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#anyway. “Like the Movies” has so many specific mentions of places/actions/things they do that I HAD to include it. that shit kills me
charcubed · 9 months
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THERE'S NOTHING LIKE YOU & I a Good Omens season 2 playlist
Quiet, gentle, romantic, and a little bit devastating – roughly in story order. For being lonely together across 6,000 years and aching for the freedom to love.
On Spotify Here
(Previous editions: Soft To Be Strong – Good Omens season 1 | Crowley/Aziraphale upbeat song dump)
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bestanimatedmovie · 11 months
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Sorry in advance for dragging on the Wes Anderson discourse, and sorry if this is the wrong place to send this!
I am definitely not here to try to defend his honor or something - even as a kid I found it weird how his live action films seem to be filled with white people - but I finally read that Isle of Dogs article you linked and found it… strange.
The author of the article critiques the supposed disregard for the Japanese language demonstrated by the title, when plenty of articles written by Japanese journalists point out it’s a pun referencing a demon island in a well-known folktale. She has also decided that there is a racist stereotype that Chinese people eat dogs, and China is also in Asia, therefore Anderson can’t differentiate between Asians and that the film portrays the Japanese as dog-haters? (It doesn’t.)
The sushi preparation scene appears to be pretty much universally praised, with comments in the youtube clip linked in her article even pointing out cultural details foreigners might have missed, but the author seems to believe the scene portrays the Japanese as “cruel savages”. I don’t know, a lot of the points in the article, at least in its Isle of Dogs part, feel like weird projection.
The more general criticisms – the white savior stuff and not subtitling Japanese – I get, even if I don’t completely agree with them (Tracy felt more like a self-deprecating stereotype of an American busybody who accomplishes very little, and the fallibility and subjectivity of translation is a major theme of the movie. International audiences get the basic dog story with some simple outside exposition, while Japanese viewers also get a ton of extra stuff the core audience is not expected to pick up on.)
Anyway, these articles by Japanese-American journalists convinced me to watch the movie when it came out (they are both also at least somewhat critical of the film, but seem much better informed):
https://www.newyorker.com/culture/cultural-comment/what-isle-of-dogs-gets-right-about-japan, https://www.vulture.com/2018/03/what-its-like-to-watch-isle-of-dogs-as-a-japanese-speaker.html
Don't apologize, I love having these conversations, and you certainly raise very interesting points. I already said what I personally felt watching the movie here.
Here are the articles you sent for those who want to read them, and I decided to do a quick search on my own of Japanese articles.
The Japanese wikipedia article briefly mentions criticism of stereotypes, whitewashing, insensitive (specifically the mushroom cloud) and "English supremacy". Sadly the article linked in the sources no longer exists. Reading reviews I found mixed impressions, but from what I read a lot of people did feel a lot of love for Japan from the movie. The fact that the dogs spoke English was one of the things I found people disliked the most, and I also found several people mentioning stereotypes and in general a bad feeling (as well as people saying it didn't feel like stereotyping). Several people also said it felt more retro than futuristic, but not necessarily as criticism.
That said, everyone praised the stopmotion, which I agree was something impressive. Another thing many people praised was the music (the Japanese drums, the Akira Kurosawa homage).
So yeah, mixed impressions but I'd say more positive than negative.
These are the articles and reviews I read, you can run them through google translate.
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1kook · 3 years
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viki & hickeys
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the 8th installment to netflix & chill :~)
SUMMARY Just like in those Viki dramas Jungkook likes, the world around you is enveloped in shades of pink and red, kisses and hearts, so many goddamn roses it makes you sneeze. It’s absolutely perfect— nothing could possibly go wrong when there’s so much love in the air.  WARNINGS a little hurt + a lot of comfort, mentions of cheating!villain!jin, insecure!kook, emotional breakdowns, mentions of jk’s lonely past, jk cries :( smut in the forms of making out, eating out, fingering, clit play, hickeys, jk likes cum, double orgasm, squirting, tiny praise kink, blindfolding, rough + unprotected sex, doggy style, choking!!!, breeding/impreg kink, JEALOUS KOOK, mini hand kink, a lil bit of spanking, degradation, he gets progressively meaner lol oc cries MISC there’s a lot of fuckin plot omfg -_-, it’s Valentine’s Eve!, doyeon makes Some Points, mentions of park seojoon juicy ass, they go on a d8 😳, oc like rlly wants to marry him, oc commits double phone homicide  RATING m (18+) WC 16.3k !!!! ik its fckin LOOOONG
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NOTES (!) in true Viki fashion, here’s an nc fic where there’s like 3 different plot lines n a hot male antagonist <3 this series started off as just me wanting to write smut n it still is! now i just like to infuse different levels of angst into it as well </3 as always, lemme know what u think!! i proofread it twice but one of those times had been at 4 am so if u see a typo no u didn't. also here’s a gif  of jungkook crying during a dolly parton performances and here’s another gif of jungkook crying bc it’s scary how pretty he looks
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Being evil and hot does not come for free. As you’ve long since learned in the past twenty-three years of your life, you truly can’t have it all. 
There is always some deliberating character flaw the universe must bestow upon you in order to level you out, make you fall onto the same plane as all the other mortals. Everyone has one, no matter how small or insignificant. Doyeon’s is that she doesn’t know how to work a straightening iron. Namjoon's is that he can’t tell the difference between water and liquor. Jungkook, despite all his tech-y nerdiness, doesn’t know how to do his own taxes. And yours? You don’t know shit about romcoms. 
Your knowledge on the romantic genre is what leads to this predicament now, the ring on your finger heavy as Doyeon regards you with what is perhaps the most unimpressed look known to mankind. “This is a promise ring,” she says bluntly, the bustling sounds of the coffee shop around you the soundtrack to your sudden realization. 
“No,” you deny, even though you know she’s right. “It’s an engagement ring.”
Doyeon rolls her eyes. “Babe,” she starts slowly, talks to you like you’re a dorky high schooler with her first boyfriend, “did he ask you to marry him?”
The truth is, the timing had been weird. It had been a few days after you’d rocked Jungkook’s world so you understand if he felt the sudden need to pop the question. But you were also sick as fuck that day, had only vaguely remembered the events because you were too busy with the snot up your nose and the raging fever you were battling. Had Jungkook asked you to marry him? 
You’re not so sure. 
It’s been a little over a month since then, and sure his lack of proactive wedding planning was a little weird, but you had always assumed Jungkook was one of those people who liked long engagements. Liked to drag out the last few months as a bachelor. Maybe he was waiting until you were both financially stable or something, who knows. 
Doyeon had been on some soul-searching journey around the country, so she hadn't been home for a while, had only heard of the ring through a two-second snapchat. This is the first time she’s seeing you and it in person; you can tell by the expression on her face that she’s rightfully disappointed. 
“Have you no shame, woman?” she tuts, arms crossed over her chest. “You have me parading around the world bragging about your engagement— just for this?”
You knock your forehead against the table, know it’s dirty and icky, but you deserve it. “Listen,” you huff. “I’ve only seen The Notebook, like, once.”
She scoffs. “I can tell. This is so embarrassing, don’t tell me you’ve brought it up to him?”
At her words you startle, nearly send the drinks flying across the floor. “No!” you shout, mindlessly reaching to twist the ring around your finger. It’s become a habit these past few weeks, a comfort to feel it around you. Granted, the feeling is a little muted now. “Of course he’d get me a promise ring,” you grumble, gaze flickering down to the silver band on your ring finger. “Jungkook loves all that cheesy corny stuff.” He really did. 
You’ve had enough of Doyeon’s disappointment, decide this coffee date has brought you enough three am anxiety material for the next year and a half. You conclude your date by taking a walk around town, arms locked together as you laugh at people who pass by because you’re both a little mean. 
“Maybe it’s for the best,” she says, and you agree. Well, a promise ring certainly meant something. It was, essentially, a pre-engagement ring. And the engagement ring that followed was a pre-wedding ring. And a wedding ring was, well, a wedding ring. Your heartbeat thunders at the thought. “You’re busy right now anyway,” she points out, snapping you out of your bumbling thoughts. “Aren’t you getting promoted at work soon?” 
Oh, you certainly were getting promoted at work. After many grueling months of hard work and dedication, the fruits of your labor were finally being recognized. Gone were the days of useless desk work, intern-like errands that barely required the use of any higher-order brain functions. You had worked hard these past few months, proved your worth over and over again, until you were here. Getting promoted into a new branch at your company— one where your talents were actually needed. And truth be told, there was one man to thank for that. 
Your friend and superior, Kim Seokjin. 
Seokjin is a great boss. In fact, you could argue he’s the best in the entire world and that, if it wasn’t for him, you would have quit this job that first month you started. But you had him to push you along, friendly smiles and encouragements that kept you going until this point, where you’re being promoted up into a branch where your degree finally matters. And it was all thanks to him! What Kim Namjoon was to Jungkook, Kim Seokjin was to you. 
So what if he cheated on his wife and flirted with the secretaries— Seokjin was practically a god in your eyes. 
And what Seokjin did in his free time was frankly none of your business anyway. You were colleagues at work, got along fairly well, but outside of work you were practically strangers. He was your beloved work colleague, someone Jungkook teased you about endlessly despite never having met him, and you were immensely thankful for him. “Should I be scared he’ll steal you from me?” Jungkook had joked one night, standing behind you as you scrolled through your company profile page. “He is a little handsome.”
You had pinched his side, smiling at his feigned concern when he pressed his lips to your temple. “You’re right,” you had joked back, “he is sooo cool.” And Jungkook had bitten you on the shoulder, laughed that pretty laugh when you yelped in surprise. 
Anyway, Kim Seokjin was a god, Jungkook was on his way to maybe, hopefully, one day, being your husband, and all was well. 
To honor this moment in time, you decide to swing by Jungkook’s place after your date with Doyeon, finding him lazily sprawled across his living room couch while What’s Wrong with Secretary Kim? plays on the Jumbotron. He’s in between projects right now, so he’s spent most of his time relaxing and catching up on all his favorite shows. 
Which brings you back to that deliberating character flaw of yours: no knowledge of the romantic genre to utilize in your everyday life. Your love language has always been blunt words, teasing jabs, the raw and unfiltered type of love. Emotions? Impossible to figure out. You’ve gotten pretty far in life reading verbal and physical cues; with Jungkook, you always know he’s upset when he does the little tongue-against-cheek thing, and it has saved you from many potential arguments. 
On the other hand, it is so obvious what Jungkook’s love language is when he spends fifty percent of his time on Viki, home to some of the most cheesy kdramas in existence. Most guys spend their weekends watching sports or dramatic action movies, but here was Jungkook. Watching some guy try to court his secretary. 
(Okay, he does watch sports and action movies too, but that’s not the point!)
“Hello, sweet boy,” you greet, plopping down beside him. Jungkook smiles back softly. He’s serving absolute pre-pre-husband deliciousness right now, cute glasses, fluffy curls, plaid bottoms that make him look so comfy. God, you were going to suck his dick tonight. 
Jungkook slots his mouth against yours, tastes like the chocolate cake you specifically told him not to eat without you. He blindsides you before you can scold him, pulls you onto his lap where the swell of his cock nudges against your thigh. Oh, you were definitely going to suck his dick and ride him well into the sunrise. 
“What’s my pretty girl doing here tonight?” he asks, cutely looping his fingers through yours. “Thought you were with the Wicked Witch of the West today?”
You roll your eyes, reposition yourself in a laughable attempt at pretending like you’re actually interested in the show. “We just went out for lunch,” you explain, watching the hot lead saunter across the screen. Juicy ass, but nothing compared to Jungkook’s. 
There’s a question lingering on the tip of your tongue, Doyeon’s explanations mixed with your worries, and you hold it for exactly ten seconds before you’re turning to face him head on, eyes going a little crossed from how close he is. “Hey,” you say bluntly. “Is this a promise ring?” you ask, wiggle your finger in his face. 
Jungkook blinks, once, twice, and then his face shoots up in flames. “Maybe,” he mumbles, lips pursed as he tries to avoid your gaze. He was adorable. You laugh, endeared by the red flush that crawls over his cute little cheeks and up his ears. Unable to stop yourself, you squeeze said cheeks between your hands, cooing at the annoyed expression that consumes him soon afterwards.  
“Aw, you want to marry me,” you tease, but it’s secretly a leading question for him to confess that yes, he does want to marry you. For as hot and confident as you are, you too are plagued with doubts. Doubts that can only be smoothed over by hearing it straight from Jungkook’s mouth. 
He rolls his eyes, trying to break free from your hold. “We’ve talked about this,” he murmurs, all embarrassed. But like always, Jungkook knows exactly what you want so he doesn’t deny it, and that’s good enough for you. He’s too flustered to look you in the eye now, childishly craning his head away from you when you try to force him into a staring contest. “Can I finish my show?” he whines, slightly not as hard now that you’ve reduced him into a shy, bumbling mess. It was a nice change of pace from his usual, composed self. 
But you relent, sliding off his lap to sit against his side, classic octopus hug around his waist. The episode is in full swing, not that you know anything about it. Like you said, romantic shows and movies were the least of your concerns. Jungkook, however, eats this type of shit up. “He still trying to fuck her?” you ask, not the least bit interested, but if you’re planning on sucking his dick tonight you have to listen to a few minutes of him rambling first. 
Jungkook sighs. “Yeah,” he says, “I don’t get it.” You hum, trail your hand over his abdomen teasingly. He feels so warm and lean beneath your palm, you were getting hot just thinking about it. “Why would anyone agree to dating their boss?”
You know that Jungkook’s boss is some old Facebook fart, pioneer of something on the site that neither of you two care about. So it makes sense that such a notion disturbs him. You shrug anyway. “Everyone wants to sleep with their hot boss,” you offer. “It’s like, the power dynamic, I guess.”
His frown deepens. “Would you?” Your boss isn’t exactly an old fart; the reason Kim Seokjin was such a renowned playboy is because, well, he had the looks to pull it off. Still, he had become a sort of respectable figure to you and the idea of sleeping with him doesn’t really sound appealing as much as it would to any other random bachelorette, which you admittedly were not. You glance at the screen, where Park Seojoon swaggers around in those tight slacks and fitted button-ups. 
“Hm,” you ponder, “maybe.” 
Jungkook laughs. “You’re supposed to say no, you idiot,” he says, knocks his forehead against yours softly. You can’t help but chuckle too, enamored with the happy glint in his eyes and the way his smile eats up his features. 
Oh, you loved this man. 
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Because he was so sweet and good on Christmas, you let Jungkook make the plans for Valentine’s Day. After all, it’s his favorite holiday (“Why? Well, because it’s a day all about you, and me, and us,” he had sighed dreamily in the bathtub one night, hair adorably pushed back to showcase that handsome face of his. Bubbles clung to his chest, had made you dizzy with every breath he took.), so it’s only right that he gets to make the itinerary for the day, fill it with all his favorite things. After all, cheesy romantic stuff like this was right up his lane. 
He reserves a spot at the fanciest restaurant in the city, the one that has a months long waiting list. It sounds perfect, and the closer it gets to February 13th, the more excited you become. You say 13th because the 14th is a Sunday, and as much as you would love to get on your knees and praise Jungkook’s body until the wee hours of the next day, you have work. So Sunday is off the table. And it’s better this way, you tell yourself. Everywhere would have been packed that day anyway. 
It seems like everywhere you go, the entire world is gearing up for the holiday; from the fast food drive-thru to your favorite lingerie shop, there’s Valentine’s Day specials everywhere you look. Just like in those Viki dramas Jungkook likes, the world around you is enveloped in shades of pink and red, kisses and hearts, so many goddamn roses it makes you sneeze. It’s absolutely perfect— nothing could possibly go wrong when there’s so much love in the air. 
But what good is a lovey-dovey holiday without your own lovey dove himself? 
One glance out your window and your knees feel weak, because there he is. Dressed in a loose satin button up, shoulders broad, chest defined. He’s got on these fitted dress pants that accentuate his tiny waist too, thick thighs bulging beneath the fabric. There’s a coat hugging his frame, something to shield him from the cold while he waits out on the curb, does this cute little shivering dance in an attempt to warm up his muscles. Your heart feels like it’ll explode at the sight, and you can practically hear the corny, overused romantic song playing in the background of your thoughts, so you hurriedly distract yourself by slipping tonight’s dress on. 
It’s cold outside, but the sight of Jungkook makes you feel warm and fuzzy everywhere. He’s so hot it makes you dizzy, and the sap knows it when he meets you on the sidewalk. Instinctively, his hand reaches out to tangle with yours, the other slipping around your waist. “Hi, gorgeous,” he greets playfully, kissing your knuckles. His hair has grown out a little, curls up cutely when he lets it air dry and tickles your skin when he gets too close. “Lookin’ like Secretary Kim.” 
“Oh? So does that make you my hot boss?” you tease as you make your way to the car. 
As always, he opens the door for you first, flashes you this dorky little wink as he rounds the front of the car. “If it means you’ll sleep with me tonight, then sure,” he says, buckling himself in. You roll your eyes at his claim. You don’t get to see the proud little smile on his face; by the time you’ve composed yourself, he’s already pulling off in the direction of the restaurant. 
It’s a classy thing, a restaurant and bar in some insanely tall skyscraper. Of course your seats are right beside one of the huge floor to ceiling windows, overlooking the beautiful, glittering cityscape. “Fancy,” you murmur as you sit down, catching a glimpse of the eye roll Jungkook gives you. 
“You say that about any place that serves wine,” he chuckles, reaching for the bottle on the table to pour you a glass. 
The wine tastes like perfection, aged for the perfect amount of time. Whatever that was. You don’t really know, but it tastes amazing! Still, amazement aside, you manage a scoff. “I didn’t say that about your house on our first date,” you huff anyway, throwing him a playful glare over the rim of your glass. 
Jungkook laughs, full and real this time. It’s a little too loud for the classy establishment you find yourselves in, drowns out the jazz music for a second. “That’s because it was a house,” he says, wearing that big, shiny smile you adore, “and we were watching Transformers.” An amazing date, the mere memory of it makes your toes curl. He had been so dreamy— nearly two years ago now! —and had retained that aura up to the present day. You don’t think you’ve ever been so in love with anyone or anything in this world before, as cheesy as it was to admit. 
As if sensing your sudden wandering thoughts, Jungkook nudges your ankle under the table. “Hey,” he says so softly you could melt; his voice was so silky and sweet. “Everything okay?” he asks. 
A sigh, chin in your palm. You had to have been abducted by aliens or something— there was no way this was your life, this disgustingly romantic date with this disgustingly handsome man. An episode of Black Mirror maybe? One where you get forced to live in a romantic Viki drama with the man you love, every single day for the rest of your life? Maybe. 
Dramatics aside, you could practically feel that sticky sweet, sentimental monster begging to crawl to the surface, unleash the entire Shakespearean collection of lovesick sonnets on your unsuspecting boyfriend in the middle of this restaurant. But the weird ones, were you accidentally dedicate an entire six lines to the bulge of Jungkook’s thighs in his workout pants or the heart-shaped mole on his shoulder. Those kind. Before that can happen, you settle on an equally as gentle, “I love you,” murmured for only him to hear. 
Across the table, Jungkook smiles. One of those thin ones when he’s trying to keep his composure but is actually quite flustered, his subtle bunny teeth nibbling at his lower lip. “Thanks,” he responds, still trying to play it cool, but then he almost knocks his glass down and you’re reminded just how perfect he was, flaws and all. “Me too.”
You jab the pointed tip of your stiletto against his shin. “Say it back,” you warn and he laughs. 
“I love you,” Jungkook says like it’s the easiest thing in the world. Straight out of a romantic drama, like the ones on Viki that require a minimum of four different story arcs just to get to this point. But with Jungkook, it takes a few shy smiles and maybe a kiss. It has a scorching heat rising on your cheeks, one you ward away with a hurried sip of your drink while Jungkook reaches for your hand, thumb rubbing over your promise ring as if for good luck. 
That singular phrase makes your world pause, its axis stalling while you deal with the overwhelmingly soft and gooey feelings in your chest. Oh jeez, you had to rock his world tonight. It was only right. He deserved it for making you feel like this— this silly and ditzy, like a middle schooler with her crush. 
Anyway the food gets to your table after a millennia. Jungkook orders some fancy lobster dish, one that you're pretty sure costs more than the purse you brought along tonight (to be fair, you’re a cheap buyer), and still has the audacity to poke around at your plate too. He eats enough to feed a schoolhouse full of children who’ve just come off recess, practically devouring the table cloth before you stop him. And then he doesn’t let you see the bill; “baby, don’t worry about that when you’re with me,” he purrs, warm breath fanning against the skin on your neck, drunk off pure love and strawberry lemonade because he was driving tonight. The hostess is a blushing mess, fumbling for his change as Jungkook practically gropes your ass in plain sight.
You swear he’s spending too much time on that Viki streaming service, because then, as if the romantic dinner date wasn’t enough, he whisks you off to an even more romantic walk along the river. 
If there was ever a world record for “Number of Times you can Make your Girlfriend Swoon,” you’re positive Jungkook had broken it in the span of a few hours. You feel so light-headed and in love by the time you reach the river. 
“You know,” you tell him as you walk, the serene sounds of the flowing water beside you the soundtrack to your date. Jungkook swings your joined hands between the two of you. It’s chilly but you’re so full and happy that you don’t let it bother you. “I was gonna throw wine at you when we first met.”
He cackles, that loud, airy sound again that he only lets you hear, with his head thrown back. “What?” he gasps, smiley and pretty, your pretty boy. “And why were you going to do that?”
You huff, feeling slightly embarrassed now to admit such a thing. But aside from Doyeon, no one else has ever heard this classified tale. And well, you’re feeling extra emotional tonight. An abundance of emotions in one night usually ended with you crying like a little bitch at some point or another, so you’re trying to push that off for later. “Because,” you sigh, squeezing his fingers, your lone promise ring versus his assortment of fashionable rings. “You sounded like an absolute fuck boy when you first texted me!” 
Jungkook scoffs, playfully scandalized. “Me?” he squawks, pausing to stand in front of you with wide eyes and a ridiculously huge smile, the kind that has his brows raised high, lips going thin, practically displaying every tooth in his mouth from how wide it is. 
“Jungkook,” you say calmly, shoving one finger against his chest. “You asked me to Netflix & chill for our first date.” 
He groans, using your entwined hands to pull you into his arms for a suffocating hug. “I already told you,” he laughs, patting the back of your head while you get in a few lighthearted punches against his sides. “I didn’t know what it meant.” 
“Whatever, you sleaze,” you say anyway, eventually melting into his hands. “Bet you tell all the girls that.” Jungkook makes another scandalized noise, but settles when you wrap your hands around him. He smells so good and familiar, comforting even. Like home and safety, a refuge for your heart. When you’re this close, you can hear the light beating of it beneath your ear, a steady rhythm that has you closing your eyes when he begins humming your favorite song. 
He gets about two verses in when your phone suddenly goes off. 
Everything in your body says to ignore it, to continue basking in the comfort of your boyfriend’s embrace and this absolutely perfect moment. But it’s the stupid ringtone you set for all your work peers when you first loaded the entire company contact list onto your phone, so the sound alone lets you know it’s a work-related call. And for work to be calling you on a weekend was definitely not a good sign. 
“Give me a sec,” you tell Jungkook, pulling away from his arms. He frowns but lets you go, staying close as you dig through your purse for the offending device. 
It’s Kim Seokjin calling at this peculiar hour, a fact that confuses the hell out of you. Jungkook’s bouncing on his heels in an attempt to fight off the chill, giving you his beautiful side profile as he glances down the winding sidewalk that follows the river, and then at his watch. His nose is a cute red color that you want to kiss so bad. But work calls, so you tighten up and let that dream go for now. You swipe your thumb across the screen. 
“Hello, Mr. Kim,” you greet, trying to keep the confusion out of your voice. “How can I help—“
“__, my love,” he beams through the phone, so fucking loud it has Jungkook glancing over curiously. You give him a tight-lipped smile, one he returns as he shuffles closer, trying to steal your warmth like a penguin. You let him snuggle close before turning back to the droning voice of your superior on the line. 
“Hello,” you repeat again, slowly. Jungkook takes your free hand in his; when he squeezes, the band of your promise ring digs into your skin just the slightest. “Was something the matter?” 
Seokjin laughs, loud and clear. There’s a lot of other noises filtering in through his line. Briefly, you remember that there had been some work-related party for the higher ups tonight so you write it off as that. “Does there need to be a problem for me to call you, love?” 
You falter. Beside you, Jungkook’s brows furrow together, his devilishly handsome features even more pronounced. He’s obviously heard the other man on the line. “Um,” you flounder for a second, “well, usually yes.” 
Without missing a beat, Seokjin carries on with a playful tut that you’re almost certain has him lifting the receiver up to his mouth, because it’s so goddamn loud it has you flinching away from your own device. “My __,” he says, sweet and… slurred? 
He’s never used this tone of voice on you, only on other women at the office. Something about his broken marriage and needing to heal a wound, you don’t fucking know. You can’t even begin to truly understand that logic, which is why you’ve always just ignored it. Still, in the last few months of knowing Seokjin, he has never made a pass at you. Until now, that is. And until now, you had kind of convinced yourself he saw you in a sisterly way. Which sure, was worse than being friendzoned. But this was your boss you were talking about. Whether you got sister-zoned or not by him was the least of your concerns. So what was going on? What had changed over the span of a few days that had him suddenly reaching out to you on a weekend? 
Beside you, Jungkook doesn’t look the slightest bit impressed, tongue prodding against his cheek as Seokjin rambles on the line. You wish you had lowered the volume before answering, but doing so now would appear suspicious, even you could admit that. “You’re amazing, you know that?” Seokjin praises. You nod, remember he can’t see you, and settle on a blunt thanks instead. Jin laughs. “You’re different from the rest,” he hums, voice soft and weirdly intimate. 
Jungkook’s frown deepens. “What does he want?” he murmurs, somehow managing to keep his voice calm as always. The deep furrow of his brows and the tongue-against-cheek motion he had done just a few seconds ago all indicate he’s annoyed, that much you can tell. 
You shrug, eyes wide as you hurry to get to the reason for the phone call. You’re almost certain it’s just Seokjin being drunk— many people drunkenly dial their friends and family to tell them how much they’re appreciated, this wasn’t anything weird! 
Is what you try to convince yourself, but then Seokjin’s voice is dropping an octave by your ear. “Did you get my gift?” he murmurs, voice nearly drowned out by the sounds of the event he’s at. 
“Huh?” you stammer, quite stupidly if you do say so yourself. Jungkook shifts closer, obviously trying to hear. A breeze ruffles his hair, his cologne wafting over you. “What?” 
A sigh over the line. “My gift, love,” Kim Seokjin says, loud and proud. Jungkook exhales, hard. “I had it sent to your house this evening. Something pretty for a pretty girl— don’t tell me the postman fucked that up,” he jokes and Jungkook huffs, practically breathing fire through his nose when he hears the words. 
You fidget. There had been no gift when Jungkook picked you up around sunset, not like you had expected anything to begin with. And aside from Jungkook and maybe your parents, there was no one else on this planet you wanted to receive a Valentine’s Day gift from anyway, especially not from your boss of all people. “Um,” you mumble, acutely aware of the way Jungkook’s face is nearly pressed to yours now in his effort to listen in on your phone call. “I— um, haven’t been home, Seokjin.”
Jungkook scoffs, spits out a particularly unimpressed, “Seokjin?” 
Said man doesn’t hear. “Oh, of course,” he says, almost sullenly. “I forgot you had that little boyfriend to entertain tonight.” 
It’s the breaking point for Jungkook, who leans back to glare at the phone with the heat of a thousand suns. You press it against your chest before he can hear anything else. “I’m sorry,” you rush out in a hurried whisper, eyes flickering over his face, trying to gauge the intensity of his emotions. “I think he’s drunk— he’s never said things to me like this before,” you stammer, feeling like you have to defend yourself for some reason. “I’ll- I’ll take care of it, okay?” No answer, just an aggravated shake of his head, like he’s trying to calm himself down. “Jungkook?” you say, can feel the panic begin to lace your voice when his eyes flutter shut. 
He calms your worries with a gentle head butt that has you gasping in surprise, one hard exhale fanning over you. “Okay,” he says, teeth clenched. “I’m gonna go sit.” And then he stiffly walks over to one of the many benches lining the pathway. He sits, just like he had said he would, and glares down at his hands instead. 
The sight makes you anxious, unsure of how to diffuse the situation because, like you’ve said many times before, dealing with emotions— especially someone else’s emotions —was hard. Your eyes refuse to leave his figure as you draw the phone back up to your ear again. “Hello?” you call, voice trembling when Jungkook finally looks your way. The soft look he had given you all night is nowhere to be found, replaced with this rather unreadable expression. Something between annoyance and confusion if you had to guess. You don’t know, and the fact you don’t know makes you panic. Your chest feels tight when Seokjin begins speaking again. 
“You know,” he says, “you’re quite something, __. Strong, confident. Beautiful.” Had you been anyone else, you might have been flattered by Kim Seokjin’s remarks, maybe would have swooned. He was, objectively speaking, a handsome man with a hefty bank account. 
But if that was the criteria for a man to make you swoon, then the man on the bench in front of you checked all the same boxes three times over. The man who’s brows draw closer and closer together the longer you linger on the phone. Jungkook’s foot does one agonizing tap against the concrete and you find yourself stammering into the phone. “I think you’re drunk, Jin.”
A scoff. “I am,” he agrees, and doesn't even bother to hide it. “But you remind me of her, you know that? I like that.”
It’s like he knows something is going on on the line, because Jungkook visibly bristles when you sidestep in surprise. What was going on, your brain screams. Having your superior compare you to his infidel wife was definitely not something you saw coming tonight. “Uh, okay?” you say, “listen, Seokjin— Mr. Kim, I’m... I have a boyfriend. And I really lov—“
He cuts you off. Jungkook bristles at the sudden stop of your sentence. “Yeah, yeah,” Seokjin drawls, and you can feel the sheer terror of accidentally jeopardizing your relationship with Jungkook step aside for the briefest moment to allow some annoyance to seep through. Annoyed with Seokjin and his audacity, his tone, his voice. “Mrs. Kim used to say that about me,” he chuckles humorlessly, “I love you, I love you, I love you.” A long pause. You’re unsure of how to respond. “It’s not real,” Seokjin says, like it’s the most obvious thing in the entire world. “Love, that is.”
You clench your jaw, gathering your thoughts to respond when Seokjin beats you to it. “But you know what, love?” You don’t respond. Seokjin pushes on anyway. “Someone’s gonna cheat sooner or later— why not beat him to it?” 
Your body reacts first, a startled gasp inhaled through your lips at his disrespectful preposition. Your phone slips out of your grasp. It bounces twice, lands on the ledge that gives way to the river, and you almost kick it in when Jungkook comes up behind you. “Hey, hey,” he says sternly, tugging you away from the phone you almost killed. “What’s wrong— what did he say?”
You exhale, face warm from the discomfort sitting heavy in your chest. “Nothing,” you huff, mind slightly foggy as you try to process that awkward conversation. “It’s— it was stupid,” you spit, pressing the heels of your palms against your temples, the raging anger and confusion making your head pound now. 
You had always known Kim Seokjin wasn’t the most faithful man, that the infidelity ran both ways in his relationship. But you had never imagined he would ever compare you to her, his cheating wife, in an attempt to win you over. Furthermore, you’re downright disturbed by the fact he would even try to hit on you after all the mentoring he’d given you, all the polite smiles he’d flashed you, all the praise you had bestowed upon him to Jungkook. 
Jungkook, whose jaw twitches as his hands graze your forearms. When you look at him again, you feel an immense wave of remorse wash over you at the way his own irritation is clouded by his worry for you. He had been wronged as well— disrespected just like you —but here he was, pushing his own emotions aside for your sake. He doesn’t want to see you upset. He was so good at dealing with your emotions, knew just what to do when things became too much. 
“I’m sorry,” you mumble, lips pursed together. “I don’t know why— he’s never— I wouldn’t do that,” you settle on, voice wobbling when Jungkook’s jaw clenches. “Jungkook,” you frown, reaching for his hands, “I wouldn’t—“ 
He shushes you with another one of those gentle forehead bumps. “Calm down,” he says, voice deeper than usual. “I know you wouldn’t.” 
Weirdly, it feels like you’ve committed a grave sin against your boyfriend. A crime. “I’m sorry,” you blubber anyway, heart thundering in your chest. “That was horrible,” you huff, desperately blinking away the stinging sensation behind your eyes. “You didn’t deserve to hear that.”
