#hansel and gretel adaptations

[adarkrainbow]

Why was Hansel the meal of the witch?

This is a question I was aked recently, and I thought it would make a good subject for a post. "Why did the witch only try to fatten up and eat Hansel? Why didn't she imprison and fattened up Gretel too? Why did she choose to make Gretel her slave instead of Hansel?"

Which is actually a fascinating question. Now, I do not promise that there is some grand truth or secret meaning behind this. It is just a little detail and some technical workings of fairytales. But it is a point that many authors and rewriters have taken an interest upon, and that if a true well of reinterpretations.

So let's go... Why was Hansel the meal, and Gretel the slave?

If we go by the "canon" of the text (of course "canonical" fairytales do not exist, this is just an expression) - if we go by the Brothers Grimm's text, we... well we do not know. It is not specified anywhere why the witch decides to lock up and fatten up Hansel out of the siblings, and to not do the same thing for Gretel. There is no reason explicitely spelled out or given. Maybe she simply prefers the meat of boys over the one of girls? This absence of justification, and the apparent "randomness" of the choice opens a door for authors who would like to change things: for example in "A Tale Dark and Grimm" (the book, not the Netflix series), it is both Hansel and Gretel that are fattened up by the witch, and she only picks Hansel as the first one to be roasted. The Looney Tunes Hansel and Gretel also were both in the cooking pot of the witch Hazel...

The text only leaves implications for the reader. For example, the need for the witch to have a slave/assistant to help her with the chores is implied by the facts that she is 1) elderly 2) has a very bad sight and 3) walks with crutches (a very important point). So it is understandable she would require a slave to help her - but then why pick Gretel, and not Hansel? Again, the text does not answer. Many people like to portray Hansel as the oldest child of the duo, and Gretel as a younger sister - this is because Hansel seems to be the strongest, bravest and most intelligent one, as well as with how his name always comes first in the text, Gretel being after him. Maybe the witch chose to eat him first because he was precisely older, and thus there was a more developed body to eat? Even if the siblings are of the same age, we can always imagine the very old and present male/female dichotomy that claims that men's body are naturaly stronger, larger and meatier than women's, who have graceful, slender, lighter bodies. Maybe such a concept is at work, putting forward a mindset where a cannibal witch will always go for boys first as a main course, and girls next as an appetizer...

One possible reading of the story is that the witch only had enough place to lock up ONE child and thus had to make a choice. Maybe there wasn't enough room for two kids in her prison for future meals? This interpretation is supported by the ORIGINAL text of the Grimm's fairytale. In the first edition of the brothers Grimm's fairytales (provided by Jack Zipes), there is an explicit mention of the place Hansel is locked in: it isn't some sort of stable or cage as it would later be described, oh no! It is a chicken coop so small Hansel can BARELY MOVE. It is a really tiny prison, in which he barely fits. Of course, on a practical side, it can help with the whole fattening process since having a child eat rich meals without ever moving is certain to make him plump in no time (just look at these horrible industrial farms and how they lock up animals in tiny cages) ; but this detail actually explained why the witch only placed her efforts on one child, and not two: she obviously had only enough to place to lock up one kid, and had to deal with the other in a different way.

But even if we admit all those implications - that the elderly, handicaped witch needed a help, that she had only enough room to lock up one child, that maybe Hansel as an older boy makes a better meal than Gretel - there are still some strange and bizarre logical holes. For example, the witch beats up and starves and exhausts Gretel. This is the complete opposite of what she does to Hansel, who is pampered and fattened up - does this imply the witch maybe does NOT want to eat Gretel? Or does she really have only enough resources to fatten up one child, and can only afford making Gretel more edible once she is done with Hansel?

Again, mysteries upon mysteries. Fairytales are not created to work on practical details or actual psychological processes - they are stories relying on powerful visuals and ancient motifs and a dream-logic-structure. When we are told that the witch locks up Hansel to fatten him up and eat him, and that Gretel is becoming an abused slave, we just accept it, because it works on a set of powerful visuals, such as the malnurished slave sister cooking and feeding her imprisoned and soon-to-be-killed brother. The idea of the sister being reduced to a tool in the process of killing her own brother is a very powerful one, never explicitly stated, but still present and sometimes used by adaptations. There was this German Hansel and Gretel movie released in 2005 that explicitly played on this: the children were never told by the witch her intentions when she locked up Hansel, and for the first week or so of Gretel being a slave and Hansel fattened up, they were left in the dark concerning the real intentions of their mysterious jailers. This was a stark contrast with many Americanized adaptations that have the witch gloating and explaining her cannibalistic desires to her victims, and which opened the door for some interesting plot points - in this movie's case, Gretel being quite jealous and envious of Hansel's new life of feasting and being kindly treated by the witch when she got all the insults and chores. Of course, when they discover the truth, their mutual feelings reverse as Hansel realizes his seemingly "easier" fate is actually the worst of the two.

Still, the text is left ambiguous and open-ended enough for us to imagine TONS of things. There could be a rewrite of the tale where the witch exclusively eats little boys, and hates little girls. One nterpretation of dark poetry of the tale can be found in Znescope's Gretel mini-series. Despite this mini-series having BIG flaws (the choice of the witch's true identity was... quite bad to be honest), it does have a very interestng and morbid answer to the "Why was Hansel the only one fattened up?" question. It chooses to depict this difference of treatment as a sick and cruel game the witch plays with her preys: Hansel and Gretel are both her prisoners, but she fattens up Hansel while she starves Gretel, to make a contrast between the two, simply out of a perverse amusement. There is one particularly striking image of the two children locked in two cages arranged like a weighing scale, with Hansel's cage going lower as he grows fatter and Gretel's going up as she becomes skeletal... It is a nice visual contrast that has been reused by various artists.

