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sevensoulmates · 7 days

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Buddie 7x07 "Ghost of a Second Chance" Meta

So sorry for the delay! This one took me a minute due to life/work stuff happening, but here it is! A doozy! This episode had a lot of parallels with the other characters storylines happening so bear with me here! This is mostly going to be about Eddie.

This episode deals a lot with past trauma, specifically bringing up stuff that some of the characters haven't dealt with in a while or seemingly had already dealt with in the past. Maddie with Doug's abduction, Bobby and the apartment fire, Eddie and Shannon. All of these are re-introduced in this episode, but it's important to note that they are NOT resolved, mostly Bobby and Eddie, and will likely continue into the rest of the season. Maddie reacts the most noticeably to her trauma being triggered, and of the three, she's the only one who has actually managed to work through that trauma from the past, so while it does affect her, it does not cause her to self-destruct like Eddie and most likely Bobby will.

As many of us predicted, we theorized that it was going to get much worse for Eddie before it would get better. And this episode has put Eddie on that path that will likely take him towards rock bottom if Ryan and Tim's interviews and teasers for his 7b arc are to be believed.

The first big parallel to Eddie's storyline is the woman and her baby being abducted by a man with mental health problems who allowed a past trauma with his ex-wife/child to reach a dangerous point. While Eddie's actions in this episode are not placing a woman's life in danger, it does parallel how in pursuit of soothing his own pain, Eddie and this man, are prioritizing their own feelings, over the feelings of a woman stranger (Kim) and an innocent kid.

I was already anticipating many many Shannon call-backs in this episode, but the writers dive in immediately by having Chimney intubate Catherine. This is the same heavy choice Chimeny had to make when Shannon was hit by a car, and Chimney was interim Captain. He had to make a choice to either intubate Shannon, effectively taking away her last chance to say dying words or to not intubate and allow Eddie and Shannon to exchange final words. With Shannon, Chimney does not intubate, but with Catherine, he does. This could possibly indicate the need for Eddie to make different decisions this time around if he wants to survive this new catastrophic plotline.

This was an interesting way for the writers to give us a kind of "speedrun" of introducing us to Marisol a bit more. I know that the ENTIRE fandom has been bugging over the fact that we "hardly know anything about Marisol other than DIY and Nunnery", and now they're giving us more information, but notably it's all very surface-level information. It makes the scene feel like Eddie's trying to get to know her for the first time instead of this being a woman he's been seeing for about six months at this point.

While 7x05 did indicate to us that Eddie is trying to get to know her all over again, it really does drive home how little effort Eddie has put into trying to build a relationship with her, which is then further proved by the rest of the episode. All of this demonstrated very clearly just how little investment Eddie has had in ANY of his relationships after Shannon's death. It's probably supposed to make us think "Oh, that's because he only ever truly loved Shannon!" but in reality, the Eddie-Shannon onscreen relationship was very tumultuous, and they spent most of their relationship (even during their time pre-military) away from each other. All in all, the topic of how well Eddie knows the women he's with, and how much effort/investment he puts into his relationships (including Shannon) are being pulled into question here. And I think it's being done to show the audience that Eddie has only ever dated and married women as a duty and not something he actually does because he wants to be with the women as people. Once again, this includes Shannon.

Before Marisol can even finish her two truths and a lie, Eddie interrupts, starting to dictate the conversation again, and Chris is the one who has to step in, reminding Eddie that this moment is about Marisol. Eddie has been the one to lead his relationships with both Ana and Marisol, almost to the point of steamrolling over them. A similar thing happened in his relationship with Shannon, where Shannon notes that Eddie is always making decisions for them without consulting her, including going to the military, or moving Chris to a new school, etc. and how that was always a giant issue in their relationship. While this moment is not Eddie purposely steamrolling over Marisol, it does show that again, Eddie has a myopic view of relationships with women, where he's constantly trying to steer them towards something that he wants without really letting the woman have any agency. Shannon had to physically leave him in order to get any agency of her own.

Additionally, the choice to have the get to know you game be "two truths and a lie", inherently implies dishonesty, or at least makes us think of lying. And considering that becomes a theme for Eddie this episode and likely in upcoming episodes, it's also indicative of the general theme of not knowing someone and not being honest with them. It could've been "twenty questions" or something not involving purposely lying, but instead it's two truths and lie, and Eddie is now about to be involved in a whole bunch of lies.

I've seen others point out that this line is clearly meant to compare Marisol and Shannon. Shannon, Chris and Eddie had a tradition involving smores, one that Chris and Eddie were trying to keep alive only last season when they visited Shannon's grave. This line is meant to show us that Marisol is not Shannon, and as Eddie actually gets to know her, this is more and more evident. It's no fault of Marisol's, but it's likely what is sticking in Eddie's head, right before he ends up meeting Kim. Eddie, once again dictating what he wants Marisol to be rather than accepting the truth of who Marisol is, exclaims that obviously Marisol has had smores because Shannon loved smores. But Marisol is not Shannon, and Eddie is always comparing his partners to Shannon in unhealthy ways.

While this line is clearly a joke, nothing is done without purpose in TVland, and this is another one of those times where even though Eddie's joking, it's actually telling of how he actually feels. He's already had one foot out the door with Marisol for the last 3-4 episodes, and now it's the smores that makes him say "we can still leave her" because who Marisol is, does not align with who Shannon was. But the thing is, I have a hard time believing that Shannon was even who Eddie truly wanted, at least not without expectation or pressure. Shannon is an Ideal, and no one, not even Shannon herself, can live up to it. No woman is supposed to or can reach this Ideal, because (in my opinion) a woman is not really what Eddie wants deep down in his most hidden of unconscious desires.

"You two aren't going anywhere". Oh, the dramatic irony is killing me here. Because not even a couple of minutes later, Marisol has lost Eddie for good when he sees Kim. The death bells have already been ringing from the very beginning, but this is the final death knell that has been rung. Even if Eddie stays with Marisol through most of this arc, their relationship will end, as will his relationship with Kim.

Eddie and Kim lock eyes and he's reminded of Shannon instantly. Because of that, this relationship is dead before it even begins. A moment later, Christopher calls out "Dad!" just like he did when Shannon and Eddie were on the beach, interrupting Eddie's thoughts.

Marisol notices Eddie acting weird, asks if he's alright, he says he's fine, and she calls him out, asking "is that the truth or a lie?" He promises he's fine, but we as an audience know that's a big ole lie. This has been the case for years, and it's interesting that it's coming at this point in the season. The early half of the season we saw Eddie the "happiest" he's ever been. And I can't help but wonder how much of that was true happiness, and how much of that was just putting off thinking about it. It's easier to lie and say he's fine, that his relationships are fine, that his relationship with Shannon was fine. It's harder to admit the truth, that he's not okay, that his relationships with Marisol and Ana were unhealthy and his relationship with Shannon was the unhealthiest of all. It's easier to place the blame on his unhappiness on missing Shannon, instead of admitting that it's his own choices that are making him unhappy.

Another theme of this episode is internalized biases and misunderstanding the current situation due to being blinded by the past. Maddie misses crucial details of her call with Catherine because she was looking at it with too much bias about her own situation with Doug. Eddie also misremembers his past with Shannon, but instead of recognizing his mistake like Maddie, and trying to look at it objectively, Eddie lets that bias from the past effect his current decisions, which is already resulting in a mistake by cheating with Kim and will likely result in more mistakes the rest of this season.

Maddie heard what she expected to hear. Eddie is seeing in Kim what he expects to see from Shannon. Both lead to really bad outcomes.

Eddie goes back to find Kim/Shannon, and they meet. She looks similar but not really the same (btw, kudos to the makeup team, wow). She has similar facial expressions (nose scrunches, giggles, etc.) and she asks him if he's looking for something specific. And the answer is yes, he's looking for Shannon in Kim, just as he was looking for Shannon in Marisol and Ana.

This is very obviously a sexual innuendo, which is interesting because their first real interaction is showing more of a "sexual" chemistry, than anything really romantic, or soul-connecting. It's a clear harkening back to how Eddie would use sex as a way to stop fights between himself and Shannon. It's also one of Eddie's biggest distancing tools. He used sex to distance himself from Shannon and from Marisol, as an excuse to not address problems, or just simply to not get to know them. And given that Eddie was having sexual dysfunction issues in his last major episode, this is meant to provide a juxtaposition to that. Sort of a "Hey look Eddie couldn't get it up for Marisol the Nun but he can get it up for the Shannon look-alike". On the surface, this might be to show us that Eddie really only has sexual chemistry with Shannon, but if you look below the surface even a little bit, you'll realize that his sexual relationship with Shannon was also deeply dysfunctional, but in its own way.

The answer is no. Eddie does not trust Kim because she's a stranger, but this line is meant to remind us that Eddie very much DID NOT trust Shannon for most of her arc in season 2 and even up until her death. It's a callback to the line in season 2 Merry Ex-Mas where Eddie says he "forgives Shannon but doesn't trust her" and Shannon says something along the lines of "Eddie trusting her enough to have sex with her, but not enough to let her see her own son". Kim is hitting all the lines that are meant to remind Eddie of rose colored "Good times" but are meant to remind us, the audience, of all the issues he had with Shannon.

This moment of Eddie and Shannon on the beach is meant to represent Eddie's "happiest" moment on-screen with Shannon when she was alive. Eddie remembers it that way, as kissing Shannon and finally having his family back together. But in actuality, it was the start of the end for them. Shannon thought she was pregnant, paralleling the time when they accidentally got pregnant as teens and both of them had to put their lives on hold and commit to a marriage that might not have been the ultimate right choice for them. If any of you remember, this is also the moment where Eddie and "signs" and the "universe" are connected for the first time. Eddie asks for a sign, and Shannon says she's pregnant. In my personal opinion, this was supposed to be a sign for Eddie to not get back together with her, given how traumatic it was the first time around, but he ignores it and tries to push down his feelings. "Life is like a vat of chocolate, it pulls you down but it's comfortable". And when Shannon very clearly stated she wanted a divorce, Eddie did not really seem to accept it...and the universe took Shannon away permanently. (Again, I want to reiterate this is all about fiction I'm talking about here not irl, okay? This does not apply to real life) The universe tried to warn Eddie, to bring him a sign, and when he ignored it, as he always does, the universe decided it needed to take Shannon away permanently.

And now here we are again, 6 years later, with Eddie ignoring ALL the signs over and over and over, and setting about down this path with Marisol that literally everyone knows will not make Eddie happy, and what does the universe do? It throws him the biggest wrench it could by bringing someone who looks/acts like Shannon back into his life. Kim was brought in by the universe (the writers) to show Eddie that his relationship with Shannon was not as wonderful and amazing as he remembers it....and he ignores all of the signs yet a-fucking-gain. I get the feeling that this arc with Kim is going to end VERY. VERY. badly for Eddie. I think we should all be preparing ourselves for that.

Eddie is making active duplicitous choices here. He's lying about being in a relationship with someone else, lying about being a single dad. And it's not the first time he's said something like this (see the "taken for now" line in 7x04), further demonstrating how he's always had one foot out the door with Marisol.

I also want to point out that Eddie lying and deceiving Kim and cheating on Marisol is not meant to be the show saying "this is good! this is who Eddie's supposed to end up with!" The writers know how most people feel about cheating. Most people are 100% aware that cheating is morally wrong, and by Eddie making these decisions, they're not supposed to show that Eddie is inherently a cheater or a bad guy. He's acting OOC on purpose. The writers want us to see Eddie lying and cheating and want us to clock that Something is Very Very Very Wrong and that has to do with Eddie's romantic relationships, Shannon, his perception of Shannon, his perception of his past marriage, and his expectations of himself.

We, as an audience, are not supposed to be enjoying this. We're meant to be uncomfortable.

911 is doing something really interesting lately with their pointed use of Full First Names vs. Nicknames. When I heard this my first thought was actually of Ana and how cringe it was to hear her calling Eddie Edmundo all the time. Shannon actually never once called Eddie by his full name. If anything, Eddie calling himself Edmundo here, introducing himself by it, is once again supposed to trigger the audience's "Something Is Wrong Here" mode. I was also going to mention how this is also something a lot of people have felt with Tommy's constant use of "Evan" instead of Buck. Some people like it, some people don't, but everyone can acknowledge that it's odd and unusual.

Even as he's flirting with Kim, talking more about "stimulation", Eddie is holding an "S" for Shannon. I think when Kim told Eddie her name, a sharp K, very far away from the soft S of Shannon, it was a slight shock to him. If her name was something similar like Sherri or Sheila or something, Eddie could've lived in the fantasy more. Her name being Kim momentarily broke the illusion, hence him looking down at the S for Shannon.

Eddie is remembering the first time he slept with Shannon after she came back into his life while he's sitting at the table with Marisol, completely ignoring her. But not only that, as many people have pointed out, he's misremembering. The walls in the background are recent, with the new teal color and his new bed. Shannon's hair is a cross between dark and light, almost like a mix of Kim and Shannon, and--and this one rocked my world--they had sex right side up.

Many have pointed out how it's odd that Eddie and Marisol's sex scene harkened so similarly back to his one sex scene with Shannon, where they both ended up at the tail end of the bed, upside down. People have often discussed Eddie and his upside-down sex as a metaphor for unhealthy sexual connection, for misconnection, and right side up sex to be healthy sex. To find that he is thinking of him and Shannon in his memory of being right side up has been pointed out by others to be yet another example of Eddie's rose-colored memories of his past with Shannon. In his memory, he views his relationship and sexual relationship with Shannon as this Amazing and One of a Kind thing, hence the right-side-up sex, but in reality, it was upside down, it wasn't healthy.

He's looking at his relationship with Shannon through a veil of the present, chock full of regrets, would've/could've/should've's, and two almost-failed relationships. Not to mention that he literally was just having extreme sexual dysfunction with Marisol not even two episodes ago it's very likely that his remembering this passionate, voracious, unquenchable thirst for Shannon is also brought on by the fact that he's having sexual issues with Marisol. It might also be him wanting to remember that he does and did have desire for sex with women...as long as they're Shannon or reminding him of Shannon. This is not at all supposed to be something that is represented as healthy for Eddie, and I don't believe the show is trying to put across that message.

Eddie remembers his sex with Shannon, and when he decided to "bring Shannon home for Christmas". Even in this scene, the focus is not on the two of them as a couple. He doesn't talk about how much he missed her, or how it feels good to be close to her again. He talks about how he wants to reunite her and Christopher. "Santa" in this present day and age is bringing "Shannon" home for Christmas, by bringing Kim into Eddie's life.

Bringing it back to Maddie's storyline, with the Big Bad Kidnapper of this episode. He was encouraged by his sister to move across the country for a fresh start after his wife and baby left him due to his own abusive actions (assumed, but the sister did say they were "afraid of him"). We don't know too much of the details of this man's story, but it does show a clear parallel to Eddie too, with his wife leaving him to move across the country too (though she left their son with Eddie because obviously, Eddie's not abusive like this man). But the man's sister was hoping that this move would mean he would "stop looking for them". Eddie ends up doing the same thing with Shannon metaphorically. He never stops looking for her in all of his romantic relationships, hurting other women like Ana and Marisol, in the process.

