Tumgik
#I don’t think I’d cut myself off from fandom completely either I’d still try to keep up with stuff
dahldahlbills · 2 months
Text
I really need to get serious about personal projects again
#I think I said something like this last year too lol#currently in a weird headspace about it#the biggest reason why I lost focus on them was bc I prioritized engaging in fandom#(something that I never really did when I was focused on publishing a few years back)#so part of me feels like in order to make considerable progress on projects again I need to cut myself off from fandom#and I kinda have been weening myself off a bit from animanga but not really for that reason#it was mostly bc I was getting overwhelmed by how much I was consuming and I wanted to appreciate things fully#I don’t think I’d cut myself off from fandom completely either I’d still try to keep up with stuff#but the idea of not engaging in fandom anymore kinda.. scares me?#idk I feel like a major loser admitting this lol#it just feels like I’d lose a lot of connections with people#and would lose a lot of the love I have for stories if I’m not actively interacting with them :(#and then there’s also that stupid feeling of being a ‘fake fan’ because I’m not dedicating every single second of free time to fandom#which is dumb bc like I have a life and need to make money yknow I got things to do#im just Stressed bc I’m at such a critical stage career wise and im getting closer to 26 so hhhhh healthcare coverage will be up in the air#so I really can’t afford to dawdle#there’s just so much I wanna do and while I’m not necessarily racing to get it done I still want to take advantage of the time I have#but it also sucks feeling like I’m giving up a part of myself to progress on another part of myself#I don’t think any of this makes sense sorry I just needed to dump my thoughts bc I am Terrified™️#anyway personal projects! gotta get back to those !#blahblahbills#delete later
9 notes · View notes
scripted-downfall · 11 months
Note
*RISES FROM THE DEAD* OMG HI ITS RAMBLING ANON I'M BACK!
OK so I have to ask... Why is Jensen and Jared MaxiPadalecki's PR teams so adamant about trying to convince everyone that they still are like brothers when they're clearly not? And trust me, it SHOWS. They can honestly just say "Yeah we don't hang anymore." And I'm sure there will be some fans (like us) who will not be surprised. Friends drift apart, it happens. It's not the end of the world. Tho we all know why J2 isn't not a thing anymore and it's bc of Jared's abysmal behavior. Matter of fact, notice how anybody who gets close to Jared drifts off and away from him after a period of time except for a handful of people...
Hello!  Welcome back :)  I’ve been off Tumblr — or at least spotty — for a bit now myself, so good timing on your return!
Yeah, I don’t really know.  I mean, I confess that I don’t spend much time on the real-life bits of Supernatural (or any show) and that most of what I hear stems from those around me — especially my closest fandom friend… whose name I’m not dropping as a line of defense against stan harassment (those who spend much time on my profile can probably guess who I mean though) — but J2 really doesn’t come across as genuine friendship, much less brotherhood.  I’ve never had much taste for bts stuff, and I’ve lost most of the little I did have.  
I have, however, seen some of their con photos, conversations, etc, and those don’t seem very natural; similarly, much of what I hear about their interactions in general is very… performative?  I guess?  I’d expect much more closeness if they were actually friends.  The most recent example is from that string of show renewals and cancellations: if I were close friends with someone who just got big news like that — whether positive or negative — I’d respond to that with either congratulations or commiserations well-nigh immediately.  (I’d certainly not wait almost a week — that is, from 11 May to 16 May — before posting a save-the-show hashtag.  Maybe that’s just me.)  And nor is this the only example of the performative closeness, natural distance to which I refer, so the argument that “eh, they’re busy, it doesn’t mean anything” doesn’t hold much water long-term, even if it’s accurate in this particular case.
Pragmatically, I’d wager that the brother dynamic is an attempt to play to the show’s perceived fanbase, and that’s why the bts brotherhood is being played up.  It doesn’t make much sense to me — from what I’ve seen, it feels like most of the fandom is fractured between them anyway; I recognize that this is only my experience and not true in its entirety, but I only ever run into people who love Jared and those who hate him, and there’s rarely a middle ground — but that’s the impression I’ve gotten from the PR.
I honestly think it’s backfiring though.  I mean, it just comes across as fake and duplicitous, and I feel like they should both just cut their losses and, as you described it, drift apart.  It happens, and I tend to feel that trying to avoid that just makes things worse for all involved.  (And yeah, I certainly cannot defend JarPad’s actions and I don’t even know him/have any stake in it, to the point that I can just ignore him for the most part; I can’t imagine having to deal with him in close-quarters like a “brotherhood”, friendship, or even just as colleagues.)
Anyway… I feel like I’m rambling at this point, so I’ll wrap it up… It was good to hear from you again, and thanks for the ask!  I hope this answer was decent enough, and all the best until next time!
However, before I completely wrap up, a message to any stan who might be reading this… I recognize that much of the above is freely admitted to be speculation.  All of those statements are marked as such.  Don’t come at me about stuff I outright admitted myself.  I also recognize that I’m posting this and not being the kindest person ever to JarPad.  This is because I dislike him.  You are not going to change my mind with threats or slurs.  You are definitely not going to change my mind by cowering behind the anonymous ask feature.  I will report anon asks of this nature if I have to.  Cheers :)
17 notes · View notes
padfootastic · 2 years
Note
Do you think fandom can be sexist towards female characters?
I see the Jegulus fandom wanting to write Lily completely out of the picture and wolfstar people generally hate Tonks.
oof. i have…a very rambly, very long answer to this bc i don’t think it’s a simple yes/no so i’ll put this under a cut for people to skip if they wanna, yeah?
so, straight off the bat, im not a fan of using pejorative labels for writers in general but particularly for fanfic authors. for one, we don’t know who’s writing behind the screen + what their motivations/inspirations/intentions are. two, everyone writes for a different reason. perhaps someone is venting, or projecting, or using it as a therapeutic release; often it’s lifted straight out of their own life. so i try not to judge the text in front of me based on stuff like that. (this leeway could also be because i used to read a lot of bashing fics where the majority of them are women, i think, and often with the flimsiest, most irrelevant reasons that are straight out of the Sexism Handbook of Traditional Patriarchy too so maybe i just started rationalising it for myself? idk)
second, i think it’s pretty well known that the majority of fandom is some combination of women/queer/neurodivergent/POC etc etc. so applying the lens of ‘critiquing mainstream media produced by cishet men’ doesn’t…really work here, i don’t think. the way we would analyse sexism in say, marvel or disney won’t (shouldn’t?) be the same as how we do it for fandom imo.
that being said, it’s still entirely possible for certain ‘problematic’ tropes/ideas to be prolific, right? this is where the sexism u mentioned comes in. i prefer to use symptomatic language here so saying ‘xyz has sexist/x-phobic elements’ instead of an absolute ‘the work/author is sexist/x-phobic’ because i don’t think the latter is either useful or accurate. when it comes to this, there’s one really important thing i look for here. is the author aware of what they’re writing? (which is a whole other issue tbh, complete w why i feel more comfortable around darkfic authors but let’s not go there rn lol) because a lot of the authors who write out lily or tonks in these ships do so knowingly bc it’s the only way for their plot to exist/evolve. sure, you can have an amicable resolution but will it provide the conflict u need? will it make for good entertainment? will it lead to 3D characters?
stories often need an antagonist and is it unfortunate that women often end up filling the role? sure. absolutely. i’d argue that one of the reasons we have so many mlm ships compared to wlw is because of mainstream media giving us better written men more often than not. and i think it’s totally fine to feel angry/frustrated/upset about that, especially when it carries over into fandom which is supposed to be a fun, inclusive, safe space. i get really frustrated at a lot of wolfstar discourse that entirely ignores the possibility of bisexuality. the vehement insistence that that a certain character can’t be with a woman bc they’re queer, for example, rubs me the wrong way and i think what you’re mentioning is something similar too. but, i always stop myself from assuming malicious intent on the author/fic’s part bc just because they write/believe something in fiction doesn’t make it true, ykno? and i can always step back and go look for something else that’s more to my liking.
and i think every creator would have something like this in their works tbh. i certainly do. i know for a fact that the way i’ve written lily in shovel talk and the patronus fic isn’t exactly favourable to her—even though i’ve tried to be neutral, she has definitely come out looking worse than the others and i admit that that’s on me. i wanted a certain dynamic & characterisation for james & sirius and this was the way to achieve it. people are allowed to dislike that. but they must also acknowledge that i’m allowed to write her that way.
i think, more often than not, we end up looking at this in simplistic binaries. ‘i like this -> good -> allowed to exist’ or ‘i don’t like this -> bad -> shouldn’t exist.’ i’m…not a fan of that. my opinion is we should advocate for more mindfulness within our writing but allowing writers to craft their stories the way they want (bc ultimately fic is supposed to simple and fun and not something you agonise over). and this is all interlinked, right? because the moment we say ‘ok. this might be portraying women in an icky manner, i don’t like it but the author can do that bc it’s a piece of fiction’ then u open the gates for more responsible reading & writing. authors would feel comfortable tagging their works with this, they can discuss it openly w/o being worried about reproach or ‘being cancelled’ and readers can make a more informed decision. but if you go in guns blazing with ‘ugh this fandom is so sexist, look at how it’s treating its women’ then you’ve pretty much killed all possibility for dialogue and improvement and that’s not helping anyone.
this kind of also ties in with my previous point about having differing standards for mainstream vs niche mediums of art. fanfiction authors are often, ironically enough, held to higher standards than published/paid creators which is interesting bc u can argue that their work doesn’t even have the kind of social impact that mainstream media does.
anyway. i’ve gone off on enough tangents here lol but i think i’ll end it with this: yes, women definitely come off worse in certain spaces, especially when they have to compete with mlm ships but i think that’s a conscious decision that authors take within the bounds of the material they have. as long as they are conscious of the fact/acknowledge it, i think likening it to sexism isn’t fair because u can’t have a story without plot devices, uncomfortable as they might be. if you see a pattern in someone’s stories of women being constantly shunted aside negatively, then i think u can take note of it and avoid it. maybe have a conversation with the author if they’re willing to talk about their creative choices. i feel like that’s the most u can do when it comes to online writing where u have no idea who’s on the other side of the screen.
23 notes · View notes
liquidstar · 3 years
Text
I feel as if many people, myself included, have been having problems with the way “critical thinking” is conducted in fandom circles more and more. Which I’d say is a good thing, because it means we’re thinking critically. But still the issues with the faux-critical mentality and with the way we consume media through that fandom group mentality are incredibly widespread at this point, despite being very flawed, and there are still plenty of people who follow it blindly, ironically.
I sort of felt like I had to examine my personal feelings on it and I ended up writing a whole novel, which I’ll put under the cut, and I do welcome other people’s voices in the matter, because while I’m being as nuanced as I can here I obviously am still writing from personal experience and may overlook some things from my limited perspective. But by and large I think I’ve dissected the phenomena as best I can from what I’ve been seeing going on in fandom circles from a safe but observable distance.
Right off the bat I want to say, I think it's incredibly good and necessary to be critical of media and understand when you should stop consuming it, but that line can be a bit circumstantial sometimes for different people. There are a lot of anime that I used to watch as a teenager that I can’t enjoy anymore, because I got more and more uncomfortable overtime with the sexualization of young characters, partly because as I was getting older I was really starting to realize how big of an issue it was, and I certainly think more critically now than I did when I was 14. Of course I don’t assume everyone who still watches certain series is a pedophile, and I do think there are plenty of fans that understand this. However I still stay away from those circles and that’s a personal choice.
I don’t think a person is morally superior based on where they draw the line and their own boundaries with this type of stuff, what’s more important is your understanding of the problem and response to it. There are series I watch that have a lot of the same issues around sexualization of the young characters in the cast, but they’re relatively toned down and I can still enjoy the aspects of the series I actually like without it feeling as uncomfortable and extreme. Others will not be able to, and their issues with it are legitimate and ones that I still ultimately agree with, but they’re still free to dislike the series for it, after all our stance on the issue itself is the same so why would I resent them for it?
Different people are bound to have different lines they draw for how far certain things can go in media before they’re uncomfortable watching it and it doesn’t make it a moral failing of the person who can put up with more if they’re still capable of understanding why it’s bad to begin with and able to not let it effect them. But I don’t think that sentiment necessarily contradicts the idea that some things really are too far gone for this to apply, the above examples aren’t the same thing as a series centered solely around lolicon ecchi and it doesn’t take a lot of deep analysis to understand why. It’s not about a personal line anymore when it comes to things that are outright propaganda or predatory with harmful ideals woven into the message of the story itself. Critical thinking means knowing the difference between these, and no one can hold your hand through it. And simply slapping “I’m critical of my interests” on your bio isn’t a get out of jail free card, it’s always evident when someone isn’t truly thinking about the impact of the media they consume through the way they consume it.
I think the issue is that when people apply “Critical thinking” they don’t actually analyze the story and its intent, messages, themes, morals, and all that. Instead they approach it completely diegetically, it’s basically the thermian argument, the issue stems from thinking about the story and characters as if they’re real people and judging their actions through that perspective, rather than something from a writer trying to deliver a narrative by using the story and characters as tools. Like how people get upset about characters behaving “problematically” without realizing that it’s an intentional aspect of the story, that the character needs to cause problems for there to be conflict. What they should be looking at instead is what their behavior represents in the real world.
You do not need to apply real-world morals to fictional characters, you need to apply them to the narrative. The story exists in the real world, the characters and events within it do not. Fictional murderers themselves do not hurt anyone, no one is actually dying at their hands, but their actions hold weight in the narrative which itself can harm real people. If the character only murders gay people then it reflects on whatever the themes and messages of the story are, and it’s a major issue if it's framed as if they’re morally justified, or as if this is a noble action. And it’s a huge red flag if people stan this character, even if the story itself actually presents their actions as reprehensible. Or cases where the murderers themselves are some kind of awful stereotype, like Buffalo Bill who presents a violent and dangerous stereotype of trans women, making the character a transmisogynistic caricature (Intentional or otherwise) that has caused a lot of harm to the perception of trans women. When people say “Fiction affects reality” this is what they mean. They do not mean “People will see a pretend bad guy and become bad” they mean “Ideals represented in fiction will be pulled from the real world and reflected back onto it.”
However, stories shouldn’t have to spoon-feed you the lesson as if you’re watching a children’s cartoon, stories often have nuances and you have to actively analyze the themes of it all to understand it’s core messages. Oftentimes it can be intentionally murky and hard to parse especially if the subject matter itself is complicated. But you can’t simply read things on the surface and think you understand everything about them, without understanding the symbolism or subtext you can leave a series like Revolutionary Girl Utena thinking the titular Utena is heterosexual and was only ever in love with her prince. Things won’t always be face-value or clear-cut and you will be forced to come to your own conclusions sometimes too.
That’s why the whole fandom-based groupthink mentality about “critical thinking” doesn’t work, because it’s not critical. It’s simply looking into the crowd, seeing people say a show is problematic, and then dropping it without truly understanding why. It’s performative, consuming the best media isn’t activism and it doesn’t make you a better person. Listening to the voices of people whom the issues directly concerns will help you form an opinion, and to understand the issues from a more knowledgeable perspective beyond your own. All that means nothing if you just sweep it under the rug because you want to look infallible in your morality. That’s not being critical, it’s just being scared to analyze yourself, as well as what you engage with. You just don’t want to think about those things and you’re afraid of being less than perfect so you pretend it never happened.
And though I’m making this post, it’s not mine or anyone else’s job to hold your hand through all this and tell you “Oh this show is okay, but this show isn't, and this book is bad etc etc etc”. Because you actually have to think for yourself, you know, critically. Examples I’ve listed aren’t rules of thumb, they’re just examples and things will vary depending on the story and circumstance. You have to look at shit on a case-by-case basis instead of relying on spotting tropes without thinking about how they’re implemented and what they mean. That’s why it’s analysis, you have to use it to understand what the narrative is communicating to its audience, explicitly or implicitly, intentionally or incidentally, and understand how this reflects the real world and what kind of impact it can have on it. 
A big problem with fandom is it has made interests synonymous with personality traits, as if every series we consume is a core part of our being, and everything we see in it reflects our viewpoints as well. So when people are told that a show they watched is problematic, they react very extremely, because they see it as basically the same thing as saying they themselves are problematic (It’s not). Everyone sees themselves as good people, they don’t want to be bad people, so this scares them and they either start hiding any evidence that they ever liked it, or they double down and start defending it despite all its flaws, often providing those aforementioned thermian arguments (“She dresses that way because of her powers!”).
That’s how you get people who call children’s cartoons “irredeemable media” and people who plaster “fiction=/= reality!” all over their blogs, both are basically trying to save face either by denying that they could ever consume anything problematic or denying that the problematic aspects exist all together. And absolutely no one is actually addressing the core issues anymore, save for those affected by them who pointed them out to begin with, only for their original point to become muffled in the discourse. No one is thinking critically because they’re more concerned with us-vs-them group mentality, both sides try to out-perform the other while the actual issue gets ignored or is used as nothing more than a gacha with no true understanding or sympathy behind it.
One of the other issues that comes from this is the fact that pretty much everyone thinks they’re the only person capable of being critical of their interests. That’s how you get those interactions where one person goes “OK [Media] fan” and another person replies “Bro you literally like [Other Media]”, because both parties think they’re the only ones capable of consuming a problematic piece of media and not becoming problematic themselves, anyone else who enjoys it is clearly incapable of being as big brained as them. It’s understandable because we know ourselves and trust ourselves more than strangers, and I’m not saying there can’t be certain fandoms who’s fans you don’t wanna interact with, but when we presume that we know better than everyone else we stop listening to other people all together. It’s good to trust your own judgement, it’s bad to assume no one else has the capacity to think for themselves either though.
The insistence that all media that you personally like is without moral failing and completely pure comes with the belief that all media that you personally dislike has to be morally bad in some way. As if you can’t just dislike a series because you find it annoying or it just doesn’t appeal to you, it has to be problematic, and you have to justify your dislike of it through that perspective. You have to believe that your view on whatever media it is is the objectively correct one, so you’ll likely pick apart all it’s flaws to prove you’re on the right side, but there’s no analysis of context or intent. Keep in mind this doesn’t necessarily mean those critiques are unfounded or invalid, but in cases like this they’re often skewed in one direction based on personal opinion. It’s just as flawed as ignoring all the faults in the stuff you like, it’s biased and subjective analysis that misses a lot of context in both cases, it’s not a good mindset to have about consuming media. It’s just another result of tying media consumption with identity and personal morals. The faux-critical mentality is an attempt to separate the two in a way that implies they’re a packaged deal to begin with, making it sort of impossible to truly do so in any meaningful way.
As far as I know this whole phenomena started with “Steven Universe Critical” in, like, 2016, and that’s where this mentality around “critical thinking” originated. It started out with just a few people correctly pointing out very legitimate issues with the series, but over time it grew into just a trend where people would make cutesy kin blogs with urls like critical-[character] or [character]crit to go with the fad as it divulged into Nostalgia Critic level critique. Of course there was backlash to this and criticism of the criticism, but no actual conversation to be had. Just people trying to out-do each other by acting as the most virtuous one in the room, and soon enough the fad became a huge echo-chamber that encouraged more and more outrageous takes for every little thing. The series itself was a children’s cartoon so it stands to reason that a lot of the fans were young teens, so this behavior isn’t too surprising and I do believe a lot of them did think they were doing the right thing, especially since it was encouraged. But that doesn’t erase the fact that there were actual real issues and concerns brought up about the series that got treated with very little sympathy and were instead drowning out people’s voices. Though those from a few years back may have grown up since and know better (Hopefully), the mentality stuck around and influenced the norm for how fandoms and fandom people conduct any sort of critique on media. 
That’s a shame to me, because the pedestal people place fandom onto has completely disrupted our perception on how to engage with media in a normal way. Not everything should be consumed with fandom in mind, not everything is a coffee-shop au with no conflict, not everything is a children’s cartoon with the morals spoon-fed to you. Fandom has grown past the years of uncritical praise of a series, it’s much more mainstream now with a lot more voices in it beyond your small community on some forum, and people are allowed to use those voices. Just because it may not be as pleasant for you now because you don’t get to just turn your brain off and ignore all the flaws doesn’t mean you can put on your rose-tinted nostalgia goggles and pretend that fandom is actually all that is good in the world, to the point where you place it above the comfort and safety of others (Oftentimes children). Being uncritical of fandom itself is just as bad as being uncritical of what you consume to begin with. 
At the end of the day it all just boils down to the ability to truly think for yourself but with sympathy and compassion for other people in mind, while also understanding that not everyone will come to the same conclusion as you and people are allowed to resent your interests. That doesn’t necessarily mean they hate you personally, you should be acknowledging the same issues after all. You can’t ignore aspects of it that aren’t convenient to your conclusion, you have to actually be critical and understand the issues to be able to form it. 
I think that all we need is to not rely on fandom to tell us what to do, but still listen to the voices of others, take them into account to form our opinion too, boost their voices instead of drowning them out in the minutiae of internet discourse about which character is too much of an asshole to like. Think about what the characters and story represent non-diegetically instead of treating them like real people and events, rather a story with an intent and message to share through its story and characters, and whatever those reflect from the real world. That’s how fiction affects reality, because it exists in reality and reflects reality through its own lens. The story itself is real, with a real impact on you and many others, so think about the impact and why it all matters. Just… Think. Listen to others but think for yourself, that’s all.
163 notes · View notes
5uptic · 3 years
Text
hey fanfic spotlight again:)
arm candy by amsves (5up/Fundy, general rating, m/m | 300 words)
Summary: The first thing Fundy does after the stream ends is lean over and engulf 5up in his arms.
a chance encounter by mangoedges (Apollo/Steve, teen rating, m/m | 450 words)
Summary: Who would have thought Apollo would find his soulmate now?
Desecration Smile by AllianettemiE5 (Apollo/Steve, teen rating, m/m | 1k words)
Summary: No summary.
