#i’m not great at writing characters just for future reference

[hammysamhah]

Tag Along AU pt 1

part 2

yes i’m finally doing something with this idea mwahahah!!! this is a bang together au where guy diamond joins in on the adventure and this is how it begins!!!

uh ignore the coloring error on the first few images LOL

#trolls band together #trolls fandom #dreamworks trolls #trolls fanart #guy diamond #tiny diamond #trolls au #i’m not great at writing characters just for future reference #tiny stop running off challenge IMPOSSIBLE #guys stress is never ending with this kid #trolls tag along au

[wolfofansbach]

BEING A LIST OF THE THIRTEEN GREATEST RIVERDALE LINES, ON THE OCCASION OF THAT SHOW'S TERMINATION

As our much loved/hated show comes to an end, I feel compelled to record, for posterity, the greatest thirteen pieces of dialogue to spring from the pens of RAS and his henchmen. It was, of course, originally a top ten list, but I simply could not exclude a few of these treasures. Without further ado: 

13. 

“I dropped out in the 4th grade, to sell drugs, to support my nana.” 

“That means you haven't known the triumphs and defeats, the epic highs and lows of high school football.” 

Spoken by: an inmate of Leopold and Loeb Juvenile Detention Center, and Archie Andrews. 

In: 3 x 2 

Yeah, okay, this one had to be on the list. It’s funny, I’ll admit. It’s a great example of the overwrought semi-sincere melodrama that helped make this show so special. It’s low on the list largely because The Normies got their hands on it, so every time I hear someone make a reference I get all “do not cite the deep magic to me, witch.” 

12. 

“No! No! What are we supposed to do now? I’m horny as heck!”

Spoken by: Archie Andrews 

In: 7 x 16

Season 7 is undeniably dreadful, and yet there are diamonds in the rough. The occasion is the failure of a projector, just as Archie and Reggie prepare to watch a pornographic film. The utter desperation with which KJ Apa delivers this line is exquisite. One is made to feel they are witnessing a genuine tragedy. 

11. 

“Tonight, they’re making an exception and debuting a cover of the song my parents claim they were listening to the night Jason and I were conceived.” 

Spoken by: Cheryl Blossom. 

In: 1 x 1 

Really a fantastic line. A wonderful encapsulation of the casual absurdity of Cheryl’s character, and a foretaste of the lunacy we would plumb in later episodes and seasons. 

10. 

“In case you haven’t noticed, I’m weird. I’m a weirdo. I don’t fit in and I don’t want to fit in. Have you ever seen me without this stupid hat on? That’s weird.” 

Spoken by: Jughead Jones

In: 1 x 10

A genuine classic. “High school football” before “high school football.” One is never entirely sure just how sincere the line is meant to be, both on a meta-level and in-universe. A perfect illumination of Jughead’s pretentiousness. It is made all the better by the occasional cuts to Lili Reinhard’s agonized face. 

9. 

“At the last dance, multiple students were murdered.” 

Spoken by: Principal Holden Honey. 

In: 4 x 2

Delivered as an explanation to Toni and Cheryl, as to why there would be no school dance this year. Principal Honey is in fact supremely rational in the cancellation of this dance. This being Riverdale, he is of course treated as an unreasonable tyrant. 

8. 

“Bro, I know all the secrets of this universe.” 

Spoken by: Archie Andrews (evil version)

In: 6 x 5 

Spoken as evil Archie reveals his evil plan to keep the parallel universes apart. KJ Apa’s delivery once again makes this line. He is comically sinister. Strangely, he sells it. 

7. 

“A Vughead kiss, right now, in the present might be precisely what it takes to save a future Bughead from imploding.” 

Spoken by: Jughead Jones. 

In: 2 x 14

One of those lines that both makes me laugh and makes me genuinely angry. This was a fairly early season, and this may have actually been the first line to get me asking, ‘did they genuinely write and deliver that?’ Extra points for use of the atrocious ‘Vughead’ portmanteau ship name rather than ‘Jeronica.’ 

6. 

“I’m the ultimate wild card. I am the daughter of The Black Hood. The nightmare from next door. I’m training with the FBI and I’m coming for you, you psycho bitch.” 

Spoken by: Betty Cooper

In: 4 x 14 

Just delicious. Another one of those lines that leaves you somewhat unsure whether or not the writers understood how genuinely hysterical it was. “The Nightmare from Next Door” sounds like an announcer hyping up a wrestler. Spoken with a raw sincerity by Lili Reinhart. Also points for the heavy homoeroticism between Betty and Donna. 

5. 

“For I am Cheryl Blossom, Queen of the Bees.” 

Spoken by: Cheryl Blossom.

In: 5 x 16. 

This one really doesn’t require any elaboration. 

4. 

“Elijah ascended…and I will, too.” 

Spoken by: Edgar Evernever.

In: 4 x 5. 

Admittedly, this one is only spectacular with context. But in context—the context being that Chad Michael Murray delivers this line while dressed like Evel Knievel and standing in a cartoon rocket right out of a Warner Bros cartoon—it becomes utterly magnificent. 

3. 

“It’s not queer baiting, it’s saving the world.” 

Spoken by: Veronica Lodge. 

In: 6 x 22. 

It’s actually hard for me to decide whether this one is funnier with or without context. Without context it’s wonderful, but it possibly becomes even funnier when you know that the context is that Veronica needs to kiss Cheryl to transfer superpowers into her body so she can turn into a Scarlet Witch knock-off and stop a magic comet summoned by Sephiroth an English wizard who is also the Devil. 

2. 

“If there’s no wedding reception, it means the Gargoyle King has won.” 

Spoken by: Kevin Keller. 

In: 3 x 12.

One of my personal favorites. This is a perfect line because like #3, it requires no real elaboration. There is absolutely no context in which it isn’t hysterical. 

1 .

“Word of my exploits serving Nick his comeuppance has seeped into the demimonde of mobsters and molls my father used to associate with, so the five families are sending their youngest and brightest, their ‘princes,’ as it were to, well, come court the rare Mafia Princess who can belly up to the bar with the big boys.

Spoken by: Veronica Lodge. 

In: 2 x 20. 

This is, in my opinion, the all-timer. Every word is perfect. The rapid-fire alliteration. The use of the word ‘demimonde.’ The entirely unnecessary addition of ‘as it were.’ This is borderline Dr. Seuss. The fact that Camila Mendes delivered it without cracking a smile should have won her an Emmy. No. An Oscar. This line is Riverdale. 

#riverdale #veronica lodge #jughead jones #betty cooper #archie andrews #kevin keller #cheryl blossom #edgar evernever

[fanficsat12am]

how the brothers and datables reacting to mc who giggles and blushes when reading romance books I Leviathan, Satan & Asmodeus

Request from @dionyjoons: Hello, I was wondering if you could do the brothers (and maybe solomon and simeon) reacting to mc who keeps giggling and blushing when reading romance books please :)

AN: BREAK IS FINALLY NEAR WHICH MEANS I CAN WRITE MORE IN THE FUTURE. IM SO SORRY FOR THE LONG WAIT, SCHOOL HAS LEGIT TAKEN ALL MY TIME. ANYWAYS, HERE'S THE SECOND PART OF THE GIGGLE AND BLUSH HEADCANON THING!! HOPE YOU LIKE IT

📜 𝙼𝙰𝚂𝚃𝙴𝚁𝙻𝙸𝚂𝚃!! 📜 Lucifer & Mammon Beelzebub & Belphegor Solomon & Simeon

Leviathan

Honestly...same. He understands the feeling of admiring “fictional” characters, and he’s undoubtedly no stranger to it. When you started the habit of giggling to yourself while he played his games and blushing at your book, he will admit that a small pang of jealousy was there. He’d start to get pouty and a bit clingy, thinking you'd leave him for a book. He wanted to find out what’s so good about the person and found the time to buy an audiobook of it. When Levi started listening to it, he compared himself with the character every chance he got but slowly realized that he found himself to be very similar to them. You confirmed this when you said “Why do you think I like it so much? Gamer boys are just adorable.” Him? Adorable? He disagrees. He’s just another yucky otaku right? All those doubts fade away though every time he hears your giggles. It’s as if you’re reading all the reasons you loved him in the first place and falling for him once again, and that gives him a sense of comfort.

“What chapter you in, Normie?”

“Oh thirty-seven! The two of them just had a-”

“La la la la la, I don’t want spoilers!”

Satan

He didn’t mind the sound nor was he complaining when your face went red. What he piqued his curiosity though was when you’d hit him on the shoulder when you got giddy. It started off as light smacks which quickly escalated to harsh pushes that almost flew him off his seat. Yet despite all this, he made no comment on it. He was enjoying it in fact, liking the thought of your loving the book that much. He bought a copy of it for himself to see what all the fuss was about. The person in the book was very witty and well versed with the arts, allowing the character to earn Satan’s respect—he even took some notes down. Now every time you giggle and blush, it wasn’t only because of the book, but in fact him making your fantasies into reality. The love interest wrote a poem, no problem. They gave a bouquet of flowers? Done. He’ll happily do it over and over again just to see you a giggling flustered mess.

“You do know you’re indirectly spoiling me the next chapters by doing this, Satan”

“Who said your book’s my only reference? I’ve got a whole wall of romance books and I’m ready to recreate each and every one of them” 

Asmodeus

Tell him the gossip, don’t hold back. As soon as he notices you giggling and blushing at a book, he would start interrogating you about the guy like a bestie would ask about your crush. If he’s going to be sharing your heart, the other person has obviously got to be deserving of it and at the same level as the both of you. You’d start telling him about the character and it would end with two people squealing the whole night. Asmo would frequently ask about the book and what happened in it. You’d fawn and cry over the book together. 

“I’ve gotta say, you’ve got a great taste in men, Darlin”

“Of course I do. Don’t you think I already knew that when I started dating you?”

“Periodt! Ugh I never doubted you for a second”

#obey me x reader #obey me fluff #obey me imagines #obey me #obey me headcanons #obey me hc #obey me x mc #levi x reader #satan x reader #asmo x reader #levi x mc #satan x mc #asmo x mc #levi obey me #satan obey me #asmo obey me #leviathan obey me #obey me leviathan #obey me satan #obey me asmodeus #shall we date satan #shall we date leviathan #shall we date asmodeus #obey me shall we date

[edgy-ella]

IDW SONIC READERS, PLEASE READ THIS!!!!

I am begging you. On my hands and knees. Begging. More so than anything else I’ve asked of this fandom.

Please please buy the Fang miniseries when it comes out

Don’t just read it. Buy it. I will admit that I’m very guilty of reading through a lot of IDW Sonic through…less than legal means, and I know I’m not alone in that regard. But I think it’s really important that for this miniseries in particular, you actually go out and buy the damn thing. Show your support with your dollar.

Really think about it for a second—they gave Fang his own miniseries. Fang! An underutilized, underrated fan favorite for sure, but hardly a mainstay of the series. I’m sure that this was at least somewhat prompted by Superstars, where Fang is a major antagonist…but Bean and Bark weren’t in that game, and it already received its own online promo comic prior to the game’s release (notably, with Fang as the star).

Classic Sonic stories have also exclusively been relegated to one-shots in IDW, not a full on miniseries like what Fang is getting. Basically all of the IDW Sonic miniseries we’ve gotten so far have been plot relevant side stories to the main IDW comic that focus on side characters with little to no involvement from Sonic himself. Tangle and Whisper, Bad Guys, Impostor Syndrome…the only odd man out besides this Fang miniseries is Scrapnik Island.

Really think about it for a second. FANG is getting his own focus comic BEFORE KNUCKLES.

And that’s why it’s so important that we buy it.

I think Sega is using this comic to test the waters to see if people like Fang and want to see him in more future projects—be it comics, games, or even cartoons. But there’s more to it than just that.

See, Superstars hasn’t been doing that great. I know I said in an earlier post that people seemed to like it, but I retract that statement. It was damned by faint praise at launch, and now most of the discussion I’ve seen surrounding the game revolves around its flaws (chief among them being the middling OST and that the Steam version stealth installs an Epic Games service along with the game). No sales numbers have been projected as of writing, but it’s definitely been beaten out by Mario Wonder and Spider-Man 2.

So, Classic Sonic games aren’t doing too hot right now (I’m sure that many modern fans are jumping for joy at the prospect). But the classic characters are.

People really like the extended classic Sonic cast, just as much as they love the extended modern cast. From my experience, the two fan favorites are Mighty and Fang. Fang stands out to me in particular for a couple reasons: people were really upset that Sega specifically said no to Fang, Bark and Bean coming back after Ian snuck in a reference to them in IDW Sonic #3 (using their old team name from Archie, the Hooligans), and the fanmade 16-bit remake of Triple Trouble, Fang’s debut game, received private praise from many members of Sega and Sonic Team. People like Fang and the media he’s in, and Sega is starting to take notice. That’s why we’re getting this miniseries.

That’s why it’s so important that the miniseries sells well. If the big boys at Sega and Sonic Team see Superstars’ iffy reception but see Fang’s comic sell above expectations, then Sega will want to continue to use Fang (and potentially other “classic” Sonic characters as well) in more narrative driven projects. That means modern Sonic.

“But Sega won’t let any classic Sonic character into a modern Sonic project!” I hear you thinking. And to that I say, so? Sega changes its mind all the time. Remember that whole two worlds nonsense? That was thrown out with in Tailstube. Characters debuting in Boom and the comics were previously barred from the mainline games, but they’ve broken that “rule” in both Speed Battle and Frontiers. Hell, they’ve even been talked out of some of their sillier comic mandates, like characters not being able to wear different clothing.

For all their flaws, Sega does listen, and money speaks louder than anything. If this miniseries fails, Sega will just assume that people aren’t hot on Fang or the extended classic cast anymore and throw them back in the bar. But if the comic sells well, then Sega might take it as a sign that, hey, people like this character (and his two lackeys), we should put him in projects that fans are more interested in. Mighty and Ray probably wouldn’t be too far behind, especially given Mania’s success. Whether that means comics or games, modern or classic, who knows. What’s important is that it sends the right message to Sega, and they will listen to their consumers. That means us. If we don’t support this miniseries now, we might have to wait another thirty years for another chance.

#sonic the hedgehog #idw sonic #archie sonic #fang the sniper #fang the hunter #nack the weasel #bean the dynamite #bark the polar bear #mighty the armadillo #ray the flying squirrel #FUCK YOU I’m tag whoring #tangle the lemur #whisper the wolf #whispangle #surge the tenrec #kit the fennec #miles tails prower #amy rose #sonamy #trip the sungazer #hall of fame

[mrsquill]

My Girl

soft!Joel Miller

Summary: Hi! I don’t write much and I don’t write often, but once an idea takes hold of me, I can’t help it! So here’s this. It’s 1995; and Joel, Tommy and Sarah have been invited to their new neighbourhood’s barbecue. Joel is a little.. nervous.

Notes: Short but (hopefully) sweet! Apologies again if any cultural references are wrong, and I’m using the timeline set by the show. No outbreak is ever going to happen here! I just love soft, domestic Joel and his little family so much. Based on the HBO series characters.

Warnings: Fluff, a little bit sad, swearing, mentions of pregnancy and mental health issues, mentions of parent death (briefly, not Sarah’s mother). I hope that’s everything!

Joel adjusted his shirt collar in the reflection of his bathroom mirror, tugging anxiously at the fabric, anticipating Tommy’s joking remarks about how uncomfortable he looked. Ever since Denise had mentioned the neighbourhood barbecue a few weeks back he’d been dreading it, and the day had finally come. They’d only moved to the street six months ago, and today was the proper initiation.

Not that he didn’t get along with his neighbours; the community was great already, lots of parents sharing school-drop offs, collection from various soccer practices, and helping out in the evenings if parents had work or social commitments. Which Joel did, a lot of the time - specifically, work. He couldn’t remember when he last did anything remotely social.

Tommy was the bigger butterfly out of the two. Joel was happy to hang back and let his baby brother do the introductions; his hands firmly planted on his little girl’s shoulders as he stood shifting nervously from foot to foot, anticipating the hushed questions and raised eyebrows. He knew their family dynamic was a little unusual, but damn, everybody had seen Full House, right?

Truth was, Joel never really had an answer ready when he was approached about Sarah’s mom. She was six now, growing faster and more curious every day. He would never want his daughter to be subjected to petty gossip, so he was pretty closed off in his responses. ‘It’s always just been the three of us’, Joel would smile tightly if someone tried to pry, Sarah’s emotions far more important to him than being known as a grouch.

Sure, Joel would tell Sarah, when she was ready and he felt she was old enough. It was gonna break him; he could feel it already, her big brown eyes filling with tears and squeezing the breath out of him, wondering why her mom wasn’t around. And he’d tell her; she was sick, baby. It wouldn’t have been fair on either of you. Which was true, because she had been.

Melissa hadn’t been ready, and hell if Joel was, either; they were fooling around, both 22-years-old and dumb as shit. It was too late to do anything by the time she’d realised she was pregnant, and Joel felt his life sliding away from him, like a cliff disintegrating into the ocean. Sure, he’d like a kid one day, but now?! Fast forward to the day Sarah arrived, and his future was sewn up. The minute she gripped his pinky tentatively and blinked up at him slowly with his own brown eyes, he was done for. She had Joel’s heart forever.

Melissa took off a few weeks later. They’d been staying with his parents, the atmosphere was claustrophobic at best. Joel knew she was struggling; he’d taken on the night feeds and was an expert with a diaper after the first few weeks, Melissa retreating to their bed and staying there for days on end. He tried in vain to help her, but she refused him at every turn. His momma broke the news to him after he’d come home from a twelve hour day on site, busting his ass to scrape cash together so his daughter could have the best.

Melissa had gone. Sarah was Joel’s responsibility now, she couldn’t be involved. It was making her ill. And that was that. Joel and Tommy bought their first house together a few years later; working all hours getting their contracting business off the ground, Joel’s sole motivation being Sarah’s health and happiness.

She’d wanted a pink bedroom and he’d done it for her; painting late into the night as she snoozed with Tommy on the couch downstairs. His back was creaking miserably like an old fuckin’ man, and his hands were worn in a way that should belong to someone far more advanced in years than he, but nothing in his soul would change that. Sarah was everything to him.

That’s why, Joel reasoned with himself now, it’s important to show up to events like this barbecue. He knew it meant a lot to his little girl; she inherited her talkativeness from her loving uncle, and there was no stopping the amount of friends she was collecting. Sarah had been babbling it about it all week, wanting to break out her best dress and new birthday sneakers.

Joel sighed in front of the mirror; trying to ruffle his black curls into some sort of submission when something caught his eye above his temple in the fluorescent lighting. A grey fuckin’ hair. He closed his eyes and exhaled slowly through his nose, imagining the jokes Tommy would make if he saw. He was 28, dammit. Joel tried to envisage himself with silver streaks throughout his hair and the scruff along his jaw; that shit won’t suit me, he surmised. I’d be better off bald.

Half an hour later, and the three of them were walking across the road to Denise and Carl’s; Texas sun still high in the sky as Tommy carried the brisket like precious cargo, Joel with a case of beer, and Sarah with the sheet cake they’d made that morning under her arm.

Baking and cooking were some of their favourite things to do together; before his momma had died when Sarah was two, she’d insisted her grandbaby be fed well, and Joel knew he was a pretty decent cook. Tommy had snickered a few times at the sight of Joel in an apron, but not a sound was to be heard from him as he’d sit down and eat through hours of Joel’s labour. Typical baby brother behaviour.

Denise greeted them excitedly at the door, thanking them for their contributions and showing them to the backyard. Joel counted about seven different families in attendance: adults milling around the barbecue, younger kids jumping in the pool and the teenagers clustered around the boombox. He wasn’t sure where’d he fit, exactly; unlike his daughter, who sped off towards a group of girls practising a Mariah Carey track without a backwards glance at her daddy.

To Joel’s relief, the evening was relatively painless - Denise must’ve given the others a heads up about us, he mused as he pulled from his third beer, alcohol relaxing his bones. There hadn’t been a question - yet - about his parenting situation; rather, he and Tommy had gained a few potential clients: turned out the Adlers next door were dying for an attic conversion, and the Johnsons would love a bathroom remodel. He was doing good. Joel had surprised himself, smiling as he watched Tommy proving his one and only culinary talent - an expert on the barbecue.

The string lights overhead had begun to glow in an abundance, fiery orange in the setting sun. Denise had finally stolen the boombox from the teens, and had been steadily feeding it her collection of CDs as the night wore on. Joel turned his head as she stood up and clapped her hands, commanding the attention of all in the backyard as a relative hush fell. ‘This one’s real special to me,’ she smiled, indicating the song that had started softly playing - My Girl by The Temptations. ‘I’d like it if we could have a daddy-daughter dance,’ she announced, throwing her hand out to her own elderly father in his chair.

Joel felt himself tense up a little on the bench he was sitting on; fathers and daughters were coming together on the lawn with grins and laughter as the song went on. Sarah stood awkwardly as she eyed her father, knowing - even at six - that this wasn’t his bag. Tommy cleared his throat, indicating to Joel with a shake of his head that his daughter was waiting for him. Joel swallowed; he wasn’t so sure it was a good idea. He was accomplished on the guitar, and could even hold a tune, but dance?

He glanced over at Sarah again; she was chewing her lip anxiously, her soft little hand was outstretched towards him, just like it was the day she was born. Joel heaved himself up and made his way over to her, picking her up easily in his arms. Ain’t no way he could say no to that face. Sarah’s countenance transformed; she grinned at her father, proudly showing off the first tooth she’d lost last week.

‘I’ve got a sweeter song, than the birds in the trees’, Joel crooned softly into her ear, making her giggle as he swayed them together - the most dancing anyone would get out of him. She laid her head on his chest, her brown curls tickling his chin. He rubbed slow circles on her back; the way he always had done to soothe her when she got sick, or got the hiccups after Tommy gave her too much soda. ‘You enjoyin’ yourself, baby girl?’ He asked quietly, pressing a kiss to her hair. Sarah hummed in agreement.