The man is so clearly a parallel to Eddie but in the worst most devolved way. Eddie has been seeking out a Mom for Chris for years, even when Shannon was alive. It was never about Shannon, wanting her, loving her, needing her because he's so deeply in love with her. No, it was, and still is, always about the mother she could be for Chris. It's the same thing he did with Ana, and with Marisol. I'm not sure if this thing he's doing with Kim will eventually lead there too, or if it won't make it that far before it gets blown up in his face. But Kim cannot be a new mother for Chris, even if she wants to be. Christopher would clock that she looks like Shannon, and might feel betrayed, like Eddie is actively trying to replace Shannon, which I doubt Christopher would take well. So what is Eddie's endgame here? In my honest opinion, I don't think he has one. I think he's acting on pure emotional hurt, and desperately seeking out a balm, and not considering the consequences of his actions.

Just like that man was hit dead on with the literal consequences with the police, I think Eddie's gonna be hit HARD as a result of these mistakes. I feel like it might be something really bad, possibly involving Christopher. If "isolation" is going to become the thing he might have to contend with Christopher being really really angry with him in whatever way that takes form, and the rest of the firefam not being happy with him either. I think Eddie's going to be going through another arc similar to where he was emotionally in season 3a with the streetfighting arc.

Just how like the man who abducted her was a parallel to Eddie, Catherine herself is also a parallel to Eddie. She's clearly in pain, but she refuses drugs that will make her feel better. She feels she has to stay awake and endure the pain as a comeuppance, similar to how Eddie felt he had to endure his pain like a man because he deserved it. She feels her husband will hate her, just like how Eddie feared Shannon would hate him for what he did. He fears Shannon would never forgive him, but just like Catherine, even worse is the fact that Eddie has yet to ever forgive himself. No matter how many times people tell her it's not her fault, no matter how many times people tell Eddie he's a good father or a good person, they will never believe it. That guilt still rocks them, and for Eddie, it's been the monkey on his back every day LOONNGGG before Shannon even passed. Likely he's been dealing with it from the second he found out he got her pregnant. Even though Catherine's daughter was returned to her, she will still likely feel guilty, just as Eddie's guilt has lingered and festered and turned to rot the longer it's gone unchecked.

It'll only be once Eddie can let go of that guilt, let go of Shannon, and forgive himself, will he ever be able to actually start healing, and making the right choices for himself.

Many people have pointed out how this parallels the scene in 3x03 with Christopher and Eddie coming to Buck's house after the tsunami. That was a moment where Buck was feeling "lost at sea" and Eddie and Chris came in to be his "life raft that gets you home." And now Eddie's the one lost at sea. He thinks he has to find Shannon when really all he really needs is here with Buck and Chris. Eddie and Chris are "late", but eventually, they will find their way home to Buck.

Have y'all ever heard the phrase "where there's smoke, there's fire"? It means that if there's a rumor or something being said about a topic, there must be some back story/truth in it. It's what I point out every time the show "jokes" about Eddie's sexuality or lack thereof to women, Eddie ready to leave Marisol, etc. They're in the script because there's a kernel of truth to them, even if it's still nebulous (or smoky) at the moment.

Additionally, Buck is making a new lasagna recipe (a metaphor for his new found bisexuality and MM relationship with Tommy) and something about it is not working. In the same way that I've been theorizing that there is misalingment in his relationship with Tommy, we're now seeing that lasagna (like in 6x01 where the couch theory was introduced) is yet another metaphor for Buck's relationships. He had 3 at that point in time (as well as 3 failed attempts at lasagna) and now he's here in a new relationship, and something about it isn't working, he just doesn't know what. I'll reiterate, it's not the bisexuality, but rather the person he's in a relationship with. This being told once again to Eddie, in Buck's kitchen, with Chris present, is driving home the point once again.

Eddie, on the other hand, is aligned with Buck. He knew ahead of time to order a pizza for them. This isn't usual, given that Buck's a good cook, and has cooked for Chris and Eddie many times. Eddie being attuned to Buck right now is meant to show that he can sense these things about Buck, even when it's not conscious.

"To be seen… to be found… isn't that what we're all searching for?"

Buck assumes Eddie's meeting with Marisol, and Eddie does not correct him. I've seen other people mention how this feels like Eddie is cheating on Buck, and not really on Marisol, and in my opinion, that all comes down to who is Eddie more emotionally intimate with. He already feels super disconnected to Marisol, even more so in this episode, but we've spent the first half of this season establishing how Buck and Eddie are closer than ever. So Eddie lying to Buck feels like the real cheating here, because Eddie has only ever given himself fully to Buck, in all his messed up glory. He's never given that to Marisol, or Ana. And he most definitely never gave that to Shannon.

Side note, I loved the cologne line because it implies that Buck knows how Eddie smells, and that smelling him now is something Buck is enjoying. Him saying they won't wait up for Eddie further cements the domesticity of the scene. Buck has a full relationship with Chris outside of Eddie, but they also have a strongly established bond all three of them. In an episode where Eddie assumes Marisol must love smores despite her never having tried one, Eddie inherently knows that Buck's struggling with lasagna and needs to order a pizza.

Eddie and Buck's flirting--because that's what it is-- feels natural. More so than the flirting with Marisol in the beginning of the episode, and more so than with Kim-Not-Shannon that was moored down by the reality that Eddie is severely projecting all of his major issues onto her. Buck and Eddie have an easy rapport filled with mutual support, inside jokes, gentle ribbing, synchronicity and above all, friendship and trust. THAT is why the betrayal of Eddie with Kim only a few moments later feels so stark and like a huge blow to the audience.

Eddie sees Kim, and all he sees is Shannon's face, but I have to give MASSIVE kudos to the hair, costume, and makeup department here because they couldn't make Kim look ANY more starkly different from Shannon. In the scenes at the store, Kim is dressed more professionally, in lighter more inviting colors. And then here, when Kim can take off the customer service mask, and be fully herself, we see that she dresses in darker clothing, pants, and jackets with her hair up in almost an alternative-punk style. It's a MASSIVE contrast to Shannon who was almost always dressed in lighter, warmer colors, in shades of orange, yellow, and warm pinks, with minimal makeup and long flowy dresses or soft sweaters. Shannon's hair was almost always down and flowing around her face with her bangs. Kim's hair is completely up, totally out of her face in a severe bun look, without any bangs. She could not look father from Shannon if she tried. And yet, Eddie is not seeing Kim, he's not seeing the individual woman who's probably really lovely, the woman he's inherently hurting by using her to be reminded of his dead wife. No, all he sees is Shannon, and he's 100% willing to tank his whole life just to get a bit of that feeling back.

Eddie is on his way towards rock bottom, and this episode is only getting started. The glass is going to shatter extremely hard, and I worry for what the consequences will be for Eddie for all this, because there's no way he's escaping this without deep cuts. He will likely lose Marisol and Kim in one fell swoop. As for Buck, Chris and the rest of the 118, that's yet to be seen. But we know Eddie's parents show back up later on, so they could be coming in with the steel chair, likely to hit Eddie harder when he's already down. After all, the originator of "Don't drag him down with you, Eddie" is none other than Helena Diaz. This season is giving very strong season 3/4 vibes, and if that's the case, it's possible Helena and Ramon are going to pose a problem by the end of the season like they might've done in season 4 if things had gone as originally planned.

I'm worried, scared and excited to see how this ends up for Eddie. But I'm also hopeful. I see a light at the end of this tunnel. After all, it's always darkest just before dawn.

Thanks for reading my meta!

#911 abc #911 meta #buddie #buddie meta #eddie diaz #eddie diaz meta #season 7 #buck x eddie #meta

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soarrenbluejay · 2 months

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Can’t remember where I’ve seen the idea first but I’ve had this idea of Regular Clowns taking offense to joker’s bullshit for a while now and exacting Vengeance. The man doesn’t even has an egg! His ass never been to clown school! He’s a disgrace to them all!

So four buddies leaving the traveling circus business decide as people who have loved every second of this and are Deeply Insulted by this wanker to Do Something About It.

Three of them are showmen- an acrobat, a juggler, a fire fanatic, the works.

The last one, Jerry, is a stage hand. He is their most powerful member- not only does he have the superpower of self care, but he’s a meta! Minor telekinesis is actually really useful when shuttling stuff around in a stage in a hurry! (And that whole thing of our idea of ninjas coming from stage hands in all black being ‘invisible’ yeah. Cryptid vibes, except it’s just Jerry)

So. A clown car pulls up in Gotham, in the middle of a Joker attack, presumably despite ever Gothamite on the road who saw it making their best effort to take one for the team and mow them down. This is a no good awful sign for Gotham.

But it gets better.

Because out does not step a bunch of goon reinforcements in masks, or some jokerified poor soul, but instead someone in one of those historical jester costumes, bells and dramatic ass sleeves and all. Also, they’re bright orange. It is slightly eye searing. In one hand is the end to a long line of tied together handkerchiefs in clashing neon colors which appears to be infinite bc it just keeps coming. In the other is a comedically oversized hammer with a squeaky sound effect installed but no spring to soften the blow- it in fact has spikes with little Mayfair banners hanging off.

They immediately attempt to strangle/bash Joker to death with a winning smile firmly in place, and actually survive the attempt of which by apparent virtue of being made of rubber or something. And out slides our fire master, in all teal for contrast, who promptly throws smoke bombs at the crowd of goons around and starts all but boa staffing them down with his fire wand, paired with a dramatic speech about how Joker is in insult to the idea of circus and also the most unfunny bitch to ever walk the earth.

Lastly, the juggler. They have come armed. With glitter and hackysacks. A dramatic beatdown ensues, with much shrieking and yelling on all sides. A gif is made of Joker being bonked right through a concrete wall with a move right out of a video game. Several goons get concussions a la bowling pins. It’s all being live streamed by someone through their apartment window and is rapidly going viral. It’s a good time mostly because this attempt at vengeance against the Clown Bitch Gotham did not immediately involve some one getting very anticlimacticly shot.

No really takes note of the guy in all black and ski mask, calmly standing in the middle of the flaming chaos. He occasionally holds out a new set of props for the juggler, an oversized great sword for our acrobat jester, some nitroglycerin for blowy uppy efforts, the works. Until he starts calmly putting together a three story set of scaffolding for the gang to use for the purpose of beating the crime king’s skull in in even more ridiculous ways and also so jester can showcase their absolute lack of a spine.

And Jerry goes back to standing in the middle of this chaos, apparently unaffected by Literally Everything going on. His friends are fucking crazy, he’s used to it.

Meanwhile, Ghost King Danny gets a new urgent appeal at his ghostly royal desk- someone is attempting to enact vengeance against the joker and move approximately 46363883 souls along doing it, except it’s not the Red Hood this time! It’s Some Random Guys that a minor mischief god is now attempting to fast track layering with blessings! Said minor god is officially appealing for the Ghost Monarch’s support. Danny is conflicted- on one hand, he Fucking Hates Clowns. And has a major hero worship thing going on for Red Hood, a fellow supernatural hero (in the dead’s eyes) much his senior. However, the idea of a bunch of nobody’s beating the joker to death at the same time as declaring how shit of a clown he is IS pretty hilarious.

He gives it the stamp of Yes, provided others seeking vengeance (aka red hood, the thousands of joker victims in Gotham, anyone who wants to go spectacular viral) can still intervene to catch some own hands, a minor merriment/will of the people god does a jig on the spot, and back with the Justice Circus Brigade, ghouls and Spectors alike start popping up to join in on the fun! Which our beloved ren faire rejects are actually pretty okay with- big enough circus events in the DC universe have a bad habit of becoming possessed/very obviously haunted/Ooky Spooky like, every few months. And these guys look much friendlier than whatever the hell has been in the house of mirrors these last few months!

Red Hood isn’t sure how he’s suddenly in the middle of upper Gotham when he’s was decidedly Nowhere Near three seconds ago, but that’s a problem for later when the Bitch Ass Clown Extraordinaire is Right There!! So he tables it to be very paranoid about later, shrugs, and starts shooting. Jester starts shouting out points for accuracy/comedy, Jerry calmly asks if he wants some of their backup silver bullets just in case The Target really is an unholy being of some sort. (They have taken Precautions. For Everythinf. Or at least Jerry did.) Jason can’t say no to free extra ammunition and also That’s Hilarious, man he has to hire these guys!

Then fire juggler molotov’s the joker, and he decides these idiots are ABSOLUTELY worth saving from the big bad bat. Fuck it, this morons are the BEST.

#dc x dp #dp x dc #also can anyone find me that one fic where like the gang plus vlad dimension hop #and end up putting themselves in clone bodies in an abandoned Cadmus base #and superboy discovers them and the Wayne’s panik #pls I have such ideas for art of these nerds but no artistic ability #prety colors #the joker: I will kill u #a jacked acrobat juiced up acrobat powered by god and anime: I declare thee stupid. Bonk #a failed college dropout disaster twenty something: dISGRACE UPON YOU #ON YOUR COW #etc #and then there Jerry

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vodrae · 5 months

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Batman: Crashes on the moon without a ship, get up without a bruise, stabilizes a several tons object with his brute strenght, throws and outruns cars, fist fight Solomon Grundy, can melt ice by increasing his body temperature, can swordfight with Ra's and Deathstroke, avoids bullets consciently, always beat magic with his sheer will power, has an emergency personality, is unfazed by all poisons...

Also Batman: NO META IN GOTHAM ! Except Duke.

JL: Euuuh okay ?

Bonus:

Hal: Well Buddy, it's seems you're the only human in that room

Ollie: I don't know how to proceed this information.

#batman #batfamily #batfam #dc comics #bruce wayne #justice league #green lantern #hal jordan #green arrow #oliver queen #ollie queen

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smorzinc · 8 months

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PLUSHIE TOUR!!!

in the first corner, you know her, you love her, THE HAJ!!!! given to me after a cute girl took me on a date. when she dropped me off she popped open her car's trunk and revealed this behemoth. i didn't know they were this big.

next up, we got Echo the Orca! her and her little offbrand Lego orca buddy were gifted to me for my 18th birthday. she's also the only plushie with her own name.

rounding out the roster we have Dusa from Hades! she talks. remember to Hold Dusa Like Hamburger.

next is this little fucker i bought at the mall. i don't know what's up with the fuzz and i almost didn't buy him because of it but fuck it. branding. i learned almost immediately after buying him that my high school principal has literally the exact same one in his office.

i also got a little Meta Knight. he guards my Mega Man shrine

this one is beautiful. he deserves all the love. he's also my oldest plushie, like ever. had this guy since childhood. his nose split open like a month after getting him but this hot glue has survived the test of time. he is my son.

Red Boy was handmade and literally thrown at me by a different friend for a different birthday. he's just a little dude.

bird. he came from the sea and sits in the moon.

if you have even one plushie you love, make a plushie tour, and tag it "#smore plushie tour". tag a friend or two in the post too, force them to make a plushie tour. I wanna see a bunch of Little Dudes and the stories behind them.