She said to me, Oh Death / Come close my eyes by Anonymous (Apollo/Steve, general rating, m/m | 1k words)
Summary: Steve thought the words on his wrist were the coolest thing ever, but they just didn’t make sense. No, really; he even asked 5up–had called him in a possibly drunk state on his twentieth birthday, when a prickling sensation on his arm made him think that he was about to die, 5up, help, and was reminded drily that it was his soulmark, dumbass–and the best his smartest friend (self-proclaimed) could offer was, “Maybe your soulmate’s a poet?” Completely useless. Steve remembered hanging up on him, the click of his mobile cutting off his indignant exclamation. It was only the next day that he looked, properly looked, at his soulmark and tried to make sense of it. Nope. That didn’t work out either; he blamed the hangover. For the longest time ever, he just dismissed it as the universe fucking up. A slash in the middle of a phrase? Ridiculous.
why’d you only call me when you’re high? by LVTO (5up/Steve, teen rating, m/m | 1k words)
Summary: “I miss you,” Steve mumbles through the phone, and his voice has that soft, honest tone that it always does when he’s like this. 5up’s heart clenches. It’s these moments that keep him from leaving like he should’ve done four months ago, these soft-spoken truths that time and time again have him believing that maybe, maybe this time will be different. It never is. or 5up receives a phone call and ponders his life.
jealousy, jealousy by planetwitch (5up/Fundy, teen rating, m/m | 1.1k words)
Summary: 5up and Fundy are best friends and have never crossed that line into something more. Until Fundy gets jealous at 5up's constant admiration for a certain 6 foot tall musician.
mimi's menagerie of the miraculous & the mundane by 5280ft (5up/Steve, teen rating, m/m | 1.1k words, chaptered WIP)
Summary: a drabble for the word of the day, every day, for 100 days.
5up & Co. Throw Yarn at a Wall (and more) by WhenTheFogClears (general rating, gen | 1.3k words, chaptered WIP)
Summary: Hafu neither confirmed nor denied, instead snatching the half unraveled ball of yarn out of his hands forcefully, a cheshire grin finding its way onto her face. Before 5up could clearly decipher the situation, she flung it at him, smacking him directly in the center of his face. or 5up loves throwing yarn at walls, and everyone else quickly picks it up from him. But in different ways.
Inside My Mind by SilverSprinklez10 (5up/Apollo, Apollo/Steve, teen rating, m/m | 1.4k words)
Summary: Soulmates are usually a blessing.  But sometimes, a soulmate connection can feel like a curse.
(2021, 190 x 172 cm, oil on canvas) by 5280ft (5up/Steve, teen rating, m/m | 1.9k words)
Summary: Nobody ever painted anything if they’ve never painted the way 5up closes his eyes when he laughs, how his slender fingers wrap around a new tube of paint, how his smile is all teeth and eye-crinkling. Cabanel’s Fallen Angel has curls, but they aren’t 5up’s, are they? Hyllas, in the nymphs, has fair and delicate hands but 5up’s are prettier, especially when he accidentally squirts paint everywhere and slams his palms on the table and goes “fuck!” Steve cackles until he can’t breathe.
Don't Take Me Tongue-Tied by AoDity, LovelyDayForIt (5up/Sleepy, 5up/Apollo, teen rating, m/m | 2.2k words)
Summary: "Sleepy found the ring by luck, something that matches his lover's graceful beauty that he could still afford. Twisted strands of thin silver with a little shimmering opal in the center, it was perfect." Aka: Sleepy's love for Five brought him heartache. If they try, there's still a chance the two could be happy.
implying that the ferris wheel's your body (and i'd really love admission to it) by homeward_bound (David/Hafu/Steve, mature rating, multi | 2.2k words)
Summary: Steve might be drunk out of his mind, but David's just really hot, okay? [or, steve propositions david, kind of. hafu and dumbdog bear witness to his lapse in judgement.]
mi casa es su casa by some_spooky_shit_right_there (Apollo/Steve, teen rating, m/m | 2.9k words)
Summary: Apollo's soulmate is cautious. Except, apparently, when it comes to coffee. Because, for the fifth time this week, Apollo wakes up to a burnt tongue. It's annoying. He can't really be mad though, because he has given his soulmate so much worse. The occasional burnt tongue is a meager act of penance, comparatively.
I love you too (I love you too) by some_spooky_shit_right_there (5up/Apollo/Steve, general rating, multi | 3.9k words)
Summary: Apollo comes into 5up's coffee shop. He always gets a cup of coffee and either a bagel or a croissant. He always seems tired, and he never comes in on weekends. Steve would really love to find out just who, exactly, he is.
i'm more fool than wise by 5fu (5up/Steve, unrated, m/m | 5.8k words, chaptered WIP)
Summary: Steven Suptic is a brilliant crewmate - ask anyone. Okay so don't ask Janet. Or Dk. Or Koji. You know what, don't even ask - it's pretty obvious he is. But when new recruit and stunningly intelligent 5up boards the Crewfu, Steve isn't so sure he can compete. Not that he cares. Totally. Absolutely. On their mission to gather intel on Polus and find out what happened to the previous crew that disappeared from the planet three years earlier, Steve may realize that maybe he was indeed more fool than wise - and maybe it wasn't a bad thing.
i was praying that you and me might end up together by Qupid (Apollo/Steve, teen rating, m/m | 7.8k words, chaptered WIP)
Summary: Four years at Polus University. Four first weeks of school. Two strangers become two friends, and maybe even something more. Apollo hates being seen, hates having attention drawn to him, hates living in a world that feels like a game where everyone knows the rules except him. Steve thrives on attention, purposefully draws the gaze of everyone in the room, making his own rules as he floats through life. They're a match made in hell, but Apollo finds that when Steve looks at him, gives him nothing but attention, he doesn't mind being seen after all.
Long Journey Home by some_spooky_shit_right_there (Apollo/Steve, teen rating, m/m | 9.6k words)
Summary: Homesick and lonesome and I'm feeling kind of blue Feeling kind of blue, boys, feeling kind of blue Homesick and lonesome and I'm feeling kind of blue I'm on my long journey home
there’s so many ways to say “i love you” and i wouldn’t wanna waste ‘em (on someone who, don’t feel it too) by Dear_MaedaysUnwelcomedGhost (5up/Steve, 5up/Hafu, 5up/Ellum, 5up/Kimi, teen rating, multi | 13k words, chaptered)
Summary: Love was a strange thing, 5up found. It was everywhere. And not in the way it may seem. It wasn’t in the adverts of perfect couples with artificial lighting. It wasn’t in the glittery cards made by factories or the flowers sold at grocery stores. Not in the TV shows made to bring in cash and be thrown out, with couples who don’t have anything to hold onto but brief infatuation and physical attraction. But in the friendly smiles of strangers as they pass by. In a mother cutting fruit up for their child. Running a hand through the hair of your partner, as their eyes flutter close and to sleep. Helping a stranger pick up their dropped papers, asking for nothing in return. In the graffiti on the wall by the alleyway you walk by everyday to get to work. To the goods baked by small independent bakeries. Flowers planted in parks to make it just a little nicer, or the ones growing out of pavement cracks with determination.
Also!
GuardianPuppy‘s this city needs to be destroyed or at least painted in a different color collection.
spaded_ace’s Casino in the Sky collection.
5fu’s among all this pain collection.
FAQ:
Wait what is this: pretty straight to the point! i’ll regularly share crewfu-related fanfictions to this blog :)
How regularly is “regularly”?: great question! LOL. it depends on the flow of fanfics that get uploaded, which i do not have any control over, but i’m looking forward to do this twice a month. after all, it’s only me doing this and i often run on a tight schedule.
What’s the format like?:
[title of fic with link] by [author of the fic with link] ([main pairing(s)], [fic rating: eg, general rating], [relationship: eg, m/m] | [word count in k], [added prompt to specify if it’s complete or not])
Summary: [summary provided by the author. if it doesn’t have a summary, a “No summary” prompt will be put instead]
(What does WIP mean again?): Work In Progress :)
Why are you doing this?: from the beginning, my blog has hosted conversations about RPF (real people fiction) and crewfu pairings. this has evolved into people sending me updates about certain fics in the crewfu tags every now and then, but i wanna take the next step and just do these things myself. after all, i’m already lurking in the tags often to see the fics that get posted. as someone who is both a writer and a reader, i wanna appreciate fanfic writers and help out other people that want to read fanfic and consume more fandom content!
Will it be AO3 only?: well, ao3 has a very helpful tag system that makes finding fics incredibly easy, as well as allowing people with no accounts to like and comment on fics, so that’s the site i will personally look in for fanworks. but if there are any fics you’ve written or liked in any other platforms, such as wattpad, you can always contact me through my inbox (send an ask or a dm!), and i’ll make sure to include for the next fanfic spotlight :)
Does it mean you won’t reply to fic asks anymore?: yeah, i guess. since i’ll be doing the searching myself it seems counterproductive. but if i ever skip a fic or again, it’s in another platform, or you’ve posted/read the fic a while ago and you want to get more traction on it, hit me up and i’ll take it into consideration!
Will you read every single one of the fics on your list?: oh no. again, i run on a tight schedule, and also i have my own taste when it comes to fics. i won’t be reviewing fics or any of the sort, and my intention extends to simply sharing these fics to this page so people will have easier access to them :) that’s where ao3 tagging becomes SUPER useful!!!
So what’s the criteria for the way you’ll sort out the fics in your list?: word count, going from lowest to highest. in case of fics in other platforms, i guess i’ll put them at the top of the list. i’ll also be looking for fairly recent fics, so let me know if you want any old-ish fic to be included.
I see you talking mostly about 5up/Steve and Steve/Apollo. Can I still send/see other crewfu fics?: why yes absolutely! my goal is to push every fic which heavily features regular crewfu characters - 5uptic and supdog just happen to be very popular pairings. so, to give you a list: core 4 (5up, hafu, dk, steve), apollo, aipha, annie, janet, kimi, ellum, koji… you know the drill. it doesn’t have to be centered on a relationship, or about 5up in specific, etc. my only requirement is that any of the previously mentioned members are a central part of the fic or are HEAVILY featured in it (sorry, minecraft fics with 50+ tags who only mention 5up as an afterthought won’t make the cut :/).
Isn’t shipping Bad™?: well, it’s a little more nuanced than that. i will go out of my way to discourage and shame people who often violate CCs’ boundaries by acting like so and so has a crush on this person, or that this and that are Actually Into Each Other or secretly dating. any sort of tinhat bullshit is a big nono (think larries). but i run on the assumption that people who write rpf understand that what they’re doing is simply write a completely fictional story using real life personalities, and understand the boundaries necessary to do it - aka they’re not tinhats, they understand they can’t assume everything about CCs’ thoughts and personalities, they understand that what they’re writing is strictly fiction, they keep these works only in fandom circles, etc. (but again, it’s only one me doing this, so please be kind if i don’t happen to know that this person is Actually a tinhat or whatever).
show fic: NO. (seriously. i don’t feel comfortable putting my ao3 account out there. please respect my privacy on these trying times <3)
I REALLY don’t care about your rpf/fic talk: fair! i’ll be tagging every single one of these posts as “fanfic spotlight”, so just mute the tag using tumblr settings so you’ll never have to look at these! likewise, you can follow the tag if you want to keep up with it, or search it on my blog to look at the other entries you might have missed.
Hey, my fic is here and I don’t feel comfortable with it being shared over here: no problem! let me know as soon as you can and i’ll take it down <3
39 notes · View notes
Text
they both know
prompt: “hey, wait, you’re still bleeding!” from this post by @whumpster-dumpster !! (i am in love w this prompt btw, it is just. so good.)
this one is a little bit different...i’ve done one other fic like this before (funnily enough for last year’s wij) but basically there aren’t really characters. you can imagine the people as whatever characters you like, or imagine them as like, random people idk (that’s what i did lol). anyway this was really fun to do, i liked doing sth a bit different! i hope you like it!
“Hey, wait, you’re still bleeding!”
“Huh?” He turns around in the doorway, and for a second the light from the hallway illuminates him in a way that might be almost beautiful were it not for the rapidly-growing bloodstain on his shirt and the freshly cleaned (but still very much present) cuts on his face. 
“Look down. You’re bleeding.”
He looks down, then slowly looks back up, surprise evident on his face.
“What happened?” 
“I…I don’t know.”
She guides him back to the barstool that he’d so recently vacated. He sits down heavily, resting his chin on his hands, elbows propped against the cool granite of the counter. 
“You really don’t know how you ended up bleeding through your shirt?”
He shakes his head. “Honestly, I didn’t even register it until you told me I was still bleeding. I thought I’d gotten away with a couple scrapes and bruises.”
She carefully pulls his shirt up and away from the spot of blood, and he does his best to pull his arms through the sleeves. His injury protests, but he ignores it. The shirt comes all the way off, and he sucks in a breath, and so does she. 
There’s a small piece of metal embedded in his stomach, where the skin is scraped and dirty. 
“Do you remember your shirt being off at any point during the fight?”
He thinks hard, then shakes his head. 
A second later, he remembers. “Wait. I fell, at one point. I remember my shirt getting pushed up, my hands getting scraped. It hurt, but I was a little too busy trying to avoid getting the shit kicked out of me to pay much attention.” He laughs slightly. “Lot of good that did me. Got the shit kicked out of me and ended up with…whatever the hell it is that’s stabbing me.”
“It just looks like scrap metal,” she says. “It seems reasonable that it could’ve been on the ground when you fell.”
He nods. 
“I assume you don’t want to go to the hospital for this, either?”
He shakes his head. “I’ll be fine. I trust your medical skills.”
She sighs. “I appreciate the compliment,” she says drily. “When was your last tetanus shot?”
“Last year. I had an…altercation with a piece of rebar.”
“Of course you did. This probably isn’t gonna be pleasant, you know.”
“I know. I’ll be fine.”
She doesn’t argue - they both know he’s telling the truth. He’s had far worse. She’s patched up far worse. 
It’s a fairly simple process. It starts out the same way that their evening together had started - with cleaning the wounds. She snaps on a fresh pair of rubber gloves, then runs a cold antiseptic wipe across the raw, red skin of his stomach, cleaning out the small scrapes and the area around the piece of metal. He barely even flinches, used to the feeling by this point. 
The next step is to remove the metal. 
“This doesn’t look like it’s in there very deep, but it’ll probably start bleeding more heavily when I take it out. I’m gonna give you a paper towel, and as soon as I get the metal out, I need you to press the towel into the cut as hard as you can, okay?”
She grabs a few sheets of paper towel and passes them over. He grabs them, crumpling them into a ball and holding them at the ready. 
“One, two, three,” she says, half under her breath, and then grabs hold of the piece of metal and pulls, quick and smooth. 
He yelps, slightly undignified. He recovers quickly enough, pressing the paper towels against his skin as, sure enough, blood starts pouring more rapidly out of the wound. 
He holds the towels there until they’re almost soaked through. 
“Let me see now,” she instructs, and he carefully pries the soggy towels away from his body. She peers at the wound, looks carefully at the piece of metal, shiny with blood. It’s two inches long, at most, and the wound itself is no more than an inch deep. Not too bad, she figures. 
“I can work with this.”
“What does that mean?” he asks, though they both know already. 
“I’ll stitch it up. Won’t take long. Won’t feel very good, either.”
“It’s fine.”
Wordlessly, she reaches into a cabinet beneath the counter and pulls out a bottle of vodka. She passes it to him, and he sets the bloody paper towels down on the counter to grab it. 
“God, that’s awful,” he coughs, setting the bottle onto the counter with a thud. 
“It’s better than getting stitched up completely sober,” she argues. He grimaces at her, then takes another sip. 
“You ready?”
“Sure.” He looks down at her hands, watching as she dabs the bloody wound with a damp paper towel to clean it out. 
A second later, the paper towel she is holding has been replaced with a threaded needle, and they both take a deep breath before she begins. He keeps his eyes firmly trained on her hands. 
“You sure you wanna watch?”
He doesn’t reply. He kind of feels like he can’t look away, even if he wanted to. He watches the needle, watches the movement of her hands, even and precise and steady. 
The needle pierces his skin. He watches as it pokes in and then out, leaving a trail of thread behind. It doesn’t actually hurt that much, at any rate not as much as he’d expected, but the act of watching his skin get sewn back together makes him feel sort of dizzy. Still, he can’t tear his eyes away. He watches as the needle and thread makes its way up the fairly short length of the wound, and is thankful that it’s not larger. He thinks he might pass out if this goes on for much longer, but luckily it seems like she’s almost done. 
She ties off the thread, cuts the rest away, sets the needle aside. He’s left with nothing but the stitches in his skin. He lets out a harsh, shaky exhale, blinks hard to try and curb the dizziness, and then slumps forward. 
She catches him, putting two firm hands on his shoulders and pushing him upright. “You good?”
He takes a deep breath, closes his eyes for a few seconds. When he opens them back up, the dizziness has faded a bit, and her concerned face is sharply in focus. 
“I’m good,” he says. 
“Sure,” she agrees, carefully pressing a gauze bandage over the fresh stitches. “You’re good. You gonna walk home like this?”
He raises a shoulder in an approximation of a shrug. He’s capable of it, he knows. But it’s dark and it’s late and he did just get beaten up in a back alley, then stitched up in his friend’s kitchen, so - 
“Yeah, no, that wasn’t really a question. You’re not walking home like this.”
He entertains the idea of telling her that she can’t tell him what to do, except that they both know full well that she can, and she will. 
“You’re staying. I need to keep an eye on my patient, anyway.”
“I can take care of myself, you know.”
“Alright, Mr. Observant. And tell me again, which one of us was it that realized you were seriously bleeding?”
They share a smile they’ve shared a hundred times before, and he knows he’s beat (though, if he’s being honest, he’d known that since he first turned up here). 
“Okay, I give up. I release myself into your hospitality.”
She grins, wide and bright - victory. “I’ll grab some blankets. You up for a movie?”
He always is.
thanks for reading this even though it’s not for any fandom lol. i had so much fun writing it and i hope you liked it!!!!
30 notes · View notes
snarkwrites · 3 years
Text
ssw | sweetpea; wondering what his kiss feels like. | fluff.
Tumblr media
NOTES:
Okay, so.. Apparently my brain likes to torment me. Because earlier, I was going to outline the next chapter for my Sweetpea x Andrews!OFC fic Gangsta and my brain threw out a casual, “But have you considered.. Using the Lodge!OFC you were planning to use with Reggie Mantle.. With Sweetpea?” and this kind of.. came.
So.. if enough people are interested, I may be considering actually writing them a fic or doing more of these little things based around them.. and trying to delve more into possibly pairing Alyssa with Reggie? Because when I wrote their oneshot I felt like there was potential there too... Also, this one shot is a direct result of me, watching dirty dancing reenactments on tik tok and my love for the movie + the fact that Riverdale does musicals every season...
Anyway, enjoy?
PROMPTS:
taken from either [ HERE ] or [ HERE ] give or take. It could be one or the other or a mix of both at my own choosing.
the way he says your name / his fingers sliding between your own / wondering what your kiss feels like - these are the inspo prompts used for this oneshot.
FANDOM / CHARACTER
Riverdale / Sweetpea x Lodge!OFC, Marlena
OTHER WORKS SWEET PEA X MARLENA ARE USED IN
None BUT.. That could change, idk..
WARNINGS
Intense sexual tension. Arguing back and forth as a love language until someone snaps. Mutual crushes that turn into something more.. This one is absolutely safe for the kiddos aside from a few swears and the like.. Oh and one barely elaborated on incident of thigh riding / dirty dancing.
TAGGING
There’s absolutely no one on my Riverdale taglist. If you want to be on it, please let me know. Or add yourself to the link below.
OTHER STUFF
[ faq | sfw masterlist - safe for the kiddos but read with caution | tag list ] 
“I swear to God, if she doesn’t give me more, I’m going to fall asleep. Is this really all we could find to participate in the musical for you guys?” My sister's question drew me out of a silent stare war with Sweetpea across the auditorium. He rolled his eyes and I stuck out my tongue at him before turning my attention back to my older sister, sighing as I glanced in the direction of the stage up front. “ She’s not that bad.. I mean at least she had the guts to try out for a part?” I mused quietly, shaking my head. Disappointed at myself because I hadn’t signed up.
Stage fright is one hell of a deterrent. And I knew that if I had tried out, no matter how well I knew the movie we were doing our musical adaptation of this year, when opening night came and those curtains opened and I saw all those people sitting out in the seats? I was going to freeze. I’d completely ruin the show. I didn’t want that.
The best I could do was at least offer to do costumes for Kevin. I told myself that behind the scenes was still helping and being supportive but deep down, ugh.. I wanted to do so much more.
If I were half as brave as my older sister Veronica is when it comes to this kind of stuff… Everyone has their fears though. Mine just happen to be public speaking in front of large audiences. My sister tells me constantly that it doesn’t make sense because I can go all over competing in dance stuff and there’s a crowd there, but.. When I’m dancing, I’m focused on footwork. On steps and the music and the way it makes me feel. I don’t have to speak.
This is also ironic when you take into consideration I am not a shy girl by any stretch of the imagination. I’m actually quite vocal. But when it involves speaking in public?
I freeze. I shut down and in turn, I wind up looking like an idiot.
I was so caught up in my own thoughts that I didn’t notice that Veronica had gotten up out of her seat and walked over, taking the seat right beside Kevin. They were whispering back and forth. I laughed softly because knowing my sister, she was probably telling Kevin that Leah needed to find a better attitude or Kevin needed to find a better person to play Baby Housemann.
Oh, if only I had one tenth of a clue.
My sister came back over, sinking down into the seat next to me. “Feel better now?” I asked her, barely hiding my amusement as I said it. She giggled and nodded. “Much better. I want you to remember how much you love me…” she muttered.
I raised a brow. “What’s that even mean?”
“Just wait.”
“What the hell did you do, Ronnie?”
“You’ll find out, Marlena. Just wait.” Veronica wouldn’t give me any more of an answer than that. Grumbling to myself, I settled back in my seat and tried to focus on the ongoing argument between Leah and Kevin from the stage.
Rolling my eyes at her audacity. Literally anyone could’ve done her part better and she had the nerve to demand Kevin to change everything to fit her? Refusing to work with him on anything? Putting down the script when it was the same one they used in the movie?
Just the thought of it had me shaking my head and muttering to myself about the entitlement and audacity. Veronica gave a soft laugh and leaned in, mocking the way she’d delivered her last line and the fact that she wanted pretty much all her dialogue changed and constantly needed reasons why her character did anything they did.
“Marlena! Hey, Marlena, where are you?” Kevin was calling my name. I looked up from the whispered conversation I’d been having with my older sister Veronica and raised my hand, waiting.
“C’mon. I want to try something. Leah’s just not cutting it for me as Baby.” Kevin called out to me as he gave Leah an irritated dirty look. Leah threw down her script and walked out of the auditorium in a huff. “This is a stupid idea for a musical anyway. Nothing’s gonna top what the seniors are doing. Good luck, jackass.”
Veronica gave me a nudge and with a soft laugh, she leaned in, smiling as she whispered into my ear, “You were born for this, Marlena. Dirty Dancing is your all time favorite movie.”
“Excuse me? I thought we both established it was Crybaby. Then Grease. Then Dirty Dancing.” I teased, standing in a hurry. My sister’s rebuttal to this was to point out with a soft laugh that I definitely had my own special vibe and type of guy. I poked out my tongue at her and turned away. Making my way towards the front of the auditorium where Kevin stood.
