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actual-changeling · 8 months

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this one is thanks to a post by @thegroovyfool because she is very much correct - we do not talk about aziraphale's "i need you" enough.

so once again, with a deep breath and a sigh, welcome back to alex's unhinged meta corner, where i tear apart the confession scene frame by frame. i'm gonna say, watching this particular clip over and over and focusing on aziraphale's face almost took me out.

let's get into it.

first, how about a little look at our starting point. (any blurry screencaps are due to a LOT of movement on michael's part rip)

crowley is very pointedly facing away from him, he turned after aziraphale said "we can be together - angels!", presumably because being offered exactly what he wants in the one way he cannot have it fried his brain, cause besties it surely fried mine.

aziraphale on the other hand looks openly desperate, which is why he says "i need you." more on that later. let's have a look at how he says it, because michael "microexpressions" sheen is putting in the work.

to me, he seems close to tears, his eyes are glistening in that specific "i'm about to cry my eyes out" way i know from looking in the mirror while crying

he is trying to get crowley to listen to him and to turn around. he wants crowley to face him, which is something most people tend to want during an argument. talking to someone who is not looking at you tends to make someone frustrated and like they're not hearing you/do not care about what you have to say.

aziraphale looks close to despair, his i need you is a plea to crowley to come with him. he is opening himself up not just emotionally but physically, too.

he slightly leans forward, his arms are raised and seem to both slightly grasp for crowley and point towards his chest/heart for emphasis. the pure pain visible on his face knocks the air out of me every single time i look at it.

aziraphale is admitting to needing him, something he has never done before, hell, he has told him the exact opposite on numerous occasions. i don't need you. and while they both knew it was a) a lie and b) a way for him to deal with his conflicting emotional standpoints and cognitive dissonance, it still hurt crowley every. single time.

crowley was there for him no matter what, he knows aziraphale needs him but he came back and remained at his side even when he was pushed away and more or less openly insulted. he endured it all.

aziraphale saying i need you now is pretty much a slap in the face but also what crowley needs to hear. as with everything that happens during the entire conversation, the timing is fucked up and they're talking past each other.

in my opinion, that is why crowley does not react.

only when aziraphale turns spiteful and starts questioning his understanding (aka calling him stupid without outright saying it) does he re-enter the conversation.

aziraphale, however, is upset. now, i will put on my tinhat for just a second and turn up the insanity because there are two more things i want to talk about.

first, the little stutter at the beginning.

"i ngk - i need you."

my question is - why? why does he stumble over these words in particular when it does not happen with any other sentence? the only other time is right after crowley walks away with his "good luck", he stumbles over crowley's name.

so, in short, it happens when he is either caught off-guard or saying something incredible emotional.

and this, everyone, is where i go unhinged in my interpretation.

what if he initially did not want to say "i need you?" what if he was so caught up in getting crowley to stay/come with him that he did not think and almost confessed another three word sentence?

what if he was about to say "i love you" but stopped himself because no, that's too direct, they don't do that, they can't do that. it goes against EVERYTHING they have silently build over the last six thousand years. so he chokes on it. he chokes on it and instead he says "i need you" because it means the same thing.

i need you. don't leave me. come with me. be an us. go off together.

i forgive you. i love you.

they say it over and over again because that's the only way they can say it.

that is why aziraphale is so angry and upset after saying it. he told crowley he loves him, he needs him, and all he got in return was silence.

the funny part is that this code may have worked before, but it no longer does. crowley is too hurt to listen to what aziraphale is trying to tell him, and aziraphale is equally as hurt and also not listening anymore.

the funny part is that it stopped being about love and started being about sides again. my side, your side, our side. choose a side, choose our side, choose me.

the funny part is that beelzebub and gabriel told them what they need to do, i found something that mattered more to me than choosing sides.

#alex talks good omens #good omens #ineffable husbands #crowley #aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #good omens meta #ineffable divorce #this was spontaneous i saw the post and my brain went i need to do this right now #so i did #anyway if u disagree with my conclusions thats fine i disagree with my own theories often enough #otherwise fandom wouldnt be any fun

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buttdumplin · 5 days

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The sweet, lovely poly 141 boys and their Spanish-speaking latine partner.

This was meant to be a quick little thing, but boy did this get away from me lmao. This is the fluffiest shit I've ever indulged in and I love it. Big thank you to @mikichko for inspiring and helping with this!!!

CW: poly 141, gn!reader, latine reader, mexican slang, hint of d/s dynamics in Johnny's

Price, god love the man, is the one who seems to stumble the most. It's almost comical, considering the fact that Spanish and Arabic are so similar due to their histories. But there's a big difference between the Spanish he's learned to recognize and what you throw at him on the daily. He truly thinks it's because of his age, window of acquisition and all that. John does not expect to be able to speak fluently with you, but he does at least want to understand you. What he really wants, though, is to make you feel more fully at home with him, and he is forever grateful that you feel comfortable and safe enough with them to embrace all parts of your identity.

"Hola, amor mío. How was your day?" you greet him from the couch, eyeing him from tip to toe and almost whistling at seeing him in uniform. "Sigues rechulo, mi güerito, so I assume all went well?"

John swings down to kiss you, gripping the back of your neck to prolongue the kiss, trying to soak in as much of the affection as he can while also disguising the fact that he still doesn't fully recognize what came after.

"Yours was good too, I trust?"

"Yeah, but my brother called. El güey still con sus pinches mamadas and asking for my help. Aguas, in case he shows up this week."

"I... will keep an eye out, dove."

"Call me si les arma pedo and I'm not around."

He just nods sagely and squishes up against you on the couch, letting your warmth seep into his tired bones.

Later that evening, he rounds up the boys while you're in the shower and pulls out a small notebook where he's written things out phonetically. John may not have all the knowledge he needs, but he sure as hell is good at getting it.

"'Güey,' that's the brother's nickname?"

"No, that's like 'man/guy.' But it's also an insult. But not always," Johnny supplies.

"Fuck me, okay. 'Rechulo' is... I got nothing for that one."

"The 're' is for heavy emphasis, 'chulo' is 'cute/handsome/pretty.' 'Re' can go on practically any adjective," Simon steps in.

"'Aguas' and 'pedo' CANNOT be what they are, right?"

Kyle takes his hand and chuckles, "No, sweetheart. The first is like a warning, the second a fight or scene or scandal. In this context."

John's shoulders finally relax and he lets out a heavy sigh, putting the final touches on his notes of the day.

"Thank you, boys, for your patience and your kindness. And your secrecy," John huffs a little laughter and gives them his sweetest smile, the one where you can see the dimples poking out through the beard.

They all reach over to gently caress him, taking turns kissing the parts of him they can reach.

"Thank you, John, for trying so hard."

Beautiful, wonderful Kyle, the delight of a man that he is, is the one giving it as good as he gets. He's the one crooning in your ear, showering you with the most decadent terms of endearment, knowing full well they make your knees much weaker in Spanish. He'll use the advantage every single chance he has, don't doubt that for a second. But truly, it's the soft seclusion of those moments that he cherishes most, when you're looking up at him with big bright eyes, knowing you fully trust him to take care of you.

You're grumbling away as you wash dishes after dinner when Kyle comes up behind you, arms making the way slowly around your waist, chin dropping onto your shoulder.

"Oh, tesoro mío, look at you working away, working so hard for us."

You refuse to look at him and give a fussy pout. He knows it's your least favorite of the house duties. So much so that you're always willing to do almost anything as long as you don't have to touch wet food.

"It looks like you've done enough, cariño. Come join us in bed."

"No. None of you wanted to trade with me so se aguantan," you try to wiggle and bump his head away from yours.

"Come on, cosa hermosa, we need you with us to settle for the night," he pulls your hands from the water, drying them and turning you towards him.

You immediately bury your face into his chest. Can't look him in the eye, he'll win you over the moment you do.

"So they send in the smooth talker, huh?"

Kyle laughs, clear and bright, and he wraps you back up in his arms, gently cradling your head until you give in and look up at him.

"Or," he says, making you both rock gently, "I'm trying to sneak in a little solo time."

Your body melts against his as the words sink in, big eyes blinking softly up at him, "Besito?"

