#this is just a good post full of many good things!

[phyrestartr]

Icarus Drabbles (Pt.2) | Sukuna x M!Reader

W/C: 3.7k [#Modern AU, ABO dynamics, Mob Boss!Sukuna, Alpha!Sukuna, Street Doctor!Reader, Omega!Reader, toxic relationships, age gap, sukuna is mid 30s, yuuji gang and reader are mid 20s, sukuna and yuuji are brothers, sukuna has FEELINGS, but he is BAD AT FEELINGS, nsfw, fluff, hurt/comfort, cheating, zenin family mentioned, lightly edited lmfao]

Note: There will prolly be a third drabble thingie lol I just wanted to post SOMETHING

tag: @better-imagination-9

1. Restless

Sukuna finally bagged you, the omega he pined over and hunted down for over a decade, and knocked you up, made you move in with him to ensure he could keep an eye on you and that growing baby bump. His alpha had rejoiced, running its victory lap around Sukuna’s chest, but then it slowed, yawned, and curled up, satiated. 

Now, his human side was left to its own devices, and it was bored. 

Probably because you were boring. Or, well, you’d become boring–you and your omega seemed more in-tune with one another, both settling down as soon as you both agreed on staying with Sukuna, with your mate. To Sukuna’s human instincts, that meant you were about as exciting and fun as doing his taxes. Yet, at the same time, he couldn’t fathom letting you go. Whenever the hypothetical crossed his mind, that second set of eyes would open and stare, tear bared, anger rippling. And Sukuna would agree with it. He didn’t want to lose you, yet he didn’t always want you either. 

And he was bored. 

“Hey,” you cooed, leaning over his shoulder as he stared into space on the couch. “You okay?”

Sukuna blinked a few times and rubbed his face tiredly, finding himself growing pissed off at the dull delight your presence brought him. “Yeah, ‘m fine. Need something?”

“Well, Christmas’s coming up,” you reminded. “Wanted to make sure we were still–”

“Can’t.” Bitterness rose in the back of Sukuna’s throat. God, he didn’t even want to look at you right now. “Gotta work.” He finally spared you a glance, but only after a long stretch of silence. You didn’t look perturbed or mad, not really sad or disappointed, just…placid. 

You looked at your phone, staring at something just for a moment before returning back to him with a slight nod of acceptance. “Alright.” 

Sukuna's other bristled. “Alright.” 

“I knew you couldn't really be taken ‘n tied down, Sukuna-sama,” Yorozu cooed as she cozied up into the spot between the man's legs, her hands smoothing up and down his thighs before deftly unlatching his belt and ripping it off. “You're too good for that sort of life.” 

“Don’t you have somethin’ better to do with that mouth?” The nice part of Sukuna asked. The less nice part of him wanted to rip her head off and punt it at the stupid fucking moon. Luckily for her, he was trying not to throw as many things at the horizon these days. 

Yorozu's eyes shone with pure delight. “Oh, of course, of course.” She unzipped his slacks expertly quick and pulled free his half-chub, excitedly stroking it to get him to full-mast. 

Sukuna sighed and sank back in his chair, trying to focus and enjoy the attention and spice he so sorely missed, but it was hard. Well, not hard, which was the problem–his mind wasn't finding this (cheating, getting a blow job at his desk, having a woman with tits on his knees for him) exciting. Thankfully, though, his body reacted in his mind's stead, and decided to not embarrass him. 

He closed his eyes and focused on the small hands grasping his base and holding his thigh–but your bigger, stronger hands held him better, digging in without the lethality of acrylics threatening harm. At least her mouth was warm, her lips soft--but your lips were soft, too, and you knew where he liked to feel your tongue press down. Her hair was silky and thick enough to fist his hand in–but yours was just…better. He couldn't describe it, but–

Knock it off, he growled. He needed a break from you, from how mundane you made everything, that was the whole fucking reason he ditched you in the first place. You were boring. You were making life boring. You–

What were you up to, actually? 

Sukuna sighed, this time in defeat, and snatched up his phone while Yorozu gave him head. He scrolled through whatever socials he knew you had, but saw nothing new, nothing Christmas-y. 

Who the hell is he visiting again? He looked to the side, gazing through the huge windows looming behind his desk as he thought, and then remembered. 

Sukuna tapped open your text thread and grimaced–it was so blatantly one-sided. The sight of his flippant convo-killing responses hit him with a wave of psychic damage that probably couldn't be fully healed for as long as he lived. He wasn't a fan of texting, but he was a fan of you. But-wait, didn't he loathe you?

5:05am went to see my mom for christmas

5:05am getting picked up dw

5:06am hope work doesn't suck too much

Right. You went to see family. Right. Sukuna was supposed to meet your mother. 

Damn.

“Fuck's sake,” Sukuna muttered moments before fisting his hand in Yorozu's hair and pulling him off his softening cock. “We're done.” He stood and tucked himself away, ignoring the indignant scoff the woman sent his way. 

“Sukuna–” 

“Leave.” He sent a text your way instead of tuning in to whatever Yorozu said as she picked herself up off her knees:

10:49pm When should I pick you up?

Of course he was gonna pick you up. He wasn’t about to let someone else take care of you for a second longer. 

“Clearly you're unhappy,” Yorozu finally cut in. 

Sukuna saw a read notification pop up in the chat. 

“Clearly that other one isn't satisfying you fully.” 

He watched the three dots pop up as you replied back. 

“After he has your pup–”

10:52pm you can come now

10:52pm if you're free 

“--you should reconsider your choice in mate–” 

Bang.

10:53pm Send me the address.

He stepped over her and the pooling crimson on his way to the door, texting Uraume to call the cleaners to take care of a mess in his office while he went to pick up his baby mama. 

Picking you up had been eventful.

Firstly, Maki and Mai had refused to open the gate for Sukuna in favour of mocking him and exclaiming, “are you kidding me? You're the baby daddy?” while incessantly prodding him for information. You'd managed to bat them aside to let him up to the house, though it took some effort on your part. 

Next, Toji Zenin himself was waiting at the front door, arms crossed, totally unbothered, dressed in his hideous Christmas jumper that his woman had apparently made him wear as punishment for something. Sukuna ribbed him, hiding just how confused he was about the entire thing–he didn't fucking get why there were so many Zenin assholes here. The outcasts, sure, but what the fuck was that about? 

“Oh. Toji's my stepdad,” you said when you had finally squeezed your dragon's hoard of gifts into the car and got in the damn thing to go home. Sukuna left it at that for the time being–he didn't want to think about what the fuck that meant now that the two of you were together. He had time to ask a thousand questions another day.

His mind still whirred in the elevator, though, and when he helped carry your only-child gifts into the penthouse like a servant put under a spell. You said something to him that he only realized a solid fifteen minutes later was, “I'm taking a bath. There's room for two,” and a fire suddenly lit under his ass. 

“Huh, so you can bear to look at me,” you hummed from the bath. It was large and oaken, filled with yuzu thanks to Uraume's thoughtfulness, and it overlooked snowy Tokyo and all its bustling, light-filled glory and–wait, what.

Sukuna scoffed as he pulled off his clothes methodically. “The fuck is that supposed to mean?” 

You watched him undress shamelessly. “It means you still have lipstick on your dick.” You poked away one of the yuzu that bumped into you. “It's not really my colour.” 

Sukuna clenched his teeth and kicked aside his clothes before grabbing the showerhead to wash off before joining you because he was going to join you. No matter the case. No matter the objection. 

But you never objected. You leaned back in the tub and watched him while you rolled another yuzu between your palms. “Did you have fun fucking her?” Fuck, you could be so scary sometimes. And you didn't even have to try.

Sukuna found it hard to answer. He found it hard to even speak. Christ, was this shame? “Look–I didn't fuck her. Didn't even get close.” 

“So she just sucked your dick.”

“Tried. Didn't finish. Couldn't.” 

“So sad. Why not?”

“‘Cause she's not you.” Sukuna finished with the shower and slipped into the bath, sitting across from you with a content sigh. “You give better head.” 

“That went from being somewhat meaningful to annoying,” you grumbled. Still, you scooched over to him and pressed up against his side, clearly in the mood to forgive his stupid little attempted fling. “So. Then you're sure about this.” 

“Sure about what?” Sukuna wondered, suddenly feeling more at ease with the rich scent of you pooling through his senses. He leaned into you when you carefully smoothed his hair out of his face with that usual, simple gentility he'd come to desire so desperately every day. “Sure about you?” 

“Yeah. Us. Everything.” You nuzzled at his neck, dutifully scenting him up with kisses, nips and licks. “You started pulling away like a pussy, so I figured you regretted it.” 

Sukuna had to laugh. “You're callin’ me a pussy?” He half-growled before yoinking you into his lap and squeezing you up against him. His grin widened when he saw you hold back a smile. “I think you should apologize.” 

“You cheated on me with your stalker. Why do I need to apologize?” 

“You hurt my fuckin’ feelings.” 

“Oh. Hm. I see.” Your fingers, bigger than a woman's yet still elegant as a piano player's, danced across his firm shoulders in thought. “I think you need to have feelings for me to hurt them.” 

His hands found their rightful place (on your ass) and kneaded your skin thoroughly, squeezing and pinching wherever he felt most enticed. “You know I have feelings, sweetheart. Why do ya think you're here in the first place, huh?” 

Your scent flared with bashful approval. “Guess that's good to know. These days, you've left me wondering.” 

Sukuna grew placid gazing upon your features, listening to your words. If he really tried, behind that diamond mask of nonchalance most Zenin brats wore, there existed soft, vulnerable skin--tired and ragged, worried and creased. He'd done that to you. Why had he done that to you? 

He lifted a hand from your curves to cup your face gently, his touch breaking through the shields you so bravely put up to tell the world to fuck off. And you leaned into that touch so eagerly, so hungrily, with a sigh that sounded like you just remembered how to breathe. 

“‘M sorry,” Sukuna mumbled. The word felt foreign on his tongue. He didn’t know if he even said it right.

Your eyes squeezed shut just a little tighter, holding onto whatever you could of your crumbling shell as your hand rose to rest on his. “You know I love you,” you said while diamond dust turned to quicksilver.

Sukuna wiped the glimmer from your lashes. “Love you too, runt. Mean it.” Those words still felt strange, too, but he loved those words. He loved the way they made you glow from within, how they solidified you and stopped you from collapsing into a melted mess in the face of his betrayal and swift try at redemption. 

You nodded a little, the hard line of your mouth softening. Sukuna relaxed and hugged you close to him, purring deep in his chest in rhythm with you as you wholly accepted him in return and buried your face into his neck. He did the same, scenting you the way you had him, enjoying your company and weight against him. Because he loved you. He really did. 

So, he said once again, “Sorry.”

2. Family Matters

“Sukuna,” Wasuke warned. The attention of the younger alpha, leaning against the counter, was on you as you yapped on about this and that with his little brother.

Sukuna grunted and looked over his shoulder at the old man, though, silently and curtly asking, what? even though he already knew what was coming.

“Leave that boy alone.” 

Sukuna stared at his grandfather. It'd become more and more common, the way the young man challenged his elder, maintaining hostile eye contact that threatened the beginning of the end if the older broke first–but he never did. The old fuck was too tough. Molded by whatever his own colourful irezumi put him through. 

Once, when he was younger, Sukuna wanted to know how to break his elder. He wanted to crack him open and rip those secrets from him, find out how he could use that knowledge to his advantage to never feel so small in the eyes of another ever again. He hated it. He hated the dominance held over him, the humility that came with it. 

But, like always, Sukuna broke first, looking away with a grumble, reinforcing his place in the food chain.

Sukuna sighed. The old house was the same–far too traditional, too plain, too normal. It irked him to his core. Here, amidst all the boring normal shit of his past, his status in society no longer mattered; here, he forfeited first place, and took up second.

“Hey,” came your voice, muffled by the car window separating you from your lover. When Sukuna looked over at you, he saw his little nugget tucked safely in your arms, only half-awake as she nuzzled into the warmth of your chest. 

But then there was you. A face full of confusion, annoyance, and exasperation greeted Sukuna. You went for the door handle to wrench your man out of the car, but he locked it, watching you yank on the handle a handful of times before you knocked on the window incessantly. 

“Get out of the goddamn car, you little shit,” you hissed, looking between Sukuna and the front door of the house frantically. You stared at him hard, then, your frustration building every second your alpha refused to budge and end the embarrassment crashing down on you. 

A terrifyingly calm expression took over your face, before you adjusted the little pup in your arms and fished something out of your pocket. Sukuna didn't realize what it was until you leaned over and slammed your fist into the hood of the car, tearing into it easily with the fucking key in your hand. 

“You gotta be shitting me–” Sukuna scrambled to unlock the door and swing it open. He hopped out and slammed the car door closed. “You little–” 

“Oh, good, you found your balls.” 

Sukuna groaned as he looked at the damage you left. “Baby, you know how expensive this is gonna be to fix? Fucking hell, why're you such a crazy bitch?” 

“Well, look who I'm stuck with,” you said lightly. “Obviously you've corrupted me. It's not my fault.”

Sukuna grumbled and turned to you, grabbing you and pulling you close; but instead doling out a punishment as his past self was so accustomed to doing, he aggressively nuzzled the top of your head, viciously scenting you up and squeezing you against his solid frame while he grumbled and growled. 

“I'm splitting you in half when we get home.” 

You sighed, dramatic. “Oh no. I'm so afraid. But I guess I deserve such a brutal punishment. Sigh.” You nuzzled him back before tiptoeing up to kiss his chin, then his lips when he leaned down to meet you the rest of the way. “Ready?” 

Sukuna took a deep breath and looked over your face, running the back of his fingers against the rise of your cheekbone. He loved touching your face these days (more than usual). You still held onto a bit of pregnancy plushness that filled in the hollow angles of your handsomely beautiful face and other once-bony parts of your body. You'd never panicked about it, but you bitched and moaned, loudly lamenting about the way your clothes fit a little differently or how you just had to keep stealing Sukuna's shirts to replace your own. 

Touka, your little one, mewled from her spot smooshed between her parents. Sukuna sighed as he pulled back to look down at her, hoping she'd take most the heat off of him when he faced his grandfather again. 

“Let's just get this over with.” 

Yuuji was the one who answered the door. He lived with Wasuke, claiming it was just easier and cheaper than getting his own place, but most knew the younger was a worry wart; he couldn't stand by and let his grandfather get put in a home or quietly tough out everyday life on his own in his elderly years. Yuuji stayed for the sake of family, and Wasuke quietly welcomed it. His brother's goodness nearly struck Sukuna with guilt. 

But any chance at guilt died the moment he met the old bastard's stony gaze. 

“Itadori-san,” you cooed pleasantly, a far cry from the demon that'd keyed Sukuna's car. “It's good to see you again.” 

Wasuke quirked a brow and walked up to you, nudging Yuuji aside so he could get a good look at you and the pup nestled to your chest. Sukuna took a breath and looked away. He didn't need to see the critical stare of the old man while he processed the fact that Sukuna had indeed not stayed away from you. Ugh, the idea of being scolded made the alpha itch. 

“We're far beyond honorifics, boy. You know that,” Wasuke lightly scolded, and you beamed. Sukuna could imagine a little shiba inu tail on you, wagging fast enough to take flight. “I'm glad to see you in one piece after taming my grandson. It must've been a damn ordeal.”

Yuuji cackled impishly, pointing at Sukuna. “Oooh, burn.” 

“Sorry, who got the omega in the end?” Sukuna quipped back, making Yuuji sprout a grumpy look and cross his arms with a mumbled you suck. 

“Quit the fighting and come in,” Wasuke ushered. “And you,” he snapped, looking at Sukuna with chronic disapproval, “Take off those sunglasses. You're trying too hard. Look like an idiot.”

You stifled your laughter as Sukuna grumbled and plucked his shades off. His very cool, very neat, very fancy, very expensive shades.

Wasuke ushered you all inside, gesturing to the kotatsu prepared with food and drinks and starting off on a grumbling rant about the shitty cold mornings and warm afternoons that came with Spring. Obviously, he'd complained to break the ice, and it worked. 

Small talk turned into easier conversation. Whenever Sukuna seemed to struggle with being cordial, you would lean into him more, squeezing his hand tightly whilst purring under the radar. That worked, too. As much as Sukuna was an asshole, he didn't want the afternoon to fall apart. Better he stay quieter than say something to regret. 

“They've calmed you down,” Wasuke said, snapping Sukuna's mind to attention. It was then that he finally noticed Yuuji had effectively kidnapped little Touka and was giving her a tour of the house like she actually gave a shit. 

“Hm?” He grunted, so eloquent. 

You rolled your eyes and shook your head, leaning into your partner more with a sigh. “Words, not grunts, Sukuna.”

He huffed. “You grunt at me all the damn time.” 

“Not at our elders.” 

“Tch.” Sukuna rubbed the bridge of his nose. “Whaddaya mean they've calmed me down, huh?” 

Wasuke, for once, looked somewhat amused. “Your pup. Your mate. They've made you human.” 

“Ha? You're actin’ like I was some four-armed, two-faced freak or some shit.” 

“Some days you acted like it,” Wasuke scoffed. “Doesn't matter if you agree or not, I can see the change in you, kid–that wild thing inside of you is finally settling down.”

You hummed and looked up at him. “I've noticed, too. You're less pissy. More tolerant. Still annoying, but that's just a personality flaw.” Sukuna growled and nipped at you, but you faced him so very bravely and suffered no such nip. 

“I'm glad for you, kid,” Wasuke interjected, breaking up the petty fight that was about to go down. The two of you looked back to the eldest. “You were a real pain in the ass, and you fucked up a lot along the way, but you made things work out. You should be proud.” 

Sukuna would never be able to put his feelings, the utter rush he felt getting his grandfather's approval, into words. 

“So where does this end, kid?” Wasuke asked. 

“What?” He asked before he could properly think it through. 

“This life. Your ‘profession.’ How long're you gonna keep that up, huh?” 

Sukuna could feel you lean into him more, letting more body weight ease your shared worries about the life you shared and the professions you'd taken up. Both unpredictable. Both in the crosshairs of dangerous beasts.

“You think we'll end up six feet under like mom ‘n dad, that it?” Sukuna rasped. He looped an arm around your waist and squeezed you against his side in reassurance as Wasuke's expression grew gloomier.

“You're more like your mother than you know, kid. You don't–”

“‘Course I don't know,” Sukuna interrupted, firm but not vicious. “Mom was a fucking moron ‘n knocked up whoever the fuck she could to get an in into one of those big-name clans. No shit they'd get pissed off and kill the bitch.” 

Wasuke scowled, but didn't argue. It was hard to when his daughter in-law was in the wrong, when she dug her own grave with every child sired before slipping and falling in on her own. A sad story. An incredibly stupid one, too. 