Once I was up there, Kevin pressed a copy of our class’s script into my hands. “Congratulations, you’ve been promoted from costumes.” he smirked at me. “I have a feeling about you and this part. As a director, I’m going to go with my gut.”
“But I didn’t sign up..” I shuffled my feet. 
“ Yeah, well, the ones who did from your class obviously don’t care enough to bother showing up to practice or don’t care enough to give their best when they actually bother to come and we’re rehearsing.” Kevin shrugged. Taking his seat.
Alex, the guy who’d been cast as Johnny Castle, walked over. Wrinkling his nose at me as soon as he stood in front of me. Arms folded over his chest as he asked Kevin in a snobbish tone, “So we’re seriously just letting stage crew have parts now, Keller? Is that what this is? I thought you were going to help us make our musical better, not make it a massive failure.”
“Asshole.” I muttered under my breath, rolling my eyes as I stepped up to him, jabbing a finger into his chest. Giving him a piece of my mind because holy hell did his holier than thou attitude ever irritate me, “I’ll have you know, I probably know this movie line for line. I can probably do all the dances blindfolded, in a wheelchair. Who the hell do you think you are anyway? I saw you in Romeo and Juliet. I have never fallen asleep so fast in my entire life.” I smirked as I went quiet, rolling my eyes at him.
Alex chuckled and rolled his eyes right back at me, making the dismissive remark in response, “Did I ask you to speak? Did I address you directly? No. I didn’t. I was talking to the director. Don’t you have costumes to make or something? You’re holding up rehearsals.”
Out towards the back of the auditorium, I heard my sister cheering me on. Clapping and whistling. Telling me to give him hell and telling Alex he was awfully full of himself for someone who got a thumbs down by a New York theater critic over the summer.
I took a deep breath and glanced down at the script in my hands. Starting to read over it. Ignoring the argument between Kevin and Alex for the most part. Just trying to get myself in character while I waited. 
Alex grumbled and stormed back over, standing near me. His posturing tense and a supremely annoyed look in his eyes as he gave me half a second’s glance. Kevin gave the cue to start and Alex read his line first. 
“Look, spaghetti arms. This is my dance space. This is your dance space. I don't go into yours, you don't go into mine. You gotta hold the frame.”
Before I even got a chance to read off my line, Kevin was standing up. Making his way towards us. “You two are supposed to be dancing together. Marlena, you need to stand closer. Alex, you need to deliver the line in more of a teasing tone. Like you’re trying to taunt her. Playful. Not like you’re actually being an asshole. Like you’re flirting with her.”
“She’s not my type.” Alex rolled his eyes as he glanced at me. I glared up at him, a hand on my hip. Dangerously close to exploding all over again. I kept everything I’d been about to say to myself though, and with a deep breath, I listened as Kevin gave us both advice. Smirking to myself a little when he lit into Alex for being a drama queen.
After Kevin finished telling us what to fix, we prepared to try again. I stepped closer. Found myself glancing out in the crowd. My eyes settled on Sweetpea. 
I found him watching the whole thing play out with an amused smirk. His arms folded over his chest. Holding my gaze boldly. Daring me to look away first. I refused. If  I looked away first, that gave him the upper hand. I was not about to give him that.
,, That jackass. Look at him. All smug.. Ugh, I just wanna punch his stupid sexy face.” the thought surfaced and I quickly did my best at shoving it out again. I found myself thinking about a heated argument we’d had in the hallway earlier.
I found myself kind of drawing parallels between him and the character Alex was supposed to be playing but doing a terrible job at playing. I couldn’t work with the performance Alex was giving, he wasn’t giving me anything to work with. 
Somewhere in the midst of it all, I found myself replaying my earlier argument with Sweetpea. Stepping closer to Alex. Doing my best to play at a lack of experience in dance, despite my vast experience and love for it. Getting immersed in the role. Imagining myself as the character Baby.. And not Alex but Sweetpea as Johnny Castle.
Alex delivered his line a second time. His delivery wasn’t much better. Kevin grumbled to himself and made his way over yet again. This time, Kevin’s problem with the scene had absolutely nothing to do with me.
He addressed me first. “Please, please please.. You have to play Baby. You have to.” he gave me a pleading look. “I’m prepared to beg, okay?”
I pretended to mull it over. Smiling as I nodded. “Okay, alright.. I can still do costumes though, right? Because I already have a ton of ideas drawn up..” I shuffled my feet, giving Kevin a pleading look.
“Yeah! Definitely. You’re the only one I trust to do the costumes right, Marlena.” Kevin answered quickly.
He turned his attention to Alex and they got into a heated argument. Alex blamed his performance on me and the fact that I seemed standoffish and that I wasn’t up to his level and shouldn’t even be sharing a stage with him to begin with. Insisting that Kevin should at least give Josie McCoy a chance to play Baby in our play. She already had her hands full with the senior class musical and her performance during intermission and Kevin pointed that out.
“Josie can’t do both musicals and intermission twice, Alex. That’s asking way too much. Even from her, man. Marlena is Baby. You can adapt to that or you’re welcome to leave.” Kevin stood firm in his decision.
Alex eyed me and I stood taller. Smirking up at him. More than a little amused by the entire thing. He chuckled. Shrugging as he tossed down the script he’d been holding in his hands. “Fine. Try to find somebody else to do a better job at playing Johnny. See how that works out. I’m done. I refuse to participate in this mockery.”
He stormed out of the auditorium.
My sister Veronica and Josie McCoy shared a look and a nod. Veronica stood. Josie shot up out of her seat also and the two jogged over to Kevin. Getting him off to the corner of the auditorium. As the three of them whispered back and forth, I stood there, shuffling my feet. Reading ahead in the script.
Taking it all in.
Honestly enjoying the fact that I was going to be playing Baby Housemann in the junior class musical immensely more than I thought I would. ,, until opening night when you’re on stage in front of everyone and you either freeze, bolt out of the room or throw up everywhere.” my mind taunted.
I shoved out the intrusive thought.
Kevin chuckled out loud. Getting so excited that he didn’t keep his voice down when he spoke up. “Your minds, I swear. Yeah, we’re gonna try that. Right now, actually.” Kevin told my sister and Josie. They smirked at each other and as they walked past me, Veronica gave me a wink.
And almost as soon as she did, I braced myself. Because I have the sneaking suspicion that my sister was up to something. And if that something had to do with a certain Serpent reading against me as Johnny Castle?
I was literally going to die. I’d be totally doomed.
,, maybe not.” and even the surprise optimism had me laughing at myself because I knew better.
“Sweetpea, can you come up here, man?” Kevin called out.
I tensed just a little. Took a deep breath. Suddenly I knew exactly what my sister had been up to but my question now was why had Josie taken part in the whole idea? I thought she was dating him? They were hot and heavy at Cheryl’s party a few weeks ago and they went places together a lot …
I prayed for a portal to another dimension to open in the stage and take me out. If my sister has even slightly hinted that I may or may not have feelings for the giant jerk to anyone I swear to God.. I’ll die.
Sweetpea hopped over the chair in front of him and walked down the long aisle, stopping where Kevin sat in the front row. The two were whispering back and forth and more than one time, Sweetpea glanced back at me. Smirking. Chuckling as he listened to what Kevin was telling him and rubbing his chin as he pretended to think something over.
Sweetpea looked over at me and shrugged as he answered Kevin. “I can try. I’m not makin any promises though because I don’t dance and I’ve never seen this movie.”
“Just trust me. You’re as Johnny as Johnny gets, Pea.” Kevin encouraged. I wanted to kick him so badly at that moment. Did he seriously have to encourage Sweetpea? There had to be someone else… anyone else. Someone I didn’t have a massive crush on and yet also want to strangle.
I pretended to stick my finger down my throat and gag, as per usual when Sweetpea locked eyes with me again as he walked towards where I stood..
 ,, because God forbid you let him even get an ounce of suspicion that you have a crush on the guy.” my brain was at it again with the taunting. I pushed it all down deep and took a deep breath or two.
“You did this just to be an asshole.” I muttered.
“No, I did this because Kevin’s my friend. Not everything I do is about pissing you off, princess.” Sweetpea chuckled as he said it. Adding in a quieter tone, “Just because you’re Marlena Lodge… That doesn’t make everything about you.”
My jaw set and I glared up at him. Taking a deep breath or two. Reminding myself that despite Sweetpea now reading as Johnny Castle, I still loved this movie and I wanted our class’s play to be worth watching. That I couldn’t mess this up. I couldn’t let Sweetpea taunt and torment me into messing this up either.
I didn’t want to disappoint Kevin because he was one of my best friends. He was depending on me to at least try to do my best here.
Kevin gave the signal for us to start from the top of the scene.
I stepped closer. My body brushing against Sweetpea’s. Sweetpea mirrored this and grabbed hold of my arms, pulling them out in front of me just like Patrick Swayze did in the actual movie as he recited the line.
And the tone in his voice, oh my god.
“Look, spaghetti arms. This is my dance space. This is your dance space. I don't go into yours, you don't go into mine. You gotta hold the frame.”
I responded with my line. Stepping closer, even throwing in an accidental mis-step on the top of his foot on my own. 
Kevin continued to sit, watching us rehearse. By the time we got to the scene where Johnny is telling Baby that he got fired, I could feel more people’s eyes on us. And I swallowed hard, trying not to focus on being watched and how that felt, but instead, on the script. On what I had to say and how I felt like it needed to come across.
And maybe, in my own mind, I was imagining how I’d act if I were in Baby’s shoes. Having just argued with my father about the guy I was in love with only to turn and find out that despite my own optimism at convincing the guy to do the right thing, nothing worked out the way I wanted at all.
Sweetpea must have caught on to my anxiety because he muttered quietly, “You good, princess?” as he covertly brushed his hand against mine. Clearing his throat to get my attention and keep me from getting nervous and blanking out or bolting off the stage.
I gazed up at him a second or two, finally nodding. Managing to ground myself somehow and I tried my best to convince myself it was not because Sweetpea’s fingers laced through mine. Almost as if he’d caught hold of my hand to keep me from leaving.
,, He’s just doing that because it’s in the script. You’re supposed to be having a heated discussion and you’re about to walk away upset. That’s the only reason he grabbed your hand. It has nothing to do with the fact that you kind of freaked out a little and lost your focus.” I reminded myself grimly as I caught up to where we were on the page and took a deep breath, preparing for my turn to speak.
As I delivered my next line, “So I did it for nothing.I hurt my family, you lost your job anyway-- I did it for nothing!” I wanted to disappear into the stage floor when my sister stood up in her chair, clapping and whistling. But the way I said it sounded so wistful. Disappointed and bitter. Like I was truly hurting.
Sweet Pea said his line. “No, no, not for nothin', Baby! Nobody has ever done anything like that for me before.” and I paused. Staring up at him. Blown away because he sounded so sincere too. Like for a second or two, this was really taking place and it wasn’t just some silly rehearsal. Like he meant what he was saying.
But I knew he didn’t. We tolerate each other at best. At our worst, we’re at each other’s throats constantly. Finding any and all excuses to rip into each other or push the other’s buttons. Because it’s just what we do.
But his tone. The look in his eyes when he delivered the line. The way his eyes fixed on me, searching. Waiting.
“It’s your turn, princess.. Cat got your tongue?” he muttered under his breath to draw me out of my own inner turmoil.
I took a deep breath and scanned the page. Finding my next line. “You were right, Johnny. You can't win no matter what you do!” and I could feel him staring as I said it. Biting his lip when I lazily punched at his chest because it felt like the right thing to do in the heat of the moment to show how upset the character was. I shook my head and dropped my eyes. “You were right.” I muttered in a quieter tone.
Sweetpea reached out, rough fingertips gripping my jawline. Guiding my eyes back up to meet his as he replied with the next line, “You listen to me. I don't wanna hear that from you. You can!”
And again, it sounded so real. Emotional. Like we were really having this argument. I was really getting into this. Probably a little too much for my own good. I sighed and shook my head sadly. Biting my lip as I stepped away a little and continued to shake my head, arguing back, “I used to think so.” and after a second or two, adding in a quieter tone, “Now I don’t know anymore.” even though it wasn’t in the script.
Sweetpea was staring at me. Thoughtful. Intent. Almost as if he were actually seeing me and not all the stupid things he’d written me off as from the word go on the first time we met. He cleared his throat and that shit-eating smirk was back again. “Not too bad, huh?”
“Jackass.” I muttered, mostly to myself. Still a little dazed.
Kevin called for a break and made his way over.
“Okay, we’re going to take this all the way from the beginning tomorrow. I wish I’d done this sooner. We’re going to have to practice the lift next. Because the lift is iconic. We have to pull that off or I’m gonna want to punch myself in the throat.” Kevin was excited, rambling away a mile a minute.
Sweetpea spoke up. “What about my part in the senior musical?”
“You can do both. We’ll move the junior musical to a different night. You have to do this. C’mon…”
Sweetpea grumbled and finally muttered with a shrug, “Okay, alright. Fine. Shit. I’ll do it. But I’m not wearing tights, are we clear?”
“You really haven’t seen the movie at all… have you?” I scoffed as I gazed up at Sweetpea. He mimicked me and shrugged. “I’ve seen bits of it. But I know one thing and that’s dancers wear tights. I’m not wearing tights. Not happenin.”
“For your information, you big idiot, Patrick Swayze does not wear tights a single time in this movie. At least not that I remember and I’ve seen it a thousand times... Suit and tie, maybe.”
Sweetpea grumbled and raised a brow.
“Not for the whole movie, damn it.. Black jeans and a black shirt will suffice for most of it. You can even wear your leather jacket, you big man-baby. Johnny Castle wears one in the movie.” I answered. Stepping closer to him to sort of get a visual read on his measurements so that when the time came I at least kind of had an idea of what worked. Sweetpea chuckled, dragging his fingers through his hair as he gazed down at me. “See something you like, princess?”
“I’m trying to figure out what I’m gonna need for your costume, dingus.” I replied as calmly as possible.
“Ya know, you could always just measure me… Right? Or ask me my size?”
“Oh you’d enjoy that entirely too much. And I’d have to touch you. No, nope. No thanks, I’ll pass.”
“I’m gonna have to touch you anyway. That lift or whatever it was that had Kevin rambling just now.” Sweetpea barely hid his amusement as he stepped even closer. A hand at my hip. Lingering.
For a second or two, I was lost in his eyes and totally oblivious to anything going on around us and then Kevin shattered that by starting the last song of the musical and calling for everyone to take their places.
And from the crowd, Fangs spoke up.
“Hey babe.. What if we got all the extras from the clubhouse scene to come in through the crowd? Just like the movie?” Fangs was smirking at both Sweetpea and I as he spoke up. Enjoying this entire situation way too much.
“Fangs, you brilliant and beautiful man, this is exactly why I love you so much.” Kevin smirked as he rubbed his chin and called out. “Okay, if you were an extra in the clubhouse scene, go to the doors of the auditorium. When Fangs gives the signal, you’ll come in. Dancing.”
He turned to Sweetpea. “You go with them.”
Sweetpea managed to break the staredown we had going on and he nodded. Grumbling as he walked towards the front of the auditorium.
Everything went pretty well until we got to the part where I was supposed to run to Sweetpea and he was supposed to lift me over his head. I took off, running towards him.
I missed the mark. Wound up with my legs wrapped around his waist, clinging for dear life while he staggered back just a little. Both of us arguing about whose fault it was that we messed up.
Kevin cleared his throat.
“You guys need more practice. Maybe you could rehearse together?”
Sweetpea and I glanced at each other, mulling it over.
“Fine.” Sweetpea ground out through a jaw tightly clenched. A glance at Fangs revealed that the reason he agreed without a huge fight was probably something to do with the way Fangs was giving him a demanding look.
“Fine.” I answered. Swallowing hard.
Trying to pull myself together because frankly, I was still all sorts of stirred up from the way he’d actually caught me and the fact that no, I hadn’t wanted him to put me back on my feet at the end, either.
I spoke up again. “We can do it at the bunker.” I suggested. Trying to think of a neutral place that didn’t favor either of us heavily. A place we could hopefully be alone and focus. And probably scream and shove and storm away to cool off if things got too heated.
“8 work for you or does daddy let you out past your bedtime, princess?” Sweetpea taunted, smirking at me when I glared and rolled my eyes.
“ I do what I want.” I scoffed at his parting jab. 
From behind me, my sister spoke up. “Are you ready, Marlena?” as she looked back and forth between Sweetpea and I with an amused grin.
“Yeah. We need to get going.” I answered.
 As my sister and I walked out of the auditorium, my sister gave a soft laugh. “That wasn’t so bad, huh? I knew you could do it.”
“Oh shut up.” I grumbled, managing a weak smile. “We haven’t made it to the night of yet. Don’t jinx this. Remember what happened last time I had to get up in front of people and talk in any capacity?”
“Marlena, that was kindergarten. Maybe it’ll be different.”
“Veronica, I threw up everywhere. And not gracefully, either. It was a full on projectile vomit.”
“That was something. The chemistry between you and Sweetpea in there. I felt like I was actually watching the movie.”
“He’s an ass. And he hates me, remember?”
“Yeah, well.. It didn’t look that way to me, Marlena. If he hated you, he wouldn’t have been standing so close the entire time… or the way he grabbed your hand?” my sister questioned.
I shrugged it off. “Can we change the subject?”
“Why? Afraid I might be right?” my sister teased, as usual.
TIME SKIP
“Okay, if he’s not here in ten minutes, I’m leaving. This place gives me the creeps.” I muttered to myself almost the exact second that I managed to find a spiderweb with my face and shriek about it.
Low chuckling from behind me had me turning. Finding myself body to body with Sweetpea as he tried not to laugh.
“Do you talk to yourself a lot or do I make you that nervous, princess?” he taunted. I gave a light shove and stepped away, pouting up at him. Quick to argue that he didn’t make me nervous, not at all, not even a little.
Despite knowing that the truth of the matter was yes. Yes, he made me extremely nervous. Because he was so distinctly my type and I just longed for what I knew wouldn’t ever work out between us because we were entirely too different.
“In other words, yes. I make you that nervous.” Sweetpea’s jaw set in a line and I flinched a little. Not wanting to fight with him.
I quickly changed the subject, nodding to a little tv and dvd player I’d rigged up earlier and the brown paper bags with Pop’s logo on the front.
“We need to rehearse. Not whatever this is.” Sweetpea was still irritated.
“Yes, well.. You’re never going to realize just how huge a part of the story Johnny Castle is until you’ve seen the movie.”
Sweetpea rubbed his chin in thought. “How long is this fucking movie?”
“Maybe two hours? C’mon… Or do you have a hot date waiting?” -the hint of jealousy that crept into my tone was enough to make me tense up a little. Pray to God he hadn’t picked up on it. Lucky for me, he didn’t seem to, instead, he was already digging into the grease stained paper bags, grabbing himself a burger and fries.
Sprawling on the little twin sized bed.
I dug out my own food and sat down, close to the edge of the bed, careful not to sit too close to him because I didn’t want to crowd him or annoy him or give him the wrong impression.. Or in my case, the right impression though I’d die before admitting that to him. 
After hitting play on the DVD player, the opening title splashed across the screen and I smiled, settling into my chosen seat just a little more comfortably.
About thirty minutes into the movie, I could feel his eyes fixed on me. I turned to look back at him, a brow raised. “What?”
“You know every single line.”
I felt my cheeks burn a little, shrugging it off as I nodded. Answering through a mouth full, “When we were little.. Veronica and I used to watch this movie whenever it was raining or we were sick. We’d get cozy in one of our rooms with snacks and blankets and we’d just like… imagine life being that simple. Doesn’t help that Johnny Castle is - to quote my sister, “Totally your kind of man.” “ I gave a sheepish laugh and took a handful of my fries, raking them through my milkshake.
Sweetpea rose to sit. Leaning in a little. Extending his arm and wiping his thumb over the corner of his mouth as he cleared his throat. “You had some milkshake…” before falling silent all over again. Staring at me for seconds that seemed to stretch infinitely. It  felt like everything fell away. All that remained was that thick tension. The flickering of the candles I’d lit earlier against the wall. The tension got to me. It had everything I wanted to say but couldn’t find the nerve threatening to come out.
“I don’t bite, ya know.” he muttered quietly. Pulling away a little. That look in his eyes again. 
It hit me. He honestly thought I disliked him. Or thought that I was better than him. Nothing could be further from the truth and realizing how he must have felt and what probably fuelled most of the comments and the arguments between us was the fact that he thought I viewed him as a lesser person somehow… that really got to me.
“I, uh.. I didn’t want to crowd you.” I managed to get the words out after a few seconds. Not daring to look at him. Desperate for a rewind button so maybe I could go back in time to when I first met him and salvage everything.
Desperate to tell him how I really felt.
Especially when I remembered what Veronica mentioned earlier about the way Josie just shut him out.
“Oh.”
The movie caught our attention again. After a minute or two of sitting poised right at the edge of the bed like I’d been and longing to really get comfortable, I settled in the sliver of space next to him. Trying not to think about the fact that the bed being as small as it was gave us literally no space and we were forced to touch.
Thirty minutes passed. Sweetpea sat up.
“ I think I get it now.” he muttered.
“Yeah?” I was getting lost in his eyes all over again.
“Mhm.” he affirmed. 
I sat up and so did he. “It’s cheesy as hell, but… I get it. Kinda know how the guy feels.” Sweetpea’s gaze settled on his hands and he chuckled to himself, the sound almost bitter.
“I’m sorry. I heard about you and Josie breaking up.”
“We didn’t. You can’t break up with someone if they never wanted to be with you to begin with.” Sweetpea answered. He tensed up a little and I sighed. Wishing I hadn’t opened my mouth.
That tension between him and I doubled.
In an attempt to make things just a little lighter, I slipped off the bed. Held out my hand.
Sweetpea eyed it warily. 
I insisted, “Oh come on, please? Just one dance. You did say we had to practice. And I dance, so I can definitely tell you that if we don’t at least somewhat connect, we’re going to be awkward and it’s going to look bad.”
Did I really just do that?
The scene where Baby goes to Johnny’s cabin and spends the night was just beginning and I swallowed hard as soon as I glanced back up at Sweetpea and realized that he was staring at the television in a daze. I cleared my throat to get his attention.
“You want me to dance with you.. Like that. Okay.” Sweetpea towered over me. Closing the space between our bodies before I had a chance to back out of what I asked of him. His hands went straight to my hips. Holding my body in place against his as he chuckled, looking down at me. “You’re the one who wanted to dance, princess.”
“Yeah.” I managed to stammer. Breathless. Helpless thanks to the way his fingers dug into my hips and held me against him. But when they started to move up and down my sides, oh… I felt myself shiver at the touch. Melting against him on my own. I’d been trying my best not to give in and do that.
I trained my eyes on the front of his plaid shirt because I didn’t dare look up at him.
