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#70 years later and it is complete
androcola · 4 months
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1965 timezz
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rachel-614 · 1 year
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Okay, let me tell you a story:
Once upon a time, there was a prose translation of the Pearl Poet’s Sir Gawain and the Green Knight. It was wonderfully charming and lyrical and perfect for use in a high school, and so a clever English teacher (as one did in the 70s) made a scan of the book for her students, saved it as a pdf, and printed copies off for her students every year. In true teacher tradition, she shared the file with her colleagues, and so for many years the students of the high school all studied Sir Gawain and the Green Knight from the same (very badly scanned) version of this wonderful prose translation.
In time, a new teacher became head of the English Department, and while he agreed that the prose translation was very wonderful he felt that the quality of the scan was much less so. Also in true teacher tradition, he then spent hours typing up the scan into a word processor, with a few typos here and there and a few places where he was genuinely just guessing wildly at what the scan actually said. This completed word document was much cleaner and easier for the students to read, and so of course he shared it with his colleagues, including his very new wide-eyed faculty member who was teaching British Literature for the first time (this was me).
As teachers sometimes do, he moved on for greener (ie, better paying) pastures, leaving behind the word document, but not the original pdf scan. This of course meant that as I was attempting to verify whether a weird word was a typo or a genuine artifact of the original translation, I had no other version to compare it to. Being a good card-holding gen zillenial I of course turned to google, making good use of the super secret plagiarism-checking teacher technique “Quotation Marks”, with an astonishing result:
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By which I mean literally one result.
For my purposes, this was precisely what I needed: a very clean and crisp scan that allowed me to make corrections to my typed edition: a happily ever after, amen.
But beware, for deep within my soul a terrible Monster was stirring. Bane of procrastinators everywhere, my Curiosity had found a likely looking rabbit hole. See, this wonderfully clear and crisp scan was lacking in two rather important pieces of identifying information: the title of the book from which the scan was taken, and the name of the translator. The only identifying features were the section title “Precursors” (and no, that is not the title of the book, believe me I looked) and this little leaf-like motif by the page numbers:
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(Remember the leaf. This will be important later.)
We shall not dwell at length on the hours of internet research that ensued—how the sun slowly dipped behind the horizon, grading abandoned in shadows half-lit by the the blue glow of the computer screen—how google search after search racked up, until an email warning of “unusual activity on your account” flashed into momentary existence before being consigned immediately and with some prejudice to the digital void—how one third of the way through a “comprehensive but not exhaustive” list of Sir Gawain translators despair crept in until I was left in utter darkness, screen black and eyes staring dully at the wall.
Above all, let us not admit to the fact that such an afternoon occurred not once, not twice, but three times.
Suffice to say, many hours had been spent in fruitless pursuit before a new thought crept in: if this book was so mysterious, so obscure as to defeat the modern search engine, perhaps the answer lay not in the technologies of today, but the wisdom of the past. Fingers trembling, I pulled up the last blast email that had been sent to current and former faculty and staff, and began to compose an email to the timeless and indomitable woman who had taught English to me when I was a student, and who had, after nearly fifty years, retired from teaching just before I returned to my alma mater.
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After staring at the email for approximately five or so minutes, I winced, pressed send, and let my plea sail out into the void. I cannot adequately describe for you the instinctive reverence I possess towards this teacher; suffice to say that Ms English was and is a woman of remarkable character, as much a legend as an institution as a woman of flesh and blood whose enduring influence inspired countless students. There is not a student taught by Ms. English who does not have a story to tell about her, and her decline in her last years of teaching and eventual retirement in the face of COVID was the end of an era. She still remembers me, and every couple months one of her contemporaries and dear friends who still works as a guidance counsellor stops me in the hall to tell me that Ms. English says hello and that she is thrilled that I am teaching here—thrilled that I am teaching honors students—thrilled that I am now teaching the AP students. “Tell her I said hello back,” I always say, and smile.
Ms. English is a legend, and one does not expect legends to respond to you immediately. Who knows when a woman of her generation would next think to check her email? Who knows if she would remember?
The day after I sent the email I got this response:
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My friends, I was shaken. I was stunned. Imagine asking God a question and he turns to you and says, “Hold on one moment, let me check with my predecessor.”
The idea that even Ms. English had inherited this mysterious translation had never even occurred to me as a possibility, not when Ms. English had been a faculty member since the early days of the school. How wonderful, I thought to myself. What a great thing, that this translation is so obscure and mysterious that it defeats even Ms. English.
A few days later, Ms. English emailed me again:
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(I had, in fact searched through both the English office and the Annex—a dark, weirdly shaped concrete storage area containing a great deal of dust and many aging copies of various books—a few days prior. I had no luck, sadly.)
At last, though, I had a title and a description! I returned to my internet search, only to find to my dismay that there was no book that exactly matched the title. I found THE BRITISH TRADITION: POETRY, PROSE, AND DRAMA (which was not black and the table of contents I found did not include Sir Gawain) and THE ENGLISH TRADITION, a super early edition of the Prentice Hall textbooks we use today, which did have a black cover but there were absolutely zero images I could find of the table of contents or the interior and so I had no way of determining if it was the correct book short of laying out an unfortunate amount of cold hard cash for a potential dead end.
So I sighed, and relinquished my dreams of solving the mystery. Perhaps someday 30 years from now, I thought, I’ll be wandering through one of those mysterious bookshops filled with out of print books and I’ll pick up a book and there will be the translation, found out last!
So I sighed, and told the whole story to my colleagues for a laugh. I sent screenshots of Ms. English’s emails to my siblings who were also taught by her. I told the story to my Dad over dinner as my Great Adventure of the Week.
…my friends. I come by my rabbit-hole curiosity honestly, but my Dad is of a different generation of computer literacy and knows a few Deep Secrets that I have never learned. He asked me the title that Ms. English gave me, pulled up some mysterious catalogue site, and within ten minutes found a title card. There are apparently two copies available in libraries worldwide, one in Philadelphia and the other in British Columbia. I said, “sure, Dad,” and went upstairs. He texted me a link. Rolling my eyes, I opened it and looked at the description.
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Huh, I thought. Four volumes, just like Ms. English said. I wonder…
Armed with a slightly different title and a publisher, I looked up “The English Tradition: Fiction macmillan” and the first entry is an eBay sale that had picture of the interior and LO AND BEHOLD:
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THE LEAF. LOOK AT THE LEAF.
My dad found it! He found the book!!
Except for one teensy tiny problem which is that the cover of the book is uh a very bright green and not at all black like Ms. English said. Alas, it was a case of mistaken identity, because The English Tradition: Poetry does have a black cover, although it is the fiction volume which contains Sir Gawain and the Green Knight.
And so having found the book at last, I have decided to purchase it for the sum of $8, that ever after the origins of this translation may once more be known.
In this year of 2022 this adventure took place, as this post bears witness, the end, amen.
(Edit: See here for part 2!)
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willgrahamscock · 5 months
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AO3 Wrapped:
You spent a total of 125 hours looking for the perfect fic and you backed out of 88 fics before finishing chapter 1, half of those were later tagged as a kink OP forgot to tag
Your top tags were #fix it fic #angst, #hurt/comfort and #enemies to lovers (you should try therapy next year)
You completed 2,539 fanfics and 70 of them were the same 3 fanfics you’ve been reading since the dawn of time, and your top fandom was a show that ended a decade ago
You clicked on 1,458 fanfics tagged as #pwp
You’ve read 99% of fics posted into the rarest pair in your fandom (now you’re gonna have to start writing)
The longest fanfic you’ve read was 900k and OP just posted an apology and mark it #abandoned
You tried to leave kudos on 18 fics that you’ve already left kudos on
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headspace-hotel · 1 year
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re: ohio chemical disaster
OP of the post I reblogged earlier regarding this turned off reblogs (understandable have a nice day) but I got a request to put the information in its own post, so here.
First thing: PLEASE be careful about claims that "The Media" is suppressing something as part of a malicious agenda, or that an event has been purposefully manufactured by "The Media" to distract from something else.
Not only is this a really common disinformation tactic (not only urging you to share/reblog quickly, but discouraging you from fact checking), treating "The Media" as a monolithic entity with purposeful agency and a specific, malicious agenda—particularly one that manufactures events to "distract" from other events—is a red flag for conspiracy theories.
There's already a post in the tag attributing the supposed lack of media coverage to "reptilians." Please connect the dots here.
Second—"the news isn't focusing on this as much as I think they should" is not a media blackout. Every major USA news source is reporting on the Ohio train derailment. Googling returns at least 4 pages of results from major news media sources. Even just googling "Ohio" gets you plenty of results about it.
This is an unusual amount of media attention for a U.S. environmental disaster.
Because this kind of thing happens all the damn time.
The "media blackout" narrative gives the impression that this is an unusual event that isn't receiving wall to wall coverage only because it's being suppressed—when the reality is that similar disasters happen a lot, and hardly ever get the attention the Ohio disaster is getting.
Consider this example, not too far from my local area: A few years ago, almost 2,000 tons of radioactive fracking waste were illegally dumped in an Eastern Kentucky municipal landfill, directly across from a middle school. Leachate from that landfill goes into the Kentucky River, which is where most of the central part of the state gets its drinking water. As far as we know, the radioactive waste isn't leaking yet, but it could start leaking at any time.
Zero national news sources covered this. Why? If I was to hazard a guess, I would say "because it's business as usual for the fossil fuel industry."
Consider also the case of Martin County, KY, which has had foul-smelling, contaminated drinking water for decades. Former coal country in Appalachia is poisoned and toxic, and laws have little power to punish the companies that created the destruction.
What happened in Ohio is just a little window into a whole world of horrors.
The Martin County coal slurry spill that is still poisoning the water 20 years later killed literally everything in the water for miles downstream (a book Mom read said 70 miles of the Ohio river were made completely lifeless). It was 30 times larger than the Exxon-Valdez oil spill, and it was in some sense "covered up"—in the sense that the Bush administration shut down the investigation because the Republicans are buddies with the fossil fuel industry, and proceeded to relax regulations even further.
Seriously, read that wiki article to get pissed enough to eat glass.
Hopefully the Ohio chemical spill will inspire real action to institute regulations to prevent shit like this from ever happening again. It's not the end of the world. It's not radically different from what industries have been causing the whole damn time. It is pretty bad.
I would urge everyone to actually search up information about it instead of getting news from Tiktok or Twitter, because the more false information gets distributed, the less momentum any effort to respond with improved regulations and changes to prevent future disasters will have. Plenty of facts here *are* public and being publicly discussed and pretending that they're not is actively detrimental.
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avelera · 22 days
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Re-watched Captain America: Winter Soldier and First Avenger (in that order lol) and hey guys
Remember that time Steve woke up in New York City 70 years later and panicked, thinking he was in HYDRA hands and haha, actually it turns out, he kind of was??
Also remember that bit where he found out in the most deadpan way possible (thanks Nick) that everyone he had ever known and loved was dead or aged to to the point of death in the blink of an eye, and no one ever actually like, gave him a moment's sympathy for the fact his entire world ended in a split-second of self-sacrifice that ended up just being one battle in a war that never ended?