“Don’t cry,” Jungkook says, so soft and comforting; stable. You want his composure, his ability to process and understand things so quickly— his maturity. Sure he had been put off by Seokjin, but he had processed it all so quickly; adapted to the situation and stepped in to save you. Meanwhile, you nearly committed cellular murder because you couldn’t handle yourself. “He’s a weirdo,” he says, for both your sakes. “You didn’t do anything wrong, sweetheart.” 
Still, you sniffle. “I’m sorry,” you say again, the heavy feeling in your chest lightening just a little bit when he pulls you into his arms. 
“Crybaby,” he teases softly, a kiss on the crown of your head. You pinch his side. “Second phone you broke in a year.”
The mood for the riverwalk is off after that, and you only walk a few more meters before Jungkook decides it’s enough. “We can still enjoy ourselves at home,” he reassures you, and the way he tries to salvage that soft, fuzzy feeling from before is admirable. So Jungkook takes you home, holds your hand the whole drive back to your place, like he knows you’re still fragile from that extremely uncomfortable interaction, need him to hold you together. Jungkook’s emotional stability guards you like a shield, covers you in a wave of comfort as you calm down. You tell him about Seokjin’s preposition and he bristles. “Prick,” he murmurs beneath his breath, grip tightening just the tiniest bit. Your ring pinches against your skin a little painfully, but you say nothing. 
There’s a box of flowers on your doorstep when you arrive, one that makes Jungkook pause at the sight. “Wonderful,” he drones, picking it up for you as you unlock the front door. It gets left on the coffee table, practically mocking the two of you as you remove your shoes and coats. “That’s your favorite flower,” Jungkook notes. 
You glance at the expensive bouquet. “It is.” 
Jungkook drops down onto your couch, eyes flickering to the meticulous arrangement in front of him. “You told him?” Not really. But back when you had thought Jungkook and you were engaged (read: last week), you had spent days looking at different floral shops that specialized in this flower, frequently leaving the tab open on your work computer. Seokjin must have seen it then. At your extended silence, Jungkook says, “nice.”
You frown, setting your heels on the shoe rack. “Baby, I didn’t,” you tell him softly, reaching for the zip on the back of your dress. It comes down, and after clearing your hips, it falls to the floor in a dark heap you pick up quickly. It leaves you scantily clad in a black lingerie set. Meanwhile, Jungkook drops his head back, glaring at your ceiling. Tentatively, you step over to him, toying with the fabric of your dress in your hands. “You said it was okay.”
“I know,” he sighs, an unexpected confession from him that makes you pause. Despite all you’ve been through, he still rarely highlighted situations that upset him. “It’s just,” he says, turning his head to look at your form again, eyes not drinking you in like you hoped he would. “It’s scary.”
The couch cushion dips beneath your weight when you settle beside him. “What is?”
Jungkook shrugs, avoiding your question by reaching for the TV remote on the coffee table, right beside the box of flowers Seokjin had sent. He opens up the Viki app in a flash— the one linked to his account —and has even loaded up the next episode of Secretary Kim when you question him again. “What’s scary, Jungkook?” you repeat. 
On screen, there’s a beautiful scene on a bridge, the two leads happily conversing. It’s serene, something neither you nor Jungkook feel at the moment. 
Eventually, he says, “you could leave.”
You pause. “What do you mean?” Leave? Where on earth would you leave to when this was your home? He doesn’t meet your gaze. 
Another scene passes by on screen, some cheesy line and an even cheesier promise. Jungkook’s foot taps against the floor, the sound dull against the plush rug beneath you. It’s a nervous tick you’ve only seen him do at the height of truly stressful situations. Weird because just half an hour before you had dubbed him as the epitome of calm and collected at the river. 
“I thought he was cool before.” 
He did. But the word ‘cool’ didn’t always have the same meaning for Jungkook as it did for you. 
In the past, Jungkook had frequently joked about having to meet Kim Seokjin and thank him for all the help he’s given you at work. After all, up until now, you had only ever had good things to say about the man, raving about his cool demeanor and respectable work ethics. Now, the memories paired with the conversation from earlier leave a bad taste in your mouth. 
You’re a little confused with Jungkook right now; part of you had convinced yourself that whatever happened on the phone earlier with Seokjin was put behind you, marked off as an anomaly in the evening. After all, Jungkook himself had said it was okay. Park Seojoon appears on screen, and you can’t help but glare at the character, residue emotions from the river pushed off onto this innocent actor. 
Still, Jungkook surprises you. “It’s just that—“ he sighs. And then, “what if you leave?” 
You blink, eyes trained on his side profile and the way he’s nervously chewing through his bottom lip until it tints a red shade, gives way to sensitive skin when he bites too hard. “Why would I leave?” 
He says nothing. On screen, Park Seojoon says something so cheesy and romantic that it would have otherwise made you cringe, made Jungkook soft. But he’s stiff as a board beside you instead. You almost think he’s going to disregard the entire conversation when he finally speaks again. “Well.” You perk up at the sound of his voice, overly aware of the way he’s started picking at the skin around his thumb again, another nasty habit you’ve been trying to help him get over. “He’s cool. Rich.”
“And so are you,” you offer, covering his hand with your own. 
Jungkook ignores you, releasing a long, shaky exhale. Somehow, he’s exuding a similar energy as before; discontentment mixed with understanding. Like he’s greatly conflicted but forcing himself to remain calm. Another trembling inhale, and then Jungkook quietly recites, “everyone wants to sleep with their hot boss.” 
You recoil just the slightest, brows pinched together at the absurd conclusion he’s drawn. “Baby, that was just a silly conversation,” you say slowly, slipping your hand into his. He squeezes so tight you��re afraid he’ll break your bones. “And we were joking—“
“I know!” he exclaims, enveloping your significantly smaller hand in both of his before bringing them up to his face, lips pressed against your knuckles. It’s not a kiss, more so a desperate need to feel you against him. Eyes wide, you can’t do anything but watch as that collected exterior slips away, revealing a whirlwind mess of emotions. It’s a rather unexpected show from Jungkook. “It was a joke. We were joking. But I’m—“ his jaw clenches. His voice is so tiny when he speaks again. “I get scared sometimes, __.” 
His emotional outburst renders you speechless, watching as he squeezes his eyes shut, jaw clenching, hands trembling. 
It’s a stark image change from the cool Jungkook that had comforted you at the river, had patted the back of your head when you had been so distraught. His chest heaves for air and you don’t know what to do; it’s always the other way around, him comforting you, that when it comes down to this you find yourself at a loss. It makes you feel like you don’t know enough about yourself or him or your relationship in general to help him, always so lost when things like this happen. 
Jungkook has never been good at expressing negative emotions, always preferring to bottle them up and only show you his very best side. Granted, he’s been getting better at letting go lately, has whispered his doubts to you in the dead of night after a particularly grueling project, an uncomfortable social meeting. But he always waits until you’re half asleep and in the dark to tell you how he feels, hushed worries that you barely remember the next morning. And by then, Jungkook’s moved on from them anyway, flashes you a pretty smile and purposefully guides you away from that conversation. You know he’s started keeping a journal recently, but aside from seeing the blanks pages when he’d first gotten, you don’t have a clue what happened afterwards. It’s probably hidden away somewhere, his feelings locked up in a cupboard or a box, the secrets it holds never to be spoken of aloud. 
He doesn’t like talking about his more personal problems, hoards them until you’re forced to intervene. Find him slumped over at his dining table with bags under his eyes, the skin on his lower lip bitten beyond belief. 
Rarely does he sit down and express himself like this, lays his heart out carefully for you to see. Had he not said so right now, you would have never known Jungkook struggled with such doubts about you and your relationship. 
(It makes your heart ache at the realization.) 
Jungkook always acts like everything is okay, always forces himself to hold it together for the sake of you and, quite frankly, everyone else. He’s there when Taehyung breaks up with his girlfriends, pats him on the back and lets him run through every video game he has on his PS5. He’s there for Namjoon when his thesis becomes too much, proofreads it even though he doesn’t understand a word just for the sake of giving his best friend another perspective. Hell, he had even been there for Doyeon when her new landlord had tried to overcharge her, had carried the bulk of your argument when you ran off to try and fight with the old man. 
(“He’s too nice sometimes,” she had murmured the next morning at her place. After the shouting match the night before, you had crashed with Doyeon on her new bed, your sweet boyfriend taking up her couch. Somehow, you and Jungkook had managed to knock a clean seventy-five bucks off her monthly bill. It wasn’t much, but for an apartment in the city it sure felt like a lot. 
You had hummed, patting the top of his head on the way to the kitchen. “He’s a good boy,” you had said, heart thrumming when he instinctively pushed closer to your hand, nuzzling into you even in his sleep. “He cares about everyone a lot. Worries to death about his friends.”
The state of their relationship was weird; they were always fighting about one thing or another, ‘eternal enemies’ as Doyeon liked to claim. 
But for the first time, she hadn’t denied they were, in fact, friends. Instead, she had quietly stood at the breakfast nook overlooking the living room with a somber look on her face that was completely unlike the Doyeon you knew. She didn’t respond with her usual backhanded compliments, didn’t even call him a gremlin either. 
“He even worries about you, Miss Wicked Witch of the West,” you had teased, reaching over to pull Jungkook’s shirt down where it had ridden up, exposing his cute belly button to the cold apartment. She had sipped at her mug of coffee, eyes foggy and distant. “It just takes him a while.” 
“He’s always cared about you though,” she had murmured then, and you had marked it off as her being half asleep. But Doyeon had given you this look, a look so profoundly wise, as if she was saying, “more than you’ll ever know.”) 
Most importantly, Jungkook is always there for you. He holds you in his arms, strokes your back comfortingly whenever something goes wrong. Listens to your concerns and offers you advice, learns new things for the sole purpose of helping you out. Lets you make stupid decisions and always saves you at the last minute. And you want to repay him for all that, want to look after Jungkook like he does for everyone else. But it’s hard, it’s so fucking hard, when he doesn’t let you in, when he holds his emotions at bay for the sake of protecting yours. When you don’t even know where to start sometimes. 
The beating of your heart is accompanied by a dramatic orchestral ensemble on screen, violins and flutes as the two lovers reconcile some issue with a kiss. Beside you, your own lover is one second away from falling apart. “Hey,” you say quietly, slipping your hand out of his to hesitantly place on his back instead. With your release, Jungkook uses his empty hands to drag over his face, hide himself from you. “I’m not going to leave you, Jungkook,” you try and comfort, “I love you.” 
He shakes his head, dark locks bouncing around. “I know, I know,” he sighs, but it doesn’t sound like he believes you. It sounds like he’s forcing himself into composure again, jaw flexing as he shakes his head. “But— what if—” another aggravated huff, his thighs jumping anxiously. “You’ll get bored.” Not a question, but a statement. 
“Of you?” you ask anyway. He nods. “I won’t.”
He sits up so suddenly you have to move away to avoid bumping into him. “You will,” he urges, finally looking at you, distress painted over every inch of his face. “That guy, that Seokjin, he sounds more interesting than me. He sounds cool and put together, like the world is his oyster and,” he rubs the heels of his hands against his eyes. “You talk about him sometimes and... and you call him a god, __,” he stresses, doesn’t leave room for you to object. “And I know you’re joking, but—“ a sharp inhale, and then, quietly, “everyone gets bored of me, __.” 
Your frown deepens. “But I won’t,” you argue, confident in your claim, shifting onto your knees beside him. Your dress is thrown over the armrest of the couch, and the draft in your apartment makes goosebumps rise on your bare flesh. “You’re not boring, Jungkook,” you tell him, voice softening when his features pinch up, nose wrinkling as he wards off the stinging behind his eyes. 
It’s teenage trauma. Jungkook had told you at least that much before, this crippling sense of loneliness and an inferiority complex that hindered him during an influential growth period of his life. It’s why he’s so quiet when he has so much to say, why he brings you along to every party he gets invited to; he’s never felt like he was enough by himself. 
Sometimes, it leaks into his confessions. “I don’t deserve you,” he says frequently, but some days you want to hot glue him to a chair and force him to listen to every reason why he does and always will deserve you or anyone for that matter. “You make me better,” he claims, but he does that all on his own, lights up the world with his smile alone. 
He’s gotten better, that much you’ve learned from Namjoon and Taehyung. And even you’ve noticed it on your own, watched as he animatedly talked with his friends and his coworkers, drew people naturally to him with his warm aura. 
Even still, there’s moments where he relapses. Moments like this. 
“I’m sorry,” he murmurs beside you, “I know I’m a handful—“
“You’re not,” you interrupt, cupping his soft cheek in your hand, turning him to face you. Jungkook leans into the touch, and your heart breaks in half when a tear escapes over his waterline, pretty eyes brimming with tears. “You’re not a handful, Jungkook,” you tell him, shuffling closer until you can press your forehead against his. The truth is, you don’t know how to comfort him, but this is how he’s always comforted you; it feels nice when he does it for you. “You’re just enough,” you say, voice soft because it feels like your precious boy is about to fall apart in your arms, his shallow breaths rivaling the volume of the television. “You’ve always been enough.” 
He sniffles, and another tear tickles the side of your thumb, catching the light. “I’m sorry,” he repeats anyway, a disbelieving chuckle tacked on at the end. 
“Don’t be,” you shush, pushing away a strand of hair when he leans closer. His frown is still prominent, pink lips red and soft under your thumb when you tap your finger against them. “You can tell me when things worry you, you know,” you inform him, heart swelling when his eyes fall shut and he leans into your touch. He’s so handsome, the cute little mole beneath his lip begging to be kissed. “I’ll always listen.”
Jungkook hums, breathing evening out. “I know you will,” he says. “But I like listening to your voice more, and I can’t do that when I’m talking.” 
You snort and Jungkook finally lets a tiny smile slip. “Don’t flirt with me so soon after your meltdown,” you mumble, kissing his cheek softly. 
Jungkook chuckles, real this time, and sniffles right afterwards. “I’ll flirt with you whenever I want.” And, because he’s just so full of surprises tonight, he sniffles once more before he’s unceremoniously tackling you back onto the couch. You squeal, the TV remote digging into your back painfully. It has the volume accidentally skyrocketing, startling the both of you with an ear-shattering orchestral piece at the height of some emotional scene. Jungkook scrambles to free the device and lower the volume before your eardrums burst. “I didn’t even know your TV could go that loud,” he says, and he’s speaking normally but the deafening violins are still reverberating in your head, making him sound quieter than he really is. 
“Come here,” you say instead, and he obeys, crawling into your arms, mouth hovering just over yours. “You feeling better?”
Jungkook nods, dark hair bouncing. “You make me better,” he tries, but after tonight’s realization, you respond to his corny words with a pinch against his doughy cheek instead. 
“Don’t say that,” you frown, toying with one of the earrings decorating his ear. The tip of his nose is flushed red, the exertion from crying catching up to him. His lashes are dark, probably feel so heavy with the residual tears that cling to them. 
Jungkook repositions himself, guides your legs around his waist. “Why not? It’s true.” He glances at your mouth. “You make my life better.”
“Wrong,” you say bluntly, brushing his hair back with your hands. “Your own perception and understanding of your experiences makes your life better. I just happen to be in it.” Jungkook looks the tiniest bit surprised at your suddenly logical argument. “Trust me, I saw it in a documentary the other day.” 
At that he laughs, full and loud, pecking your lips once with a sweet smile on his face. “Now I know you’re lying,” he grins, gently nudging his nose against yours. The drama on the TV is but a quiet hum compared to the pounding of your heart in your chest when he looks at you like that. “Because you don’t even like documentaries.” 
You kiss him softly, holding his hair back for him. He tastes a little bit like the chocolate cake he had at the restaurant and the lemonade he drank (he didn’t indulge in the sweet wine with you because he needed to drive). His lips mold perfectly against yours, and he sighs softly when he finally draws back. “But I like you,” you purr. 
Jungkook’s eyes darken, one heavy exhale fanning across the lower half of your face. You readjust the leg around his waist, pull him closer just the slightest bit. “Don’t flirt with me so soon after my meltdown,” he repeats, lips brushing against yours. You chuckle. “You don’t know what that means to me.” You can roughly guess, but that opportunity is taken away when Jungkook slots his mouth against yours, soft lips molding to yours. His tongue swipes across your bottom lip, wastes no time slipping in when you open for him, hot and wet. 
Jungkook’s fingers are just as warm when he trails them up the back of your thigh, pulls you impossibly closer until the buckle on his belt is pressed flush against your mound. A tiny whimper escapes your lips, chest jumping just the slightest from the pressure. It makes Jungkook pull away with an easygoing grin, chocolate eyes half-lidded. “You okay?” he murmurs, breath a little shaky from the kiss. You nod, tangling your fingers behind his head and pulling him in close again. 
He evades your puckered lips, ducking down to press his own against your throat, right beneath your jaw. “Ugh,” you groan, digging your nails into his back through his satin shirt. “I wanted a kiss.”
Jungkook nips at your skin, this tiny gesture that couldn’t hurt even if he tried. “You always want a kiss,” he retorts softly, the quiet smack of his lips filling your ears as he bestows a series of smooches against your skin. And it’s so devastatingly tender how he handles you, like you’re made of glass and will break at a moment’s notice, like he wants to treasure your body for the rest of his—
Jungkook chomps down, hard, and you hiss. “Sit still,” he orders, soothing over the bite with one broad lick of his tongue. 
You whimper. “That hurt.” 
“And it’ll hurt even more if you keep moving,” he warns you, and before you can ask what that even means, he’s leaving another stinging bite just further down. It’s at the midway point of your neck, right in front, and you can feel your heartbeat in your throat when he sucks a painful mark over it. “There,” he says, mostly to himself. “All mine.”
Your legs tighten around him, and you fight down the wave of heat that threatens to consume you when he places one final kiss over the second mark— the hickey. 
Jungkook doesn’t usually leave them. In fact, you can rarely recall a time where he had purposefully gone out of his way to mark you up like this. It was always accidental, always unplanned, because he knew how troublesome it was for you to cover them up for work the next morning. Work, where your coworkers and your bosses and Seokjin could see. 
Brows pinched together, your brain begins to draw a connection, one that Jungkook is soon confirming himself. “Everyone will see that now,” he hums, kissing a trail down your neck. 
Of course. 
You pat the back of his head in amusement, hiding a smile against his soft locks. Before you can say anything more, maybe tease him for being so cute, there’s a hand on your hip that snaps you out of your scheming. Jungkook lifts his head, does that endearing little head shake that pushes his hair out of his eyes, before leaning in for another languid kiss. 
It’s even slower than the first, mostly because he’s a little too preoccupied with running his hands over your body now. It starts at your shoulder, teasingly snaps the strap of your bra as you push your tongue down his throat. Jungkook whimpers, that pretty sound that makes you desperate to hear more. It’s the same sound that he always makes when he wants to be pampered, wants you to kiss his entire body while he lays there and takes it. 
And you’re all too ready to act on it. 
Duty calls and you’re there to answer, tilting his head for him with your hands against his cheeks. He sighs against you, breath trembling as it tickles across your skin. That soft and tender way that makes you melt because he’s just so precious, so dreamy. 
But you’re too caught up in your plotting to remember the hand he’s got on your hip, the one that teases the waistband of your panties with one lone finger. It’s only when Jungkook pulls away from your inviting mouth, his other hand holding you down by your shoulder, that you’re snapped back into reality. His lips are swollen and red, slick from your tongue, and so tantalizingly kissable. He huffs out a breath, eyes flickering over your face. “Can I touch you,” he husks, and gives into the temptation to press a kiss against your jaw. 
“Yes, please,” you shiver, hypnotized by his hungry stare. 
Jungkook wastes no time, pressing another kiss against the bruising mark over your throat that dissolves into a series of lighter smooches he trails down between your breasts. His hands come up to cup your boobs over your bra, giving them one harsh squeeze that has you releasing a long exhale as he moves between the valley and down your tummy, over your belly button. “Open,” he says at your pubic bone, carefully guiding your legs apart until you’re spread wide for him. 
The dark panties you’re wearing tonight— the super expensive ones you had spent an hour measuring your body for the exact sizing —receive one light kiss over the front. “Always so pretty for me,” Jungkook murmurs, tracing one lone finger down the middle. Your stomach contracts when he nudges it against you, the soft material of your panties just barely pushed between your folds. 
As his hand occupies itself with some relatively light foreplay, Jungkook tasks himself with leaving another tingling mark against your skin. This time, it’s on the inside of your thigh. He starts it off slowly, a few littered kisses against the skin until he deems one spot worthy enough and abruptly sinks his teeth into you. “Not so hard,” you whimper, reaching down to bury your hands in his hair. 
Jungkook lets it go, sloppily licking over the area. “You like it hard,” he husks, meeting your gaze as he licks one, long stripe over the tender skin. “Don’t you?” You nod demurely, pressing your knuckles against your lips to hold back a tiny moan from slipping past your lips. 
With that new mark blooming over your skin, Jungkook transfers his attention to your pussy, hidden beneath the soft material of your panties. One finger hooks under the hem, tucking them aside until he can see you in your entirety. “Fuck,” he groans, pressing one light kiss over your clit that makes you inhale sharply, fingers digging into his scalp. Jungkook throws one final glance your way before letting his tongue slip past his lips, the very tip flicking against your clit. 
Your breathing becomes shallow, anticipation building in the pits of your stomach as he slowly but surely begins playing with you. His tongue is so warm and wet, nudges your throbbing clit, nose pressed against your mound. “Mmm,” he moans, eyes fluttering shut as his mouth works wonders. 
“Ah,” you gasp, whiny and high-pitched, when he dips one finger past your wet folds. The entry is seamless, his pointer finger sinking into the velvet walls of your cunt as his tongue swirls against your hardened bud. “Jungkook,” you mewl, knocking your heel against his shoulder. Jungkook huffs, suctions his lips around your clit. The cold metal of the rings he always wears— the duo set from that Chrome Hearts brand he likes so much —presses against the trembling lips of your pussy, makes your back arch when he twists his finger inside of you. 
He’s so precise with his tongue, knows just how long and how hard to lick against your pulsing clit until you’re trembling, thighs quivering. Briefly, he pulls away, flicks his hair to the side in one suave motion that lets you see his dark eyes when he glances back up at you again, covered in a thick sheen of lust that makes them appear almost black as opposed to his usual warm brown. His hands reach for the waistband of your panties, tug them off with one fluid pull. 
“So pretty for me,” he murmurs, the end of his words laced with a slight rasp that makes your hips jump. “All for me,” he says, roughly pushing his finger into you again. The harshness makes your entire body tighten up in surprise, eyes fluttering shut when he slips his middle finger alongside his pointer this time around. 
“Baby, wait,” you whimper, walls fluttering around the two digits. Jungkook leans back in, presses a chaste kiss against your clit that makes your breathing stall as he thrusts his fingers into you. 
He ignores your cries, locks his lips at the juncture where your thigh meets your body, sensitive skin that bruises all too easily when he sucks against it too hard. “Only for me,” he sighs, all pretenses discarded as he begins rapidly and roughly fucking his fingers into you. It’s intense, has your thighs quaking as he speeds them up. 
The coil in your stomach tightens, and you have to bite down on your knuckles to stop the litany of whimpers from slipping past your lips when Jungkook ducks down again. He bypasses your quivering clit, warm tongue licking at the warm, wet folds around his fingers instead. The proximity makes the tip of his round nose brush along the length of your cunt, a sight and sensation that makes you moan, his bangs harshly tugged away from his forehead to give you the perfect view. 
It’s with a particularly hard shove and twist combination of his fingers into your clenching walls that you cum, a gasp caught in your throat as your hips push toward him, chasing the feeling Jungkook bestows upon you. Your breathing is a mess, inhales too short, your exhales inconsistent, as Jungkook slows the speed of his fingers inside of you, lets your cum ooze out around them, coat his fingers and his rings. 
“No,” you cry, watching that look come over his face when he withdraws his hand, the look that usually follows him sucking your cum into his mouth. “Jungkook, you don’t have to do that—” you whine, reaching for his wrist and yanking it towards you. 
Jungkook follows, crawls back up beside you as he chases his own sticky fingers. “It’s mine,” he urges, has this weird look in his eyes you don’t think you’ve ever seen before. And just as quickly as it crosses his features, he’s lurching forward to catch his own fingers in his mouth. It’s lewd, the way his tongue wraps around them, leaves them sleek under the TV glow, tattoos and rings glistening. He has the audacity to moan, eyes fluttering shut as his devious tongue slips down between his fingers, so long and precise. There’s a tiny noise that tears itself from your throat, one that has him flickering his clouded gaze up to you as his fingers are released from between his own lips. “You like that,” he murmurs, wet fingers trailing down your cheek, capturing your chin to turn your face his way completely. 
His tongue is sinful as it slips past your lips again, the tangy taste of yourself clinging to him. His breathing feels hot, suffocating. But his kisses are so good, make your mind go blank. So blank, that the fingers that rub at your clit surprise you completely. “Kook,” you gasp, breaking away from him in surprise. 
Jungkook doesn’t let you get far, capturing your mouth with his again. The two fingers you had felt on your chin are gone, firmly pressed against your swollen clit, experimentally rubbing against it. Never mind the fact you were still sensitive from your first orgasm, thighs quivering when he drags them against the wet, soft skin. It makes you shudder, breaking away from him a second time for a desperately needed inhale of fresh air. Jungkook follows behind closely, pressing kisses over your jawline, your chin, as his fingers continue moving against your clit.
He has them pressed together, rubbing at the front of your slit where that bundle of nerves is hidden. It makes your stomach contract, hips jerking forward into the touch in an effort to match him, to speed up the process. “You were made for me, pretty girl,” Jungkook huffs against your cheek, nose pressed against your skin because he’s just so close, practically molded into your side as his fingers send rhythmic shocks of ecstasy up your spine.
Your mouth drops open, stuttered gasps filtering through your lips as Jungkook takes advantage of your sensitive body to draw out another orgasm. But there’s a weird sensation that builds in your stomach this time, one that brings with it a sense of panic. “Wait—“ you gasp, fisting the silky material of his shirt beneath one clenched fist. “Jungkook,” you warn, toes curling.
He responds with a harsh nip against your lower lip that makes you whimper. “Go ahead,” he purrs, rubbing his fingers over you at an insane speed, one that has your juices sloppily spread over your pussy, makes you buck into him and moan against his mouth. 
The feeling grows, an intense, unfamiliar thing that you rarely recall ever feeling before, gasping for air as Jungkook’s fingers caress your clit, pressing down hard. “Fffuck, fuck,” you sob, mouth opening in a silent scream, eyes rolling backwards as you feel your pussy lips contract harder than ever before, thighs quivering as your juices squirt out of you, lower body reduced to jello as Jungkook quickens his movements, wrists jerking back and forth as your pleasure sprays out of you. “Ju— Jungkook,” you wail, forcefully slamming your thighs shut when he doesn’t stop, the pleasure seemingly never-ending under such a torturous touch. “Stop—stop,” you beg, eyes filling with tears that spill over when his trapped hand manages one final rough rub against your clit accompanied by a final gush of wetness. 
Only then does he stop, leaning back on his knees to drink you in with dark eyes that make you quiver. There’s no trace of his usual post-orgasm cockiness, the smile he’ll flash you, the teasing jabs. Nothing, just a frankly terrifying gaze that has you self-consciously pressing your hands over your chest. 
Jungkook doesn’t take kindly to it, roughly snatching one of your wrists up until you’re sitting up, the traces of your own orgasm present in the damp couch cushions beneath you, inner thighs coated in a thin sheen of your own pleasure. Jungkook leans in close, nose bumping against yours. “You came like that for me,” he says quietly, chest rising and falling with shallow breaths. You nod, eyes wide and teary when he reaches for the front of his shirt, giving it the same treatment he usually gives yours; two hands at the front, yanking it apart until the buttons are torn from their stitches and bouncing across your floor. 
He throws it off to the side, his tan skin highlighted by the cool tones of the television, the dark sleeve of his tattoo especially prominent. The black ink almost looks blue under this light. You’re so distracted by the perfect swirls and doodles on Jungkook’s skin that you don’t realize that same hand is reaching for you until it’s too late, long fingers wrapping around your throat to jerk you forward, head tipping back to look up at him. “Say it, sweet girl,” he murmurs, eyes half-lidded. “Tell me you’re mine.”
The fingers around your throat squeeze once and then slowly begin tightening. You gasp, meeting his hooded gaze with yours, lips quivering for a response that’s stuck in your throat, trapped by your own surprise and tightening airways. Frantically, you reach for his wrists with both hands, not to pull Jungkook’s hand away, but to ground yourself from the hazy cloud of lust the moment evokes. 
Still, your body isn’t as strong as you thought, and once Jungkook reaches a certain tightness around your throat you find yourself coughing. Instantly, he loosens his grip. But not too much. “I- I’m yours,” you rasp out, gasping for air. 
For now, it satisfies Jungkook enough for him to release you. And while you’re grateful for the rush of fresh air that fills your lungs, the phantom ghost of his grip around your throat sends a new gush of wetness between your thighs. One that grows tenfold when Jungkook reaches for his belt, undoes it easily. It comes off with one fluid motion, carelessly shucked off to the side as his attention moves to the front of his pants instead. 
He doesn’t let you sit around uselessly. “On your knees,” he says, so quietly you almost don’t hear it. “Sit on your knees facing the table.”
You blink slowly, the dry tears on your cheeks leaving stiff trails against your makeup. It takes a moment for your brain to process his request, one long second that has Jungkook pausing in his movements, leveling you with one solemn glare that eventually has you springing into action. You hastily slip off the couch, shuffling toward the coffee table between it and the television. The rug is soft beneath your knees, a luxury you can’t enjoy to the fullest because there’s a ball of excitement and fear stuck in your throat. (Right beneath your bruised skin and recuperating windpipes.) Sitting back on your calves, it feels like every nerve is standing stiff as you await his instructions. 
“Bra off,” Jungkook says from behind you, and you’re startled by the sudden ripping of stitches behind you, almost turning to look at him. He stops you with one hand around the back of your neck, drawing a surprised gasp from you. “Sit still,” he commands, your back stiff straight, eyes focused on the screen. After a beat, Jungkook lets you go, pats the back of your head gingerly. “Good girl.”
A whimper catches in your throat at the praise, and you barely manage to bite down on it in time, hurriedly reaching behind you. Your hands fidget over the clasps on your bra, and you nearly jump out of your skin when one lone finger traces down your spine, undoing your bra for you. You don’t know why, but you say, “thank you.”
The television changes scenes in front of you, the bright colors a stark contrast to the darkness of Jungkook’s eyes. Your hands tremble in front of you, fingers anxiously tangling with each other. A few inches beside you, there’s a dark red box filled with the flowers from—
Suddenly, your vision goes dark, hands instinctively reaching up to your eyes. The pads of your fingers come in contact with a soft material, smooth and silky. Just like— “Is this… ?” you murmur, hands sliding across the makeshift blindfold Jungkook’s made for you, the same texture as his shirt had been. 
He doesn’t grace you with an answer, just a hand against your hip as he, presumably, settles behind you. “Does it matter?” Jungkook says instead, voice all too close to your ear. Your entire body locks up, hands quickly returning to their spot against the coffee table. 
Just as you’d suspected, Jungkook is all too close now, hands crawling over your body. They start at your waist, massage the skin tenderly, lovingly, before gliding up to cup your breasts. You shiver, a quiet exhale escaping you as Jungkook rubs his palms over your boobs, trapping your stiff nipples between his fingers. A sound threatens to escape you, and you trap it behind a bitten lip, fists clenched against the table before you. “You know,” Jungkook says conversationally, like he’s not pinching your nipples enough to make you squirm. “Who else do you think can make you come like this?”
You brain lags. “W- What?” you stutter, thighs pressing together to ward away the arousal. Not like they’re already sticky from before, from when Jungkook had made you squirt. 
Jungkook doesn’t miss a beat, pressing a kiss against your shoulder that he trails up to your ear, nibbling at your earlobe. “Who else,” he says slowly, “can make you come like this?”
It’s not a trick question— no one could. You tell Jungkook as much. “I— no one,” you answer, rolling your lips in when he kisses the tender spot beneath your ear again. 
His kisses feel loud, but not as loud as his voice when he says, “exactly.” You swallow, gripping at the edge of the coffee table when he releases your boobs, trails one hand between your thighs, the other around your throat to pull you backwards against his chest. It makes your hands flail, landing against the tops of his thick thighs. 
Jungkook holds you close, fingers tightening around your throat teasingly. “No one else can please you like you want,” he exhales, letting his fingers trail over your skin. “Not the guy on tv, not your exes, not the fucking loser at your job,” he hisses, lips against your ear. “No one,” he reiterates, voice softer now as he presses a kiss against you. “No one but me.”
And it’s true. 