“That won't happen,” you offered mildly. Sukuna looked down at you, suddenly feeling the urge to shoot another baby into you as you spoke up on your own. “I trust Sukuna as much as I trust myself; he's worked hard to create an untouchable empire, and I have the connections to supplement it.” You glanced up at him. “If it's not Sukuna, then it'll be someone else running Tokyo. I couldn't think of a better king.”

A beat of silence passed before Wasuke asked, “And you, kid?” You afraid? 

Sukuna willed his mind out of R-rated territory to look at his grandfather. “You know me,” he started with a troublesome grin, “I can't stay away from what I want.” 

#sukuna x reader #ryomen sukuna x reader #sukuna x male reader #sukuna x m!reader #sukuna x you #jjk x you #male reader insert #male reader #jjk x reader #jujutsu kaisen reader insert #jujutsu kaisen x male reader #jujutsu kaisen x you

[wtfsteveharrington]

take the upper hand | carmen berzatto x reader

push the reset button we're becomin' something new

description: carmen berzatto is stubborn and anxious and doesn't always know how to express himself. your best friend drags you to a party that carmen knows you'll be at and he shows up to make amends and thank god he does because he saves you from dealing with some drunk asshole.

content warnings: angsty!! drinking/party scene, shitty drunk guy w/ a shitty guy mentality!!, reader gets hit on with one night stand suggestion tones, carmen's ready to swing, mentions of anxiety and jealousy. mentions of reader drinking. kissing, mentions of intimacy related scratches, some light smut references.

author notes: my first time posting something that isn't just smut!! also something that no one but me has read!! normally i always get a proof read, not today. but this idea has been rattling around in my ole noggin' for a minute now so here we are. reminder!! you are responsible for your own media consumption!! if this won't be your jam then there's tons of other fics in the sea (: ily thank you!

even if it's handcuffed i'm leavin' here with you

•• ━━━━━ ••●•• ━━━━━ ••

The last place you wanted to be tonight was some house party in Wicker Park. With Pitbull, of all artists, playing so loud in the basement that the floor upstairs was still vibrating. Everything was sticky and stinky and you did not wanna be here.

But your best friend was hooked on this guy from her gym. 

It didn’t help that Carmy recognized his name from high school and mumbled out some remark about, “Oh yeah, no Dave’s a pretty solid guy.” She was convinced it was a sign that they were meant to be. Not to mention she found his mom’s Facebook and a post from two years ago that included his birth time. The whole train ride over you listened to how compatible the two of them were and how much she loved that he was a Scorpio rising. 

She had begged you to come to this God forsaken party and help put in a good word for her. Something had her convinced that if you mentioned just how well you were getting to know Carmen to this Dave guy that he would hold your opinion of her in higher regards.

And sure, maybe there was a part of you that hoped Carmen would be here even while the two of you were feuding. He knew it was coming up but couldn’t promise he’d be off in time - Something you got quite used to. It normally didn’t bother you that he had so many late nights at the resturant but when it rains, it pours and now you’re stuck sitting next to the sink littered cups filled with what can only be best described as some sort of horrific finance bro jungle juice. A mix of 1942 and fresh pressed juice. 

Your nose wrinkles up at the smell but you’re quickly refocused at the booming sounds of Ethan Callaghan stumbling through the back door. Another man Carmy knew from high school but didn’t like as much. Something about always being too in-your-face. Though you were pretty sure he was close with the guy your best friend was currently hooking up with in some random bedroom down the hall. 

The second his eyes land on you there’s a lopsided smile being thrown your way as he tries to fluff his hair and stand up as straight as possible. He’s stumbling into the kitchen with a full drink in hand, droning on and on about how he was ‘just so jealous’ that your friend went into that bedroom earlier. How nice it must be to not end the night alone. No pleasantries at all, just right into the whole lonely and horny act that was grossing you out. 

No one particularly knew you and Carmy were together yet - He wasn’t the type who wanted to label right away and potentially mess things up and you weren’t the type to out your dating status to random drunken men either. Besides, you weren’t so sure that ‘I have a boyfriend’ would put an end to this pitiful man’s sob story. 

As if, on queue and manifested right out of thin air, Carmen rounds the corner and takes a second to soak in the sight in front of him. You’re sitting there with your eyes trained on the water bottle in your hands. Ethan’s yapping away about how pretty you are and how big his apartment is. An excellent view in Streeterville that you’d love to see with the best brunch place in town two blocks away blah, blah, blah. Your shoulders are hunched over, body leaning away from Ethan as he stands at the window watching his reflecting in the window above the sink. 

“Hey - Been looking for you.”

Carmen.

Your head whips around to the sight of his voice instantly. There’s a pang in your chest at the sight of him standing in front of you after you two had been apart for these last few days. He looked tired. Wearing a sweater he knows you love because he wants to look nice for you. God you wanted to run over and crash yourself against his chest. Screw the petty fight. Instead you’re stuck giving him a very pointed look, hoping he takes the hint to save you. 

He’d be lying if there wasn’t a split second where Carmen feared you were actually going to go home with this loser until he saw the panic and annoyance written across your face. Ethan’s laughing at the sight of him. “Hey, Dude. Think we’re all good here, yeah?” Oh he hates this dick. 

There’s a thick level of tension in the room as Carmen squares up his shoulders and steps further into the room. His eyes are trained on Ethan who clearly wasn’t expecting much of a fight out of Carmy. He stops when he’s standing between your knees, putting himself between the two of you. Something about the way he instantly turned possessive turned up a feeling deep in your stomach no matter how annoyed you still were. 

“Pretty sure someone out back was looking for you, Dude. It doesn’t seem like anyone in here wants you around. Now either you’re too fucking dense to realize it or you don’t care that you’re not wanted, but I’m here to let you know. So I suggest running out back and getting the fuck out of our hair.” 

Ethan’s clearly entertained while looking between the two of you, a playful glint in his eye. You’re silently begging him to walk away and find yourself bringing a hand up to put on the small of Carmen’s back. While you’ve never seen him actually fight, you’ve seen many scraps between him and Richie. Heard stories of him growing up and heard the Bachelor party story. 

You’re fine not having your own fight stories to tell. 

T-Pain is now blasting in the background and the contrast of people laughing and singing downstairs versus the situation you’ve found yourself in is making your head spin. The whole time your best friend is clueless and wrapped up in Mr. Scorpio Rising. She owes you big time. Like you’ve secured friend of the year already and she needs to throw a parade in your honor after going through this.

Ethan’s finally putting his hands up in the air, that shit eating grin still plastered across his features. “My bad, my bad. Didn’t know you were already claimed.” Claimed. Gross. Your fingers press into Carmy’s back, a silent plea to beg him not to escalate this even more. He’s laughing at the sight of the two of you before snagging a half finished bottle of vodka off the counter and backing up towards the back door. 

Carmen steps out from between your legs and follows Ethan to ensure he leaves. Shoulders pushed back, chest puffed out. You’d find the sight entertaining if you still weren’t so on edge. Carmen Berzatto, your protector. 

And sure, he’s probably just making this asshole someone else’s problem for the night but he doesn’t care. The main priority is getting you away from him and getting you safe. 

You catch the sight of his curls out of the corner of your eye when Carmen returns and instantly steel your spine. The shift in the air now that Ethan is gone was thick. He was a distraction from the distance between you two but now you’re preparing yourself for another argument when really you had no energy left to give it. There was a small worry that he’d think you gave Ethan any inclination that you were interested. Even though you two had been tense, there was never anyone else but you but him. Even if you’re too stubborn to drop that information just yet.

Carmen’s quiet. His heavy boots against the floor make your heart beat faster. Everyone had scattered out of the kitchen when he walked Ethan out of there but not before giving you two a nervous glance as they went. Some probably disappointed there wasn’t a fight if we’re being honest.

“Hey.” 

You don’t dignify him with a response. Crossing your arms over your chest and taking a sudden interest in the magnets that littered this guy’s fridge. Toying with the idea of putting the ‘Area 51 is for Lovers!’ magnet in your pocket. You figured you deserved something for going through this hell of a night. 

He stops himself once he’s reached your side, the silence awkward and thick in the air. Carmy’s hand is on your knee now, his touch not as firm as you’re used to. The whiplash of emotions once again not helping either of you know just quite where you stand. 

“M’still mad at you.” 

He winces but he knew it was coming. 

The two of you wallow in silence. Carmy’s just about to finally speak but someone stumbles in on the hunt for vodka, takes one look at the annoyance on your boyfriend’s face, before quickly muttering they’ll find it somewhere else. 

And you still won’t look at him. 

He’s grabbing at your waist now, pulling you from the counter and against his chest. You wanna protest but there’s still a buzz going through your body that makes it hard to think quick enough to push back. Plus God does he feel warm and smell so good.

Carmy’s walking backwards towards the fridge, waiting until his back is flush against it to slide down. Bringing down those magnets you wouldn’t stop staring at, family photos, whatever was in his way came with the two of you. He’s tugging you until you’re straddling his waist while he brings his knees up to support you. Grabbing a hold of your face, finally making you look at him and fuck he looks like shit close up. Dark circles, hair a little messier than he’d normally allow, a bit of fear deep in his eyes. 

“You gotta tell me how to fix this.” It’s all unfamiliar territory for him. There wasn’t exactly a good example set for him growing up to say the least. 

Four days ago Carmen watched as the barista at some coffee shop you wanted to go to flirted with you. That shit already annoyed him, but he tried to bite his tongue. Then your latte came out with a heart in the foam and you kept explaining that’s just how they all come out but he was jealous and possessive and didn’t know how to communicate that so instead the two of you fought in the car for an hour. It was so stupid and he’s been kicking himself in the ass ever since. 

The past four days you refused to talk to him and had done a good job at dodging the situation. Normally you two fight, you fuck, and then you pretend everything’s okay. The cycle was getting old and wearing you down.

Until now. 

You give a heavy sigh, reaching out to toy with the bottom hem of his shirt. Carmy really did look like it had been going through it so you’re throwing him a small bone. “Maybe not making me sit on a sticky floor would be a good start.” He’s muttering out this small laugh, thankful to hear anything coming out of your mouth let alone a joke, the sound vibrating against your fingertips and you hate how much it fills your heart. 

He waits for the rest. The other shoe to fall. Every ounce of laughter is gone when you finally collect yourself enough for - “Do you think we’re good together, Carmen?” You can feel him stiffen under you, his hands gripping at your waist because he needs something to give him some stability. 

A beat goes by. “I think you’re the best thing that’s ever happened to me.” Another beat, this time it’s Carmy who refuses to look at you. Eyes downcast and trained on your lap. “But I’m not sure I’m good for you.” You weren’t expecting that. 

Once again silence falls between the two of you, still toying with the hem of his shirt before you lean in to bury your face in the crook of his neck. Taking a deep breath that’s filled with his cologne, faint smoke, and just Carmen that you’ve grown to crave. “You just gotta learn to trust me, Carmen. Outta everyone in this world, I’m the main one who never wants to hurt you. Especially for some barista with a fuckin’ comb over.” 

You hoped he would laugh again, but the sound never comes. Instead you feel his arms go tight around your body, his knees coming up a bit more which makes you fully lean into his chest. He’s clinging to you, wishing so badly he knew what to say (or could let himself) say what he knows he needs to. Instead he’s just pressing a kiss ​​to your head, sighing into your hair. 

“I wanna be better for you. Just don’t know how.” 

The two of you cling to each other and fight to get as close as possible. The distance apart these past four days has left the both of you physically aching for one another. It’s been hours, days of a tense heart and checking phones for texts neither of you knew how to send. You press a kiss against his neck, leaning back just enough to grab his face in your hands and stroke your thumbs over his cheeks. 

“It’s scary for me too, y’know? This, us. You’re not alone in being scared but lashing out at me isn’t gonna solve anything. I’m not going anywhere, Carmy.” You take the first step in mending the relationship by leaning in to press a gentle kiss to his lips. There’s a hand coming up to cup the back of your neck, holding you in place as if he’s still scared you’re going to change your mind and run off before he can realize it’s happening. 

He’s letting you take the lead and only deepening the kiss once he feels your hands slide under his shirt. Fingers trailing along the toned skin while Carmey licks your bottom lip. Your hands glide around his back where you’re able to trace over healing scratches left on the skin from your last night together. 

Your lips part and you take the lead once again, letting your tongue slide along his and giving a low moan into his mouth as you taste him. There’s the lingering taste of cigarettes mixed with black coffee and Carmen. Once again indescribable and simply him. His grip on you tightens up in response and you know if you’re not careful then you’ll end up disheveled and tangled up in the backseat of his car or bent over one of the sinks in a disgusting bathroom. Both options you refuse to pick over getting home and letting him properly make this up to you. 

Dragging your nails along the healing marks, Carmen starts to lose track of his kissing. His grip on your neck tightening a bit more, hips rocking up towards you against his better judgement. The motion’s getting needy and sloppy and you have to pull away much to both of your disappointment. 

Shaking your head and bringing your hands up to rest flush against his warm chest. “You’re not gonna fuck me on this nasty floor. I deserve better than this.” Which, of course you do. He just gets carried up when he’s wrapped up in you. He’s nodding in agreement but can’t stop himself from licking his own lips to chase the sensation of you.

He’s looking over your features, his heart picking up pace even more than he thought was possible anymore. “Think you’re meant to be my forever, y’know? Sometimes I look at you and it scares the shit out of me because I look ahead and-... It’s you. Kids sitting at a table in the restaurants doing homework. A honeymoon overseas where I get to drag you around different pasty shops and restaurants and we’ll find random art in flea markets to hang when we get home. Take photos that end up framed. It’s you. Always.” 

Now how are you supposed to be mad when he’s this open and honest. Unpacking a future you had thought only you considered so far. You hope this behavior sticks. It’s not easy for either of you, but it’s worth fighting through the learning curve. “Kids, huh? Multiple? They’ll be your harshest critics, Carmy. I dunno if you can handle their reviews quite yet.” He’s chuckling, shaking his head with a lazy smile. “No, not yet. But one day.” The promise of more between you finally putting an end to this discussion for now. You make a mental note to remember this moment when the two of you bicker in the future - No matter what there’s always more on the road ahead of you. 

Which makes you smile too. Wrapping your arms around his neck. “One day.” You reward him with one more kiss, knowing that’s all the two of you can risk before you end up sprawled out on this floor. 

Carmy’s desperate to keep the lightened mood. He’s giving it a moment for both of you to calm back down from kissing before playfully scrunching up his face. “God you taste like shitty tequila.” It works. You’re laughing and swatting your hand against his chest, feeling a bit lighter than you did when you walked into this place. “Carmen Berzatto be nice to me!” 

He’s beaming at you now. Bright, happy. 

It’s a stark difference from the funk you’d both been stuck in since this fight started. The sight makes your heart swell and you bring a hand up to push some curls back off of his forehead. Leaning in to press a kiss against the tip of his nose. 

“Lemme take you home, yeah? Get you some food on the way? Gotta make sure someone so pretty doesn’t wake up with a hangover.” He loves taking care of you in anyway you'll let him.

You nod and carefully start to shuffle off of his lap. Getting yourself to your feet before reaching down to help tug Carmen up to his feet. You catch as he adjusts himself in his pants, a flush blooming along his cheeks and down his neck. Stepping back in until you’re chest to chest with him, you press a line of kisses along his jaw. Rough stubble going away once you find his lips yet again. You hum against his mouth, bringing your hand up to cup his cheek. “You gotta shave in the morning, Carmy.” He’s nodding instantly, reaching his hand down into his pocket to fish out the car keys. 

There’s a notification lighting up your phone - Perfect timing. A simple “Gonna spend the night ;)” text from your best friend. You can’t help but to grin and roll your eyes, turning the phone around so Carmen can see the notification too. He’s laughing while sliding a hand into your back pocket and starting to lead the two of you out of the kitchen. 

“Yeah, remind me to tell Dave that his friend fuckin’ sucks.” 

#why am i nervous to post this #♡: c.b. #carmen berzatto #carmen berzatto x you #carmy berzatto x reader #carmen x reader #carmy x reader #carmy berzatto x you #carmy berzatto

[lady-raziel]

Cna i... Can I ask what the beef is with M Night Shyamalan?

fair warning, this is a self-indulgently long post. but if you endure the page break, you may find the story entertaining.

a long time ago...in a small indie comic book shop in downtown Philadelphia...

picture this. it's circa 2016. my hyperfixation at the time is DC Comics-- the Flash specifically. I like the Flash, but I really like his nemesis, the Reverse Flash. This guy's gimmick is that he has the same powers as the Flash, but he's also evil because he used to be a Flash stan and his idol didn't validate their parasocial relationship when they actually met in person, and now he just wants to kill the Flash instead. It's a long story. Reverse Flash has died many times. He's also from the future, but that's not the important bit right now.

Anyway, despite being one of the Flash's main enemies, there are not that many comic book issues that feature the Reverse Flash for some reason. My main hobby at the time of this whole ordeal is to go to the local comic book shops and search through the bins of back issues to find anything with the Reverse Flash in it (bonus points if he's on the cover, but at a certain point you can't be picky). I'd been fairly successful at this, and had even been able to avoid buying too much off Ebay as I really didn't care too much about the condition or grade of the comics. The comic book shop in downtown Philly I was in on the day of the Incident was one I'd been to before, but not in a while as I went to school out in the suburbs and didn't leave that general area too much.

So. I enter this shop, and it's not too busy. That's a good thing as it's not a large space and if there were too many people it would have been very difficult to navigate around the displays of Funko Pops and tables of back issues. However, as I was soon about to find out, it doesn't matter if there's only one other person shopping at the same time as you if that person is the wrong person.

I make my way to the back where all the big boxes of old comics are, and scan the rows alphabetically to find the 'Fs.' I see 'Firestorm,' and 'Fantastic Four,' and all the others...but there, right there, where the Flash comics should be...there's a guy. Standing there. In the way.

Now, that's alright. He just seemed to be perusing randomly and wasn't actually looking at the Flash comics specifically (my Flash comics), and I can just go look at the action figures or something until he moves to another section of the shop. No problem. I mean, it's one box of comics, Harold. How long does it take to look through it? 5 minutes? No, all I have to do is wait a little bit and then I can examine those 1980s Flash comics with my own grubby little paws.

So I do a loop of the store. I examine the Funko Pops (they all look the same), the t-shirts (only Hot Topic quality), the new comics (Superman #1? How many times are they going to reboot this thing?), and even the super expensive vintage comics up on the wall (no Reverse Flash here, and it would still be beyond my price point anyway). But when I finally make my way back to the back issues, the guy...is still there. He hasn't moved. And now he's not even pretending to look at the comics anymore.

Now, to my horror, he seems to be having a full-on conversation with one of the store employees right on top of my box of comics, and neither of them seem like they plan to end this discussion anytime soon. You may be asking at this point, "well Raz, if you wanted to look at the comics where they were standing, why didn't you just ask them to move out of the way?" You're right. I could have done that.