Remember when he found out that the only person left who loved him, Peggy, only occasionally remembered him in moments of lucidity haha and then it turned out that the only other person who still lived and who loved him, Bucky, also only remembered him in moment's of lucidity?? Good times, good fucking times, I'm an emotional wreck about it
And one last thing, because I will never ever fucking ever let this grudge go, remember that time Tony fucking Stark who I mostly love but in the context of Steve Rogers specifically I want to tear him to shreds, decided to have beef with a literal traumatized 20-something year old war veteran whose entire world just dissolved into nothing in the 70 years he was on ice, and Tony fucking Stark decided to pick a fight with this guy and rag on him 24/7, despite being in his 40s himself and completely comfortable, stable, and with insane levels of wealth and privilege, because his fucking dad who has been dead for decades apparently loved this guy more, something that would have bewildered Steve who like, barely knew Howard outside of work, and that Steve had fucking nothing to do with Howard's neglect of his son because it all happened while he was unconscious?
Don't even get me started on Civil War, we will be here all day in how these supposedly equal sides weren't even slightly equal in morality or logic at all, but I will die on the hill of Tony fucking Stark was being a Grade A fucking asshole for his stupid man-child fight he picked with Steve Rogers when you actually objectively view Steve's life story as a human being instead of a symbol that he was literally forced to be
Whew. Ok. I'm ok now.
...
AND ANOTHER THING...!
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sirfrogsworth · 2 days
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Let's talk about vintage lenses.
Here is your cool samurai show with modern lenses.
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Here is your cool samurai show with vintage lenses.
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Hollywood is no stranger to fads.
We are currently in the middle of a "make everything too dark" fad. But that fad is starting to overlap with "let's use really old lenses on ridiculously high resolution cameras."
This is Zack Snyder with a Red Monstro 8K camera.
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He is using a "rehoused" vintage 50mm f/0.95 Canon "Dream Lens" which was first manufactured in 1961.
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This old lens is put inside a fancy new body that can fit onto modern cameras.
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Which means Zack is getting nowhere near 8K worth of detail. These lenses are not even close to being sharp. Which is fine. I think the obsession with detail can get a bit silly and sometimes things can be "too sharp."
But it is a funny juxtaposition.
The dream lens is a cool lens. It has character. It has certain aberrations and defects that can actually be beneficial to making a cool photograph. It's a bit like vinyl records for photography.
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[ Peter Thoeny ]
It has vignetting and distortion and a very strange swirly background blur.
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[ Gabriel Binder ]
Optical engineers have been spending the last 60 years trying to eliminate these defects. And I sometimes wonder if they are confused by this fad.
"I WORKED 70 HOURS PER WEEK TO GET PERFECT CORNER SHARPNESS!"
And whether you prefer to work with a perfect optic or a vintage one... it is a valid aesthetic decision either way. I think vintage glass can really suit candid natural light photography. You can almost get abstract with these lenses.
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[ Peter Theony ]
Personally I like to start with as close to perfect as possible and then add the character in later. That way I can dial in the effect and tweak how much of it I want. But even with modern image editing tools, some of these aberrations are difficult to recreate authentically.
That said, it can be very easy for the "character" of these lenses to become distracting. And just like when someone first finds the lens flares in Photoshop, it can be easy for people to overdo things.
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Zack Snyder decided to be his own cameraman and used only vintage glass in his recent movies and it has led to some complaints about the imagery.
I mean, Zack Snyder overdoing something? I can't even imagine it.
Non camera people felt Army of the Dead was blurry and a bit weird but they couldn't quite explain why it felt that way.
The dream lens has a very wide aperture and it lets in a lot of light. But it also has a very very shallow depth of field. Which means it is very difficult to nail focus.
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[ Peter Thoeny ]
Her near eye is in focus and her far eye is soft. You literally can't get an entire face in focus.
There is no reason you have to use the dream lens at f/0.95 at all times. But just like those irresistible lens flares, Zack couldn't help himself.
Here is a blueprint that you can't really see.
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Extreme close ups of faces without autofocus at f/0.95 is nearly impossible to pull critical focus on.
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Looks like Zack nailed the area just above the eyebrow here.
Let's try to find the point of focus in this one.
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Ummmm... she is just... blurry. Missed focus completely.
But Zack isn't the only one going vintage. I've been seeing this a lot recently.
Shogun is a beautiful show. And for the most part, I really enjoyed the cinematography. But they went the vintage lens route and it kept going from gorgeous to "I can't not see it" distracting. And perhaps because I am familiar with these lens defects I am more prone to noticing. But I do think it hurt the imagery in a few spots.
Vingetting is a darkening of the corners of the frame.
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Light rays in the corners are much harder to control. A lot of modern lenses still have this problem, but they create software corrections to eliminate the issue. Some cameras do it automatically as you are recording the image.
Vintage lenses were built before lens corrections where a thing—before software was a thing. So you either have to live with them, try to remove them with VFX, or crop into your image and lose some resolution.
It's possible this is the aesthetic they wanted. They felt the vignetting added something to the image. But I just found my eyes darting to the corners and not focusing on the composition.
And then you have distortion.
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In this case, barrel distortion.
This is mostly prominent in wide angle lenses. In order to get that wider field of view the lens has to accept light from some very steep angles. And that can be quite difficult to correct. So you kind have to sacrifice any straight lines.
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And sometimes this was a positive contribution to the image.
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I thought the curved lines matched the way they were sitting here.
But most of the time I just felt like I was looking at feudal Japan through a fish's eye.
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It's a bit more tolerable as a still, but when all of these verticals are bowing in motion, I start to feel like I am developing tunnel vision.
I love that this is a tool that is available. Rehousing lenses is a really neat process and I'm glad this old glass is getting new life.
This documentary shows how lens rehousing is done and is quite fascinating if you are in to that sort of thing.
youtube
But I think we are in a "too much of a good thing" phase when it comes to these lenses. I think a balance between old and new can be found.
And I also think maybe Zack should see what f/2.8 looks like. He might like having more than an eyebrow in focus.
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ox1-lovesick · 11 months
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✶ ─── TOMORROW X TOGETHER AND WHEN YOU LOOK MOST BEAUTIFUL TO THEM
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pairing(s). txt x gn reader genre fluff warnings. none(?) wc. 100-200 each
type. headcannon , reaction
a/n. guess who wrote something *everyone applaud* please enjoy this I forced myself to write it because I haven't posted anything since queen elizabeth graduated high school 🥰
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★ YEONJUN could already stare at you for hours on end — you always looked so effortlessly beautiful in his eyes, they can't help but wander back to take you in every now and then. You're the prettiest thing he's ever seen, but there's something different about you right now. About your furrowed eyebrows and small pout, about your fleeting gaze, stuck between your laptop screen and notebook as you read over the problem for the nth time hoping it will all magically make sense soon. You look outrageously adorable to him right now, laser focused on solving this equation of letters and numbers so you can move onto your next set of notes. He'd pull out a chair and sit next to you every time, resting his head against the palm of his hand as he watched while you busied yourself with whatever you needed to get done. Sometimes he'd sit and stare in silence, others he'd fondly brush the stray strands of hair away from your eyes so you don't have to, but every time without fail, his eyes would be trained on nothing but you.
★ SOOBIN loved taking care of his skin. It felt like a checkmark in his day, the last task at hand before he could melt into his bed and forget his worries until morning. He instantly felt lighter after taking all his make-up off and gently applying his moisturiser, but doing it with his favourite person makes just that much better. He especially loves when he doesn't have the energy to do it himself, leaving you to do it for him. Fingers gently tapping the products into skin with care, with the occasional kiss on his nose, but what he loves most of all is the sight of you, bare faced and sleepy. Some days he'd feign exhaustion just to stare into your eyes and hold your waist while you massage serum into his skin. He loves you no matter how you look of course, you're always beautiful to him. But being barefaced with each other is intimate, especially when he has to look his best everyday
★ BEOMGYU was never fearful about the sun exploding in 70 something million years, why would he be when he had the replacement right in his arms. Your smile was more than enough to sustain life and light up the solar system. His theory may not be scientifically correct, but in his eyes, it was simply the truth. What a heinous crime it is that you don't own multiple peace prizes for this sight alone—it never failed to make his heart beat out of his chest every time you graced him with its presence. He gets teased to no end by the guys for being horrendously down bad and staring at you with 'goo goo' eyes whenever your lips curl upwards, but how could he help himself? He's sick in the head, mind stuffed full of you and that pretty smile. It's his kryptonite, his one and only weakness, and no one knew it better than you after walking home hand in hand with your brand new jigglypuff plushie and -62837 won in Beomgyu's wallet.
★ TAEHYUN was so weak for things like this. Even under all those muscles he spends hours perfecting at the gym, he's rendered completely and utterly powerless. Weak for holding you closer, weak for pressing a kiss to your forehead, weak for you nuzzling your head further into his chest, weak for falling asleep with the person he adores more than anything next to him, safe and sound in his arms. He always fell asleep much later than you, because he has no self control and can't help but stare. Ever since he'd met you, he's become a morning person. Not because he enjoys starting his day early to be more productive (or to spend another 86 years in the gym) but because he gets to wake up like this. Your limbs tangled in each other, soft breaths against his neck, covered in the warmth of his duvet and comfort of each other. And if you'd allow him to, he'd spend every morning like this for the rest of his life, and die a happy man.
★ HUENINGKAI is a fan-favourite. And while his band mates make it well known who their favourite maknae is, for the sake of their feelings he tells them he loves them all equally, and keeps his favourite a secret. A secret from everyone but you, who just so happens to be said favourite. And his favourite sight on his favourite person? The face you made when he revealed his secret to you. The way your eyes widened, the knowing smile that crept its way onto your face, your nose scrunching in delight, if he could have that moment tattooed on the inside of his eyelids, he'd probably forget what the world looks like from having his eyes closed all the time. He loves this look on you, how excited you get when talking about the drama going on with your classmates or your masterplan to take over the world. Your eyes twinkling and hands flying all over the show because your emotions are just too strong to keep them confined. It might just be his favourite sight of all time, and while he's itching to screech about how adorable you are, he'll keep it his little secret for now
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★ OX1-LOVESICK all rights reserved. do not copy, distribute, translate, alter or repost my work without my explicit permission.
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Bat Timeline vs Bat Publication Timeline
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I kept my receipts and citations here. Also, I used cover dates.
Neat things I noticed:
Nothing much happened in Gotham until Robin arrived both in continuity and in print history. Sorry but your lone wolf Batman doesn't exist :P
Dick permanently becomes Batman at the same age Bruce was when he became Batman; 25. Kinda poetic if you ask me.
Babs was Oracle longer than she was Batgirl in both continuity and publication history!!
Completely forgot that Dinah was literally her own mother once upon a time. Weird stuff.
There's not enough Jason!Robin stories to fit the 3 years some fans claim he was Robin for. Also the 3 years idea doesn't work if you track Dick's age. My guess is he was originally younger than 15 when he died but DC aged him up so he could be an adult when he returned as Red Hood.
It's pretty clear that Helena's integration into the group began the expansion of this complicated "family unit". She set the precedent for those noirish vigilante work relations.
Tim has to be a vampire if he's meant to be 17 three whole very explicit in-continuity years after he had his 16th birthday.