‘Talkin’ ‘bout my girl,’ Joel sung quietly. Sarah turned in his grasp to look up at him. ‘Jessica doesn’t have a daddy,’ she murmured; looking over at a weepy little girl being comforted by a woman Joel assumed was her mom, rocking her back and forth in her lap. ‘That’s very sad, bug,’ he sighed, shifting Sarah in his arms to hold her a little closer; unable to help the comparison with Sarah’s lack of a mother, and wondering if his daughter was thinking the same thing.

‘I told her.. Maybe we could share, because I have the best daddy in the world. I told her that we could all make a pillow fort, because you make them the best - that would be okay, wouldn’t it, daddy?’ Sarah mumbled in earnest, splintering Joel’s heart in two. ‘Yes, baby, that would be okay,’ he choked, pressing another kiss to her hair. ‘That was very kind of you, Sarah,’ he murmured, amazed at her compassion, as the song drew to a close.

Sarah had taught him so much already in six short years; they had really been babies together at the start. Joel’s parenting journey hadn’t been easy, and he knew it would only undoubtedly get harder from here. Small wins, he said to himself, a reminder not to get stuck on the future; worrying about things he couldn’t possibly try to know. He was simply bursting with pride at the way Sarah had so earnestly decided he was the best daddy in the world. For now, that meant this - their life together - was enough. He was enough.

#just joel trying his best ya know #joel miller #sarah miller #joel miller fic #joel miller fanfiction #joel miller fluff #joel miller the last of us #joel miller tlou #joel miller drabble #sarah miller the last of us #sarah miller tlou #tommy miller #tommy miller tlou #the last of us hbo #the last of us hbo fanfiction #my stuff

[prokopetz]

Hey! So I ran a one-shot of Eat God and we had a blast. I have some feedback to offer from both myself and my players (This was actually a while ago but I’ve been busy as hell so I’m only writing it up now, so I might have forgotten some things). 

First off, character creation was just as fun as advertised. My player’s all loved getting to choose their character’s traits and appearance and designing their deicidal muppets. The game’s mechanics also made it extremely easy to create looney-tunes style shenanigans, which both I and the character’s took full advantage of. 

At one point a character with the roving limbs trait was running away with a barrel containing another character (I put the character in the barrel) balanced on their legs while their top half distracted the town guards, a completely different character slipped into the sewers I hadn’t thought about and I had a chance to throw a surprise alligator at them, and a theocratic pastor said that he “carried God with him in his heart” (which ended exactly as anthropophagically as I had expected it too). I also got the great quote from one of my players “I swear to the god I want to eat.” 

I have a few critiques, a few suggestions for things to develop for future editions, and a few questions. My first critique is that I think that having tokens for obstinacy is a little distracting, since you keep track of everything else about your character on paper (we ended up using Sprite flavored tic-tacs that one of the player’s had in their bag) and would be better done on the character sheet. I also think the game could use a formal turn structure for high-pressure situations. It’s a game that promotes chaotic play, and with people popcorning in it got a bit loud and overwhelming. 

For future developments, I think that having more specific action types like attack, help, investigate, etc. would be helpful. Specifying the mechanical effects tied to some of the abilities, like being able to “stun” someone with Primordial Power and Dizzying Display, having a general movement speed that would be doubled by Fast Feet, being difficult to harm with Defensive Dermis, etc., would be useful for the GM. And more examples of NPC abilities would be useful, if only to have something to base homebrew on. 

There are also a few questions I had. First, is there a specific time scale for actions taken in a high-pressure situation like combat? 

Second, I assume that you count the unmodified roll for calculating calamity? Because I don’t believe any roll over a character’s facet would have no chance of triggering calamity, and similarly don’t believe that positive modifiers would increase the chance of calamity. 

Lastly, a general lesson I learned as a GM that I do not hold against your game: be careful how far you let your characters stretch the limits of their abilities in low pressure situations if you’re too socially anxious to retcon in high pressure ones. 

Ultimately I think it’s a great game and everyone had a great time. I meant to run another session but didn’t find the time, so I might have more feedback when I finally get around to that. For credits sake I’m Kendall R., my players wanted to be credited as Noc, Ladybug, and Brynne.

(With reference to this post here.)

I appreciate the feedback. With respect to your questions:

First, is there a specific time scale for actions taken in a high-pressure situation like combat?

There is not. Defining a more formal conflict framework with a specific round length is a potential addition to a future revision, albeit not one I'm committing to adding at this time.

Second, I assume that you count the unmodified roll for calculating calamity?

Dice rolls in Eat God are generally not modified in any way; the value of a particular die is the number you rolled on that die. Effect modifiers (which I assume are what you're referring to here) apply to the roll's Result, which is the number you get from carrying out the procedure described in "Rolling and Reading Your Result"; any comparison which does not explicitly refer to a roll's Result is referring to the values the dice are physically showing.

#gaming #tabletop roleplaying #tabletop rpgs #eat god #game design #violence mention #death mention #cannibalism mention

[theresattrpgforthat]

THEME: The Locked Tomb

I’m in love with The Locked Tomb Series by Tamsyn Muir, and I know I’m not the only one! For that I am extremely grateful, because there’s quite a few ttrpg designers who also love The Locked Tomb, and have designed games meant to evoke the themes or setting of the novels. Here’s a few of my favourites!

The Serpent and the Spider, by Junk Food Games.

The Serpent and The Spider is a tiny ttrpg for 2 players. One player takes the role of The Serpent, a charismatic sword-wielder. The other player takes the role of The Spider, a highly intelligent necromancer.

Your souls are bonded together. You will fight against corrupt corporations and explore your relationship.

Note that this game has references to violence, death, combat, and implied self-harm. To play the game, you need something to write with, two 4-sided dice, and two 8-sided dice.

I’ve talked about this game before as a duet game. This is probably the best game for exploring the relationship between a necromancer and their cavalier, because it’s designed to be played just between two people. It includes 9 session prompts (again, a tribute to the Nine Houses), and presents you with a setting that is inspired by The Locked Tomb while still allowing you as a pair to fill in details that will make the game work for you.

Thirsty Space Necromancers, by Understory Games.

Thirsty Space Necromancers is a Thirsty Sword Lesbians supplement based on The Locked Tomb books by Tamsyn Muir. It's Gideon the Ninth as a Powered by the Apocalypse RPG.

You play as Necromancers and Cavaliers in a space-faring culture. Paired and trained to fight together, you will solve mysteries and fight ghosts, and probably other necromancers, as you explore new planets. 

This is a game that requires another game to run, but considering the tagline of Gideon the Ninth as “Lesbian Necromancers in Space”, Thirsty Sword Lesbians sounds like another great match for this kind of game. TSL focuses on love and relationships, and is also great for telling grand, epic stories. I’m interested in the additional rules to add the Dead to your game, as well as how the game plays when each player has a counterpart that they’re responsible for and/or devoted to, especially since multiple players can choose The Cavalier, while each Necromancer playbook is separate.

(Understory Games also has a collection of Locked Tomb fan rpgs, where I got most of my recommendations from!)

Heart of the Emperor, by deathmeetauthor.

Heart of the Emperor is a hack of Monsterhearts 2, centred in Tamsyn Muir's The Locked Tomb series. Rather than playing a cohort of teenagers who are secretly monsters, you may be playing a soldier of the Cohort, a teenager, or openly be a monster—perhaps even all three!

The characters of Gideon the Ninth etc. are lonely, brokenhearted, and struggle to communicate their needs and feelings, all of which are perfect for a Monsterhearts game. As with many Powered by the Apocalypse games, the focus is on how the characters relate to each-other, whether that means getting into fights, horribly misinterpreting what your crush/rival says, or uncovering deliciously horrifying secrets that will fundamentally change how you see the world. The scope of this game will be more personal than Thirsty Sword Lesbians - the future of the world isn't quite as important as your future with the the people around you.

The Empire Undying, by Glaive Guisarme Games.

You climb aboard the shuttle which is intended to convey you off this dingy planet. Embedded in the metal walls of the shuttle are bones, sun-bleached and carved with innumerable runes of protection. The only seats in the shuttle seem comfortable enough, although they have the familiar texture of human-flesh leather, tattooed over and over in a crabbed, spiky hand.

It fucking sucks. Just an abysmal experience, and the chairs make your ass hurt after like ten minutes. But if you’re going to be a necromancer there’s a whole, like, aesthetic to deal with. 

Hope you like skulls, fucker.

There are two sorts of people that matter in the decrepit star empire: the necromancers who create the undead abominations upon whose skeletal backs civilization rests, and the knights whose sword duty is to defend the necromancers from undead abominations which aren't behaving right now. 

In this game, you will play a group of necromancers and knights, stuck in some corner of the vast empire, attempting to solve a mystery that is, in turn, attempting to kill you all. The bad kind of "kill," the sort you don't bounce back from. Explore ancient sites and forgotten ruins, unravel conspiracies which have endured for millennia, and make out with one another, because you are hot and hurt and surrounded by bones so you have to get that tension out somehow. 

Tone-wise, this game slaps. Mechanically, I like that it’s not too complex (it borrows from Lasers and Feelings) while still leaning into the number 9, which is heavily significant in The Locked Tomb. It has players explore relationships, while not necessarily expecting them to pair up - instead, you have to decide how another person’s character has power over you, which also feel so much like The Locked Tomb (think about Dulcinea’s relationship to Gideon, or the relationship between the Fifth House and the Fourth House). There’s so much to this game and it’s not even that big! If you want something that feels like it was written by Gideon herself, I’d definitely recommend checking this out.

In Extremis, by Keganexe.

In Extremis is a tabletop roleplaying game designed for 2-6 players, about fighting back the man using necromancy, that uses the LUMEN system by Spencer Campbell. Inspired by The Locked Tomb trilogy, players take on the role of exceptionally powerful witches who use their mastery of life, death, and the human condition to keep them and their own safe from other planetary invaders who want to steal their land.

As a Necromancer, you are one of a handful of hideously powerful death witches that protect the planet Hecate, the final holdout for The Coven, from the ever encroaching war of the Corvus Dominion. 

In Extremis differs greatly from some of the games on this list because it focuses on combat, rather than on relationships. The game is inspired by the Locked Tomb, but doesn’t seek to replicate it. All of the players are necromancers, and all of the players are built for combat. You will go up against a terrible, powerful foe, while you yourselves are small in number, although extremely powerful. I appreciate the attempt to make this legally distinct from The Locked Tomb - there’s enough here to absolutely appeal to fans of the series, but the creator has given themselves enough license to focus on the themes of this series that appeals to theme - particularly the theme of kicking ass.

Games I’ve Recommended in the Past

Tomb Candles, by deecity. (A hack of Ten Candles)

#the locked tomb #gideon the ninth #dnd #tabletop games #game recommendations #necromancy #indie ttrpgs

[ntaras]

Bi-Han Analysis

Though the primary focus of this analysis is Bi-Han, I also do analyze Kuai Liang a bit. This analysis is also mostly for me to put my general thoughts together, so the formatting is a bit hard to read and messy. 

This analysis is not written with the datamined dlc story in mind, so for the love of god do not bring that up if you want to respond to this post. I also hate the way the brothers and the Sub-Zero vs. Scorpion rivalry was presented, but I’m writing this analysis with an attempt at avoiding placing criticism in the center (because I do have a lot of criticism that does conflict with this analysis.) 

Also, this is not meant to prove Bi-Han as “not evil”, because no, he isn’t, but he’s still an antagonist who’s making very bad choices. Also I talk about my own speculation regarding Bi-Han’s relationship with his father, and I want to make clear that I’m not trying to paint their father in a bad light because he is not canonically presented as abusive or evil. It comes off like that, but that’s not my intention. I’m too lazy to rewrite that portion of the analysis so this is just a heads up. 

Bi-Han is a walking self-sabotaging tragedy, and with Kuai Liang as Scorpion, they were doomed from the start for their relationship to shatter. You have the eldest brother: Sub-Zero, who feels forced into submission and forced to conceal his “true worth”. You have the younger brother: Scorpion, who watches his older brother be consumed by his desperation to be something, and stands unsure of how to help him. 

Bi-Han’s desire for power is the highlight of his character. His and the Lin Kuei’s role as Earthrealm’s defenders isn’t something that satisfies him- it isn’t something that shows his worth. He thinks he’s worth more than simply hiding in the shadows, waiting, and waiting for threats to emerge. Defending Earthrealm brings him no value, but perhaps taking part in ruling it would give him value (Sub-Zero: “You wield the power I aspire to be” Sindel: “Too bad you’re unfit for it, Sub-Zero.”) He wants to bring the Lin Kuei to the light, show that his clan is deserving of power. (From his bio: “Under his leadership, the Lin Kuei will come out of the shadows and fight for its place as one of Earthrealm’s great nations.”) 

I’m really emphasizing the word “shadow”. It’s an obvious reference to Noob Saibot, and it seems like the story is going for the route that Bi-Han is already someone in the dark, yet he doesn’t view himself to be in the dark. (Scorpion: “A shadow’s fallen on your soul.” Sub-Zero: “No, brother. I’ve seen the light.”) As the darkness envelops Bi-Han, he can only see that darkness as the light. 

Bi-Han refuses to see himself in the wrong, and even says his ambition is confused for evil. (Ashrah: “There are many in the Netherrealm just like you.” Sub-Zero: “You conflate ambition with evil, Ashrah.”) That dialogue also implies that Bi-Han does not believe he will end up in the Netherrealm for his actions, because he doesn’t view himself or his actions as “evil”. Everything he’s done has been for the better- has been for the good of the Lin Kuei. 

I wondered why Bi-Han was so loyal to the Lin Kuei in this timeline, as in previous timelines Bi-Han’s loyalty to his clan was because he was kidnapped by that clan, and conditioned to be their warrior (but still agreed to help Raiden and save Earthrealm.) So why is Bi-Han so loyal to the Lin Kuei in this timeline? 

This is more speculation than an analysis I can support with hard evidence, but if you’re asking what I personally think, I’d like the case to be that there was something deeper going on. That somehow, his father put so much pressure on Bi-Han (not intentional pressure) as the future Grandmaster and a protector of Earthrealm, Bi-Han ending up warping that role as “protector of Earthrealm” into his own desire for the Lin Kuei to show all their true ability is to not defend Earthrealm- but govern Earthrealm. Why must their efforts go unrecognized if their role is so important? Also this plays into his role as the first born son, the eldest child who ends up being the one responsible for their younger siblings. As the eldest, he knows what is best for his siblings. As Grandmaster, he knows what is best for the Lin Kuei. 

All the dialogue regarding their father paints him in a good light- even dialogue from Bi-Han. Bi-Han never once accuses his father as being abusive in some manner, but only as weak and lacking vision. So, there is no denying that he was a good man, but he’s still a man of mistakes, such as being the man indirectly responsible for the murder of Tomas’s family. The fact that that murder happened in the first place does raise a lot of questions about the inner workings of the Lin Kuei and how their father led the Lin Kuei.  

It does feel like their father’s death is still not fully revealed. His death is only referred to as an “accident” and not delved into further besides Bi-Han allowing him to die. (Scorpion: “I want to see the moment my father died.” Geras: “You are not ready to receive that knowledge.”) That could mean that there is more to his death, Kuai Liang isn’t ready to see that moment because he’d get all raged up, or it could mean nothing because that’s how a lot of dialogue is. 

The way their father led the Lin Kuei- and how the Lin Kuei has always been in this new era, was by teaching them to be submissive (to follow rather than lead.) And in Bi-Han’s eyes: weak. 

The fact that Bi-Han didn’t kill his father, but instead let him die, is fascinating. We can also compare that act, to how Bi-Han is submissive to Liu Kang until he’s away from Liu Kang and listens to Shang Tsung. ALSO, it’s interesting how Bi-Han doesn’t listen to Shang Tsung’s offer until he is in chains. Even if he let his father die, Bi-Han still was loyal to Liu Kang nor did he change the Lin Kuei in any way (we also do not know how recently their father died, so he may have not even had the time yet to drastically change the Lin Kuei on his own, but I think that’s besides the point). He aches for the right moment to “step up”- to separate himself from what he believes binds him. 

We see Liu Kang keep Bi-Han from being “too antagonistic”. After Liu Kang calls Bi-Han and Kuai Liang over in chapter 1, we see Bi-Han get hostile towards Kung Lao and try to advance towards him, but is stopped by Liu Kang. He glances at Liu Kang, wanting to bark back, but keeps quiet. In chapter 2, Liu Kang looks at Bi-Han when he yells “enough!” and Bi-Han quickly bows in apology. 

He keeps that loyalty to Liu Kang, until he is physically in chains, until he is physically shackled. He does not want to be prisoner to that loyalty of submission anymore. 

His submission to his father’s ruling of the Lin Kuei and Liu Kang’s Godhood is something he doesn’t want, because he feels like he is worth more than submission. He doesn’t want to be treated “so lowly".” He wants recognition for his skills- he’s eager to show himself off and prove that yes, he is a warrior.

If Liu Kang had chosen Bi-Han to be champion, then mayhaps this desire for power and self-sabotage Bi-Han participates in would have been avoided. However, it’s understandable why Liu Kang didn’t choose Bi-Han to be champion despite clearly having the talent to be one: Bi-Han always dies at a tournament. He didn’t want to risk Bi-Han’s death, and then the resurrection of Noob Saibot (or a falling out between Kuai Liang- Scorpion- and Bi-Han that resulted in Kuai Liang killing Bi-Han). But, it seems Bi-Han set himself down that dark path anyways. 

Now, onto Kuai Liang and a brief look into the relationship between the three brothers. 

The story fails at showing us that the three brothers do care about each other, but it’s just barely there. 

In Kuai Liang’s bio, it states two things: “...though he took pride in knowing that his brother, Sub-Zero, would succeed their father as the Lin Kuei's Grandmaster.” and “...he fears that may one day have to battle his brother for control of the Lin Kuei’s legacy.” He views Bi-Han as Grandmaster with pride, and is scared of having to fight him- scared of choosing duty over his brother. 

Kuai Liang verbally tells Bi-Han multiple times to “watch himself”- reminding Bi-Han of his duty (honoring their father) and questioning Bi-Han’s roughness with Johnny Cage. You do see Kuai Liang keeping an eye out on Bi-Han (as he states later in the game, he was aware of Bi-Han’s frustrations). Kuai Liang doesn’t even mind Bi-Han’s ambitions, as evident in the scene where they enter the treasure chamber. “There will be spoils in this war,” says Bi-Han as Kuai Liang does not chastise him for wanting those “spoils”, but responds with “let us win it first, brother.” 

If I’m being honest, I don’t even think Bi-Han was referring to the actual treasure as “spoils”, but rather the glory that treasure holds. Bi-Han doesn’t really have a desire for treasure, especially a bunch of coins, so I couldn’t really view him as having an actual desire for some coins and gems. And I think Kuai Liang’s response was him answering Bi-Han’s hidden desires- that Bi-Han can achieve his desire to “shine” after they finish their job. For Bi-Han to achieve his ambitions, he must earn it first. 

Up until the reveal of Bi-Han letting their father die, Kuai Liang is incredibly patient with Bi-Han. 

Regarding Tomas and Bi-Han’s relationship: Bi-Han doesn’t hate Tomas! Their relationship is complex with Tomas being the youngest brother and being adopted into the family, but it’s not wrong to say Bi-Han does care about him (as clearly evident by the “You are both unharmed?” comment).

I really do think Bi-Han being the eldest sibling is important to his character. It’s a role that brings him frustration as he cannot get his younger siblings to listen to him (them “abandoning” him and the LIn Kuei), and loses control over them. His anger is harsh towards Tomas, as is “what he gets” for being the younger brother, yet Tomas still cares for Bi-Han despite Bi-Han stating Tomas is not Lin Kuei. 

Bi-Han, in all his cruelness and frustration, cares about his brothers. And they care about Bi-Han. It’s evident in the fact that the brothers are so adamant on being the ones to kill/capture the other, not allowing anyone else “the privilege”. They are deeply hurt by the others' betrayal, and any hatred that comes from them is out of a broken heart. 

Kuai Liang did try to kill Bi-Han. After Bi-Han reveals that he allowed their father to die, Kuai Liang loses it, and knocks Bi-Han down, and you see him raise his chains ready to kill Bi-Han. Kuai Liang would have regretted it. He was in a moment of seering, blind rage, allowing his emotions to fully take over him. You know he would have regretted it, because in their confrontation outside the temple, Kuai Liang doesn’t kill Bi-Han. And if I’m being honest, I don’t even think that Kuai Liang knew he almost killed Bi-Han. 

“You are my Grandmaster no longer.” Not, “you are my brother no longer.” Kuai Liang disowns Bi-Han as his leader, but not as his brother. Even if Bi-Han shed his own brother’s blood, Kuai Liang cannot truly renounce his own blood. It’s their bond and their curse as brothers- as Sub-Zero and Scorpion: they are forever connected by rivalry and siblinghood. 

Their love is deep, but their hatred is even deeper. But is it not the same when it comes to siblings? Is that cruelty not the same as a loving embrace?

#mortal kombat #sub-zero #bi-han #kuai liang #i have more to say but i’ve been holding this off for a week #so you get general thoughts on bi-han #also i was going to add my criticism about the writing and how they wrote the brothers and their story but that’s a whole other can of worms

[pastafossa]

Using Tarot To Help You Write

Right ok, so I’ve wanted to do this for a bit - there are vague references to tarot in my story TRT and I’ve answered a few questions about how I use the RWS-style tarot to write but now I have a little bit of time while I wait for my laundry to dry. So let’s get into it.

If you’re looking for another tool in your writer’s kit, you could strongly consider adding a box of tarot cards to the bag. Set aside, for a minute, what you’ve heard about it. Set aside any spiritual aspect, telling the future, the ‘OoOOOooOOh evil’, or even the ‘DRAW DEATH MEANS DEATH’ you see in movies. Instead, strip it down to its base.