But problem. I have social anxiety. And sometimes it gets very bad about very small things. So while it would have been entirely reasonable to ask these two men to move their conversation elsewhere, the crippling social anxiety made it so that asking for that very small and reasonable thing would have been akin to asking these guys if they would set me on fire right here right now, please and thank you. It wasn't gonna happen. My only option was to hover uncomfortably 6 feet away, pretending to go through the back issues systematically and hope they picked up on what I was doing and moved out of the way when I got back to the 'Fs,' or give up and suffer an hour and a half on the SEPTA train back home with nothing to show for it.

now, i've never had a conversation with famous filmmaker and director M Night Shyamalan. I didn't even know what he looked like at the time, so when all this happened I thought he was just Some Guy who in his unawareness was keeping me from completing my mission. Maybe he's a really engaging conversationalist and talking with him causes you to not notice anything going on around you. That may even be the case-- as neither the Twistmaster himself or the besotted store employee seemed to notice I was there. But I WAS there. And my frantic silent social cues were being "returned to sender," unread.

Meanwhile I was enduring a level of internal turmoil on the level of a character in a Greek tragedy. This was my crucible. Surrender, or do something I was honor-bound not to do. Was this the meaning of an impossible choice?

It was only after almost 15 long, agonizing minutes and two more laps of the store on my part that finally, finally there was a breakthrough. Unaware Man (for this would be Shyamalan's superhero code name) and Employee-Bro had moved to the cash register, as the former had found something he wanted to buy. With speed rivaling the Flash himself, I descended on the fated box of comics like a plague. It seemed that the day had not been lost after all.

However, like any film from the man himself, there was to be a final twist to this tale. One last turn of the knife. You might be thinking-- "And it turned out that there weren't any comics in the box you wanted to buy after all, rendering this whole ordeal meaningless, right? Like any tragic hero you endured the terrible trials only to discover that the treasure you sought was a hollow fantasy of your own creation, and this all could have been avoided if you had not fallen prey to the follies of man?"

No. The problem was-- I did find several comics in that box that I wanted to buy. I even found one with the Reverse Flash on the cover. But now that I had found my prize, I faced a new, even greater challenge, which was somewhat an extension of the old challenge, but to the extreme.

I now had to get Employee-Bro to ring me up so I could leave this cursed place, but here's the kicker: I had to do this while he was still utterly engaged in discussion with Unaware Man and thus blind to the outside world. I had come out of the frying pan and into the fire, because now it wasn't like I could just go home and take only a feeling of defeat with me. My precious comic book finds were on the line, and what was I going to do? Just put them back in the box and leave?

Unfortunately, I was committed. I would have to stand reasonably out of the way of Unaware Man's personal space yet close enough to indicate that I was, yes, in line to check out my purchases. And goddamnit, I was going to do this until all of us died of old age or the world ended.

I kind of lost all sense of time at that point. It could have been only a few minutes. It could have been five hours. All I know is that it was long enough that I wished for the sweet release of death, because then at least I'd be able to lie down. How it eventually went down was that Employee-Bro rung up Unaware Man (because really, processing a credit card transaction and signing the receipt only can take so long), and the two continued to talk as Employee-Bro gradually gained awareness that I Was There Too, and multitasked to check out my items while remaining totally focused on his other conversation and not speaking a word to me.

And that was it. I was free, from the physical prison of the comic book store at least. But again, like a Shyamalan film, this was in reality only the end of the second act. Because as I walked through the streets of Center City Philadelphia and rested my head against the smudged window of the SEPTA train on the way home, I started to descend into the mental turmoil of the question, "wait, who was that guy? Was he like...famous, or something?"

If you've ever been to a comic con or spent enough time in a hobby shop, you know that sometimes Nerd Bros can get really deep into conversation about these sorts of things. Many of them even have lots of opinions on films, and will be happy to share them in detail unprompted. So it wasn't entirely unreasonable for me not to realize in the moment that what was happening wasn't just "Nerd Bros Being Dudes."

But the more I thought about it, the one-sided adoring dynamic between Employee Bro and Unaware Man did seem unusual. And in the bits of their conversation that I had been forced to endure, hadn't one of them mentioned something about...filming locations? What was that about? Nobody in their right mind films stuff in Philly unless they're making the 86th Rocky film or the like.

It was a Google search of "movies filming in Philadelphia" that returned several results of articles talking about how location scouting was going on in the area as part of the production of a long-awaited sequel to the 2000 film Unbreakable, a undercover superhero sleeper hit. Unbreakable, a film set in Philadelphia, written and directed by famous filmmaker M Night Shyamalan.

Shyamalan. SHYAMALAN. the man responsible for 2010's The Last Airbender. it was HIM. he was not only the man who originated the (still unbroken!) curse on the Avatar franchise, but also the man who had ruined my day. Thoughtlessly. Carelessly. Not by massacring a beloved children's television franchise, but by being unaware. Inconceivable.

This was horrific. It wasn't even like I was the Reverse Flash or any other famous superhero nemesis, who had a compelling backstory causing their undying hatred of the hero. Instead, I now had a narrative foil who barely even fit that description, because chances are he hadn't even taken notice of my existence the whole time! This was my supervillain origin story, and it was his normal day!

It was at this moment I swore an oath. I would not forget this terrible day of inconvenience that was partially caused by my own social failings. I would dedicate my life from this point forward to slightly narrowing my eyes and shaking my head disapprovingly when I saw mentions of Shyamalan or his works online. I would color any opinions I had of his films with the thought, "but remember that one time he was kind of a dick to you without even meaning it? what was up with that?"

and that is the tale of my tragic encounter with M Night Shyamalan. To this day, my only solace is that my epic origin story turned out more narratively coherent and with deeper substance than any other film made in the Unbreakable saga, including the one he was location scouting for at the time this happened. Shyamalan can write twists all he wants, but no one is better at that game than karma itself.

-END-

#not included in this narrative retelling: me raising a fist into the air and shouting 'SHYAMALAN!!!' like i'm in star trek wrath of khan #if you read all that you deserve a medal #if there's ever a cinematic adaptation of this event it can only be made by shyamalan himself

[broflovski-brah]

what each of the boys major/minor in

note i have my own version of post covid. it’s an AU and I recognize that. What I’m doing is an AU. so. keep that in mind.

Cartman

Cartman majors in business

i mean-look at how he was in Dikinbaus. He would be really good at business. He’s really good at bribing people to buy his shit

He’s also smarter than people give him credit for. He just has no motivation.

He minors in food science.

I like to headcanon that once Liane realized she was spoiling Cartman she kinda locked in (like she did in HumanCentiPad) and teaches him how to cook.

He actually comes to enjoy it and he seemed to have some knowledge of food science beforehand so

Stan

Animal science major. You can’t convince me otherwise.

He becomes a veterinarian in the future. He works with pets, though he got a job at a zoo at some point (he hates putting animals down)

Hes really gentle with animals. He’s one of those people that thinks dogs are better than people/hj

He minors in biochemistry

I already know some of you are thinking ‘Oh WhY nOt MuSiC?’ but like…realistically I don’t think science and music would really clash together when it comes to jobs

I think he recognizes that. So he does Crimson Dawn on the side when he’s free.

Kyle

This was the toughest ngl

He majors in Psychology

I like to headcanon he becomes a therapist. He likes helping people. Hes compassionate. And no, I don’t wanna hear the ‘Oh He DoeSnT UndErStAnD dEprEsSiOn How CaN hE dO pSycH’ like he was nine at the time

I think he would be the type of person to do research on the side about mental diseases because he wants to learn

And hear me out on this. He originally wanted to major in law. I feel like his dad would be big on ‘having his oldest son carry the family name on’ but Kyle ends up not enjoying it so he drops out

He double minors in political science and philosophy

He seems very high on his morals, so I think he would find interest in philosophy, a place where he can express his moral opinions

And he’s great at debate. So I like to think he would go into political science. Not just because he likes debate but also so he can say he’s ’qualified to talk about this because he’s a minor in political science’

Kenny

Okay okay but imagine Engineer Kenny

He’s creative. He has the ideas. He has the ability. I like to think he worked a lot of odd jobs and got really into building things. And he decided he wanted to do that in his life.

I like to think he’s actually really smart. He just doesn’t really have the best home situation so he isn’t given as many opportunities as he would’ve liked.

Although I also like to think that he would buckle down in high school and actually gets into the top five for his class. He applies to pretty good schools and gets a near full ride for some of them. But anyway, I’m yapping too much

As for a minor, he, like Kyle, double minors. in accounting and math.

He wants to make sure nobody has economic issues like he had. And he has a leg up in what he does because he’s dealt with money his whole life practically.

He’s fairly good at math. Plus he’s already got a leg up, like I said.

ahe really pushes himself in college to become someone who can help people who were in the same situations as him. So he works hard and actually does good.

#south park #skipper speaks #eric cartman #stan marsh #kyle broflovski #kenny mccormick #south park headcanons #south park college au #college au #eric cartman headcanons #stan marsh headcanons #kyle broflovski headcanons #kenny mccormick headcanons

[jacksgreysays]

Extremely late, completely unnecessary opinion of the Watcher situation, (2024-04-24)

So this is a relatively belated post — several days after the initial “Goodbye Youtube” and one day after the “An Update” videos — and surely by this point there are more interesting/insightful op-eds (both in written form and video form, especially penguinz0’s fairly objective POV as, essentially, a YouTube expert) but there is something about the Watcher situation that made my brain itch. Thus, I wanted to write about it in order to make sense of it all as well as get into a philosophy that seems to be haunting me in recent years and which I think applies greatly here.

This may seem completely out of left field considering 1) definitely not fanfiction and 2) about Watcher Entertainment, a YouTube channel which—as far as this tumblr is concerned—I’ve not engaged with whatsoever, but I don’t know where else I would put this, and weirdly enough I think the general tumblr response to this whole predicament is maybe the… if not objective… then at least, most thoughtful?—or, perhaps, least immediately reactive?—amongst the various social media platforms, that I think some people might appreciate this anyway.

In terms of my relevant background: I majored in Management Science (which is just a fancy way of saying Economics + Business + Accounting because they are, weirdly enough, separate things) and minored in Film Studies in school, I am currently working in the stage tech industry (which, I know, is obviously different from film/video industry), and I like to think I am a fan/consumer of a wide variety of independent creators, some of whom I am lucky enough to be able to afford being a patron/subscriber. I won’t go into all of them—because it is a lot—but there are four in particular whose business models I want to analyze in comparison to Watcher’s admitted blunder:

A) RocketJump (known for Video Game High School and Anime Crimes Division; the core group which turned into the podcast Story Break, then became Dungeons and Daddies) B) Dropout (formerly College Humor, we’ll get into their discography later) C) Drawfee (previously an offshoot of College Humor, now fully independent) D) Corridor Digital (used to be mostly behind the scenes of how VFX studios work, have since become a mostly original content creator)

I will say, right off the bat, I am a patron of Drawfee as well as Dungeons and Daddies, and I am a subscriber to Dropout. I am not subscribed to Corridor Digital’s streamer, which I will get into why later. I understand that being able to sustain those two patronages and one subscription is a luxury that not everyone can afford and so my point of view is already skewed by being such a person who could theoretically afford another streaming service if I so chose. I also acknowledge that many fans of Watcher are not in similarly financially secure places as I am and that regardless of the business model, any monetization that comes from fans would have been a rough ask. However, I wanted to go into this essay in a way that accepts Watcher’s statement—that they needed more funding—in relatively good faith rather than assuming the worst (although that is another point I’ll get into later, largely related to the philosophy I brought up earlier.)

All four of the above listed content creators started or, at least, hit their stride on YouTube:

RocketJump and College Humor were, if not household names, then the digital equivalent of it in the “early days of YouTube.” They were part of the wave of content creators that made YouTube seem less like a bunch of eccentrics with cameras making videos on the side and more like a viable way to support yourself/your team with the art you create.

RocketJump’s Video Game High School went from short (less than 10 minutes) minimal location episodes in season one, to 30 minute plus episodes with full on fight scenes and car explosions by season three thanks to a Monster Energy brand deal. They also had two seasons of Anime Crimes Division, a literal TV quality show, thanks to a Crunchy Roll sponsorship. Unfortunately, RocketJump shut down not long after (their videos are still up on YouTube but they obviously don’t add anything new) but the core creative team behind that have been involved in several projects outside of YouTube (Dimension 404 on Hulu being one of the biggest ones so far) including the podcast Story Break (part of the Maximum Fun network) and now the independent podcast Dungeons and Daddies, the episodes of the main campaigns which are free with ads or, for patrons, ad-less along with additional mini-campaigns and other benefits.

I will say, during RocketJump’s decline, they did try their best to keep going. The partnerships with Monster Energy and Crunchy Roll were the big swings to get the funding to make those TV quality shows they wanted. I believe they lucked out with those brands in particular, or, at least, those brands didn’t seem to inhibit the creative process or ask too much of them that it felt like “selling out” but I also don’t have insight into why they didn’t pursue this model of, essentially, very weird but interesting season long commercials. Maybe they just couldn't find the right brands or maybe they did feel like it was too stifling. Regardless, before they shut down completely, they did also downsize—moving out of the actual city of Los Angeles over to Buena Park. Which is in Los Angeles county, and basically counts as LA still, but is way cheaper than literal Hollywood real estate. (I should have added to my relevant background that I’m born and raised LA county, and have relatives and friends in the film/movie industry, so trust me when I say literal Hollywood/city of Los Angeles is so overrated and unnecessarily expensive. There is a reason why LA traffic is the worst and it’s because everyone is commuting INTO the city. Respectfully and with affection, no one should live there. No one’s start up should be located there.) Obviously the downsizing didn’t necessarily work for RocketJump, but they also didn’t have multiple successful revenue streams the way that Watcher currently does.

In contrast, College Humor was acquired by InterActiveCorp and was turned into CH Media which was three pronged: College Humor, Drawfee, and Dorkly. In 2018 they made Dropout, which had exclusive content separate from their YouTube videos which involved all three prongs. Then some financial shenanigans happened early 2020—IAC withdrew their funding—and there were a bunch of layoffs right before the pandemic which extremely sucked. It has been stated by multiple people involved that it was basically a miracle that Dropout survived through all of that, but there were definitely some sacrifices along the way to make that happen. Currently, Dropout seems to be thriving with mostly exclusive content with the occasional “first episode of a season” posted to YouTube, OR if Dimension 20 is doing a “sequel season” in an already established campaign they will put the entirety of the previous season on YouTube.

IAC withdrawing their funding did put CH Media in a bind. They had to layoff a lot of people right before pandemic and, understandably, a lot of trauma was had. There were also weird issues with who controlled certain IPs/brands/digital assets (I mostly come at this from a Drawfee POV, it took several years for them to own the Drawga series and be allowed to host all of the episodes on their YouTube, and there was also something about the sound file for their opening animation?) but mainly the difference is what kind of content they generate. Originally Dropout had multiple scripted shows with high budgets and pretty cool effects/animations/stunts (Troopers, Kingpin Katie, Gods of Food, Ultramechatron Team Go!, Cartoon Hell, and WTF 101) whereas now almost all of their shows are variations of improv comedians being put into different scenarios or given different prompts. I’m not just talking about Game Changer and Make Some Noise, because Dimension 20 and Um, Actually also technically fall under that description as well. Which is not to say that these shows are worse than the scripted shows—I subscribe to Dropout, so clearly I’m a fan of their current shows—and the budgets for them have since increased to resemble, if not match, those early shows, but it is a noticeable shift in their content creation strategy as a response to the lack of IAC funding. And I will say: Dropout releases at least three videos a week if not more and at least two of those are long form at 30 minutes plus (Dimension 20 being the longest, of course.)

So, these first two business models are not really the most applicable to Watcher Entertainment considering their origin was to get away from Buzzfeed—they’re probably not keen to be partnered with or purchased by a larger company—but there are some aspects to both that I believe are valuable in at least showing the strategy in how these former YouTube creators could successfully extract themselves from YouTube or how they still utilize YouTube even if it is not their main hosting platform or revenue stream.

Then there is Drawfee and Corridor Digital, both of whom are currently—if not primarily—on YouTube, whose situations are more comparable to what I believe are Watcher’s goals.

Drawfee had to rebuild themselves like a phoenix from the ashes of the CH Media layoff during the beginning/worst of the pandemic. Side note: I’m happy that Nathan (one of the four main artists of the current Drawfee team) at least has forgiven(? or let bygones be bygones) Dropout enough to be on an episode of Game Changer (although I will say that this happened after Drawga was “returned” to Drawfee, and after Dropout officially split from College Humor as a brand.) All that being said, Drawfee was a team of four artists plus their editor who wanted to stick together but basically had all of their support system taken away from them. They took a bit of a break to assess their goals and options, announced a patreon with several tiers with great perks, and stuck to their upload schedule. In addition to two videos a week, they also stream on Twitch weekly, have a patron only stream once a month, and a draw class (for one of the higher tiers) once month. After asking their patrons on the relevant tiers if they were okay with it, they began releasing the patron only stream and the draw class to the general public for free after a month. The patreon perks also include things like merch discount codes, high quality PNGs of the final rendered art, access to the draw class with live interaction/critique, and a commission from the artist of your choice. The only “ads” they run are for their own patreon and merch store and, even then, they’re usually at the end of the videos with a credit scroll of the patron names during their exit banter.

Admittedly, they only have MAYBE eight employees—that’s including their video editor(s?) and their discord mod(s?)—with the main four artists doubling/tripling up duties as additional video editors, CFO, and marketing/merch leads. It’s a very streamlined crew and their production costs are not very high since it’s mostly screen recording of their drawings with their audio recording overlayed onto that footage. Although the video editors do sometimes have clever cuts to relevant images depending on their vamping. Sometimes they will have a guest artist but, again, since it’s screen and audio recordings, there’s no travel/housing costs. So, very minimal expenses due to low production costs and small crew but, again, their only revenue source is the patreon/merch, they don’t do outside ads and they very rarely do live shows.

Corridor Digital is, I think, the most applicable to what Watcher would ideally do, which I suppose is somewhat ironic for this essay in particular considering they’re the only one of the four that I don’t financially support. They have two YouTube channels: their main one being where they show the “final product” videos, but I believe their Corridor Crew channel which started primarily as behind the scenes type of videos is where most of their views come from. Especially their React series (VFX artists, Stuntmen, and Animators React etc.) On Corridor Crew they usually upload two videos a week — one which is a React and the other which goes into fun projects/challenges (involving VFX or not) or using VFX to explain scientific concepts — as well as the first episodes of their exclusive content on their streamer. Also behind that paywall are longer and ad-less versions of the videos on YouTube. They also have merch. All of them have merch, I don’t know why I’m stating that. They don’t have a patreon as far as I know, but I also don’t know if their subscription to their website comes with similar perks like discounted merch or something similar.

