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#it makes me so sad that we are left with what we have
charcubed · 2 days
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I saw Challengers earlier today and I decided to start a running doc of some of my feral thoughts in an effort to not forget what's currently marinating in my brain after my first watch
I want this movie to get a long theatrical release/run because it deserves it, but that's unfortunate because I also NEED to have it accessible to me in my home ASAP so I can pull on all its threads and take screencaps. Alas.
EXTENSIVE SPOILERS BELOW
might add to this later as I remember things, idk
-The parallel of Art spitting his gum in Tashi’s hand and in Patrick’s hand… My jaw dropped soooo early on. Anyway they obviously both act as Art’s “coach” at different times in his life in different ways. (The jerking off teaching?? Scream???) Art craves their guidance and approval as a form of love (which is also directly responsible for his confidence issues) and initially likes to follow their leads in every situation
-The parallel of Tashi making out with both Art and Patrick up against cars… delicious
-Patrick’s car is his “bed” and it’s where he and Tashi fuck. Nice
-Wait now I’m sad because… lowkey Patrick is homeless because Art and Tashi are his home…………….
-The storm = Patrick and Tashi having sex = the reason why Art’s half of the giant poster/ad on the side of the building falls down so only Tashi’s side is left up. Iconic, loooove a good visual metaphor, especially shown nonlinearly
-The parallel of the forehead kisses??? Art and Patrick on the court at the start when they won the doubles, and Art and Tashi in the sad almost-sex scene towards the end??? I will throw up
-Disclaimer and reminder I’ve only seen this movie once and might reform any of these thoughts later BUT…
One of Art’s main things is, as he tells Patrick towards the start, not wanting to be “left out.” He loves and he wants both Patrick and Tashi (but he doesn’t fully want to acknowledge the extent of his want for Patrick for years, and that repression is part of his problems…). He gets “lit up” about the thought of them together not because he’s jealous of one of them but because he’s jealous of BOTH of them; he wants to know it all, he wants to be in the room, he wants to be with them both, he despairs at the thought of losing either of them (but, at the start, especially at the thought of losing or being of lesser importance to Patrick. Obviously he’s a fucking idiot as evidenced by how Patrick goes to see him FIRST at Stanford. Ugh). We see all of this at the start when Art wants to know if Tashi and Patrick fucked. We see this in Atlanta when he witnesses Tashi cheating on him with Patrick but doesn’t directly confront either of them about it; he only skates the edge of confronting it with Patrick in the sauna while also lashing out at him. Patrick tells Art at Stanford “it’s nice to see you so lit up about something, even if it’s my girlfriend” during the homoerotic churros scene because Patrick’s clocked all of this about Art, too. He clocks it further in Atlanta when he shows up to Art’s practice with Tashi and his mere presence makes Art hit the ball harder. It obviously all comes full circle; the cocktail of emotions that Patrick and Tashi being together gives Art coalesces again for him on the court in the Challengers match: Tashi’s threatened to leave him if he loses… and she’s maybe got one foot out the door with Patrick of all people, who Art already “lost” in the past as the love he’s been mourning for 13 years. But what’s important is that THIS time, unlike Atlanta, Art learns about Tashi cheating on him with Patrick not by accident but rather because Patrick actually tells him. Patrick understands the significance of how this will get Art lit up again and make him play the way he needs to for all of their sakes, and it’s fucked up, but… what this means is Patrick doesn’t leave Art out. He TELLS Art – and he tells him in a way only they understand while they’re on the court together again. Of course Art goes through several stages of emotions in response to that fucked up information… but ultimately that moment of honesty and realization between the boys is what Art needed and puts where all 3 of them stand into sharp relief, shedding a light on who they’ve all always been and what their individual needs are.
Art’s always wanted to play tennis, but that desire is framed around his relationships. Tennis is only something he truly enjoys or that fully makes him happy when he’s experiencing it through his connections to other people: he wants to impress, earn the approval of, or celebrate with those he loves who are watching (like his grandmother or Tashi) – which is partially why he wants Tashi to be his coach in the first place. And of course, tennis all began as something Art found joy in because he was always doing it with Patrick. It’s clear Patrick feels the same. At the start, neither of them cared much about winning for the sake of winning unless it was doubles because they competed as a team and that was “really fun” for them. With the singles competition, they kind of cared less about the wins at the start; Art assumed Patrick would win and didn’t care back then, and then Patrick was willing to let Art win so he could impress his family, and they were both fine with all of those sentiments. Tennis was first and foremost something they did with and for each other. As Patrick later tells Art in the sauna, “I miss playing with you” – and, of course, at that point he’s definitely not only talking about tennis. But in that final match, after so many years, Patrick and Art finally understand each other completely again. It’s like they’re in love (because they are and always have been), they go somewhere really beautiful together… etc. They finally reconnect on the court and feel that thrill as they become synchronized again, which is what tennis was always about for them.
And Tashi, who’s irrevocably connected to them both and whose primary love is and always has been the sport itself, gets what SHE’S always wanted: to “watch some good fucking tennis.” It’s why she pitted the boys against each other vying for her number at the start. Though she needs/wants both boys in different ways on an individual level, she doesn’t particularly need or want anyone to ~be in love with her~; she wants the men who are in love with her to entertain her and challenge her and give her a show. So that’s what she tries to accomplish again in the end by telling Art she’d leave him if he lost the Challengers match… but the missing piece in her making that threat – the element that would get Art truly fired up – was that she’d potentially leave Art for Patrick. That final piece of info, when Art finds out about the cheating, is what reconnects them in all of the above ways. Because it’s about all 3 of them and their triangular codependency. They’ve all been broken for 13 years because they all need each other and tennis to be fully functional. Split any of it apart and they just don’t work.
-Literally this is a film where from the moment of the injury they’re all constantly mourning. They all lose their greatest loves that day… Tashi essentially loses tennis, Art loses Patrick, and Patrick loses the two of them. Everything after that is just them being affected by how they’re all mired in various grief and feeling incomplete… until that synchronization at the match when they finally become whole again. Going from that bed scene that was breaking my heart to the final match was HEALING. Things are still fucked up and in progress, but they’re fucked up in a way they all understand, which gives them a path forward. This movie has a fiercely happy ending in that regard… and what I’m saying is that… after the match, once they communicate further, and much later down the line… Art and Patrick should go back to playing doubles and Tashi should coach them as as doubles team. God they’d eventually all be so happy I wanna CRY just thinking about them doing that. It would take them awhile to get there — because yeah, Tashi is living vicariously through Art’s career as an individual player and maybe if Art retired she’d then want to live through PATRICK’S career for awhile — but I think if they worked out their relationship then their tennis could come to reflect the needs of that relationship too, and doubles can still be “good fucking tennis” in its own satisfying right, y’know? I think they could get there and it would be a beautiful collective restart.
-I gotta say, I can't imagine Tashi pregnant. Wild to me. Sorry to their daughter. Oooo also... I think Patrick would be great with kids... when he gets to meet Lily and become "Uncle Patrick" they're gonna hit it off so fast. Help me
-*holds up Tashi watching them kiss after she orchestrated it* *holds up the Challengers match* It’s the same picture. Except the kisses were kisses whereas the match was actual sex. The moaning and grunting… I’m insane. Also Tashi’s “COME ON!!!!” is arguably the sole orgasm/climax we witness in the whole movie perhaps? Though you could argue the hug is too. In this essay I will, etc.
-Art begging for Tashi’s love/validation saying “Tell me it doesn’t matter if I win tomorrow” vs Art telling Patrick in the sauna “this is a game about winning the points that matter” / Patrick saying “I don’t matter?” AAAA oh my fucking Goddddddd I’m gonna die
-Thank you Luca Guadignino for your dedication to having Art and Patrick hold phallic drinks and food in each others’ presence. Specific shout out to Patrick at the beach party holding the beer bottle on his crotch
-Patrick = comfortable with who he is and secure in his bisexuality; honest and open Art = repressing his queerness and his overall desires Tashi = hiding who she is aka her dissatisfactions with life and the lengths she’ll go to because tennis is her true greatest love and always has been
COMPRESS, REPRESS... REPRESS, COMPRESS... AND THEN JUST SURRENDER, ONE TWO THREEEEE
-I need to rewatch to catch the dialogue because it was difficult for me to hear it over the music, but I think in the 3am Atlanta scene Tashi tells Patrick that Art’s grandmother had a stroke. IF that’s what she said (and if there’s no reason to believe it’s a lie Art told; like I said, I need to rewatch)… my immediate impression was that it’s a nod to Patrick being the voice of accuracy and prediction in this movie. Towards the beginning he tells Art (jokingly) that he hopes Art’s grandmother dies of a stroke, and that’s seemingly what literally comes to pass. He repeatedly clocks both Tashi and Art’s behaviors, describing them brashly to their faces (and to us as the audience), and he was right about his predictions. He’s the one who’s not repressed or unaware of who he is out of the 3 of them: when Tashi first asks if there’s something between him and Art, he looks away because he knows the answer is yes; he’s openly bi on dating apps; he tells Tashi he won’t be her lapdog unlike Art which we see later ends up becoming literal; he clocks how Tashi is hiding some of her true motivations when she seeks him out in the storm; and even from afar he predicts Art’s mindset about wanting to retire. For the most part, what Patrick does / says either seems to be or becomes truth. Hmmm, wait, as I’m typing this… something to look out for: the “I TOLD YA” shirt. Working theory: Tashi briefly wears it, she’s the voice of accuracy; then it blatantly switches over to Patrick and he wears it throughout the film and [waves to all of the above]
-Head in my hands thinking of how the word “love” is used in these tennis matches. Also something I need to make detailed note of when I rewatch
-Patrick grabbing Art’s thigh when they first watched Tashi play… oh my GOD
-Patrick pulling Art’s stool close and Art just smoothly sitting on it with no reaction… the way they kept looking at each others' lips... oh my G O D
-I just remembered Tashi referred to the boys being known as as “fire and ice.” What the fuck even.
-Tashi going to Patrick asking him to lose the match for Art… she’s literally like, "do this because I love tennis and if I lose Art then I lose the way I live tennis through him. Do this because if he loses this match he'll lose himself." And she's really like, "Do this because I know you’re in love with both of us." And Patrick is like, "A) fuck you because you know I’ll say yes precisely because I'm in love with both of you so how dare you ask this of me, and B) you’re kidding yourself if you think you don’t miss the challenge I give YOU simply by being myself because I don’t take your shit." Something something they're peers, you know
-Tbh for 13 years when Patrick gets his rare opportunities he’s @ both Art and Tashi like “you want to fuck me so bad it makes you look stupid.” And the thing is that he’s RIGHT. He’s right! Art in particular doesn't want to admit it because he's trying to convince himself he outgrew being bisexual / outgrew Patrick but it's obviously bullshit
-Realizing some of the sounds in the soundtrack intentionally emulate the sounds of tennis balls and rackets???? MADNESS
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apdreadful · 3 days
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I’ve decided that from here forward I’m writing Tommy and Buck/Evan as long term canon. In the words of Buck himself “Who cares?!”
I get the feeling that Tommy is difficult to get really angry. Mostly based on his past. And his general roll with the punches attitude thus far. So I don’t foresee a lot of strife or fighting in his future with Buck. Except the first time Tommy experiences the after of that big marshmallow Evan Buckley doing something really dangerous and reckless..again.
And Tommy who never gets angry, who never shouts at Buck, who flew a helicopter into a goddamn hurricane in the middle of the ocean, really loses his shit this time because Buck cannot understand why Tommy is so upset that he dropped into a dangerous situation against orders AGAIN.
Tommy pinches the bridge of his nose to keep from shouting “Bobby told you not to go in. He told you not to risk it. That the floors were too unstable”
“There could have been someone left” Buck replies “Someone needed to check. It had to be me”
“Why? Because you’re fucking super human? The great Buck Buckley from the 118 who scoffs at danger, has survived a tsunami, getting trapped beneath a fire truck, throwing a blood clot, and was officially dead for three minutes after getting struck by FUCKING LIGHTNING!”
“How do you know about all of that?”
“That isn’t what matters”
“I think it is” Buck takes a step toward Tommy “Have you been stalking me babe?”
Noticing the mischievous smile Tommy shakes his head “Oh no no no. You are not going to adorable your way out of this”
Bucks shoulders sag and he sighs “I’m ok Tommy. Not even a scratch”
“I can see that” Tommy lets out a deep exhale “I understand the risks of the job. I’m not like your exes who would get all distraught over you removing a cat from a tree. But for fucks sake, you are worse than the EOD guys when I was in Afghanistan with the walking - or in your case running or jumping- right into the worst case scenario with no thought of your own safety” Rubbing his forehead he continues “Evan. You’ve got a savior complex and it’s noble and selfless..”