Now, I spoke mainly here of the content of the story and of the text itself. However, as I stated before, we must look beyond the story itself to understand why Hansel was to be the meal, and not Gretel. Or rather we need to look at the fairy tale's structure, on a meta-level.

As I said before, the fairy tale works here on a system of duality. Hansel and Gretel are meant to be a yin and a yang, complementary reflections. The boy and the girl, the brave and the coward, the cunning older brother and the crying little sister. The idea that their fates are "split" into the house of the witch not only furthers the anguish of the characters, who at this point were always together but now find themselves separated, unable to face together the same trials, but also keeps on playing on these visuals and motifs. As I said, there is something that many artists read in the tale, in the opposition between a malnourished Gretel and a feasting Hansel. This is part of the same duality of food and famine present all throughout the tale, such as the woodcutter's famished and poor household, opposed to the witch's house made of sweets and with chests full of pearls. The siblings represent two forms of abuse and evilness enacted by the witch, but in complementary forms: with Gretel the witch becomes a domestic abuser and an enslaver, with Hansel she becomes a jailer and an ogress.

One can also read in this an extension of the typical sexist duality between men and women in these old centuries: the fates the witch forces upon the two children can be caricatures of what each gender is supposed to "do" in such a society. Gretel, like women, is expected to do household chores and to cook for her "man" - here it is caricatured into her becoming a slave, and only helping fattening up her brother like some cattle. In return, Hansel, like a man, is supposed to be well-treated and well-fed, but here the caring wife/mother figure is a monstrous hag who only makes him feast so she could eat him later. In fact, it is quite interesting to see how both siblings are dehumanized and reduced to the status of animals - from Hansel being fattened up in the stables like some pig or chicken, to Gretel being fed leftovers like a dog.

All of that being said, there is another much needed argument that must be made: the answer fo thte question can be easily found in the story's structure. This is the most obvious solving of the problem when you consider it all: the story of Hansel and Gretel relies on the idea that the two children must save each other in turn. There is a balance in the tale, which bears the name of the two protagonists as heroes, but one before the other. During the first part of the tale, it is Hansel who takes the lead and the decisions. He is the cunning hero who tricks his parents, saves his sister from the woods, returns home thanks to his plan. Gretel is only seen being scared, and crying, and not doing anything except follow her brother around. In the second part of the tale, within the witch's house, it is Gretel who becomes the hero. Her brother is "out of the race", locked up away and unable to do anything, and it is Gretel who this time has to trick the deadly parental figure, come up with a clever ruse, and ultimately save her brother from death. This creates a perfect balance between the two characters: Hansel starts out as the hero protecting his useless sister, and then it is Gretel who vanquishes her uselessness to become the hero saving her own, impotent brother. The siblings need each other to survive, and thus save each other in turn. This is how the story works. And this is why Hansel must be the locked-up, fattened-up victim, so that his sister can save him. Else it would have been the story of "Hansel", and not "Hansel and Gretel".

All of that being said, a last point must be made about a final theory. A theory and reading of the tale that has been very prevalent and prominent in recent adaptations of the story.

The recent "Gretel and Hansel" horror movie did it. Before the (X horror movie) also did it. Neil Gaiman's Hansel and Gretel also used this idea. The comics Fables toyed with it in a side-way. And this idea is simple: the witch did not want to eat Gretel, but rather wanted to make her a witch like herself. Gretel wasn't the witch's slave, but unwilling apprentice.

This idea is born of course from a reconsideration of what a "witch" is, and the gender questions attached with the figure of the witch. In the original story, the witch is not a witch in the modern sense of the term, in fact she is a monster that is very clearly an ogress by another name. There is no question of learning how to be a witch, or making deal with dark powers, or anything like that. But when you read the tale with the modern sense of "witch", as a symbol of dark and hostile feminity, as a woman of power, who works against the domination of men, or the tyranny of patriarchy - when you consider all the gender questions surrounding real-life witches and the witch hunts, you see the witch's actions under a different eye. Her not wanting to eat Gretel at first, and making her do her chores, and forcing her to live with her, might hint at the fact she still considers her more "human" or more valuable than her brother, who is nothing but food, a mere cattle. Several of the modern reinventions of the tale, such as those stated above, decide to add the twist that the witch actually wants to shape or make the little girl into her image: from a slave doing the witch's chores, she becomes the witch apprentice, who is by her side in everything she does. Some of those readngs remove the elements of abuse towards Gretel, while others do not forget them. Neil Gaiman's take on the story is especially fascinating as the witch is explicitely described as oscillating between periods of sweetness and kidndness, promising Gretel all of her secrets and great powers, and periods of pure hatred and violence where she just insults and beats up the girl - all of it highlighting either the witch's madness, or a form of senility due to her old age.

But this theme of "Gretel as a future witch" or "Gretel as the witch's apprentice" ties in with another subtext well-hidden in the original text, but that many like to weave upon: Gretel as the "daughter" of the witch. In many of those rewrites and reinterpretations, the witch doesn't just treat Gretel as an apprentice, but as an heir or a replacement daughter. This is no surprise since it is very clear that in the original tale, the witch is the dark side of the mother figure, and an evil doppelganger of the wicked stepmother/mother of the siblings. As such, it makes sense for her to impose an abusive and unconsented motherhood upon Gretel - doesn't her forcing the girl to do all the chores not reminiscent of how famous fairytales stepmothers treat heroines like Cinderella? Such a perverse motherhood was already explicit and obvious in her treatment of Hansel: like a mother she nourishes and feeds Hansel (in fact she succeeds where the wicked stepmother failed), but this is all to devour him, in a ritual of "un-birth", she becomes a death-givers who doesn't expel a child out of her womb, but has it return to her stomach. [This is a very common and usual motif among ogres of fairytales, who are all caricatures of parenthood].