"As many as you want, mi vida. Until you grow bored of me," and you're letting out a sweet sigh as those soft lips meet yours.

His hands move to bring your body closer to his, to milk this quiet moment for as much contact as possible, to sear it all into his memory.

"You two are awfully quiet out there," Simon calls from the bedroom and it makes you break apart with a little jump.

You hear frantic rustling that has to be Johnny, "Hold on, what happened to doing the dishes!"

A chuckle escapes the two of you, sparkling eyes meeting in the low light from the stove hood. The sound of John huffing to get comfortable floats in from the bedroom.

"Just a minute more, hermosura," he mutters against your hair. "Wanna stay here a bit longer."

"Really liking all those pet names, aren't you?"

Kyle laughs again and gives you a squeeze, "Mean every single one of them."

And you happily linger, not pointing out that you've noticed an endearing pattern of Kyle wrapping up nights in the kitchen with you in his arms and a faint love song echoing down the hall for you two to sway to.

Beloved, darling Simon, he hides his own understanding of the language. He understands it nearly perfectly, with just the tiniest margin of error, nothing too big to bring attention to it. Overall, he's able to catch almost everything you mumble. It's not to be sneaky or anything like that, Simon would never do anything to compromise your privacy. It's more that he doesn't quite see the need to verbalize it. To him it's nothing special, no need to make a spectacle. Instead, he lets it seep into his actions, ever the acts of service lover that he is.

You're spread out on the couch, on the phone with your mother, complaining, "Como chingan los del trabajo. Me pidieron un reporte para el viernes y ahora me reclaman que todavía no se los he dado y apenas es miércoles."

There was a tension in your shoulders when you came home from work, he didn't miss that. Caught you jolting to a stop mid-stretch. And as the call goes on longer, Simon picks up on more.

"No he tenido chance de lavar ropa, ni una putisima pijama... Traigo un pinche antojo de mole, pero es un chingo de trabajo y ahorita no le puedo dedicar el tiempo..."

He quietly moves to gather the boys as you continue ranting and pace around the room. You're too caught up in your call to see them forming a massive huddle and their nodding at Simon right as the break and throw their joined hands in the air.

By the time you're off the phone, it's dark out and you notice the house is quieter than usual. You move to look for the boys (they can't have left without telling you, right?) when Simon pops out from the hall, crooked smile you love so much adorning his face, and he simply takes your hand to pull you into the bathroom. A hot bath greets you, some honeyed bath bomb already dissolving in the water and your laptop set up on a bucket besides the bath, your comfort show already pulled up and ready to play. Simon then points to your softest pajamas washed and set out on the counter for you.

"And you'll help me with my lotion too?"

He kisses your forehead, "When do I not?"

"The boys?"

"Setting up dinner. Kyle and I are making your favorite."

You whip around to face him, eyes wide and excited, "With fresh tortillas?"

With a low, affirmative hum Simon pulls you in closer and just holds you. He doesn't say anything, he doesn't need to. But he lends you his strength, which is all he can really hope for. The steady beat of his heart and the warmth of his arms around you help release the tightness in your body. Letting out your own little hum, you give him a squeeze and he squeezes back harder, crushing you in the way he knows you find comforting. There's a soft devotion in his tenderness with you, an unshakable support in every single thing you do.

"So you gonna undress me too, or...?"

A peal of laughter escapes you as he playfully swats at your butt, "Undress yourself. I've got cooking to do."

A day without hearing your laughter is a day poorly spent to Simon.

He's almost to the door when you pull him back into you, hands tugging on his shirt to bring him down to your height. His own laughter rumbles in his chest as you cover his face in loud kisses, and he stays locked in place. He will for as long as you need him to, never mind his back. If it's gonna go out eventually, he'd rather it go out from his time spent like this.

Johnny, bless the boy, is desperate to hear it, to have you address him directly. You speak plenty around the house, on phone calls with friends, talking back at the tv (some shows have been put on temporary bans, or at the very least you're not supposed to watch them alone), at the lovely crooked cat yall adopted. You shower them with pet names with every breath you take. And he loves it all! Loves that you so willingly share so much of yourself with them. But Johnny boy is dying for something specific- "Love, why don't you call me papi?"

When he voices it, it's a complete surprise. Simon and Kyle both laugh so hard so suddenly that they find themselves choking on their own spit. Price himself is caught so off-guard that he fully looks up from the dinner he's prepping in the kitchen, raw chicken slipping out of his hands and plopping back into the flour bowl. You at first laugh it off lightly, thinking it was one of his cutesy jokes he makes to get a giggle out of everyone. That would have made the most sense, honestly. But when he looks away, big blue eyes shining with the softest hint of embarrassment, it sinks in.

You shift in your seat a fraction, "Johnny, I don't even call any of you that in English. You know it's not exactly the same thing, right?"

"I know but the little old lady from the corner shop calls me "papi" and so does the older man who brings the water and other people too and it's always so affectionate and so I thought..."

He spares a glance at you, hoping he hasn't completely overstepped.

"Where did this come from?"

"Ale let it slip last time we grabbed coffee and the joy on Rudy's face was so blinding that I thought maybe we should try it."

"Honey--"

"Please, just once."

"But I--"

"It doesn't have to be a title! It can be soft and casual, no expectations."

"You don't--"

"I promise I'll be good for it."

Oh.

Your gaze meets the other boys' and you all take a good look at your Johnny. At some point during his pleading he brought himself down to kneel in front of you. His broad shoulders are slumped forward in submission, his hands clenched together so tightly his fingertips are completely white. Price nods at you, the other two eagerly nodding along as well.

Leaning forward, you grab him by the jaw, gently bringing his head to rest against your thigh.

Running your fingers through his hair, you utter out a low, "Sweet little thing like you just wants to be good, don't you papi?"

Johnny's eyes glaze over slightly, a shy, dazed smile growing on his face. There's not an ounce of hesitation in him as he nuzzles his face into your thigh, just sweet elation. Pleased grumbles escape the others, making Johnny's smile grow bigger.

You make sure to add it into your regular circulation.

#poly 141 #poly 141 x reader #poly 141 x latine reader #cod x reader #simon ghost riley #kyle gaz garrick #johnny soap mactavish #captain john price #ghost x reader #gaz x reader #soap x reader #price x reader #i cannot emphasize the poly of this enough #this is truly some of the most self indulgent shit i've ever written and i've never been happier lmao #honestly this is just precious moments with each of them #i'm definitely going to be writing more 141 x latine reader #prepare to be fucking sick of me #frfr tho this is the first long thing i've written in years and ngl it feels good to be doing it again #also yeah i tend to sprinkle in commas like they're condiments

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coccinelle-et-chaton · 2 months

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OK OK I FINISHED BINGING THE ENTIRETY OF NATLA AND I GOTTA SAY IT WAS A GREAT ADAPTATION!!!

Here are my thoughts so far:

The parts where I still had my reservations for the first half were definitely addressed in the second. There were more Kataang beats, especially in the last three episodes.

Please that whole part before the zutara showdown where Aang goes like "go easy, enough ppl have suffered" and zuko is more or less like "lol it's cute u think i'd hold back" and then aang has this proud little smirk like "oh i wasn’t talking to you"😏 Also his proud little smirk when Katara is fighting Pakku PLEASE HE IS GOING TO BE THE PROUDEST BF

They covered the most important points and had a decent few scenes of fan service, loved that.

However, the adaptation is not perfect and there are definitely parts that were lacking, at least to me. Primarily, I think they did our girl Katara a little dirty not emphasizing as much on her arc as opposed to Sokka's, for example, and also the way her ascension to master was pretty telly instead of showy

There was definitely something to love in every episode, but I think the weakest ones have to be Omashu and Spirited Away.

My ABSOULUTE FAVORITE episodes were Into the Dark and Masks. Dallas, Paul, and Gordon did SUCH a great job in them. I cannot WAIT for the proper leaves from the vine scene and also to have more of zuko interacting with aang.