@blairelythere @utterlyunoriginaluser @z0mbi3dgutzz

#smore plushie tour #transgender #transfem #196 #blahaj #bowser jr #meta knight

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tungtung-thanawat · 9 months

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Ray's mother, music and the barriers to his heart that Sand must overcome

TW: discussion of suicide This is building upon the shorter meta I wrote here about the Micro song that plays during Ray's suicide scene. The parallels between Ray's arc in falling for Sand and Mew are so overt that I was completely overlooking the person that Sand is really up against in Ray's wounded heart and who, I believe Mew is ultimately a proxy for - his dead mother. I go into a little bit about how Sand's affection for Ray can sometimes read as familial here and I think it's quite readily noticeable how Ray acts very childlike around Sand with his puppy dog eyes and constant wheedling. One thing I do want to note is that Ray doesn't particularly come off as childlike in any of his other interactions either with his friends or in his conversation with P'Yo except for perhaps that first night when he got drunk and told his friends how much he loved them and during the suicide scene when he cries wrapped up in Mew's arms, distraught by how his mother never loved him. I think Ray is the epitome of someone with a deeply wounded inner child and the only way he can ask for love is as a child, somewhat helplessly and appealing to people's caretaker/protective nature. The parent child relationship between Sand and Ray comes up a few times through the episodes. The earliest explicit acknowledgement as far as I can tell is here at the end of episode 2:

There's another explicit nod as to how their dynamic is set up within Sand performing acts of service for Ray in Ep 3:

Sand says he has been Ray's driver, drinking buddy, shrink and chef. Three of those things - driving him around, cooking for him and providing him emotional support are not just familial activities but activities you would normally do for a young child. Sand pointedly leaves out that they've had sex from this list of services. And yes, that's because Sand doesn't view sex as a service and if it was just this then it would be hard to make the point that I'm trying to make which is that Sand needs to fulfill that parental attachment need that Ray craves; give him that type of no strings, unselfish kind of love before he will ever be able to gain Ray's trust enough to be able to build a romantic relationship with him. So how is the show making this point? That Sand is replacing not just Mew but Ray's dead mother in his heart? Well, let's start with the two things that Ray's mother has left him with: 1) music and 2) her alcoholism. Ray's friends were all very surprised when Ray volunteers to arrange the music for the party. While that was more about Ray's lack of interest in taking responsibility (His now in restrospect gut wrenching 'I'm only good for spending money' line from Ep1 like ouch) but it also indicates that none of them really know or connect with Ray over his music. How can they?

Music is such a deeply personal part of him, that's where he keeps the love he holds for his mother; the love that is entirely grief - painful in its vastness, beautiful in its consistency. And the first thing Sand tells him to do is be grateful for it - her good taste in music. The second thing? Is to show him how to enjoy it:

The fact that he's taking his hand and Ray is half resisting it, the silliness of the gesture more than the touch itself but he's undeniably enjoying himself - It reads to me like the awkward, stilted movements of a childperson who doesn't know how to move their limbs when they're first being taught how to do something. And when you realize that the song that Ray plays for Sand in ep2 is the same one that is playing when he's taken the pills - the positive associations that Sand is making with Micro in Ray's life suddenly becomes monumental. This happens twice more in the show. Once, in the car when Sand ditches his date to drive them to Ray's house where they engage in a delightful flirtation around it, Ray singing badly while Sand eats it up complains about it

And again, at the night of the party when Ray tells Sand to play Micro for him and Sand like the simp that he is serenades him with it:

But their connection over music doesn't stop at teaching Ray to cherish and honor his past - and unknowingly the pains that are attached to it. No, Sand goes further to expand it, help Ray find a space for himself in music, carve a corner of it that isn't only pain, isn't only that moment of seeing his mother laid flat on that floor with a whiskey glass inches from her fingers.

When music is such an integral part of Ray's personality how else does one interpret this scene other than Sand telling Ray to move on, when Sand plays Selina and Sirinya for him because finding new music he likes is Sand's happiness how else do I interpret it as anything other than Sand teaching Ray how to be happy? What am I supposed to do but pull out my own hair when they're connecting over music, looking at each other like this:

And Sand will do it AGAIN - as the ep5 preview suggests - take Ray's hand and teach him how to enjoy contemporary music while Ray makes his awkward, adorable face where he's having fun in spite of himself. And the sheer amount of joy that Sand gets in seeing Ray like this is just - they're so insufferable:

But perhaps the most surprising (and delightful!) of all is this:

Ray taking his headphone off, interrupting this magical moment of being with Sand and the music, telling him he wants to be close to nature and drink beer - for the very first time Ray desires alcohol not as a means to destroy himself but as a vehicle of peace and of connection and I haven't been well since seeing it and understanding what it means. In many ways, Ray's mother is such a tragic character. I know nothing of this woman other than the three seconds I have seen of her dead and the frightful way she has driven her son to follow in her footsteps, to feel so unloved and unwanted. And yet she named him Ray Pakorn (pakorn meaning sun) - a ray of sunshine. Perhaps even, her ray of sunshine.

How can I truly believe that she never loved him?

I know Ray tells Mew that she never held him but he loves her so dearly, wants to be with her so desperately, she permeates every moment of his life so thoroughly that the loneliness she left behind isn't a gaping emptiness but the festering carcass of a love so profound and full to bursting that Ray keeps trying to give it away, keeps trying to love his friends, keeps trying to save them and aches in the way that he finds no recipient for it.

People wonder what Sand sees in Ray, why he would fall for him. But Ray is a creature made entirely of love, soft still in the way he lets it rule his life, innocent in the way that he asks for it, precious in the way that he gives it away - How can Sand be anything but desperately in love with him?

#ofts meta #sandray meta #only friends meta #ofts #sandray #only friends the series #ofts ray #ofts sand #nani's hot takes #i spent so long on it please don't let it flop #but also its so long so i dont blame you #but i couldn't help myself #ray is an open wound in my heart #i do nothing but think about him #long post

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matan4il · 1 year

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Buddie 609 meta

This ep gave us our battlefield boyfriends in full swing again, and I love that for us! First off, there’s the way they showed up on the scene. Bobby steps in with Buck on one side and Eddie on the other. It looks like they’ve just arrived, but Chim and Hen already inspecting the hand lets us know that nope, they chose to split like that, which means that when Bobby turns around to start the search for the owner of the hand, we get a shot of Buck and Eddie together, following him. Then we also have them specifically exchanging exasperated looks while going door to door, as well as when listening to a dumb teenager explaining why he didn’t call 911, and a shot of them together reporting back to Bobby, even though we know the whole team was a part of the search and standing there together.

Then there’s the way Buck announces “Not it!” when it’s clear someone’s going to have to run after that teenager. Even though, once again, the entire 118′s there, and without another word being spoken, Eddie knows right away that this means he’s it, and starts giving chase. They’re literally their own team within the greater group. Which gets reinforced during the wildfire call, when we see Buck and Eddie being paired up and moving together like a well oiled machine, plus when they’re all on the roof, and it’s clear who the empty chair next to Eddie has been for, not to mention how he passes on the mug once Buck takes his seat. Such a good husband!

~~ But speaking of the Buddie connection and the way they’re each other’s life partners, I had to laugh out loud at the way the conference call went down. Buck knows Chim is awake from the messages about the house, so he calls his brother-in-law. Hen’s already on the line. Buck doesn’t know whether Eddie’s awake. We will later hear him hesitate about calling Bobby by wondering whether their captain is asleep or not. But since Chim and Hen are there, who cares if Buck’s call will wake Eddie up? He NEEDS to share his news, which means he NEEDS to have Eddie there. Hen was right when talking to Karen about this couple dynamic back in 317, Buck invites Eddie. Always. ~~

I have to admit, I found it so weird that Hen was talking to Eddie about Denny’s questions regarding his bio mom, but not to Buck. He’s the most obvious one, given how he talked to her about his doubts regarding the sperm donation in 604. He’s also the one who really needs to hear this and understand what it means, having a bio kid that you don’t end up raising, how it’s not this thing that ever goes away, nor is the child your own. It’s this in-between space that Buck is clearly having a hard time with. He’s not properly had a talk with Eddie about it, at least not on screen, which is already telling. Some of the most meaningful insights Buddie have had on the show came from talking to each other. Based on Eddie’s reaction to Buck’s news in this ep (his facial expression, saying it feels weird to congratulate Buck on this news), we can tell Eddie doesn’t seem to approve. It reminds me a bit of some of his reactions to Taylor. He didn’t tell Buck explicitly, “You shouldn’t be dating this woman,” he mostly didn’t comment at all or indicated through non-verbal cues that he does not approve. So there’s a pattern here of how Buddie conduct themselves when Buck is clearly doing something that’s not good for him, but neither one of them acknowledges it out loud.

Add to all of this the way Buck broke the news to his friends (no, sweetheart, you’re not about to be a dad) and that firefighter onesie he got for the baby (oh, hon! You’re all heart! And you misunderstood the assignment), and he’s clearly setting himself up for regret in 6b. I just hope we get to see Eddie being there to help mend him, like Buck was there for him in 5b. ~~

The naked lady in the car… So I have to admit I initially went back and forth on whether it was meaningful that the only ones to cover their eyes were Buck and Eddie. I mean, technically, they’re also the only two single characters, so it’s maybe a bit expected on the part of the show, to signal beyond doubt to the viewers that these guys are not creeps. Bobby and Chim aren’t just excused by being married, they also have practical things they are doing in that situation, with Bobby being the captain, assessing what’s going on and giving orders, while Chim is physically checking up on her state. But then we have Hen rushing in.

Hen, who is canonically attracted to women, and who runs into this when the naked lady is outside the car, just like Buck did. While his immediate reaction (much like Eddie) was to look away AND hold up a hand to hide the sight, Hen doesn’t do that (despite getting much closer to the naked lady). Also, at that point, Bobby and Chim are no longer being useful in any way, but they still don’t dramatically cover or avert their eyes. And married or not, they are men who canonically are attracted to women, like Hen, meaning it would have been appropriate for them to cover their eyes at some point as well. So yes, I think we get to snicker a little bit about how uninterested in naked women these choices make Buddie appear… It’s only made more hilarious by that little reaction Eddie has to Buck’s question. First, it’s probably significant that our former womanizer clearly didn’t ask this in order to get any salacious details, he’s just being a moron. Second, there’s a naked lady around, and still the focus of Eddie’s attention is Buck being a dumbass (not to mention how he will later, on the roof, tease Buck about preferring the car to drive into the building announced). I love one himbo and his exasperated husband. ~~

There’s something about the theme of lack of sleep in this ep. It’s of course a clear parallel to Eddie not being able to sleep in 511, reminding us that this is about more than just strange winds momentarily blowing through the city. When Hen is talking about Denny’s questions to Eddie, Buck’s absence is explained by him being the only one able to sleep, but after the incident where the naked lady drives into the fire station, he can’t either.

Yet, by the end of the ep, they’re all asleep. All, but Bobby. His shot at the start of the ep actually represents where he’s at the end of it. I do love how the order of the team being shot in their sleep goes from Eddie, to Buck, then to the married couples.

But it’s Bobby’s opening narrative which frames the whole theme of people sleeping peacefully, without realizing what’s in store for them, how close they actually are to the edge. “A reckoning may be upon us.” We’re aware this is true for Henren who don’t know what their child is up to, we’re aware of this for Buck who’s clearly already more emotionally invested in Connor and Kameron’s kid than he should be, we can deduce there’s something in store for the others as well. Season 6b is going to be a wind that is going to blow through this peaceful slumber and bring on the drama. Are you ready? Hold tight!

~~ You can now use direct links to find my weekly meta posts, my Buddie gifs and more of my content by clicking “my content list” on my blog. I’m not going anywhere, but I wanted to wish everyone a pleasant hiatus! 💖 As always, loads of love to @whosoldherout for making incredible gifs, even when I ask her for some shots that are very challenging to capture. You’re a star!

#buddie #911meta #buddie meta #911 meta #9-1-1 #evan buckley #eddie diaz #buddie gif #buddie gifs #buddieedit #911edit #911 gif #911gif #911gifs #911 gifs #wm #911onabc #911 on abc #911abc #911 abc

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waitmyturtles · 7 months

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I have a little mental battle going on right now, what with Only Friends meta brain rot and a very intense rewatching of Bad Buddy happening on my end for my Old GMMTV Challenge project. (LORDDDDD, to be thinking about OF and BBS at the same time, HAAAAAA.)

But anyway, yeah, going there, because I have Asian parents on the mind (honestly, when do I NOT have Asian parents on the mind). My late nights have been filled with utter disdain for Ming and Dissaya, but I'm also thinking about Mew's moms, who showed up in episode 9 of OF this past weekend.

@neuroticbookworm and @lurkingshan and I talked a bit about the nature of that visit by Mew's moms. When they were in Mew's apartment, Mew's moms had called and called, and Mew didn't pick up. He was crashed on his couch, hungover, cigs on the table. He looked like a kid who didn't have it together -- red flags for any parent. He was rubbing the sleep from his eyes.

As they stand outside looking for a car to take them shopping, Top appears out of thin air -- put-together, handsome, clearly rich, confident, and ready to help. Mew is rolling his eyes and grimacing.... and Mew's moms are eating it up.

During the visit, Mew's moms express concern for him -- he's getting skinnier, he needs to eat more. They are doting moms, worried about Mew's health. Top is THERE, clearly ready to be assigned a caretaker role. And Mew's moms AND Top are all under the impression that Mew HAS to be taken care of by a third-party, because of the way he's presenting during this moment with his moms (tired, hungover, etc.). Mew's moms eat Top up for lunch.

I think it's really important to note what was going on in this parental dynamic between Mew and his moms. We might THINK -- we may ASSUME, watch ourselves -- that Mew's moms may be more attuned to Mew's non-verbal signals about his feelings about Top because his moms are women and lesbians. We might ASSUME that they can READ feelings better than, say, a heterosexual father.

What I thought was BEYOND BRILLIANT about this scene, something I shared with @lurkingshan and @neuroticbookworm, is that Jojo Tichakorn and the OF team turned these assumptions on their head.... and, holy shit, rendered Mew's moms into TYPICAL ASIAN PARENTS. GOD, BRILLIANCE.

Mew's moms were wowed by Top's wealth -- of course they wanted to ride in Mew's car! They invited him for lunch at their cafe. They implicitly trusted Top to take care of Mew, because clearly, to them, Mew can't take care of himself, and Top presents as totally together.

@neuroticbookworm pointed out in conversation that Asian parents so very often would rather trust anyone else than their own children on just about any topic -- the health of their children, the career success of their children. It's just BAKED into our Asian cultures that our parents are, and will be, the most critical people in the lives of us Asian children for the rest of our existences. NBW also brought up that Asian parents are so much more likely to be concerned about a child's future rather than their present. Which is why Mew's moms would be more clicked into setting up Top as a caretaker -- rather than checking in on Mew's feelings. Checking in on a child's feelings at any given point of time is MUCH MORE of a Western paradigm of parenting than in Asia.

As an Asian watching this episode, I felt very much at home watching Mew's moms essentially ignore his emotional state because, well, it reflected every facet of my childhood. I thought it was a sick and genius move of Jojo et al to turn the paradigm of any assumptions we may have about a set of lesbian moms being more emotionally clicked in -- and turning them into the typical Asian parents that we see in shows like BBS.

It was an utterly genius move, and it goes to show just how layered and intricate these commentaries are about the functionality of all aspects of society that Only Friends is skewering.

#only friends the series #bad buddy #only friends meta #asian parenting #asian family dynamics #asian family systems #top x mew #mew x top #jojo tichakorn #ninew pinya

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dairy-farmer · 2 months

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Ooooh~ Had a THOUGHT(TM)~☆! Accidental Meta Powers Groping Au! :D

Consider all the Weird Shit(tm) Batman gets exposed to during the course of your standard Superheroic Adventure. Goo and Rays and Beams, curses and countercurses. Gods. Alien nonsense. It's A LOT for the body to handle!