Tarot is about telling a story.

(Below: Oak, Ash, & Thorn Tarot)

From a storytelling perspective, the first 18 cards of the RWS style tarot, known as the Major Arcana, essentially tell the Hero’s Journey as the Hero sets out on an adventure and searches for knowledge. There’s disaster, love, temptation, and wise people they meet along the way before eventually finding enlightenment at the end of their journey. The Major Arcana contains major archetypes and themes present through so many stories. When you add in the rest of the cards in the Minor Arcana - the other 56 cards, encompassing a variety of emotions, archetypes, figures, and various life events you might run into - you’ve got something perfect when you want to introduce new elements to your story. I keep a small deck on my desk and use it frequently when creating random OCs, plotlines, or problems for characters to solve.

And before you go, holy shit Pasta that’s a lot to take in, using tarot for your story doesn’t have to be complicated. You don’t need to have 20 years of tarot experiences, you don’t need to be an expert, you don’t need A Great Gift. You don’t have to know about tarot at all, really. You just need one thing:

The right storytelling deck.

More below the cut.

Look, there are a million styles out there, some that focus heavily on storytelling imagery and some that focus more on symbols; some that feature animals or nature, and some that focus on people. I generally lean towards animal-based decks since I’m more familiar with animal/nature imagery, body language, and symbolism, but in reality the best deck to use for writing is simply the one you’ll actually use. If you’re drawn to one, go for it. That being said, if you’re looking for something to use without needing to get into all the symbolism of each card, I generally recommend using a deck in which all cards, including the Minor Arcana, depict a scene you can examine - aka, one that plays up a story rather than a straight up symbol. Let me show you an example with three decks.

Left: Mystical Cats tarot; Middle: Oriens tarot; Right: Children of Litha tarot

These all depict the same card: the Seven of Swords, meant to depict deceit, theft, betrayal, lies, and trickery. The middle card relies a little more heavily on symbolic meaning (the black widow spider, which ‘betrays’ when mating and uses a sticky web - symbolizing a potential trap), whereas the other two cards show an active scene (Card 1: OH NO HE’S GONNA STEAL YER MOUSE WHILE YOU’RE NOT LOOKING; Card 3: YOU LOVESTRUCK DIPSHITS, TURN AROUND, THE SNAKE’S EATING YOUR EGGS). I’ve found cards like Card 1 and Card 3 are faster and more convenient for storytelling, because you’re basically presented with a scenario/characters/a situation right off the bat, whereas a symbolic card is more open-ended and might require some digging unless you’re already fairly familiar with the symbolism. If you’re going to get a deck that depicts people instead, I recommend looking for a deck that’s diverse. Humans come in all shapes, sizes, and colors, and having a deck that reflects that (something like the Modern Witch tarot) is valuable for storytelling. So if you’re picking a deck to help you write, look for:

Decks that use scenes/storytelling imagery for all cards

Decks with imagery/body language you can easily read at a glance

If you’re looking for a deck with people - decks with a diverse range of body types, ethnicities, sexualities, and genders

A deck with imagery you actually like, otherwise you won’t want to use it

‘Ok, so let’s say I’ve found a deck, or I already have one. What does using tarot for fic even look like?’

Let’s do two quick readings for two writing scenarios you might use this for! This will also show you can be as complex or as simple as you need to be. These are also the two scenarios I use tarot for most when writing - character construction, and plotline construction. First I’ll use the Children of Litha tarot, which uses a moderate amount of storytelling imagery. Then I’ll use the Mystical Cats tarot, which is probably the most story-heavy deck I have, imagery-wise. That way, you can see how construction gets a bit easier depending on how scene-heavy a deck is.

Scenario: I need an original character for this chapter or scene! Quick, draw three cards!

Quick reading: she’s very gentle but there are also two tigers inside her and one of them wants to kill you, especially if you fuck with her pet birds

More complex reading - Personality, Flaw, Backstory:

Card 1 - Personality: This character is someone who’s unafraid and bold in their kindness even when faced with danger, and they know when a gentle touch is needed. They believe strength is found not in being cruel or violent but in responding with love. This usually works out for them, to the point that even Scary People (TM) seek this character out, knowing they’ll find love and affection. Alternatively, this character is one half of the Brooding Rough One Loves The Gentle Soft One trope. Whatever works for you!

Card 2 - Flaw: Despite all that, the gentle character’s got a temper, and it exists in direct conflict to what they believe about strength, thus producing cognitive dissonance. This is someone who’ll dodge conflict to avoid showing their temper, but eventually that repression’s going to blow up into a real fight and it’ll be messy.

Card 3 - backstory: This temper and conflict avoidance is due to some tragic incident in their past that left them deeply wounded. It’s one reason they’re so gentle, but there’s a lot of lingering anger and trauma. These wounds are not healed, and if you look deep enough, you’re going to find blood.

Depending on how important this character is, you could add even more: a card for a strength, a card for a challenge they need to overcome to grow as a person, their family dynamic, etc. Again, you can make it as detailed or as simple as you need.

PASTA NOW I NEED A LITTLE PLOTLINE FOR CHARACTERS TO SOLVE. Quick, draw four!

Quick reading: holy SHIT your characters gotta move fast, cause there’s a pissed off dude out there who wants revenge NOW and is ready to fuck up a *shuffles cards and draws* religious temple of peaceful cat loving monks, one of whom is the one that fucked up Angry Dude in the first place WHEN HE WAS A BABY WITH HIS MAMA, PLOT TWIST OH NO, IT’S PROBABLY THAT ASSHOLE STEVE IN THE BACK OF THE THIRD CARD, LOOK AT HIM LOOKING OFF INTO THE DISTANCE.

More complex reading - Theme, Problem, Setting, Solution:

Card 1 - Theme: As you can tell from our cat with zoomies, your protagonists are on a clock. The theme here is urgency, it’s speed. Things will start off with a bang and they won’t have much time to slow down. This’d be good for a one shot or a chapter.

Card 2 - Problem: look at that cat, they’re so ANGRY, they are PISSED, someone did them dirty and they’ve been stewing over it for a while. They can’t stop feeling that betrayal no matter how much they try to lick it off shake it off forget about it. They want REVENGE for what was done to them and they’re gonna cut someone up.

Card 3 - Setting: Ah, a peaceful, sunny place where everyone’s just chilling. Everyone’s happy. Maybe a religious place, say, a church or a convent or hell, a nudist retreat. Either way, no one knows what’s coming. Except (and this is why scene cards are so fun)... for STEVE there in the back. Look at him. Everyone’s relaxing in the sun but he’s staring out into the distance. He knows. And just like that, Steve’s the In Hiding person who betrayed our Problem - Steve the Asshole isn’t a part of the Sun card’s meaning, but a storytelling scene card lets you stretch like this and have fun.

Card 4 - solution: Clearly the only person who can stop Bad Person... is their MAMA (or potentially his siblings). Maybe a character goes to find the Problem’s mother and brings her to the church to talk the Problem into giving up. Maybe the protagonists desperately tell the Problem that your family wouldn’t have wanted this, even if that family was hurt - the Empress is generally very nurturing and loving, so that’s a fair bet. Either way, the solution to the Problem is their family.  

Once you get the hang of this, you’ll start to find other ways you can use it. I’ve used it for creating quick or more complex or more randomized characters, for creating plotlines and character arcs, for a few of Jane’s cases in TRT. You can use it for backstories, for settings, for problems and solutions, for deeper themes to explore with your characters. Hell, if you want some practice, you could literally go through the Major Arcana and write one-shots dealing with each card’s theme. Ultimately the possibilities are endless, whether you want to construct a detailed plotline or if you just have a new character you want to randomize or flesh out a bit.

In short: go get yourself a deck and have some fun!

#tarot #writing #writing advice #fanfic advice #fanfic #fic advice #writing tips #fic tips #tarot for writing #basically look for a deck that tells a good story and then you won't have to to know anything about tarot for it to work #you can just go 'oh cat has zoomies in this card so this character is a hyperactive wild child always on the move and is amusing' #you can make it as deep or as hilarious or as shallow as you want #decks used here: oriens tarot - children of litha tarot - mystical cats tarot - oak ash and thorn tarot #honestly the mystical cats tarot is prime storytelling material

[knickynoo]

Back to the Future Part II, The Novel by Craig Shaw Gardner: Thoughts, commentary, and general ramblings

Part 1: An Interesting Start

About a year ago, I picked up a copy of the ridiculous, off-the-walls novelization of the first Back to the Future and had a thoroughly enjoyable time, which I documented in a series of posts (you can check out here).

Well, guess who got her hands on the Part II novel? And while it's not nearly as wild as the one written by George Gipe, the few chapters I've read have been fun, so I decided to make posts to go along as I read. Let's jump right in.

• The book begins with a recap of the major events of the first movie, then catches up with Marty on the morning he wakes up to find that his life is now very different. As Marty thinks about the changes in his parents, he recalls the versions of them he had grown up knowing. There’s description of what a pushover George was, followed by this: “And his mother had reacted to all of this by quietly stepping back from life. she had also started drinking more than she should. They had both been good parents, had raised Marty and his brother and sister the best they could, but still…”

Then the thoughts about his parents just end there. And there’s something so sad about the little reflection and the way it trails off and leaves things unsaid. Dysfunctional as they were, they had been good parents. They had tried their best. But still…

Still, it wasn’t the greatest environment to grow up in. Still, it was difficult. Still, there was brokenness. I cry.

• As Marty takes in all the new things in his life, he finds himself wishing that Doc had waited a bit before taking off into the future. “The way all these things had changed—Marty thought they were great and all, but still—if you looked at it a certain way, all this change could be a little scary.”

THANK YOU, BOOK. Yes! All these changes ARE scary, and there’s no way a kid could be expected to just shrug and carry on when the very foundation of his life has been altered so dramatically but he doesn’t remember any of it and now he’s a stranger in his own life with no memories of growing up with these significantly well-adjusted versions of his parents and even though things are technically better how can he not miss the way things used to be and the parents who raised him and honestly Doc could have waited a day or two before jetting off into the future ya know?

Just gonna drop this here

Eric Stoltz wasn't the right fit for Marty, but he was right about this. He Got It.

Yeah, so ANYWAY

• Marty is so happy to see Jennifer that he has to “keep himself from jumping up and down.” Marty’s so cute. Lil’ jumping bean guy. Golden Retriever of a boy.

• When Doc is rifling through the trash for stuff he can throw into the Mr. Fusion, it refers to the banana peel (twice!) as “banana skin.” Which is. An interesting choice.

• As Doc backs the car out into the road, it’s mentioned that Marty lives on a street with a dead end. Idk why this tiny little tidbit is intriguing to me but it is.  

• After they arrive in 2015 Doc responds to Marty’s questions of if he’s a rich rockstar by saying maybe this whole thing was a mistake and he should just take Marty right back home. Which, to me, is the equivalent of a flustered parent doing the whole, “If you don’t behave, I am going to turn this car around,” thing. Very funny. Marty scrambles to apologize because he Does Not want to go home.

• Little confused about the clothes Marty is described as wearing when he arrives in the future. I mean, since the opening scene to part II is just a re-shoot of the ending scene in the first movie, we know Book Marty is also wearing those same clothes: checkered shirt and red tee underneath, yes? Well, as Book Marty gets changed into his future clothes, he’s described as wearing a purple t-shirt. Purple??

I’m sorry, that is not purple. What happened here? Didn’t the guy writing this novel know that Marty’s character color is red? He wears so much red. How did this shirt being described as purple make it into the book?

• Also!

I feel like the entirety of the first two movies can be summed up with those two sentences.

• I’m glad the movie went with Marlene trying to break Jr. out of jail and ending up in prison instead of the horribly depressing route the book (and script its based on) mentions. Good move.

• Intrigued by a bit where Marty is thinking about skateboarding and it's mentioned that he skateboarded “once or twice during the week he had spent in the 1950s.” I’m sorry?  Once or twice?? Mr. Gardner, I don’t know about you, but we see Marty skateboard one whole time in 1955, which is not a difficult number to keep track of. Are you trying to plant a headcanon in my noggin’ in which Marty might have snuck in another round of skateboarding for funsies in 1955? Because if so, you’ve succeeded.

And that's it for now. Gonna go ponder the idea of Marty doing some Secret, Forbidden Skateboading during some downtime in 1955. Perhaps I'll even picture him wearing a purple t-shirt.

#back to the future #bttf #marty mcfly #bttf II: the novel

[thewebcomicsreview]

Crafting A Comic: Frog Alarmclock And The Fabric Of Time

For a long time, I’ve wanted to make a webcomic.

I’ve written two webcomics, Legend of the Hare and Saffron and Sage, but I didn’t draw either of them. And I’ve always been a little self-conscious about that, and harbored a desire to make a comic all by myself, art and all. This desire has been inflamed lately by the success of ForEach, a comic made by one of my discord mods. It’s getting kind of popular, and already has more interest and engagement that Saffron and Sage, something I’m very normal and well-adjusted about, and I’ve been thinking this is something that’s in my power to make. My art, while still limited, is finally at the point where I can do this, and I’ve been writing forever. All I need is a plan.

I have never been a good planner, and it shows a lot in my comics, so I want to have a lot more of the comic written out and planned before pencil comes to paper than I traditionally have done, and I‘d like to turn this brainstorming into Content for you all. It’s a critical part of the writing process, and one that gets glossed over a lot, in part because it leads to slightly rambling essays. But I do have one thing to start with: a protagonist.

(Art by HolyHandGrenade)

Frog Alarmclock is a young woman being trained to join a coven of powerful witches who stitch the fabric of time. She has very little interest in this grand destiny, and is a bit of a stereotypical NEET loser despite her great magic power. Her name, Frog, comes from a knitting term referring to a way of correcting mistakes, but obviously frog-the-animal theming is cute and marketable. I’ve posted a bit about this character on my discord, and the reaction has been overwhelmingly positive, so I think there’s some potential here worth mining. So far, though, the only plot element I’ve been able to come up are

Frog lives with her Grandma, who trains her. Grandma’s power level has fluctuated wildly in my rough drafts, from “generic witch” to “personally gets into fights with Satan in hell”, and I’ve been leaning towards the higher end. Frog and Grandma don’t get along. I’m giving her the placeholder name “Batra”. It sounds witchy, sounds batty, and it comes from batrachia, which means Frog, so it fits the theming subtly.

Frog lives in a Florida suburb. I don’t remember why I settled on Florida specifically, and that may change, but I do like the idea that this cosmic entity lives in kind of a slummy neighborhood. I may move them to Lowell, MA, which is closer to home and an aesthetic I know better.

Frog has a crush on a pink biker chick with pig theming, the Miss Piggy to her Kermit. For the time being, lets call this character Susie Pepper. Susie from “Sus” the latin word for pig, and Pepper because Peppa Pig. It’s a placeholder name.

That’s all I got so far. Even the name, “Frog Alarmclock and the Fabric of Time” is placeholder I made up just now while writing this. I’ve written a few random short stories of this character, trying to get a feel for her, and I even made her my character in a weekly Pathfinder game. But it’s time to try and get a proper story going. With Legend of the Hare, I had a huge over-arcing five-year plan for each layer in the tower, but little sense of where the comic was going to be in three pages, which led to a lot of problems. With Saffron and Sage, I set out with a vague over-arching storyline of “Saffron must rescue her prince”, and kept the comic to short episodic self-contained stories, taking heavy inspiration from Gunnerkrigg Court. Saffron would go on wacky adventures, and rescuing Faunus would be some vague future goal she was theoretically working towards in the same way Ash Ketchum wanted to be a Pokemon Master but took 20 years to get around to that. This worked better, but led to the comic feeling very aimless and meandering, which is part of why it’s turned increasingly farcical. In some ways, my two comics would be better served by switching protagonists. Saffron is very driven in a way suited for a somewhat goofy battle shounen, and if Jill set out on an adventure to rescue Riley she’d be distracted more easily and it’d lend itself better to an adventure-of-the-week format.

Frog, being a NEET loser, is closer to Jill than to Saffron. And suddenly, just from that sentence, I know what I want to do with this comic now. Writing this essay has given me one of those Eureka moment that happens sometimes, when you go from no ideas to the entire plot of the comic all at once. Frog is Jill if she was the Rabbit Champion for a few years before the story started. They’ve got different personalities, of course, Frog isn’t just Jill with a big hat, but this is the throughline I needed. I can work with this, get a first draft done, get an editor to look at it, and report back to you with more detail.

#Frog Alarmclock

[waitmyturtles]

I have super little time to write the kind of extensive meta that I want to to CELEBRATE this FABULOUS episode 8 of Be My Favorite, so here’s more of a stream of consciousness edit of the notes I took during the episode, and prayers up that they all make sense as a whole.

This episode to me was about the start of Kawi EMBRACING THE PRESENT. To live with ACCOUNTABILITY AND RESPONSIBILITY. I really loved the recap at the end of 1/1, before Kawi holds the crystal ball. Kawi’s reflecting and getting a BETTER, MORE OBJECTIVE overview of the impact of changing the future, and how much his power can ACTUALLY change things.

He gave the diary to Pisaeng so that Pisaeng could understand if things were changing in Pisaeng’s life without context. In other words: he is beginning to take responsibility for someone else’s feelings.

Kawi is beginning to recognize that his INTENTIONAL decisions in the PRESENT MOMENT will be the determinant to a future that’s... happier? Or at least -- a future that will, hopefully, include some, if not all, of the people he loves. 

AND: he’s learning that if you live your present life WITH that intention -- then THAT is the main control that a human has to determining one’s happiness.

He learns that he cannot change the future in an ABSOLUTE -- his father will still die. It’s an important lesson. He cannot predict every single turn a human can take and guarantee a great outcome. 

I absolutely love the reflection on not running away. Pisaeng tells his mother he doesn’t want to leave Thailand. Pisaeng’s mom wants him to live overseas to live an “easier” life. But we then get the comparative reflection of Kawi and Max at the wonderful LGBTQ+ event, where we hear that running away just -- doesn’t work.

Max is the guy -- the guy for Kawi and Pisaeng that’s rooted in a very present world. The guy that can really see through both of them, understand their internal shifts and discomforts, and diagnose what Kawi and Pisaeng each have been struggling with. And, so beautifully -- Max gives Kawi his flowers for just being a good friend. In the present.

Dudes, I never, ever shy away from a story that focuses on accountability and responsibility. It’s tough human shit, tough behavioral shit. When characters learn how to hold themselves accountable, and we see that process -- Kawi, Khai, Frame, Phupha at the end of Our Skyy 2, Nozue, even Fuse (holy shit), etc. -- the guys who will GO THROUGH a very TOUGH and HUMAN process of holding themselves PAINFULLY RESPONSIBLE to change on behalf of someone else -- it is just GOOD ART when it is DONE WELL.

I am sure I will unwind more as I get through my day, but wanted to note these awesome, predictive easter eggs. This show is telling its story in so many ways -- through the philosophical references we saw earlier in the series, and today, through shirts! (Yo, @grapejuicegay, we’re always looking for BBS connections, right? SHIRTS!)

MATCHING COUPLES SHIRTS! THEY’RE A COUPLE, NO MATTER WHAT HAPPENS IN THE PRESENT OR ALL THE FUTURES.

KAWI WEARING A DUDES SHIRT! HE’S GONNA LIKE GUYS!

LOL. I WANNA WEAR A SHIRT THAT SAYS “DUDES.” Let me get my message across AS LOUDLY AS POSSIBLY -- I LIKE DUDES, I’M GONNA LIKE DUDES. 

FUCK THIS SHOW IS SO GOOD! More soon. Our boy Kawi is growing up. Krist and Gawin are EATING. THIS SHOW IS SO GOOD!

(ccing @dribs-and-drabbles​ @lurkingshan @chickenstrangers -- I got to watch this earlier than expected, yay!)

#be my favorite #be my favorite meta #be my favourite #be my favourite meta #i love using the non-american spelling of favourite it makes me feel fancy hahaha #not like a dumb american LOL #krist perawat #gawin caskey #kristgawin #kawi x pisaeng #pisaeng x kawi

[jakesuit0]

Go With Me Review

“Go With Me” manages to give more insight into multiple different character dynamics in the span of 11 minutes. Finn and Bubblegum, Jake and Marceline, Finn and Marceline, and Marcy and PB have series defining moments for their relationships, with even some super insightful Finn and Jake interaction sprinkled in. Not even the 90-minute Stakes miniseries manages to accomplish that. 

Despite Finn’s puppy love for Princess Bubblegum, Finn does not understand romance nor is ready for it. Despite this, Jake pushes Finn to bring a date to couple’s movie night. Jake and Marceline encourage Finn to pursue someone who is too old for him, albeit for different reasons. Jake has a naive view of romance, and has no frame of reference for how to help a (barely) teen human boy deal with his feelings. He views Finn as someone capable of having true romantic feelings, which Finn clearly isn’t yet. Finn immediately shoots down PB’s description of the night as “romantic”. PB declines for whistling practice. I don’t think this was just an excuse to turn down Finn. Bubblegum finds Finn's crush on her cute and harmless in the first two seasons. I think she’d be willing to humor him by attending, not yet knowing the effect that kind of behavior has on Finn. Jake gives more terrible advice, pushing Finn to keep pursuing PB. 

Marcy’s introduction into this episode is great, with the slow split screen reveal of her presence. It’s also the first of many times we see her hiding inside the Treehouse. Jake reveals that he has gotten over his fear of vampires. While Marceline can still easily spook him, it's nice that Jake has finally come around to Marcy like Finn did in “Henchman”. I love how Finn and Jake both get separate mini-arcs throughout a few episodes before they each accept Marceline as a friend. Marceline not being able to go out in the sun (before they got lazy and just started photoshopping sunscreen bottles into title cards) is already enough of a barrier to work her into plots, we don’t need Jake’s fear as another one. They had a funny workaround in “It Came From the Nightosphere”, but I’m glad they retired it. I love how they still address this development. Most shows would have just given up on the running gag without an explanation to make writing episodes easier. 