Stephanie has basically been in this gig as long as Tim! And almost as long as Helena too. Proper seasoned ass-kicker who Damian should look to for pointers.
Also remembered that Cassandra's Batgirl run is the best thing to come out of Gotham in the early 2000s.
I dunno I think the One Year Later timeskip was just unnecessary.
Kate and Renee are almost as new to the vigilante gig as Damian!
Bat-adjacent Rose Wilson was said to be 14 during her first appearance around Year 15 so she's the same age Tim.
Not Bat related but Lian Harper's age works with my timeline so yay! Born early Year 14, she's 5 during Cry for Justice in Year 19.
I have a theory, based off of Batman #416, that Dick graduated high school at 17. He says he was Bruce's partner for 6 years and that after he was fired; he left college after the 1st semester, then moved around the country, had his own adventures, and "eventually" ended up with the Titans. Also, he was 21 during the Titans' 3rd anniversary (New Titans v2 #71) and 19 when he became Nightwing (Tales of the Titans #44) so the Titans (re-)formed when he was 18. This means he probably only turned 18 in the academic year he began college (or has a summer birthday). So he was Bruce's partner from ages 11-17, did his own thing for a while as he did in the 70s, eventually joined the Titans at 18, and became Nightwing at 19. Jason comes into the picture soon after Dick retires the Robin identity.
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javierpena-inatacvest · 7 months
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Every Inch
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Summary: After feeling discouraged after trying on a pair of jeans that doesn't fit anymore, Javi shows you just how much he appreciates your body, regardless of what you think about it.
Word Count: 3.5K
Pairing: husband!Javier Peña x f!reader (no use of y/n, reader has no physical descriptions besides the fact her jeans don't fit, because let's be honest, jeans suck no matter what size you are)
Warnings: SMUT (18+), established relationship, unprotected p in v sex (be better), oral (f receiving), vaginal fingering, creampie, praise kink, body praise (Javi loves ur body holy shit), mentions of weight/negative self image/body issues, jeans being the worst (let's be honest, they are), fluff, sweetness, Javi being the best husband ever
A/N: Inspired by my own personal battle with my favorite pair of jeans and love for BLT sandwiches 🥴
Can be read alone or as a part of the It's Never Too Late Series!
To say that Laredo, Texas had “fall” weather, was generous, to say the least. After spending all of your life in Chicago, you had grown accustomed to the change in seasons from summer to autumn meaning pants, sweaters, sweatshirts, and most of the time by mid October, a winter coat. When you first moved, people were shocked to see you wearing shorts in February, and you were equally as shocked as to why everyone wasn’t when it was 70 degrees out. You had always made fun of Javi for how terribly he handled the cold, complaining every time the temperature got low enough to even consider wearing a jacket. The first time you had brought him back to Chicago for Christmas to experience a real midwest winter, you were convinced that you could have wrapped him in an Arctic Expedition parka and he still wouldn’t have been warm enough. But now, after almost 2 years of living in Laredo, your tolerance for anything less than blazing hot had decreased significantly, signaling a change in the guard from your summer to fall attire in your closet. 
It was the end of June when you and Javi had first moved into your new house, packing away anything heavier than shorts and t-shirts for later. Unfortunately, it had been long enough that later meant now. You shuffled through the things already hung in your closet, pulling out a large cardboard box labeled “warm clothes” that had been tucked in the back corner of your wardrobe since you had moved. One by one, you began pulling out pairs of jeans, jackets, and long sleeved shirts to be hung next to the rest of your clothes, grimacing to yourself at how much you had packed away in such a small box that you had forgotten about. 
It wasn’t before long that your clothes were organized on their hangers, having to find ways to creatively squeeze your clothes into your side of the closet without overflowing into Javi’s equally crammed side. With everything at least in a place for now, you took a step back, nodding to yourself in satisfaction at your completed task, before you looked down to notice a crumpled pair of jeans that must have fallen out of your box when you had pulled it out. 
“Oh, there they are!” You smiled to yourself as you reached down to grab the pile of denim, holding the pants up in excitement. You had been so busy putting away the rest of your clothes that you hadn’t even noticed that your favorite pair of jeans had been missing among the assorted warm weather items. Although the two of you were just planning to spend the day hanging around the house, you couldn’t help but want to change into the jeans, knowing damn well they made your ass look fantastic, and made Javi go absolutely feral. You quickly slipped off your sweatpants, tossing them into the laundry basket by your bed before stepping into the pant legs of the well worn denim, pausing for a moment as you got halfway up your thighs. 
“Fuck, these are tight…” You muttered to yourself, jumping up and down to try and shimmy the pants over your hips, barley getting the denim around your waist. “C’mon, please fit, please fit…” You silently pleaded with yourself, tugging the button of your jeans across your belly, sucking in as hard as you could to loop it through the opening. As hard as you pulled and as much as you tried to push in your stomach, you knew for a fact that there was no way in hell you were getting those jeans to close, let alone fit comfortably. 
“You’ve gotta be fucking kidding me…” You sighed, looking down at the denim now squeezing your lower half in what felt like all of the wrong places. You gave the button one last try, even though you knew it was no use. 
“Motherfucker…” You could feel the tears beginning to well in your eyes as you glanced at yourself in the mirror, staring at your figure with your jeans unbuttoned, your mind now seeming to find a way to pick out every single flaw you could find. The longer you stared, the wetter your eyes became, tears now streaming down your cheeks as you wrestled with your pants to get them off as quickly as possible, throwing them across the room in a messy heap. Your soft sobs only became heavier as you looked up at your open closet, wondering what else from the box you had just unpacked wasn’t going to fit you this year either. 
You tried your best to take a deep breath and distract yourself from your dismay by folding the rest of Javi’s clean laundry at the end of your bed before Javi came in from whatever he was doing to find you crying over a pair of pants. You aggressively folded the last of Javi’s shirts after composing yourself enough to finish your task, taking an extra moment to hug your favorite of his, his well loved red Texas A&M swimming shirt- one of the first he had left at your apartment when you began dating. You held the soft fabric against your face, finding relief in the sweet and familiar smell of him embedded in the shirt. You closed your eyes, letting out a deep sigh as you folded it and placed it with the rest of the pile, not even noticing that Javi had been watching from the doorway, grinning to himself as he watched you put away one of the shirts that had glady become more yours than his. 
“Hey, Hermosa.” Javi smiled as he walked over to you sitting cross legged on the bed, pressing a gentle kiss into your hair. “I’m almost done cleaning out the truck. Do you wanna do lunch after I’m done? I can go pick up Alejandro’s for us. I’ve been fucking craving a BLT all day.” 
“Um, I don’t know, I’m uh- I’m not that hungry, I guess.” You mumbled, looking sheepishly back down at your pile of clothes, trying to hide the frustration on your face as you glared at your jeans laying on the floor at the end of your bed.
A puzzled look grew across Javi’s face as he watched you forcefully fold another one of his shirts, throwing it into the pile of folded clothes next to you before crossing your arms over your chest. Ever since he had met you, there had been very few times that you had turned down a meal, let alone anything from your favorite sandwich shop, especially knowing that you hadn’t eaten since breakfast a few hours ago. “You okay, baby? We don’t have to do Alejandro’s if you don’t want to I-” 
“It’s fine, Jav. I’m not that hungry, okay? If you wanna get a sandwich that’s fine, I’ll just have like, a banana or something.” You replied, perhaps a little harsher than intended, trying to use your anger to ward off anymore incoming tears. Javi quietly sat down on the bed next to you, placing his hand on your thigh as you looked up at the concern pooling in his sweet, brown eyes, clearly knowing all too well that you were not okay.
“Osita, what’s going on?” He murmured, running his other hand through the messy ends of your hair. 
“It’s nothing. It’s stupid.” You huffed, keeping your eyes locked with the denim enemy you had made only minutes ago. You could feel Javi sliding his hand across your face to cup your cheek, forcing your gaze to meet his, only raising an eyebrow at you in response to coax an answer out of you. “My favorite pair of jeans don’t fit.” 
Javi cocked his head to the side, trying to formulate a logical response to your statement. “Do you wanna go out and get new ones? We can go shopping if you need new jeans, Hermosa.” 
“No Jav, I don’t wanna go shopping for new pants, I want my old pants to fit because they were my favorite pair and now i’m too big for them. I don’t wanna try on any other pairs that I just hung up because if these ones don’t fit, those ones probably won’t either. I wanna be the same size I was a year ago when my fucking jeans still fit. I feel so gross and ugly and ahhhgghh they’re just stupid fucking pants and I know I can get new ones, but still.” There was no use in trying to hold back your tears at this point. You rambled as your cheeks grew red and wet, feeling like an idiot for being so distraught for letting a pair of pants ruin your morning, but at the same time, you couldn’t help but feel frustrated that you had gained enough weight since the last time you had tried them on that they didn’t even button anymore. Javi sat there for a moment, letting you finish your angry rant as you sniffled against his chest before lifting up your chin, using his thumb to wipe the tears from your eyes. 
“First of all, it’s not stupid, or dumb.” Javi softly smiled at you, tracing small circles against your jaw as you looked up at him. “Baby, believe me, I had to buy my fair share of new clothes when I came back home after Colombia, and I felt shitty about it too. Second of all, regardless of whether those jeans fit you or not, I still think that you are the most beautiful, amazing, attractive woman I have ever seen in my entire fucking life. I love everything about you, Osita- every inch of you is perfect.” 
“I’m your wife, you have to say that.” You sniffed, letting out a little laugh as the tiniest smirk began to form on your lips from Javi’s sweet words. Javi laughed to himself, shaking his head before turning back to you. 
“No, it means more because out of all the women in the world there is no one else that I would rather be with than you. “Baby…” He paused, looking you up and down, biting down on his lip before speaking again. “Baby, you know how much I love everything about your body.” Reaching down, he grabbed your hand, intertwining his fingers with yours as he brought it up to his mouth, carefully kissing each knuckle. 
“I love your hands.” He grinned, leaning his body over yours. “I love your arms.” His kisses began to slowly travel up the sleeves of your shirt. “I love your neck.” He rasped, nipping at your skin, his kisses now beginning to become wet and heavy. “I love your beautiful face. Fuck, you know you’re the most gorgeous woman I’ve ever laid eyes on, Osita.” 
You let out a muffled moan as Javi’s lips met yours, his tongue quickly swiping against your parted mouth before pulling away, his kisses making their way back down your body as his hands worked at the hem of your shirt, helping you to raise your arms over your head as he pulled it off, tossing it off the side of the bed, leaving you in your bra. “You know how much I love these.” You could feel his smirk pressed against your skin as his hand freed the clasp around your back, his hands kneading at your breasts, kissing each one before flicking your pebbled nipples along his tongue. 
“Javi…” You whimpered, your breath shaky and weak as he slid himself off the edge of the bed, his fingertips digging into the meat of your ass as lifted you up and slid your underwear down your thighs as they pooled around your ankles. “Fuck, I love your ass.”  He mewled, setting you back down as he gently nudged open your legs, admiring the slick that had already begun pooling between your thighs, your cunt wet and glistening as he kissed up the exposed flesh of your legs. “And you already know how much I love this.” He smirked, swiping two of his fingers between your folds, collecting your arousal as he began to circle around your clit, making you moan. “Prettiest fucking pussy I’ve ever seen, goddamn. I’ll never get over it.” His breath was hot against your entrance as he took one long, drawn out lick with a broad stroke of his tongue against your throbbing bundle of nerves as he looked up with you, a devilish grin on his face. “Let me show you, baby. Let me show you how much I love every fucking inch of you, okay?” 