His leg slipped between mine and I bit my lip. Breath catching in my throat all over again as I rubbed myself against his thigh. My usual careful,guarded filter was gone.
All I cared about was doing whatever I could to show Sweetpea that what he thought I felt towards him wasn’t true.
His hands settled across my ass. Fingers digging in as he gasped quietly. A groan slipping out as he muttered in a daze, “You really are a good dancer, huh?”
“I, uh… I compete. My parents are huge on pushing my sister and I into competitive activities, whether we want it or not.” I babbled.
It must have bothered him that I wasn’t looking at him because he gripped my jaw, guiding my gaze up. “But you like dancing. I can tell.”
,, maybe it’s just dancing like this with you.” the thought came. I stopped just shy of actually letting it slip out. I sighed and smiled, nodding in agreement. Because that was so much easier than everything else I wanted to do or say. ,, besides,” my brain continued to taunt, “why on Earth is he going to want you when he could have literally anyone else?” and the thought had me pouting a little.
I didn’t think he was aware of it.
“What?” he asked. Tensing a little. Loosening his grip on my body just a little bit. Seeming as if he wanted to step away from me. Before I had the chance to talk myself out of it, I melted against him all over again. Raising my arms to slip them around his neck.
“Nothing.” I answered after a few seconds.
“You were pouting again. That’s kind of a thing you do when you’re upset, you’re not getting your way or you’re annoyed.”
The fact that he picked up on that had me raising a brow. Scoffing. About to argue that I didn’t pout all the time, but keeping quiet because I knew he was right.
But how -and when, had he noticed?
“Dreading the fact that I’m going to get up there on stage and see everyone watching and I will panic.” I muttered quietly because a half truth was better than the whole truth or a complete lie.
If I told him the real reason I’d been pouting, well.. That would’ve opened up a can of worms that I’m not sure about opening. God I want to. But if I just lay it all on the line…
I can’t.
Sweetpea raised a brow. He started to say something but he went quiet on me. Thinking.
“But you’re so loud.” he finally spoke up.
I pouted up at him, giving his chest a light smack. “I ought to step on your foot, sir.”
“Won’t hurt. Boots are steel toe.” Sweetpea smirked as he said it. Sticking his tongue out at me.
He dipped me and I hadn’t been expecting it. I gasped and he chuckled. “Not so bad at this dancing shit, hmm?” he questioned as he pulled me back up. His hands moved up and down my back before settling on my ass again. Squeezing when I rocked myself over his thigh just a little before I could stop myself because what he was doing was getting me worked up.
I sighed a little. Melting all over at the way he touched me and held me. Admitting with a quiet laugh, “You’re actually not. And I can teach you more..” trailing off and going quiet.
“You can, huh?”
His voice was this perfect mix of gravel and silk and I had to clench my thighs just a little. Found myself praying to whatever God might exist that I didn’t get too excited and leave a wet spot behind on his jeans. Because that would definitely seal the embarrassment and awkwardness factor. And I didn’t want that.
I was staring intently at his chest again when he tucked his fingers beneath my chin and tilted my head. “Careful what you say, princess. I might actually take you seriously.”
“I’m being serious. I don’t mind at all.” I babbled and instantly, I wanted to punch myself in the throat for it. This awkward version of myself wasn’t me but for whatever reason, Sweetpea seemed to bring it out. All my insecurities seemed to come rushing to the surface. Taunting me with the knowledge that there was no way he’d ever be interested in me beyond the convenience of a good screw. Knowing that even if he were, something would go wrong somehow.
He dipped me again. This time when he pulled me back up, our faces bumped against each other and when my mouth brushed against his, I couldn’t stop the quiet gasp that came. His fingers dug into my body just a little more and we were staring at each other.
Dazed.
“Pea?”
“What’s up, princess?” he muttered after a second or two. Blinking as if he were trying to focus.
“Nothing.” I muttered. Losing my nerve and my train of thought. Pushing down everything I’d been about to say all over again.
“ Why do you do that? Just say whatever it is you want to say.”
“Oh, I don’t think you want me to do that.” I muttered, mostly to myself. My gaze trained on anything and everything but his. He guided my face up and licked his lips, his eyes darting down. Settling on my mouth. “What if I do?” he muttered in response after a few seconds.
“Okay, fine. I was wondering what..” I trailed off. Frustrated. Laughing at myself and shaking my head. “Forget it. It’s stupid.”
“Tell me, woman. Damn.” his tone was firm and I swallowed hard as I looked up at him.
He was going to keep at it until I said something and right now, I was drawing a blank on any other convenient things I could say that were less controversial than what I’d stopped myself from saying.
,, maybe if you say it, he’ll know that you don’t hate him.” the thought came.
I took a deep breath. Shaky.
“I was wondering what your kiss feels like.” I muttered, my voice dropping so low that for a second, I didn’t think he heard me.
His jaw dropped. One hand left my ass and raised. Dragging through thick dark hair as he tugged. His mouth opening and closing.
“What? You kept asking… I.. You don’t have to. I didn’t want to make it weird.” I babbled nervously. When he started to chuckle, I looked up at him with a brow raised. “Gee, thanks.” I pouted.
Stepping away. Because if I didn’t put some distance between us right then, I was going to keep digging the hole deeper.
He reached out and grabbed me by the hips, pulling me against him all over again. Rocking himself into me clumsily. His face inching closer and closer to my own. Our mouths were on a collision course and neither of us bothered to stop it from happening. His lips settled against the corner of my mouth clumsily. His tongue traced the outline of my lips and I shivered and melted against him like I’d been before. Clinging. My arms around his neck again. Fingers toying with the hair at the nape of his neck before settling my hand across to rest and pull his mouth back against mine.
My lips parted, granting him access. His tongue slipped past my lips and he melted into me this time. Deepening the kiss. Using his grip on my ass to pull me up his body slightly. I sighed as the kiss broke, my tongue rolling over kiss swollen lips. Staring at him as I tried to wrap my head around what just happened.
How badly I wanted it to happen again.
“Well?”
I bit my lip. Trying to formulate words. Anything. My brain must have short-circuited because I came up with nothing, despite all the opening and closing of my mouth as I attempted to answer.
I’m not sure what possessed me to do it or why I thought it was a good idea, but I was grabbing hold of the back of his neck. Pulling his mouth back against mine greedily. Taking total control of the kiss this time around. Making him chuckle into the kiss. 
As we pulled apart to breathe, he repeated his question.
“Better than my wildest dreams.” I blurted out quietly.
“So you dream about kissing me?” he asked, tucking his fingers beneath my chin so that I couldn’t do what I tended to when a subject got to be too uncomfortable for me… I swallowed hard and admitted in a hushed tone, “Among other things.”
He growled out the word “Fuck.” and pulled me up his body completely. Deepening the kiss to a point where I almost forgot to breathe a time or two. I could feel myself getting light-headed. The kiss broke and we pulled apart, breathing heavily. I melted against him, dazed. Still trying to get my head around the turn the night had taken.
“It’s getting late, princess.”
“It is.”
“I should probably get you home.”
I pouted a little. Holding onto him just a little tighter. “Unfortunately.” I muttered.
He scooped me off the table and carried me out of the bunker. Sitting me on the back of his motorcycle. I wrapped my arms around him and leaned against his back, the Serpent patch scratching at my skin a little.
The drive back to the Pembrooke took almost no time and as soon as his motorcycle stopped at the curb, I pouted a little. Rolling my eyes at the literal ivory tower.
“I’ll see you tomorrow.” I asked as I slipped off the back of his motorcycle.
 He grabbed hold of my hips, pulling me against him. Leaning down and stealing another deep kiss. “Mhm. Definitely, princess.”
I practically floated up the stairs leading into the lobby of the building. And I leaned against the wall, waiting on the elevator. Trying to pull myself together. Smiling like an idiot.
34 notes · View notes
dgcatanisiri · 3 years
Text
Tried to make a brief summary of the issues of Mass Effect Andromeda’s handling of queer men and how it relates to why we’re (broad use here) upset with the Legendary Edition failing to provide better representation than the originals, and it kinda turned in to what amounts to an open letter for BioWare.
So, what the heck, here it is.
A little personal background. I spent my high school life completely in the closet. After graduating, I had a new computer and the opportunity to play a new game. The game chosen was BioWare’s Jade Empire. Still a fairly recent release, and I was a big fan of Star Wars Knights of the Old Republic, also by BioWare. So, being a young gay man, still uncomfortable and uncertain of who I was, I was very excited when I got to play this game that would allow me to play a gay romance, a romance that featured two men. I burned through two playthroughs of the game within less than a week, enjoying that rush of acknowledgement that yes, gay guys could be the hero. It was a massive affirmation for me at the time, something that said that my sexuality was not going to prevent me from being the hero, which legitimately was a message that I felt like most media was giving me to that point, because gay men barely appeared in anything other than guest roles for an episode or two on a TV show, but certainly not in video games. That game, that experience... I’ve said for years that it had cemented me as a BioWare fan for life.
If I say that now, it is a statement with a few caveats.
The history of the failure of Mass Effect 1 and Mass Effect 2 to provide any male/male romances is well documented. I was excited, very eager to romance Kaidan Alenko in Mass Effect 3. But even then, I noticed that there were things that were lacking in the romance. It was noticeable, for instance, that the basic dialogue between male Shepard and female Shepard was unchanged, if either was starting a new romance with Kaidan. The thing that always felt... WRONG about that was that if I’d had the option to begin a romance with him in the first game, I would have. Yet there’s not even a bit of dialogue that even references that inability, no comment of “I didn’t think you were available,” or anything of the sort, nothing to say that, say, Shepard was interested in Kaidan at the time, but didn’t believe he’d be receptive, didn’t want to damage their friendship, something of the sort. There was even a cut in the romance scene, where female Shepard will sit in Kaidan’s lap before being lifted up and carried to the bed, but with male Shepard and Kaidan, just fades to black. And then in the Citadel DLC, while all the other pairings walked in to the casino arm in arm, male Shepard and Kaidan are leaving plenty of room between them. There’s also the absence of any cuddling as they return to the Normandy.
To say nothing of the lack of Steve Cortez during the story segments of Citadel – he is not part of the big team entrance to the apartment, just spontaneously appears in the lounge room. He doesn’t participate in the briefings, and he is not a casino date, despite being part of the assembled team. Cortez also suffers from the fact that his romance spends so much time on how he needs to move on from the death of his husband, Shepard can come across as predatory towards him, trying to push him out of his grief and his pants. Due to the lateness of his arrival in the story, in game three, as opposed to game one or two, there is significantly less time to establish him as a person – beyond his past as a pilot and the death of his husband, we gain almost no concept of his personality or personal history.
I bring all of this up to help set the stage of what was expected when Mass Effect Andromeda was nearing release. Mass Effect had been full of problems of representation of queer men specifically (not that they were perfect on the count of female/female relationships either, because there’s plenty to talk about there, but as I’m not a lesbian or bisexual woman, I don’t feel comfortable talking about their experiences for them). While there were flaws, Dragon Age, what is often considered Mass Effect’s sister franchise, HAD managed to provide male/male romances in every iteration of that franchise.
In fact, considering that Dragon Age’s most recent installment, Dragon Age Inquisition, had been put out with a lot of fanfare about the first gay male companion, who was considered rather popular in the fandom, and the game itself receiving the Game of the Year award that year, indicating that, if there was any risk in the business sense of providing representation of queer men, it was negligible at most in the bottom line of that game, the attitude of a lot of gay men in the lead up to Andromeda’s release was some variation of “okay, Mass Effect has been flawed, but BioWare’s learned from their past mistakes, and they’re coming off the heels of a hugely successful game that had a gay character whose gayness was front and center in his storyline... We can expect that things will be fine, and we don’t have to worry.” That was the dominant attitude I found in a lot of my queer-oriented spaces.
But we started getting uncomfortable as the developers remained cagey about romance options in Andromeda – there were Twitter responses to “we’re concerned about Mass Effect’s history of gay representation, we would like to know about the options” that came out as “we checked and yep! They’re there!” These responses came across as flippant and even tone-deaf – the reason that the question was being asked was because of prior failures to be included, and not simply a desire to get all the details before launch.
As the trailers started coming out, the questions continued from the fans, and the response from the developers... continued to be uncomfortable. When asked directly for a listing of romances prior to release, the response was that the developers wanted players to learn as they played, that “the fun is in experiencing it!” This was a specific response when it was learned that the romance options could be flirted with regardless of orientation, but they would shut it down. Despite the fact that the trailers DID include content from certain romances – specifically, the male Ryder/Cora and male Ryder/Peebee romances.
This was uncomfortable for a lot of queer players like myself because it spoke to a lack of consideration of what it is like to be queer. In many places, it is a serious question of safety to even put yourself out there to find a partner, to flirt with someone openly unless you are already certain that there is a chance for a positive response. There are places where a queer person flirting with the wrong person can get them harassed, assaulted, even killed for doing so. Even in the safety of a virtual construct of video games, these are honed instincts that queer people have developed. And no matter how many times we would say this to the developers, no one seemed to understand. Likewise, the fact that the trailers felt free to show off heterosexual romances, but not queer ones felt... questionable.
Then, finally, firm details started coming out, and... There were problems. Early data-mining said that there was an even split of romances between orientations. But there was a bit of discomfort around the reveal that the gay characters, Suvi and Gil, were limited to the ship, rather than being companions who would accompany Ryder on missions. There is a history of companions being given more involved storylines and involvement than secondary characters. It also didn’t help the disappointment from queer people who’d been eager for Cora or Liam as romances, who were firmly established as straight (Cora herself had a popular lesbian following).
That discomfort increased when it came out further that, ACTUALLY, Jaal would not be available for Male Ryder. This caused a lot of upset. Now it was a case where there was NO M/M squadmate romance option. This on top of the group of fans who were uncomfortable with the idea that, in a sci-fi series, gay men couldn’t romance an alien, while this had become a staple of the series, considering Liara, the character from a species described as equivalent to Star Trek green-skinned Orion girls, had been available for straight men and lesbian/bi women from ME1, and straight women got in on the act with Garrus and Thane in ME2, on top of straight men also getting Tali.
This got worse when the achievement listing for the game was released and there was an achievement for “romancing three different characters.” Meaning that it was absolutely impossible for a gay man to play the game and get this achievement without playing a sexuality other than his own.
This is why I led with my experience with Jade Empire, why it was so affirming to me. Because to hear all this, ten years later, to see what had been so affirming to me a decade prior be functionally dismissed, be shown to take a secondary position at best... It hurt.
And the game proper did not help that feeling at all.
So first we meet Gil Brodie. Engineer of the Tempest. One of the first things we learn about him is that he has a close friendship with a woman named Jill. And then he immediately tells us that one) she is a fertility specialist, and two) she “says [he’s] part of the problem” because he won’t have kids the natural way. This is immediately setting off red flags to me – I can think of plenty of my friendships where we give one another grief for various things, but I would never think of introducing any of them to someone else with that fact. So my reflexive thought in this situation is “what kind of a friend is this really?”
And then, as the game goes on... This is the only thing that Gil’s conversations involve, the prospect of having kids. We do not learn much more about him, just have him talking about considering the idea. The lock-in for his romance requires Ryder to meet Jill, who Gil again says that she will talk his ear off about his “civic duty” to reproduce, a fact that makes those earlier red flags wave higher and more furiously, because who DOES that to a total stranger? And this is passed off as being “charming.” This leads to the culmination of the romance, where Gil says that Jill has decided she wants to get pregnant and she wants Gil to be the dad.
There’s... A LOT going on here, so let me work through this. First, one of the few things Gil says as a bit of establishing his character is that he is impulsive, that he joined the Andromeda Initiative, the journey from the Milky Way galaxy to the Andromeda galaxy without really thinking through what it would mean, that it was a one-way journey with no way to back out once he’d gotten there. So this is already saying to me that this is not a person who really SHOULD be a parent, at least at this point in his life.
We also get a couple of emails from him in-game that paint him as putting in thirty-six hour workdays into the engines on the Tempest, that he cares about and puts a lot of time into those engines. So when I think about him as a father, I see him having to give up something he’s deeply passionate about to do it, because the Tempest is certainly no place to raise a child – they can’t exactly put a playpen in the cargo hold, for example.
This would be one of the first things that I would think of as a discussion element, but... it’s not there. All that we get is a couple of casual comments about how Gil should know that bringing a child into the world is a big thing, something that shouldn’t be done lightly. But this is framed as Ryder questioning Gil’s fitness to be a parent at all, rather than questioning if he’s thinking this through and having considered this enough to be ready to take on this responsibility, or if it’s even something that he even wants.
Because that’s the other big thing here – this is not Gil’s idea. This is not something that he makes clear is his desire. No, it’s Jill who has decided that she wants to get pregnant and use Gil’s sperm. For all that he matters in this whole thing, he might as well be a turkey baster. He’s basically an accessory in his own story, because he goes in to this with all the passion of a math equation: “The Andromeda Initiative is a colonization effort. Therefore, the idea is to have babies. Therefore, I should find some way to reproduce.” This isn’t him having a passion or desire to have kids, just it being “something you do.”
This is, genuinely, a failure to understand the character who was being written. Gil’s writing reeks of having been written by someone who does not know what they are talking about. There is an element to the gay experience that is not innate but learned. When we realize that having children is not a thing that will just happen, that if we want this to happen, it will require a lot of additional steps, there are many who will simply say “this isn’t for me, this is more work than I’m willing to put in to for this.”
Now, Gil could have been someone who had decided it was worth it, but that butts up against the idea of him being impulsive, that he doesn’t think things through. There is no time given to focusing on the reason he decides this is the right choice for him, to the point that many players felt that this was not Gil’s decision but something that Jill was pushing, that she expected him to jump on her command. Because we have so little of Gil, as a character and an individual, but plenty of him talking up her, this “friendship” feels toxic to many.
Just about everyone I have ever spoken with about Gil is deeply uncomfortable that literally, the only way that he will not have a child at this point is if a romanced Ryder stops him – if I am playing a game where I don’t romance him, I actively just stop interacting with him at a certain point so that this never comes up, because this does not come across as happy. It comes across as forcing a gay man into a heteronormative experience to satisfy some traditional idea of “man and woman, raising kids.”
And, as the cherry on top, if you do tell Gil that you’re not comfortable having kids – a very real thing, whether gay or straight – then, unlike other romances, Gil and Ryder do not share a kiss at the finale of the game. And, during the last conversations on Meridian, the only thing Gil even brings up is Jill being pregnant, whether or not it’s his child.
This is what “representation of gay men” amounted to in Mass Effect Andromeda. A homophobic story that was about a gay experience written by someone who is not a part of this community and does not know or understand the experience personally, going through the motions of development when really, all that is cared about is the end result. To say that most of the gay men I know who have played this game find this homophobic is to undersell the point.
It doesn’t help that, of all the Tempest romances, Gil also clocks in with the least amount of romance exclusive material – a few flirts, the romance lock in and scene, and being able to stop Gil from having kids. Other than that, his friendship and his romance are virtually identical.
Speaking of, the romance scene consists of a make out session that fades to black, before coming back in with Ryder and Gil, shot from about shoulders up, briefly wrapping up their conversation that preceded the fade to black. This is noteworthy when the heterosexual romances between Ryder and their human love interests, as well as Peebee and Jaal, the former having a similar body model to naked human women, just blue, and Jaal, who is naked at other points in the game, have much more involved romance scenes – Cora’s in specific received special attention.
All of this, individually, may have just been reflective of time crunch and other external pressures – we all understand the realities of game development, that for all the ambitions that go in, when the deadlines are nearing, something has to give. But taken collectively... The kindest question is to ask why all of the “give” happened in regards to the gay man?
The end result with Gil honestly feels like he was written in response to the bad faith arguments that had come up in the period after the name for the game was revealed and it was made clear that the game would follow a colonization effort. There were a contingent of people who said that “there shouldn’t be gay people coming along, a colonization effort needs to reproduce.” This is a bad faith argument from homophobes, trying to justify why they don’t want gay people in “their” games. In answering their question, the question they only “ask” in order to explain why they don’t want to have gay people in the game without saying that, it comes across as catering the gay content for a heterosexual audience. It should go without saying that this is a bad position to take.
So, that’s Gil. What about Reyes? Well, Reyes himself is bound to a single planet, which, again, points to a minimizing of how much content he will even get, since his content can only be accessed on this single planet. Likewise, Reyes, as a character, is someone who falls in to several old, tired tropes with regards to bisexual men – he is a shady, untrustworthy character, in this instance literally a criminal, meant to be evocative of the “dashing rogue” archetype. This is a characterization that has often been BioWare’s go-to with regards to bisexual men, because we see this archetype drawn on in Jade Empire’s Sky, Dragon Age Origins’ Zevran, Dragon Age 2’s Anders, and even elements exist in Dragon Age Inquisition’s Dorian (even if he is a gay man). It’s a well that BioWare has frequently tapped when it comes to a romance option for queer men, to the point that it starts to feel like BioWare in general believes that this IS what queer men are.
There’s also the questionable portrayal of Reyes that leads to a description of the trope “the depraved bisexual,” an explicitly bisexual character who uses sex and sexuality as a manipulative tool, that they treat others as simply there to be their toys. Over in Dragon Age Inquisition, one of the romance options was specifically NOT made bisexual in order to avoid this trope, but Reyes himself seems to be a candidate for that trope all the same.
All this, and, again, the romance options for gay men were unequal to those for everyone else. This prompted the campaign #MakeJaalBi – Jaal was, notably, the character initially assumed to be the bisexual male companion, and on release, his romance was heterosexual exclusive. But datamining revealed that there was code for him to be romanced by male Ryder. Indeed, on release, it was noteworthy that Jaal could not even be flirted with by male Ryder. Liam had a distinct turndown for male Ryder, a couple of them, depending on when Ryder flirts with him. Jaal had no such turndown.
And this worked. BioWare released the patch for Andromeda that gave Jaal a bisexual romance. However, this was the only change that Mass Effect Andromeda received in regards to the issues of the romances before support for the game ended. While it was seen as an improvement, it was also questioned why this was the only change, when... Well, I spent the better part of two pages outlining the problems of Gil’s portrayal.
(I feel I would be remiss to not mention there was also a character, Hainley Abrams, who would, upon interacting with her, proceed to deadname herself to Ryder, as if that is the only way to establish that a transgender person is trans. This was also changed in a patch after the trans community complained, and, in conjunction with the above, led more than a few people to wonder if the Andromeda script had been looked over by any queer sensitivity readers, given the earlier issues with Gil. This does go out of the scope of everything else in this discussion, but it is worth mentioning.)