More generally, to have the witch act in such a way actually makes the fairytale more "feminist" somehow, but in a quite perverse way. Because in such a reading, we have a women-dominated world. The true active and powerful characters of the story are beings such as the wicked stepmother and the witch, who command, control and influence the other characters - especially the male ones. The father is a weak puppet who can't stand up to his wife, Hansel is reduced to a fat pig in a cage. Hansel did try to escape the tyranny of the wicked woman, but all he could do was push back his doom, and his plans ultimately failed. Gretel, as a woman herself, is given a special treatment - and in the "apprentice/daughter" interpretation, is "absorbed" by this world of wicked, dominating women. But she actually breaks from it, and kills the one that would have "turned" her - and it is telling and interesting that the only one who can have a true an full success, a definitive victory in this tale is Gretel. Hansel's plans work and save them, but only for a brief time, and his last plan fails dramaticaly, before he gets locked up and "out of the story". Gretel meanwhile, when she gets the courage and intelligence to act, proves herself much more efficient and definitive than her brother, as she puts a true end to the threat other them by killing the witch (and by extension killing the wicked stepmother/mother). This is something Hansel couldn't do - all he could was trck the wicked woman, and nullify her plans, but he could not remove the threat of the death and the hunger.

Anyway, as you can see, despite being a quite superficial and silly question, this fact (or rather absence of facts) opens up a whole jar of various interpretations, readings and themes, and proves the hidden complexity of these apparently "simple" stories.

#hansel and gretel #hansel #gretel #witch #fairytale analysis #the gingerbread house witch #grimm fairytales #german fairytales #hansel and gretel adaptations

[gryffindorconsultingtimelord]

Looking at the Fandoms and Fantasies release schedule to see what comes next!🧐. Listen to Hansel and Gretel, out now!

#nerd #talknerdytome #nerdy #fandom #fandomsandfantasies #movie #hansel and gretel #hansel and gretel witch hunters #jeremy renner #fairy tale adaptation #fairy tale vibes #fairy tale movies #movie recap #movie review #fandoms and fantasies #podcast

[sumquiasum]

11 & 22

11) A film whose main genre is comedy

Everyone watch Hundreds of Beavers right now immediately. Also watch it legally if possible, the film maker has specifically asked ppl not to pirate it cause they made a really good deal with am*zon and apple.

Also everyone who likes queer cinema should watch Touch of Pink. Endearing 2000s gay comedy.

Other favourites include Deadstream and Down Low. One's a horror comedy, the other a crime romance comedy? Don't know how to describe it but it's great. Also made me look up whether Lukas Gage is gay and he did get married to a man so congratulations to him.

22) A novel/play adaptation

Fire Island is my favourite Pride and Prejudice adaptation updated to the modern age.

I didn't like All of Us Strangers all that much but taking a novel and seeing the potential for a heart-wrenching gay love story is admirable.

I think turning a manifesto into a political heist movie is very fun which is why I recommend How to Blow Up a Pipeline.

Ask me a number and I'll respond with a movie recommendation

#movie asks #thank you anon!! #contemplated gretel & hansel for the adaptation question #also romeo + juilette cause I just got reminded it exists #there's so many fun comedies too #just went with (semi) recent favourites

[pinkmeanieofficial]

Gretel Süß (Hänsel and Gretel)

Witch Hunter (For Hire) - Ex-Child Celebrity

(My adult version based from the original. Kid got old and bold :D)

#puss in boots #shrek #oc? more like an adapted version of the canon #hansel and gretel #gretel #witch hunter #shrek lore

[dyinggirldied]

If there is ever a Hansel and Gretel adaptation again, I hope it includes stuff like the two kids’ PTSD and/or depression after the whole ordeal with the witch, and with the father before and after.

Like, the father consulting with the step-mother to have the two kids going to the forest in hope of them either having better chance to survive/dying quickly rather than starve to dead at home make him a somewhat interesting character.

Also, let Hansel and Gretel be that typical sibling relationship: fighting with each other for most basic thing but going overprotective over the other if something happens (honestly I have always thought Hansel and Gretel were twins since I was a kid) while struggling to deal with their mental health, family problems, ongoing plague (a nice parallel to real life), maybe with some subtle class discrimination as a small treat.

I want a movie where these two kids figuring things out because like, what now, after this?

Maybe they will develop a biased complex where they have a mistrust towards magical beings. Granted, this is a fairy tale land so encounters happen I supposed.

A fun twist I can think of is that both Hansel and Gretel finds out they are descendants from a witch/have magical powers and that fact practically destroys them.

Also: werewolf Red Riding Hood

#fairy tales #hansel and gretel #modern adaptation #i read fics about them and most of them just have gretel be powerful bitch while bashing both father and brother #not a lot of nuance to be honest #mental health #mental illness

[killstreak-kritzkrieg]

this image but it’s me shielding hansel from bad hansel and gretel adaptations while screaming “WHERE IS YOUR ANGER? WHERE IS YOUR RAGE?” and he’s crying because i’m scaring him

#if you’re wondering where gretel is i actually don’t mind a lot of how she is handled in most adaptations tbh #at least from the top of my head i can’t remember any particular egregious examples #i just. clenches fist. hate how hansel’s situation is handled every god damn time. #it hurts lmfao #andys special interest tag #blood cw

[imyourbratzdoll]

𝒕𝒉𝒆𝒚 𝒘𝒆𝒓𝒆𝒏’𝒕 𝒂𝒔 𝒔𝒕𝒖𝒑𝒊𝒅 𝒂𝒔 𝒔𝒉𝒆 𝒕𝒉𝒐𝒖𝒈𝒉𝒕

🕊️a whore's fairytale masterlist🕊️

summary - being the granddaughter of the witch that tried to eat hansel and gretel wasn't fun, especially when they come back to seek revenge.

warning - smut, dubcon, swearing, spitting kink, spit roasted, threesome, kidnapping, mentions of death and eating children, mentions of attempted abandonment, oral sex, creampie.