In order to make Peebles jealous, Finn and Marcy pretend to have a great banter session outside Bubblegum’s window. This leads to our first ever interaction between Princess Bubblegum and Marceline, the second most iconic character duo in the series, and one of the most famous character dynamics in cartoon history. While it takes 103 episodes for Marceline to interact with Ice King, and 170 for Lumpy Space Princess, Marcy gets to interact with a member of the main cast that isn’t Finn and Jake in season two! Even without the context from future episodes, this scene gives a lot of clues to their relationship. There is clear tension between them. It is obvious they have a history, with Marceline calling PB by her first name, something we haven’t even seen Finn do up to this point. It’s satisfying seeing how well this scene works with information provided a decade later in “Obsidian”. Marceline likes to tease PB, and Bubblegum puts up a tough exterior to act like she doesn’t care about Marcy, like she did while Marcy first sang “Woke Up” in the Glass Kingdom. It’s obvious they’ve had multiple interactions similar to this over the hundreds of years since their break up. Finn’s newfound friendship with Marceline would only force these kinds of interactions to become more frequent. This is probably the most drastic example of an episode being impacted by a later installment in the series. And oh yeah, Princess Bubblegum’s first name is Bonnibel! I love how well her first name flows with Bubblegum. It’s nice having a shorter and easier name for her than “Princess Bubblegum” that isn’t just “PB”. I love getting pieces of character biography like names and ages dropped so casually.

Marceline just wants to get back at her ex as well as have fun messing with her impressionable friend like usual. Marceline literally says her reason for wanting to help is that “it'll be funny”. Of course Marcy knows that wrestling and wolves would do nothing but upset PB. She plays these pranks at the expense of Finn, but Marceline knows to not take Finn’s crush seriously in the first place. Her “advice” is as bad as Jake’s but she isn’t stupid like Jake. 

In the process of getting wolves for Marceline’s next plan, we see how much more compatible Finn is with Marcy than PB. They’re both fun, wild animals. Bubblegum reacts appropriately to Finn putting wolves in her room. It's sad seeing her ban Finn from the kingdom. She understands she is dealing with a child and that Finn has a good heart, so she keeps the door open for when Finn starts behaving better. She knows that Finn will come around and it feels more like a parent or teacher disciplining a misbehaving child. I’m sure Bubblegum realized that this was all Marcy’s doing soon enough anyway. On the other hand, the Finn Marceline pairing is a much more fun and refreshing dynamic when compared to PB and Finn. This is purposefully highlighted and something Finn comes to realize. After his latest failure, Marcy tells Finn to forget about Bonnie. I get the feeling that another motivation for Marceline was to sabotage Finn so he wouldn’t keep dealing with the heartache she knows comes with PB.

All of this sets up a fake out that the series would turn to start pushing Finn and Marceline as a romantic pairing. Finn goes to ask Marcy out to the movies instead. Someone getting this close to Marceline makes her uncomfortable. Her reaction is to try to scare Finn away, a tactic she internalized from when she thought she scared her mother away and reinforced in the downfall of her relationship with Princess Bubblegum. Marceline misinterprets Finn’s invitation as a romantic gesture. Marceline and Jake egging Finn on throughout the episode caused this. He is only barely 13, he isn’t ready for that! I like Jake rightfully feeling embarrassed for his actions. Marcy realizes Finn’s intentions and happily goes with Finn as friends. She still can’t give up messing with Finn, with the great “no tongue” comment that went right over his head. I’m very happy the series didn’t go for a Finn, PB, Marceline love triangle. It’s nice for Finn to have a female friend without any baggage. The episode teased Finnceline for the only time in the series, and then immediately shot it down forever. Well, forget about “Bad Little Boy”. I’ll discuss that episode’s implications when we get to it.                  

Finn and Marceline ditch movie night when confronted with the onslaught of make outs. They are truly perfect friends. The episode ends on wolves tearing apart the screen after a couple proclaims that nothing will ever tear them apart. There is a joke in Spongebob that is identical to this, with Plankton instead of the wolves. There is absolutely no way that it’s a coincidence. 

“Go With Me” is the third and sadly last Finn and Marceline duo episode. While I think “It Came From the Nightosphere” is the overall better episode, I think this is the best showcase of their relationship in the series. It's great seeing these character dynamics be explored in a more sitcom-y episode.

Grade: A

#adventure time #finn #jake #finn and jake #jake the dog #finn the human #go with me #marceline #princess bubblegum #bubbline #finnceline

[just-sp-in-inginthevoid]

Takeomi, Self-Esteem and Denial (and more)

@raizelswitch, thank you for waiting!

TL;DR : I want a BD spin-off and I want it from Takeomi’s POV even though he’d be such an unreliable narrator (and like that we could also have a Akashi siblings spin-off, two birds, one stone). Takeomi has a lot of issues and making him raise children and naming him vice captain was a bad idea since it only made things worse. He had developed both an inferiority and superiority complex to cope. And we were robbed of any interaction between him and Inui, the other famous ‘can’t let go of Black Dragon even after x years’ character.

Who wants to read about 17,000 words about Takeomi (I didn’t expect to write this much, what the heck)? Clearly not Tumblr because I spent way too much time having to reorder this post, it mixed it all up everytime ! It also refused to post it for hours

The translations of Wakasa’s and Benkei’s ‘a day in his life’ as well as Takeomi’s failure story come from the Twitter user RanHaruchiyo

I feel like I made a few mistakes so there : English is not my native language, I apologize if some sentences don’t make sense. Sorry for any type of typos as well.

I referred to the past (beside the final timeline) as ‘canon-timeline’ several times because I had no clue how to name it. It’s not the futures, it’s not the original or final timeline, it’s… it’s the past until the final timeline comes in.

When you reach the top – the only way is down. (and up and down…)

Let’s get started with something very quick – Takeomi was created to be the exact opposite of Shinichiro. And when you’re the exact opposite of a character who’s perfectly good, loved by everyone (other characters and fans alike), then the writer uses you to be bad. Not necessarily evil - Takeomi isn’t evil - but ‘not good’.

And Wakui doesn’t shy away from that. I’m keeping the analysis of the kanji of the Akashi and Sano siblings’ names for the end, so I’ll just talk about the ‘shi’ of ‘Akashi’ here, to show what I mean.

司 (Akashi) means ‘administrator, official, a governor whom the emperor chose to carry on the imperial policies in provinces’. It fits Takeomi’s role pretty much, right ? He had a high rank in Black Dragon, but Shinichiro was above and that’s when it starts to be very interesting. 司 upside down gives 后. And it means ‘monarch, king, emperor, queen, empress’ – nice coincidence, isn’t it ?. It’s literally the same kanji upside down. Takeomi is Shinichiro upside down. Is that why he’s the rain bringer while Shinichiro, always being seen in a positive light, would be linked to the sun ? I already thought of Takeomi as a ‘teru teru bozu’ since they’re supposed to bring rain when hung upside down and it’s not stupid to think of Shinichiro, oh so perfect Shinichiro, as a ‘sun bringer’ – after all, like Mikey, he took over Japan, did he not ?

Plus, the sun is their most famous goddess (Amaterasu)’s symbol, Japan’s symbol, and by such the emperor’s symbol.

And when you’re that. When you’re the mirror of such a perfect character, how can you not be made but only of flaws ? You’re made to be bad in everything he is good – and the opposite isn’t guaranteed to be true. What if making you good in things he’s bad in makes you good ? No, no, you’re supposed to be bad. Because he’s good, and you’re his polar opposite. He’s bad in excusable things. You’re bad in barely forgivable things. It’s not important for him to be a horrible fighter, even in a story centered around gang fights. It’s unforgivable for you to not know how to raise your siblings, in a story built on siblings' relationships.

And Shinichiro is great at raising Mikey and Emma, while Takeomi isn’t that much of a fighter. We see him fight a bit when he goes with Brahman to confront South about Draken’s death, but it’s not big important fights, Benkei and Wakasa, and later Senju, are the ones fighting. And Benkei and Wakasa were Black Dragon 1st generation’s main fighting power, as the guard and special attack unit captains.

(Heck, Shinichiro is listed n°1 best in bikes riders, Takeomi is n°3 worst - yet another thing he's either bad or average at. (Wakasa is n°3 best, we dont know where Benkei lies. Mikey is 2nd best, Takemichi and Senju are respectively 1st and 2nd worse))

Shinichiro is good, even when he kills. Takeomi is only ever bad or less-bad. Perhaps Wakui initially planned scenes where he was ‘good’, but they never came to be, so instead we’re stuck with a character who has a potential for a redemption arc and who never got it.

(Look at this ! He became self aware! And finally stopped living in denial !)

(We never see him again after this btw. He never gets to talk to Sanzu.)

If there’s one thing Takeomi is good at, it’s strategy.

He is feared, he is called « God of War », he is named vice-captain…

By other people. By other delinquents. By Shinichiro.

He doesn’t think he’s the reason all of that happens. He isn’t those things, he receives them (use of passive voice). By such, if people don’t give him, then he’s left with nothing. No matter if he is good at something, if people aren’t there to tell him, then he doesn’t think he is. Takeomi thinks of his worth, his validity as a person by how others perceive him - they praise him ? He must be great ! They ignore him ? How pathetic has he become.

When do people say that ? When he’s Black Dragon Vice-Captain. When is he Black Dragon vice-captain ? When Shinichiro is on top. That’s why he panics in chapter 230 when Shinichiro tells him about disbanding the gang. If the gang gets disbanded, what does he have left ? If Shinichiro tells him to stop following him around (chapter 230: “I was always by Shin’s side”) what is he supposed to do ? He is but “an ordinary kid. Whether it be in sports, or studies, [...] just average. [...] a normal child, not special at all” (same chapter) whose childhood friend “had a mysterious charm that attracted people around him. Even with that charm, Shin never resorted to violence.[...]he was just very earnest and kind” (same chapter). Without Black Dragon he’s nothing. Without Shinichiro he’s nothing. Because he never learnt to let go of Shinichiro‘s hand, nor did he wish to. But Shinichiro just.. let go one day. We know how Shinichiro is. If he was aware of how much he is needed by Takeomi, he would have done things differently. And while he shouldn’t be responsible for Takeomi’s well-being, he is the reason whether Takeomi’s self-esteem is stable (or a bit too much over the top) or not. Takeomi made him responsible for it, and Shinichiro surely would’ve helped if he figured it out, (because Takeomi is a stranger to himself and wouldn’t have ever asked for help (he doesn’t know he needs help after all)), but Shinichiro didn’t. The same way Mikey didn’t notice why Baji acted the way he did during Valhalla arc until it was too late. It’s not because they’re childhood friends that they read each other like an open book.

Shinichiro, while he never intended to and we can’t blame him for this either, is the reason Takeomi turned out like he did. Takeomi followed him everywhere, he wouldn’t have entered delinquency if Shinichiro didn’t. Takeomi tried so hard to climb to Shinichiro’s level and kept comparing himself to him and it got worse when he was appointed the role of vice-president. His ego skyrocketed. And even if Shinichiro had noticed it, would he have figured out how to change that ? For sure, if he knew how to help he’d have helped – then again, would Takeomi accept this help ? He’s a professional when it comes to denial, he pushes everyone away. And denial is what he does best. From denying he would be nothing without the other Black Dragon founding members and hiding behind his God of War persona, to denying his involvement in Senju and Sanzu’s life. Even if Shinichiro, Wakasa and Benkei did try to help, you can’t help someone who doesn’t want to be helped, who refuses to believe there’s something wrong, and by doing so who refuses to talk about it. It’s all made to protect himself from the truth. Because the truth will hurt him, facing it will make him realize he’s not special and that will shatter his self-esteem. It will make him feel painful emotions he can’t deal with. So he runs away from it, and thus, dives deeper into misery. If you refuse to see the problem, then it will grow, and Takeomi’s problems, his mistakes, grow a lot. The world changes but he doesn’t, he keeps the same behaviors, and soon they turn against him. His fame turns into debts. Debts he can’t pay anymore, but he refuses to admit it. Because he would have been able to pay, if Black Dragon had remained. Takeomi likes to live in luxury (his dream is to be a multimillionaire), so he’d keep on denying the fact he can’t afford it anymore just to carry on living this way.

Maybe the reason him and Wakasa & Benkei aren’t close isn’t that they see him as ‘Shinichiro’s childhood friend we’re obligated to endure/tolerate even though he’s insufferable’ (when the BD founding members interact, Wakasa and Benkei always tease, laugh at Shinichiro, chapter 230, Benkei “Look at all your battle scars !” Shinichiro, “Quit it !” Wakasa, “A loser in both fights and love !” Shinichiro “Hey man, that's none of your business”; chapter 269: Benkei “You sure are dumb, Shinichiro !” Wakasa, “Haha. Well, that's shin-chan for ya.”) they’re never shown as friendly toward Takeomi) but more that, even if they did try, Takeomi, unconsciously, never let them know who he really was underneath it all. To be fair, Takeomi lied to himself so strongly he wasn’t aware he wasn’t this façade he had created. I’m not sure if Wakasa and Benkei succeeded in seeing through his lies, Takeomi himself surely didn’t. Shinichiro was left but whether it be the original timeline or not, he didn’t succeed to help Takeomi. Takeomi compares himself to others (him being an ordinary kid vs Shinichiro not being one), is sensitive to criticism and compliments alike (while he didn’t seem hurt when Kakucho uno-reversed him by asking him if he had forgotten about Shinichiro after Takeomi had asked him if he had forgotten about Izana, he did react, unlike Kakucho who remained unfazed; “Drunk in the praises of my name, I became arrogant”), seeks attention and validation, makes things about himself (“[...]He talks about the Brahman Senju created as if he created it. [...] I remember he used to brag about Shinichiro's achievements as if he himself had done them[...]”, Benkei’s ‘a day in his life’) and has troubles admitting his faults (even if he eventually apologizes in chapter 230 to Senju, he is fighting back tears while doing so). Those are all things inferiority and superiority complexes share (beside the low self-esteem). And while there are signs we can’t be 100% sure he has, reading about Takeomi echoes to those two complexes. First, inferiority complex. Feeling insecure, incomplete or unworthy → “not special at all”; “I was broke and powerless“; ”at the lowest of low. But they accepted me as I was”. Withdrawal → “I got news of Shin's death. But I was too busy in struggling for money.”, that ‘too busy with money’ (in good (“treated as a VIP [...] never got short on money” and in bad “my debts piling up”) seems like the perfect excuse to avoid your friends and family. All or nothing thinking, things are either good or bad → he’s either at the top of Japan and everything is doing great or he’s not and nothing’s working in his life. Insecurity in relationships → Benkei and Wakasa are his disliked/feared people because "they look down on me" (3rd guide book) (there is no proof of that but I’ll dig into that later). Feeling good when doing better than others → only felt at ease when he was the God of War. Finding fault in others, demeaning others as a way to transfer their feelings → will go back to it way later, but his relationship with Sanzu is basically that. Shutting down because of shame, guilt, embarrassment or an inward sense of defeat → once again, what he did after he started to be indebted.

For superiority complex there’s : hiding feelings of mediocrity and underlying or persistent low self-esteem or feelings of inferiority → hiding his “powerless”, “ordinary” and all behind his mask of second in command of Black Dragon and Brahman. High valuation of self-worth, a self-image of supremacy or authority, overarching belief that they are better than others → “the first generation Black Dragon once ruled the nation - with me as the vice captain. I was feared, since my decisions determined how any conflict would end. I was called the « God of War »” . Feelings of entitlements and boastful claims that aren’t backed up by reality → he brags about Senju and Shinichiro’s achievements, they aren’t his own (even though he must have some). Which goes with: need to be in control → he’s the one who’s in charge of making Brahman gain money (and he’s the one who decided of it, Senju is against his ways), Brahman listens to him when he says they’re attacking Rokuhara Tendai and not to Senju who tell them to stop, and is convinced Senju is only where she is thanks to him, Wakasa and Benkei being around and dealing with everything (chapter 229, Takeomi: “Senju got herself included in the ‘three deities’ only through first gen Black Dragon’s support. Senju can't take this fight alone !”).

There are also signs which I can’t find quotes or panels to say Takeomi has them but, knowing the character, it wouldn’t be surprising. These include : feelings of hostility, frustration, nervousness, or aggression (he does express those but given the context it's justifiable; he's impulsively decide to go against Rokuhara Tendai even though Senju tells him no because they aren't ready, Benkei says "It's no use, Takeomi has lost his cool". There's also his nicotine addiction which does not help). Highly competitive, perfectionist paired with an avoidance for any kind of competition where efforts might be compared with others’ ; don’t do something if there are risks one would fail (he dislikes efforts (3rd guide book), so that may mean he only does things when he’s sure of his own capacities and refuse to leave his comfort zone, he doesn’t participate/try if he’s not sure of succeeding). And : unwillingness to listen to others (if BD founding members tried to take his head out of the sand, it failed). Overcompensation to specific elements of life (perhaps linked to his childhood but we have no information about it). Mood swings, often made worse by contradiction from another person (→ him seemingly aloof, becoming mad very quickly at Sanzu when he or Senju do something wrong ? His whole reaction to Draken’s death; “I'm gonna destroy Rokuhara Tandai right now.[...] Assemble everyone in Brahman for an emergency meeting !!”, followed by South’s comment in chapter 225: “It's so rare to see Akashi getting all rowdy like this.” and Senju’s trying to calm him down (only making it worse). Takeomi’s interaction with Kakucho about Izana and Shinichiro in chapter 212 too maybe). Gets offended if there’s no positive feedback.

I will like to add that no official list of signs exist or if it does, I didn’t find it. But knowing how both of these complexes work, it was interesting to talk about it, in my opinion.

(By the way, Takeomi was listed number 1 worst at ‘who is needy when dating ?’ (whereas Sanzu and Wakasa were 1st and 2nd best). Except that in Takeomi’s case the reason he’s not needy is because he's straight-up avoidant which isn't better. As opposed to Senju and Draken (2nd and 3rd worst) who seem non-needy in a healthy way.)

Takeomi wants to stand at the top, Shinichiro knows how to go up there, so he just has to tag along, easy-peasy. But like for a jungle gym, you have to get down one day. Did Shinichiro want to become Japan's number 1 ? I’m not that sure. It may have been a goal, but not the main one. What he liked most was the journey, not the destination, if it was then he wouldn’t have disbanded Black Dragon. But Takeomi wants to go on top of the jungle gym. Takeomi wants to be Japan number 1. Forever. Takeomi wants to learn how you get up there and how to stay/keep standing still.

That’s one of the most tragic point with Takeomi in my opinion. He was the brain of Black Dragon, he was the brain of Braham (it may have been an excuse but Senju recruited him for his guidance, his wisdom), and he was, supposedly as Mikey’s advisor, the brain of Bonten. He knows how to get on top of Japan. He knows how to become influential, how to make money (Brahman’s B-1 fighting club), how to recruit people and make them stay, he knows which decision to take to assure victory or defeat.

He’s smart, insanely. And he. doesn’t. see. it. If he did, he could have managed to live without the gang.

For Takeomi, it’s not that he becomes number 1, it’s that there’s a number 1 by his side and he knows how to follow them (his special skill is ‘taking advantage of others’ (3rd guide book)). He is aware he was the lead actor as to why victory or defeat were but – Takeomi isn’t a fighter. Wakasa and Benkei are. Shinichiro sucked at it but he was still insanely strong.

Takeomi doesn’t fight and that’s not his role. He likely knows how to pull out punches and other fight moves but as a ‘God Of War’ he’s mainly a strategist. He takes decisions, Shin agrees or not (and Shin is the one who has the last say), Wakasa and Benkei, and the rest of the gang, apply. (chapter 224, Benkei answering “yes, sir” to one of Takeomi’s command (even though Senju is clearly against it))

However, he’s not the one who brought them together. All of what he has. It’s thanks to Shinichiro. Wouldn’t be number 1 without him. Wouldn’t be friends with Wakasa and Benkei without him. Takeomi lives on what Shinichiro gave him. Him, an average, good-for-nothing kid. And when it’s time to say farewell to all of that – he doesn’t.

Shinichiro has his own shop. Wakasa and Benkei have their own gym.

Takeomi stays as if he was still on top. As if he wasn’t already falling, as if the impact on the ground wouldn’t damage him. As if Shinichiro, who decided climbing the jungle gym wasn’t fun anymore, didn’t stop stabilizing him.

He lives in denial. And it works at the beginning. People still think of them as number 1 so it’s not too hard. But then they realize they aren’t. But Takeomi is an average kid. In everything. He’s only good at what Shinichiro designed him as. And he didn’t think he'd be good at it. He isn’t good at anything else. He can’t do anything else. So it goes on.

The debts pill up.

Shinichiro dies.

And ? And repeat. Without the debts, this time.

Senju, joyous, cheerful, strong-willed Senju, asks him to join her gang. As her second in command. Even though he is “broke and powerless”. “At the lowest of low” (chapter 230). Even though Wakasa and Benkei are right there.

(Shinichiro asked him to be his vice captain. Even though Takeomi was average, good at nothing but following his childhood friend around. Even though Shinichiro had become friends with Wakasa and Benkei who were in this world since way longer.)

And so Brahman is created.

Their prestige comes back. They remember mannerisms days after days, they remember how you do it. Brahmam grows. They have hundreds of members, they make a lot of money with deals and underground fights. Whereas Wakasa and Benkei moved on (or, way more than Takeomi did), Takeomi didn’t and it shows even in their Brahman uniforms. If you look closely, they don’t have the same patterns on their sleeves – Wakasa and Benkei both got flowers, although different from the other’s (same thing for Senju) but Takeomi has a dragon. (Average Brahman members have the same thing they have on the back of their uniforms)

Draken dies. Draken dies. He shouts it – It’s not a childish brawl (chapter 224). I find it hard to believe that during Black Dragon 1st Gen, they never lost anyone, but Draken’s death snaps him back to reality. It isn’t like it was with Shinichiro. There’s no fun. It’s war. Standing at the top isn’t like standing on a jungle gym. Draken is dead and so is Shinichiro. Why isn’t he ? (chapter 225, Takeomi: “Souuuuuuuth !! Why did you kill Draken !? He wasn't even a formal member of Brahman ! If you wanted to kill someone it should've been me !”)