When Mac Walters says players will talk about how Shepard is each of theirs, that every individual player approaches Shepard as being “their” Shepard, he isn’t wrong. He says the characters, and the relationships we have with the characters is the heart and soul of the series, he isn’t wrong. And yet... When I play the trilogy, my heart and soul are being torn apart, because I do not get to see myself in the trilogy. I am not there in this story, at least for two thirds of the way. And in that third that I am there, I feel like I am cared about less than my counterparts who are heterosexual.
The idea that “making” characters available for same sex romance changes them is like saying that there is some inherent difference in a person because of their sexualities. While it’s true that the experiences of queer people does offer different perspectives on matters, it does not fundamentally alter the person, the individual that we are. It does not change our heart and soul. Restoring the bisexuality of characters like Jack, Jacob, Ashley, Thane, or Tali is not changing who they are. Making Kaidan bisexual in ME3 did not change who he was, and restoring a romance between him and male Shepard in ME1 would not change him either.
Every game has some cut content surrounding queer content specifically, and a great deal of that content is specifically for gay players like myself. I said at the beginning that I once thought of myself as a BioWare fan for life, but that now comes with caveats. The caveats are pretty simple – while the games produced by BioWare once felt affirming, now they feel like they’re only grudgingly allowing me to be there. That if I must be there, I should just take the scraps I’m given and be content with that, rather than being treated as an equal.
I like to think that this is not the message that the people at BioWare wish to impart to their players. I like to believe BioWare’s statements of wanting to be an inclusive and welcoming environment for their players, regardless of gender, race, sexuality, orientation, whatever identity and label one chooses. But based on the experience of the last four games, of the Legendary Edition perpetuating the homophobia of over a decade ago... I have a hard time believing that.
BioWare games once made me feel like I was equal to the straight heroes across my media. Unfortunately, I don’t feel that way about their games anymore. Not when, after having the opportunity to restore the bisexuality of Kaidan – of multiple characters, really – in the Legendary Edition, I am still being told that offering representation for people like me is something that only comes grudgingly.
And if that’s what I see now... What does it say about what the future of the franchise will offer? If every game in this series involves fighting for content that, in particular, heterosexual players will see offered as the rule, what motivates me to want to continue to be invested and involved in this franchise?
36 notes · View notes
ruby-whistler · 3 years
Text
@justalads hi, hello! made a new post because didn't want to clog up everything with a suuper long string of reblogs, so i hope you don't mind!
also, i'm sorry to ask you this, but i have trouble focusing - in your next reply, would you maybe mind cutting up the big paragraphs into smaller ones? i'm nd and it's extremely difficult to concentrate at long strings of text like that, which is why i usually cut up everything i say into chunks :]
(actually had to have my friend cut up your last reply because he's a v fast reader, shoutout ani lmao)
anyways, let's continue the debate i say because there's a lot to still talk about in my opinion as well
/dsmp /rp, and of course all /lh
as for the whole was manipulated / wasn't manipulated thing, there's pretty much a divide amongst most people i know whether or not to call it that - but since that word's been misused a lot in this fandom, here is the instance most people are referring to, for you to judge for yourself, in this very (in my opinion) well-written analysis!
since i myself am very confused about the subject but i think it'd be better for you to read that first, i'll just move past that for now i think.
i attached a lot more resources this time because i remembered that a lot of people who agree with me on these things are smarter than me so, sorry for the links you'll have to click through this time but i think it could help me articulate what i actually want to say better.
i don't think i entirely get your point about it "making sense for him to progress like this". i don't know what you mean by 'make sense'. it comes off as 'he was always going to become this way because of the kind of person he was in the beginning' which, i don't agree with in general? because no, you don't just become a bad person, and especially with c!dream i find that this ignores a lot of the things that he went through.
also, i wouldn't say everyone had equal hand in what happened. "a product of his environment" means everything sort of mixed together; the way the world works; a cycle of violence, eye for an eye, and no therapy or communication.
dream's spiral isn't a result of any one character's actions. c!wilbur started the whole big wars and animosity thing, but that's only about 50% of what i'd call "the environment". there's also a lot of personal mistakes and miscommunication mixed in.
so no, i'm not saying it was entirely "other characters"' fault, what i mean is more that they contributed by you know, treating him as the incarnation of all evil, breaking his personal boundaries, overall just no one treating him like they should a person (this is overall their attitude over multiple seasons), etc..
and also another thing i meant to say was that he didn't deserve the abandonment. no one deserves to lose half their friends once (l'manberg when they turned against him for literally no good reason in his eyes), and then watch the ones who were the last remaining and the closest ones he had, leave him one by one because of an image of himself he had no control over, which was started by one and then perpetuated until he became a literal hate magnet. people did hurt c!dream, and he didn't deserve that.
all i'm saying is that i see where he is coming from, and that his spiral wasn't a result of powerhungriness, or cruelty, or any other personal flaw, but it was literally someone who cared about people too much getting driven too far by the circumstances he was put into.
and i think that is my overall statement for now.
you said i was "brushing it off as george being a drama queen" for the whole dethronement scene. i read what you said about it, and i'd like to ask you to once again watch the actual stream.
george literally tried to steal the l'mantree and got assassinated by techno beforehand. i don't see why he would be in any way in the wrong for dream taking away his kingship, and i don't think it is reminiscent of a power dynamic or dream having "higher authority".
dream thinking george can't handle himself is completely justified considering what he did and how he didn't even attempt to stay neutral. he was supposed to be a diplomatic figure who would make sure the dream smp doesn't get into wars, that was the point of pretending to be a monarchy (because the dsmp really just isn't, it's anarchy with a diplomatic representative and an army general).
here's a thread which besides other things mentions things dream did for the two of them, and besides fighting with him in one (george) or two (sapnap) wars they really weren't "loyal to him for a long while" compared to the amount of times he sacrificed things for them.
"have an equal say in things" doesn't apply when one of the three is trying to keep peace and the other two instigate conflict left and right. like i'm sorry but i don't see why dream would owe them a say in the faction he's trying to protect.
dream doesn't think of them as lower. that actually just sounds like guilt-tripping your friend to let you take care of a pet you've poisoned before and he had to rush to the hospital. peace is fragile and these two weren't responsible enough to be given the power to break it.
to say "george didn't want" it was an overstatement. he literally did nothing as a king and he had no control in the first place (because the dream smp doesn't have a government in the first place).
the whole thing about him being sad was for show because c!george is a manipulative prick who takes advantage of his friends for fun. and i don't mean this in a bad way, he's not a bad person for it, he's actually a really fun character more than anything, and he doesn't hurt anyone on purpose - but he's a jerk! he's done it before and now he's doing it again, and he continues to do it (dreamxdcoughcough-)
so no dream was. absolutely not in the wrong here, it wasn't even supposed to be public, george just made a big deal out of it.
the last thread i mentioned also talks about the whole "spirit speech" thing and, answer me a question - would you consider it justified for all of tommy's friends (even tubbo who he's been close with for so long) to abandon him just because he's said basically the same thing about the discs - like three times?
that's just the double standards though. phil and techno are still being hated on for "abandoning" a kid they barely know - and meanwhile dream's been given up on by everyone he's ever cared about before being given a chance, but people try to find ways it's his fault, like it matters.
it doesn't matter, because abandonment hurts you, no matter if the people have good reasons for it or not, and in this case they didn't. the point i'm making is this character has been hurt and has been actively hurting and it's been ignored for bias' sake.
i'm not saying they're bad people for it, or responsible for his actions. some of them are bad people independently (/hj). but they still affected him.
“if respect is the only thing protecting you from a knife in the back, then respect is nothing, right?” yeah? i don't see the point in this either. interesting to point out that dream learned this the hard way with you know, no one having respect for him as a person and only being able to fight for what he cares about via 'an axe and a shield'.
and no, dream didn't have an arising god complex. he was becoming more desperate for control because of his circumstances over the course of s2, but the god complex only happened in the prison because he had all control of everything (who he gets to talk to, what and when he gets to eat) taken away for months before being shown a smidge of power again. that's just a natural reaction to very messed up circumstances that had no buildup other than that.
the no-remorse thing - he could be remorseful and we wouldn't know. that's not even speculation, that's just saying that pretending to know whether or not he regrets things is a weak argument because we have no evidence for or against; we don't see his pov. that he doesn't show it doesn't say anything, it's a vital part of his character that he doesn't show what he's thinking.
"friends support each other" yes, and none of c!dream's "friends" ever did. it's a contrast with how much support for example tommy, tubbo, or wilbur got. not saying they weren't all abandoned as well, but no one has been alone to the point c!dream was or completely emotionally isolated for so long. his experience in this way is unique, and hence it's formed him in a way it hasn't anyone else.
dream didn't hurt george. he did create a place in the vault for his fish (that would be mars, not beckerson though), and he did do bad things to other people. he had reasons to be upset at someone who he didn't expect to do bad things doing them. it doesn't justify the things he said. it's a lot of explanation vs. justification when it comes to this server, and this is an example of this.
it wasn't a reaction to him being directly hurt by him, which is what you had implied (if i remember correctly) in the last post, and it wasn't right of him to do. also i agree he wasn't betraying him with what he said in prison, he'd done that a long time ago anyways.
"puffy does not dismiss people’s trauma just because they are adults, or if she does i haven’t seen strong evidence of it." jack, nikki and in a way the eggpire. dream is not far behind, but not the main example.
"you point out that she’s a guardian figure but from what i remember that lasted for a couple streams and after that wasn’t really mentioned in canon. if she really saw him like that, then maybe she would have checked up on him earlier and maybe would have told him off."
i'm pretty sure it was canonized by cc!puffy saying c!puffy isn't his biological mom, but that she sees herself as his guardian figure. so yes, she really saw him like that, and yeah, she "would've" checked up on him earlier; or rather "should've", but she didn't, and that's precisely what i'm talking about. that's not how you treat someone you allegedly see as being a guardian of. not saying c!puffy's a bad person, but she's another one c!dream was attached to and who failed to ever reach out to him before deeming him deserving of what he's (was, because admittedly it's gotten worse since) going through.
"she said at one point that he didn’t deserve to see her but she still cared about him."
this is what i mean when i say she has a moral superiority problem. like she's doing something extra by being a decent person. i know this might come across as cynical, and i swear i don't hate the character, but that sentence is very hypocritical, you must admit.
"she did try."
nope! she said she was going to try. that's the problem. i'm not talking about intentions here in the slightest, i'm talking about the actual consequences and effect it had on him as a character and why it's just very sad in my opinion that none of the people he thought were close to him stood by his side or even attempted to help him.
the entire original post was very clearly stated as not blaming most of these characters for acting in the way they did. it was "critical" of a lot of them in a way, but i never said anything negative about them other than describing things they did that had a negative effect.
i stand by that, because i truly believe they did all those things, and them having good intentions or personal feelings doesn't change that. it contextualizes them, but doesn't take away from the harm.
saying "it's not her fault" about puffy for example or that "it was just a reaction" is excusing those things, which is what i disagree with.
here is a thread as to why people like puffy or sapnap saying certain things is understandable but still very messed up, please read since it details parts of what i've said here in an arguably better way.
you also phrased the whole "she didn't abandon him either" part like he was the one who cut the ties which is not true. she wasn't there for him, is the point. another person he cared about who didn't prove to care about him enough to stop him from spiralling or try help at all.
if "they don't owe him anything" is your base argument against someone being hurt via being left by people they care about over and over again until they're utterly alone with no support system and unhealthy mindsets, we might have to agree to disagree :) /nm
please clarify if that wasn't the intention, because it sounds like it.
"i think that how people feel about it depends a lot on when they started watching, and who they were watching. the thing you have to take into consideration is that at the start of l���manburg, a lot of the roleplay was not very serious. the sides were messier than they are today. that doesn’t work or make sense for people who want to see it as only one thing, and are fixed in their ways so much that they’ll ignore canon to prove their point."
i've been watching since august and yeah, i agree. i've always seen c!dream as in the right at that point, so it's definitely different for the people who haven't seen that happen.
"you seem to have a very fixed view of wilbur: that he only wanted power, that he enjoyed tearing people apart, that he lied all the time, and that he was attempting to paint dream as something he wasn’t."
to be fair, you seem to have a very fixated view of wilbur too. i do think he wanted power, but also just to revolt for the sake of it - i don't think he straight up enjoyed it but it was a means to his ends, i don't think he lied all the time but he lied much more than people realize, and i don't think he just attempted, i dare to say he was extremely successful.
"you also see him as conscious of what he was doing the entire time, and sort of treating the war like a game."
i'd say a story or narrative is a much more fitting metaphor. also yeah he's so much smarter than people give him credit for, but i guess covering it up was intentional as well, because manipulation ain't meant to be obvious at first sight now is it? like for example c!dream, that man was awful at it. he's just. so bad. unironically. he did cause a lot of harm, not diminishing that, but man. his manipulation is the clumsiest thing i've ever seen, people calling him a puppeteer is such an overstatement, it's really funny to me.
now c!wilbur? he was really good at it. that's what i mean by "you need more than intelligence", because emotions are stronger than critical thinking and can be exploited easier. all the sentimentality around l'manberg is a great example.
"wilbur didn’t go around trying to recruit people by saying “dream is bad”." yeah no he started by straight up lying to fundy when they first met (if you rewatch the hot dog van video, there's really no denying that), then he lied some more to tubbo while praising him every time he followed his orders, i don't completely remember eret's recruitment, and tommy looked up to him since the beginning, and it's very easy to see that c!wil took advantage of that.
he did tell people they needed to revolt against tyranny though, that's precisely what he did and how he got them to side with him in the war. by tyranny he meant everyone in the server who wasn't european, picking dream as the scapegoat since he had the most power (not by establishing it in any way, but simply by being skilled) and it was smart to do that, not gonna lie!
"weak businessman" is just not true. he was planning to "use the tommyinnits of the world" aka, the "young and naive" (his words, not mine) ones whom he could "mold", in order to establish a capitalist empire based on stealing from people while lying to them about saving them from being sick.
this man was planning to take power from the start and he was going to use lies to get what he needed. from the beginning i have no reason to believe why he would change his goals when he proceeded to do that very thing and achieve it, just put "revolution" instead of "business" as a guise of what he was actually doing.
"you quoted revivedbur’s stream as proof it was, which is funny because despite saying wilbur is someone who lies you missed a kind of big one." yeah, as someone who mentioned people ignoring canon earlier you missed kind of a big one.
the only reason people disbelieve this is not because it doesn't align with canon, but because they assume he's lying for the sole reason that it doesn't align with the way they see canon.
the reason i believe it is not because i believe a word c!wilbur says (i never have and never will), but because it aligns with what actual evidence has been saying from the start, as well as the way cc!wilbur talks about the character. it's simply further confirmation of what many people already knew; an extension even, if you will.
people tend to take things characters say at face value and then use it as their only evidence; "if you want to hear why l’manburg was created, you have to listen to wilbur when he created it."
what they actually ignore is you know, the actions, not the words. according to his actions and all known laws of logic, he was lying since the beginning, and that is the point. and it makes sense for him to lie, unlike in alivebur's case.
"i say he cared about l’manburg because it drove him to death."
yeah he did care! cc!wilbur said so! he also said he cared about it in a twisted way and that he had an unhealthy view of possessions. he thought l'manberg his and no one else's, a weapon of power for him to use however he pleases.
unlike dream who destroyed himself bit by bit trying to take back what he cares about, because it was not power, but people - wilbur saw no more worth in it and destroyed it instead. his own death and spiral was a collateral, because that isn't a healthy mindset either.
interesting foils, actually, i didn't notice that before.
"the whole time wilbur was attempting to portray a character who was a chronic liar and manipulator, and it was all planned out from the start. purely because of the chaos of season one i don’t think this is possible."
i reckon you're underestimating cc!wilbur here. that man could play a convincing, complex, morally messed up character while roleplaying with kindergarteners.
"and, you know, if he’s saying “dream is not our enemy” that hardly sounds like forcing a narrative onto him?" i mean i don't think i need to give evidence as to wilbur calling him a tyrant right after. i was just talking about how hypocritical and downright ridiculous his later accusations are, which you didn't address.
"because what he’s saying is that dream’s actions are tyrannical, his rule is tyrannical, not him." no actually, he said right after; 'big words, that's what we use in war', about calling him that, so i don't reckon that is the case. he was calling him that for the sake of it, and later on everyone ended up believing him about that despite there being no evidence. i must admit, the man's very good at what he does. he constantly changes the narrative to whatever benefits him and somehow gets away unnoticed. that was my point.
dream didn't tell sapnap it was a bad idea because it wasn't...? wilbur was going around stealing from people while lying to them. wil was framing himself to be the victim. like the whole "drugs" bit was funny but wilbur was only making drugs to estabilish, once again, a capitalistic empire he would be in charge of, on dream's land, and he was also doing it via dishonest means.
the intentions never changed, it was simply the way it was achieved that did, which switched from just lying to straight up propaganda when people managed to stop him at first.
so yes, wilbur's definition of tyranny very much was being stopped from stealing.
so yeah, even if dream would've done the same to them, he a hundred percent would be in the right, but he didn't even do that much, which makes wil's accusations all the more ridiculous.
just because sapnap was fighting against being stolen from - and others being stolen from - doesn't make him tyrannical or a government. your teacher in school isn't a government just because she has authority of some kind?
"wilbur’s problem was that sapnap could do that and get away with it." well then that's his problem, because people should be able to get away with protecting themselves and others from people trying to rob everyone on the server of a specific item and then gain power from selling rare supplies.
also it was sapnap and tubbo, they both did the same thing, and wilbur didn't seem to have that much of a problem with tubbo, now did he? he accepted him right after he gave them supplies, then rejected sapnap when he did the same. the people he was accusing of being tyrannical were very selective, and he seemed to be also selectively choosing whoever he was "protecting" from said "tyranny". though i guess "using the tommyinnits of the server" also included using tubbo, now didn't it?
"i highly, highly doubt that was what it was written as at the time."
yeah, dream did quote the lion king, but that doesn't change the way that it was anarchy. dream's "no factions" thing he had going on also included no government by default, showcased by him having problems with people starting countries. if it wasn't anarchy, what was it then? because that's literally the only thing that fits. there was no government and even dream described it as a "family" rather than any form of hierarchy, so i don't get your point. some people are going to have better things than others, and they'll be able to protect themselves and others better, but there is no system in place, that's literally how anarchy works. their mock court with no actual laws enforced by no one doesn't count i don't think.
the fact they thought they had a reason to attack her doesn't change the fact that they attacked first, so dream had all the reasons to believe they were aggressive and was fully justified in declaring war. this makes the statement "dream attacked first" untrue as well.
wilbur knew what he was doing, he knew he was going to scam people for power. if he thought he was being mistreated he could just stop trying to mistreat others.
i do agree it became a lot of other things for other people. i think that's one of the reasons wilbur destroyed it though; it was supposed to be his l'manberg.
if the power was supposed to "let him do what he wanted" then that's quite ironic considering what he wanted was power (you know, the reason he started the drug empire in the first place), not because he wanted to "make drugs undisturbed". that is quite literally an obvious lie he used when they first started and somehow people have totally forgotten that was not the truth.
"he didn't want power over others" cc!wilbur said he wanted to have power over l'manberg because he thought it was something worth having power over. if you consider l'manberg the people, then your statement would be untrue. then again, maybe he simply wanted to have something be fully his because of his possessive nature.
"he would lie about his past actions out of a place of self hatred." is just. reaching, with all due respect. this man might be mentally unstable, but that makes literally no sense when the day before he was saying how he had "plans to make". he thinks ahead, always.
"what if one person wants the “freedom” to attack another? it’s still technically allowed, but obviously it’s morally wrong." yeah that's what i mean by not infringing on the rights of others. in that case they shouldn't have that freedom, just like wilbur shouldn't have the freedom to restrict others' freedom.
also i see the whole "words" schtick as manipulation because it was. they said they "fought with words", like that doesn't sound like a peaceful solution, more like a different approach, and it was because that is what they did.
other people believed in the ideals of l'manberg and they protected it for good reasons, but that doesn't change the fact it was build on lies by a liar and it did exactly what it was meant to do - it divided people.
i actually talk about it in this post here!
"wilbur was saying that he wanted to create something important." nope, the quote continues something like "make them think it's important because you want to have power over it, when it's not." here's the link to the whole clip.
"wilbur showed in the first war that that wasn’t his main motive" i've already said why i find this misinformation. he said it, he didn't show it, and that is because it isn't true.
the "something worth" part is just. taking things out of context to the point they're something completely different. yes, it was worth something to wilbur, and that worth was power. that's literally what that means.
the greater smp did represent anarchy and peace. that were the ideals c!dream was fighting for, and still was later on, that much was obvious if you look deeper into his character, so i'm not going to argue, other than that based on the information i have, it's incorrect.
"someone who wanted peace at the start and someone who tried to protect the thing and people he loved." see you tell me you didn't fall for propaganda and then say this. the thing he loved was his own personal power, and that was the end of it. if he wanted peace he wouldn't be starting factions and accusing people of being tyrannical while he himself was trying to estabilish an empire. i'm not saying he's an awful person, they're all morally grey, but that's just what all the actual evidence points to.
"your view shows him as lying about practically everything to everyone all the time, never caring about the citizens, and striving for conflict."
again, i don't believe he liked conflict for its own sake, but he did create division for his own benefit the way i see it.
yeah wilbur said it genuinely to tubbo when he first brought him armor; when the rule was first established. here's the post where i found it.
wilbur was never a dictator because people didn't listen to him, which is why he did the whole election thing, with his other plan than a democratic election with no democracy being this:
Wilbur: “We can either, Tommy, right – we can either become a dictatorship, okay…we can just suddenly decide, ‘right, we’re in charge,’ and we just start – we start asserting our dominance. Now the key thing to being a dictator, is we need to control the center of power…so we get an army going –”
Tommy: “What is the center of power? Is it like some cube, or like an orb?”
Wilbur: “The army! The army! The banks, you know? We take control of those, and then people will do exactly as we say, right? That’s the dictatorship route, right. The other route is the democracy route. Now, this route’s gonna be slightly harder, but I have a plan. So I was thinking…what better way of making people believe that you’re in charge than by having them vote for you, right?”
so uh, i wouldn't be so quick to say he didn't plan on being oppressive to his people. he was literally planning to start an army and take total control of the economy to "assert dominance" over his own people -because he didn't think they respected his authority enough and was irritated by it - but instead defaulted to lies and manipulation of the crowd. you see a pattern already?
"the feelings of l’manburg were more like friends than a hierarchy even though he was technically in charge." this is the thing with dream though, except there was. actually no hierarchy. the original dream smp was this but actually true instead of just being a front. no one actually needed l'manberg, wilbur made them think they did. tubbo and sapnap used to be friends before this. the friendships inside of it could've existed without, and would've probably been better off without being stained by war.
wilbur didn't fear for anyone's safety, and i don't get where you would get that conclusion. the dream smp was already safe, people like dream and sapnap were making it safe.
