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shesnake · 2 months
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full offence but I do NOT watch movies so I can "turn my brain off" I take this shit so seriously
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galleryyuhself · 1 month
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Galleryyuhself - A bit of history about your product helps make clients more confident. Alternative Supplies Limited provides that in spades.
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kowapowa · 2 months
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inkskinned · 1 year
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
#this was much longer i had to cut it down for legibility#but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion#that is because it deserves its own post with a completely different tone#i am an environmental educator#so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering#that people are going through#without doing my research and providing real ways to help#this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning#to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering#unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this#and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this#and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity#(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself#for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion#i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out#rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free#is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i#which is more than their CEOs can say
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auntpelvis · 2 years
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embroidery of some electric pylons on an old doiley
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Thinking about how in date he makes himself look like Mark and so the implication is that he can just make himself look human when he needs to
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elixir · 1 year
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Chris Carter of Throbbing Gristle at the Industrial Records, Martello Street studio in 1978 with self-built synthesiser and keyboard. Photographed by Cosey Fanney Tutti.
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mushyooms · 2 months
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day 29: massive
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ehhgg-art · 26 days
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chasing ghosts
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earlgraytay · 2 years
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I keep seeing discourse on my dash about whether or not we should be teaching ~challenging~/emotionally rough books in elementary and middle school, and I think there's a very important point that all of this discourse is eliding.
What counts as "too rough/traumatizing" heavily depends on the kid.
Two kids in the same class, from the same background, at the same developmental and reading level, might have wildly different reactions to a book. To take an example that's less likely to generate insufferable discourse than anything dealing with ~marginalization~:
Say you have two kids in the same class. One kid is a sensitive, sweet soul who loves dogs more than anything in the world. The other kid just lost their dog, is still grieving, and needs some catharsis.
Your class is supposed to read Old Yeller, or some other kids' book about The Death Of A Dog.
For the first kid, that book is likely to mess them up a little. It might seem like brutality for the sake of brutality. They might not fully understand the concept of death yet, or they may not be ready to grapple with the idea that dogs can die. It might be something they need to read, even if it'd mess them up- but it might also just hurt without any real benefit.
For the second kid... whether they're ready to read that book would heavily depend on how they're grieving and whether they're ready to think about a dog dying. It might trigger them and make them feel worse. But it might actually be helpful for them and make them feel less alone. Other kids have had to deal with their dogs dying and have lived through it. It might give them emotional tools they need to get through this.
But unless you know these kids really well and have the chance to tailor how you teach the book to them? You're likely to screw both of them up without any real benefit.
If they have to fill out fifty million worksheets about What The Dog Dying Means In Old Yeller, they're going to have to think about something they're not ready to think about over and over again. They're not likely to learn whatever you're trying to teach them about death or empathy or tragedy- they're just going to remember that English class was about depressing books about dogs dying and remember how much it hurt to get through. And they're going to be put off reading anything you might read in English class, because it's just going to hurt, right?
The one-size-fits-all model of education most schools are being forced to adopt means that we can't mold what kids read around what they need and are ready to hear; we have to make every kid read the same thing, at the same pace, with the same worksheets.
You can't decide, 'hey, this kid might not be ready for this particular book, here's a book that hits some of the same thematic notes but is less graphic'.
You can't take the time to make sure that a student who's reading a book that might be rough for them is okay, give them time to decompress and debrief, or let them process what they're having to deal with. You can't let them take a break from the book after they hit a point that is graphic or triggering. You can't let them sit with their feelings about it.
You can't take the time to make sure that the marginalized students in the class are okay after reading a book about oppression that affected people like them, or take the time to make sure that their non-marginalized classmates who said boneheaded things about the book know why what they said wasn't okay without publically yelling at them.
Hell, you can't even choose books based around what your students would be interested in and want to read. You have to make a lesson plan to teach like 50 students; you don't have time to pick things based around their individual likes and dislikes.
Nope. It's just on to the next book, the next worksheet, the next test.
Teachers are forced to take on classes that are way too big for any one person to manage, teach emotionally hefty books without giving kids time to process what they've learnt, and teach to tests instead of giving kids time to empathize and understand.
The problem is not specific books. The problem is not privileged people's fragility. The problem is not even individual teachers. The problem is a systemic problem with how American schools teach literature.
Until we fix the system? Yeah, plenty of kids are gonna get fucked up from reading Lord of the Flies or Where the Red Fern Grows when they're not ready to tackle it. Because their teachers do not have the time or spoons to gauge whether they're ready, and do not have the luxury of letting their students deal with things at their own pace.
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aisling-saoirse · 6 months
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Suðavík, Iceland - October 11th 2023
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jasonguilbeau · 8 months
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Bunker - Glarnerland - Schweiz
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incognitopolls · 23 days
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We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.
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chainedanchor · 8 months
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Been playing bg3 like a normal person for nearly three years now ( like no unnecessary obsession tearing my mind apart), and not even a month out of early access they have to hit me in the face with the morally abhorrent sewer raccoon man that calls my character his favourite assassin what is this bullshit
I haven’t stopped playing and looking up lore for two weeks now this is hell
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danger-days-fanatic · 11 days
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I like to think sometimes, some killjoys tune into BL/ind or battery city radio stations to find out what’s going on and what the state the city is currently in despite the fact they left.
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iww-gnv · 1 month
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The Industrial Workers of the World is One Big Union for everyone--and that includes freelancers!
The IWW Freelance Journalists Union--or the FJU--is open to all freelancers in news media, including journalists, bloggers, writers, photographers, filmmakers, and illustrators! Join today!
Join the IWW About the FJU
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