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akanemnon · 10 months

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TWIN RUNES MASTERPOST

1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 - 14 -15 - 16 - 17 - 18 - 19 - 20 - 21 - 21-1 - 21-2 - 21-3 - 22 - 23 -24 - 25 - 26 - 27 - 28 - 29 - 30 - 31 - 32 - 33 - 34 - 35 - 36 - 36-1 - 37 - 38 - 39 - 40 - 41 - 42 - 43 - 44 - 45 - 46 - 47 - 48 - 49 - 50 - 51 - 52 - 53 - 54 - 55 - 56 - 57 - 58

To be continued...

TWIN RUNES MINI COMICS

Glasses - Fallen down - First steps - Press [C] - Frisk Dance - But nobody came - Whatstheirface - An acquired taste - Eye opening - Smalltalk

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TWIN RUNES - FAQ

What exactly is this AU about? Twin Runes is essentially a comedic crossover AU between the universes of Deltarune and Undertale. No fancy nicnacs. Just the characters being their chaotic selves. But there might be some darkness lurking up ahead...

When is the next comic? The comic updates most Sundays at 6:30 PM Central European Time.

Why is this AU called Twin Runes? The name is more or less a play on the typical naming format of most AU's by featuring the "Runes" part. There are no literal Twin Runes. The whole name is more of a stand in for Undertale and Deltarune as parallel worlds. Hence the "Twin" part.

When does Twin Runes take place? This AU takes place between a hypothetical Chapter 3 and Chapter 4 of Deltarune. On the Undertale side of things, it takes place post neutral route just as Frisk was about to deliver Undyne's letter to Alphys.

Is the player a thing in this AU? The player lost control over both human children as soon as Frisk entered the world of Deltarune.

When Chapter 3 and 4 are released, will it affect the story? Any chapters after Chapter 3 won't affect the story in the grand scheme of things. If possible, I might make a reference to Chapter 3, but all in all Twin Runes created a new timeline so to speak.

What's up with Kris' and Frisk's hair? The red bits of their hair is more or less a representation of their souls. That in turn is also why Chara doesn't have that feature. They are soulless. It's a stylistic choice.

What's that thing on Kris' chest? It's a scar they got from tearing out their soul.

And why do they have weird lines all over their body? Both Kris and Frisk's anatomy resemble that of ball-jointed dolls. They appear just as markings across their bodies. Think of them as elaborate birthmarks. Kris and Frisk are still made of flesh and blood, but are in fact hypermobile. The reason as to why they do is still a little secret :) People here like to refer to these markings as "puppet limbs". You can get a better look at them and the scar in this artwork

Why does Kris have braces? This is why:

Why is Dark World Frisk green? Frisk changes their main sweater colors with Kris when they enter the Dark World.

Can other ghosts see Chara? (pre Darkner transformation) No, only Frisk and Kris are able to see Chara.

IS KRIS NOW FRISK'S COUNTERPART OR CHARA'S???? :)

So, was Chara in the locket all along? No, Chara possessed the locket to become a Darkner.

Where are Jevil and Spamton? Are they in Castle Town? The Fun Gang have already fought these two in the previous chapters and added them into their inventory. Outside of that little dream sequence, neither will be making an appearance.

Is anyone from Undertale Yellow gonna make an apperance? Outside of a tiny cameo from Clover (that has no greater bearing on the story) no one from Undertale Yellow is going to make an appearance.

Is (insert character here) gonna go to the Dark World/underground? With the way the story is going to play out, only the main group will be heading to this new Dark World. The rest of the story will be taking place there.

Is the Group Project miniseries canon to Twin Runes? It was made before Twin Runes was conceived and before I had any idea I would make a series. It is it's own self-contained story. So it is NOT canon to Twin Runes, but You can read it here: 1 - 2 - 3 - 4 - 5 - 6

How did you come up with the idea of Twin Runes? Twin Runes is an offshoot of a separate script I wrote. It's a similar concept but turned on its head. The funny moments in that script made me just continue what now is the start of Twin Runes. I pretty much just wanted to see if I am actually capable of drawing a comic to begin with. So... in a way Twin Runes is my first attempt at a comic ever. If I ever finish Twin Runes, then I know I can tackle turning that mammoth project of a script into a comic too. In the grand scheme of things these two projects are sister series. They have A LOT in common and even share similar plot elements. When Twin Runes is over you will automatically also know certain mysteries of The Other Script.

What is The Other Script? As of this moment I call The Other Script: "Lost in the In-Between". At its core it's an inverse of Twin Runes. I.e. Kris falling into the underground and being aided by Frisk on their quest to return home. The story and jokes are a considerably more grounded than in Twin Runes and so are the characters. Though they do have their moments from time to time. The overall mood of that script is a lot darker in nature and it's a 200+ page passion project of mine.

Am I allowed to make fanart? ABSOLUTELY! You are very welcome to make fanart if you feel like it. Please let me know if you do by tagging me, so I can share it with everyone to see so that you get the appreciation you deserve :)

Can I use the funny faces you draw for memes or for private stuff with friends? That's what they're here for :)

Is there x ship in this comic? The focus of the story is not on shipping. If it's in the game it will very likely be mentioned or brought up, but that's about it.

What pronouns do you go with for the human children? I try to stick as close as possible to the games so I use THEY/THEM FOR ALL OF THEM WITHOUT ANY EXCEPTIONS.

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ABOUT ASKS

Asks will open for 24 hours after a new comic has been released. Your questions will then be answered over the course of the week.

Try not to submit multiple asks. If necessary, just keep everything in one post.

Keep in mind that I receive AL LOT of asks, so not every question can be answered...

Questions containing spoilers will not be answered on principle. Wouldn't be as fun if the surprise was ruined, right?

Before leaving an ask (mostly for everyone who's new), please make sure to read the FAQ section above. A lot of times your question might have been answered already :>

I love memes and dumb jokes as much as the next guy, but try not to spam

It probably goes without saying, but please stay civil. I want to give everyone the respect they deserve, and naturally like to be treated the same way.

Please be mindful about drawing requests. It is understandable if you're eager to see a certain character drawn in my style, but I do not like to be bombarded by requests. The more it happens, the less likely I am to do it. Be kind and ask nicely.

Don't use other people's posts that I reblogged to ask me questions! It has happened before and I do not wish to see this!

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REFERENCE SHEETS

The following are ref sheets of characters that don't have established Dark World forms yet (as of writing this comic). The list will be updated as soon as a new character enters the Dark World. Here you will also find references of characters that might appear as surprise cameos, or maybe even completely new faces...

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FULL ART

#twin runes #twin runes masterpost #masterpost #deltarune comic #comic #deltarune au #crossover #undertale #my art #FAQ #frequently asked questions #important #please read #deltarune

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familyabolisher · 5 months

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you said that you don’t take lines of questioning / thought about “romanticizing” dark topics (SA, incest, etc.) seriously. would you mind elaborating on that? what does it mean, if anything, to romanticize? i think i get why it’s a fundamentally reactionary (or just silly?) thing to be concerned about, but would you mind elaborating on why?

thanks! your posts have been very illuminating on this sort of thing.

okay so let's talk about "romanticise" as a literary discourse for a second because there are a handful of things happening with its usage:

is the assumption that there exists a state of non-'romantic' discursive matter from which something 'romantic' is being created, and the content of the text in question is the process by which that creation is happening;

is the use of 'romantic' to describe something that appears to the viewer as desirable and attractive, thus obscuring the ways in which it is harmful/abusive/violent/&c.;

is the idea that this 'romantic' state represents something morally odious due to the ideas it might impress upon the audience about the nature of the discursive matter made 'romantic' in question.

i think it's worth breaking each of these assumptions down because i don't believe that any of them actually hold water, and i find that they in fact telegraph some pretty reactionary paradigms around literary criticism.

first is the idea that there exists discursive matter that is not "romantic," here to mean suffused with cultural narratives that render it desirable, and that the matter in question only takes on these desirable qualities after undergoing this process of "romanticisation." by this logic, the matter is in fact prediscursive; the onus of constructing a “romantic” discourse lies solely with the cultural response. when in practice, normative cultural assumptions and the media that interacts with them exist in a feedback loop relative to one another, and it surely makes more productive sense to engage with the apparently objectionable material not as an object that creates or even necessarily reifies a normative cultural standard, but that interfaces with that standard in what could potentially be any number of variant forms. this widens the scope of our response as an audience—we might well say that a depiction of XYZ was tasteless, clichéd, voyeuristic, lacked interest in the interiority of its subjects, &c. &c., just as easily as we might say that it engaged with extant cultural narratives in compelling, thoughtful, meaningful ways. we're not taking the cultural object as the didactic “creation” of a social norm—we're situating it within the norms from which it already emerged.

the second is the idea that this ‘romantic,’ aesthetically desirable construction must necessarily obscure the ways in which the subject matter is harmful (however we define ‘harmful’). i find this position v condescending, towards creator and audience alike—one way of crafting horror that can be really exceptional when done right is the total sealing-off of the narrative from any didactic intervention, any suggestion that what's being depicted is morally “wrong.” the dissonance between subject matter and audience—and/or between subject matter and creator—can be brilliant when you can have faith that that dissonance exists. audiences aren't little babies who learn our morals from our media; we're prepared to critically engage with and respond to a discourse presented to us. as i said above, doing away with this whole “romantic” sheen as an obfuscator of violence opens us up to new, more precise, more compelling readings.

the third – and imo, the most damnatory – is the suggestion that the narrative itself represents a potential site of harm due to the underlying ideology that it imposes on those who engage with it. like, we're still adopting this approach whereby we construct and engage with narratives for instructive purposes; if we see a depiction of sexual abuse that renders the abuse pleasurable, aesthetically pleasing, desirable, then we absorb this idea that sexual abuse is pleasurable and aesthetically pleasing and desirable and thus covet the position of the subject in question. i don't think this is necessarily true! i'm obviously not suggesting that we don't absorb and reproduce our cultural narratives in media – as i said in the first point, there exists a feedback loop between the two – but i think we as audiences and critics ought to think more highly of ourselves than to imagine that we are incapable of seeing some fucked up shit given an aesthetic gloss without asking why the aesthetic gloss is being used, how the creator is making use of perspective, how we might respond to it, etc. and i just don't think narratives ought to be instructive or didactic; nor do i think creators bear responsibility for how their work is received to the extent that they are obliged to orient their discourse towards a presumed impressionable individual for whom every action or aesthetic contrivance is a categorical imperative. this is the oldest and honestly the most boring debate in the book; the question of "moralism" in fiction has been done half to death by now, and i don't see any use in rehashing it to any significant extent. suffice it to say that the “moralist” approach is stultified and limited and intellectually dull.

note that nowhere in this did i say that there are never narratives that ought to be called into question for their depiction of X, Y, or Z; just that i think we need better, more precise language to defer to do when we do so. simply put, i think it's possible to make a piece of art that holds these “romantic” qualities, and doesn't have a guy walk in midway through and go “by the way, abuse is Bad/age gaps are Problematic/mental illness is Unsexy,” &c., and still greatly compel me wrt its subject matter. & that is a statement which exists in straightforward contradiction to the idea that the term “romanticise” communicates anything necessarily and inherently condemnatory about a text, so, i don't use it.