Buck cuts him off “It’s not a savior complex. I’m not stupid. I understand that sometimes no matter what you do you can’t save them. But sometimes maybe you can, and in those cases, I just make the most sense”
Tommy crosses his arms to keep from strangling him or kissing him stupid again to shut him up “How is that? How does you possibly dying make any sense?”
“They all have people that need them. They all have someone they belong to and..” he trails off with a small shrug
And Tommy hears the words he doesn’t say. He is…expendable. And just like that all of the anger drains out of Tommy to be replaced by a something else. “Evan” he says softly.
“I know” Buck interjects “I know that people love me and they would be sad, especially Maddie. And I don’t want to die. But I don’t want someone who has someone they need, and that needs them, to die either. I couldn’t live with that”
Tommy closes his eyes. This man..How can he be so adorable and selfless, yet so completely stubborn and a pain in the ass about his own safety?
Once he calms his thoughts and finds the words he wants to say, he opens his eyes to see Evan looking at him calmly. Like he expects Tommy to see the sense in what he said.
“Evan. I know we haven’t really put a label on this. On us. But that’s because I don’t want to pressure you. I’m the first man you’ve been with and you’re still figuring out who you are, and I understand that. But let me clarify something for you. I need you to come back to me. Ok?”
Buck blinks “Huh”
“I need you to come back to me” he repeats “Like Bobby needs Athena, and Karen needs Hen, and yes like Maddie needs Chimney.
“And Jee-un. Jee-yun needs her dad”
“Yes, and in that same vein, Christopher needs Eddie” he agrees, trying not to give in to his exasperation. “I need you. I am that person who needs you to come home Evan”
Evan stops whatever he was about to say. Startled awareness creeping into his eyes..Tommy sees a mix of emotions flit across his face. Surprise, joy, fear, everything just races across that expressive face and then Evan sinks onto the barstool at his kitchen island. His hands coming up to cover his face.
Tommy’s stomach clench’s. He pushed too hard, too soon “I’m sorry. I shouldn’t have said that. I do care and want you to come home but..”
Buck looks up at him “Don’t you dare take that back”
“I’m not taking it back. I just don’t want to push you”
Something else crosses Evans face at that..but he tugged at his bottom lip with his teeth. “You aren’t pushing. You aren’t pressuring me. I am in this just as much as you. I just don’t know how to say what I want to say without it sounding lame and emo as shit”
“Did you just hear me? You can say anything to me Evan. Whatever it is”
Buck rolls his bottom lip between his teeth again. “I’ve never questioned why I do this…I mean it’s the whole reason I was born. To save my brother. To save Daniel. That’s what I do, that’s who I am. It’s why I became a firefighter. To be the one who saves people. The 118 is my family. And I would do anything to protect them from harm”
“I’m not asking you to stop. I would never ask that. I just want to remind you that you matter to a lot of people, and you also have someone who is waiting for you”
Bucks voice is thick “I know that. I get that. But…Nobody has ever. I have never belonged to anyone, like that”
In a sense of deja vu Tommy closes the short distance to Buck. Tipping his face up, he kisses him. Not soft and gentle like their first kiss in this kitchen. But bold and deep. Branding Evan with his mouth. Pulling back he says fiercely “You belong to me like that. For as long as you want..you belong to me and I belong to you, like that”
“I will ALWAYS need you to come back to me Evan”
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it could happen to you // lorenzo berkshire x fem reader
playlist : it could happen to you - laufey
summary : youve had a crush on lorenzo berkshire for years , always pining until one day he asks you to the yule ball.
ravenclaw reader , y/n used
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"cho its getting dangerously close to the ball and i still dont have a date!" you whined.
"its two weeks until the ball , you have more than enough time! i know atleast 5 guys that would drop dead to go with you," cho replied with sympathy.
"oh yeah like who? funny they havent asked me yet if theyre so desperate!" you complained with sadness.
"lorenzo berkshire," cho said blanky , staring at something behind you.
you scoffed loudly , "in my dreams maybe!".
"no...no , lorenzo berkshire is coming towards us with flowers."
you jumped up at this , staring at her with pure shock not wanting to turn around ,"cho! cho please dont joke around about that!"
"im- im not!" she exclaimed finally turning back to you , "he is literally coming over to us-"
"y/n," you heard a deep but soft voice say right behind you making you freeze all movement.
you turned around slowly , seeing lorenzo stood there with some red tulips in his clenched fist , his other hand playing with his robe nervously , "l-...hi lorenzo"
"its enzo!" he said quickly before physically cringing at his own words , "i mean call me anything you want!".
"ah o-okay sorry," you said with a bright red blush.
he stared at you silently for a second before realising the tulips in his hands were not yet in yours , "oh these are for...you!"
your whole face lit up as you grabbed the tulips from him, hands brushing delicatley , making his fist clench by his side.
"thank you so much enzo, theyre beautiful!" you admired the flowers you held , forgetting your past nerves of the boy you like being in front of you.
he smiled at this , blushing obviously , "i was wondering if um.."
you nodded your head, waiting for him to continue.
"if you-" he began again only to be cut off.
"pretty flowers y/n , oh hey berkshire!" fred weasley , your other best friend , said happily from where he now sat next to you on the bench.
"hi..." lorenzos hopes quickly deflated as fred wrapped his arm around your shoulder.
"fred i was talking to enzo," you said softly , trying not to be rude.
"yeah sorry about that , also enzo? never heard you let anyone call you that before berkshire! anyways , i was just wondering, do you have a date to the ball yet? i dont and-"
"she does!" lorenzo quickly cut him off as you looked at him in suprise.
fred mirrored your expression , before laughing and smirking at lorenzo, "and who might that be?"
"me." lorenzo scoffed , his anger rising more and more by the second.
meanwhile you exchanged a shocked look with cho and gaped up at enzo , who was only staring down at fred.
"good for you man , nevermind then!" fred said with a smile before he got up, waving to you as he walked away, "see ya y/n!".
once fred left both you and lorenzo shifted into an uncomfortable silence before he brushed his hand through his hair in frustration , "merlin im so sorry i shouldnt have done that i just didnt want him to ask you-"
"lorenzo , i dont care." you said as he visibly calmed , "as long as we are actually going together i dont care at all."
he grinned back at you , "yeah thats what i intended to ask you before...he came over."
you laughed at his frustration towards fred , "i wouldve rather not gone at all than have to go with anyone that isnt you."
he bit back his smile and looked down at his hands before shifting back into eye contact , "do you want to go to hogsmeade with me this weekend?"
"id love to," you grinned at him before standing up and giving him a kiss on the cheek , "just know you cant get rid of me now!"
he mirrored your wide smile with a blush on his cheeks and an arm around your waist , "why would i ever want to get rid of you?"
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lovelybrooke · 3 days
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Letters Never Sent (Yandere Malleus x Reader)
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A letter wrote by Malleus Draconia, never sent to the object of his desires. Why don't you open it up and see what's inside...
masterlist
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Dear My Child of Man,
I am writing this letter with no intention of you receiving it. 
Maybe this is "silly" as you would describe it, but I find myself slowly losing the restraint on my emotions as the days go by. My heart fills with unfamiliar feelings as I think of you, mixing together into an ever present sense of desire that makes me near shameful. 
I find myself thinking of you always, from the moment I wake, to the moment I fall asleep. You seep your way into my dreams, where for but a moment I can relish in the fantasy that is you. I dream of your soft voice, your comforting gaze, your addicting presence. You are so captivating that I often forget I'm dreaming, until I awake with an aching feeling I've come to know as longing. 
I long for you, I've learned.
I long for your voice, for your gaze, for your presence. I long for every essence of your being to be directed towards me. Some may call me a fool, scoff my way and paint me a madman, but I am nothing without my love for you, so it bothers me none. I often wonder if you think of me as intensely as I do you. I have to admit it is exciting, the mere thought of you reciprocating my feelings warms me so. It is intoxicating, even as a fantasy, simply imagining a life with you is enough for me. Somedays, I imagine gifting you with an unending dream, one where it is just us, away from the rest of the world. Away from duty, and work, and anything else that could distract us from each other, from our love. We would be together and we would be happy until the end of your days, and even after you're gone, I would continue loving you. 
You were always so opposed to the idea, immortality. I remember the look on your face when you realized just how long I had lived, the sadness, the remorse, the pain. At that moment, it was not something I feared, more accurately not something I thought much about. It was not until I met you that it dawned upon me that at some point, you would leave this world, and that it would keep moving. Time would progress, people would grieve, but they would move on, plants would sprout and grow and wilt and eventually grow again, but I would remain stuck. Stuck with my dreams and fantasies. Stuck with the memory of you so present it would be like you never left in the first place. 
Even now, I fear what the world would be like without you. Not much fills me with fear, my Child of Man, but I've found myself scared lately. The thought of you leaving, of going back to your home, and never returning scares me. It is almost comical in a way, I find myself dreading the thought even while writing this. You should be proud, how easily you are able to terrify me is an excellent skill, one many would love to possess. 
You were my first true friend, did you know that? I have Lilia and Silver and Sebek, but I've always been treated as above them, as something untouchable. You were the first person to treat me like an equal, to bless me with the wonderful feeling of friendship. I often find myself racked with guilt, why should I desire more from you when you've already given me so much already? It is selfish, to seek out your love so desperately when I've already taken so much from you. You are my friend, and I should value our friendship above all. 
But that is why I fear, because my love for you goes beyond the boundaries of friendship. I would even say it goes beyond the boundaries of love. It is a longing so deep I wonder if I'll ever be the same again, all while knowing that I am too engrossed in the feeling that is you to ever go back. A longing so deep I yearn with desire unexplainable to man, desire so profound and raw that I am sure you have changed something within me. A longing so deep the closest word to describe it is obsession, but even obsession doesn't explain the hundreds of letters, all unset, pilling away, all centering you. 
Fear, love, what do distinctions matter if every single one of my thoughts center you. 
I have no desire to send this letter, my Child of Man, but I hope with every meeting, every passing day, every time we are together, you are able to feel the love I hold for you. I hope my longing, my devotion, my never ending, boundless obsession is clear to you, my love. 
Because I fear what will happen when I run out of paper.
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A/n: here's to me hoping that this will break my writers block.
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lovelytsunoda · 2 days
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does he take care of you? // george russell
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does he take care of you? or could i easily fill his shoes, but you say 'no'. yeah you said 'no'... and i'm not trying to stop you love, if we're gonna do anything we might as well just fuck
summary: they had always been walking a fragile, tender line between friends and lovers. they were bound to cross it at some point.
pairing: george russell x bonnington!reader
warnings: an attempt is made at angst, people can't properly deal with their feelings. minor drug use, insinuations and non detailed sex (but bestie bonnington can’t deal with her feelings properly so she bails when things get serious-) one small little insinuation that someone might jump off a building. loosely inspired by the song 'sex' by the 1975
it was dark outside, nearing ten pm at the track when peter bonnington came to find george. george was in his drivers room, looking over printouts of race data, trying desperately to figure out where he could improve the following weekend.
“I hate to bother you, mate.” peter started, “do you have a moment?”
thankful for the reprieve from straight line speed and throttle graphs, george folded the printouts back into their legal folder and turned to look at the engineer. “what do you need?”
there were lines furrowed on bonnos brow. the man looked stressed, and george had a feeling that it wasn’t due to the cars subpar performance.
“I need you to talk to y/n. she hasn’t been doing well these past few months and I’m starting to get really worried. she won’t talk to me and she won’t talk to her mum. toto tried to ask her about it and she threw her drink in his face. something is wrong with my little girl and she’s shutting me out.”
george frowned (although he had to admit that the mental image of babe bonnington throwing the icy remainder of her pink starbucks refresher onto the great toto wolff made him laugh). “when did all this start?”
“when she came back from wales a few months ago, that big work trip. I think it has something to do with that wanker matthew she was dating, he hasn’t been around the house since before she left.”
“do you know where she is?”
“the roof, I think.”
at the look george gave him, bono sighed, shaking his head. “she’s not gonna jump. she just wants peace and quiet. I think the inside of her head is too loud. besides, the motor home isn’t high enough off the ground for anything serious to happen if she falls.”
“still, why would you let her be on her own right now?”
“she didn’t give me a choice.”
after a bit of floundering (and a trip back down the stairs after he realized he’d forgotten a coat), george found his way to the roof. from here, he couldn’t quite see the track, but he could see the lights and hear the sounds of the paddock, watching the last few stragglers exit their team homes and head for the front gates.
y/n sat at the edge, feet pulled up under her and a halo of smoke around her messy hair. her clothes were baggier than normal, darker than usual. when she turned to face him, the driver could see that her eyeliner was smudged, a single mascara tear running down her cheek. in her hand, she shakily clutched a lit joint, the embers at the end glowing orange in the night.
