What iâve learned from college thus far
Stop studying the night before. I have noticed that if i keep forcing myself to learn until last minute (which itâs not gonna happen, you know what you have been processing for a while not just right before they hand the paper sheets) i start doubting myself more
Go with an âi donât care anymoreâ attitude. This one is my fave. With this i mean letting go of every single worry you may have of failing. If you donât care about failing thereâs no tension or stress during the exam, therefore you will be able to think more clearly than under pressure.
Figure out your minimum hours of sleep. I learned that i need at least 5 hours to function properly. Find yours and use it in your favor.
Relationships with classmates. You probably will only see your friends in some classes or just one, dont let this unmotivate you and not attend to lectures!! Everyone is asleep and no one will think youâre awkward for sitting alone. Donât force friendships or try acting like someone youâre not, people can see it and repells them.
Relationships with teachers. Canât stress this enough, if youâre gonna put effort in creating a bond with someone in college, it has to be your teachers. Try getting there early and pick a seat in the front, make questions via email or in person, if youâre shy like me wait until the end of the lecture and talk to the teacher instead of asking out loud.
Learn from failure. Donât waste precious time giving yourself a hard time, it wonât make you any smarter. Pay attention to details and correct them for the next time, thatâs how champs do it AND YOUâRE ONE OF THEM!
Relaxing. I know how guilty you feel when itâs been days and you havenât looked at your notes, but hey we all go through that. Itâs important to disconnect a little sometimes and come back with a %100 battery instead of a %35, am i right? Just donât let the relaxation become 2 weeks or a whole month.
Hope these few tips may help you if you need them âĄ
11K notes
·
View notes
types of note takers
a:Â spend more time picking which pen and washi tape to use than actually taking notes. their notebook is a giant rainbow explosion.
b:Â simple. one pen, one notebook, maybe a highlighter if theyâre feeling fancy.
c:Â takes notes on their laptop. organized, minimalist, timely. they have two windows open at all times: homework and tumblr.
d: doesnât take many notes because they zone out for half of each class and is on their phone for the rest.
e: audio records the classes as well as taking notes by hand. later re-writes notes and types them *just in case* they lose their notebook. they never do.
f:Â never actually shows up to class, and if they do, they somehow forgot to bring a pen and paper.
g:Â you never see them taking any notes, instead they are always eating chipotle or mcdonalds in class. yet somehow they have the highest grade in the class.
18K notes
·
View notes
A lot of you have been asking how I go about making my graphics, i.e. how I do graphic design, so I thought Iâd make a guide - or perhaps a series of guides if you would like - on how to design graphics! First off, Iâd like to introduce you to the fundamental elements of graphic design, and hopefully this will help you gain a new perspective. and improve your own design skills.
Lines are structures that connect two points. They make up everything that we see, even the letters and characters we read every day. But more often than not, we take them for granted. In reality, lines are one of the most rudimentary components of graphic design, and they serve to channel ideas and emotion.
Lines can:
Organize pieces of information or elements on a page
Serve as guidelines to lead the viewerâs eye
Provide movement such as using wavy lines to represent moving water
Emphasize certain parts of the page
Set a mood, such as how straight lines evoke order and neatness while zig-zags convey excitement and tension
A shape is any two-dimensional area with a recognizable boundary. They can add interest to designs (such as in backgrounds), organize visual content, and be used to make illustrations.
Shapes exist in three categories:
Geometric shapes are regular shapes like circles and squares
Organic shapes are more freeform, such as a blob or a leaf
Abstract shapes have a recognizable form but are not exactly natural shapes, such as alphabet glyphs, spirals, and stick figures
When brought together, these shapes can form helpful illustrations that will help convey meaning to your work or add some decoration to it.
The effects achieved by the shapes are determined by its form, color, size, and other characteristics. For example, triangles often show excitement and risk, while circles are seen as eternal and often feminine.
In the example illustration below, which is one of my January wallpapers, I use triangles to convey a feeling of vivacity and excitement.
Different shapes may also be used to structure content or create a layout, making it easier for the userâs eyes to find information. This is often the case in blogs and websites.
Color can be used to make an image stand out, convey information, enhance meaning, or group things together, but how do you know what colors âfitâ together? When youâre starting out, you might find it easier to look for color schemes from pinterest or wherever you can find inspiration. It also helps to look for images or photographs that evoke the same vibe youâre going for, and then using a similar color scheme.
But what if you want to make a palette yourself? Learn color theory!
Before I elaborate, hereâs some terminology for you:
Hue is the color itself
Value is how dark or light the color is
Saturation is the intensity of the color
Now, how do you go about making a color scheme? Here are some types of color schemes you should know about:
Monochromatic color schemes only use one hue but vary in value and saturation.
Analogous color schemes use colors adjacent to each other on the color wheel, such as red, orange, and yellow, or blues and greens.
Complementary color schemes use colors opposite each other on the color wheel. To add complexity, play with the value and saturation of these colors.