#ask

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amerricanartwork · 17 days

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RW Headcanon: "Pebbsie Privilege"

Here’s a headcanon I’ve had in the works for a while, and now I finally want to share it! It's shorter than some of my others, but I hope you'll still find it amusing!

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So firstly (and I plan to expand on this more later) I headcanon Five Pebbles is someone who cares a lot about his appearance, though not in a prissy or snooty sense and more in a “likes being the smartest and most sophisticated one in the room” sense. That means, more so than the average person, he generally doesn’t like being teased, ignored, belittled, condescended to, or otherwise disrespected, and very understandably so if you ask me! But it also means there exists a very special ability when it comes to interacting with Five Pebbles that almost no characters have.

It’s no more than the ability of someone to refer to Five Pebbles as “Pebbsie” while he’s in earshot without getting death-glares from him. Looks to the Moon, who first started using it, affectionately calls this ability “Pebbsie privilege”, and she ends up being one of the only characters who has it (besides Innocence, who in my portrayals eventually gets it too). Though even so, Pebbles originally got rather flustered when she called him that alone, much less in front of others, considering it's definitely a very cutesy nickname. In fact, poor Pebbles really didn’t like being called “Pebbsie” because one of his least favorite ways of being treated is like a child (which includes being thought of as "cute" in any way). This unfortunately happens to him a lot though since he’s part of the newest iterator generation and tends to have lots of uncommon ideas rarely taken seriously by the older models, and this treatment only amplified as he grew more stubborn and arrogant.

To elaborate on the origin, Moon developed the nickname pretty much on an impulse — quite a rare thing for her to act on actually — of wanting to hearken more to her role as “Big Sis Moon” and show love to her little brother. Soon after she started using it though Pebbles would pull her into private chats and urge her to drop it to save his dignity. Not wanting to hurt her brother in any way, it didn’t take long before she apologized and stopped using it, and basically got her "Pebbsie privilege" revoked. In the current time she secretly still likes calling him that in her mind, but knowing how much he dislikes it she always feels pretty guilty afterwards, despite them being no more than thoughts at that point. While not a major issue in-and-of itself, this situation was actually a small step in worsening a long-time fear Moon has, though that’s a headcanon for another day…

On a (marginally) more positive note however, after Moon’s collapse and the worsening of Five Pebbles’s rot, along with him generally reminiscing about the things he used to have (as part of yet more character headcanons I’ll elaborate on some other time), he actually began to grow fond of the nickname more and more. Yet he also couldn’t also shake the growing heartache the memories brang, as he came to see it as a reminder of his sister’s never-ending love for him and the better times he now regretted taking for granted and trying so hard to escape. While I headcanon he handles it differently in Downpour’s canon, in the worm-off-the-string AU story I’ve got so far, Moon slowly regaining her “Pebbsie privilege” and Pebbles appreciating it and no longer taking it so seriously (though he still forbids its usage in public) could serve as a small, yet sweet indicator of character growth for both of them.

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Aaaand another RW headcanon done! I wanna mention, though, now that I’ve got more of an idea for the aforementioned AU I really want to start posting more of my headcanons for the Local Group, since the character interactions, histories, and ultimate character growth is perhaps one of the most important elements of that story so far. I’ve spent at least a couple weeks creating almost 40 pages worth of character notes, and while this particular one started out as just a little side-headcanon, I ended up tying it into all of that. Hopefully I can start sharing the main parts of these headcanons soon!

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locusfandomtime · 3 months

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see the fandom has this thing where the hermits are different species and when they’re part animal/mob they’re a hybrid but nobody talks about the even funnier canon lore that they’re all the exact same species. Their species is hermit.

[long post - lots of worldbuilding and speculative biology below]

Jevin looks like a slime, Doc looks like that, most of them look human, but in actuality they’re all just hermits. The only information we have about this is that hermits are shorter than the average player, some references to hobbits, some references to hermits being hardworking, the fact that gem isn’t a hermit and had to wear antlers to pretend to be one, and that’s it.

I love biology and worldbuilding and this is fascinating to me. When you take into account previous seasons and events and throw-away lines this gets even more insane. Grian and Hypno are acknowledged to not have mouths (and even more hermits don’t have them on their skin). Mumbo turned into a potato. Cleo had snake hair at one point. There are a million other weird things I’m forgetting. You could handwave some of this with an explanation like “hermits are shapeshifters” or “hermits are gods” and that is a very valid and fun take but I think it is SO much funnier if these are just normal things that happen in the hermit species, which aren’t fantastical at all and are adaptations with elaborate mechanics and explanations.

Perhaps hermits, similar to bugs, regularly shed their skin (or a process similar to it) and change their appearance. Some insects change colours/appearance due to their environment rather than genetics, ie macleays spectre stick insects can turn lichen colours when raised around lichen. Maybe the hermits shed their skins on a regular basis, including during their adult life, and this allows them to better match their environment- causing physical changes related to what they have been exposed to. This causes potato Mumbo and medusa Cleo and DM Tango and any other example of a specific skin change. For more constant differences in appearance - maybe life cycles could be considered?

this may be the weirdest thing I’ve ever made. For those that don’t know, “n” is the number of chromosomes, where n is the haploid number, so 2n is diploid. Diploid cells are necessary for sexual reproduction. Of course, a lot of these life cycles are centered around reproduction, as is the nature of a life cycle, but in reality the hermits are in no rush and are happy to stay at whatever point of the life cycle they’re at, this is just an outline of the species’ mechanics.

I mean, most of this diagram is conjecture… but I think it is interesting to consider! Jevin especially reminded me a lot of slime mould life cycles so this is heavily inspired off that, but also inspired by bug life cycles as well.

If you want to get even more indepth we can consider the gender roles of hermit society (remember that clip where Grian implied builders were housewives and redstoners were breadwinning husbands?). Perhaps we can get meta and consider respawn an aspect of being a hermit as well - are they able to regenerate after death? What is Cleo’s place in all this, being undead? Is arm thickness, where your arm can either be 3px or 4px wide, an example of sexual dimorphism?

but. well. tldr: the hermits being one species is a very fun idea we should be doing more with, i think

#this started out as haha funny the hermits are one species and ended with me making scientific diagrams #decided to call those stages imago. like insects. best fit i could find for what i wanted #please ask me about my thoughts on courtship and evolution and early life stages and respawn and anything else please god #locus fandom time #i should have a tag for my insane antics #locus worldbuilding time #hermitcraft #long post #hermitblr #speculative biology #the ideas here are heavily biased towards slime moulds and insects because. well. autism.

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genericpuff · 17 days

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I've been seeing you say/speculate Rachel Smythe has been cut loose from webtoon, could you elaborate what you mean by that?

It's only a tinfoil hat theory that people should take with MOUNTAINS of salt (seriously, I'm more likely to believe that Rachel really is just done with LO), but there's a general suspicion that LO wasn't meant to end here and that Webtoons decided to cut the cord. I've made a post about it before but some new stuff has surfaced since then.

1.) The announcement the series was ending was made quietly at NYCC and not shared to either Webtoons' socials or Rachel's socials.

The only way fans initially knew about the series ending was through a screencap from the Discord where someone else who had been attending NYCC passed on the info from a Q&A that LO would be entering its final arc.

For a good while the only other way to know the series was ending was through the Discord, a Cosmopolitan article, and my own post.

Though it sounds odd for a series to get cancelled halfway through its third season, it's not uncommon for Webtoons to suddenly axe series while they're on their midseason hiatuses, it's happened before. So there's a general suspicion that Rachel may have found out during NYCC that LO would only be given one more arc.

2.) The actual finale announcement was made in a text post on Instagram that suddenly announced it would be ending on May 11th, despite the fact that there was still lots to wrap up in the story.

What this implies is that Rachel was given one more arc, with no concrete end date... until Webtoons told her to wrap it up in a limited number of episodes, hence why despite us knowing it was in its final arc, the end date still felt too soon. This is also supported by the fact that her initial announcement was vaguely "early/mid 2024" - she couldn't give a more accurate end date because she didn't plan for the actual ending.

3.) Things that Rachel has said implies that she was either hoping for the final arc to go on longer, or that she didn't think LO was going to be ending now.

(that "nothing is set in stone" quote further supports the theory that she may have been hoping to get renewed in spite of the lukewarm ending announcement - that the only reason the announcement was so quiet was because WT hadn't fully committed to it yet and wanted to see how the series would do upon its return; now that they see it falling behind to other series, it might mean WT became more sure in their decision to cut it and gave her an actual deadline to wrap it up by.)

4.) Webtoons has stopped promoting Lore Olympus despite it ending.

Any promotional spots that it has gotten have been stuffed into the dead zone of the banner reels (seriously, anything past the 3rd spot is practically useless because it takes actual committed scrolling to get there vs. the first 1-3 banner spots which can be seen as soon as you open the app/site) and the banner art itself does not in any way advertise the series being in its final arc. These banners also only seem to be appearing for a day at most, compared to the days upwards of weeks they used to get.

Webtoons also hasn't been doing any sort of promoting on their socials for it. Considering The Mafia Nanny has been consistently beating out LO in the top rankings for weeks now, and that LO's rating and view count is still dropping, it appears that Webtoons has finally given up on shoving it down people's throats and put their focus elsewhere.