"people that were already in l’manburg had been affected firsthand by dream. they knew what he was capable of and so were fighting for l’manburg and each other, not because wilbur told them to." i don't find this true at all, please elaborate because i have reasons to believe this is incorrect.
the quote you’ve listed is very interesting to me, because it first of all shows dream’s “ends justify the means” mentality (that is also shown in an explanation of his motives during moments like this, which happened after the war), as well as trying to end the war as soon as he could.
the dream smp was freedom. the freedom wilbur was asking for was the freedom to take the land, take the people dream considered his friends, divide them and create a government.
wilbur was verbally aggressive with dream since the beginning, back when he was cocky. this only shows that dream was one of the few people who didn’t fall for his words. his main point in his motivation during the war was not wanting to give them independence, which would be, well, giving wilbur power over the land *and* the people. so i think from his position this is extremely understandable.
but back to the topic at hand, wilbur’s speech here means literally nothing, because it’s as untrue as everything he’s said before - in both intention and meaning - as well as being a last attempt at turning the situation in his favor using words. he said he was a peaceful businessman back when he was robbing people, and not like that meant anything when his actions said otherwise. both sides had their losses and were ready to harm the other, neither was the victim, no matter how good wil is at playing one.
dream was giving them chances over and over again. you can literally see he wasn’t hurting them because he wanted to, even despite it being war he was willing to step away at any moment should the other side surrender. and, well, of course dream’s perspective wouldn’t mean anything to wilbur, because he had his own, and he knew no one was going to believe dream anyways; he made sure of it.
i’m not saying he wanted violence, but that doesn’t mean he was good or pacifistic. he was *ready* to be violent if needed (see the armor quote again as well as the fact they literally fought), but i too would be happy if i was able to to colonize someone’s land without any resistance or conflict if you know what i mean. guess wilbur realized rather quickly words wouldn’t work on dream, which is why he got verbally violent and didn’t seem opposed to fighting him later on (during the actual war).
reminds me of exile, in a way. can’t get them to listen to you and give you what you want? get them out of the way in a different manner.
either way, point is; i’m sure wilbur didn’t want to fight, i don’t think him a fan of violence *at all* but he was the instigator and was ready to perpetuate war to get what he wanted. (see him also being willing to make an army to control his citizens, but using underhanded tactics instead to make people think they were voting for him.)
the whole “dream attacked the child soldiers and was always the one to start it” is quickly negated by the way dream constantly asked them to give up instead of fighting. it was literally wilbur who pushed them to go on and risk (and lose) their lives. dream’s said later on that he “had to” do what he did (he was being genuine here), which means he, in a way, felt responsible for stopping wilbur & l’manberg. he didn’t want to be violent, but unlike wilbur, he wasn’t going to be able to talk them out of it. it makes sense he would turn to threats and intimidation to try and get them to surrender first, i mean, what other choice was there?
l’manberg weren’t the ones forced to fight, is what i’m getting at.
dream wasn’t any more violent than wilbur, it’s just wil was better at non-violent, but still morally reprehensible, ways of getting his way, and he used them to his full advantage. neither of them wanted violence for the sake of it, and i never said that; i just said wilbur’s “pacifist” schtick was a total ruse, and never meant anything about his actual “peacefulness”, which i still find true.
as for the whole “manipulated or didn’t manipulate” thing with the vassal scene, the first link i sent here i think describes my stance quite well. but it’s very interesting to note that there’s a theory wilbur legitimately thinks dream selfish, which is why he said that - either way, the effect remains, dream was essentially shut down after trying to gain back people’s trust and help out who he considered the “good side”.
dream was very obviously making efforts, giving tommy and techno as well as the pogtopia cause as a whole a whole lot of supplies, including his crossbow which he had a personal attachment to. he expressed outwardly that he was on their side, to the point where he refused to call l’manberg “manberg” and then was caught off-guard when wilbur called it that during the vassal conversation.
dream was attached to tommy, as shown by fighting for him during the eiffel tower conflict, and also helping him overall. their relationship was always very interesting, but after the l’manberg war, their friendship never really changed - tommy scammed the discs back, that had at that point legally belonged to dream, but he didn’t seem to hold even that against him as he tried to help get back l’manberg with him. they were the sort of friends who would tease each other to hell an back and fight on the battlefield each other but still have friendly vibes… you know what i mean?
i think this is why exile hurt so much, to me. that i believe they had genuinely been friends once, before it went downhill at a hella steep inclide. but enough me rambling about what had once been my comfort duo and is now utterly unsalvageable.
either way, he was attached to the people involved, because a lot of the character strongly indicates he has a sense of responsibility (not control) over the people on his smp. it’s the reason he’d always get involved in conflicts other people started, like pogtopia.
his fatal flaw has always been caring too much after all - and not being cared about back, because sometimes, that’s just how life works. that’s what destroyed him. that’s literally the character, so saying he “could’ve just walked away” is dismissing pretty much his entire personality, but hey, i don’t blame you, just pointing it out.
the thing is wilbur did force him to make a terribly hard decision. dream could either give him the tnt, ally with the self-proclaimed bad guys, or let wilbur get back his power and go mad with ambition - not saying it would happen, but it’s what wilbur threatened to do. keep in mind dream’s main concerns about this whole conflict was schlatt going to war with the dream smp, as expressed by himself, and so wilbur saying he would genuinely do the same if he became president again was literally backing dream up into a corner.
“if dream thought wilbur was being a villain”
Wilbur: How much would you say that me and Tommy are kind of the bad guys here? We… We… I mean, we-
Dream: I don’t think you guys are the bad guys.
i… don’t know where you got that from, maybe you misunderstood something i said, but no, he definitely didn’t. until wilbur convinced him, that is.
“i’m also going to say that “villainization” and “calling out someone for hurting you” are not the same thing.”
yeah, they are. and dream was villainized.
so uh, first of all, wilbur literally said he was going to “use the tommyinnits of the world” in order to establish his capitalistic empire, then he called tommy “young”, “naïve”, and said that he likes him because he can build a foundation upon him, after which tommy questioned him and he said not to worry about it.
wilbur proceeded to lie to everyone including tommy about dream, the country he was establishing, to the point where tommy is seen confused in both the vassal scene and the revivedbur scene - asking why he would ally himself with dream both times, because he genuinely thought he was a bad person, a “dictator” they were fighting against.
wilbur didn’t reply either time, because he knew very well what he had done and he intended for tommy to think that.
during the entirely establishment he was exploiting the clingyduo not knowing anything about politics in order to enforce unhealthy patriotism onto them. he forced tommy to give up his hill-house and turn it into an embassy, guilt-tripping him by saying he doesn’t care about the cause (which was a lie) and that he can just leave if he doesn’t intend on being loyal.
and then there’s this scene:
Tommy: “Look at me in the eyes when I’m talking to you – There’s been some proper tyranny.”
[Wilbur pushes Tommy off the wall]
Wilbur: “Don’t tell me what to do, alright? You’re getting out of your comfort zone. Who’s the President? Tommy, who’s the President?”
Tommy: “How dare you, how dare you, you must respect manners, Wilbur! There are manners! There is a common etiquette that everyone must follow, my friend!”
Wilbur: “Tommy, who’s the President?”
Tommy: “…You’re the President.”
Wilbur: “Good lad, now come back.”
Tommy: “I – you’re gonna have to drop down a ladder, I’m not sure how we’re gonna –”
Wilbur: “Walk ‘round, walk ‘round, Mr. Vice President.”
and this is just before pogtopia. after this, wilbur proceeded to continue this kind of behaviour on tommy, with the whole “you’re never gonna be president” schtick - here we can see it actually didn’t start in pogtopia. wilbur had been pushing tommy down before in order to estabilish his own power and demand respect.
basically, tommy has been used by every adult figure he’s ever trusted and looked up to. which is part of why wilbur’s behaviour being ignored irks me so much, besides other things.
“when he was faced with a problem, he went for someone’s attachments as an attempt to get things back, and at this point hadn’t been called a villain. i see this as another precursor to the vault, again, the signs were there. the initial conflict of the disk war ended in general peace, it was the fact that dream never gave up those disks and continued to try and use them against tommy that hurt him.”
i disagree with this analysis of dream. he went for the discs because they were physically valuable at the time - tommy had only two, and he grinded hours for them, much like dream for his tools and armor. tommy formed an attachment to them as a result of the disc war, not the other way around.
he continued to use them for their attachment to get back l’manberg and then forcibly getting them back when the chance was provided.
dream didn’t use them once against c!tommy before he himself multiple times showcased how much he cared about them despite there being other discs at that point. dream only used them as placebo tokens to skeppy in order to get back something he was actually attached to, if i remember correctly.
dream fell deeper into using attachment because it became the only way to control his surroundings. no one had ever actually listened to him, and groups of people that had formed were too powerful for him to simply take on without reprocussions.
not only that, he became to lose control of everything - his friend’s house got burnt down and he wanted the person who did it to be held accountable? the leather of his dead horse got used to blackmail him! he was taught this from experience, not because he was “high on the power” or whatever your are implying was the reason.
“when he had then seen that dream would willingly hurt him, he began to call dream that and mean it.” he was taught dream to call dream a tyrant by wilbur, that’s literally what happened in canon. he did genuinely think he was a villain before the war, because that’s what wilbur told him and he trusted wilbur.
i am not taking everything wilbur says as truth. that man lies his mouth off every time he appears on screen. it’s just a character acknowledging what people who looked deeper into the narrative already knew. i’m not going to assume someone is lying when i logically know what he’s saying matches up with what i know to be true.
either way, here’s some more analyses on the subject you might wanna read to understand my points better and be able to more thoroughly rebut them: (1, 2, 3)
“with the sam thing, i am fairly certain that intentional withholding of food would be considered direct torture, and if that has not been retconned i would be surprised, but i don’t know.”
i… am genuinely sort of baffled at why you would think that? the prison arc is literally made to be about c!sam’s corruption, the mistreatment of dream (including mental and physical abuse) and c!quackity’s manipulation of the situation of his own gain. there is no reason to retcon the torture they put in on purpose? the prison arc is supposed to parallel exile and humanize dream. the people who have been analysing it all agree on that.
here’s a shorter (and outdated) list of the ways in which pandora’s is inhumane and here’s a longer one including things implied and more in-depth about c!sam and c!dream.
“the conditions are harsh and it’s interesting to remember that dream was the one who commissioned them in the first place (not meaning he deserves them, just food for thought)”
no, take your food back, i have heard this as a genuine excuse too many times by now. c!dream didn’t tell c!sam to physically and mentally abuse him. in fact he said that people would only be put in the main cell for 14 days max (the maximum amount of days before it becomes classified as torture by the united nations - man’s did his research), and they would have free reign of the prison. there have even been changes to the way the cell works since he’s been put in. he wasn’t going to subject anyone to the sort of thing he’s going through.
the only reason it’s happening to him is because people hate him and want him to suffer. the people of the server put him there because they thought they could use him later on, it’s a literal vault for a human being to be stored for later use, and it’s disgusting. people didn’t want him in the prison. they didn’t put him there to protect themselves. they were fully willing to kill him, and the only reason he is still alive is that they thought of him as an item and wanted to use his capabilities. (dream also buying into it, as he does with everything this godforsaken narrative enforces upon him, “i am the book”.)
i know it’s roleplay, but i’m emotionally invested in this arc, and it’s just so incredibly dark on purpose which people seem to ignore, so sorry for ranting.
“you say that you never said sam molded him into what he became, but you accuse the people of affecting dream and therefore forcing him into the role of the villain. i feel as if that is a type of molding?”
i’m saying no one molded dream on purpose, but what they all did (or should’ve done but didn’t) affected him in a very negative way nonetheless and should be acknowledged.
also, calling dream a monster or standing by while he gets ruthlessly murdered after following all orders and putting away all his armor and weapons isn’t very helpful of them.
“you saw it as skeppy “twisting his words”. this seems to be an example of someone calling dream on his crap, yeah? just because he’s twisting to defend himself doesn’t mean the other person is trying to make him be something he doesn’t want to be, it means that he’s uncomfortable or unable to deal with confrontation of his own acts and will attempt to justify them.”
no. i made an entire analysis of their interaction. that’s literally what he did, there is no softening that punch.
Dream: Anyway, um - you’re really making me out to be a bad guy! Like-
Dream: Look, we HAD to fight that war, okay? We had to fight that war, it was a necessary evil.
Skeppy: [Wheezes] No, it w- You’re telling me, you started the war too?
Dream: Yes! Because - listen-
Skeppy: You started it? It wasn’t even them, you started it-
Dream: Listen, they - they made a Declaration of Independence-
Skeppy: You one day woke up and said, “they don’t deserve that tiny piece of land”?
Dream: Well no, cause they made, they made a-
Skeppy: That’s literally what happened, one day you woke up and you said-
he continuously cuts him off while dream nervously expresses his discomfort over skeppy making him out to be the villain, and his refusal to listen. here’s my analysis of the interaction if you’d like to read it.
“i think it’s unfair to say that nobody tried to help him. people still treated him with respect and kindness for a long time and with those bonds it was ultimately him that cut them.”
no. name one bond that he cut first. george and sapnap? they left him first. sam, puffy, punz? he wasn’t as close with them, but he didn’t cut any of them off before they showed up during the disc finale ready to kill him. if that doesn’t count as them cutting attachments or abandoning him then i… don’t really know what you would call it?
“it feels a little victim-blamey to say that if only they had treated the guy hurting them better, maybe he wouldn’t have hurt them as much.” “you do say that dream is responsible for his actions, but you place the reason he did his actions on other people, effectively blaming them for how he turned out. this rubs me the wrong way because a lot of the people you accuse of doing this were people directly being harmed by him, and so it ends up sounding like they’re at fault for their own pain.”
well, it’s true, though? he was hurt and abandoned to the point when he didn’t care about hurting others anymore. that’s it. that’s his character arc. it’s not “victim-blamey”, it’s a fact. just because he ended up hurting people doesn’t negate the fact he was hurt himself first. the environment they all were a part of pushed him this far, and that’s just what happened.
the dream smp is a literal cycle of violence perpetuated by each and every one of them, and it’s awful for all of them. the problem is that they refuse to see things from others’ perspective and end up hurting each other as a result, which dream is a prime example of. that’s just the plot of the story, not victim-blaming anyone.
see the second to last line of my original post. “the entire dream smp is absolutely screwed, and every single one of them needs therapy.”
here’s another thread about that, actually!
i’m blaming the environment which includes the actions (which were often - not always - unintentional mistakes) of the individuals, i’m not saying they “brought this upon themselves” or anything of that sort. everyone makes mistakes and those mistakes might affect other people and how they act, but that’s not saying i’m blaming anyone for being hurt?
“sapnap still considered him a good guy up until the moment that he saw the space for beckerson in the vault.”
see you keep bringing this up but that doesn’t make sense at all. sapnap came into the vault before he saw that. he made the conscious decision to ally himself with tommy during doomsday before he saw that. he accused dream of not caring about him and george, and left to make his own country before he saw that. you get the point?
the vault was the direct consequence of the hurt he’d endured, so i don’t see why you would ever list it as a reason for people abandoning him? the prison is just them continuing it, although at this point they might have actual reasons, it doesn’t negate the fact that they ignore his bad conditions and even perpetuate them.
“dream was not alone until he chose to be alone. it was tragic that he chose that, but it was ultimately his choice and this is evidenced by the vault.”
people do not decide to isolate themselves for no reason. people started cutting him off first, they turned against him first, they made him the villain first, they used what he loved against him first, they told him he couldn’t ever achieve peace first. he only cut himself off only after all of that happened, and i would’ve done the same! you would’ve done the same. it was a defence mechanism that only sent him deeper down his mental spiral, but it was a reaction, not a decision he made. the vault is a physical embodiment of how deep down he went and how bad his state of mind had gotten overtime through neglect.
also, you might wanna give the vault vod a rewatch as well, and then tell me the person saying those things is mentally healthy and definitely doesn’t need help.
oh! also, a thread on attachment about dream. worth a read.
just because a response is an overreaction or wrong doesn’t make it any less of a response. nearly all of the things dream did was a reaction of some sort.
he lists his reason for starting the war as them declaring independence, so i don’t think it really matters when the official document was sent.
“he also initiated the final disk conflict, with the clear intention of murdering tubbo and putting tommy in the prison as a sort of thing for his amusement. he said multiple times that he found the struggle with tommy “fun”, and said their fight wasn’t over because he personally found it engaging to torment another person, and that was how he got power.”
oh yeah, that definitely seems like something the guy who’s only ever listed his reasons as being peace and has been mentally declining ever since would be completely honest about in front of his biggest enemy. /s
the thing is, the way dream behaves in front of tommy is starkly different than everyone else. c!dream sees him as the “hero” and himself as the “villain”, which is why the pushing of the narrative on his part is so strong when they interact.
besides, so many things he says simply don’t match up at all.
basically, he is very obviously playing a part when he says things like this. nothing he says like that matches up with anything else about his character, and that’s the only explanation. besides, this man’s evil monologues are straight out of a “how to be a scary villain” book.
no discredit to cc!dream of course, but it’s like that intentionally. cc!dream has said after this that c!dream is “reserved” not only about his feelings but also about his “plans” and “intentions”. that quite doesn’t match up with what he yells at the top of his lungs during that scene, now does it? his mask’s very convincing, to be fair, so i don’t blame you. he’s gotten good at playing his part over the years, which makes sense seeing as it was always expected of him, and other people would talk for him if he didn’t do it himself.
“there are a lot of conflicts that dream has started.”
...alright? list any other ones besides the last one?
“buying his line of “only caring about unity” and “trying to prevent chaos” … he uses this many times as an excuse for his actions, and the fact that he was still excusing and justifying his actions makes me think that he still genuinely believed he was right.”
well yes, because he does believe that. he uses the excuse because it’s true. the justification isn’t right of course, but he is not lying when he says those are his motivations, which is backed up by his prior explanations as well as actions. i am not buying anything, it’s what’s become evident from analysing him that that is what he wants to achieve. it doesn’t excuse anything, but saying that’s truly his end goal isn’t incorrect.
becoming a control freak as a result of feeling the loss of control over your own circumstances isn’t equal to dehumanizing the people you’re trying to control.
he didn’t ever take george’s personal freedom. he didn’t start using attachments because he thought it was convenient. i have literally no idea where you’re getting these claims from.
“dream’s actions during exile and the vault do not look like those of a man who is trying to get better but thinks he “has” to be something. honestly, it looks like a guy on a power trip who thinks he’s god and is going to try and prove it.”
both of those are wild misinterpretation of the character. which is understandable seeing as you’ve said already you never tried to look deeper into him, but it’s incorrect nonetheless.
he was trying to get better up until the 16th, which is when the bad things that happened to him stopped going up and instead went downhill, like, really fast. alright, that metaphor probably makes no sense, but you get the point. he had stopped trying at the point of exile, is the point. but he also does think he has to be something in order to “fix” his home.
he wasn’t on a power trip at all, he didn’t have a god complex up until the prison stripped him of all his dignity and then threw an opportunity at him, and he wasn’t trying to prove anything to anyone. that’s an easily debunkable assumption, but, well, guess it’s easy to make.
“there is a clip in which dream says he doesn’t really care how others see him and he doesn’t care if they think he’s bad.” yeah, i know he said that a couple of times. that’s him going numb after he was affected by how others saw him for way too long, which is completely natural. again, a psychological defence mechanism. him saying that he doesn’t mind others calling him a villain or a monster and even seems to agree that his methods are villainous but has just stopped caring makes the situation all the more messed up. makes the character all the more tragic.
“it requires dream to be lying about how he feels all the time. not technically impossible, because he does not talk about emotions.” he is emotionally repressed. it’s not just “not technically impossible”, it’s likely and fits perfectly into his character arc in canon.
“and if a writer is telling their story in a way that only makes sense if you disregard everything they say, i feel like it’s not very good storytelling, unless that is the entire point and the character is based on that.”
see, you get the point here. cc!wilbur is literally the man with an arg around him that has still not been solved. why would he hand us everything on a silver platter? why would he not force us to dig deeper and look beneath what is widely accepted? he literally talks about unreliable narrators constantly poking fun at how the audience seems to take things the characters say at face value, and i’d say early c!wilbur is a prime example of that. it is good storytelling because cc!wilbur pulls it off brilliantly.
it’s also called “the metanarrative”, which is a giant focus of the dream smp if you look closer, especially during the time cc!wilbur has been writing it, especially the establishment of l’manberg where he constantly talks hypocritically on purpose (he said something along the lines of “dream, you can’t just come onto someone’s land and take it for yourself, are you an idiot?” during the early days along with other things e. g. blatant trump references “we’ll build a wall and make the mexicans pay for it”, which i find hilarious) and you know what, good for him. people not being able to tell things go deeper than their feelings is, you know, valid, but also fun to watch, and cc!wilbur’s a controlled chaotic crimeboy.
“people stood by dream. people helped him.” none of them did that for long. “dream still had a system up until the moment he isolated himself” his main support system left by themselves.
i think you’re sort of purposefully discarding a lot of things and misinterpreting the character. it also seems you’re strongly biased against c!dream, which, to be fair, the majority of the fandom is.
look, i don’t want to attack your feelings about characters. you think what you want. but i’m basing my assumptions on evidence and also try to bring up evidence when i think people are misunderstanding because i believe it’s important to know the full truth. however, i understand the desire to not change your opinions if you feel attached to your current perspective - it's a piece of entertainment, you enjoy it the way you want to. you asked about it first though, so i’m giving you my opinion. we can stop at any time if you feel like we’re not getting anywhere, i’m completely fine with that.
i don’t want to seem aggressive, but i feel like at some points we’re just going in circles. would you consider talking over discord chat (better at writing longer messages than tumblr messages) so we can tackle each problem individually in real-time? no worries if you don’t, just thought it could work rather well to get somewhere in our discussion.
also, sorry for the surely numerous typos in this reply. i didn't have the mental energy to go back and proofread.
either way, have a nice day.
30 notes · View notes
newswcanonprompts · 4 years
Text
Padawan Lineage from Dooku to Tano going forward to the Empire and have to work together to get back to their times
Buckle up folks, ‘cause this is a long one
time-travel au where 18 yr old Padawan Dooku, 16 year old Padawan Jinn, 13 year old Padawan Kenobi, 9 year old Padawan Skywalker, and 4 year old Initiate Tano (who Skywalker ran into in a hallway and latched onto him when the force rippled) end up getting launched forward in time together to a time between Ep. 3 and 4 in an abandoned temple and have to work together to get back to their own times while avoiding them empire and coming up with a plan to end the sith in their times
TINY FOUND FAMILY???