You nodded frantically, easily complying with his request as he nestled his broad frame between your legs, draping his arm over your hips to hold you in place as he slid two fingers into your heat, curling his hand to reach the spot inside you he knew made you crumble before diving back in between your legs, beginning to lick you up like a man starved. His tongue swirled against your clit, the firmness of each stroke and the deep press of his fingers making you writhe under his touch, grabbing fist fulls of your comforter to ease the tension already building in your belly. You could feel him switching tactics, latching his lips around your sensitive nub, rapidly sucking at the the throbbing bundle of nerves, working his fingers deeper in your cunt as he felt you begin to clench around him. 
“Fuck Javi, fuck, right there baby- fuck, I’m close.” You reached one of your hands down, tugging at the ends of Javi’s dark curls, as if to pull his face closer to you as you could feel your orgasm building at the base of your spine, desperate for him to give you your sweet release. 
His thick fingers bumped along your g-spot, curving them ever so slightly in the way he had memorized like the back of his hand to make you come undone. The tingle along your spine quickly spread down your legs, pleasure building rapidly throughout your body as you felt yourself on the edge of release. Lifting his arm off your waist, he reached down to grab your hand that had been tangled in the sheets, engulfing it in his grasp as he intertwined his fingers with yours. 
“Dameló, (give it to me) sweet girl. Let go, baby, I’ve got you.” 
You could feel the pressure inside you snap, the tingling in your veins quickly transforming into full blown pleasure as your orgasm swept through you. You gushed around his hand, clenching down on his fingers as they gently pulsed inside you as you came down from your high, a smug look spreading across the slick covered sheen of Javi’s face as he withdrew them, licking the juices clean as he sucked his fingers in his mouth. 
“So fucking sweet. Can I keep showing you how much I love everything about you, Osita? Show you how much your husband loves his fucking beautiful wife?” He smirked, kissing his way up your body as he stood, towering over you. You nodded, reaching down to palm at the bulge straining against the denim of his jeans as Javi began to undo his belt buckle, shuffling his pants and boxers down his hips before reaching over his head to pull off his army green t-shirt that had been straining against the broadness of his shoulders. You shuffled back on the bed, Javi crawling over you, nipping at your exposed skin as snaked his hand between your bodies to stroke his cock before running his tip through your folds, collecting the shining slick of your arousal along his length. 
“Please, Javi. Please.” You whined, squirming your bottom half, aching to feel Javi inside you as he continued to tease you relentlessly, relishing in your desperate state. 
“Such a good girl, asking so nicely. So needy, hmmmm? This what you want?” He rasped, gently pushing himself inside you, making you gasp as his hips flushed with yours, feeling his cock bottom out against your cervix. His thickness made you breathless, only able to whimper and nod in response as every inch of him filled you. Almost painfully slowly, he began to pull back, his strokes slow and methodical as the lewd sounds of your moans and the wetness between you coated the walls of your bedroom. As his thrusts began to speed up, he ran his hands down your arms before grabbing your wrists, pinning them above your head and holding them in place with his broad grasp. He caged his chest with yours, the warm touch of your bare skin pressed against each other as he rocked into you, planting hot, wet kisses along your neck, sucking at your pulse point. 
“Fuck, you’re so wet, Hermosa. I can’t believe this is all fucking mine.” He whispered, his voice low and tender as he slipped his grip away from your wrists, sliding his hand under your back to pull you up, resting his palm on the small of your back as he helped you to sit in his lap. You wrapped your arms around him, burying your head in the nape of his neck, and fingers in the dark curls of his hair, the new position making the pressure building in your core grow rapidly. Javi snaked his hand between your bodies, reaching down to rub back and forth along your clit as he punched into you, each thrust somehow more satisfying than the last. 
“Oh shit- Javi, fuck- Fuck, you feel so good, please don’t stop baby, don’t stop.” Javi had learned all too well from the tremble of your incoherent babbles and tightness now squeezing around his cock that you were close to coming undone, and he knew exactly what you needed to push you over the edge. 
“Yeah? I know you’re close, baby girl. Give me another one, Osita. Be a good girl and cum one more time around my dick before I fuck myself so deep inside you. Fuck me, you’re so fucking perfect. I know you’re close, baby, it’s okay.” 
Javi was snapping into you, splitting you open with each thrust, making every inch of your body shiver as the tingling in your lower belly began to build towards your sweet release, your mind going blank from his filthy words he knew damn well were your weakness. 
“Fuck, Javi, Javi, oh shit- Fuck, Javi, I’m gonnahhhhhhhh-” Your legs shook as your orgasm flooded through your body, the cries of your husband’s name quickly turning to silent sobs into his shoulder as your body went slack, pleasure taking over you. 
“That’s it, baby. Fuck, you’re so hot when you cum like that. Shit- I’m close too, Hermosa. Eres perfecta. Mierda, tengo tanta suerte. Te amo con todo mi corazón (You’re perfect. Shit, I’m so lucky. I love you with all of my heart). Oh fuck me, shit, oh fuckkkkkk.” With only a few more thrusts deep inside, Javi followed suit, milking himself of every last drop of his spend into you, the mixture of your arousal pooling beneath you as he slumped into you, your chests heaving with shallow breaths as you came down from each of your highs. 
Reaching his hands up to cusp your face, Javi leaned in to kiss you, his lips strong and tender against yours, making your cheeks warm as he pulled away to brush back a stray piece of messy hair that had fallen in your face. “I know I can’t fix how you feel, but I hope that was at least some reassurance that I mean it when I say that you are the most beautiful woman on earth, Osita.” Javi smirked at you, rubbing his thumb against your jaw as his chocolate brown eyes gazed at yours. 
“I meannnn, it does help a little.” You giggled, pecking a quick kiss onto Javi’s lips. “Thank you, Jav. I definitely still think that’s a bit of an overstatement and doesn’t help me fit back into my jeans, but it’s really sweet of you. I love you.” 
“Te amo mucho. (I love you so much.) It’s true. And I’ll keep saying it until you believe me. In fact…” Javi’s face lit up with a devilish grin as he wrapped your arms around your back, scooting the both of you off the bed, making you squeal in delight as you locked your legs over his waist, holding you up, beginning to walk you both towards your bathroom. “I think that we need to take a shower and I can show you again just how much I love everything about you. And then…” He pepper ticklish kisses along your neck and collar bone in between each word as he sat you down on the bathroom counter, hands grasping your face. “We’re gonna go out and get BLT’s for lunch because I know you’re fucking hungry and I don’t want you to be cranky when we come back home and fuck you until you can’t walk.” 
“I’m honestly fucking starving, I could eat 14 BLT’s right about now.” You laughed, shaking your head at the thought that not long ago, you were willing to forgo your favorite lunch because of a stupid pair of pants. “God, you’re amazing. And a fucking menace. You better get me in that shower, Peña- You’ve got a hungry, horny wife waiting for you.”
Taglist: @cool-iguana @rhoorl @whyjuliaaa @bbiophiliaa @pertinentpostmortem @angelofsmalldeath-codeine @pedrobaby @fatima-marisa @beboldbebravethings @poodlebae @kittenlittle24 @3sriracha @jungchloee @perennialdoll247 @prettyinpunk85 @partyofone3413 @harriedandharassed @pedrohoe04 @theorganasolo @endlessthxxghts @blackfemalenerd @beware-my-thorns @deppydelta
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hi it's the good omens mascot here's some shit about me that might be relevant
I appear to have accidentally caused chaos so I figured you might as well know about me since I'm responsible for it. And also so that you know who you broke, thanks ineffable fandom.
I have been called the prophet by some of you all. This is not entirely untrue, but I would like to add as I did in one post, that Apollo also gave me the curses of art, (very emotional) music, (sometimes good mostly dreadful) poetry, (same parentheses apply, except that the dreadful is on purpose) writing and (used to be good now dreadful) medical knowledge, and so yes, you did accidently adopt a messenger of an ancient Greek god.
Yes, this entire entry into your cult happened from start to now happened in 48 hours.
This will seem less bizarre when I give you context about me and fandoms. I changed career paths (after three years of intense study that cost me my sanity) from science to the arts because I was inspired by drarry fanfiction of them leaving their ministry jobs and following their dreams. Yes I tossed three years and my loss of sanity away in one week of decisions. I'm now a designer. Thanks Draco.
I read so much drarry fanfiction that my mum had to take me to the hospital for injured wrists. I wore wrist and elbow supports and was in constant pain for a few months. I was only later introduced to autoscroll. Yes, I am a fool. Yes, I am unaware of how to human.
I'm broke and cheap enough that I feel guilty buying bottled water, but for Christmas I spent the equivalent of around 150 bottles of water getting a Bakewell tart custom made (they don't sell them where I live). Why? Because in one single fanfiction, it is Draco's favourite food. I would never spend that kind of money on a dessert for any real human being.
That is to say, you all are not ready for when I REALLY fall for Crowley. I don't saunter vaguely downwards for people. I bypass earth and crash into hell, leaving a smoking pit in its infernal ground.
I swear I'm not as dumb as I seem, I just have ZERO general knowledge, and am terrible with faces. I can tell you what the graffiti on the walls of Pompeii from before 70 AD said but I don't know who my previous president was, and personally I think that's very classy of me.
Some of you seem concerned about my sleep schedule. Worry not, I sleep in four installments, night, morning nap, afternoon nap, evening nap. I sleep more than you all, that I can promise. I sleep more than my doggy sister.
About the streams and the timezones, I have no idea how to make it so people can watch, because I frequently mix up east and west and last morning I mixed up the Pacific and Atlantic ocean. I don't know at what point the Eastern hemisphere becomes the Western or how any of it works. I also thought Wakanda was a real place.
But hey fun fact, in 2020 diclofenac sales were dropping in Iceland. I know this because I wanted to make sure to use the correct painkiller in one sentence of a story I was writing. It was completely irrelevant. But hey any of you writers here probably feel my pain. I don't write fanfiction, but I am an author and I write original stories. And honestly what is more useful, Icelandic diclofenac sales from three years ago or timezones?
A career test once told me to be a standup comedian.
Yes that's me Asmi, just your regular dumbass lad who is slightly unhinged, serving himbo twink energy, hello hi nice to meet you all. PS: the poll results are out and Doctor Who won, so tremble, DW fandom.
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perfectsunlight · 1 year
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𝐚𝐛𝐨𝐮𝐭 𝐲𝐨𝐮 - (𝐬𝐦𝐚𝐮)
𝐲𝐮 𝐣𝐢𝐦𝐢𝐧 𝐱 𝐟𝐞𝐦!𝐫𝐞𝐚𝐝𝐞𝐫, 𝐡𝐮𝐡 𝐲𝐮𝐧𝐣𝐢𝐧 𝐱 𝐟𝐞𝐦!𝐫𝐞𝐚𝐝𝐞𝐫
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"𝐝𝐨 𝐲𝐨𝐮 𝐭𝐡𝐢𝐧𝐤 𝐢 𝐡𝐚𝐯𝐞 𝐟𝐨𝐫𝐠𝐨𝐭𝐭𝐞𝐧 𝐚𝐛𝐨𝐮𝐭 𝐲���𝐮?"