ZUKO IS BABY BOY AND DOES NOT KNOW ANYTHING NOT EVEN ABCs 🥺🥺🥺

My favorite was Zuko by far, yes. I think the performance and the was he was written struck the best balance of that goofiness and tragedy atla is originally known for. That’s not to say the other kids didn't do a good job, but Dallas' Zuko was by far the best imo

I understand now what the showrunners meant by making the show more mature and serious. I cannot say I didn't like it, but I can see it being an acquired taste especially for the part of the fandom that is more purist/demanding. I like that the focus emphasized more on the consequences of war and that it reflected on the cycles of violence and hurt, what they do to a person and how the wounds pass down generationally. I think this emphasis on war, compassion, kindness, all those things are definitely an important message in this time and day. However, it is a little too serious for my taste, PRECISELY because of the times we are living in. Back when the OG came about the world was in a time of relative peace. But now we get pictures of carnage and genocide mixed in with videos of cute puppies, so it's definitely a different place. It was much easier to understand the gravity of the genocidal/bombing scenes imo, almost to a point that they seemed watered down/kid friendly compared to the real thing that we see on our phones everyday. Because of that, I think erring more on the comedy, the balance between what it ACTUALLY means to be hopeful and not just talking about it, is the one thing the show could improve upon for next seasons.

All in all I am VERY pleased with the adaptation. There were moments where I definitely bawled my eyes out, shouted, and laughed the same way I did the first time I watched the show. All I can say is, for those still on the fence about watching it, so long as you go in with an open mind and with the explicit objective of enjoying yourself, it will be a fun watch.

#natla #atla #natla spoilers #atla spoilers #aang #katara #sokka #zuko #kataang #zutara #sukka #suki #uncle iroh #natla review #avatar the last airbender #avatar the last airbender live action #atla live action

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adeptune01 · 2 months

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Dean slammed his hands on the bunker’s kitchen table in front of Cas. “A thousand dollars.”

Cas looked up from his copy of Don Quixote. “What?”

“A thousand dollars. Cold, hard, cash. In your hand.” Dean leaned closer, his shadow falling across Don Quixote’s infamous windmill fight. Cas gave up trying to read and closed the book.

“Are you offering me your money Dean?”

“What– no–” Dean spluttered, “you think I’ve got that kinda dough laying around? Nah– Sam just made me a bet!” He sat down on the stool across from Cas with a smug look.

“If Sam made you a bet for a thousand dollars why are you asking me about it?”

To Cas’s surprise, Dean’s ears turned red and he looked down at his hands which traced scratches on the table. “Sam said it’s double or nothing so I need your help.”

His curiosity was piqued. “What do you need me to do?”

Dean looked up in shock. “Seriously? That’s it?”

“I cannot say I care for the money, I have nothing to spend it on, but you seem to want it badly enough to ask me– it’s the least I can do for you after allowing me to stay here.”

Dean rubbed the back of his neck sheepishly, “Shucks Cas, you’re welcome anytime– I mean, it’s your place as much as Sam's and mine. We’ve got space.”

Cas blinked at him but didn’t respond.

“Alright then– the bet.” Dean clapped his hands, “Look this is gonna sound really weird–”

“Dean, you’ve killed Hitler, fought a sentient teddy bear, and shared a meal with Death. I hardly think your request, whatever it may be, will be anywhere close to the top of the list of ‘weird’ things you’ve done.” Cas said wryly.

“Touché. Now hear me out– and let me explain before you freak.” Dean paused, expecting an interjection but Cas was silently staring at him again. He took a deep breath, “Sam dared us to go to couple’s therapy because he said we couldn’t go a full week without the therapist noticing we weren’t a couple.”

Cas said nothing.

“Dammit Cas, say something!” The tips of Dean’s ears were burning now.

“Why would I be embarrassed about pretending to be in a romantic relationship with you, Dean?”

“It’s-that’s-” Dean spluttered, “that’s not how we,” he said gesturing across the table between the two of them, “work. Normally. I mean we’re not usually out here pulling some Solo and Leia crap.”

“I don’t know Dean, you do seem to share Solo’s proclivity for adventure.” Cas grinned at him.

“You’d think I’d tell you to shut up but you know what? I’ll take it.” Dean relaxed into his seat. “So you’ll do it? For a thousand dollars?”

“Yes, Dean. For a thousand dollars.”

Neither of them mentioned the emphasis on the reward.

A little sneak peek at my new (and first) SPN fan-fic up now on ao3! Link here for more!

#i love writing #destiel #deancas #dean winchester #castiel #spnfandom #spn #spn fanfic #fanfic #fanfiction #supernatural #supernatural fanfiction #supernatural fandom

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super-paper · 8 months

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Rereading the early chapters of MHA, and tbh I think we can pin this scene as the exact moment Tomura develops his fixation on Izuku.

Everyone in this scene assumes that All Might doesn’t need any help and starts wandering off, leaving All Might to face Kurogiri and Tomura alone. Izuku is the only one to intervene, "offering help that no one asked for." Of course, Izuku is the only one with actual insight into All Might’s condition and realizes that he's in danger— but from Tomura’s perspective, Izuku is some rando kid that's throwing himself into danger to help someone who doesn’t appear to need any help. And the emphasis on everyone else being willing to just sit back and do nothing while All Might handles everything is something we know ties directly to one of Tomura’s biggest traumas:

Tomura: "Don't just watch. Help Me. Someone please look at me. Don't just tell me not to cry. Don't just smile and pretend that everything is alright. Don't pretend you don't see me." MHAReddit: Ah, I understand-- obviously, the series is saying that Tenko is dead and we can beat this guy by punching him harder! :)

I gotta stress that Shouto and Co. are kids and I'm not faulting them for deciding to let an adult handle the situation (and I don't doubt in the slightest that they would have also chosen to intervene if they were privvy to the same information abt Toshinori's health as Izuku)-- but from Tomura's perspective where he holds pretty much everyone equally responsible for society's failings, this act was enough for him to start subconsciously singling Izuku out.

Meanwhile, the sports festival just reinforces Tomura's budding interest bc it reinforces that Izuku is actually batshit crazy and Tomura's response to this is to ask ".... how crazy we talkin'? 👀"

Oh, Izuku, you were definitely gonna get kidnapped at some point 😭

Anyway, stuff like this is also why I feel that Horikoshi likely planned on having Izuku save Tomura from the very beginning (And I've seen ppl argue that Hori had planned to have Tomura be the final boss and get defeated/killed because of Nine's existence, but let's be real-- Nine was an AFO expy parading around in a Yoichi expy's body and ya'll know it). There's a lot of set up for why Izuku is ultimately the best person to save Tomura scattered throughout the early stages of the manga, like, literally starting from the very first page:

Izuku: *crying the biggest and ugliest tears mankind has ever seen, snot pouring out of his nose, sweating a frankly concerning amount, and fighting back his own tears because he just can't ignore the tears of others* I GOTTA SAVE THAT CRYING BOY....!!! Shigaraki Tomura, famously a freak, inching himself closer to Midoriya Izuku's splash zone with every chapter: ....... :) :) :)

Izuku saves others despite being a sobbing, snotty, sweaty mess--often times while he's being a sobbing, snotty, sweaty mess. It's antithetical to All Might and Nana's beliefs about saving others with a smile and about cultivating an "image"/"mask" meant to reassure others-- but that's not a bad thing, and the whole series is built around showing us why it isn't a bad thing.

Izuku cannot separate his own inherent humanity and desires from his heroism and is driven by impulse/ego/pain the same way Tomura is. He remains a crybaby who wears his emotions on his sleeve throughout the entirety of the manga-- and the lesson he ultimately learns isn't that he should "just stop crying and hide all his fear behind a smile," it's that he shouldn't run from that aspect of himself because it's the part of himself that allows him to empathize with others. Izuku saves a piece of himself every time he gives his all to save those who are in tears, and he's become the exact type of hero who would've given it his all to save his child self.

This might not be the sort of hero Izuku fantasized about being-- but it's exactly the sort of hero Tomura needs after a lifetime of having his own tears downplayed and ignored by everyone.

on that note, the anime having Tenko and Izuku's "masks" basically evaporating to reveal their soft, sparkly, shoujo-y centers in that one season 6 OP remains one of the most on-point visuals the anime has ever given us lmfao. can't wait to see what they do for s7.....!