Look i just want a story about this lineage that matches that one picture of all of them together in like that library
I also want that
oh no now i'm THINKING about that
AND THEY LAND IN A DESERTED TEMPLE
BUT THE EMPIRE IS WATCHING
AND THEY NEED TO GET HOME
AND THEY HAVE NO IDEA WHAT HAPPENED
Qui-Gon is def wondering how his Master got deaged.
This is after Obi-Wan became his padawan
And Vader KNOWS that he can’t kill any of them
VERY VERY TALL DOOKU PUSHING ALL THE KIDS BEHIND HIM BECAUSE OF DANGER
They're all padawans except Ahsoka
VADER REDEMPTION THROUGH NOT ACTUALLY BEING ALLOWED TO KILL THESE KIDS
He has to help them get home
Even though he really wants kenobi dead
Bc then the timeline will get completely derailed. And it may actually rip a hole in the space-time continuum
Vader has poor impulse control and lots of self-loathing
He might just do it anyway
He may also want to kill himself to put himself out of his misery
but ahsoka is there and he just...can't
Vader knows he can't kill his younger self. And Tiny!Ahsoka gives him all the feels in his otherwise cold, dead heart.
Even though he really wants kenobi dead
Imagine Dooku, Qui and Ani's reaction to Vader being like. Unnecessarily mean to Obi. Even meaner than he is the rest of them.
When they find out Vader is Ani...and Obi-Wan put him in the suit
Qui-Gon: "Is this what makes you feel big and powerful? Pushing around a 13 year old? This is what you need to feel worthy?"
Little Ani asking: "What happened that was so bad I decided to give myself another chain?"
Tiny Obi-Wan, hugging Tiny Ani: "I'd never hurt you, I promise I won't, not ever, I'll keep you safe forever--"
LINEAGE FEELS
Ani: "I won't do it. I promise. I won't chain myself again. I won't hurt you. I promise. I promise. I promise."
Kinda want them all to go back to their timelines with a plan to derail the sith's plans. Like the sith have been planning this for 1000 years they're going to need time to derail all that. So when Qui-Gon goes back things are different because Dooku remembers him and has been doing his part. When Obi-Wan goes back, it's the same thing with Qui-Gon. When Anakin and Ahsoka go back, it's the same and Dooku hasn't fallen. That could be a whole nother sequel.
And then the sith had to adjust their plans to fit their actions and everything is so DIFFERENT
A favorite trope of mine, rarely used in fandom: someone choking back tears of their own while they comfort a crying child.
This, but Dooku and Ashoka
The snark between those two
Also, Obi-Wan learns he was never sent to Bandomeer and that whole mission happened differently because Qui-Gon took him without him being sent to AgriCorps first. Anakin has memories of slavery but now he also has memories of growing up in the Temple because Qui-Gon and Anakin knew to find him.
You're all,,,, giving me,,,, so many feelings
Also, Obi-Wan learns he was never sent to Bandomeer and that whole mission happened differently because Qui-Gon took him without him being sent to AgriCorps first. Anakin has memories of slavery but now he also has memories of growing up in the Temple because Qui-Gon and Anakin knew to find him.
Oh this is a whole crap ton of complicated emotions for them
I want protective "i have to be the protector/defender of these kids" young Dooku, with "I have to follow the will of the force while protecting these kids even though i just want to lean on this young version of my master" young Qui-Gon, with "idk what I'm doing and i want to curl up with my master, but these two little kids need me to be brave" young Obi-Wan, with "recently freed slave not sure who to trust only dealt with grieving Obi-Wan and Jedi who don't want him but needs to protect ahsoka" young Ani who also just wants someone to hug him, with young "recently brought to the temple but too young to really understand what's going on and is just scared" little Ahsoka.
Oh, and the longer after they return, the more their original timeline memories start to feel like someone else's life!
The five desperately try to live on the run for a bit, but they have no way of getting off coruscant easily and are kinda slumming it in the tomb of the temple for a good week or so trying to get news or figure out what happened
In Legends the temple was a light-side nexus turned dark by the death of so many force sensitive younglings. In disney the temple is ontop of a sith shrine.
Either way
It's a bad place for young force sensitives to squat.
Dooku, looking for information: Hello, my siblings and I-- Guy: You all don't look like siblings. Dooku: Different father's. Anyway-- Guy: pointed look at Ashoka Dooku: Are you going to sit here and debate our family dynamics or are you going to answer my question?
One of the two oldest just straight up refuse to put Ashoka down most of the time
She would run off if they did or get trampled or lost or something terrible. In that same vein, Anakin refuses to let go of Obi-Wan's hand
Dooku: This is my younger brother, my little brother, my kid brother, and our sister (she's adopted) and we would like some help.
Dooku: This is my younger brother, my little brother, my kid brother, and our sister (she's adopted) and we would like some help.
Clone Trooper: as you are Jedi, we are instead going to shoot at you
She would run off if they did or get trampled or lost or something terrible. In that same vein, Anakin refuses to let go of Obi-Wan's hand
oh my gosh imagine how much that would mean to little 13 year old Obi-Wan
SOMEONE CHOSE HIM.
It wouldn't necessarily be obvious, if enough time has passed. The haircut wasn't completely standard and, with hiding, they probably ditched their robes or disguised themselves with 'borrowed' clothes
Dooku, Qui-Gon, Obi-Wan and Anakin have to cut off their braids to escape the troopers
They wrap them around their wrists like bracelets
They all cry when it happens
Ahsoka goes around and hugs each one when it happens
Cue comforting cuddle pile
I mean Sheev did his best to erase Jedi culture, so the braid=Jedi apprentice thing probably isn't something very many people know.
Dooku finding out he became a Sith Lord who was killed by Anakin. Qui-Gon learning how he died. Anakin learning he killed Dooku and then became a Sith. Obi-Wan (and maybe Ahsoka though how much she understands is debatable) learning they probably died in a massacre
I mean Sheev did his best to erase Jedi culture, so the braid=Jedi apprentice thing probably isn't something very many people know.
But it may be something the clones are taught to know to keep an eye out for
Are there many clones left at this point?
Mostly stormtroopers now?
Important question: do they have their sabers with them?
Still stormtroopers and then the inquisitors who would know
Prolly Dooku, Qui-Gon and Obi-Wan have lightsabers. Anakin just joined the Jedi and Ahsoka is too young
Anakin and Qui-Gon's death being so fresh....
Prolly Dooku, Qui-Gon and Obi-Wan. Anakin just joined the Jedi and Ahsoka is too young
I don't think the stormtroopers would know, the inquisitors probably would
255 notes · View notes
lifblogs · 3 years
Text
Kinktober: Day 1 - Overstimulation
Yeahhh this is late. Sorry.
Title: Fire and Light Fandom: Shadow and Bone, Grishaverse Pairing: Darklina Word Count: 1980 Summary: The Darkling has invited Alina to his rooms after dinner, and she is beyond delighted with what she's in for. READ ON AO3
I hadn’t quite known what to expect when Aleksander invited me to his rooms after dinner that night. I knew what I had wanted, but being tangled up in him, the black silk sheets on his bed a mess from our tumbling was not what I had expected. It still seemed like a dream, even as I lay on top of him on my side, legs bent upwards, and he was beneath me on his back, driving into me relentlessly.
Aleksander was my first, and I was embarrassed by that initially, but he didn’t seem to care. He was gentle until my body warmed up to him, and relaxed, and wanted more. I couldn’t even remember how many times I’d reached my end at this point. There was against the wall from his mouth, beneath him with his fingers, and again and again with his cock, his fingers teasing at my clit like they did now.
He groaned as he pushed in, and a moan left me. After biting my ear, making my mouth open in a silent cry, he murmured, voice low and rough, “Alina, you’re glowing.”
I hadn’t even realized it, so taken was I in the throes of his passion for me.
I opened my eyes, and became aware of the golden light flooding the room. Cheeks heating, I tried to fight with my power, but there was no fighting his touch. It beckoned more and more from me. I writhed atop him, walls clenching tight to his thick cock, as he didn’t show any sign of slowing. He fingered my clit as he held me against him.
I crooned his name, like he’d asked me to do so many times this night, and he growled before thrusting in particularly hard.
Before I knew it pleasure was winding tight in my lower abdomen and pelvis again, the promised delight already beginning to tingle through my body. I wasn’t sure I could handle another climax, but oh, how I wanted it!
“I’m so close,” I panted.
“Good.”
I whined, needing more, needing him, needing everything to burst through me in mind-shattering pleasure.
“Faster,” I begged. “Aleksander, faster. Please…”
“As you wish.”
His fingers worked at me viciously, making my body scream with sensation, and the pace at which he began to drive into me was near-incomprehensible. I clenched down around him tight, wanting to feel how big he was inside my body, how much he stretched me, how deep he went.
Golden and white fire burst through me, and a scream tumbled past my lips. He cut it off, a hand over my mouth, perhaps not wanting his oprichniki guarding his rooms to hear. Somehow that just made it more intense. I was flush with pleasure between my legs and in my gut, and it flooded my body in waves. My light thrummed through the room, throbbing to the tempo of my contracting walls. My power reveled in his touch, every part of my body awash in him.
This climax seemed endless, but it did end, and he was still taking me. I cried out against him at the discomfort that quickly turned into pain, one of my legs going around him as if it wanted to try and control his strong body.
I knew I could grab his wrist, ask him to stop, and I knew he would listen, but I soon realized I didn’t want him to stop.
His hand left my mouth, and choked cries came from me.
“There we go, Alina. That’s it. Good girl.”
I swore I almost came again just from those words.
A keening sound began to leave me, my hips stuttering against him. But he held me tight, held me close, as if he wanted all of my skin touching him. I did too. I wanted his touch as much as possible. I wanted my power to overflow me to the point of breaking. I wanted this pain that was owning me. I wanted his cock, his fingers.
He moaned, lips hot and wet against my neck. His thrusts began to slow, and I reached back and down, hand squeezing his hip and part of his ass.
“No, no. Please. More.”
“I am going to give you more. But I think you’d like it deeper.” He pushed against me hard, so hard I nearly thought I was going to break. “Wouldn’t you like that?”
“Mm-hmm,” I whined as I nodded.
I was like a doll as he repositioned us, malleable and open to his every touch from his large hands.
With this new position I was above him yet again, but I was spread over one of his thighs, and he entered me from behind.
I didn’t think, couldn’t think. I just began to ride him. And ride him. My folds and clit rubbed against the skin of his thigh, the touch hot and nearly abrasive. I begged him to thrust as I rocked on him, his cock driving into me with more force, driving ever deeper as he pulled at my left leg to widen me.
I gripped his knee for dear life, and I soon realized that tears wet my face.
“I’m not sure I can—” I began.
He interrupted, “Do you want me to stop?”
“No, no!” The mere thought of it was torture. I whined, and rubbed hard against him, my clit and insides positively burning and throbbing. I was so close again. So close! But I couldn’t—! “I don’t think my body wants to finish again.” And maybe it was true, it was as if I’d had too many climaxes. Yet I wanted this one so badly I’d give up anything for it, do anything.
“Do you want to?”
“Yes! Yes, please!”
I shrieked in surprise as he sat up, and grabbed me, hands squeezing at my breasts.
“Alina, have you ever felt a man finish in you before?”
We both knew the answer, but I think he wanted to hear me say it, even as I shuddered. “No.”
His fingers rubbed over my hardened, wanting nipples, and I couldn’t hold back the absolutely filthy moan that slid up my throat.
Part of me knew I shouldn’t let him do it, but I wanted it all the same.
“I’ve been told it’s quite a delightful experience.”
“Oh?” I gasped, wanting to hear his voice, wanting him to keep talking, and tell me all about it even before it happened.
He stilled me, and then had me get on my knees, the top part of my body pressed against the bed.
I squeezed my eyes shut, and cried out when he thrust into me. I felt like he had reached the deepest part of me. My body was sore from how long we’d been enjoying each other, but I loved it just as much as I loved the way my power sang from his skin touching mine.
He rested over me, his sweat-slicked chest pressed against my back, mouth near my ear, forearms holding him up on either side of me. I was completely and utterly trapped by him, and just that alone had me involuntarily tightening my insides.
I could’ve sworn he nearly collapsed from that. Was he close too?
“You’re going to feel me throb in you, Alina. All of me giving myself to you.” He grabbed my jaw with one hand, tilting my head to the side, so he could speak with his lips brushing against mine. His thrusts were impossibly fast, and he panted against my mouth. I cried out in time with the pummeling I was receiving, my body wound tight, pleasure building and building yet not breaking and bursting. “I’ll thrust harder, deeper, and I won’t even mean to. And then you’ll feel it. Feel me, and all that gushing heat. I’ve heard of women reaching their end just from that sensation alone.”
I whined, wanting it so badly.
Still holding my face, keeping me to him, he kissed me, mouth open, his tongue that I knew he was so clever with dipping inside of me.
He moaned, and grunted, and growled into me, his hips driving at a merciless pace, my light near-blinding now. His darkness joined it, the room dancing in shadows, our story painted in the air all around us.
His shadows touched my heated skin, like a caress. I shuddered, I tried to kick my legs. My back arched, my body fighting for release. I began to pray to every saint I knew of without even the intention of it. I wasn’t even one for prayer, but here I was, on my knees beneath the Darkling himself, the general of the Second Army, praying.
He bit my swollen bottom lip, and a shuddering moan left him. His hips drove harder, so hard it hurt.
I loved it.
My voice joined his, and I felt what he spoke of. Everything inside of me tingled as I felt him throb, and throb. I clenched around him, insides hugging him, needing him so badly it hurt. I couldn’t take it anymore!
There was a gush of heat, searing my heated walls for just a few blissful seconds.
Yet I still didn’t reach my end.
I started to cry, a sob clawing its way from my chest. It was all too much. Had my body really been so overstimulated that it couldn’t do it?
Aleksander held himself deep in me, wiping away my tears.
“Are you all right?” he asked.
I shook my head.
Immediately he was getting off of me, leaving me. It made another sob escape me, but soon he was laying me out on my back, and he was caressing my face. Just that touch alone hurt, but it promised more.
“What’s wrong? How do I help?”
“Please, just make me finish. I can’t—” My words cut off in a stuttering sob.
He kissed my forehead as he held me, and then promised, “I will. I will, all right? You have nothing to fear. Now spread your legs.”
I did so even before he’d finished speaking, and he kissed his way down my body. I whimpered, and my hips thrust up into the air, wanting, wanting…
When his mouth was on me it wasn’t a moment too soon. His tongue lapped over me, his lips kissing, mouth sucking. I was surprised when three of his fingers entered me, so sure he would be averse to touching any of what he’d left in me. But he wasn’t. He beckoned, and his mouth was so good to me.
I burned, all of my light driving back his darkness. I squirmed, and kicked, even with him holding one of my thighs.
And finally—finally!—I reached my end. I became lost in it, forgot everything else. I could’ve been screaming, or crying. I didn’t know. I was taken over by all he had done to me, and all I was feeling, completely and utterly floating in bliss. In gold and white.
Nothing had ever felt so good, and I was sure nothing ever would for as long as I lived.
My pain was at an end, cleansed by the fires of pleasure rushing through me.
I wasn’t sure how much time passed before it ended, but I was aware that I was now cradled up against Aleksander. The mere brush of his skin against mine was a slightly painful discomfort, but I welcomed it.
I began to drift off, and I was aware of him combing a hand through my sweaty hair.
“Sleep, Alina. Rest for now.”
I tried to say that I would, tried to whisper his name, but my entire body was heavy; so heavy.
I just barely registered the final words I heard before drifting off, his voice a sweet murmur in my ear: “I’ll be ready for you again quite soon, and I will have you.”
8 notes · View notes
shetiger · 3 years
Text
The Emergency! Fandom Intro Meme
Rules: Not much to say here! Copy-paste this into a new post (and feel free to link back to this one if you’d like) and answer the questions as you see fit if you’d like to tell the rest of the fandom a bit more about yourself. This meme is generally tag-free and open to everyone who wants to do it (but feel free to informally tag people you’d like to know more about). You can tag your reply as “#E! intro meme” if you’d like.
How’d you find this show and the fandom? How long have you been here?  I watched it when I was a little kid, and it was my very favorite then. (I’m a year younger than the show.) About 5 years ago, I figured out it was on Netflix (boo that it’s gone now!) and realized I still absolutely loved the show. I poked my head into fandom, saw a few people, was too shy to interact much, and drifted away again. But then I noticed a few people writing my pairing, so, I’m back.
What made you stick around? I just love Johnny and Roy so much, and everyone I’ve met in fandom has been lovely!
Who’s your favorite character? Roy DeSoto. :D Don’t worry, I love Johnny to the ends of the earth, but Roy is my guy.
Are you a shipping kind of person? If yes, what are your favorite ships? Absolutely! I’m happy to read and write gen stories, but shipping is where my heart is. Johnny/Roy (and also Johnny/Roy/Joanne) is my ship, though I certainly have considered others. Different combos of Dixie, Kel, and Joe have a lot of material to work with.
Favorite moment/scene/quote? Yes, you can pick more than one. Aaaah! I could be here all day. There’s a tiny moment in Camera Bug that I’ve mentioned before, when Johnny accidentally smacks Roy with his camera, then immediately reaches out and touches Roy’s head in apology. I think it’s actually a blooper that stayed in, which makes it even sweeter to me, because it shows off Randy and Kevin’s wonderful friendship.
Do you have a favorite episode? Feel free to pick one per season if you can’t decide. Uh. There are a lot of them, but I’ll stick to The Promotion for right now. I just absolutely love the way Roy is torn between doing what he thinks is right for his family, and what he truly wants to do for himself. And on the other side of things, Johnny is trying so hard to do what he thinks is best for Roy, which is encouraging him to go for it, even though the idea of Roy leaving is completely gutting him. And then, Roy choosing to stay for Johnny (and himself) is just...ugh. Beautiful.
Most underrated character, either among the fandom or one the writers never utilized to their full potential? I do think he’s gaining traction in the fandom, but definitely Morton. As I rewatch the show I like him more and more all the time. They did a lot of really good things with him, but also some not so good things, and yes, it would have been nice if he’d had more good storylines.  And then also for myself, I hadn’t realized how much I love Captain Stanley. In a cast full of great voices, his is my very favorite. And mmm, the man is sexy when he’s in command of a scene!
One thing you’d have liked to see more (or less) of in the show? I would have liked if they’d spent more time showing us Roy and Johnny treating each other when they got hurt. They always tend to cut away to the hospital when it’s serious. Now, Roy hovering in the treatment room in Nuisance was lovely, but that was the exception, not the rule. From all of the ‘Johnny whump’ fic I’ve seen posted, I’d guess the fandom would have also liked more time spent on those moments. As far as less - less sirens. Oh, boy. Way less time spent on traveling to the scene with those sirens.
Do you have a fanwork recommendation for us? Fic, art, video, whatever? Everything by guardy and hitchcock_winter. If you're up for some gen angst, I adore Requiem by dee_ayy on AO3.
Any fanworks you’d like to see? I'd like to see the ones I've started finished. :D. Just, more Johnny/Roy in general. And some more Roy whump. Because Johnny can't have it all, can he?
Any favorite headcanons you’d like to tell us about? Johnny bought that damn house because he wanted Roy to have it. He just, you know, got caught up in things and went about it a little screwy.
Free space! Anything else you’d like to mention? I haven't tried to interact with any fandom in a really long time. Not in ten years, probably. And never on Tumblr. So I'm kind of fumbling my way through this and being super awkward. Please feel free to say hi/request fic/whatever!
Thanks @johnnys-green-pen for doing this!
15 notes · View notes
lunawings · 3 years
Text
Joji’s Birthday PriZoom (9/15/21)
Translation of the bonus content is in a seperate post again.
So yeah I never actually fell asleep after the showing haha. Was just lying in bed playing Love Live when I thought well... I got a good 4-5 hours of sleep in before the showing (better than literally nothing like last time)... If I’m gonna be awake I might as well start this while my emotions are raw so I rolled out of bed and wrote most of the below rambly mess.
And then I went to work. Which was kind of surreal. Because for a few hours my brain really was back in Japan again. There was something just a little magic about this showing I think. A lot of things came together (starting with how talkative people actually were during Pride the Hero! Ahh!) etc. 
B... ut.....
I guess I’ll get this out of the way first. I was super heartbroken at the low turnout for this one. Only 65-85 people in the cheering room... But it was a weekday, sooo... I’m just going to hope that a lot of people bought the archive tickets to check it out later.... Yes... I have decided that is the case.............
The people who did, however, missed out on the cheering room and thus missed out the latest incident to enter my personal list of all-time favorite moments in this fandom. After Joji’s episode in SSS Part 2 we had some “technical difficulties”... (I put that in quotes because I somewhat doubt it was technical difficulties. I mean, the stream cut out cleanly RIGHT at the end of Joji’s episode. So I wonder if maybe someone just forgot about Minato’s episode and shut it off early hahaha...) and while we were waiting for them to restart the movie there was a long period of silence and a black screen. But us in the cheering room could all still hear each other. .....And someone started singing Brilliant Oath.
It was PERFECT. These are the moments I live for! This is why I’ve been to like over 100 cheering shows and I still KEEP GOING! I love this fandom! It may not have made the archive since the cheering wasn’t recorded for that but it will live on in our hearts.
Anyway...
I guess one bonus to having less people this time was that I actually managed to keep on the soundboard hell... the ENTIRE... TIME!! Although at a low volume. And honestly... I more or less completely stopped hearing it at one point I think haha. So... that kinda defeats the purpose I suppose. Actually no, even if it was just static background noise it was still nice to have on in SSS, which would have been pretty quiet without it. And it was worth it just for the one person who was like SHISHOOOO during one scene in Pride the Hero when Jin was going crazy hahaha (AH! When was it? I don’t remember now...). I also tuned in for a bit in episode 6 and loved when Minato’s sister says her age incorrectly everyone was like EIIIGHT (...that’s not correct either hahah....)
Since I knew this was going to be archived I tried bring my cheering A game to Pride the Hero with moderate success. Kinda mad at myself for missing stupid small things probably no one would care/look for I mean my camera is shit anyway (BUT I--). I’m just lucky it wasn’t way worse because Pride the Hero I can mostly run on autopilot. Out of all King of Prism media, it’s probably the one I’ve cheered the most (I mean it was all we had in theaters for literally like two years), and it was fresh in my mind from Minato’s showing too. So even with how exhausted I was, I made it through! (Then proceeded to take micro power naps on the floor during episodes 4 and 6.......) I also kinda wish I’d changed my background earlier. The show started before I got around to changing it and I was like I’ll change it during a break (........Pride the Hero has no breaks........) haha but yeah. I had Okayama station up from the Prism King Cup onward and the Momotaro mailbox up during SSS. The real background MVP though is the person who appeared to have up the bench in rural Okayama where Joji made his promise to Miyo!? I mean it looked kinda different because it wasn’t on a bridge but that HAD to be it, right!? (!!!??)