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you and jimin met as trainees before she debuted, and you two never felt more in love. however, once she breaks up with you before her debut, you completely leave SM entertainment under the notion of needing a fresh start. you eventually debuted a few years later in le sserafim, where you met huh yunjin and have slowly started developing feelings for the idol. much to karina's dismay, she hates to see you have moved on, but deep in your own heart, you still can't help but feel as if maybe she has forgotten about you.
𝐢𝐧𝐬𝐩𝐢𝐫𝐞𝐝 𝐛𝐲: 𝐭𝐡𝐞 𝟏𝟗𝟕𝟓 - 𝐚𝐛𝐨𝐮𝐭 𝐲𝐨𝐮
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𝗀𝖾𝗇𝗋𝖾: 𝖺𝗇𝗀𝗌𝗍, 𝖼𝗋𝖺𝖼𝗄, 𝖿𝗅𝗎𝖿𝖿
𝗌𝗍𝖺𝗍𝗎𝗌: 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘.
𝖿𝖾𝖺𝗍𝗎𝗋𝗂𝗇𝗀: 𝖺𝖾𝗌𝗉𝖺, 𝗅𝖾 𝗌𝗌𝖾𝗋𝖺𝖿𝗂𝗆, 𝖺𝗇𝖽 𝗆𝗈𝗋𝖾...
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┊ ┊ ┊ ┊ ┊ ┊ ┊ ✫ ˚♡ ⋆。 ❀ ┊ ☪︎⋆ ⊹ ┊ . ˚ ✧
introductions: cyborgs | fearful
01. i might kill my ex
02. deja vu
03. stop crying so loud
04. idol boxing match
05. uh oh
06. yunjin makes everything feel better
07. just browsing
08. is ning okay?
09. leader in distress
10. pls dont kick me out
11. bae is mad at me
12. wrong acc
13. so what?
14. do you think i have forgotten about you?
15. shoot me
16. but why does it hurt tho?
17. BONUS
18. i did it
19. doja cat?
20. i didn't think id get this far
21. maybe violence is the answer
22. you little rat
23. karina
24. not this shit again
25. r u fucking fr?
26. ning im going to strangle you
27. can we sell them on ebay?
28. what are you doing?
29. does this work?
30. and what about it?
31. i think it's time
32. nonsense
33. never been more confused in my life
34. i don't trust her
35. you know me too well
36. only if u want to
37. two can play at this game
38. why do i even mf care
39. fuck
40. but what if they did?
41. for the record
42. the 1
43. givenchy
44. the moon
45. leaked
46. BONUS
47. fearless
48. understand
49. music bank
50. still
51. what's gotten into you?
52. pls don't be in love with someone else
53. it was an accident
54. say yes to heaven
55. sweet nothing
56. sweet nothing II
57. dumb conversations, we lose track of time
58. where are u?
59. absence
60. i take it back
61. BONUS
62. this love
63. have you lost your mind?
64. leader
65. yunjin
66. you won’t know unless you try
67. conversion therapy
68. in the dark
69. about you
70. 𝐄𝐏𝐈𝐋𝐎𝐆𝐔𝐄
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(𝐄𝐗𝐓𝐑𝐀) - 𝐅𝐎𝐑𝐄𝐕𝐄𝐑 𝐕𝐀𝐋𝐄𝐍𝐓𝐈𝐍𝐄
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abtrusion · 1 month
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Theories of the holy shit what did I just see back there on the street?
Because transmisogyny makes them so impossible to ignore, for at least the last 70 years transfeminized people have served as key material of Anglo-American gender/queer/trans theories, as laundered through anthropology, sexology, and uncited personal witnessing. The anaemic denial of this fact through snappy and surface-level distinctions between ‘queer’ and ‘trans’ and between different transfeminized groups has made it functionally impossible for these theories to seriously account for transf* life, and this failure is highly productive, because it allows for the continued use of both ‘premodern’ ‘third gender’ and ‘postmodern’ transgenderism as lobotomized material for the theories of other people. The last century of gender theoretic development has revolved around slowly refining methods of extracting transfeminized peoples’ insight, forgetting and re-introducing them to their field over and over again to frame them as perpetual novelties, leading to a pernicious form of feminist amnesia that repeats over and over again.
1 . MARGARET MEAD (1949)
The work begins with Margaret Mead, the ‘most famous anthropologist of our century’ (Behar and Gordon 1996), who made her career studying indigenous groups in Samoa and New Guinea, then joined the larger anthropological effort to inform the US Government’s genocidal re-education campaigns against Indigenous American tribes. She later enjoyed a prodigious career as a public intellectual and shifted to more explicitly feminist writing which extensively influenced the movements of the 60s and 70s. Mead argued that essentially all sex-gender roles were culturally determined, and used the specter of the transfeminized homosexual-transvestite both to make that argument and to advocate for gender abolition.
This can be seen most clearly in Mead’s 1949 book Male and Female: a Study of the Sexes in a Changing World. Mead chronologically traces individual gender development through an ethnographic-sexological narrative, beginning with ‘first learnings’ that a child receives primarily through observation. Then the family comes in, and the transvestite comes with it, existing as the primary motive (alongside Freudian sexual attachment) which motivates gendered socialization:
Too great softness, too great passivity, in the male and he will not become a man. The American Plains Indians, valuing courage in battle above all other qualities, watched their little boys with desperate intensity, and drove a fair number of them to give up the struggle and assume women’s dress. (Mead 1949)
Mead argues that “fear that boys will be feminine in behavior may drive many boys into taking refuge in explicit femininity,” but makes a distinction between this identification and what she calls ‘full transvestitism,’ the culturally-specific recognition of that status. This differential leads her to conclude that the physical traits seen as markers of ‘gender inversion’ are culturally specific, and that what is understood as physical sex (then existing on a ‘spectrum’ model) is therefore partially socially determined.
For Mead, gender must be abolished precisely because of the fact that she could even make this argument. As she says,
Only a denial of life itself makes it possible to deny the interdependence of the sexes. Once that interdependence is recognized and traced in minute detail to the infant’s first experience of the contrast between the extra roughness of a shaven cheek and a deeper voice and his mother’s softer skin and higher voice, any programme which claims that the wholeness of one sex can be advanced without considering the other is automatically disallowed.
The desperate need to reproduce these distinctions, to make sex clear and visible and obvious, leads Mead to ultimately argue for a gender abolition that rests on complementary sex-roles. The main benefit of this approach for Mead is the complete eradication of sex-gender ‘confusion’ and its incarnation in transfeminized people, so associated precisely because of their intense usefulness as a tool for undermining sex-gender distinctions. So Mead sees the construction of physical and social gender by using transfeminized people as a lens, but because of her own disgust she can only fix gender by unseeing it again, by displacing gender to ‘real’ physical sex and protecting herself by breaking the tool. This, unsurprisingly, leaves her exactly where she started.
2. BETTY FRIEDAN (1963)
The feminist theorists that came after Mead directly confronted this reversion to ‘complementary sex’ logics, most notably in Betty Friedan’s foundational work The Feminine Mystique. Friedan discusses the ‘paradox’ of Mead’s influence, the strange combination of her exposure of ‘the infinite variety of sexual patterns and the enormous plasticity of human nature’ and her ‘glorification of women in the female role – as defined by their sexual biological function.’ In the middle, Friedan cites a page-long quote describing a point of ambivalent warning in Mead’s writing:
The difference between the two sexes is one of the important conditions upon which we have built the many varieties of human culture that give human beings dignity and stature… Sometimes one quality has been assigned to one sex, sometimes to the other. Now it is boys who are thought of as infinitely vulnerable and in need of special cherishing care, now it is girls… Some people think of women as too weak to work out of doors, others regard women as the appropriate bearers of heavy burdens “because their heads are stronger than men’s” … Some religions, including our European traditional religions, have assigned women an inferior role in the religious hierarchy, others have built their whole symbolic relationship with the supernatural world upon male imitations of the biological functions of women. (emph added by me)
...Are we dealing with a must that we dare not flout because it is rooted so deep in our biological mammalian nature that to flout it means individual and social disease? Or with a must that, although not so deeply rooted, still is so very socially convenient and so well tried that it would be uneconomical to flout it…
...We must also ask: What are the potentialities of sex differences? … If little boys have to meet and assimilate the early shock of knowing that they can never create a baby with the sureness and incontrovertibility that is a woman’s birthright, how does this make them more creatively ambitious, as well as more dependent upon achievement?
Friedan attributes this ultimate focus on sexual difference to Mead’s Freudianism: she argues that Mead’s need to approach culture and personality through sexual difference, combined with her anthropological understanding that ‘there are no true-for-every-culture sexual differences except those involved in the act of procreation’ (Friedan and Quindlen 1963), combines to cause her to inflate the cultural importance of the reproductive role of women. Friedan intensely rebukes this reification of reproduction as another component of the ‘feminine mystique’ (very close to the modern ‘divine feminine’), advocating for programs which enable women to reject the mystique and housewife status and to seek education and employment, to combat the problem ‘which had no name’ but takes shape through spikes in female ‘sex-hunger’ and ‘overt manifestations’ of passive male homosexuality, both understood as ‘children acting out the sexual phantasies of their housewife-mothers.’ In a paradoxical return to Freudianism, Friedan characterizes husbands unwilling to let their wives work as being seduced ‘by the infantile phantasy of having an ever-present mother’ (the Freudian homosexuality-signifier), associating antifeminism with passive homosexuality with femininity which the aspiring feminist has escaped, learning to compete “not as a woman, but as a human being.”
3. THE MULTIPLICATION OF TRANSFEMINIZED SUBJECTS
As we can see, transfeminized subjects are frequently used as signs of system collapse, hypervisible enough to be easy examples and potent enough to rhetorically corrode existing sex-gender systems in preparation for the author’s own vision. Once a piece is published, these examples are usually then forgotten, assumed as scaffolding for the real theory; but the rhetorical strawmen of these transfeminized subjects still remain, trapped implicitly in the text, and they bleed into one another with every new addition to the corpus, every call to action invoking a new transfeminized archetype.
So far we have seen Mead’s anthropological-orientalist framing of ‘transvestitism’ among the anthropological Other and Friedan’s psychological framing of ‘passive homosexuality’ in the United States. The increasing visibility of adult ‘transsexuality,’ somewhat disjoint from the developmental sexology Gill-Peterson (2017) discusses because of its visibility in high-profile cases like Christine Jorgensen, was likewise framed for theory. Harold Garfinkel’s (1967) book Studies in Ethnomethodology, which described methods for observing ‘the objective reality of social facts as an ongoing accomplishment,’ used an intersex woman named Agnes as an avenue to expose how everyday social facts are constructed. Agnes was an ideal exemplar because her insistence on getting HRT and being seen as a woman was considered psychologically normal: “Such insistence was not accompanied by clinically interesting ego defects. These persons contrast in many interesting ways with transvestites, trans-sexualists, and homosexuals.” Of course, Garfinkel was later notified that Agnes did not have an intersex condition, and he then noted that ‘this news turned the article into a feature of the same circumstances it reported, i.e. into a situated report.’