Again, this is all tinfoil hat speculation, so take it with massive doses of salt. Considering this is Webtoons, I wouldn't be surprised if they finally decided to put LO out of its misery, but this is also Rachel and I wouldn't blame her in the slightest if she finally wanted to be done with it after the past two years of people clowning on it. And I say that knowing I, myself, am a clown LOL

Either way, I feel like either outcome is plausible in its own ways, but whatever is the true reason, it doesn't change the fact that LO is ending and has 3 episodes left to wrap itself up. And whatever comes after will likely involve the launch of Inklore which was estimated for the spring.

#lore olympus critical #anti lore olympus #lo critical #anon ask me anything #anon ama #ama #ask me anything

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ino-tamukas-baggy-sweater · 4 months

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A Second Chance, A Father's Curse - Part 1 (Ryomen Sukuna X Reader)

This is part of my Royal AU, the first I'm writing for it, there may be inconsistencies between each different fic set within the universe including but not limited to which damn clan does Sukuna belong to, but I'm sure it'll be fine :))

also i hope the family tree kinda makes sense, i can make a separate post showing the different clans and their family trees if needed

Warnings: mentions of an affair, brief mentions of abuse but nothing explicit

Word count: 3.1k

When the boy first showed up everything had been good, a new son had been born into the Itadori clan, the royal family was stronger than ever. This boy threatened to bring all of that down simply by existing. Jin Itadori was not known for his mercy, often ruthlessly leading swathes of knights into battles and leaving none alive, but this boy was no ordinary enemy. His own son, illegitimate, but still his flesh and blood. His wife said nothing when he brought the screaming baby into the nursery that was only meant for one, placing him beside Yuji in his large crib.

Kaori Itadori simply accepted what had been given to her and raised the boy as her own, despite the neglect and clear favoritism shown from Jin to his alleged twin sons. The two were almost identical despite the fact they had different mothers, which was how the lie was able to be carried so easily through their lives. Ryomen knew, he had always known, and he’d hated almost everyone for it. The only people he couldn’t truly even pretend to hate were his adopted brothers, and he let everyone know this vehemently, shirking his duties and often hiding away from elaborate dinner parties or balls he did not want to attend.

Yuji’s heart broke for his brother, and of the five Itadori boys, only the eldest Choso knew of the predicament underlying the twins. The youngest, Eso and Kechizu, were born one after the other, three years apart, with significant health complications and therefore rarely appeared in public. The elder three were fiercely protective, especially Ryomen who’d had a taste of his father’s neglect and despised that Jin had turned it on his youngest sons. None of the three wanted to burden their younger brothers, they’d been told that the pair might not live to become adults, so they had always made sure the boys were well fed and happy.

Ryomen suffered in silence. His teachers could not quell his anger, the best sorcerers warned of his growing cursed energy levels, but nothing was ever done. Nothing really could be done. By the time he turned nineteen he was undoubtedly the strongest of the Itadori boys, and his father was adamantly trying to wed him off to a different kingdom. Ryomen didn’t care, the faster he got out of Khoccadia the better in his opinion. He spent his days training in combat with the knights, including the captains of both the Shadow and Blood units, Megumi Fushiguro, and Takuma Ino.

Megumi Fushiguro interested him, the man was his age, his twin brother’s personal bodyguard, and he had the inherited cursed technique of the Zenin clan, the royal family of a neighbouring kingdom. His unit, aptly named the Shadows, were a small close knit group of Shikigami summoners, led by a wielder of the undisputed king of Shikigami techniques. This made him both an outsider and a refugee, having been forced to prove his loyalty a thousand times over, including regaining the trust of the royal family after his technique was revealed during an attack on the kingdom where he had to unleash his power to protect Yuji.

The other captain, Takuma Ino, wasn’t as interesting or close to him, but still a formidable ally and opponent, having first trained under the royal sorcerer Kento Nanami, before his technique proved to be more useful on a battlefield than overseeing curses. Ryomen often found himself sitting with the pair post-sparring, looking out over the training grounds within the castle walls, and asking himself where he would go if he decided to run. He knew he wouldn’t get far, his cursed energy was much too unique, Nanami would be able to find him with no trouble. His only way out would be this arranged marriage, and he had to be sure it was far far away from here.

This is what eventually lead to Jin Itadori hosting a ball and inviting many of the leaders of nearby nations to attend with their daughters, royal, political, and otherwise. Few invites were sent out past the neighbouring nations, but Ryomen had to be sure, so he had insisted under the cover of lies that his father’s orders had the invitations sent further. When the day of the ball arrived, Ryomen was reluctantly dolled up in a luxurious maroon suit, his hair styled with earrings and cufflinks to match. When he met up with Choso and Yuji, he saw they were dressed similarly to him, but Yuji’s suit is a deep pink and Choso’s a dark purple.

“Don’t we just look a treat,” Ryomen huffed, reaching up and adjusting Yuji’s collar slightly. “They were chosen by mother,” Choso looks away and Ryomen finds himself almost apologising. It wasn’t her fault, she was a victim of the system just as he was, but he shakes it off. “You okay?” Yuji mumbles, giving his brother the same outfit once over. The twins had always known what would make each other look the best, Ryomen let him fuss with his hair a little before swatting his hands away. “I don’t think I’ve ever been okay, I can’t wait to get the hell out of here so I never have to see him again,” He growls. Choso checks his watch as they approach the upstairs entry to the ballroom, the laughter and chatter behind it dying down as someone announces their arrival.

“I hope you find someone,” Yuji squeezes his hand for a brief moment before Ryomen can pull away or protest, dropping his hand before the door swings open and the three of them are revealed to the eyes below. Choso in the centre with his brothers flanking, there are smiles of all kinds as they descend the stairs. Some genuine, some scheming, others that don’t quite reach the eyes of their owners.

Ryomen Itadori doesn’t get nervous, but in this moment he finds his eyes searching for Kaori Itadori. She returns his gaze from her place on the ballroom throne and nods once. This party is for him, it’s his ticket out of here, and it almost feels to him like she’s lending him her strength. The strength to do what she never could. When the three of them reach the bottom of the stairs, his brothers disperse into the crowd to find dance partners, and Ryomen finds himself alone surveying what he can see. The only clan tattoos he recognises around the edges are those belonging to the Zenin clan, the Gojo clan, the Kamo clan and that of the Creyarean district, which is a political power and not run by a royal or empirical clan.

There are a few tattoos he does not recognise, he assumes from further out on the continent, and one in particular draws his gaze. A kindly looking couple, king and queen, with matching filagree tattoos over their facial features, most prominent on their jawline, cheeks, across the nose and in the centre of their foreheads. No other family has tattoos that bold, the closest in comparison is the Kamo clan with a jagged X over the right eye, and he finds himself curious as to their origins. “Brother! I’d like you to meet someone,” Yuji’s voice suddenly cuts into his wandering thoughts and he scoffs, “Leave me alone Yuji,” He grunts, but his brother barges into his space, his mouth right next to his ear as he utters the words that could be Ryomen’s salvation.

“Her family comes from miles away, three kingdoms over!” Yuji hisses. His gaze flits to the girl who stands holding Yuji’s hand, looking like she’s just been dragged at a brisk Itadori walk across half the ballroom (Which she had been). His brother drops her hand as he steps back and presents her, “Allow me to introduce Y/n L/n, of the Iqorian Empire,” Unmarried, she does not bear her parents tattoos, but there are two thick black bands around both her wrists which could be a hint at early clan tattoos that don’t decorate the face.

She curtseys and he feels his demeanour soften slightly, taking her hand which still hovers unsure before her to press a light kiss to the back of it. He keeps his face painfully neutral as he studies her features, her e/c eyes traveling back up to meet his. “Lovely to meet you, Miss L/n, Ryomen Itadori,” He introduces himself politely, though he knows that she must already know who he is, given his brother has a tendency to babble. She uses her free hand to fix her h/c hair before giving him a polite smile, “Some party your parents cooked up, is the potential marriage for diplomatic purposes?” She asks. He clenches his jaw slightly, his gaze scanning the crowd as he instinctively pulls her slightly closer.

His father’s face is dark and sinister, his eyes locked on Ryomen but his mind elsewhere, “You could say that,” He replies, “But I would say it’s freedom,” Her eyes widen and he steels himself, she must be able to sense the years of neglect and abuse on him, he knows he reeks of it, but if she does she doesn’t mention it, “I see,” She murmurs, “Well, would you like to dance?” He looks at her like she’s grown an extra head for a moment, but Yuji punches his side and he blinks, “Yes yes, of course, that would be nice,” His words drift away and he becomes eternally grateful for the dancing lessons Kaori forced him to endure as he leads the girl out into the centre of the dance floor.

The night passes by quicker than he would have liked it to, despite stepping into the ballroom like a caged wolf with the taste of freedom on his tongue. He comes to learn from the girl his brother introduced to him that the royal couple he didn’t recognise, with the outlandish filagree tattoos, are her parents, and he is hooked from that moment on. You of course know there is something he is hiding, but his sudden interest in your clan tattoos brings a soft smile to your face as you look over to your parents. They seem to be overjoyed that you’ve caught the attention of the Itadori son up for grabs, but you know there’s more to it considering the fact that he should be the second in line, and yet is being married out of his family into another.

“I am certain we will be seeing one another again, Miss Y/n,” He murmurs as he presses one last kiss to the back of your hand, his fingers tracing one of the black lines on your wrist. You grab his arm before he can turn away, “Ryomen,” You murmur in response, “Sir, are you in trouble here?” He does not reply, his gaze is hard, but you feel a lack of response is enough for you to fill in the gaps.

He’s not welcome in his family, and you’re determined to get him out and then find out why, even if it means ruining any diplomatic relationship Iqoria could have with Khoccadia. You omit the fears you hold close to your chest when your parents demand to know how your night went, they were watching and already knew you were the only one Ryomen Itadori spent his night with. This is a golden opportunity, he is already well known throughout the continent as the strongest Itadori son, he would be a priceless addition to any family, and nobody else seems to be questioning the fact his father doesn’t seem to want him to stay.