#sophie.txt #midoriya izuku #shigaraki tomura #just rambling a bit so this post doesn't have much in the way of direction/cohesion. no matter...........!!!#mha.txt

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malleusfucker · 2 years

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Beelzebub Kinks and HCs

warnings: smut/nsfw, mentions of breeding kink/belly bulge, size kink, food kink, oral sex, threesome w/ belphie, reader is afab but no gender or pronouns are explicitly specified

words: 1.8k

definitely gonna write about my obey me favs now that i’ve done this (diavolo, belphie, simeon and solomon i’m looking at you 👁👁)

BREEDING KINK BREEDING KINK

this one is self explanatory so lemme just get this one out of the way 😐 beel’s breeding kink 100% stems from pure intentions, this man just wants a family really bad. he just thrives in the thought of you carrying his children and wants nothing else but to pamper and take care of you whilst doing so.

however, those “pure intentions” start to wane every time he’s inside you, he never realised and thought about it in the beginning, but the first time he saw you completely filled with his cum - his mind was racing to say the least and swore he never got so hard until he saw the outline of his cock in your stomach

he was a changed man after that and ever since, his mind has just been clouded with thoughts of you being filled with his semen, resulting in you having his children

food kink 😟

bet no one saw this coming. this goes without saying that he absolutely loves seeing you covered in shit like whipped cream, honey - fuck it, any sort of sweet stuff that he can lick off you. and best believe he says shit like “there's still some stuff on you that i haven’t licked off!” just so he has an excuse to lick you more 👍

man just loves food and being intimate with you and if it means that he can combine both, hey, he’ll take it. he loves to just nibble on you softly, licking everywhere until he’s certain that no part of your body has gone untouched.

but beware, because beel is literally called “the avatar of gluttony” don’t think that he’s going to be any different with you; if anything, he’s gonna be worse

light licking and nibbling will turn to biting and soon enough, you’re going to be completely covered in hickeys and bruises just from how “hungry” he is and stopping him will be more than difficult - (we’ve all seen the man when he’s hungry 😟😟😟)

absolute GOD when it comes to oral

this is not an exaggeration when i say beel would literally be in between your legs for days on end if you didn’t tell him to stop. his love for giving oral is definitely rooted in his food kink, all this man wants to do is taste you on his tongue and bare in mind, this is a literal fucking demon we’re talking about and a BIG ONE, so his tongue is inhumanly long. therefore you will be crying and screaming just from how good he is at giving oral. beel actually enjoys oral sex more than anything else just from how satisfying it is on both ends - not only are you the one being pleasured (big emphasis on “pleasured”) but he cannot get enough of how you taste and the way you moan in response and shower him in praise only fuels him even more. beel would get in between your legs any chance he gets so if you smell or look a certain way he’s gonna be in your pants immediately

wants to be gentle with you but ends up being very rough

beel is the definition of a gentle giant (kinda). because he’s so big, in literally every sense, he tends to start off being very gentle with you. stroking your face with his thumb, asking you every second if you’re okay or comfortable but sigh… once he gets in the zone, yeah you’re fucking dead.

very aggressive but not in the sense that he’s rude or purposely tries to hurt you, he just gets so excited and loves you so much that he can’t hold back. he will fucking destroy your insides and then afterwards realises what he’s done and will just be like “oh. my. god. i am so sorry.” expect a lot of kisses and sweets as a form of an apology because he feels so bad :(

he’s very big on his policy of not hurting you during sex and so if he does, it is 100% by accident and he didn’t mean it. he believes sex and any form of intimacy with you should just be about feeling good with your partner so hurting you in any way is off the list for him.

generally vanilla but you wouldn't think it with the way he POUNDS YOU

i don’t imagine him having any intense or insane kinks but yeah, sex with him is NEVER boring and especially for you because he will put all his attention on YOU. and you only. he prioritises your pleasure above anything else and will definitely make sure you’re satisfied (which you most likely are) (you will be crying by the end of it)

but as said above, this man gets very excited. he just feels like a kid in candy shop when he’s with you and those feelings of eagerness he tries so desperately to hide will soon just aggressively spill out onto you - meaning that he starts off relatively slow, and whilst you may be in pain to start off with just because he’s THAT big, he wants to slowly ease his way into things. until that all completely disappears and next thing you know, he’s thrusting into you at a speed which makes your eyes go into the back of your head and will have your legs shaking for the entire week. it’s an extremely dangerous combination of being both a gym junkie and also gluttonous so once he gets started, it’s going to take a very long time for him to stop.

SIZE KINK

beel is big even on demon terms so seeing a little human like you definitely does things to him. it’s only fair that he would end up having some sort of kink relating to how big he is and how small you are. he’ll always have his hands on you, seeing how big they are compared to your body - seeing how small you are to him always makes him want to completely smother you until he’s just got his entire body wrapped around you.

praise kink - likes to be called “good boy” n all that shit *gags*

because of all the attention and love he gives you, he wants you to tell him how great he is at pleasing you. beel has a MASSIVE praise kink and never gets tired of hearing you compliment him on how well he’s doing.

he loves reassurance and just making sure he’s doing the right thing, especially with how insecure he is with his size and the possibility of hurting you so tell him he’s doing an amazing job and he’ll be like putty in your hands

very touchy-feely, doesn't like restraints

one thing beel really ISN’T into is being tied up, or vice versa, like at all. one of his favourite things to do during sex is to just be able to touch and feel you, it’s such a key act of intimacy for him and if he’s restrained somehow he won’t be happy about it. if you were to tie him up as an act of some sort of punishment, he may let it slide just so it would make you happy and that he could make it up to you but either way he feels pretty miserable when his hands are bound because he ADORES skin-to-skin contact and just feeling your warmth. everything down to hugging or even just holding hands, he wants it and CRAVES it. it might take a while but soon enough he’ll show a more vulnerable side to him which is needy and wants your touch 24/7.

doggy style/mating press ALL THE TIME

yeah come on, this man is a fucking animal in bed 😐 just cuz he looks sweet doesn’t mean he won’t literally destroy you from behind. this will always be his favourite position (along with the mating press) because there’s something just so primal and animalistic about it that makes him go wild. when you get in this position don’t expect him to be all sappy and sensual, he’s gonna go all out and straight up break your back (lovingly)

and his other go-to position is the mating press, as expected from someone who would supposedly have a breeding kink 🙄🙄 this man is just very greedy when it comes to this position, having your legs up over his shoulders as he ruthlessly just pounds you into the mattress. as previously mentioned, he gets excited and with this position he becomes just that - with it literally being called the “mating press” yeah he’s gonna go CRAZY.

will fuck you in the kitchen, doesn’t care if any of his brothers walk in on you

along with his two favourite positions, this is probably his favourite place to fuck you in. the kitchen is just his happy place, it’s his space with him being in it most of the time, so it ends up becoming common with him “accidentally” bending you over the counter-top and fucking you.

fortunately or unfortunately for you because the kitchen basically belongs to him, his mind instantly goes to food and will become HUNGRY. and seeing you there will only unleash a monster that will make him go even harder and faster (if that's possible). beel becomes absolutely shameless when he fucks you in the kitchen to the point where he ultimately couldn’t care less if one of his brothers ends up walking in on you two. he won’t stop nor try to hide you and whichever brother that ends up walking in will just be greeted by the sight of you getting literally obliterated over the counter.

he will share you with belphie and belphie ONLY.

on the topic of brothers, beel is pretty possessive over you… except if it ends up being belphie. being that belphie is his twin and that they’re the closest to each other, beel would definitely not mind sharing you with him from time to time. if anything, it makes beel really happy seeing you with belphie as he’s glad that you see what kind of person he is, and that they both really care about you ALOT. belphie is alot rougher with you, often being almost rude to you and very demanding which just makes beels touch even more soft when you compare the two. being with the twins is always exhilarating as you have a contrast between beel’s gentle attitude against a very sadistic belphie.

- also i have this headcanon that when they both get intimate with you at the same time they get INCREDIBLY horny - with their whole “telepathy” thing of feeling each others feelings - i would just like to imagine that if one of them gets horny, the other does the same. therefore them both feeling horny and fucking you will just create A MESS - them just panting and going crazy from what they’re feeling and not being able to stop fucking you until one of them is worn out (it’s usually belphie).

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dazais-guardian-angel · 8 months

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Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.

When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?

Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?

I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.

I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.