“I thought you quit that?” george asked, concern evident in his tone as he moved to sit next to her.
“fucking mattys fault.” she grumbled, taking a long drag of the fragrant plant. “he’s set my anxiety issues back about five years, figured it was time to go get my cbd prescription refilled.” she stopped, taking another drag before exhaling the smoke and offering it up to george. “it won’t get you high, but if we share it, it will make this look less sad.”
george frowned, taking the joint from her hand and taking a shaky drag, choking in the smoke as it filed his lungs. “what did he do? did he touch you?”
she laughed sadly, defeat in her eyes as she looked over the paddock. “nope. what he did hurt a whole lot more. when I got back from wales I went over to his apartment to surprise him, since my flight had gotten in a few hours early. he was in bed with another woman. and this wasn’t the first time, either. he’s been seeing her almost as long as he’s been seeing me. apparently she didn’t know I existed, and he was thinking about marrying her. I was fucking humiliated, george.”
“I’m so sorry.” he didn’t know what to say as he passed the joint back. she took a long drag, refusing to meet his eyes until he had reached over to shake her gently by the shoulder. “you did nothing wrong. you are pretty and funny and smart and most of all worthy of love. if matty couldn’t see that, then he didn’t deserve you in the first place, y/n.”
it happened so suddenly it almost knocked the driver on his backside. they were just talking, sitting comfortably in the marijuana smoke and then suddenly the engineers daughter is kissing him. soft, guava lips pressed to his, pillowy from all the tropical lip balms she can’t seem to put down. her hands are hungry, extinguishing the joint against the metal motor home roof before pawing at george’s broad frame.
they had been friends for years, yn considered him one of her closest. it must have been the part of her that needed reassurance that said ‘it’s okay, cross the line’ because soon enough, he was kissing her back, tongue exploring her mouth with reverence, hands gripping her waist through her mom jeans, then slipping into her back pockets to cop a feel.
“is there anyone left inside?” she panted, resting her forehead against george’s, hand splayed against his clothed chest.
the driver shook his head.
“good. I want you.”
and then they were in his drivers room, everything happening so fast that it felt like a fever dream. and then it happened, her jeans and panties on the floor, stripped down the lacy camisole she’d had on under her sweater, back on the massage table as she wrapped her bare legs around george’s hips, his hands gripping thighs hard enough to leave marks as he pounded into her, sweat dripping off the tips of his brown hair.
“god, fuck, george, please!” none of the words leaving her mouth were coherent. it didn’t matter. this was about avoidance, a mere distraction, if you will.
she needed to be fucked so hard she couldn’t think about all the bullshit matty was putting her through.
when all was said and done, her mind blissfully clear as she lay prone on the massage table, feeling the sweat dry on her flushed skin as she watched george tuck his cock back into his jeans, all she could find it in her to say was “god I needed that.”
and from there, it was all too easy to fall into a dangerous pattern that didn’t help anybody. one that tord a line so fragile it might as well have been made of salt, intended to keep the deeper feelings out.
the night in george’s drivers room turned into a quickie the next morning in the airport bathroom, bent over the vanity in front of a mirror, panties around her ankles and a massive hickey tucked into her turtleneck as they sat across from each other on the private jet, sharing a glance and smiling at the secret they shared,
eventuakly, back on home soil, the driver became her coping mechanism. when she wanted to go out but her friends were busy, george was the first person she called, pulling up to his house in her toyota corolla, synth-heavy music that was popular on tumblr in 2014 shaking the frame of the car. she turned it down as george opened the passenger door, giving her an odd look as the guitar solo played quieter in the background.
“how can you think when it’s that loud?”
“that’s the point. I can’t. it keeps the thoughts at bay.”
that night had ended in the back of an empty parking garage, movie theater popcorn and a takeout box left abandoned on the passenger seat, y/n on her knees with george’s rock hard length in her mouth. hearing him moan her name was its own kind of drug, and hearing him call her ‘good girl’ was enough to have her clenching around air.
or when george would come over, and they would make a new recipe together, criminal minds playing in the background. how many nights did the dinner end up burning while george had y/n's legs spread wide on the dining room table?
and while the act itself brought him nothing but pleasure, it was the aftermath that left him feeling like shit. he knew this was never going to go any further, that y/n was just looking for a rebound. something to take her mind off just how fucked her last relationship had been.
george would never be anything more than a friend, someone she could fuck when she needed it and be platonic with when she didn't.
she deserved better, someone who could take care of her in teh way that her heart ached for.
someone like george william russell, he thought.
but who was he to decide what was best for her? maybe he could show her, treat her right and change her mind somehow. but he wasn’t sure how to do it.
it was a night like any other, over a game of uno and a bottle of white wine, reruns of coronation street playing in the background, the smooth jazz of the intro and outro music only adding to the atmosphere.
and of course, as nights like these do, the cards ended up discarded on george’s living room floor, bodies mushed together in a heap in front of the soft blue glow of the tv. he picked her up bridal style, deftly lifting her weight as if she weighed nothing, carrying her to the master bedroom.
the bedroom. a place so intimate and so forbidden. their relationship had subsisted on having sex anywhere but a bed, for a bed would make it too real. there would be too many feelings involved.
and yet here he was, taking a massive leap into the unknown, uncharted waters as he laid her down against the linens, caging her body in with his as he kissed her.
a kiss so different from all the others that they shared, this one soft and tender. no teeth and no tongue, just the soft caress of a man’s chapped lips, done with reverence, as if her body was a treasure.
he trailed his soft, open mouthed kisses down her neck, no words exchanged between the two as his hands began to slide up her black t-shirt, over her belly-button piercing and then coming to rest over the padding of her bra as his lips traced her collarbone. he was in tune to her every movement, every whine and gasp.
he kissed down her stomach, feeling it rise and fall with her every breath. listening to the way that her breath caught as he popped open the button in her skinny jeans, dragging them down her legs and watching the goosebumps rise in their wake.
“george,” she hummed as he kissed and nibbled at her inner thigh, so close yet so far from what she needed.
“george!” it was a shout this time, paired with her small hands aggressively pushing him away. “I can’t do this. what are we doing here?”
“what?” george was wide eyed an confused “I’m treating you like a decent fucking boyfriend would! I like you yn, and you mean a lot to me. you deserve more than some cheap fuck in the backseat. you deserve to be treated like a treasure.”
she shook her head, standing up from the bed and pulling her jeans back on, refusing to meet georges eyes as she faced the firestorm of thoughts in her head, each one telling her that she had made a horrible mistake.
“we can’t. there was a line, and we crossed it.” her voice was shaky, bottom lip quivering. she was doing the right thing, or so she kept telling herself. putting that boundary back.
because they were friends. nothing more, nothing less.
george laughed. an awful, grating sound in this context. “you weren’t worried about crossing lines when you let me fuck you on my massage table. or when you had my cock down your throat.”
“please don’t take that tone with me!”
“I know matty hurt you. and I know you needed a rebound, but I want all of you, yn. I want your good days and your bad. I want to take care of you.” he was getting desperate. they both knew that there was no such thing as ‘just friends’ after this.
“I can’t be what you need, and I can take care of myself.” she tucked her hair behind her ear before storming last george and back into the living room.
george would always regret letting her leave. somehow, as he watched her grab her purse and her leather jacket and the keys to her fucking toyota, that this would be the last time he saw y/n bonnington.
and he was right.
he didn’t see her start to cry when she got into her car, driving to an empty space of road so she could pull over into the shoulder and let it all out, the radio tuned so loud that she swore it was shaking the frame of the car. and that’s when she decided it was time to reevaluate her life.
george didnt see her again for months. he heard from bonno that she quit her job, moved out to the coast. somewhere on the water. brighton or blackpool or bournemouth. a new group of friends, a new job, a fresh start.
she sold the toyota, bought herself a mini cooper countryman, a car she’d wanted since she was a little girl. she stopped wearing tight, dark clothes and starting seeking out florals, pastels even. flowier clothes that made her feel good.
and she was happy. from time to time, she still thought about that night at george’s. in a way, she was thankful. it had forced her to change, to become a better person. a healthier one. but she hated that she had hurt him. played with his feelings and then stomped on his heart. but deep down, she knew she had done the right thing. she could never have been the girlfriend that george needed. she was too broken.
george saw her again a year later, in the paddock at silverstone. he hardly recognized her: new hair, wide smile. mom jeans and a floral crop top that looked straight out of the seventies. she looked good. happy. healthy.
but there was something else he saw that hit him like a knife to the kidney.
it was the man on her arm. he was conventionally attractive, if you liked surfers. his dark hair flopped around his face the same way hugh grants did in ‘notting hill’ and his sunglasses were hooked into the collar of his striped resort shirt, left open for the top few buttons of course. she looked at him like he’d hung the moon, and he held her like she was the most important thing in his life, always having an arm around her shoulders, tucked into the back pocket of her jeans.
his name was colin. of course his name was fucking colin. like he was a character in fucking love actually, and not the man dating the woman george had so vulnerably bared his heart to.
he’d pulled out his phone, open to her number even though he’d sworn to himself that he’d delete it but he never did.
the text was right there in the message box, waiting to be sent.
does he take care of you?
but when he looked over at them again, his arms around her waist and his head on her shoulder as she was pointing out different things on her dad computer monitor, george knew the answer.
colin took incredible care of her, and he seemed to be exactly what she needed.
and how could george fault the other man for doing exactly what he would if y/n had been his?
he deleted the message without sending it, quietly slipping out of the garage, with the intention of working out until he couldn’t feel the pain any more.
TAGS:
@magnummagnussen @libraryofloveletters @userlando @httpiastri @clemswrld @thatsdemko @diorleclerc @cartierre @lorarri @sidcrosbyspuck
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hellcat8908 · 1 day
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Come Home Poly Batboys x Female Reader
Note: This is part 2 of Let Her Go
Warnings: Language
Over the last few weeks, the letters from Azriel and Cassian had piled up in a basket by the door. They sat unopened and ignored as you gave yourself the time to process the events of that night. It was no surprise that Azriel had learned where you were living, not that you were trying to hide anyway. The gossip around you and your mates had only worsened since you left. You first tried therapy, but they only seemed to be interested in details about your mates and not what you needed to work through, so you quickly gave up. Instead, you turned to journaling as a way to get your emotions and thoughts out and somewhat organized.
You currently sat in your favorite chair with your journal in your lap as you wrote out your feelings for the day. A series of harsh knocks disrupted you, causing you to leave your journal on the end table. You were surprised to see Rhys standing at your doorstep. You're tempted to slam the door in his face, but think better of it. "What are you doing here?" You ask cautiously. "I want to talk to you." He says, his voice sounding rough. "We have nothing to talk about." You answer. "I think we both know that's not true. Please, y/n." He says with a certain sadness.
"You said everything you needed to say that night. You made it clear where I stand with you." You say as his words come flooding back to your mind. You move to shut the door, but he stops it with his foot. "Please, I'm only asking for a few minutes of your time and for you to listen." He says pleadingly. Your anger rises at his words. "Only asking for a few minutes of my time and for me to listen?! No, you're asking for so much more than that. You're asking for me to relive the worst night of my life. You're asking me to let you in and open wounds that's that haven't had a proper chance to heal because I'm drowning in it. I have no one to talk to while the three of you have each other. So, no, you're not only asking for my time and for me to listen!"
He at least has the decency to look apologetic. "I'm sorry. I didn't think-" he starts to say, but you interrupt him. "That's the problem, you don't think, especially when it comes to me. You only think about yourself and your court. You're an amazing high lord but a terrible mate." You say as you let the anger take over. "I think it's best if you leave." You tell him. "I'm sorry." He says brokenly as he turns away. Once the door shuts behind you, you crumple to the floor, allowing the pain and anger to consume you as you fall apart. You let all the hurt and anger flood the bond so they might finally realize what they've put you through.
You manage to force yourself out of bed two days later. You make breakfast before grabbing the paper from the doorstep. Your eyes widen at the headline. You throw on some clothes and quickly braid your hair before making your way into Velaris. You don't bother knocking and let yourself in. You practically run to Rhys's office where you find him along with Cassian and Azriel. They stare at you in surprise. "What do you think you're doing?!" You demand as you focus your attention on Rhys. "What needed to be done." He says. "No! You stepping down as high lord is the worst thing you could do for this court!" You respond angrily.
"But the best thing I could do for us! You're tired of coming second to my court. Well, this is the solution." He replies. "It's not the solution! It's you overreacting!" You shout. "You're not stepping down as high lord! If you do, I will disappear without a trace, and you will never see me again!" You shout. "There is just no winning with you. Is there?! No matter what I do, it isn't right!" Rhys shouts. "Why does everything have to be so black and white with you?! All I wanted was for you to respect my feelings and stop treating me as anything less than your mate!" You shout before you feel the warmth of Cassian's arm as he pulls you from the room while Azriel stops Rhys from following.