You can’t even muster your usual mouthy, bratty attitude when Jungkook serves you cold hard facts like this. Not when you can feel his aching member press against the small of your back, rest perfectly in the slight dip between your ass cheeks. “Isn’t that right, sweet girl?” he murmurs, voice low. 
You nod, tummy tightening when he uses the hand between your thighs to spread them apart. “Only you,” you agree, voice feathery.
Jungkook hides a grin against your skin, a mean chuckle escaping him when he rests his forehead against your shoulder. “Fuck,” he says, releasing your throat. “Such a good girl,” he praises, hands on your hips again. He uses them to encourage you up onto your knees, hips bumping into the edge of the table as he shuffles you forward. “Bend,” he says quietly, palm flat on the center of your back, pushing you down until your belly button is pressed against the cold wood, boobs swinging forward just the slightest. “Perfect.”
Jungkook shuffles up behind you, soothes a hand over your hip when you flinch at the first press of his cock against your folds. “You’re okay,” he comforts, voice like honey as he lines himself up. Your folds are slippery and wet, loose from your arousal and the two orgasms he’s already given you. 
Despite all that, the first push of his engorged cock past the tight muscles makes you gasp. “Baby, that’s,” you moan, nails scratching against the coffee table to make a sound that you would otherwise find uncomfortable. “I—“
Jungkook pants behind you, cock sinking further and further in. “I’ve got you,” he husks. His voice is like the light at the end of the tunnel, your dark vision forcing you to rely on him entirely as he guides you through the motions. “Made for me,” he repeats, voice airy.
You nod jerkily, arms trembling as his cock plunges deeper inside of you. “Made for you,” you gasp, head falling forward, forehead pressed against the cold surface in front of you. 
He moans, and there’s one deafening moment of silence when he finally reaches the hilt, soft pubic hairs at the base of his cock brushing against your folds. It’s a familiar sensation, having him buried inside of you, but it’s always different when he’s doing it from behind. He always feels fuller, bigger, mushroom tip practically kissing your cervix. 
“Kook,” you whimper, walls unintentionally contracting around him when he lingers a second too long. “Move.”
“Fuck, fuck,” he curses behind you. “I know, it’s just—“ he pauses, squeezes your hip so hard, you’re certain it’ll bruise. “I wanna… y’know,” he groans, dropping his head against your back, warm breath fanning across your slightly sweaty skin. 
It makes something in your stomach click into place, shifting back just the slightest. The small drag around your lips makes you brave. “Then do it,” you urge, desperate for any sort of friction. 
Jungkook practically growls, bucking into you once. “No,” he says, like he’s battling with himself, faced with a mental hurdle he can only cross alone. “You don’t understand,” he sneers, suddenly snapping back into position behind you, pulling you flush against his pelvis once more. It makes you whimper. 
“I kinda do—“
“You don’t,” Jungkook hisses, forcefully thrusting his hips into you enough to make your hips knock painfully against the edge of the coffee table, a startled moan falling from between your lips. And from there, it’s like you’ve unleashed a beast, because Jungkook shows you no mercy as he begins fucking you, his fat cock slipping in and out of you, his angry head flirting with your entrance. “I wanna fucking breed you,” he sneers, fingers digging into the skin around your waist to hold you still as he bucks his hips forward.
His vulgarity makes your skin heat up, the warmth probably tangible over your sloppily made blindfold, eyes wide despite the fabric that covers them. “That—” you gasp, thighs trembling with each powerful thrust. 
“It’s too much, I fucking know,” he huffs dryly, releasing one hip to press against your shoulders, roughly shoving you forward until your breasts are pressed against the surface, arms bent up beside you to stop yourself from hitting your head. “But— But,” he shudders, suddenly stopping his thrusts to grind his cock against you instead, pussy lips quivering around his girthy member. “I wanna,” he pants, “wanna see you so fucking full of me, because— you’re mine, __,” he seethes, “right?”
You nod blindly, dumbly, brain too flooded with the stimulation he’s bestowing upon you to think properly. “I- I am,” you confirm, gasping for air. “And you’re mine,” you manage to get out, one hand slapping down against the coffee table when he draws his cock out, slams himself back into you quickly. 
“I’m yours,” Jungkook slurs behind you, slowly picking up his pace again. The hand on your back lets go, and it’s with trembling arms that you manage to push yourself back onto your forearms, one hand blindly reaching for the hand he’s got gripping at your hips. 
“Oh my god,” you whimper, the sounds coming from your connected bodies so lewd and obscene, disgustingly wet when Jungkook slips back inside. He surges forward again, and you try to catch your balance, knees quivering underneath the force of his thrusts. Your hand slides over the tabletop in a feeble effort to hold onto something, anything. You can’t see, and even if you could there’s not much to hold onto on a flat surface. 
Except the box your hand knocks into. Your confusion lasts for only about a second because then Jungkook is ramming his cock into you, over and over, until you’re certain your hips are going to bruise and your knees are going to give out. Jungkook’s moans are soft and feathery, sighs that fan over your shoulder and make your back arch, eyes rolling backwards for the briefest second as if you were possessed. 
“Mine,” he whimpers, desperate and needy, fingernails digging into your skin as he pushes on. “Gonna be mine forever,” he growls. “Gonna— Gonna be so pretty and big,” he moans, “tits so fucking full.” The image he puts in your mind makes you dizzy. 
You nod dumbly, knuckles bumping against the box a second time. “Jungkook,” you choke out, fingers blindly nudging the box aside. But there’s no strength behind it, your entire body feeling weak and useless, all the energy concentrated in the coil in your stomach, the one that grows and tightens with every entrance of Jungkook’s cock into your pulsing walls. “There’s— There’s something,” you gasp, pinky finger tapping against it.
Behind you, Jungkook stills, harsh breaths deafeningly loud. Louder than the television and the corny music that plays, the mindless chatter of the characters you couldn’t name even if you tried. “Why would you...” Jungkook huffs, irritation lacing his words.
You don’t get to question it, because a second later his finger is tucking itself beneath your blindfold, yanking it off carelessly. It makes your head crane backwards, a tiny yelp torn from your lips as the blinding glow of the TV attacks your poor eyes at full force. Jungkook’s long since stopped his rapid thrusts, and it’s only when you glance off to the side that you realize why. 
It’s the stupid box of flowers Seokjin had sent you, the one Jungkook had placed on the coffee table when you first got home. 
Behind you, Jungkook releases one long exhale, both of you looking at the arrangement with various degrees of discomfort. “Did you like them,” he murmurs, cock throbbing inside of you. 
You shake your head, a soft, “no,” falling from your lips. The muscles in your thighs quiver like mad. 
Jungkook says nothing, but you watch as one inked arm stretches out from behind you, the movement of his hips pushing his cock deeper into you. A tiny whimper catches in your throat, watching as Jungkook hooks a finger over the lip of the box. One swift tug has it gliding over the tabletop, coming to a stop right beside your forearm. Jungkook leans back, the silence terrifying. 
“Did you think they were pretty?” he asks, tracing one finger down your spine. Your lower lip trembles as your eyes scan over the bouquet, at the pretty color selection and lovely scent that joined together to overwhelm your senses. 
“No,” you say, but it feels like a lie.
And Jungkook thinks so too, wrapping one hand around your throat and pulling you back forcefully. It’s the same as he did earlier, but with his cock deep inside your pussy, it sends a shock throughout your entire nervous system, a sob tearing itself from within you as he unintentionally pushes himself deeper inside. “Did you,” he says a second time, practically seething, “think Seokjin’s flowers were pretty?”
Your eyes flicker nervously across the screen in front of you, but everything is a blur, Jungkook’s harsh breathing against your ear. “Yes,” you confess, whimpering when his fingers tighten around your throat, press down against your windpipe as he inhales sharply. “But they’re just flow—“ He squeezes your throat so hard, your eyes nearly bulge out of their sockets, mind growing fuzzy. Eventually, he lets go and you dissolve into a fit of coughs, bent over the coffee table again as Jungkook slips his stiff cock out from within you. “I’m sorry,” you sniffle, throwing a teary-eyed look over your shoulder.
What you’re not expecting is for Jungkook to grab that same shoulder and roughly push you onto your side away from the coffee table, falling onto the fluffy rug as he shoves you down. “Something pretty for a pretty girl,” he sneers, biting down a frankly maniacal grin.
“What?” you exhale, probably looking at him with the same maniacal look in your eyes. 
(You were made for each other, so crazy and in love.)
Jungkook stretches one toned arm out, and you flinch when he uses that same beautiful arm to send the box of flowers flying over the edge of the coffee table, a hard thwack resounding throughout the room when they land face down on the other side, petals against the floor, water dripping out from inside. 
With those out of the way, Jungkook wastes no time flipping you over, face shoved down against the soft rug as he angles your hips up. “Thinking about someone else when I’m right here,” he growls, ramming his cock back into you with no warning. You sob, clawing at nothing as he bucks forward. “What a mean girl,” Jungkook scolds. 
“I- I wasn’t,” you defend weakly, shivering as he snaps his hips against you, the rug irritating your cheek when the motion sends you forward. Jungkook uses the hands on your hips to pull you back, your skin clapping together loudly. 
“You think Seokjin would— would fuck you like this?” he spits, using you like a toy as he fucks basically for himself, cock sliding in and out of your squelching walls. “You think he’d push you down and—and call you a stupid girl?” 
You shake your head, eyes squeezed shut to fight the wave of tears threatening your waterline. Truthfully, it doesn’t make much of a difference, especially not when Jungkook yanks your hips back again, your entrance sensitive from all the friction. “No, no,” you sob. ”He wouldn't.”
Jungkook scoffs, not bothering to slow his pace down. “Of course he wouldn’t,” he spits, and then, strikes your ass. Two hard cracks of his palm, rings and all, against the globes of your ass. You wail, unconsciously jerking away only for Jungkook to drag you back. “Stupid girl,” Jungkook sighs, cock twitching inside of you. You can feel the beads of precum oozing out from the tip of his cock inside you, their warmth making you shudder. 
Your other ass cheek receives the same treatment, two harsh smacks that leave the skin tingling, blood rising to the surface. “Stupid, stupid girl,” he repeats, palms rubbing over your cheeks for a brief second, only to strike down again. “Aren’t you?” You nod, fat tears dripping out of the corner of your eyes and down onto the fluffy rug beneath you. Your behind stings, pain blossoming over your skin. But it’s the good kind, the one that has drool escaping from the corner of your lips from how overwhelmed it leaves you. 
“I- I’m a stupid girl,” you agree, your words punctuated by a series of tiny sobs and sniffles. Your walls feel sensitive, raw, from his thrusts. You’re ready to come, trembling hands slithering down to reach for your clit. 
“Don’t,” Jungkook warns, snatching your arm up and twisting it behind you. 
You cry, tears and drool against the rug. “I wanna come,” you whimper, trying your other hand only for it to meet a similar demise. “Please,” you sniffle, turning your face the other way as if the angle will somehow be different. 
“You don’t come until I say so,” Jungkook hisses, using his grip on your wrists to tug you onto his cock. You moan, choke on your own saliva from the force, the tip of his cock kissing your cervix for real this time. It renders you stupid, just like Jungkook had called you, chin trembling as your eyes roll backwards. Behind you, Jungkook grunts something deep and raspy. “Fffuck,” he spits, pistoning his hips into your inviting heat. “You were doing so good tonight—“ a particular brutal buck of his hips, a loud moan torn from your lips “—but first those fucking flowers and now this?”
The rhythm of his deep thrusts cut your moans into stuttered little cries, your words broken with every ram of his cock inside of you. Your walls feel worn, every brush sending a tingling shock up your spine. “I- I’m sorry,” you weep, shoulders shaking from your own tears and the rumbling orgasm that’s just about ready to snap. 
Jungkook says nothing, too busy shoving his cock inside of you to grace you with a response. Instead, you’re subjected to his relentless thrusts, sharp gasps from his pretty mouth. “Fuck,” he pants, releasing your wrists after one particular thrusts, your walls clenching around him painfully when he draws his cock out. 
“I can’t,” you sniffle, knees giving out before he can catch you, sadly sinking down onto the plush rug. “Kook, I—”
Jungkook makes a sound, something between a growl and a roar in the back of his throat as he follows behind you, planting two firm hands on the sides of your head to use as leverage to fuck himself in. With your thighs pressed flat together, the squeeze is tighter than ever before, and your eyes roll backwards as he gets to work, walls fluttering from the overstimulation. 
“I’ve got you, sweetheart,” he pants, all games thrown aside as he begins pounding his cock past your folds, deep into your contracting walls, until that tight spring in your stomach gives out and you’re clenching up beneath him, entire body going stiff for one long beat. 
“I’m sorry, I’m sorry,” you weep, thighs quivering as you cream his cock, make his movements so slippery and wet, almost dangerous when he’s going this fast. His name falls from your trembling lips, every nickname and pet name you’ve ever given him mindlessly blubbered through your orgasm. Jungkook pays you no mind, thighs tensing up as he chases his high, short breaths and moans filling the space as he fucks himself into you. Until, finally, a few deep strokes later, he’s coming with a shuddered cry of your name on his tongue, collapsing over you, forehead pressed to your back as he catches his breath. 
“Fuck,” he groans one last time, body going slack very quickly. He slumps down beside you, softening cock slipping out of your tender folds. 
The floor between the coffee table and the couch is dark, the television glow not reaching down here. Even still, the sweat clinging to Jungkook makes him look like a sparkly Twilight vampire, the dip between his pecs collecting the smallest pool of sweat. You can’t stop yourself from running your pointer finger along the skin, over his nipple. His pec jumps deliciously under the attention. “Stop,” Jungkook sighs, catching your wrist in his, pressing his lips to your knuckles in an attempt to distract you. “Or I’ll really get you pregnant next time.”
You push yourself onto your elbows, pinching his doughy cheek. “You won’t,” you tease. Jungkook flicks his hair away from his eyes to level you with a look you’ve never seen before, not a trace of his usual post-sex playfulness to be found. It has you retracting your hand, eyes wide when he doesn’t stand down. Still, you can’t lose. “...No you won’t,” you repeat, quieter, almost unsure. Almost a question. 
Jungkook rolls his eyes, tugging you into his arms. He’s all sweaty and sticky, just like you. He’s lucky he doesn’t have four separate loads of cum— three from you, one from him —sticking between his thighs. “Keep telling yourself that,” he pants, so smoothly. Too smoothly. It makes you clench your thighs, something Jungkook doesn’t miss. “Stop it,” he warns a second time.
“You’re just so dreamy,” you whine, sitting back up to play with his hand. “Like, when you made me squirt?” He chuckles softly, eyes fluttering shut. “Not gonna lie, I thought I saw the answer to the universe for a second.” 
He’s worn out today, more than usual, that he doesn’t bother gracing you with a response. But it had been a long day for Jungkook; from planning an entire date, to the Seokjin debacle, to the crazy hot sex he’d gifted you. It was only reasonable. You reward his efforts with a soft peck against his cheek that makes him smile, a light blush painting his cheeks. “You did good today,” you hum, patting chest comfortingly. 
“Felt like I was in a Viki drama,” he confesses after a moment, has that tiny smile on his face that makes the apples of his cheeks especially round, especially cute. “The kind that have twelve plot lines going on.”
You laugh, snuggling beside him. The rug feels dirty, but so do you so the feeling is cancelled out or whatever. “You’d be the Park Seojoon of any Viki drama,” you tell him, and Jungkook laughs.
That loud and airy one he reserves only for you. 
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epilogue
Namjoon calls Jungkook’s phone a little after eleven, talking your ear off about some date he’d gone on while Jungkook is in the shower. You tell him about what happened with Seokjin and like all respectable college mentors, he just about flips. “You can sue him,” Namjoon hisses, furious for you. Not that you aren’t anymore, but in a weird act of impulsiveness, Jungkook had gone outside and ran the stupid box of flowers over with his car as you watched from the open window of your apartment. It was weirdly cathartic. 
He’s in the shower now, humming the lyrics to one of the songs from Secretary Kim, a song called It’s You by Jeong Sewoon (thank you, Shazam), that makes every inch of your body overflow with adoration when he hits that long note. Anyway, you’re perusing the rest of the streaming service for a movie to watch. Jungkook said you couldn’t watch Train to Busan tonight, something about it ruining the mood. So now you’re debating between a historical romcom or a modern romcom. 
Over the line, Namjoon is doing all the raging for you. “Men are trash,” he huffs one last time, before eventually letting it go. (For now.) “Hey, do you know how to cover up hickeys?” he asks suddenly, just as Jungkook reappears in the living room. His skin is glowing, looking like the hottest man alive. The window is still open, a feeble attempt to air out the smell of sex in the room, and the draft makes Jungkook shiver because his hair is still a little wet. 
“Hickeys?” you repeat, stretching a hand out for him as he rounds the couch. Jungkook takes it, places a soft smooch against your knuckles, close to your promise ring. Your heartbeat stutters just as Namjoon hums. 
“Yeah, this girl,” he says, cutting himself off with a laugh. One you recognize all too well because it’s the same one you let out when you talk about Jungkook to other people. Said boy settles close beside you, leans his cheek against your head when you snuggle into his neck. As soon as he’s there, you lose all rights to the remote, watching as Jungkook completely disregards all your searching just to click back onto Secretary Kim. He had missed a whole episode. “We went a little crazy tonight—“ you gag at the image Namjoon places in your head “—and Doyeon bites kinda hard—“
“Doyeon?” you interrupt, all mental processes coming to an abrupt halt as the name bounces around your mind. Jungkook, having mastered the art of listening in on your phone calls by now, freezes beside you. “You know a Doyeon?” 
“Yeah!” Namjoon says excitedly as you sit up. Jungkook meets your gaze, big Bambi eyes giving the performance of a lifetime, and gives your this overly innocent shrug of his shoulders that tells you more about what he does know than what he doesn’t. “Kim Doyeon. She went to your school— actually, she graduated with you and Kook.”
The world comes to a complete stop as you glare at Jungkook, his panicked features cueing you in to the fact he was aware of this, as you’d suspected. “Namjoon,” you say slowly, fist tightening around Jungkook’s phone. “Are you aware you’re fucking my best friend?” 
There’s a long silence on the other end, Namjoon presumably processing the information while Jungkook tries to calm the boiling anger within you. “He didn’t know,” Jungkook whispers, big pretty eyes on you as he tries to save Namjoon from you. 
All his efforts are in vain when Namjoon clears his throat and so eloquently says, “and you’re fucking my best friend?”
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epi-epilogue
The Best Buy employee doesn’t ask questions when you and Jungkook go in to get your cracked phone screens repaired. He does, however, give Jungkook an over-exuberant sales pitch on a brand new line of computer monitors that are almost as big as the television at your house. 
You try to save him from the dangerous hands of capitalism, but the Hello Kitty bandaids decorating your neck are itchy, the skin still so tender, so sometimes it’s wiser to let him waste his money than argue otherwise. 
“Good girl,” Jungkook says as he swings your arms back and forth on your walk to the car, impressed by the fact you didn’t argue with him in a Best Buy today. “My perceptions and understanding of you in my life make me happy,” he beams, too smiley as he unlocks the doors. 
“Shut up,” you glare, painfully tearing the stupid bandaids off your neck as soon as you get in, brandishing the blossoming hickeys Jungkook had so graciously given you last night. At the sight, he bites down a smile. “You’re about to perceive and understand these fists.” 
And Jungkook smiles— he always smiles —as he leans over the center console to press his mouth against the darkened skin at the front of your neck, mindlessly rubbing his thumb over your promise ring. “Perceive this love,” he says, so cheesy it makes you gag. 
“Goddd,” you groan, pushing him away before he can see the smile on your face. “Someone get this man a Viki deal.”
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Copyright © 2021, 1kook on tumblr. absolutely NO reposts allowed.
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decepti-thots · 2 years
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Idk what possessed me to watch the bayverse movies on Easter but what are your thoughts on this… franchise?
Oh hon.
So it's interesting because as I've mentioned before, my first TF media was the first two Bay movies. They are, needless to say, not good movies. The first one could have been in the hands of another director, I think, and with a big tightening up of the script- it's not irredeemable in all regards (though it was never gonna be a masterpiece). From then on, they deteriorate significantly. Revenge of the Fallen has some of the worst pacing I've seen in a major blockbuster tbh. This is even without getting into their exhausting portrayals of the military and the racism in them and the horrendous treatment not only of female characters but IRL of women on set, e.g. Megan Fox. Dire shit, needless to say.
...huh. I had more thoughts than I thought I did. Let's cut this.
One thing I will say is that I don't have any problem with them for, you know, Nerd Reasons TM. I am not fussed that they are not "G1 but live action" and honestly, any interesting ideas they DO have tend to be the ones that are most wildly unique to the films. I have this thesis that by the time you get to TLK, they have functionally stopped being "Transformers" movies in terms of the broader franchise they originate from and just become their entire own thing and at least in the abstract I find it kind of weirdly fascinating to observe. Even in terms of genre they become hard to define. But they still have more LORE than I ever think they do, given that what makes them terrible is closely tied to them being the most commercially craven kind of blockbuster. It's... weird. Unfortunately not GOOD weird, but at least interesting to think about in terms of what an odd place in pop culture they have. (One day I have a video essay I would love to do about this. Do not hold your breath, I have wanted to do it for like 4 years already, but perhaps one day.) Anyway, I tire of people who act like the issue these movies have is that the characters aren't their G1 counterparts or it isn't "faithful" enough, these movies have so many issues and that just isn't one of them IMO.
The really strange double bind TF fandom finds itself in is that the Bayverse movies are why the entire franchise post-2007 exists. I am absolutely not kidding or being hyperbolic. That pre-Bayverse incarnation of the franchise was slowly fading out the way GI Joe has done (despite attempts to replicate the same kind of revival that the Bay TF movies managed), with everything mainline being cheaply imported anime, and the rapidly slowing sales of the then-new IDW comics. (Dreamwave looked like it was gonna help, but... well, that got gnarly fast, and IDW never ever reclaimed that initial burst of interest DW's launch did.) The toy sales never dipped as low as Joe, and it would have staggered on, but the Bayverse stuff was adrenaline STRAIGHT in the arm, nearly overnight.
These are some of the most successful movies of all time. Of ALL TIME. That is such a weird thing to say in 2022 but it's true. People went to see these movies. They made more money than small countries. They have not stuck in the public consciousness, but when they were current, they maintained momentum right til TLK, and even then there's a lot of discussion as to whether TLK was really a financial disappointment or if that was partly a cover for how toxic Bay had become to the brand. And you know, I went looking for academic film writing on them multiple times, because I was like, there MUST be some. These are some of the defining films of mainstream cinema of the last decade. Nope. Found one piece focused specifically on these movies. That's weird as hell to me. (For those wondering, it's called "Technomasculine Bodies and Vehicles of Desire: The Erotic Delirium of Michael Bay's Transformers" by D. Harlan Wilson.)
But the influence they had on EVERY OTHER subsequent depiction as, again, the most successful part of the TF franchise since G1 and possibly of all time? Minimal. TFP has some aesthetic similarities and a few lore/worldbuilding ones, but it's very surface level and even the aesthetic is only a little there. TFA had editorial mandates to Be Like The Movies (hence the main cast changes from pre-production to match characters in the movie) but they're all very token. Beyond that... it's an odd situation! Everything about Bayverse is fucking ODD.
All this is to say, the movies are weird in an interesting way, mostly bad in very boring ways, and not worth watching as cinema at all, but as a cultural object, I have thought about them a lot, NGL. It is hard to talk about the Bay movies because you just wind up down a conceptual rabbit hole. ...If you're me, anyway. Most people obviously just watch these movies and go "well that sucked", LMAO.
............I'll stop. Sorry. I get carried away on this topic sometimes ngl.
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n1kolaiz · 3 years
Text
The Six Realms
Okay, so I was pretty close to giving up on writing analyses but I'm back LMFAO plus I see we're close to 100 followers and I just want to thank you guys for being so very supportive <3
Alright, I'm not sure if anyone's ever written about this, but if an analysis like this exists, please do let me know because I'm kind of curious as to what other people think about this, too!
Remember that time Fukuchi spoke about bringing "about the five signs of an angel's death"?
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I read a little bit more about it, and as a minor content warning: this analysis will focus on a few religious aspects (Buddhism + Hinduism). So if I get any of the facts wrong, firstly: I do not mean any disrespect to either religion, and secondly: please do correct me if I interpret anything in the wrong way.
Spoilers for BSD chapter 90 onwards + BEAST!AU under the cut!
So I'll start by talking about the Decay of Angels. As we all know, the members include Fyodor Dostoyevsky, Nikolai Gogol, Sigma, and Bram Stoker, and their leader, Fukuchi Ochi. After Fyodor's arrest, the Decay of Angels came into light with Nikolai murdering four government officials in a week. These murders symbolise the Buddhist cycle of existence, or otherwise known as samsara: the cycle of life, death, and rebirth.
"We are the Decay of Angels—hiding here as terrorists, a 'murder association', five people who will announce the demise of the celestial world."
Nikolai Gogol, chapter 57
Samsara is described to be a concept beyond human understanding. According to Hinduism, samsara is the physical world where every being has its soul trapped into a physical vessel. The Hindus believe that everything has a soul, and due to a soul's attachment to desire, it is forced into a deathless cycle of being born, dying, and reincarnating into a different body. In Buddhism, the ultimate way to break free from this cycle is by obtaining nirvana.
Nirvana is a Sanskrit word for the goal of the Buddhist path: enlightenment or awakening. In Pali, the language of some of the earliest Buddhist texts, the word is nibbana; in both languages it means "extinction" (like a lamp or flame) or "cessation." It refers to the extinction of greed, ill will, and delusion in the mind, the three poisons that perpetuate suffering. Nirvana is what the Buddha achieved on the night of his enlightenment: he became completely free from the three poisons. Everything he taught for the rest of his life was aimed at helping others to arrive at that same freedom.
- TRICYCLE'S definition of nirvana
As Fukuchi mentions in the panel above, there are six different realms of existence. These realms represent every possible state of existence, but one cannot live in a specific realm forever. Depending on whether or not one's past actions were morally good or bad, an individual is born into one of these realms. Basically, the controlling factor of which realm a person is born into is dependent on their respective karma. The realms are separated into two categories: the hellish ones and the heavenly ones.
The Deva Realm: where beings are rewarded for the good deeds they have done. This realm is void of anything unpleasant. It is basically paradise— empty of unfulfilled desires, any form of suffering, and fears of every kind. Religious individuals, however, do not seek to be born into this realm since its attitude is more or less carefree.
The Asura Realm: where demigods are admitted. Asuras are driven by greed and envy, and may come in conflict with human beings since they are quite similar. They are powerful beings, but quarrel with each other quite a bit, making this realm quite undesirable to be reborn into.
The Animal Realm: where beings are given the form of an animal (you probably guessed that lol). Individuals here don't actually have good karma to take pride in, but rather, they are born into this realm to work off their bad karma (by being slaughtered, hunted, or forced to work, etc). Being born into this realm forces one to atone for their past sins by living out their life as an animal.
The Hell Realm: where one is punished for their evil actions. The most merciless of realms, where one pays for their transgressions through pure suffering, methods of which include: dismemberment, starvation, and psychological/physical torture. However, once a person's term is fulfilled in this realm, they are presumably promised to be reborn into a higher state.
The Preta Realm: similar to the hell realm, in which beings pay for their past sins (specifically: greed and stinginess) by having to survive through hunger and thirst. This realm is also known as the 'ghost realm,' because some pretas are psychologically tortured by being forced to live in places their past selves have lived in. They are invisible to human beings living at that time, which pushes them to face the depths of despair and loneliness. Your typical horror movie, really.
The Human Realm: the only realm where one's actions determine their future. The status (social ranking, physical wellbeing, and so on) of a human being in this realm is determined by their past actions, but due to the fact that a person has their own conscience to differentiate good morals from bad, the actions they commit in this realm have the power to determine which realm they are sent to next.
Okay, so now that I've got that out of the way, let's shift our focus to the Book. Very little is known about the Book, but the basic fundamentals of how it works is that whatever is written in the book will come into existence only if its contents follow the rules of karma. In addition to that, only a few sentences can be written into a single page of the Book, and it must follow the current narrative of the story.
If I'm not wrong, the first time the Book was mentioned was by Fitzgerald, who wanted it to resurrect his deceased daughter in hopes of restoring his wife's mental health. The next time the Book is brought up is when Fyodor's intentions to possess it are divulged; his goal was to decimate the global population of ability-users. And now, the current arc has the Book as its central focus, with a single page in Fukuchi's possession.
[ BEAST!AU spoilers ]
The Book acts as the central point of multiverses, with each character's lives differing from universe to universe.
Dazai committing suicide in this alternate universe stands in sharp contrast with how he decided to start up a new life in the main universe.
Oda staying alive to act as a mentor to Akutagawa in the ADA differs from how Oda uses his death to prompt Dazai to "be on the side that saves people."
And of course, the way Atsushi and Akutagawa have their positions switched in the two universes depicts how different their lives would be if they were given the chance to be mentored by different people— these are just a few examples of how the Book houses an endless amount of possibilities.
[ end of BEAST!AU spoilers ]
Hypothetically speaking, this kind of reminds me of the differing realms I mentioned before, where suffering is promised in some realms, and better things are granted in the rest, depending on one's karma, or the deeds they've done in their past lives. In this scenario, perhaps one's past life can be understood as one's current life in a different universe. That's just a personal opinion though. Take it as you will.
side note: Keep in mind that the person who is more or less impervious to the Book's effect is Dazai, with his nullification ability. I wouldn't want to propose any theories in this aspect (I don't believe I'm fully fact-checked ;_;), but I could use Dazai as a raw example of how your choices affect your future. If Dazai had decided to stay in the Port Mafia after Oda's death, or if he even decided to go through with his suicidal fixations, life would've been different for him in the root universe (obviously, ryley) I mean, you could basically understand that from how he ended up in the BEAST au, but imagine if he really did slip up in his decision-making in any of the universes.
Many analysts have proposed that he went MIA (early in his life) from the main universe for a while to figure out how the BEAST universe worked, whilst having the Book to his advantage. Perhaps his actions were guided? I'm not saying he's all-knowing, but he's sure as hell smart. I'm not sure if Kafka was trying to highlight the concept of karma when it comes to Dazai, but if he is, then I suppose you could say that Dazai is pretty much unaffected by the rules of karma, existing as the centerpiece of all the multiverses. No Longer Human is the namesake of his ability, but the book talks about disqualification from societal norms and generally, the world. I was talking about it with a friend, and they reminded me that Yozo (the main protagonist) was pretty strong in his views against society. Like he didn't speak out of total defeat, he spoke out of defense. If there was anything Dazai actually lost to, it was his guilt— "Living itself is a source of sin."
Then again, that's my personal interpretation since everyone has their unique perspective of his writings. In terms of the actual adaptation, you could translate the word 'disqualification' to 'insusceptibilty' when if it came to the Book's effects on Dazai? This side note is becoming really long lmao anyways I'll link a few theories which afflicted me with brainrot down below.
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Another thing before I wrap up, the name 'Decay of Angels' stemmed from Yukio Mishima's book entitled 'The Decay of An Angel.' This is the final novel to the author's tetralogy: 'The Sea of Fertility.' The main protagonist, Honda, meets a person he believes to be a reincarnation of his friend, Kiyoaki, who takes the form of a young teenage boy named Tōru. The last novel of this series enhances Mishima's dominant themes of the series as a whole:
the decay of courtly tradition in Japan
the essence and value of Buddhist philosophy and aesthetics
Mishima’s apocalyptic vision of the modern era
Again, this could be referred to what Fukuchi goes on to say:
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Some people view the concept of samsara optimistically, justifying it by saying that perhaps each individual is given a second (third, fourth, fifth, who knows) chance to refine their actions in order to be birthed into a better realm, with their karma being the independent variable.
On the other hand, other people, specifically the Hindus, view the cycle of existence as some sort of plague. To them, the flow of life and being forced to endure the suffering of mere existence in any form was somewhat frowned down upon. Some Hindus viewed samsara as a trap. Besides, having one's soul being limited to a physical body for the rest of eternity was not very appealing, especially since where they ended up at depended on the karmic value their past actions surmounted.
Even so, particular types of Buddhists don't seek nirvana, but instead, like the Hindus, they make an effort to be good people of society, building up their good deeds to increase the likelihood of being reborn into one of the better realms.
As mentioned before, the Deva Realm was the home of angels, the most carefree, gratified beings to exist. Fukuchi describes these angels as the people who don't get their hands dirty, the people who act as the puppeteers of society: politicians.
In terms of parallels, angels were the most fortunate and powerful, but they didn't have anyone ruling over them. A lack of supervision would lead to the abuse of power, which is what I believe Fukuchi was referring to. Deeming himself the Decay of Angels, he sought to prove himself as the 'sign of death that falls on the nation's greed.'