Either Draken dies, or Senju does.

For what else would have Takeomi joined Bonten ? Actually, let me change that question ; where is and what does Senju do in Bad Toman and Manila timelines ?

Because Mikey goes down a dark path in all the timelines so, did she try to stop him ? If yes, is she dead ? The three deities battle might or not have happened (South wouldn’t have the same members if that’s the case – Tenjiku never came to be in Bad Toman and Izana is alive in Manila). And… And if that’s the case or not – why are Wakasa, Benkei and Takeomi nowhere to be seen ?

Wakasa and Benkei work in a way that opposes Takeomi. Not only with how they dealt with Black Dragon disbandment but how they dealt with Senju’s death. No matter how it happened, Takeomi joins Mikey after his sister’s death (Bonten), Wakasa and Benkei join Kanto Manji when Senju doesn’t (nowhere to be seen in Bonten).

Difference being, if Senju dies, Wakasa can’t witness Mikey’s dark impulses and can’t talk to him about it. And even if he witnessed it, if Senju is dead, would Wakasa care ? Wakasa must know there’s nothing against the dark impulses so why join Kanto Manji ? They love Senju, their princess, do they want to keep her safe ? Surely. Why take this option then?

It's never stated. So it's interpretation/theory time.

Wakasa would choose Shinichiro over Mikey. In chapter 270, he says "Honeslty speaking, I'm glad that Manjiro has passed. I was worried that you'd be first to die [...] Right now, you're just rotting away", now, Wakasa from the original timeline and from canon-timeline aren't the same. Original timeline Wakasa had the time to accept Shinichiro had lost his brother (and Mikey could perhaps regain consciousness one day, but the more day passes, the more the chances lower), but he couldn't see his friend rot away. His previously bright and charismatic friend was being devoured by sleep deprivation, helplessness and so much more. Hence, if Mikey dying would free Shinichiro from his suffering (although it would also add to it, he wouldn't have to work himself to the bone to take care of Mikey, and would finally have time to process all of what happened to him) then Wakasa is okay with it. Shinichiro is important to him, more than Mikey could ever be.

Wakasa, is the only person Shinichiro talked to about the original timeline. Out of the two people knowing about it, Wakasa is the one Shinichiro went to to tell him about it (Sanzu is the other and he came to Shinichiro asking about it). We don't know if Shinichiro planned to tell more people, and if yes, Wakasa was on the top of his list. Thus, this means Wakasa had heard Shinichiro telling him he killed a man and then himself. Because Mikey died. So that Mikey won't die. And he probably was murdered because of it later on too, because Shinichiro told him the homeless man's last words – because Shinichiro told him everything with every details.

So, when Wakasa finally sees Mikey again, sees the level of destruction he causes, sees that he kills like it's nothing, like he's enjoying it, this boy his friend killed for to keep alive... Well, Wakasa, dragging Benkei along, joined Kanto Manji to keep Mikey alive — because that's what Shinichiro sacrificed himself for, so, so many times. He can only stay near Mikey and try to not have him killed when they're in a world where being murdered is common. Mikey is strong, but he won't ever survive a bullet shot in the wrong place.

For Takeomi though, when he joins Bonten, his sister is dead. After his best friend. He failed the two people who meant the most to him and who appointed him as their second in command because they trusted him. He let them die. It’s not a child game anymore. South signed his death warrant.

And Takeomi hasn’t seen Mikey or Sanzu in years. (They’re the only ones left, he can’t leave them alone. He can’t stay alone.)

That’s the first theory. Second is, he crashes, he and Mikey end up meeting again, he gives him the role as his advisor. Rinse, repeat. The circle continues ; Bonten is at the top of Japan. Mikey is at the top of Japan – and that, even without Kisaki. 

Even without Kisaki.

Is Takeomi on the same level as Kisaki ? I don’t know. Kisaki is the moon to Mikey’s sun. But what was Takeomi to Shinichiro ? Perhaps his rain. And I'll keep going with the ‘perhaps’, because we’re never shown what Takeomi is to Shinichiro, beside a friend. Every meaningful interaction they have is from Takeomi’s POV. In Shinichiro’s chapters, Takeomi is briefly mentioned once when Sanzu gets out of the juvenile center, then when Shinichiro time leaps, he is too focused on Mikey to give (me) us any useful interaction/thought about Takeomi. There’s only one case, “Takeomi…” in chapter 273 but without that ? The start of chapter 269 is shallow. It gives us information on Shinichiro’s relationship with Mikey and Takeomi’s own relationship with his siblings (“I'm like his father figure at this point. Its best from him to learn from his peers” /"What kind of parent would let their kids learn from gang rides ?”) and also a quick information on Black Dragon founding members but that information is basically ‘they’re good friends :)’.

Anyway, Shinichiro nicknamed Takeomi ‘Rain Bringer’. So what does rain symbolize in Japan and does it somewhat fit Takeomi ? Rain is strongly linked to death and rebirth (as water usually is in Japan), to becoming something, someone else. This makes a nice little link with his siblings as Senju’s flowers are sakura (and so is her image color, pink sakura) which also symbolize the cycle of death and rebirth, the fleeting nature of life, how short if is, but also renewal and optimism, and Sanzu got his name from Sanzu no kawa, the three-crossing river, who is a river souls have to cross to get to the afterlife and/or to resurrect.

Takeomi’s other nickname, which wasn’t given by Shinichiro, is God of war. Japan has two gods of war, either Hachiman from shintoism, or Bishamonten from buddhism (since it’s Japan we’re talking about, those two got mixed up a bit but). Hachiman is a god of war and agriculture and was said to determine a samurai’s fate in battle (chapter 230 : “[...] my decisions determined how any conflict would end”). Bishamonten is a god of war and warriors, a punisher of evildoers and the ruler of rain. Bishamonten also carries a chatra (a kind of umbrella that symbolizes kingship, sovereignty).

This, while it gives more tracks to analyze Takeomi, doesn’t answer the question ‘What was Takeomi to Shinichiro’. So, if the story refuses to give us the answer, we have to find some parallels with other characters and see if they fit.

Shinichiro’s...

...Baji

That’s right ! Baji and Takeomi share the same role. For this topic, Sanzu (and Senju) is the anomaly between him, Baji and Mikey.(and although we could say Sanzu is Baji’s parallel, he’s mostly Kakucho’s.)

Let’s start with why Wakui decided to depict them that way.

For Mikey and Baji, it was mostly there to show how long they’ve known each other. Mikey had said they were childhood friends but that doesn’t give us a time indication as to when they met. Then, there is the ‘Baji is behind’ aspect. It isn’t a problem between them, that Baji never wins against Mikey, no matter the years. Baji is just after Mikey and can’t reach the top yet.

For Shinichiro and Takeomi, it’s the same. ‘They’ve known each other for how long?’ ‘Probably since then’. Takeomi is behind Shinichiro who is standing at the top. Takeomi wants to do so too, and Shinichiro helps him to. Takeomi can’t stand here unless Shinichiro holds him still.

Shinichiro doesn’t enjoy being Japan’s number 1 - standing at the top. He became a delinquent to form relationships, to have fun, to deal with his father’s death and his mother’s stay in the hospital. He wasn’t against becoming the strongest but it wasn’t his goal (chapter 142, Shinichiro, in a quick Inui’s flashback: “Is winning really that important ?”). After all, if there’s nobody above you, the only people left are below, and Shinichiro says it, it’s only bullying and that’s meaningless (chapter 230, “Now that there's no one better than us, at this point it's just gonna be bullying the people weaker than us, wouldn't it ?”)

However, the childhood friend dying changes. For Mikey and Baji, the one climbing dies ; for Shinichiro and Takeomi, the one at the top does. How can we interpret this ? We already did for Takeomi – that means the one climbing falls. But for the one already on top ? The person who (tried to) followed him there died on the way. He’s still on top, but now he’s alone. Mikey is never alone, but after Shinichiro, Baji’s death is one of the last indispensable nail on his coffin. A nail aggravating his isolation and loneliness.

Personality wise, Baji and Takeomi are awfully different. Takeomi is awfully different to all characters – he is one of the most flawed and most fans don’t find him any redeeming quality.

Baji does share one of Takeomi’s characteristics, and that’s what (ironically) led to Shinichiro’s death. As Kazutora says in chapter 44 while stealing the bike: “You might complain but you always go along with whatever I'm doing”, Baji follows people. He can do well on his own (Valhalla), but if it wasn’t for his stubbornness in pursuing Mikey around (chapter 39, Mikey: “We lived in the same neighborhood. It’s not like we got along that well. He was always picking fights with me”), they wouldn’t have become childhood friends. They are also younger than their childhood friends (Sanzu and Shinichiro are the oldest).

Baji is Shinichiro in one aspect though: he is the one to have created Toman and to have assigned every founding member their role in the gang. (Baji does it in a flashback of chapter 63, Shinichiro gave Takeomi his position as vice-captain so it won’t surprise me if he gave Wakasa and Benkei their). They both also challenge people stronger than them. (Shinichiro on a daily basis “He'd challenge guys way stronger than him to fights”, Baji with Mikey “He was always picking fights with me. And I handed him his ass every time.”).

If there are parallels between Shinichiro and Baji – are there parallels between Takeomi and Mikey ? The answer is yes. They both don’t know what to do after Shinichiro’s death (and Mikey is even more lost after Baji’s), so much that if you push them in the wrong path, they end up as the number 1 criminal organization of their country (Kisaki for Mikey (Bad toman, Manila) helped to speedrun the process — as we see with Bonten, Mikey’s circle in Bonten (Sanzu “There they are ! The dark impulses ! I've been waiting for this” Haruchiyo) helped too. And the one thing to do to get Takeomi back in his prime is to restore his self-confidence (Bonten, and what he was close to do with Brahman)), they both cope with their emotions the same way as well, ‘I’ll keep all my emotions right here. And then one day, I’ll die’ as one may say. They hide between smiles or blank faces. Little things matter as well, so.. chapter 123, Mikey “I wanna stand out” - they both do (even if Mikey is about 4 in this chapter).

...Kisaki

the fact takeomi is both baji and kisaki is hilarious pls. Those two hated each other so much. Well i wont be surprised if Wakui made it official that Takeomi hates himself

Yeah you read that right. Takeomi is Shinichiro’s Kisaki to the same extent he is Shinichiro’s Baji. Like with Baji, he fills Kisaki’s role while dealing with it differently – they don’t have the same personality so it’s not that surprising.

They’re both the gang’s ‘brain’. Whereas Takeomi was given the position, Kisaki approached Mikey with this exact idea in mind. Kisaki wanted to make Tenjiku Toman (chapter 126, “I'm going to make my own Toman”), and Takeomi was about to transform Brahman into (a much darker) Black Dragon (Chapter 219, Senju: “Brahman’s gotten bigger.. and Takeomi has changed. Now, instead of making brahman ‘stronger’ he thinks that making it ‘bigger’ is more important”  → all the more people to praise him). Both had the same goal too (to become number 1), and end up being criticized for it because of their way to attain it by Mikey (“in order to make Toman bigger I've ignored your underhanded methods until now. But that ends here [...] Your arbitrary decisions will screw up my dream”) and Senju ("I get that not all the jobs we take will be clean. However, thinking about dirtying Brahman for trash like that pisses me off”) when those two asked them are the one who asked them to guide them (chapter 265, Mikey: “there has been ‘something’ dark inside my heart. Sometimes that ‘something’ expands and drives me to destroy absolutely everything. Kisaki… I want you to stay by my side with that part of me. I want you to guide me, Kisaki” (and worse, when Kisaki asked him if he’s sure, even if Kisaki doesn’t guide him the way he wants, Mikey answered “yeah, I don’t care.” But then, it was before Takemichi waltzed in his life); chapter 230, Senju: “I want someone who I can trust ! Someone who can give some guidance to the team ! Will you fill that role, big bro ?”). They had different reasons, for sure, Kisaki wanted Hinata’s love, Takeomi wanted (to keep) that idolizing love other people had for him, but those different reasons have the same roots.

They never grew up from their child-mindset.

Kisaki kept that childish logic of ‘Hinata loves Takemichi. Takemichi wants to be Japan's number 1 delinquent. Hinata loves Japan's number 1 delinquent. If I’m Japan's number 1 delinquent, Hinata will love me.’ (and he wanted Hinata’s love because she was the only one interacting with him and being nice to him, she said “He’s a good kid” when everyone else doesn’t, even back in elementary school where he is described as “creepy”) and Takeomi kept that childhood wish of being important, needed, validated.

Now, they turned out differently because of a very essential point :

Chapter 182, first chapter of Kisaki’s flashback : “When I was in elementary school, they called me a child prodigy.”

Chapter 230, Takeomi’s chapter : “Whether it be in sports, or studies, I was just average. I was but a normal child, not special at all.”

Kisaki was made aware from an early age that he was smart. He is as arrogant as much his intelligence allows him to be (sure, it’s insufferable, but he is as smart as he says). He is well-assured of his capacities and is the one to make his life decisions, he is very independent from Mikey or anyone else. Kisaki has an actual self-esteem. He doesn’t under or overestimate himself. He knows what he does, he knows he is the one doing so. Takeomi is the opposite. He’s too arrogant, doesn’t know in what he is smart, but the others say so, so he must be, he makes his decisions while looking at Shinichiro – he got there thanks to Shinichiro. And Kisaki got there thanks to Takemichi, although in another way. Kisaki also followed Takemichi around. By stalking him, but still. And unlike Takeomi, Kisaki is very conscious of it when he lies, it is but another strategy to manipulate people.

Kisaki is Takeomi if people had noticed and talked about his capacities in his childhood. Takeomi is what Kisaki could’ve been if people never praised him, if he never finished number one at any national mock exam and if he became childhood friends with Takemichi (instead of stalking him).

Both of them corrupted Toman and Brahman (and Black Dragon if Shinichiro hadn’t been Shinichiro). “Brahman is closer to a group of adult gangsters than they are a motorcycle gang. Some nasty rumors follow them, too.” (chapter 215, Inui); “Money is power. How valuable do you think your ‘strength’ is !?” (chapter 229, Takeomi); but are also the reason why they became huge organizations. They are the reasons why Brahman (almost) and Toman fell into criminal organizations (although Toman would’ve anyway).

They also both first got into a gang when they were 13. (Black Dragon was created the 22nd February 1995 – Takeomi was born the 10th march 1981 (the year after Shinichiro’s own birth btw, Shinichiro who is the oldest Black Dragon founding member), so he was about to turn 14 BUT HE WASN'T, and in 2005 Kisaki is 13 since he was born the 20th january 1992 (two years younger than Mikey, one year younger than Takemichi))

...Draken.

Shinichiro and Mikey both have their “This is the breeze of a new era !”(chapter 230)/”I’m gonna seize this world” (chapter 223) speech that only Takeomi/Draken could hear ; and they’re both vice-captain/second in command.

When Black Dragon gets officially disbanded (their final garthering), Wakasa and Benkei shed a tear or two, Shinichiro being the crybaby he is, has a lot of tears running down his face, and Takeomi… too. Takeomi is the only one with his eyes close. He grins his teeth. He can’t accept this reality, can’t look at it. Even if Shinichiro talked about it with him beforehand. And… it’s the same with Draken. Not that Mikey informed him before saying Toman was over (and they didn’t have a second generation to lend the name too, as opposed to Black Dragon), but with how he reacted. On paper, he said he agreed with it (even after his “What ? What’re you goin’ on all of a sudden ?” in chapter 189 which is the same as Takeomi’s “Disband !? But why !? I mean, we just became Japan's number one !” in chapter 230, and Mikey also disbanded Toman after becoming Japan’s number 1), that since it was Mikey’s choice, he had “no objection to the leader's decision” (chapter 189), but in reality, not only do we learn it’s not true when they dug up the time capsule (chapter 198, Draken reading his letter : “I’m at a crossroads in my life right now. Toman disbanded. […] I actually regret it. Toman is everything to me. Im sure everyone in toman felt that way ? I’m worried… I cried”), but he also joins Brahman. There was nothing prior to that revelation pointing at it. In Bonten he has his shop, he says “I’m retired” and “I left everything i had back in Tokyo Manji” to South (chapter 211) in his letter he wrote “So, I'm leaving all of my regrets in here” and that’s what teenager Draken tried to do. But he joined Brahman instead. And we learn why after, when he says in a flashback to Mitsuya (chapter 238) : “Have you grown accustomed to living life without Toman ? Because I can't seem to move on from it. That’s why I think i’m gonna go back to the life of deliquent. I’ll continue following Mikey [...]”. Draken couldn’t leave Toman, his whole life behind. Then why did he in Bonten ? Because Senju died. Not only must it have affected him, but it affected Takeomi, Wakasa and Benkei. And, yes, we can say Senju died in Bonten regardless of the fact it’s never said. Why ? Bonten is a memorial for Izana, its symbol, its members’ tattoo come from Izana’s earrings and the (天) ten of Bonten 梵天 from Tenjiku 天竺, the (梵) bon of Bonten 梵天 comes from Brahman 梵. The executives, advisor, second and third in command, are either former Tenjiku member or Senju’s brother (or both for Sanzu but again, can we really say he was a Tenjiku member when it’s clear he was acting as a spy on Mikey’s unaware behalf..) - and its leader had a deep relationship with those two as well. There’s no need for Senju to have the same role as Izana in Bonten if she’s not dead. So, Senju’s death is the answer as to why Draken utterly left Toman (and Mikey) behind in Bonten timeline (he loves Mikey very much but he can't lose any more loved ones). But Draken’s wish to get back to Mikey until then, his refusal to abandon Toman, was what led him and Takeomi to understand each other. That’s what led to Takeomi recruiting Draken (because he must have been the one to come up with the idea, like he is the one to have thought about recruiting Takemichi). That’s what leads Takeomi to get this angry at his death. Not only is Takeomi is partially responsible for it, Draken is essential to bring back Mikey, and Takeomi is not. And so, “If you wanted to kill someone it should've been me !” (chapter 225). And also why he becomes even more angry when Mikey arrives (“Fuck off, Kanto gang ! You guys abandoned Draken !”). Takeomi takes his role as Senju’s second in command very seriously, she asked him to guide the team and he accepted, he swore to give his all for them (chapter 230). He is the one telling her to keep cool and not being driven by her emotions (chapter 218), which is ironic because he’s the one to act before thinking after Draken’s death whereas Senju tries to calm him down (and fails).

Kanto being “a three-way state of equilibrium between these three teams and has entered the three deities era” (Yamagishi, chapter 208) was not an innocent choice when it is also revealed in chapter 226 by Senju that “Benkei and Waka. Before the first generation of Black Dragon happened, these two divided the Kanto region. Kanto used to be divided into two parts”. South takes the role of Benkei, and Senju, who created Brahman for the only purpose of stopping Mikey the same way Kodo Rengo was formed to stop Ragnarok’s expansion, takes the role of Wakasa. This is also backed up by their fighting style and body type. Mikey takes Shinichiro’s role, but whereas Shinichiro ‘defeated’ Wakasa and Benkei and became their friends and leader which lead to them ruling over the region, Mikey crushed South/Rokuhara Tandai and made Senju disband Brahman, for the same result (Takemichi could’ve taken on Shinichiro’s role but the power of friendship can’t do everything). And Draken is in Takeomi’s role. Not Sanzu. (because Sanzu doesn’t care about Toman while Draken just wants it back.). Furthermore, I like the fact South, in the final timeline, “is a heavyweight champion of foreign martial arts. When he visits Japan, he hangs out at the Gojo gym” because not only does South finally have friends (like Senju, he is friendless in canon-timeline) but because Benkei’s dream is “to produce a MMA champion from Gojo gym”, which while not being exactly the same thing is still close enough for me.

A difference between them worth mentioning is that while Draken is the oldest of Toman founding members, Takeomi is the youngest of Black Dragon founding members.

(+ Inui, Kokonoi:

The other character introduced as refusing the end of Black Dragon is Inui. He's a character who is developed alongside Kokonoi who can't accept Akane's death.

But whereas Takeomi seemingly doesn't do anything by himself to get out of his vicious circle and debts, Inui actively tries to keep Black Dragon alive. He even takes Shinichiro’s shop as his hideout (with Kokonoi), although it has been abandoned. Nobody else came to keep that place alive – it reminds them of a too painful reality. And it could've with Inui too, but Inui has only good memories of this place (chapter 143, Inui: “All those senpai who’d stop by were so dazzling and awesome. [...] I heard so many stories in this bike shop from our senpai. They all had so much fun talking about their old leader [...] Even as an adult, he could still laugh about the dumb stuff he did years ago together with his friends.”). Not to say the others don’t; but Inui is able to see pass the pain of this happiness unable to come back.

Inui is the first out of the three to let it go. He finds Takemichi and realizes that.. maybe he could live without Black Dragon. It takes a bit but Bonten Inui has let it go completely, unlike Kokonoi and Takeomi, both going deeper and deeper into criminality ; both still running away from reality, refusing to look back and see what they loved isn't there anymore.

Inui heals in Bonten. He doesn't in Bad Toman, where he's with Hakkai who became BD 11th leader. He doesn't in Manila, where Izana who was the 8th BD leader and the first leader Inui worked under comes back. Always running after BD shadow. Manila Inui met Takemichi, but Manila Inui wasn't separated from Kokonoi, not for years, not for more than a decade, since Tenjiku merged with Toman. They probably didn't have their 'Akane is dead, I'm Seishu!' talk, and if they did, it clearly didn't change anything.