Cassian carries you to the bedroom and blocks the door before sitting you down. "What the hell, Cass?!" You ask. "You tell me!" He says as he crosses his arms. "What is it going to take for you to forgive us?!" He asks angrily as he runs his fingers through his hair. He doesn't give you a chance to answer, "Those months of silence you're punishing us for are bullshit. You didn't speak up either. You never once addressed it with us or the ones gossiping. We just assumed you were ignoring it like the rest of us. You share just as much blame in this as we do." He says before storming out, leaving you alone with your thoughts.
You sit on the oversized bed you all once shared. You run your fingers over the comforter. You curl up in the bed and allow a few tears to escape. You hold the pillow that smells of Azriel as you find comfort in it. You think about what Cassian said as you lay in silence. You zone out until a knock pulls you back to reality. Azriel opens the door, "is it ok if I come in?" He asks. He takes your silence as a yes and sits on the bed beside you. "Did you come to yell at me too?" You ask. "No, I brought you some tea and a muffin from your favorite bakery." He says.
"How did everything get so bad?" You ask, ignoring his offer. "A lot of things went left unsaid from all of us until it spiraled into something toxic." He says honestly. "Think we can ever get back to the way it was?" You ask. "Do you want to?" He questions in response. "I want it to be better." You answer honestly, "but I'm worried we won't be able to move past this." His shadows gently play with your hair, causing you to visibly relax. "All we can do is try." He says softly. "They hate me so much, though." You say as you choke back a sob. He wraps his arms around you, "Nobody hates you, princess. We all just need to calm down and discuss what needs to change moving forward." He says, always being the voice of reason to you.
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042502 · 19 hours
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Enemies // M. Sturniolo x Reader.
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SYNOPSIS: You and Matt are archenemies, he constantly harasses you at school. But one day something slips out of his hands.
WARNINGS: violence, enemies-lovers, insults, attacks, bullying, among others.
NOTES: My first language is not English, so if you find any grammatical errors you already know why :)
MASTERLIST!!
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You found yourself pressing that pencil tightly against the table. You had so much anger inside, You needed him to shut his damn mouth once and for all.
All he does is be a stupid rich nerd. As if that were a big deal, He's just a son of a bitch.
"Hey" he shouts at you. "Don't they teach low-income people not to scratch school tables?"
He had this stupid arrogant expression on his face. You wanted so badly to kick him in the face until you disfigured his face and eliminated that damn expression.
"I guess they didn't teach you that, Because your parents had to share ten new pencils, true?"
The class ended and we were grateful that it was like this. You couldn't stand his presence more than necessary. You grab all your things and leave the room.
Why so much hate towards Matt Sturniolo?
In addition to the aforementioned, he was a fucking idiot. He thinks it's all about him, Never in history have you seen a fucking nerd be the popular kid who puts everyone down, Since when is this like this?
He harassed you, like bullying. But that's already in the past, you wouldn't let him abuse you anymore.
You were walking at a fast pace through the hallways, eager to leave damn school. But out of nowhere something hits you from your left and you stumble.
A door opens with the weight of your body and you are dragged inside, the door closes and you find yourself trapped with Sturniolo.
"Didn't you have enough? Does your lab rat girlfriend not have enough fun for you?"
Mention that standing up, You discover that are in reduced storage.
"From time to time you have to take care of pets."
"I'm not a pet."
"If he throws a branch at you... Would you go after her?" He just implied that you were a bitch.
"What did you say?"
"What you heard."
"I'm sorry, but I don't listen to Nerds" you push Matt's chest with your hands, causing his back to hit the door.
"Well, I want to clarify that I value your option as much as what a white pencil writes."
"Your parents will have all the money in the world, Matt..." I smile proudly. "But you have poor tastes."
Low blow for the new toy Matt had gotten in recent months, It was a new foreign girl, I was almost as stupid as Matt, a complete nerd who thinks she's big just for being the new one at sucking Matt's cock.
"Hey, I'm sorry sweet peach, It's not that you don't make me bigger, but if you were in a coma I would disconnect you to charge my third phone" stands firm. "You should worry less about me and more about your eyebrows being even."
"Fuck you Sturniolo!" you tear off the stupid glasses that adorned his damn blue eyes, the parts and you throw it to the ground to step on it.
"Oh no, you just destroyed my glasses 78" use a fake sad tone. "Come on, you still have to destroy 22, but don't worry" smile. "I can buy another 22 more."
"You're so stupid, What the fuck are you looking for?"
"I want to see you suffer like the bitch you are, that you kneel for me and beg."
"Tell your Spanish girlfriend to suck your cock well."
"You're not understanding me, not even if you are the last woman in the point I would let you suck my cock."
"It's not something that fascinates me, Now get out of the fucking door once and for all."
You pushed him and before you can open the door he catches you, His face was so close to yours, Their breaths mixed with each other.
"fuck you..."
"fuck me."
Matt's lips catch yours, it was so painful, His teeth spared your lower lip and you pushed him away from you with both hands.
"Fuck you, you idiot!"
You open the door and leave, bringing your hand to your lips, I was bleeding like shit.
"Shit."
What the hell was all that?
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NOTES: I don't know what the fuck I just wrote, just ignore it.
Remember to hit the heart and share it with your friends! Thanks for reading^^ If you want to be part of the taglist leave a comment!
TAGLIST: @luverboychris @alexandernvr @prisciliin @sturncakez @imwetforyourmom @hotreaderliin @tillies33ssss @sturnioloxlver @jnkvivi @stvrniolowh0re @dirtylittleheartsworld
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shewrites02 · 22 hours
Text
Forgive Me, if I break you | Zoro x Reader | Pt. III
Part II
Trigger warnings: Domestic assault, verbal abuse , physical abuse, graphic depictions of violence. THIS FIC CONTAINS DARK CONTENT ! MINORS DNI
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*THERE IS A GRAPHIC DEPECTION OF DOMESTIC VIOLENCE THE SCENE BEGINNING AND END ARE MARKED WITH THREE ASTERISKS (***) *
A/n: I know it has taken me forever and a day to finish this part, but all of you have been so encouraging in spite of that. I hope that this chapter is worth the wait!
Request: Open
Word count: 8.4k
Leave a comment if you enjoy :)
You twirl in the boutique's mirror. The owner was gracious enough to close, so you and your friends can shop in private. Apparently the villagers have become quite fond of the pirates' during their stay. It is difficult to walk the streets without them being recognized or stopped. It seems the cheerfulness of Strawhats is as infectious to your people as it is to you.
"You really don't like it?" Robin asks, meeting your eyes in the mirror after looking you over.
She stands behind you, a little off to the left meeting your reflection’s gaze. Bashfully, you shake your head. You drag your hands down the pink fabric. This is the fourth dress you have tried on- all of them beautiful- but you have yet to find a dress that makes you feel pretty while sitting in all your ugly emotions.
"I think you look hot! but- I said that about the other three dresses." Nami quips.
"What don't you like, y/n?"
Robin's voice is soft, patient, her smile unwavering. You feel bad when you can't produce a truthful answer. 'It's me that's ugly, not the dresses' is not a sentiment to be spewed so recklessly. When you are unable to produce a satisfactory response, you shrug, feigning ignorance.
"Maybe the color?" You question. The pink feels unfitting- the color too loud for how you bleak you feel. The occasion feels more kin to a funeral than an elaborate celebration.
Robin nods, taking in the note. She flashes you a wide smile before dragging her hands up and down your arms in comfort. She implores your trust before grabbing Nami, the two of them head to the dress racks.
When Robin returns she waves you back into the closeted dressing room. She is insistent on forcing you to get dressed with your eyes closed, saying the reveal will be so much better blind. Nami shouts her agreements through the door. Willing to try anything at this point, you agree.
Robin's fingers are laced in yours as she guides you back to the mirror. After planting you dead center , she instructs you to open your eyes . They widen immediately at the sight.
The velvet fabric runs down to the floor, a high slit on your right leg. The corset is adorned with flashy embellishments, and the color- emerald green, seems a lot more fitting for the occasion.
It had been a long while since the sight of yourself in a mirror made your gasp in a way that didn't sting your heart. You couldn't be more thankful for the silly idea Nami and Robin suggested. The two squeal at what they hope is your pleased reaction.
"We think the swordsman will like it too." Robin teases in a hushed whisper. Zoro enters the room soon after, surely of no coincidence.
"And that's our que." Nami announces as the pair start their descent out the room.
Zoro immediately stops at the entryway once he sees your reflection in the mirror. his mouth is slightly agape, before morphing into a toothy grin. His crew-mate's voices seem to draw his attention back, forcing his feet.
"This is the fifth dress y/n has tried on today. She is still on the fence about it. " Robin instigates.
"Why don't you tell her what you think Zoro?"
And with that the two are gone. The room is quiet, and for a brief moment the two of you just stare. No anger. No sadness. Just a moment where the two of you could cherish being together, that you are finally alone. A moment where Zoro can just be the swordsman, and you- a damsel on the beach.
"Can I touch you?" Zoro asks. His voice is hushed and fragile. Already broken as if preparing in advance for your rejection. The stoic swordsman, the pirate who was more used to taking what he wanted than asking for permission, what had you done to him?
You nod solemnly. Thought the days of pleasantries and cautionary asks were long behind you and the Pirate. Hearing him revert back so quickly, so readily after your repeated rejections- It's disheartening. Zoro is wrapping his arms around your waist, before you have the opportunity to dissect the thought thoroughly. He plants a kiss on your temple, then your cheek before resting his chin on your shoulder. He meets your eyes in the mirror, grin still on his face. Your hand finds his cheeks caressing him lightly.
You had missed being able to bask in the eye of the swordsman so freely. To feel the warmth of his love for you in his stare. The pirate looks at you as if you are truly the most amazing thing he's ever seen. The same wonder and awe he has when tending meticulously to his swords.
"You like it?" You ask, allowing yourself to relax into his hold. Though you know you shouldn't, It is impossible not to indulge when there is swiftly coming a time you'll never feel his touch again.
"I like it. I think you look gorgeous... " He kisses your cheek once more.
The butterflies wake in your stomach. Violently swarming as though this is the first compliment you have ever gotten from the swordsman. They're quickly drowned in your guilt, in your knowing that this- whatever it is the two of you are doing- is only going to destroy the pirate in the end.
"Do you like it?" He asks as if sensing your apprehension. You shrug in response.
"It's fine. As long as you like it."
Zoro's brow raises to his forehead. His expressionless face shows that he is unimpressed with your attempt to dismiss your feelings in favor of his.
"What was wrong with the other dresses?" He pivots.
You swallow the lie that tries to climb its way out your throat. Tired of the rancid aftertaste it always left in your mouth after its departure. Part of you is astonished at how reflexive it was, the lie so ready to fly past your lips. The shock quickly turns to grief.
This is a part of yourself you could openly give to the swordsman. A part of you that only had his fingerprints indented into it. A part of you that Lee would never have claim too. This was a truth you could openly and honestly give him. Are you not obligated to?
"Nothing." You confess taking in a shaky breath. There's a frailness to your voice that houses all the tears wanting to swell in your eyes. "I'm too sad to feel pretty Zoro. To sit here playing dress up when our time is ticking away with each dress I put on ... How do I pick out the perfect dress to say goodbye to you?"
"We aren't saying goodbye." Zoro states the words plainly, as if you are supposed to know already.
You turn your head to face him. The eye contact made in the mirror is no longer sufficient enough for the conversation. You need to see if his collected demeanor shifts once your pain-staked eyes stare back at him. It does not. The pirate looks at you deadpanned, in search of an explanation.
"W-what do you mean?"
"I told you , I'm not leaving until you tell me what's happening."
The furrow of your brows has deepened into a full frown. You stare back at Zoro with your mouth wide searching for your next words. Can only describe this static in your brain as disbelief. What is he talking about? Stay? Here?
"Zoro. The sunny is leaving here in two days. Your crew has spent all morning preparing for their departure ... "
He nods, confirming your words are true.
"Zoro-"
"I'm not leaving."
It's as though your senses come flushing back all at once. Jolting your body to break free of the pirate's hold. Forcing his arms away as you create distance.
"You can't stay ... not for me." You want your proclamation to come out strong, demanding, but you only sound broken. Making a desperate plea.
"I'd really love to see you make me leave." He lets out a boisterous laugh. "I bet your husband would love that, uh? Me out the way."
Zoro reaches his hand out to you, he is still smiling. As though he is not saying he is going to abandon his crew mates for you. Give up his dreams for you. All to what- watch you play house with another man? A relationship filled with fleeting touches , and stolen moments. How is that fair to him?
