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#emily still the love of my life its been established
elation-station · 11 months
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the town bisexuals are at your door it is time for you to pick a bride
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ninadove · 10 months
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Hm.... While I agree, Gabriel IS selfish.... I have to point out; he clearly changed his heart (again, I don't want to make him a saint) from hurting others. And (in my oppinion) there was no good human sollution. He was dieing, they said he has hours left.... He might could have ask for Adrien's forgivenes, but that doesn't changes the fact Adrien becomes an orphan, having either Emilie or Ms. Tsurugi as guardian (whis isn't that bad, but worse than what happend at the end). So, I would say, he made the best/better of the worst situation.
Also, I have the theory that his whis was to inflict the broken Peacock Miraculous dammage uppon himself. And asked Gimmi to read his heart, and I belive, in that moment, he doesn't wanted to hurt anybody, only heal. So, while I see why you say rightfully he awoided the consequenves, I belive he did it knowing it won't effect anybody negativly, at least ah he could foresee (part of my theory is that healing EVERYBODY from the Pracock's effect, which possibly includes Colt, so.... Here is your backlash😅🤫)
There is no perfect human solution, as Bug Noire herself pointed out — but, this is the entire point: accepting that some things will be lost, and that you need to do the best you can with what you have. A lesson Nathalie urged him to learn in earlier episodes, when she begged him to make plans for Adrien’s future.
Even if Gabriel was convinced it was the only solution — which we have established goes against the entire morale of the story and is selfish in itself, don’t use black magic kids, it’s really not that hard — let’s not forget that he:
Manipulated, then attacked a child to get there (there’s a reason they made this shot so threatening) ;
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Put the pressure on her to lie and protect his legacy — trapping Adrien in a neverending circle of mourning an heroic version of his father he never got to meet, while still dealing with the consequences of the abuse he inflicted upon him. Depriving him of a choice — that of forgiving his father or not — one last time.
In other words, the context around the wish, and the steps Gabriel takes in order to achieve it, reinforce its inherent selfishness, and the idea that people did and will get hurt as a result.
On a side note, I don’t think Gabriel could heal everyone that has been affected by the Peacock — it does not work well with the idea of equivalent exchange as explained by Gimmi, and Thomas Astruc heavily implied that the woman we see by the pool is Amelie, as bringing Emilie back would go against the message of these 5 seasons.
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What he most likely did was """sacrifice""" himself to bring back Nathalie, which would work well with the "a life for a life" rule, while still allowing him to join his wife in death.
Also, if everyone (including Colt) was suddenly saved from the effects of the Peacock, Felix definitely wouldn’t look this happy:
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For context, and because I love hearing myself talk: [Part 1] [Part 2]
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theoneandonlythorn · 1 month
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Well, as those of you who are in the tiny sphere of the Amulet fandom, the last book came out about a month ago.
It was...Well. I think because I was waiting literal YEARS, starved for any content, then I accepted it and moved on.
I mean, yes, the series is technically wrapped up, but where's the satisfaction?? Where's Trellis kicking the Elf King's ass and healing from years of trauma?? Where's Emily accepting the consequences of her actions (Like blowing up half a prison, for example??) and taking responsibility?? Yes, I know she's the main character with plot armor and all that, but come on. Even I, inexperienced as I am with writing full series, make sure everything is tied up at the end; all plot holes resolved, characters getting a goodbye, the villain defeated in a satisfying way???
Speaking of unsatisfying, what's with killing off Vigo???? Like, come on!! I know he needed to die to write that book to fill in some plot holes, but really??? There could have been a better/easier/more efficient way to do it other than his death!
And don't get me started on Gablin and that whole mess!! Trellis has very clearly been working toward reclaiming the throne from his piece of shit father and returning Gulfen to its previous state of stability and prosperity. The Trellis I've been reading about for years wouldn't just roll over and give up the throne like that!!! Yes, I know Gablin saved his life, yes, I know it means he gets to rule over Cielis as Stonekeeper Supreme, or whatever, but come on???? I've heard that Kazu based him off of Zuko, but even in ATLA Zuko was able to reclaim his throne!!!
This series got me through hells and back when I was really struggling (Thank you, 2020 for royally fucking my mental health) and as much as I hate to say it...this isn't the send off I was hoping for.
This series got me back into writing, for the gods' sake!! I read it and decided to give fanfiction another shot; that turned into another fic, then another, then an original story....I literally have this series to thank for making me the writer I am.
I still have that unfinished fic sitting on my laptop, waiting for me to transcribe the final book into my own words...but I can't bring myself to do it. I mean, I'm already retconing Vigo's death (He has an adopted son in my fic and there's no way that kid is growing up parent-less again), that weird bit with Riva suddenly believing in prophecy when it's clearly established she doesn't really believe in that stuff, The Voice being an AI somehow, ect.
All in all, I'm just really....angry that this series failed in such a spectacular way. To be perfectly honest, the only thing keeping me from throwing my laptop against the wall is Motherstone's art (Go check them out; they're doing an Amulet rewrite and I love them /p eternally for that)
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bookwyrminspiration · 9 months
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I Need Bookrecs but I can’t Just look any up cause all I get is booktok stuff :/
please help
Well I can recommend some things I/people I know personally enjoy! I don't know what you like, so I can't tailor them specifically to you, but hopefully it's still a helpful start :)
(and if anyone would like to reblog with their own additions, that's welcome to!)
A Chorus of Dragons by Jenn Lyons: A series I've talked about a lot recently. High Fantasy with incredibly complex and thorough worldbuilding, following Kihrin, a thief raised in a brothel as he discovers an unwanted royal heritage and the knowledge that he is destined to destroy the world. With an entire cast of engaging, unique characters (several queer in various ways) that drive the story, follow along as past lives are uncovered and these people who want nothing more than to live in peace are forced to fight for that right and figure out how to save humanity from the jealous hubris of people who have lost sight of what horrors can be justified for the greater good.
The Memoirs of Lady Trent by Marie Brennan: A series written like memoirs by Isabella Trent, the most famous and accomplished dragon naturalist ever who redefined the world and how dragons are understood with her accomplishments. But before she can be recognized, she had to establish herself in the field as a young woman in a time when women can't even vote--but she refuses to give up and travels the world for her passion, recounting the places she's been, people she's met, cultures she's glimpsed, and dragons she's studied. Very engaging and grounded, realistic in its depictions, isn't afraid to tackle topics like how harmful the "not like other women" idea is and how gender roles are detrimental to everyone.
I Keep My Exoskeletons to Myself by Marisa Crane: I haven't read it, but my partner loves it. In this world, you gain a second shadow when you commit a crime, and Kris has one. And when her wife dies in childbirth, their new baby gains a shadow, too. Told as though Kris is talking to her dead wife, it examines grief, resistance, surveillance and prejudice, and is undoubtedly much better than I'm making it out to be with my vaguely informed knowledge.
The Bone Houses by Emily Lloyd Jones: A standalone about a girl trying to provide for her siblings as a gravedigger, one of the only ones left in her small village who's still cautious of the supposed undead magic on its outskirts. But when a map-maker with an unclear past shows up offering money in exchange for guidance to the fabled locations, she can't turn it down. Explores death and grief and learning to live on without the people you care about, very sweet and introspective.
Ordinary Monsters by J.M. Miro: The beginning of a new series, following two boys, Marlowe and Charlie, as they're discovered and taken to a mysterious institution for their magical gifts that allow them to access--in their unique ways--the space between life and death. But there are secrets at this institution and misguided ideas of how best to save everyone from the shadowed figure hunting down little Marlowe, driving their new small band of friends to action to try and keep everyone safe. This book is slow and deliberate, but charming; the kids all act their age and there's no romance, but plenty of finding and choosing your family.
The Expanse by James S.A. Corey: Phenomenal sci-fi set hundreds of years in the future; people are colonizing Mars and a marginalized, oppressed class of people live in the Belt. Tensions run high between all of them, but James Holden is just getting by as an ice hauler before his ship is blown up and he and a few others find themselves at the center of a conspiracy. An important woman's gone missing and when she's found, the very foundations of their world are shaken as a physically impossible biohazard rewrites history and science, taking the story to places beyond where the characters ever saw themselves going. I haven't read it myself, but my dad has and I've seen the show (which is incredible) and I really want to read it myself. Cast of distinct characters and the show is one of the most scientifically realistic out there
Kitchen by Banana Yoshimoto: A short, bittersweet standalone about grief. Following Mikage as she processes the death of her grandmother, she becomes close with one of her grandmother's friends from a flower shop and his mother, finding herself again and learning to live with it. Notable for its casual depiction of a trans character (that mother) in this book from the 1980s. It's a lovely read, introspective and thoughtful.
The Black Witch Chronicles by Laurie Forest: I'm not caught up with this one, but it starts following Elloren Gardner, granddaughter of the last prophesied Black Witch--but she doesn't have a single spark of magic in her blood. So she's starting at a new University to become an apothecary, but there finds her beliefs about the world--and her people's superiority--challenged as she's forced to room with two winged icarals, who she doesn't think even deserve to be here. The world turns out to be much more complicated than she thought and she needs to figure out where she actually stands. A high fantasy with a more in-depth world building, but I've only read the first 2 books so far. And in the first Elloren has a lot to unlearn, so prepare to cringe at her actions and thoughts for a hot minute--but the magic and politics of the world I remember being quite interesting.
Babel by R.F. Kuang: I've spoken about this frequently; a standalone about colonialism and language. About the literal power of words and necessity of violence. Follow young Robin Swift, taken from China as a child and given a new name so England can send him to Oxford, where his language can be used to power magical silver bars and strengthen the empire. But this exploitation of him and the people he's come to think of as family rests heavy on him, and a series of experiences drive his thoughts towards revolution and pain. Warning, this is a heavier book, especially for those who have personal experience with language/culture loss and disconnect, with the effects colonialism.
The Martian by Andy Weir: A standalone about an astronaut who gets stuck as the only person on mars when his crew has to flee the planet when a storm hits. Trying his best to survive alone until someone can hopefully come get him, the story is told through his Log entries--and he is quite the little shit of a narrator. Surviving on humor and fuck it we ball mentality, he's either going to survive and be famous for it, or die on mars and also be famous for that. An incredibly fun read that touches on the bonds of humanity and what we'll do to help others, and how hard people will fight to survive and keep their hope alive. This was also turned into a movie, and not a bad one!
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janitorjuliann · 11 months
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this post is out of fucking nowhere but remember on kfam when ben called sammy during the show just to chat bc he'd been away with emily for a few days, and he ended the call with "miss you. love you! bye!" im fucking haunted by this exchange above all others and i can only assume its bc its the most casually adoring domestic established relationship bullshit ive heard before or since. like no one else did it like them or will ever again i think (which is an insane thing to say about a fairly bad podcast but here we are) they were broadcast partners and also life partners they became ride or die best friends like two months after meeting for the first time they said i love you live on air a dozen times they were roommates (my god they were roommates) he reminded him of his missing fiance so much his sister in law got mad about it literally i wanna die with how much i still love them good GOD
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toraochi · 2 years
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Daddy Issues
william afton x reader oneshot
summary: your father, who you love the most is also the person you been scared all of your life. meeting a not so humble man will solve it all?
warning: mentions of abuse, bullying, alcohol, and drugs. killing and nsfw-ish. minors, please kindly exit this oneshot.
Another day, another suffering. As you live, As you seek freedom, The door is always far for you too reach. That's your situation. You woke up with a bide of sweat forming in your forehead. Alarm clock ringing at its scheduled time. You get up.
You looked at your nightdesk, Reading the time as you try to adjust your eyesight.
"..Hmm..its 7." You muttered, Getting up and glancing at the window at your right, Sunrays peek into your bedroom. How beautiful must the sunrise be, Oh how you wish it was as peaceful as your life right now.
Giving yourself a bath, Tidying your bedroom as it should be, Putting a light makeup and heavy foundation between your neck and chin to try to hide those bruises your dear father gave you last Saturday. You sighed, Wondering when will it gonna end.
"God this sucks."
After setting yourself up, You grabbed a coat and went downstairs. You saw your dear father, Passed out from drinking. Three bottles can be seen in the table, One is shattered near to him. You looked at the watch, Checking the time.
"8..I still have time." Putting your workbag aside, You started cleaning up the mess your dear father did. Since your mom had filed a divorce with your father, You have been stuck with him since you we're 5.
After cleaning up the mess, You proceed to make a simple sandwich for him to eat. Oh how caring of you Y/N. Kindness.
You walked outside, Finishing those messes, Oh you wished you can clean your messed up life too. You walked into the pavement, Ignoring some few catcalls you've been reciving for almost all of your life.
You reached you workplace, Fredbear Family Diner. You looked at your handwatch again. "8:39." You walked inside, As you proceed to go at the counter, Your boss and also the Owner of the stablishment greeted you on your way.
"Oh hello there Ms. L/N. Still very earlier to come here don't you think?" The blond man smiled at you, You bowed. "Its better than to be early than late Sir. Emily." The man chuckled. "We need more workers like you Ms. L/N and please, Just call me Henry."
What a good boss he was. " I'm flattered Mr. Emily but I suppose my co-workers are working hard too."
"I suppose you are right. Anyway Ms. L/N, Ill be talking a break. My friend and also the Co-Owner of this establishment will handle this day." You nooded, Setting up the paper cups and plastic utensils to the tables.
"That is all, Take care !"
"Take care to Mr. Henry."
After leaving, You tidy up the place even though its already cleaned by the workers yesterday but you got nothing to do until 10. You swiped and clean the floor and removed the dust in the Prize Corner. Arranging the plushies at its order.
After cleaning, You heared the door bell. You turned around to see a tall brunette man, Almost 6'2 at height. Dark and Heavy eye bugs clouded around his eyes but his eye color stands out the most of it. Gray Eyes.
"Hello dear, Are you one of the workers here?" A strong british accent filled your ears, Almost capturing your heart atleast. "Y-Yes sir, May I know why are you here?" You kindly asked the man.
Deep chuckle produced from him. "My friend Emily wants me to take his work temporarily, Why so curious sweetheart?" His sultry voice finished his sentence. "Mr. Emily told me about your arrival, May I know your name sir..?" You asked once again, Trying to br polite as possible.
"William, William Afton.." You eased, Bowing at him. "Nice to meet you Sir. Afton." You moved your head up, Stretching your arms and hand for him to shake. "Its was lovely to meet you too darling."
You flushed a bit at his nickname, Wondering why is he calling you that. Erasing your thoughts you decide to offer him something. "Sir. Afton?" You asked, The man looked at your way. "Yes dearie?"
"May I ask if you would like a coffee or a tea?"
"How thoughtful of you sweetheart, Tea sounds nice but I prefer coffee right now. One sugar." The man smiled, Showing his crooked teeth. "Very well sir..." and you proceed to do what you offered.
William also proceed to the near phone and dialed a number. "Hello, This is Emiliy residence. Henry speaking!" A cheerful tone could be heared at the end of the line.
"Hello, Its me William. I wouldn't mind taking your week if you don't mind."
" Why so sudden Wil?"
"I think, I found someone who can complete and understand my needs."
Henry was beyond confusion right now but decided to play it cool. "Needs? You got an assistant Wil?" The golden man asked once again. The end of the line the man just chuckled.
"Lets just say I took a liking on one of our working Henry. I want to meet and know them more." The monotune at William's voice is quite captivating, Not to Henry atleast.
"Hmm..Its Ms. Y/N L/-"
But before Henry can finish his sentence, William dropped the call.
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Part One Fin.