18+ only please, the gif and headers I use aren't mine.

Warnings and Reminders - Please do not plagiarise, copy, repost/republish, adapt, or translate any of my work on any social media platforms, apps, or third-party sites. The only platforms I post my work on are: Tumblr and Wattpad. I do not own any character of any franchise (Marvel etc.) All my works are fiction and may be dark or triggering content: READ ALL WARNINGS BEFORE PROCEEDING.

Steve Hansel and Nick Gretel (their parents were hoping for a girl) made a pact years ago to never enter the woods again, not after that fateful day of crossing paths with the witch. When they were kids, their mother had unfortunately passed away, causing their father to find solace in the arms of another. They remembered the wedding clearly, how their hearts nearly beat out of their small chests as their father remarried the woman who would bring hell to their small family.

The hatred that leaked from their stepmother’s flesh could only be noticed by them; their father too blind with heartbreak to even notice. At their age, they were too young to understand why their father would remarry if he wasn’t in love with the woman. But as they grew older, bypassing the trauma they experienced. They began to realise their father was trying to fill a void with the first woman that passed. 

The one thing you should never do in a fairytale is trust the stepmother, the boys learnt this the hard way. Their family wasn’t the wealthiest, having to survive off the small crumbs that they could find or gather. They trusted the woman when she had said that she found some food they could harvest not too far from their home. Steve being the smartest out of the two, made sure to fill his pockets with some rocks, nodding toward his brother Nick before they followed, creating a small path along the way so they wouldn’t get lost. Their stepmother left after distracting them long enough, ensuring that she could finally get rid of the two extra mouths to feed. 

But the boys didn’t worry as the older of the two, gripped his brother’s hand and led him back home. Following the small rocks, and once they stepped foot out of the dreadful woods, they were greeted by their father who had been worried sick. As a small child, you’d think nothing of this, but as their father wrapped the two into a warm, loving hug. Steve looked over his shoulder, resting his chin on his father and smirked at the fuming woman, her lip sneered upwards as she realised her plan had failed. 

Her second attempt had somewhat succeeded; she lured the boys back out with the promise of more food. Steve having not collected any rocks that week, grabbed his leftover bread and decided to use that as their way back home. Yet, he had forgotten that they were not the only hungry creatures living in the woods. As a child when you get lost, you become scared and you don’t know what to do, you expect for an adult to come and save you because how could a child do that for themselves? They weren’t built to protect themselves, they had adults for that, adults to learn from so that they could carry on protecting when they got older. The boys were terrified, but Steve wouldn’t show it because it was then that he realised he would be the one protecting his brother from now. 

Hands gripped tight, they wondered through the woods hoping to find their way back home until a small shout came from Nick’s mouth, Steve’s head whips around and his eyes widen when he sees a house made completely of gingerbread, decorated with the finest lollies, he could feel his mouth water and before he could stop his brother. Nick dropped his hand and took off running toward the delicious looking house. His mouth already opened as he began to nibble on a pillar, his stomach filling immediately. Steve caught up with him and slowly begin to eat as well, what harm could this do? They were kids, living in a poor home with barely any food to keep their stomach from rumbling every five seconds. 

This was where the real horror began, an ugly old woman slammed open the door, screaming at them before she dragged the boys inside. Again, another promises them food, as if there were a giant sign on their head signalling, they needed it. Steve’s eyes darted around the home, connecting with those of a girl’s, her eyes wide and lips pouted. He wondered if the two were related or if she was also kept prisoner as the wicked old witch shoved the boys inside a small cell. She kept mumbling on about filling them up and eating them, causing the boys to try, and come up with a plan to get out of there. 

The witch called upon the youngest, telling him to help her with the oven door. The young girl watched from the corner, observing, and ignoring as the eldest boy tried to get her attention. Her grandmother wouldn’t like that, she wanted the young girl to continue studying their witchcraft, wanting her to continue their legacy if anything ever happened to her. She watched as the oven door managed to open, and her grandmother turned toward her, something that she shouldn’t have done as it distracted her from the boy beside her. 

“Y/–” The witch is cut off, a scream leaving her as Nick pushes her fat body into the oven. The girl too shocked to move, she felt her body freezing up instead of rushing over to help. Nick stumbles towards his older brother, yanking the cell open and running with him as they escape. Steve turns his head, eyes connecting with the young girls, he gulped as her face slowly morphed into an evil look, her eyes narrowed and dark, with a promise that she will one day become strong enough and find those that killed her grandmother. 

As the boys ran for their lives, twists, and turns, narrowly missing the trees and bushes. They somehow managed to exit the woods and head toward their home where their father was, again worried sick for them. He pulled the boys into his arms, holding them tight and listened as they went on about their stepmother and then the witch. None of the boys noticed that the stepmother never made it back, getting lost herself and the father was glad that his boys were home again. Steve and Nick looked at each other and that day they made a pact to never step foot in those woods again. 

That pact was broken as the now men wandered into the woods. “I thought we agreed that we wouldn’t step foot into these woods again?” Nick sneered, not being able to ignore the chills that spread through his body at the thought. He gripped the sword tight, one that matched his brothers. 

“Father is old, Nick. We are barely passing by as it is, and we need the food. You know that for us to be here again, it is our last resort.” Steve tried getting his brother to understand, he didn’t want to be in these woods either. Not after the look that young girl gave him, after that day he had managed to get the town in on searching for her, of course some believed there was a witch in the woods as their own children have gone missing. But they had all come up empty, which left him to think that they were related. It would explain the look she gave him as they ran out of there. 