He goes away to help the JLA on some Alien Distress call. Gets VERY fucked up. Big ouch. Might not make it. But he saved the building full of kids he was trying to evacuate and stopped the alien's planet from being blown up.

So? They make an exception for him. Since he's their HERO.

They use their Super Advanced Alien Healing Pod on him. Don't worry buddy! We scanned the OTHER human with you and know what a healthy human looks like! We can fix you!

Problem? That other human? A dumbass. So worried about Batman... they forgot that THEY were Meta and HE was NOT.

And Batman is a little too unconscious and full of holes that shouldn't be there to remind anybody. #OhNo.

Bruce wakes up on the flight back. Feels a decade younger. Which he SHOULD because the Meta Dumbass is in his TWENTIES. You dense, dense mother-fucker! Bruce has VISABLY lost a DECADE. He wants to hit him.

A chair flies from next to him, directly at the guys head.

What.

He's telekinetic. WHY does he have telekinesis? Meta Dumbass starts sweating. It's... a long flight.

Worse? Green Lantern stayed behind to help organize relief efforts. It'll be AT LEAST a year before he's back and can get Bruce back to normal. He knows, because he strong arms a deep space video call.

They kinda used their LAST function pod on him. Great honor and all that. Are horrified they fucked up. But can't fix anything until the planet is less... flattened.

Bruce breathes. Remembers his meditation training. This is Fine(tm). He understands. Take your time, not your fault. He's just gonna have to get this under control until it can be fixed.

Problem is? It responds to his thoughts. Usually before he's aware he's having them. Thirsty? Here's a drink. Vaguely tired? Chairs. Note to self? Why not ACTUAL notes? Pen and paper!

He gets home EXHAUSTED. Explains what happened to Alfred. Not so much Tim, but Tim overhears, since he's eating dinner in the room. Weird things happen and things moving? Don't be alarmed. Just Bruce. Got it.

Tim feels someone ruffle his hair. Hug him.

Bruce is across the room and already turning away. Ah. Better not mention it. He's already jumpy around affection. Barely getting better. If he thought even THINKING about stuff like that was bad? Because it would "betray him"? Yeeeeah, hard pass, Tim decides. Besides. Hugs are nice, even if Bruce doesn't know he's giving them.

But of course~ Bruce is obsessive. His thoughts fixate and spiral. Tim gets used too, very quickly, the panicked pat-downs by hands that arent there, looking for injury. The lingering holds on the back of his uniform, ready to drag him back from danger or jumps Bruce doesn't think he can make. The hair ruffles. The almost needy, full body hugs.

Touches no one can see. That Bruce doesn't realize just WANTING, makes happen.

Tim has a great Party Mask. Has long been able to ignore choking suits and pinching shoes, the exhaustion, all the bruises from chasing his idols, and keep his face serene. This is no different.

Then the classic Go Wrong. Our beloved Ivy.

No place for Robins. So Bruce goes alone. Saves the day. But is hit, as usual. An unfortunate reality of her escapes. Has already hit himself with the counter-agent... but... he suspects this might be a new strain. It wasn't as effective as it should be.

He stumbles out of the car and into the emergency wash. Tim is there to help him get upstairs, as he all but falls out. It's a mistake.

There are hands and tounges, licking and groping and sucking EVERYWHERE, the second Bruce locks eyes on him. Digging into and worshipping places NO ONE has ever touched before, so hard his legs lock up and he freezes. He can barely move. Doesn't know what expression he's making but knows he's choking on the noises he's trying hard NOT to make.

They collapse half way to the stairs. Bruce pulling him into a vice tight hug, panting against a shoulder, as he trembles and refuses to give into what he so badly wants to DO to him. Not realizing he already IS. That fingers and tounges are working his holes open. Plunging in and in and IN. Finding things and grinding.

Tim can only shake and try to suck in air. Try not to let the noises out. Because he's afraid if he gives in, he won't be able to STOP. Everything's gotten so wet. He can't move. It's too much, all at once. Feels good but is scary. But Bruce is here. And he's trying NOT too. Not his fault. And, and-!

Alfred saves them. Is able to haul Bruce up and off to his room. Give Tim an anti-agent.

Because he got "exposed" too. Helping Bruce.

He doesn't argue, even if the shot makes him feel sick for a while. But, the thing IS? Bruce has become... AWARE of him, now. Because now the hands massage and stroke. He feels them palm his chest or butt, just to tease or squeeze a bit.

And after patrol? When they go to BED? Tim has to read Bruce's mood. Decide if he wants to stay at the Manor or his house. Because? When Bruce his stressed? He... relieves it. Perfectly normal, of course. But his THOUGHTS? Tim knows they're of him.

Because he feels them.

And he... he doesn't know if he's READY. It was so, so MUCH.

But of course, Bruce is better at hiding things then even HE is. And eventually he slips up. Is staying over. When one moment he is getting comfy, the next? Hands are pining him to the bed. His own pajamas used to muffle him, pushed up and out of the way. So mouths that aren't there can tease and abuse his nipples. Lick his skin like they want to devour him.

Go lower and lower. Pajama pants gone and hands holding him wide. For the world and no one at all to see. Bruce's clashing thoughts and desires meaning Tim gets both. Fingers teasing him AND mouth eating him out. Squeeling and panting, thrashing but unable to escape. His orgasms secondary to the fantasy happening a few rooms over.

Having a tounge fuck him even as fingers do. His chest being teased. Being able to HEAR the wet shlick noises and see his skin react. Feeling his hole being held open for something BIGGER. His ass being teased. Bruce unable to decide but turned on none the less.

Filled up, his first time on a cock that isn't even THERE. And, oh. Tim feels good and terrible and so FULL. Then it's moving and it's just good and full. Pounding all the good parts. Punching little noises out of him. And he wish it wasn't the powers. That Bruce was HERE doing it. But it's GOOD. And he ends up gushing wet and boneless.

LOVES Bruce's Stress Relief nights. Would go over and HELP if he could.

But Bruce is still affection shy. And Tim is still working on that. But hey.

Now Tim has a goal.

(And is DEVASTATED when they fix Bruce's "Gene Spliced Problem" even if he won't say why.)

-🐼🐼🐼

bruce using his surprise psychic powers to molest tim 🤭

#answered asks #asks #anonymous #brutim

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elizabethemerald · 7 hours

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Son of the Red Hood: Reunions and First Meetings

Master Post

Jason was once again at the end of his rope. He had this wonderful, amazing kid in his life who could fly and float through walls, and influence his Pit Rage, and smiled like the sun, and all in all was still a kid. And sometimes kids threw fits.

He had taken Danny to an abandoned and fenced off lot so the kid could get some practice with his powers where no one would see them. He hadn’t wanted Danny’s toys to be forgotten or dirtied in the lot, so he had made sure to leave behind his stuffed animals. Something Danny had taken incredible offense to.

Of course the tyke hadn’t realized until they were in the abandoned lot, blocks away from Jason’s apartment that his toys had been left behind. And he was now bawling his eyes out, screaming at the top of his lungs for his toys. He was once again starkly reminded that Danny was a meta and many of his powers were tied to his emotions. Jason could only feel sympathy for what the Kents had to deal with when they were raising Clark. They even had to deal with a super powered toddler’s terrible twos.

“I want my Jazztronaut! I want my Wonder Bear!” Danny screamed.

Each scream rattled the walls around them and set off distant car alarms. Jason had brought his Red Hood gear so that if anyone saw them they wouldn’t recognize them and he was thankful he had as the sonic protections in the helmet activated and muffled his hearing. Though the fact that he could still hear his kid over the protections showed just how loud Danny could be.

“I promise kiddo, we can go back and grab your bears! I’ll grab them as soon as I can, but you have to calm down.” Jason tried to reason, but one thing he knew from helping with the street kids in Crime Alley, sometimes a child just doesn’t want to be reasoned with.

“I want Wonder Woman! I want Wonder Woman!” Danny shrieked even louder.

Jason clamped his hands uselessly over the ear holes of his helmet as he staggered back. Holy shit this kid had a pair of pipes on him. If he didn’t have his helmet on he might be deaf now.

“Danny, I’m sorry I forgot your bear.” Jason tried again, and Danny fell silent in surprise. He sniffed and his lip wobbled. What the hell was this kid’s life that someone apologizing to him got this kind of reaction?

“I’m sorry I yelled.” Danny whispered back, tears running down his face, though he was tense like he expected to be yelled at or worse.

“Hey, it’s ok buddy.” Jason pulled his helmet off and he pulled the kid into his lap. “Sometimes your emotions can get too big for your body, I understand that. I really am sorry that I didn’t bring your bears. I’ll go get them soon, ok? But I can’t leave you alone to grab them.”

“Perhaps I can be of some help?”

Jason tensed as a woman’s voice sounded in the lot. He shifted Danny so he was protecting him with his body as a tall woman with black hair approached. She had greasy and sweat stained work out clothes, just like every other thug in the city, but she towered over him where he was sitting on the ground. He reached as subtly as he could for his gun, then paused as she stepped into the light.

“Wait, Aunt Diana?” Jason asked, perplexed.

“Hello, little Warrior.” Diana said with a small smile. Then she knelt down next to Danny. “And hello you too, little King.”

Danny, his little devilish meta child, actually blushed at her attention.

“I’m not a king yet.” He said softly.

“I know. And yet I have followed your call for me and found you.” Diana said with all the gravitas she reserved for meeting foreign diplomats.

“I thought I knew what was happening, but now I’m not so sure.” Jason said softly before he rose to his feet, lifting Danny onto his hip.

“I’m not certain I can explain everything, but I can shed some light.” Diana said, standing as well, before addressing Danny. “Are you aware of someone by the name of Clockwork?”

Danny’s eyes lit up and started glowing as he smiled.

“Grandpa Clocky! He’s always tellin’ me boring things that I need to do and learn. But he keeps me safe and cares about me.”

“Yes, well your grandfather has a few other grandchildren, one of which is me.” Diana held her hand out and shook Danny’s little, tiny hand. “Diana Prince. Some call me Wonder Woman.”

Danny’s eyes glowed even brighter and he floated out of Jason’s arms.

“So we’re like cousins! Or something!”

“Yes. Or something. And Clockwork sent me to find you, so you can be trained properly for when the crown is yours.”

Jason genuinely couldn’t tell if Diana was being serious or if she was playing along, but either way he was grateful that she had appeared when she did and even more grateful that she seemed to be willing to help train Danny.

“Thank you so much Aunt Diana.” Jason said with a smile. “Maybe you and I can talk about a training schedule together. In the meantime would you mind watching him while I go and grab the teddy bears that caused all this?”

“Of course. My cousin and I will get to know each other.” Diana said and gave Danny a warm smile.

Jason pulled his grapple and left to return to his apartment, happy with the knowledge that Danny was safe with Diana. Though he had a lot of questions about why she had called him a king, and who the hell Clockwork was.

Jazz had been on the move almost non stop ever since she had woken up yesterday. Her parents were dead. The portal in Amity was destroyed. Angela had said that Danny was killed by the blast too. But he wasn’t. She knew he wasn’t. She didn’t need the boo-merang to tell her that Danny was still out there somewhere. He was alive, and she would find him.

She had only stopped moving long enough to pass out in her car for a few hours during the drive to Gotham City. She was following a faint trail, a mere pressure in her mind that was leading her closer and closer to where her brother was. Whatever ecto contamination her parents had done to her over the years had given her a connection to her brother and she would follow that connection to the very jaws of hell itself if she had to.

She was running on fumes now. So was her car. She had made it into Gotham and the pull brought her to one of the poorer neighborhoods. In fact it looked like it was the poorest and most crime ridden part of the city. Graffiti covered every wall, and multiple burnt out wrecks of cars littered the sides of the streets.

Jazz slammed on the brakes and opened her car door. She was next to an abandoned and fenced off lot and her brother was here. She could feel him. She dashed tears and sweat from her eyes, slung her weapons over her shoulder and tied her hair back. When she left her car she left it with the door open and the key in the ignition. She doubted it would start again and she didn’t care enough, all she cared about was her brother.

She crouched next to the fence and leaped, putting her ectoplasmic strength into the jump as she easily cleared the twelve foot tall fence. She landed on the other side in another crouch, her eyes zeroing in on the woman standing in the middle of the lot.

The woman was easily as tall as Jazz and she was 6'8" thanks to the ectoplasm in her veins. The woman had long black hair and was built like an absolute tank. She was wearing work out clothes that showed off all of her muscles. If Jazz were in a better mental state she would be jealous.

But all she could focus on was the toddler just past the woman. The small, black haired, blue eyed boy that was her entire world. Danny. He was younger and smaller than he should be, but she would recognize him anywhere, and she had enough experience with ghostly shenanigans to recognize a simple deaging. She could deal with that later, now she just needed to recover her brother.

“Give him to me!” Jazz demanded as she stormed closer.

The beefy woman was between her and Danny, she couldn’t risk angering her, but all the words were trapped in her mind. All the deescalation techniques she learned, all the psychology she dedicated herself to, was all trapped and stuck. The woman turned to face her and Jazz pulled out her creep stick, her hands shaking.

“Give him to me.” She said again, the words feeling like nails dragging past her throat yet it was all she could say.

“I’m afraid I can’t do that.” The woman said. She kept her hands open and spread apart. Some small part of Jazz’s mind said that she was trying to keep her body language open and friendly. But that part was overshadowed by her fear and her exhaustion.

“Give him to me!” She shrieked, wondering if she should be coughing up blood with how difficult the words were to drag out. She dashed forward and swung her creepstick. The woman blocked the blow with her forearm, but Jazz swung again and again. Each blow the woman either blocked or dodged without any visible effort.

“You have skills sister.” The woman said and she went on the attack.

Now Jazz was getting driven back across the lot. She was clearly out matched in every possible way, but she couldn’t back down. That was her brother. That was her brother. That was her brother. Danny. Danny. Danny.

The woman twisted her body and with a powerful kick the creepstick was sent flying across the yard. Jazz didn’t give her a moment to gloat at disarming her and instead pushed forward with her bare fists and legs, using all her skill with martial arts, managing to push the other woman back one step at a time. Still she looked calm and confident as if she did this every single day.

Jazz ducked under one of the woman’s blows and managed to pull her knife. She thrust the blade forward with all her might, putting her full ectoplasm enhanced strength behind the blow. And watched in horror as the blade shattered against the woman’s shoulder.

“Well struck!” The woman seemed genuinely impressed. Then she twisted and almost without effort threw Jazz to the ground.

Jazz gasped in air as she stared up at her, then passed her to where her brother hovered in the air, watching like this was all an exciting movie.

“Please.” She forced the word out, like broken glass down her throat. “Give him to me.”

She begged. Desperately. The woman startled and pulled a long rope from under her sweats. With a flick of her wrist the cord wrapped around Jazz’s body.

“We’ll soon find the truth of this. Why do you want the boy?”

The cord glowed around her and even past her pain and her fear and her exhaustion the words came.

“He’s my brother.”

She gasped the words out.

“He’s my brother.”

Her throat was closing and her breath was coming faster and faster. Her own fist collided with her forehead.

“He’s my brother.”

She sobbed the words out, her vision fading as she hit herself again. A high pitched keening noise pulled itself out of her, no more words were coming, just her raw expression of grief and longing and she hit herself again. She smacked her fist into her forehead and when she went to do it again, she felt a tiny hand wrap around her wrist.