"Zo-"
"I know you miss me." His voice has dropped in tone and volume. He drops his hand once you don't return the gesture. The smile previously seared onto his face is gone.
"I know when he touches you, you're wishing it's me. Every smile, every laugh, every touch , every kiss it's me in the back of your mind. All the affection you give to him- it's mine ... I know he can't make you feel as good as I can. "
You open your mouth to speak but no words come out. Nothing comes to mind in the midst of the overwhelming whirlwind of your emotions. You don't- can't- lie to the swordsman, tell him that none of it is true. But how can you admit the truth when you know there is no escape, no way out.
You could tell Zoro you loved him a million times, it is not going to change this absolute fact: you are not going anywhere.
"It doesn't matter. What I want doesn't matter." You mutter.
"Your feelings- they don't matter?!" The swordsman snarls in response . "Don't fucking say that."
There's a stab to your heart, his words cutting you just as deeply as if he put a sword through your chest. You could not for the life of you understand the concern Zoro had for your emotions when you are undoubtedly breaking his heart more with each passing day.
"Please Zoro- don't stay behind for me. Go."
"Why don't you trust me?" The swordsman asks. His voice so hushed it threatens not to make it to your ear.
The sword in your heart twists in a devilish way. Is this what Zoro has deduced? That your lack of openness could only be a fault of his own. That he has not loved you enough , made you feel safe enough. Yet another reminder of why you are so undeserving of him. Though he doesn't meet you , you still search his gaze . Look at the truth in his expression to see that this is truly what Zoro believed . You didn't trust him.
"It's not you I don't trust Zo...."
This time the pirate doesn't ask. He closes the gap between the two of you in two strides, taking your hands in his.
"Then why won't you tell me what's going on? Why won't you let me help you?" Zoro asks.
Your eyes closed at his inquiries. Trust. You have already given every bit of excess you had to the swordsman on the beach. You aren't sure you have anymore to spare now that you are home. Wished it was that simple. Simple enough to only have to make a decision and stick to it. To have only your heart to follow, but that is not a luxury of yours.
"You can't save me Zo..."
His face drops. The squeeze he has on your hands tightens some.
"I can. Ask me to. Please ..."
The room falls silent. It is now you who is averting eye contact from the pirate.
" ... Do you think I'm not strong enough?"
You sat beside Zoro digging your hands in and out of the sand despite the fact you hated the feeling. It was something to do while watching him meticulously care for his swords. In the time the two of you had spent on the beach, you had watched Zoro tend to his swords more times than you had seen him do almost anything else.
"Can I touch your swords?"
Your words were meant for the first mate, but they seemed to grasp the attention of the whole Strawhat crew. They tried to pretend, act as if the breakfast Sanji's was serving was far more interesting than the conversation the two of you were having. This did not stop his crewmates from taking turns borrowing their eyes into the side of his skull. If you hadn't known any better you'd even swore they were holding their breaths in anticipation of the swordsman's response.
The tension in the air gave way that you may have made a mistake. That perhaps that was not a question allowed amongst this crew. You looked toward Zoro, bracing yourself for the harsh rejection. Instead he removed the three swords he had just placed on his hip and laid them out on the sand in front of you.
There was an audible gasp that fell from his crewmates. Zoro quickly narrowed his eyes toward their direction, the pirates sitting on the wooden table Franky had conjured up around the fire. His crewmates' eyes scatter in different directions faking obliviousness. Usopp even started to whistle to further prove his distraction. Zoro rolled his eyes before facing toward his swords.
"This one is Enma, Sandai Kitetsu, and Wado Ichimonji."
Zoro goes from top to bottom, pointing out each sword as he names it. Lightly, he pushes the first two away, so they are out of your arms’ reach. Leaving only Wado Ichimonji within your grasp.
"What- those two your favorite? That why I can't touch them." You teased.
"Not that." He gave you a playful laugh in response. That familiar cocky smile on his lips. "These two will literally kill you if you touch them."
"Oh-"
"This one is my favorite." He pulled Wado close so it was parallel to the knees of your criss-crossed legs. Before Zoro picked up his sword he forced your hands palm side up, arms out, rested against your thighs. Once he was satisfied with your posture he inched close to you smushing his thigh against yours then placed the sword in your hands.
"Why is this one your favorite?"
You go to move your hand from beneath the sword to foolishly trace the edge of the blade, but Zoro grabs your wrist before you have the opportunity. Quickly instructing you to be still. Griped that he had your hands placed like that for a reason.
"I don't want you to cut yourself." He scolded. Feeling like a small child, a 'sorry' clumsily fell from your lips in response. Zoro continued to answer your question.
"... A friend gave it to me."
This time you got the sense that you weren't to inquire any further about this. You wouldn't dare push the boundaries of the pirate. Instead you shifted the conversation.
"Was I not supposed to ask about your swords? ... your crewmates seemed kind of surprised."
"It's sort of a rule on the ship, that no one can touch my swords. " The swordsman's hand found the nape of his neck rubbing nervously. You laughed at his proclamation. His crewmate of years hadn't touched his swords, yet there he was placing his favorite blade in your hands. Unsure of what you had done to earn the pirate's trust, you were grateful all the same.
"So two swords that can kill you ... you must be like really strong?" you ask.
"Yeah, you could say that..." The swordsman chuckled. There's amusement filled in his expression as he takes the sword from your grasp so he could return them to their home. "You've really never heard of the Strawhat pirates?"
You shook your head 'no'. Had no intention of explaining to the swordsman that Lee had controlled most of the entertainment you had access to, and the news was hardly something he viewed as a concern of yours.
"I do keep hearing Luffy say he is going to be the pirate king a lot!" You tried to defend, hoping the information was relevant. the green haired pirate let out another laugh, nodding in agreement.
" 'nd I'm going to be the strongest swordsman in the world one day."
There was no uncertainty in his voice. No unsureness of weather it would be. The swordsman spoke his declaration as if it were a prophecy.
"How can you be so sure?"
"... Because I made a promise."
-
You forgot what the ballroom looked like filled with smiling faces, a sight lost after the death of your father. The warmth you feel at the anticipation is quickly replaced with an ice cold chill once you remember what these balls entail. Acting. You fix your smile, make it wider. As genuine as you could fake. Run your hands along your dress to smooth the folds. Make sure you are presentable- perfect like the chief expects.
Lee extends his hand as you approach the bottom of the steps. He does not wear a smile, but his eyes don't hold the malice you've become accustomed to searching for. He wordlessly looks you over with your hand in his. When he begins to lead you to the entrance of the ballroom you assume your appearance satisfies him.
There's an announcement as the two of you enter.
"Presenting Chief Misatori , and his wife".
The villagers look upon the two of you with such... mixed reactions. Some scold, probably wondering what you could possibly see in such an evil man. Probably trying to conjure up ways you cope with all his cruel actions. Others are more welcoming, the pain and grief your husband has put them through carved into their smile lines. Despite which side they lay, all the villagers have their eyes on you. Watching. Waiting for any crack in your façade.
Once you two reach your table at the front of the room, the announcer introduces the Strawhats next. The reception they receive is blazing compared to you and your husband. The room fills with cheers and whistles. Toothy smiles from all patrons. The pirate crew seems to enjoy the attention, maybe not welcoming of it, but definitely not shying away.
It seems Luffy couldn't be bothered to change out of his cut off denim for the formal event. Throwing on a button up shirt as compensation for his otherwise casual dress. You suspect that was Nami's idea. The other Strawhats are dressed more appropriately, in spite of their captain's relaxed attire. Although all look stunning, your eyes fall on Zoro, dressed in an all black 3 piece suit.
This is the first time you've seen the pirate in anything that wasn't a kimono or plain black shirt. The sight is a Divine gift. You would be watering at the mouth had you not been so aware of your surroundings. The swordsman's eyes meet yours the closer he gets. He flashes you a small smirk darting his eye down to his chest then back to you.
His tie and pocket square are velvet, the same emerald green of your dress. He has a gold sun pinned to his left lapel, its center adorned with an emerald stone strikingly similar to the stones on your corset. Shock is not a strong enough word to describe how you feel when your eyes return to his.
The emotions in you swirl so violently you feel like you're going to puke. Elation. Dread. Guilt. The three battle for space in your chest. The smirk on his face turns into a crooked smile at your eyes going slightly wide. If you didn't know any better you might even say he lets out a laugh at your surprise. When the group finally makes it to the shared round table, Zoro does not hesitate to take a seat next to you. Doesn't shy away from meeting Lee's disgruntled glance as he takes his seat.
"You look amazing love, a true sight for sore eyes." Sanji compliments.
It deepens the scowl already on Lee's face, but Sanji does not bother to acknowledge him. He gleams at you adoringly with a wide grin. You can only smile in response, softly thanking the cook. You wouldn't dare throw more ammunition onto the fire already fuming in your husband.
"She does look beautiful, doesn't she?" Lee gloats.
He has dropped the scowl, in an attempt to morph his features into something more inviting. He draws you in to meet his lips for a kiss. Usually Lee isn't one for public displays of affection, but in the face of the Strawhat men, he seems more than happy to make an exception . The chief has always been one to flaunt his spoils of war.
Zoro pinches your thigh. Not too hard, but enough to draw a reaction from you. It forces you to jump in surprise, drawing away from your husband. The puzzled look on Lee's face begins to look more of anger the longer his eyes linger on you awaiting an explanation.
"I'm sorry honey. I thought I felt something run across my foot, it just startled me." You caress his cheek to try to ease the tension. The sound of Zoro snickering whispers behind you.
The further into the night it gets the more lively the party has gotten. Alcohol has started to flow, live music Blares while patrons fill the dance floor. Most of the Strawhats have scattered.
Luffy in search of meat, or adventure. Don't remember which one he was singing about as he drug Usopp along. Chopper followed gleefully with hopes to join the fun. The cook has made himself busy talking to the maid from before, her appearance almost night and day in the evening gown. The others are difficult to track down, each with their own agendas for the night. The only ones sitting and enjoying the music with you are Zoro and Robin.
Lee has abandoned you at the table to entertain the men of his council, leaving you with the command to stay here. The chief never allowed you within ten feet of the dignitaries. Always said you were 'sure to say something stupid'. 'Only going to embarrass him and yourself'. So worried you would not be perfect enough for them, in spite of the fact that these men have known you since childhood. But you do not complain. Would much rather sit at the table swaying to the music than smile in the faces of your husband's subordinates anyway. Plus, the addition of company has made the experience that much more enjoyable.
"You want to dance?" The swordsman whispers.
"Roronoa , I wouldn't have taken you to be a dancer." You jest in return.
"I'm not. You haven't sat still since the music started. If you want to dance, I'll dance with you."
Your cheeks flush at his testament, at the mere thought of Zoro willing to wade through his own discomfort for you. It aches that you cannot do the same. That instead of exclaiming a resounding 'yes' your eyes fall to your husband on the other side of the room.
"It's okay Zo. Thank you."
Zoro glances back to see where your eyes have fallen. Rolls them in response to seeing Lee. A sigh leaves his lips but he doesn't push any further.
"I'm sure I can buy you guys a few minutes." Robin interjects. "I bet the garden is beautiful under the full moon."
Her eyes glance over at the swordsman briefly before returning to her drink. Zoro is already standing, adjusting the way his swords sit on his waist before heading presumably to the garden. You watch his figure shrink as he wades through the people to find the exit. When you return to Robin, she too is on her feet. There is a smile on her face, free of any anxieties.
"I'll distract Lee. Go find the swordsman."
Your heart pounds against your chest with each stride Robin makes towards the chief. Is this happening? Defying your husband so blatantly in the face of the entire kingdom. Your breath quickens as you watch her greet him. Gets shallower with each word that falls from the archeologist's lips. It's completely snatched from your throat once her fingers intertwine with his, leading the man out the ballroom with a giddy smile on his face.
You sit dumbfounded looking at the empty chairs that surround your table. There genuinely is nothing but you and the decision you have to make. Disrespect your husband to gallivant under the stars, or- Be the good wife. Behave. Act. Sit and smile while Robin wastes her precious time presumably flirting with your husband who had done little to conceal his crush on her.
Your feet are moving before your brain has an opportunity to justify their movement. All that echoes in your brain is Zoro's voice proclaiming he won't leave. How he is willing to risk his dream for you, and all you have to do is have the courage to leave the table. Once you make it to the garden you don't have the restraint to keep yourself from running in search of Zoro. Looking for any clue of his whereabouts in spite of your heels sinking you into the dirt with each step.
"I'm right here princess."
Your head snaps in the direction of his voice. The swordsman sits at the fountain in the center of the garden. His arms crossed against his chest with his legs outstretched in front of him. There is a full smile on his face as he takes you in, really takes you in.