After that day, the brothers became a bit darker, smarter. Their minds had twisted, no longer sweet and innocent. Nick grunted, kicking a rock that got in his way and watched as it flew across the ground. “I know, but. It feels…” He paused, not knowing what word to use to describe the feeling. 

“I feel it too.” Nick felt somewhat relieved that his brother could feel what he felt too, but he didn’t know if that was a good or bad thing. “Come on, we better get going before dark.” Steve ushered his brother forward, heading in a direction opposite the one that caused their trauma. They took cautious steps as they wandered through the woods, managing to gather some food and kill some animals.

Nick hit his brother’s arm; eyes wide as he gestures to a house in the middle of nowhere. A replica to the one many years ago. Steve can feel rage build inside him as he stares, wishing the place would burn down. “That can’t be the same one. We went another way!” Nick exclaims, horror filling his bones. 

Steve launches forward, his feet stomping against the dirt and leaves as he heads toward the house. Nick stumbles along, trying to stop his brother even though he feels the same rage deep inside. They both release a breath as they stop in front of the door, the sweet scent of gingerbread filling their senses. Before Steve can knock, the door flings open, and their mouth falls open.

You stand there, your hair perfectly wild and your long black dress falls gracefully while hugging your figure. Your eyes are sharp as you glare at the two men, it was as though they couldn’t breathe. You were so beautiful, practically glowing as you stared them down. “Who do you think you are trespassing onto my property?!” You growl, starring up at the men as they tower over you. You could feel it in your bones, they felt familiar, as if you knew them from somewhere. 

Steve’s eyes widen more than before, your eyes. He had seen those eyes before, his brows furrowed, and the rage continued to build as he connected the dots. You had grown, it wasn’t hard for him to remember those eyes. They had haunted him for years, striking fear deep inside him and his brother. “You! You’re the little girl!” He fumed, only to be held back by his brother as he tries to step forward. 

Your eyes widen slightly as you begin to remember who they are. The men that made you an orphan, causing you to watch as your grandmother cooked. “Oh!” And like that, ever so subtly. Your demeanour changes, a soft smile replacing the frown, your eyes lighten and your back straightens. “You’re the boys that saved me! Come in! Come in!” You usher them in, sneering and coiling on the inside as those words slip from your lips. This was the only way you could get revenge, a life for a life. “I’m just preparing myself some dinner if you two would like to join!” 

Steve and Nick cautiously follow you inside, looking around. “It’s not children, is it?” Nick lets out a small ‘ow’ while rubbing his head when Steve whacks him, giving him a ‘what the hell’ look. Your soft laugh causes them to slightly relax, thinking you might be different.

On the inside, your laugh is cruel, wicked. You couldn’t wait to watch the brothers burn, finally getting the satisfaction after all these years. “Of course not, why would I eat children?” You bat your lashes innocently at him, smirking inside as he blushes. It was now or never, you needed this. “Could you please help me?” You pout, knowing you have the youngest brother in your palm. “I–I’m too weak to open the door… And I usually end up hurting myself.” It was a long shot, maybe they’d connect the dots, maybe they wouldn’t but you were so close.

Nick nods, beginning to head over. A sense of Deja-vu hits him but he ignores it, you seemed so cute and innocent. What harm could someone as tiny as you do? Steve watches, his stomach twists, trying to tell him something and out of the two brothers he listens. You seemed distracted, only watching Nick so he decides to move slow, sneaking behind you. 

You noticed too late, a gasp falls from your lips as Steve grabs hold of you, locking your arms behind your back, pressing against his front. “Let go of me!” You struggle against his hold, sneering at them. “I swear to god if you don’t let me go, I’ll make you regret this!” You yelp as Steve tugs on your arms harshly, pushing you toward your large wooden table. 

Nick blinks, looking between you and the oven before letting out a gasp. “Oh my god! It was going to happen again?!” Steve rolls his eyes, gesturing his brother to come help. Nick quickly stumbles forward, taking over for his brother while Steve walks into your line of vision. He crouches down, looking into your eyes while he reaches forward and tucks a fall piece of hair behind your ear. 

“Did you really think we’d be stupid enough to fall for that a second time…” Steve looks at Nick before shaking his head, looking back down at you. “Okay, maybe one of us wasn’t stupid enough.” He ignores the small ‘hey’ as he gives you a smirk. “What should we do with you, huh?” 

“Let me go!” You sneer, glaring daggers at the man. Nick groans as you push back against him, accidentally grinding against his bulge. You gasp, eyes widening. “You pervert!” You thrash around, your movements not helping the man behind you. 

Steve grins as he realises what he’s going to do to you. He reaches forward and grips your chin, tilting your head back enough that it begins to strain your neck. He leans forward, keeping eye contact. “We’re going to have some fun with you, little witch.” The force of his hand causes your mouth to open slightly and your walls clench around nothing as Steve spits into it. Never once has a mere human made you react like this.

You must have zoned out because when you blink, the brothers had swapped positions. Maybe you could taunt one, distract him long enough. You breathe, focusing on the one before you, letting your magic swirl around and enter him. You let out a giggle, “Nick Gretel… Oh, your parents must have–” Your cut off and your eyes widen as a hard but soft object enters your mouth, causing you to choke and gag as it hits the back of your throat. Your eyes move down and widen more as you realise what has entered, you can feel yourself dampen at how big and thick he is. 

“Oops, what was that, little witch?” Nick groans, feeling your lips tighten around his throbbing member, your tongue flicking instinctively around his swollen tip. “Shit, I think she’s enjoying this, brother.” 

