DP x DC: Fractured Soul
So a common misconception about John is that he sold of pieces of his soul
I just want to point out that a soul isn’t like an object in DC you can just break into pieces without consequences. It’s your spirit, it is your ghost after you die, it is your consciousness, it is YOU
So what a fractured soul would look like isn’t John Constantine
It’s a Fun Danny and Super Danny situation
This is straight up a fractured soul
Different parts of his personality and various traits separate into two incomplete beings, and probably disturbing on a spiritual level if you think too hard about it
So what I’m saying is, if you were looking for bits of someone’s soul, John or otherwise, then you aren’t looking for an object or contract,
you’re looking for a whole ass person
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Rengoku: This fruit salad is fruitier than Tengen! Delicious!
Tengen: What now?
Mitsuri: He said you’re fruity.
Tengen: I am not gay!
Shinobu: Not denying bisexuality, I see.
Tengen: I hate this family, I’m going home to my wives!
Sanemi: Why? So they can bully you too?
Tengen: They do not!
Obanai: Then why does Hinatsuru call you Bi-gen?
Giyu: I’ve heard Makio call you a bottom.
Muichiro: Suma sent a crow. She says you’re bi.
Tengen: …
Tengen: Screw this, I’m becoming a demon.
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Im so sorry but I just cannot understand people that read the entirety of scum villain and then say they don't like binghe. He's awful, toxic, overbearing, ect. Like?? Yes, but also no??? Did you not read the book? Or even looked past the unreliable narration?
Like, I get it, you're reading it in the moment and sqq is a super fun and imaginative narrator, he easily traps you in the same mindset that he has. Trapping you in the world of genres, tropes, character archetypes, what makes a story a story. So it's easy to get clouded like sqq and just scratch your head and try to figure out what type of character archtype luo binghe will turn out to be. If he's not the stallion protagonist harem master anymore, than what is he? So you read book 2 and the start of book 3 and you think, "oh! If he's not gonna be the toxic male power fantasy anymore, than he's gonna be the toxic male love interest fantasy you see in BL!"
You know the ones. They're incredibly sexy, incredibly tall, needs an incredibly in depth course on the meaning of consent and boundaries, and the narrative never punishes them for doing weird and out of line shit, but actively romanticize it. Which fits binghe in some respects, but not all of them, same as the stallion protag box. So I can understand you and sqq's apprehension throughout the story. Waiting for the hat to drop already. Is binghe a cute wholesome wife or a possessive bloodthirsty demon lord?
But then you and shen qingqiu are supposed to learn the lesson near the end that binghe is a person!! With thoughts and feelings and grievances he wants addressed!!! That ultimately he is in the exact middle of the harem master protag to toxic yaoi male lead scale, but also not on the scale at all!!!
Because, ultimately, he is just a guy that desperately wants to be loved! To be wanted! That's it! And shen qingqiu realizes this and takes this complicated emotional wreck of a man and promises him that love and companionship. Shedding the notions of following some sort of thought out narrative and live out their happy ending. Because scum villain's story does end up happy. Messy, but happy. Shen Qingqiu is not suffering. He does not regret choosing Luo Binghe. They are both happy and in love and they both deserve each other. So like, what more do you want?
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The Batman (2022) isn't perfect by any means, but it is still a phenomenal film and one of the best pieces of Bat-media in recent memory.
Firstly, the aesthetic. Seemingly small but an incredibly important part. BTAS was broody, '89 was gothic, Forever was campy, TDK was... bad. And TB I think finds a real sweet spot in between vibes. It's dark, serious, it's got a technological noir, and yet still has vibrancy and color and (the key to my heart) neon.
One scene, you'll be sitting in an abandoned tunnel with shadows and muddy colors, the next you'll be surrounded by police under white lights, and the next you'll be in a night club with LEDs of every color you can think.
The fights. This film has some of the best Batman fights I've ever seen period. Really just action in general. The night club, the hallway, the finale. It's not like TDK where every fight is slow, precise, methodical, and honestly boring. Each fight or chase here is energetic and entertaining. The choreography is excellent, the stakes are legitimately high, and the settings are always unique.
The night club is crowded and overwhelming, with people swinging, shouting, and grabbing at Bats who aren't even apart of the fight. His skills and equipment save his life multiple times, whether it's block a bullet with a precise pipe throw or survive a shotgun blast with his armor. When he finally grabs Penguin you feel as overwhelmed and animalistic as he does.
The precinct escape is tight and tense. From the punch to the jump, every second makes you feel the absolute abominable stress of trying to escape a building like this. Officers pouring out of every room, bullets whizzing by and beaming off his suit. Merely seconds to get the flight suit on before they come pouring out to the roof. We experience the fall with him as his nerves spike, all culminating in a quick second decision that ends with him crashing into the side of the road.
Gotham. The beloved city feels full here. Subways are crowded, streets are packed. The crime feels real. Vandals, gang violence, thieves, assassins, crime families. It's not just militants and killers. We see the systemic issues in place that cause these. We see the feelings and social strains that make people do this. It's like you're taking a peak into another world with context and history you don't know but understand. It feels right.
The characterizations. I'm not a huge fan of the whole "Bruce Wayne is the mask, Batman is the real you" thing inflamed by TDK. And I really don't like "the Waynes were corrupt and did bad things, even for good reasons".
I think there's so much more to say about the two very different, very real sides to Bruce's personality. The one that comes out as billionaire playboy philanthropist, and the one that comes out as a violent and vengeful demon. Both who are willing to suffer for their causes. And I think there's so much more when the Waynes die from a mugging. That the crime is so bad it took the highest. That it could take anyone at any time, even the beloved elite.
However it does something right that most other Bat-media fails at. It makes Batman a symbol of hope. It demonstrates a growth in himself. That he can do more good to inspire the people than to instill fear in them.
Pandaredd made a good video on this, but in Crisis On Two Earths, Bats' opposite is represented as the ultimate nihilist. This means that at his core, Batman is really the ultimate optimist. And that makes sense. You don't put on a suit and fight crime, you don't try to create resources to help people, you don't befriend and reform your own Rogues gallery unless you believe you can change something. That all the work you do, all the suffering you experience will be worth it when you get to know the world healed.
And that's something The Batman understands. Batman started as a symbol of fear. So that every criminal hesitates at an alley. Panics at a shadow. But he became something else. A symbol of optimism. So that people can walk the streets at night. That they can get the help they need. That they can look into the sky with hope.
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