“No Jazz! No hurting. No hurting.”

Danny’s little voice. Just like when he was first a child and would help her when she melted down. When her parents ignored her desire not to be touched, when they made her speak even when the words hurt like gargling acid, when the noise of the lab wouldn’t stop and pounded into her head like a jack hammer. He was always there for her, ever since he had understood what she was doing and why.

She didn’t try to pull her arm out of his hand but she hit herself again with her other hand. She could hear Danny begging her to stop, but she couldn’t, she couldn’t, she couldn’t. She went to hit herself again and a strong, calloused hand grabbed her wrist, then just as gently as if she were something precious and valuable held her other hand to keep her from hurting herself.

“Now, young one, there is no call for that.”

“Jazz it’s ok.” Danny whispered, because he knew the loud voices bothered her. Then he started humming, so softly she could barely feel it, yet his humming vibrated with ectoplasm and carried down all the way to her infant ghost core.

He was hugging her and holding her and humming to her and slowly, muscle by muscle her tension unwound. She could think again, she didn’t think she would be able to speak yet, but at the very least she could pull her wrists from the gentle hold of the other woman and wrap her arms around her little brother.

She held her brother, her Danny and sobbed and sobbed. She had gone through too much. She had been told she had lost her parents and that everyone she loved, including her beloved brother were dead, her home destroyed. Then she had driven half way across the country following a desperate thread to try and find him only to be beaten by the first stranger she encountered. But at the very least, she had her brother back in her arms again. Just like she was supposed to.

Diana watched the young woman cry, raw grief tearing its way through her. Jason had asked her to watch over the little King, and she would do so. She couldn’t hand the child over to the obviously distressed woman who had demanded him. She had defended herself, just like she would do during any of the spars with her sisters on Themyscira.

However, she had misjudged her opponent. This woman was not fighting with the relaxed energy of a friendly spar. She was desperately fighting, just as she had desperately begged for the boy. Lord Clockwork had not mentioned that the little King would have any siblings, but perhaps it merely showed that the Lord of Time still needed to learn the importance of mortal lives.

Even without the magic of the Lasso of Truth, Diana could see the love Danny had for his sister. She could see the way he knew exactly how to stop her from harming herself. How the young woman, the King had called her Jazz, didn’t risk harming the child when he held her wrist, instead using her other hand.

Now she could see the love, almost like a physical aura off the two young ones. She had found her charge, the young King she was to train, she had found him with an able caretaker, and she had found him in time to see the reunion between the King and his sister. Maybe she would have another to train and to teach, and the young King would have a valiant protector.

She turned at the sound of a grapple and Jason landed next to her, two teddy bears in his hand. One was dressed as an astronaut and the other was wearing a cloth version of Diana’s own armor. He was staring at the woman who was sobbing and holding Danny as if he were the most precious thing in the world.

“What the hell did I miss?”

#dp x dc #son of the red hood #jason todd #danny fenton #jazz fenton #wonder woman

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theladyyavilee · 2 years

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my dash has been too quiet and too hinged recently, not enough wilde and completely insane speculation, so my besties, my loves and my partners in clownery, I present to you

The s6a Speculation Board as it pertains to The Diaz Fridge Magnets, Heart Metaphors, Buddie In A Car and Buck In White 🧲💖👕

if you wanna participate, just tell me your predicitions and pick one of the still available colors of fridge magnets (at the moment all but the dark blue, the purple and the light blue are free xD) and I will add a fridge magnet, a heart, a car and a white shirt with your initial for you <3

everyone (and I mean it! mutuals, followers or whoever else sees this 💕💕💕) else is free to participate on a voluntary basis but I am tagging @mistmarauder, @stagefoureddiediaz and @kitkatpancakestack because the hinged door shoe squad are actually contractually obligated to indulge my insanity 🤭🥰

#9-1-1 #911 spoilers #911 season 6 speculation #buddie #the diaz fridge magnets #heart metaphors my beloved #buddie car meta #buck in white #can you tell I am procrastinating?????!!! kjdfsklafhaksjfhas #also yes #YES I absolutely can and will make everything about the fridge magnets at all times #also if anyone can think of another topic to add that we should speculate about just let me know xDDD #also dlfjkhaskh I am prepared for this to flop like pretty much everything I made in the ast month or so BUT at least I had fun making it xD

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lover-of-mine · 2 months

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https://www.tumblr.com/lover-of-mine/745334896398073856/i-know-i-completely-changed-my-original-spec-on-s7 please I want to hear this! I love hearing your metas and spec lol

Alexa, darling, I love that the original spec was also written on an ask from you, thank you for always supporting my ramblings 💜💜💜💜also @steadfastsaturnsrings, Saturn, darling, I do have more thoughts lol

Okay first, this one needs context, so other metas/speculations whose elements got me to think this one makes sense, I don't think you need to read them for this to make sense, but just in case you want to read something more in-depth about it, I do strongly recommend you read them thought, I think it makes this one more impactful: link to the original spec where all I had to go on was the voices in my head, like legit, we didn't even have a date for season 7 yet, this one is just in case you wanna see the original version of this, buddie is mirroring the couples in Buck, actually and the only situation they are missing is the couple that crashed into the tree aka both of them in danger/hurt at the same time, Buck needs to deal with death/figure out how to live as someone who wants to live, buddie is tied by death.

Okay, so, when I first started thinking about this I was mostly thinking about Buck's relationship with water/breathing and that leading to a breakdown or leading to buddie. Because Buck drowning could trigger him enough for him to have a full-blown breakdown, but a Buck who's already been through the process of realizing he wants to be alive almost dying again might give him an oh moment that would lead him to act on his feelings for Eddie. My hope was also for that to mirror elements of the shooting since I am a firm believer that the shooting was Eddie's oh moment. But I was writing that with no clue about what they would do with the season, so now that we have more information, I need to tweak things a bit.

Buck has a very intricate relationship with breathing which also gives him an intricate relationship with water. The first call we see on the pilot is the 118 responding to a kid who drowned, who Buck is doing cpr on, then we have the baby on the wall who's also not breathing, we have the girl getting strangled by her snake, and we have him saving Athena with water. On a less this is probably just a coincidence note, Buck's first real brush with death is on the date with Abby, where he chokes and Abby needs to perform an emergency tracheotomy on him, the surgery on his leg leads to blood clots in his lung, he gets caught on a tsunami, during the warehouse fire in Buck Begins he gives his mask to the victim and openly states he will hold his breath and the sprinklers also give it the water elements, and after the lightning, the thing that stops working is his lungs. This all led me to the belief that they will drown Buck at some point. Mostly because I wanted to mirror elements of the shooting and one of the elements of the shooting is that it brings up a previous trauma for Eddie. The easiest way to bring up previous trauma for Buck is to drown him, you hit breathing and water elements. Having him crash his car, be driven off the road, drive off a bridge, or something like that, into water is a situation that would be urgent enough that he can't wait for help. At first, I just put Eddie in the car because I wanted Eddie to be forced to save Buck, but now I have a reasoning for Eddie to be in the car.

Let me back up and explain how getting there makes sense though. The promotion of the season has had a lot of talk about vulnerability, and Buck and Eddie leaning on each other, and they need to deal with death as a concept. Eddie needs to stop chasing Shannon, along with dealing with the grief over having to save Buck and Buck needs to deal with his passively suicidal behavior and with the way that following the coma dream, Buck actually does care if he dies, so he needs to get to a point where he acts as someone who wants to be alive and asks for the things he wants. Personally, I think the only way buddie will truly work as a couple is if they get to that point, because a Buck who asks for what he wants is not a Buck who will let Eddie get away with thinking he's always right, and Eddie needs to stop trying to fix what went wrong with Shannon and just do what he actually means.

Eddie welcoming Buck to the world of the living in the locker room gave me hope on that front because Buck finding out he wants to be alive and also calling Eddie on his bullshit while they navigate a place where Buck can face death as something not scary can be good for both of them, especially with the way they keep talking about both Buck and Eddie just “wanting to be happy” because they could walk through the trauma, and Buck talking about death as boring and the focus the show put on Shannon on the past few episodes, showing Eddie and Chris visiting her grave, more detail on hers and Eddie's relationship, Chris’ conflict with her memory, you can have them learning the move forward together. Oliver also saying there will be a chance of things coming up in a not so great light but the friendship persevering can also mean that they will deal with other aspects of their relationship that could create problems in their relationship, like the way they assume they understand each other so they won't actually talk about things that matter and just assume the other will understand what they mean since they are very much in sync a lot of the time, like for instance the way Buck definitely misunderstood what Eddie actually meant with his will or the way Eddie reacted to Natalia and the whole I feel like she sees me. They also need to deal with the way they don't talk to each other about big changes in their lives, Eddie didn't talk to Buck about changing his will or leaving the 118, Buck didn't talk to Eddie about the sperm donation, and they need to.

So let's say season 7 is the buddie utopia of my dreams where they address these base issues, something they need to talk about is how it felt to save each other's lives. But they haven't talked about it yet, and it's been long enough they would need another trigger. But this conversation is the conversation you pretty much can't write without ending it with a love confession of some form, but I'll come back to this.

We need a trigger. I said up there about how they are mirroring the calls in Buck, Actually. There we have a crush injury involving a vehicle with Thomas and Mitchell, we have someone injured more worried about the other's safety who got injured by someone while at work with Ruth and Earl, we have Lola and See Me Norman talking her out of the ledge. Crush injury and focus with hand holding happens both ways, with the truck bombing and the bridge, one of the injured by more worried about the other we also have both ways, granted one is a lot more intense than the other, but during the shooting Eddie asks if Buck is hurt and when they get kidnapped, Buck gets pistol whipped but he spends the whole time more worried about Eddie than himself. And we watched Buck talk Eddie off a metaphorical ledge in dumb luck, if we're lucky, we can get a mirror of that going the other way this season.

Most of my hopes of this particular thing come with the way Buck and Eddie's individual storylines are parallel but slightly misaligned, you have the first love who left and came back without giving them real closure, you have Eddie having too much responsibility being put on him by his parents when Buck is invisible over the fact that he “failed” on the thing his parents' wanted from him, the lightning mirrors the well quite literally, they are in opposite sides of the frame, Buck is in the sky, Eddie is underground, Buck is the middle of a street, Eddie is the middle of nowhere, (here’s a set if you need help visualizing that), among other smaller things, like the way Buck’s first death on the job was someone falling to their death and for Eddie too.

That leaves us with the newlyweds who crashed on their way back from the wedding, aka a situation where both of them get hurt, but one of them gets pinned, one of them gets the worst of it.

So car crash.

I go back and forth as to why they are in the car. I played with the idea of Taylor activating her emergency beacon and them actually going into that situation willingly, but considering everything about the show, you can do pretty much anything, they could witness a crash and then things go to hell, they could be driven off the road, they could fight in the car and lose control, I don't know, but the thing is, utopia buddie who are in a spot where the change from friends to more could work, maybe toeing the line more heavily (I mean, we are mirroring newlyweds lol), getting into a crash while off duty. It's very important that they are off duty because now we're mirroring elements of the shooting.

Why we mirroring the shooting? Well, because the shooting is a banger. I'm kidding lol. There's something inherently romantic about the shooting, Buck wearing Eddie’s blood, the shared looks across the pavement, the focus on hands, Eddie literally bleeding out and asking if Buck’s hurt, Buck escalating from we got you to I got you, from just hang on to I need you to hang on. And there’s also my personal belief that Eddie is aware of his feelings and realized what they meant during the shooting, so I want to put Buck in a situation where he can’t escape what his feelings about Eddie mean, because I think Buck never stopped to truly look at what Eddie is to him. And with where they are, to be put in a situation like that would force them both to confront these feelings, even if they don't feel like saying Eddie has been pining since season 4.

The shooting has quite a few elements that make it as intense as it is: they are not supposed to be there, it’s not their call and the 136 is the house responsible, it brings up a previous trauma for both of them, Eddie gets shot, bringing up things from his days in the army and Buck is forced to roll under the truck after being crushed by one, Buck does the saving alone because there’s no one else they trust around, it happens by chance because Eddie gets targeted just because, they are also done with what they went to do by the time Eddie gets shot. All of these can be achieved in many ways, the only thing I’m sure of is that they need to be in the car together and they need to be off-duty because if they are not off-duty you take away from the urgency of the situation, having tools and immediate rescue available waters the situation down. I don’t know why but I keep going back to them driving off a cliff into water, sometimes I shift to a bridge, but they used that with Judd and Grace in Lone Star so I don’t know if we would get a repeat, but basically I see them stopping to help someone, getting back to the car, and maybe the side of the road gives under them, or there’s another crash, that now is into them throwing them over, or they get driven off the road. There’s also the chance of them just losing control of car, a tire pops, it's raining, something runs across the road, and they get underwater.

Why is them being underwater important? If they are just hanging on the side of the cliff, they can wait for help. Also, we are bringing up past trauma for both of them, if you put them in a car filling with water, you hit the water/breathing elements for Buck, but you also hit well elements for Eddie, and Shannon was also hit by a car. So their car gets thrown into water, going back to the Buck, Actually comparison, the crash, one of them gets pinned. The one who’s pinned needs to be Buck. Why? Eddie is the widower, Buck is the savior. Eddie has to live with the fact that he didn’t actually save the people he thought he did, and he has to live with the fact he was helpless watching Shannon die, and Buck exists to do the saving. So we are letting Buck be saved and Eddie know he actually did save him. It could be cathartic for both of them.

And I want Eddie performing desperate CPR. Sue me. Can you imagine everything Ryan can give us there? Mouth to mouth, “you’re not doing this to me again”, being all wet and you can’t tell if the water on his face is from the water or his tears, begging Buck to wake up, Buck finally coughing wake and dropping back against Eddie, Eddie breathing as heavily as Buck as he hubs his back and encourages him to breathe while refusing to let go of him. If we’re lucky Eddie hiding his face in Buck’s hair or something like that. It could be so good. Because you can also have Buck looking at Eddie like he’s seeing him for the first time in a very clear revelation moment. You can have them looking at each other in a clear revelation moment. It could be THE oh moment.

And then they can talk. I said I would come back to this. Them having a conversation about saving each other, forces them to talk about what they mean to each other. You literally can’t have them talk about what it was like to save the other without forcing them to talk about how they love each other, and if they do the groundwork I mentioned, they can have one HELL of a getting-together scene. Imagine one them yelling “because I don’t want to live without you!” and the way it would be literally I don’t wanna be alive without you and I don’t want to continue living my life without you. And like, having Buck say something like this with the way he reacted to Thomas and Mitchell dying together and how he focused on them dying together, not the life they had, and the way Buck interpreted Eddie’s will as Eddie asking him to be okay with Eddie dying, Eddie asking him to outlive him, and have him look Eddie in the eye “I don’t ever want to do this without you” come oooooooooon, it would be such a beautiful conclusion to the buildup we have right now.

But yeah, this is the madness. The ultimate wishful thinking. I could be so good.