"You're so fucking pretty... I hope he tells you everyday."
You don't want to discuss the chief. Hadn't escaped his watch to allow him to infiltrate your final moments with Zoro. You rush to the swordsman intertwining your fingers with his, and pull him to his feet or- more accurately, he stands at your request. The music from the ballroom carries into the garden faintly.
"You promised me a dance."
You wrap your arms around Zoro's neck. His hands find your waist. He pulls you close until your chest are flush together. You rest your head on his chest as the two of you sway. There is a comfortable silence falling between the two of you.
"We could do this on the sunny. Brook plays that violin non stop. " Zoro whispers.
Your eyes close as you allow your mind one second to wander. To think about what life on the seas would be like with Zoro. Naps in the crow's nest. Sake on the deck. Morning kisses before breakfast. The swordsman would love you. This you are certain.
"That would've been nice Zo."
"Don't say it like that- like you're never coming back ."
The swordsman's plea has you stopping in place. You take a step back to look up at him with somber eyes.
"What do you think will happen Zoro? ... That your crewmates will leave and my circumstances are going to change? If they don't- will you stay here to watch me be in a relationship with another man?"
"You won't even tell me what your circumstances are!" Zoro rebuttals quickly. Seemingly having no intentions of playing these games of 'what if'. He takes a deep breath in an attempt to gather himself.
"I'm just hoping that you will eventually tell me the truth. Tell me what's going on so we can go back to living our lives together! Is that not what you want?"
"I don't get to make that choice Zoro!" You retort. "I don't get what I want!"
An astonished huff leaves the swordsman's mouth. His lips upturn as he snarls at your words.
"Yes you do! You could decide to let me love you! I've been begging you to let me help and you just keep-"
"Go!" You shout . Unable to withstand the sweet sentiments he spews so fervidly any longer. The shake of pain in his voice growing unbearable to hear. "Leave Zoro! How many times do I have to say you can't stay!"
"How many times do I have to say I am not leaving you?" The pirate responds without missing a beat.
You hate the decision you make next. Cringe at the words before they even leave your lips. Disappointed at how quickly the idea pops into your head.
"You're never going to be the world's strongest swordsman, Zoro. The world's strongest swordsman would never give up their dream to chase after some woman they've only known two months."
The swordsman’s face drops in a way you've never seen before. Worse than when you introduced Lee as your husband. That was betrayal, this-
This was pure agony.
"Why are you trying to hurt me?"
You swallow hard. Shoving down the pained cries that want to shout out the truth. 'To make you hate me.' If that is the only way the swordsman is willing to leave then so be it. You would shatter him again. Tap at the cracks in his already broken heart, until the pieces are on the ground for him to pick up again. If that is what it is going to take.
"I'm telling you the truth Zoro. I know you look down on Lee , but he would never be foolish enough to jeopardize his dreams just for me."
"You saying that makes him a better man than me? That he's the one you're choosing." Zoro seethed. "He doesn't fucking love you- I do!"
"I'm not choosing anyone." You screech desperately.
It has taken some time, but it has finally sunk in. You do not get to leave. To choose. To stray from the path your husband deemed appropriate. You don't get saved. There is nothing the swordsman, or any of the other Strawhat pirates could do to change that.
Zoro nods his head as though he is saying he finally understands. He drags his right hand down his face before letting out a tired sigh.
"You win. You want me gone ... We'll leave tonight."
***
Finally the last of the patrons filed out. A sigh of relief leaves your lips when the castle doors shut. Your performative smile drops at the click of the locks. Air could fill your lungs again. Now that the night has drawn to a close, you wish nothing more than to get out of this dress. Strip down bare so you could cry in the tub. Soothe your heart's ache in privacy for just a little while.
Lee grasps your hand in his to force your attention. He wears a smile. You expect it's rewarding of the good job you've done tonight. He pulls you in close to press his lips against yours.
The kiss is soft, delicate . When you go to withdraw, the chief does not allow you any reprieve. The tender kiss quickly turns forceful. He tangles his hand into your hair so you have nowhere to go.
"You must think I'm a fucking idiot, Honey." Lee mumbles against your lips. He starts pushing you backwards until you are pressed against the iron doors. His free hand wraps around your throat while his lips travel to your ear.
"You love the swordsman..." He whispers. "Do you really think I'm too stupid to notice? "
Goosebumps appear at his words. For a split second everything stops. Your Hearing. Your breath. Your heart. How- how could he know? Sweat beads at your brow as they scrunch in confusion. You try to blink your way out this nightmare as tears start to swell in your eyes. Refuse to accept this as reality.
"No Lee, I only love you. Zor-"
Lee squeezes his fingers tight around your neck. The piercing blow to your windpipe brings your testament to a swift end. You claw violently at his fingers. Attempt fervidly to pry his grip from your neck to no avail.
"Don't say his fucking name ... Not in my house. You and those pirates think you're so clever sneaking around tonight. Did you honestly think I would take your word on some filthy pirate? That I wouldn't have you watched after strictly forbidding you to see him? Darling, surely you aren't that pathetic..."
The sound of Lee's voice drifts in and out along with your consciousness. Your limbs feel heavy, moving lethargically with each thrashing movement. Before your vision fades to black, Lee drops your body to the floor. A loud smack echoes the halls once your skin meets the marble.
For a moment there is only the sound of your hacking. A poor attempt to force your lungs to work. Lee bends at the knees to observe you. Ponder on if this punishment is enough. If you had endured enough pain to assuage his anger.
"Tell me sweetheart..." He reaches out to sweep the hair out of your face. He caresses your check lightly before continuing. "Is the garden you and the swordsman's special place? Uh? Do the two of you sneak off and laugh at the fool you make of me?"
You go to speak, curse that your words would fail you in such a crucial time. Your brain is too light headed and caught off guard to have lies readily available. You avert your gaze away from the chief. Look toward all the staff too afraid of the man's wrath to watch his atrocities' face on, but bear witness all the same.
When you don't respond, Lee stands. That darkness has consumed the totality of his eyes. Your husband -and what little humanity resided left in him- is gone. The chief: Judge, Jury, and Executioner stood before you determining your sentence.
"You want to leave ? Go ! Be with the swordsman!"
The hair on your neck stands at his proclamation. Lee had sneered you with one trap . You would be foolish to allow him to devour you whole in another. You shake your head 'no'. Repent to the man. Implore his forgiveness. The chief stares unmoved. Glowering down at you with a merciless grin.
"I warned you before Honey. There is only one way your leaving."
You push your back further into the doors. Willing them to burst open at the force. Your eyes scatter the area as he approaches. There is nowhere to run. Nothing to grab. You are utterly helpless to the whims of the chief.
Lee fists his hand into your hair, grabbing tightly, then pulls to drag you along the floor. The scream you let out at the sting does not deter him. Neither does your kicking, or clawing at his fingers in hopes of relief. None of it offers any reprieve.
"I don't want to leave. I don't want to go with the swordsman. Please Lee- Let me stay." You wail. Your heels slide against the stone floor foiling your attempts to dig your feet into the ground.
Lee has made it to the bottom of the staircase, and finally in the chaos, you are able to ascertain his plans. This was it, the final straw on the camel's back. The last defiance Lee is willing to forgive. He had finally deemed you useless. Worthless. And was planning to get rid of you in such a manner.
"I tried to teach you sweetheart, but you just won't learn." He scolds
Your body must be weightless the way Lee is so effortlessly dragging you up the steps. Was this really how things were going to end? Had the chief decided himself so deserving of his authority he would rule without the woman who made him monarch in the first place? Your father must be turning in his grave at the sight.
"I'll be good. I promise!" You weep. Your hands are tangled in your hair searching for relief.
The chief lets out an obnoxious laugh. Now that the two of you are at the top of the stairs, it has only gotten easier for the man to drag you along the hardwood floor. The entrance to your bedroom is coming into view. The boom of your heart thumping rings in your ears. Your time is running out.
"Trying to play me like some fucking idiot. I guess you are your fathers daughter after all... "
Fervidly you press white fingertips into the door frame, using all the strength you had to fight against Lee's pull. It is no use. Like a rag doll at the manipulation of her owner you're easily forced into the room.
"I'll have to take care of you, just like I did your father."
"Please ! Please ! Please ! Please -" You beg, pleas barely audible in the midst of your sobs.
Your eyes scatter the room in one last stitch effort to save your life. If this were it, you refused to go quietly. Scissors. They have fallen from the top of your dresser onto the floor in front of the bed. You thank whatever god has taken mercy on you. Whoever decided the chief plans too nefarious to come to fruition.
You snatch the blades as he drags you past the bed. Jab the tool into the chief's feet before withdrawing and jamming it into his thigh. Lee lets out a sharp yelp, before falling to the floor. He curses loudly, grasping his wound. There is no time to revel in victory.
Hastily you rush to your feet, fleeing out the room. You can hear the man shouting out after you, but the mistake is already made. Too deep to fall to your knees and beg forgiveness now.
***
The rain refuses to let up. With each thud of your feet against the wet forest floor, you swear the drops only quicken in pace. The regal gown you wear , or the pieces that remain in tack, are soaked through. Your heels are long discarded in the shuffle. In spite of the adrenaline pumping through your veins, you shudder at the brisk winds.
You push your discomfort aside. No time to think about the weather, when you had to flee as far away from your home as you could. you had gotten away once , surely you could do it again. Had to be able to do it again.
guilt consumes you with each step you plow into the ground. Leaving behind the home your mother raised you in. The land your father thought sacred- just to save yourself. Selfish. That's all you are. Selfish. Pitiful. Failure- Your thoughts flee when you go crashing onto the wet forest ground.
Hurriedly you wipe at your face to see the culprit of your disruption. It is to no avail. The rain has done a remarkable job at distorting your vision. The darkness is its fateful ally. You can barely make out the voices calling to you through the rumbling of the thunder.
"What are you doing out here?"
There's a hand around your arm dragging you up before you are able to grasp your bearings. Fear consumes you too much to focus. Only know that getting caught isn't not an option. You jerk to free your arm, but the hold is too strong.
"Y/n!"
Your panic forces coherence. Your vision finally comes to.
Zoro.
His face is contorted into a grimace as he looks you over. His hand travels up and down your arm as though he could wash the bruises away with the fallen rain. When the wounds remain the pirate pierces his eye into yours.
"What Happened?" He growls.
Your arms wrap your body. As if you could stretch your limbs around you like Strawhat to hide your bruises. Eyes quick to dart away from him. For a second you try to conjure up a palatable explanation. One that would soothe the fire in the pirate's eye. Eradicate the concern from his voice. But there is none.
For the first time in six months you are all out of excuses. All out of ways to justify the pain away. No words to lie reassurance into anyone's hearts.
Your eyes are glued to the floor shielding your face from your audience. From Zoro. Your skin trembles against his fingers. Using his free hand, Zoro wraps his fingers gently around your chin. You wince at his touch. The sting is intense despite his delicate disposition.
Don't want to expose yourself to him any further. The scratches and cuts that covered you were indicator enough of your injuries. The swordsman does not care. He gently presses against your jaw , forcing your head up to see the fingers indented into your neck. The red bands evidence of your skirmish even without your confirmation.
You feel small underneath Zoro's gaze. There's a mix of emotions that flow through his eye. Anger. Relief. Guilt. The only that's lingers is pity. It makes your skin crawl to see it so clearly painted on his face.
"Did he do this to you?" The swordsman barks.
You want to run. You're going to run. Refuse to be subjected to the pitiful glances and stares . It is as if Zoro can read your mind, tightening his grip around your arm the moment your muscles tense beneath him.
"...Yes." The answer is almost lost in the storm.
Zoro releases you. His hand immediately finds Enma's hilt. Wordlessly he turns to walk in the direction of the castle. His crewmates do not speak. Wouldn't dare ask where he was going when the answer is so obvious.
"Please- Zoro! Don't leave me!" You sob, tears mixing into the rainfall that covers your cheeks. Your voice, broken from Lee's abuse, forces your plea to come out as a strained cry. Zoro stops in his tracks to glance your way.
"I know I don't deserve you! I know you're too good for me! I know! But please-"
You can barely make him out as he approaches. The blur from the showers distorts his figure. Can only make out the swordsman sheathing his weapon. In seconds he is within your grasp, drawing you into his chest as his arms wrap around your shoulder.
"Shh- I'm right here."
You curl into his hold, trying to shield yourself from everyone- everything. Can only bawl into the pirates chest. Your legs fail you. Too weak to hold their own. Zoro does not let you fall, holds all your weight against him as you cry.
"He killed him. He killed my father."