A foolish decision, considering the fact his cursed energy swamped the entire ball from the moment he entered the room, just barely discernible from that of your parent’s royal sorcerer, Satoru Gojo, who came to meet with other royal sorcerers in attendance. You are reunited with Suguru Geto, your personal guard and the Captain of the Iqorian Guards, after conversing with your parents. He escorts you back to the room provided to you within the Itadori’s castle for the night, “I take it the night went well, your highness?” He asks as he follows you in.

You find yourself unable to respond, chewing on your thumbnail as you sit at the dresser, leaning your head on your free hand. Lost in thought you don’t hear him approach until his hand is on your shoulder, “What ails you my lady?” “He’s tormented,” You murmur, “Prince Ryomen, he’s trapped, and something is very wrong with this family,” His face reflected in the mirror is one of soft confusion, and you find you can’t hide anything from him. He’s trained you your whole life, and you trust him sometimes more than you trust your parents, he’s like a second brother to you, “I asked if he was in trouble, and I fear a lack of response or denial is enough to ascertain the danger, I must marry him if he is to survive with his humanity intact,”

Geto frowns and grips your shoulder slightly, “I will call for your maids, this stays between us,” He announces, “Sleep well your highness,” “Where are you going?” “To let your parents know I am in full support of this marriage, he’s incredibly strong after all,” His face is sly as a fox and you find yourself speechless, “He’ll be a great asset if we give him the chance,” Once he is gone you find comfort in the knowledge of his support, thus allowing you to slumber in peace.

When the morning arrives, you find yourself swept up in preparations for the wedding, which you find after questioning the closest maid is to be held that very day. His father must be desperate to get rid of him before he becomes a problem, and you’re more than willing to let Kaori Itadori and her maids along with yours fawn over you and dress you in the finest white dress you’ve ever seen. You’re understandably nervous, your parents dropped by only once that morning to tell you what you already knew about the conversation they shared with Ryomen’s parents, but they also said once the wedding was over you’d be leaving for home almost immediately.

This was, surprisingly, not the most shocking thing you’d heard all morning. It fell just behind the fact that it would be Geto and not your father who would be walking you down the aisle, a few of your closest maids acting as bridesmaids. This is to go along with a Khoccadian custom involving the parents of both spouses, while also incorporating the ‘giving away’ portion from Iqorian marriages. Ryomen’s mother wraps her arms around you quickly outside the throne room before she pushes a bouquet of red roses into your hands, tears in her eyes, “Take care of him,” She whispers, her eyes intense and so full of sadness you think you may cry too. You nod, words escaping you as you turn to the throne room, the music floating out at you different to the wedding music back home.

It dawns on you as the doors open to reveal you to the crowd that you don’t know Ryomen Itadori. You don’t know his favourite food, you don’t know his favourite hobbies, you don’t know what he likes in a partner, you don’t even know what his relationship with his brothers is like. It’s too late to wonder, as you clutch the bouquet in your hand and link your other arm with Geto who has just appeared at your side. His presence helps to calm your nerves, but you’re still antsy as you approach the front of the room where Ryomen waits for you, looking equally antsy but for a different reason.

You know he wants out, and you’re his ticket, you just have to get through the next hour of formalities. The crowd is never truly silent during your ceremony, there’s always a low hum of chatter, but it doesn’t disturb or deter the continuance of the ceremony. You can feel Jin Itadori’s eyes on you almost the entire time and you endeavour to ignore him as best you can, focusing on the feeling of Ryomen’s hands in yours. You take the time before and during vows to study his face, the way he scrunches his nose sometimes or crosses his eyes to make you smile. It works, and he squeezes your hands to add reassurance to the moment, until finally you’re pronounced as husband and wife, and without even a second thought or hesitation he pulls you into him, pressing his lips to yours.

You’re breathless, your hands clutching his biceps, barely hanging onto the threads of your discipline before he pulls you into him for a hug, “Thank you, thank you, thank you,” He mutters against your ear, kissing the side of your head as the crowd cheers and his words are lost in the cacophony of sounds. You let your eyes speak a thousand words as you meet his gaze, smiling softly before finally speaking, “You’re safe now,” His shoulders relax as the two of you turn to walk back down the aisle. Once out of the throne room, his brothers are there to greet him, and Yuji hugs him tightly, “Brother…” He murmurs, “Don’t forget us, you understand?” He grips the back of Ryomen’s head and presses his forehead to his twins, “Promise me?”

Ryomen blinks sadly, “I’ll come back for you,” He whispers. The two younger boys crowd between the twins and Ryomen holds them, the taller one seems quite physically weak, and the shorter one has not opened his eyes, but he holds them close. “How does Ryomen L/n sound?” He asks softly, “Fitting?” Yuji smiles, “For you? It’s perfect,” Just before the two of you can be whisked away by your maids, he grabs his elder brother’s hand, “Choso,” He forces the man to look him in the eyes, “Look after them, don’t let them end up like him, or me for that matter,” He growls, “Swear on your life,”

Choso nods, “I swear on my life,” Ryomen nods one final time, “I hope we’re all better people when we see each other again,” He says, words meant only for his brothers that you catch while ushering your maids away from the moment. His hand on your back is the only warning you get before he’s nudging you along the tidal wave of people who head to the main entrance.

A grand exit, the staircase long, carriages await at the bottom, and Ryomen’s freedom. A price paid a thousand times over, a dream finally allowed to come true, and a man desperately clinging to the bare threads of his humanity. The world gives him a lifeline in the form of a girl second in line to her kingdom’s throne, and he finds he remembers why he endured staying alive all those years. His real family, his only family, his brothers - and maybe even revenge.

twins sukuna/itadori lives rent free in my head because of this app so here's my royal spin on it :) I hope you enjoyed

part 2 here!

#jujutsu kaisen #jujutsu kaisen x you #ryomen sukuna #ryomen sukuna x reader #yuji itadori #choso kamo #satoru gojo #megumi fushiguro #kento nanami #suguru geto #jjk x reader #jjk x you #sukuna x reader

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1000sunnygo · 11 months

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The fun thing about long running series is that you can trace a character's narrative evolution in real time.

The Law we saw pre-timeskip clearly aimed for One Piece.

Unless it was an elaborated lie to his crewmates (which I guess is the in-series explanation at the moment), it's safe to assume that his D lineage and self assigned suicidal mission didn't exist as a concept back then. The goal is eventually re-established with a context.

While drawing, I assumed Kidd would become important, but I didn't think LAW would move forward like that. So it's youu?? 😱

Weekly serialization, it's a Wonderland.

Weekly serialization means adding oomph on micro scale. I have a particular theory extrapolated from this statement: Law's introduction in Punk Hazard wasn't planned at all.

It might sound far fetched for how integral Law is to Punk Hazard's plot. But it's not an uncommon event, and not just in One piece. Editors often suggest heavy changes to accommodate strong cliffhangers and quick surprises. Eleven supernova were created because early Shabondy lacked oomph, Law might have appeared in Punk Hazard for the same reason.

Even without Law, the straw hats would've anchored in Dressrosa to save Kanjurou, Zou to reunite with Raizo, and in Wano to escort their friends back home. Law just happened to have something going on in all of these places.

I think both Law and Kidd's post timeskip debut was planned to be in Wano arc. Law's competitive dynamic with Kidd and Luffy in Wano is more consistent with Shabondy than anything that came before.

Doflamingo was initially one of Kaido's strongest allies to be defeated within Wano country (confirmed in volume 98 SBS). It means Dressrosa was entirely different from what we got.

Given the similarity in their Jolly Roger, Oda may have always planned Law to be Doflamingo's ex-subordinate with a complicated history, keeping his and Doflamingo's conflict reserved for Wano. But Law was popular, resourceful and the story needed a boost after a monotonous Fishman Island arc. Thus, Law gets his early screentime that snowballs into a dramatic Dressrosa arc. I'm sure Oda didn't mind.

Tldr, I think this is how it went down: Oda decides that Kidd and Law would return and fight alongside Luffy in Wano -> Punk hazard is written and introduces Kinemon -> Punk Hazard falls bland and editor pesters Oda to bring Law early -> Law appears and proposes an alliance, so the plot is now directly chained to Wano -> Oda realizes ope ope makes a good device to explain Imu's immortality -> Oda makes Law a D as he's now connected to endgame plot.

Even if the theory above is wrong, it's a fact that Law was not a part of the bigger picture but became unexpectedly relevant. To work with him, Oda had to figure the smaller details of his personality slowly as the story progressed; such as his honesty and the suicidal tendency.

Law roped straw hats into his revenge scheme while deep down wanting them to leave Dressrosa safe and unharmed. But Law in the draft for this scene looks more... certain. Maybe Robin wasn't wrong to suspect Law after all.

I guess, by the time Oda actually reached the scene, the shadiness didn't suit his personality anymore. Corazon would not approve.

Wano Law was the best written Law. His personality was fully ironed out, not just the revived rivalry with Luffy-Kidd but also a reluctance to be nice while time and time proving it's mostly just talks. It's a mix of his personality traits that were decided at his very introduction and the later decided improvisations.

This post was getting too big and derailed so I had to cut it short lol. Maybe I'm reaching with my speculations but it was a fun topic to brainstorm about.

Edit: Here's a bit of extension of this theory.

#one piece #one piece manga #trafalgar law #trafalgar d. water law #is it meta or theory #I'm just very sleepy #one piece meta #one piece theory #eiichiro oda #monkey d. luffy #donquixote doflamingo #mine

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mspaesthetic · 6 months

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Tidbit: The "Threshold" Effect of Desaturated Objects Due to Increased Contrast

If you've ever asked how to replicate an effect like this...

...it's likely someone told you to apply the threshold filter, which converts any light colors to pure white, and any dark colors to pure black. And it's perfectly fine to do so. It's simple, straightforward, efficient. But I take issue with the assertion that it's definitively the only conceivable way Hussie did it when the evidence points to the contrary. Scrutinize the following examples under a microscope:

Did you see it? The singular detail that distinguishes these images from ones that have been thresholded? Congratulations if you noticed that these contain not only black and white pixels, but GRAY pixels as well! A threshold filter's conversion is binary; a pixel is either black, or it is white. No in-between. The presence of these gray values rules out its use, then.

One thing is clear, at least: these images are black and white in the traditional sense of the term, i.e. "grayscale", even if it's in drastic form. They've been stripped of any color, hue, chroma. Completely desaturated, in other words.

So from this observation, we can reason that they were converted to be grayscale at some point in the process of editing.