Anyway, their studio seems to be about 15 to 20 people — not all of them are VFX artists, of course. I believe they have higher equipment costs than Watcher since, understandably, Corridor has to be on the cutting edge of video editing technology. They do occasionally travel for shoots, but it doesn’t require big teams, and that’s only when the local locations available to them don’t match the requirements for the “final product” videos. Otherwise most of their videos are set in the studio or in the alleyway outside their studio in Los Angeles (the city itself, not just the greater county, though they are in a rougher and thus probably cheaper part of Los Angeles). I personally don’t subscribe to their website primarily because their exclusive shows don’t appeal to me—either they’re too technical or a little too dry; to be fair, most of them are VFX artists first before they are performers—and I don’t particularly feel the need to see the extended cuts of the videos uploaded on YouTube. Also I sometimes get a little bummed out by their lack of diversity.

All of this to say, from these four different business models, a bespoke Frankenstein business model for Watcher could be cobbled together. But also, even with that bespoke Frankenstein, there are some changes that Watcher would have to make: primarily their upload schedule. As of right now, I think they do MAYBE one video a week if not, perhaps, one video every TWO weeks. If they want a monthly subscription model, their rate of content generation would ideally be higher to double/quadruple their current upload rate. Obviously they want to create videos with higher production value, but at that rate of generation, something’s got to give: supplement their TV quality shows with either a behind the scenes type series or an increase of “we get four episodes out of Shane and Ryan get increasingly drunk in someone’s backyard” or something similar. Leaning into shows like Worth A Shot (the first season in which Ricky Wang makes cocktails based on a random ingredient, the second season threw in some competitive aspects which I didn’t really find necessary) or the Beatdown which has relatively low production costs (no travel, one location, maybe two cameras at most therefore smaller crew requirements) but a higher polished look. Otherwise, for a separate streaming subscription service, 2-4 videos a month is not going to cut it.

As of right now they probably can’t back out of the separate streaming subscription service because those set ups usually require some level of contract/paying for servers for the website and whatever is hosting their videos for a set amount of time. However, what really strikes me is that I literally didn’t know they had a patreon until I scrolled through the comments of the first Goodbye Youtube video. Maybe it’s been linked "tactfully" in the descriptions of videos, but considering they claim to be lacking in funds, the fact that they weren’t plugging their patreon at the end of every video is not just strange, but also irresponsible considering they do have 25 employees that they don’t want to layoff.

Additionally, I understand artists needing to be in a space that promotes creativity, but there are cheaper places that must be comparable that aren’t in literal Hollywood. It’s an unnecessary expense. On top of that, other people have already brought up that it was fairly crass to introduce this paywall, attributing it to the increased production costs, when the next planned “new series” is a reboot of an old Buzzfeed series in which people travel and eat expensive food. I’m not even talking about the personal expenses of Steven, Shane, and Ryan; what kind of car they drive or the cost of their wedding venue doesn’t matter on a business model basis.

But getting back to the patreon: again, I literally didn’t know they had one. I’m looking over their tiers— they have $5, $10, $25, and $100 — and for the most part they seem okay, although I think they have more to offer that wouldn’t necessarily cost them more. Ie, something that has baffled me for a while: the fact they don’t sell the mp3s of the Puppet History songs; they already exist and it doesn’t cost them anything additional because they don’t need to put it on physical media. Or maybe they do and they’re not marketing it similarly to how they weren’t overtly marketing their patreon?

And, okay, maybe they didn’t want to seem desperate — in the early days of Dropout and independent Drawfee, they both were very blatant in getting people to subscribe/join their patreon. As they should be. Desperation maybe doesn’t look cool and sexy, but it is earnest in a way that conveys equal effort that fans who can afford it would want to see. The fact that we weren’t getting rotating ten second clips of Steven, Shane, and Ryan asking people to join the patreon at the end of every video — even if its the same clip every three videos — is wild. And yes, the $25 tier includes a shoutout every 3 months on Watcher Weekly+ (which I don't quite understand what that is,) but the fact that they weren’t doing a quick post movie credits scroll of all the patreon names is, again, wild. Once you have that initial list, it’s not too difficult to add any new names that join and put that title overlay on top of, again, those nonexistent ten second clips of the three.

As others have already stated, it seems like an extreme mismanagement of their existing successful revenue streams, if they are actually struggling to pay all of their employees. Which goes into the philosophy part of this essay: don’t assume malice when it might just be incompetence. It’s something that I have to remind myself of often because I do get paranoid about people’s intentions sometimes and I have to check myself. Am I being overly suspicious of what might be just an honest mistake? Am I assigning ill will to an action just because it inconvenienced me?

Yes, of course, a lot of this situation could be misconstrued as straight up greed. But, also, Watcher is a relatively young company, helmed by three people who certainly don’t have experience running their own company:

They like to travel. They like to bring a full crew around with them. They’re renting out a shiny office in the heart of Hollywood where everyone knows is where real show biz happens. They’re adding more employees to the team because surely more people means better. And they want better productions values because the prettier the videos the more people will like them right?

It’s naive. It’s a level of inexperience combined with giving responsibility to officers whose main priority is to entertain. And if that means entertaining themselves and their staff, then they might not know the difference. It’s the kind of mistake that first time managers make—trying to prioritize fun over getting the job done. Prioritizing making friends with their employees rather than making sure the work the employees put in is equal to (or greater than) what you spend on them whether that is in paycheck or bringing them to cool locations for fun shoots. It’s a mistake anyone can make, it's just unfortunate that they made this mistake in front of millions of people. It doesn’t necessarily mean it’s solely a greed induced cash grab.

But then comes the catch-22 of the philosophy—is it worse to assume incompetence than it is to assume malice? Or, in this case, greed. Especially for the heads of a company that holds the livelihoods of 25 employees in their hands. At what point does it not matter if it’s incompetence or greed if the end result is the same?

Is it better to think that Watcher knew about the various other business models of independent creators and just ignored the efforts put into achieving those successes or is it better to think that they didn’t know and just stumbled into one of the worst moves they could have done. Again, other people have mentioned that Great Mythical Morning—which Watcher has had multiple collaborations with—has managed to make the YouTube subscription/tier system work to the point that they can sustain themselves as well as spinoff channels. Is it incompetence or greed that led to Watcher thinking they could bypass that completely in less time and with less content?

I’ve been at this mess of an essay for several hours when I should have been asleep. Ultimately I want to say, regardless of incompetence or greed… yes, Steven is CEO and yes he is ultimately the one who makes the final call but it is disheartening to see the pointed vitriol at Steven specifically and the infantilizing of Shane and Ryan in comparison. Either they’re all silly uwu boys who are messing around not knowing how to run a company, or they’re all complicit in a crass cash grab in an extremely busted economy.

I think what’s most frustrating to me in all this is that there were so many other channels and creators who have literally walked this path before them and, again, whether through incompetence or greed or arrogance, for them to just ignore it… It’s not betrayal because I don’t know them and so there’s no relationship to betray, it’s just so inefficient and convoluted that I don’t understand. Or, no, even if it was greed, it’s an incompetent greed because at least pure greed would have been pushing that patreon every second they could. Their ratio of YouTube subscribers to patreon members is less than 1% and I bet that’s because a lot of their audience, like me, literally didn’t know they had a patreon. I probably would have become a patreon member of theirs had I known earlier, ESPECIALLY if it included access to those Puppet History songs. Drawfee has half as many YouTube subscribers and nearly double the patreon members as Watcher. I’m just baffled, is all, and maybe by this point sleep deprived.

Anyway. That’s my extremely late, completely unnecessary opinion of this situation.

Edit (several hours later after some sleep): I forgot to mention, because they did walk this back almost immediately, even before their "An Update" video, but I believe the original plan was to put EVERYTHING behind that paywall and pull their content from YouTube entirely. Which is, again, extremely baffling, because if ALL of their content is behind a paywall, how would they possibly gain new fans? Even if all of their current fans were able and willing to pay for their separate subscription streaming service, how would a brand new person even stumble on their content enough to want to subscribe if there wasn't a significant amount of "proof of value" free content on YouTube? Again, extremely baffling, and a level of incompetence that overshadows a "cunning" greed. But, like I said earlier, they did walk this decision back almost immediately. If I've misunderstood this and that was never their plan, please let me know, I don't want to be spreading misinformation in a situation that is already so convoluted.

#jacksgreyson #writing #nonfiction #essay #watcher #op-ed #youtube #drawfee #corridor digital #dropout #rocketjump #dungeons and daddies

[beautifulpersonpeach]

I was a bit surprised to see that mhj specifically said that newjeans had approved the statement saying that belift had copied newjeans' concept with illit. I'm not the type of person that thinks that you're a bitch for asserting position or your value, so this isn't where I'm coming from, but, especially in an industry where it's so rare to see groups say anything negative about other groups, particular junior groups I would think, it was quite the strong, swift position to take. Do you foresee newjeans continuing to engage publicly with this scandal, and how would you think taking an active part in this would affect their brand?

*

Ask 2:

bp in your opinion is there any chance that in this Hybe/MHJ situation there's a buried kind of double-blind motivation?

Like the kind i've seen attributed to E|on Musk, where he creates a big scandal to provide cover when he's doing something much shadier (and then maybe it gets out of hand, like the TwiX thing lol)

You've said you're pretty familar with the corporate side machinations - could Hybe be purposefully airing all this, sure to stick it to MHJ, but also to temporarily drive down stock prices for idk easy shares-repurchasing? Or even allowing a mess they can blame for having to report lower numbers to shareholders for whatever reason: boycott actually impacting profit, hedging against lower-than-predicted bts returning numbers, etc.

Or is this too convoluted of conspiracy thinking and BPD/HYBE/MHJ, and by extension from your recent posts basically 'corporate kpop' entire, are really just that transparent and petty?

*

Ask 3:

Might be a stupid question because I honestly don't have any clue about corporate businesses and how they work. But in the light of this scandal and how BigHit/Hybe developed over the last years: would you say this is what you get when you become too greedy instead of concentrating on what you were good at?

*

Ask 4:

in your opinion, is mhj truly an indispensable part of newjeans creative output? Also, do you see any way that hybe would let newjeans leave with its name and discography if they try to break their contract to go with mhj like some people are saying?

*

Ask 5:

I’m seeing a lot of discussion about whether newjeans will try to leave with mhj and break their contract with hybe, but I don’t see this as a realistic scenario, and I especially don’t see hybe letting them leave with their name and discography. You mentioned that there are a limited set of options now, but is this even one of them? In my mind, newjeans as a concept either stays at hybe, with or without mhj in whatever capacity, or can’t really exist legally

*

Ask 6:

Also this has given everyone (kpop stans, ARMYs, journalists) the go ahead to drag Newjeans in order to "defend" Illit, BTS, Riize, etc by throwing (again) dozens of plagiarism accusations and trying to discredit everything the group has done and achieved. And it was started by Hybe themselves... I have no words, bpp

***

I think these six asks capture most of the talking points in the asks I've received since yesterday, so I'll use these to answer your questions.

The sheer amount of spin happening in the media right now is ridiculous lmaoo. With the mention of BTS in the "escape files", ARMYs have predictably moved from shady bystanders to actively joining in the negative spin, spreading rumor articles and many are now attacking the girls themselves. But honestly, this is nothing less than what I expected. NewJeans is the most popular group in Korea, the 2nd most valuable IP only behind BTS, and Min Heejin is the brains behind the operation - an achievement she's insisted on taking full credit for since inception. Leaving the only option for whoever is masterminding this from within and outside HYBE, to destroy her reputation as an executive completely to diminish her value to outside investors, and weaken the fan support for NewJeans given how closely they are already associated with MHJ. And that's what is happening. It impacts every group at HYBE and nearly obliterates the viability of NewJeans.

For HYBE, it's a tolerable loss given there's only one year left before BTS returns and closes that earnings gap in mere months. Whoever took this action sees it simply as resulting in a numerical loss that can be soon corrected, but personally, I disagree, for the same reasons I objected to HYBE's acquisition of SM even though on paper it made numerical sense.

Anon in ask 1: I can understand your surprise but sad as it is to say, I expected that response from MHJ. She's a creative, not a PR exec or an MBA-credentialled suit. I'm not sure how familiar you are with ADOR's press releases in general, but anybody who reads them can tell there's almost no corporate doublespeak, no vague allusions, nothing that shows it's written by a typical media-trained PR person. Which is why most people, including you, take that statement to mean NewJeans agrees with MHJ that Illit copied them (it's a possibility), when in reality the language shows it could refer to them agreeing with MHJ's assertion that HYBE hasn't duly responded to her requests about inter-label discrimination, or other related matters. That's the kind of detail a trained PR person would be sure to include, to minimize the fallout to NJ, but just as with the press release on Cookie, the one on Minji's rival sasaeng, the response to Hyein's veneer rumours, and practically every press release ADOR has put out, the language is unsophisticated.

"Do you foresee newjeans continuing to engage publicly with this scandal, and how would you think taking an active part in this would affect their brand?"

NewJeans has so far not engaged publicly with this scandal. MHJ has mentioned them to signal any separation between them will likely be contested. It's leverage. If they do take an active part in this scandal, it will completely destroy their brand. Like, it's already on life support. Anything more and we might as well say their last rites.

*

Anon in ask 2: I'd say that's not a conspiracy exactly but it is kinda pushing it. Anytime there's a stock dip it's a buying opportunity, and HYBE is always guaranteed to be a Buy so long as BTS is slated to return within 12 months of the stock event. But we simply don't have any clear indications that's the case now given the timing doesn't quite line up. If anything, that is more like the 4th order side-effect.

And yeah, people on the corporate side, not just in k-pop, are many times just that petty. But it's also true this case has been sensationalized in particular ways to appeal to k-pop stans specifically.

*

Anons in ask 4 & 5: The options available are:

MHJ leaves HYBE and NewJeans stays in HYBE

MHJ leaves HYBE and NewJeans leaves with her

MHJ stays in HYBE but is demoted from her exec role and NewJeans stays in HYBE

MHJ stays in HYBE and keeps her exec role and NewJeans stays in HYBE

None of these options are good, but the worst of these evils is option 2. If the members attempt to leave with her, there's no pretty way to say this, but they'll be done. I'm not even going to waste time writing all the ways HYBE and k-pop stans as a whole will rip them to shreds, all I'll say is that whoever is attached to these girls should consider taking a 6 months sabbatical away from k-pop entirely once that news breaks. The law is not on their side and public opinion, especially after all the 'leaks' and spin from HYBE in the last 72 hours, certainly isn't on their side either. It would be career suicide.

"in your opinion, is mhj truly an indispensable part of newjeans creative output?"

Personally, I think yes. Every label at HYBE had similar initial monetary investment as NewJeans and ADOR had, and other groups from the Big 3 have had even bigger investments and resources at their disposal. There isn't a single group, both within HYBE and outside HYBE, that has yielded the same results as NewJeans in the same period of time. Illit comes close, but even with their achievements they haven't reached the same (positive) notoriety as NewJeans did at debut. All HYBE groups have access to HYBE's youtube channel, connections and resources, and yet the achievements of BOYNEXTDOOR, LE SSERAFIM, ENHYPEN, and even ILLIT, are nowhere near comparable to that of NewJeans. And I agree with MHJ that she's the primary reason why. Having access to resources is only one part of the equation. How you allocate those resources and what you do with it is far more important, and this is where MHJ and ADOR excels relative to other sub-labels.

NewJeans without MHJ will not be nearly as threatening to everyone else in k-pop, and I suspect this is one reason there have been calls for her to be removed from managing the group since their debut.

*

Anons in ask 3 & 6: Yeah there's a fair bit of greed on show here. Generally, for a lot of people in this industry, greed is good... unless the greedy person is a woman. Because the only thing more central to nasty corporate tussles like this, more than greed, is ego.

I'm not trying to play the gender card, but sometimes I do wonder why there are no articles like this about people like Jaden Jeong and Simon Jakob given the reputation those men have in corporate circles, where top officials (in this case, within HYBE) are saying they cannot possibly work with MHJ because she is "overly and excessively opinionated". I'm highlighting this article because despite the initial paragraphs of spin, that bit is the only thing consistent with MHJ's claim that this attack from HYBE started because she'd filed a whistleblowing report on toxic inter-label competition and followed up an email that said quote:

"..is this deliberate obtuseness and unapologetic behaviour consistent with HYBE's founding philosophy of rebelling against unfair practices in the entertainment industry?"

I mean... in corporate Korea, I can see how they were sick of her shit and it was only a matter of time before she got the boot.

The insidious thing about spin is that it mixes the truth with lies, making it easy for people to accept it wholly. It's entirely possible that MHJ wants more compensation, more autonomy and independence, feels that Belift and other companies borrowed her ideas without full credit, and that she was unsupported by HYBE HQ. It's entirely possible that she took actions such as monitoring fan feedback of the group(s) she suspects and filing a whistleblowing report to build a case - according to both MHJ and others at HYBE, these are complaints she's apparently had since last year, but none of those things would justify HYBE's response nor is it enough to turn people against her.

What I find particularly interesting about this case, is that everything that decisively incriminates her of the more sensational and sinister allegations, comes from the person of VP L or CEO A - a person who only joined ADOR in January 2024, shortly after which HYBE received their first tip-off that MHJ was planning to escape. It's VP L who titles documents with the equivalent of "TOP SECRET DO NOT TOUCH" on company computers... the same guy that's supposedly a double agent working in favour of MHJ and ADOR but is situated within ADOR, not HYBE, where simple logic shows he'd be most useful. Unless he's situated right where he's supposed to be.

Anyway...

HYBE has requested for a shareholder meeting on April 30th where they'll likely table the motion for MHJ to resign regardless of what's found in the audit. Far as I know, she's completed the audit questionnaire but not surrendered her laptop as HYBE has requested. Given the play is for HYBE to kick her out while continuing to manage NJ, I can see how she'd rather die than surrender her laptop and hand over her ideas (and potentially incriminating info) to HYBE on a silver platter for them to use in her wake.

Every way this shakes out is bad news for HYBE groups IMO. So long as NewJeans keeps quiet and sides with HYBE, they'll be somewhat okay. But regardless of the fallout from HYBE cannibalizing itself, all HYBE groups have no choice but to take it on the chin and bide their time until BTS comes back to capture the attention back to them.

I hope I answered all your questions. IMO there's really no point talking more about this until there's a firm conclusion.

#min heejin #newjeans #ador #hybe #bang pd #kpop #kpop industry #kpop business #belift

[ladypeonies]

"Acting is a dangerous profession."

credit.

Some people will watch this extract and just brush if off perhaps as fanservice and miss the point completely. What I like about Chris and Xuan it’s how candid and honest they are about the whole process.

The host says it all, “acting is a dangerous profession,” and both actors agreed. She’s right. So many fans don’t get it, and they focus on the superficial. It’s not just a dangerous profession in Asia. In my opinion it’s more challenging there because most of entertainment industries in Asia rely a lot on Method acting and immersion. You have notice how they call themselves by their character names, on and off set and it has several purposes. I won’t dwell on them here because this post would be too long.