We don't know how Inuis family life is. We know his parents couldn't pay for his sister's surgery and she ended up dying. We know he had had to witness his best friend lose himself in the prospect to make money. We know somewhen, he met Shinichiro. Spent time with him at his shop. Perhaps to stay away from home ? Home who burnt him? Home who took away his sister ? Meeting Shinichiro did a lot to him accepting his sister's death, surely. A bit of positivity in his life. But nobody was there for him when Shinichiro himself died. When Izana disappeared nobody knew where and the Haitani Brothers left Black Dragon when it became to hard to deal with, leading it to fade away (chapter 105, Kokonoi: “They ended up in a tough spot when the Haitani brothers of Roppongi came to power… So they ditched the gang, and disappeared.”).

Inui learnt about it after getting out of juvie. He went to juvie for Black Dragon. For Izana. This can't be the end of it. So he makes Taiju the 10th leader. He's not loyal to him because he's Taiju, he's loyal to him because it's the Black Dragon leader (chapter 143, Inui: “That good old Black Dragon I used to know was no more. I panicked when Black Dragon died for a while. That’s when I sought help from Shiba Taiju.”). But the Christmas Showdown happens, and Inui witnesses the force of nature that is Takemichi Hanagaki. And he's like Shinichiro was.

He leaves Black Dragon behind when he puts on Toman uniform for the first time. Black Dragon won't ever leave him, but he can let it go and cherish the memories he has. He didn't get to be in Black Dragon when he wanted to (chapter 143, Inui: “I’ve always admired such a team. That’s why I joined Blakc Dragon. But by the time I joined Black Dragon it was the eightth generation. It was shit.”) and that changed him (as being in a gang changed Takeomi) (chapter 143: ”During the eighth and ninth generations.. our gang did extortion, robbed people, sold drugs, all sorts of heinoius stuff. There was no trace left of the gang’s original intentions. And before i knew it, the gang’s evil had an influence on me. I landed myself in juvie.”), but he can maybe experience a similar thing with Takemichi, or maybe it'll be completely different. It's okay, he has turned the page. Now, he has to bring back Kokonoi and make him turn the page as well. Except Inui had a slow and nice 'turn the page', while Kokonoi won't.

Kokonoi needs more time, Kokonoi can't let Akane go just yet, even if Inui yells at him to stop acting as if he was seeing his sister instead of himself. Inui practically slaps him up. He has failed during Tenjiku, but this failure planted a seed in Kokonoi's mind which finally bloomed during the battle with Kanto Manji. It's a more abrupt realization than Inui got, but it doesn't hurt him. Akane tells him to let go, that she's glad he did all of that for her but that he doesn't need to continue – she's dead. Seishu is not. And even if that's meaningless, even if he knows he's, they're, going to lose, he goes help Inui against Wakasa and Benkei.

Takeomi's realization of having done something wrong falls upon him all at once. A part of it. His realization concerning Brahman, about Senju and Sanzu is there ("I've failed Brahman principles"(chapter 230)/"But me going crazy and Haruchiyo going astray[...]"(chapter 241) and it hurt him. Acknowledging his mistakes to himself and to others, to Senju, made him cry.)

But where is his realization about Black Dragon and Shinichiro ?)

But not Shinichiro’s Takemichi.

Takeomi isn’t Shinichiro’s Takemichi because for starters, Takemichi is Shinichiro as it is constantly repeated throughout the story.

Takemichi changed Mikey’s life (if it wasn’t for him, he would’ve kept listening to Kisaki, kept thinking he only needed darkness, he would’ve killed Kazutora (chapter 265)). Takeomi didn’t change much Shinichiro’s. Not the same way Takemichi did at least. Mikey, like Takeomi, needed someone to guide him, to follow around, whether this person was Takemichi or Kisaki depends entirely on the timeline’s events. Shinichiro could guide himself, he didn’t need somebody to show him the way. So what ? Why does it matter? It matters because all the friendships in this story have an impact on the characters it concerns. Whether it be the Twin Dragons, Izana and Kakucho, Inui and Kokonoi, Mikey is changed by Pah (going to jail), Kazutora (Shinichiro’s death), Baji (him siding with Kazutora and his own death), Draken (“Draken is Mikey’s heart. He compensates for what he’s lacking”) (not Mitsuya though. Which is very sad. I want a concrete example of how Mìtsuya impacted Mikey's life!!)… And the Black Dragon are out of this rule. Especially Shinichiro. Takeomi, Wakasa and Benkei all changed because of him (in good for Wakasa & Benkei, in what could’ve been good but ended up bad for Takeomi) but the other way around isn’t shown to be true. Wakasa & Benkei became friends, really good friends since they own a gym together in several timelines, and Takeomi got something to fill his lack of self-esteem which then got taken away from him without him having learnt how to cope with it in the meantime.

And Wakasa & Benkei aren’t supposed to have a gym in canon-timeline. Wakasa is a gang leader in the original timeline – supposedly he only changed vocation because Shinichiro told him about the original timeline and he decided not to go down that path. But then, when did Shinichiro had the time, during his time in the past, to tell Wakasa about his time leap ? He barely stayed one day. So did Wakasa, in the original timeline, came back to the illegal world so he can produce/obtain money and help Shinichiro out ? We don’t know what Benkei does in the original timeline, but I’d find it hard to believe he’s not with Wakasa. As for Takeomi, his situation is most likely the same, he’s in debt (which would explain that brief “Takeomi…” from chapter 272 from Shinichiro before he has to focus on the date, and very much alive Mikey). Or, if we want to look at another option, since Shinichiro got into “shaddy stuffs” (as he says in chapter 270), they could’ve followed and got back into delinquency. If they did it fast enough, Takeomi probably didn't get to the point of having debts. If you add the “Join my gang, Shin. With you we'd be the top gang in the world” of Wakasa (same chapter)  to any of this option, and the lack of negative response from Shinichiro you end up with one terrifying timeline where Shinichiro could have become, actually, a bad guy (or kill himself anyway).

What did all three of them do to make Shinichiro grow, positively or not ? Nothing (concrete that is, his admired/respected people are ‘’the Black Dragon First Generation Members‘’). Shinichiro’s entire personality, and that’s one of the only if not the only character, is centered exclusively around his family, mostly but not only, Mikey. He is changed by his father’s death and his mother’s hospitalization and starts to be a delinquent, he is changed by Mikey’s accident, by Emma running away, by his grandfather dying, by Mikey’s death and is so broken he is ready to believe in time travel, maybe was he also changed by Izana’s reaction when he discovered they weren’t blood-related. Only Wakasa is here in his flashback. No Benkei, only a mention of Takeomi. That’s not right. They’re his friends, why aren’t they here ? Why do we have so little information ?

Shinichiro stays the same until Mikey has his accident. He isn’t shaped by anybody else, not even his childhood friend whom he has known for more than a decade.

Shinichiro didn’t need guidance like Mikey did, but he didn’t need to stagnate either.

– which beg the question : Why did Wakui decide to put the exact same kanji, pronounced the exact same way in both Takeomi (武臣) and Takemichi (武道)’s name ? As a writer, making this decision means something (most of the time), alas, i didn’t find what. (Takemichi like Takeomi has self-esteem problems at the beginning of the story because he got beaten up as an middle school student by Kiyomasa but other than that..)

What I did find was Wakasa, Benkei and Takeomi pages in the third guide book. There’s still not much about Shinichiro (he is listed as all three’s admired/respected person), but there’s a bit more about their relationship with Takeomi. First, the one thing that actually surprised me : Wakasa and Benkei are listed as Takeomi’s disliked/feared people. Then, Wakui was kind to explain since it’s followed by “(They look down on me )”. Now, to see if it’s true or not (if they do think that, or if it’s just Takeomi (who must be such an unreliable narrator)) we have to take a look at Wakasa and Benkei’s own page.

Takeomi is only mentioned once for Wakasa, in his ‘a day in his life’ :

“I had a one-week holiday, so I went on a quick trolling trip to Okinawa. I wanted to enjoy fishing alone, but Takeomi and Benkei came along. The aim was yellowfin tuna. Takeomi got tired of not being able to catch anything after 3 hours on the boat and said he wanted to go home, while Benkei was seasick and exhausted. I knew I shouldn't have brought them along.”

We learnt that Takeomi isn’t that patient (to be fair, fishing isn’t something he likes to do, unlike Wakasa) but not that much is said about how Wakasa really thinks about him and him alone. He is irritated by both of his friends, who ruined his holiday, equally. You can’t say if he looks down on Takeomi or not.

For Benkei, Takeomi is also mentioned once and it’s in his ‘a day in his life’ as well :

“The gym is closed today. Takeomi persistently invited me out for a drink. I usually don't go, but we went to an izakaya together. His drinking is long. At first its fun, but as we get deeper into it, he starts to brag. He talks about the Brahman Senju created as if he created it. He has always been like that. I remember he used to brag about Shinichiro's achievements as if he himself had done them. Shinichiro liked him, including such a bad part of him.”

It gives more than Wakasa’s did. First, Takeomi, although he dislikes/fears them, still tags along with both of them when he can. Second, not that much of a news, Takeomi brags and takes on Senju’s achievements, the same way he took on Shinichiro’s. Third, Shinichiro was aware of it and didn’t stop him ?

While we can say Benkei is probably irritated by it, like for Wakasa we can’t say he looks down on Takeomi.

It pains me that there’s not much interaction between them. You can say Wakasa and Benkei are friends – but do they consider Takeomi a friend ? I don’t think he’s still labeled ‘Shinichiro’s friend’ in their mind, but – especially with Takeomi’s fall – they aren’t close, have they ever been. They don’t have that kind of relationship like Toman’s founding members have for example. Perhaps they did once.

Takeomi’s page, in my opinion at least, is the one that gives the more information on the character it‘s about. He likes Akechi Mitsuhide because he has the same birthday as him (sure why not – Akechi Mitsuhide, to make it very short, a general in the Heian period who attempted to become Shogun, and whose reign as Shogun lasted thirteen days), he dislikes making efforts (makes sense, he makes others’ achievements his own, which also leads to:), his special talent is taking advantages of people, and his dream is to be a multimillionaire (he is also ranked number 1 best to ‘Who has a way with words ?’).

Except confirming what I was already thinking, it still doesn’t offer much (but i’m so glad it has been explecitely written). But his failure story, that’s, well, another story.

And all of that offers a great transition, but let me change the topic first –

Family - the first thing you learn to run away from

(You were probably waiting for it from the start, sorry it took so long for me to talk about it !)

Takeomi’s failure story goes like this :

“I was their father figure. My father was busy because we are a motherless family. I was strict with Haruchiyo because he’s a man. He cut my face with a knife one day and left the house. He’s a hell of a fucking brother. I vowed that one day I would let Senju punish him.”

Sanzu gave him the scar.

Worse, looking at the timeline, Takeomi doesn’t have the scar when Black Dragon is founded (in February 1995 Sanzu would have been 4 so, not that surprising) but he gained it along the way, before Black Dragon disbandment (in late spring, early summer 1999, so Sanzu was either 8 or 9 (Takeomi was 18 – they have a 9 years gap)). That’s… young. What could have pushed Sanzu to do this ? Did Takeomi really do such a poor job raising him, Sanzu decided that attacking him was the only way out or something like that ? Sanzu, who says to Senju, “I wish I knew how to talk back to big bro like how Mikey and Baji do…” (chapter 241), cut his brother’s face with a knife before the age of nine? (he was nine when he said that, so perhaps he did stand up for himself before but then he gradually stopped (or all at once, it depends on how Takeomi reacted to being cut i suppose.)).

This leads to a question : did any outsider of their family know about it ? Sanzu probably wasn’t running around yelling about what he did, but did Takeomi complain (to Shinichiro) or did he keep his mouth shut about how his scar came to be. Both ? Complained about how hard it is to raise Sanzu (who ran away after what he did) while saying his new scar is from a fight he has gotten into ?(of course he didn’t get his scar from a 4-9 years old. Who do you take him for, he wouldn't let anyone, let alone a child, scar him like that.) Since we know Sanzu doesn’t go home when he’s in Toman (chapter 206, Muto : “What's with that look in your eye ? You don't have anywhere you belong ?”), it may not be an unusual thing for him to run away. (Which begs the question: what does his grandmother and father think about it ? Are they even aware of it ?)

Looking again at the timeline, what did Mikey and Takemichi do during the final reset ? They came back in October 1998 (Sanzu 8, Takeomi 17), yet Takeomi has his scar during the wedding. So either Sanzu cut his face before (and be 8 years old at most), or Mikey and Takemichi failed to prevent it.

this baby cut his brother’s face.

Talking about scars… We never got to see how Takeomi reacted when Sanzu got his. Did he blame him (he thought Sanzu was the one who broke the toy plane before Senju confesses she is in chapter 241) ? Did he just not do anything and left (oh sweet guilt) ? Did he decide to stay away from Mikey a bit ? Did he go to the hospital ?

For both Sanzu cutting Takeomi’s face and the toy plane incident, I pity Senju for having to witness it and feel guilty for not doing anything, but also because she knows sometimes she should be punished and not Sanzu. Her and Hakkai should get along well (once he stops freezing everytime girls talk to him).

But above all, I pity all of them for witnessing how the Sano family works. How, even though they also have absent parents, they’re healthy. How Mikey talks back to Shinichiro, how Emma loves her brother without feeling unwanted or lonely, how Shinichiro knows how to raise his siblings even with his family life, his parents' condition. And my heart ached the first time I read chapter 273 and Sanzu called Shinichiro ‘Shin-nii’ – thing Mikey never did. They addressed Takeomi as ‘Take-nii’ in their childhood, but they stopped. (Sanzu calls Shinichiro ‘Shinichiro-kun’ in the original timeline, which makes you wonder why, but I think he did since he was young and stopped because, for one, Shinichiro is too busy with his study and taking care of Mikey, and two, Sanzu went to juvie.) And Sanzu goes directly to Shinichiro after getting his memories back. He shares his confusion with Shinichiro, even if what he says seems unbelievable (even for himself) because he trusts him and knows he can share his worries with him. And Shinichiro answered to this 13 years old needing reassurance by telling him he killed a man.

I’d give a lot to see how the Akashi father is. I’d give a lot to see how Takeomi was raised. Because with Shinichiro it’s easy. Mama Sano and Papa Sano, for the little we’ve seen of them, seemed like good, stable people. They must have raised Shinichiro great until they couldn’t anymore. We don’t know when Mikey’s mother got to the hospital, but his father died when he was 3, so Shinichiro at least spent 13 years of his life with (guidance from) his father. Sure, it would’ve been better if it be longer, but it’s already more than.. Taiju (which, with some calculation, was 8 when his mother died). But we don’t know for the Akashi. We only know that Sanzu and Senju don’t call themselves Akashi. That Senju says “ We’re the mysterious siblings !” which is funny but makes me think about ‘let’s not talk about whatever’s going on in our family/at home’ which is not funny. Think of it, if the Akashi parents were the same as the Sano, they wouldn’t have turned out that way. It’s not fair to compare families or even people but to be fair they’re characters so they’re meant to be compared. And maybe the Sano siblings would have turned out like the Akashi siblings if their dad survived and their mom still died, who knows.

Takeomi didn’t take Senju and Sanzu to gang meetings, or anything gang-related whereas Shinichiro did. There could be two reasons (which can both be true at the same time) : 1, gang stuffs are dangerous, who would bring kids along, seriously, Shinichiro ? (chapter 269, Takeomi “are you stupid ? what kind of parents would let their kids learn from gang rides ?” after Shinichiro said “I'm like his father figure at this point. It's best from him to learn from his peers”) 2, it was the only thing he had that wasn’t family/home, where he could be himself and not have to care about his siblings (and be completely crushed under his responsibilities and doing a poor job because of it--). The fact he didn’t isn’t that important, Sanzu didn’t want to be part of a gang to start with (chapter 277 : “Nah! I don’t wanna be a delinquent!”), he only joined Toman after having his memories from the original timeline back and talking with Shinichiro about it (and Shinichiro dying). But Black Dragon, like for Shinichiro, was Takeomi’s life and by not bringing Sanzu and Senju in it, he didn’t interact with them much, he let them out of his life. Mikey and Emma “followed him [Shinichiro] everywhere” (chapter 109, Mikey), Takeomi needed his me-time, far away from his siblings. He couldn’t, unlike Shinichiro, put on the ‘perfect big brother’ role/façade.

Since he left his house often, Sanzu was left in charge (chapter 241, Takeomi “[...] you have to set a good example for her”; chapter 249, Sanzu (to Senju) “Did you forget who raised you [...]?”). If Takeomi had to take care on their father's role, it’s easy to understand that he delegated his big brother role to Sanzu. This was clearly not a good move, but Takeomi back then didn’t understand how strict he was with Sanzu, nor how unfair it was that he would blamed him for things Senju had done (following the rule of ‘you’re the older, you should have taught her better’) (perhaps Takeomi was so strict with Sanzu because he lashed out all of his self-anger/hatred on him; there's also the fact he may have recognized himself (his childhood self at least) in Sanzu – shitty move, but as a professional of denial, Takeomi might not have even been aware of it). But Takeomi wasn’t meant to be their father figure in the first place, and he could have failed his big brother role as well even if their life had been different, but he shouldn’t have had to endorse the responsibility of raising his siblings, had he been given the choice or not. It’s also somewhat ironic, that Takeomi did take on their father’s role the same way their father did – he left home for work and everything to the oldest child who stayed. Just like Shinichiro took on his father’s role. Not only because Shinichiro spent time with his siblings, which their father seems like he would have done, but also because, like his father, he gifts Mikey a toy, and tragedy soon follows (his father’s death in the car accident, Sanzu’s scars or Mikey’s accident). He was also a crybaby – although his father never cried in public (chapter 263, Mikey: “My father also cried easily ?”, his mom: “I wonder if he ever cried in public? That man was hopeless”). Mikey looked up to him, like he looks up to his father. I honestly think Mikey, who was also a crybaby as a child (chapter 263, Mikey’s mom: “[...] you too… used to be a crybaby when you were younger. All you did was cry and wail.”), started to stop crying (in public and in private alike) after his father’s death. Sure, he was very young when it happened, but children lack life experience not intelligence, sometimes they’re very capable of reading the room, and Mikey, who probably didn’t understand what was happening, knew that weeping wouldn’t help his already crying brother and mother. Mikey saw his father as this very strong, capable man who protected the family and decided to take on that role by being ‘strong’, by not crying and by beating people up (chapter 263, Mikey: “I am not going to cry. That's why, mom, I'm going to protect you, so come back home”; “I met that big guy from east elementary’s third grade. And I beat him up !”, his mom: “You're so strong, Manjiro. Just like your father.”). He has one memory of his father, where he hands him a superhero figurine – and what are fathers if not the superhero of their young children ? 

Sanzu was a better big brother than Takeomi was. Sanzu, like Takeomi in the past, doesn’t want Senju to be in a gang and much less a gang leader (chapter 216, Senju : “Haruchiyo doesn't like the fact I’m the head of Brahman. He doesn't like that I'm the strongest and that Takeomi endorses me.”). “Because of my mistakes, Takeomi got mad at Haruchiyo even so Haruchiyo was always nice to me” (Senju, chapter 241) ; he could have. He could have let out the anger he had on Senju since he couldn’t talk back to Takeomi. He didn’t, because Sanzu was a kind child, but also because seeing how Takeomi favored Senju (in his actions, this does not mean he loved her more) if he had learnt Sanzu got angry at her or even made her cry… Sanzu was already aware of how his brother acted when he got angry.

I refuse to believe “The curse Shinichiro created by killing the time leaper, that is what my ‘dark impulses’ are. It affected everyone around him” (chapter 274) as the reason behind Sanzu and Mikey’s behavior. Simply because, if it did, then why was Wakasa, Benkei, Emma, heck even Sano grandpa, not affected by it ? And why was Kazutora ? The only way I accept it is with ‘it affected Sanzu because he was Shinichiro’s trigger, so they shared the power and by such, Sanzu had to carry a bit of the curse’ (im not going to talk about mikey’s case here but i also came up with a more complex reason as to why he was affected, that is not just ‘he was close to him’). However, we don’t know what the curse does. The homeless man only said ‘’curse you’’ (chapter 271), any explanation from a character who isn’t the homeless man can’t be taken as the perfect truth. Anyway, all of that to say that behind Sanzu (and Mikey’s) actions, there was a bit of genuinity. The curse pushed them to act, but a part of them wanted to act, the curse made them unable to stop (and think of alternative solutions), worse, the curse made them like it. (okay, it’s theory time heck it. the curse feeds on tragedy, the more tragedy, the more it grows, the more it grows, the more hungry it gets, the more it wants tragedy, the more it triggers tragedy. And by feeding on tragedy i mean all the negative feelings that go hand-in-hand with. Sadness, despair, helplessness, rage, regrets, guilt… It clings to someone who already has a tragic life (Mikey, Sanzu, … Kazutora,…) and it worsens it. End of theory time.) ANYWAY. All of that to say that, this ?

Was something Sanzu would (without the curse) regret, but did anyway because he couldn’t stop it (because of the curse) because a part of him wanted to (not necessarily, hit Senju with a pipe, but get a pay-back from what he had had to go through as a child. Who knows what he would have done to Takeomi if Wakui decided to not drop our ‘God of War’ by the road before the last fight of the story). And he says things her ‘always nice to her’ brother wouldn’t have said (especially) to her such as “fighting all flamboyantly like that.. you buzzing disgusts the hell out of me. You disgusting fly !” (chapter 248)

Sanzu knows Senju isn't responsible for Mikey's curse, but he learnt about it when he was 13; not before (i'm not saying that's why he hit her, that’s not my best transition). Who knows, maybe somewhere in his mind he did blame Senju before memories of the original timeline flew back to him and he realized whether the toy had broken or not, Mikey would've turned up like that either way. This also begs the question : what did Sanzu think about the accident, before Shinichiro admitted what really happened on that day, before he got his memories from the original timeline back ? What did he think about staying friends with the one who scarred him for life ? Did he really wholeheartedly agree to stay friends for life with Mikey to Shinichiro?