Of course, this is still lacking in the pure black and pure white departments. If only there was a way to adjust the intensity levels and push them both to their extremes... oh wait, THERE IS! Using the Levels adjustment tool!

Pushing the black input levels slider to the right makes all dark colors turn darker, and conversely, pushing the white input levels slider to the left makes any light colors turn lighter. This is a great way of increasing the contrast and adjusting the brightness. Speaking of which, the Brightness/Contrast adjustment tool in Photoshop with "Use Legacy" enabled also accomplishes a nearly identical effect.

This timelapse demonstrates how the Brightness/Contrast adjustment is basically equivalent to using the Levels one when used this way

I say nearly identical because raising the contrast all the way to 100% with Brightness/Contrast makes it actually identical with the Threshold adjustment tool. The black and white input levels sliders can't fully join in the middle because of the gray input level slider occupying the space, hence why there are some stray gray pixels even when pushing them to their limits.

Well, there could be several reasons explaining why there could be gray pixels other than the contrast not being high enough to clip them, but I'll spare you another needlessly complicated and overly technical rambling on how I can tell it's most definitely the Levels adjustment tool always.

This post is getting a little long, so I'll stop here and elaborate a little more on pertinent things under the read more link, like semi-opaque pixels, scaling down, sharpening, and the gamma slider. Also here's the potted plant PSD if you wanna check it out I guess.

ADDENDUM

Semi-opaque pixels

When separating objects from a background, it's usually easiest to do so with a magic wand selection tool, which selects regions of similar colors. There's an option to make the selection anti-aliased, smoothing the edges of whatever you've cropped. Unchecking it will make the pixels hard and jagged. The wine bottle and picnic basket are a good example of each, respectively.

If you've already cropped out something with anti-aliasing enabled, there's still a way to sharpen the edges after the fact. Duplicating the layer multiple times will increase the semi-transparent pixels' opacity. Do it enough times and they'll eventually become completely opaque. An analogy would be stacking multiple panes of tinted glass on top of each other. Stack enough of them and you wouldn't be able to see through anymore.

These semi-opaque black pixels would appear gray on a white background, and so would semi-opaque white pixels on a black one. That's the reason for the gray pixels around the edges on some of these examples.

Scaling down/Sharpening

Suppose you've already gone ahead and went through the whole rigamarole of editing the object to be black and white before deciding firmly on the size of it in your composition, and now you think it could be a little smaller. You could always resize it and scale it down, but with the interpolation method set to none/nearest-neighbor, it's going to look kind of shit, and with it set to something else like bilinear or bicubic, the anti-aliasing is going to make it a bit blurry (introducing these gray values). You could increase the contrast again, or you could use the Sharpen filter to do it.

Not to suggest that this particular example was scaled down after editing, it's just the one that looks closest to it since I'm too lazy to make one.

Sharpening repeatedly will bump up the contrast, plus Photoshop's Sharpen filter has the added benefit of hardening any semi-opaque pixels as well, making the edges sharper.

GIMP's Sharpen filter doesn't do that latter part, unfortunately, but if the layer has an opaque white background, it'll do the same.

Gamma slider

This effect might not be so obvious, but really take a good look at these board games:

Actually, maybe this Problem Sleuth bonus panel shows what I mean better:

The dark values are cranked up very high, and so are the light values a bit, but there's an inordinate amount of midrange values that are on the lighter side than what would be normal. That's because of the midtones input levels slider, the gray slider, the gamma slider, whatever.

I'm toot tired to explain any more than that, so make of that what you will. The end.

#tidbit #edited images #homestuck #problem sleuth #room

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canonicallyobserving911 · 1 month

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Buck & Eddie: 7x4 and 7x5 stills in episode order???

When the two separate synopses were released for 7x4, I wondered how 9-1-1 was going to fit everything into the episode that was released via the BTS stills but then I realized they wouldn't be able to especially since the length of each one (without advertisements) is only 42 to 45 minutes. Also, it appears there will be three main storylines, i.e. Athena and Harry, Hen's life changing news and Buck being bothered and bewildered.

After considering all of the information that's been released, a few days ago, I figured the stills of Buck and Eddie in Buck’s loft, the ones of them talking in the firehouse gym and the one of Eddie and Bobby's conversation wouldn't be included in 7x4. Additionally, I remembered the way 3x5 "Rage" ended with Buck and Eddie still on the outs and they didn't reconcile until the end of 3x6 "Monsters" when Buck made Eddie talk to him. With OS recently commenting on someone's IG post about how the two pictures of Buck and Eddie in the loft are from 7x5, it added confirmation to my analysis.

Since I'm a visual person, I like to see things in their totality instead of in increments the way the BTS pics have been released. Therefore, I've put all the stills together in a way that IMO, could be how they'll play out during each episode and there's one picture of Buck by himself that was released but I believe it deals with something else. I've included it at the end because I'm going to do a separate post on it.

Before I delve into this, here's my UNPOPULAR OPINION. I ship Buddie and only Buddie but I have to admit, I'm not really excited about this storyline because IMO, the audience has seen it before in 3x5 and 3x6 when Eddie was temporarily partnered with Lena (post linked here). Sure, he didn't leave the 118 but Eddie did have a new work partner who Buck was clearly not happy about. Also, even though Eddie didn't tell Buck about her, it was evident by Buck's reaction, he was in fact jealous since he thought he was being replaced and it seemed to be part of the reason why he filed the lawsuit (not the only reason but part of it). Reminder, he was ok with being the Fire Marshall until he heard Lena call Eddie's name in 3x4 then once he saw her, he asked Bobby, "You replaced me?"

At this point, in six years, I hoped Buck and Eddie would be at a place in their partnership where they can actually discuss things like adults instead of Buck lashing out. Please don't misunderstand me because I get it, Buck's worried about being abandoned again so it's understandable and this time he doesn't have anyone to cling to. But if they would let him go back to therapy like he went on his own in season 4, maybe he could spend time working on himself and this storyline could have been avoided. Will I change my mind before Thursday... honestly, I'm not sure.

Back to the regularly schedule program...

7x4 "Buck, Bothered and Bewildered"

Based on the look on Buck's face in the stills from them at Air Rescue, IMO, it's likely this scene could happen first because he seems to be bothered and bewildered by how close Eddie and Tommy are. Hopefully there's a scene before this one that explains how they became fast friends but it's also possible it'll be another scenario where Eddie magically contacts Tommy or vice versa and they start hanging out but the audience won't see it the same way we didn't see how Eddie magically got M's phone number? 🤷🏽‍♀️

Full disclosure: I don't trust Tommy Kinard and I've already posted about my reasoning (linked here) and I may elaborate on it but I really don't want to because I'd rather not focus anymore of my attention on the character.

Buck's face in the stills below while he's at the firehouse, appear to be hopeful like he got his "Eddie" back but when he sees him walk away, he gets that sad look in his eyes like he's being left behind again. That's why IMO, it happens before the basketball court scene but after them being at Air Rescue.

I tried to put the pictures below in order but since there's no context for when some of them happen, I added them where I thought they should go. Also, since Buck's bag is still on his shoulder in the third picture with him holding the basketball, I figured it happens before they start playing. Maybe Chimney hands it to him and he looks at Eddie and Tommy like him and Chimney are going to win the game.

IMO, Buck will have a conversation with Maddie before the end of the episode and that's when JLH's leaked script will come into play. Also, I believe Chimney will be the one to tell Buck he's acting irrationally then he'll ask him if something else might be going on. Reminder, he's going to be on the court with them and he'll witness the event.

It appears 7x4 will end with them still upset with one another just like 3x5 ended with them not talking.

7x5 - "You don't know me"

I've already completed a post on the title of the episode (linked here) but I do believe multiple people will say, "You don't know me" throughout the episode, including Eddie possibly saying it to Tommy.

When the episode begins, Buck and Eddie still won't be communicating just like they weren't in 3x6. Also, since there aren't any stills that show Tommy and Eddie discussing an available job position at Air Rescue, the only information that was made available came from one of the promos that included Bobby telling Eddie, "I can't tell you how to feel about this job, only you can do that" so it appears Eddie's going to be presented with the option to leave the 118 again either at the end of 7x4 or the beginning of 7x5 but I think his conversation with Bobby will happen at the beginning of 7x5.

Now, ever since TM (showrunner) released the two pictures below in advance of season 7, they've always perplexed me and it's mainly due to the looks on their faces, more so Buck's because he doesn't look angry or frustrated, he just looks tired like he's retreating or giving up. Initially, I didn't speculate on the pictures because I had no idea what was going on and I'm still not sure but based on the things that have been released regarding the episodes, IMO, Buck will apologize just like he did in 3x6 followed by him telling Eddie that he'll have his back if he wants to leave the 118 and go to Air Rescue. Reminder, the last time Eddie left in 5x10, he told Buck in front of Hen and Ravi but the audience only caught a glimpse of Buck's reaction.

I believe the stills below will happen towards the end of the episode and it will be similar to their conversation that happened in the firehouse in 3x6 with a little bit of the 3x9 kitchen scene thrown in. My reasoning is because they're at Buck's loft and Buck will be sitting alone probably pondering what he should do next since it'll be a strong possibility (for him at least) that Eddie will leave and he'll have to find a new partner.

I think Eddie will say something similar to the things he said in 3x6, "I forgive you. Just don't let it happen again" but this time it'll be different and more along the lines of how they talked in 3x9 (related post linked here).

This is where their dynamic seems to change because unlike 3x9, Eddie's not leaned against the counter, he's actually touching Buck's shoulder and his waist the same way he did in 3x1 during Buck's surprise welcome back party but they're the only two present 👀.

When I saw the picture above, I had an immediate reaction to it because it reminded me of something the audience has seen before. I'm not going to include my thoughts on it in this post but I will do a separate one about it.

The point of this post is to illustrate with the BTS stills how the scenes in the next two episodes with Buck and Eddie could play out. Will they finally take the leap at the end of 7x5 and become a CANON couple or will the show continue to delay the inevitable? Only the showrunner, writers, producers, actors and actresses know the answer to that question. Hopefully, they will start their romantic relationship because it's been six years and there's no reason to keep delaying it.