Part Two -
Part Three -
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stopeatingwhales · 3 years
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the 1995 brits x damon albarn & liam gallagher
hhhiiii I'm here with a very cute little fic about the brits!! the idea of writing something with Damon and liam fighting over someone was requested quite a long time ago (sorry it’s taken so long omg) but I loved the idea!! I do hope you all enjoy it as I enjoyed writing it a lot hahah xx
Pairing: 90s damon albarn & 90s liam gallagher x reader
Warnings: nothing, just a little bit of bickering n dat
Word count: 3.057
Requested by anon x
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Being a part of the madness that adapted the name ‘Britpop’ was truly an experience. Paparazzi at every corner you turn, equipped with the brightest, flashiest cameras, also having the most annoying click noises to the point that after one image you’ve earned yourself a migraine that would last the entirety of the day; parties that would last entire nights, bearing millions of different kinds of drugs - some that hadn’t even been given a name yet, but you’d still give a try anyways, since you’re so high and drunk that you simply lose the intellectual capability to construct decisions, you say fuck it, and get so high to the point that you’ve blacked out in a booth in a bar, with the owner asking you to get out since you’ve been inside for one too many hours after closing time; as well as constant press coverage. With your name plastered over literally every newspaper and music magazine known to man, as well as having your entire life consistently dictated for the entire nation to read about every Sunday morning and indulge themselves into as a form of entertainment, it was what being famous delivered, right on your doorstep at 7 in the morning. Any earlier and you’d feel rude not to give them a cup of tea as a form of dignity and respect towards their sublime dedication to the job. Although it was fun being associated with it all, my band in particular gaining a different form of calidity due to it being a female fronted band, by the time that the entire nation was hooked on this ‘Blur vs. Oasis’ rivalry, it was as if every other britpop band had been washed away from existence, due to eight boys arguing as to whom had the better music. And the better looks, according to Liam Gallagher.
Tonight was the night of the Brit awards, perhaps the most prestigious awards ceremony for music. To be awarded a Brit was probably the largest achievement possible in British music in the form of an award, and it was definitely either going tonight to either Blur or Oasis. The chances that another band, say Pulp, were to get the award, would not only be extremely amusing to see the reactions of the two biggest names in the Britpop game, but would also cause the largest uproar in the nation. It’s either Blur or Oasis. “Their drama is so silly,” laughed Emily, the guitarist in our band whilst flicking through the latest edition of the Sun, the cover of the newspaper being, of course, Liam Gallagher. “They’re literally bickering about who looks the best. How do people find this interesting?”
“Because of how silly it is, people never leave their secondary-school-like selves. Just a bit of fun I guess.” I replied, fixing up my hair in the mirror in front of me. We were currently getting ready to go to the award show, and needing to look your best was an expectation. Though I wasn’t dressed in anything that would result in jaw’s dropping, it was important that I at least appeared somewhat admirable - the entire nation always had their eyes on us, but tonight they were going to see us all, live. Perhaps the reason why bands like Oasis and Blur are so obsessed over nowadays, since all they’ll do is turn up in some flimsy Adidas t-shirt and call that fashion. I suppose scruffy was the new elegant.
“Who do you think they’ll give the award to?” she questioned, still aimlessly flicking through the recycled pages of the magazine. “I think Oasis. Their music is so much better than Blurs.”
“Really? I’d say Blur. They won on top of the pops, so the likelihood of them winning the Brit award is highly likely,” I answered, shuffling away from the strong reflection of myself towards Emily, my eyes quickly scanning the page that she had her eye on currently. “Gosh Liam’s so full of himself.”
“He’s got his eye on you, you know,” She said, shoving the paragraph she had just read in my face of Liam boasting about his little crush he had supposedly gained from watching our latest performance on top of the pops. “Thinks you’re ‘well fit’.”
Scoffing in response, I mumbled back to Emily. “If he thinks that he’s sleeping with me, he’s very deluded.”
By the time we had arrived at the venue, you weren’t able to walk into the entrance without at least 50 cameras blinding your eyes and the shouts of so many begging for you to quickly turn your head and grin - the price for the photo would reach the many thousands. Once walking in, it was less crowded, only having select people by the ground floor, dedicated for musicians and bands, with the occasional interviewer walking past to every circled table, adorned with white cloth and champagne glasses, asking questions about how they’re feeling, who they think may win, and what they thought of the music throughout the past year. What was nice was that people didn’t have that much interaction with one another, just with their groups. It created a sense of formality in the space, which made me feel a bit at ease from the idea of some random row happening in the middle of the floor, most likely between Liam and Damon. The past year in music was truly something. Britpop was at its peak the entirety of the year, with songs like Parklife and Supersonic pouring out of every radio station in Britain that by the end of the year, you had ditched casual radio music and began blasting the classical station. It was a nightmare. Since the fall of grunge subsequent to Cobain’s death the previous year, the talk of any other genre in Britain apart from Britpop didn’t occur. It was as if we were living on this mystical island, miles away from any other music and culture, whilst adorning and obsessing over our own. What was nice about Britpop was that it was a pure celebration of English culture, whether it be a simple Sunday roast, or going to school, they all carried the same ambience of nostalgia and pride - also disregarding whichever band wrote what song.
“Free champagne… Yes please,” said Madeline, the secondary guitarist of the band, whilst heading to the first seat she could sit on, then quickly indulging herself with the first taste of the rich drink. “Oh my gosh it’s heavenly!”
Laughing at her reaction, the rest of the band took a seat around the table and took their first sips of the champagne, which we would all come to find to be indeed heavenly. Small talk was shared here and there with the rest of the group, but overall I stayed silent. In all honesty I found attending award shows was quite boring because if you didn’t end up getting an award, you would essentially be sitting there for two hours doing nothing. Even if you did win an award, it’s simply a minute of glory with the speakers blasting your music, and another minute of all eyes piercing into your soul as you make sentences about your gratitude towards those who had helped you along the way to earn such an achievement. I doubt anybody genuinely liked attending shows like these.
“The champagne is good, yet we don’t get enough for our table,” I complained, grasping my now empty champagne glass and waving it around in the air. “I’m gonna head to the bar to get a refill, anybody want anything?”
After receiving a handful of nos from the rest of the band, I took myself out of my seat and wandered over to the bar, which was empty, perhaps due to the venue not yet being completely filled with all the artists that were set to attend the night. “Just a refill of the champagne, please.” I asked politely, handing the bartender the used glass I had kept in my hand. Whilst waiting, I noticed that Damon was on the other side of the bar, who also didn’t notice me there, until he caught eyes with me.
A grin broke out on his face as I walked over to him. “You alright?” He asked me, quickly thanking the bartender for his drink and turning back to look at me. The height difference between us was evident, but it wasn’t the case of something so dramatic that he was the height of the empire state building and me, just a measly common tower in the city. He looked quite content, his hair scruffy yet neat, along with his outfit being just as I had assumed: a white shirt with jeans, a used pair of Adidas for shoes.
I smiled back at him and nodded. “Suppose you have high hopes for the award tonight.” I said, simultaneously receiving my refill of the beverage I had ordered, followed by my thanks. We stood adjacent, although there was enough distance between us to establish our relationship - mutual acquaintances whom had met every now and again, since they’ve both been dragged into this wormhole of madness. He was quite the opposite in comparison to his rivals, though he himself could be quite bothersome occasionally, he still had a grasp to what those may call sensibility.
“Oh well we’re better than them, aren’t we love?'' He chirped, his head now cocked to the side in a teasing manner. “I’ve heard that you’re rooting for us this year.” He added, a little smirk pasted on his face.
“Do you read every paper you see?” I questioned, my face turning away from him in slight embarrassment. Between us, there was no shared intention for a relationship to stem, though there was definitely a flirtatious tension that followed between us wherever we had met. Whether it be a random photoshoot for a magazine double-spread, or backstage at top of the pops, we always managed to share a chat with one another, and nothing else followed on from then. It was quite sad, because once you’ve established a connection between something you either both disagree or agree with in terms of societal views, something in the press, or life in general, you’re instantaneously cut off and asked to hop onto stage to record a meaningless three-minute performance with fake, plastic instruments which practically mean nothing.
“Well it was nice seeing someone else's face on the papers for once.” He replied, downing his drink, then ushering at the bartender for another. A thing that we both realised was that, between our conversations, we indirectly indicated that we were both there for each other, because we both had a complete understanding towards what may be happening to the other person. It was stressful being in the limelight constantly, and for someone who was the frontman of a band so large, with his face plastered on every magazine cover imaginable, things were bound to be stressful.
Sighing, I turned to face him again. Despite the fact that before I had the ability to respond, our conversation was cut short from a voice shouting my name from behind. “Well if it isn’t bloody Y/N.” the voice said, and from then I instantly knew it was Liam’s. Turning my face away from Damon’s, I locked eyes with Liam. As always, he was dressed in the usual: a parka, with casual jeans. Oh, and don’t forget the Adidas shoes. Even though he and Damon practically hated each other’s guts, they always seemed to have similar fashion senses, but I could never picture Damon in a parka. And I don’t think I even want to.
“How’ve you been love?” He asked, swinging his arm around my shoulder in a warm, but nonchalant manner. Me and Liam had a similar relationship to that of mine and Damons, simply just minusing the sentimentality of it. We were friends, and had come across each other at random parties, which opened the gateway for us to drink and get high together many a time. While he was quite the idiot, he was also a very fun guy to be around, but I knew Damon would never understand that. “And why’re you letting this twat chat to you?”
A laugh escaped Damon’s throat. “I think you’re the only twat here, Liam,” he began, a sigh leaving my mouth as I was trapped in a situation that I could only pray didn’t gain much traction from the rest of the attendees. “Me and Y/N are friends, don’t suppose we’re getting jealous are we?”
Liam’s grip on my shoulder tightened as I stared at his reaction to Damon. I felt quite small in this situation, due to me needing to tilt my head a good amount to properly look at Liam, and knowing if I left it would just erupt chaos and make it worse. “No need for me to be jealous when I know that she wouldn’t want to spend a minute with you in bed you bastard.”
“And you’re so sure about that are you?” Damon replied, amusement laced in his words. “Because you’ve totally spent a minute with her haven’t you?”
“Well I’ve got my arm around her haven’t I? And she’s not stopping me,” Liam argued back, a smirk entwined on his lips. Reaching for my hand, Liam grasped it lightly, then then brought it to his lips, kissing it, before holding it gently. Method of intimidation, perhaps, and though it was sweet, there was a time and place. And this was definitely neither the time, or place. “Who’s the jealous one now, eh?”
“The last I recall, she had hoped that we were winning this year, not you,” He boasted, moving the contents of his drink around whilst grasping it firmly. Whilst it would be something that would offend Liam, he was simply the type of person to not take criticism regardless of whomever it was coming from. I respected him for that. “So much so for a healthy relationship.” Damon mocked, staring into my eyes as a small laugh escaped my lips.
Granted that I had found the argument shared between the pair of them to be extremely silly, it was good entertainment as the time passed before the award show would begin. Watching them both, attempting to throw insults at one another, each one trying to cut a little deeper than the one previous, made me almost laugh at the both of them right there. “You know, it’s so silly that you both think you know me so well to think which one I’d pick from the both of you,” I said, detaching myself from Liam’s embrace and snatching my half-empty glass of champagne. “At this point, it’s neither of you.”
Walking back to my band’s designated table, I quietly took my seat as the show began. “Saw you chatting to Damon,” Emily whispered, raising her eyebrows. “Also saw you grinning like a madwoman.”
“Oh shut up you,” I replied, looking back at the bar to notice that both parties had left, assuming back to their places. “There’s nothing going on between me and Damon- Liam too in fact.”
~~~
As the ceremony went on, the boredom got to us. Even the amount of drinks I had didn’t entertain me, but what could we do, we were stuck in the middle of an award show celebrating music, even though I had largely doubted that the majority of those attending were enjoying themselves. I had no clue who the awards were going to be handed out to, and whether that somebody may be us in a category, but we all knew Blur were going to win something. Yes, Oasis had gained a lot of fame and had become one of the most famous bands in the music scene at the minute, but by the way things had gone for Blur after the release of Parklife, things only seemed to go further up from there. And that was only proven to be truthful, after Blur had left with four different awards.
After Blur had received their fourth award for best British group, we all knew that there was nothing left for Oasis. “They’ll get it all next year, they only debuted this year you know.” I said to the table, who were staring at the four smiley boys on stage as they trotted up to receive their award. I admired Damon as he said his speech, then also turning to look over at Liam, who looked quite evidently pissed off. He was practically drooling in anger from the sight brought to him at that particular moment, and I couldn’t blame him - their band hadn't gone home with one award that night, but neither had ours. “They’ve taken four awards home, isn’t that like, the most anybody has ever taken?”
“Indeed it is,” Madeline replied, taking a sip from her drink. “Must be a good year for them then, eh?”
As I watched the band leave the stage in absolute glee, I stared at Damon as he walked back to his designated seat for the short remainder of the evening. Despite the fact that my band had been sat in our seats the entire evening in complete boredom, just like Oasis and so many other acts that had been nominated for pointless awards, it would be a lie to say that I wasn’t proud of how far Blur as a whole had come and evolved through their music, and especially Damon. From beginning as young, bowl-cut boys only charting so far on top of the pops, to creating songs and melodies that could unite our entire nation, it was impressive.
Damon was the face of Britain at this very moment, and a very good looking one. Once I watched him sit down, he scanned the room for a while until he was able to find where I was sitting, which was parallel to his seat, merely a couple metres away. He connected eyes with me as soon as he found me, also accompanied with a small smirk painted on his expression as he raised his eyebrows and sent me a wink. I simply smiled back at him in response before turning away abruptly, disrupting the little moment we seemingly shared, and though I felt my heart flutter a little, he’s definitely not winning me that easily.
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canmom · 2 years
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Animation Night 98 - Kyousougiga
So, because I spent so long on Houseki last week, I haven’t been very well prepared this week. I have a couple of ideas in the pipe - German animation (yeah really! did you know The Neverending Story is German?), Yuri Norstein, and the British traditional animation studio that I entirely forgot existed which is Cosgrove Hall to name a few.
However I don’t have any of those on my hard drive yet, and by the time I’d done a writeup, eaten dinner, and downloaded the films it would be very late indeed...
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Instead, let’s follow up on a recommendation that @anarcha-catgirlism​ made me during the pretentiously titled ‘solicit Bryn’s anime opinions’ ask meme. We’re gonna watch Kyōsōgiga, the original net animation turned anime TV series directed by “Izumi Tōdō”... the collective pen name used by a number of Toei Animation producers. “Tōdo” is, if you can say a pseudonym for an ambiguous set of people is ‘best known’ for anything, best known for the renowned Pretty Cure (usually abbreviated PreCure) magical girl series - something I will one day investigate in depth but not this day.
So while this may be a collective creation of Toei “Only Anime Studio That Still Has A Union” Dōga, the main name attached to the series is actually Rie Matsumoto. Prior to Kyōsōgiga, she had indeed mostly worked on PreCure starting with assisting with direction of 18 episodes of Futari wa Pretty Cure Splash Star in 2006 at age 21, working her way up through episode direction to direct a movie, HeartCatch PreCure The Movie: Fashion Show in the Flower Capital.... Really?! in 2010 (try saying that fast). It seems she soon got a reputation as one of the youngest directors in the anime industry, although that may not be true anymore.