A few fun facts (okay, not really) about Yukio Mishima: he committed seppuku (ritual suicide by disembowelment) on the day he held a speech to voice out his unpopular political beliefs to the public. Mishima deeply treasured traditions and opposed the modern mindset the nation was advancing forward to adapt eventually. In his last book, The Decay of an Angel, he spoke about the five signs which complete the death of an angel:
Here are the five greater signs: the once-immaculate robes are soiled, the flowers in the flowery crown fade and fall, sweat pours from the armpits, a fetid stench envelops the body, the angel is no longer happy in its proper place.
The Decay of an Angel, p.53
The reviews about this series I've read so far describe Mishima's works to be quite complex; his writings demanded a lot of time to deconstruct and understand. They were highly symbolic, and he was pretty obsessed with death and the 'spiritual barrenness of the modern world.' I think you could attach a few strings from here to the mindsets of the DOA members. Of course, this parallel is completely abstract, but I'll go on rambling anyway:
He should have armed them with the foreknowledge that would keep them from flinging themselves after their destinies, take away their wings, keep them from soaring, make them march in step with the crowd. The world does not approve of flying. Wings are dangerous weapons. They invite self-destruction before they can be used. If he had brought Isao to terms with the fools, then he could have pretended that he knew nothing of wings.
The Decay of an Angel, p.113
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I suppose you could resonate Nikolai with that excerpt. As much as Fukuchi takes the lead in this whole murder association, I'd like to believe that each member of the DOA plays an equally interesting part in whatever movement they're trying to execute. Fyodor feels it is his god-sent purpose to cleanse the world of its sins, his motto being, "Let the hand of God guide you." Sigma doesn't know where he belongs, since his origination comes from a page in the Book, and is fueled by the desperation to find a reason to live. Bram holds one of the most powerful abilities which is counted to be one of the "Top Ten Calamities to Destroy the World."
What I mean to say is that the DOA members are incredibly powerful, and they're not your ordinary antagonists (or I'm just biased). It's not just overthrowing authorities, mass genocide, and world domination— you could say that each individual is trying to utilize their purposes to their fullest expenditures, and the way they're trying to assert their plan into action is a little more passive-aggressive (framing the Agency, having a convo with a suicidal dude in jail, etc). They're the gray area between evil and good. As they framed the good guys for their own crimes, they're trying to conquer the bad guys for exploiting the innocent as they please.
This post would definitely age well if all hell breaks loose in the current arc (as if it didn't) and Kafka doesn't give us a happy ending.
That's all I have to say for now I guess! Thank you for reading, and once again, if anyone else something they wanna share, feel free to do so <3
sources (tryna follow Q's example ^_^) :
the six realms
samsara
the decay of angels
beast!au
the book
the sea of fertility
yukio mishima
theory: dazai’s emotional/mental state in beast!au
q’s theory: dazai being the protector of the book
theory: beast!dazai and the book
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supernovafics · 3 years
Text
𝐓𝐇𝐄 𝐇𝐎𝐋𝐈𝐃𝐀𝐘𝐒 𝐀𝐑𝐄 𝐀 𝐁𝐄𝐀𝐂𝐇
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pairing: dylan o’brien x best friend fem!reader
summary: in which dylan has been your best friend for as long as you could remember. your busy lives and schedules may have pushed both of your lives in vastly different directions as you’d gotten older, but somehow you two would always be led back to your hometown, and each other, during the holidays. however, one moment causes all of that to change. 
warnings: angst (what else is new), some fluffiness, mentions of past trauma (the maze runner incident), existential crises, explicit language
word count: 3.6k words
author’s note: idk why i decided to write something christmas related in the summer but it happened lmao (also i feel like it’s slightly important to mention that this takes place in 2016)
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.
The rocks being thrown at your window were not what woke you up. Instead, you had been lying awake for hours; getting little to no sleep was something that you had become used to at this point.
However, on this specific night— or morning, depending on how one looked at it— you were glad that your sleep had been restless once again because it made it easy for you to get out of bed and walk to your window when the rocks began hitting it.
There was really no need for you to push open the curtains and check who was doing the throwing because, of course, it was Dylan. Ever since he moved onto your street in Hermosa Beach in middle school and the two of you easily became friends, he was the only person that would ever wake you up in the middle of the night with the soft pings of rocks, especially on this specific day at this specific time.
You waved at him and gestured that you would be down in a moment. You slipped on a random pair of sweatpants along with a hoodie and then placed the Christmas gift that you bought for him in the pocket. The item was small enough to fit in the not too big pocket of your hoodie; however, it did awkwardly protrude a bit.
All of this was a sort of unspoken tradition that the pair of you had developed over the many years you’d known each other. Meeting at five in the morning on Christmas day, walking to the beach that was only a few blocks away from your respective childhood homes, and exchanging Christmas gifts with each other as you both watched the sunrise. It started when you were in ninth grade, and you hadn't missed a year since, not even when the ending of high school pushed your lives in vastly different directions, especially since Dylan graduated a year before you and was almost immediately thrust into his acting career.
But, it didn't matter that Dylan's career took off, and you eventually decided to go to college in Santa Barbara, because, no matter what, you both would always come back for the holidays.
When you opened your front door and saw Dylan lingering by the sidewalk no more than ten feet away, you were quick to go toward him and pull him in for a tight embrace. It actually hadn't been too long since you’d last seen him, maybe only five or six months, but for some reason, it still felt as if the last time he was in front of you was last December.
"Hey," Dylan breathed out in a short greeting, his arms wounding around your waist.
“Hey to you too," You responded, a small smile gracing your features when you both pulled away, and you looked up at him. "How have you been?"
It was quiet for a few moments as you waited for him to answer the question, but eventually, you were met with no verbal response, and instead, Dylan simply shrugged. The short action made your heart constrict in the most painful way, and it was then that you noticed the light remnants of a scar peeking out from behind his dark hair that covered the majority of his forehead. You were quick to peel your eyes away from the scar and instead cast them down at your Converse-covered feet, but that didn't stop the memories from quickly coming back.
The Maze Runner accident had happened back in March, but to you, and you knew to Dylan as well, it felt as if it was just yesterday, especially considering the fact that he was still dealing with the unavoidable repercussions from it.
"Wanna walk?" You asked, finally looking up at him once again.
Dylan nodded. "Yeah."
A silence that could only be deemed as comfortable lingered between them as the two of you took the five-minute walk to the beach and sat down side by side on one of the random empty benches.
"Merry Christmas, Y/N," Dylan said as he handed a present over to you. The present was messily wrapped, something that was not at all uncommon when receiving gifts from Dylan, and the sight of it made you smile.
Before you unwrapped the gift, you pulled out the one you had for him and handed it over. "Merry Christmas, Dyl."
The nostalgic sound of wrapping paper ripping could be heard as you tore into your gift. A simultaneous shocked and happy yelp emitted from your lips when you held up a Harry Potter t-shirt. But, it wasn't just any Harry Potter t-shirt; it was one with a version of the Goblet of Fire movie poster on it, which was your all-time favorite movie in the series.
"Holy shit."
"It's the original merch that was sold when the movie came out," Dylan told you. He hadn't opened his gift yet, and instead, he was playing with the green bow placed on top of it; he always liked to see your reaction first.
You looked at Dylan and then back down at the shirt as you processed his words. "Wow, double holy shit. I would put it on if it wasn't freezing right now."
Dylan laughed a bit. "Very understandable."
“Why haven't you opened yours yet? I'm dying to see what you think of it," You said. You were now holding the t-shirt to your chest, genuinely feeling like a little kid on Christmas morning again.
Dylan finally began unwrapping your gift to him, and when all of the paper was peeled off, there was a square box. "Aw, a plain white box. Thank you so much. This is what I've always wanted."
You rolled your eyes and playfully bumped him with your shoulder. "Ha ha. Please save all of these bad jokes for your stand-up act; I can't wait to boo you off the stage along with everyone else."
"So, what I'm hearing is you don't think that becoming a comedian is going to be the next best career move for me?" Dylan asked. He attempted to make the question sound as serious as possible, but there was a joking undertone to his words.
You bit back your laughter. "Please just open the box already so I don't have to hurt your feelings by truthfully answering that question."
"Okay, we'll circle back to that topic later," Dylan smiled and then finally opened the white box to reveal a slightly faded baseball. When he picked it up, he ran his thumb over the black signature written on it. "Now it's my turn to say holy shit."
You could feel yourself smiling at his awestruck reaction, and you wondered if that was what you looked like when you saw the Harry Potter shirt. The baseball was signed by one of the players of the New York Mets that had been Dylan's favorite player when he was younger, and he'd even caught a ball hit by him when he went to a game before he moved to California.
"I've had this idea for years, but I could never find a baseball signed by him," You began explaining, the excitement clear in your voice. "But, last month, someone named Paul Todd posted this on eBay and I immediately bought it. God bless that old man. It's completely authentic and everything."
Dylan was quiet for a few moments as he simply looked at the baseball in his hands, a small joyful smile on his face, and it made you happy to see him so genuinely elated with the present.
"This just made my gift look like shit," He finally said, a light laugh falling from his lips.
"I have always been the superior gift giver. I think that's my hidden talent," You responded with a playful smirk.
Dylan placed the baseball back in its box and then looked at you. "Next year you will receive the best gift ever from me. It will completely top everything that you have ever given me."
"You're saying that as if I should feel upset about receiving a trip to Italy as a Christmas gift."
"A trip to Italy?"
"In my strong opinion, that would be the best gift ever," You said with a smile and then looked down at the t-shirt, which was now in your lap. "But, anyway, I don't think this gift is shit. I'm in love with this shirt already."
Dylan let out a joking, overexaggerated sigh in relief. "Phew, okay, since you think this gift is great, that means I don't have to do the trip to Italy next year."
"What? Did I say I like this t-shirt? I hate it! Harry Potter actually su— Fuck, I can't say this with a straight face," You laughed, and Dylan was quick to join in with you.
The joking statements leading up to the laughter hadn't even been the funniest things ever, but it didn't matter because this was probably the hardest you had laughed in a while, and you were both glad and unsurprised that it was with one of your favorite people in the entire world.
You missed joking around and laughing with him. You missed simply being with him.
Eventually, the laughter died off, but there was still a smile planted firmly on your face. You looked ahead at the darkness in front of you and the ocean that looked completely black; it was still kind of early, so the sun hadn't begun to rise just yet. Your back pressed against the wooden bench, and you let out a small sigh, your head finding Dylan's shoulder as you leaned against him.
"How have you been?" You asked him, your words coming out both soft and slightly quiet, and before the mood became too serious with your question that was nothing but serious, you attempted to lighten it. "And please no shrugs as a response this time. I don't wanna get a headache due to my head bouncing off your shoulder."
Dylan let out a breath of a laugh at your final statements but refrained from answering the question for a few moments.  
After what felt like forever, he sighed and ran a hand through his dark hair. "I honestly don't know. My mind has felt so fucked lately, thinking about everything. I swear I've been feeling every feeling known to man these past months."
"What are you feeling right now? In this moment?"
"I'm really happy with you. This is probably the only normal and familiar thing I've experienced in a while. But, of course, there's still that confused feeling in the back of my mind revolving around everything else." He paused for a brief moment before continuing, his next words came out quieter. "I don't even know if I want to go back to acting."
You lifted your head off his shoulder and looked at him as you pulled his hand into yours and gave it a light, reassuring squeeze.
"No matter what you decide. I'll be right there to support you," You told him and then added a "bro" at the end of her sentence along with a small smile. Whenever things became too deep in a conversation you two were having, one of you would always throw a "bro" or "dude" in there to bring some playfulness to the mood.
The corners of Dylan's perked up a bit. "So, you'll support me when I decide to become a comedian?"
You were unable to stifle your light laughter. "Yes, fine, fuck it. I'll be the loudest one laughing at all of your shows."
Dylan squeezed your hand back because he knew exactly how reluctantly true your words were. "Don't worry, I promise not to put you through that."
"Thank you."
"So, how have you been?"
"No."
"Oh, come on," Dylan said as he playfully poked your side. "I'm not gonna be the only one exposing my feelings."
You sighed and then hesitantly nodded. "Okay, okay."
The truth was you had been far from good lately. Your life was moving, but for some reason, you felt like you weren’t moving with it.
You felt stuck.
Stuck in a confusing mindset where you had absolutely no idea what you wanted to do with your life. You thought that identity crises usually happened in high school, but apparently, yours had come five years late. But, you knew that this delayed identity crisis had been your own doing because you had convinced herself that you would figure everything out once you were in college; and you were both lucky and smart enough to receive a full ride to UCSB.
And although you were finishing up your Master's degree in Creative Writing and had a TA job at the university with the department, which was the reason behind why you could even pay for the Master's program, something in your "should be great" life simply did not feel right.
However, you felt absolutely terrified to say any of that out loud because admitting it would only finally make that statement a wholehearted truth, instead of just a spiraling thought in your mind. And even though Dylan was your best friend and you knew you could tell him anything and not receive any sort of judgment, it still felt hard to let the words leave your lips.
You thought about the way to perfectly word everything, but nothing felt right. You pulled your hand away from Dylan's and covered your face as you let out an exasperated breath. "I can't figure how to say it all."
Dylan placed an arm around you and then mimicked the same question you had asked him not too long ago. "What are you feeling right now? In this moment?"
You would have both laughed and smiled at the fact that he was using your exact words if the current circumstances were different.
"Scared," You finally said, your voice barely above a whisper. "I don't know what the fuck I wanna do anymore, and actually, I don't think I really ever did. I only went to college because of the scholarship, and I convinced myself that I would figure my life out when I got there. And for a while, things felt right because I found creative writing and genuinely enjoyed it, but something doesn't feel right anymore. And I actually do like school. Because it's stable, and I am doing things, even if it's taking a dumbass test. But, it's about to be over soon, and I have no idea what I'm gonna do."
Your words were coming out like vomit, and nothing could stop it because finally, everything you had been feeling for so long was out of your head and put into the open.
"And don't get me wrong, I do love to write, but I don't know, I just can't see myself doing it for the rest of my life," You admitted and then let your next words come out quietly. "Honestly, I can't see myself doing anything. I'm so unhappy here."
You did not say it aloud, but you didn't think you were ever fully content there. Aside from Dylan and your parents, you never truly liked California. You had grown up there all your life, and although there were millions of people that adored the state, you felt the exact way someone from a state like Wyoming probably felt.
Dylan did not verbally respond to your long confession at first; instead, he simply pulled your confused and stressed self in for a hug, and you let out the simultaneous sigh and breath that you had been metaphorically holding in for years at this point.
"Maybe you should take a break," Dylan finally said; his arms were still around you, an action that made you feel completely comforted. "Right after high school, you went straight to college, and I don't think you've ever really taken a break to really think about what you actually want. Like, maybe, it's becoming a zookeeper."
Your laugh was slightly muffled by the fact that your face was pressed into the warmth of Dylan's chest. "Zookeeper?"
"I don't know," He laughed too. "You said you would support me in whatever the fuck I decide to do, and I'll do the exact same for you."
Somehow a smile found its way on your face. "A zookeeper and a comedian. What a fucking dream team."
Another laugh fell from Dylan's lips. "The best fucking dream team."
"But, honestly, I wish I could've known sooner that this is how you've been feeling. I would've been telling you to slow down so long ago, but you seemed content with everything," Dylan told you and gave you another light squeeze. "Please take a break and don't stress yourself out over the future when your next semester is over. Just relax for the first time. You can even come stay with me in LA for a little bit if that's where you wanna take your break. I'll be here for you, Y/N. Always."
Something about his words hit you hard. The wholehearted honesty and sincerity behind his statement shouldn't have surprised you, but it did. And the worry he had for you resembled the same concern you had for him when the accident happened. You two were best friends, so it should not have been a shock that you would worry about each other, but still, in that moment and for you, it was shocking because it felt like so much more than just that.
"Me too," You whispered, finally responding to his previous statement.
The long embrace came to an end with you being the one to pull away; however, you did not pull away far enough for you both to become completely detached from one another. Dylan's arms were still around your waist, and yours were still around the nape of his neck, and your faces were dangerously close. Your hand somehow took on a mind of its own as it reached around and cupped Dylan's cheek. The miniscule confusion and tickle of panic that began to prick at the back of your mind because of the action were not enough to make you pull away.
The slight way that Dylan leaned into your soft touch was the catalyst for you to take the leap and lean in the tiniest bit to close the small distance between the two of you, your lips almost too easily finding his. The inward sigh of contentment you emitted when Dylan almost immediately kissed you back made you realize that kissing him was the one thing currently happening in your life that actually felt right.
Later, when thinking back to that specific moment, you would wonder if that "rightness" had always been there between you both.
However, that right feeling, which was both comfortable and familiar, was quickly replaced with dread and angst, at least on your part. Your mind was beginning to fully catch up with your actions, and it immediately told you that the current action was both bad and stupid, and there were many, many reasons that proved that.
Maybe there were moments where a younger, and even present-day, you did want more to happen between you and Dylan, but you would always push that thought away because you knew that your and Dylan's friendship was so much more valuable.
And then it was the fact that your lives were nothing alike. Even though you were immensely confused about where your life was going, you could say for certain that it wasn't going in the same direction as Dylan's; an acting career that he genuinely loved and enjoyed too much to truly give up. Something deep down told you that, and you could feel the truthfulness behind the thought. The holidays were the only time your lives would truly intersect.
You abruptly pulled away, not just from the kiss but from Dylan's body entirely, moving to the edge of the bench you were on. Your hands covered your face in nothing but pure embarrassment and regret, and you wished that you could take back the last minute and a half of your life. And you also absolutely hated that you couldn't help but notice how much colder your body felt now that it was away from Dylan's.
"Oh my God. I'm sorry. Fuck. That kiss— it was a mistake. I'm really sorry." Your words came out rushed and fumbled, and it probably did not make much sense, but you just hoped that there was at least a little bit of coherency with them.
As much as you wanted to look at Dylan, you refused to do so because you knew that you would only see the regret you were feeling written clear across his face.
"Hey, it's okay, Y/N. Everything's fine. Don't worry," You heard him say but could hear the uncertainty in his voice as if he really didn't know if everything truly was fine. And you knew that it wasn’t. It really wasn’t.
The holidays were the only time your lives would truly intersect, and you had just completely ruined that.
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.
let me know your thoughts <3
((((already potentially thinking about doing a part 2 to this….. but idk…))))
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lesbianrobin · 3 years
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What do you think are the good and bad aspects of each season of ST?
ok 1. thank u for this question omg and 2. this answer may or may not be a mess, but either way it’s long (almost 7k words lmao) bc i’m insane, which is why it’s under a cut. it’s still by no means an exhaustive list but these are the things that just kinda came to mind.
also i realize you asked “good and bad” and i wrote this whole post as “strengths and weaknesses” which um. is not Exactly what you asked. but close enough <3 i also ended up including a lot of au ideas ksjdckmn bc like i personally hate when people say a certain plot or whatever was bad without suggesting anything that could have improved it yknow so whenever possible i tried to provide Some idea for fixing the issues i had with the show!!
season 1
strengths (this is probably gonna be the longest section but that’s because a lot of these strengths also apply to s2/s3 by default)
nostalgia and authenticity
this one’s pretty simple, but i think that season one did a good job of blending classic eighties media homages (such as the many many e.t./el parallels) with explicit pop culture references (such as mike’s yoda impression, mentions of the x-men, etc) to create a show that’s essentially dripping in early eighties nostalgia without it feeling too forced. before st, i think the most popular depiction of the eighties in mainstream media was that overly exaggerated neon scrunchie aesthetic from the mid to late eighties, and it was usually done in a comedic sense first and foremost. st took a different approach, instead focusing on the early eighties, a time that’s often ignored in favor of going either Full Seventies or Full Eighties, and i think that this choice likely resonated with adults who lived through the eighties and hadn’t yet seen something that felt quite so accurate to their own adolescence. a lot of young people who watched st were totally unfamiliar with this period of time, unfamiliar with books/movies like “stand by me” that st borrows from heavily, and i think st lent more seriousness to the eighties than most young people had experienced so far, and this was refreshing and interesting!
the use of dnd in the show is also quite genius in a way i’m not sure i can articulate?? it isn’t something Everyone would have played at the time, but it’s something that existed within a different context back in the eighties than it does today, and it really lent a sort of authenticity to the naming of the show’s sci-fi elements. like, of course these kids would name parallel dimensions and monsters and superpowers after these similar things in their favorite game! it just feels so real and it grounds st in our reality moreso than you might expect from the typical sci-fi or horror universe.
utilization of existing tropes
almost every single character in st clearly originates from some popular trope. the plot itself is riddled with classic eighties movie tropes. almost every single element of stranger things can be clearly traced back to some iconic eighties film or just to, like, overused horror/sci-fi/mystery/coming-of-age movie tropes in general. this might sound like a bad thing, but it really works in st’s favor! starting off with familiar tropes gives st the ability to easily create a lot of complexity and make a big impact by selectively deviating from those familiar, comfortable tropes!! while el’s whole plot, hopper’s character, etc, are all examples of this in action, i think the steve/nancy/jonathan plot is the greatest example. even from the start, the fact that good girl barb dies while nancy is off having sex with her asshole boyfriend is an incredibly thorough inversion of the most well-known horror movie trope in the book. how often do girls in horror movies have sex for the first time, walk home alone in the dark of night, and live to tell the tale? nancy and jonathan’s dynamic at first glance is a sort of classic “good girl meets boy from the wrong side of the tracks, discovers he’s actually got a heart of gold” thing, but instead of following this well-trodden path, st diverged. nancy is brash, impulsive, and at times downright insensitive. jonathan is angry, bitter, and actually a bit of a creep at first. while they have the capacity to emotionally connect and support one another, they can also bring out each other’s darker side, which is not what we’ve come to expect from that initial tropey dynamic.
in addition, steve, the popular rich asshole boyfriend, is actually... a human being! unlike the cartoonishly evil jocks that we’ve come to expect (especially from eighties movies), steve has complexity. despite his initial immaturity and selfishness, he’s also kind to barb, he backs off when nancy says no, he’s gentle and sweet when they sleep together, his first big Dick Move of the season is in defense of nancy, he realizes the error of his ways after the fight and does what he can to fix it, he’s worried about nancy when he sees that she’s hurt at jonathan’s house, and to top it all off, he ends up saving both nancy and jonathan’s lives when he could have just walked away, and the three of them all work together to fight the demogorgon. like... steve began as the most stereotypical character of all time, and by the end of the season, he had one of the most compelling and unique arcs among the whole cast!
finally, at the very end of the season, instead of dumping steve for jonathan as expected, nancy ends up getting back together with steve, and they’re both on friendly terms with jonathan. i realize that i just kinda. summarized s1. but my POINT is that i don’t think the dynamics between the monster hunting trio would be nearly as fun and interesting had the characters of nancy, steve, and jonathan not been set up to follow certain paths that we already had charted in our own heads. like, within the first couple episodes of s1, it’s pretty obvious that nancy and steve are gonna break up, nancy will get with jonathan, and steve will either die or go full evil or just never be seen again. like, duh! you’ve seen this story a million times! you know that’s how it’s gonna go! so, when the story DOESN’T go that way, the impact of each character’s arc and the relationship dynamics become stronger due to their unexpected complexity and authenticity. 
distinct plotlines separated by age group
this one’s rather obvious, but the way that the adults in s1 were essentially in a conspiracy thriller while the teens were in a horror flick and the kids were in a sci fi power-of-friendship story and all three converged at the end... wow. brilliant showstopping etc. not only was it just really well done and unique, it also gave stranger things near-universal appeal. like, there’s genuinely something for pretty much everyone in season one!
casting
obviously this applies to every season sorta by default, but when i think about what made season one So successful, i always think about the cast, and not just winona ryder. yes, she’s absolutely amazing in the show and it’s very doubtful that st would be as big as it is today without her name being attached to it from the start!! however, i think the greatest determining factor in st’s success is the casting of the kids, particularly millie bobby brown. like... el is just absolutely incredible. she’s amazing. this has all been said many times before so i won’t harp on it, but millie and the other kids are all So talented and charismatic and i think their casting has been instrumental to the show’s success.
strong visuals
the way that multicolored christmas lights which have been around for decades are now kinda like. a Stranger Things thing. jesus christ. those lights are probably the biggest stroke of stylistic genius on the show.
atmosphere and setting
this is probably like. the least important one here for me sdjncdsc because i think s2 and s3 both had like Even Better atmospheres and shit but s1 was good too and it laid the groundwork!! i know a lot of people would have preferred st be set somewhere more Spooky with lots of fog or giant forests or whatnot, and while i do enjoy thinking about alternate st settings and how they might alter the vibe, i think hawkins indiana was a good choice. as the duffers have said, placing stranger things in a fictional town allows them more flexibility than if they’d gone with their original plan of using montauk, new york. besides that, i think the plainness and like... flatness... of small-town indiana just Works. like, the fact that hawkins is never really scary on the surface is a big part of the horror in the lab’s actions and their impact. hawkins isn’t somewhere that people just disappear all the time. it isn’t somewhere known for strange occurrences (prior to s1, that is). it isn’t somewhere shrouded in mist and secrecy. hawkins on its surface seems like the sort of place with no secrets and nothing to fear, and that’s the point! the lab is out in the open! it’s right there! everything is so close to the surface, yet so far out of the public eye, and i think that really works.
the byers family’s whole deal (specifically the joyce/jonathan dynamic)
this is going here bc i miss it so bad in s2 and s3. i’m not one of those people who believe The Byers Are The Whole Point of the show, because st is and always has been an ensemble, and el, hopper, and the wheelers are just as instrumental to the plot as the byers, but ANYWAY, i do think the byers were one of the most interesting aspects of s1. joyce’s difficulties with supporting her sons as a poor and (implied mentally ill) single mother, jonathan’s stress as a result of having to earn money, care for his brother, and keep the house in order when his mother is unable to do so, and the resulting tension between them when will’s disappearance and supposed “death” brings the situation to a tipping point? holy shit! it’s so good! that argument after they see will’s “body” is just incredible and gut-wrenching. their relationship feels so real and messy and i think it’s just... good. also winona ryder REALLY acted her heart out and she carried a lot of s1 which i think people often forget to mention so i’m saying it here.
weaknesses
pacing/timing
ok so pacing is probably going to go in each season’s weaknesses, to be honest, because i think they all had a blend of some good and some bad pacing. good pacing is invisible pacing, though, so i probably won’t be putting it in any of the strengths sections and will only be focusing on it in the weaknesses. i’m also probably not going to talk about weird day/night cycle things, just because i don’t want to get nitpicky on timelines because that would require going back and rewatching things to double check timing which i don’t wanna do at the moment lmao. anyway, when i think of bad pacing in season one, i primarily think of two things: nancy’s little trip into the upside down and subsequent sleepover with jonathan, and the sort of staggered nature of the climax in the final episode. the latter is simple so i’ll explain it first: while i understand that each group’s respective climax is like part of a chain reaction and that’s why each big moment happens separately and at different times, i think that st is strongest when the whole group is together, and i think that makes the stakes feel higher too, so i’m not In Love with the way s1 separated everyone and gave each group their own climax. 
okay, now on to the nancy/upside down thing! idk if i’ve ever talked about it before, but i think the worst decision made in s1 by far is the inclusion of nancy’s brief trip into the upside down, wherein she dives headfirst into another dimension with absolutely no backup, watches the demogorgon chow down, freaks out and runs around for a minute, and then leaves. like... what the fuck? even putting aside what an idiotic decision this was (because i do think nancy’s tendency to rush into things headfirst is an intentional and consistent character trait), it just kind of destroys any remaining suspense surrounding the demogorgon and the upside down, and it accomplishes basically nothing besides scaring nancy enough to have jonathan sleep over, which is lame. i will break it down.
like, first of all, nancy just getting to waltz in and out of the upside down and get a good, long look at the demogorgon makes the entire thing far less mysterious, and by extension far less scary. like... before this scene, we the audience haven’t got a good look at the demogorgon. we’ve seen its silhouette briefly and we’ve seen a blurry picture of it, but nothing more, and i think that is far more effective at building fear than this jaunt nancy goes on which gives us a full view of the thing and makes it into less of a horrifying nightmare and into more of a humanoid animal. like, maybe this is just me, but i found the demogorgon far less intimidating after that scene than before. it also lets nancy and jonathan know For Sure that they’re right without providing any crucial information that they need to fight the demogorgon (aka it’s unnecessary to the plot), which removes a very compelling story element (the faith nancy and jonathan need to have in order to keep going against a vague and poorly understood enemy, the doubt they might have about each other and their own sanity, the possibility that they might be wrong, the trust they need to have in each other) a bit earlier in the plot than i believe is ideal. at the end of episode 5, nancy goes into the upside down and jonathan doesn’t know where she is and it’s intense!!! you’re thinking like, oh fuck, not only is nancy missing and fighting for her life now too, jonathan might be implicated in her disappearance!! some people already think he’s the one who killed will and people know that he took creepy pictures of barb and nancy before they both disappeared, maybe this is gonna cause some serious problems for him!! maybe nancy will find will in the upside down and she’ll help him survive!! fuck, maybe she’ll actually die!! this is huge!! and then episode 6 starts and they’re immediately like oh nevermind jonathan found the tree and got nancy out and she’s fine. my point with all of this is that nancy entering the upside down could have done A Lot in the grand scheme of the plot, but all it did was just... get jonathan to sleep over so he and nancy could have some awkward romance moments and steve could see them together and pick a fight. which could have honestly happened at Any point while nancy and jonathan were working together to hunt down the demogorgon, without ruining the demogorgon’s and the upside down’s mystique. so yeah <3
weird behavior and dumbass decisions that make no sense (aka the whole camera thing)
gonna go off about the teen plot again sorry but: why was nancy so unbothered and quick to forgive jonathan for taking those pictures? girl what the fuck are you doing? why wasn’t that a bigger deal? why was jonathan’s motivation for doing it so weak and why did they just kind of forget about the whole thing? why did nancy TRACK HIM DOWN AT THE FUNERAL HOME while he was PICKING OUT HIS BABY BROTHER’S CASKET to be like hey can you tell me what’s in this creepshot you took? it’s insane. it’s so insane. i mean i think the funeral home thing is hilarious and i don’t mind it being in the show necessarily but like my point here is that i think a lot of character decisions in s1 just kind of.. happened because they Needed to happen for the plot. like, they wrote this plot that required jonathan to be secretly taking pictures of the party and required him and nancy to work together after seeing something odd in the pictures, but they didn’t like... really consider what that event would mean for their characterization and relationship. the whole thing was sort of just dropped with minimal discussion and i think it did both nancy and jonathan’s characters a disservice and was really mishandled.
lighting and saturation/color grading
i am literally begging horror/sci-fi shows to let me see shit. i GET IT okay i understand that when you’re doing cgi effects it helps to keep the lights down and i’m not mad at any of the lighting in the demogorgon/upside down scenes!! i’m really not i think the demogorgon scenes in s1 all look sick!! but like... dude. the colors. where are they. why does everyone look like a vampire. i know blah blah this was probably an intentional stylistic choice intended to mimic film at the time blah blah but dude a lot of old movies are very colorful!! please just let people have color in their faces so everyone doesn’t look like a sheet of paper!!! also i’m white and not a professional lighting designer so yknow grain of salt but i think lucas was kinda poorly served by the lighting sometimes in s1. not Hugely so, not to the degree that i’ve seen poc be poorly served by lighting in other shows, but there were some times where it felt kinda like the lighting setup was just not designed with darker skin in mind. 
horror
i just personally don’t find s1 very scary like... ever. i don’t think they were really Trying to be extremely scary yknow so i’m not counting this as a big deal, but i do think that each season has improved on the horror aspects. i think s1′s horror lies more in the mystery and the unknown than in what’s seen onscreen, and as i’ve said already, i think s1 kind of fumbled that suspense ball.
season 2
strengths
the possession plot
i’ll warn u rn this whole s2 strengths section is probably gonna be really short bc idk like. how much there is to really say i feel like it’s all so self-explanatory skjncmn. anyway yeah the possession plot!! eerie as fuck, and noah OWNED. so did winona tbh and finn and sean etc but like. noah. wow! i think the possession plot helped the show maintain a good amount of tension and suspense throughout the season, and a lot of scenes with possessed!will are flatout disturbing to watch. in a good way. i think the mindflayer and will’s possession were far more genuinely frightening than s1′s demogorgon, and it provided a new layer of depth and intrigue to the antagonist besides just “bad monster want eat people.”
tone and aesthetics
halloween season... literally halloween season. halloween season. that is all.
actually i will elaborate a bit and just say that i think s2 did a good job of having the sort of foreboding vibe that s1 was often going for, but without the annoying darkness and desaturation. so points for that.
also st2 is like one of the best Autumn pieces of media ever like it just. like steve and dustin on those train tracks with the fallen leaves all around them.... god. god the vibes are unparalleled. all of the halloween stuff also really contributes to the nostalgia st runs on yknow it makes you think about childhood and trick-or-treating and you kind of get transported like damn... i remember going to the rich neighborhoods to score the good candy..... idk i just think the whole thing is incredibly effective. 
