Can u do jane x jay x carlos for the nsfw thing
In case the ask isn’t clear enough, these are all NSFW
Who is louder?
Jay is loudest. He is enthusiastic and vocal and eager to let everyone know what's going on. Jane is after him, though quiet in comparison. She doesn't want to be loud, but Jay and Carlos have tongues that make her see stars.
Who is more experimental?
Jane is. Growing up on the Isle, Jay and Carlos didn't have the luxury to explore anything other than basic pleasure. For them, it was quick and rushed, and when they came to Auradon, they got to take their time learning each other's bodies and being gentle. Jane has always felt secure enough in Auradon that trying something outside the normal has always been an option, even if she is less adventurous than the normal Auradon kid.
Who takes more risks?
Jay because he's a little shit starter. He is eager to touch his girlfriend and boyfriend at every opportunity. He just wants to show everyone how happy he is with them.
Lights on or off?
Off, at Carlos and Jane’s preference. Carlos finds comfort in the dark, he likes being able to know where Jane and Jay are by instinct, not by sight. Jane is still shy with sex and likes to use the dark to hide.
Who is more likely to be caught masturbating?
Jane. She has little toys and her fingers and writhes on her bed, with the door always locked of course. But Jay and Carlos know her little whimpers and gasps and a locked door will not stop them.
Who comes first?
Carlos. Jane and Jay like to team up on him and take turns biting his freckles. Jane kisses him and pinches his nipples while Jay sinks lower and has his own fun and Carlos is left a mess.
Who is better at oral and who prefers it?
Jay is best at oral as he as the most experience and Jane prefers it.
Who is more submissive?
Carlos. It's not that he's weak, he just prefers to let Jay take charge with them and he likes when Jane's confidence comes out and she starts taking the lead.
Who usually initiates things?
They all initiate for different situations. Carlos initiates when he's stressed, Jane initiates when she has a good day and is feeling good, but Jay initiates the most. He's so amazed by the security of Auradon to take his time and the soft bed sheets and the trust he has with them to lost himself.
Who is more sensitive?
Jane is most sensitive. She’s so inexperienced that just Carlos' warm breath against her skin or Jay's lips against hers is enough to get her blood rushing.
More Ships:
Jaylos, Sea Three, Malvie, Balvie, Hevie, Core Four, Harlos, Jayry, Janelos, Benlos, Core Four and Ben, BenJay (King of Thieves), Audruma, HarryGilCarlos, Gilry, Core Four and Sea Three, Bevie, Dougie/Devie, Umal, Chadlos, Jayvie, Gilos, Umvie, Maldrey, BenCarlosJay, Barry, Evdrey/Audvie, Umlos, Janery/Harane, Jaydrey, Benma, MalJane (pretty fairies), Huma, HarryUmaAudrey
Original Ask
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HEADCANON
When Carlos and Jane first started dating Lonnie slipped out that Jane actually knows the flower language. Carlos trying to be thoughtful, learned it overnight (mostly) and made a bouquet. Only there was a flower that only grows with magic so he went to mal and maimed her til she had to grow the flower.
When Carlos gave the bouquet to Jane at first she was confused but then Carlos explained to her. There was a moment of silence followed by the warmest hug Carlos had ever got in his life
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Women writers of the Victorian era regarded the fairy tale as a dormant literature of their own. When Charlotte Brontë's Jane Eyre hears hoofbeats approaching her in the dark, ice-covered Hay Lane, "memories of nursery stories" immediately flood her mind, especially the recollection of "a North-of-England" monster capable of assuming several bestial forms. But the beastly apparition Jane expects turns out to be Rochester, the "master" whom she promptly causes to fall off his horse and who will eventually become her thrall. Rochester himself soon shows his own conversance with, and respect for, powers he associates with the magical women of traditional fairy tales. "When you came on me in Hay Lane last night," he tells Jane, "I thought unaccountably of fairy tales, and had half a mind to demand whether you had bewitched my horse. I am not sure yet. Who are your parents?" When Jane replies that she is parentless, Rochester endows her with a supernatural ancestry. Surely, he insists, she must have been "waiting for [her] people," the fairies who hold their revels in the moonlight: "Did I break one of your rings, that you spread the damned ice on the causeway?"
Here and elsewhere in Jane Eyre, Charlotte Brontë takes even more seriously than her two characters do the potency of the female fairy-tale tradition to which she has them refer. Karen E. Rowe, who has so ably written on that tradition, was the first to show how fully saturated Jane Eyre is with patterns drawn from major folktales such as "Cinderella," "Sleeping Beauty," "Blue Beard," and, as a prime analogue for Jane's developing relationship with the homely Rochester, from "Beauty and the Beast," the 1756 Kunstmärchen (or literary fairy tale) adapted and popularized by Madame Le Prince de Beaumont.
Nina Auerbach, Forbidden Journeys: Fairy Tales and Fantasies by Victorian Women Writers
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There is this really interesting fairy tale element to Persuasion. There is a common trope where the heroine/hero often helps an old woman/animal (often they give something very small, like half of their loaf of bread) and then later, when given an impossible task, is helped by that same person/thing. (Examples: Diamonds and Toads, Puss in Boots, The Glass Mountain)
In Persuasion, Anne goes out of her way to help an infirm widow, though all she can offer is friendship. Then it turns out that Mrs. Smith is the oracle of all wisdom about Mr. Elliot. It very much fits the trope, so much that I feel like it was on purpose. Is it to tip us off that this is all an unrealistic fantasy? Or is it a hope that the good we put out will return to us?
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Fantasy retelling of Northanger Abbey:
Innocent young Catherine Morland is overjoyed to have the chance to go to the King's City, leaving her quiet country town for a more diverse and magical metropolis.
Catherine loves reading fairy tales about the dramatic deeds of long-ago fae.
Henry Tilney is a trickster fairy prince who is jaded by a lifetime of dealing with the machinations of the fae courts. He gets amusement out of living among humans and laughing at their follies.
Catherine meets Henry and is immediately awed at his backstory and (metaphorically) enchanted by his charming personality.
For reasons unknown, Henry's father encourages Henry to romantically pursue Catherine. Henry half-heartedly goes along with it, because it's not a bad idea to stay in Dad's good graces.
And then he's shocked to find himself actually falling in love--because Catherine loves him and because she's genuinely innocent and good in a world where he thought such people didn't exist.
To everyone's surprise, Catherine gets an invite to stay at Henry's father's palace.
An actual enchanted fairy palace? How could Catherine say no?
As they're traveling there, Henry plays up all the old fairy tale tropes warning Catherine how to behave. He's joking (things haven't been like that for centuries) but Catherine still takes it to heart.
Catherine hears of the dramatic tale of the life and death of Henry's mother (perhaps a human? So Henry's actually only half-fae?). With her imagination primed by the stories she knows, Catherine starts to interpret faint "evidence" as proof that his mother's actually hidden away under a fate-worse-than-death curse, perhaps just waiting for a pure-of-heart maiden to come break the spell.
Henry catches Catherine during her quest and is amused and a bit offended. Do you know what you're saying? Maybe things like that could happen long ago and far away, but the fairies are Christianized now. Enchantments like that are far too brutal to consider.
She's right that his dad's a jerk, though.
Not long after this, Henry's dad sends Catherine away in disgrace. He had heard that Catherine was the Chosen One of a prophecy and wanted her to increase the power of his kingdom. He's shocked to learn it's not true (you mean humans can lie?), and in his anger he's harsh in sending her away.
Henry refuses to abandon Catherine and gets himself banished for refusing to give her up.
He shows up at her ordinary home and declares his love and they live happily ever after.
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