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So what’s this all about? Here’s what I dug up last time upon receiving the rec:
Kyōsōgiga (an allusion to ’scrolls of frolicking animals’ which are seen as a precursor to manga) starts with a priest who creates a kind of alternate dimension using his power to make drawings that come to life, centred on the 'Mirror Capital’ 鏡都 Kyōto, a hard-to-translate pun on once-capital of Japan 京都 Kyōto. There, he draws a rabbit character who comes to life and some highly Buddhist shenanigans take place:
One of his drawings, a rabbit named Koto, whom he drew as the God of the   Mirror Capital, came to life upon striking a deal with a Bodhisattva. Lady Koto managed to win the love of Myōe. After finding a war orphan, Yakushimaru, and taking him under their wing as an adoptive child, the family dimension hop to Kyoto for a better life. Myōe draws two siblings for Yakushimaru. Yase, and Kurama. The five of them live happily together until Lady Koto, having fulfilled her end of the deal with the Bodhisattva, has to be taken away. With their time as a family at its end, Myōe leaves   Yakushimaru the title of high priest, and his prayer beads, telling him that he will return with the beginning and the end in tow.
The anime picks up (I presume?) when a girl called Koto stumbles into this alternate world, and seeks a way to get home, while Kurama seeks to bring back the original Lady Koto - but unfortunately to reopen the connection between Kyōto and the real world is a big threat to the multiverse. Of course Koto must be connected to the original family somehow.
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Emily Rand gives a more thematic description:
Kyousougiga is many things. It’s the television directorial  debut of Rie Matsumoto, who had previously worked at Toei Animation  across a variety of the Precure franchise. It’s stunning, with  amazing visual and audio direction as well as storyboarding and  cinematography. Like many anime series and pieces of media in general, Kyousougiga is also a look at the idea of home and family.
“Home” in Kyousougiga is first established as the Mirror  Capital, a drawn replica of Kyoto that High Priest Myoue created to  escape the world with his family. But “home” is also the near-empty room  where Koto meets her mother and sees her father’s face for the first  time. It’s the hill where they watch the city and sunsets together. Or a  ruined garden at the so-called end of the world, after a much-needed  airing of grievances. “Home” isn’t a place but the people you love isn’t  a new narrative, but Kyousougiga tells it so beautifully, with characters you want to root for, and the stunning visual setpieces that Matsumoto loves.
The animation in the clips I’ve found looks vivid, stylish and energetic so I’ve got to say I’m really excited. It’s not entirely clear to me what the best viewing order is: apparently the first episode of the TV series is “A re-airing of the original ONA with some cuts and a new soundtrack.” and it seems the recommendation is that this is redundant with the ONA, so we’ll take the revised version plus the 5-10 minute OVAs. However, if somebody knows better, please let me know the ideal watch order!
Phew, finished that in record time, leaving the whole evening clear to enjoy some anime! Since we’ve got a whole cour and some ONAs to get down the hatch, we’ll be starting p much immediately, so please take your seats in the Animation Night Cinema of twitch.tv/canmom while i run and warm up my chilli!
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number5theboy · 4 years
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I wanna hear your material on why five should’ve been the one to pull the trigger!! I kinda agree but I haven’t read the comics-
Anonymous asked: Whats the rant on five pulling the trigger? I havent read the comics but i know he hes the gunman and says 'i never really liked you" or something similar 
A piece of writing that is part rant, part analysis, and part creative writing for the two of you so kind as to drop into my inbox, as well as @mysticmoondustt, @maren-emilie, @waywardd1 and @millartiste, and @poisonpam, whose marriage proposal started all this.
User @sunriseseance brought to my attention that the way I framed this sidelines Allison completely and takes away from her character arc, which was not my intention in writing it, but is something this text communicates anyway. Giving over Allison’s (aka the only black woman in the cast) important story beat over to Five (aka one of the several white boys) without making the effort of keeping Allison just as important to the story was poorly thought-out. I have thus edited and rewritten the following with that in mind.
&&&&&&&&&&&&&&&&&&&&&&&&&
Five’s Storyline Deserved To Be Properly Tragic or: Why Five Ultimately Causing The Apocalypse in The White Violin Would Have Rounded Out His Arc
     In this mini-essay, I go into detail as to why I think, from a story-telling perspective, Five should have been the one to ultimately cause the apocalypse by intervening with Vanya rather than Allison. The apocalypse is Five’s storyline. It’s his trauma, his pain, and what he has worked towards preventing for forty-five years, and yet, he is almost completely written out of the pivotal events in The White Violin, the Season 1 finale, and has little to no impact on why the apocalypse does happen, in the end. Making Five the one who triggers the apocalypse would make his entire storyline become the proper tragedy it is supposed to be, with him being the last domino to fall into place, his action of disrupting Vanya being what makes her fall, makes her destroy the moon, and makes Five the man who causes what he so desperately wanted to stop. The easiest way to do that would be to give Five Allison’s role of being the one to point that gun at Vanya, but as explained above, that was the original argument of this text, and one that was insensitive and should have had more effort put into. The following rewrite still sees Five firing the gun, but in a different context and with a different lead-up, one where Allison’s moment of mercy and kindness to Vanya comes before Five’s decision to fire the gun, so that Allison’s moment with Vanya and the moment that inadvertently causes the apocalypse are two separate ones rather than a single one. I just really would have loved to see Five and the apocalypse be a self-fulfilling prophecy. One still should keep in mind that this does appropriate a moment that was solely Allison’s in canon and should thus still be taken with a grain of salt. That being said, I do think that it would have made sense for Five to fire the gun that causes the apocalypse. There are so many established points in Five’s storyline that build up to him being the character most relevant and most appropriate to point that gun at the back of Vanya’s head: his ruthlessness in eliminating anyone who stands between him and preventing the apocalypse, the fact that he is the only sibling we’ve seen kill methodically in cold blood, how Five is pragmatic by nature and was ready to sacrifice a single life in exchange for saving billions, his awareness of space and how to use it to his advantage, his tendency to use other people’s weapons to his own advantage, the fact that he is the only sibling Vanya doesn’t resent for their childhood, the fact that he trusts and likes Vanya, that when faced by Luther with the choice between violence and love before, Five chose love… But Five was not the triggerman, and the following, under the cut, explores the ending of an arc that could have been.
     I’m going to start with Vanya’s demise and how the apocalypse happens in the source material. Full disclosure, I still have not read the comics, but I have seen the last few pages of the Apocalypse Suite, and even though my argument as to why Five should have been the triggerman for Vanya in the show is not based on ‘because it was him in the comics’, I still think it’s relevant for the point I’m trying to make. In the Apocalypse Suite, Klaus distracts Vanya as she is playing her violin, and Five takes that moment to go and shoot her in the head. Despite the concert coming to a bad close, it was a little too late, the moon still comes crashing toward Earth, and Five says: “You know something, Vanya…? I never liked you.”. It doesn’t quite stop there, but for the purposes of this mini-essay, that’s enough. What does matter is that the TUA showrunners have this nasty habit of taking bits of the comic and putting them into the show, but usually warped to the point of disrespect, where they simply never looked deep enough into why comic fans liked a moment, and instead just want to ~subvert their expectations~. Here, I think the subversion is not necessarily about the actions, as they are still similar (gun is fired in the vicinity of Vanya’s head, it takes her out, but not enough to prevent the apocalypse) and is instead about the identity of the triggerman. Or rather, triggerwoman.
     In the show, Allison holds that gun to the back of an oblivious Vanya’s head before shifting it to next to her ear, and then pulling the trigger. The sound of the gun going off disrupts Vanya, who faints, but the energy she had been pulling from the soundwaves had to release to somewhere, and it bundles into a beam that shoots up and destroys the moon, giant pieces of which barrel to Earth.
     And it’s a good ending for their arc. It’s the ultimate proof that even at Vanya’s lowest, in a moral sense, literally suspending their brothers in midair and hurting them, Allison still loves her, enough to not hurt her. Allison wants to do right by her, and it shows in its most extreme in this moment. The only thing that bothers me personally about this moment is that the second it showed that it was Allison holding the gun, I knew Vanya would not be harmed, I knew that Allison loved her too much, that Allison had flat-out refused to even consider Luther’s proposal that they should be prepared to stop Vanya by any means necessary. And so I started thinking about which character could make this moment more tense. Who was “with Luther on that one”? Who knows that they “can’t give her a chance to fight back”? Who have we seen to be merciless and cutthroat, who has ruthlessly killed people in cold blood because they stood between him and preventing the apocalypse? Which sibling pointing a gun at the back of Vanya’s head would have actually given the viewer pause and make them consider the possibility that one of the Hargreeves would be hard enough to shoot his own sister in the head?
     It could have gone like this, with several references to Five’s fighting skills that were established beforehand but mysteriously absent during the actual climax. It starts as it does in the show, Luther rallying his brothers to attack and Allison refusing to be part of it. But instead of trying to convince us that Five would be stupid enough to run straight on at Vanya, Five blinks away and disappears. The other three still get caught in Vanya’s energy tentacles, but Allison is not. We see Five appear next to the Commission soldiers he killed when protecting Klaus, swiping one of their guns, showcasing both his spatial awareness and his tendency to use enemy weapon to his advantage, which we saw in both the Istanbul Not Constantinople scene and in him getting the upper hand on the Handler. He blinks away again.
     Cut to Vanya on stage, holding her brothers, fixing them with a merciless and empty gaze. Then there is a small noise on the side of the stage, and Vanya looks over. It’s Allison, one hand behind her back, similar to the Luther and Vanya scene from Season 2, and we see the gun gleaming there, showing that both Allison and Five had the same tactical idea. But Allison is not pointing the gun, because she saw a glimpse of good in this violinist just moment before, when she smiled at her. I’m turn about whether or not Allison should be holding a sign in this. If she would, it’d be interesting for it to read ‘I love you’, even though that’s terribly cliché, it’s also the sentence that made Vanya lash out at Allison in the first place. I like the idea of Vanya seeing it again and the memory of her regret at her action, at the pain she caused someone who only tried to be there for her, to make amends, to support her, to love her, break the façade of the White Violin as she recognises her sister, looks at her, truly sees her. The energy tentacles release her brothers in one swoop, them falling to the floor, exhausted, as the tentacles retreat back into Vanya, but she underestimated her powers.
     There’s too much, the energy slamming back into her, and for a moment, you see Vanya through the mask of the White Violin, scared of the power she holds and doesn’t know how to control. It’s an overload, like it was when she was little, and because nobody ever took the time to teach her how to control it, she doesn’t know how. Allison’s fingers twitch around her gun behind her back, and then her gaze shifts. Five steps behind Vanya and points the gun at the back of her head. And the viewer remembers everything Five has gone through because of the Apocalypse, what he had to become to survive, how he sacrificed everything to come back and stop the end of the world. How ready he was to end the life of an innocent gardener to change the course of history. And here is where a more interesting subversion of the source material would come in. Remember comic!Five saying “You know something, Vanya…? I never liked you.”?
     Because show!Five is established to like Vanya, love her even. She was the first one he told about the apocalypse and that he wants to stop it (Five having that gun would also have made the first season come full circle in an incredibly satisfying way) , the first one he trusted, the sibling he treats with gentleness and kindness even though he is not gentle or kind. Her words brought him comfort for decades in the barren wasteland, and he is the only sibling that she canonically doesn’t resent for how she was treated in their childhood. She had bandaged up his wounds, probably the first time since he left the Academy on that fateful day without saying goodbye that someone touched him carefully, lovingly, and she told him that she hadn’t seen him in a long time and that she didn’t want to lose him again. And now he is faced with the prospect of shooting her in the head to achieve what he worked forty-five years towards.
     And here is the kicker if this would have been the version we got to see in the show: there would have been foreshadowing to this very moment, because it would not have been the first time in the show that Five pointed a gun at a sibling. As Five set to go kill the previously mentioned innocent gardener with his father’s rifle, Luther grabs Delores and dangles her out of the window, giving Five the choice between the literal embodiment of the better half of his mind, the one who thinks beyond, the one created out of love, or the bloodshed he had been trained to solve every problem with. Bluntly put, Luther put him on the spot and made him choose between love and violence.
     Five chose love.
     Over Vanya’s shoulder, Five meets Allison’s eye. And even though she’s terrified of this side of Vanya that makes her pulsate with energy, on the brink of world extinction, she still looks him in the eye, and almost imperceptibly shakes her head, a silent plea to spare Vanya. Because Allison knows what Five has done, she has easily called him a mass murderer before, she knows that he could do it. And so he grips the gun he’s pointing at Vanya just a little tighter, to keep himself from trembling. He moves his arm just a little, bringing the barrel of the gun next to Vanya’s ear, and he pulls the trigger. The gunshot goes off, Vanya’s crumbles to the floor, Allison rushes to her side to catch her. The energy bundles and shoots out, straight into the core of the moon. On stage, Five looks in disbelief at the gun in his hand. He did it. It’s over. And Vanya is still alive.
     And then Klaus’ voice pipes up. “Guys? Do you see that big moonrock coming towards us?”
     And Five looks up. And Five understands, in a second, in a moment. He pulled that trigger, and the world is doomed. His singular act of mercy brought about exactly what he had given up everything to prevent happening.
     As the song that played over Five’s arrival in the apocalypse says: this race is a prophecy. It’s just that nobody told Five that it is a self-fulfilling one.
     I just think it would have been good to give some kind of pay-off to Five’s apocalypse storyline that isn’t him running away from it at the end of the season. I think having him be the one who ultimately brings the apocalypse about through the act of shooting that gun would have rounded out his arc. As I said in the beginning, this is the revised and re-edited version of this, which involves Allison in more of the plot. Her inadvertently causing the apocalypse in the show has no real bearing on her mind or her character past the act of firing the shot, while the same action would have deeply shaken Five to the core, and so I personally think it should have been Five to actually carry out that last action. In this new and improved version, I tried my best to keep Allison’s connection to Vanya, her act of love, and just have Five be the executioner rather than the only one in the scene. It’s not perfect, but it’s an improvement on the very narrow view I had before. I just think Five being a self-fulfilling prophecy would shift the dynamics between him and the Hargreeves in Season 2 interestingly. It would be more justified how harsh and dismissive the Hargreeves are towards Five. It would make his decision to take Vanya back to do right by her even more interesting, as it would be him choosing love over violence again immediately after it failed spectacularly for him, and his and Vanya’s dynamic in Season 2 so much more tense and high-stakes. It was wrong of me to completely strip Allison of any agency in this scenario, and I hope I have done better this time around, while still keeping my conviction that Five inadvertently causing the apocalypse would have been a better culmination of his arc.