And you have method acting which I have several issues with. It’s basically psychology. I’m not going to write an essay on it here, it basically means one can convince themselves of anything and you can become anyone you want. It’s becoming someone else entirely for a time, by changing your habits based on your environment. You study a character and become them, by assuming their point of view, mannerism, state of mind etc. If they drink you start drinking, if they love someone you love them too etc. Some actors are strongly against method acting for a reason and stick to use their imagination which is way safer. In a live Xuan talked about how physically and mentally it impacted him.

You are still yourself but you can’t escape your character, their emotions bleeds into you. And you use it to play the best version of them by using your body. Of course, Xuan fell in love with his co-star and had all those “evil” thoughts. He learned to fall in love with him and make him the centre of his universe. The preparation for the role, to build a bond took longer than the whole filming.

So, any actor in their shoes will feel the same, if they say no well, they are either lying or just bad method actors, that’s it, no in between.

The trick is to use those emotions while filming and then to be able to let them go. And that’s the issue, because for many it takes time to do so and get rid of them. Notice how Xuan doesn’t say while they were filming NC scenes he had evil thoughts but he was sitting there, so before or even after. The thing is if you hold on to those emotions it can hurt your mental health. They can be addictive. Under those circumstances sometimes there is a co-pendency which appear between actors. I remember an actor explaining how he basically went through a heartbreak because he got attached to his co-star who was engaged with someone else and he was full of emotions for his on-screen partner. And those emotions weren’t there before they started filming. And they knew each other, they were friends before and he never felt that way about them. And his mind knew they weren’t a good match but he kept longing for them.

I talked here about the bubble actors found themselves in. And the best remedy to get rid of those feelings, thoughts are a healthy distance, and being back to oneself. I hear often, “they’re just acting, it’s their job…” etc. Actors aren’t robot. There is a process to play a role and they all of a process to get out of a particular challenging role. Obviously, all roles aren’t the same.

Another thing: Chris and Xuan are friends and were friends but under the circumstances, they don’t have the same friendship they had before filming, the one from a year or two years ago. Friendship 101 had specific boundaries, and now there are new ones in friendship 201. It’s not possible to know the taste of your friend’s mouth, their skin, and be in the same exact friendship. Actors are not robots there isn’t a reset button. Now there is a new set of boundaries. Perhaps before there wasn’t any skinship now because there are use to each other touch, there is more skinship. Before they wouldn’t talk about certain subject, now they can. I believe they gain and also lost some things. The only possibility MAYBE to go back to friendship 101 would be a complete separation for weeks, reset. But it’s not happening because there are promotions and also, you get use to seeing each other all the time, I guess.

Now method acting and falling in love, it happens of course, but has to go to the test of time and distance. And one has a girlfriend/boyfriend and start method acting with a co-star LOL. 9 out 10 will break up with their significant other, the GF or BF will leave, it happens all the time.

PS1: I also took the opportunity to answer a couple of asks.

PS2 :Translation by Wava please be kind to your translators and grateful for the work they do, I personally hate translating it can be so taxing.

#unknown the series #unknown bl #chris chiu #kurt huang

[sammyche]

Please can I have more of your thoughts on wag Marc?

of couuuurse i have so many thoughts about WAG!marc !

first of all post reunification people would expect them to keep it very low profile. and they would AT FIRST. but one thing about them is that they are both attention whores in their own ways. i think vale would invite marc to come see him to his first race in WEC as some sort of a joke. pretty sure that marc wouldn't come because he's busy with the season. but for marc it's a big YES like he wants to be seen with ME. he wants ME in his box so of course i'm gonna be there. no way i'm gonna miss showing off our relationship.

he would come dressed in his best 46 cap and hoodie. wearing them like a badge of honor. full on designer + merch. and as soon as he enters the box all the cameras are ON HIM. like he is here waving at fans, cheeky smile and all that PR shit he's soooo good at. and vale is just so endeared. so happy to have him with him at the race. he is showing him the entire box, explaining everything to him and marc is hanging on his every word like the good pupil that he is.

when it's vale's time to race marc's eyes do NOT leave the screen for a second. he's squishing the hand of the person most close to him when there's action on track involving vale. he's so intense with it, like he's living the race himself.

as soon as vale's out of the car and in the box he passes next to marc to go to his engineers and gives him a little peck on the mouth, hands brushing the small of his back.

when they know that his team is on the podium the entire box erupts in joy and marc jumps in his arms and they are sucking face man. so embarrassing like please have some decency. (they have none)

so inspired by these pictures : here, here, here and here. let's pretend it's marc for the sake of the argument.

also could be fun if some of the VR46 kids were here too. they'd be so fuuuucking awkward with marc (bonus points for bezz and pecco).

#asks #rosquez #motogp #marc marquez #valentino rossi

[nightwolf14292]

Jason Todd Canon Lore Stuff:

@jashjdh Ask and you shall receive! :D this is sort of part 2 to this post of mine, where I did the same thing for Dick Grayson. Here, since there are so many comics and so much conflicting lore, I read the fandom . com entry for the character and then type out the most important bits of what I learned, both to help myself remember it, and to teach others ^w^

!TW for Batman-like things, such as spoilers, mentions of injury and death, a brief mentions of drug use, a brief mention of sewerslide and r(😬)e, etc)!

•To begin with, a lot of people argue "Jason is the angry Robin!" Or, "Jason ISN'T the angry Robin!" I think for the most part, this misunderstanding happens because originally, Jason was a very calm kid. In his original appearances he had a similar backstory to Dick Grayson(Being an acrobat in the circus) and was much more chill, however in the post-crisis revamp, he became more violent and troubled. In the words of the wiki, "the post-Crisis Jason is impulsive, reckless, and full of rage."

•Jason lived a troubled childhood, with his father being a petty crook. His dad at one point served a jail sentence for his crimes, but even once he got out of jail, he never came back to the family. This left Jason alone, taking care of his drug-addicted mother. He would rip and remove the parts from cars around the city, selling them for cash to make sure they were fed and clothed. His mother eventually died from an overdose so he took to the streets, continuing to take apart cars for cash.

•One night he came upon the Batmobile parked in an alleyway. Batman had just replaced the tires, but had not yet put on his new custom hubcaps. Jason took this opportunity to snag the tires, and managed to get one and out of there before he came back for a second tire. This is when Batman caught him, hence the iconic interaction of him throwing his tire iron at Bruce and calling him a 'big boob' as he ran away.

•Batman tried putting Jason in a boarding school for troubled kids, however this didn't work out either because the owner of the school was actually running a program to train young criminals. When Batman busted the criminal operation, he decided that perhaps Jason's anger could be used for crime fighting, so he took him in because he was worried that if he didn't, Jason would become a criminal. While Jason wasn't an acrobat like Dick, he was strong, and had lots of skills from his time on the streets.

•On their first official mission together, though, it was revealed that Two-Face had killed Jason's father. Despite the fact that Jason's father had abandoned him, he was still enraged by this and he went on a rampage. However, he showed restraint when he allowed Two-Face to be arrested instead of killing him, which made Bruce very proud.

•As much as Jason was a good, enthusiastic student, he was also a very troubled one. His time on the streets had raised him with a tilted sense of morals, and with the tendency to lash out and get violent when threatened because of his street survival instincts. Because of this, Jason often had the opposite ideals and morals to his mentor. He tended to use excessive force when trying to stop criminals, such as how in one adventure he was asked to 'hold off' some villains, and he immediately shot at them despite Bruce's dislike of using guns.

•The most notable of these times was on the case of Felipe Garzonasa, a man who had r(😬)ed a woman, an event that led to her sewerslide. Jason tracked this guy down, and moments after Jason arrived, Felipe fell to his death off of his apartment balcony. While it was never confirmed nor denied, it's fairly possible that Jason pushed Garzonasa off, breaking Batman's no kill rule. (We love a man who respects women ✊)

•Bruce was so afraid that Jason was going to possibly kill someone, either intentionally or with his reckless actions, that he called Barbara Gordon and asked her to work a case with Jason, in an attempt to figure him out. They did work together, however Barbara could come up with no real way to help him, and simply warned Bruce that there was 'a darkness in Jason'.

•Jason eventually discovers that his mother was not actually his biological mother, so he runs away from home on a mission to find his real mom. He follows lots of leads, but eventually ends up in Ethiopia, finding his bio mother Sheila, working as an aid worker. He's incredibly happy to be reunited with his real mom, but he soon discovers that Sheila is being blackmailed by the Joker, being forced to supply him with medical treatment. Sheila herself has been embezzling funds from the agency, and to keep from getting caught, she directly hands Jason over to the Joker who brutally beats him with a crowbar and leaves him and Sheila in a warehouse with a bomb. Batman is unable to save them on time, and both of them perish in the explosion. Bruce is obviously devastated (and starts going crazy because of this a bit later on), and the bodies are both buried in Gotham City with the cause of death on Jason's death certificate being labeled 'smoke inhalation'.

•Jason is dead for at least a decade, his memory constantly haunting Bruce as his 'greatest failure', keeping Jason's Robin suit on display in the Batcave. Bruce begins to spiral over the thoughts that he himself had failed to train Jason properly, and that he had also failed to save Jason from the Joker. (Personal opinion, I don't know if I actually blame Bruce for 'Not saving Jason in time'? Because the way the wiki framed it, it made it seem like Jason ran away and didn't tell anyone that he was going to do this, plus I don't know how Bruce would've known that the Joker was blackmailing Sheila to begin with? Idk, maybe I'm missing some context here)

•Many years later, while Bruce is fighting with Hush, Tim gets kidnapped. When he confront the kidnapped it ends up being 'Jason', but it turns out that this version of Jason isn't Jason at all, and is just Clayface pretending to be Jason.

•Superboy-Prime, trapped in the Paradise Dimension, alters reality. This shift results in Jason's revival, as he's once again given life. He breaks his way out of his own coffin with his bare hands, and drags himself 12 miles before eventually collapsing (since he still has many lasting injuries from the Joker's beating). He's found at some point and hospitalized, where he stays in a coma for a full year, and even when he awakens he has amnesia. At some point he's recognized by a petty criminal, who informs Talia. Talia brings him to the Lazarus Pit, where she immerses him in the water where her father Ra's is also bathing. This restores Jason's memories and his physical health, however it's implied that the Pit's energy + Ah-Gul's energy messed with his mind and personality (Though it's always possible that these changes really just came from his trauma)

•Jason Todd takes up the mantle of Red Hood, and returns to Gotham City.

•Jason goes to find the Joker (who had been run out of town by Hush), and gives him a beating with a crowbar just as the Joker did to him, though he keeps the Joker alive to use him against Batman later on. He also assumes the control of several gangs, and starts a mini war against the Black Mask criminal empire. His general plan is to clean up the cities violence and drug dealings(probably because he doesn't want anyone to end up like his non-bio mother), as well as kill the Joker for revenge. Because of his intense and violent methods, he has many brushes with Batman. It's around this time that Bruce finds a Robin mask in the Batmobile, one that never belonged to Dick or Tim, but looked like a mask in the style of Jason's old Robin costume. He also realized at this time that Jason's coffin is empty, and that's when he starts to believe that Jason may have genuinely come back from the dead.

•Jason, hearing that Tim had replaced him and was supposedly a 'better Robin' then him, he got angry and broke into the Titan tower to confront him. Wearing a newer version of his own Robin costume, Jason makes quick work of immobilizing the other Titans. He was absolutely furious that there was no memorial for him in the Hall of Fallen Titans (Despite the fact that he was only a Titan for a very short time), Jason demands Tim tell him if he was really as good of a Robin as Jason himself was, and Tim stubbornly says 'Yes' before he passes out. As Jason is leaving the tower, he rips the 'R' logo from Tim's costume. However, it's revealed in the epilogue of that comic that Jason actually holds some respect for Tim now, begrudgingly saying an "I'll admit. He's good." As he ponders how he could've been a better Robin had he acted more like Tim.

•At some point Jason kidnaps the Joker and uses him to lure Bruce to Crime Alley, where they had first met all those years ago. Jason is of course angry that Bruce never 'properly avenged' him by killing the Joker, since Jason believed that Bruce would because the Joker had "Taken me away from you". Bruce explains that it would've been easy for him to kill the Joker, that he continuously fantasized about taking the Joker away, torturing him and eventually killing him, but that he wasn't willing to cross that line (Partially because he wasn't willing to stain the memories he had of Jason [that he clung so tightly to while losing his sanity] with blood). Jason decides on a deal. Either Bruce kills him, or he will kill the Joker. So he holds one gun to the Joker's head and gives the other to Bruce, counting to three. However Bruce, obviously not wanting to kill Jason but also not wanting Jason to commit this crime, uses a Batarang to cut down an object that ends up slicing Jason's throat. The Joker uses this time to detonate some explosives and plunge both of them into the waters. (I don't even know what to say about this part, I have a lot of opinions here. I will say though, I think that if Tim hadn't become Robin, Bruce might've legitimately killed the Joker.)

•Jason shows up again after about a year, now as an evil version of Nightwing. Jason uses this costume to taunt Dick, suggesting the two become a crime fighting team, but Dick refuses because he doesn't want to be associated with Jason's violent methods. Not long after, Jason is kidnapped by unknown mobsters. Dick, albeit hesitantly, saves him, and they team up to defeat the Pierce brothers. After the fight Jason leaves New York and drops the Nightwing mantle, leaving Dick a telegraph that says he has returned to normal, and that he still considers Dick family.

•Jason's kidnaps a girl named Mia, wanting to convert her to his side since they both had somewhat similar pasts and he feels they're kindred spirits. She refuses, so he blows up her high school. (WTF JASON???? 😭)

•I dunno how to explain this one too much, but basically he went on a mission with a Monitor that he called Bob? And he met an alternate reality version of Batman, who had started killing after Jason's death.. And then the Darkseid thing happens and Batman 'dies', which makes Jason absolutely furious (Because he cares about Bruce despite not agreeing with the way that he handled things back when he died).

•Jason, back as Red Hood, tries to take control of some gang wars to calm things down, but it actually makes things worse. Since Batman is supposed to be dead, and Nightwing is unavailable, Tim is the one who has to help clean up the mess. Jason asks to team up, but Tim refuses because of Jason's questionable methods. Due to a combination of some things, Jason gets shot in the leg and arrested. When the gang war is resolved, Tim stops by the prison Jason was in, using a disguise and a fake name to deliver Jason the code that will let him out of his cell because he believes Jason deserves a chance at redemption.

•After his escape Jason is summoned to the Batcave, where he is brought in to hear his part of Bruce's Last Will and Testament for him(Y'know, since Bruce is supposedly dead lmao). He listens to Bruce's final piece as he talks about out of all his failures, Jason was his biggest, and how he regretted not getting Jason actual help or showing much empathy over him hardships, instead dressing him up and having him fight. Unfortunately this heartfelt message is what makes Jason fully snap.

•Jason began dressing up in a Batman-like outfit, leaving slips of paper saying 'I AM BATMAN' where he worked, however he used much more aggressive and lethal forms of punishment on the criminals he fought. Due to the violent nature of his vigilantism, Nightwing and Damian are after the fake Batman. Dick figures put pretty quickly that the imposter Batman is Jason, and after an argument, Jason shoots Damian. Tim is also searching for the fake Batman at this time, dressing up as Batman as well to demonstrate how Bruce would've really acted. Tim finds Jason's fake Batcave, but has to be saved from a boobytrap by Catwoman. Jason returns to his 'cave' and finds them there, impaling Tim with a Batarang. Dick and Jason fight, with Jason thinking and claiming that Tim is dead, while Damian and the Squire are actually busy saving Tim. Dick kicks Jason off a moving train, but when he tries to pull Jason back up to safety(Because he still considers him family, just as Jason does him), Jason refuses his help and falls to his 'death', while claiming they'll meet again soon. This is when Dick becomes Batman.

•When Jason returned, having survived the fall, he decided to become direct competition to Batman and Robin, making it his mission to get to all of the criminals before them and become the new Gotham Hero. He even got his own sidekick, a girl named Scarlet. Jason was very public about this, posting things on social media, talking about how killing the villains was the best way to do it, and a lot of people actually agreed. At one point Jason kidnapped Dick and Damian, locked them up and stripped them both naked(😰), claiming online that if the post got enough attention, he'd reveal Batman and Robin's secret identities. However his plan was interrupted by an assassin names Flamingo, that he and Scarlet weren't strong enough to beat. Dick and Damian escaped and saved them from death, though Damian got pretty seriously injured.. Jason just ran Flamingo over with a truck- Jason was taken into police custody and as they took him away, he claimed that if the Lazarus Pit could revive him, why couldn't it revive Bruce too?

•After Bruce's revival, Jason files an appeal to Arkham Asylum, wanting to be released because the tests show that he's perfectly sane, just willing to kill. He ends up being transferred to a Gotham prison, where as soon as he arrives, the sewerslide rates spike and there are several homicides(Though these mainly occurred in self defense from Red Hood killing people in the prison who attempt to kill him first). On top of this, Jason poisons the food and kills 82 inmates, making 100 more sick. He's immediately taken back to Arkham Asylum, but is quickly broken out by some mercenaries. Jason breaks free from the mercenaries and fights them off as Batman and Robin arrive. At the end of this mission, Red Hood and Scarlet escape in a helicopter, warning Bruce and Damian not to chase them because he planted bombs all over the city months ago, and he's willing to detonate them. Dick doesn't do anything about, deciding that Jason was lying about the bombs, and that even if Jason decides to do better he'll only rejoin the family when he's ready to.

•Jason, trying to reform, forms his own hero team called the Outlaws. He changes the red symbol on his chest to a bat, a sign of his somewhat awkward but slowly-beginning-to get-back-on even-ground relationship with the Batfamily. The costume he now wears also used to belong to Dick. His relationship with Tim is now at least neutral, if not a little friendly, as the two can be seen eating together and making some jokes. However his relationship with Bruce is still strained, and a bit hostile. While he keeps his aggressive and lethal style of fighting, he now only uses it when he believes necessary, and doesn't always shoot the second he sees a problem.

•At some point his team disappears, and he goes back to being a solo hero.

Extra Fun Fact! Because of the Lazarus Pit, Jason no longer ages and he heals much much faster then a normal human!

TAADAA! I might do more if I get the motivation ^w^

#jason todd #red hood #canon character #canon lore #robin jason todd #red hood comics #dick grayson #nightwing #red hood lore #jason todd lore #tim drake #red robin #damian wayne #robin #dc red hood #dc jason todd #canon #batman #bruce wayne #batfam #bat fam #bat family #batfamily #dc batfam #the batfamily #the batfam #batfam shenanigans #batfam headcanons

[nakunakunomi]

speeding for more Nanami goods

Hazel, to the previous one, could I add him with prompts 4, 5 or 1, pretty please? 👀🙏

I see so many jujugoods on the list, I'm already so excited!