Anyways, now it’s time for yet another transfeminized subject: the ‘transsexually constructed lesbian feminist.’
4. JANICE RAYMOND (1979)
As with her predecessors, Raymond sees analytical power in her particular transfeminized group, arguing that “transsexualism goes to the question of what gender is, how to challenge it, and what reinforces gender stereotypes in a role-defined society.” But she also has some concerns for ‘transsexual women,’ initially assumed heterosexual, none of which are particularly novel or interesting. Now that she’s writing in an environment dominated by Friedan’s mandate towards shedding femininity, feminist amnesia makes it novel to regurgitate Margaret Mead’s responses: that “male transsexualism may well be a graphic expression of the destruction that sex-role molding has wrought on men,” and that “men recognize the power that women have by virtue of female biology and the fact that this power, symbolized in giving birth, is not only procreative but multidimensionally creative” (Raymond 1979).
Her analysis of (new archetype) ‘transsexually-constructed lesbian feminism’ is much more interesting. While Raymond can understand heterosexual transsexual women as ‘reinforcing gender stereotyping’ by pulling primarily from medical archives already hegemonized by gatekeeping and passing requirements, the transsexual women in the lesbian-feminist movement achieved a certain degree of personal contact and visibility that undermined ‘hegemonizing’ logics. So Raymond uses three main arguments: an essentialist appeal to fundamental ‘maleness,’ a red-scare-esque appeal to transsexual lesbian feminists as ‘court eunuchs’ bent on monitoring and controlling feminist spaces, and finally, an argument that transsexual lesbian feminists are fundamentally epistemically corrosive to lesbian feminist spaces:
Whereas the lesbian-feminist crosses the boundary of her patriarchally imposed sex role, the transsexually constructed lesbian-feminist is a boundary violator. This violation is also profoundly mythic, for as Norman O. Brown writes of Dionysus, he as the ‘‘mad god who breaks down boundaries.’’
Contrary to contemporary transmisogynistic discourse which frames trans lesbians as personal threats to women in lesbian-feminist spaces, this violation takes its form not in any particular act but in the act of passing, the deconstructive question this existence seemingly automatically places on lesbian-feminist spaces:
One of the most constraining questions that transsexuals, and, in particular, transsexually constructed lesbian-feminists, pose is the question of self-definition—who is a woman, who is a lesbian-feminist? But, of course, they pose the question on their terms, and we are faced with answering it.
Raymond notes with some frustration that this transsexual question has been discussed ‘out of proportion to their actual numbers,’ using up valuable feminist energy, and frames this as a symptom and crime of transsexual lesbianism itself. The trans question is transsexual women; like the theorists before her, she sees transfeminized people as a gaping hole in the gendered world, but now they’re inside her house, feeding “off woman’s true energy source, i.e., her woman-identified self,” and inherently stand to break “the boundaries of what constitutes femaleness,” to dissolve lesbian-feminism itself.
I want to stress two main points in all of this. First, Raymond understands studying transsexualism as a crucial tool for answering ‘the question of what gender is’ and ‘how to challenge it.’ Second, Raymond’s anxiety about transsexual lesbian-feminists moves away from specific actions and towards the ‘penetration’ inherent in their existence in these spaces at all, the understanding that transsexual women are inherently corrosive to lesbian-feminist movements. These two points are clearly linked. Raymond understands transsexuality as a form of epistemic gender acid, something that can be useful at arm’s length but is deadly up close. Of course, the transfeminized people she discusses were not necessarily invested in asking the Trans Question themselves; trans women attended lesbian-feminist events like Michfest before and after their trans exclusion policies, and regardless of ‘passing’ many people enjoyed a form of don’t ask don’t tell (Tagonist 1997). But within these spaces, the Trans* Question long predated the actual existence of transfeminized people – so once they arrived, the Question and person were fundamentally linked. Trans theorists have negotiated this association extensively, but that’s not the topic of this essay, so I’ll leave you with some sources (Stryker 1994; Stone 1992) and move to Butler.
5. JUDITH BUTLER (1990)
This work has been done already by Vivian Namaste (2020), who argues that “contemporary discussions of Anglo-American feminist theory, exemplified in Butler’s work, begin with the Transgender Question as a way to narrow our focus to the constitution, reproduction, and resignification of gender.” This singular focus on the ‘Transgender Question’ has made it functionally impossible for Anglo-American feminist theory to consider the outsized role of work, particularly sex work, in motivating the discrimination and violence against transfeminized people of color: “framing violence against transsexual prostitutes as ‘gender violence’ is a radical recuperation of these events and their causal nature-a violence at the level of epistemology itself.”
Namaste attributes this focus on featureless ‘gender violence’ to a crippling lack of empiricism, a lack of researcher-subject equity, and an exclusion of subject knowledges. She provides an effective power-based solution to this epistemic violence – that feminist theorists should talk with the subjects of their theory and give them some measure of power in the transaction – a sort of endpoint analysis which means she doesn’t need to consider too much of the internals of the system she’s challenging. That’s a good idea for her work, but with the benefit of history we can move differently. The next section synthesizes Butler, Friedan, Mead, and Raymond together to provide a functionalist analysis of the feminist theoretic use of transfeminized people. What are the benefits of using transfeminized people as an epistemic tool in feminist theory? What are the dangers of using this epistemic tool, and how does feminist theory manage those dangers?
6. PATTERNS OF EXTRACTION AND DEFENSE
Looking past Butler and further into the past reveals that transfeminized people have been crucial not just to the feminist theory of the past 20 years, but have served as exemplars as far back as the 1940s. The ‘Trans* Question,’ which frames transfeminized people as the most visible signifier and most horrifying symptom of social gender, has been cyclically used in a form of feminist cultural amnesia:
A transfeminized group serves as a hypervisible example to 'deconstruct' social gender
Transfeminized deconstruction bloats beyond itself, undermining 'sex traits' or 'femaleness' or some other foundational category of feminist analysis.
Reconstruction of gender as 'biological sex,' alliance between feminist theorists and men of all stripes by arguing that post-gender eradication of transfeminized people will (a) allow men to be feminine without becoming women or (b) destroy femininity entirely.
New-generation feminist theorists realize their predecessors have reinvented social gender. Return to (1).
As Margaret Mead’s work shows, the use of transfeminized groups to deconstruct both physical and social gender has been observed regardless of transmedicalization. This helical pattern has a few general properties:
Each cycle introduces a distinct transfeminized group, positioning it against prior groups as uniquely suitable for analysis, but simultaneously blurs the new group into the existing melange.
This "Trans* Queston" is almost entirely devoid of group-specific context and rooted in transmisogyny, which positions them as horrifying and visible symptoms of social gender.
Each "Trans* Question" initially exposes social gender, but constantly threatens to dissolve other categories or even the theorist's own writing as socially constructed, against the theorist's will.
Each new cycle demonstrates near-complete historical amnesia as to the relevance of transfeminized people in the prior theoretical move.
So the “Trans* Question” allows for the basic feminist move, asserting that gender is socially constructed, but if improperly controlled it stands to dissolve virtually any definition feminist theorists try to build. To be clear, I do not believe in the total deconstruction of categories – you need definitions, even ones you acknowledge as imprecise, to say anything at all. But transfeminized people probably have pretty solid ideas about gender, having to, you know, live with it. The alienated ‘Trans Question*’ has none of this insight, appearing instead as a gaping epistemic hole in the world, and so feminist theorists are forced to come up with complicated quarantining measures to keep the Question from spilling over.
What jeopardizes feminist theory’s use of the Question? One answer (among many) comes by looking at Mead, who concluded that physical characteristics seen as ‘sex traits’ were socially constructed by looking at the culture-specific construction of what she called ‘full transvestitism.’ In this case, the Question undermined sex when the social position of transfeminized subjects were seen as simultaneously normative and anti-normative, existing in some normative ‘social’ role while being understood as distinct from non-transfeminized subjects via another ‘natural’ axis. The fact that these splits were made differently across different transfeminized groups undermined the distinction between social and ‘natural/biological’ aspects of gender, and because the alienated Question provides no means of making anything solid out of any of this, Mead retreated to the womb.
So understanding that the Question allows for the deconstruction of gender, and that it overgrows when multiple (studied as) semi-normative transfeminized groups are cross-compared with one another, we can consider aspects of contemporary feministqueertrans theory that enforce the epistemic isolation and normativization/antinormativization of transfeminized groups. The knots this ties in feminist theories seem relevant both to the ‘why does trans theory exist’ question posed by Chu & Drager (2019) and to the challenges and limitations of applying queer/trans theory to groups outside the anglosphere (Chiang 2021, Savci 2021). I’ll discuss that more in another essay.
SOURCES
Behar, Ruth, and Deborah A. Gordon. 1996. Women Writing Culture. First Edition. Berkeley: University of California Press.
Chiang, Howard. 2021. Transtopia in the Sinophone Pacific. Columbia University Press.
Chu, Andrea Long, and Emmett Harsin Drager. 2019. “After Trans Studies.” TSQ: Transgender Studies Quarterly 6 (1): 103–16. https://doi.org/10.1215/23289252-7253524.
Friedan, Betty, and Anna Quindlen. 1963. The Feminine Mystique. Reprint edition. New York: W. W. Norton & Company.
Garfinkel, Harold. 1967. Studies in Ethnomethodology. 1st edition. Cambridge Oxford Malden,MA: Polity.
Gill-Peterson, Jules. 2017. “Implanting Plasticity into Sex and Trans/Gender.” Angelaki 22 (2): 47–60. https://doi.org/10.1080/0969725X.2017.1322818.
Mead, Margaret. 1949. Male and Female: A Study of the Sexes in a Changing World. First Edition. William Morrow.
Namaste, Viviane. 2020. “Undoing Theory: The ‘Transgender Question’ and the Epistemic Violence of Anglo-American Feminist Theory.” In Feminist Theory Reader, edited by Carole McCann, Seung-kyung Kim, and Emek Ergun, 5th edition. New York, NY London: Routledge.
Raymond, Janice G. 1979. The Transsexual Empire: The Making of the She-Male. New York: Teachers College Press.
Savci, Evren. 2021. Queer in Translation: Sexual Politics Under Neoliberal Islam. Durham (N.C.): Duke University Press Books.
Stone, Sandy. 1992. “The Empire Strikes Back: A Posttranssexual Manifesto.” Camera Obscura: Feminism, Culture, and Media Studies 10 (2 (29)): 150–76. https://doi.org/10.1215/02705346-10-2_29-150.
Stryker, Susan. 1994. “My Words to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage.” GLQ: A Journal of Lesbian and Gay Studies 1 (3): 237–54. https://doi.org/10.1215/10642684-1-3-237.
Tagonist, Anne. 1997. “Sister Subverter Diary August ’97.” Unapologetic: The Journal of Irresponsible Gender.