Anyway, if you read this I love you 💜

#this is long lol #imagine not being delusional #couldn't be me lol #911 #911 meta #911 spoilers #911 speculation #buddie thoughts #buddie #i really need a tag for asks #alexa 💜#🪐#drown Buck 2024

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stagefoureddiediaz · 1 year

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Costume Meta 6x15

At first I thought this was going to be an ok length meta this week, having already written two mini metas based on bts pictures and then we didn’t get the download for a million hours and then just to add to the fun - Tumblr decided that I wasn’t allowed to type into a post wehre i’d added photos and then loading photos into a post wasn’t an option so this is the 4th version of this post I’ve had to create but I got there in the end, so I’m sorry its so much later that i would’ve like it to be - I just hope my insane ramblings are worth the wait!

There weren’t actually that many costumes this week but the guest cast had very interesting costumes and there are a million things going on with Buck, Eddie and Christopher so this week’s meta is very heavily skewed towards them!

No Hen this week as she’s only seen in uniform - there was also very little Bobby - just the one costume!

Bobby

Bobby in navy blue actually doesn’t mean much this week - the choice of colour for his shirt is purely there to continue to parallel Bathena and Buddie from the last couple of episodes with the Burgundy and blue we’ve seen. Thank you as always for reading - it really does mean the world to me that you're interested in the costuming of our wee woo show and I love reading your thoughts in the tags and notes!!! I’ll shut up now and let you have your lives back.

Athena

Burgundy ribbed top - stylistically it is in keeping with the other tops we’ve seen her wearing this season. Burgundy isn’t a colour we see on her very often (the last time was in 5x10 at the christmas party and there are only two previous costumes before that), so there was definitely intention to keep the burgundy and blue theme running into this weeks episode. The ribbing is disjointed on this top over the left shoulder, it hints at the idea of Athena not being comfortable with Dominic dying in the back of her police car - its that feeling of something lurking over your shoulder.

The other interesting thing it’s the return of the anchor necklace. We haven’t seen Athena in this necklace since 5x07. This necklace was very heavily connected to family and the idea of family anchoring her and giving her stability while she was in uncertain waters. It was a play on the idea that even when things were turbulent (Michael coming out, the divorce, Jeffery Hudson etc) her family was and is her anchor. The interesting thing about its reappearance here is that we don’t see her with any family aside from Bobby - for a necklace that has been so heavily tied to her extended family their absence in its presence is telling. It could mean some foreshadowing of choppy waters ahead (perhaps to do with Bobby in the finale) alongside her disquiet over this incident.

The leather leather jacket is the same one as we saw her wearing in 6x12 and I spoke in the 6x12 meta how it was very similar to the one we see Athena wear when investigating Eddies shooting and how it, along with Tamara wearing an echo of Bucks outfit in that episode. We have a similar parallel happening in this episode with Christopher’s jumper at Shannon’s grave. To have it reappearing for this scene specifically is telling me to link the scenes - ergo link to the shooting.

For me that link surrounds the idea of mistaken or hidden identities because all three investigations include an element of this theme. The shooting - Ethan covers his tracks so that the police go for his ex partner and we see Athena hiding her identity by dressing as a firefighter to go to Bobbys rescue. In 6x12 Athena and May go undercover (with hidden identities) to try and find out what happened to Wendell, Wendell himself hides his identity to try and help Tamara and the Walshes tried to hide his identity when they set his body on fire. And now we have a case where Dominic tries to escape conviction through a body switch and hiding his identity. I haven’t quite pieced together what exactly this is saying about Bobby and Athena’s overall arc, but there is clearly something at play here.

Chimney

Chim is paralleling Bobby in the dark blue this episode. The Navy shirt help establish the red/blue theme for Madney in the same way Bobby’s polo does for Bathena. It is designed to do the same thing it does for Bobby - shift focus away from him and onto the one in the brighter colour. It is telling us that Maddie is the one we should be focusing on in the scene rather than Chimney and I’ll explain a bit more of that when we get to Maddies section.

The check shirt Chim wears to the IRS appointment clearly fits into check theory very nicely - not only in terms of the appointment itself, but it is part of a bigger piece of foreshadowing for Chimney more generally which appears to be connected to his family because we have seen him in a lot of check pattern this season and it feels like they’re building the tension with it - it is clearly leading to whatever happens to hi in the finale.

This shirt is the same one he wears when he finds Maddie giving Jee-Yun a bath after they all return home from Boston. and because of this it feels like there is something specific connected to this shirt around the idea of finding happiness in the place you’re in - not needing more in the moment than what you have - not pushing for more.

But there is also something connected to the idea of communication - that happiness is found when you communicate with your partner - the moment with Jee in the bath could only happen because Chimney and Maddie communicated which enabled her to return home and start rebuilding her family. The moment at the IRS was a clear indication of Madney not talking in advance, but ultimately coming out of the meeting in a better place - having communicated and reached a mutually happy decision. To me at least this speaks a lot about the marriage arc they are setting up for Madney - that we’re seeing them fail to communicate again, but they will eventually communicate and end up in the right place for them and will find happiness as a result.

Maddie

Maddie’s bright red top pulls our attention - it is far far brighter than Chimneys navy blue shirt and that is intentional - it is mean to make us think of a red flag and highlight to us that Maddie is where our focus should be for this episode. It is signposting us to the fact that in their relationship Maddie is the one who will ahve had dealing s with the IRS before when it comes to being in a relationship - Chimney won’t have had to do it as we’ve never seen him in this type of relationship. Maddie however would’ve had to file jointly when Married to Doug, so her having hangups about the fact the IRS have got in touch probably goes deeper than it just being the IRS getting in touch. It all connects into the theme of their arc for the episode.

It is also important to note the difference in shades of red and blue that Madney are wearing - especially in relation to Bathena. Bathena’s are much closer together in terms of brightness and contrast. Athenas is slightly brighter becasue she is the focus, but it is closer to Bobby than Maddie and Chimneys are. This is a deliberate choice - it highlights the fact that Bathena are essentially on the same page - they are at the same level and in sync. Madney however are not in sync, they are in different places and we see that play out as the episode airs and we see Chimney searching for a ring at the end of the episode - back in his navy blue tee - we should note however that while he is doing that, Maddie is in her uniform - the maroon of her shirt bringing her closer into line with Chimney, but her uniform still provides a barrier - a safety net for her - in much the same way I described her scene with Buck in 6x12 when she is loading up his fridge.

Ok the check blazer is all kinds of fascinating to me. the three different types of tweed check, the denim jacket placket making it look like a jacket over a denim jacket, the fact that Maddie is wearing a jacket - in complete opposition to Chimney who is in just a shirt.

There is something about Maddie wearing yet another jacket that is multi layered. This one looks like a blazer with a denim jacket underneath. This has been a recurring theme for her the season where we’ve seen her wearing blazers with false insert hoodies. We only really see her in these outside of her home environment, and there is something in that which suggests Maddie is feeling insecure in someway whilst outside the comfort of her home.

The false fronts suggest that Maddy is putting up some sort of front as a way of protection outside of the home, that she is hiding here self from the outside world in some way - projecting something false. The general idea of layering is also about protection too so it’s a multilayered (forgive the pun) theme I haven’t figured out exactly what this means yet, but I think the fact that the season is culminating in an engagement arc for Madney suggests to me that her insecurities lie, perhaps, in how she feels the world views her as an unmarried mother and her trauma surrounding that - the wider arc of her PPD is still in play here because her own trauma extends beyond the PPD itself. Maddie is still battling demons in relation to Daniel as well as the demons we know she struggles with in relation to her previous marriage and the trauma she suffered at the hands of Doug

There is something about the idea of her going out into the world fully suited up to defend the fact she isn’t married to Chim, to defend the choices she has made to protect herself and to allow her to continue to heal and her fears that society will judge her for those choices -something that the IRS has (in her mind) proven to be correct.

So you know how we’ve talked about the blue green theming being connected to break ups - Eddie and Ana, Buck and Taylor, well I don’t want to alarm anyone but we saw Madney in the same blue and green colour way!!

I actually don’t think this is going to be about a break up - I think its more connected to a couple of other times we’ve seen these especially dark yet bright shades of green and blue - the scene in 5x09 (with the pink washing up gloves) as well as the scene when Buck tells Taylor about kissing Lucy - and those two scenes connect to the keeping of secrets and the revealing of secrets, the trying to keep things hidden but them ultimately coming out anyway. It is one of the themes of the episode - keeping secrets, and misunderstanding things and struggling with the reality of moving on and forward. We also saw a similar theme at play when Maddie wore that shirt in the 6x13 - her ‘neighbour’ was hiding their identity. So fear not all the Madney shippers, we’re all good - they just need to communicate and sort through a few things - for Maddie it is very much her hang ups about getting married again - she needs to move on from this last piece of Doug’s hold over her and her life and those shirts are helping with that.

Dominic

Dominic was wearing a very similar jacket to Eddies jacket from 5x10 and 6x08. it is not the same jacket, but it is close enough to draw the parallel.

Ok this is a bit hard to explain, but go with me. At first I thought the wardrobe department were just reusing a costume, however some dots have connected and I think there is a larger metaphor at play here. We have to remember that Athena is wearing a jacket that closely resembles the one she wore to investigate the shooting and that the theme of mistaken identities is at play in both storylines as well.

In 5x10 Eddie is talking to Carla about Christophers obsession over having a perfect Christmas then Chris wakes up from a nightmare about his mother.

The second time we see the jacket, in 6x08, it is as Eddie watches Chris make his way into his school dance and talks about being different and fantasy becoming reality.

It’s therefore an interesting choice to have a very similar jacket on a guest character who is trying to hide, to hide his identity and hide the money he embezzled from an organisation with dream in its name all of this is telling me to connect his plot to Eddies.

So if we look at Dominics storyline things make further sense in relation to what happens in this episode for Eddie. We have to place Eddie as Dominic, Natalia as the second body (whose name we eventually find out is Seth Davis, but not much more) and Buck as the coroner.

We get told a couple of useful things by the coroner (side note what is it with coroners in US tv programes contaminating their morgues by eating their lunch in them?!!!!)

‘looking at a body doesn’t tell us much. Our answers are usually found under the skin.’

It is a pointed line and is the one that helps us to place Buck in the role of coroner - when he is at Maries grave with Eddie he talks about playing a role for everyone else, but he also talks about Natalia seeing him better than he sees himself. Buck hasn’t actually looked deeply at himself (because Buck is scared to - he is so very traumatised) but the coroners job is to look more deeply at others - to look below the surface of the skin and see what has happened, what is going on.

Obviously in this case there are answers that can be found on the surface here - that it is the wrong person - the wrong body. The right body was there initially then it got swapped when no one was looking. So the body is labelled as the Dominic and the coroner has no reason to question the information they have (ergo Buck has no reason to question things about Natalia)it is only by twist of fate that the swap is discovered - you don’t have to look beyond the surface for the answers. Second time around it is definitely the right body because it is Dominic (who interestingly enough dies of a heart attack after taking too much of a medication designed to lower blood pressure - heart metaphor anyone?!) and the answers will only be found below the surface. Autopsies will be carried out on both bodies and in both cases it is likely that answers will be found - the cause of the Heart attack for Dominic and whatever it was that killed Seth Davis. This suggests to me that we will see Buck (the coroner) find his answers that he’ll see into Eddies heart in some way at some point and also see whatever it is he needs to see below the surface in Natalia as well, but it won’t give him the answers he seeks (if they gave us the outcomes of the two autopsies - which we won’t get but thats fine - I would put money on cause of death being completely unconnected with the heart)

Kelly - the speaker at Marie’s living funeral

I wouldn’t normally include a character like Kelly in my costume meta but there is something interesting happening with chains being increasingly connected to Buck through his girlfirends in some way so Kelly gets a look in. This is going to sound a bit off the wall but I promise it makes sense!!!

To start with I need to point out that there were several references to Charles Dickens in this episode. Kelly was giving a speech about advice she had received from her Aunt and as soon as I saw the blouse she was wearing my brain connected dots to A Christmas Carol. This ties in so perfectly with the Victorian concept of a good death - which ties into Natalia as well. The chains connect to the ghost of Jacob Marley, who comes to warn Scrooge of what awaits him if he continues his current path.

So as I mentioned - Scrooge, a miser who is set in his ways is visited by the ghost of his partner - Jacob Marley. Marley appears in chains - the chains of his fate - basically he created these through his own poor choices and stinginess.

Marley tells Scrooge he can avoid the same fate if he changes his ways while he’s still on earth and that 3 ghosts will visit him. This concept - the idea of being visited in some way by someone dead who was connected to you in real life and them giving you advice connects into Buck through Bobby in Bucks coma dream - we have a Bobby chained to the things he was addicted to in life; the pills and alcohol - but a Bobby who gives Buck a vital piece of advice (which is also heavily connected into his current arc)

‘If what matters to you most is how other people see you, then you haven’t learned a damn thing.’

This sets Bobby up as the Marley character. Scrooge is then visited by the three ghosts in turn who show him his past, things that are happening in the present and the what could be the future if he continues is path. If Buck is Scrooge then his arc is going to involve him ‘being visited by’ three ‘ghost’s to show him the way.

We have some bts (thanks @911bts for all your hard work) that suggests we may be seeing Taylor Kelly make a reappearance (side note choosing to call Maries niece Kelly will be a very nice touch if this plays out!) and she would be the ghost of Christmas past for Buck - showing him in some way aspects of his past that have led him to where he is now.

I haven’t figured out who the ghost of Christmas present is although I wonder if it could perhaps be Lucy?! This would make Natalia the ghost of Christmas yet to come. In the novel the ghost of Christmas yet to come is the ghost that most closely resembles the traditional image of death (but isn’t death) this is the ghost that convinces Scrooge to change his ways and to learn.

Obviously Scrooge does change his ways and we see him become someone who treats everyone with kindness, generosity and compassion, the embodiment of the spirit of Christmas.

But the concept of chains binding you to your past - to who you were and the mistakes you made etc is an interesting one in relation to Buck - the idea that death doesn’t free you from them and that second chances should be taken - but only if you learn the errors of your past mistakes - it all feels like it applies too well to where Buck is at and when we add the additional layer of Eddie and Christopher who fit into the roles of Bob Cratchit (who Scrooge helps and supports after his visitations) and Tiny Tim (a child who is disabled and whom Bob is devoted to). Dickens describes Scrooge as becoming like a second father to Tiny Tim at the end of the novel and we have been watching Buck become a second father to Christopher.

I leave you to decide whether or not I’ve completely lost my marbles!!!

Natalia

The handkerchief does in fact have blue roses on it. I wrote in the mini meta before the episode aired; roses in general terms mean love - red for romantic, yellow for friendship etc. Blue roses mean unattainable love (because they do not occur naturally - only through artificial means) - so that would suggest that both love is unattainable for both Natalia and Buck but also that any feelings etc are not real - they can only be achieved through synthetic or artificial means - suggesting that any attempt at a relationship is going to be forced. Blue roses can also mean (especially the lighter shades of blue) emotions - specifically the finding of hope peace and tranquility. So with all of this in mind we end up with the concept of Buck finding what he’s looking for and that Natalia will help him get there, but that it isn't love, its the peace, tranquility and happiness that he's been seeking for himself.

The black velvet blazer and black matt dress has a Victorian mourning dress vibe. This is playing into her role as a death doula - the Victorians were obsessed with the idea of a ‘good death.’ This idea stemmed from evangelical beliefs around being with family and making peace with God. In the Victorian period death was a very common occurrence and so having a ‘good’ relationship with it and being in close proximity to the dying was actively encouraged. A good death was considered to be a slow death which gave people time to say goodbye and for the dying person to see all of their family and friends through that process.