This event is what got me back into writing a little. I have A LOT of JJK on my brain right now it's 90% Geto, I have no excuses. So I am more than happy to provide some Jujugoods! First one for the event is Nanami, and this one came out pretty sweet. Hope you enjoy!

☁️ Pillow talk event - Masterlist ☁️ Prompt: “Sorry for the cuddling. I’m usually not that clingy.” Character: Nanami Kento x GN reader (no pronouns or genitals mentioned) ⋆˖⁺‧₊☽ Suggestive content | Minors DNI | Fluff ☾₊‧⁺˖⋆

You had your arms wrapped around Nanami's broad chest, tracing figures on his arms. You were resting your head, feeling your breathing slow down and even out -you had been completely out of breath mere minutes ago. 

You listened to the sound of his heartbeat, the rhythmic pounding a soothing melody, only helping you further to relax. You let out a content sigh, almost as if to start a conversation, but you weren't quite sure what to say. You wanted to soak in the atmosphere and enjoy the post-sex bliss just a little longer. You had felt a connection to Kento unlike any other before. Usually, after an encounter such as this one, you would be getting up, ready for a shower and the rest of your day. But now, you just wanted to stay, hold him, caress him and cherish him. And this had all led to the apologies that came from your lips: 

“Sorry for the cuddling. I’m usually not that clingy.”

He chuckled, a deep rumble in his chest that you could feel on your cheek, the arm wrapped around you tightening a little bit more. He wasn't super talkative, not in the bedroom, nor outside of it; but he still humored you with a response. 

"Don't apologize. I am happy to be here with you. There is no rush, we have no plans." 

Sweet, yet practical. That was the man you had fallen in love with. And he was right: there was nothing going on, you had the rest of the day for the both of you. You could perfectly cherish the moment, and you would probably do so. You would soon get up, maybe get a shower together, and then get some food. 

But for now, you would enjoy his presence, his scent, his steady heartbeats and his breathing. You would be tracing figures on his arms and chest with your fingertips, muscles sometimes twitching slightly in response to your featherlight touches. You would feel the soft pressure of a kiss being pressed to the crown of your head, a soft wordless gesture of affection, so full of love, and it would make your heart soar. 

You readjusted your pose, snuggling even closer -as far as that was possible- and wrapped one of your legs around him. You relished in the feeling of your bare skin on his, even if the readjusting took some effort -remnants of sweat, and others, had made your skin a little sticky. 

You felt your heartbeat slow down, almost matching his, and you noticed your breathing had completely evened out, your body fully recovered -for now, you were sure you would be sore tomorrow. 

You turned your head slightly, pressing a kiss to his chest, and then closed your eyes, laying down again. This wasn’t a one time thing, this wasn’t a singular encounter. No, this felt like the start of something more than that. You were eager to see where this would go, though for now, you would just relish in the moment.

#nanami x reader #nanami kento x reader #nanami kento #jjk #jjk x reader #jjk imagine #nanami imagine #nanami nsft #nsft #nakunosins #suggestive #minors dni #pillowtalk

[placeinthisworld]

ttpdta review part one 🤠

let me preface this by stating that i am a swiftie first and person second in this situation. i have grown up with taylor and feel as if shes my big sister- yes i can make fun of her but if i see anyone else do it i will get fiercely protective. i do understand her music is not only art but also her form of therapy. that being said, throughout these nonsense notes i am constantly mentioning that taylor should go to therapy. i am aware of what she has said about therapy (and why she doesn’t go) but i would beg to differ with her…especially after this album release lol.

taylor is an extraordinary storyteller and song writer. i believe this album is full of evidence of that, but it also has some faults that prevent from being as good as i felt like it could have been. overall the album feels rushed.

i also feel like it’s important to recognize the elephant in the room. i know we probably all expected this to be a joe breakup album, so the fact that it turned out to be a “fuck you matty healy” album shook us all a little bit. i know matty had a controversial history, im not gonna sit here and defend him. i don’t know much about him other than what is forced against my will. i do however know that he struggles with mental health issues/ substance abuse/ addiction. i’m not gonna comment much about his personal issues, i don’t feel like that’s right and taylor’s constant references to drugs throughout ttpd definitely rubs me the wrong way. i should also mention i grew up with an active addict and do view things from that perspective, so i feel slightly triggered by the topic and my feelings about that may just be personal but i do mention that in my notes when it’s relevant.

lastly, i am not a music production girlie idk shit lol. i only know i am a aaron dessner stan so any song with his name im already biased towards and i am aware, if u don’t like that idk what to tell u lol. i just know what i feel like is “good” or “bad” but music is subjective🫶🏻

1. Fortnight:

Hate the functional alcoholic part. Like the beat, the chorus is catchy. One thing i love about a taylor swift song is that theres always a story and its always visual. I like the metaphor of the “good neighbors” of like having this teasing/ longing feeling for someone that you could have had a life with. “Your wife waters flowers/ i want to kill her + my husbands cheating/ i want to kill him” feeling like you were robbed of her life, feeling “all my mornings are mondays stuck in an endless february” reminiscing about the short period of time where you were together and convinced it would last forever (only for it to end before it even started). I do not listen to much post malone but i enjoyed his verse!! So many florida references we get it everything bad happens in florida.

i have not seen the video yet oooopsies

2. Ttpd:

i thought this was the opening of Hey Stephen (the remix) or something at first. gotta say i absolutely love the way she sings “you left your typewriter at my apartment/ straight from the tortured poets department” i enjoyed the vibe of this song, and lyrics up until the “you smoked then ate seven bars of chocolate (OKAY SOOOOOOO ME CODED NGL I LAUGHED at this point i could let this lyric slide- bit then she had to mention the charlie puth and golden retriever thing and ngl it almost ruins the song entirely for me. Tbh when i first listened to the leak i thought this was a fake AI song and that i was sending around a fake leak bc these lyrics started to get a little weird to me. ‘Sometimes i wonder if youre gonna screw this up with me/ but you told lucy you’d kill yourself if i ever leave” …………girl i am begging you to see a therapist (side note did anyone else have a friend in hs whos bf would say that shit a lot?? I remember straight up fighting with a friend who refused to break up w her bf bc he would threaten to end his own life is she did and he was like 16? If an adult is saying that same shit i would be Very concerned not gossiping about it???) “i chose this cyclone with you” my first reaction was: ride the cyclone the musical? Overall i liked the first half but you lost me at charlie puth (hes the one with eyebrow right? I think i get him and miles teller mixed up) (i dont know who either of these men are)

3. My boy only breaks his favorite things:

Okay tbh i thought this was gonna be one of my least favorites, but the total opposite happened. I think this is one of my top 5 favorites on this album. I do think that there is a difference between a poem and a song and that they are not always interchangeable. I feel like if this was edited into a poem it would be KILLER. The visuals, the the story, the vocabulary, the sadness in it. “Im queen of sandcastles he destroys/ There was danger in the heat of my touch/ once i fix me/ hes gonna miss me/ i felt more when we played pretend then with all the kens / cause he took me out of my box” i feel like ever since folklore, taylors been trying to push these big fancy words and sometimes it feels awkward and forced, but this is one of the rare songs that doesn't suffer from that.

4. Down bad:

meh. Chorus is catchy. I dont love the narrative “fuck it if i cant have him/ i might just it would make no difference” but i also have never once experienced that over a person before lmao……….taylor go to therapy. Nothing really stands out about this to me otherwise. No offense, but it sounds like a generic jack antonoff song lol. Like maybe if another artist released this, i would enjoy it more but idk i wouldnt expect it from taylor i guess. Just kinda feels boring to me sorry if u enjoy it <3

5. So long, london:

oh man were done with british men now for real for real. “ two graves one gun. I'll find someone” its over for joe and matty (but thats fine if all she has to say about joe is what i think she said on this album i am happy i think We Get It…) Aaron dessner i love u (remember when he reposted me on his ig ahh).”i kept calm and carried the weight of the rift/ pulled him in tighter each time he was drifting away” + “I stopped trying to make him laugh/ stopped trying to drill the safe/ i didnt opt in to be our odd man out/ im pissed off you let me give you all of that youth for free” oof i FELT that one a LITTLE too hard. I think this is both a song about matty and joe- i think she had a life and an attachment to london just in general through both relationships, “im just mad as hell because i loved this place” and so reflecting back on how both are over and how all those plans with either are done. “You sacrificed us to the gods of your bluest days” OKAY kinda hate this phrase bc it feels like shes placing blame on whomever’s mental health/ depression, like as if they made the conscious decision to sacrifice the relationship solely. This very much feels like “how much sadness did you think i could take before i got bored???” overall top favorite songs bc it doesnt have too many cringey or odd lyrics and the production is 10/10 thank u aaron dessner ilysm king

6. But daddy i love him:

tbh when i got the leak this was the first song i listened to bc i thought it was gonna be the worst one and i wanted to get it over with (i was RIGHT until she dropped that second half……..) and i DIDNT have the lyrics obviously so i couldnt for the life of me figure out if she really said “im having his baby…..NO IM NOT!” until the VERY end of the song and bro…….the cringe. The cringe. The cringe. This is also when i started to question if this was real or if i was passing out a fake leak, lol. I dont understand how she could be saying this shit about matty. And like we all know it lol. “Sometimes growing up precocious sometimes means not growing up at all” …….but like does it??? I feel like thats kinda an oxymoron or something like i understand what shes trying to say and MOST of the time her metaphors and comparisons make sense to me but like this one doesnt. Growing up precocious means to grow up more advanced in maturity, how would that also mean not growing up at all? Is it just me getting stoned and overthinking things? “Ill tell you something about my good name/ its mine alone to disgrace” true that bestie ur doin a great job by being so politically quiet over the past couple of yeats after making a whole asss documentary about wanting to be on the right side of history. But I digress i am just one of those bitches performing soliloquies you'll never see. Overall this song is very weird and cringey imo and i wish it stayed in whatever vault it was sitting in lol.

7.Fresh out of the slammer: “In the shade of how he was feeling” -_- dont like this narrative already. I could honestly go on a rant about why i dont like this song but im going to spare for the sake of my sanity in this review of thirty one fucking songs but its along these lines “to the one who says im the girl of his american dreams” oh brother. otherwise i dont care for many of the lyrics, the chorus/ melody/vibe is mid i guess. It sounds like another jack song (i was right)

8. Florida!!!: “all my friends smell like weed or little babies” okay i know what she was trying to say but im SORRY you cant tell me she couldnt think of ANY other way to say her friends are either parents partiers lmao. Deserves jail for that but luckily the vibe and the chorus of the song are really catchy and florence’s voice is beautiful in it. “Well me and my ghost we had a hell of a time/ yes im haunted but im feeling just fine” CHILLS i loved it. I didnt think i would like this song but (maybe as much as i like no body, no crime which is meh) but no i lowkey love this song and think its really fun. Once again the drug references start to get heavy here in the album and like i mentioned i do get slightly triggered by drug mentions.

9. Guilty as sin?:

okay taylor we get it you masterbate. Another strong jack song and it’s pretty similar to others on the album so nothing besides the sexual lyrics stand out.

10. Whos afraid of little old me?:

“if you wanted me dead you should have just said/ nothing makes me feel more alive” ooooooooooh i love that. I feel like a live or an acoustic version of this song would give me CHILLS. “Is it a wonder i broke / lets hear one more joke/ then we can all laugh until i cry” honestly so relatable, “i was tame, i was gentle til the circus life made me mean” oh :( that hurt bc it just reminds me of the vibe shift during midnights era/ eras tour where it *feels* like she started to pull back from being taylor swift and started to become Taylor Swift (™) and the way her fans/ media has treated her made her mean or cold or something and that just makes me feel sad. “Whos afraid of little old me? You caged me and then you called me crazy! I am what i am cause you trained me! SO. WHOS. AFRAID. OF ME? Again the narcotics line kinda makes me feel icky but thats bc i have that thing about drugs and just dont LOVE all the references to them. Like i know its not that serious but theres a reason why i dont seek out artists that typically talk or write about that stuff ya know so its weird. Overall i think the production is one of the most unique ones on this part of the album.

11. I can fix him (no really i can):

i hate it all around i think. I hate the narrative of “i can fix him!! I can handle a dangerous man!!! No really i can!!!” there is a reason why this song is barely 3 mins long lol it should have been cut but i think taylor wanted to Be Edgy. i dont care for the productions or the lyrics, its very forgetful imo.

12. Loml:

okay i really thought this was gonna be a joe song (rip) so i was thinking it was gonna be really deep and sad and like it IS but with the context of it being the pt 2 fling with matty it doesnt seem like it now. Anyone who thinks this is not about matty please look at the lyrics and be so serious “whos gonna stop us from waltzing back into reklndled flames/ if we know the steps anyway” I think matty just said too much shit to taylor during their fling and taylor WAS truly convinced this her invisible string and he promised her a lot that he couldnt upkeep and ghosted her and she took it SUPER hard, i mean two breakups in one year is a lot (me, whos never been through a single breakup once). I just dont understand how she feels like matty is the greatest loss of her life. One of my favorite tracks on the album, “our field of dreams engulfed in fire/ your arsons match your somber eyes” a LOT of these lyrics are actually really good imo. I think im the only one that didnt find the “mr. steal your girl and make her cry” line idk i thought it was actually kinda neat, the phrasing of it, kinda contradicts the title “love of my life” because he was never that serious or respectful of her and only use her from the beginning. This is another song that i think would make KILLER poem over song. Overall i think the piano is haunting and a live version of this will make me die, thank u again aaron dessner 10/10

13. I can do it with a broken heart:

ngl i thought this was the opening to mastermind for a hot second- also gave me a scare on whether or not this was a fake leak lol. Catchy ass chorus but very YOYOK. “Breaking down i hit the floor/ All the pieces of me shattered/ as the crowd was shouting “more!” ooffffffff seeeeee that is exactly WHAT i was afraid she was feeling durning the eras tour after the joe breakup/ matty situation and all these stupid twitter and tik tok swiffers were out here overanalyzing EVERYTHING and demanding rep tv like every other day. “Im so depressed i act like its my birthday” …….okay taylor. Like a lot of people have said, i think she interchanges “depressed” for “sad” a lot and the two are not the same. I think taylor wrote this song (but specifically the “i cry a lot time but i am so productive” and was like “yup this part is gonna go viral on tik tok,” initially i wrote “feels like taylor saw that depression barbie commercial in barbie 2023 and wrote a song based on that” lol which i still agree with. Overall the production of this screams midnights reject lol, very jack antonoff. Over time this song has grown on me a lot. Originally i didnt care for it but now its kind of a bop but i think its bc its so similar to YOYOK. “Try and come for my job” @taylorswift deadass you couldn’t think of anything else to say instead. cmon. I was mostly on board until that very last part, just seemed very cheesy lol like its not a big deal but i thought it delivered well without it.

14. The smallest man who ever lived:

(aaron thank u for saving me and this entire album) “they just ghosted you/ now you know what it feels like” OUCH. “i dont even want you back i just want you to know/ if rusting my sparkling was the goal/ and i dont miss what we had but can someone give/ a message to the smallest man who ever lived” oh this was somber af. I am obsessed with the phrasing of the chorus. I also LOVE taylors deeper voice its def giving me the same feelings MTR gave me from folklore, that made me CRY and this was very similar. This is another classic taylor song that i could EASILY write like a ten page essay about if someone put a gun to my head. I know that its about a *romantic* relationship, but it feels general enough to be able to relate to anyone who is close to someone with an addiction or struggles with substances. A lot of addicts dont understand the impact of their addiction or their behaviors that they display while struggling. To meeeeee, this feels very much like “you were self centered and betrayed my trust, was any of this true? Real? Am i paranoid or is this that deep?” “it wasnt sexy once it wasnt forbidden” has me thinking lots of things. I think that describes taylors “type”if that makes sense? Like i said i would need to literally break this song down line by line like its ridiculous i have too many thoughts about this song i have listened to it on repeat six times by the time im typing this. “In public showed me off/ then sank in stoned oblivion” FUCK. “you treat her like an also-ran” honestly i have never heard of that phrase/word thank u dr. swift. “Were you sent by someone who wanted me DEAD/ did you sleep with a GUN underneath OUR BED/ were you writing a BOOK?/ were you a sleeper cell SPY? IN 5O YEARS WILL THIS BE ALL DECLASSIFIED?/ AND YOU’LL CONFESS WHY YOU DID IT!/ AND ILL SAY GOOD RIDDANCE!!!!!!!!!!!!!!” tears were formed besties. Also love the gracie abrams reference. “And you deserve prison but you wont get time” i feel like is very metaphorical like you DESERVE to be punished for what you did to me but you won’t admit to the guilt, you wont admit your wrongdoings, you wont admit that i would have done anything for you and you have no problem replacing me. “You said normal girls were boring/ but you were gone by the morning” first of all red flag girlie, nonetheless heartbreaking. “And in plain sight you hid/ but you are what you did” i say this with all the love in my heart, someone take taylor swift to a really good really private therapist. I could say more but i think i need to move on because i am now on my eighth cyle of listening to this song.

15. The alchemy:

already kinda hate it. “What if i told you im back/ the hospital was a drag/ worst sleep i ever had” do you think taylor swift has ever been admitted to a real hospital in this context. Feels very out of place and like i said earlier i dont love the psych ward visuals/ references she keeps inserting in this album. “He jokes its heroin but this time with an e” thanks! I fucking hate that line so much. Feels very icky, not funny. I get what shes going for but it falls so flat for me. The football references (yall know my opinion on meathead!!!!!!!! I will not engage!!!) are fucking dumb. Production is kinda lame and uninterested. Will only listen to this song if by force and will not repeat it ive head enough lets move on.

i have Lots Of Thoughts. i don’t think anyone cares about what i have to say though so i don’t think i’ll bother posting the rest lol but i did do a lot of work so ill post just a bit to make myself feel better.