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antihumanism · 3 years
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When I type everything out as a single run-on sentence I want you to imagine me cornering you off-guard in a crowded room, my empty brown cow eyes staring straight at you and reflecting you--nopony home here, she checked out and hopped away forever ago on the toxic chemical trains and clacking cattle cars years ago--and just, for no reason, I’m here and you’re there pocketed in the corner of a crowded room, and I’m channeling my alternate history past-self who was a preacher that got kicked out of the church for delivering sermons about the impossibility of sin and just ran off to Point Sur with my harem of distractions since I could never stop blessing my congregation saying “Go forth and know that you cannot sin, in the beautiful eyes of God and in my beautiful eyes there can be no wrong or evil” which backfired on me when they started setting fires and it all went to Hell, but I’ve won out over them because the world honored my wishes when I sighed “I should like to start again,” and so I’m here with you and you’re hear with me and I’m saying some insane shit like: “Looking back on Emily’s early works it is easy to see where her later reactionary turn comes from, because, from the start, Alfred Alfer was a story about the fear of castration, I mean, the first video was literally about Alfred getting neutered and escaping into a violent fantasy where he is loved and praised for his violence and the ‘punchline’ establishes the general theme of ‘reality by despair,’ which is to say that Alfred’s clearly dissociative episode is ‘verified’ by his destruction and it is this self-destruction that establishes ‘reality,’ like ‘pinch me i might be dreaming,’ but the pinch is violent and unfair self-destruction as hope is still ripped away, but hope remains, because it is a hope to die rather than be changed by the world, and this theme remains throughout her most famous work (the Alfred’s Playhouse trilogy which cements in canon the jokes of her previous Rise of Alfred cartoon) where Alfred is possessed by the spirits of Stalin and Hitler--a false equivalency made by the authoritarians that have passed for liberals for years--in Rise of Alfred, one would be remiss not to mention the phallic imagery in both the title and the video itself, Alfred is cut loose upon the world by the absence of a Near God or little other by the orders of a Distant God or big Other (in this video played by a droning and irrelevant corporate figure that can offer nothing more than a wall without lead paint that one can lick), and this is the essence of reactionary thought, the idea of a big Other who is totally incompetent yet all powerful and somehow worth respecting and suffering for (King Henry II saying ‘will no one rid me of this troublesome priest’ or the departed Daiymo of the 47 Ronin), the reactionary sees the big Other as a master who can only set the dogs off the chain, the police chief who needs to get out of the way so McBain or Dirty Harry or Paul Kersey (especially in Death Wish III) can do what needs to be done and purge away all the filth and make the world right again (no different than Rambo--even the first movie, which for all of it’s goods part still is  reactionary propaganda bullshit pushing the fascist lies about a ‘fifth column’ that was rude to poor little meow meow war criminals--or modern day fantasies about nuking all of MENA until it glows green (fantasies delivered to raucous applause at Republican presidential conventions); the reactionary is perpetually trapped in this fantasy of destroying the world and escaping into the void of space, freed of the ground where the riff-raff are so they don’t have to negotiate life with their neighbors, and this is true, yes, even of people who spout bullshit about Fully Automated Luxury Communism who only want the right to consume as much as possible free of guilt--a condition they think is inflicting upon them by the big Other--as the Champagne of Shame Socialists of the 60s), and the righting of the world for the reactionary is just that, that the world must be Righted and the reactionary must be loved for all of their violence and because of their violence, for the reactionary finds themselves ever needing new excuses as they open new fronts in their fake, phony Culture War, and that is all they need (excuses), which is why Emily is so obsessed with justifying her edgy shit based on some Trauma (which is handy excuse to do Anything, even Things that Cannot Be Excused like war or self-harm or wanting to be seen), and so here you should already be able to hear so much madness, so many plaintive cries, all aligning around the same point (the trannies in the ‘wrong’ bathroom, the refugees in the ‘wrong’ country, the people in the ‘wrong’ neighborhood, the Jewish Question, etc), and, anyway, so in Rise of Alfred, Emily’s OC directly addresses the audience and tells them that they must love him/her--the castrated bitch desperate to be let off the leash--and in Alfred’s Playhouse she/he simultaneously affirms and denies the nature of a trauma that justifies everything (one is constantly reminded of The Act of Killing where one of the mass murderers imagines how, depending on the editing of the final film, he could be either a woobie or a war criminal) as the Trauma is simultaneously a joke--’sodomized with a popsicle!’--and the alleged real event that motivates her self-mutilation as we’re expected to believe Emily is processing something, but what is she is processing, hmmmm, isn’t that the true spice,” I rail and rave against your poor ear drums as my empty, dead cow’s eyes capture your entire body and reflect it back at you and the ice cubes in my drink pop and shatter and dissolve and as my fist clenches tighter and tighter around the glass containing them and I continue: she’s processing a fear of castration, which is shown clearly in Alfred’s Playhouse where Alfred’s “sodomy” is demonstrated by the sight of his crotch covered in blood (a scene that will be repeated in The Alfred Alfer Movie) but “what is castration,” one might ask, and one can respond “it is the removal of power by the Father,” and this is how we wrap back around to our root in the nature of Emily the Reactionary who believes herself to be deprived of the power she holds by The Bolshevik Jew that has inserted itself between her and the Father and this is the cause of the big Other’s ineffectiveness, and this is also the core of the reactionary as a whole, the reactionary doesn’t want a daddy to control them, but a Master to set them off the chain because they hate the Father who has castrated them, this is the nature of the mumbling corporate manager in Rise of Alfred, but it is also the nature of Alfred herself--and now you may ask if Emily is trans and the answer is I literally couldn’t fucking care less about any question left forever unanswered on God’s Green Earth and you shouldn’t care either--but Alfred the Castrated is also the Father/Mother of Alfred the Dictator, the murderous inner-self that is immune to consequences of the onrushing future (The Alfred Alfer Movie) but not immune to the justifications of the imagined past (Alfred’s Playhouse trilogy), and therefore free to inflict whatever violence that Emily the Reactionary desires, and it is in pursuit of this freedom that the reactionaries set off in the name of New Sincerity (two things to be noted here: (1) the Death of Irony was proclaimed at the birth of the 21st century police state and the new Forever War with all of its genocidal objectives, that is to say, 9/11, and (2) the broken necked coward who complained of American Psycho that it’s author provided no easy outs for easy survival was the one who offed himself while Bateman’s father still lives) and the Talking Cure (i miss who we used to be), and at this you should see me slugging back the whole lukewarm glass in between two syllables and continuing on without pause (as if this dog still has legs on which to receive them in any case), “Emily, like Alex Jones, is so desperate for an excuse because neither of them can accept that they have to be the one that pulls the trigger, like all liars they don’t understand that they have to define reality by action, the answer to what one might do is found in the difference between the types of irony, one type is constantly desperate for excuses (such as the broken necked coward found one day) for violence, and the other irony, the true spice, is the irony that releases from excuses into violence and energy, one must seek not to know or endure but to inflict, knowing that this inflicting was always inevitable, no searching for justifications, instead the answer is to realize that there was never a chain there connecting you to the Master or the present to the past, and the Father/Mother never had the power of castration (the past, after all, is a foreign country bombed and blasted to ruins already and better forgotten), and you can just be fucked up and terrible and do whatever amuses you right now without needing an excuse, and to the extent that anyone should, one should, because that is what fascism needs, fascism needs the need for an excuse and that is the irony of fascism--where the falling angel (the superego) meets the rising ape (the id) in an ego of ultimate violence which seeks only release from both of its creations in an instinctually and totally misunderstood caricature of dialectics--which opposes its opposite irony (the irony without fascism which is the id’s violence against purpose and reason rising free of anything else to obstruct it), and if you let go of that, if you just, ya know, if you just, you just have to cut loose and go and no one can stop you until it is too late, because there’s no Jew sitting over your shoulder to justify everything in terms of opposition or support, not even The Nazarene is real, but do you understand that you’ve always been free to just go? You’re free to go. You’ve been free to go all this time. You never needed permission for this or anything else. You’ve been free to go all this time. You’re free to go. A whole day off. Just mind the mo(u)rning and get on with it.”
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alreadyblondenow · 4 years
Text
And life will always be la vie en rose
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Mark Lee x reader // FLUFF, SMUT, SMUT
Themes: long distance relationship, established relationship, very domestic
Word count: 4k
Summary: The city of love with the person you love. Mark surprises you in Paris but the vacation was not going as expected.
Warnings: phone sex, unprotected sex, swearing, mentions of alcohol, drunk mark lee hehe
A/N: Inspired by Emily in Paris and Mark’s TVN short drama. requested by @mellowvoidexpertfriend​​ sorry it took me awhile :( and I hope this makes you happy. Thank you for requesting it! I wanted to give it a sad ending but figured you might hate me if I do that.
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Its been almost seven months since you moved to Paris for work and leave the life you’ve always been used to. Your family, friends, your boyfriend Mark, all of them knew that moving to the city of love for your career is a big step.
Although some of them did not agree with your decision that you’re choosing your career, at least you have your boyfriend’s support no matter what. Mark has been with you since you were just starting at your job, he’s always supportive and caring even though he has his own career to take care of. Long distance is hard, but there’s nothing Mark wouldn’t do for you.
“Good morning, Paris” he greets you with a bright smile, the perfect afternoon light hits his face perfectly. You miss seeing that glow in person.
“Good afternoon, Seoul “ you answered with a raspy tone. Still sleepy but happy to see Mark, even if it’s from your phone screen.
“Tired? I miss you” he says, smiling sweetly through the screen. He was still in bed, comfortably laid with his thick blue sheets and striped fluffy pillows.
“Yes. I have a lot of stuff to do in the office today. But I still got time, no need to rush this call” you stretched in bed.
“Want to have phone sex?” He was hesitating to ask you but Mark was really horny in the middle of a hot afternoon. Good thing mornings make you horny like crazy too, so you said ‘yes’ and the next thing you know is you’re both naked in bed, phone on the bedside table with a perfect view of your naked body.
“Run a finger up and down your slit” he commands. You can hear soft grunts from Mark already, pumping his semi-hard cock on the screen. “Yes baby, you look hot” he moans and you smile at his compliment.
“Oh I miss touching your boobs, the next time I see you I’ll grip those so hard- ah” he was having a hard time talking because watching you touch yourself was always too good and too much for him. “So good baby, pinch your nipples for me” he added. You moan and with your free hand, you lick your fingers and rubbed it on your nipples and made sure to let him hear your soft moans.
“Fuck- that was hot” he was going a little too fast pumping his cock, the sound of it was turning you on, and how Mark bites his lips and rolls his head back, watch you with half-lidded eyes. You just smiled, knowing that he’s your man and only you can see him like this. “What’s that smile for? I love it when you smile like that” you giggle at what he said.
“Baby, I’m near” it was a high-pitched moan and you curl yourself a little, trying to stop yourself from cumming so fast.
“Okay-fuck, spread your legs- yeah just like that” you followed what he said and you see his lower abdomen go up and down a little too fast, obvious that he’s stopping himself from cumming before you do. “Remember how I fucked you during your last night here- Ahhh. You were begging me to stop but I couldn’t cause your pussy is so good”
“Fuck Mark” you were still moaning deliciously, trying not to close your legs for Mark. His eyes were fixed to your body, your lips that he misses so much, how you work wonders with your own fingers.
“Oh! I will, Y/n. I will- fuck—you”
You came first then Mark, you watch his thick cum land on his stomach. Watching him look so weak and sweaty but still handsome. He caught you looking at him while you were cleaning your fingers, he winked at you and smiled which made you shy for no reason.
“I love you. Can I talk to you for a couple more minutes?” he requests, holding his phone near his face after he cleaned his cum.
“I love you too. Of course. We can still talk while I’m in the shower” he nod his head in disbelief. And smiled oh so sweetly to you before he tells you about his morning and how he had a dream of you. He was promoted last month, so there’s not much work for him these days because he’s basically a boss now. To be honest you feel bad for not being with him to celebrate for his promotion, talking to him for as long as he likes is the least you can do for him. Sometimes you’re talking to him while you walk to your office, or having lunch alone, virtual dates, or letting him pick what lipstick suits you on a certain outfit.
For almost a year, it was the little things that make you both even more in love with each other and no one is complaining.
“Hey Y/n, the boss wants to see you with your presentation now” your assistant knocked on your door, holding it for you as you gather your laptop and pretend that you’re not nervous.
“What if she hates my ideas?” you asked your assistant, walking together slowly to the conference room.
“The dragon lady will love it, don’t overthink it” she pats your back good luck and opened the door for you.
During your presentation, your boss had this I’m-bored-can-we-go-home-now face and it was bothering you while you were talking in front. Nonetheless, you delivered every single detail perfectly and smoothly that the other members of the board were impressed, and you hope the dragon lady is too.
“Good. Make it happen. Are we done here? Give her the company credit card and I want updates every week. Dismissed”
That’s your cue to breathe. Finally, you can relax. You were smiling from ear to ear for a minute then you remember all the work that you have to finish. Making this project happen-making this fundraiser happen, will seriously impress your boss and the other members of the board. You can’t afford to fuck up.  
Overworking doesn’t bother you at all, you don’t care if you’re the last one in the office and the first one to come the next day. You love your job and you value it. But to be honest, overworking is your coping mechanism. To stop thinking about home and Mark, just continue until you make it.
You got home and talked to Mark about the great news, of course, he’s very proud of you. Then you talked about the list of things that you have to work on for the project, and you wish you didn’t. Mark loves you, and that’s clear but he hates it when you overwork.
“Can’t you, make someone else do it?” easy for him to say because he’s a boss now.
“No, baby I can’t. This is my one way ticket to be the boss. If I make this happen, then okay, I’ll order everyone I see. But for now... sorry babe, it’s work for me” you said while unzipping your dress and moving around your room to change into some comfortable clothes. “Are you mad?” you asked, hoping he’s not.
“I can’t be mad at you, for loving what you do. I’m worried, that’s all”
After that call, Mark was dealing with some of his work as well and thinking about how he can rescue you from overworking. Well, he only had one effective solution. And that is to visit you in Paris and be with you so he can take care of you for a short time. He wasn’t going to visit until Christmas, but he couldn’t wait much longer.
He gave himself a week to think this all out and plan his surprise to you. He booked a flight, took two weeks off from work, and packed his bags.
You, on the other hand, is busy overworking tonight at the office. You feel heavy and exhausted, hungry but you just want to sleep when you finally get home, and Mark hasn’t messaged you like he normally does in almost two days. You feel awful, but Paris at night can quickly take away all youe exhaustion. Everywhere you look is beautiful.
As you force yourself not to feel tired on your way home, you saw a familiar figure who just got out of the taxi with a bunch of luggage. Am I dreaming? You slightly slap your face and walk slowly behind the man and wait for him to turn around.
When he did, you almost burst into tears.
It’s been seven months since you last saw Mark in the flesh.
“Hi, you look exactly like my girlfriend” he smiled and scrunched his nose, pull you into a hug, and kissed you in front of your apartment building. Paris is starting to feel like the city of love, finally.
You helped him with his bags up to your apartment, feeling so excited and happy that the tiredness that you’re feeling earlier was long gone. As soon as you reached your door and opened it, Mark put down the bags and crashed into your lips. Kissing you in the dark with only the light from your window.
“Oh, I’m never going to leave your side,” he said while hungrily kissing you. Removing your clothes one by one, making a trail of clothes until you reach your room, and pushed you on your bed. It’s been seven months since you last had sex with him and you’re sure that Mark will make you feel good tonight, as always. He may look innocent and cute always, but Mark knows how to fuck.
“We just have to be quiet tonight Mark- French neighbors. Don’t want to piss them with my moans” you warn him before his cold hand lands on your boobs, touch them softly and squeeze them tightly as he promised.
“Okay, let’s just keep our moans between us two” he kisses your lips as his way of saying, he’s going to start now. Kissing you down to your body until he reaches your pussy, to show that you're eager, you spread your legs widely for him and begged quietly. He used his pinky finger and slides it up and down your slit slowly. So slowly that it makes your legs shiver and your hips jolt, giving you goosebumps and making you sensitive already. He smiled at your reaction, happy that he has that effect on you.
“Wet” he murmurs and proceeds to kiss your pussy, like it was your lips. Feeling his hot tongue on your cunt, using it to fuck you. He spits on your cunt and let you feel it roll down your slit. It makes you sensitive and moans his name. He goes back in and licks you good, his hands run softly on your stomach, making you feel calm and confused. When he felt that you’re already on the edge, he watches you moan quietly, pinched your nipples, and did not released it until you’re shivering and shaking your legs uncontrollably.