“babysitter” steve
by sending nancy and jonathan off together, the show created a problem: what to do with steve? this problem pushed them to create the unconventional and unexpected duo of steve and dustin, and the world is so much brighter for it. seriously though we all know steve and dustin are great i don’t need to argue that point. all i’ll add is that i think allowing steve to grow in this way, serving as a mentor figure and becoming genuine friends with someone so unexpected, really took the originality of his character to the next level. no longer content just to defy his archetype, in s2 steve begins branching out in ways that never would have been considered in s1, creating an incredibly complex and interesting person from the sort of character that most shows would have simply written out or killed off for convenience’s sake. and it works and steve and dustin are such a joy to watch and i love them. <3
the lucas/max plot
so first of all max mayfield is the most perfect baby girl on god’s green earth and idk what i would do without her but anyway. i think lumax is the best romantic relationship in the show and not just because they’re the only ones with like an age-appropriate approach to the whole thing. it’s also because their relationship accomplishes more than just putting the two of them in a relationship!! lucas and max spending time together motivates billy to do his evil shit, providing more conflict in the narrative, and it also helps establish max as part of the group in a relatively natural way while giving both her and lucas a great subplot. lucas (and dustin) has a crush on the new girl, they start spending some time together, and lucas ends up needing to decide whether he’ll keep the secret of the upside down and lose her, or risk both of their lives by telling her the truth. that’s a pretty big, character-defining decision that he gets to make!! max has to choose whether to trust this boy she barely knows and endanger herself, or to walk away and stay safe, yet another great character-defining choice that also contributes to the sense we get as an audience of max as somebody who’s incredibly lonely and desperate for love and connection. this post is way too long already and i have a ton more to say so i’ll stop now but yeah i think lumax really Works in the show without ever distracting or detracting from the overall plot and narrative in the way that some other ships (coughjancycough) often do.
balance between the normal and abnormal
s2 i think did a pretty solid job of melding daily life with more fantastical sci-fi horror elements. i enjoyed seeing so much of the kids at school in the first few episodes!! you really get a strong sense of where they’re at in life, what their daily lives are like, and you get a sort of gradual shift into madness that makes everything feel more grounded than i think it would if they had just leapt straight into the horror shit, yknow? 
the el and hopper dynamic
go back and rewatch s2 and tell me that’s not one of the most moving portrayals of parenthood and trauma and growing up that you’ve ever seen. you can’t. or well you can but i won’t listen. i really can’t imagine stranger things without el and hopper’s relationship, and it’s my absolute favorite part of s2. their whole dynamic is so beautiful and complex, and gives them each amazing personal arcs in addition! the black hole scene is literally one of the show’s greatest moments of all time. any given scene between the two of them in s2 is just guaranteed to be heartwarming as well as heartbreaking, and i think that makes for an incredible show.
weaknesses
flashbacks
okay this applies to Every season they All have too many flashbacks but in s2 specifically... please stop showing me shit from season one. i watched it. i know what happened. you don’t need to spoon feed everything to me!! flashbacks can be a really helpful way of delivering information to an audience, but st has a bad habit of not only being kinda demeaning in how often they flash back to shit that the audience already knows, but they also have a bad habit of using flashbacks almost as a crutch to avoid having to deliver information subtly and naturally. 
you know i gotta say it... the lost sister
this is so sad. the lost sister really is like a great concept for an st episode, and i’m not mad about the idea of st taking a break from the normal action to focus on one story for a full episode, but the execution of it was just dreadful. kali and her crew feel very over-the-top and stereotypical, and its placement in the season totally kills the tension and excitement that was built in “the spy.” 
i think the lost sister honestly could have gone over far better, even with the stereotypical fake-feeling gang kali has, if they had just swapped it with “the spy” like... ok, the end of episode five has el setting off to find kali and will collapsing on the ground seizing. right? imagine if, instead of immediately following will to the lab, we’d followed el. we don’t know what’s happening with will, but it’s a very simple cliffhanger that leaves us on edge without making us feel cheated by the show cutting away. we follow el on her little journey, everything happens much the same as canon, and then at the end, el sees hopper in scrubs. she sees mike, screaming, sees that they’re both in danger. holy shit!!! what the fuck!!! what’s happened since we left will seizing on the ground??? we feel el’s fear and confusion. she decides to go home. and then... boom. “the lost sister” is over. now, we rewind, right back to will seizing on the ground, and “the spy” commences. we learn how they got into the danger that el saw in the end of “the lost sister,” and we sit on the edge of our seats all through “the spy” and “the mind flayer,” KNOWING that el is on her way back to save them but not knowing when she’ll arrive!! idk i don’t think that would have necessarily saved lost sister but i think it may have alleviated some of the issues that i and many others have with it, timing-wise.
the nancy/jonathan sidequest
once again, the idea of nancy going off on her own little mission to find justice for barb after s1 is like. amazing. genuinely i love that plot for her and i can’t imagine anything better for her to have focused on in s2. unfortunately though i think her and jonathan’s little trip to see murray was just kind of... lame. the whole thing just felt like an excuse to get the two of them alone together, yknow? which is fine i guess people contrive all sorts of situations to get characters alone together for romance reasons but in this case i think it just really doesn’t work for me because of what it’s juxtaposed with. like, will is POSSESSED, and jonathan is just off on a mini road trip and sleeping with his bestie, and jonathan never seems to communicate to joyce/will that he left town, and joyce never like... thinks to tell him that will is like sick and fucked up and they’re looking at him in the lab??? like it’s so weird i know joyce always forgets about jonathan when shit’s happening with will but jfc you’d think at some point in that like... 72-ish-hour period where jonathan was out of town she would have thought about him. like at least once. maybe i’m forgetting something and she mentioned him sometime and i missed it but even still, i hate the juxtaposition of nancy and jonathan just like cheers-ing at murray’s place and sleeping together and whatnot while everyone else is dealing with possession or trying to hunt down dart yknow? it feels really boring in comparison and i think it could have been done far better. like it was SO insanely easy for them to get into the lab and get an admission of guilt and escape with it!! i think it might have been a lot more engaging if maybe someone from the lab tailed them to murray’s place and they had to like lose the tail and race to get the recording out to as many news outlets as possible before they got caught, or something like that. the tension in their plotline is completely resolved in episode four!! episodes five and six are just them screwing around and addressing envelopes. while there were a lot of strong ideas in this plotline (i really enjoy nancy going out of her way to get justice, and the fact that they have to water down the story to make it believable), i just think the focus on nancy and jonathan getting together hindered it a lot without adding a ton to the plot or their individual characters.
season 3
strengths
starcourt mall as a setting
while i don’t think the mall was utilized quite to its full potential (something i could make a separate post about if anyone’s interested), i do think that starcourt was a genius addition to the series. i’ve said this before, but building a new mall is a literal Perfect in-universe justification for a significant leap forward in fashion and aesthetics, and it provides a great location for characters to just... be characters. idk how else to articulate this i just think that the mall is a great setting to let people interact with each other and to bring people together who may not have been otherwise (i.e. scoops troop). not to mention how sick it was to see the mall get wrecked toward the end kdjncdkm like they were able to do so much more with the mall in terms of like The Finale than they could with just the byers house or the cabin or the school or even the lab. i love all the back tunnels they run through it’s such a fun like acknowledgement of how this glitzy eighties mall is just a real place where employees get shipments and take out the trash and shit idk it’s all about the perfect facade and what’s hidden what’s underneath what’s hiding in plain sight etc etc i’m just saying words now. anyway. 
willingness to experiment and go against expectations
gay robin. neon aesthetics. giant fucking meat monster. i know some people hate both the neon and the meat monster but i personally think they were kind of amazing and like. yknow regardless of personal tastes i think it’s impossible to deny that s3 had a lot of incredible visuals, and they’re all visuals that just wouldn’t have been possible if the show were too afraid to stray from its s1 aesthetic. robin being canonically gay (and her resulting friendship with steve) and the season’s striking visuals are two things that most everyone (besides like homophobes skjncdknm) can agree were great, right? and they were both departures from where the show began and what we all expected!! so yeah i think while some of the experimentation in s3 wasn’t ideal it was also that experimentation that allowed for some of the season’s strongest elements to come about.
the hospital sequence (and the season’s action/horror scenes in general)
this one is fairly self-explanatory. while they may have underutilized the “body snatching” element of the season, the hospital sequence with nancy and jonathan fighting off their possessed bosses did an amazing job of building tension and creating a genuine sense of really intense and personal danger.
in general i think that s3 melded action and horror rather well, particularly in the sauna test, the hospital, and when the mindflayer busts through the roof of hop’s cabin. horror can come from many things, and in this case, st elicited horror largely from the feeling of helplessness, and it was really effective for me personally. i think it worked better for me than s1′s brand of horror because it doesn’t rely so much on a lack of knowledge or a sense of suspense that inevitable disappears upon a second viewing.
the body horror we got in s3 was also really fun! that’s it i just think all the blood and guts and slime were fun and i would like more of them. once again, the impacts of body horror are less dependent upon the viewer being in the dark or unsure as to what’s happening, and as such i think it tends to be a little more effective at eliciting reaction in the long term.
timing and mechanics of the battle of starcourt/finale
i think the battle of starcourt is just fucking awesome, and beyond that personal opinion, i think it’s the most high-stakes and intense finale of all three seasons, and this is for two main reasons! 1. el is out of commission, and 2. (almost) everyone is in the same cental location. this means that (almost) everyone is in danger all at once, and they are all working together at the same time to fight the same threat. s1/s2 have their groups more fragmented for the finales, and while i understand why in each case and i wouldn’t call either season’s finale necessarily weak, i do think the centralized nature of the s3 finale just Works on another level. in s1 and s2, large segments of the cast are already perfectly safe by the time el dispatches the primary threat. in s3, however, everybody save for dustin and erica is still in danger up until the last moment, and el is seemingly (you can def debate how much power she still had in her when she peeked into billy’s mind and whether the memory broke the mindflayer’s hold on him or if she was actually controlling him to some degree) completely vulnerable. this increases the tension and raises the stakes, making the finale a real crescendo to fortissimo as opposed to a series of little mezzo forte moments. i hope everyone reading this knows music idk how else to phrase that my brain is stupid.
emphasis on friendship and adolescence (but in a different way than s1/2)
this is definitely a controversial one but i think that s3 really did like... show a side of friendship that had been more or less unexplored thus far in the show. el and max were amazing, and i think it’s really nice that we got an opportunity to see the kids have some growing pains as well as see them support each other through Normal Adolescent Stuff like boyfriends and breakups instead of just like. death and trauma. this is maybe just a personal preference, but i think it can be really enlightening and provide a lot of depth when you get to see how characters respond to normal everyday conflict and not just how they respond to giant world-ending conflict!! letting el use her powers for goofy teenage shit like spying on boys and messing with mean girls at the mall is not only fun for her and the audience, but it also really emphasizes just how much those powers are a part of el, making it that much more devastating when she loses them at the end of the season. 
weaknesses
tonal dissonance
so this is like. obvious. but it must still be said! i won’t go on and on about it since we all know this so i’ll try to like talk about it from an angle people don’t usually? anyway. it seems to me like they were maybe a little worried about s3 being too dark. while the choice to really lean into humor was definitely driven by the sorts of eighties teen films from which s3 drew inspiration (like fast times at ridgemont high), i think it was also done in an attempt to alleviate the more troubling implications of some events in the season, particularly the russian bunker plot. like, yeah, st can be incredibly dark, but if they’d played the whole “children being stuck inside of a foreign military base, tied up, tortured, and drugged” thing completely straight without the humorous elements that exist in canon, it had the potential to be like... disturbing on a new level. steve and robin don’t have powers like el yknow their kidnapping/torture doesn’t have any sci-fi elements to sorta soften the blow. they’re just innocent teenagers being brutalized and traumatized by grown men. so anyway yeah i think maybe the writers were concerned about this storyline coming off as too dark and they wanted it to be a little more whimsical but they ended up pushing way too hard in that direction and creating extreme dissonance at times. this goes for joyce/hopper/murray/alexei too, but to a lesser extent. i think the ridiculousness in that group felt a lot more like... realistic. but still. 
newspaper plot
once again i feel like i don’t even need to say this skjdncmn we all know it was insane how the show basically ended up delivering the message “while misogyny is a serious problem poverty and classism are not” and i’ve said it on this blog a million times so i don’t need to repeat myself. i’ll focus on another weak point of this plot: the fact that it completely separates nancy and jonathan from everyone else. once again, the show’s preoccupation with j/ancy held them back! like... can you imagine a version of s3 where nancy and jonathan both worked in the mall? i have a lot of ideas about this possible au and like how the plot could play out differently if they worked in the mall but first of all it’s just more realistic, second of all it further utilizes the mall as a central setting, and third of all, it would bring everyone together. as it is in canon, nancy and jonathan were unnecessarily isolated from the rest of the group, and this isolation was detrimental to both of their characters. like, they only ever get to interact with each other! if they’d gotten summer jobs in the mall, they could have had more interactions with the kids/steve/robin, and they absolutely still could have had a similar argument! maybe in this case, nancy notices the rat thing (or something else odd) herself when taking out the trash behind the mall, and she wants jonathan to ditch work with her to check it out bc she thinks it may be related to the lab. jonathan doesn’t want to ditch work because he needs his job, nancy argues that they’re working shitty mall jobs anyway and who cares if they get fired, and we get more or less the same thing as s3 without the cartoonishly over-the-top misogyny. i mean honestly i think the rat shit could have been cut entirely it didn’t rly... accomplish much of anything. in my opinion. like imagine s3 without the rat plot you literally would not be missing anything except it would be more surprising when the dudes melted into goo at the hospital. so yeah i think it would have been better if nancy and jonathan had jobs at the mall, weren’t isolated from everybody else, and were maybe absorbed into the party’s plot or the scoops troop’s plot from very early on, allowing them to interact with more characters and have a less... dumb.... plot. like god splitting up nancy and jonathan between the party/scoops troop would have been So Much better i just. sdkjcnksdmn anyway yeah.
briefness of group reunion/separation of groups
remember in s2 at the beginning of “the gate,” where mike and hopper had a confrontation and max and el met for the first time and el hugged everyone and steve and nancy had their sad little moment together outside... where’s that energy? obviously the s2 reunion wasn’t that long either, but it made space for some significant emotional moments to take place. s3′s reunion had some hopper/el/mike resolution, but besides that... there was nothing, really. i just think that the whole group getting together in s3 was SO exciting and powerful the way they did it (with both the scoops troop and the adults having their own Big Moment reconnecting with team griswold family), but the emotional potential was more or less squandered. 
i also think in s3 at times they were really stretching to keep everybody separated even though it made no sense. and like... in s1 the separation worked bc nobody else knew that (x group) was experiencing weird shit too, and beyond that, each group (as i mentioned in the s1 section) was sort of operating within their own genre and bringing something unique to the season. they’ve stopped doing that though! now, the groups aren’t separate bc each plot is tonally/structurally different, the groups are just separate bc... they need to be, because it’s a big ensemble cast and you can’t just have them all be together for a whole season or it would be way too difficult to coordinate things and keep the show dynamic. all this is to say that i’m excited for s4 because the location differences make it so there’s a Reason for each plot to be separate at the beginning, and i think that’ll work better.
general ridiculousness
i dont mean like i think it’s bad that they made jokes this is just me lumping in all the dumb shit like hopper not worrying about el and not wanting to check on the kids, him and joyce bickering long after they both know they and their children are in danger, max seemingly forgetting that billy is a racist abuser, etc etc. i think many of these are just a symptom of the show 1. trying desperately to keep the groups split up a certain way even though it may not make any sense, and 2. trying to fit into a certain genre/trope mold when their actual characters are more complex than the tropes they’re imitating. this is so fucking long already i am not gonna elaborate further rn but i trust u all know what i mean.
soooo... yeah, that’s about all! i mean it’s not all there are definitely many more things i could talk about and i know i focused sorta disproportionately on the teens which is my bad :/ but i’m done for now. thank you for asking, and apologies for the delay in responding!! i’m sure some people reading (if anyone read this far) will disagree with some of what i’ve said and that’s alright like i’m not The Authority on st or anything i’m just trying to talk about like my own thoughts yknow? so yeah luv u all i hope someone enjoyed reading this!!
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mandoalorian · 3 years
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I Believe In Love [Maxwell Lord x F!Reader] — Ten: Justice
Summary: When you find your calling to leave Themyscira, you venture out to the World of Man with intentions of helping and healing a very specific person’s relationship with his son. You’ve heard his voice before, but only in dreams. You’ve felt his pain and anguish and you’ve never been able to relate to anything more. But things don’t come easy for you, and they certainly don’t come easy for him either. [This series contains spoilers for WW84 and is my interpretation of what happens after the movie ends].
Warnings: so many tears, mention of child neglect and abuse, child custody battle, court. This is essentially the chapter we’ve all been waiting for. I’m so nervous to post this so please let me know what you think and, as always, reblogs are very much appreciated.
Word count: 5000>
Masterlist 
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Just like the past few days, you had been rudely awoken by a phone call from Diana Prince. This time, you were back in Maxwell’s king sized bed in D.C., with Alistair sandwiched between you and Max.
“Di?” You asked, rubbing your tired eyes.
“Barbara is here. Now. You have to come over. I’m trying to get her to renounce her wish but she’s fighting back. Come in your Amazonian gear and don’t forget your lasso. Hurry!” she exclaimed before hanging up.
You yawned and put the phone back on the hook. You could stay in bed with Alistair and Maxwell forever but, if Diana needed your help, you had to provide. You followed her instructions and headed out without saying anything to Max. You shouldn’t be too long anyways, you decided. Everything would be okay.
***
When Maxwell eventually woke up and you weren’t by his side, he was confused. In fact, to say he was devastated would have been an understatement. Today was his big court date-- the battle where he’d fight for Alistair’s custody. He had faith you’d be there, just like you promised. Only, there was one small thought haunting him in the very back of his mind.
What if you had become too powerful for this world? What if you already had to go back to Themyscira? No. It would be fine-- Max reassured himself. Maxwell got all suited up and Raquel came to the door.
“Thank you for agreeing to watch Alistair.” Maxwell sighed, adjusting his cufflinks.
“It’s really no problem, Mr. Lord.” Raquel smiled graciously, taking Alistair’s hand.
“Daddy?” Alistair asked, his eyes glossy with unshed tears.
“Yeah buddy?”
“I don’t know if I’m allowed to say this, but I really hope you win today.” Alistair confessed before turning around and leaving with Raquel.
***
“You… Diana!?” You shouted, running up to Barbara and untying her from the bed. Barbara’s eyes locked onto you as you helped release her. “Hey listen… I don’t know what’s going on but I’m your friend. I don’t want to hurt you.” you promised, locking your gaze onto her ocean blue eyes. The colour alone was enough to remind you of the beautiful oceans back on Themyscira.
A tear slipped down Barbara’s cheek and you quickly wiped it away, smoothing out her blonde wavy hair. “I feel so foolish,” she choked out, shaking her head. “Just for once I wanted to be the greatest. And all to prove a point.”
“It’s okay,” you shushed her, cautiously wrapping your arms around her and pulling her into a hug. You wanted to be careful not to smother her. Barbara had done terrible things, no different to Max, but you knew that it wasn’t really them. That they were both possessed by the power of the wish. “Did you speak to Diana?” you asked eventually, truly wondering where your sister was. She’d called you and yet she wasn’t here.
“I came after her… for-- for the dreamstone,” Barbara confessed as her tears soaked your tunic. “She told me it had been destroyed but that’s… that’s impossible.”
You exhaled. “No Barbara, it’s true. Max and I… we--” you tried to explain but Barbara cut you off.
“Babajide said only true love can--”
“I know.” you sighed, looking down at your feet.
“Oh.” Was the only sound Barbara could bear to omit. “You love him?”
You smiled weakly and nodded your head. “I’ve never really been in love before, I don’t think. But I have this feeling in my heart and no words can describe it. I’ve read about it in mythology… like the story of Orpheus and Eurydice and when I’m with Max I just feel… complete. I feel whole.”
“I know the feeling because I feel it too.” Barbara sniffed, pulling off you and crossing her arms over her chest. You could immediately tell that she was feeling vulnerable.
“You do?”
“With Diana.” Barbara confirmed.
“...You-- you’re in love with Diana?” You asked with a small gasp.
“I’ve never been so sure about anything in my life.” Barbara sighed into admittance.
“Then you will know that love is the most powerful thing in the world. Barbara… if you renounce your wish then--”
“I know.” Barbara whimpered, rubbing her tearful eyes. 
“The wish might have given you all this power, but I promise you there is nothing more powerful than the love you have for Diana,” you reassured Barbara and took her hands. “And the love she has for you.”
“The-- what?” Barbara asked.
“I’m the goddess of family, Barbara, I have a pretty good judgement of knowing when somebody is in love. I see the way she looked at you in the tomb back in Athens. You could have something so beautiful together,” you smiled, giving Barbara’s hands a light squeeze. “Renounce your wish. For Diana.”
Barbara turned and looked out the window, her lips trembling before she looked back at you. She closed her eyes and took a deep breath. “I renounce my wish.” she declared, and you felt a breeze-- and wind, almost, gush through your hair. The grip on her hand became electric and you pulled off her, noticing the way your body began to glow. Barbara’s eyes snapped open and her jaw slackened as she watched your feet leave the ground. You were floating, a glittering golden aura similar to the lasso of truth highlighting your entire body. It was blinding.
The walls of Diana’s apartment began to crumble around you and you eventually fell to the ground. Barbara gasped upon seeing you again. “You-- you’re outfit. You’re glowing…”
You looked down at yourself and your eyes widened in disbelief. Your typical Amazonian tunic had literally changed colours. What was once brown, was now gold, red and blue-- the traditional colours of a child of Zeus. “Like Diana,” Barbara mumbled. “It’s beautiful.”
You couldn’t help but smile as you admired the way your new armour looked. The Gods had blessed you with this transformation, and that must have meant you had done something right. You had gotten Barbara to renounce her wish, after all.
No, love was what had gotten Barbara to renounce her wish. 
But the walls around you were still crumbling down and the ground beneath you was splitting. “Oh my-- Barbara. I have to go. I’ve already overstayed my welcome.” you said in a panic.
“What? I’m sure Diana doesn’t mind you being here.” Barbara replied, scratching the back of her neck in bewilderment.
“No. The World of Man… I’m too powerful I-- I have to return to Themyscira,” you said in a fluster. You remembered that Diana told you-- with the combination of both of your lassos, you could create a portal that would ensure you returned back home safely. “I have to go now.”
“What about Max?” Barbara asked, standing up and staring at you.
Shit, Max.
The court case.
You were already so late.
“Barbara, I have to go. Keep Diana informed. I-- I have to go see Max and tell him… tell him…”
“Tell him you love him.” Barbara confirmed.
Could you really do that when you were leaving so soon? You opened the window and unravelled your lasso of truth before signalling one final goodbye to Barbara. In a panic you flew out the window and glided through the air, overhead the bustling city beneath you. You had to get to court, at least before the verdict. You couldn’t let him down.
***
“Can both parties please rise?” Judge Edward Wilson requested.
Maxwell felt sick to his stomach. You weren’t here. You were supposed to be here; fixing all of this. You had promised. And you were nowhere in sight. He squeezed his eyes shut and clenched his fingers into a fist. He heard the scraping of the chairs as Julianna and Theodore stood. He followed their actions just a few moments after. It was fine. He could do this without you. Maxwell had come from nothing and he had gotten this far in life completely alone, he could do it again. Maxwell took a deep breath and flattened his suit down before shooting the judge one of his charming, albeit fake, television smiles. The judge grinned, excited to be working on a case with the Max Lord.
“Your honor, I am Theodore Thomas, esteemed family lawyer and I will be representing Miss Julianna Grey on this child custody case.” Ted introduced himself, holding himself high and mighty.
“I’m Julianna Grey, your honor. I’m the biological mother of Alistair Lorenzano and I am here today to request full custody of my son.”
The judge nodded in understanding before turning to Maxwell. “O-oh,” Max shuffled uncomfortably upon realising it was his turn to speak. He looked at the jury of twelve that sat before him. Twelve randomly selected members of the public who were about to learn his true identity. The identity he had kept so well hidden for the last twenty years. “I’m Maxwell Lor-Lorenzano and I’m the biological father of Alistair Lorenzano,” he looked back at Julianna and Theodore who were glaring in his direction. “And I am here today to tell you that I love my son so much.” Maxwell exclaimed.
Judge Edward Wilson adjusted the brimless reading glasses that sat on the curve of his nose. “Mr Lorenzano, you do agree to the case proceedings that will be occurring today, yes?”
“Yes. I do.” Maxwell affirmed, placing both his palms flat on the oak wood table.
“And you do not have an attorney?” Judge Wilson quizzed further.
Maxwell sighed. You should be here. “No I do not. But if possible, may I request a publicly funded attorney?” 
“Now now,” Judge Wilson reprimanded, pointing his finger. “I will be the judge of whether or not Mr Lorenzano’s lack of care is sufficient for the transferral of custody.” 
The jury murmured amongst themselves, questioning whether or not Max Lord didn’t have a jury because he was broke. They raised their eyebrows, judging the businessman who stood before them. “Unfortunately, with this being a civil case, you are not entitled to a publicly funded attorney.” The Judge hummed, rearranging his stack of papers.
“With all due respect, your honor, we gave Mr Lorenzano ample time to find a representative for this case. This right here is an example of Mr Lorenzano’s lack of care for the minor child in question. If he wanted to even stand a chance at gaining custody of Alistair, he would’ve gotten a lawyer.” Theodore scoffed incredulously whilst Julianna tried her hardest to suppress her smirk. Maxwell knotted his eyebrows together as furiosity consumed him.
Thankfully, Judge Wilson knew better to just dismiss his comment. He turned to Maxwell. “Mr Lorenzano, you said you were ‘busy doing other things’, indicating that those other things are the reason you did not find an attorney to represent your side of the case. May I ask what those things were? Perhaps a work commitment? Or a family commitment?”
Maxwell was still glaring at Theodore for his out of pocket comment. “I care about Alistair, so much.” Maxwell told the court, but his dark eyes were trained only on his ex wife and her current boyfriend. “I would argue that a week in advance is not enough time to hire a lawyer and familiarise themselves with the facts of this case. I was busy doing other things.”
“Facts?” Theodore laughed. “Your honor, Mr Lorenzano knows nothing about ‘facts’. This man is deceitful. He has built his whole career on lies. Don’t you think young Alistair deserves two good role models to look up to? For example, a stay at home mother such as Julianna who can give him her full attention and care, and a family lawyer such as myself, who fights for justice in society?” Maxwell felt nauseated as he was being forced to hear the absolute bullshit Theodore was spouting out. He was painting himself as some kind of hero to a courtroom who knew no different. But that’s what Theodore Thomas did the best. And that was why he was the most successful lawyer in Washington D.C.
“Uh,” Maxwell squeezed his eyes shut. “Not exactly. It’s complicated, your honor. I was in Athens with a friend.” He hated the way the revelation left his lips. But it was the truth. And if he had learned one thing from Diana, it was that the truth is beautiful. But was truth going to win the case?
Judge Wilson blinked momentarily as silence filled the courtroom. A smile flexed upon Theodore’s lips. “You were in Athens with a friend?” Judge Wilson repeated, gritting his teeth.
“Yes, your honor.” Maxwell sighed in admittance.
“Mr Lorenzano,” Judge Wilson addressed Max before glancing towards the jury who were taking notes. “I hope you realise this does not sound good in your favour.”
Maxwell cursed in his mind. Of course it didn’t. He’d gone with you to Athens to help you find and destroy the dreamstone. But he couldn’t say that in court. Hell, he couldn’t say that to anyone. You trusted him with your secret and he wasn’t going to expose you like that. Then again, you had broken your promise. You hadn’t shown up in court. You lied to him. And Maxwell was hurting a lot. He felt betrayed. Nevertheless, he still loved you so much. No doubt the jury would even believe the fact a magical goddess came into Max’s life and encouraged him to accompany her to Athens to destroy a wish-granting stone possessed by the God of Lies. That would just be ridiculous.
Maxwell didn’t reply. “On that note,” Judge Wilson grimaced before turning back to face Julianna and Theodore. “I ask that the claimant address all their points as to why they believe Mr Lorenzano is an unfit father to Alistair Lorenzano.”
Julianna clapped her hands excitedly. Maxwell figured she must have spent her entire life preparing herself for this moment. Max knew that he’d likely have to sit through possibly hours of Julianna and her sleazeball of a boyfriend demonizing him and pushing him down. Nothing new. But when it came to illustrating the point whether or not Maxwell was an unfit father, he didn’t want to hear it. To Max, Alistair was an angel. He deserved the best and Maxwell had always wanted to be the best for his son. None of this would’ve happened if Max hadn’t been led down such a dark path in the first place. Yes, Maxwell often doubted his capability as a parent, but at least he was trying to change. Julianna didn’t even care about Alistair. She was a neglectful mother, always dumping Alistair upon Max without warning so she could spend time with Ted or go shopping with her friends. Maxwell loved his son more than anything else in the whole world.
“Mr Lorenzano, as I’m sure you all know, is what I’d once describe to be a ‘successful’ businessman. Now I personally think he’s just a businessman,” Theodore smirked and Maxwell rolled his eyes. “He’s a television personality who goes by Max Lord. He’s a liar. A con man. Not only has he lied about his identity to the whole world, but he’s tricked the weak minded into investing into his ponzi-scheme.”
“Hey!” A juror interrupted. “I invested in Black Gold Cooperative!”
“Well-I mean, obviously you’re not weak minded.” Theodore quickly backtracked.
“He did just call you weak minded.” Maxwell muttered with a shrug of his shoulders. The juror frowned and sat back down.
An hour passed and both Julianna and Theodore were still taking turns to drag Max down. He felt like giving up. You were his only hope, and you weren’t even there. “Mr Lorenzano,” Judge Wilson began. “Do you have any objections to the claimants allegations?”
“Yes, I object to it all!” Max exclaimed.
“I should rephrase,” Judge Wilson sighed. “Are they telling the truth about you?”
They were. They hadn’t lied. They’d compiled a list of all of Maxwell’s mistakes, errors, and flaws. They had him backed up into a corner he couldn’t get out of. On occasions, were they making a mountain out of a molehill? Of course. But were they honest? Yes. Maxwell had fucked up.
“They are.” Maxwell nodded, his knees becoming weak with anxiety.
“Okay,” The Judge replied, his tone dripping with disappointment and perhaps even sadness. “It’s now your turn to speak, Mr Lorenzano. Although I have no doubt the jury has already come to a decision.” 
Maxwell turned to face the jury who were looking at him with identical stone cold expressions. Like he was some kind of villainous monster. A lying criminal. And it was all thanks to Theodore’s stupid little speech. 
“Uhm,” Maxwell stood up and brushed down his suit again before walking over to the jury. “Theodore is right. I have done bad things and I have lied to many people. I’m not perfect, but I’m trying to get better. For my son. For Alistair. He gives my life hope and reason and purpose. I believe that he makes me a better person. I’m not sure if any of you have kids of your own but you know how hard the pressure can be. The truth is, I never considered myself a family man. I never wanted children but when Alistair came into my life… for the first time I felt like the universe was on my side,” Maxwell took the polaroid out of his pocket and slid it over for the jury to look at. “This was the day he was born. I had never felt so much love.” Maxwell smiled faintly at the memory. 
“Quit it with your sob story.” Theodore moaned, rolling his eyes.
“Let Mr Lorenzano speak.” Judge Wilson snapped back. Max nodded his head with gratitude.
“I never used to believe in love before Alistair was born. And then recently, I got lost. Things didn’t make sense and my mind became clouded with just about all the wrong things. And then this girl came into my life and she reminded me of how it feels to love and be loved in return. So now I do. I believe in love. I believe that love conquers all. That love can end all wars and quash all hatred in the world. Please, I ask that you empathize with me. We’ve all made mistakes. If I could go back and fix it I would in a heartbeat. But I can’t and I don’t know what I’d do if I lost Alistair.” Max croaked, letting a real, genuine tear slip down his cheek. 