An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.

So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.

Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡

#bungou stray dogs #seriously call me a clown and point and laugh at me if I'm proven wrong all you want #but I really feel like there's solid evidence for this #either s5 isn't gonna reach 109 at all (but I seriously cannot fathom where you would want to stop before then) or they'll go beyond it #if they really do end it with 109....... well i'll give Bones kudos for having the balls to do that ig lol #maybe i'm underestimating (overestimating???) them idk #also just to clarify I don't wanna make it sound like I think Asagiri let the anime/Bones dictate the manga's pacing #like I'm sure these were his/their (him and Harukawa's) own decisions first and foremost #not that (if this theory is true) the anime had a major impact on how the chapters were split and that it-#-would have been extremely different otherwise #i'm pretty confident in that Asagiri does not do anything with BSD he isn't comfortable with #and he doesn't let anyone tell him how to write his story #I just feel like he worked with Bones to make this near-simultaneous release happen #BUT if this is the case I don't feel like it had any major effect on the writing/final product that is the manga #like the last handful of chapters have been so incredible #so I at least am still perfectly happy lol #(i mean i'm devastated and a nervous wreck but u know 🫡 in a good way lmao)#anyway 110 in two days please let this theory be true because I need some fucking hope already #please let Oda show up as Dazai's guardian angel to help (see what I did there-)#it would be the perfect way to end the collective season that is 4/5 with s4 beginning with Oda and now ending with Oda #Asagiri are you reading me are you picking up what I'm putting down please please a ghost Oda is long overdue please-#Oda Verlaine Adam just GIVE ME SOMEONE ALREADY 😭😭😭#MAYBE EVEN A TASTE OF THE FYODOR BACKSTORY TO TIE INTO HIM BEING IN ANIME UNTOLD ORIGINS. THE POSSIBILITIES ARE ENDLESS

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grassbreads · 1 year

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What Tai Sui is and Why Everyone Should Read It

So if you follow me, over the past couple weeks, you've probably noticed me obsessively screenshotting and posting about a book called Tai Sui. And now that I've finished it, I'd like to try and convince y'all to give it a chance.

What Is Tai Sui?

Tai Sui is a chinese web novel—a relatively unpopular work by the very popular author Priest (author of Guardian and Sha Po Lang, among others). Unlike a lot of the most popular web novels on tumblr, it's not a danmei. It's in fact rather important to the plot and themes that there is almost entirely no romance, but I promise you, it is absolutely worth it regardless.

What is Tai Sui About?

Tai Sui is a steampunk xianxia cultivation story. For those unfamiliar with xianxia and cultivation, this is a particular genre of Chinese historical fantasy.

The official summary of Tai Sui reads as follows:

“If I had a choice, I would only want to be a little insect in the mundane dust, born in confusion, dying in mediocrity, never seeing the light of day beneath the fog of Jinping City.

Better than taking this wrong road to heaven.”

You may have noticed that this summary is not in fact really a summary. It gives you a glimpse into the story's themes, mood, and destination, but it doesn't exactly tell you what happens in it.

That's because Tai Sui is one of those works that's incredibly hard to summarize. The story is incredibly wide in scope and changes massively over its course, to the point that any summary that encapsulates the whole thing is going to feel like a spoiler. However, I can try my best to add a little detail without giving too much away.

Tai Sui is the story of Xi Ping—an obnoxious, trouble-making rich boy with no interest in cultivation—who gets unwittingly involved in a plot to resurrect the "evil god" Tai Sui. This plot pulls him into the cultivation world against his will and, over time, threatens to rewrite everything he is.

Tai Sui is the end of immortality.

Why Should You Read Tai Sui?

Tai Sui is one of the most compelling stories I have ever read. It is a love letter to the power and promise of the whole world and its many mundane people. It also has some of the best worldbuilding I have ever seen.

Tai Sui is written in omniscient perspective, and though Xi Ping is very much the main character, as the story progresses, we spend more and more time alongside characters that aren't him. By the time the novel ends, his entire continent is at stake, and we the audience know that continent and its troubles inside and out from countless angles. Everyone from the immortal demigods of the cultivation world to the most wretched, miserable paupers is given a grand sense of emphasis.

Tai Sui is a deconstruction of the cultivation genre. It establishes a magic/cultivation system and its history, lets the main character live in that system for a while, and then dives deep into that system's depths. It looks at the cultivation genre, at the idea of people who leave behind their status as mortals for greater things, and asks "How does this really work?" and "Is this how the world should be?"

Tai Sui is the story of countless people who were never supposed to be powerful coming together to make the world a better place. It's well written (and very well translated), exciting, heartbreaking, and incredibly beautiful. It's also funny as hell.

I cannot recommend this story enough.

Warnings/Caveats

As I said before, Tai Sui is a deconstruction of the cultivation genre. If you're unfamiliar with this genre, while the book is certainly readable, you are going to be thrown head first into the deep end with the tropes and terminology at play. It's absolutely worth the learning curve, but it will be kind of a lot. Maybe do some light googling about what a cultivator is before you pick it up. (Or just ask a fan. I think most of us would happily explain anything that would win a new reader).

There are portrayals of people/cultures in Tai Sui that are heavily inspired by minority cultures in real-world China, and some of these portrayals play into pretty harmful stereotypes. It's not SPL "Barbarian" or TGCF Banyue levels of racist, but it's something to be aware of and careful about. I'd really recommend reading from the perspectives of those from the cultures in question (including but not limited to the post I linked) for more about the issues I'm talking about.

Tai Sui's English translation is 930,000 words long. I believe this is a strength, since its length is what allows it such an incredible scope. It is also a fucking daunting commitment, and I acknowledge that.

Finally, while Tai Sui doesn't need too many trigger warnings, it does contain some pretty viscerally upsetting depictions of inequality and mistreatment, as well as a few instances of violence toward children. You can't uplift without first seeing what the people need uplifting from, and hooboy. They need it.

There's also some scenes that are technically rather violent, but the goriness is not presented as gore, if that makes sense. It never feels intensely or overly violent in the way some fantasy novels do.

Links

If all my gushing and propagandizing has convinced you to give it a try, you can find the original Chinese version (where you can buy chapters to support the author) on JJWXC.

The complete English translation is free on the website of E. Danglars, who does a truly incredible job with the translating.

Happy reading :).

#my desperate shot at propagandizing now that my followers have sat through months of on and off obsessive tai sui posting #besties it is genuinely so good #it made me cry. and that is a fcking feat.#tai sui #priest #cnovel #webnovel #long post #I'm not putting a readmore on this bc I want to force y'all to look at it #sorry #book rec #invasion of the frogs

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broodparasitism · 7 months

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Everything I've Learned About Querying from Talking to Agents (And Traditionally Published Authors)

Disclaimer: I'm UK based, as was everyone I spoke to. I didn't include any country specific advice, just what I think is applicable regardless of where you live, put it might be useful to know this is from a UK lens.

As part of my course I was able to go to a lot of talks with literary agents (a mixture of literary, genre and nonfiction) and I picked up a lot of useful information - a lot of it not quite so bleak as I feared! - and thought it might be helpful to compile it for anyone looking to query agents in the future, so, here goes, under the readmore:

Querying

Remember that agents want to find and publish new authors. They're not at odds with/out to get aspiring authors. They want to work with us. This is someone you're working with, so don't pick an agent you won't get along with.

Manuscripts should be queried when they are as close to finished you are able to manage. There are a few agents that are open to incomplete manuscripts, yes, but many more that flat-out refuse unfinished work. Manuscripts generally go through about ~15 rounds of edits before landing an agent.

Send query letters in batches - around five or six at a time. There is no limit to how many agents you can contact, but you can't contact more than one agent from the same agency, so make sure you've selected the most suitable one from each.

In most cases you can't submit the same manuscript to the same agent twice - so having it be as finished as possible is all the more vital.

Some of them will take a long time to respond. Some never respond at all. If it's been three months of nothing, it's safe to assume that's a rejection.

One agent said she took on about two new authors a year, which likely isn't true for them all but is probably a reasonable average. For all of them, the amount of queries they get can be in the three digits a week. I can't emphasis enough just how many they get. I take a lot of authors to mean that means it's a 0.001% chance and despair, but that assumes each manuscript has an equal chance, and they don't. Correct spelling and grammar, writing in a genre that appeals to the agent, quality sample chapters and respecting the submission guidelines (more on this later) improve the odds by a significiant amount.