#buddie #eddie diaz #evan buckley #911 abc #911 season 7 #911 season 7 speculation #911 spoilers #911 speculation #911 on abc #the buckley diaz family #buckley diaz family #911 meta #anti bucktommy #anti tommy kinard #anti eddiemarisol #anti eddietommy #chimney han #bobby nash #maddie buckley

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ellaphnt · 12 days

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Saw ur Toshiro post, and I absolutely agree that Toshiro's outburst will be a stepping stone for both um an Laios to grow and that the buildup was because Shuro didn't want to ruin situation he was still trying to figure out. But the funniest thing is, afaik, Laios and Falin are *also Foreigners* for quite far away. Their country is simply Scandinavian/northern Europe themed. I don't think we see any long-lived races in their flash backs (baring the dead man buying a ring of elves?). And both Falin and Laois definitly are the equivalent of nobility/Local chiefs kids. But instead of being send out with all their assistants and guards, Laios ran away and suffered in the army and then on his own in a caravan , and Falin was send to a Magial School full of other races and people. They both had time to 'adjust' to the wider world (and still carry a bit of home-grown uh...prejudice (mountain people)). So when they met Shuro both of them were well used to meeting people not from their Country. Toshiro not being either from the tiny Island or the nearby lands simply didn't mesh with how they had adapted to behave. Plus, obviously, Laios textual Autism. But I feel like Laios could totally have figured it out if he had met people from Shuros island before who would have told him, he does after all know how to behave around Dwarves and such, who also have quite diffrent culturual norms. Sorry for the ramble xD Good Toshiro post!

Hi hi! I’m really glad you’re adding onto my silly brain thoughts hehe - I’m super happy to hear yours, especially since they make me think more! Warning this is going to be long, talking about dungeon meshi is just a lot of fun.

When I said foreigner, I should have clarified that that I meant he’s a stranger to the CULTURE. A good chunk of the people in the island are not native to it! But culturally, they have the social background to fit in. They didn’t all come from the same place, yes, but they grew up in European-esque cultures and interacted to some extent with other races. Even Kabru and Rin are not foreign to this type of culture because they grew up with Western/European socialization.

Gonna elaborate bc I think it’s fascinating: From what we know about the Eastern islands, the worldview is very very different. In the Adventurer’s Bible where Kabru talks to Hien, they talk about how the East defines “humans” as “tallmen”, and oni/ogres were the only “other”. In the post-canon snippet where Toshiro talks to Falin, he even refers to Eastern thinking as “backward” due to the lack of long-lived races. Because of his delayed exposure to other races, and because the worldview is far more different than the one the Toudens experienced, that’s where I make the statement that he had more to adjust to.

I’ll also note, the fact that the Toudens are subjectively more adjusted to seeing and accommodating other races makes Laios’ statement that Toshiro “had an odd appearance” an even more bizarre thing to say. And although we can assume Toshiro also has his biases, we don’t see them highlighted like other characters have had (to my knowledge). So it makes it seem like he was more thoughtful/careful towards other races from the get-go, despite his lack of knowledge. His main issues were always with other tallmen, just like Laios.

It’s good to point out that the Toudens are outcasts in their own right. Both of them went through a really hard time, and it changed them. Laios’ cycle of failures and giving up and being bullied are especially important to characterizing his relationship with his sister and his disinterest in humanity and lack of close friends. Falin at least had Marcille. Both Laios and Toshiro have reasons they’re inexperienced in friendship, but one of them stated it in the story and the other didn’t. There’s more misconception about Toshiro’s character than Laios’. So my post was to talk about that one a bit.

ALSO OOO I COMPLETELY FORGOT but I WAS going to mention how both the Toudens and Toshiro came from families of influence! Thank you for bringing it up! Laios and Toshiro diverge from that upbringing, while making Toshiro and Falin a little more similar. This goes into another whole thing where Laios and Toshiro parallel (and foils?) each other but that’s too long of a discussion. Just as long is how this divergence distinguishes the Touden siblings (too many people have said their only difference is gender..)

Lastly, yes, Laios does need more exposure to Eastern people and Eastern culture to get a grasp on it. He really wants to learn! It’s just that Shuro isn’t his encyclopedia and until he gets that chance, he will make ignorant takes. I can think of two more that will occur in the main narrative alone. (but like Toshiro said, Laios has no malicious intent, that’s what makes it all the more complicated)

While there’s good conversation to be had about the fight from a ND vs NT POV, I’ve seen SO much discussion about Toshiro possibly being read as autistic too, and neurodivergent individuals who can relate to his experience. Often it comes as an intersection between both being autistic and being a poc. I think it brings even more nuance to the narrative. Plus I’m just glad there’s people who can relate to him. He’s meant to be relatable! His problem with Laios is just as much a character flaw as it is human.

Hope this post was a thoughtful response to yours, I tried to tackle everything you mentioned! Thank you sm for the ask :D

Edit: for the sake of context, here’s the og post that’s being referred to!

#dungeon meshi #delicious in dungeon #askella #shuro #toshiro nakamoto #laios touden #touden siblings #character study

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onlygoldwillsuffice · 1 year

Text

Dendroaspis Polylepis

Tom Riddle x Reader

For mature audiences only

This is my first time writing smut in any form, sorry if it's corny or confusing LOL

I tried to make this one longer than the last, I hope you enjoy (but i barely proofread it)

Read the first part here

Content: non-con (sort of), general smut, fem-bodied reader, questionable power dynamics, inappropriate use of parseltongue, snake-related innuendos, manipulation, slight dumbification, orgasm denial, overall dark themes - READ AT YOUR OWN RISK

Word Count: 5.3k+

Summary: A certain cloaked mamba you know proves to be dangerous when provoked.

Notes (Please read or confusion will follow) - This fanfiction is an AU where Parseltongue has the capabilities of mind-control, similar to Legilimency. The mechanics of this ability will be further elaborated upon in the story. Tom also has his own bedroom since he's the head boy.

Special thanks to everyone who interacted with my last post, you're all so sweet! <33

Taglist: @eyukkie, @ravenclawh0re18, @catherine1x I tried to get a little creative for this one, hopefully it's not too disappointing ( ´ ▽ ` )

The dendroaspis polylepis, most monotonously known as the black mamba, is often associated with danger, fear, and mortality. Its reputation as a deadly predator has contributed to its formidable image, and it is widely regarded as a symbol of danger and intimidation due to its highly venomous bite.

Its notoriety is defined by its speed, dexterity, and stealth, capable of striking without the slightest warning. The black mamba is considered highly aggressive and will attack others if threatened or cornered.

The black mamba's appearance is characterized by its sleek scales and dark coloration, ranging from grey, olive, brown, and of course, black. In addition, it has a distinctive sarcophagus-shaped head and a long, thin tongue, which it uses to assess its surroundings and locate prey.

Its streamlined and elegant form is beautiful and intimidating, eliciting both admiration and fear in those who encounter it.

_______________________________

More than a week has passed since the Slytherin head boy confronted you.

No matter where you went, a pair of ashen-colored eyes followed. But it wasn’t like before, when it was simply a gaze that held a distant vigil over you.

Instead, it had taken on a new form—an ominous sort of fervor that seemed to burn within its depths. It was cruel in nature, with a vehemence that appeared to be begging for bloodshed with every glance.

However, you didn’t regret your actions in undermining Tom Riddle, even though it was a risky move. In fact, you enjoyed the slight rush it gave you when you left him as good as speechless under the stars that night.

You sat at your dorm desk, leafing through the last of the week’s homework, relieved to know you would be heading to Hogsmeade for the weekend the next day.

Professor Beery had planned a trip for your herbology class to take a look at some of the rare plants the locals had shipped in, and he figured it would do you and your classmates some good to study their behaviors and practical applications.

Finally, you’ll be free from the prying eyes of You-Know-Who, at least for a couple of days.

The following morning, you made your way to your friends’ dormitory to leave your pet snake with them since you couldn’t take her along.

You found her egg four years ago, nestled alone in an abandoned den, fighting off a few predators to protect the fragile shell. Ever since she hatched in your bedroom back at your parents’ place, the two of you have been practically inseparable.

After you knocked on the door, it creaked open to reveal your friend Maselle.

“Hey,” you said with a smile, “I just wanted to drop off my snake with you for the weekend.” “Can you look after her while I’m away?”

“Of course,” she replied, taking the snake’s small enclosure from your hands. “We’ll have a great time, won’t we?” She looked at the snake, who flicked her tongue out in response.

“Thank you so much,” you said, expressing your gratitude. “She’s pretty low maintenance, just make sure she has enough water and keep an eye on her. She likes to explore.” Maselle chuckled, “No problem. Safe travels!”

You waved goodbye and headed to the Great Hall for breakfast, solace building in your chest for the trip ahead. You met up with the rest of your classmates, who were eagerly discussing the plants they hoped to encounter during the excursion.

As you ate, you sensed a glaring presence upon you and instantly knew where it was coming from. You understood it was in your best interest to dismiss it, but the force of it was strong enough to make you reluctantly turn your head and look towards the Slytherin table.

Riddle sat there in his usual pompous posture, surrounded by his cronies. His stony eyes were locked onto yours, but it was nothing you weren’t used to at this point.

You finished your meal and joined your classmates as you all made your way to the Hogwarts Express.

The train ride was filled with laughter and excitement, and you couldn’t help but feel lighter, knowing that you’d be away from Riddle and his aggravating presence for a while.

Once you arrived in Hogsmeade, your group went to the townlet greenhouse, where the rare plants were being kept. Professor Beery led the way, excitedly explaining the origins and properties of each plant as you and your classmates took notes and asked questions.

The day went by in a blur of fascinating facts and hands-on learning. Nevertheless, it was a welcome respite from the tense atmosphere at Hogwarts, and you wished that you could stay in Hogsmeade just a little longer.

But eventually, the weekend came to an end, and you and the rest of the class boarded the train to return to the castle.

_______________________________

Once you got back, things were... off.

For the past three weeks, you felt a persistent pounding within your head that would come and go with no particular pattern. And as a result, you felt light-headed on an almost daily basis and often struggled to find any appetite for food.

Even your emotional state was as unpredictable as the weather, constantly shifting and changing. Or, there would be times when you would be in the middle of a conversation or doing a task, and your train of thought would suddenly vanish into thin air.

By Merlin, were you getting sick?