Silence filled the courtroom and deciding that Maxwell had nothing else to say, he sat back down in his seat. He knew he’d lost. You weren’t there to help him. He had no attorney. And like Diana had warned him; the consequences of his actions lay in his fate with Alistair. He was going to lose the little boy he loved so much. His only son.
Maxwell knew he was a lot of things but he was not an unfit father. He was prepared to give Alistair the world. An unfit father would be his own father. A man who spent his days drunk and abusing him and his mother. Both physical and mental torture. Max would never ever do that to Alistair. Ever. He tried so hard to be a positive, influential figure to Alistair because he never had one himself. 
“I believe the jury has come to a conclusion,” Judge Wilson announced, taking a painful amount of time to open the envelope that had been handed to him. “The jury have decided that full custody of Alistair Lorenzano will be granted to Juli-”
“STOP!” You screamed, using your full force to push open the sturdy double doors that led into the courtroom. 
The scene ahead was something straight out of a courtroom drama movie. Maxwell’s jaw dropped upon the sight of you and the jury gasped, muttering words of bewilderment amongst each other as you ran up to Max. And oh, you were a sight.
Maxwell didn’t know what happened, but there you were, dressed in red, blue and gold. He pinned it down to an Amazonian warrior’s outfit, for sure, because there was no way any Sears’ or Macy’s or Bloomingdales’ would sell anything like that. You were sparkling, your tiara fit perfectly on your head and your gladiator sandals tied in neat ribbons to your kneecaps. You looked like a real-life Goddess. In your element.
“I thought you weren’t coming,”  Maxwell gasped as you ran into his arms. You hugged him tight and he tried to hold back his cries. “Thought… you’d already gone back to Themyscira.”
The thought of you leaving Max without a proper goodbye was debilitating. He was the man who took you in, gave you a home and comfort, and showed you what real, true love was. 
“I couldn’t leave without keeping my promise.” you sniffed, cupping his cheeks and offering him a small smile. You spent a moment just gazing into his chocolate brown eyes. In the past day, his eyes looked like they had aged ten years due to all the stress he was under -- but they were still the most beautiful things you had ever seen. 
Gods, you loved him so much. And you wanted him to know how much you loved him. He deserved to know. But right now, you had to focus on keeping your promise. The reason you had come to the world of man in the first place was to reunite Alistair and Max, so that was exactly what you were going to do. You hadn’t constructed a plan, and you knew that would be your fatal error -- but it had to be now or never. All you could do was hope that, somehow, everything would fall into place. You cleared your throat and presented yourself in front of the judge, before introducing yourself. “I’m here to represent Maxwell Lorenzano in the custody battle for Alistair Lorenzano.”
The judge sighed, adjusting his white wig. “The case started two hours ago, ma’am. With all due respect, the jury has already reached a verdict. Unless you have any valid evidence as to why you believe Mr Lorenzano would make a worthy father, or Miss Grey an unworthy mother, there is nothing more I can do.”
You felt your heart stop in your chest and it was like everything around you was in slow motion. Goose pimples pricked your arms as you looked around the courtroom at all the different faces. You were standing in front of fifty or so people, easily and they were all staring at you. Of course you knew why… you weren’t exactly dressed like a ‘typical’ citizen of the world. But you just had to suck it up because you had made a promise to Maxwell, all those days ago. You had a duty to fulfil as the Goddess of home and hearth, and you knew it wasn’t going to be easy, but in that moment you knew exactly what you had to do.
“I have evidence.” you said with a shaky exhale.
Maxwell narrowed his eyes and leaned into you. “What?” he asked, just as confused as everyone else. Julianna and Theodore exchanged a nervous glance as the jury and audience continued to murmur amongst each other.
“Trust me.” you smiled a tearful smile and you felt your lips begin to quiver with anxiety. You closed your eyes and tried to regulate your breathing. It would be okay. It was going to be okay.
“Well, present your evidence.” Judge Wilson sighed and you nodded your head with affirmation.
Taking your lasso of truth, you began to unravel it, and showed the courtroom the way it glowed golden upon touching it. “What is that?” you heard one of the juror’s ask.
“This is the lasso of Hestia. It belonged to my mother and it’s powered by the truth. The truth and purity of the universe.” You explained, and the jury were in complete awe.
Julianna was the first one to burst into laughter. “You can’t be serious? A magical lasso? What? You got that from the costume and prop store on 2nd Street? Please. This is actually a serious case. Get outta here.” she snarled, her lips curling into a frown.
Maxwell went to snap back but you quickly stopped him before slowly padding towards Julianna and Theodore. And you smiled. “May I demonstrate?” you asked her, and Julianna gulped hesitantly. “If it’s just a prop from a costume store then… you have no reason to be afraid, do you?”
Julianna turned to Theodore who just shrugged his shoulders. “Okay. Fine.” Julianna sighed, holding out her wrists. You carefully tied them together with the lasso before trailing it across the courtroom.
“Ted, Max, Judge Wilson… feel free to hold on to the lasso,” you pulled it to where the jury was sitting and made sure that each member held a tight grip onto it. “Don’t worry, it won’t hurt.” you promised.
“What are you doing?” Maxwell gritted out. “I can’t let you do this. Exposing your powers in front of all these people… it’ll turn you into a mortal.”
You knew that. But it was a sacrifice you were willing to take. If this past week had taught you anything it was that love was the most beautiful thing in this universe. And that love truly does conquer all. You were able to tell Barbara that with your whole chest-- so just for once, maybe you should listen to yourself. You deserved your happy ending.
And you were never happy on Themyscira.
But here, with Maxwell and Alistair? You were happy.
You were finally happy and you wouldn’t let anything get in the way of that.
Taking a deep breath, you shrugged off his comment and turned around to speak to the courtroom. 
“The lasso of Hestia compels you all to see the truth about Alistair Lorenzano.”
You watched intently as their eyes snapped shut and they saw the truth. They saw how neglectful Julianna and Theodore had been, and how loving Maxwell was. How Maxwell flew home from Greece just to be with his son whilst Julianna left him in the house alone. They saw the way Julianna verbally abused Alistair, and Maxwell winced as it paralleled his own childhood memories. They saw it all. They saw the truth.
But-- it was draining you. It was like you could slowly feel your powers slip out of you. You were losing your immortality, and your strength. You felt yourself become weaker by the second until eventually, it was over. They opened their eyes and looked at Maxwell in shock.
You took the lasso from each person and you whimpered slightly at how weighted it suddenly felt in your grip. Attaching it back to your tunic, you took Maxwell’s hand. “Did it work?” you asked weakly, hoping and praying that your sacrifice would change something.
Maxwell swallowed but before he could open his mouth, a juror spoke.
“The jury would like to change their verdict.” he announced, and the judge looked down at the envelope. He rubbed his teary eyes and sighed. The Judge had been… crying?
“Well, I hereby grant custody of Alistair Lorenzano to his father, Maxwell Lorenzano.” Judge Wilson declared before banging his gavel down on the desk.
Julianna screamed. Members of the audience cheered. You turned to Maxwell who’s cheeks were tearstained. “Oh my Gosh Max, we did it!” you cried, and Maxwell let himself fall limp in your arms as he sobbed uncontrollably.
“You-- you just-- I can’t believe--” He cried before pulling off you and flashing you the most precious grin. It was enough to make your heart swell with happiness. “I can’t believe you sacrificed your powers for me and Ali--”
“Well, believe it.” you said, leaning in and pressing a soft yet passionate kiss into his lips. Max’s hands fell down to your hips as he held onto you and relished your taste. He pulled away from you and instinctively smoothed out your hair.
“I love you so much,” Maxwell admitted finally, unable to keep his true feelings to himself any longer. “I’m so in love with you.”
And now, it was your turn to cry. It was the words you had longed to hear from the moment you came to the world of man. “I love you too Maxwell Lorenzano,” you confessed, running your fingers through his golden hair. Max choked back a sob as he gazed into your eyes. “Come on,” you encouraged, rubbing the small of his back. “You have a son to get home to.” you giggled and Maxwell’s eyes lit up.
“Does this mean you don’t have to return to Themyscira?” Maxwell asked hopefully and you felt your cheeks flush with heat as you shook your head.
“No, I don’t have to return to Themyscira. I’m a mortal now, just like you”
Somehow, you thought you’d be hurting more. You just gave up your powers-- your whole life. But this… this felt perfect. Like it was meant to be. You weren’t hurting, in fact, you had never been so elated in your life.
“Well, you’ll always be a goddess to me.” Max confessed, pressing another kiss into your lips. “Come on. Let’s go get Alistair.” he grinned, tugging on your hand as you excitedly ran out of the courtroom together.
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marciabrady · 3 years
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What's the issue with Cinderella 2015? Despite having nothing against her, I had never been especially invested in Cinderella, so I might have missed some details, but I always thought original Cinderella and 2015 Cinderella had basically the same personality? Especially with that “have courage and be kind” line. I always thought it was one of the Disney live-actions most faithful to the original movie (rather than, like, Maleficent) and I remember my cousin liked it and my mom disliked it for that exact reason (my mom wanted to be surprised). So I'm very curious, why don't you like it?
They have very different personalities and that's what scares me about the 2015 version gaining so much popularity- I think people are going to think the original Cinderella was really like that.
The original Cinderella was a very realistic characterization of a human, a woman, an abuse survivor, etc etc etc. She lost both of her parents as a child and the narration specifically told the audience that she was forced into the role of a servant as a child. In the opening scene, we see her get frustrated at the clock for waking her up and at Lucifer. Yet, she knows she has to make the best of things. There's no where for her to go and no one to help her. We've learned she rebels in the ways she knows how- she saves mice from household traps, against the wishes of the stepfamily, and makes them clothes and feeds them. She keeps her faithful old dog, Bruno, in the house against their wishes too. And yes, she is kind, but she also has her limits and gets frustrated. In a scene where Lucifer, the cat, spoils her cleaning, she chases after him with a broom. She raises her voice at times and clearly expresses frustration because she's a human being and not a creepy, smiling zombie. Then, when the invitation to the ball comes, she asserts for her right to go. She's made fun of by her stepfamily, and it isn't until she uses the legal language of the document that she traps them into letting her go. She stands up for herself. And, while her stepfamily wants to go for a chance to marry the prince, Cinderella never expresses wanting to find love or being interested in a man. She just wants to go to have a good time and a night off. Then, after they rip her dress and physically attack her, her Fairy Godmother comes to her. NOW. Many people say it's the Fairy Godmother who saves her (which would still make it women supporting women) but I still think it's Cinderella. The Fairy Godmother isn't doing anything for Cinderella that Cinderella hasn't done for others. She's giving Cinderella a dress- think about how many mice Cinderella was the Fairy Godmother to. She's fed them and clothed them and homed them, so it's really just Cinderella's good deeds coming back to her. Then, with her new gown, she heads off toward the ball. She comes in without an escort and is the only young woman who's not waiting in line for the prince. She makes her way through the halls, entranced by the architecture and splendor of the castle. The prince spots her and they dance. She then leaves the prince without giving him her name because, again, she never expected to be saved by anyone. She never even wanted a romance. She just came to enjoy herself. She also even mentioned that she didn't know he was the prince. Then, the next morning, news gets out the prince is looking for the girl he danced with to make her his bride. Cinderella views this as her way out of her abusive household and leaps at the opportunity. Only, then the stepmother catches on and locks Cinderella into the attic room. Does Cinderella take this? NO! She's pounding against the door, screaming, and even after Lucifer traps the mice with the key, it's her quick thinking to bring Bruno, who then chases Lucifer. This is another plotpoint I want to address. People keep saying the mice save Cinderella and wrong AGAIN. 1) Lucifer trapped the mice, so if it wasn't for Cinderella's quick thinking, she'd still be in the attic 2) the mice are only coming to her because she's been kind to them for YEARS and regularly rescues their lives. If she were like Anastasia or Drizella and was cruel, they wouldn't be helping her. So it's a wonderful message about how your good deeds come back to you. ANYWAY, Cinderella then marches down the steps and saves herself by presenting the other slipper. She has agency, she's humorous, she's clever, and she's realistic.
Lily James smiles. That's about it to her characterization. I think her view of Cinderella is that Cinderella's nice and that's about it- and kindness is a behavior, not a personality trait. I mean, Lily's Cinderella characterization is so flawed and weak in its construct. Lily's Cinderella is an adult when her father dies, not the child Cinderella was. She has more than enough friends and regularly horseback rides away from home, demonstrating the resources and capabilities to escape. But the only reason she doesn't run away is because she's 'respecting her family's home', which she leaves in the end anyway. Honestly, Lily's Cinderella isn't even really depicted as being abused in this film. She literally volunteers her room up to the stepsisters. When it comes time for the ball, she doesn't really stand up for her right to go like animated Cinderella, she just speaks in French to make a point??? Even though the film is supposed to take place in France??? OH, and I forgot, she met the Prince in the woods prior to the invitation so he's the reason she wants to go to the ball. Then, she goes to the ball, and when the news comes out that she's who the prince wants, the stepmother locks her in her room. Lily's Cinderella doesn't fight to get out- she just sings and dances in a circle. The mice open the window, leading one of the King's men to hear her song and that's how they find her. Yeah lol
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wandawxdow · 4 years
Text
A-Z Fluff for Five Hargreeves
A = affection
Five isn’t big on PDA, he much rather prefers to keep your relationship private. However, that doesn’t stop the two of you from stealing fleeting touches through your days; Five often seeking you out if he’s frustrated for comfort.
B = best memory
Five’s best memory of you is when you first met. After all, it’s the moment and place you entered his life and changed it for the better.
C = cuddles
At first, Five was not a cuddler, not at all. After a childhood of neglect and years spent isolated in the future, affection wasn’t something he was used to. However, he warmed up to it pretty quick, finding the action to be comforting and a way to spend time with you.
D = dates
Five is a busy person and so, you don’t get a lot of time for proper dates, opting instead to spend your time together at the academy. When you do go on dates though, Five prefers it to be a place not busy. You’ve been on serene walks and picnics, all of which he makes special.
E = evenings
Five spends his evenings chaotically. He’s always doing something different from reading to scribbling equations, he’s always busy and doesn’t stop until later than probably healthy. When you spend the night with him, he slows down a bit, taking the time to cherish your company. The two of you read together, watch movies or just sit and talk.
F = first date
Five and you had your first date in the same coffee shop you met in. It was out of convenience as you often study there and Five actually likes the hot beverages they brew.
G = giggle (what is their laugh like? What makes them laugh?)
It’s no secret that Five is a rather serious person, but around you that changes. He finds himself laughing alongside you while you talk and chuckling when your clumsiness presents itself.
H = hugs
Five and you only really hug in private, normally after either or both of you have had a hard day. He wraps his arms around you and holds you tight, as though you’ll disappear if he lets go. You find his hugs especially nice in Winter as the boy radiates warmth in the otherwise chilly air.
I = impression (first impressions)
When Five first saw you, he didn’t like you. What kind of person drinks tea? However, your attitude and sarcasm intrigued him. When you first met Five, he insulted your beverage choice - not a great way to start. You were annoyed with him, yet found yourself inviting him to sit with you anyway. You were humoured by him, as he was with you, and wished to discover more about him.
J = joy (what brings them joy in life?)
Though he hasn’t admitted it to them, Five’s family brings him joy in his life that’s been otherwise unjoyful. His afternoons spent reading a book or puzzling over equations bring him peace as does that first sip of coffee he has in the morning. Every moment with you makes him happy despite whatever else is going on in his life. He feels at peace with you.
K = kisses
Five is a passionate kisser. He sweeps you into his arms, with one hand around your waist and the other on your neck, and kisses you feverishly. Though, other times when he’s busy, he places a simple peck on your lips of forehead before rushing off.
L = love (how do they act when they have a crush)
Five found himself wanting to spend every moment with you and took any opportunity to see you. He brought you coffee and even read some books you’d mentioned liking so that he could talk about them with you.
M = memory (what’s their favourite memory?)
Five’s favourite memory is from his childhood. Reginald left for some meeting overnight and the children found themselves all sneaking into Klaus’s room during the night to watch a movie. Even Vanya, who was often excluded, was there. It was one of the only times he can recall in which they were all together actually enjoying themselves.
N = no (what is their pet peeve?)
Five has many pet peeves, but what he hates more than anything is lateness. Five prides himself in being in control, and when someone doesn’t do what he specifically asked them to, it pisses him off.
O = occupation (what’s their dream job?)
Five never had the option to be anything other than a member of the Umbrella Academy; his father had always told them it was their future. Five would guess he would be a mathematician in another world. He was good at it, after all, and quite liked the peacefulness of losing himself in a good equation.
P = pet names
Five and you don’t use pet names for each other, 🤷‍♀️. He finds them cringey and you find them all to be too mushy. Instead, he just calls you by your nickname.
Q = questions (do they believe in the super natural? Aliens? Anything along those lines)
Yep, Five believes in Aliens. Reginald used to tell him and his siblings to prepare for any situation, and so, does Aliens seem too far fetched. The supernatural, however, he finds a little harder to believe.
R = romantic (are they romantic during the relationship?)
Five isn’t what what he called a traditional romantic. He doesn’t buy you flowers or heardhaped chocolates, but he does show his love for you in other, more him, ways. If he wakes up early, he makes you coffee and brings it to you in bed. He sits and helps you study well into the night because he knows you get easily stressed. When sitting in building he also ensures he’s closest to the door incase someone comes in with less than good intentions.
S = smile (what makes them smile without fail)
Waking up next to you never fails to make Five smile. He adores you being the first thing he sees; with sunlight shining upon your skin and you cuddled to his side. It’s the perfect way to begin his day.
T = together (how clingy are they? How long do you two spend together per day on average)
Five is clingiest in the morning when you wake up together and whenever you have to leave. He tries to make you stay in bed for a while longer, wrapping his arms around you to stop you from getting up. He pouts and tries to convince you to stay longer despite knowing you can’t.
U = unbearable (what habit do they have that’s unbearable? What habit do you have that they find unbearable)
You hate it when Five runs off to do something dangerous alone. You just don’t understand why he won’t take someone with him. Five hates it when you click your pen while studying. He knows you don’t mean to do it but it just happens when you’re deep in thought.
V = videos (do they take lots of videos or photos during your relationship?)
Nope. You know Five values his privacy and so neither of you take many photos or videos when together. Instead, you prefer to live in the moment and be together.
W = wedding (what was the wedding like?)
Five and you are young - being married isn’t the most important thing in either of you lives. However, Five does catch himself pondering your future together and what it would be like to grow old with you.
X = eXtra (what’s an interesting fact about them that they don’t tell anyone about?)
Five hasn’t told anyone, but he doesn’t trust himself. Most of his life he’s been a killer and he’s plagued with worry he’ll one day revert to his old ways and hurt someone he cares about.
Y = yuck (what do they hate? Could be a food, sent, word anything)
Five deeply hates seafood, a hatred that thankfully you share. He can’t stand the smell, and after Diego forcing him to try it, can’t stand the taste either.
Z = zzzz (how heavy of a sleeper are they?
Five isn’t a heavy sleeper. In the commission, he was always woken up in the middle of the night for missions. And so, he’s grown to be a light sleeper.
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For the ship game: prime numbers for Lupin x Jigen!
HERE YOU GO GHOST, THIS WAS FIVE PAGES IN A GOOGLE DOC AND TOOK ME SEVERAL HOURS
Under a cut, allegedly, though mobile has been known to just IGNORE THAT. Sorry in advance if this gets goofed for anyone.
2) Who is always horny and will have sex at any time, in any place?
Lupin, obviously (and canonically). Just the horniest man you ever did see. Jigen knows what he wants and when he wants it, but he has difficulty keeping up with Don Juan Triumphant over there. Lupin is also far less picky about locations and times than Jigen is. Jigen still has a FEW standards, thank you, and also a stronger sense of self-preservation. Lupin sometimes tries to start shit in public or during a heist and Jigen is like “I REALLY, REALLY APPRECIATE THE SENTIMENT BUT CAN WE NOT.” The closest to public anything Jigen will put up with is bar bathroom/back-alley hookups, and he doesn’t really tend to do that with Lupin or Goemon since they have secondary locations far more suited to such activity (or at least the damn Fiat, if nothing else). That said, Jigen is a spiteful bastard and gets a huge kick out of riling Lupin up over the walkie-talkie during jobs. He is more than happy to get jumped by his boss after they make it out and secure the loot.
3) Who is more into taking showers/baths together? Who tries to make it relaxing and who tries to make it sexy time?
Honestly, while I can totally see Lupin and Jigen doing this with their other partners, I have a harder time imagining the two of them doing this together and I’m not sure why. I feel like these two on their own both like the privacy bathing gives them, whether it’s to clean wounds or decompress from a job.
On the occasions when they do bathe together, I feel like it’s an unspoken kind of thing, where the other person quietly slips in the tub/shower with them and they just don’t bother protesting. I think Lupin is more likely to join Jigen in his bathing, but if Jigen is sleepy enough or lonely enough he might do the same. There is a lot of mutual appreciation of scars. They’ve definitely smoked in the tub before (Intricate Rituals™). Lupin is probably more likely to get handsy, because Lupin, but two can play that game if Jigen is feeling it, and also Jigen gives Lupin a run for his money in the staring department. No hat to hide behind now.
Lupin has also 100% done the whole “Hey Jigen, do you know if—stop screaming, it’s me—do you know if we have any more instant dashi? Goemon’s gonna slice up the sofa if I ruin soba night again.”
5) Who sleeps on the couch when they get into a fight?
Jigen, but to be fair, he canonically sleeps on the couch most nights (possibly to keep an eye on the door, possibly because he knows that place, at least, is always “acceptable” for him to occupy). It’s an odd night if you don’t see Jigen out there with a glass and a bottle of scotch and an old movie on TV. The main difference is that if he and Lupin have been fighting, he won’t bother with the formality of a glass and the TV will be playing far louder or not at all.
7) [A] Who said “I love you” first? And [B] who ends their arguments in a fight with “Because I love you”?
I hate to take the coward’s way out here, but I think the answers are A) either one - depends on the headcanon/fic/version of the characters I’m feeling that day, and B) both.
For A, they’re both the sort of people to show their love—true love/affection, not just flirtation/infatuation, LUPIN—in action, not words. Lupin is a man of many words to a fault, generous with his verbal and physical affection, so Lupin has to find a way to make sure Jigen knows he means it and how he means it. He may rightly fear that Jigen won’t believe him (or else believe him but take it platonically) if he says “I love you” to his face, so first he’ll show him through every little action he can. Jigen is a man of few words to a fault, so saying personal stuff like that out loud is both a last resort and the point of no return. Getting him to say it at all, unambiguously, and while sober is like pulling teeth. Once one of them finally spits it out, though, I think the other is quick to reciprocate (again, if they manage to say it clearly and under good circumstances and not ambiguously/while drunk or wounded/etc. They’re both idiots and selective cowards so this is a big if). The mutual relief is palpable and immediately followed by sex, because they’re both (horny) idiots and selective cowards who do not want to talk about Emotions and Personal Things any more than strictly necessary.
For B, ohhhh man, if it isn’t that same emotional avoidance coming to bite them in the asses! Looks like talking about deep emotions is strictly necessary after all! You know it’s a Big Important Argument for them if this is what it comes to. This is going to tie in somewhat to the answers for 11, 17, and 23, so stay tuned. “Because I love you” coming from either of them should give the other pause, but if they are angry enough, they’re both quite likely to storm off after that declaration anyway. They’ll come back and have a real discussion later, but the shock or frustration of that arresting declaration dropped in the middle of an argument is something neither of them are great at dealing with. Hearing that from Jigen might be enough to stop Lupin in his tracks, but Lupin might also be so dead-set on something that he’ll steamroll right over it even if he knows he’ll regret it later. Hearing that from Lupin probably only makes Jigen angrier because of his awful self-esteem (see answers 11 and 23), and even if he’s been working on that, his instinct will be to snarl “Yeah, right” and storm out the door. I like to think that one day they are able to get to the heart of the argument sooner (because this is almost always it) and work on the behaviors that worry the other so much, but alas, they are a mess.
11) Who makes fun of the other for having a crush on them, and who has to remind them that they are in a relationship?
Once again, either of them depending on the day.
As you mentioned in your JiGoe post, Jigen says it partly because he thinks it��s funny (“You have a crush on me, Boss? Fuckin’ embarrassing”) but also because he’s fishing for validation. His self-esteem/confidence in anything outside his shooting skills is shit and he still can’t quite believe that Lupin isn’t lying/he hasn’t conned Lupin into something. This is rather overestimating his conning skills and underestimating his many good qualities, but, well, genuine, lasting affection is kinda new for him. Much to Jigen’s annoyance, Lupin figures out exactly what Jigen’s up to after the first few times and answers him seriously (and positively) instead of continuing the “joke”. Lupin loses patience for this particular tactic over time but I like to think that Jigen finally begins believing in the affection, too, so it comes up less and less and one day Jigen might actually play the quip straight without the self-deprecation. Ideally he would just take the damn compliment, but it’s LupJig and banter is one of their love languages.
When Lupin says it, he typically is playing the quip straight and fondly giving Jigen shit for showing an Emotion and motherFUCKER I just realized Jigen could probably be considered a tsundere. I hate this. ANYWAY. Jigen then immediately snarks back that yes, Lupin, considering we’ve been travelling the world together and actively fucking for X years, it’d be damn awkward if I didn’t by now.
13) Who initiates duets? and who is the better singer?
Lupin absolutely initiates duets, or rather, he tries to; whether or not Jigen actually chimes in is another matter entirely. Lupin is also the better singer by far (when he’s sober). He loves singing along to pop and rock in the car (“This is the reason God invented America!”).
Much as it would please me personally to give Jigen a smooth operatic baritone, there’s no way in hell he sounds good after smoking a pack a day for twenty-something years. I think Jigen can carry a tune and he’s a decent hummer and whistler, but his singing voice isn’t spectacular.
Lupin occasionally succeeds in getting Jigen to join him in car karaoke, though as in all things, Lupin is much louder and more impassioned. Jigen frequently hums along under his breath, though, and Lupin loves hearing Jigen’s a cappella renditions of classical music (complete with hand motions).
When Queen starts becoming popular, car singalongs become much more involved because it’s MY silly headcanon and You Are Not Immune To Queen. Jigen cried the first time he heard “Bohemian Rhapsody” and he will kill Lupin if he ever tells Goemon or, God forbid, Fujiko. When the four of them are in the car it’s a full-on Wayne’s World headbanging party. (Pops is the drunk guy they pick up along the way. Also, seeing Payless Shoe Source in this clip dealt me psychic damage.)
Lupin and Jigen (and Goemon) are the living embodiment of the drunk friends singing “Sweet Caroline” post, and Jigen is specifically this version of “Sweet Caroline”.
17) Who is more protective?
THAT IS THE QUESTION, HUH, GHOST? Jigen’s job and, to a certain degree, raison d’être is protecting Lupin, but (to cheat slightly and quote your own DM to me), if you think Lupin won’t raze everything to the ground to keep Jigen (and the others) safe, you don’t know him at all. They are this meme to the deepest of faults. They are both so desperately afraid of losing what they have (and in Lupin’s case, this is tinged with a bonus, even more concerning “what is his”) that they will go full self-sacrificing, scorched-earth policy. This is, in fact, my favorite reason for Lupin to do the worst thing he does: fake his own death to protect his partners. Lupin never stops to think that maybe, JUST MAYBE, he should trust his partners to fake grief and keep the secret long enough for whoever’s on their tail to give up or let their guard slip. Lupin is willing to hurt them in an effort to protect them, so in that way, I suppose Lupin is the “most” “protective”. Jigen’s self-abasement to the point of unhesitating and perhaps even hasty sacrifice is painful, too, but Jigen would never dare go to the same level of deception (except in Goodbye, Partner, apparently? But 1) I haven’t watched it yet and 2) while awful, I still feel like fake betrayal pales in comparison to very convincingly (AND MAYBE REPEATEDLY) faked death).
19) Who drives and who has the window seat?
They split driving duties, but Lupin genuinely loves driving and Jigen is more than happy to prop his feet on the Fiat’s dashboard and smoke or sleep the hours away.
23) Who thinks they are not good enough for the other’s love? and who’s more afraid of losing the other? Who thinks they keep messing up, only for the other to tell them they don’t need to worry?
HERE WE GO AGAIN!!! I think the answer to all of these is ultimately Jigen, but that’s not to say Lupin doesn’t share the exact same worries.
Jigen has a very difficult time believing that his partners’ love is genuine, and since Lupin is the one he knew first, that’s where it first manifests. Jigen has had very, very few good romantic connections in his life (if any). He doesn’t know what Lupin could possibly see in an older, prickly hired killer with a drinking problem and a head full of demons. He’s willing to believe that Lupin keeps him around for his skills, for protection, and for sex, sure, but anything past that? Doubtful. This ties into the other two parts of the question: Jigen is afraid that if he fails in his sharpshooting or his protection, he will be cut out of the gang, or worse, Lupin will end up dead because Jigen slipped up. As mentioned in question 17, Jigen cannot bear to lose Lupin and he would never forgive himself if he believed it was somehow his fault. Accordingly, Jigen takes “failure” that exceeds his usual margin of error very seriously in the early days. Later, he is better about this, but the worst-case scenario still stands.
Lupin, on the other hand, has had plenty of romantic connections, some good, some bad, though it is perhaps telling that Fujiko is his longest romantic relationship other than Jigen. He is afraid that if he doesn’t put on the world’s greatest show at all times, no one will give a rat’s ass about some scrawny grandson of an old French thief (or the perhaps unwanted/disliked son of a ruthless crime lord, because I love that fanon for Lupin the Second). He must live up to and indeed surpass the previous Lupins, he must shower his partners in money and adventure, he must always, always come out on top no matter how south the plan goes, or else what is the point of him? It takes time for him to turn his persona off for more than a few seconds, to let the quieter, sometimes contemplative side that slips through the cracks come to rest out in the open. Years down the road, Jigen finally gets up the courage and the words to tell Lupin that he would love him no matter what he did or where he went, even if that was nothing and nowhere. And again, see question 17 re: losing Jigen.
29) Who does some crazy stunt to try and impress the other and who ends up driving them to the emergency room after it backfires?
Lupin is by far the most guilty of this. He’s constantly pulling dumb shit, whether that be for World-Renowned Gentleman Thief reasons or just He May Be Stupid reasons. Case in point: the tunnel scene in The First, after which Jigen was duly impressed. Fortunately for Lupin, Lady Luck must be head over heels for him because the bastard keeps surviving, but sometimes even she can’t save him from medical consequences. Jigen bulk-ordered “Stupid Hurts” band-aids specifically for Lupin. Jigen’s bad choices are more likely to literally backfire on him, but Goemon more than makes up for Jigen’s slack in the Crazy Stunt department.
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ak8shi · 4 years
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Atsumu + Sakusa + Akaashi reacting to you tying up your hair Tiktok prank (pt. 2)
Part 1
warnings: slightly suggestive/nsfw?? I guess, mentions of dick, some spoilers !
a/n: tysm for giving the first part so much love, it makes me so happy to think so many people enjoyed it <3
 Miya Atsumu
Can I get an F in the chat for this man
He isn’t ready to be played like this aha
So you are sitting in his living room, watching a movie
You’re both sitting on the couch, you sitting between his legs with a big bowl of buttery popcorn he probably doesn’t even eat it because of his stupid healthy diet
All you can focus on is the prank you saw on Tiktok, I mean it’s the perfect opportunity
You’re already kind of between his legs where you belong
You pretend to spill a bit of the popcorn on the carpet and if we’re being honest he would be an ass about it
Him: you’re so cute when you’re clumsy 🧚🏼‍♀️💗✨now go trip over the ledge of my apartment balcony 🥰💫💞
LMAO so you get down from your previous position, and you manage to set up your phone on the corner of the little side table near the couch
Atsumu is so absorbed in the movie his aggy ass doesn’t even notice
You place your hand on his outer thigh, slightly stroking it
NOW HE’S PAYING ATTENTION
You start to put your hair up in a ponytail, and I think he would be genuinely surprised at your boldness for a second but then he’s like,, IT’S HORNY O’CLOCK
Him: Aha ahaha I know baby,,…. I’m just irresistible like that 🤪🥴
AAKSKKSS his vibes are something else he belongs to the streets
You, looking him dead in the face: oh ? I’m just on the ground picking up the popcorn I spilled like the lowly peasant I am :)) Don’t mind me !