One agent said he rejected about half of his submissions from the first page due to spelling and grammar mistakes and cliches, for perspective.

You'll need to pitch your book. If your book cannot be pitched in three sentences, that's a sign it has too much going on and you'll need to do some pruning.

Please don't panic if you cannot come up with an accurate pitch for your book on the fly - you're not supposed to be able to do that. A pitch takes many edits and drafts just like a manuscript.

Send your first three chapters and a synopsis (this should be a page, or two pages double spaced. It should not include every single plot point though, again, if major things end up not there at all, question if they're necessary for the manuscript).

Three chapters is the standard - as in, if the agent web page doesn't specify how many, that's what to opt for. If they say anything else, for the love of God listen. If there was a single piece of advice that the agents emphasised above all else, it was to just follow each submission requirement to a T.

There needs to be a strong hook in these chapters. If your manuscript is a bit of a slow burn, that's fine, but you can cheat a bit with a 'prologue' that's actually a very hook-y scene from later on.

Read the agent's bio page throughly and make a note of what they like, who they represent, and what they're looking for, and highlight this in the query letter.

Your query letter has to say a little about you. It doesn't have to be really personal information (but say if you're under 40, because that's rare for authors and they like that), and keep it professional but not stiff, they say. If you have any writing credentials, such as awards won or creative writing degrees, include them, as with any real life experiences that pertains to the content of your book. But no one will be rejected on the basis of not having had an interesting enough life.

Apparently one of the biggest mistakes for debut authors tend to be too many filler scenes.

In terms of looking for comparative titles, think about where you want your book to 'sit'. Often literally - go into bookstores and visualise where on the displays you could see it. It's really helpful if you can identify a specific marketing niche. Though you want to choose comparisons that sell well, but going for really obvious choices looks lazy. A TV or film comparison is fine - as long as it genuinely can be compared.

Do not call yourself the next Donna Tartt. Or JK Rowling. They are sick of this.

Don't trust agents who request exclusive submission.

Or any with a fee. Agents take a percentage of your advance/royalties - you never pay them directly.

In terms of trends (crowd booing), there's been a boom in uplifting, optimistic fiction, but more recently dark fiction has been rising in popularity and looks to have its moment. Fantasy and Gothic are both huge right now. Publishers also love what's called upmarket/book club fiction - books that toe the line between genre and literary.

But publishers aren't clairvoyant and writing to trends is a futile effort, so don't let them shape what you want to write. Some writing advice I got that I loved was to not even THINK about marketability until draft three or four.

If any agent requests your full manuscript - this is crucial - email every other agent you're waiting to hear back from and let them know. This will take your manuscript from the slush pile to the top, and you are more likely to get more offers of representation.

The agent that flatters you the most isn't necessarily the best. Be sure to ask them what their plan for the book is, and what publishers they're planning to send it to - you want them to have a precise vision. It might be that their vision misses the mark on what kind of book you wanted to write, and if so, they aren't the right agent for you.

Research like hell! A good place to start is finding out who represents authors you love (the acknowledgements pages are really helpful here). if you can, getting access to The Writer's and Artist's Yearbook is very helpful, as is The Bookseller, the lattr for checking up on specific agents. (I was warned the website search engine is awful, so google "[name] the Bookseller" to see what they've sold. That said, only the huge deals get reported, so it's not indicative of everyone they take on.

I also want to add Juliet Mushen's article on what makes a good query. I owe a lot to it, and I feel like it's a useful template!

Once Agented

Agents send a manuscript to about 18-25 publishers, typically. Most books will end up having more than one publisher interested.

It can be hard to move genres after publishing a debut novel, especially for book two, not only because it means it takes longer for you to establish yourself, but the agent that may be perfect for dealing with manuscripts for book one might not have the skills for book two.

Ask the agency/publisher about their translation rights, their rights to the US market, and film and TV rights. Ask also what time of year the book is going to come out, if being published.

It's less the book agents are interested in than it is you as an author. You will be asked what you're going to write next, so have an answer. Just an answer - you don't need another manuscript ready to go. One author said she flat-out made up a book idea on the spot, and she got away with it - just have an answer. (This is also useful to put on the query letter.)

Caveat that this is, of course, not a foolproof guide to getting a book deal, nor is it in any way unconditional endorsement of how the industry works - I just thought it would be useful to know.

#writeblr #wtwcommunity #traditional publishing #literary agents #wrting advice #kinda #eta a readmore link

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loudmound · 2 months

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hi. welcome to my mary shepherd-sunderland post.

what will follow is who i think she is as a character, what she means to the narrative of sh2, and why people should think and talk about her more bcs me and the 4 other mary fans are dying out here.

DISCLAIMER BEFORE WE BEGIN: a lot of this post will be enmeshed with interpretation and headcanon that draws from me analyzing the text of sh2. this is My Post about mary. stormy mary post. please understand this.

the foundation of mary's character is an exceptionally strong one, and for someone like me, i enjoy making inferences about her person before the illness, during the illness, and near the end. the personality she has in sh2 is flexible enough to allow what i imagine her to have been like in my mind's eye.

i do not want this post to be read as the Definitive Canonical Interpretation of mary. i am just doing my best to inform my analysis of mary with the text as well as building from that set foundation given to us as the audience.

with that out of the way, please enjoy.

PART ONE: MARY AS A CONCEPT

what exists of mary is filtered through the lens of memory before the cumulative letter in the respective endings we receive it. throughout sh2, her status and state of being is re-contextualized as her husband moves closer and closer to the truth of the matter. she is an individual wrapped in idealistic fantasy that is slowly and surely stripped away the longer the game goes along, and the more we actualize her as the person she once was.

this element of conceptualization and fantasy is a through-line in sh2's narrative. mary is everywhere james looks in his version of the town. she's in the rot and rust on the walls, she's in the monsters he fights and runs from, she's in the places he goes, her face and voice is maria's, and she even has some of her memories and personality traits. it is truly understated how much mary just... IS in sh2, in spite of her not being physically present.

there's also this dichotomy i've been thinking about in the inability for mary and james to exist outside of one another, thematically speaking. for fundamentally being two different people, they are inextricably tied to one another in a really unfortunate and tragic way. james grafts himself to mary's memory before her sickness and slowly begins to resent the woman she's become out of anything but her own volition, and mary grafts herself to james because... she has to.

she's sick, she's dying, she's largely bedridden and in constant pain. she cannot rely on herself anymore; she has to rely on the people around her to take care of her, and when she inevitably goes home to live out whatever time she has left... it's james she has to rely on. and while i think james finds immense comfort and pleasure in living in the past they had while refuting the present, mary is thoroughly imbedded in the present and resents the past by means of something that she can no longer have. neither of them can, but i've always interpreted mary to be a very pragmatic and proactive individual.

she discusses in her letter how pathetic and ugly she feels, how she waits in her cocoon of pain and loneliness that's been grafted onto her unwillingly while she waits for james to visit her, and it's clear to me that she is the kind of individual that puts so much emphasis on being a useful and beautiful woman. that is what gives her worth as a human being within the society in which she lives (late 80s usa in my opinion). canonically, she is a housewife, and while that certainly coheres, i'm of the belief that she was a woman who worked outside the home as well, but also someone who did not do enough unpacking to really get away from gendered roles expected of her.

i really do believe that she feels she failed james spectacularly as a partner, but also as a wife; therein, as a person in his life. both of them dealt with their own baggage regarding gendered expectations, but mary in particular's is incredibly potent and crushing if you actualize her as someone who, in turn, wanted to be the perfect wife to james. kind, patient, nurturing, submissive, etc.

of course, as we all know, the perfect wife/woman/whatever you want it to be, is an unattainable concept, because how can anybody human like mary exist within such ridiculous, reductive parameters?