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I don’t think Jason has ever hated Tim
I recently revived my Jason Todd hyperfixation from its torpor and realized I had... Means and Ways of reading as many comics as I want for free, so I made the transition from Fanon Only to having read Lost Days, Under the Red Hood, Teen Titans #29 (where Jason fights and beats the tar out of Tim), Hush, Red Hood and the Outlaws (the majority of both runs), Red Robin: The Grail, Batman and Robin: Streets Run Red, Green Arrow #70 - #73 (where Jason kidnaps Mia), Battle for the Cowl, and a smattering of other bits and bobs, all within the last month.
I have come to the conclusion that the idea that Jason hated Tim before slowly learning to be okay with him is completely backwards.
Jason starts respecting Tim as a fellow combatant after basically their first meeting, and was sympathizing with him even before. Fandom talks a lot about how Jason repeatedly tried to kill Tim, but I think there’s a good argument to be made that actually Jason has never tried to kill Tim, and there’s a better argument that Jason has never tried to hurt Tim out of a dislike for him.
Tim is the one who feels viciously betrayed by Jason, hates his guts, and depending on if you blend in the New 52 either learns to begrudgingly like him or just stays hatin.
Obviously I need some proof here, since this goes completely against the grain of every relationship interpretation I’ve ever seen for them, so approximately seven miles of character analysis under the cut lmao
I’m gonna try to go in chronological order of the characters’ history here, which means we’re starting with Lost Days, and Jason’s first reaction to finding out there’s a new Robin:
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This does not look like anger to me.
Lost Days is only six issues long, and this is the entirety of the pages devoted to Jason’s feelings on Tim. Jason succeeds in a plan that would have almost certainly killed Batman if Jason had gone through with it. Jason undeniably has Joker dead to rights at one point, but lets him go. Jason at no point in this story attempts to harm Tim at all.
Now for Hush.
Context for fanon only folks: this is where the “throat slitting” bit happens.
Context for a lot of confusion: I don’t know if Jason is the one who holds Tim hostage or not.
In the original Hush plot line this is only Clayface; Jason isn’t here at all. It was later retconned in Under the Red Hood that Jason was actually in this fight for... some amount of time. It’s highly unclear to me when they swap out. Probably because originally, they didn’t swap out. Oh well! In either case, it’s now canon that Jason coached Clayface on his acting, so for the purposes of this essay, Imma hold Jason responsible for the throat damages and the words said regardless of who did what!
Right off the bat: this is a hostage taking, not a murder. Yes, Clayson Jayface does nick Tim’s neck and absolutely makes the threat of murdering him to Batman, but it’s clearly a threat. Like, look at this panel:
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He is talking a lot. This isn’t an attempt to kill Tim, it’s an attempt to screw with Batman. No matter who this is, they have every reason to expect that Batman will stop them before they do any permanent damage. Can you see that little, blurry, half-hidden line of red? Lets look at what the damage was later on:
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The bleeding was stopped by a bit of cloth, some pressure, and he’ll need stitches eventually, but they can clearly wait, and Tim doesn’t seem alarmed. That’s enough to scar, and enough that it is perfectly reasonable for Tim to assume that he would have died if he hadn’t been rescued.
However, Jason being deeply protective of kids is a reasonably consistent character trait. “You really think I’m gonna bring the pain to a ten year old?” Even at Jason’s most villainous, he is willing to put himself in danger in order to protect his own sidekick Scarlet. I think it would be very out of character for him to have gone through with it. Combined with Jason’s later actions and the general fact that a hostage is pretty useless dead, I come to the conclusion that Jason was bluffing.
It is ambiguous though, and I admit that this is probably the weakest link in the “Jason never tried to kill him” chain.
But enough of that, was he angry with him? Is the hate there?
I argue no, and that really there’s no emotional investment in Tim at all. In terms of hard numbers the pages Jalay Toddface spends holding Tim hostage is 3 and the number he spends fighting Batman is 13 and the number of times he even so much as LOOKS at Tim is ZERO, like actually, literally ZERO TIMES. He does not spare poor Timmy a SINGLE GLANCE.
Now make a special note here because those three pages of no eye contact from someone who might not even be Jason are the ONLY times that Tim is called Pretender or Imposter.
I’m relying on this research done by Kiragecko: https://kiragecko.tumblr.com/post/128411908944/bat-sibling-interaction It only goes up to Battle for the Cowl, (as does this essay it turns out, I just don’t know how to bridge between that and the New 52) so it isn’t every interaction ever, but it’s still excellent research, go leave a like.
According to them: “Comments: Tim thinks about Jason a lot while he’s first training. He imagines the former Robins giving him pep talks, and uses them to fight off fear gas. When Jason comes back, though, Tim’s really nasty, especially in his head. Jason, however, is somewhat respectful. He usually calls Tim ‘Tim’, and seems to kind of like him. ‘Pretender’ and ‘Imposter’ are things that CLAYFACE said, not Jason.“
How many times are those said? Once. Each. That’s it. As a comment under the Jason and Tim post done by Kiragecko points out, “Replacement” doesn’t even get used.
Under the Red Hood is basically THE Jason Todd comic. To my memory he doesn’t interact with Tim in it. However, it does contain that aforementioned reconning! So we get to see his reasoning during this encounter.
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And it very very clearly isn’t at all about Tim.
Moving on to Titans Tower, which is indisputably focused on Tim: When he fights Tim, he is absolutely violent and over the line, but he’s NOT out of his head. Jason is clearly very lucid and careful about what he’s doing.
Is he angry? Of course! He’s angry at the Titans who in his mind cared about him way less than their other members, and accepted a replacement robin as though his life, his whole flesh and blood self, was something that could be so easily forgotten and swapped out.
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But I think it would be a mistake to assume that Jason’s at all mad that he isn’t Robin anymore.
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A very interesting direct parallel to this fight is when Jason kidnaps Mia, Green Arrow’s sidekick Speedy, fights her, appeals to their commonalities and encourages her to solve crime his way rather than Green Arrow’s way.
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In both scenarios Jason engineers a way to isolate a sidekick and attempts to teach them something through combat. He makes a direct appeal to them against their mentors, and seems genuine about what he’s saying. He also lets both of them live, and with Mia is honestly pretty damned polite about it all. At least, as polite as a guy can be about kidnapping you and encouraging you to try to kill him in your high school gym that he definitely should not know about.
The plain fact of the matter is that Jason knocked Tim out, had time to paint his whole ass name way up high on a wall, and did not kill him. This is the same Jason who just prior to that took out all of Tim’s allies non-lethally. The same Jason who kept Mia’s protector’s busy non-lethally. The same Jason who cuts Mia free and gives her weapons back and starts slow in their fighting to make sure he doesn’t hurt her too badly. The same Jason who seems to feel very strongly that killing, trafficking, or selling drugs to kids is an unforgivable offense and very clearly sees Tim as a kid.
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Quite frankly, this reads not like a murder, and not like a jealous beatdown, but an attempt to convince Tim that he’s going to get himself killed and needs to get out while he still can. In Jason’s mind before they meet, Tim is purely A Robin, a kid who deserves better than to be put into danger against the same monsters over and over again until he finally slips up and dies.
Is this a hairbrained and back asswards way of doing that? Yes! But it does track for someone who tries to do all of his talking through his actions, which do speak louder than words, but unfortunately C-4 loudness is not actually a significant boon to nuanced communication.
If you want to put it in a less charitable way (and maybe we should, this is a bonkers asshole move on Jason’s part no matter how you slice it) then we can say Jason is testing Tim, trying to see if this one has what it takes to be better than he was, to survive where he couldn’t. Personally I think it’s a mix of both, and for this end of that emotional mess: Tim passes the test.
Jason leaves while talking about Tim in present tense, showing that he has every expectation of Tim being alive, and praises him in the process:
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Did you know that the fun panel of Tim kicking Jason in the nuts is actually from the same comic run, about twenty or so issues later?
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Did you know that the argument they were having starts with Dick and Tim wrestling with Jason and accusing him of a murder he did not commit, and in fact tried to save the victim from?
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Did I mention yet that the death in question was of Duela Dent, aka the JOKER’S DAUGHTER, whom Jason caught attempting to hold a young woman hostage for ransom? And that Jason repeatedly shot her getaway balloon instead of her and then tried to save her life immediately afterwards despite the fact that she was going to let the hostage plummet to their death? And it is implied that part of the reason he’s so easy on her is because of “Once a Titan always a Titan” loyalty, with this being our first clue that Jason isn’t the one shooting at her anymore?
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Did I also mention that he comes to her funeral in part to be around Donna (the starry leotard lady whose statue he smashed) because it’s nice to be around people who understand being displaced by their own death? And that the one who sticks up for him in this scene is Donna?
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At risk of negating my own thesus here, I’d say it’s reasonable to think that maybe Jason feels rage-hate for Tim in this “kicked in the dick while Dick grins smugly” moment.
Lets go now to Robin #177 at the tail end of the 1993 to 2003 run - Bruce has “died” and Tim hasn’t yet gone on his epic quest to find him. Tim finds Jason unifying street gangs with the intent to bring them under control and solve the current crisis. He appeals to Tim for help with this, in fact he comes off as almost puppy dog eager to work with him, and seems really sad when he says fuck no.
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This is one of the first fights in which Tim really holds his own against Jason, and I am very proud of him, yes :3
This gets Jason arrested. Then Tim actually goes through with a heavily modified, less violent version of Jason’s plan that Jason didn’t think could work. A few issues later, when Tim decides that he’s going to try to honor what Bruce would have wanted by springing Jason out of jail, Jason makes note of that.
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Jason is pretty damned civil at their next meeting, even though Tim makes it pretty damned clear he doesn’t want him around.
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And now... we have to talk about Battle for the Cowl.
I’ve seen it described as a masterclass in how NOT to write Jason Todd, due to it portraying him as being an absolutely off his rocker anger murder violence man. I am inclined to agree.
In this three issue comic Jason Todd has been dRiVeN mAd (in the most bullshit comic sense of that word) by Bruce’s will... telling him to go to therapy. Yeah. So uh, he dons a Batman suit to shoot people in AND pretends to be Black Mask so he can enslave a bunch of villains Amanda Waller style, and like it gets weird from there. It is an extremely jarring transition from that last scene to GUNS BAT HATE MAN.
He still does not hate Tim in it. I really, seriously thought I was going to have to make a lot of excuses for this portion but then the more I read of it the more vindicated I was cause let me repeat: One of the most unhinged with Bat hate and crazy juice versions of Jason ever put to print does not hate Tim at all.
Hell, he likes Tim! He compliments him!
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And on top of that, even though he is MUCH more lethal against his fellow robins when they attack him - Jason straight up shoots a ten year old Damian in the chest. It’s fucked. - There is still evidence to suggest that Jason deliberately didn’t kill Tim when he had ample opportunity.
Jason first of all never hunts Tim down. I’ve heard Battle for the Cowl described as Jason tracking Tim down or kidnapping him or going after him to force him to Be His Robin, but that’s just not how it goes.
Instead he waits for Tim to come find his Batcave, disorients him, and goes for a ton of surface cuts. He only actually goes for a real body blow after Tim picks up a crowbar and beats Jason across the face with it a few times.
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(Again, proud of you Timmy)
After the stabbing, Jason doesn’t just leave Tim there; this isn’t a matter of hurrying on before he could check. He’s seen dragging Tim off. When Nightwing later comes to rescue him, Dick is downright certain Jason is lying to him about Tim being dead because Jason is refusing to show him the body and Dick figures it’s because he knows there’s no body to show (if in part because he can’t let himself believe Tim is dead without hard proof).