Speaking of the original timeline, Takeomi is said to be on “non-speaking terms” with Sanzu. But let’s put everything back into context : Sanzu “used a damn katana and slashed all of his friends” (Baji ; chapter 270) (which also doesn't support the 'it's because of the curse' explanation or the "You can't erase the curse! [...] I've been following Mikey as if I was in a trance [...]"(chapter 275) of Sanzu. Because there wasn't a curse in the original timeline to 'explain' Sanzu's behavior), and Baji himself says to Shinichiro “Why do you give a fuck about somebody like him ?”(same chapter). Whether Takeomi blames himself for how Sanzu turned out or not, Sanzu at best hurt his friends, at worst killed them. And in this timeline, Takeomi still has Senju to look after – hence, he can’t let Sanzu interact with her, and he refuses to talk with him after what he did (whereas in Bonten, Senju is dead and Takeomi came back in the game and ends up accepting murder as part of his, their, life) Takeomi is also against Mikey killing (South), as he says “Are you even human!? There’s no reason for you to go that far, y’know?!”(chapter 233) which Mikey kindly answers to by kicking Takeomi in the chin and saying “you're better off dead, too.”(same chapter). Shinichiro, like Sanzu, justifies it ; “He just attacked them because they were talking shit about Manjiro. Isn’t that how Haruchiyo is ?”. Would Shinichiro have justified it in another timeline, though ? If Mikey was okay, if Emma was there, if his grandfather didn’t die… Would he have accepted Sanzu’s actions ? Shinichiro in the original timeline, is in deep, deep denial about his entire life collapsing around him.

One second he’s working at a job he likes and wants to do, the other he is a university student, a nurse and his brother’s main and only caregiver. One second, he lives with what is left of his family, the other his brother is his only family left, and he can’t leave the hospital. Not only did his life go downhill after Mikey’s accident, he must blame himself for it too. Why did Mikey have his accident ? Because he didn’t want to lend the Concorde to Baji and the rest. Who bought the Concorde as a gift for him ? Shinichiro. He guided his brother, the boy he raised, to his death, and the girl he raised is nowhere to be seen (which might have been in part his fault since he was too busy studying for Mikey to pay attention to her), even though he had promised to his father to look after the both of them (chapter 269, “Father [...] I’ll take care of both Manjiro and Emma for you.”). His parents, his grandparents, he had nothing left. But Mikey is still alive. So he keeps on focusing on that, only that. Mikey can’t interact with people, nobody knows if he is aware of his surroundings, but he is alive and that fact alone is the only thing keeping Shinichiro from facing reality, from realizing that at this point, he is his family on his own, it’s the only thing keeping him going. He has to keep Mikey alive, to the price of his health (chapter 270, Baji: “In order to get the qualifications to be a caregiver he had to study while working in the hospital. I’m sure he doesn't even have time to sleep, his life is a total mess”; Wakasa: “I was worried that you'd be the first to die [...] Right now you're just rotting away”), his money, his morals (same chapter, Shinichiro: “I've gotten involved in many shady businesses. So I could help Manjiro in whatever he needed. I've done whatever therapies and even paid a lot for those suspicious religious groups”) anything, anything for Mikey. So of course, Haruchiyo was justified in his actions, no matter what Baji or Takeomi might say (plus, Baji says all kinds of things (“He isn't right in the head.”) but he still tags along and interact with Haruchiyo, he doesn’t fool many people. Then again, does Baji have any friends ? If “there’s nothing great about middle school”, he can’t meet Chifuyu, and who knows if he met any other founding members, if he met Kazutora at least.) because killing for Mikey is exactly what Shinichiro does.

The homeless man tells him to gain the power he killed his predecessor, and for a man who has lost everything, killing isn’t much. Except it doesn’t work. Shinichiro doesn’t go back to the past instantly after killing this man. His last hope is gone. And it wasn’t even one – he helplessly believed in the idea of time leaping because it was the only thing left he could believe in. So he kills himself. There’s nothing left anyway. Wakasa, Benkei, Takeomi, Haruchiyo, Baji ? Not enough. And then it works. He’s back. He saves Mikey. Then when he unexpectedly goes back to his present (2003) and goes look for the homeless man, he doesn’t find him. Probably to talk, to thank him. But the thing is, he killed this man. But not once is he seen feeling guilt about this. Denial ? Maybe. Or maybe it’s because he finds it justifiable. He killed for Mikey, for his baby brother, for his own sanity. One doesn’t mean the other isn’t true – he could justify it to stay in denial. He dies too soon after for him to learn to cope with what he did anyway.

There’s also the fact that out of everyone, he goes to Wakasa to tell him about the original timeline. Not Takeomi (who isn’t doing well in any point anyway), and not Benkei (who… we don’t know), but Wakasa. And he confesses his murder to him (as we’re told by Mikey, chapter 268 : “I was informed by Wakasa” ; chapter 274 : “the curse Shinichiro created by killing the time leaper… that is what my dark impulses are.”), the same way he confessed what he did in his previous timeline and what he thought of doing (“In these four years, I've gotten involved in many shady businesses [...] Maybe I should kill them all for deceiving me.” (chapter 270)).

So, while in the original timeline, Takeomi focuses on Senju even if that means neglecting Sanzu, Shinichiro focuses on Mikey which leads to Emma running away (to where, we don’t know). And those two little sisters fit their role differently. While Emma cooks (she is seen several time cooking; and to Draken after he asked her if she was housekeeping “well, gramps is old and…” (chapter 263)), likes cute things (the teddy bear she wanted and Draken got for her birthday), isn’t a fighter and in the final timeline becomes a housewife, Senju chases Mikey, Baji, and Sanzu around, wants to play with their toys (Mikey’s concorde), trains at Wakasa and Benkei’s gym and is a gang member. Takemichi refrains her to buy punk clothes and even though she still buys a lot of items, she prefers Brahman’s uniform and she goes shopping because Takeomi tells her to (“We’re shopping in Harajuku because Takeomi told me to ‘do some girly stuff sometimes.’ This is his card.”) and gives her his credit card (whose money comes from Brahman’s activities, so as to whether it’s his or Senju’s decisions leading to him being rich..). They’re both feminine, but Senju is a bit more of a tomboy in what she likes. Emma doesn’t feel lonely (“Since then, I've never felt lonely. Not even once”)(she has friends her age, such as Hinata), Senju clings to Takemichi the moment he joins Brahman (“Brahman’s full of old guys, so I’m glad people my age are joining”(chapter 216);”So can i think of us as friends now ?”(chapter 219))(seemingly, her only friends remain Mikey and Baji, whom she likely hasn't seen in years, even before Valhalla arc). They are also the only girls Takemichi saw in bra (chapter 9/chapter 216) but uh.. I don't want to know if that was made on purpose or not. But it joins the feminine/tomboy dichotomy – when Emma undressed, she had something else in mind (which, fortunately, didn't happen) and she has lace underwear, whereas Senju is very uninhibited (“Oh, it's fine. It's just sports bra”, chapter 216) and is wearing a sports bra like she says. They were raised the same way (Emma taking care of/helping her grandfather with chores ; Senju being forbidden to use ‘ore’ by Takeomi because it’s not ‘girlish’, making her go shopping for her to ‘do some girlish stuffs’; both being surrounded by men/boys (who are gang members, or former)) so it’s not because of outside influences they came to have different personalities and behaviors – Senju doesn’t fight or is tomboy-ish because she was raised among men (heck, she lives/lived at her grandmother’s while Emma had no woman/girl family members), she simply likes what society deems ‘for boys’ because she is herself and likes those things ; same for Emma, she doesn’t force herself to be someone she isn’t.

The Akashi are a motherless family but we don’t know why. If the Sano parents are dead (beside Karen, Emma’s mom) then I have two theories coming to mind. Either, the Akashi parents are alive or, they are indeed dead and the father in charge of raising them is Senju and Sanzu’s but not Takeomi's (or a mix of both, who knows). There are various details pointing to Takeomi being half-siblings with Senju and Sanzu.

First, it would be another obvious parallel with the Sano → Emma is Shinichiro and Mikey’s half-sister, but make it a twist by making the half-sibling the oldest instead of the youngest. Second, Manjiro (万次郎) and Shinichiro (真一郎) share a kanji and so do Haruchiyo (春千夜) and Senju (千咒)– if their parents wanted to give them names with a same kanji why don’t they all share it ? I get it with Emma (her mom probably named her and we don’t know how involved her father was in her life, plus, 郎 is a kanji that literally means ‘son/boy’, but she could have have a name ending with 子(ko) meaning ‘child’ and who’s only used in feminine names), but Takeomi ? If they wanted to do that, even if Sanzu and Senju came after, couldn’t they choose 武 or 臣 ? Both feminine and masculine names with those kanji seem to exist (and even if they didn’t, it’s the Japanese name system, they could very much invent it – that’s what they did for Senju!(can’t find information on this name like Wakui decided to write it)). And third, the Sano brothers look a lot alike (Mikey did get his hair color from his father but beside that, they both look a lot like their mother) while Emma looks like her mom (they don’t realize straight away she’s their sister “Isn’t she a foreigner ?”, chapter 123 and Takemichi, Hinata and Naoto don’t realize it either and think she’s dating Mikey for a brief moment in chapter 66 (although Takemichi ends up saying “They do have some sorta resemblance actually” after being told, but Mikey asks him “Really ?”), Sanzu and Senju both look extremely alike while Takeomi doesn’t (different hair color, eye shape, eyelashes, eyebrows - perhaps same eye color).

If we go along with this theory, which also makes their mother the parent they share and not their father like the Sano do (like they stay at their grandmother’s but the Sano stay at their grandfather’s), then the answer as to when Takeomi stopped living with his biological dad and moved in with his step-father would be important. Which one is responsible for how he raises his siblings, or perhaps they are both at fault ? When did their mom leave/die? Did someone ever tell Sanzu and Senju Takeomi was their half-brother ? If Takeomi’s step-father’s family name is Akashi, then Takeomi doesn’t use his birth family name either. And since Takeomi’s mom left him, does he feel the same way Emma feels about it ? (not saying his mother left for the same reason/the same way)

Or they could share the same father and have a different mother like the Sano. Either way, I’m craving for more information about them. They better not stay the “mysterious siblings” forever. Wakui pls

The Sano siblings are 4, we all know that. Izana is a Sano. So what if he throws the parallels off-balance ? He doesn’t. If you’re as delusional as I am, Muto is the Akashi’s Izana.

While Izana knew Shinichiro and Emma, and never got to know Mikey before dying in Tenjiku, Muto knew Sanzu and never got to know Takeomi and Senju. When they met, Mikey had lost Shinichiro and Emma, Sanzu left his home (and most likely stopped interacting with his siblings - although the “Haruchiyo doesn't like the fact im the head of Brahman. He doesn't like that I'm the strongest and that Takeomi endorses me” of Senju in chapter 216 means that he made his disapproval known). Izana knew of Mikey (Shinichiro kept talking about him), Muto didn’t know of Sanzu’s siblings. Muto also has the same age gap with Sanzu (and Senju) that Izana has with Mikey (and Emma). Izana was meant to parallel Mikey, Muto was meant to… parallel Takeomi. He parallels Sanzu too, in some points (staying loyal to their first ‘king’, being very harsh on betrayers/spies, having nowhere to go, Muto to Sanzu, chapter 206, “You don't have anywhere you belong ? You and I are pretty alike.”) but Sanzu said “I would've loved to have a big brother like you”(chapter 206) and so… either Wakui came up with Mucho or Takeomi first. Maybe he didn't even intend to narratively tie them in the first place. But they're still shaped in a way to be opposite. Sanzu took Mucho as his big brother figure first because he’s the opposite of the big brother Sanzu got and who failed him. Mucho’s betrayal against Mikey leaves him to die by Sanzu’s hands anyway, however, by betraying Mikey, he also betrayed Sanzu’s trust. His big brother failed him, again. A brother who told him “it's fine to be devoted to the king, but take care of yourself, too.”(chapter 206), not only validating his actions but saying he’s important as well, a brother who gave him his jacket, a brother who is the reason behind his favorite food (Sanzu’s favorite food is cheesecake for Cozy Corner and Mucho’s failure/heroic story explains why : “to make Haruchiyo Sanzu open up, Mucho bought him cheesecake from his favorite shop, Cozy Corner. The atmosphere was awkward and Mucho asked if something was wrong, to which Sanzu replied that he hated cheese, but would give it a try. There was no conversation after that.”), a brother who tried to make him open up, who tried to understand him, a brother who thought handing him a mask was a good idea because he was “missing out because of those scars” (chapter 206). Another perhaps useful information is that Sanzu dislikes “smothering people”, which was probably what Takeomi was to him (we already know Takeomi likes, has to be in control).

We only have one example of a moment the Akashi siblings spent together, only the three of them. And that’s Senju’s “it's super sparkly ! I haven't been [in an amusement park] since second grade of elementary school !” (chapter 219) and her hidden volume cover (which happened the same year Sanzu got his scars so between April 1st and July 30th 1999).

(Takeomi is the only character, on a (hidden or not) volume cover, we can’t see the face of. Most of them look directly at the reader, and if they don’t we can still see a bit of their face (just like Sanzu and Senju here).)

Final Timeline

It’s not a rant about the entire ending, that’s not the purpose of this post so I’ll only stick with Takeomi.

He’s the only one I have a problem with in this ending. Not him in particular, but his role, his job. Mikey and Takemichi fixed everything (the best they could), including the Akashi siblings’ relationship. All three of them work together.

I won’t say it’s bad for Takeomi’s development, it depends how it’s done and since it’s a happy ending for everyone, it shouldn’t impact anyone badly, But. Was him being the ‘self-proclaimed producer’ necessary ? I’m not against it, especially not if he has another (official) job on the side (and we know he’s smart enough to have one, and one who pays lots, which would also explain how he succeeds to ‘produce’ Senju & Haruchiyo). The only small problem I have with this is – he still lives by being someone important, needed, for somebody else, living on somebody else’s success. And it can be healthy ! But why is it ‘self-proclaimed’. Yuzuha isn’t Hakkai’s ‘self proclaimed’ manager. She is. Takeomi could very much be Haruchiyo and Senju’s producer. Sure they’re youtubers and I don't know if they can have official producers, but why? Takeomi, especially final timeline Takeomi, doesn’t need to brag about others’ achievements as if it was his own, he needs to brag about what he can and what he does by himself, without the need of anybody else.

And I don't say it’s what happens in the final timeline. But it still leaves a bitter taste in my mouth. I hope he has another job where he constantly realizes he is the only reason why it succeeds. Because I don't need him to say ‘I raised them’ or ‘I produce them’ when someone praises Senju and Haruchiyo, as if he was the reason they became famous. I don’t need him to get Haruchiyo and Senju under the spotlight to steal it from them. I need him to be their producer because he can, because he wants to help and bond with them, without taking what they did for himself. I need him to have an individual job, to have built his career without anyone’s help, to see that he can succeed alone. And unfortunately, that’s not what this last chapter made me feel was happening.

Still, it is (and that’s why we’re here for, not me rumbling about how Takeomi’s job is the only one to piss me off because he’s the only character who ends up with a job that can screw up his development). First, I'm so glad the Akashi actually get to be siblings. There are still some issues they had had to fix (with Mikey and Takemichi’s help-), Takeomi and Haruchiyo’s relationship was already pretty bad (Takeomi has his scar on his face) but it got fixed ! Second, Takeomi deserves to feel needed (and to be), which he is by being their producer and i wish, if both sides do take advantages of the other, that it’s in the most healthy way (if that makes sense) – that “the money [...] spent out of Takeomi’s pocket” was his idea and Haruchiyo and Senju accepted (with perhaps the intention of paying Takeomi back later, maybe not with money, since Takeomi doesn’t seem to need it, but still, to do something to show Takeomi it was appreciated) and that Haruchiyo and Senju thanks him publicly, without his ego feasting on it.

I hope he got his self-esteem restored. Which of course that’s what happened, we’re in the final timeline and everything’s good. But. I really hope he did.

And I choose to believe that the “same old Takeomi.” from Shinichiro means Takeomi the same as he was when they were kids. Maybe not exactly, because Black Dragon 1st generation and Takeomi’s superiority complex happened, but that Shinichiro recognizes his childhood friend is doing well, that he’s still here somewhere and got healed.

+ What’s in a name ?

(I'm gonna do something I didn't do for the Shiba (there wasn't much to say about it for them))

Writers are careful with how they name their characters (I'm making generalities here) – and it's especially true with Japanese and Chinese Writers whose characters' name change meaning depending on how they decide to write it

So it's been odd to me, when I realized the ‘Take’ in both Takeomi and Takemichi were the same. Why would Wakui do that? It can't be a coincidence, right ? And indeed. The Akashi siblings' names hold meaning.

Let's start with 明司 (Akashi). 明 (aka) means light, bright and is made of the Kanji used for sun (日) and the one used for moon (月). Then, 司 (shi) means official, director, administrator and was once used to design governors the Emperor had appointed to carry out the imperial policies in provinces. So 司 is for people in power, but not at the top. As said before, 司 seems to come from 后 which is the same kanji upside down and which means ‘emperor, king, monarch..’.

武 from both Takeomi and Takemichi means ‘military, war’. Takemichi's name is actually made of the exact Kanji as Budō (武道, way of war/way of the martial arts). 臣 (Omi) means ‘retainer, subject’ and could be used as a ‘I’ when addressing one's master. Ah, and it can be pronounced ‘Shin’ by itself. Because of course it does.

Takeomi is either: the warrior retainer or the war/military retainer. But he can also be in some way, the director of the light (and so can be Sanzu and Senju.)

I've got more to say about Sanzu than Senju so I'll start with her. Search "Senju Japanese name" into a search bar, you won't end up finding it written like Wakui decided to write it. Not that it means it doesn’t exist, but it's not popular. And for cause, Wakui chose to write Senju: 千咒 – A thousand curses.

Now, who would name their child "curse", I don't know. Perhaps it's one of those names where they're supposed to be degrading so as to push bad spirits/ghosts away? I have two theories for this but they’re without any real basis. One of them is ; the person who named her was really angry at her birth and since we don’t know where is/what happened to their mother.. Yeah (either she died giving birth or for some reasons she named Senju that way before leaving/disappearing). Or it could be one of those ‘Kira Kira names’ (names outside of the norm parents decided were cool). Anyway, Senju thinks she is the reason why both Mikey and Sanzu (+Baji) turned up that way, which isn't true as we're being told after, but Senju thought she was the reason behind Mikey's curse – without knowing it was a curse.

I didn't find any real concrete stuff about Kawaragi. Which is sad. 瓦 means roof tile and 城 means castle. When put together with the Kanji 礫, 瓦礫 means rubbish, wreckage, debris. With the Kanji 解, it becomes 瓦解; collapse, downfall. Normally I won't dare to talk about things who seem to be a bit too coincidental. But 土崩瓦解 doesn't feel coincidental. It can either mean 'complete collapse' or, '(something) going to pieces', meaning 'broke beyond repair'. Which she did. Or rather, thinks she did (not only the toy plane, but “Ever since that day, they all changed… mikey, baji and Haruchiyo. They all changed, and it's because of me” (chapter 241, Senju)). Also, 瓦 is 万 but backward and 万 is the first Kanji of ‘Manjiro’ (万次郎). Which makes a lot more sense. I guess ? For 城; there's 成, meaning 'promoted' it's notably used in Shogi where some pieces can be, well, promoted.

I like to think Sanzu started calling himself such because Mikey and Baji decided to find themselves different names (even if Baji is never even once referred as Ed or Edward). But whatever the reason, Sanzu is one hell of a name. Quite literally, hell. If you look up "Sanzu'' and ignore the Tokyo Revengers-related things, you'd scramble upon: 三途の川 – Sanzu no Kawa. River of the three crossings. A place the deads have to cross after their deaths, and which leads them either to heaven, to hell, or to resurrection. Souls get punished there. Every sin gets met with a trial.

(Plus, it's interesting to know that those you get drag to Jigoku, "hell", fall in the water/river where a bunch of snakes await them. Whereas people who get a pass to Tengoku, heaven walk over a bridge. Sanzu is never called ‘sanzu’ in the original timeline. But you know how Shinichiro died the first time ? Yeah, you do. He isn’t called Sanzu once in the original timeline, and even if he is in the final timeline, I decide to believe it’s because Mikey and Takemichi are too used to calling him that way to realize it and he just picked it up.)

春千夜 (Haruchiyo), is the only name among the Akashi who don't have any kind of negativity in it. Senju has curses, Takeomi has retainer (which isn't a negative thing in itself, but we've already established that Takeomi wants to be so much more than to be at someone's else service), Haruchiyo means "Spring of a thousand nights". Just like Senju, he has 千, ‘a thousand’ in his name.

Remember the 武 from Takeomi and Takemichi ? Yeah ? Well I'm a bit of a liar. Rather than a liar, I didn't say everything. There's a third character with 武 in his name. But it isn't pronounced 'Take' for one, and for two, it's in his family name, not his first

武藤  泰宏

Muto Yasuhiro

(I can't imagine the pain he has to go through every time he writes his name down. 藤 is one hell of a kanji.)

Ah... Mucho. Sanzu's big brother figure. Better than the other. But who did the only thing Sanzu would kill anyone for: betray Mikey. But that's not the point here, we're here to talk about his name. Beside the obvious 武 meant to add to the fact he's Sanzu's big brother, like Takeomi but reversed, 藤 means wisteria. 泰宏(Yasuhiro) means "peaceful' and 'broad' which describes Mucho's personality accurately but, but, but. In 泰 there's 𡗗 just like in 春 ;) (it actually doesnt mean much because taiju also has it in one of his kanji but shh). Or, just like Sanzu shares a kanji with his sister, he shares half one with his not related by blood brother. And ⺢ is a variant of 水, water, just like Sanzu is a river.