You catch your breath until you see Mark above you, kissing your cheeks and reaching for your hands to intertwine it with his. “I just miss you, is it too much?” you shook your head with a smile and kissed your boyfriend back.
“My turn to give back,” you said weakly, but you’re already pushing him on the mattress. On your way to straddle the man you love and ride him good. You kissed him softly, grinding on his cock and spreading your juices on it. Brushing his nipples softly, which made him stop kissing you to let out a curse and tell you to don’t stop. It was too much for him but he likes it, overstimulating himself was his favorite and he drags you into that pleasure of his.
As you put his cock inside you, he grab holds on your wrist that he allows you to rest on his strong chest as you fuck him. Seeing you on top of him after for so long was toe-curling for him. The thought of it makes him blush, but also his view of your boobs in front of his face makes him smile too. He licks it once, “Oh- Baby, do that again?” you ask of him, he knew you would like it.
Your boobs are perfectly being sucked by Mark while you bounce up and down on him, rolling your hips at a steady pace. He lets go of your right nipple with a wet sound, feeling both of your nipples really swollen and sensitive. “Can’t hold on much longer baby, let me take over?” he was already on edge, you are too, but you let him take control and let him fuck you senseless that you were covering your mouth to stop yourself from moaning to loud.
“Bite me,” he said and you didn’t think twice, you bit his shoulder as you ride your high. He was cumming so hard too and his whimpers were muffled by the pillow behind you. You feel like he's going to crush your hand by gripping it so tightly and he feels like his shoulder is about to bleed.
It was a romantic night in the city of love. Both exhausted from sex but you two never kept quiet and talked to each other all through the night, watching the Eiffel Tower from your window, bodies covered with your thin sheets. You snuggle to Mark sniffing his armpit and making him giggle like a teenager, he tickles your legs and making you jolt and kick him a little too hard which made you both laugh so hard. You were away from each other for a long time, but your love stays the same and neither one of you is planning to ruin it.
The next day, Mark woke up with the smell of freshly cooked omelet and the zest of freshly squeezed orange juice. He looked at your clock on the bedside table, and it was almost lunchtime. He was quick to put on his glasses and find you, still naked because of last night’s intimacy but he doesn’t care. He feels home because you’re the first person he sees. Mark wraps his arms around you and rests his chin on your shoulder.
“I was wondering where did my shirt go,” he says with a raspy voice. It’s obvious that he’s still sleepy but he wants to spend as much time with you.
“Still sleepy?” you turn around after turning the stove off, “And still naked with only your glasses, huh? You look like a nerdy porn star” you tease him, slap his ass, and made him wear at least his sweatpants and come eat breakfast with you.
“You don’t have work today?” he asks, chewing his omelet and drinking his juice.
“I have but, I call in sick for three days. Wouldn’t want to waste time” you said, smiling and winked at him. “You know, I know why you’re here. And I want you to know it’s working” he chuckled and scratched his head, busted he thought. “But I can only leave work for three days, after that I promise you I will do my best to still be with you, and not waste your time here-“ you were talking too fast, rambling that he didn’t have any choice but to stop you from talking.  
“Understood, baby chill. I’m not here to sabotage your career, I’m here to take care of you”
In those three days, you and Mark enjoy Paris like a married couple enjoying their honeymoon. You’ve never enjoyed Paris like this, all thanks to Mark, the city became even more special and magical for you. You brought him to different French restaurants and made him eat a lot of good food and a lot of Watermelons, of course. You toured the city hand in hand, going to art galleries and taking countless pictures. The winery tour and your dinner date made Mark really drunk and it made him ten times even more funny. It was a struggle to bring him back to your apartment in his drunken state, but you love him too much that you even enjoyed his drunken company.
“I’m gonna ask you to marry me okay? Are you ready?” you help him step by step as you go up to your apartment, laughing so loud and disturbing your french neighbors, he was going on and on talking about marriage. “It’s true, check my pocket get the ring”
There's a huge part of you that secretly hopes that he’s telling the truth. Even if he’s proposing in his drunken state and couldn’t pop a knee, it’s okay. The staircase is still romantic for you and drunk or not, you love Mark with all your heart and soul. If Mark was telling the truth… you will say ‘yes’ and accept it will all your heart.
With all your bravery, you checked the pocket of his jacket and looked for a ring or a box. Honestly, you don’t know what you’re searching for. But there’s no ring. It made you disappointed but just laughed it all out and soothe his back because he’s about to throw up.
You reached your apartment, just in time for Mark to puke and curse every alcohol in the world. “Sorry if I’m a burden” he murmurs, resting his forehead on your toilet bowl while reaching for the flush.
“You’re never a burden. Feeling okay? Come on I’ll help you clean up” you kissed him on the forehead and left to get some clean clothes for him.
You spent the night taking care of Mark, enjoying how he hugs you so tight like he’s a child while he whines about how his head hurts. The night mostly consists of him whispering his apologies and never-ending I love you’s, while you still think about what he said earlier. Even if it didn’t happen tonight, the fact that he brought it up, finally, means that he was thinking of doing it someday. And that thought alone made you throw away your disappointment and hug him even more tightly.
Days go by and you juggle work and spending time with Mark and enjoy Paris. You feel bad letting him visit some great places alone or stay inside your apartment until you come home from work and go out finally. It was heartbreaking in many ways, but you didn’t have a choice.
On Mark’s first weekend in Paris, the first thing you did is wake him so early with loving kisses and go to the market with him. There, you and mark bought food for dinner tonight and promised you will cook for him. He was so in love with the city but had a hard time talking to French people.
“Wow, your French has improved” he praises you, “I read somewhere on the internet that the best way to learn the French language is in bed. Is there something I need to know, huh Baby?” he kissed your forehead to let you know that he’s only joking and completely well aware that cheating on him is beyond impossible.
“Fuck me in Korean then so I can learn it too” it made you both laugh, finding each other completely hilarious.
“Okay, I’ll fuck the Korean words out of you tonight”
The dinner you made was delicious, and it made Mark sad for a second because he realized he has to wait for a few months more to taste your cooking again. To light up the mood, you didn’t let him have a single alcohol tonight and made fun of his alcohol tolerance. And soon, after cleaning up from dinner, you two made love again.
He was balls inside you while you were making the pretties moans only for him to hear, he suddenly moaned Korean words which made you lost it and laughed so loud, your voices could be heard from your open window.
“Were you about to cum? I’m sorry, I just want to make you happy” he said, still inside you but not moving anymore.
“On edge, yeah. But I am, happy Mark. You came to Paris for me, even though I work my ass off while you’re still here. Oh, baby, I feel sorry.” You whine and nuzzle to the side of his sweaty face.
“Will you be happier if I ask you to marry me? Hmm?”
You were like a statue when you heard him talk about it again, and this time he’s sober. He kissed you back to reality, smiling nervously on top of you while waiting for your answer. “Hey” he kissed you again, giggling awkwardly.
“Of-of course I’ll be happy- are you proposing now?” you were stuttering and your hands were shaking as you reach for his face to cup it and kiss him. Tears in your eyes, pure happiness.
“While I'm still inside of you? No- I already have the ring, but with all that’s going on with your work right now. I just had to be sure, you want this. The last thing I want is to ruin our relationship and I’m sorry I had to say this to you while I’m still inside of you-“
You stopped him from rambling and talking too much, “Save it for breakfast. Now, continue fucking me in Korean” you both giggled again in no time. The night went on but it became, even more, sweeter for the both of you, more fucking in Korean happened and both of you slept like angels.
The morning after, you two made breakfast while trying so hard to keep your hands from each other. Obviously, the sweetness from last night hasn’t died yet. Marriage is not always a bed of roses, you’re aware of that, but you pray and pray that you and Mark stay the same like this for many years more.
“So that night at the stairs?” you asked him, taking a sip of from your coffee, eyes never leaving each other.
“I was serious but too drunk. I was going to talk about it with you that night, but…” you understand. Still, it made you happy. The morning was filled with laughter and kisses with Mark, talking more about marriage and the possibilities of having kids, shower sex, and him helping you prepare for work.
When you were just about to leave, “Oh! I almost forgot, fuck, Uhm- I need you to be my date tomorrow night. It’s the event that I’ve been working on, here” you hand him your credit card, “Sorry I can’t go with you. Buy yourself a nice suit okay? I’ll see you at dinner, I’ll be a little late, but I’ll make it to dinner” and again, you feel bad about treating him this way.
Mark is amazing in many ways, he bought a nice suit for your event tomorrow night and looked for a quiet french restaurant where he can propose to you properly. It was not hard, but talking to French people was not easy either. All he had in mind was, you deserved a romantic proposal.
Your most awaited day finally comes and everything is running smoothly. You haven’t seen Mark, because the dragon lady wanted you to get ready with her at the hotel where she was staying. “Have you seen Mark?” you asked your assistant, “I left him at the gallery. I told him you’ll meet him shortly”
After a few minutes of saying 'hi' 'hello' to the guests, you forgot that you were looking for your boyfriend and felt bad for doing that.
“Hey beautiful” he whispered behind you, and you almost spilled your champagne. You turned around and see the most handsome man on Earth, wearing a black and white suit with a slightly crooked bow tie. Your mind swims to the question, ‘will he be this handsome on your wedding day?’
“Wow- I’m speechless” is all you can say while admiring him like he's one of the paintings hanged on the wall.  
“You look expensively beautiful” he greets you with a kiss and you fixed his bow tie, asking for a kiss again that he happily gave. You showed him around and introduced him to your friends, exchanged laughs for a minute then you're around working again, leaving him alone. He watches you do your job, even if he’s left alone most of the time. Nonetheless, the event was a success and you’re soon to be promoted, the dragon lady told you herself.
“Baby, I’m sorry”
“What for? You were great the whole night” he helps you unzip your beautiful Valentino dress.
“How many times did we talk tonight, I feel bad” you whine and helped him with his tie while you’re all exposed, wearing only your black lingerie. He played with the strap of your bra and proceeds to palm your ass. You did the same because he has a much nicer ass, he chuckled and kissed you to bed. Just like that, Mark turned everything around.
It’s his last day in Paris today, he leaves tomorrow morning. And you hate it. The bed feels, even more, warmer with him in it, you’re not ready to let go yet. “Don’t worry. We have forever to make the bed warm. Right?” he tries to cheer you up. “Don’t forget the dinner tonight okay?” he added.
Your day went on with Mark and you two spend more time together talking about life and everything under the sun, laughing while eating watermelons, until you had to leave again for the company dinner. It was supposed to be a night filled with Mark and Mark only but your boss decided to throw a dinner celebration for a successful event the other night, and you can’t miss it because she told you, ‘Show up tonight. Don’t piss me’. with a sly smirk that you oh so hate.  
It was heartbreaking. You don’t know if the dragon lady knew that Mark was going to propose tonight or it’s just your life, ruining your perfect relationship with Mark. The dinner ended almost before midnight and you ran to the restaurant Mark told you not caring anymore if these Manolo pumps cost a fortune.
There, you saw Mark playing the piano while the restaurant staff was already cleaning up, fixing tables and chairs. It's been a while since the last time you saw him play an instrument, he knew you love it when he sings for you. You looked around the place and figured how he found a place like this in a country he's not familiar with. He was trying so hard during his whole stay, and you just watched and you let the people from work drain you until there’s nothing left for Mark.
He was still playing the piano sadly when you embraced him from behind, greeting him with a kiss. Feeling sorry for ruining the night he has planned for the two of you. He stopped and faked a smile, it was obvious and it pains you to see him like this. The space was quiet, and you notice that the staff were nice enough to give you two some privacy. He continued playing the piano and started singing the song his father used when he proposed to his mother.
You feel unworthy of his love.
Mark kissed you before he stands up, but all you wanted to do is say sorry over and over again. But you didn’t want to ruin the mood. You watch him bend on one knee, smiling shyly but you can say that he knows what he's doing. “Even if I already know the answer, and even if you become the busiest woman in Paris, marry me? Make me the happiest man alive?”
You were in tears, but you don’t know if it's made of happiness or sadness. There was a moment of silence that made him nervous and thought that maybe you changed your mind. It was making him nervous.
“Yes yes, of course”
Mark sighed in relief and let out a nervous laugh. He puts the ring on your finger and dried your tears before he kisses you. You see his sharp cheekbones appear from too much smiling and told you that his cheeks hurt.
That very moment made you realize that your job here in Paris and your boss, doesn’t deserve you. You can be amazing somewhere else, somewhere closer to Mark. In that way, you can be busy, yes, but you can come home to him every day and fuck in Korean the whole night.
282 notes · View notes
imthepunchlord · 3 years
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I’ma be completely honest right now and say that I don’t think anyone (who follows you and knows/shares your feelings on the specials at least) would mind if you were straight up like “yeah sorry guys the New York and Shanghai specials are non-canon for Off to Italy because I really don’t like the way they handled diversity, worldbuilding, or relationships, and the future Rio and Africa ones are non-canon as well for the same reasons” from the get-go. Like those are such valid reasons to cut something out of a story, and it doesn’t seem too different from cutting out certain episodes or starting from a specific season like a lot of ML fanfics do, especially since the specials feel even more removed from the main canon to begin with because of how the writers decided to handle the ML continuity, AND this frees up a bunch of the kwami animal choices used, which would make things exponentially easier for you like you said in both animal choice and character design by having a visual base to already work off of for the ones you pick.
I also don’t think a majority would take issue with me cutting those out either. Because the things they bring in, lore wise, I don’t see anyone talking about. 
No one is talking about the NA Order, and its existence brings in so many questions. 
So I’m going to put this under cut cause I want to go off. I technically don’t have a right to as I didn’t watch either, but I listened to those who did to get an idea and somethings bother me. 
But first, I think the only thing I saw being talked about was LS stuff in the NY special and HM getting pink Thanosed in Shanghai and that’s it. That’s the only stuff I’ve seen between the two specials. And that’s not good if those are the most iconic things to be brought up. 
Anyway, onto my salt. 
Was the NA Order around when Fu made Feast? Why didn’t he work his way to them to pass the Miracle Box to them? Or did he know they exist? Is the NA Order aware that something happened to the Chinese Order? Presuming that they communicate, did they not reach out with how quiet the Chinese Order was and look into it or try to gather lost miraculouses if they did? 
And then there’s the wonder of the historical context. You can’t just casually reveal there’s an NA Order and Native American miraculouses that brings up a lot of questions as the Native people have experienced a lot of wrongs and sufferings in our history and still are facing issues. What does having confirmed Native miraculous mean for America’s bloody history with Native people? 
And then there’s the Shanghai special, bringing in the Renlings and that’s another can of worms. 
Not only are they another magical set from China, cause you know how magical China exclusively is since all magical stuff comes from them, but these are established coming in before miraculouses and were put away because they were “dangerous”. So, what are kwami views on the renlings and vice versa? And from what I’ve seen and heard, I don’t get how they’re dangerous? And then there’s the issue of their power set up, turning the user into an animal, and you got Fei, a Chinese girl, using it. This adds onto character of color being/becoming inhuman, and this is the 2nd special to do so (with Aeon, our official 2nd black girl to appear, being a robot). And this adds onto poc becoming an animal. 
And there’s Mei Shi, who design wise, as a “kwami” I really I like, but, what is Mei Shi? Is Mei Shi a unique kwami? A renling? Or is Mei Shi a 2nd sort of cousin to kwamis to reveal later? I also hear Mei Shi is a guardian but didn’t really do anything as a guardian. I will say, I wish now there was an in between the kwami and renling designs, for sometimes the kwamis are weird and some of the renlings look off or are creepy, and so far, Mei Shi is like the best take for that ideal mixture of both. 