Cue pouting Atsumu he honestly needs someone to put him in his place
Now he’s doting on you and being super cute, trying to get you to get back into his lap
“Babyyyy, I didn’t mean to mouth off at ya, c’mere and I’ll show you what else this mouth can do”
CRINGE LMAO,,,, he’s trying though and somehow the prank went an entirely different direction
You’ve been holding out on smiling or showing any type of emotion on your face, but then you crack and start smiling
You finally tell him it was a prank
You: I remember the words “I’m just irresistible like that” specifically coming out of your mouth
Him: well did I lie
You decide against posting it for his wellbeing, the tiktok community would’ve chewed him up and spit him out💀
Sakusa Kiyoomi
Oh god,,,, do not put him on the spot like thisss
Atsumu and Bokuto somehow convinced you to pull one on your boyfriend
You in the groupchat called MonSter BootY 🅱️itches: u guys he will simply step on me
Bokuto and Atsumu: Sis, that’s why it’s going to be so funny, you’ll thank us when you go viral
Anyways, the two boys offer to hide and record the whole thing in the locker room after practice
Sakusa comes out of his fifth shower of the day and is like,,, why are you in here
You: oh you know,,, just hanging out 🥰
He’s probably shirtless too,,, sheesh
Atsumu and Bo are hiding out in one the showers Atsumu has to cover Bokuto’s mouth the entire time
Sakusa is rolling his eyes at you, he’s just like whatever I’m almost done and then we can go
He’s standing near you while you sit on a bench he definitely tells you to get off it because of how many germs are on it and for the simple fact that Atsumu’s ass touches it
I’m screaming you’re already stifling your laugh knowing Atsumu is HEATED behind the shower curtain hearing that
Okay so you give the boys the cue to start recording, asking Omi to give you a kiss on the cheek
Usually this man would NOT do this in front of his teammates,,, but since he thinks he’s alone he makes an exception
He leans down to carefully press a kiss to your turned cheek, and then you make your move
You gently knock your phone down smooth
You get down on the ground, brushing your hand along his leg and calf
At this point you’re sure Atsumu and Bo are LOSING IT
And so you pull the hair tie from your wrist, putting your hair up in a messy bun
He’s looking down at you kind of intensely, and you think for a second that he might go along with the prank you: I like the view
You: oops I dropped something 😉
Him, stepping away from you: oh my god,, get up right this instant or I will not be able to legally touch you for the next week
THE EMBARRASSMENT,,,, you can’t recover from this he is so grossed out LMAO
You reluctantly pick up your phone and get up, hearing the boys’ thundering footsteps as they sprint out of the locker room,, laughing their asses off
He doesn’t even care about them at this point, he’s just like we need to get you home and into the shower IMMEDIATELY,,,
Sakusa looking at the Tiktok later: what do you mean it only went viral because I’m shirtless
You, looking at his Amazon purchases: why did you order so many gardening knee pads
Him: I know how to treat a girl right sweetie
Akaashi Keiji
Listen, this man is so freaky on the DL,, you’re like there’s no way you can’t get a reaction out of him
So you decide to surprise your boyfriend during lunch at his internship for a top publishing company
You are so proud of him and you make him so happy:((( please
Because of this, you decide to not post the Tiktok in case it jeopardizes his career!!
He’s so excited to see you, he’s grinning and softly holding your hand to lead you back to his secret lunch spot
You: Keiji why are we in a bathroom stall
Him: bold of you to assume I have friends here
You’re like, okay not what I was expecting but I can still make this work
It’s like one of those super fancy bathrooms with a lounge area and table, so you both sit down there
Keiji goes to lock the door so it isn’t awkward if someone comes in to take a piss and you’re just stuffing your face with dick food
You made/bought his favorites and he’s so thankful to not be alone for once during his lunch break I am crying
He’s sitting next to you, eating his favorite licorice candy with his arm slung around your waist
You think it’s the perfect time to do the prank, so you start putting your plan into action
You drop your napkin onto the floor as he’s telling you about how whack his supervisor is, and you bend down to pick it up
He doesn’t really think anything of it, letting go of your waist so you can grab it, expecting you to come back to your previous position
You don’t LOL
On the ground you hold onto Keiji’s knee he do be manspreading in front of you
You hear him gulp, and then you go to tie your hair, up, looking up at him through your lashes
You: sorry I dropped my napkin 😊 let me grab that really quick
You’re not really sure how things progressed so fast, but the next thing you know he’s leaning forward, his hand is gripping your cheeks and he’s sternly staring at you,,, oh so he’s HOT hot
“Don’t tease me like that right now sweetheart”
Let me move my bangs because,,,
He brings your mouth to his, you can taste the licorice that he had been previously eating
The kiss is kind of ROUGH,, like a warning , and then he pulls away going back to his normal self, popping another licorice into his mouth
.. speechless..
You: why do you ruin my fun
Him: I will not hesitate to dick you down right here
You: you have such a way with words ❤️
Him: anyways,,, let me explain to you why I suspect my supervisor is a cancer
The video ends up being too sexual to post but are you complaining ??
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alittlefrenchtree · 3 years
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I have a PR question. How do we know if a non-paparazzi photo is staged/arranged or not? I’m talking about random pictures someone takes of him and his supposed dates. ☺️
I don’t think you can know for sure, Nonny. That’s kind of the beauty of it 😊
If you’re interested in joining today’s class and read a little more about stuff, click below.
Disclaimer 1) I really shouldn’t be any kind of authority in terms of pr and of famous people pr but since many people here are presenting things as true statements without knowing anything about anything, it’s only fair that I tried to explain some stuff while knowing, like 5% of stuff.
Disclamer 2) I’m not really interested about talking specifically about Timmy’s situation. His dating life is either a private thing that shouldn’t be commented as a public topic or a pr thing that I don’t want to encourage it by commenting. Or both and see all of the above.
What I’m interested in, is talking about pr strategy and public images in general ways, why it’s there and how it works and that’s about it.
That being said, let’s start today’s class.
My belief when it comes to pr and related stuff is that knowing the ‘truth’ is less important than having as much knowledge as possible on the subject. It’s kind like math. If you have an equation and someone gives you the answer but you don’t know how to get to there yourself, knowing the answer doesn’t get you much. But if you have all the keys to resolve the equation, you can try to find the answer on your own. And, even if you don’t find the answer, knowledge will help you understand the logic of it. Why it’s there. What it says.
So what’s our equation today? A content of one (or more) public person/people taken from a smartphone camera of someone we don’t know.
Smartphone content isn’t inconsequential. Using ‘low’ quality camera instead of a professional one says something different. It’s supposed to bring more authenticity, closeness to the audience, spontaneity. It feels truer because you could be the one taken it, since there is a large chance you own a smartphone when you probably don’t own a professional camera. It has to be genuine if you could be the one taking it, right? You would have any interest in taking part of something fake, wouldn’t you?
It can feels logical like everybody knows that or it’s not really important but it’s something that is actually thought through by professionals when it comes to create content. There is that brand of cooking videos (you know the one you stumble on when you remember Facebook exist and that show you recipe that always look really easy to make at home and delicious (and also overly greasy and/or overly sugary) that was explaining how they could totally shot their videos in professional kitchen with high quality stuff but choose to do the complete opposite instead? Because their goal is to make their audience feel like they can make the recipe at home so they shot their videos on small kitchen with smartphones.
Creating professional content on un-professional devices is a real thing. Half of the business of influencers people is built on this. To think that the strategy has stayed only in the influencers people business would be very naive. In the famous people world, content created on smartphone is used for these bts vibes. We’re showing you what you’re not supposed to see so you feel like a part of it. This is how the famous people you love are in real life, when the camera is off. Except they’re not off, since you’re seeing it.
You’re not part of it, we’re showing you just enough for you to want it, to envy it but you’re not.
Let’s go back to the casual pic of that public person. Truth is, you could be taking the picture yourself and still don’t know what you’ve taken.
Say I’m well known top model who has signed a new contract with a clothing brand. I have pap walks to put the clothes in online articles and magazines. Of course pap pics also ends up on social media but they aren’t the type of media design for the platform. Pap walks create some distance from the audience because they often looks like real photo shootings. Part of the audience is defiant towards it. Either it’s an invasion of privacy or it’s staged. It’s not that positive.
What’s positive is me going out in my brand new clothes and cross path with people who recognize me. They wouldn’t know anything about my contract but would do all the job themselves without knowing they’re doing it. They would take a picture from afar, maybe a selfie, share it on social media with a cute context. A story. Write about that cute dress I was wearing, what my coffee order was (omg, she likes almond milk like me!), what’s the interaction was like. Was it staged? I like that dress and I really wanted to go for a walk and for that cup of coffee. And the fan was nice, everything was genuine. Yet, I still went out to be seen and the clothing brand is happy.
The problem with that scenario is that I’m not in control of anything. Maybe nobody will recognize me or care enough to take a picture or something went wrong with the fan/person I’ve seen and instead of a cute story I have someone insulting me all over the internet. Lot of time lost, some risk taken, not much result. Wouldn’t be easier to take a friend or a PA who would snap a few pictures and we’ll be home in 5 minutes, job done? Pr team get the pics and share them with the world with one of the twelve stan accounts about me they’ve been running for years. Even write a little story to go with it if they’re inspired enough. If you think it’s too much, you’re naive. Everything that can be faked or staged to save time, money or give you more control of the result, has already been faked and staged by someone. Multiple someones.
My take on this would be, the bigger you are, the more money you have to carry on your shoulders, the less you let things to chance and the more you take control of your narrative. PAs, agents, PR people,… When you have a whole team around you, you don’t (overly) pay them as secretaries. They’re not just here to handle your planning and bring you coffee or you would only need one person, not 7 of them walking around you all the time.
But what if there is no contract? What if I’m just wearing that dress because I like the brand? Or maybe there is a commercial deal with the brand but I have no obligation to wear it on my daily life or been seen with it. Wouldn’t the pics look exactly the same to an outside eye?
Of course I can go low key, move only inside cars with tinted windows, don’t walk around in popular places and only go in isolated, private places. I can. But maybe sometimes I’m tired of it. Maybe I just want to meet my non-famous friends where they like to go and fuck it if I’m seen there. Pics taken by people would look like they’re staged. Except maybe they’re not.
But if I stop caring, I indirectly accept that however I’m seen becomes part of my public image. And if it has become part of my public image, I should accept that it will be monitored to some extend by my team, and eventually by myself.
So how do we find the answer? We can’t. Based on a single photo alone, I don’t think we can. Unless you’ve seen contracts or you know the person personally, you can’t really pretend what’s going on being doors. Even so, would you know everything? Sometimes a contract is just a contract. Something a commercial deal is also a friendship. Sometimes a real friendship became public et become part of your public image. Sometimes you don’t really feel like talking about commercial deals with that cousin you’re seeing 5 times a year and doesn’t really care about what the details of your fucked-up public job are. So even your own family doesn’t know the truth about everything.
What we can do, if we’re interested in doing it, is look at every piece of content and ask ourselves. What are we seeing? How is it made? For what purpose? How that type of content is used in different contexts?
With more context, you can make interpretations for yourself. Will everybody will have the same? Of course not. Mathematicians, physicists, chemists, spent their time disagreeing on interpretations of stuff, how can we expect people to agree on the interpretation on something based of human behavior?
From what I’m seeing, PR conversations seem to be going on in many (many) fandoms. From a PR point of view, I don’t think it’s not a bad thing, whether what we’re talking about is real or fake in the first place. Having people think it’s fake and people think it’s real makes the conversation going. They’re always be people who would want to defend their point of view, their opinions, their favorite celebrities. Names will keep being mentioned, pics shared, word spread. SEO (Search Engine Optimization) and algorithms are happy.
My best advices, I guess, is, first, remember that you aren't obligated to have opinions on everything or to care about every aspect of the life of an artist you love, even when media and people would like you to think you are and you should. There is even things, such as dating life of other people than yourself, you shouldn’t really have opinions about at all.
If romance, love and sex keeps getting used to sell, it’s because it works. Think about all the books, all the movies, all the stories where a love story is integrated in an action movie/horror story/sci-fi scenario even when it has nothing to do with anything. Romance/love/sex sells since forever and probably for a long time. Because most people think falling in love is the main purpose of life and the most important thing in the world.
My second advice would be, don’t be naive but don’t be cynical either. Contexts and nuances are always important.
Anyways, like always I don’t have an answer and I’m barely even interested in the answer but I hope I'm able bring some perspectives to things because it’s important. More than ever, content is a tool. Since everyone is part of an audience, if not potentially part of all audiences , we should all learn more about how the tool works.
Of course i'm joking about the concept of class. I'm not a teacher. I'm only sharing some personal knowledge and opinions. I can be wrong or contested. No hard feelings against anyone.
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oquinn53 · 3 years
Text
BNHA THEORY RAMBLING WITH SPOILERS
Okay so second bnha rambling with theories because I can’t think straight so I think of bnha! Specifically Deku.
Specifically, Deku’s endgame. There are so many theories out there and I just.... think about Deku specifically a lot. I mean he’s the protagonist and everything and I love him and a common theory that I actually do kinda think about a lot is Deku losing OFA. But I don’t think he’ll end quirkless. I think a lot of things need to happen but let’s start with me rambling about Deku’s characterization, how it can all be wrapped up in this:
Deku has PTSD. (This part is LONG and talks about masochism and mentions suicide and all that. Other points are shorter!) And I don’t mean post war arc or even post Bakugo’s kidnapping, if we want to go that far back. Deku has PTSD from the VERY start. This kid is a walking mental illness. Sources? Hi, I’m a Civilian With PTSD and I saw Deku at the beginning and I watched Deku’s horrible mental health deteriorate EVEN MORE than it started off as. This is really important to me, to state that he has it from the beginning, because I believe in the character growth and development. I might be talking out my ass but it’s fun so. Why do I say he starts out from it? Let’s look at symptoms.
A) hyperfixation, my old friend. Deku fixated hardcore on All Might and Heros in general. But he fixated specifically on All Might and he gets EMBARRASSED about it a lot. (Funny enough, the embarrassment of it is also a symptom of ADHD but I’m not as well versed in that). Hyperfixation is a very very common coping method.
B) His anxiety. Kinda self explanatory here. He’s a bully victim. He also has been literally classified as LESS. Quirkless. But also defenseless. Useless. We’ve heard that, his anxiety is there but it’s because of what DEFINES him. His self identity was born from what everyone else tells him. He’s a determined boy, but his sense of self is only wrapped up in what other people think—or specifically, what All Might thinks. Which blends a bit with...
C) A loss sense of identity. I talked about this a little bit he last part but Deku’s goal to become a hero is so tied to All Might that even when he gains the quirk, he has to have it beaten into him with warning of losing the use f his arms for him to realize he’s NOT All Might. But that’s still what he sees, even when he switches to using his legs more. He has no idea who he is. He just copies. He copies Bakugo’s moves again and again. And while it’s cool to see all the parallels and growth of Deku learning from others, there is a message of “making it his own” when Deku copies others again and again because he has no idea who HE is. He analyses like crazy because figuring out how other people do things is the only way he can figure out how HE can do things. Also, the whole language change because his image of victory is Bakugo? Literally his speech pattern isn’t his own, his every day one matching his mother’s.
D) repressed and heavily released emotion. He’s 0 or 100, both when he gets OFA and with his emotions. I mean. Feral!Deku. Do I need to say more? Yes, because I was to drive home how not okay Deku is from the very beginning. Boy cleans the beach and screams bloody murder. He has no idea what emotion to have and needs to let it out. Doesn’t matter he just did a shit ton of physical release, he has so much emotions that he doesn’t know what to do with. Just like Bakugo’s anger, Deku’s emotion usually comes out as his tears. Boy cries a lot but sometimes tears aren’t enough and Deku screams a LOT. Even his own excitement bursts out in bigger ways, with his mumbling and fact dropping (god, also slightly autistic coded maybe? Blurred lines with ADHD there, it again, not my area of expertise)
E) black and white thinking. He’s young, so that explains some of this but just like I mentioned above with the 0 or 100, he represents the mindset of civilians. He literally blinds himself at the very start to even what’s happening to HIMSELF. He sees hero and he sees villian and those are his two categories. Bakugo literally tells him to kill himself and Deku thinks about how that would negatively affect Bakugo. He doesn’t and never does see Bakugo as a villian for this. He sees “wow that wouldn’t be good for his Hero image” and because Deku sees Bakugo as a hero, everything has to fit into that. And while Deku has huge growth with this next part, he also originally viewed villains as just villains. He learned a LOT and while the society’s image becomes less black and white for him (because the whole manga revolves around the gray morality of it all) he still doesn’t see much gray area. It’s win or lose. With the sports festival, he literally won the race without his quirk. He got through the Calvary battle despite being a giant ass target. He placed in the top 8 (which he probably would have gotten higher on if his goal didn’t change) and despite accomplishing his goal with Todoroki, he broke down about not doing what All Might asked him despite gaining permanent scarring and a hell of a warning re his arms. But to point back at the beginning, this is reinforced with his entrance exam. Passing the written exam meant NOTHING because he did “””nothing””” in the practical.
F) last point, Deku’s a masochist. Obviously with the broken bones and things but I’m not even just talking about the physical damage he does to himself—which is, what, 95% of the time what he gets most of his wounds from? Anyway—I’m talking about his mindset. Masochism isn’t just the physical act of causing pain. It’s that mindset of deserving pain. The reasoning doesn’t matter. Deku only “betters” himself for the sake of giving more to others. He trains so hard, not for himself, but for others. On the outside it might seems like his goal of becoming a hero is his own but he sacrifices his body and dives into situations where he’s literally been warned he’s going to die and he just does it anyway. Eri’s Arc and him “changing the future” is what I’m referring to here and you could say “well he DID say he would change that future!” And okay, sure, but he was told Sir is never wrong. But he would rather rush into that future where he dies than take even a moment to think through his actions. But anyway, my point is him at the beginning so I specifically mean the training montage. Where he was ALREADY on a tough schedule that he knew would be difficult and he literally adjusted it and added MORE. Because, to circle back to other points because mental illness always overlaps points, he can only think of himself as 0 or 100, black and white, Able To Save or Failure. If he can’t be at 100 then he believes he deserves pain and causes it to himself. The only time he regrets his injuries is when it prevents him from giving MORE of himself to others. He learns his shoot style not because he doesn’t want to hurt himself but because he doesn’t want to become useless to others. He trains and loses sleep and puts his body through hell because he thinks of himself only as something for others. (I think wanting to save Shigaraki is a powerful moment not because it’s Pure Boy Deku but because it’a his own thinking, his OWN want, but.... it’s still not for him and will still cause him pain). And a last point on this, Heros Rising showed us that Deku is willing to give up his quirk and his dream to win and it showed us that while he believed he didn’t have any other choice, he was deeply disappointed in himself. Winning wasn’t enough. Hurting himself THAT MUCH wasn’t enough. He let All Migjt down and giving up his dreams, almost dying, becoming quirkless, all wasn’t enough to counteract the shame he held. Like god. Baby.
Other small observations or relevant commentary:
1) The doctor who told Deku he was quirkless is the same doctor who worked on Shigaraki. Same doctor who can perseve dead bodies. Same doctor who worked with AFO and all that. (See? Short! Will be relevant soon)
2) One for All is tied to All for One. OFA was literally created the moment a hand reached out to help. Can one even exist without the other?
3) Bakugo needs to apologize. Horikoshi has literally said in an interview post Heros Rising that Bakugo needs to apologize. Sacrificing his life to save Deku is NOT how you apologize to Deku. Deku will ask for a receipt on this type of apology. Return to sender. Unacceptable. So. Bakugo needs to apologize.
4) Deku’s dad isn’t in the picture yet. Hasn’t even been spoken of except for the fact we know his quirk is fire breathing and his name is Hisashi. Oh and he’s abroad. Oh and Horikoshi said he’ll be in the picture at some point. Given we’re in the final arc......... this might not be relevant at all to my theory because I have mixed thoughts on AFO being Deku’s dad but it would connect a few things in the theory.
SO. Finally, all of this together had me thinking about Deku’s characterization and what this (now with COMBAT related ptsd and not just civilian ptsd) means for his ending.
Like I said, I think he’s going to lose OFA. And I originally didn’t think so because Heros Rising showed his losing it and why would they do that again? The movie is canon. Horikoshi himself said so and was a huge part of the production of it. So they did that and wouldn’t do it again. Except.... Deku GAVE OFA away. Which is significant because it was his choice. And he had shame and we witnessed how much that hurt him, but we haven’t seen what’s now been tried TWICE: OFA being forcibly taken from him. Maybe by Shigaraki, since that is building up big time. But maybe by saving Shigaraki.
Either way, what’s more significant to me than how he has it taken is what that means for him, based on everything else above: he would lose his entire self identity. He would literally have no idea who he is anymore except for the only reference he’s ever had, which his from when he was quirkless. He gained friends only after he had a quirk. Every bond he has is tied to him being a hero and he was told it was impossible for him to be a hero without a quirk. Even All Might’s adjusted answer to him at the beginning involved giving him a quirk as the answer for him being able to become a hero.
I think this is the absolute perfect chance for Bakugo to say “since when did you need a quirk to be a hero”. And it doesn’t matter much what the context is, what causes Deku to still need to be a hero (whether a Situation or just an identity crisis) and I think about Quirkless Deku as a hero a lot, since that’s how he was originally written in the one shot before he was revamped for bnha.
But I don’t think Deku will end quirkless either because of who his doctor was. I think Deku had a quirk. I think the doctor stole it. Whether that’s because AFO is Deku’s dad and saw his quirk and knew he had to take it for some reason or whether it was independent and the doctor saw it and took it. The whole toe thing can be written off so easily that Deku could easily have had a quirk at some point.
And maybe, if AFO and OFA are cancelled out, the quirks that were stolen go back to their original owners. Meaning Deku gets his ORIGINAL quirk back.
As in, Deku gets his own identity.
And what would that quirk be? Hm. I don’t know. But. His mom can move small objects. His dad can breath fire. A mutation, maybe? I’ll leave that one up in the air.
And there are a lot of implications here that this could mean for him, as far as healing. And I just want him to be happy.
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taiblogcomics · 3 years
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I Can’t Pet Force You To Read This One, But...
Hey there, high school crushes. Well, it's finally here. Can you believe it? Yes, counting from the original Xanga site (which, yes, still counts. It's like our own Golden Age publication or apocryphia), this is our 10th anniversary of reviewing comics. That's fantastic. I'm excited, can't you tell? I can tell, since I'm writing this preamble a good two months before the actual anniverary~
So, last year we reviewed the absolute pile of dreck that is Heroes in Crisis. And while that was worth ripping into, I'd rather not spend the 10th anniversary hating on something. I'd like to do something actually meaningful to me. I've teased about this one for many years, probably for as long as I've been doing this blog, and I think it's time we stopped pussyfooting around and reviewed some Garfield. But not just any Garfield. It's finally time, my friends. This... is Garfield's Pet Force.
I dunno how many people will remember this one. Maybe you recall the direct-to-DVD movie adaptation from 2009, or at least advertising for it. I never saw it, but apparently it differs a bit. They also appeared a few times in those Garfield comics from back in the day. We even reviewed a couple (some were on the Xanga blog). But what we're looking at here are the original novellas published between 1997 and 1999. So yeah, these really are from my childhood. And since I've long espoused that Garfield was always funnier 20 years ago, this must be actual premium Garfield content, yeah? By golly, I hope so, because we got five whole books here today. So we should probably get into them~
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Book 1: The Outrageous Origin
This is a classic sort of superhero cover. Standard team shot of poses, and that's fine for a first volume. In fact, that's great. Later editions of this would replace the lightning-filled gradient background with a pure white one, but I have this original version. We'll get to specifics about these characters in the meat of the story, but let's talk about the costumes for a bit. Very classic early-'90s sort of look, before the Dark Age kicked in. Reminds me a lot of Jim Lee's X-Men designs, actually. Making all your characters visually distinct is important in a team book. The heavy lean into secondary colours is unusual for heroic characters, but not unwelcome.
So we actually start with a cold open in the superhero universe. This is pretty much to introduce us to the characters as soon as possible, and thus I'll do the same for you here.
*Garzooka, team leader, super strong, has a razor-sharp claw, and can shoot radioactive hairballs from his mouth. That's... at least a unique power, I don't think anyone on the Justice League can do that~ *Odious, the dumb muscle with the accent on the "dumb". Possibly even stronger than Garzooka, and possessing a "super-stretchy stun tongue", an elastic tongue that can scramble the minds of whoever it adheres to. *Starlena, the team girl. She can fly, and she has a siren song that can put those who hear it into a hypnotic trance. Garzooka is the only one immune to its effects, for reasons that are never explained. *Abnermal, the kid-appeal character. He has ice powers, forcefields, and an ill-defined "pester power" that means he can annoy people on a greater scale than normal folks. It's pretty much only used for comic relief, but that could be a brilliant power in the right hands. *Compooky, the brains of the operation. Other than flight, his powers are limited to super intelligence, which means he's usually the exposition guy. There's probably a reason they left him out of the movie adaptation~
You got all that? Don't worry, we'll introduce you again later in the book. What actually happens in the intro chapter isn't really important, it's just setting up the universe. In fact, it's all taking place within Pet Force #99, a comic just enjoyed by Nermal. Yes, we quickly cut over to the main Garfield universe ("our universe", the narrator calls it), where Pet Force is just a comic book. The Garfield gang is all outside, enjoying a cookout prepared by Jon Arbuckle. Nermal is extremely enthused by his comic book, and brags about how he has all 98 previous issues sealed and polybagged, and this one will soon join them. Sorry, Nermal, this came out in 1997, the speculator boom already went bust~
Garfield dismisses comic books as stupid because you can't eat them or use them as a blanket, and declares that none of the stuff that happens in the comic could possibly happen in real life. Uh oh, irony! Because these things can happen, and do! It's a parallel universe, baby! This might be one of my earliest introductions to a "parallel worlds" concept. Much like Earths 1 and 2 in pre-Crisis DC, the events of the comic are essentially the real life adventures of their super-powered counterparts in another dimension. Most of the action in these stories will take place there~
So here's the setup: Vetvix (the parallel equivalent to Liz the veternarian) is an evil sorceress and scientist, who essentially wants to experiment on animals in peace, and possibly subjugate the universe while she's at it. You could argue that Liz is an odd choice for villain, since our universe's Liz isn't particularly evil. But then, our universe's Garfield isn't particularly heroic either. She operates out of a deadly space station called the Orbiting Clinic of Chaos, and at present she's waiting for the arrival of her henchman, Space Pie-Rat, who is a six-foot-tall anthropomorphic rat dressed in stereotypical pirate getup. Vetvix has just finished inventing a levitation ray, and she'd like Pie-Rat to go out and use it to steal all the food in the universe. Vetvix doesn't think small, is what I'm saying.
The counter to Vetvix is Emperor Jon, ruler of the planet Polyester. He's kind and benevolent, even if he's a little dippy and his fashion sense atrocious. Having gotten wind of Vetvix's latest plan, he contacts Pet Force in their ship, the Lightspeed Lasagna. Upon learning the problem, Pet Force gives chase to Pie-Rat. They eventually corner him on some desolate planet, landing and entering an abandoned factory. Unfortunately, they're not safe amongst the dangerous machinery, because this turns out to be a trap. Vetvix has been busy as hell, because she's also invented a metal that's impervious to their powers. And that's not all, because she's also basically invented the Phantom Zone, where she traps Pet Force forever. It specifically mentions it doesn’t kill them, because it wouldn't be kosher to murder the heroes in a Garfield book~
The Lightspeed Lasagna has both onboard cameras connected to the heroes' belts as well as automatic return protocols, so within two days, Emperor Jon knows exactly what's happened to Pet Force. He needs help, so he calls upon his most trusted and powerful advisor: Binky the Sorceror. Binky's just as loud and obnoxious as in the main universe, but he's also a powerful magician. He conjures up a spell for Emperor Jon that lets him pierce the veil between universes. It's basically Equestria Girls rules: parallel universes have similar characters between them. So to replace Pet Force, they need the nearest genetic equivalents from another universe. And that's the versions of Garfield, Odie, Arlene, Nermal, and Pooky that we know and love~
Back in the main universe, it's another day entirely. Another cookout is taking place, and Nermal has received his special anniversary issue of Pet Force #100. The cover's really special, dripping with '90s cover gimmicks like glow-in-the-dark and embossing. A rarely used one, though, was "portal to another universe". That was pretty expensive to print, so you won't find many comics like Nermal's. Maybe he had something there with the collecting after all. The cover glows, and while Jon is distracted by the grill, Garfield and Friends disappear~
They reappear in Emperor Jon's wood-paneled throne room, now transformed into Pet Force. Emperor Jon and Sorceror Binky try to explain the situation, but Garfield--now Garzooka--is disbelieving of the whole thing. In fact, even the idea that Jon can now hear him talk absolutely floors him. Since he's about to deliver the exposition for everyone, can we talk about Compooky for a minute? This spell has just granted sapience to Garfield's teddy bear. I don't expect deep philosophy from a children's novella, but the ramifications of this are really under-explored. Like, never mind the whole idea of a teddy bear having the same genetic makeup as an alternate universe equivalent. He goes from inanimate object to fully conscious being, and he just rolls with it.
Anyways, once everybody gets caught up on what's going on and accepts the new reality, a training montage ensues so the group can all learn to use their powers without killing each other. Once at least reasonably trained, the reborn Pet Force is sent out to stop Pie-Rat. He's gotten sloppy in the times with Pet Force dead, so they track him down easily. After a brief scuffle where Garzooka takes his eyepatch, Pie-Rat flees in his ship. They follow Pie-Rat back to the Orbital Clinic of Chaos, but they can't go in the front. That led the original Pet Force into a trap. Finding an unguarded maintenance hatch--standard on any big space station--they enter Vetvix's lair for a final confrontation!
After dealing with the Waiting Room of Doom, which slowly fills with outdated magazines, they enter Vetvix's inner sanctum. Frustrated with Pie-Rat's failure, she uses her magic to turn him into an ordinary mouse. Vetvix then attempts to use her same weapon on this new Pet Force, but thanks to story contrivance, it only works on beings born in this universe. As other dimensional visitors already, they can't be banished to another dimension. She then pulls a Dr. Claw and runs off cursing Pet Force's name while her base self-destructs. Vetvix is a very "discard and draw" sort of villain, it seems. Pet Force, of course, makes a harrowing escape just in the nick of time.
Returning to Emperor Jon, they vow to be ready to return whenever they're called on, since evil never stays dormant for long. Odious even gifts Emperor Jon with the mouse-ified Pie-Rat as proof of their victory. Well, I'm glad they remember that, so they didn't accidentally murder a major villain in their first superhero outing. They're returned to their own universe, and the time differential between them places them back with Jon having not had time to even look up from the grill. Garfield begins to doubt the adventure even happened--until that night, when he finds Pie-Rat's eyepatch still on his person. Ah, definitive proof of... eyepatches, I guess~
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Book 2: Pie-Rat's Revenge!
You have to wonder where, in a space-faring superhero setting, Pie-Rat got the inspiration for his classic pirate motif. It's a little incongruous is all I'm saying. And hey, remember when I said earlier that Garzooka's purple-and-green colour scheme was odd for a hero? Well, here he is as a villain! That'll catch your eye. This would be a terrific comic cover, which is what you want in a series like this.
The book opens with a brief recap of the previous story's events, then moves into the new plot. See, Emperor Jon has opted to keep the polymorphed Pie-Rat as his pet. How very Ron Weasley of him. That's pretty apt, actually, because similarly Pie-Rat has maintained his intelligence in his new mousey form. Pie-Rat gets sick of being Emperor Jon's pet and plans a daring escape, exploiting the emperor's dimwitted and loving personality against him. Pie-Rat jams the lock with a food pellet and makes his escape that night.
Once free from his cage, he encounters Binky's cauldron, still left in the throne room from when the sorceror summoned Pet Force from Garfield's universe. Figuring he has nothing to lose, Pie-Rat jumps in the leftover brew. Suddenly he finds himself growing. He returns to his original anthropomorphic state--but with a twist. He's now twice his original height, a staggering twelve feet tall. He scoops up the rest of the remaining potion for later, and sneaks out of the palace as best as a 12-foot rat can sneak. Desiring revenge on both his former employer and his longtime foes, he steals Pet Force's ship and makes his escape from the planet, headed for Vetvix's newest base.
After his guards help Emperor Jon put the pieces of the problem together, they decide they must once again call upon the powers of Pet Force to recover their missing vehicle and stop the newly embiggened Pie-Rat. Fortunately, Garfield and friends have been watching movies all weekend, so Jon doesn't notice when his pets disappear from the living room in a bright flash. Of course, once returned to the alternate universe and the situation explained, they still have a problem: how do they give chase to Pie-Rat when he's got their ship?