Once the person had died mourning was commenced and this too had strict rules. clothing was to be matt plain and black - bombazine, velvet and cottons were the most commonly worn fabrics (depending on wealth and status). Matt fabrics were preferred because they didn’t reflect the light - it represented the depth of the soul and the depth of grief.

Dressing Natalia in an outfit which mimics Victorian mourning is playing into that concept - it is a physical representation of her job and more than likely her personality as well - she will very literally be all about death all the time in some way.

I stand by what I said in the mini meta I wrote when we got the sneak peeks, but I want to talk about the necklace choice again in light of the fact that it was, once again, buck being pursued (whilst at work) rather than doing the pursuing. the choice to use this necklace to connect Natalia to Taylor, to Veronica and to Ana is a very clear choice. I’m going to write a meta that focus’s on the necklaces we see the various girlfriends wearing, because there are some interesting things going on with them. But the fact remains that the necklace also contributes to telling us that Natalia is headed the same way as all of the others - that she won’t be his endgame romance. She is a representation of death and this necklace is playing into the idea of death having a claim over Buck - of Buck feeling like death has a claim over him and like I said above this plays into the Christmas Carol undertones we’re getting. It all connects to the fact that with these women, Buck keeps on repeating the same mistakes, he needs to break these chains or he will end up like Jacob Marley in the novel.

There is also something in connecting the chains to the water theme we see playing out in Bucks arc - about water finding its level and the chains representing the anchors that give a boat respite to hold it in place when not in port. If Buck is a boat and his water hasn’t yet found its level, the implication is that his waters are at the very least choppy and at worst - tsunami waves and that he needs to pause for a minute on his journey. Buck seems to make most of his progress when fairly newly out of a relationship with a woman - they seem to stall him - hold him in place but his growth is minimal. We saw in the tsunami, the boat anchored off shore where a couple were trying to get married but in the end only succeeding in their nuptial plans when they were on dry land. All of these chains connecting to Bucks girlfriends suggest they are helping to anchor his boat out at sea, while he is on his journey and needs a moment, but that when his water finds its level he won’t need chains or anchors - he will be in the safety of port.

The red dress is a great colour on her. it is a rusty red/orange and now I’ve been able to get a better look at this dress and I’ve seen the actual scene play out I have a few new thoughts. what I thought might be crosses is actually a looser design which looks remarkably like the graphics 911 uses for the incoming emergency calls to dispatch;

This is Bucks emergency - meeting with Natalia is a cry for help, but when you are the emergency service, you cannot call yourself for help! There is also something in the fact that the other parts of the design on this dress look like keyholes. This is an interesting concept because Buck is looking for a key not a keyhole because he is looking for answers - a way to unlock what is inside him and move on (and through). Natalia is also a keyhole - she is seeking the answers to death - to what comes after and she is interested in Buck for that reason alone - i’m not saying she cannot develop an interest in Buck beyond that but as it stands the show hasn’t shown us her being interested in anything more than the fact that Buck died - she is the one to bring the conversation around to his death, not him.

Flowers

We are pausing here to go off on a little side quest into flower land!!! because the little arrangement on the table at the cafe/restaurant made me giggle!!

we have 2 pink carnations what I think is a deep purple chrysanthemum (although it could be a gerbera) sprays of babys breath purple statice

All of these flowers are very commonly associated with funerals and death. Pink carnations symbolise gratitude while the dark pink one is also variegated with yellow - which means disappointment or disappointed hopes. the purple chrysanthemum means sickness and is often given to those who are struggling with illness and need encouragement in their recovery and in most of Europe they are so deeply associated with death and funerals that it is considered offensive to give them to people outside of offering condolences. the babys breath means new beginnings while the purple statice means sympathy and remembrance (as an aside it also has a medicinal use - in the treatment of respiratory illnesses!!)

So all the signs both subtle and textual are telling us that Natalia isn’t going to be around for especially long as there is too much death surrounding her - even when in a setting that should be innocuous!

Buck

The yellow ochre (at the brown end of the spectrum is very definitely a call back to not only his appointment with Dr Copeland - where he talks about hiding his true feelings from others - but it also connects with a broader theme for Buck that I’ve really only figured out because of this scene and his continued insistence on misunderstanding the assignment!!!

I know I’ve spoken at length about yellow being a colour of communication and clear thinking and its brighter shades can be symbols of joy, however I don’t think I’ve spoken enough about some of the more negative traits that can be associated with yellow - which I’ve never really felt fit the narrative before now, however seeing this episode has changed my opinion somewhat, and I am fairly certain that the show has been leaning into the negative traits for yellow ochre far more heavily than it first appeared.

So yellow is considered the colour of communication, in part, because it is the first colour the cones of the eye can detect and so over time it has become associated with the need to convey information (such as hazzards etc), but it is also associated with communication because it was used heavily in Christian artworks on Judas - to highlight him and his betrayal - in part because it contrasts well with the blues and reds Jesus is often depicted in. If you look up Hans Holbeins ‘The last Supper’ for example you will see Judas as the only one depicted in yellow ochre. As a result yellow ochre can be associated with cowardice and fear. the brown undertones of yellow ochre can also hint at loneliness and isolation as well as stability and foundations for growth. I’ve gone back through my notes and I’ll highlight some of the key scenes where I think the dual meaning of yellow ochre is at play.

4x02 - the counselling scene with Dr Copeland 4x03 - Maddie talks to Buck after he confesses going to therapy 4x04&5 - Buck finds out about Daniel 4x14 - talking to Taylor while packing to go stay at the Diaz house - At the hospital - the will reveal 5x03 - Buck gets home after the blackout - Taylor is on the TV 5x04 - Buck talks to Chim about Maddie being ok - ‘Its what she does” 5x14 - Equestrian therapy centre 6x11 - His trousers in the coma dream

These are most of the occasions where he has worn yellow ochre, there are a few others, but I’ve highlighted these one specifically because they tie into a key theme. Interestingly there are only two instances before the phone call with Dr Copeland in season 4. All of the ones I’ve highlighted are connected to Bucks mental state in some way and more specifically they are broadly connected with death (and Daniel).

These are all times when Bucks mental health is in a vulnerable place - the therapy of it all is showing us Buck is not in a good place - we never really get told if covid lockdown played a part in his decision to go to therapy, or indeed how much the return of Abby played into it, but whatever his reasons, there was clearly some form of trigger, I surmise the fact that Abby returned to his life at a moment when death was surrounding them (including her fiancee being in the firing line) and I think it may have played its part.

Finding out about Daniel is an obvious one - finding out why he’s felt like he wasn’t enough his whole life etc and how he has been walking in the shadow of death his entire life. interestingly we don’t see anymore yellow ochre in the rest of season 4 until Eddie gets shot - Death is back in Bucks life. The will reveal scene is a bit of a double ended sword on the yellow ochre front, not only does it connect to Eddies brush with death, it also links to Bucks own vulnerable mental state as well as being a moment that calls out Bucks passive suicidal tendencies by forcing him to live for someone besides himself.

The one from 4x13 in his loft and the one from 5x03 both connect to his vulnerability - Taylor takes advantage of it in 4x13 and kisses him while in 5x03 she is absent and Buck is in a position where - after Eddie telling him he is going to take the advice Buck has given him - he is questioning his own relationship and if he is also doing the same thing to Taylor that Eddie has been doing to Ana. I genuinely think that if Maddie and Chimney hadn’t left LA in the next episode, Buck would’ve broken up with Taylor fairly quickly. As it is his support network shrinks very quickly and he clings to the one thing/person who isn’t expecting more from him and who is sticking around - even if he isn’t truly happy.

Seeing the ochre at the equestrian therapy centre is also a moment of vulnerability for Buck - he is obviously worried about Eddie and his mental health, but it is also the first time they bring up the shooting and say something more than stating the fact that Eddie got shot. the black being dominant on that jacket is a reflection of him trying to cover up that vulnerability so he can be there for his best friend, but it is also us seeing a chink in Bucks armour around Eddie (remember the only time we’ve seen him in that colour with Eddie is in that locker room scene from 5x03).

I’m not going to go into the trousers from the coma dream in great detail, except to say that we are inside Bucks head for the whole time he is wearing those trousers so we are literally walking through all of buck fears and trauma and that may be why the yellow is on his legs rather than his top.

The graveyard scene was both interesting and loud on the costume front. You do not want to know how long I’ve spent trying to work out if this was the same jacket dyed or if it was a new jacket and I can confirm it is a new Jacket. Both Jackets are by Theory - the ochre one from last season the new one from this!!

This jacket continues the green theming we’ve seen in action for Buck this season, it is however a much darker green that we’ve seen yet and also ties in to Eddies army greens very nicely as well. The darkening of the green is actually really interesting because we’ve kind of gone from the very pale greens in 6a to the coma dream bright sagey green to this much darker olive green - its like we’ve skipped a few steps - a few shades of green.

The army olive green of it is also aloud choice and very much intentional - it not only connects to Eddie very directly because of it being a shade we see most often on him, but it is also a nod towards the military side of things - the idea that Buck is at war (with himself) and that he’s feeling under attack - not from anyone else, but from and with himself - the no longer knowing who he is or what he wants.

This green is not one we see on Buck very often at all in fact there are only 2 instances - the low key date with Abby in season 1 and on the couch with Chris when the firefam are at Eddies house - the I’m not really a guest scene. I tend to discount season 1′s costumes unless they are the exact same costume, because they used several designers that season and the costuming of Buck in particular was very different from season 2 onwards, so it tends to not have as much relevance. The 3x11 scene however - very telling in relation to what we’ve seen play out this season

Eddie

So much going on in Eddies costumes this week and repeat outfits everywhere you look. At Shannons grave we see Eddie in the same Jumper as therapy scene/ coming home to Buck. While there is very much the connection to Buck misunderstanding the assignment and the heart metaphors at play, there is another aspect to this outfit being worn again and that is his therapy session with Frank. the use of the same jumper as we see him wear in therapy is pointing out that Eddie is able to sit here at his dead wife's grave with their son and create a good experience because he has been in therapy.

I pointed it out in my mini meta, but its worth reiterating (this is literally the only vaguely decent shot of it I can get!) and notice how Eddie is very much not wearing his watch - there is no watch to be seen work or home or fancy watch!!! The lack of watch her is connected to Shannon - they have no more time - she is no longer a physical presence in their lives, in Eddies life, she is still present yes, but she no longer has any influence over Eddies time, his lack of time or indeed over Christophers time. Eddie has time, because the clock has stopped. This tells us Eddie has moved on and is at peace with Shannon now and that he has got past his anger etc, that he is in a good place with that aspect of his trauma and can look at things with a happier eye.

Talking on phone to his mom when we find out about the earth day field trip. we get Eddie wearing the same jacket he wore to Hens leaving the 118 party. Again Eddies watch is prominent here - in fact Eddies watch is prominent in every scene he has except for the two scenes at the graves of Shannon and Marie.

Having him in the same jacket as this one;

while putting him in a black shirt that connects him to Shannons death is a choice!!

I have spent a lot of time while writing this meta trying to figure out why this shirt looks so familiar to me - I haven’t succeeded - it isn’t one we’ve seen Eddie wear before, but it is an interesting choice for him. its this greenish grey colour and has echoes of some of the clothes we saw him in during 5b, but it also has echoes of Buck in 5b - wearing a lot of grey with black. This is relevant because we saw Buck supporting Eddie during his recovery and this scene at Maries grave would appear to be the opening overtures of Eddie providing the same for Buck - now that he has seen more deeply into what is going on with Buck. in the same way that the Kitchen scene in 6x12 echoed the kitchen scene in 5x11 when Buck saw that Eddie wasn’t actually happy or in a good place, this scene in the graveyard has echoes of Buck being there in the immediate aftermath of Eddies breakdown.

Its not the exact same jacket, but I think its close enough that we can draw a comparison between the scenes because the black leather jacket Eddie wears here when Buck talks about Natalia seeing him is incredibly similar to the one Eddie wears to Bobbys in 5x18 - when he tells Bobby that he saved bot hEddie and Chris. That bobby saw him and provided Eddie what he needed, even if Eddie wasn’t necessarily welcoming it with open arms at the time - implying that Eddie will potentially do the same for Buck now - Buck may not be completely open to Bucks help in this moment - distracted as he is thinking Natalia has the answers, but that Eddie will provide support etc anyway.

The jacket is in fact the very same one Eddie wears when we see him at Bucks bedside for the one and only time - it is his widows weeds suede jacket. the moment we see how broken Eddie is over Bucks death and resurrection. The same jacket being worn a couple of episodes later when we have them at a grave side talking about dying alone and being seen by people is a really interesting parallel to draw. there is something in the fact that we see it here in this scene - when Buck is talking about being seen and when coma Buck didn’t see Eddie - in his coma dream or at his bedside in the land of the living. Buck felt/saw everyone else’s presence during his coma - he knew about Bobbys rosary beads and we hear Athenas voice from the real world echo in the coma as well as Christophers voice guiding Buck to the hospital.

But Eddie was missing from it all - in Bucks eyes and mind. We the audience of course know that Eddie was present and that he was broken over it, we know that his lack of presence was far louder than if he had been more present in the episode. Bucks subconscious however doesn’t know that. He knows that Eddie cares for him, that he is his best friend etc but Buck exploring why Eddie wasn’t there in the dream beyond a conversation with Hen and Chim about what happened to him without Bucks presence is not something he is ready to look at yet. so we have a deeply traumatised Buck searching for answers without the tools to do so and therefore looking in the wrong places while we have an Eddie realising that Buck is different, but that he himself is also different and needing to mourn the fact that things have changed.

This isn’t about him having his heart broken in a romantic sense, this is him having an epiphany about time and making the most of it. It is about him needing to mourn the fact that he has been changed by Bucks death and reconcile with himself so that he can move forward, so that he can be there fore Buck as Buck was for him.

I will be forever obsessed with the choice to have Eddie wear the exact same henley in this episode as in 6x07 and 6x13. A scene showing Eddie missing his family and choosing to make time and go home to Texas to see them in the aftermath of seeing Buck make another self destructive choice which will probably end in failure. Connected to a scene where Eddie is talking about his Abuela being taken advantage of to the point of losing almost everything and to a scene where we can not only see the Buckley-Diaz family in full swing, but also see Christopher trying to take advantage of Bucks math skills and failing and the foreshadowing for the poker hustle which also isn’t as successful as Eddie had planned, and which he mentions in the previous scene at Maries grave - choices were made!

Chris

At Shannon’s grave we get a rare sighting of Chris in a jacket!! The denim jacket is both a connection with Texas and with Eddie, but it is also a connection with Shannon and Shannon‘s death. Thanks @theladyyavilee for pointing this out to me, but Chris is wearing a denim shirt of a similar colour when Eddie told Christopher that Shannon had died.

Denim jackets are culturally tied to westerns, cowboys and to Texas. Christopher wearing one here would appear to be a visual way of tying him to the childhood he had with his mother - backing up the conversation about making s'mores with her when he was younger. The fact that Chris is wearing a denim jacket connected to Shannon and her death over the top of a jumper which is connected to Buck and the moment Buck saved his father is an interesting connection and piece of layering to me.