PART TWO: MARY AS A PERSON

so, in that case, who was mary, then? who was she, if not this idealized vision of a wife long lost?

as i've alluded to before, i envision her as a very pragmatic and proactive person; in the video tape of her, she seems very playful and outgoing, but also contemplative, appreciative, and straightforward. i've always seen her as a very different person from james in regards to how she navigates through life.

she's comparatively much more outward and readily emotional, but seems to retain a level of quiet interiority that meshes very well with james' very inward attitude. a very typical "bubbly wife and stoic husband" sort of situation on the surface, but i've always thought that mary greatly appreciated having james as an emotional anchor of sorts; somebody who can soothe the more keyed-up aspects of her personality, given how quiet and easygoing he is.

given how she mentions how angry she was all the time at the advent of learning of her incumbent death, i view her as somebody who really does not like being out of control of her own life. she has an idea of how she wants things to be and she wants them done the way she has already since chosen. (do not interrupt her routines. she will get very irritated.) she's very particular, and i think she's had to learn how not to just take the reigns from somebody else if she perceives them to be going about something "incorrectly" because this particular flaw has led to some arguments/falling-outs with loved ones in the past.

in that particular vein, holy fuck is this woman a fixer. she needs to fix everything she possibly can. the sink's busted? don't worry, she's had a lifetime of fixing shitty plumbing in her childhood home because nobody else bothered. need a couple more bucks for gas? don't worry, she always keeps a few extra dollars on her because she knows what it's like to be a few short and not have anyone else to turn to that you can trust.

you've been deeply traumatized and scarred by your adverse childhood experiences and it's left you with maladaptive and dysfunctional coping mechanisms? don't worry, she'll be there for you, in sickness and in health.

to me, mary's the kind of person that likes seeing the fruits of her labor, too. she takes great pride in being as self-sufficient at she has been, and does very much enjoy sharing that with others as much as she can. genuinely, i think she's very giving and compassionate, but jesus, when it came to james when he was struggling (before she got sick), it certainly got a bit dire. using your wife for free emotional labor is one thing, but when that wife welcomes it for a while because she has a pervasive desire to fix everything, including you? yeah.

also, of course, mary felt a pertinent obligation to doing such, being The Wife and all, but she's also a human person and got exhausted dealing with the amount of baggage her husband had, and their relationship got pretty rocky because of james' unwillingness to seek professional help (stemming from trauma with the laughable us-healthcare system) and mary's unwillingness to recant over and over again what she has in her toolbox.

which is where silent hill comes in. a belated honeymoon of sorts, mary and james take a trip to take their mind off the doom-inspiring monotony that is domestic life, and it's great!

until it isn't.

PART THREE: TERMINAL ILLNESS

so, the nature of mary's illness has never been clearly stated canonically, but we know that it gave her a persistent cough, rendered her bedbound, made her hair fall out, and made lumps grow all over her skin. i'm of the belief that she had hansen's disease, but cancer is also incredibly plausible too.

hansen's disease is one of those things that can lie dormant for years, and it can sometimes take a decade for symptoms to surface, so i don't think it was really a matter of mary catching anything from silent hill, per se. (i do think toluca lake has just the most godawful brain-eating bacteria in it but that's aside the point.) it's definitely a curable disease, but perhaps the strain mary had was a particularly severe variant. point being, however, is that this thing ruined her inside and out.

in the beginning stages, (year 1 or so) i do think she was pretty touchy, emotionally speaking. she tries to keep up appearances as much as she can and is able to, but it's clear that something has shifted for the worst. she's much more somber in the moments of quiet. her contemplative nature turns to brooding. she smiles, still, but her smiles are undoubtedly laced with a wry, bitter sadness.

she's now toiling with thoughts of dying as a way out, too. it'd be easier if they'd just kill me, she laments at one point. simultaneously at the crux of wanting freedom from one's pain in death but terrified of said death as being eternal, too.

it's something you can't ever undo.

now... i'd say a pretty controversial aspect of mary's character during this period of time is whether or not she was abusive towards james during her illness. cases have been made, it's a fairly ambiguous situation as presented in-game, but i think mary's anger that she expressed was quiet, overall. she tried to keep it quiet, at least, and when she did lash out, it was almost always in part due to her newfound level of self-loathing. when she's yelling at james in that hallway, she's yelling at herself more than she is at him.

she's no longer a person, to herself and to others around her that treat her like a dying animal than the woman that she is; the woman that she used to be. i'd be livid if i were her, too!

she also mentions in her letter that she "struck out at everyone she loved most." i have very strong reason to believe that she loved laura, and that unfortunately, she too was caught in the crossfire of mary's mood swings/outbursts. i also think that the guilt mary expresses when we're listening to the hallway conversation is genuine; i don't think her outburst and subsequent apology was a manipulation tactic to make james feel bad.

i think she's genuinely suffering. she doesn't know what to do with these compounding negative feelings. she has nowhere to put them. james comes in at a bad time and becomes the target. after the damage has been done, she realizes this and crumbles immediately. she's hurt james. she needs to do damage control however she can.

of course, none of this is to say that women can't ever be abusive/abusers and we can have conversations about the nuances of that all day, but... it's disquieting to me to see a consistent reading of a terminally ill female character's torment and anger be read as "abusive" to further exonerate the male character's deed of murdering her. like, i think we should consider that for a bit. i think we can hold that mary's behavior was not the best, but james' wasn't, either.

mary waited for him, but he never comes. he stays away, festering in his own grief, mourning her before she's even passed. i see james' aversion to seeing her in large part as a trauma response due to past abuse while growing up; when she shouts at him like that, it drags all of those ugly feelings and memories up.

it's a relationship i see as something that was mutually declining. it was something that was left to die. much like mary was, in a lot of ways.

mary was terrified that james hated her. that she disgusted him with her appearance, that he pitied her for being ill and effectively useless to him. that was something plaintively out of her control, being in the hospital. james could've ripped the bandage off and braved seeing her. he could've talked to her. he could've rekindled what was deteriorating. but he didn't.

again, mary's proactive nature of yearning for james, wanting to see him, wanting to talk to him and talk about them and what to do when the time comes. she wants to figure this out as best she can.

but james doesn't, and he still never comes.

mary poured everything left in her that she could muster in that letter. she profusely apologized for everything, for things that weren't even her fault to begin with. she told james that she loved him in that letter, because she couldn't say it to him to his face any longer. she didn't know if she would have any time left to do such.

but she does. and however long later, he kills her.

mary isn't a perfect victim, nobody that's a victim in sh2 is supposed to be. but she is still an individual that deserves compassion nonetheless, and i think the game does its due diligence in getting that across.

PART FOUR: MARIA

i think have to at least touch upon maria a bit if you're writing a post about mary. i think that's just the way it is.

maria, as we know, is a manifestation created by silent hill as a means to confront/interrogate/"punish" james by emulating mary but with very... choice character design changes.

she's clad in leopard print and a cropped red blouse. she's a dancer at heaven's night. she has bleach blonde hair with the roots peeking in. her face is all done up. she still extroverted, but far more provocative and alluring. she's a fantasy; something unattainable.

but she could be yours in whatever way you want her to be!

maria is utterly fascinating as an interrogation of james' character, but also as a reflection of mary, too. in born from a wish, she expresses her fear of pain and death, of being alone in town with no one else around, while also toiling with suicidal ideation. (sound familiar?) she seeks out companionship in whatever form it takes, and jumps on it when she does find it in ernest.

how much of mary is maria has always been up for debate and forever will be, but i think a lot of mary lives within her. the obvious, being the memories that she has of laura and the video tape left in the lakeview hotel, her hot and cold behavior with james, but also in the existential misery she feels in born from a wish. that desire to die to escape the pain of feeling alone, but also wanting to be with somebody else more than anything, and how death would undoubtedly take that away.

i also think her dyed hair isn't even hers; mary had that haircut and dye job when she first met james at that house party all those years ago.

i think maria's standing as a sentient individual is true, but in the sense that she is the combination of both mary and james' baggage made sentient. she never truly existed for herself, as her own person. she'll always have a little bit of someone else in her, someone she doesn't even really know, and that's... utterly tragic.

i think she realized this too when she points that gun to her head. but she chose james anyways out of that same desire for companionship. maybe she could be his new mary. maybe she could be better than mary. it's truly all so fuck.