And speaking of Pie-Rat in their ship, he's followed the trail of a mysterious energy output, and it's led him right to Vetvix's new base, the Menacing Moon of Mayhem. See, this is why you don't blow up your base: the backup base is never as good. if it was, it wouldn't be the backup. Given that it's such a shoddy base, Pie-Rat is easily able to get inside and get close to Vetvix. She's expecting a technological attack, so she's unprepared when he pulls out that vial of magic potion and sprinkles her with it. And naturally, the potion that made him grow 12 feet tall makes Vetvix shrink to 5 inches. It's magic, we don't have to explain it!
Pie-Rat takes the magic crystal that Vetvix uses to fuel her powers, which of course didn't shrink because magic is just bullshit. See previous paragraph's last sentence. And while Pie-Rat takes over the base and begins plotting a further revenge against Pet Force, we cut over to them. They're at Sorceror Binky's own castle, and it's clear he's a bit of a hoarder. This is to their advantage, though, as they eventually piece together a working spaceship out of old car parts and other things, all patched together between Compooky's know-how and Binky's magic. This seems like the sort of book where I could use that "it's magic" quote every other paragraph. But craft a new--if small--ship they do, and speed off in the newly christened Planetary Pizza.
The rickety little ship does eventually find its way to Pie-Rat's base, saving him the trouble of being proactive as a villain. The magic thing keeps happening, and Pie-Rat basically becomes Discord for a bit while he fights them, doing things like turning Starlena's siren song into actual living music notes. One by one, the members of Pet Force are taken out, with only Garzooka is left. He and Pie-Rat struggle, while Pie-Rat tries to aim the magic crystal at Garzooka. Garzooka uses his claw to rip the crystal from Pie-Rat and defeat him.
Unfortunately, here's where the cover comes in. It seems the moments Pie-Rat was focusing the crystal during the struggle affected Garzooka's mind. He puts the crystal around his own neck. which turns him evil. He helps Pie-Rat to his feet, and the pair escape in the Lightspeed Lasagna. While Pet Force pursues them in their ramshackle ship, the new criminal duo strikes the storage planet of Deli to steal their food. Pet Force manages to catch up as the villains celebrate their spoils, and use a magic blast from the systems Binky installed to short out the Lightspeed Lasagna. This enables them to dock with the ship and climb aboard for a contfrontation.
The group fights, and once again the bearer of a bullshit magic crystal subdues the heroes easily. Annoyed now, Garzooka takes hold of Starlena and prepares to kill her or something. She taps into the one thing she has left: she's not fighting just Garzooka, but Garfield in his body. She drops some heavy put-downs, which resonate with Garfield, and he hesitates long enough for her to cut the crystal off him. The crystal hits the floor and shatters, undoing its evil magics on Garzooka's mind as well as on all his teammates. With Pet Force reunited, Pie-Rat is easily subdued and locked up.
The group waits for the ship to power back up, then speed off to apologise to the planet Deli. Following that, they head back towards Vetvix's moonbase. That night, though, the magic that was making Pie-Rat 12 feet tall wears off, and he escapes from his cell. He steals the remaining shards of the crystal, climbs into the Planetary Pizza, and makes a getaway. As a bonus, he also repeats the power-down spell against the bigger ship, giving him ample time to escape. And he's not the only one. Over on the Menacing Moon of Mayhem, Vetvix also returns to her proper size, and abandons this base as well. And when Pet Force fails to find her, they simply return to their own universe, ready to be called on once again in the future~
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Book 3: K-Niner: Dog of Doom!
Another very basic comic book-style cover. K-Niner is a much more typical villain in style. This one's actually a wrap-around, and features the rest of Pet Force reacting to K-Niner on the back cover. Which is good because, other than the first cover, the covers all have a heavy Garzooka focus. Which makes sense for a book series, I suppose, you wanna assure the kiddos that Garfield's gonna be in the book. But as a comic book series, this would be a bad look for a team book~
So after our standard introduction and recap, we start off with Vetvix in yet another new base, the Floating Fortress of Fear. I'm sure it's very intimidating, if she can keep hold of it for more than a single book. She's picking up from the epilogue and putting the last touches on K-Niner, mostly enhancing his intelligence. Now, you look at the cover and tell me what kind of voice you'd expect. Some sort of German or Austrian accent, like the doberman on Road Rovers? Does anyone remember Road Rovers~? Anyways, but no: he speaks with a posh British accent. You know, the "I say, good chaps, looks like we're in a bit of a sticky wicket, eh wot?" type. Trust me, you can tell. But just because he sounds refined doesn't mean he's not evil.
I also love that after the initial "trapped them in the Phantom Zone" bit, the villains just go whole ham. K-Niner here demonstrates that he is indeed evil by threatening to rip out Vetvix's throat. Let your villains be villainous is all I'm saying. She's pleased he's so vicious, but feels he needs to learn his place as well. She force-chokes him until he complies. She then gives him his assignment: she thinks dogs should be liberated. The Boy Mayor of Second Life would approve, and so does K-Niner. Turning pets on their masters is just his style.
K-Niner takes a portable evolution gun, and immediately sets off. He begins on the planet Kennel. Isn't it neat how every planet is named after an English word that describes its function? K-Niner quickly takes over the dog population and turns them against their masters, because boosting their intelligence also makes them evil, of course. They use enslavement collars on their former owners, and within a few days, the dogs now run the planet. We cut over to Emperor Jon on Polyester, where a man has crash-landed a ship. He's an escapee from Kennel, and he's here to report the events so we can get the plot moving and once more summon Pet Force!
And summoned once more they are, Garfield and Friends once more conveniently disappearing in a split second while Jon's back is turned (this time they're outside playing volleyball). And once back in the parallel universe, Emperor Jon fills them all in on K-Niner's dastardly doings. Garzooka, naturally, takes great offense to dogs being in charge, and takes his duties as a hero completely seriously for once. Pet Force takes off for a confrontation with K-Niner in the Lightspeed Lasagna. And speaking of Pet Force's ships...
The Planetary Pizza, piloted by Pie-Rat, plants its pads down on polar planet Glacia. Pie-Rat is here seeking a way to restore his magic crystal and regain his mighty magic powers. He's sought out the home of a legendary evil wizard, who's known by the name of... Barfo. I see why Barfo keeps his location a secret. But anyway, Barfo is the one who made the crystal, so naturally Pie-Rat reasons he can restore it as well. Suprisingly once on Glacia, Barfo's evil lair is pretty easy to find. His manservant, Hobart the Gnome, brings Pie-Rat before the wizard, and within moments the crystal is restored! Pie-Rat turns to thank Hobart, but Hobart suddenly turns into Vetvix!
Yes, Vetvix knew all along that Pie-Rat's quest would lead him here. And as she was once Barfo's student in the ways of evil magic, she knew she could get the old coot to go along with her plan. Barfo returns the crystal to Vetvix, restoring her powers. And so Pie-Rat, a recurring villain in three whole books, is unceremoniously done away with, as Vetvix teleports him inside an asteroid, trapping him in solid rock. Even if the asteroid were hollow or he displaced the interior when he teleported in, no doubt he'll suffocate within moments. That's pretty harsh.
With that over, we rejoin Pet Force as they approach Kennel. K-Niner's battle cruiser spots them incoming, and shoots the ship down, even in spite of Abnermal's forcefields. Pet Force bail out of the ship, and Abnermal uses his powers to make snow to cushion their fall. Upon landing, a contingent of mutant animals attack. The mooks aren't much, but K-Niner himself puts up an impressive fight. However, one of the mooks pulls a gun and points it at Compooky. This is why Compooky usually stays aboard the ship, but that wasn't an option. Rather than let their friend get hurt, Pet Force surrenders.
Pet Force is held prisoner separately from Compooky, with both the cell's technology making it freeze-proof and threats of "don't break out, or we'll shoot your compatriot". Their imprisonment is not long, though, as suddenly the power goes out. Pet Force takes advantage of the situation and make their escape, quickly running into Compooky. K-Niner didn't think the hyper-intelligent teddy bear needed a high security cell, and just locked him in the basement. It was easy for him to then break out and shut down the local power grid. This also has the side effect of turning off the control collars the humans were wearing. How convenient!
With control of the planet now tilted in their favour, Pet Force now has time to both fix their ship and reverse the polarity of the brain-boosting weapons, turning the dog population of Kennel back to their normal selves. Though the experience did change the pet owners of Kennel. Having experienced life in their pets' shoes (so to speak) for a bit, they've resolved to treat their canine companions a bit more equally. More being allowed on the furniture, less stupid tricks for treats. Still, Pet Force can't stay long, and they head off in pursuit of K-Niner's battle cruiser. This is why most superheroes don't have spaceships (Jedis don't count): if your enemy also has one, they can flee way more easily than on foot.
Not willing to let another place go to the dogs, as it were, Pet Force catches up with K-Niner. With his previous success, Vetvix has stepped up the timetable and sent him after Polyester right away. Emperor Jon is in danger! They enter the planet's atmosphere, and are attacked by fighter craft. They fend them off, but their weapons system is damaged in the fight, so they can't simply use the reverse brain-rays and solve it quickly. The team splits up instead: Garzooka and Abnermal will go after K-Niner, while the other three will find the planet's power source and knock out the collars, since that worked so well the last time.
The two heroes quickly make short work of K-Niner's guards, and then turn the battle to deal with the Dog of Doom himself. While the struggle goes on, the rest of Pet Force reach the planet's power grid. Using a clever tactic, Compooky overloads the power and causes and electrical storm that simultaneously undoes the brain-boosting effect and shorts out the enslavement collars. There's only a few pages left, after all, and we have to wrap this up.  K-Niner is reverted back into an ordinary dog, and the emperor is reverted to an ordinary non-enslaved person. The day is saved!
And now once again, Pet Force prepares to return to their own universe. However... when the spell clears, the five heroes are still standing there. Something is blocking the passage between dimensions, and Pet Force is trapped. And while Pet Force's adventures have taken place between mere moments in their own universe, they have always returned quickly enough that Jon didn't notice a thing. But this time, as Jon retrieves the volleyball and turns around to his pets, he's surprised to find they've all vanished into thin air...
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Book 4: Menace of the Mutanator
This one's very striking because of its more painted look compared to the heavy black outlines the rest of the covers have. Does this one count as having the whole team on the cover? Because, spoilers, that's what the Mutanator is: the rest of Pet Force mashed up into a villain. Again, though, that's definitely a striking image that'd draw in readers to a comic cover. In fact, while Garzooka may be over-used as a cover focus, several of these also show him imperiled in some way, and that's nice for character stuff. That helps balace it a bit~
I wanna say, before we start, that I'm impressed by the continuity for the series as a whole. They could've just written each story as a standalone, but for a series of 100-page children's novellas starring Garfield characters as superheroes, things happen in these books. Like, maybe not sweeping status quo changes, but events affect the plot of each next book down the line. And that's where we pick up! Right where the last book left off, with Pet Force now stuck in the alternate universe, unable to return home to Jon. But if they can't go home to Jon, well, maybe then events will conspire to bring Jon to them~
Yep, because Jon happens to wander into the room where they keep the copy of Pet Force #100 that acts as a portal to their universe, he gets transported into the Pet Force universe. And since Emperor Jon is still an extant entity, there's just two Jons now. Jon, of course, is a bit freaked out, and it takes several pages to explain the whole deal to him, and also have a showcase of all their powers to pad out the book some more. Eventually, they decide to call in Sorceror Binky to examine the problem. When he has a go of it, a sudden tornado emerges from the cauldron and whisks away Pet Force--save for Garzooka, whose prodigious strength keeps him anchored.
Garzooka heads out in the Lightspeed Lasagna to track Pet Force's signature, glad to get away from a double trouble Jon. And while he's searching, the scene cuts to Vetvix's Floating Fortress of Fear. Hey, one of her bases actually lasted more than one book! This is where Pet Force has been transported to, once more in a power-proof cell. Vetvix monologues to the heroes, as she is wont to do, explaining that she's the one who cast the spell to keep them from returning home. And further, she's brought them here to mutate them into her servants.
While Emperor Jon exposits about his backstory (turns out he is not of royal blood, and has about as much legitimate claim to the throne as you or I do), the search continues. Sorceror Binky detects Pet Force, giving them all a view of what happens next. The trapped members of Pet Force are literally broken apart and reassembled: Odious' body, Compooky's brain inserted into the chest, Abnermal's hands, and Starlena's head. She christens this beast "Mutanator", and it is soullessly obedient. I also wanna say, Mutanator's kind of a non-binary icon, aren't they? (The comic uses "it", but it was 1998 and alternative pronouns weren't really a thing yet.) Muscular, masculine body, but confident enough to still wear lipstick. It's a look, is all I'm saying~
Mutanator continues to possess the combined powers of Pet Force as well. Vetvix sends them to attack the planet Armory to gear up before attempting to conquer Polyester. And meanwhile, thanks to the convenience of being able to scan all of Compooky's memories now that his brain is part of Mutanator, Vetvix has the perfect trap to spring on Garzooka--or should she say Garfield. Yes, she really knows the whole origin for Pet Force now, and now she knows all Garfield's weaknesses, likes and dislikes, and probably blood type and other dating profile stats~
Thus, when Garzooka receives the coordinates from Emperor Jon and arrives at the Floating Fortress, he finds himself menaced by giant spiders. Vetvix couldn't think of a way to get Mondays to attack him, so the Giant Spider Invasion will do. Spiders are apparently very formiddable foes, Garzooka's personal fears aside. They can swat gamma hairballs out of the air, they can construct webs as quickly as certain Marvel heroes, and their hairy exoskeletons are resistant to both claw and strength. But despite his fear and Abnermal's running commentary, Garzooka manages to trounce the spiders with a carefully applied flame--taking Vetvix's blueprints with them.
Garzooka heads out once again to track down the Mutanator, leaving his less-than-all-together friends in the safety of their forcefield prison. While he's off, we return to the perspective of his target. Using their combined powers, the Mutanator swiftly conquers the planet Armory and sets their sights on Polyester next. It's not a bad plan, honestly. With the stockpile from Armory, not only will the Mutanator be more powerful, Polyester won't be able to use the planet for backup. Fortunately for the two Jons, though, Garzooka intercepts the Mutanator before they can leave Armory.
The fight's actually pretty good. Very back and forth. But even despite Garzooka's great strength, the Mutanator wins in the end. Thankfully, Vetvix puts her conquest of Polyester on hold to take the time to retrieve Garzooka and add his power to the Mutanator. This, of course will be her undoing--in a completely ridiculous way, of course. For back in the palace, our universe's Jon is watching Pet Force's struggles with the scrying cauldron. And he leans in a bit too close. Sowhile Vetvix is prepping the machine to divide Garzooka's body like she did the rest of Pet Force, Jon suddenly tumbles through the dimensional warp caused by the cauldron and lands on Vetvix, which causes her to put the machine in reverse. A real Jonnus ex cauldrona there, eh?
The Mutanator disappears, their existance as a unique being wiped out as their pieces return to their proper Pet Force owners. With Pet Force reassembled, Garzooka takes out Vetvix with one of his gamma-radiated hairballs while she's distracted by Jon. Pet Force decides that the vile veternarian should have a taste of her own medicine, and stick her in the body-splicing machine with some of her guards. This divides them all up and mixes them into bizarre combinations. It also has the side effect of disabling Vetvix's magic, so they can return to their own universe now.
The book wraps up here. Pet Force first returns to Armory to both return the stolen weapons and also make repairs on the buildings that were damaged in Garzooka's fight with the Mutanator. That's the sort of thing I'd like to see in more superhero stories in general. The two Jons part ways, with the Emperor believing the other Jon's heroism to have been deliberate. And thus are Garfield and friends returned home. And just like the end of their first adventure, where Garfield couldn't be sure if it really happened, so too is Jon's memory fading. Had he really witnessed all that? Only his pets know for sure--and in this universe, they can't talk~
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Book 5: Attack of the Lethal Lizards
This one's another wrap-around, showing the rest of Pet Force engaging the remaining Lethal Lizards on the back cover. This is one advantage books have over comics: a front and back cover you can use for your story-telling. The Lizard designs are pretty good for a villain group too. Like Pet Force, they don't adhere to a particular theme, but they do look good individually. Garzooka roasting a hot dog on a stick might be a bit too comedic for a superhero story, though. It sets the tone wrong. How "lethal" can they possibly be if Garzooka is out here roasting hot dogs in the middle of battle?
So here we go, last book. After the usual recap, we open with Jon explaining to Garfield and friends his latest plans: they're going to WackyWorld, a theme park dedicated to Jon's favourite cartoon, The Wackies. Both Garfield and Nermal think the show is lame, and if those two agree on something, you know it must be so. In less lame universes, however, trouble is once more a-brewing. So it turns out Vetvix's Floating Fortress of Fear has been orbiting the swamp planet Reptilius this whole time. And her various experiments in the last two books have been radiating the planet in magical energy...
From that magical power, three reptiles find themselves uplifted in intelligence and granted fantastic powers. Please say hello to our three main villains for this book: Snake, an enormous snake (the only one without an anthro design) with stretching powers; Chameleon, who can shapeshift; and Dragon, a komodo dragon with fire breath and the bad attitude to match. While Snake and Chameleon figure out their powers, Dragon declares himself the leader as he's clearly the smartest, strongest, and most powerful. They name themselves the Lethal Lizards and start plotting how to rule the planet.
After that exciting intro, though, the book kind of slows down. First we get a whole chapter of Emperor Jon also deciding to go on vacation, to planet Funlandia. With Vetvix out of commission for a while, there's no better time. In short, he's out of the castle and Sorceror Binky is in charge. This is followed by a chapter of Jon and his pets at WackyWorld. It's certainly an accommodating amusement park to allow pets on its grounds. Garfield at least gets along with the food, but if you know anything about amusement park food prices, the amount Garfield eats will make your wallet weep. Jon takes his mind off it by dragging the pets along to a ride. Surely they have to be under the height restriction~
Fortunately, we get back to the actual stars of this book, and we see a bit more of their dynamic. Snake is the sort who sucks up to whoever's calling themselves "Boss" at the moment. Dragon is power-hungry, and it's clear he'll sell out his allies at the drop of a hat. Chameleon is Starscream. Anyway, they trek through the jungles of Reptilius until they find a downed spaceship. Reviewing the logs reveals it was a scout ship from Vetvix, and they also learn of Vetvix and her mission. However, they don't know where Emperor Jon lives, so they crowd into the the newly christened Rapacious Reptile and set course for the stars.
The first planet they come across is a world called Klod. Quickly the Lethal Lizards beat up the populace and find the local government. Chameleon shapeshifts into a dignitary, pretending to be an advance entourage for Emperor Jon, schmoozing with the governor until he learns both what Jon looks like and the name of his planet. With this information secure, Chameleon nips out suddenly, and the trio sets forth towards Polyester. Governer Klutz calls up the palace as soon as the reptiles depart, and reports the incident to Sorceror Binky.
Binky wastes no time, and he dials up Pet Force. Since all five are in one place, he's able to pull them through even without them being near the gateway through issue #100's cover. Convenient! Pet Force, however, does waste time, as a lengthy comedy scene eats up several pages before we just get on with it. Eventually, the situation is conveyed, and they figure it's safer to keep Emperor Jon on Funlandia for the time being. Compooky stays behind to help plan some strategies, while the rest of Pet Force boards the Lightspeed Lasagna to intercept the Lethal Lizards before they even arrive.
Pet Force spends the next few minutes both scanning for incoming ships and bickering with each other, so I'm very glad when the Rapacious Reptile appears on their detectors before too long. Dragon threatens the ship, telling them to move or he'll knock them aside. It's a spaceship, dude, you can move in three dimensions. The ships trade shots, and while Chameleon's piloting is actually pretty good due to his independently-rotating eyeballs, eventually both ships crash land on whatever planet is nearby.
Both ships crash right next to each other, which is improbable but less ridiculous than some of the contrivances in these books, so I'm okay with it. Now you'd think what with the enemies being reptiles and Abnermal having freezing powers that this battle would be over really easily, but no. In fact, Garzooka and Dragon are pretty evenly matched. Snake turns out to be immune to Starlena's siren song because snakes don't have external ears. See, now there's a contrivance I find a bit weird. Snake swallows Abnermal whole, and Chameleon and Odious get literally tongue-tied. The Lethal Lizards actually live up to their name pretty well.
As the fight continues, half of both sides are laid out when Compooky comes rushing up, saying he has an urgent message from the emperor. And that's when he sucker-punches the team. It was actually Chameleon in disguise, having gotten knocked away when he and Odious separated. So yeah, round one goes to the Lizards, and they make their escape first. Pet Force regroups, and they give chase. The Lizards have enough head start to really lay siege to Polyester before Pet Force arrives, though. They even get access to the palace using Chameleon's shapeshifting, leading to Sorceror Binky letting slip the real location of the emperor just as Pet Force arrives.
Another fight ensues--see, now it's really a superhero story--and the Lizards leave again 2 and 0. This time Snake uses his venomous fangs to attack Starlena. This leads to the weirdest contrivance yet. Maybe not the worst, but definitely the weirdest. They have only minutes to save Starlena. So how do they do it? Well, they notice that Odious drools quite a lot. It's very "fluid output". So they have Binky magically reverse Odious' drooling, so that he has "fluid input" on his tongue instead. It becomes a big suction sponge and sucks the poison out of Starlena. They then restore the drooling, and he just harmlessly drools out the poison. What.
With their teammate saved, Pet Force pursues the Lethal Lizards to Funlandia. They get there just in time to rescue Emperor Jon from their clutches, with Garzooka and Odious combining their strength to literally rip a kiddie ride out of the ground. Starlena corners Chameleon in a hall of mirrors, turning his own trick against him. Snake is undone by Odious' strength. And Garzooka fights Dragon to a standstill, finally trapping all three on a roller coaster still operating. When the ride comes to an end, Abnermal freezes them all until the authorities can retrieve them.
Naturally, Emperor Jon thinks it's all part of the show (because Jon is dimwitted in any universe). The Lizards are sent to a lizard-proof prison (seriously, it specifies this), and Pet Force returns to their own universe. As usual, Jon didn't notice his pets go missing during the dark amusement park ride. The book concludes on an ominous note, however, as the ship carrying the Lethal Lizards makes its jump to lightspeed just as it passes the Floating Fortress of Fear. The shockwave knocks over some debris that reactivates the combining machine, restoring Vetvix to her full evil might once more!
The end!
No, really. Those five books are all there was. I hear it may have continued into the comics, but I don’t know how accurate that is. I didn’t really look into it.
But boy, what a ride, huh? Let’s dissect the books one at a time, since it only seems fair to take them as individual stories.
The Outrageous Origin: It’s a fairly basic origin story, I’d say. It kind of has to be. I guess my main gripe is that, like Rita Repulsa’s entire run on Power Rangers, the heroes never fight the main villain directly. In fact, there’s barely even an evil plot in this one. You have henchmen and some traps, and that’s about it for the menace.
Pie-Rat’s Revenge: A cautionary tale about why you treat your minions with respect. This one’s pretty good, but the events depicted on the cover make up such a small part of the book. Wouldn’t it have been more fun if Garzooka was turned at the beginning of the story? Book 4 would at least do the reverse of that, so it’s not a major complaint~
K-Niner, Dog of Doom: I think this one’s about as middle of the road as you can get. What a coincidence that it’s also the middle of the series! Like I said in the recap portion, it’s a shame that Pie-Rat’s story ended here. This one definitely feels more “villain of the week” than most.
Menace of the Mutanator: This one might be the best book in the series. Garzooka, alone, battling against the best parts of his team? That’s gripping stuff. I guess the main problem is that the Mutanator isn’t really a character in and of themselves. Like, K-Niner, he may have been a generic rent-a-villain type, but he had a personality. Mutanator is little more than an extention of Vetvix’s will.
Attack of the Lethal Lizards: I’m a bit split on this one. The bits with the titular Lizards are great. They steal the show! But the parts where it focuses on either Jon kind of drag, and Pet Force is a bit too jokey here. Like, I get the point is that they’ve relaxed into their roles now, and there’s not much point of doing it as a Garfield story if they don’t actually use the character personalities, but... I dunno. It’s good, but it could have been better~
And that’s it! Like, I dunno how to wrap this up. Pet Force was neither my first exposure to superheroes nor my first introduction to the Garfield brand (you can thank Saturday morning cartoons for both of those). But for some reason, maybe just the absurdly goofy premise, it always kinda stuck with me. And I think that’s a good enough reason to make it my 10th anniversary review, don’t you~?
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deltaengineering · 3 years
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that was the winter anime 2021 that was
Still not quite ready for a dozen posts about how terrible the likes of Combatants Will Be Dispatched are, sorry. Watch Vivy though, it owns. Here’s some more things that are (mostly) good. As always, worst to best.
Yatogame-chan Kansatsu Nikki S3
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Yatogame has long run out of hot Nagoya facts and its ensemble comedy never amounted to much, so now it seems mostly content to just spam more and more wacky character designs. About the only thing that it has left going for it is that 3 minutes a week are more effort to drop than to watch, so I expect them to make a movie next. 4/10
Go-toubun no Hanayome S2
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Quints is a weird one. S1 was a barely good enough (i.e., well above average) implementation of the ages old harem chestnut. S2 is actually better at the core of its appeal, since it gives all the characters a sharper profile (things like taking Nino from joke to badass and making Ichika a villain are no mean feat), but it does pay a steep price for it. You see, to deliver a steady drip feed of meaningful character moments it apparently has to rush through the source material at a breakneck pace, which completely wrecks the "story" part of this story and makes every episode seem like a recap. And it still keeps wasting precious time on vestigial nonsense like its framing device and the Kyoto flashback scenario that was already the worst part of S1. But by far the most annoying aspect is its insistence on keeping all the options valid, since it prevents any real progress and makes everything seem arbitrary and pointless. So sure enough, after a season of much ado we still don't end up anywhere — you can't really raise the stakes if all at stake was "who wins" to begin with. It's watchable and even enjoyable scene-for-scene but it's getting harder and harder to call it a solid show overall. 5/10
Skate Leading Stars
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I was watching this primarily because I didn't like Yuri on Ice much and wanted to see if something that is a blatant attempt to cash in on it would be better — because while YoI delivers on one aspect (being hella gay), it really is an absolute shambles of a sports show. And sure enough, Skate Leading has none of the auteur appeal of YoI, but it just works much better. In particular I appreciate how it managed to make me care even a little about a cast of assholes, which is a nice contrast to the nauseatingly ingratiating way YoI tries to make you love its characters. Also, Skate Leading is just generally cheap and unambitious, so not susceptible to trying hard and painfully flaming out on the presentation side like YoI is. But at some point you gotta let go of these comparisons and on its own Skate Leading is... just fine, I guess? Competent, mildly engaging, not very memorable. And that's probably where it loses to Yuri on Ice in the end after all, even if I think it's "better". 6/10
Idoly Pride
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Idoly Pride sold itself on me with a really good (and hilarious/tragic) first episode that was just too bizarre to ignore — I mean, how can you ignore GHOST IDOL MANAGERS. Well, the majority of the show isn't like that. It's a competent and solid version of the idol franchise show, yes, but it really had more potential than that. Especially midseason, it gets lost in these dozens of characters, and while they're all likeable, it does seem like a waste of a good story just centered on Mana/Kotona/Sakura. By the end it comes back around to the heart of the matter with a Maeda-style sob story, which could be a disaster but seasoned veteran Jukki Hanada makes it work anyway. Overall, there's quite a bit of ridiculous hacky melodrama in this, but quite honestly that's the best part and I wish it would concentrate more on it. The rest is just okay. 6/10
Yuru Camp S2
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Yuru Camp is still likely the best pure iyashikei show when it gets down to business. Compared to S1 though, this seems to happen less and less. At its peaks (i.e., basically any quiet moment with Rin) it's at least as good as ever, and there's some good cast additions like Mini-Inuko, but it appears that Yuru Camp simply has run out of things you can do with camping and it fills up the time with other... stuff. This stuff includes the generic school club shenanigans it was never particularly good at, and a gigantic helping of crass consumerism. Yeah, I would say the majority of Yuru Camp is just a straight up infomercial at this point, which itself ranges from the perfectly acceptable (which cute anime isn't about food constantly), to the sketchy (I don't know whether the Izu tourism board cut this production a fat check, but if they didn't, Yuru Camp still gives its best effort to make it seem that way) to the highly irritating – I am aware that camping requires gear and you can't just ignore that, but you most definitely do not require whole arcs dedicated to talking about raising funds for the purposes of acquiring the Lamp of Comfy Happiness at your friendly local Caribou™ either. Not to mention an arc where the aforementioned lame school club does the same, for double irritation. Make no mistake, this show is so riddled with scenes that beg for a solution to embed affiliate links in video files that it makes me wish I was watching something as anticapitalist and underground as Love Live. And irritating really is the last thing a show with this core concept, as stellar as it is at that, can afford to be. Bummer. 6/10
SKOO the Infinity
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Skoo has one really huge asset: ADAM, its magnificent villain. It also has one really huge liability: Reki, its not magnificent protagonist. To be more specific, it's very good at anything outrageous, physics-defying and silly, such as most scenes ADAM is in, and quite bad at anything serious, dramatic (in a serious way) and down to earth, such as most scenes Reki is in. So, what's the verdict? Well, the rest of the cast is more ADAM-like, and Reki's co-protagonist Langa is fine as the straight (yeah, right) man. The tedious buddy drama is a comparatively small part of this show, and at least it pays off quite well in the end. Seriously, I was ready to give this a 6, but the final episode is probably the best one of the show, in all of its aspects. That's really not something you see often. Skoo's a great time. Except when it's not. 7/10
Non Non Biyori Nonstop
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Speaking of the rare good ending, what about we gave one of those to a slim and inconsequential slice-of-life show? NNB has always been solid, comfy and amusing quality with a couple of standout moments (usually something with Renge), and Nonstop has that plus an ending as conclusive as any show of this type is ever going to have. Besides, it does a lot of things right by focusing on more characters than the central 4 (especially Konomi has great material in S3), it expands the universe just enough to not get stale, and it moves things forward — It's definitely a lot better than the movie, is what I'm saying. Apart from that, well, we're three seasons in, if you have any interest in this you probably don't need me to explain what's good about NNB at this point. Bonus points for being nothing but an ad for the manga. 7/10
Wonder Egg Priority
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Oh boy, so here's the big one. Wonder Egg is the rare Meaningful Arthouse Show About Real Issues You Guys, as you might have heard. And well, the long and short of it is that it's a very good show with quite a few glaring problems (besides not actually being finished due to production issues, but what we have is enough of an ending to be able to meaningfully talk about it). In particular, one problem: WEP is, at its core, one of these metaphorical Magical Girl-ish series that are just a thin layer of abstraction over coming-of-age or societal problems. The issue is that "metaphorical" in this case means "literal" and "thin" means "basically nonexistent". This show is not subtle regarding what it's about, at all. This is a double-edged sword — on the positive side, some things really should just be said aloud, and I'm really, really fucking tired of the Ikuhara style of "here's some wacky things, maybe a blog post will eventually tell you how it's actually about the most important thing ever" obfuscation — if it's really so important, just spell it out. On the other hand, there are limits to this and when a second, different Ai appears I don't really need a voiceover line telling me that yep, this show is about parallel universes now. WEP spells out many important things, but it also spells out many things that are implicitly clear or better left vague. Not to mention that with being so obvious up front, the show's tendency to leave figuring out what it's actually saying about it up to the viewer can leave the wrong impression. Again, I settled on the opinion that it's subtle after all where it counts the most, but you might easily get the impression that it pulls its punches (Ikuhara does this the exact other way around — once you figure out what the fuck he's talking about it's abundantly clear what he's saying about it).
In fact, this show is so good at subtle, quiet character moments that it calls into question the need for big huge fighting fantasy layer in the first place, especially since I'm not a fan of the fantasy designs and the fights aren't great. Sure, they look impressive on a technical level (this show is very good looking in general), but the lack of actual impact or rhythm makes me think this is not made by people who are very familiar with action and maybe they should have asked some seasoned shounen veterans for this — or just, you know, not do it. They can (and do) impress with character acting in quiet scenes just the same. And while Ai's character story actually does pay off quite nicely by the end we got, and Momoe and Rika are also handled well, Neiru's backstory is significantly less good, not to mention the whole Frill subplot regarding the show's mythology that they introduced just before (and that's the part to be resolved at a later date), which is a huge can of worms. We'll see how well they handle that, I suppose, but as it is it's a weird and vestigial detour that doesn't add much besides thematic headaches.
But yeah, apart from all that — I like it, a lot. Great character writing in the details, cool looks for the most part, tons of ambition, and a message that I consider to be appropriately handled — for the most part, and for now. Not quite ambitious arthouse anime at its finest, but also not a pretentious disaster like Sarazanmai, Monogatari et al. 8/10
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