While this is not lore wise related and more nitpicky, I am also bothered with Fei, not really the character herself but more the choices the creators made with her set up. Between her design and her backstory, she is essentially the older concept of Marinette that we didn’t get. 
Visually she’s had tweaks, but you can see that they took big inspirations from Marinette’s old look. How Marinette was going to originally look before they decided to make her more white. 
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And then there’s Fei’s backstory: her father being mysteriously murdered. That was Marinette’s first backstory, back in the day of Mini Menace Ladybug, coming home to find her dad mysteriously murdered. 
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And adding to this, there are implications that Gabriel might’ve played a role in the murder of Fei’s father, and I’m incredibly salty about that. Fei has more tie in and connection to ML’s plot than Marinette. 
And what frustrates me is that, by set up, they actually could’ve still given this to Marinette. You can cut out Tom and Sabine and very little changes in ML, and you can add more depth to Marinette, who is a bubbly and nice girl who wears her heart on her sleeve and will go over the moon for you if you need her to, but she has a dark thorn in her heart as her parents were mysteriously murdered and she doesn’t know why. 
Keeping in that Gabriel (and potentially Emily) played a role in their death and took something from her parents that they had, this would give Marinette that emotional stake in the plot and direct tie in to Gabriel. You could even set up that her parents had the Butterfly, Peafowl, and/or the book, and at least one or two of those items technically belong to Marinette as they belonged to one of her parents. Peafowl would probably make the most sense as we don’t when they got it or how it even got broken. All we have is that Butterfly and book were found together a year prior to the events of ML. But that comes down to how long ago the murders should be. 
And narratively, this set up would work. 
Marinette’s parents are incredibly removed from her life and are hardly ever seen; it’s also to a point she doesn’t even go to them for advise or help for anything, only Tikki. And they themselves are hardly characters of their own. At the start of the show, which we know know has her being 13 yo, she’s incredibly independent which can back the impression of absent parents. This also really backs her knowing next to nothing about Sabine or the Cheng side of her family, not even knowing the name Sabine used to go by. 
This set up also could’ve set Fu up as a closer mentor and really add to the grandfather-granddaughter theme they were going for, especially if he steps up to act as a guardian for her and secretly trained her to be ready for a miraculous, adding to how he has such faith and trust in this 13 yo to save the city. 
So that is my biggest gripe with Fei, not so much her herself, but the factor that the creators took Marinette’s most interesting and original set up (and design) and gave it to a random character who we are probably never going to see again or even get mentioned again, and is largely here for diversity brownie points and give us half hearted lore that won’t be elaborated on; and Marinette could’ve had this back story and set up instead and actually have a tie in and stake to the plot. 
it was very frustrating to hear. 
So yeah, I am more inclined to cut out the NY and Shanghai special and not count any other specials that come as lore wise, they don’t do anything or what they add is just too much and doesn’t answer much. I think the biggest shame is that there were some big appeals to them. NY and Shanghai actually should’ve been more Adrien and Marinette having their own exclusive adventures, or at least just have them be Marinett’s own adventures. 
I would’ve loved it if the NY Special was instead Marinette having her own adventure with Sparrow and Aeon and have her face a different villain who is not HM. 
And that the Shanghai special was instead giving us a look at Marinette’s Cheng side of the family, and her going to see the ruins of the Chinese Order, facing something supernatural, and potentially this is where she finds the Chinese Zodiac miraculous and brings them back to Fu. If you want to work off the canon Shanghai a bit, perhaps instead of introducing “kwami cousins”, Mei Shi/Meeshi/idk is a lion kwami who distanced himself from his miraculous, went to the ruins, and made himself a Guardian Lion to watch over what remains. They work together and he approves of Marientte taking the Zodiac, and he travels back to somewhere in Africa hinting at the special that will have Lady Lion. 
This also nicely sets up why Fu didn’t release any of the Zodiac to help LB, as what he had of the 5, Cat would’ve been the best partner to work with LB and it was worth risking the very two HM is after. Revealing that he has the Zodiac from the start didn’t work in their favor. 
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ahopelessromantic · 4 years
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Florence ➳ S. Reid
Pairing: Spencer x Reader (It’s mostly neutral except for one mention of a dress)
Word count: 2k
Warnings: None, Hotch is awesome
Your job isn’t exactly the easiest and you always knew that sometimes, it was going to interfere with your personal life. But when you and Spencer slowly start turning into strangers, you begin to worry.
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„You know, if you take a picture it might last longer. “ Your head whipped around just in time to see Emily throw her head back in a cackle. Feeling the slightest bit ashamed you lowered your head to hide the blush spreading across your cheeks. “I can’t help it he’s gorgeous, okay?” You mumbled with a pout. Your gaze had been fixated on Spencer all day or, to be precise, on certain… features of his. Emily rolled her desk chair closer to yours, a teasing grin still on her lips. “What’s got you so interested in your boyfriend though? You’re not normally this… tense.”
You were about to snap back that you weren’t tense at all when Spencer clenched his jaw in concentration and your breath quite literally hitched in your throat. “Is it really that obvious?” You sighed; you gaze once again following the movement of his hands. Prentiss patted your shoulder in the sisterly manner she always displayed around you. “Honey, at this point I think even Hotch noticed. Your eyes have been lusting after Spencer all week as if you hadn’t been dating for a year already. Has it, uh… been long?” You almost choked on nothing but thin air. “Shit, it really is that obvious.” You coughed out once you had remotely recovered. “It’s not easy, you know? Whenever I’m done with my paperwork, he has a geographical profile to get to, and whenever he’s free I’m out kicking down doors with Morgan. And then, in the little downtime we have anyway, we’re either catching up on sleep or interrupted by another emergency. I think it’s been weeks since I’ve even seen his bellybutton.” Emily grimaced. “Okay, weird picture in my head right there. But I get what you mean.” You smiled weakly. “Somehow it felt easier when we had just started dating. We were always so afraid of accidentally losing each other that we didn’t really care about anything else besides ourselves, but now that we’re an established couple it’s like we’ve got these roles to fulfil. Especially since we’re also constantly afraid that Hotch might make a full one-eighty after all and forbid us from being together or something.” “What about the downtime on the jet though? There shouldn’t be any disturbances there?” You gasped. “What the hell Emily?!” There it was again, that devilish grin on her face. “You know what?!” You hissed, trying to fight the smile on your lips. “Forget I ever talked to you about this. You know nothing, Emily Prentiss.” With that, you returned your full attention back to your boyfriend’s hands writing down coordinates on a whiteboard. But of course, now you were watching him with the hint of a grin.
“I miss you, you know that?” You whispered into the darkness of the room, leaning your head against the wall behind you to give Spencer more access to your neck. “Honey, I miss you more. God, has your perfume always driven me that crazy?” You grinned and pulled him against you to capture his lips in a scalding kiss. But of course, like always recently, fate wasn’t kind to the two of you. Your little make-out-session was interrupted by Morgan hammering against the door of the BAU’s bathroom. “We’ve got a case, you two. Wheels up in thirty and please, for the love of God, get your stares under control at least for tonight, okay?” You looked at Spencer, who had a sheepish smile on his face. “Morgan’s been on my case all week because he keeps on noticing me staring at you.” You groaned and buried your head in your hands. “Prentiss has been on mine. She keeps on having to pull me back into reality because I keep getting distracted by you.” For a moment a proud grin hushed across his features at the prospect of being the reason for your distraction, but then he visibly deflated. “I feel like we really need a break from all this.” You nodded sadly. “We really do. I fear what’s going to happen to us otherwise. Am I going to faint at the sight of your ankles like a Victorian lady?” He breathed out a laugh, but the sombre mood remained. “I’ll ask Hotch if we can have a few days off.”
It had all sounded so amazing. You, Spencer, a remote cabin in the mountains and all the time and space to reconnect again. You had both prepared by packing your favourite books, to read to each other, card games, to cheat on each other with, and oversized sweaters, to borrow to each other. You had even already gone grocery shopping to get that out of the way for the short trip into the mountains. But two children had been abducted, and the BAU needed its Team’s full capacities to handle the case. So the reservation had been cancelled, the groceries stored away and the comfortable sweaters exchanged for work-appropriate clothes in your weekender bags.
“I’m exhausted.” Spencer sighed while leaning against you on the jet. The circles underneath his eyes ran deeper than ever before and you couldn’t help the gnawing feeling of worry in your chest. You didn’t just need a break to give your relationship some of its old life back, you needed a break to really recuperate and finally sleep again. “I know, honey.” You murmured and played with his hair. He was knocked out in a matter of minutes, your heavy gaze never lifting from your lover’s tired face. “I’m sorry again, you two.” Hotch quietly spoke after sitting down across from you. You smiled weakly and shrugged. “It wasn’t your fault, please don’t feel like it is. This is just… how our lives are, right?” His ever so worried look wandered from you to a sleeping Spencer leaned against your shoulders. “I used to make excuses that this was just how things were going to be sometimes. But it helped neither me nor Haley nor our marriage. Don’t… let this become your lives’ sole content, okay?” You looked at him a bit helplessly. “But how, Hotch? At this point, I feel like I don’t even know what private time is anymore. The most intimate moment I’ve had with Spencer this month was when he saved me from a bullet. Literally. How are we ever going to balance that?” The smallest of smiles fleeted across his lips. “You can start trying to tomorrow.” You frowned in confusion. “Tomorrow?” “Starting tomorrow, if I see either of you in the BAU, I’ll have to fire you. Sorry. Don’t come back before the week is over.” You were about to protest, but he was already getting up from his seat and you couldn’t move due to your boyfriend being asleep on you. Aaron Hotchner was either the worst or the best boss in the world, you just couldn’t really decide yet.
Aaron Hotchner was the best boss in the world. With a smile you rolled your shoulders, revelling in the warmth that hovered in the air. Spencer was dozing off on the balcony, his hands still clutching a copy of A Room with a View in them, a cup of honey tea standing long forgotten on a little table next to him. He had an innocent, serene look on his face, the slight tan of the Italian sun doing wonders for his complexion. “Amore.”, you whispered carefully not to shock him. He sleepily opened his eyes, the sun painting their colour a molten gold. “Hmm?” He hummed, placing his book next to the mug and pulling you onto his lap. “We have to get going if we want to make it to our tour through the Galleria Degli Uffizi on time.” He closed his eyes again and leaned further into his chair, pulling you with him. “Five more minutes, love. Let me enjoy the view.” You grinned. “You’ve got your eyes closed, Spence.” “Yeah.”, he smiled. “I’m thinking of you in the dress you wore to dinner yesterday.” You rolled your eyes but couldn’t help the heat rising to your cheeks. “Before or after I got scampi all over it?” “After it laid on the floor of our room.” You laughed and slapped his shoulder. “Pervertito.”, you hummed. His eyes were watching you now, a lazy grin on his lips. You had missed talking to him like this, without a rush or worry that your shared moment was going to be stolen any minute. As soon as you had realised that Hotch was fully intending on going through with his threat of firing you two if you showed up at work you had booked a short trip to Florence, something Spencer and you had been wanting to do for ages but never got around to do. You didn’t want to lose any more time stealing moments with him, you wanted the time to be yours again. So not even one whole day after the finished case you had already sat on the plane, ready to leave your work behind you for at least a week. And it had been one of your best ideas so far, if not ever. Florence was absolutely stunning. It had enough museums to keep you and your genius boyfriend entertained for months, enough amazing food for you to never get bored of it and a beautiful enough apartment for the two of you to never want to leave again. “What’s your plan?” You asked Spencer at dinner that night. He frowned, putting down his fork for the moment. “My plan?” “About what’s next.”, you elaborated. “I love this, us, here in Italy. And we really needed it. I want to know where we’ll go next, so I have something to look forward to. I thought taking it easy and living into the day was the best way to go for a while, but that way we’ll always allow work to get in the way. We need established times off like this.” He smiled and took your hand across the table. “Okay. Well then, let me see. I’ve always wanted to go to Russia, especially St. Petersburg for the Eremitage. Then Munich, probably. From there we could make a trip to go see Neuschwanstein Castle. Seoul and Busan, to try out all the amazing food markets. Now that I think of it, there are actually tons of places I want to visit with you.” You smiled, a warm feeling bubbling in your chest. “That all sounds amazing. Looks like we still have a lot to see.”
“There they are.” Morgan greeted you with a grin, enveloping you in a tight hug. The Team had all been waiting for your arrival in the bullpen, ready to be complete again. “How was it?”, JJ asked with a wide smile. “Amazing.”, you sighed, leaning back against Spencer who out his arm around you. “We saw Michelangelo’s David, and I’m still not over how gigantic that statue is. And the food, you guys, the food was incredible.” Spencer turned to look at you, and the way his attention was still on you in a room full of people made your spine tingle. “(Y/N) picked a fight with an Italian about wine, though.” You giggled. “I think it was a relative of yours, Rossi.” Rossi rolled his eyes and chuckled. “Probably. Did you bring me my truffle oil though?” “We brought something for everyone, actually.”, you said proudly. “I’ll go get it.” Spencer hummed and pressed a kiss against your temple before disappearing down the hallway. Emily grimaced. “Somehow it was funnier when you were still losing your minds over each other. I had forgotten how lovey-dovey you normally are.” You just grinned at her. “You’ll stop complaining once you see what I got for you.” The banter continued like that, the whole Team just glad to have its old dynamics back, Spencer and yours included. That night you all sat in the conference room and drank the wine you had brought with you, Henry and Jack fast asleep on the sofa with their new toys. Your trip to Florence had been short, but looking around you, you weren’t worried about you and Spencer getting to that point of craziness again. This had been your wake-up call, and you were going to seize it. Italy had been the first of your trips together, but certainly not the last. Soon, the BAU would have a whole wall of postcards from all over the world.
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maeviana · 3 years
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Lorelai Gilmore & Luke Danes Analysis & how I would change the story
A Lorelai Gilmore analysis because apparently I'm doing this for everyone on the show now!
Lorelai Gilmore...how do I begin to describe Lorelai Gilmore. There are times when Lorelai can be my favourite character and times where she can be my least favourite character. 
 I think Lorelai denying the fact that she is still very privileged despite leaving her parents world when she was 16 is one reason she can drive me up the walls. Lorelai is a conventionally attractive white woman who fits the trope of 'single mom but my child is really smart so men don't see it as a turn off' - she seems to be able to get any guy she wants, the whole town falls at her feet and are willing to do pretty much anything to help her, she was promoted to Manager seemingly above Michelle (who actually went to school to train to be a concierge or whatever he is and who we know started at the same time as Lorelai) Lorelai has all the advantages of someone who spent their whole life in a small town but whenever she needs it or wants it she always has her parents money to fall back on or their connections which I get makes her uncomfortable and I don't hold her privilege against her - no but what I can hold against her is the fact that Lorelai Gilmore is not a pay it forward kind of gal.
When I say that Lorelai is not very "pay it forward" I'm going to talk about three incidents where Lorelai benefitted from something in the past which she does not need anymore and which she very begrudgingly relinquishes.