Surely it’s nothing to worry about. You must have caught a bug being around all those plants.

But that wasn’t the only odd thing. Tom was no longer watching you.

In fact, it seemed he paid no mind to you at all. He would only glance your way when he could sense your eyes on him.

It’s not that you minded. You just weren’t expecting his behavior to take such a 180-degree turn.

Good.

He should leave you alone, and you should be able to go about your day without feeling under close scrutiny every time he enters the same room as you.

You dismissed the idle thoughts, and the specter of upcoming OWLS and assignments loomed over you, forcing you to focus on your studies first and foremost.

But, due to your declining health, you had trouble sleeping a lot of nights. And the lack of rest took a toll on you, making it difficult to concentrate in your classes.

Unfortunately, potions, a class that happened to be scheduled as the last one of most days of the week, was particularly arduous to sit through as it became commonplace for you to drift off during lectures.

Professor Slughorn, your potions teacher, noticed your situation and, being the kind-hearted man that he was, offered you a few after-school lessons to help you catch up with your work. Grateful for his concern, you accepted his offer without hesitation.

After a successful lesson, you packed up your belongings, feeling more confident about your understanding of potion-making.

As you were about to leave, Professor Slughorn called out to you. “Ah, before you go,” he said, holding up a textbook, “Tom left this behind. Could you please return it to him?”

You hesitated, not wanting to be bothered with Tom, especially at this hour. “But Professor, it’s already pretty late. It’s likely that he’s already asleep.” Professor Slughorn chuckled. “I’m sure he won’t mind, and to sweeten the deal, I’ll reward your house with 15 points if you do this small favor for me.”

You realized you couldn’t debate against him for much longer, and the thought of earning points for your house made you reconsider, so you reluctantly agreed. “Alright, I’ll do it.”

“Thank you, my dear,” he said warmly, handing you the textbook.

Besides, it can’t be that bad anyway.

Tom’s the kind of man who never deviates from his bedtime routine, retiring at nine o’clock on the dot, so you’d probably be able to pass the textbook to one of his fangirls the next day, who are always eager to do him a favor.

You took the book and set off for Tom’s chambers, praying fervently that your errand would be a nonexistent or at least quick one.

_______________________________

As you approached the threshold of his bedroom, your steps echoed off the walls, bouncing back at you with an eerie silence.

You steeled your nerves, inhaling deeply before lightly rapping your knuckles against the door. You knocked as gently as possible, not wanting to risk waking him if he really was asleep. And quite frankly, you didn’t want to deal with whatever lay behind the room before you.

“Enter,” called a baritone voice from the other side.

Your stomach sank—just your damn luck.

You cautiously opened the door to find him standing by a small kitchenette set up in the corner of the room.

Taking a glance around the surrounding area, you notice it’s much larger than you expected.

Very organized. Very Tom.

Antique yew furniture, hardwood floors, a few paintings of influential (and particularly dark) witches and wizards like Salazar Slytherin, and a large circular Persian rug in the epicenter of the room.

You notice a warm glow from a masonry fireplace covered with intricately painted tiles against one wall and towering bookcases filled to the brim with novels in languages you couldn’t decipher, accompanied by assorted trinkets spread along another.

The gentle light from a few sparsely placed lamps illuminated only parts of the room here and there, leaving much of it cloaked in mystery.

But your attention is quickly pulled back to Tom, who greets you with a tilt of his head and a smile that doesn’t quite reach his eyes.

“Come in.” His firm tone makes his words sound more like a command than an invitation.

You hesitate before taking a few more steps into the room, but before you know it, you find yourself standing in the center.

“I wasn’t expecting a visitor so late tonight,” he says, a hint of false curiosity in his voice.

“Look, Tom, I’m just here to-,” he cuts you off.

“Oh, I know what you’re here for. But, unfortunately, I couldn’t retrieve it myself as I was busy with other matters. Care for some tea? I hear it’s good for restless nights like these,” he said, gesturing towards the ornate pot beside him.

“No thanks,” you immediately decline. “Gosh, Y/N. You don’t need to be so suspicious of me all the time,” he softly chuckles.

You can’t help but roll your eyes - after all, this is a man who’s been stalking you for the better part of a year.

An unnerving stillness fills the room as he turns up the heat on the stovetop. He turns around to look at you, his back leaning casually against the counter.

“You know, I really missed you while you were gone,” he trails off and looks away for a moment before finally meeting your gaze again. “How was your trip?”

Letting out an impatient sigh, you feel your feet shift on the ground beneath you, and you begin to tap your foot in irritation, not wanting to stay any longer than necessary. “Is there a point to this conversation, Tom? I need to get back,” you asserted.

Tom smiles and nods before slowly turning around to finish boiling the water. He grabs a tea bag of what looks to be chamomile and carefully lowers it into the pot.

As you wait for the seconds to tick by, he fills up an awaiting mug with the steaming liquid, taking a leisurely sip before setting it down and turning towards you to speak again.

“I wanted to apologize for the other night,” he begins. “What I said and the way I acted may have been a little bit out of line, and I dread that I’ve given you a bad impression of me. Still, I hope you can understand that I was just trying to do my job as a student. You never know what intentions some people might have, especially within the walls of a school like Hogwarts.”

You felt frustration overtake you as you acknowledged that your attempt to keep the interaction short quickly became an impossibility. “I wasn’t bothered by it,” you respond. “You can consider yourself redeemed if you just take back your textbook-” He interrupts you again. “Let me make it up to you, Y/N.”

He begins to walk towards you, sending a knot of trepidation through your stomach.

“Tom, seriously. I really don’t mind,” you protest. His domineering aura seems to swell with each step he takes, and you become acutely aware of how much bigger he is than you. And it’s not that you’re particularly short by any means; it’s just that he’s freakishly tall.

Time seemed to stand still as you parted your lips again to make your words more transparent, determined to finally leave.

“Did you hear me, Tom? I said I-” Two large hands abruptly snaked around your waist with a tight and unforgiving grip, startling you and snipping off any chance of finishing your sentence. Your heart races as fear and confusion erupt over you at the unexpected intrusion.

He’s definitely crossed the line now.

Your instinctive reaction forces your muscles to tense as a surge of indignation permeates your being. How dare he lay his hands on you like this? You attempt to raise your hands, ready to shove him back, but... that’s strange.

Why can’t you move?

You look up at him with wide eyes, only to see cold and unkind ones staring back down at you. Fear as hot as molten lava pumps swiftly through your body as his disfavored presence engulfs every corner of the room. He towers above you, a daunting force that cannot be ignored.

“What’s the matter?” He asks, his tone dripping with condescension. “You look like you saw a ghost.”

Tom reached into the depths of his robes and pulled out his wand, a thin shaft of aged wood. Then, with a fluid swish, the room went dark, with the only lingering light coming from a handful of candles scattered throughout.

As he focuses his attention back on you, he takes note of the puzzled expression on your face and takes it upon himself to explain what’s happening, “graciously” filling in the missing pieces for you.

He utters a word as ancient as time, a single string of syllables resonating with power and strength. “Parseltongue...” he trails off. He whispers into your ear, and for a second, you could swear you were hearing not just with your ears but also with your mind--as if he were speaking directly to it. His words curled around your head, internally and externally, sending shivers down your spine.

He pulls you closer to him and strokes the curve of your cheekbone with his finger. His breath is warm on your skin, and his voice is low, giving off an intimate whisper that fills you with forbidden vitality.

“And you’re right, Y/N,” he says softly, his pillowy lips barely brushing against your ear. “How could I have been so careless? Letting just anyone see me speak such a socially inappropriate language”, his finger still trailing feathery lines on your pretty face. His lips are so very close. Your heart begins to pound in your chest as the anticipation becomes almost too much for you to bear.

You struggle and write, desperately attempting to break free from his iron grasp, but to no avail. With a quiet hiss, his lips parted to reveal a mamba-like tongue. It curled between your own, completely enveloping you in a rough, disordered kiss.

His tongue is warm and languid, moving languorously around your mouth as if it has all the time in the world. The moment's intensity advances as he wraps you up in darkness, forming an impenetrable prison of human contact.

His soft moans swarm your ears before he finally pulls away from you, leaving a thin, glistening strand of saliva linking your parted mouths - evidence of the lewd kiss that had just taken place. His eyes scan your stupefied face with satisfaction, pleased at his ability to put you in such a state.

“Most people know Parseltongue gives someone the ability to speak to snakes, but very few know about the other power it holds.”

As he speaks, you feel a chill run down your spine, sensing that there’s more to the story. And you’re right.

“I spend a lot of time in the restricted section of the library,” he says, steering you backward by your hips.

“Searching for any book that could grant me more power than I already possess, and I happened to stumble upon something interesting about a year ago. Something that very few ever find out about.” His voice descended into reverential silence, as if he were weighing up the situation and deciding how much to reveal.

“The use of Parseltongue on a non-Parseltongue speaker can have manipulating effects only under very specific circumstances.” You feel your ass bump against his desk, and seconds later, he lifts you up, placing you on its hard surface.

“Proficiency and fluency in Parseltongue are paramount for anyone wishing to manipulate another person with their words,” he purred, his voice as smooth as silk. His tongue trailed a languid path along your jawline, leaving you weak at the knees.

“And the non-Parseltongue speaker must have or be in a state of vulnerability that the speaker can exploit.” His words seemed to contain a hidden power, like each syllable would take on a life of its own.

“This could manifest in many different ways -- from being under the influence of a strong potion or spell to enduring a great deal of emotional turmoil.” He waves his hand over your chest, and without even touching you, his intonations seem to make the buttons on your shirt undo themselves as if of their own volition.

“Perhaps they have endured past trauma, harbored unfulfilled desires, or been crippled by overwhelming fears.” He redoubles his effort as he traces intricate designs over your neck and collarbone, artfully balancing pain and pleasure within you.

“If the speaker is able to tap into the listener’s vulnerabilities and use Parseltongue to amplify those feelings or emotions, well, the listener can be controlled at the deepest levels to do just about anything.” You feel his warm hands slide up your smooth thigh and past your flimsy skirt. “Down to their very thoughts, emotions, as well as…physical being.”

Calloused fingertips began gliding over the thin fabric covering your clit. Every pass of them sent tingles of pleasure to the sensitive region between your thighs, earning a few yelps out of you--sounds that only spurred the growing hardness in his pants.