Steve hums, having rolled your dress above your hips while you were distracted and swiping a finger through your glistening folds. “Of course, she is, she’s a slut. Isn’t that right, little witch? You were just desperate for attention.” You whimper around Nick, causing him to let out a groan and jerk his hips. Thrusting deeper into your warm, wet mouth. “You just want to be stuffed, huh? Have us use both your holes, fuck you until you’re dumb. Fill you with our cum, making you want and beg for more.” His words cause your eyes to roll back, your thighs becoming slicker at the thought. Steve smiles, nodding. “Just like I thought.” 

He stands, palming his throbbing cock before he releases it. A groan falls from his lips and shoots through to your core as his strokes the thick base. The older brother guides his mushroom tip through your lips, gathering your juices before he pushes in. “Oh fuck… She’s so tight.” Steve grunts, his eyes fluttering as he thrusts deeper, his cock being hugged by your delicious walls. His hands grip your hips as you squeeze him, your moans vibrate around Nick’s cock, and he shouts.

“Fuck! I’m not going to last if she keeps doing that!” Nick holds the back of your head; his head falls forward as he slowly fucks your face. He watches as his cock slides in and out of your mouth, drool slipping out the sides of your mouth, only the whites of your eyes visible. “Such a good little witch, taking me so well.” 

Steve thrusts into you hard and fast, holding you down. He groans as his hands move from your hips to your plump cheeks that jiggle with each thrust, he grips them, pulling them apart and squeezing them. “Fuck, who knew a witch could be so pretty. Not like the other one we met.” Steve makes a dig at your dead grandmother, causing anger to build inside of you only to be replaced with pleasure. You tense before slowly relaxing in their hold, sucking desperately on Nick’s cock while his older brother splits you open. 

The feel of their pulsing veins, sliding in and out of your holes, their scents invading your senses cause you to become dizzy. You have never felt something so intense before and in response your walls clench and unclench around Steve like crazy, sucking him in deeper, allowing him to hit the spots that are far out of your reach. You moan, tingles erupt throughout your body as Nick buries his cock into the back of your throat and releases, filling your mouth with his cum. 

You swallow as he pulls out, slouching into the chair behind him as he watches his brother destroy you with hazy eyes. “O–oh!” You bury your face into the wooden table, hands flying forward and gripping the edge tightly, causing your knuckles to whiten. 

Steve growls, leaning forward and towering over you. His hand moves from your arse to the back of your head and pushes it harder into the surface. “You like that, slut? Such a weak fucking witch.” You whimper, tightening around him as your vision becomes white and your juices coat his thick member. Steve groans, continuing to thrust before coating your walls with his cum. Like his brother, he gently pulls out and sinks into the chair behind him, half-lidded eyes watch as your cunt clenches and unclenches around nothing and his cum leaks from your tight hole.

Your chest moves up and down as you breathe, trying to push away the left-over pleasure that runs through your body, you slowly move and fix your dress before lifting your hands. As magic begins to swirl around you and the room, you prepare to get rid of these men once and for all. “This is for my grandmother.” 

The brothers ignore the shivers that roll through their body at how chilling your voice is, they look at each other knowing that they will have to do something and fast before the magic can hit them completely. 

Steve being the closet decides to distract you while his brother grabs something from his pocket, while your attention remains on Steve, you don’t seem to notice the other sneaking up behind you. You’d think you would learn after last time, but of course, you thought you were strong enough. Your eyes widen when you are suddenly grabbed and before you can even think of using your magic, a cloth is placed on your mouth causing your eyes to become droopy. “You should’ve just been a good little witch…” You hear one of them before you go completely limp.

As they head back in the direction of their home, with you in their arms. You would later learn when you awoke that you should never wait to strike revenge, especially as a witch.

thank you for reading!

feedback and reblogs are greatly appreciated.

#imyourbratzdollwork #a whores fairytale #hansel steve kemp x gretel nick fowler x witch reader #steve kemp #nick fowler #nick fowler x reader #steve kemp x reader #steve kemp fanfiction #steve kemp x y/n #steve kemp x you #nick fowler x you #nick fowler fanfiction #nick fowler fic #nick fowler imagine #sebastian stan characters #sebastian stan fanfiction #sebastian stan x reader #steve kemp fluff #nick fowler fluff #steve kemp fic #nick fowler oneshot #steve kemp oneshot #nick fowler one shot #steve kemp one shot #nick fowler imagines #steve kemp imagines #sebastian stan fan fiction #sebastian stan #sebastian stan x you #sebastian stan fic

[dyinglikeicarus]

Small backstory comic for the beans <3

I wanted Greta and Hanso's backstory to be based on (ofc) Hansel and Gretel's story and swiftsidestories complied giving it a suuper awesome twist and adapting it to Echo's world. The witch was, in this case, their parent's 'Anathemas'. In this world, an anathema is something very similar to the jungian concept of a shadow so here, they ate the twin's parents and took their place, taking the role of the witch that tried feeding them junk food and looots of sweets so they could later eat them. That was until Mijhail arrived and saved the kids, taking care of them from that point onward, until some things happened (still a spoiler for the party, so I can't say more atm)

This comic is a small bit that happened after the rescue, when the kids were in the care of Mijhail. What happened was still a little triggering for Greta. But Mijhail had the situation under control as the kind he is.

#Echo #TTRPG #ttrpgart #illustration #comic #drawing #short comic #character evolution

[magic-the-girlbossing]

Girlboss alert!

They just dropped a bunch of art from Wilds of Eldraine. The witches and Talion look so cool. I'm a bit down on the adaptations of Red Riding Hood and Hansel and Gretel being "what if [fairy tale character] but they did MURDER?" as if that's not like, the most explored space for fairy tale adaptations in recent pop culture.