朕 is also in there. It's the royal ‘I’, ‘we’ – completely opposite of the servant 臣, ‘I’. More globally, wisterias represent the imperial family in Japan; thanks to the Fujiwara who impacted Japan by a lot when they were the ones ruling the country. And I’ll stop there with Mucho because I may be going too deep here and at some point digging further is meaningless.

Shinichiro and Mikey’s names are… It made me chuckle, not gonna lie. Not because of what the kanji means, but because those are extremely common kanji found in names. 一郎 in 真一郎(Shinichiro) means ‘first’ and ‘boy/son’. 次郎 in 万次郎(Manjiro) means ‘next’ and ‘boy/son’. These (reading ‘Ichiro’ and ‘Jiro’ by themselves) were rather common names for children from not-upper class families. It’s much less common nowadays. Then there’s 真 who means ‘real, sincere, genuine, truth’ and 万  who means ‘ten thousand’. And I didn't quite understand why their parents would choose that kanji, but if you add 全 to it then it gives 万全 or, ‘perfection, flawlessness’, and suddenly it makes my heart melt and also more sense. (it also seems to come from his grandfather’s name Mansaku (万作))

Sano 佐野 too, is a rather common name. Or at least half a common name. since 佐 may make you think of 佐藤 (Sato) which is the most common Japanese family name. However, the 藤 comes from the Fujiwara clan, since the Sano don’t have this kanji (unlike Muto) we can say they don’t have samurai ancestors (or if they do, it got lost along the way). It seems like family name with two out of three of the following kanji : 田, 中 or 村 are reasonably common. And 野 (Sano) has both 田 and 村. (although unlike Tanaka(田中), Nakamura(中村) and others they are stuck inside one kanji).

Unlike Akashi which describes someone of the upper-class, the Sano are everyday average people (Sano means ‘to help’ and ‘field, plain’ but also a prefix meaning ‘wild, lacking a political post’). Except they aren’t. But Wakui must find himself funny for this.

EDIT: 'Sano' is a city in the Tochigi Prefecture in Kanto, which economy revolves around agriculture and light manifacturing. It was also once the name of a clan.

(By the way, the -no of Terano (寺野) is the same kanji. As in, Terano South. And there are some parallels between Mikey and him.. (ill mother, no father, a parent who's a foreigner – but Mikey was born and raised in Japan while South had Brazil), person who raised him showed him the world of delinquency (but they had clearly different view of it), go live with their grandparent(s), person who raised them died when they were 12 (Shin died before Mikey had turned 13) because of ‘dark impulses’ (South himself; Kazutora), they both have ‘dark impulses’ (although we might never know why/how/if they are really the same dark impulses for South), they are both known by a English name rather than their official Japanese one (but Mikey chose his while Dino named South)… We don’t have enough about South and I don't like it.)

(Even worse, because if you’re as delusional as I am, you would notice that if you take out two strokes of 南(South) you end up with the kanji 幸. And since Mikey loved his mother very much, and she loved him very much, and South loved his mother very much… Then his mother must have loved him very much as well (even if she was incapable of fully taking care of him). And 幸 means ‘happiness, luck, blessing fortune’. But then it’s a girl name. But perhaps that’s what his mother wanted her child to be named if it was a daughter ? It’s still hidden in the ‘’Minami’’(南) Anyway, as I said, I’m being delusional and 南 is not an unusual name in Japan. Leave me and my headcanons alone. There's also the possibility it was his father who was Japanese, of course. After all South’s name is Japanese, but then, we don't know a thing about his father so we can't say if him and South’s mom were married. But no matter which one was his Japanese parent, he either had no vocabulary in Japanese or only the basis and had had to learn everything when he was sent to live with his grandparents in Japan – who probably don't speak a word of Portuguese so it didn’t help South having very violent habits. They couldn't communicate.)

I didn’t find something that caught my attention with Baji’s kanji. Sad. But Edward means ‘guardian, protector’ so at least he chose a name that does describe him well. Micheal means ‘who is like god ?’ and of course reminds you of Michael the Archangel and knowing his mother called him ‘my angel’, well my heart is currently aching. I mean… Baji is made of a kanji meaning ‘place’ and another meaning ‘ground’ (the kanji for Keisuke means ‘jewels/corner’ and ‘meditation’ and i really have no idea for those) – Michael is one of the most famous angel name and Sanzu is linked to the afterlife so.. perhaps Baji is the ‘human’ of them three ?

(Baji Keisuke is written 圭介場地. Out of all these kanji there's only 圭 I perhaps found something interesting about. In Shogi, there's a piece called 成桂; 'promoted Katsura' and its abrevation is 圭. Btw, in Shogi, the 'king' is 玉将 or 王将 (if you're a lower rank player or a challenger VS if you're a higher rank player or a reigning champion) notice the dot ? It's 瓦 from 'Kawaragi' vs 万 from 'Manjiro' again)

Emma and Izana's can't be analyzed this much. I didn't find anything for Izana (If i go on Behind the name, in japanese the name Izana (rare and only used in pop culture) comes from the verb izanau ; to invite, to ask someone to do, to call for, to tempt, to lure, to entice ; but honestly, searching for the etymology of this name doesn’t give you a lot of answer (not enough sites say the same thing for me to believe it)) and Emma is "universal, whole" when it comes of German etymology and "all containing" when it comes of Hebrew etymology.

Also it’s interesting how Sanzu and Senju decided to change their family name and not their first like Mikey and Baji. Plus, Baji gets called by his family name every time so it didn’t serve much – like Senju who changed her family name but is never addressed by it in the story (even Brahman members yell ‘’Senju’’). But then Mikey changed his first name and gets called by it and Sanzu changed his family name and gets called by it. One option for each possibility, so it could be in/Wakui’s purpose! The one who didn’t use their other name as much as their real one are the ones to die, whereas the one who, to overstate the point, changed their identity by identifying with something that wasn’t initially them, actually got those selves erased. It’s more clear for Sanzu. Sanzu came up with ‘Sanzu’ and ‘Akashi Haruchiyo’ wasn’t anymore. Mikey came up with this name for another reason but it was still to get rid of ‘Manjiro’. And he didn’t get rid of ‘Manjiro’ until his brother, the only person left to call him that, died. Mikey’s flashback (chapter 264-265: “I.. really like ‘strong’ people [...] Until that day [Shinichiro’s death] [...] I was looking for ‘something’ other than strength [...] All the guys in Toman are good. They're so good but there's something I can't figure out. I wonder how long… there has been ‘something’ dark inside my heart [...] ‘strong’ alone is not enough [...] After all, all I need is ‘darkness’.”) tells us he was already starting to follow his Dark Impulses ; after his brother’s death. He confesses it to Kisaki (“I wonder how long… there has been ‘something’ dark inside my heart. Sometimes that ‘something’ expands and drives me to destroy absolutely everything”). Manjiro Sano died with his brother. Other people may still call him that way, like his grandfather, but Mikey is Mikey. And this innocent name he once chose to make his sister feel less lonely became a metaphor for his incoming loss of sense of self.

We can also add that Shinichiro may have not changed the way he called Mikey because since his brother, 'Manjiro', was the only thing left from his life before it went downhill, calling him 'Mikey' instead of 'Manjiro' would have created even more of a distance between Shinichiro and his past 'normal' life from his childhood.

Baji and Mikey chose their name (Micheal & Edward) to try to make Emma open up. To get closer to her (especially Mikey). And Emma gets her birth name (Kurokawa) changed as Sano, which makes her even closer to her two brothers (and less from Izana). Sanzu and Senju chose their name to separate themself from Takeomi (and each other).

Of course, they aren't the only characters being best-known as a name they chose themselves of have been given by others. Draken for example, doesn't show any kind of resentment or even neutrality against his name; Ken is still present in Draken. We also know he chose it as a child (like the others), but (unlike the others) a reason is never given - he most likely thought it was cool; just like Mitsuya's dragon and his new tattoo were. Same with Benkei. It is written in katakana in the manga, but with kanji Benkei and Keizo have the same 'Kei'. Benkei is one of the most famous historical figure in Japan, by the way. (He is the servant of Minamoto no Yoshitsune, born Ushiwakamaru. Birth name which shares a lot of kanji with 'Imaushi Wakasa'. Both were great fighters). South, is another example of a name given to change one's identity – but South didn't name himself 'South'; Dino did, after making him kill someone, or giving him a bloody baptism if you prefer. And 'Minami' means 'South' but Minami never grew up enough for us or himself to know who he was.

(+ 

mikey baji sanzu and senju are four and so are bd 1st gen doesn’t feel like a coincidence. But i cant think of something that makes it very interesting. Wakasa and sanzu both know about the og timeline, baji and takeomi are used as parallels at least once, senju has some commons traits with Shinichiro, but mikey does too (and more), senju and benkei.. both like MMA ? And their favorite catchers are rivals ? Thats not much for me to talk about ngl)

#me writing analyses on the fanbase’s most hated characters : why is it not getting attention ? #alternatively. Me writing analysis : im going to make so many parallels #if another character has 武 in their name i’ll go bash my head against a wall #Takeomi seems like the kind of person to say ‘stop it youre going to make me look like a bad (mother) brother’ #tokyo revengers #tokrev #tok rev #tr #tr takeomi #takeomi akashi #akashi siblings #black dragon #sanzu haruchiyo #tr sanzu #tr senju #senju kawagari #senju akashi #wakasa imaushi #benkei #arashi keizou #shinichiro sano #tr shinichiro #i feel like i spent more hours trying to get this post to be posted than i did writing it #if i forgot anything i swear- #honestly i think i couldve written it with less words. but i also dont know how i could do that #i added to this a bit too much after posting it. meh whatever #the 'no' of matsuno is the same as teraNO and saNO and 'chi'fuyu share the 'a thousand' kanji with haru'chi'yo and senju #'They'll tell you to be number 1 never to be happy - First place is for those who need a grade who lack self-confidence' #- Notes pour plus tard by Orelsan (french singer) #i think this idea fits omi a lot

[lulu2992]

Hey there!

After reading your great insight on what to keep in mind when, say, writing the Seed brothers in fanfiction, I was wondering if you wanted to cap things off on what to keep in mind when writing Faith?

You don’t have to do it immediately, just when you have the time.

Hi! Sure, let’s conclude this “series” with the last member of the family, Faith Seed :)

First, while she’s referred to as a/the Siren by Dutch, a couple of NPCs, and in promotional material, this isn’t her official title in the Project. And as you probably know, Faith Seed’s real name is actually Rachel. However, unlike what the Far Cry Wiki claims, I’m quite certain her full name was never Rachel Jessop. Unfortunately, the biography on her Wiki page is partly made up and based on that incorrect assumption, so I really don’t recommend trusting it. This advice goes for all Far Cry characters, and I don’t think the Far Cry 6 Season Pass is a good reference, either, since the DLCs were written with the help of the Wiki.

In Far Cry 5, in addition to the story cutscenes, she has three sermons (here, here, and here), four answering machine messages (here, here, here, and here), and can also be randomly encountered in the Henbane River region as a “specter” (term used in the files). When she appears, she either hums the song “Oh The Bliss” (here and here) or talks to the Deputy. I think what she says really is worth listening to and adds a lot to her character. @teamhawkeye has done a tremendous job recording and compiling all her appearances in 9 videos (1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9)! As for Marshal Burke’s “apology video”, in which Faith also appears, it’s here.

I wrote a summary of what other characters say about her here (masterpost here), and all the NPCs’ comments about the Seed family are available here and here.

Faith isn’t in Far Cry Arcade and doesn’t have the same “combat lines” as most other characters, but you can still listen to everything she says during the final fight against her here.

Her deleted lines are here, and she has even more here. Most of them probably aren’t relevant anymore, but they’re still interesting and make me wonder what they originally had in mind for the character!

If I’m not mistaken, there’s only one note in Far Cry 5 written by Faith: the “Note for Tracey” (Hope County Jail). The note “A Confession” (Throne of Mercy Church) was also written by “Faith”, but it seems to me the author is one of Rachel’s predecessors.

Indeed, in-game evidence indicates Rachel wasn’t the first woman who took on the role of Faith Seed. There were at least two others before her, Lana and Selena, but we barely know anything about them or why they were replaced. Two letters, written by people who knew and loved them, can be found in the game in the Horned Serpent Cave and the King’s Hot Springs Hotel, but that’s pretty much it.

There was another note written by Faith, apparently cut from the game but still available in oasisstrings. It was supposed to be in her bunker, Faith’s Gate:

To my guardians, Because we have each other, we are already strong. But when the Collapse comes, this gate will need to be the heart of our strength. Guard it with your lives, knowing that any sacrifice you make will be for the future of humanity's greatest ideals and dreams. Jacob and Joseph have chosen you to guard this gate. You should be very proud. I know you serve me with love, but never forget that this will be your home, too. If you falter from this purpose, remember the bliss is there for you. With love, Faith

It’s worth noting that, in the game’s files, Faith (or the Henbane River) is sometimes referred to as “Selena Seed”. To me, this suggests that her identity and her backstory went through many changes during the development of Far Cry 5, and that might explain at least some of the grey areas surrounding the character.

Since she isn’t the Seed brothers’ biological sister and they weren’t raised together, The Book of Joseph doesn’t give a lot of information about her life before Eden’s Gate aside from what the game already tells us: she was a broken person, addicted to drugs, and was “adopted” by Joseph as his sister and Herald. When she joined the cult, since drugs are forbidden by the rules, she first had to overcome her addiction, and the book says she succeeded with the help of scopolamine (basically Bliss). It’s also explained she then worked with a geneticist named Peter, probably on developing Bliss. That said, in the game, he’s never mentioned, cultists never use the word “scopolamine” (always “Bliss”), and nothing clearly indicates it can be or has ever been used as a substitution treatment, so I’m not sure what’s still canonical...

Faith also appears in the short film Inside Eden’s Gate (not entirely canon to me but still good) where she’s played by Mackenzie “Kenz” Lawrén Johnson. I must admit Faith is my favorite Herald in the film; I really like Kenz Lawrén’s interpretation as well as her opinion on the character, which she gave in this interview!

Weirdly, Faith has often been referred to as the “half-sister” by the game’s main writers (such as here or here) even though she isn’t related to the Seed family in the game. It’s possible that she used to be but that was changed at some point. According to the Lead Writer, “Maybe she isn’t liked by the other two brothers as she didn’t grow up with them” (which is hinted at by NPCs and John himself in Far Cry 5). In a now-deleted interview for GameCrate, he also described her as “more of an outsider” and “probably the most fervent believer in Joseph”.

Greg Bryk, who co-created and played the Father, said he believed he needed Faith because “the maternal aspect of the feminine energy is missing” in his life even though it’s something “essential for Joseph to have”. He thinks there have been several Faiths because “when [Joseph] would lose faith, [he] would find another Faith.” And according to him, “she doesn’t need to have a specific energy because there’s something of an essence that [he needs] as opposed to a person”, and she almost has a “mother earth energy”.

While she does give a bit of information about her past life as Rachel in the game, saying she was “ostracized by her community”, “bullied by friends”, “abused by her family”, and “wanted to die”, it’s not always easy to know what’s true and what’s not when it comes to Faith because she’s known for being a master manipulator; lying is canonically part of her modus operandi. In a way, because Faith Seed is a role, I would say she’s also always performing. Unlike what a few NPCs claim, I don’t think that means she never tells the truth, but she’s still undoubtedly “very skilled at twisting the facts and turning any situation to her advantage”, as the game’s Narrative Director put it.

Although the details are unclear, I believe it’s true Rachel was “lost” and “broken” before she arrived in Hope County and joined the Project. It’s also true that, as Faith Seed, she’s now powerful, dangerous, and not innocent anymore, as her former best friend Tracey Lader, who knows her very well and witnessed her transformation (but was unable to stop it), warns the Deputy. I neither mean nor think the situation Faith is in is normal, healthy, or the best thing that could have happened to her, but I do think saying she’s unhappy with it, helpless, in danger, or that she only wishes she could run away from the cult really is a misunderstanding of the character. Faith knows what she’s doing, and she’s very good at doing it. To me, she’s the most powerful Herald.

Since the lore is a bit inconsistent, we’re not entirely sure how the Bliss works and who created it, but we know it’s an almost magical, hallucinogenic and pacifying drug made from “bliss flowers” (heavily inspired by Datura stramonium) that Faith is immune to, can control, and uses to brainwash people. “The Bliss” is also a place, but once again, the details are unclear. It could be her bunker, or maybe just a distorted version of reality that individuals who are exposed to the drug “live” in. Wherever or whatever it is, most people never truly come back from it or fully break free from Faith’s influence, as seen with the Marshal in the game…

In the Project, Faith’s role is to lure (hence the nickname “Siren”) people into the cult and convince them to follow the Father, often with the help of Bliss. If they keep resisting or are “too full of fear and doubt”, high doses of the drug can be administered to them and turn them into Angels, who are comparable to zombies according to some characters. Bliss irreversibly damages people’s brains, and those who become Angels unfortunately can never be saved. Faith and her followers seem to think they’re beautiful creations because they’re faithful to the Project and unable to sin. It seems she has the power to control them (at least partly), and the cult doesn’t hesitate to use them as “shock troops” or “slave labor and beasts of burden”, as NPCs say. They’re indeed very docile and resistant... as well as hard to kill.

Again, there are some discrepancies regarding what happens to potential converts in the Henbane River region, but it seems people first have to walk along the Pilgrimage path and, at the end of it, take a literal leap of faith from the statue of Joseph, just like Faith explains she did (even though whether or not the statue already existed at the time is a bit uncertain). As unbelievable as it sounds, NPCs confirm it’s entirely possible to survive the leap. After walking the Path, some pilgrims become Angels, some simply join the Project, and others don’t survive, either because they don’t make it to the end or die when they jump (maybe because their faith isn’t strong enough, I’m not sure how that works).

In the Family, Faith can be described as “the favorite child” (and I think that makes John jealous), who saw Joseph as her savior when they met and wants others to experience the same feeling, by force if necessary. Just like her brothers, she basically weaponizes her trauma and makes people relive a sublimated version of her life story: she targets the most vulnerable individuals, gives them drugs to ease their torment, and sometimes takes their minds away from them. Even though Faith is fully capable of thinking for herself, isn’t mind-controlled, was a drug user before she joined the Project (not after), and left her old self Rachel “in the darkness” willingly to be reborn as Faith Seed, she still became a new person for the Father and expects the same from anyone she converts, even if that means she has to completely brainwash them.

In conclusion, we don’t really know much about Rachel and her backstory, simply that she was broken, saw Eden’s Gate as a chance to start anew, and happily took it. Since she was young, desperate, and therefore suggestible when she met Joseph, one can wonder if Faith is simply a manipulated, brainwashed victim; a poor, helpless soul devoured by a cult. But although that situation is far from ideal or normal, she and other characters confirm that she too has teeth, and she doesn’t hesitate to use them. Rachel should theoretically just have been a victim, but as Faith Seed, she’s transcended this status. She’s found purpose, power, and is committed to her beliefs. Not everyone in Hope County precisely knows who she is, but now, she does. She’s a multifaceted mystery whom people tend to underestimate, and it’s something she likes to cultivate because that’s how she gets them. She’s a Siren, but in my opinion, also a Phoenix, who was consumed completely and rose up from her own ashes to be born again. Rachel was broken, but Faith is strong. Rachel lost herself, but Faith was found. Rachel was nothing; Faith can be anything.

#I was expecting this hehe #that still took more than a week because life has been busy :’) #far cry 5 #faith seed #rachel not jessop #we’ve been fooled! #the wiki strikes again! #far cry 5 spoilers #I realize the phoenix comparison also works if you consider all the faiths #‘faith seed’ has already died and been born again as a new person #I mean literally a new person

[turquoisemagpie]

Q&A JSE egos.

No surprises that since my part in helping Sean come up with ego content has been revealed, I’ve had a lot of the same questions asked. So here they are:

When will we get ego content?

Soon. I can’t give specific dates, mainly because we have no idea ourselves when stuff will be posted. It’s good to guess that most release dates will be significant dates (the anniversaries of certain videos, the birthdays of some egos, etc.) but then again as soon as something is finished, we’re eager to post immediately, so it could be any day really. Just keep your eyes open.

What’s in store?

I can’t say. I’m still working with Sean and thus still under a contract. But I can’t and won’t say what’s to come mostly because I like suspense. I know some people get very agitated not knowing what’s to come, but we want this stuff to be a surprise for everyone; if I told you everything to come, it would ruin that. As of this point in time, any actual hints I can give will refer to past videos, but I will give nothing on future videos or content until the immediate time comes. So don’t ask about specific egos or what will happens to them, your answers will come officially through Sean, not me.

How did you get to work with Sean?

… Even I’m not sure of that. Sean approached me out of nowhere asking for some help, and it’s all carried on from there. I didn’t approach him, I didn’t hassle him, all I did was carry on as I usually do in my day to day life. It’s was quite literally luck that this happened. Although I won’t deny that my portfolio of septicart over the past 5 years may have increased up my chances. But I’d like to put this forward to those who seem like something tricky happened for my to get where I am: sometimes things happen out of literal chance, no amount of hard work or destiny can fully determine where you go in life. For me, this opportunity is the biggest example of that.

What’s it like working with Sean?

It’s great. Once you get past the idolisation of any person, and realise that they really are ‘just some guy’, talking normally is great. Sean is more creative than he thinks he is and his skills will get him anywhere he wants to go; he just needs that little push in confidence to get started, and I’m glad that I was able to do that for him.

Can I get to work with him?

Don’t bet on it. Essentially: don’t hassle me or Sean or anyone else who’s already in this project. Those who are already in this project have been selected because they’re fit for the job, and it’s a heck of a job. There is a lot more to building characters, writing stories, and filming videos than you think. So if you only want to be in the project only for the notoriety, I suggest you re-evaluate your priorities.

Can you tell Sean “____”?

No. I’m not his messenger now. And honestly you’d be surprised how much he sees of what you post and just doesn’t interact with the post. I won’t tell him, because most likely, he already knows.

#jacksepticeye #jse community #jse egos