There is only the sound of thunder in the air. You have rendered the pirate speechless. This was probably the first time the swordsman has ever not known what to say. How to comfort you. Zoro holds you tighter, closer. Rubs your back in a soothing way.
"... Let's go home." Zoro whispers, kissing the top of your head.
The walk to the sunny is silent. Not even the pirate captain has anything to say. It's hard not to feel on display in the midst of everyone stares. You know your friends do not mean to watch in the way they do. To trail their eyes down your abused body every time they glance your way. Probably just taken aback by your appearance. You look far worse than when you washed ashore on the beach. Still, it makes you want to hide. Strip yourself of your skin to escape their stares.
Zoro glances over at you every few seconds like he must be sure you're still there. That you haven't abandoned his side. Run off to lick your wounds in isolation.
"Here."
The pirate strips out of his suit jacket then wraps it around your shoulders. Although soaked from the rain you appreciate having the cover. For being able to give your arms a break from shielding you. The coolness against your skin actually offers some relief to the pain drenching your body.
Immediately once you board Sunny, Zoro is walking you to the infirmary to have chopper look at you. He does not ask, and you get the impression that the topic isn't up for debate. Chopper does not ask any questions. Doesn't pry about how your injuries came about. Just treats each wound, handling you as delicately as he can.
Zoro holds your hand the entire appointment. lightly rubbing your knuckles with his thumb. You squeeze his fingers tightly at Chopper feeling your neck.
"It's okay princess, you're doing so good. He's almost done. Right chopper?"
"All done." The reindeer backs away hooves up as proof. "I'm going to give you some ice for your neck, leave it on for about twenty minutes."
"And the rest of her bruises?" Zoro asks.
"I don't have any reason to believe there is internal bleeding, but we will keep an eye on your condition the next couple days just to be sure."
Chopper extends out an ice pack for you then goes to rifle through the medication cabinet. Once convinced he has all he needs he turns to hand you two bottles.
"These are for the pain. Take these in the morning " He holds up one bottle, shakes it lightly then picks up the other. "These are for night."
Zoro reaches to take both bottles before you have the chance to.
"Thank you chopper."
-
Zoro holds your hand the whole way to his quarters. Though you told him when you first boarded the ship you could walk on your own now, he does not let you go. You suspect Zoro is scared of where you'll go if he does.
When the two of you walk into his quarters it is quiet. Only the soft sound of the waves swaying the boat fills the air. You make your way to the bed, flopping lazily on top of the comforter. Your body begs the comfort of a soft mattress after all the harsh treatment. When you look over at Zoro he hasn't moved.
The swordsman's back is against the door as though he is guarding it. Covering the exits so you could not scurry away from him again. His gaze doesn't linger on you, instead he stares out of the singular port hole into the darkness of the night.
The quiet begins to eat away at your consciousness. Usually silence was comfortable between you and the pirate. No words ever needed to be exchanged to feel the comfort of the other person's presence. But now was different-
Now you stood in front of the swordsman with your heart in pieces, just as broken as him. Waiting for him to put the pieces back together like he had done unknowingly so many times before. How could two people, broken the way you two are broken, offer anyone comfort or solace?
"Is this what you didn't want to tell me? ..." Zoro asks.
His voice battles the waves for space in the room. Wins only barely taking its place. You don't say anything. Act as though his question going unanswered, will keep the truth from spilling into the space.
"How long?"
"... Since my father died."
Zoro gives you a curt nod before pushing himself away from the door. Still his eye does not fall on you. Part of you begins to wander if it's intentional. If the sight of your broken body is just too much for the swordsman to bear.
"You can take the bed. I'll wake you up when it's time to take your meds again. Chopper will be just down the hall. If you need me, I'll be in the crow's nest." He begins to ramble.
As your mind reels the pirate starts to rifle through his clothes for a clean shirt. A task you are sure requires exceptional effort in his messy quarters. After the third black tee Zoro finds a clean one and hands it out to you. Only then has your mind caught up enough to clasp his wrist.
"I don't want to sleep alone." You admitted. "Please don't make me sleep another night without you."
Zoro exhales a shaky breath. Like it is taking everything in him to grasp his bearings.
"Okay. " He whispers in response.
The sentiment settles and wrenches your heart. The guilt pains you much more than the bruises ever could. The physical pain would heal. In time the red marks around your throat would fade. The cuts that cover your feet will only be a distant memory. But you will forever have to live with the pain of what you did to the swordsman.
As Zoro climbs into the bed you wonder why he still has so much affection left for you. Why he was offering refuge after the terrible things you said. Think it might have been better had he screamed. Cursed and yelled at the sight of you, opposed to these gentle ministrations. After all, you deserved to feel a fraction of the pain you have put him through.
"I'm so sorry Zoro. I-"
"Go to sleep." He mutters. Lazily wrapping an arm around your waist. "We can talk in the morning."
The swordsman holds you close to his chest. His hold is so tight it slightly stings against your wounds. If you concentrate enough you swear you can feel Zoro's heart thumping violently.
The smell of the sea can almost deceive you into believing you're on the beach. That things are okay. The daydream only crushes your spirits more. Emphasizes how your world is actively crumbling around you.
You wished you had the heart to let it go. To not need reassurance at his expense. But the words are fumbling out your mouth before you can stop them.
"Do you still love me?" You choke out.
There is no strength left to hold back any tears. To swallow the vulnerability before the pirate is able to see it. All that is left is to slice your chest open for the swordsman. Show him all the broken ribs you have endured trying to protect your heart only to have it broken in the end.
"I still love you." He confirms placing a kiss to your temple.
The words bring more anguish than relief. A visceral hurt cascades your body. All you can do is sob. Grasping desperately onto his arm in an attempt to ground yourself.
"I hate him, Zoro. I hate him. I hate him. I hate him. I hate him."
"I'm going to kill him." The pirate announces.
The definiteness in his voice , kin to when he announced he would be the strongest swordsman in the world. You turn in his arms to face him, and this time when you look up at the pirate he is meeting your gaze. The stress of the day so clearly pronounced by the bags under his eyes.
"Zoro you don't hav-"
"Go to sleep." The swordsman reiterates, before you can continue. He sweeps his thumb across your cheek to wipe away your tears, even though more come to replace them. He gives you a soft, weak smile before gently pressing his lips to yours. The feather light touch has you second guessing if you had felt him at all.
"We'll talk in the morning."
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A/n: Hey luvbugs! I hope you enjoyed this chapter. Comment your favorite quote 👀 or part ! I’d love to know. I think there’s gonna be about two more parts left at the most. Ahhhh can’t believe we’re almost done.
If you would like to be on the taglist , let me know ! I’d love to have you! :)
Tag List: @turtletaubwrites @jinjen @sanzu-clinic @heyauntieeee @honeybuzzzzzz @nothing-but-brass @katiemrty @zorotime @kahelis @vikispike @haitaniwhor3 @starlightanyaaa
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factual-fantasy · 2 days
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I know you probably won't continue this since it's been almost two years but recently I saw your Submas comic again with Emmet somehow ending up in Hisui with the help of Celebi and reuniting with his brother but also getting the consequences of his actions/neglect in taking care of himself (also probably Hisui being harsh to his already weakened state)
I imagined how it could continue (not written down anywhere just living rent free in the brain of yours truly) and I feel like sharing it with you since you inspired me:
We left off as Ingo weeps in front of Emmet sleeping... After he wakes up from his weeping Ingo and Sneasler reluctantly leave as Emmet has no signs of regaining consciousness or improving. Something tells Ingo that what his brother needs might be back in their original time with much better health care.
Similar to him Ingo seeks out Dialga and Palkia begging them to help him save his brother. They have just reunited and he doesn't dare to think what happens if Emmet doesn't get the treatment he needs.
Celebi is also still around and Ingo makes the decision to return to the future to help save Emmet. Sacrificing everything just like he did.
[off screen he makes his good byes get's one of Sneaslers Eggs as a parting gift and they return back to the future]
Next time we cut to the twins it's in the hospital when Emmet regains consciousness. Half awake he is distraught first because being in hospital means it was all a dream and he is all alone again. Waterworks start until he notices a presence by his bedside. Ingo. Totally exhausted and seemingly recently fallen asleep. Waterworks start even harder because Ingo is right there. It was real after all. Ingo awakes and wakes up and they hug and weep.
the end
----
I know you're not fond of fanworks of your fanworks so I don't know if you even like this stupid little idea (also if you even remember the fanart and all that from way back when) I don't plan on sharing this anywhere outside to you. Take it if you want or leave and delete it. I just felt like sharing it with you since you inspired me.
I just want to say thank you because even after all this time your few works of art for submas fill me with joy and I smile each time I scroll past them on my dashboard. All your artworks are simply amazing and I know that you definitely make so many people happy with your content. Keep doing what you love because you do awesome! Take care and thank you for reading this far into this long message.
Awwee!! This is so sad yet adorable at the same time!! 😭😭😭 What a sweet way to wrap up Ingo and Emmets journey! :}}
And thank you so much! I'm so glad to hear that you liked my submas stuff and that it's inspired you! Even though I didn't draw much for it.. 😅 Perhaps someday when I'm feeling better I'll get back around to submas again.. 👀👀
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wistfulcynic · 2 days
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just finished a full rewatch of OFMD season one, which i'd not done for a while, and am now deep in the shrimp emotions. Why is this show so good.
specifically i'm thinking about the beginning of 1x07 when Ed says he's thinking about leaving. On to the next adventure, etc. He says it so casually, like it's no thing at all, and it makes me wonder how that scenario might have played out.
There was a meta i read shortly after the season aired (sorry, can't remember who wrote it) which said basically the plan to leave is Ed's way of protecting himself. By that point Ed knows he's falling for Stede, they've had their almost-kiss in the moonlight, their tender bathtub moment. Ed knows, even if it's only subconsciously, that if he stays he'll just fall deeper and harder and that will leave him vulnerable in a way he's not quite ready for.
so i wonder what would've happened if he had left then. Not with Calico Jack in all the heat of fraught emotions but on his own terms before his feelings for Stede grew beyond his ability to control them. i wonder how he'd have coped with losing Stede then.
because at that point, he's got no real reason to think his feelings are reciprocated. Stede clearly likes him, says flat out that he's Ed's friend, but nothing he's said or done would lead Ed to believe it's anything more than that. And Ed, as we know, is convinced he's unlovable so of course in his mind Stede could never love him.
which means that if he'd left then he wouldn't actually have lost anything. Stede and the Revenge could be kept as a lovely memory of a brief good time in his life. He might pine a bit, maybe give himself the luxury now and then to think about what if, but i don't believe it would ever reach the point of painting cake toppers or even crying in a dressing gown. i think, honestly, that had he left then Ed would've been okay, or at least not significantly worse than he was before. Still bored, still wanting to get out of piracy, still feeling sad and lonely and unloved but at least he'd have the memory of his friend.
what eventually renders that scenario impossible--what makes him leaving on his own plausible while he could never truly have left with Calico Jack ("never left")--is that by the end of episode 7 Ed has started to have hope. He's started to think that maybe his feelings aren't one-sided. Maybe he can actually have Stede. Maybe he can actually be happy.
i've often thought (as ofc have others) that it wasn't the loss of Stede as such that brought on the kraken era. If OFMD had ended with a successful talent show and Ed and the crew deciding to be a sailing theatre troupe instead of pirates, even without Stede, Ed would've been okay. Broken hearts mend. What tipped Ed over the edge was the loss of his hope, and the better life he thought he'd found a way to have.
not quite sure where i'm going with this if i'm going anywhere, just... it's an interesting contrast and imo a quiet turning point that neatly underlines just how important this is happening really was.
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tojiscursedtool · 2 days
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Hellooo, can you make a ftm! Reader x Toji comfort where reader has been feeling down due to dysphoria and feels he’s not enough for Toji and Toji notices this and comforts him abt it?
Feel free to delete/ignore this! :3
Also, i lof ur writings
⋆˚࿔ 🌊 . 𝜗𝜚˚⋆
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Note ~ of course! Thank you so much, I’m glad you like them! (^○^) DM me if you want any changes or smth please! I just wrote off what I thought would be short and sweet💔
MENTIONS — Fluff/Comfort, SFW, FTM!Reader, body dysmorphia, overthinking.
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You and Toji had plans to go out to a friend of yours party, it wasn’t anything major just a hangout for friends. As you were getting ready you looked at yourself in the mirror, placing your hands on your face feeling..icky about yourself. You began judging yourself, feeling like you didn’t look manly enough, how you felt like you didn’t fit into the male standards. You then began to start overthinking if Toji even loved you for you or if he thought you were just some ‘girl’ and not really a man. You were thinking the worst as those thoughts started to flood your head.