PART FIVE: CONCLUSION

mary is the reason why sh2 happens for james. full stop. you cannot have sh2 without mary. there is a foundation laid for you to examine and explore. she is as infinitely fascinating as james is, if not more so. join me.

this post is sprawling and probably a bit confused at times because i wrote it on a whim, but i HOPE that i was able to get across the larger ideas of why i love mary as a character and who she could've been before her illness and death. i didn't touch upon everything i possibly could (mary and laura's relationship deserves its own post, i think), but this post is already long enough. i'll edit it in the future, undoubtedly.

thank you so much for reading all the way. listen to her final letter and cry with me.

#mary shepherd sunderland #james sunderland #maria #maria silent hill #silent hill #silent hill 2 #sh2 #stormy shouts #like i said in the conclusion i think mary and laura's relationship is deserving of its own post #i would've loved to get into it here but uh. this post is already very long.#that's where interpretation plays too #talking abt silent hill... showing laura all her photos... loving her like her own daughter... ugh it's so heartrending #anyways. this one's for my maryheads

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mrsnancywheeler · 2 months

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Okay so- I’m not sure if this is just a me thing (because I find it hot) but I feel like Finnick has a thing for hickeys but not visibly hickeys. Here are the reason why he hates visibility hickeys

1) people view it as a “ownership” thing and Finnick doesn’t own his sweet girl. She is her own person. They rely on each other but owning her? Fuck no.

2) reminds him too much of….yeah

3)he needs the privacy. He hasn’t gotten it.

Reasons why I think he likes hickeys

1) it’s a visual representation of the intimacy he has shared with his sweet girl, a moment of vulnerability he was allowed to witness

2) they don’t have bite marks. No no. They’re simply marks for moments he spent worshipping one spot on her skin for a little to long

3) they remind him of something he got to do with his sweet girl.

He likes seeing them. Loves it even.

-🌾anon

i think Finnick would love hickies as a representation of how much he loves his sweet girl, like emphasis on the worshipping one spot on her skin for a little too long. he adores everything about her, and she's so full of self doubt, that even small things like that can be used to show how much he loves every pieces of her. and it can just be their's, a private declaration of that adoration.

I think finnick loves kissing so much overall and cannot get enough of it. like if he notices his sweet girl needs to take a breath because of how long he's had his lips on hers, he's stopping to find a different part of her body to love on. I literally think it's his favorite thing in the world. and that with his sweet girl he tries to grasp onto much privacy with their intimate lives as possible since there's not a lot of that.

I love him sm

#wanda 💋#finnick odair x reader #finnick odair x y/n #the lakes #finnick odair #finnick odair fluff #finnick odair angst #finnick odair x reader fluff #finnick odair x you #the river #🌾 anon

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mariademetal · 3 months

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cw ... yuuji calls reader babe, everyone is a little stupid, idk what else, lmk if i should add anything note ... this was actually sooooo much fun to write, i luv yuuji so much and this idea came to me like a vision from jesus himself, i hope u all enjoy too (❁´◡`❁) word count ... 1.1k

You've always liked Jennifer Lawrence.

You liked the Hunger Games growing up, but never bothered to read the books. When you turned a little older, you liked Silver Linings too. Maybe you didn't like her as much as some of your peers, maybe you never dressed up as Katniss for Halloween, but you certainly never hated her. She's pretty, she's a good actress, and although you wouldn't necessarily call yourself her fan, you can see why, hypothetically, someone might. You've always liked Jennifer Lawrence.

You've always liked Yuuji, too. He's always been a good friend to you, but now that your relationship with him is blossoming into something bigger, more important than friendship, you can't quite jump over the hurdle that is Jennifer Lawrence. Despite the fact that you have, as a matter of fact, always liked her, you feel nothing but mild discomfort and irritation as you make unrequited eye contact with the poster of her hung on Yuuji's wall.

What else are you meant to look at?

At first, it was easy enough to ignore her. Whenever you came to Yuuji's room you'd make a point to sit on his bed, back against the wall, safe from any unwanted eye contact with Jennifer's boobs. But the talking stage is weird like that— if Yuuji's already sitting on his bed, you certainly can't, and then you're forced back into a standstill, an ugly competition with a poster that cannot fight back.

So, the two of you start hanging out in your dorm. You would be lying if you said you hadn't considered getting some sweat mag poster of some ludicrously built American actor yourself, just to see Yuuji's reaction. You, thankfully, came to your senses and acknowledged that Yuuji would more likely ask to take it to hang on his own wall than ask you to take it down for the sake of his ego before you spent any money on your silly idea.

Unfortunately, when Nobara leaves her window open after a particularly humid day and finds that she's invited a mildew infestation into her dorm, she asks to shack up with you until her new room is set up, and thus you and Yuuji are forced back to his room.

Still, it was easy enough to ignore Jennifer. She was an unwelcome, near-overbearing presence in your relationship with Yuuji, but it wasn't like he mentioned her in your conversations, nor did he ever compare the two of you— it was just that stupid poster hanging above his bed and the knowledge that he has called her his type, whatever that really means. So, it was survivable.

And there are so many other things you adore about Yuuji, too— like how he gives you his jacket when he feels even a draft, or how he takes pictures of things he knows you'll think are cute or pretty, or how he lets you prop your legs over his thighs whenever you watch movies together. You like what you have with him— you don't like that fucking Jennifer Lawrence poster. Unfortunately for you, they seem like a package deal.

It was easy enough to ignore Jennifer— emphasis on was. You could ignore Jennifer as long as he never mentioned her to you. For a long time, he didn't— no one's ever called Yuuji a genius, but he's always had the good sense to avoid the topic of a certain blonde actress with you. He had a spotless track record, apart from the existence of the poster itself— he was doing so well that you started to think you really could live with Jennifer— then, he had the bright idea of asking you on a date to see her new movie.

The two of you were walking together when he asked— the sun was setting, he'd just bought you a drink from the vending machine, your shoulders were touching— then, he just had to ask that wretched question. You don't think you've recoiled from another person's touch so fast before in your life. You also don't think you'll ever forget the look on his face after you replied to his question with, "Are you fucking with me?"

He asked if that meant the answer was no. (Again, no one ever called Yuuji a genius.)

So, after that display, why are you here, in his room, making the same awkward eye contact with Jennifer Lawrence's cold, dead, photographed eyes that you've been avoiding so fervently these past couple of months? Because you're making your final stand against Jennifer. She's got to go if Yuuji wants your relationship to go anywhere. You refuse to look at her bikini any longer than you've already been forced to.

That said, you can't exactly make your final stand against Jennifer until Yuuji is back from... wherever he is, so you are, unfortunately, stuck looking at Jennifer Lawrence's bikini for even longer than you've already been forced to.

It's only when Yuuji does come back that you realize how weird of a position he's caught you in— just standing in the middle of his room, bag discarded on the floor next to you, staring at his damn poster like you're admiring a piece of art in a gallery.

He looks excited, at first, to see you, then excitement turns into confusion, probably at the fact that you're just... standing there, then concern. "What're you doin', babe?"

"We need to talk," is the first thing that comes out of your mouth, deathly serious.

Yuuji gulps. Literally gulps. "About what?"

"Jennifer."

You can see the relief painting his face when he realizes that you are not, as a matter of fact, breaking up with him. "What about Jennifer?"

"She needs to leave," You emphasize the last word in a way that makes your request sound less like a request and more like a plead. "I feel like the other woman."

"Okay, don't be dramatic—"

"Don't call me dramatic!"

"I'm sorry!"

Yuuji purses his lips and brings his hand to the back of his head, as if he's weighing to pros and cons to standing his ground and keeping the poster. Just when you think you've finally won, that the cons outweigh the pros, he says, "Aren't relationships about compromise?"

"Yuuji, I swear—"

"See the movie with me, and I'll take the poster down."

"Deal."

Maybe you should've thought about it longer. Maybe you should've weighed the pros and cons of this date, too— then, you see Yuuji sulking, watching from the corner of his room as you gleefully climb onto his bed to peel off the tape that attaches the poster to his wall, and it makes it all worth it.

You kiss him on the way out, and the goofy smile on his face tells you he feels the same way.

It'd better be a good movie.

#jjk x reader #jjk fluff #itadori x reader #yuuji x reader #yuuji fluff #yuji x reader #itadori yuji x reader

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