shelter under the (reluctant) angel’s wing..

But there is one thing he does know, the one thing that drew him to Aziraphale in the first place:

AZIRAPHALE: Then why did you come to my shop? GABRIEL: I don't know. I just thought I should. You know what it's like when you- when you don't know anything at all, and yet you're totally certain that everything would be better if you were just near one particular person?

Later, Aziraphale realizes that he must give Gabriel a new name to hide him – because fallen angels take on a new name, don’t they? Just like Crowley did.

Then we get a confession:

Which is what Crowley loves about Aziraphale as well - that bit of unpredictability, because you know how humour kind of works? It throws the unexpected at you.

Early on in S2 we find out they are both in trouble: first His Royal Smugness, then Our Hero himself. Our view is turned upside down, with the angel made the bad guy and the demon the good guy who needs to win. But both of them are being hunted by Shax.

Then we get one of the early clues pointing to Crowley's high status as an angel:

SHAX: A miracle of enormous power happened last night. The kind of miracle only the mightiest of Archangels could've performed. CROWLEY: Mm? SHAX: Somewhere very close to your friend's bookshop. Are you telling me you don't know what caused it? CROWLEY: How'd you know I didn't do it?

Shax stalks and threatens both of them, sometimes at the same time:

Another parallel Gabriel and Crowley shared in S2 were associating their identity - no, lets rephrase that - "essence" was one description I've seen - with boxes.

Gabriel arrives with a box that strategically covers his front, and quickly tosses it aside once Aziraphale opens the door to the bookshop. It lies forgotten until Gabriel mentions it a while later. Inside it is the fly from Beelzebub - an object from Hell - so it really needs to be 'invited' across the threshold of the bookshop by Aziraphale to be able to enter. The box initially appears to be empty, Once inside, the fly is free to roam. It has a message written on one side of it.

The same goes for the matchbox. Message included.

ah, wot? you say. Yep.

The matchbox represents Crowley, probably in more ways than one, but I'll just go through the stuff relevant to this meta here.

I notice I'm not the only op to connect the line from the Book of Job on the side of the matchbox with Crowley. The line is from Verse 41, which talks about Leviathan. Among the various shapes it is described to take is a great sea serpent. This deserves its own meta for further discussion, which I plan to do after this one, because yes, Crowley is Leviathan in disguise, but there is much more to it than that. But for now, just know that the matchbox is Crowley.

Once you know this, it makes sense that Muriel finds it - a discarded cardboard box by the front door to Heaven - and deals with a material object that shouldn't by rights exist in Heaven. Then a certain demon finds Muriel lurking outside during the siege on the bookshop at the end of S2E5, and talks them into letting the certain demon be escorted up into Heaven where he doesn't belong, where he's free to roam around - only he needs a guide because he's not sure where to go. Ah Muriel, you poke the Serpent, he's going to poke you back. Good thing he likes you, and it just was a gentle nudge.

Two empty boxes, two cases of memory-loss. That is what S2 seems to suggest to us at first glance.

Gabriel's seems to be the most straight forward in hindsight - find the fly and restore Gabriel to his original "Gabriel-ness." But its more complicated than that. When pushed to remember, his lilac eyes return and another voice can be heard speaking through him of the past. This happens twice, with the second one being part-prophecy. What is really triggering these episodes of channeling? Is it God or someone else speaking through him? We really aren't sure at this point in time.

Then there are questions around Crowley's memory. Did he have his memory wiped when he fell? Was it wiped repeatedly? Was it not wiped at all, and he just pretends he doesn't remember? Neil has even said he is an unreliable narrator about his own Fall, so who are we to trust at this point? Crowley does seem to understand in the end some of the problems Gabriel is having with his absent memories and that brings them to a temporary truce.

Both Aziraphale and Michael inspect their respective "empty" boxes, and neither notices anything obviously amiss. Gabriel's box just seems empty to Aziraphale, he takes no notice of the fly container in there, and archangel Michael tentatively inspects the matchbox brought to them by Muriel but nothing seems out of place there either.

Crowley's change in costume in Heaven during his little infiltration caper with Muriel is also another clue to his past status as an archangel. He has a silvery-gray suit, similar in style to Saraqael's to reinforce the link with them, but at the same time he is also mocking the other archangels and their elite status. We've assumed for a while now that the appearance of the tactical turtleneck signals that Crowley is up to something sneaky or spy related, but I'm starting to think it also relates to a bit of a power play (and Crowley certainly laid the power on for Mr Brown in the pub!) Looking back at S1, Gabriel's not adverse to wearing one either when he needs to be at his worst (or best. Your choice.)

The way one dresses is a way of expressing and reinforcing authority, and its something both Gabriel and Crowley do without much thought. They have been used to being in a position of power and/or independent authority for much of their existence, and I would say that even if Crowley is a few steps down now from where he started, and he's more cautious around those higher ranking than him than he used to be, he still retains that knowledge of what its like to be at the top.

Crowley's usual near all-black costume is a form of power dressing in itself. Whether is was in the past, when black was an expensive color to buy and maintain in clothing, or in the present day, we are still respectful of those in a stylish cut of black.

Gabriel's impeccable tailoring as Supreme Archangel also commands respect. So it's no wonder that one of Gabriel's first requests on regaining his memories was to ask for new clothes! He wasn't just being the vain archangel we believe him to be (although, I think there is still some of that) you also need to consider the elements of the reference characters that went into his shop assistant character: Granville, the belittled shop assistant nephew from the sitcom Open All Hours, who got stuck with all the shop duties from his uncle and felt like life was passing him by, and the silly Monty Python gumbies, that complained of hurting brains - lovable and much loved characters, but not ones you'd really want to be forever. We all want to be loved, but we want to be respected as well.

For all his fierce posturing around Gabriel, there is a brief moment in S2E3 where Crowley backs down and treats Gabriel as an equal - and that is reflected in a change of dress as well. His outside jacket off and sleeve-garters on, Crowley sports a look we haven't seen since S1 when he was home alone in his Mayfair flat. He patiently explains gravity to a curious Gabriel and then describes his "Operation Lovebirds" plan to his puzzled companion. He admits he hasn't "done weather in ages." It's just a quiet, charming moment, watching two ex-archangels get along together.

You're smiling, aren't you?

This meta continues in Part 2: Foils of War, where the differences between Gabriel and Crowley get explored in more detail, and how Aziraphale and Beelzebub act as mirrors to each other a few times as well.

This meta is part of a series on Gabriel: Gabriel as a Shoulder Angel: S1 Study S2 Study Part 1: Ep.1 The Arrival and Ep. 2 The Clue S2 Study Part 2: Ep.3 I Know Where I'm Going and Ep. 5 The Ball S2 Study Part 3: Ep.6 Every Day

First-Order Archangels Part 2: Foils of War

First-Order Archangels Part 3: Seeing Eye to Eye

#good omens #good omens 2 #good omens meta #crowley #gabriel #the only first-order archangel in the room #or you know the universe #aziraphale #garden of eden #fallen angel #his royal smugness #how will our hero cope #maybe you'll spot an archangel #book of job #vavoom

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