1. The first is when Suki wants to ask her if Rune can sleep in the potting shed while he is out of work. Lorelai's response to this is "Suki that's where Rory and I stayed when she was a baby" Just to recap Lorelai was allowed to stay in the potting shed rent free when Rory was growing up until Rory was 11 until she could afford to get a place of her own. Which is fine. But Lorelai has her own place now and now she is in a position to help someone else who could use the same help that she was once given and her first instinct is to keep it for herself which is made worse by the fact that Suki is asking her - Suki is Head Chef at the Inn and so she equals Lorelai in rank - as long as Rune staying in the shed doesn't interfere with the running of the inn, it should not be Lorelai's place to deny her.
2. When Jess comes to town. When Jess comes to town Lorelai doubts Luke's ability to care for a rebellious teen - which again is fine. She tries to reach out to Jess twice and ....things don't go well which I also think is fine (except for her essentially telling Jess that Dean is better than him ummm wtf Lorelai he's 17) ...look I could do a whole other post about Lorelai and Jess' interactions (Jess is my absolute favourite character on the show so you can probably guess what I'm going to say) and why they don't get on but I'm going to focus on Lorelai's reaction to the car crash and what she says to Luke in 'Teach Me Tonight' when Luke tells her he has an obligation to Jess and she responds that he had an obligation to the town and to her and to Rory. We are shown and we are told that Luke has done a lot for Lorelai and would do a lot for someone that he cares about, however, I think again that on some level Lorelai thinks of Luke's generosity towards her as a special privilege just her own. I don't think Lorelai views Jess as someone like herself who needs a "Mia" or a "Luke" to help him get through a difficult time to let him stay in a metaphorical emotional "potting shed" but look having said that she does cut Jess some breaks and does help Luke understand things about Jess.
3. Her not wanting Mia to sell the Independence Inn because she wanted a memory home....ummm what. the. fuck?
Growing up Emily tried to control almost every aspect of Lorelai's life and this has impacted Lorelai by her being ultra controlling in her own life. I think her need to have complete control over her life made it very difficult for her to get serious with anyone because to do so you need to have a 50/50 say in a shared life. I think it's really telling that her two major love interests even over the guy she was engaged to are two men who have been in her life the longest.
I think at the end of the day when it comes to relationships Lorelai just wants someone to love her and to listen to her. She wants someone who would be willing to sleep on a park bench outside her window and someone to call at 2am. i think Emily and Richard we’re a real unit in their household and I think Emily was a Wife first, a lady of high society second and a mother third. Richard was well emotionally shut down and was all about appearances. But Emily and Richard work well as a unit, they are kind of like Lorelai and Rory that way they have their own way of doing things, their own language. I think it was hard for Lorelai growing up an only child next to that kind of relationship but not on the inside. 
The story line I'm most annoyed about the writers dropping for Lorelai was the story line of her now living her life as an adult woman without a child - about her not wanting to be pregnant. The offer from her Dad's friend to buy the inn and for her to go travelling by herself! But if there is one thing that comes for all television characters in shows in the 00s it's hetero normative ideals those relentless bitches! Because...here is the thing I think that the life Rory thinks she wants for herself travelling and seeing the world as an independent woman that life is really the life that Lorelai wants. Lorelai is very like her Dad and she even says that she wants to travel like her Dad always travelled and I'm so annoyed that THAT wasn't the major Luke and Lorelai conflict instead of April Nardini. (who I think was in part written as a way to give Luke a biological child of his own and still get with Lorelai ....because again hetero-normativity) (its a trope *cough* How I met your mother *cough*) That's why the whole "Wild" trip was written for Lorelai in my opinion it's because Lorelai does want to go out and have an adventure and she does want to find herself. What's more annoying about this story line being dropped though is because the seeds for it being a major Luke and Lorelai conflict are there. Dean telling Luke that Lorelai wants more than Stars Hollow, Lorelai's curiousity about the job offer from her Dad's friend and Lukes reaction to that, Lorelai realising that some of her aversion to certain paths in life come from her parents wanting them for her which may include "going corporate" which could open doors for travel. That’s how Luke lost the last love of his life - Rachel. It was potrayed that she was always leaving - but it could also be interpreted as Luke never following her. Then Lorelai wants to travel to run incorporations of an inn that Rachel introduced her to through her pictures. 
Think about it Luke's major character flaw is that he finds change very difficult. He lives in the same town he has lived in his whole life, he doesn't change his clothes, he can't make a move. This made sense for Luke before - he needed to be so solid because his family was so erratic, he needed to be there for his dad, he needed to be there to bail his sister out but at the end of the show Luke has no reason not to change, his business is well established enough that he could trust Ceasar to run it while he was away, he (would not have had) any children, any real reason to stay in the town other than stubbornness.
I don't find April annoying as a character - I find why she was written annoying. Luke didn't need a kid. The show is filled with biological parent child relationships that don't work, that show that bonds are more about being there for someone than being in their DNA. I feel like writing as if Luke needs to have a child is just weird (it's stated and shown on multiple occasion he in fact really doesn't like kids), when he's been a relative hermit up to age what 35/40 means that maybe he'd be ok without kids and the fact that Luke is loved like a father by Jess and by Rory but no Luke needs biological children because? why?
And then Jess (who was always ready to leave and never shows his cards when it comes to love) could show up and tell him that he should go be with Lorelai wherever , that he’ll make sure Liz and TJ don’t join any vegetable cults. Because Luke now has someone else in his family that he can rely on and he doesn’t have to plan funerals and interventions for his crazy family members on his own and also the this plot line would fall in nicely with the GG theme song but that’s not that big of a deal. 
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gravelyhumerus · 3 years
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“just like a folk song (our love will be passed on)”
Fandom: Criminal Minds
Relationship: Jemily
Summary: Pregnant? Off a one-night hookup that convinced her that the relationship wouldn’t go anywhere? Impossible. Improbable. Unlikely.
Word count: 3,086
Read it on AO3 
Chapter One, Chapter Two
Content warning: mentions of Emily’s abortion and discussions of some canon typical violence.
Sitting at the edge of Emily’s large, porcelain bathtub, JJ wrung her hands. She hadn’t planned to take the pregnancy test that morning, but she had barely slept the night before. Her anxious thoughts kept her tossing and turning, wondering if she was pregnant or not. 
What would she even do if she was pregnant? What would she say to Emily?
It was their first weekend off in over a month, and instead of relaxing with her girlfriend, JJ was more stressed than she was when she was actively chasing down the worst of humanity. An unsub holding a gun to her head was not nearly as terrifying as this moment, as JJ sat and waited for the little plus or minus to tell her whether she was going to have a baby. 
The test rested on the tub next to her. JJ kept her eyes away from it, watching the two minute timer tick down on her phone. 
Emily spoke from just outside of the bathroom: “Hey, are you struggling with the shower again? I know it’s annoying, I can turn it on for you.”
JJ stiffened, realizing that she hadn’t turned the water on yet. She had told Emily she was showering as a cover for taking the test, then she hadn’t done the one thing that would hide the truth. 
She hated keeping all of this from Emily. Even when they were just friends, JJ found herself telling Emily everything. But, she still wasn’t sure how on earth she would tell Emily about the situation, either way. 
The profiler knocked again and said: “JJ?”
JJ tried to speak but let out a strangled noise, her voice unexpectedly thick with emotion.
“Are you ok?” Emily asked. “Are you still not feeling well?” 
The door opened a crack.
“Can I come in?” Her voice was soft, caring. The sound of it felt like a hug. 
“Yeah,” JJ managed. 
Emily stood in the doorframe, taking in the scene in front of her, her eyes filled with concern. She looked JJ up and down, then flicked around the room until they rested on the pregnancy test. 
“Oh,” Emily said. 
JJ could see the thoughts racing through Emily’s mind. The brunette’s brow furrowed as she processed the information. Then, Emily seemed to make up her mind, walking towards JJ and sitting on the toilet seat lid. She took JJ’s hand in hers.
“Is it mine?” Emily asked as a hint of a smile pulled on her lips. 
JJ  let out a sigh of relief at how calm Emily was with being confronted by her maybe-pregnant girlfriend in her bathroom. 
The timer went off on her phone. Emily squeezed JJ’s hands tightly. It was time to look.
“I’m pregnant.” 
———
Three tests later JJ was very much pregnant, and Emily was not quite sure what to say. They had just started to date, and she had no idea what this meant for them. 
When Emily asked how this all came to be, JJ explained that she had only spent one night with Will, back when she and Emily had just been friends. It was a relief to hear, especially when fearing the worst, but it didn’t make the whole situation any less complicated. 
Emily was forcing herself to tuck all her feelings away to be there for JJ through this, even if only as a friend. She would be whatever JJ needed. 
As the frenzy of the tests subsided, the two women sat in silence eating the scrambled eggs that Emily had managed to make for lunch. She wasn’t a good cook, but she felt the need to keep busy and keep her whirlwind of a brain at bay. JJ had a panicked look in her eyes. She was almost vibrating with anxiety, so Emily tried to keep her calm if only with her presence.
But there was only so much she could do before the questions came tumbling out of her mouth. 
Emily decided to give JJ an out. A free, no hard feelings free pass out of the relationship. JJ was pregnant for God's sake, she wouldn’t want to stay with Emily. She just needed to let JJ go. Their relationship was new, barely started. It would be a clean break. 
“You should call him,” Emily said, her voice calm, measured. “Tell him about it.”
JJ’s eyes shot up, and she squinted at Emily in confusion.
“Why? I’d rather talk about what this means for us.”
“What do you mean by us?”
JJ set her fork down on her plate and reached across Emily’s wooden kitchen table. 
“You’re my girlfriend, Emily,” JJ said. 
Emily blinked. They weren’t over after all. 
“Oh my god, Emily, no,” JJ said, standing up and walking over to her. Her hands grasped Emily’s face to pull her into a kiss. “Did you think–”
“I thought that you wouldn’t want...” Emily gestured vaguely, “Me, I guess.”
“You can’t get rid of me that easily,” JJ said, kissing Emily’s forehead.
JJ pulled away, wrapping her arms around Emily’s neck. In exchange, Emily rested her hands on JJ’s hips. 
“I just,” JJ said, her voice almost a whisper, “I don't really know what to do. This is a lot. For me, for us.”
“Think about it,” Emily suggested. “You don’t need to make any decisions when the information is fresh. You’re probably still in shock.”
An unspoken understanding passed between them. Emily knew exactly what JJ was going through. But instead of being a struggling sixteen year old in Rome, she was a 27 year old FBI agent with a stable job, a home and a girlfriend. Still, Emily knew that fear and uncertainty intimately. No matter the circumstances, it was absolutely terrifying. 
 “You’re right,” JJ said. 
JJ pressed a soft kiss onto her girlfriend’s forehead. Emily’s eyes flickered closed as she leaned into the gesture. 
“Thank you for being you, Emily.”
———
That night, both agents lay awake late into the night. The only light came from the streetlights below them, illuminating the room in a dim warm glow. The familiar sounds of the busy Washington, DC streets were faintly audible. It was peaceful, yet the weight of the day’s events was heavy on their minds.  
JJ’s blonde hair tickled Emily’s nose as she buried her face in her golden locks. Her arms wrapped around her girlfriend's smaller frame, their bodies fit together perfectly. While JJ’s breath came evenly, Emily could tell that she was still awake. 
Emily’s fingers were intertwined with JJ’s, and the media liaison rubbed her thumb along the back of Emily’s hand. The gesture was subtle, but let her know that JJ wanted her there, wanted her to stay close. 
The whole day brought back memories for Emily. Hard memories. But it wasn’t about her, it was about JJ. She needed to keep it together. 
JJ wasn’t some lost teenager like Emily was. They would be okay, no matter what. At least, that was how Emily reassured herself. 
Emily didn’t regret her abortion at all. She was able to live her full life because of it. She wouldn’t have made it to where she was now, without her friend Matthew. When she closed her eyes, she could almost picture him with his floppy hair and earnest eyes, squeezing her hand, telling her it was all going to be okay. That was the beginning of the end of her drought relationship with religion, because she knew people like her weren’t welcome there. 
She knew JJ hadn’t grown up with the same religious upbringing that she had. Sure, the Jareaus went to church on Easter and Christmas, but Emily knew she wasn’t raised in the same strict Catholic environment like she experienced with Elizabeth Prentiss, especially when they lived in Rome. Not that that made the decision any easier, but at least the weight on JJ’s shoulders wouldn’t be as heavy. 
Maybe JJ would choose not to have the baby. It was an accident, after all. And with their relationship still in its infancy, there was a lot that could go wrong. That didn’t even factor in that they were FBI agents who fly across the country every few weeks. 
Keeping it was a whole other issue. Emily had thought of having children, had always wanted to. With every case involving an orphaned child or one in foster care, something inside of Emily yearned to just take the child in her arms and protect it from the world. 
“I think it's a good idea, though,” JJ had said to her on the jet.
“What's that?” Emily asked, looking across at the blonde.
“You. Kids. I can see it.”
The comment made something in Emily’s stomach flutter.
“Yeah?”
JJ nodded. Emily looked out the window, deep in thought. At the time, she wouldn’t let herself imagine that with JJ, it seemed so far fetched. So impossible. 
Now, with JJ in her arms. Emily could see it too.  
“Either way, no matter what,” Emily found herself whispering before she even planned what she was going to say. “Just know that I’m not going anywhere.”
Emily squeezed JJ tightly, kissing her shoulder and smiling. She meant it. There was something about their relationship, albeit newly established, that felt so right. 
JJ didn’t react at first, and for a moment, Emily wondered if she had fallen asleep. Then, she heard JJ swallow before speaking. 
“I’ve always wanted to be a mom,” she replied, her voice barely above a whisper. 
Emily pulled her closer.
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andreafmn · 3 years
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Collision - Chapter 1
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Word Count: 3,434
Characters: Female Reader Uley Character, Sam Uley, Allison Uley, Charlie Swan, Bella Swan, Seth Clearwater, Billy Black, Jacob Black, Emily Young, Paul Lahote, Harry and Sue Clearwater, Leah Clearwater
Story Description: (Y/N) Uley is back home after being away for four years. Her life at it’s first standstill and she is taking this time to find out who she is without school. But she never thought that coming back to the reservation would turn her whole life around. In the midst of secrets and mystery, a man crashes into (Y/N)’s and her life will never be the same. 
*DISCLAIMER* I do not own in any way Twilight, all credits of the pre-established characters, script, and storyline belong to Stephanie Meyer and Summit Entertainment. The only thing I own is Uley Reader insert, any upcoming characters, and her storyline, as well as her effects in the others’ story line.
Chapter: 1/?
A/N: There’s no Cullen’s in the first chapter, we’ll see them soon though. Also, Esme is in the story but her and Carlisle are not together romantically. If you enjoy my writing I’ll also be posting them in AO3 and Wattpad along with other stories (I also hope to start taking requests if ya’ll want) Hope you enjoy and all constructive criticism is encouraged.
Next->
Chapter 1
Going back home felt bizarre for (Y/N). It had been 4 years since she had moved away from the La Push Reservation on a scholarship to a prep boarding school in Seattle. Although students were expected to go back home during summer break, she spent her time in summer taking college classes or attending internships in the area, so going back didn’t fit into her plans.
But she had just graduated from high school and decided that taking a gap year could not hurt. Seeing her family wouldn’t be that bad either.
(Y/N) Uley had not reunited physically with Sam and Allison Uley since she left for school, only calling occasionally but always being to busy for anything else. The mother and son duo had grown accustomed to the short phone calls and vague emails they would receive from their studious family member. The Uley siblings used to be a very close pair, being only a year apart helped their bond. But since (Y/N) had invested all her energy into her high school career, their relationship rapidly dissipated; replaced by untold secrets and life-changing details.