The hoodie is white and grey striped - the horizontal version of Buck shirt from the shooting. this is suggesting two things to me - one it is connecting Chris directly to the fact he nearly lost both parents - sitting at the grave of one parent while wearing something that echoes an outfit from the moment he could've lost a second parent. I also think there is something in the connection to Buck specifically in this - its directly connected to the will and that Chris has a third parent - I can't wait to see if I'm just clowning hard, or if the change the stripes Chris is wearing are foreshadowing some connection to the will!

We can't not talk about the fact the striped hoodie actually plays on several fronts not just the Buck connection! Stripes according to my theory are all about change incoming - the theory hasn't yet been disproven by the wardrobe department and I get the feeling that here is no different. The idea that a change is coming in Christophers life is one that has been hovering around for the whole season and the narrowing of the stripes would suggest that change is getting closer. The stripes have been telling us, but so it would appear are the little surfing skeletons on his tee at the end of the previous episode along with a proliferation of water and surf theming surrounding Christopher. I’m at the point now where I think Bucks water might find its level when Chris is in danger - it will be the wake up he needs to sort himself out and get his head out of his ass!!

Then we are onto the shoes. I know its almost impossible to see from the scene, but I am nothing if not determined so after a lot of zooming and messing around with the image levels and a bit of googling, I am pretty sure that these are the shoes Christopher is wearing;

If they aren’t foreshadowing Chris in danger in connection with water after all of the other water and surfing related clothing we’ve seen him in recently I don’t know what to tell you.

Space theme surrounding Chris retuning to me from the wilderness in the form of a backpack - you have no idea how happy this made me. We haven’t seen Chris wearing anything space themed since 4x08 - in the scene with Buck when he ran away from home after Eddie told him about Ana. We have seen a backpack - a Star wars backpack in season 5 however we never actually see him holding it, it is always Eddie - and the space theme remains in his bedroom (the little we’ve seen of it). To me the star wars backpack was connected to Eddies mental health because he was at war with himself which is why we never see Chris in contact with that bag. The space theming is so closely entwined with Buck and Eddie, no one else and because there is so much blue in Bucks costume choices this season, to have Chris holding a space themed backpack that is blue is an interesting choice. The back pack is one that shows galaxies and very much represents the universe, but we have also seen Buck to be very entwined in Christophers school life this season - helping with homework, baking cookies etc. so it really isn’t that much of a leap to connect the backpack to Buck - giving him a presence in a scene that is connected to Christopher heading out for some school activity it is continuing the universe theme and continuing to Connect Buck to the Diaz boys - in a subtle way which gives him presence in their lives even in his absence. In an episode that is so strongly connected to Shannon, her continued presence in their lives even in her eternal absence, its a clear choice.

The jumper with its three bands of colour is also intriguing me. there is something in the idea that it connects into the 3 theme we’ve had all season, but there is also something in the idea that the three bands represent the three people who are having the most influence on who Christopher is growing up to be - Shannon - white as she is not of this world any longer and was the first parent Chris spent time with - Buck - Blue - in part becasue of the blue theming around him tis season, but also because it is next to the white - and therefore suggests the idea of the batton being handed over - Eddie - the yellow ochre which is much closer to the brown we see Eddie in so much - Eddie is the earth from which Chris grows, it its the brightest colour on the jumper and suggests the brightest and biggest presence in his life.

The jumper in these colours also suggests the three elements of earth water and air, themes we’ve seen in play throughout this season - the blimp being the air (and an episode coming up called love is in the air), Buck being in the air when he gets hit by the lightning, the water theme has been there all season long in various forms, not least the pictures on the Diaz house walls and all the water connected themes on Christophers clothes, and there have been several episodes that have shown us Buck and Eddie digging - the slingshot tree call and the father hit by lightning in the sand are the two main ones.

Chris sleeping away on the sofa in his stripey top while covered in a check pattern blanket just continues the theme of Chris and change incoming, as well as the threat of danger. For me the fact that we seem to see so much of Christopher in stripes in connection with Buck in some way - implies that the change that is coming is in relation to Buck and the fact that these stripes are being worn on the sofa where we have Chris mimicking Bucks sleeping position on the couch wearing a shade of sea-foam green (which means revitalisation and enlightenment) that also seems to be connecting to Buck - after we saw him in a striped top that echoed Bucks white striped shirt - its all making my eyes stand out on stalks.

Honestly if you have made it to the end of this epic then I don’t know what to say other than I love you form the bottom of my heart. Its a bit of a beast. Will this show and its wardrobe department ever give me a minute to breathe?? Probably not and thats why we love it!! I’m off to sleep for a million years and send some prayers to the tumblr gods that next weeks meta is n’t such a challenge to upload!

As always, tag list below! Until the next episode! 💜💜💜

@mistmarauder @theladyyavilee @leothil @girldadbuddie @kitkatpancakestack @buckscurls @lemotmo @trashendence @elishareads @clipboardsandstethoscopes @comfortbuddie @fiona-fififi @callanee @calyssmarviss @pbandjeremiah @batgrldes @spotsandsocks @livingwherethesidewalkends @idontshitpostbuttheolympicpark @diazboysbuckley @sweettsubaki @shortsighted-owl @sherlocking-out-loud @wh0re-behavi0r @favouritealias @hearteyesdiaz @ktinastrikesback @princesschez75 @bucksbuddie @oneawkwardcookie @leatherati @moniquekatie @wanderingwomanwondering @trickster-archangel @asharadaine @ajunerose @talespinner230 @pop-kam @swiftiebuckleys @xxfiction-is-my-realityxx @butchjerry @mandzuking17 @yelenasbuddie @copyninjabuckley @name-code-black-widow @rogerzsteven @bi-moonlight @usercowboy @inthecarwithaboy @inandoutoffocus-blog @toboldlynerd

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laylawatermelon · 2 months

Text

Buddie: it's The Way It's Played

Aka don't hate the player hate the game or whatever.

(i promise the is Buddie at the halfway point if you just want meta)

I woke up pondering about edy's comments and found it a bit funny and ironic because she probably doesn't know just like we don't know.

Oliver recently talked about how he wasn't heavily involved in this upcoming episode 2 so he'll be getting to watch it for the first time with us.

It's the same case with her. In her eyes she does her few scenes and goes home.

In her head she is the chosen love interest and she is indeed being asked to come back.

The second half of the season hasn't publicly been announced (or fully filmed I assume) so she's just as oblivious as we are.

What I will say is that celebrities should know to not be in the spaces of fandom and don't get heavily involved.

Especially with shippers.

As a fangirl I have always been protective, I would say, over my stuff but I made like a rule that I don't reply or have online arguments.

(mostly because i get riled up easily in real life and it's dangerous imagine doing it with a complete stranger or a mob of them if we're being fr because there's never just one person arguing with you.)

It's likely millions or billions 🙃

Also as a fangirl, I don't mind shipping or not shipping.

Do what you want, I don't care.

I grew up in the good ole don't like scroll away time.

What I'm getting at is that some people are more comfortable on online spaces. Some are more quiet (like me) but they're there.

I've recently become disillusioned slowly over the years of Hollywood ( all the woods honestly) glamour so when they are shown or said to be bad people I treat them as such.

Cause they're that.

People.

Who do good and bad stuff all the time.

Granted we don't a camera or constant surveillance or record (or funds) all the time, but I'd bet we said/did bad stuff.

Now in Hollywood's case their stuff is mainly criminal/jail/wtf is going on over there?!??!

In her case, I'm not surprised.

There's people who are homophobic/transphobic and everyphobic (and -ist!!) in the world so of course they would be in show business.

Cause they're people. We got people (like millions of them, a concerning number in worldwide leadership positions but that's a story for another day...) like that all over.

Celebrities are not and never will be role models. They are public images projected onto a pretty body.

That's also the reason why I'm saying that she should shut her computer and cut her losses.

(a lot of celebrities should do that honestly)

But, it does let you know who to support and who not to.

And I'd rather know my enemy rather than worship a perfect image honestly.

I also think it's unwise to fight the people who are literally indirectly paying your bills.

There are 93k people (just on Tumblr) who ship the guys.

Even I know better and I'm a fan.

(i think it's because I'm a fan and ik how it can get I'm just an observer cause whew 😥😮‍💨)

That's not counting the ones not active here or casuals who agree with the pairing.

If they pay your bills walk on eggshells ma'am. You're job quite literally hinges on people liking you.

So be likable.

(once again I will reiterate as a fan/human with a heart let me know how bad you are so I don't give you my love if you're a bad person with shady morals.)

But as an observer it's like just shhhhhh. Please. The Internet is forever. There is no timeline for it. What are you doing??

If I'd say it it's like watching you drive a burning car driving down the street and you're sitting in it proudly waving and hitting people but insist you're right or a good person.

I'm just shocked at some people's let's say narrow thinking aka limited timeline thinking.

Fans and the Internet didn't forget. They will find you.👹

But I wanna talk about Buddie now!

Okay.

Now that we've criticized celebrity culture and the response of ms. Edy and her bad mindset (aka lack of critical reading and decision making with fandoms and responses in general also queerphobia?!) that honestly I appreciate.

Be a bad apple in public.

Imma stand on business.

Expeditiously 😤.

Bye bye support and hello uproar.

But back to Buddie 😘😚🤗😝, I wanna be clear I am a fan but I am also very critical of media.

It's the way they act.

Literally.

The reason Buddie even exists and is accepted is it's literally there. (Their fault)

There is no subtext.

The actors play it as such, the directors direct it as such and the marketing play it as such.

I'm a bit upset seeing y'all called clowns (although i hope it's said affectionately cause tone indicators or the lack of) because you're not crazy.

They quite literally put the battery in y'all backs so it shouldn't be surprising if the battery is more high powered than expected.

You are not misreading anything.

Most people just choose to ignore the signs because

(the church! Homophobia! All rhe -ias and ists!)

Truly our downfall as a modern society.

Anyways, as a writer and heavy media consumer there's no mistakes.

Every wprd is carefully chosen, every shot has a purpose and every cut is done. These things are practiced a thousand times, edited, retaked a thousand times if they have to.

There's no mistakes in media. It's literally made to influence, persuade and educate.

Nothing is a coincidence!

But after reading a few interviews and listening to the fandom I think we can also say with confidence they've been playing it as a romance.

There's nothing platonic.

They have platonic couples on the show.

That

is not it.

Even if you see it as pure writing without the context of their acting choices.

Let's say kitchen scene.

You wanna work it out in the ring (throws playful punches)

I'd take you.

I wouldn't do that. You're on blood thinners.

Buck steps closer to playfully intimidate him.

You wanna go for the title?

Now pause.

Ik we all know that scene religiously and can only see it as insane (because they are. It is.) but I read it in my mind as a blank sheet of paper and couldn't help but wonder.

Why would you say it like that?!??!!?

Mr. Oliver Stark and Mr. Ryan Guzman I sentence you will eternal jail cause wtfff?

I imagined it more platonically. You can quite literally put, let's say, Hen and Chim in that same scenario. Damn even Eddie and Chim.

Their acting choices would reflect that. Hell, read the lines without looking (or hearing their insane intonation) and imagine your best friend. Any friend for that matter.

It wasn't playful, it was well, sexually tense. 🤷🏾‍♀️

Ps i love buck 1.0 and was shooketh to see his return because i watched the show backwards. i did season 2-6 in like a week then begrudgingly did season 1. Me nah like abby ...

They are choosing to act it out as a romance.

Now that could lend itself to male partnership in movies (and real life) where they went to war together that were usually where gay/queer men had partnerships/relationships in every sense of the word.

The shows ain't got it from nothing. 🤷🏾‍♀️

There's always truth in fiction.

I also find out a bit hilarious to imagine the director tried to get them to stop but the takes were either too good or they kept pushing the envelope and the editors were like yes. 🤗

I will put this shot of them longingly staying at each other instead of the slightly less neutral one.

Or cut when they say we're the only ones who don't have kids (+buck) then cut to Buck being a good dad! 🤗

On a bit of a more serious note let's say it is a bit of manipulation of the masses marketing wise.

The show is very queer friendly with a (black!) lesbian couple, a gay man, an engaged (black!) gay couple and many queer stories of different races in their cases that are told wonderfully.

I acknowledge and comment them for it but ..

The big problem is how Buddie is treated. (Or rather the very rational people who ship them)

(which their name is kind of funny because I link it to buddy cop movies that can be homoerotic when they feel like it and buddie is technically that trope)

Homosexual media (in the case of film) has always been subtext, hidden, stereotyped, twisted or been outright secret messages for the girls to uncode (cause religion 🤷🏾‍♀️).

It has only been like very recent that queer people have been gaining respect in media so it's not surprising.

What life was like in 2019 to now in terms of queer media is like night and day. The same would be for the 2000s. Gay was used as an insult. The world is quite literally changing before our eyes.

In their case, the elf scene is said to be a wink at the audience.

But the actors took it seriously. So we do as well.

Aka the battery put in they back.

They respect the same vision. 😤goated

The chemistry is undeniable, and the tropes they have parallel a lot of romantic things used historically in media. (And in the show *bathena* but🤷🏾‍♀️)

It's not an accident to say that if one of them had been female (aka the "acceptable" pairing) they'd have been together.

You could argue that if he'd been with Maddie like intended they'd be together. And little jiyun would be a sister.

She might be a Jane actually??

Back on topic.

I found it interesting when watching like a compilation (cause i did nawt watch the show before become a buddie fan) and found it hilarious because it was like their normal behavior and i felt the romantic tension shift. It was like whoooaaa holup. The air shifted.

It's very easy to spot it because at the first few episodes it was very platonic then it became very side eye....

What do you mean he's cute? What do you mean wanna go for the title?

(That scene is eternally insane)

What do you mean with other couples they're paired as a family? Consistently?

What do you mean the kid and you go on solo family outings to the zoo? Constantly? For years?

You take care of him like all the time?

What do you mean he's your kid's legal guardian and partly the reason you lived after being trapped in a well?

The actors play it romantically. Ryan does cause I remember step up.

After like a year together? Over his family? Who are not firefighters??

Ik how he is when he's flirting.

The show also (unfortunately) writes their love interests as tools of self growth for them (which can be a bit problematic cause the women aren't being treated three dimensionally characters men get to be. the two who were closest were abby, and Taylor. Shannon was so so for me personally. Which is odd because they have complex main females it's just unfortunate that the women they have for them are rarely people outside of the relationship and that's why it falls apart in the case of their relationship/people getting invested).

Nobody is quite literally written as important to each other like them. They are in a relationship no doubt. We can say queer platonic now (as they are raising a kid together?!??!! Like come on. Chim and Hen aren't like Buck and Ed. Also the good cop bad cop scene?)

It's just not sexual I'd say.

Cause emotionally, mentally all that is there.

And they could absolutely play it "straighter" 🥴 cause I've seen a plethora of male friendships (slight side eye ry we got buddy cop movies galore don't play with me!!!) where they support each other.

They don't act like that!!!! Look at this and tell me I'm wrong!

(i feel insane but I'm not i swear)

the lighting, the cut, the conversation im melting~~~!!!!

It's not inaccurate to say that the way they're written (and acted!!) is more romantic than platonic.

I'd assume they couldn't let the two hot men who represent "manliness" be together because they didn't fit into a (gay) stereotype.

But they will gladly let you advertise their show to the high heavens and bring in millions of dollars in revenue, which does upset me ngl but 🤷🏾‍♀️ hey, can't hate the player hate the game right?

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