#magic the gathering #magic the girlbossing #wilds of eldraine #wilds of eldrsine spoilers #girlboss #eriette of the charmed apple #agatha of the vile cauldron #hylda of the icy crown #talion the kindly lord

[beautifulsummersunsets]

Now that I have finished watching "Grimm Variations" on netflix, allow me to express my opinion of each chapter with these brief words:

1) Cinderella: Oh! So good! This is looking awesome! 😀

2) Little Red Riding Hood: OH MY GOD! NOO! STOP! OH MY GOD! 😨😱

3) Hansel & Gretel: Please don't smoke funny weed during working hours. Thank you. 😑

4) The Elves and the Shoemaker: Not bad, I like this adaptation. 🤔

5) The Town Musicians of Bremen: GO! GO! LESBIANS! 😁

6) Pied Piper of Hamelin: Please don't smoke funny weed or consume substances of questionable origin during working hours. Thank you very much x2. 😑🤦🏻‍♀️

#the grimm variations #clamp #netflix #anime #grimm brothers #fairytale #cinderella #little red riding hood #hansel and gretel #the elves and the shoemaker #the town musicians of Bremen #Pied Piper of Hamelin

[adarkrainbow]

By the way, a talk with someone else on Tumblr led me to take part in a search for a forgotten, maybe lost, Hansel and Gretel adaptation.

It was apparently a stop-motion Hansel and Gretel adaptation that was NOT one of the two famous stop-motion adaptations (the Opera Fantasy one, and the Harryhausen one). If you know of any Hansel and Gretel adaptation in stop motion that is NOT the Opera Fantasy movie or the Harryhausen adaptation, please share info!

From the context, it seems that this adaptation was very likely part of America's archives of public domain videos - as it seems to have been used during one of the "Most Extreme" episodes (though which episode has to be clarified, since a lot of them rather use extracts from the Opera Fantasy Hansel and Gretel). Any information can help!

And more development about this later

#hansel and gretel #lost media #well possibly lost media #hansel and gretel adaptations #stop motion #stop motion animation

[rosequart]

del toro's pinocchio and takahata's princess kaguya really encapsulate what i think makes an exceptional adaptation of an old fairytale.

they're both beautiful to look at, utilizing traditional animation to evoke elements of the classic story: the wooden, almost hand-carved quality to everything in pinocchio, the sumi-e watercolor style of kaguya

they really make use of a historical setting and incorporate the politics of the time with themes from the original story. pinocchio set in WWII-era italy highlights the theme of obedience and draws parallels between the relationship of a father and son to a fascist state and its citizens, while kaguya emphasizes the class disparity of heian period japan and explores how the misogyny of that time would affect the protagonist

they also clearly justify their existence. in a world where remake after remake is being pushed out for no discernible reason other than "it'll make money", both films are so obviously works of love that are passionate about art, cinema, and the act of storytelling.

i think there was some fairytale movie fatigue a few years back (like those action snow white movies or the R-rated hansel and gretel) but i think those films were simply bad and they should just make good ones. fresh perspectives on old stories can be good, actually!

#pinocchio #the tale of the princess kaguya

[winters0689]

I’m surprised that in all the seasons of OUAT, in which they have had so many characters, ranging from Snow White and Cinderella to Bo Peep and Hansel and Gretel to even Frankenstein and Jekyll and Hyde that they never had Dracula!

They had werewolves and witches and Frankenstein’s monster, but not the big bad iconic Vampire man himself, Count Dracula.

This makes me think how they would do it. Rumplestiltskin would obviously be involved somehow, Dracula would probably either be related and/or a love interest to a character at some point.

I also wonder, if they had adapted Dracula into OUAT, what characters would they keep? Would Mina and Jonathan be involved? Would Renfield still be a servant of Dracula, or something else entirely?

So many possibilities, and as a fan of the book, I am both shocked yet somewhat thankful that they didn’t adapt it, especially with how they treated a majority of their characters.

#ouat #once upon a time #dracula #count dracula #I am still surprised that OUAT had Jekyll and Hyde and Frankenstein #not to mention Edmond Dantes #also Anna and Else from Frozen! #OUAT was a crazy show

[tetsunabouquet]

Kanato Sakamaki's Favorite Movies: Headcanon

A/N: I like to believe that Kanato watches children's movies with Teddy when he's bored, especially the creepy ones. If Reiji isn't bribing Kanato with candy then he's bribing him with subbing some foreign kids movies that Kanato wants to watch.

-The Addams Family movies. He adores Wednesday's humor.

-Whilst he needs to be in a very specific mood for it, he enjoys watching the Prince of Egypt. He enjoys the plague scenes a little too much.

-De Griezelbus. He thinks its such a shame the R.L Stine era of children's horror received so few movie adaptations. It's his biggest gripe with the western entertainment industry.

-Gremlins, its his favorite Christmas movie.

-Watership Down. Kanato is probably the only person in existence who didn't end up with nightmares.

-All episodes of Sechs auf einen Streich where the villain gets killed like the Hansel & Gretel one. Kanato is surprisingly snobbish about faithful fairytale adaptations and actually despises Disney.

-Which is why he supports the Shrek franchise.

-And also wants to watch any horror movie that's based on fairytales and children's books. He's even seen the Winnie The Pooh horror movie.

-Whilst it's more aimed at older kids, he still considers Van Helsing (2004) to be in the children's category of films. Not that this is him insulting the movie, as despite the inaccurate depiction of vampires even Kanato understands an icon when he sees one.

-Coraline. If only he could replace his brothers with those button eyed puppets…

-Monsters & Co. He really enjoys the concept of boogeymonsters.

-In regards to horror movies with a children's related theme; possessed toy movies. He literally owns one and is watching these movies with one. It's his literal thing so of course, he'll watch movies regarding the subject too.