The Uley girl had no idea what was in store when she went back home. She had left when she was 14 and was coming back an 18-year-old with a high school diploma and a bachelor’s degree. (Y/N) had always been an over achiever and applying to the school she had and taking dual enrollment was no surprise to her mother and brother.
The bus ride from Seattle to La Push lasted almost eight hours, so (Y/N) equipped herself with two books, plenty of snacks, and a fully charged iPod to handle the ride. She had gotten the earliest ride available always enjoying the intriguing mystery that 3 am travels brought. Her brown eyes surveyed the curious characters that voyaged alongside her a young woman sat with a sleeping baby in her arms, the dark circles under her eyes signaled the baby was still a newborn getting adapted to a sleep schedule; there was a middle-aged man, his eyes attached to a computer and a briefcase tight to his side; there were two teenagers, backpacks at their feet and shared headphones in between them. They were wearing light blue polo shirt and her school insignia embroidered on the left side of their shirt. She had seen them in passing, two freshmen still energetic and excited for their school life. She looked at them and smiled, remembering being in their shoes four years ago.
Four hours in, (Y/N) had finished one book, and the bus made its first stop in Port Angeles, the place where everyone that traveled with her got off. It wasn’t surprising to see from the top of her book as everyone got off, she didn’t recognize any of them from the reservation so it would have been surprising if any of them had stayed in the bus. For the next four hours, (Y/N) continued to read her second book surrounded by a comforting silence. The sun had risen about an hour ago and a nice warmth was streaming from the bus window and (Y/N) felt herself drift in bliss.
Her eyes fluttered open once again when she felt the bus finally rolling to a stop. She blinked a few times as she adjusted her vision to the bright midday sun and her brain restarted normal functions. The brunette gathered the bag with her travel companions and got up from the chair she had been glued to for eight hours.
“Have a good day,” the driver chimed as (Y/N) was walking down the bus.
“You too, drive safe!” The girl smiled and got her two suitcases out of the side of the bus.
(Y/N) got startled as she felt two arms wrap around her midriff and quickly swung her elbow back.
“Woah, woah, careful with those arms, (Y/N). It’s just me,” the girl turned around, a gleaming grin adorning her face.
“Sam!” She jumped onto the open arms of her older brother, seeing the years that had passed on his tired face.
“Look at you, darling. All grown up,” Allison Uley smiled, tears threatening to spill from her eyes.
“Mom, I’ve missed you.” (Y/N) hugged her mother tightly, noticing the difference in heights of her and her mother. Another thing she noticed was the strain between her mother and her brother. Before she left, they all had a very close relationship but now it felt like so many things had interlaced into their bond. “Let’s go home yeah?”
“I’m, actually I gotta go to my house,” Sam scratched the back of his neck.
“What house?” (Y/N) chuckled.
“I moved out, but I’ll come over for your welcome dinner.”
“Sam, she just came back. Don’t you wanna spend time with your sister?” Allison begged, wanting to have both of her children under the same roof again.
“I can’t.”
“Why not?”
“I just can’t, mom. Leave it.” Sam sighed. “I’ll see you at dinner, (Y/N).”
He kissed the top of his sister’s head and left. He wanted to tell them the whole truth, but he knew he couldn’t. Knowing that information would put them in a level of danger that he didn’t want them to be aware of.
(Y/N) stared at the retreating figure of his brother as he ran down the street, leaving her and their mother.
“What’s up with him?”
“Oh darling, if only I knew.” Allison sighed grabbing one of the suitcases her daughter had brought. “Let’s just head to the house so you can rest.”
“Yeah, let’s.” (Y/N) gave Allison a comforting smile and wheeled the second suitcase towards the truck.
The drive home was as short as she remembered, and the house hadn’t changed a bit. She walked up the steps to the porch and opened the old wooden door; it still made the same creaking sound. The house still smelled of seawater and pine, an odd mix but a comforting scent. (Y/N) regretted all the summers she missed here and all the days she spent away from her family.
She made her way up the stairs and entered the first door to the right. She ran her fingers through the stickers she had pasted on there when she was 13: a wolf, a rainbow, a heart, and a picture of her family. Her name still carved at the highest point of the door and she smiled at the memory of that. She sat atop Sam’s shoulder when she was just 12 years old, a trembling hand holding a pick as she carved as best as she could the name “(Y/N)”.
The doorknob as it was turned let out a squeaky groan and the door needed an extra push to open. The room had not changed at all. The walls were still painted a light green, the light switch still had the pink princess cover, the bedding had the little purple butterflies embroidered on them, and the pillows were all pink and purple. In a corner rested the five boxes (Y/N) had sent to the house from her dorm room.
“It hasn’t changed a bit,” (Y/N) commented as she felt her mother’s presence behind her.
“I didn’t want to change it until you came back,” Allison smiled. “But I’m sure you’d like to give this place a bit of a makeover.”
“Definitely,” she laughed. “I think I’ll go to Port Angeles this weekend, doing some shopping can’t hurt.”
“That’s true.” Allison side hugged her daughter as she laughed. She headed towards the door but stopped when she was called upon by her daughter.
“Hey, mom?”
“Yes, darling?”
“By any chance, do you know where Sam’s living?” Allison’s body stiffened but shared the information with her daughter. Maybe she could figure out why he’d just disappeared.
(Y/N) was surprised to hear he was living with a girl she barely knew. She knew of Emily Young through Leah Clearwater, but not much after that. Last thing she had heard Leah and Sam had been dating. She certainly had missed some very important pivotal points in her brother’s life.
The house wasn’t far, so she decided to walk there. Upon arrival she could feel the warm and inviting aura that the quaint house emanated. The blue door called to her as she knocked on it. It finally opened and revealed her brother.
“(Y/N), what’re you doing here?”
“I’m here to see my big brother. Is that such a crime?” She laughed.
“No, of course. Come in,” he smiled begrudgingly. “I don’t have much time so we gotta make this quick.”
“Wow, feeling the love there,” she chuckled passing through the doorframe.
“There’s just some things that I have to do before dinner tonight.”
“It’s okay, I get it. I just wanted to ask if you could help me on the weekend with my room. I’m bringing it four years into the present, gotta make sure it looks like an 18-year-old sleeps there.”
“Yeah, I’ll come over Sunday afternoon and help you then. Anything else you need?”
“Well, not exactly, but it wouldn’t help to catch up. You know make up for four years of chit chat conversations and get me up to date with at the happenings in your life.”
“There’s not much to say other than I moved out and I’m engaged.” He said nonchalantly.
“Excuse me?! You’re engaged and failed to mention that to me?”
“It’s not that big of a deal, (Y/N).”
“Yes, it is, Sam! You’re getting married and this is the first I’m ever hearing of this or the fact that you moved out or the fact that you’re engaged to your ex-girlfriend’s cousin. I think it is a big deal.”
“Okay, yeah. Kind of a long story on that one.”
“Enough time to tell it to me?” Sam hesitated. He could hear Emily’s truck approaching and two male voices coming back from patrol. He needed to get (Y/N) out of the house before they got here.
“Maybe another time. I’ll call you on Sunday, yeah?” Sam asked as he nudged his sister out of his house.
“I guess.” (Y/N) mumbled as she was pushed out the front door. “Bye.”
“See ya.” Sam kissed the side of her head and closed the door.
(Y/N) left the house with more questions about her brother that she had begun with but didn’t want to press on. There was no use if he wasn’t going to talk, so she walked back home.
Her mother had gone out, possibly grocery shopping for tonight’s dinner, giving (Y/N) time to catch up on some much-needed sleep. She walked up the stairs and into her room, plopping down on the bed not caring how she landed. All she wanted was to close her eyes and rest.
By six in the afternoon her eyes fluttered open once again. She could smell the dinner her mother had been cooking. The room had darkened as the sun was going down and thankfully her mother had turned on a lamp for (Y/N) to have some vision. The girl got up from bed and grabbed some clothes from her suitcase to take a quick shower before dinner. She stripped all her clothes off and let the water wash away all the hours of the day. As soon as the water started turning cold, she shut it off and got out.
For a second, (Y/N) stopped and stared at herself in the mirror above the sink. She barely recognized the girl staring back. The bags under her eyes were deeper than the last time she had seen herself in this specific mirror, her cheekbones were more defined than before, her skin paler than usual since she hadn’t really seen the sun in a while.
It didn’t take her long to change into some new clothes and head downstairs, where she saw her mother on the phone. Disappointment evident in her eyes.
“Sam, it’s your sister… please… ok, fine. Just don’t flake on her on Sunday,” Allison sighed, turning off her phone and slamming it on the counter.
“Everything okay, mom?”
“Oh, yeah, darling. Your brother won’t be able to join us, but Billy and Jacob, and the Clearwaters are on their way, and I also invited Charlie and Bella Swan. I hope you don’t mind that they join in.”
“No, I don’t mind. What about Paul?”
“You know I’ve never liked that boy, honey.” (Y/N) stared at her mother. Refusing to continue the conversation until Allison answered the question. “I did invite him, but he couldn’t come.”
“I love seeing you make an effort,” (Y/N) laughed and kissed her mother on the cheek. “I’ll set the table.”
“Thank you, darling.”
(Y/N) grabbed the 10 plates needed for the night and the respective cutlery. She still remembered how her mother liked the table arranged and set it as such. She set the vase filled with fresh flowers in the middle of the table, leaving space on the sides for the dinner platters. The arrival of the guests was soon after. (Y/N) had grown alongside Jacob and Leah, and on the summers, she would spend her times with the Swan girl. Once Seth was born, he became very close with the Uley girl.
“My oh my, (Y/N), how you’ve grown.” Billy Black grabbed Uley’s hand and smiled up at her, with the warmness that summer brought.
“Indeed, I have, and you haven’t aged a day in four years. What’s your secret?”
“It’s in the genes,” he laughed alongside the young girl. She’d always been a charmer, he thought “You remember my boy, Jacob, right?”
“How could I ever forget? Hey, Jake!”
“How you’ve been, (Y/N)?” Jacob approached his friend and wrapped her in a hug. “Been an awful long time.”
“Four years, that’s not much,” she smiled. “Come in.”
The father and son duo entered the house, and next came the Clearwaters. Harry, Sue, and Seth. No Leah. They had always been close to the Uleys, a bit of divide coming after the rupture between the eldest offspring of each family.
“Oh, wow, where has the time gone?” Sue commented, greeting the girl with a tight hug.
“4 years really do go by quick, don’t they?”
“They sure do, Harry.” (Y/N) smiled, motioning the couple in.
Finally, Seth walked in and engulfed (Y/N) in a tight hug. The girl was 5 years his elder, but he considered her one of his best friends. Seth and Paul were the only two people (Y/N) kept in close contact other than her family. For some time, Paul and (Y/N) had drifted apart but Seth always sent his monthly excited letters, updating her on what he had been up to.
“I missed you, (Y/N)!” Little Seth spoke into a bundle of brunette hair.
“I missed you too, Seth.” She smiled as he walked past her, joining his parents.
The last to enter were Sheriff Swan and Bella. The cop smiled at the girl and gave her a quick hug, commenting on how much she had grown, a low chuckle leaving his throat. Bella entered with hunched shoulders, possibly not wanting to be there but she still smiled at her old friend. Vague memories filled the girls’ heads of summer play dates and days at the beach.
“It’s been quite some time, huh?” Bella muttered.
“It sure has. It’s great to see you again,” (Y/N) smiled. “How have you liked Forks now that you’re back full time. Still hating cold weather?”
“Yeah,” the pale girl chuckled. “But it has its better days.”
The girls joined in a quick giggled before joining the rest of the group at the dinner table. Allison had already set the table and had said her hellos to the group.
The three males had engaged in sports conversations and the teens were all huddled in the kitchen munching on cheese and crackers and engaging in small chit chat.
“So, (Y/N), 18 and already a degree, how does that feel?” Jacob asked, stuffing his mouth with cheese and ham.
“Well, as good as it can be. Don’t know exactly what I’m gonna do now. All I know is that I’m taking a year off and taking a breather for the first time.” (Y/N) chuckled.
“I just can’t believe you’d spend all this time going to school, twice as much. I don’t like school at all,” Seth chimed in, picking apart the cheese and filling his mouth.
“So, you spent these past four years studying, including your summers?” Bella added.
“That’s correct,” (Y/N) smiled. “And now I have a degree and nothing to do with it.”
The group chuckled and moved towards the adults as they were being called to dinner. In the center of the table was a big platter of spaghetti and meatballs, (Y/N)’s favorite food, a tray of toasted garlic bread, and a bowl of a colorful mix of spring salad.
(Y/N) always enjoyed her mother’s cooking. Even on her saddest days, Allison’s cooking could warm her heart at any time. She and her mother had a very close relationship, even after four years of distance. Since her father left early in her life, her mother had always tried her hardest to make sure both her children were loved and cared for. And she stayed wondering where she had gone wrong with Sam and hoping (Y/N) didn’t stray away as her eldest had.
The dinner group had all taken their seats at the dinner table and were passing around the various platters, serving themselves their desired portions. Jacob and Seth were overfilling their plates, receiving a laugh from their respective parents. Charlie, Harry, and Billy were filling their plates with more protein than carbohydrates and the moms at the table smiled at the males engulfing the meatballs. (Y/N) looked around the table and smiled. It had been a long time since she had sat down with the important people in her life and was relaxed, even if two of them were missing.
After everyone was served, everything went almost quiet. Some background music could be heard from the living room and the sound of forks hitting plates and mouths chewing filled the environment. Everyone was comfortable with the silence, but there was still one question in everyone’s mind.
“Where’s Sam?” Seth spoke up, voicing everyone’s question. The whole table paused in action and Seth felt like a deer caught in the headlights. Sue softly elbowed her son. “What?”
“It’s okay, Sue,” (Y/N) smiled. “He couldn’t be here, bud.”
“Maybe he was feeling bad, like Leah.” He added earning a burning stare from both his parents.
“Maybe, Seth.”
“I just wanna apologize for our daughter missing this dinner. I know she really wanted to see you, (Y/N).”
“Oh, Harry, it’s really no problem. I’m sure I’ll catch up with her soon enough.” (Y/N) smiled trying to ease the tension felt in the room. She could see her mother gripping her fork tightly as she kept her head down. “But I would also like to apologize on behalf of Sam, I know he wanted to be here.”
Everyone simply nodded and went back to their plates. The rest of the evening was enjoyable. No one mentioned the pair that was missing, and (Y/N)’s past four years were questioned in depth. She had an answer for everything except “What are you gonna do now?”
She didn’t know and that’s what she answered. She mentioned she wanted to study medicine, having finished a degree in biology and always loved taking care of other people. Sue was excited, being a nurse herself. But (Y/N) had landed at a standstill in terms of her life and career. A vast portion of her life had been defined as a student and now that this part was over, she didn’t know who she was.  
The dinner festivities were over soon thereafter, leaving Allison and (Y/N) to clean up after the group. The Uley pair put everything away in silence, exhausted from the eventful day. (Y/N) could see as her mother wiped away a few stray tears, sniffling behind her hair. The girl knew better than to bring the topic back up and left her mother with a kiss on the temple and a good night.
Upstairs, (Y/N) prepared herself for bed. The event had drained nay energy still left in her and she plopped down on the bed with a small thud. She had prepared her clothes for the next day, knowing her energy would also be drained but still excited to have this change. Her eyes fluttered close as she heard in the distance her mother’s quiet footsteps on the staircase, darkness overtaking her.
Next->
A/N: if you wish to be tagged for the next parts, please let me know. I’d be happy to. <3
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