Split complementary color schemes use colors on either side of the complement.
Triadic color schemes use three colors that form an equilateral triangle on the color wheel. These are often very stark and in-your-face, so you might want to use this type of color scheme in moderation.
Tetradic color schemes use four colors that form a rectangle on the color wheel. These are more effective if one color serves as the main color and the other three colors are just accents.
When choosing a color scheme, the main thing you should keep in mind is balance. Using fewer colors means itâll be easier to balance and thus it is less likely that the piece will appear messy and discordant.
Color has the power of evoking emotions and moods, and each hue and shade has certain connotations associated with it.
In the illustration below - which is part of my April wallpaper set - I use the color green to convey the safety and familiarity of the comfort zone. The color red, on the other hand, shows risk and danger, but it also represents the courage required to get out of the comfort zone.
So the next time youâre thinking of what colors to use in your project, think of what kind of message you want the audience to receive.
Like the other elements weâve discussed so far, type conveys meaning beyond what is written. Type can communicate a mood, style, vibe, or feeling. A curly or script font might appear fancy and extravagant, while a handwritten font may seem raw and playful.
Different types of fonts are also suitable for different contexts. For example, sans-serif fonts are more readable on screen while serif fonts are more readable in print. Display fonts, on the other hand, tend to be fancy and decorative, and thus should only be used for small amounts of text, like titles.
Audience and purpose also serve a role in deciding what fonts to use. Large, bubbly text is suitable for a childrenâs birthday party invitation but probably not for a business card.
In graphic design, different fonts are often used in tandem with each other. The main principle or rule behind this is that you should choose fonts that complement each other. Large, bold fonts should be paired with small, subtle fonts. Oftentimes, youâll have to rely on your instincts, and thatâs okay.
Remember, though, that you wouldnât want to overwhelm your readers by using too many fonts. Stick to one or two per project. To add variation, change the weight or style of the existing fonts.
Finally, your text would be more effective if you establish some sort of visual hierarchy. This essentially means sorting out your text in order of importance, using different typefaces and fonts. This includes adding a certain weight (or boldness) or increasing the size of texts that are more significant.
In the title graphic below, the word âpodcastsâ is handwritten and larger than the rest of the title because thatâs what I want to draw attention to, so that readers know what the post is about. My name, on the other hand, is smaller than the other texts.
Texture adds tactility and depth and can also be used to evoke a certain feel. In this graphic from my March desktop wallpaper, I used a tape texture and a paint texture to achieve a scrapbook-y vibe.
Some other common textures used in designs are foil, watercolor, and paper textures. Although there are many textures to experiment with and choose from, you should also be careful not to overwhelm your viewers with too many textures in one piece.
Lines, shapes, color, text, and texture are the five basic elements of graphic design, and by understanding how these elements work together, youâll be able to make more effective designs.
Now, the question is, do I think deeply about all of this when I make my designs? To be honest, not really. A lot of my designs are instinctual, but knowing the theory behind what Iâm doing has helped me improve those instincts, and you can do the same!
Thatâs all for now. Hope this helps, and let me know if you would like me to continue the series or if this brief blog post is enough. Happy designing :)
Disclaimer: Iâm not a graphic designer, just a stressed-out senior who sometimes likes to design and stuff.
9K notes
·
View notes
MUJI GIVEAWAY!Â
 Hey my lovely gems its @gemsttudiess here (the new account for @disneygirlstudies) back with another giveaway!Â
These are my favourite revision essentials from my favourite revision shop! Obviously, to be a studyblr you donât need nice pens or paper, but I find that it makes encourages me to revise more, so I hope this giveaway acts as an incentive in the way it does for me!Â
 What youâll win:
Beige A4 lined notebook Â
Black A4 grid paper bookÂ
Black A5 unlined spiral bookÂ
Beige A6 unlined spiral bookÂ
Beige A6 lined notebookÂ
To-do list padÂ
Six black 0.5 muji pensÂ
One red 0.5 muji penÂ
One blue 0.5 muji penÂ
A little message from me and other little things <3
Rules rules rules:
Must be following me (as its a thank you for my followers) and preferably be active i.e. ask me questions, tag me in stuff, reblog my stuff.
Reblog this as an entry, likes are only bookmarksÂ
You can enter as many times as you like but donât spam your followers(!!!)Â
Its international because I love you all and realise very few are lucky enough to have Muji!
The deadline is August 1st so theyâll arrive in time for new school terms!
Iâll use a random number generator to help me pick the winner.
Not necessary but feel free to tag me with #studynshine so I can see your work too!Â
You donât have to be a studyblr to enter- maybe these supplies help kick start your new studyblr!
Feel free to follow my Instagram at @gemsttudiess - Iâm still in the process of setting this up though and it wont count as an extra entry.
 *Disclaimer* Iâm lucky enough to be able to work enough jobs to save up enough money to do these giveaways- I work hard to save up and be able to give back to you all for all these years of the support Iâve received! Please not hate x
7K notes
·
View notes