#personal #ts ttpd #ttpd #the tortured poets department

[sharonisthebettercarter]

billy butcher and addiction--

felt there's a need for a good and proper analysis for this fucker (as well as i can manage, maybe throw in a bit of a rant on poor fandom etiquette, 'three laws of fandom' are an oldie but a goodie lol) so here we go i guess--

i wanna start by saying this is a full scope character deep dive (sortaish?? best i can do take it or leave it--lol i might go further in depth on specific scenes or whatnot later, i'm longwinded but i'm tryin' to condense as best i can for this, aaaaaaaaaaand long long post ahead--) that def includes elements solidly confirmed in dear becky and probably leans more on comics billy overall, but def does intertwine and interlock with show billy (as they are essentially the same, garth ennis' own words went something like 'he's a perfect billy butcher' lol)

i'll try to avoid spoilers (??) for the most part like dear becky, but there are some things that may need more context (there is quite a bit of in the show that works well enough to represent anyway but i guess we'll see how this goes, i may end up talking more about the show elements and how they parallel with comics billy anyway)

i also think it's worth mentioning that there's a lot to billy (especially in the comic) i feel fandom either ignores, dismisses or doesn't want to acknowledge, or just doesn't notice.

whether from personal bias/prejudice, desire (fitting billy into that 'alpha's alpha' toxic masculinity 'dom top' fever dream 'mold' so to speak, probably--no, definitely the *worst* way to interpret and easiest way bungle up his character, it completely misses the fact that billy has built *that* 'daddy approved' version of himself as a *facade* to *hide* his own shame and insecurity, and he is *so* much more complex than that nonsense (and genuinely uncomfortable and unhappy being that way-beyond the subtle guilt of a constant high). can we talk about the ways in which fandoms promote and perpetuate toxic masculinity--what, no time we'll be here all week?? oh, okay. jesus fucking christ that is exactly as bad if not worse than the maga chud interpretation and unironic worship of homelander--), lack of personal experience/familiarity, understanding--fuck it, even lack of education in media analysis or reading comprehension (if not both), and *especially* being pro-censorship/americentric/*stuck* with purity culture blinders (or even some part of them lingering)

all of those can def make media (and characters like billy) that isn't 'cookie cutter america-approved' fairly difficult to understand or accept (i guess??)

i've seen so much listed to hell and back in attempts to describe comics billy. 'he's a piece of shit' *YES*. 'he's just wish fulfillment for the author's hatred of superheroes' *no*??? let me not get into the complete hypocrisy of someone who writes or enjoys fanfic--the epitome of *wish fulfilment*--unironically complaining about other authors doing this and thinking it's a legit complaint. how does *anyone* read the entire story and come to *that* conclusion???

did you even bother reading the comic? no, i don't mean glossing over it with a completely closed mind while actively ignoring and dismissing everything important put in front of you and designed to make you think because the blood and guts or other is too distracting apparently, i mean *actually* reading it thoroughly and making an effort to think about what's being presented and why, waiting for the drop *instead* of jumping to judge (as is the american way)

and to some degree, i get it. i wouldn't say this comic is the easiest to digest (especially if completely unfamiliar with many of the themes presented, even the show has sparked some ass takes and interpretations) there's also plenty of common misconceptions, one in particular about garth ennis 'hating' superheroes. this is actually not true, what he hates is how the superhero *genre* has bottlenecked the comics industry and what is more likely to see success in it (and as a fellow creative, i completely understand how frustrating that would be, his main interest is actually war stories)

it's def one thing to say, 'nah, i don't vibe with the style' or 'it's not really for me/my taste but it's fine if others like it', i get that, satire and horror aren't for everyone. honest critique is fair even.

but it is a whole 'nother thing entirely to pretend your own personal tastes are *the only 'correct' creative law* and then *vehemently* oppose or hate something an artist created and denounce, harass, or fuck--dehumanize the people who enjoy it, if not the artists who work(ed) on it.

i'm sorry, this is a tangent cause it's def not limited to the hate the boys comics or ennis gets *at all*, it's especially prevalent in *literal* kids media like teen titans go where the thing in question is simply put--*NOT MADE FOR THE SHITHEADS NONSTOP COMPLAINING ABOUT IT* when they can literally, *LITERALLY* just *accept* that they weren't the *target audience* and move the fuck on with their day, happy as can be. *instead* of shitting on something *or the people who like it* to make literal *children* or other people feel bad about liking it.

it's one thing to try and educate people or have discourse and discussion, it is another entirely to *bully* them over something so *stupid* as *fiction*.

i especially have a problem with this shit when i have *several* artists tell me that they don't feel *safe* or *welcome* being themselves, liking or creating what *they* want to make in a fandom *because* of the fandom attitude and normalization of *hate* within that fandom.

i *thought* fandoms were supposed to be about *love* so what the fuck is this human tribalist false dichotomy bullshit??

and of course, that's not always the case. there is also an unbelievable level of respect that is given to fanartists and fanfiction writers, and that is *beautiful*. 'don't like, don't read'. *PERFECT*. curate your own content, complain or rant in your own spaces--you're entitled to an opinion, but *accept* that it still has a right to exist and other people still have a right to love it (and aren't wrong for that, opinions cannot be objective), *even if you don't like it*. just don't engage then, it's that simple.

now extend that level of courtesy to the people, artists and writers in the industry.

no, i'm not trying to shut down criticism of media, proper critique is how we learn and grow and understand better and in turn *create* better. yes, they can fumble the fucking bag too, especially when adapting something from a source material and--like *some* fanfic writers out there--think they can do it 'way better'.

but the people in the industry? who bend over backwards, going on strike in some cases, breaking their necks to work on and create the things that we *love* and latch onto?

they're people too. and whether the thing they make goes *exactly* how we want or not, however you feel about the money in the entertainment industry (which they see barely a dime of if those fucking strikes and constant mistreatment are any indication), they don't deserve to be treated like scabs.

that mentality of 'not my personal taste = universally bad' and 'anyone who disagrees with my opinion is wrong' is fucking gross and *extremely elitist*, just straight up announcing how pretentious, obtuse, willfully arrogant and ignorant, and *lacking in self awareness*--the number one easiest way to be the *shittiest* kind of artist/writer/critic--you are. it is *exactly* like cishet white men complaining about something being 'bad' because it's 'woke' or has anything *besides* a cishet white man for the protagonist.

*god forbid something isn't tailor made specifically for them.*

swear to gawd, i got a list of different bullshit and circle jerking i've seen all across different fandoms for different reasons. no i'm not mad at any one person in particular, just a little salty from recurring problems and gatekeeping (ghoulfucking-GHOULFUCKING OF ALL THINGS I--I CANNOT) if not straight up bullying (does it really make a bitch feel *so* much better to try and hurt other people for liking what they, and let's be honest, are not willing to give the time of day?) in fandoms. (the complete audacity of people to complain about a media being 'childish' or 'bad' because 'insert nonsensical trivial bullshit here that holds no weight because it's personal taste if not flat out wrong and not actual critique' and then turn around and throw the biggest fucking tantrums about it--let me not get into the whole sharon carter debacle jesus christ--)

same shit. different pile.

also, fuck me. i keep *forgetting* that genuinely valid critique (*not* personal taste/opinion, proper critique pertains to things like techniques used, composition, narrative consistency and plot holes, goals of the artist/writer, accomplishments of those goals, etc.) is something that needs proper education and understanding all on its own which not a whole ton of people get or even know, which just goes to show--i'm a dumbass too. (but i won't deny that plenty of 'critics' are full of shit and *know* this but use their 'personal taste' as 'critique' *anyway* because... they enjoy being complete assholes and discouraging other artists i guess.)

y'all, take a class or two in art critique and literature analysis. you'll learn all the cool lingo (to later forget if you're like me~), and maybe (hopefully) walk out with a bit more of an open mind wanting to encourage more art in the world, even if you don't personally like it. take a moment to *listen* to differing opinions in their *entirety* and you might even gain a new perspective.

*no one* should be ashamed to ask questions or admit they don't know or understand something and fuck the people that would make you feel that way. *we can and should help each other.*

but stagnant or hostile fandoms with no self awareness and perpetuated elitism circle jerks? *really* fucking shameful, regardless of the form or where they are.

ANYWHO--

ugh, fuck. okay. i think i'm done with that tangent, back on topic--

BILLY BEAN~<3

and i want to reiterate that *again*, dear becky *does* confirm pretty much everything i'm going to discuss here tho technically speaking, nothing is spoiled here as it's just reiterating what is implicit (if not stated outright) throughout the series.

as far as dear becky goes, it's a good final gut-wrenching piece to the series and i loved it, but it definitely leaned on more of 'tell' instead of 'show, don't tell' (no duh in context, but probably because the rest of the comic did the 'show'--very well imo but it still flew over peoples' heads and made them misplace their brains--i'm sorry, i've just lost so much patience for the lack of reading comprehension and media literacy, but honestly? ennis is genuinely too good at knowing how to spark a strong emotional reaction in readers. and can we talk about the dense mofos that *make* authors have to 'tell' just to confirm something that is heavily implied--what, no time? oh, fuck, fine.)

OKAY--

addiction.

what about it, and why am i mentioning it. well. because if it's not clear by now, william butcher is an addict.

and it is one of, if not the core element that drives him to do what he does.

not becky or becca. not justice.

addiction.

and i don't mean traditional substance abuse (though he admits there has been as much in his life, especially with alcohol, his drug of choice is a bit more complex and maybe not so easy to spot on the surface for those unfamiliar with addiction).

in the show, we even see him mention that he's 'done 'em all' and there's *nothing* like temp v--and it's because temp v *amplifies* his *addiction* to the highest level it could exist on.

something else to note, there's a ton of stigma and widespread (ableist) misconception surrounding addiction still (which may be part of why people may not want to recognize it in billy), but it is absolutely a clinical mental disorder and people who suffer from it should be treated as *medical patients*, not reduced to violent criminals and scumbags. (fuck you drug war and prohibition, you are the root of organized crime and you're racist as shit.) it's also possible to become addicted to *anything*. and i mean *anything*.

if you can repeat a behavior and your brain no longer cares whether or not that behavior is causing you harm because there is a *compulsive* urge for that *repetition* or a specific result from it? that is addiction. money, anger, pain, violence, self harm, attention, love...

you'd think the last one might be okay, but it's not. it's an easy way to get caught in the infinite loop of an abusive relationship, just with promise of it. no delivery necessary.

but it doesn't have to be drugs that cause addiction. hell, gambling addiction is a thing all it's own that can get *incredibly* severe.

and listen, too much of *anything* can be horrible for you. fucking coconut will give you the runs if you eat too much that shit is *not* fun pun intended--

i digress.

in billy's case? he's actually addicted to two i just listed.

violence. and self harm.

i mentioned before that what drives billy has next to nothing to do with what happened to becky or becca.

there's a common misconception that, at the end of the day, billy does have some level of good intent behind his actions, and to a degree this is true in the *complete reverse* of what people often assume, and this is proven repeatedly in both the show (with just what we have seen) and comic (where its laid out too heavily to ignore).

setting aside the fact that there's *never* a good 'rEaSoN' to commit or even attempt *genocide* (EVER. i have ZERO patience for the constant apologism of this bullshit, SWEAR TO GAWD FANDUMB--) and billy's genocidal tendencies on their own, the idea that 'he goes after homelander for becca' or 'justice' has been completely debunked.

'justice is not vengeance'

something to always keep in mind.

but... in the first season? hughie called him out on this.

butcher calls him a 'disgrace to robin's memory', and hughie--bless his little heart, responds with 'i think i'm doing this *for* her.'

it's an interesting response, because hughie is essentially saying--

'you'll *die* for this woman, but that's not what she would have wanted. i'm going to *live* for robin, and for *annie*, because *that's* what she would have wanted.'

and he's absolutely right. billy loved becca, would have died for her. but he refuses to listen and *live* for her.

the group therapist too even before hughie. she literally laid it all out, front and center in the clearest way possible, 'it's a defense mechanism', and then butcher had his little meltdown just before telling hughie about becca, everything he can, including *using* other peoples tragedies and his own *specifically* to manipulate hughie and try and make sure *starlight* can't *save* him from what butcher is trying to turn him into.

*so that hughie stays stuck on his reason to die, instead of finding one to live.*

in the second season, *becca* herself calls him out on this, multiple times.

'you put me on this pedestal but i never knew how to save you'.

'--i didn't come to you, i went to vought--.'

and that's just it, becca (and becky in the comic) is *intimately* familiar with billy's *addiction* and the underlying mental health issues he *wouldn't address*. she didn't tell him what happened even after the shock of it because she *knew* that it would just become a reason for billy to *give in* and be his worst self to a degree where she would *lose him* regardless of what she felt or asked for from him.

she felt she had to *suffer in silence* to *protect him* from *himself*, something that ends up *destroying* her.

becca wanted to *save* billy, but more importantly, she wanted *him* to *save himself* because she *believed in him*, *so much*.

'i never wanted that for you.'

she doesn't want billy to drown and suffer or cause harm in his own hatred and addictions. she *loved* him so much so, that she was willing to *drown herself* if it meant she could save *him*. she loved him *too much*.

billy's mum too, even tries to help in her own way. (she is much less aware of billy's activity in the comic, but we'll come back to her. for the show, this was likely in response to seeing the news about *stillwell*, something his dad fucking *praised* him for)

'--that he wouldn't have this hold on you--'

billy's actions are almost entirely driven by the *addiction* his father forced on him. on doing the things that would make his 'daddy' *proud*. and the thing is, he's *fully aware* of this.

he constantly *says* that *becca* is his 'reason', that she was his *cure*, but she's the *excuse*. his *new addiction* and *self medication* (also billy, you fucking cunt you *know* what you do and have no leg to stand on when it comes to self medicating--)

both in the worst of what he does and his rejection of addressing his own traumas, and she is *unwilling* in this endeavor. she never wanted this hate to consume him, she never wanted all of this death with her name as the signature, *she never wanted billy to be his father*, much less be something much worse.

he even admits as much in the third season when he hallucinates lenny who tells him his actions would 'break becca's heart'

billy responds something along the lines of 'becca's dead, it doesn't matter what she thinks'. (a line presented in the comic even more harshly, but it drives the point home perfectly.)

when he sees lenny again in his nightmare--

'i'm not that bastard--.'

'come off it billy, you always have been. cause anyone who's ever loved you, you end up gettin' 'em killed, don't ya--.'

'--the last person on god's green earth tryin' to stop you from bein' a monster, and what do you do? drag him down to your level... when he dies... and he will... then no can stop you.'

OOF OUCH OWIE--. the lenny stuff hits so damn hard but it represents *perfectly* what butcher's own *internalized beliefs* are.

mallory calls him out on it literally every season.

'--but billy! not the others!'

'it's like asking a cockroach to not be a cockroach--'

'--because it wouldn't stop with just homelander--'

'this was never about ryan or becca, it was always selfish. the hate inside that you want to let loose on the world.'

'--i was wrong... you are your father, always have been...'

and then there's billy's subsequent impulsive reaction to push ryan away, and *be his father*.

but hell, even in gen v when mallory is speaking to shetty.

and truthfully, billy was even showing *withdrawal* symptoms at the beginning of the third season.

billy himself, even *self punishes*, picking fights he knows he *won't* win as a way to counterbalance *and* satisfy his own addiction, infinite loop. vicious cycle.. (ooh i will def be coming back to the big one here--), and we see this in one *HUGE* way, and in many many smaller ways, but even in the more literal sense of going to bars, starting trouble, and laughing or smiling when he's getting beat the fuck up or *losing*.

it's even highlighted in the show, billy *seeking out violence* and conflict whether he should or not, *especially* when unnecessary. getting his own face busted up and smiling because of it is something that happens multiple times in the comic (even on accident in one instance), and is def given a place in the show. it's easy to pass off as billy simply being a masochist (which is def true lmao he does admit as much), but there's also more to it than that and it goes hand in hand with his *addiction* and--

what he thinks he deserves.

billy *hates himself* so *severely* that he actually *does not believe* that he is capable of the *good* that others, such as lenny, becca, his mum, and hughie are willing to *see* in him. he *completely* believes it when others say that 'he is his father' (internalizes it, struggles with it, and frequently acts on it).

he puts on a show. bravado, posture, and 'confidence'. and he's so good at putting on that front, that he can fool himself, even for a moment. and those that believe it will even *enable* him. and the people he feels *nothing* for? again, he maintains the front. he lives his life *masking*, *faking it*--so fucking hard. homelander could never--

and it's not even necessarily the result of toxic masculinity. don't get me wrong, he def has some issues with that lingering (y'all, if you have *say* you're an 'alpha' and posture out your sweet little ass off 24/7, you're def *not* an 'alpha' lmfao), but it's more so his own *trauma* that forces him to *cling* to that.

but when he *loves*, and he loves *deeply*, he completely rolls over and shows his belly like a kitten<3... when he was with becky, he was happy and comfortable, and all of that *ridiculousness* just melted away completely... he didn't feel any need for it because he felt *safe*, because this constant *insecurity* and feeling of being *threatened* all the damn time looming overhead had suddenly cleared up with becky there.

it's not even so much that billy doesn't feel fear. he might not traditionally (at all if his amygdala is damaged), but considering the fight or flight response, billy's *default* setting literally *is* that *fight* response. he's the way he is because he is *always* afraid and he's been conditioned for it to manifest itself as *rage*.

we see bits of his love come through in a few moments he has with people he has genuine care for. (the way he loves his mum and she instantly calms him down is genuinely so sweet.)

but it's always gonna come back down to 'daddy dearest'.

because of him, *billy is afraid of living*.

and--

his father. *is proud of him*.

billy is *just like him* or *everything he wanted to be* as a *man*, or at least is compelled to *project* this on the surface. and everything in *billy* that *is* his father, *just like him*, is *everything* that billy *hates*. so it manifests into an *intense* self loathing and spiraled addiction that magnifies the worst of what his father *forced* on him.

he *doesn't want* to be *his father*, but he feels, and fully believes that *he already is*. his self hatred is another form of *hating his father*, because *he is that man's legacy*.

so *billy* doesn't *believe* that he deserves love or goodness or care from other people (a parallel we see in homelander, presented a bit differently.) so he 'doesn't care'. makes excuses to not care (about people in general, if not just the very *prominent* antisocial tendencies), or leave, or push them away, lashing out to give *them* the excuse to leave him, because he is *afraid* and in his own mind, *unworthy*.

he's *afraid* of being loved, of *losing* that love, of *hurting* those he loves. he is *afraid* of being his own father.

but it's all he's ever known, all he's ever been *conditioned* to be. intoxicated, ever present, it's this terrible thing that destroys him but he *can't* stop. *addiction*.

and what better way to protect those he loves than to keep himself as *far* away from them as possible? than to *make* them hate him. than to do the *wrong* thing, to *disappoint* them. self sabotage. self punishment.

he can't stop himself. he deserves it.

lather, rinse, repeat.

so what does that mean for homelander, or even the reason he goes after homelander? the *real* reason.

