In Plagiarism and You(Tube), Hbomb says "If you consider something so obscure you can get away with stealing it, you do not respect it." Save that line for the next time someone tries to tell you that Roy Lichtenstein brought respect to comics as art.
It's since been pointed out that while Lichtenstein did copy one of Russ Heath's drawings of an airplane getting hit, the painting depicted above was actually copied off Irv Norvick, because Lichtenstein did this so many times to so many comic artists.
In Lichtenstein's defense, he was doing this in a time when comic artists frequently weren't even credited in the issues themselves. In his condemnation, he never even tried to check, nor has he made any move to pay or credit any of the comic artists who recognized their own work later on. Rather than elevating the "low art" of comics, he was widening the gap of financial success and respect even further.
The Hbomberguy of this story is art historian David Barsalou, who has now spent decades tracking down the original art and the names of the original artists used in Lichtenstein's most famous output. Here's the flickr gallery for the Deconstructing Roy Lichtenstein project. Frequently copied were Tony Abruzzo, Ted Galindo, Mike Sekowsky, Joe Kubert, Jerry Grandenetti, and dozens more Golden Age artists who aren't very well known in comics circles, let alone art history books. Many of them died in poverty. That's something that the Hero Initiative, mentioned in Russ Heath's comic above, aims to prevent.
Also, Lichtenstein didn't even paint Ben-Day dots. That's a specific thing.
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it's a fun hc of mine that during dick's robin days, he went through the "omg i wish i had a cool secret language so i can have secret conversations with my friends" phase all kids go through. but one of his closest friends at the time also happened to be the batman, a guy with possibly the most bizarrely diverse arsenal of skills in the world. bruce sees the merit in the entire idea of a coded language to communicate rudimentary information when they can hear but not see each other. so why not make a code built on bird vocalizations? it's pretty much incomprehensible to anyone without a trained ear or comprehensive knowledge of birding and impossible to even passably mimic without proper training, so while the chances of interception are high, the chances of someone understanding it enough to interrupt during the middle of a bird-convo and feed false information are not.
it also, batman and robin come to realize, feed into the "holy fuck our vigilantes are cryptids" idea. bird sounds that come from seemingly no determinable location (ventriloquism) come to mean batman and robin are nearby. to the goons of gotham, bird song becomes inextricably connected to getting your ass kicked by the dynamic duo. the real reason why criminals don't operate during the day is because they get skittish and jumpy about if the sounds of birds chirping are real birds or some masked vigilantes lying in wait to rock your shit, and it's just easier to commit crimes during the night when all the birds are asleep so you know for sure.
ornithologists have boards on their bedrooms dedicated to the bird-bats of gotham. they've written dissertations.
the bird language becomes a bit of a batfamily bonding connection. teaching each other how to do different clicks and whistles, making up slang so bruce and barbara can't complain of clogging up comms with non-mission relevant talk, searching up birds to associate them with different people, psychologically terrorizing the criminal populace of gotham by chirping at them...
how the bird code works is that there's a bird assigned to each one of gotham's major heavy hitter criminals and vigilantes, and a few assigned to heroes out of the city (by which i mean the ones the bats associate with often enough to have a sign to address by). the only birds i've got so far are the robin (for robin. self-explanatory) and the glistening-green tanager (for the joker). i only have one for the joker bc i wanted to reference this hc in one of my fics and so searched up green birds to find the most eye-searingly annoying-to-look-at green bird i could find, and the glistening-green tanager was the closest one to fit the bill.
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comics have been going downhill ever since someone in the late 2000s decided that characters should stop being bitches and obnoxious assholes. peter parker is a nice guy. kate bishop is quirky. modern amadeus cho probably wouldn't even tell reed richards to kill himself. where is the bitchery? the cuntism? these days all we have is scott summers
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I need a fic where Steve and Eddie are sorta friends after S1. He isn't talking to Tommy H, so he has to buy his own stash, and since he saw a monster, he's more in need of that stash than before. Steve is still with Nancy, there isn't anything romantic happening between Eddie and him, but they're close enough they have stopped acting like guests at each others place when they're over.
They get way too high the friday before Halloween of 84, and Eddie accidentally outs himself. Doesn't say that he likes Steve, but the pieces are there if Steve wants to connect the dots. Eddie runs for it, and Steve is confused why he ran, but thinks that he should give Eddie some space, since he obviously wants that. Enter S2.
Steve gets a little in his own head about dragging people into the Upside Down crazy. It got Bob killed this time. People die, and the closer people are to the group, the more likely it is that they'll end up in danger or dead. The best case scenario is that they have nightmares and brain damage.
So Steve takes the echoing silence between him and Eddie as a chance to keep him safe. Eddie is terrified that Steve hates him, so he's not going to say anything. Then, Steve shows up to school beaten to shit and single, and Eddie asks if he's okay, what happened, who did this, why.
Steve really wants to loop back to why Eddie ran out so fast after saying that he was 'a friend of dorothy', because he missed it entirely, but asking would encourage Eddie to stay around him, and that isn't safe. He is still a bit concussed, and convinced that if he tells Eddie about any of it, the guy will figure out all of it, and get himself killed. Brushes him off.
Its not until a year later, talking to Robin about queer culture that he understands what Eddie was saying, and why he ran. He also realizes that cutting off contact must have convinced Eddie that Steve was disgusted by him. Steve tries to reach out, tries to catch Eddie after Hellfire, shows up to his trailer a few times. It's late, but Steve wants to apologize and fix that one thing if nothing else.
It doesn't work, Steve takes the hint, and goes back to avoiding Eddie. So, the first time they talk again is in the boathouse.
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