“In the most extreme circumstances, with those bold enough to practice dark magic, it can even induce a trance-like or petrifying state of mind where the listener is devoid of all sense of time and space, leaving them totally in submission to the speaker’s demands.”

Almost like the one you’re in.

His hands squeeze your upper thighs, pushing up your skirt ever so slightly. “Parseltongue works in unique ways, though, and it’s only effective when the target is not in a position to resist.”

“Unfortunately, however, you didn’t seem to have any of those vulnerabilities. And believe me, I asked around. Your friends, professors - it seemed like no one really knew anything about you.” You felt a pang of disappointment as his body withdrew from yours, and you involuntarily bit your lip at the thought of his touch.

“How could I possibly get to you, I wondered?”

“So I started by retracing my steps.” He began to disrobe, letting his heavy cloak slide gracefully off his shoulders and discarding it onto a hanger beside the door.

“I looked over the book again to see if there was anything useful to me, and as fate would have it, I overlooked a page. There was one last way to control someone with Parseltongue. A strong connection, a mental link... specifically through snakes.” He carefully pressed the fabric down, ensuring it was hung up neatly and securely, before turning back around.

“I was honestly surprised, wondering what I had done to be so fortunate.” He let out a low chuckle, and the true implications of his words began to dawn on you. Every beat of your heart was like an overturned stone as you realized what he was implying.

Tom’s voice was low and menacing as he recounted the details, savoring his newfound power over you. “Your friend, the one who had your snake while you were gone, she talks too much,” he explained, a smirk playing at the corners of his lips. “It didn’t take long to learn about your dear companion.” He started walking towards you again as he spoke.

“I gave her some generous flattery, and when I requested to spend some time with your little pet, it was quickly met.” His muscular arms moved carefully to take up a post on both sides of you, effectively trapping you between them.

“At that point, all there was left for me to do was plant some seeds into your precious snake, slowly feeding it sounds that it would imitate and eventually take form in your subconscious.”

Your visit to Hogsmeade was meant to be a refreshing and carefree trip, but instead, Tom turned into the site of a wicked plan, using your unsuspecting pet as the tool for his manipulation.

You stared at him in disbelief. Was this even possible? Could your snake really be influencing you without your knowledge?

Tom seemed to read your thoughts. “Yes, the mind is an incredibly powerful tool. And when combined with the right kind of magic, anything is possible.” He paused for effect before finishing his sentence with a slight glimmer in his eyes.

You felt a chill run down your spine as the full extent of what he had done set in. You could almost hear the sibilant hiss of your snake as Tom spoke, and the image made you shudder involuntarily. The thought of being under the influence of something you had no control over, something that was affecting your health, thoughts, and emotions, was a terrifying prospect.

“Don’t look at me like that, Y/N.” He pleads softly, his strong arms scooping you up from your plush thighs off the desk and cradling you close as he carries you across the room to his bed.

Even under the dim candlelight, his eyes were burning with intensity as if begging for something more.

As he continued speaking, you couldn't help but notice how his voice seemed to wrap around your mind, manipulating your senses just like he had done with your snake. It was almost hypnotic in its power, as if he could will you to listen and obey his every word.

“I have always been fascinated by the power of Parseltongue. It’s a language only a select few can understand, and even fewer can speak. But with great power comes great responsibility. And I, my dear, am not one to shy away from responsibility.”

The fear that had permeated your bones dissipated, replaced by a different, unfamiliar feeling. His words seemed to drift away, and the deep-rooted desire between your legs suddenly became more pronounced. You felt your breath come in short, shallow pants, wanting something without knowing what it was. You wanted his touch, and you wanted it bad. It was an urge that seemed to be calling out from within you.

Tom laid you tenderly on the edge of his neatly-made bed, his gaze transfixed entirely on you.

“Oh sweetheart, what I wouldn’t give for you if only you knew how to make the right choices,” he whispered.

He slowly ran the calloused pad of this thumb along your now tender lips. The faintest of sighs escaped him as he observed them pucker and contort under his caress.

“But I suppose having you like this will do for now,” he purred before inclining his head and pressing his soft lips against yours.

His hand found its way to the back of your neck, holding you in place as he pulled away with a smile. “Let’s make it last. Now keep still.”

You did as you were told, closing your eyes and relaxing into the pillow. He flicked his tongue along the skin at the base of your throat, blazing a slow path down to your collarbone. He lingered there momentarily before continuing to your breasts, his teeth softly grazing around each nipple before delivering gentle bites that sent borderline electric shocks through you.

Tom seemed to sense your arousal, and he used his other hand to pull up your skirt, leaving it bunched up around your waist.

Trailing his fingertips down, he slipped off your panties, exposing the swollen nub that was far too neglected for both yours and his liking. Not to worry, though. He was determined to set it right.

He dipped his head down, showering you with the warmth of his breath as he bullied the sensitive skin beneath your belly button.

You could feel his soft cheeks on your inner thigh as he moved lower, and you suddenly felt the tip of his tongue licking at your slit. He continued to taste and tease you, occasionally stopping to place an open-mouthed kiss on your clit, eliciting a mewl from you.

Tom hummed in approval, kissing it once more before trailing his tongue along your labia, gently lapping at the juices already starting to flow from your vagina.

You couldn't help but squirm as he slowly made his way up to the top of your cunt.

You arched your back, trying to get closer to him as he nibbled at your flesh, mapping out the contours of your folds with his tongue. His hands moved from your waist, skimming up the sides of your ribs and onto your breasts, gently squeezing and massaging them as he continued to feast on the spot beneath your abdomen.

You were lost in a sea of your thoughts, desires, and emotions, unsure if they were truly your own or just the seeds Tom had sowed. It didn’t matter, though, for he had become an escape for you--a way for you to forget about everything else. He was giving your body the attention it so desperately craved, and in return, you granted him complete control over you.

Tom continued his exploration, slipping two fingers inside your slippery cunt as he used his other hand to massage your clitoris in circles. Every touch felt more profound than the last, making it difficult for you not to whimper from the intense pleasure inundating you.

You felt your mind go witless, your thoughts growing hazy with every movement he made. His long fingers descended inside you slowly and deliberately, coaxing you closer to the edge. But before you could reach the peak of ecstasy, he withdrew them and moved back from you to unfasten his dark slacks. You heard the faint sound of a zipper being pulled down as he spoke in a gravelly whisper.

“Go on,” Tom said softly, his voice fluttering slightly. “Touch yourself for me.”

You didn’t need to be told twice. All you wanted was to feel his thick cock pushing its way past your entrance—an intrusion that would bring about nothing but pleasure. Your hands moved up to your breasts, shamelessly pinching and rubbing the nipples between your fingertips as you thought about Tom’s lush cock in you.

He leaned forward, and you gasped as you felt something hard and thick, probing its way inside your canal, igniting an overwhelming sensation within. Your walls were already slick with his saliva, enabling him to slide in effortlessly.

You wrapped your legs around his waist as tightly as possible, eagerly pulling him closer as pure bliss consumed your entire being.

“Tom!” you cried out, You could feel him growing harder against you, his pace picking up as your moans got louder.

Tom’s hand reached down again and captured your clit between his fingers, chafing it roughly as his cock mercilessly pounded into you.

As you approached the glorious return of the orgasm that previously left you, your entire body tensed in anticipation, wanting to make it last as long as possible. But unfortunately, Tom had other plans.

His action was met with a plaintive whine when he abruptly pulled away from you, lifting you off the bed and settling you on his lap, eyes level with his. His hands were almost painfully tight around your waist, keeping you securely in place.

He guided you down onto his still-throbbing member, watching intently as you pathetically began bouncing on it. His damp ebony locks hung like a curtain around his face, and his half-lidded eyes were full of longing, looking at the flickers of pleasure that crossed your face as every inch of him filled you up.

You could feel his heart drumming, and every rigid breath he took seemed to reverberate within the space between you.

“Do you want to come?” he questioned, his voice tinged with a hint of mockery. You nodded your head so fast he was surprised it didn’t spin around and fall off your neck.

“Use your words and say it then,” he continued, clearly enjoying the idea of teasing you. “I can’t understand your mindless babbling.”

He was utterly clueless to the degree of torture he was putting you through, but you gathered what remained of the sense you had left and stammered out a barely coherent string of words.

“Pl-please, Tom,” your voice was shaking and frail as you begged pitifully. “L-let me come around your c-cock.” The desperation in your words and tone was evident as tears started welling up in your eyes.

Your whole existence was devoted to craving and conviction; only his touch could break the deep enchantment he had cast over you.

“There we go,’ he breathed gently into your ear before kissing away the last of your tears. “Now, was that so hard, princess?”

You felt serenity sweep over you as his lips left your skin, and in reply to the question, you shook your head from side to side.

"Ah, ah. Use your words," Tom reminded firmly as if he were scolding a misbehaving student.

You swallowed hard and forced the words out of your mouth. “No, it wasn’t h-hard at all," you voiced meekly. It was a lie, but you were relieved that you had been able to utter something.

Tom's lips stretched into a wide grin at your obedience, pleased that he had gotten the audible response he wanted.

He accelerated his rhythm, bucking his hips faster and faster into you. You could hardly keep up with him as you finally reached the point of no return, and contentment flared through every nerve in your body, causing you to shudder in ecstasy. You felt yourself squeeze around him tightly, internally gripping his throbbing cock as it pulsed within you.

His large frame trembled uncontrollably as he painted your insides with his hot seed, leaving a warm, sticky trail trickling down your thighs, mixing with your essence.

“Oh my god,” he breathed out. He placed his head on your chest, his body rising and falling rapidly as he recovered from his own orgasm.

He delicately entwined his fingers with yours, slowly tugging them towards him, and lifted his head to look at your satisfied expression before planting a gentle kiss on your lips, sealing this moment forever in both of your memories.

Never before had he felt such euphoria. It emanated from both of you in such a beautiful display that no one else could ever replicate or replace.

And sure, he may not have had you kneeling before him and pleading for absolution like he initially envisioned, but having you so entirely at his mercy like this was a more satisfying form of retribution than he could ever have dreamed of. As you relinquished the last of your power to him, the look in your eyes spoke volumes—a much sweeter vindication than words could ever convey.

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