'there must be *some* good in him because homelander 'must be' this 'ultimate evil that *must* be stopped', right?

not really. he's a symptom of a much greater evil, but he was never the root of it. if billy really wanted to solve the problems at hand and get *justice*, he'd go after *vought*, NOT homelander.

homelander is not even the real villain in *billy's* mind, in all actuality.

what homelander *is*?

temptation.

he is... the *ultimate* final high for billy. in terms of addiction to both *violence* and *self punishment*.

he doesn't actually go after homelander because he wants to 'stop him' or even kill him. not really. there are times billy starts a fight *expecting* to *lose*, *wanting* it. homelander *is* one of those times to the most intense degree that billy could find. and he even senses this when they first meet--unnecessarily, privately insulting the man because why?

because he feels *threatened*. because he feels *insecure*. because if homelander is *truly good*, even with *all that power*--

then billy has no fucking excuse--

it is, in essence, the same exact reaction that lex luthor has to superman. forcing himself to *challenge* him because of a *constant* sense of *fear*. (except lex *is* afraid of dying, so 1000% a huge coward lmao--)

but~, when he finds out homelander is *bad*?

homelander is billy's *failsafe*

to stop the person he feels is the most terrible evil of all *and* to set the world on fire in the process. a way for billy to kill two birds with one stone. compelled by his addiction to *chase* this ideation relentlessly.

homelander is to billy--his ultimate end, self punishment, a death wish, a *suicide attempt*.

and a way to *unleash his hatred onto the rest of the world*, *to make it burn*, even after his death. (this would be why despite many many MANY warnings to *not* push homelander *because of the catastrophe this will ultimately instigate and the loss of life this is bound to result in*--billy does not give a shit about the potential consequences. he welcomes them--)

if homelander were a *nuke*, billy would want to *launch* him. right now, homie is more like the *demon core*, incredibly dangerous and in some instances lethal, but not *yet* explosive.

billy *wants* the *warhead*.

it was why he got *so excited* at the *chance* of homelander offering him 'scorched earth'.

the man read billy like an open fucking book, and set the bait--

y'all, in other words, homie straight up went to billy's house and offered *crack* to the *crack addict*--fuck yeah he's gonna take that offer!

homelander never actually perceives billy as a real threat *at all* (safe to say, this is the main reason he doesn't kill him. there's a bit of personal complex combined with the deals/blackmail/request involved, but this would also be why he doesn't *hesitate* to 'kill' billy at herogasm. he genuinely gives no fucks about this poor man or his many anal complexes and daddy issues beyond the mild entertainment he gets from him and just how *easy* it is to read billy or rile him up. maybe a *dash* of novelty being found in billy's obsession with him. i'll go into the homie side of things in depth maybe someday soon lol but for now--)

and here's the thing, homelander isn't the *only* failsafe. he is simply the *ultimate failsafe*

included in all the possible bad habits billy has is pawning off his *responsibility* and personal accountability, even his *will to do good* onto others.

i mentioned before that becca (becky) was like a new addiction for him. and she was. in a sense, billy was using her to self medicate. she loved him, gave him love and made him feel good, no pain, no shame--but also no pause to think about that pain, self hatred and self doubt and actively address it. she was a way to not worry about his own *goodness* because she was an *easy* reason for him to *want* to be good.

and something important to note?

billy feels that he has *cheated* on becca/becky *since* the day she left/died. (there's a whole ass deliciously intricate story there but i'm trying to avoid the spoilers lmao. kind of a freebie hint i guess.)

lenny and hughie similarly make an effort to *hold butcher back* and reach out to him. (everyone does honestly, but not everyone is so successful with it). and butcher lets them, but *also* removes the agency of his own choice in the matter.

he doesn't just *let them* make him *good*, he doesn't believe he's capable of stopping himself on his own--but he believes in *them* because they *are* good, *truly good*.

hughie all on his own is *another kind of failsafe* and lo and behold, even calls butcher out on this by the end of the third season (theme is prevalent in the comic a lil different but again spoilers lol):

'i don't think you want to do this. i think you want me to stop you.'

*ding*ding*ding*!

nail on the head, hughie... butcher does not believe he can stop himself. so he sets up *failsafes* to do as much.

and let me just say, it is *unbelievably* shitty of him to do that, to pawn off the responsibility of his own behavior, whether good or pure evil onto other people. but i get it. and it fucking breaks my heart for him.

because *that* is addiction. it feels like mind control. aggressive compulsion. you feel ashamed, and hate yourself, and don't care if you hurt yourself or even others. but you keep *hoping*, *wishing*, *leaving a breadcrumb trail* so that *someone*, *anyone*, will come along and--

*save you. from you.*

and when you stop believing in yourself, in your own willpower to fight against this *thing* that just completely *destroys* you from the inside out... without *anyone* on your side, what else is left to do but to numb the pain?

i was able to recognize billy's addiction right off the bat because i've *been* to a lot of the places he has been. including the addiction. and he makes me so *fucking* mad because it's like seeing a version of myself *still stuck*, *still lost*, *still trapped* by my own issues and self loathing, and all of the abuse i've gone through--

and the biggest fuck up, the biggest *abuser* is me.

i can't *escape* me. *no one* can escape *themself*.

that fucker breaks my heart to pieces because *i have been there*, and i know just how fucking hard it is to *be* there, just how much harder it is to *get out* and start to *learn*--*who is it you really wanna be? who are you without this drug?*

and something he even says in the comics on a few occasions is--

'i'm not really here, i'm somewhere else watching this happen'

asserting that he *truly* believes that he has *no control* over *what* he is. (in contrast with homelander, who feels the weight of something similar but more literally in some regard, and in relation to so many other aspects in his life with the world around him.)

billy butcher *is* the *true villain* of *his own story*

of his own making.

he's not after homelander or even vought. he doesn't blame society or even his father at this point. he blames himself. and he's *given up* entirely on fighting himself. he's looking for his *overdose*.

*that's homelander*

ain't that a kick in the head...

it's part of what makes their relationship and dynamic so incredibly electric and titillating. it's got nothing to do with becca or becky.

butcher sees homelander as an easy way out. as a way to control the narrative, *maintain his own*, and *stop the bad guy* without bringing someone *good*, like *hughie*, down to his level.

he *sees* the parallels, a kindred spirit. he *knows* the potential. and he wants to be the *spark* to light all that *gasoline*.

because then it won't be his fault anymore. his *guilt*. he'll have passed on his *curse*.

likewise, he actually goes after supes in general for a similar enough reason, and it ties in with why he *doesn't* go after vought directly.

billy actually *likes* the status quo. to a degree, *needs* it, *needs vought*

because *vought* is the *creator* of his *supply*, feeding this addiction. and we hear billy say this in both the comic and show--

'with great power comes the absolute certainty that you'll turn into a right cunt.'

and billy actually believes this--about himself.

when he says it about other supes and even his intense hatred of them, it is a *projection* of his own issues and what he believes to be true for himself (that he would do the absolute worst thing imaginable given the opportunity). and in a way, going after them is in some ways a metaphor for stopping and destroying himself, hating himself, as much as it is a way to maintain his addiction.

and--

maintain the narrative he has built--that he is the true villain.

and if that's the case, well... it takes a *hero* to stop a *villain*, right?

but also--y'all remember that scene in the suicide squad where polkadot man imagines everyone as his mum? how he imagines starro as his mum?

yeah, that.

that's basically billy. every fucking supe, including starlight, and kimiko, and let's *really* not talk about what this means about him sleeping with maeve in context with his 'supe=daddy' issues, but even the person he sees in the mirror. *all of them* are *his father*.

listen, i'm not kidding. billy's daddy issues are seriously severe, so fucking bad, i--

his actions aren't for becca or becky or ryan or justice. even he *knows* that's bullshit and admits as much (which just makes fandom denying it that much more fucked). but they're not even *just because* or because he's genocidal, antisocial, or anything else. he *does* want someone to stop him. he's sane enough to recognize his actions for what they truly are *behind* the mask.

billy's actions are a volatile and violent *cry for help*, because he never learned how to *ask*, or even how to *believe in himself*.

he never truly learned that *he never had to be his father*, and he didn't *need* becky or becca, lenny or hughie to *be good*.

i actually think billy's greatest magic trick is convincing even the audience and readers that he is a *total*, complete piece of shit. and don't get me wrong, he is *def* a huge, massive, incredibly rank and ripe piece of shit--.

and y'all, i'm sorry if you believed him and got played like a damn fiddle, him and homie def throwin' in some hard balls--

but he's also still human. he also still needs just as much if, honestly? maybe even more, fucking *help* than homelander. which kind of draws back into their parallels. the tomfoolery of fandom might have you believe that billy is less complex or more put together than homelander, but their situations go hand in hand and the evidence suggests (if not confirms) something quite different.

billy's plight and even goal in some sense is *convincing the rest of his world that he is a monster*. driven by the addiction his father gave him. enabled by the world around him.

homelander's? it's actually the complete opposite. his struggle is with *his world convincing him that he is a monster*, and in turn, against his own instincts, *growing* into that role. when in reality, he never got the chance to decide for himself, it was decided *for* him a long long time ago.

'i think, therefore i am.'

'i can, therefore i must.'

however, *our actions cannot define who we are, because we can choose our actions*. good or bad are not something you inherently *are*, they are something you *choose to do*.

it paints what in turn becomes quite the brutal and tragic picture when these two forces meet. homelander and billy are both of the mindset that they *don't have a choice*.

and this bit is a bit more of a personal thought, but regarding billy's mum, she was *becky*. she was sweet, and kind, and cared for her family more than anything. *it didn't matter what she suffered, she was willing to drown if it meant saving the people she loved*.

as much as i adore how cute becca and billy were, i don't think she would have saved him.

i think the implication is that she would have either 'drowned' trying and become his mum, history repeating itself in a vicious cycle as billy spread his disease to any child they could have.

or that she would have lost her mind. and in turn *become* the person billy spread his disease to, if not another enabler for him. if not billy's choice of drug, maybe she would have taken up something else and eventually overdosed. i would even say the show implies this outcome with both becca and hughie, as the more butcher pushes--the more worn down they get.

if you put enough pressure on someone--they break.

becca was *good* for him. but billy was so, so fucking *bad* for her.

it begs the question of whether or not billy *is* right, if he really is this monster, *fated* to become his father in the worse of ways. of whether or not it's too late for him.

he's certainly not 'normal' or 'right' or 'good' or even an 'anti-hero'. at best, you could maybe call him an 'anti-villain', he is meant to be the deuterantagonist.

it def doesn't help that every time he has the *chance* to do the right thing, *someone* goes and enables him, gives him a reason to do the *wrong* thing.

fucking maeve in that last episode of the third season. but she's def not the only one, and def not the only time. (and yes, if it wasn't clear enough, being completely fucking indifferent to killing *thousands* of people to go after *one* fucking guy is in fact, the *wrong* thing to do.)

butt.

rewatching the scenes with lenny and billy's reaction, and even the final fight, showed something of a *possible* silver lining.

billy *enjoys* rejecting his father. actually pretty fucking greatly if we're being honest. generally speaking, it's when he *rejects* his father and everything that man represents that billy is at his *happiest* (lmao the epitome of an unfulfilled submissive sweetheart and bratty bossy bottom~<3<3<3)

there's a moment, where soldier boy says something along the lines of--

'--fuck you. you're weaker than he is.'

in regards to homelander. it's sort of glossed over, but this is billy's reaction to essentially being called a 'disgrace' so to speak by a toxic 'alpha male'.

y'all see that? it's a smile. lmao a smirk.

this is a moment where billy is protecting *ryan* and keeping his promise to becca. it's a moment where billy is *doing the right thing*, all on *his own* (mostly lol i'm sure there's a roundabout way to justify it in his head). and i think that's key.

it's not just a moment he's proud of himself and has a legitimate fucking reason to be proud of himself, (oh btw, we shoulda *all* been proud of billy in this moment), it's a moment he's *breaking through what his father made him* and his own *addiction*.

and he's doing it *selflessly* and--*without setting that responsibility on another person*.

so we *know* he has it in him, he always has. even becky *in the comic* kept trying to convince billy that *he is capable of good without her*. and again, we actually saw this in the second season when becca and ryan were reunited and billy *changed* his plans, *for becca*, instead of doing the selfish thing and selling ryan back to vought.

but if billy doesn't believe it himself...

i don't think billy is right about himself. but it is very *very* difficult for someone to *correct course* so to speak, once they have their *core beliefs*, lay out their own destiny and start along a *self fulfilling prophecy*, something him and homelander *both* do.

enter ryan.

and suddenly (lol probably in part due to reading dear becky lol), there was a bit of... not so much new, as *confirmed* perspective in play after that rewatch, something to *look* for and ponder in regards to *why* ryan may have been added for this story, a question in mind--

'would it be wrong of *ryan* to want to save his father?'

was it wrong of becca or becky, hughie or lenny, even his mum, to want to save billy?

how would *billy* even begin to answer such questions?

a different answer for the two would be a clear hypocritical bias (which lol i would not put past billy, but i also wouldn't be surprised if he maintained consistent thinking by answering *yes* to both)

. . .

y'all...

i still can't say i'm particularly optimistic about things turning out alright for either gent or ryan, butt~<3

garth ennis literally made the saddest, most pathetic, deliciously sweet, perfectly precious, extra emo tsun tsun baby boi ever, and put him right under our noses.

some a y'all fucking sneezing all over him, straight up sleepin' on all his *best* bits. how are we not utilizing billy butcher *properly~<3<3<3*????

;)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))

#billy butcher #billy butcher meta #the boys #the boys comics #the boys tv #the boys amazon #butchlander #homelander #ryan butcher #the boys meta #media literacy #reading comprehension #fandom wank #fandom entitlement #garth ennis #tw addiction #tw abuse #psa #long post #fiction is not reality #fiction is fiction #please #never harass or bully people over your own personal preferences in fiction #sad precious emo baby boi

[andthebeanstalk]

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

#hlep #original #mental health #my sympathies and empathies to anyone who has to rely on this kind of hlep to get what they need. #the people in my life who most need to see this post are my family but even if they did I sincerely doubt they would internalize it #i've tried to break thru to them so many times it makes my head hurt. so i am focusing on boundaries and on finding other forms of support #and this thing i learned today helps me validate those boundaries. the example with the milk was from my therapist. #the example with the towing company was a real thing that happened with my parents a few months ago while I was age 28. 28! #a full adult age! it is so infantilizing as a disabled adult to seek assistance and support from ableist parents. #they were real mad i was mad tho. and the spoons i spent trying to explain it were only the latest in a long line of #huge family-related spoon expenditures. distance and the ability to enforce boundaries helps. haven't talked to sisters for literally the #longest period of my whole life. people really believe that if they love you and try to help you they can do no wrong. #and those people are NOT great allies to the chronically sick folks in their lives. #you can adore someone and still fuck up and hurt them so bad. will your pride refuse to accept what you've done and lash out instead? #or will you have courage and be kind? will you learn and grow? all of us have prejudices and practices we are not yet aware of. #no one is pure. but will you be kind? will you be a good friend? will you grow? i hope i grow. i hope i always make the choice to grow. #i hope with every year i age i get better and better at making people feel the opposite of how my family's ableism has made me feel #i will see them seen and hear them heard and smile at their smiles. make them feel smart and held and strong. #just like i do now but even better! i am always learning better ways to be kind so i don't see why i would stop

[turtleblogatlast]

Something I like about Leo is that he’s honestly really chill? It’s easy to remember the moments where he’s being obnoxious or excitable but I feel like most of the time he’s incredibly “go with the flow” and has an overall affable demeanor.

#rottmnt #rise of the teenage mutant ninja turtles #rottmnt leo #rise leo #Genuinely speaking I feel like said demeanor is incredibly useful for when he has to charm and/or persuade people into listening to him #I have a whole post talking about Leo’s charm and how he consistently gets people to hear him out even if he’s annoyed or upset them #like they’ll still listen to what he has to say in full #his charisma stat is real and utilized quite often in this series I swear he’s not just a loser cringeboy all the time 😭 #if he wants to persuade and/or charm then he honestly sooo often does #me listing the 400th reason why Leo grows up to be the worlds best ninja and a good 365 of those reasons are Leo’s various subterfuge skill #Like most episodes where he’s not the main focus (and even many where he is) #he’s a voice of reason who notices things quickly and is often the one taking point to talk down situations #something interesting I found between Leo and Mikey is that #Mikey tells people what they need to hear #Leo tells people what they want to hear #not only out of his own agenda either #when bullhop was wrecking their home leo was the one that negotiated to make the situation go smoother #even if he would have rather bullhop left #meanwhile Mikey is the one who bluntly tells things as it is #small character moment that means a lot to me #Mikey is an honest boy who is upfront about his feelings #Leo prefers to let people make their own decisions he wants them to through steering the convo in that direction #but he is easily cowed by guilt #regardless leo is a people person - he knows how to talk to them and how to manipulate/persuade #and I like that his bros know this and often push him forward to do the talking if they wanna charm someone into doing what they want #I think Leo’s hope speeches are also an example of this - he’s saying what people really want to hear (and often it’s ALSO what they NEED) #the further the series goes on the higher Leo’s inner stress rises and he just keeps that chill aura anyway #there’s a reason!!! he wanted to go to a SPA so badly!! #literally the first thing he does when he gets in is rest #no joke meditation would do him good? like- it’s a Leo thing and I genuinely think rise leo would be no different here

[marcmorrigan]

@fenglianweek day 6: memories/growing up

the best thing thats ever been mine

#tgcf #xie lian #feng xin #fenglian #fenglianweek24 #my art #full color #I SPENT SOOO LONG ON THIS ONE... like not long for me. fast for me! but compared to the other ones ive done for flw. long. #this has been a few weeks of work and im very happy with how it turned out! tried to be thoughtful about how i approached the colors #and i think it really paid off! theres SO MANY COLORS in the pants im so proud of all the fabric in this... #that white fabric has so. many colors. it makes me super happy #also some of the fallen petals make hearts. btw >:o) #idk if they translate well but feng xin has top surgery scars!!! theyre both trans but xie lian is a cultivator so. he just uses magic #i KNOW when he first learned transformation magic he like BOOKED IT to feng xin to show him like 'LOOK. FLAT!!!' #and little teenxin was like 'ummm 😳 yeah. flat' #ANYWAY!!! idk if they actually look like teens here... hopefully yes. xie lian does to me at least??? #or at least he looks different from how i draw him as an 800smthng year old lol. but still like himself i think!!! i hope... #whatever. point is. do you remember we were sitting there by the water. you put your arm around me for the first time. you made a rebel of #the tags cut me off there. thats a good thing. IF YOU KNOW. YOU KNOW. #did you guys know i have headcanons about the type of tswift fans mu qing and xie lian would be. well now you know. I Have Thoughts #OKAY THATS ENOUGH TAGS I NEED TO ACTUALLY POST THIS. ILY MUAH TTYL

[iratusmus]

having entirely too much fun with old outfit requests

#sonic #archie sonic #silver the hedgehog #scourge the hedgehog #elias acorn #sally acorn #amy rose #iratusmus.png #last art post for today i promise!!! #when i started out with silver i was like ''well okay i want this to be super chill and pump out a bunch of them really fast'' #since when i do these things i tend to do them really relaxed at first and then i progressively put more and more effort into them #until theyre just full-fledged drawings. and then . well. i picked that complicated outfit for scourge #and it all went in a direction from there. as you can tell #either way doing a bunch of outfit requests at once is good for me because then im forced to spice up the poses a bit #also everybody say thank you to my beloved mutual jay un-pearable for introducing me to halftone hospital #unrelated but im actually incredibly happy with the way elias' hair turned out #since i struggled with it for like a millions years #anyways. if you want one of these send in a character and if i feel up to it ill put them in a funky outfit #or a stupid one. i have so many abysmally stupid outfits.