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Tim himself wonders about this, noting that the batterang was rusted and shattered on his armor.
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Sure, Tim used playing possum to make his pulse slow to a near stop for a while, maybe that fooled Jason, but keep in mind that BRUCE taught Tim that skill, and if there’s one thing these comics have established, it’s that Jason is dangerous precisely because he is so intimately familiar with the techniques of the Bat. Jason even makes specific note of the fact that Tim being trained like Bruce and fighting like Bruce would be his downfall at the beginning of their fight.
The whole comic leaves me wondering just how much of what happened went completely according to Jason’s plan. I really would not put it passed him to engineer a ‘death in the family’ recreation for the next Batman in line! As much as I agree that this is garbage characterization for him in many many ways, I do think Jason makes a fantastic villain. I love to see him run rings around the Bats in some places, and make lemonade out of getting his ass kicked in others.
No matter how we interpret the stabbing here though, what does seem very clear to me is that Jason makes the Be My Robin offer to Tim first and foremost because he thinks pretty highly of Tim! He’s been rejected by Tim at least three times over but keeps holding a hand out for him. This does not seem like Tim hater reaction hours here!
Also that whole thing about kids being dragged into this vigilante life irresponsibly? Yeah that’s still there!
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I have TRIED to find evidence that Jason hates Tim at like literally any point here. I have gone through the shit people point to. I have looked at the context around those and dug up more obscure interactions for second and third views. Everywhere I look I just see more instances of Jason complimenting Tim!! It’s driving me nuts!
The only conclusion that I can come to is that people read this stuff and just trust that Tim is right about Jason. Tim’s internal view waaay more closely resembles fandom interpretation. Tim assumes that Clayson Toddface would absolutely have killed him in cold blood, that Jason beat the shit out of him purely to prove he was stronger, that he’s a brute, a moron, an active danger to society, and that every bit of leniency given to him will result in betrayal and death.
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I don’t have clearer proof for it, but I also don’t think it’s a stretch to say that Tim probably believes Jason has it out for him and holds him responsible for his replacement.
So yeah. As a fascinating reversal of my expectations going in: I don’t think Jason has ever hated Tim, but boy fuckin howdy has Tim HATED Jason.
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queenofmalkier · 5 months
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Moiraine being 70 vs 40
(Alright this one took me a minute because corralling my thoughts is a challenge in the best of times.)
To begin with I will admit... I am one of the people who was indifferent towards the age change in the beginning. They're Aes Sedai, they live nice, long lives, and I wasn't like, emotionally attached to a younger, canon-aged Moiraine. It does make her early years more poignant, but I'll touch on that later.
Primed for older Moiraine, the show started and after two seasons I can safely say I am so gung-ho for 70 year old Moiraine I might actually be feral.
Here's why I, personally, think it was an excellent choice: Rosamund Pike is 44 as of writing this, so she visibly fits into the book age. As an audience nobody is really questioning her age - a few show-onlys I watched season 1 with actually remarked on how refreshing it was to see an older female character allowed to just exist and be part of the narrative without trying to sex up and/or grandma-ize the role.
Little Did They Know.
So you've got an audience that's mostly accepting of this character being in her 40s, and then you hit them with "Oh she's 70 and lets explore just how horrific that fact actually is together, it'll be fun!"
It was not fun, it was gutting.
One of my main critiques of the book has always been how we have these long-lived women, powerful women... but we never really take much of a look at the reality of that concept. Nor are we given POV characters who are really old enough to remark on it. Pevara at least thinks about her family, but Cadsuane doesn't give two figs about hers.
And here's the thing... they're Aes Sedai, but they're still human. What happens to them as they get older, but the people who fill their life are the ones aging? How does it feel to watch a mother, a sister, a child, friends, acquaintances, EVERYONE succumb to time in a way you won't for a very long time after?
That has to be impactful and I wanted to see those stories - and the show delivered. Seeing Moiraine with Anvaere? Chilling, horrifying, heartbreaking. Liandrin and her boy? A kick in the teeth. Even Alanna with her family, knowing very well she's probably the oldest one sitting at that table.
The point is, being an Aes Sedai means being powerful and respected, but it also means living through a very specific kind of suffering and trauma. They're basically vampires in terms of lifespan and we should see how that shapes them.
In regards to Moiraine being older and therefore not basically a child during the foretelling, it does change that particular hit... but by no means did the show let the viewers not understand how that moment altered Moiraine's life forever.
Instead of her being sort of an unformed girl hardened and honed by a lifetime of searching for Rand, one who never got much chance to be anything else, we get a woman who was already beginning to build her life, who had achieved the shawl, found love, and was exactly where she wanted to be.
And then all of that is taken from her.
It's devastating to watch the double-barreled whammy of Siuan and Moiraine giggling about being fishwives and walking into what was in many ways their deaths. Because the Moiraine and Siuan they were before walking into that room were gone forever. They would never be able to go back to the women they were before. They never even had a chance to mourn that loss. Moiraine went hunting and Siuan set her sights on the Amyrlin Seat.
I do understand for a lot of people her age is a sticking point, and that is completely fair and valid! It's a change that I fully agree did not need to be made... but by making that change we're given such a stark insight into the lives of older Aes Sedai who are just beginning to experience what it means to outlive everyone they know, watching one by one as cherished friends and family members pass on.
Soon all they have left are the children and grandchildren of those people, fractured mirrors that are just enough of a hint at the original that it must be painful to know them - which explains even further why so many Aes Sedai cut off contact entirely with their families. It's too painful to keep them in their lives.
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getvalentined · 12 days
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Thinking about Vincent's involvement in the Queen's Blood storyline and how it's the perfect explanation for everything going south with the game in fairly recent history even though the game has canonically been around for decades. It's genuinely so clever, I'm in love.
So, for anyone who hasn't done the full questline, Vincent is the highest ranking Queen's Blood player in the entire game prior to facing off against the Shadowblood Queen herself and the completion of the questline. (After this, ranks are adjusted worldwide because of game mechanics; Nanaki is rank 10 in the QB Arena at Gold Saucer.)
A lot of people have poked fun at this, like Vincent apparently learned the game really fast and was just naturally really good at it—but no, actually, Vincent played the game before. He's this good because he was champion level back in the 70s, back when he was human.
We know this to be the case because when you match against Lidrehl, he says "the Emerald Witch sleeps in Nibelheim with a monster of chaos, and that is where it will remain." This means that Vincent already had the card when Hojo killed him. It's not clear how the Emerald Witch came into his possession, but you don't make his rank without being a very active player, so it's clear that he was very prolific in the scene back then!
And back then, it was just a game. No mysterious deaths or disappearances. The myth of the Shadowblood Queen and the Emerald Witch was still there, as Lidrehl developed the game based on the story, but everything was fine.
This is definitely because Vincent was active in the scene, and he had the Emerald Witch. The Rebirth Ultimania implies that the Shadowblood Queen is a piece of Jenova (which I thought was pretty obvious since she calls Cloud a "puppet" and he's also apparently the only one capable of facing her head-on), and the Emerald Witch is the soul of a Cetra that serves as the silent warden to her imprisonment within the game. (Imprisoning monsters in cards is not new to the series, either, since FF8 literally allowed players to turn monsters into cards rather than fighting them.) Vincent being so active in the circuit allowed him to spread the Emerald Witch's influence through the scene and kept the Shadowblood Queen quiet, reminded her to keep her head down, kept her from trying anything at risk of being spiritually shitmixed again.
But then Hojo killed Vincent, and the Cetra warden Emerald Witch was in his deck, and that deck was tucked away with his things in Nibelheim. And so she spent thirty years unable to perform her ongoing duty to assure the safety of the planet. This time allowed Jenova the Shadowblood Queen to regain the power and confidence to manifest and start wreaking havoc again, finally building up enough strength to directly possess her current holder—during the period that Sephiroth is calling for Reunion, which presumably helped to really draw her back to full consciousness.
There's a whole detailed storyline here that makes perfect sense, with Vincent's murder literally being the catalyst leading to the resurrection of the Shadowblood Queen, and Hojo never having a clue what he'd done.
This is super interesting to me not only because it actually showed some of the more far-reaching consequences of Vincent's death, but also because it indicates that Hojo has unwittingly been Jenova's most loyal emissary for decades. He gave her his wife, his son, himself—and the first murder he ever committed served to imprison the only power holding a piece of her thought lost to history at bay, allowing her to manifest decades later with her own will and personality completely intact, something that she can't do through Sephiroth.
As it turns out, Hojo and Vincent have been opposing forces in supporting fate's "chosen ones," the forces around them capable of choosing the final fate of the planet, for much longer than either of them ever thought.
Still not a huge fan of the card game itself, but I adore the way it's been woven into the story, and strengthened it as a result.
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drawnfamiliarfaces · 4 months
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How do the girls get along
Pretty great actually!
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Jenny and Kim are very good/close friends, since they met relatively early compared to others (they actually met each other first out of everyone, then others at one point and another) and had a shared adventure sometime after the ends of their respective shows (wink wonk).
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But, their first meeting was not actually very um, positive. There was some conflict, but after it was resolved both of them gained a very solid friend for life!
Jenny, was glad to meet someone else (beside Brad) who treated her like a person/normal teenager (instead of an 8th wonder of the world or a freaky robot) and not to mention she got a fellow superheroine girl friend! After Misty, she kind of missed having someone like that to kick butt with (considering that like, 70% of her friends are dudes) or just hang out.
Kim was fascinated by Jenny, not because she is a robot (tho she does think its pretty cool) but because it kind of gave her a contrast to her own life in a weird way? Like, Kim was a normal teenager who got into superheroing on accident and just went with it, while Jenny was created with a goal of being Earth's defender but rebeled to have some sort of normal life. And now they both live those weird semi-normal lives, that led them to meeting each other.
Jun is around 5-6 years their junior and while they met each other much later on, when Jun was a little older (like not 11-12 age of the show), she still kind of looked up to them and both Jenny and Kim felt an instant kinship with the girl.
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Before she met Jenny and Kim, Jun only knew a couple other guys as fellow heroes/magical protectors (guess who ;D lol), and while she had plenty of female role models (Ama/Jasmine being the most prominent) and friends, she kind of enjoyed meeting some cool older superheroines to bond with! It also helped that despite the age difference, both Jenny and Kim never looked down at her when it came to superheroing/fighting, but respected her abilities and expertise (considering that Jun was practically an apprentice to her Ama since at least 8-9ish of age, when her powers first awakened, she has a lot of experience).
They both are kind of like cool older cousins to her, who travel a lot for their work and come visit to hang out often and tell/share stories about their adventures. Their and her lines of work while similar, also run in completely different circles (human/interplanetary vs magical/supernatural), so its always a treat to hear about the things they do.
(And yes sometimes she feels jealous about the fact that both of them get to travel all over the world, and despite the developments, more often than not she has to stay town locked and limit her excursions to magical realms.)
Silly thing, but Jun absolutely adores Jenny, for one simple fact that she can travel to space just like that (she and Danny, fellow astronaut/space fans, share that, despite the fact that Danny kinda can travel to space just like that too.)
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