Also cosplay at this showing was amazing! We had like 3-4 Miyos, 2 Aces, KOKORO!? (and Taiga. Because who are we kidding there’s always a Taiga)
Also shoutout to the girl who cosplayed as... the PIECE OF CLOTH Joji sewed for Miyo!? (I think she was at both showings but I didn’t fully realize what she was supposed to be until the Playback Allstars at the very end hahah...) 
And shoutout to the Ace cosplayer “singing” during all of Joji’s performances haha!!
And the person spinning in an office chair whenever any character was twirling around...
But BIGGEST shoutout to our own @takadanobaba who was somehow THE ONLY Joji cosplayer in the cheering room!? (The only overall for the first show, but another joined in the text-only room for the second show.)
I was SO HAPPY when Tatsuyuki Kobayashi noticed you!! RIGHT!?!? He was like “Oh and there’s someone dressed as Joji!” and you were the only one!!! He didn’t even say anything about the people dressed as Ace!!?! Haha! I wasn’t trying to do anything to get his attention (I wouldn’t know what to do anyway, and besides he’s not the kind of person who works the crowd like Masashi Igarashi does so I wasn’t expecting much) so having him notice you was a huge surprise and honestly just about as good!! AHHH!!! 
But the concept of this showing was a little awkward ‘cause it’s like, as a fan, do you appeal for Joji or Ace? Tatsuyuki Kobayashi was maybe a little conflicted about how to act too. First he said he was coming as himself, but then he backpedaled and slipped into Ace being tsun when pulling the birthday crackers for Joji heheh. 
But yeah, we’ve got to give him a break, he’s just so happy to have his own character finally. I’m happy about how happy he is to be Ace! But like honestly... Not like I’m necessarily complaining but... This showing ended up being almost exactly the same as the Ace one pfffthahah!!! I mean he mostly just talked about being Ace and went over a lot of the same things. Like being the surprise guest at the MRS concert, etc. I think he may have said this before too, but when he originally recorded Love Mix, Ace didn’t exist yet so he didn’t really know who he was supposed to be singing as and just tried to sound like a sparkly idol. And I’ve always felt that! Like I think his voice changed or evolved between Love Mix and Joker Kiss into being less generic idol/Joji and a lot more Ace. 
OH!! I don’t think he said this at the other one (but for some reason it sounds vaguely familiar?). He was talking about how he knew of King of Prism and actually went to shows before he was cast in Pride the Hero. And after he was going to a Pride the Hero show and Sugita (Joji’s actual voice actor) was on the escalator behind him. HAHAH. 
I LOVE stories like this because... okay like, when you go to a theatrical cheering show there is always this introduction video where they talk about cheering manners. And they warn you not to say anything mean because “you never know, a star might be sitting next to you.” And to know THAT’S ACTUALLY TRUE SOMETIMES.... JFLSJDLJG. I mean, I’ve only seen King of Prism in Tokyo a handful of times so it’s probably never happened to me. Actually I guess... technically... this show and the last one DO count because Masashi Igarashi and Tatsuyuki Kobayashi were watching with us before and/or after their segments and probably listening in!!! (Still, I guess the point is it’s nice to know the voice actors actually do go in their private time, too.)
Oh, one more shoutout I forgot about to the person I think had a big red car with Joji and... a bunch of Jin mochikoros in the back!!? They rolled it by the screen so fast why hahah.  
And it was great to see Joji’s 2019 birthday video again and confirm it wasn’t a fever dream. Hopefully I can grab that from @takadanobaba when the archive goes up in a couple days (it will be a quick and easy translation!).
Okay that’s it.....
DO THE PRIZOOMS
Or at least buy the archive tickets and watch later
(but they are expensive and it’s not the same)
7 notes · View notes
cyclogenesis · 3 years
Note
For the writing ask (you don’t have to answer all of them since I probably picked too many, sorry!): 1, 2, 7, 8, 10, 19, 20, 26, 30, 31, 32, 36, 38, 39, 40. (Thanks 💜)
I did it, I answered all of them!! (Yes, it took me a couple of days aha.) Thanks for asking anon! 😘
1. Which of your fics would you keep the basic plot of but rewrite completely?
Generally speaking I would rather die than rewrite anything ever, and most of the stuff I’ve written I can look back on and be like “nice”. I did recently reread a few bandom fics I wrote and felt mildly horrified by the fact that some of the writing was so spare that the dialogue sections were like reading a screenplay, so I’d have to say those would come the closest. Like I wouldn’t actually ever rewrite them, but were I to write them today they would read very, very differently.
2. Anything that you’d like to write but feel like you’re unable to?
Honestly I read soooo much Hydra Trash Party stuff and would love to vibe with Bucky’s sexual trauma in fic more but I feel like I’d really struggle to write that kind of background given my usual writing style. That’s the kind of super iddy thing I usually do in chatfic, but unfortunately I don’t have anyone to do that with in this fandom, so I’ll just keep whining internally about the lack of HTP Sam/Bucky while doing absolutely nothing to address that glaring lack.
Rest of the answers behind the cut!
7. Your favourite ao3 tag.
I cruise the Bottom Bucky Barnes tag like a 50s kid dragging Main.
8. How slow is a slow burn?
HERE’S THE THING. So if I ship something super hard, like hard enough to write or read fic about it, then I have already interpreted the canon itself as a slow burn because presumably they haven’t kissed yet, and I’m writing or reading fic because I’m ready for the kissing to be happening. I also don’t tend to read a whole lot of long fic. So basically I’m gonna need kissing by at least the 15k mark unless it’s like, masterfully written.
10. Top three favourite fic tropes.
You know, I’m honestly not usually drawn to stuff that’s very traditionally tropey! I don’t write it too often either, usually with fic I’m just a simple gal who wants to look at canon and then figure out a way to get them to acknowledge they want to kiss each other. I do love fake relationships though!
19. Share a snippet from a wip without giving any context for it.
“There’s more than one Loki,” Sam is disturbed to tell him. “A bunch more. One of them is a good guy now.” Actually, Strange had described him as ‘moderately helpful and uncomfortably sincere’. “Another one, uh, broke time, and now there are multiple timelines that have created different universes.”
“Got it,” Bucky says, in the tone of someone who in no way has it.
20. Do you work on a single project or many at the same time? How does that work for you?
I usually have a couple of things going at once that I bounce between until I decide that I’m Going To Finish Something, Dammit and force myself to focus on just one. It’s generally fine because I’d rather have too many ideas than none at all, though I’ll sometimes inadvertently cannibalize myself and have to edit out things I’ve used in two different WIPs.
26. What would you describe as OOC?
I’m honestly pretty forgiving about that, having been trained to suspend my disbelief by liking really dark fic hahaha. One weird thing that tends to throw me in not-dark fic is a lack of humor in the dialogue. I tend to like fandoms with pretty funny characters or people, so I like to see their sense of humor reflected in fic. Sam and Bucky in particular are really funny characters in their own ways - gimme the banter, please!!
30. Describe a fic that almost happened, but then it didn’t.
In so many fandoms I’ve had visions of an OTP epic spanning years and years, and in zero of those fandoms have I ever completed one of those stories.
31. What was the most difficult fic for you to write (but in the end you made it)?
There is a point where every fic feels like the most difficult thing I’ve ever written. Something particularly cute that I do, which I love, is writing very intensely up to the sex scene, and then getting shy about it and wandering away and not working on it again for a little while, despite the fact that usually the whole point of the fic is that I want to get to the sex scene!!!
32. Do you have a word/expression that you always use in your writing?
I’m sure I have plenty of things like that!! I try to edit repetitive things like that out because when I’m reading a lot of a writer’s stuff little phrasing quirks always stand out to my copyeditor brain. That said, I know when I’m doing it and still tend to huffily be like “well that’s the best way to phrase that action!!” so, whatever.
36. How do you come up with fic titles? What’s the one you’re most proud of?
I either have a title from the jump or I’m combing my music library for a lyric snippet I can use like ten minutes before I post the fic. I’m pretty fond of This Is A Song About Fucking in that I committed SO deeply to jacking myself off there; it’s a phrase that Brendon Urie used to say to introduce Lying Is The Most Fun A Girl Can Have Without Taking Her Clothes Off during the Nothing Rhymes With Circus tour (I had to look that tour name up. Thank GOD I had to look that tour name up) and I used it for a 5SOS group sex fic posted a cool eight years after that tour (which I went to multiple dates of, oh god) ended.
38. “This never happened” fix-it fics or “this happened but” fix-it fics?
Definitely the latter, when a canon makes a lousy choice I’m usually like well here we are, let’s talk about where we go from here. But I don’t really look for anything with the fix-it tag in general, once the canon breaks something I loved I’m usually so moody that I just abandon ship and stop reading fic haha.
39. Wildest AU scenario you have written?
I verrrry rarely write AUs for posting, but have chatficced some truly bonkers nonsense in my time. My old writing partner in bandom and I used to get weird with Brendon/Ryan - the satyr/fairy and fisherman/selkie days were really something.
40. Write a 9-word fic.
I’m too invested in the thing I’ve written 5k words of these week to think of anything new, so here’s a snippet from that instead.
“Come here,” he chokes out, and the helpless hope on Bucky’s face in response nearly undoes him completely. He sits up to meet Bucky halfway, grabs at his shirt the moment he’s within reach and drags him close, Bucky climbing onto the bed all long limbs and graceless need. The kiss is a surprise only in how rough it is, a hard press of lips like Bucky’s greedy to touch Sam any way he can, like this is just another way for them to collide.
7 notes · View notes
londonalozzy · 3 years
Text
Did You Know? 2/2
Fandom: Marvel
Pairing: Steve x Reader
Genre: Romance, Angst, Drama
Summary: You find yourself in Siberia with Steve and Bucky. When Tony arrives you get caught in the crossfire, not knowing how or even if you can stop their fighting. Other than Steve who you're in love with, Tony is the most important person to you in the world, the closest thing you have to a Dad. It's tearing you apart seeing them fight like this. What do you do? How do you stop it?
Read Part 1
Masterlist
Tumblr media
The moment that Steve confessed to knowing it was Bucky that killed Tony's parents all hell broke loose. They crashed and moved around the space with such speed it was almost impossible to tell which one was which. All I saw was a flash of red, blue and black.
I was stunned, distraught, broken hearted. I don't know how to fix this or how to make it better. Tony was out for blood, Steve was trying to protect Bucky, and Bucky was trying to save himself. I, well I just stood there, watching chaos erupt around me, a million questions running through my head. I knew I had to do something. I just had no idea what.
Out of the corner of my eye I spotted Zemo, still safely encased inside his chamber. A huge satisfied grin filled his features and it was then I realised he had won. He got exactly what he wanted. He blamed the Avengers for the loses he suffered during the Sokovia attack. In his eyes we wrecked his family, so he was now destroying ours. It looks like he achieved everything he set out too.
There was one thing that was certain in my mind, one conclusion I had come to. No longer could I fight alongside Steve and Bucky, not after this. It wasn't just the act of killing Howard and Maria that made me feel this way. It was how they've dealt with it since. They'd got me on their team, had me helping them, defending them. All the while they were keeping this big, dark secret. Bucky I can understand not telling me, he had no loyalty to me or to Tony. Steve on the other hand is a different story. I chose to go with him, knowing that doing so could destroy my relationship with the only father figure I've ever known. I did it because I thought he needed me. I did it because I loved him. Just goes to show that love isn't enough, trust is just as important. As of now Steve didn't have mine.
I was pulled out of the internal war I was experiencing when a large explosion to the side of me brought me straight back in to the real one. Fire erupted everywhere and debris began to fall all around.
Before I had time to even think about moving a massive cluster of concrete and broken twisted metal began to rain down, right on top of me. I made to jump out of the way but didn't manage to break free completely. Tripping over a metal beam I awaited the inevitable crushing. There was no way I was getting out of this. About to emit a scream of terror I was immediately cut short when I was pulled out of the debris path.
"Are you ok?" Steve breathed heavily in concern, pulling me to my feet and reaching out to check me for any injury.
"Don't...touch...me," I forced out with gritted teeth.
"(Y/N), listen to me."
"There is nothing you can say that will make this better. Not a damn thing."
"I love you," he shook, cuts and bruises littering his face. Usually I'd be fawning over him, concerned about the blood and grazes. Right now though, right in that moment, I couldn't care less.
"Maybe you should have thought about that before you started hiding things from me."
"He's my best friend (Y/N)."
"Yeah, and I was your girlfriend."
"Wait, what do you mean was?"
"Maybe you should work that out for yourself."
Before Steve could reply to my angered outburst, my attention was drawn to the fight going on above us, Tony and Bucky not taking a break.
Bucky managed to break free for a second, taking his advantage to run as fast as he could. Tony made to follow, floating off of the floor and aiming himself in Bucky's direction.
"It wasn't him Tony. Hydra messed with his head," Steve yelled out, grabbing Tony by the foot and pulling him back.
"MOVE," Tony screamed.
"Dad, please don't do this. Be better than them. I can't lose you. If anything happens to you..."
"I have to do this (Y/N), I have to. He killed my Mom."
With that, he bolted off and the fight ensued, Steve quick to follow suit trying to tear them apart. Before long, Steve was right back in the battle himself, he and Bucky both beating on Tony like he was a punch bag. Who was this Captain America? This man I was watching right in front of me? Certainly not the guy I fell in love with.
As the fight went from the ground up into the rafters, I watched on helplessly, knowing that if I did try and get involved that I'd be no match. It wasn't just that though. Who would I be fighting with? Who would I be fighting against? I knew I couldn't stand alongside Steve and Bucky now, but could I stand against them?
"DAD!" I suddenly screamed, watching as Tony was slammed against metal railings, Steve attaching a metal cable around his neck and then pulling him towards the ground.
"Honey, get out of here," Tony called over to me, sadness but determination in his voice as he launched straight back up into the air, right in Bucky's direction.
Tony grabbed Bucky, pulling him off of an upper balcony and then flying off the side. Before they could get very far, Steve launched himself at the two, wrapping his arms tightly around Tony's neck and then proceeding to try and loosen his grip on his friend. The weight of the three proved too much for Tony's suit to bear and sure enough they all came plummeting to the ground, a deafening shudder, shaking the building as they hit the floor.
For a second none of them moved which gave me enough time to run over to them. Bucky lay motionless, knocked out from the impact. Steve shakily got to his feet and Tony, Tony stood strong and proud in front of Cap, no sign of letting up any time soon.
"Nothing can change what happened?" Steve struggled to get out as I came to a stop between the pair.
"I don't care. He killed my parents."
Sobs started to wrack my body as they immediately went at each other again, both men failing to see the affect this was all taking on me. I was shaking, could barely breathe. As it continued, Bucky now awake and joining in with the pummelling I could feel myself losing control. Spots clouded my vision, ringing began in my ears. Just when I thought I was going to pass out, the men beat my body to it. Tony made to launch a blast at Bucky with his gauntlet, which Steve knocked away with his shield. Unfortunately the blast didn't hit the wall, or the floor, or a pillar. It hit me. I fell to the ground with a large thud, my left side erupting with a pain I'd never experienced before. Just as I spotted the fight halt, both Tony and Steve desperately rushing in my direction, screaming my name as they did so, the blackness took hold, my eyesight flickered and I for want of a better word, checked out.
I have no idea how long I was out for but when I eventually came too, I felt like I was on fire. The first person I saw was Bucky, he was standing above me, regret and sorrow in his eyes. Steve and Tony were knelt at either side of me, Tony's face plate now gone and Steve, tearing up as he compressed my wound with his gloved hand.
"If I'd known...me getting severely injured...would stop your fighting, I would have got...in your path way...sooner," I croaked with a dry throat, tears threatening to spill from all of our eyes as I struggled to pull myself up.
"(Y/N), I'm so sorry honey. That was never supposed to happen," Tony whispered in despair.
"I should have been looking where I aimed it with the shield. It's all my fault," Steve breathed out in exhaustion, refusing to leave my side. I managed to trample over to a pillar, leaning myself against it for a little more comfort as I looked on at the regretful faces in front of me. God, this hurt.
"Do you have...any idea what this is...is doing to me?" I stammered in agony, pushing Steve away slightly when he got a little too close. I really couldn't have him near me right now.
"Every time...you hit each other, you are attacking...me. Not only are you killing each other, you are...killing me too...literally. Stop this, stop it...NOW. Please...whilst we still have a chance."
"I had to protect him (Y/N). He's my friend," Steve tried to defend.
"So was I," Tony bit out.
It was that answer that gave me the clarity I needed. At first I thought that he was just angry over finding out it was Bucky who killed his parents. I couldn't have been more wrong. He was just as angry at Steve, his friend, his team mate. Steve had lied to him, kept this from him, just like he had kept it from me. I couldn't let that go. I don't know if I ever would be able to.
Yes, I felt more trampled on by Steve and Bucky in that moment than I have ever felt by anyone. But still I could not see them killed, hurt even, especially Steve. This was my opportunity to break it up. Only minutes ago I thought we were coming to a truce, I for one shining second thought I had my family back together. How wrong I was. Now, we are more broken than ever. There was no getting back from this.
"Steve?"
"Yeah?" he asked, hope filling his eyes.
"Take Bucky and get out of here," I instructed, no emotion in my voice but tears threatening to break free.
"What?...But what about you?"
"I'm going...I'm going to where I should have been all along."
"Please, don't do this?"
"You've given me no choice. I can't see you killed Steve. I love you, I do, but I can't forgive you. I can't help you either. You need to go now, or I'm never going to be able to stop him."
Tony stood in silence the entire time, shock all over his features as a result of what had happened to me. I was bleeding profusely now, my vision once again fading in and out. I had to get this done though, had to finish this.
Not giving Steve a chance to talk any more I turned my attention to Tony, tears finally making themselves known, as it started to get too much. My next words sealed my decision for all of us.
"Dad? Take me home."
THE END!!!!
38 notes · View notes
itsclydebitches · 3 years
Note
I got witcher!Ciri too! I kind wonder wha would happen if she died tho, dont wanna put geralt or her through that but I love angst lmfaoo. The game got really confusing at point cause I you have to learn a bunch of politics and how this world works and I didnt pay that much attention so I'm sure I'll get those moments in my second playthrough too I'm playing something in the hearts of stone thnig, it was lower level so I'm assuming you should play that first? a main quest with the asshole ghost in the wedding and wow I fucking hate it, it's so umcomfortable to watch geralt be this gross n weird lol, I'm not too familar when Shani either so watching her get mad when I get geralt to say he wouldnt do what the ghost is doing is so annoying lol, OH AND the ghost is a creepy fuck! shani babe you can do much much better than an asshole who talks about his dick and fucking "maidens" every other sentence!! Geralt really does get thrown into so much shit huh I'm tempted to read the books cause I do rly like the world and most- some characters but yeah reading about yen being yen wold be one of the things to stop me, what are some of the plot points that put you off? if you don't mind sharing And yeah I'd so be up for more content esp with ciri, would be cool to see them work together, even with how combat works in this game with npcs lmao
Woo witcher Ciri ending! :D If you enjoy putting yourself through pain I recommend looking up that other ending on YouTube because there are definitely some nice angst shots in the cut scenes. I watched and then promptly went, “I don’t need to play that for myself” lol. But yeah, hard agree on things getting confusing, especially towards the end. I completely missed stuff like the fact that my actions would actually impact this war, rather than the war simply being backdrop, or that Ciri’s powers were more than just the ability to teleport short distances. So by the time I was getting called on to murder kings and Avallach was taking us to totally different worlds, I had a very John Mulaney approach of, “This might as well happen. Things are already so goddamn weird.” Which, you know, really isn't the game's fault. It's what I get for jumping into the third game first and while I don't regret that at all, the story has absolutely deserved a second playthrough where I actually understand all the basic stuff I should have known going in.
Yeah, Hearts of Stone comes first. You can do any of the side quests you’d like from either DLC, but I’d recommend keeping Blood & Wine’s main storyline for the final push. But yeah, that ghost dude is, uh… something. I quite like the wedding on the whole—I really enjoy Shani, dancing is fun, O’Dimm is being a wonderfully evil dude—but yeah, dead dude is definitely a creep. Which is partly one of the things that turned me off from the books. It has the same ‘Guy trying to write women’ energy of the games but… worse. I’ve read a lot of excerpts over the years and so many of them turn me off. There are a ton of small things, like Triss importantly informing the witchers (who are all like 100+ years old??) about periods and that Ciri can’t train today because of hers (a moment that much of the fandom celebrates as... progressive?), or Triss and Yen getting super catty with one another over Geralt, to much bigger things like Ciri nearly getting raped/being involved in intimate acts with really questionable consent. A lot of the Witcher has a “This didn’t age well” vibe to it which, to be fair, isn’t entirely the fault of the author. The story is the product of 90’s Polish culture and, again, a man trying to write some pretty complex subjects from an arguably ignorant place, which makes much of the work eye-rolling for me at best, outright uncomfortable at worst. (Which I think is why I enjoy the games far more. I have agency in this questionable world, the ability to tailor it somewhat to my own beliefs and desires, which makes moments when that's taken away, like Geralt automatically commenting on how good Yen looks at a funeral, all the more frustrating). I obviously am not a Geralt/Yen fan, which sours a great deal of the plot. From what I got through the pacing felt like a slog and, more importantly, much seems to have been lost in the translation from Polish to English. (I continually hear about how amazing the dialogue is, but sadly that hasn’t come across in translation for me. Much of it is... awkward.) The parts I’ve heard about/read excerpts of that I’m most interested in—Geralt’s hanza—ends tragically and I’m… just not here for that right now. Which isn’t to say it’s badly written or anything, just that it’s not my personal cup of tea, especially nowadays with a pandemic and what all going on lol. I look at what I know of the series as a whole and go, “Do I really want to read five books filled with outdated representation for women, that old-school fantasy violence that turned me off GoT, with a super depressing ending, all wrapped up in an iffy translation and a style I don’t think does well in long-form storytelling? … Not really.”
Still loved most of the short stories and I’ve heard that many people liked the audio book versions when they couldn't get into the text, so I might give that a go someday. I’d prefer to actually have read all the source material for a fandom I’m spending so much time in, but I sadly just haven't had the urge yet. If you do read them, anon, you’ll have to tell me what you think. It’s becoming quite the divisive topic, especially as Netflix fans turn to the books, and—putting aside that everyone’s tastes will always differ—it’s interesting to hear not just whether someone had fallen in love with the books or not, but if they haven’t what about them prevented that. It's very much a case of one person's "That was awful" being another's "Are you kidding me? That's the best part!"
6 notes · View notes