#dl #diabolik lovers #kanato sakamaki #sakamaki kanato #sakamaki brothers #horror #movies

[jasminewalkerauthor]

Deep dives into folklore: German folklore

Embedded within the cultural fabric of Germany lies a trove of enchanting narratives, a testament to the nation's rich heritage and historical tapestry. German folklore, a captivating blend of ancient pagan beliefs, medieval epics, and timeless fairy tales, unveils a world steeped in myth and tradition. This essay embarks on a comprehensive exploration of German folklore, tracing its origins, introducing mythical figures, unraveling folk traditions, and assessing its profound influence on literature and popular culture. Within this intricate tapestry, the diverse tales of Germanic lore reveal not only the evolution of storytelling but also the enduring spirit that continues to captivate audiences across time and borders.

I. Ancient Roots and Pagan Influences:

Germanic folklore has its origins in the pre-Christian beliefs of the Germanic tribes. The pantheon of gods and goddesses, such as Woden (Odin), Thor, and Freyja, held sway over the imaginations of early Germanic people. The Eddas, epic poems preserved in Iceland, provide glimpses into the cosmology and mythology of the Germanic peoples, offering tales of creation, heroic exploits, and the prophesied end of the world, Ragnarök.

II. Germanic Mythical Figures:

The Nibelungenlied: The Nibelungenlied, a medieval German epic, tells the tragic tale of Siegfried, the dragon-slayer, and the curse surrounding the Nibelung treasure. This epic, with its themes of heroism, betrayal, and revenge, has left an indelible mark on German folklore and is a precursor to later literary works, including Wagner's operatic adaptation, "Der Ring des Nibelungen."

Brothers Grimm Fairy Tales: Perhaps the most famous collectors of German folklore, the Brothers Grimm, Jacob and Wilhelm, compiled a vast collection of fairy tales that have become timeless classics. Stories like "Cinderella," "Snow White," and "Hansel and Gretel" are embedded in global consciousness, showcasing the enduring appeal of German folk narratives.

III. Folk Traditions and Creatures:

German folklore is teeming with a diverse array of folk traditions and mythical creatures, each with its own regional variations. From benevolent spirits to malevolent beings, these entities populate the cultural landscape of Germany.

Kobolds and Elves: German folklore features kobolds, mischievous household spirits, and elves that are often associated with forests and natural landscapes. These beings, sometimes helpful, sometimes capricious, embody the close connection between the Germanic people and their natural surroundings.

The Lorelei: Along the Rhine River, the Lorelei is a legendary siren or mermaid who lures sailors to their doom with her enchanting song. This myth has inspired numerous poems and songs, becoming a symbol of the dangers and allure of the river.

IV. Impact on Literature and Popular Culture:

German folklore has left an indelible mark on literature and popular culture, both within Germany and globally. Beyond the Brothers Grimm's fairy tales, Germanic mythology has influenced literary giants like J.R.R. Tolkien, whose Middle-earth draws inspiration from Norse and Germanic mythologies.

Wagner's Operas: Richard Wagner's operatic masterpieces, including "Der Ring des Nibelungen" and "Tristan und Isolde," draw heavily from Germanic mythology. Wagner's reinterpretation of these myths has become iconic in the world of classical music and opera.

Contemporary Fantasy: German folklore continues to influence contemporary fantasy literature and film. Authors and filmmakers often draw on Teutonic themes to create worlds filled with magical creatures, quests, and epic struggles between good and evil.

German folklore stands as a testament to the enduring power of storytelling in shaping cultural identity. From ancient pagan beliefs to the enchanting tales of the Brothers Grimm, the narratives of German folklore have transcended time, leaving an indelible mark on literature, art, and popular culture. As these tales persist and evolve, they provide a window into the collective imagination of the Germanic people and invite ongoing exploration and reinterpretation in the ever-changing landscape of global storytelling.

Taglist (reply or reblog to be added): @axl-ul @crow-flower @thoughts-fromthevoid @alderwoodbooks @harleyacoincidence @tuberosumtater @sonic-spade @theonlygardenia @holymzogynybatman @nulliel-tres @w0rkah0licz @sylvanthorn @tigertaurus22 @profiterole-reads @mathias-musings @1899adgg1997tbmd @grimmparanormalinvestigations

#writeblr #writers of tumblr #writing #bookish #booklr #fantasy books #creative writing #book blog #ya fantasy books #ya books #writers block #national novel writing month #writers #teen writer #tumblr writers #writblr #writer problems #writerblr #writers community #writers corner #writers on tumblr #writerscommunity #writerslife #writing blog #deep dives into folklore #deep dives #german folklore #german mythology

[brokehorrorfan]

Cannon Movie Tales' 1987 adaptation of Hansel and Gretel will be released on Mediabook Blu-ray + DVD and standard Blu-ray on April 23 via MPI Home Video. It's a contemporary version of the Brothers Grimm fairy tale.

The family fantasy musical is directed by Len Talan from a script he co-wrote with Nancy Weems. David Warner, Hugh Pollard, Nicola Stapleton, Emily Richard, and Cloris Leachman star.

No special features are included.

Children of an impoverished woodcutter Hansel and Gretel get lost in the forest after birds have eaten the trail of breadcrumbs that was supposed to show them the way back home. They arrive at a strange house made entirely of gingerbread. The resident turns out to be a malicious witch who is extremely excited to fatten Hansel up so she can then put him on her menu...

Pre-order Hansel and Gretel.

#hansel and gretel #cannon films #david warner #cloris leachman #brothers grimm #mpi #the brothers grimmm #dvd #gift #fairy tales #len talan #emily richard #80s movies #1980s movies #menahem golan