As you looked at yourself once more you viewed your body and even tried talking to yourself to hear your voice, you felt like you didn’t sound like a man enough. Like you weren’t enough for Toji in general, you sat on the floor burying your face into your hands as big tears fell down onto your hands. You were crying..shit after all that effort of getting ready to..that didn’t really matter to you though, you just wanted to be reassured that you were just over thinking and that you are a man. You are something.
To Toji you are his everything, you may not think it or may think poorly on yourself but he really does love you. You didn’t notice it until you felt Toji behind you wrapping his arms around you laying his head on your shoulder, he was looking at you with a slightly concerned voice but he suddenly spoke in a calm quiet tone, “hey, it’s okay. ‘m here, tell me what’s wrong.” He’d bring you in a tight embrace looking at you waiting for a response, he didn’t rush you but he wanted to know what was wrong with his boyfriend so he sat there patiently holding you into his arms as you then spoke in a awfully quiet, bothered, sad tone..
“I just uh..I don’t feel like i’m right. I feel out of place. My body I mean..I uh..” you paused mid sentence looking down, your breath was a bit shaky as you were still crying trying to keep your composure. You opened your mouth to speak once more but nothing came out, your mouth was left open, agape. He was also quiet, you then broke the silence by explaining how you felt, “I feel like you don’t really view me as a man like..no one does. I just look at myself and feel so disappointed. It’s tiring.” You slowly looked up at him, “I’m not good enough for you, I feel like I don’t really belong I’m just here for..no reason?”
The room was quiet for a few minutes after you had spoke, he gave you some time to think and calm down a little before he spoke softly. “No reason? I love ya’ very much, Y/N. Looking at you makes me happy knowing I’m dating such a handsome man.” He brushed your hair out of your face as he wiped any tears you had on your face, “I don’t care what ya’ are or want to be, I’ll b’ here for you. I don’t tend to say it much..I show it through action more than my words.” He loosened himself around you as he stood up and helped you get up, he looked at you with a serious genuine look, “we don’t have to attend that party with your friend, I want to spend time with you, is that okay?”
You nodded looking at him with a slight smile feeling a bit better but had some doubts about yourself but before you could even finish your thoughts he spoke up again just to reassure you to make sure he didn’t miss anything, “you are very worth it to me, I assure you there ‘s nothing wrong with ya’, you are just feeling doubt and down about yer’self and I understand. Though I may not understand yer struggle I understand it can be hard for you. And that’s perfectly fine, but you aren’t a girl, I don’t see you that way, at all.” He placed his hand on the side of your face and then kissed your cheek.
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gnomebinary · 2 days
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This is my protocol bingo! (Thank you as always osric.com).
Lena is just doing her evil job - No thoughts, no morals, no alligence. Girlboss.
Nobody ever finds out Jmart's real names - I just think that would be tragic, and fit in with what RQ have been saying about this not being too attached to Archives.
Redemption arc - There was a notable lack of these in Archives even though forgiveness and making a conscious effort to behave morally were important themes in the later seasons. I'm ready for Mr Bonzo to have Kylo Ren's exact redemption arc where he's redeemed mostly through kissing. I don't even care who he kisses.
Froyo trip - It's pretty clear that we're being told that this is Somewhere Else through things like the Archives staff having tea and the OIAR staff having coffee. The s1 Archives gang iconically got icecream, so I'm gunning for a froyo trip, and a Gwen monologue about preservatives.
Colin dies first - He's just so killable. Plus, Celia can't die until they do her reveal and they'll probably want to build up to it, Sam can't die because he's the driving force behind investigation into Magnus, Alice can't die because she kinda makes the whole show, Gwen can't die because she's mid-arc and it is of the type that if left unfinished it would be anticlimactic not tragic, and Lena can't die because the impact would be pretty low.
Nostalgic PC games - I LOVE that RQ appears to be into old tech. I want to see Chester and Norris play Catz 5. Lowfi retro charm.
Dyhard - I go back and forth on this one, it feels too obvious what with the hot drinks imagery workplace annoyances to lovers stuff, but at the same time it does Just Make Sense.
Somebody becomes disabled - In Archives people were injured a lot, but none of that amounted to a long-term physical disability, except for Melanie's blindness. Feels like something to do in Protocol.
Police brutality - Feels like a theme that Jonny still has more to say about, and an incredibly easy one to weave into this kind of story.
Alice is hiding something - I actually think she isn't but y'all are saying it.
Alice naming stuff has consequences - She does it so much and Colin warned her off it, clearly seeming concerned but not explaining why, I think it will have unforeseen and damaging consequences.
Someone has a pet - In Archives, especially in the earlier seasons, everyone was notably unattached. Martin has a mum to take care of, but nobody has partners or children. I think this was partly because it made them easier to manipulate, and partly because it meant that tragedy could be dialled up: Sasha dying was sad, but not as gutwrenching as Daisy dying because Daisy's relationships were more fleshed out because it was later in the series. We're already bucking that trend with Celia's son, so I think we might see a pet too. Also, the pet will probably die.
Alice dies in the last season - Alice is very killable but she's also the heart and soul of the character relationships, so I think they will kill her but they'll wait to do it, and then do it mid-final season as an OOH THEY WENT THERE turning point, like how Tim dying brought in a new, darker era for Archives.
Conclusion that love isn't what makes you human - At London Comicon in October, Alex or Jonny (I forget) said that if Archives was about what makes you a monster, Protocol is about what makes you human. I think it's kinda trite if love is the answer, and I think the conclusion re love will be that monsters can love, because that's cooler. Hell yeah romantic monsterfucking.
Celia evil - I LOVE that we're seeing another Welsh person, but she doesn't sit well with me.
Agnes returns but we don't hear her speak - The tree on the other side of the rift is still alive, and if that universe was this one then that means that Agnes may still be alive. Jonny and Alex have said that they regret not doing more with Agnes, and I don't think they'll miss out on the opportunity to use her again. However, I think the fact that she doesn't speak is central to her tragic character and role as Jon's character foil, and I don't think they'll change that. I actually posted a tiktok about this.
Scene on London public transport - We're already seeing our gang at the pub and on dates, I think we're going to get some tube content.
Jmart fate worse than death - They're going to have us WISHING that they died in mag200.
Fears never treated as separate - I just think we're over that.
Breakup - They're getting the character relationships in early, so I'm predicting an onscreen breakup, because that's one of the few ways that we didn't see relationships between characters going bad in Archives.
Gerry's life gets ruined again - I'm sorry guys but I don't think they're going to let him have peace. He's going to get dragged into the OIAR situation and he's going to suffer.
Alice's brother lives - People are already noting similarities between Alice and Tim, I think that it'll be essentially the same character beat again if her brother dies. Adapt, improvise, overcome, RQ.
Another Michael - Just another character called Michael, unrelated to the four existing Michaels. I wasn't going to put this because Jonny is very aware of the four Michael problem, but this man plagurised his own full legal Christian name, so anything is possible.
Jack is Agnes' Jack - I think it's cool if we all think about how there was actually a massive age gap between Agnes and Jack because she didn't seem to age past her twenties, so he was absolutely a child when she was an adult. Not that I want to have Discourse or anything, that relationship was hecked up and complex in plenty of other ways, just because it's interesting.
Onscreen kiss - They said they wouldn't do it during Archives and then they did and it wasn't that gross, so I'm ready to see it happening again. They might have a relationship between allosexuals this time, I don't think they're going as far as onscreen fucking, but I'm game to be surprised. Insert joke about reusing the whimpering noises from Archives here.
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deluweil · 5 hours
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To be honest the way part of the fandom has treated this Tommy character as a god makes me dislike him more. Unfortunately the Buck bi arc was tainted for me because it all feels force. Also what doesn't help is that Eddie was to much involved in that storyline.
The way people are acting like it's a perfect relationship and yet we barely saw them together feels just weird.
Also I don't like how some literally push Eddie away for this new white man.
This is Taylor Kelly all over again. The sad part is that the season is short and people wAnt to to spend their time giving more to the new guy.
I hope him and Marisol are gone, but I'm afraid. These two characters took the joy out of the Buck and Eddie storyline for me.
The fandom, I think, in this case, is definitely the problem here,
Lou is completely unassuming and enjoying the process and being a buddie shipper just like us - if one actually bothers to read the interviews and not just pick and choose what to talk about.
That is what makes me like Lou.
The fandom has somehow glorified Tommy's character after a couple of episodes and yeah it rubs the wrong way, because, what about the story we had so far?
Is season 7 a reset to 911? and everything that came before that doesn't count? Why not just make it 911 abc pilot then?
I don't think that's the case, but I think the last minute switch between Buck and Eddie kind of ruined it for the Tim because, yes, in a way it feels forced and out of left field.
Supposed that Buck was indeed vying for Tommy's attention, why do it like that? and why involve Eddie in the first place?
I have a lot of questions and my main problem here is not that Buck is experimenting with Tommy, it's the way they practically propelled this ship off the cliff into a dangerous spin, they went from zero to 200 in a second. - That is not how you build a relationship.
You don't try to figure out what you want, mess up the first date, then invite said date to an apology coffee and then invite him to family wedding on the way. It just doesn't work that way.
I may be straight, but I have gay and bi and lesbian friends, neither one of them has ever brought a second or even a third date to so much as a friends get together before they were sure that this is something that would last, before they brought the intended victim to be judged by friends and family.
And people who talk about Tommy as being established in the 118 family, that is not true. He has a connection with Chimney in that that he owes him his life and an acquaintance with Hen, who is clearly not very fond of him, because of obvious past she had with him and their old house before Bobby came into the picture. - Remember - Chimney was her ONLY lifeline in that house.
Tommy was not a liked character before.
Arguably Buck had more history with Taylor than he did with Tommy (which is none at all) - But Taylor is a strong opinionated and often self-serving woman (not unlike Buck mind you), emphasis on woman. - That is the only reason she never stood a chance. Because the writers could have made her and Buck the greatest love story this show has seen, but they continuously managed to ruin any fondness for any female LI to ever grace that set.
And this season is short, to bring in a new LI kinda defeats the purpose of re-establishing the team and this show, because it does feel the same as any of Buck's old relationships that were being pushed for the benefit of 'god forbid Buck actually learns how to be alone and healthy and happy' - the only thing that changed in Buck this season is his sexuality and nothing else, and that vexes me.
My problem is not with Tommy, it's the perpetuation of 'poor baby Buck' society. - I love Oliver and I love Buck - I am tired of the ever repeating pattern of forgiveness for his self serving ways without any accountability that we keep seeing.
I don't think Buck's or even Eddie's firsts or you know what? even seconds should be each other, I am more than happy to make this journey with them, but let it be a marathon not a sprint to the finish line - they knew they would get renewed for another season, they could have written and built it better than what we got - because the moment they switched gears after the second episode, the story became written in the same messy last minute way both S4 and most of S5 were written.
There is no grand plan, at this point they are merely winging it and see where the wind takes them. - And that is idiotic, they had SO MUCH TIME to make this a well written story with the strike and long break after that, to write as they film is lazy and stupid and mostly childish.
And yes this is Taylor all over again, not in that they are the same type of people, but that Buck is jumping head first into a relationship without actually knowing how he got there. - Bobby said that himself - and it is the same, because who in their right mind invite a second (kinda) date to a family event? Like dude have you ever dated before? Do you how this works?
It is a LOT of pressure and not even for Buck himself - because he brought this on himself - but rather for Tommy (aka the intended victim) to be first introduced to the family after a couple of dates when he himself has no idea where he and Buck are standing.
Marisol, has indeed sucked the joy out of the Eddie's story, I don't get why do either of the boys had to be in a relationship starting this season to begin with. Like, she is literally a handbag, the token hetero symbol, so to speak, what she is doing there? is beyond me.
The catholic guilt of her being a nun is bullshit, and as Bobby said himself, Eddie has no problem committing to certain people/things. She serves no purpose this season other than a seat warmer/ glorified babysitter since Buck is otherwise engaged.
They could have gone for Eddie finding his way in the department, Eddie dealing with his mommy issues, Eddie trying to figure out what and who he wants in his life, Eddie trying to navigate Chris' terrible teenage years.
They could have explored the fact that a guy going with his supposed gf/wife in the golf course checking Eddie's hot ass (6X17) - Oh wait, they were going to... the ground for Eddie's coming out was all laid out and they took a sharp turn to left field in the second episode of S7 and made it all about Buck again, because the Natalia actress couldn't come?? what kind of a weak ass reason is that?
And yes, the cliche of receiving the odd white man out (who played a controversial role in early seasons) rather than the regular casted poc male or the guest starring woman, for that matter, better is all kind of f-ed up, but no one would talk about that, of course. 👀
Anyway, I am hoping that whatever is coming next will be worthy of our time and attention because so far we got about more of the same as far as Buck and Eddie are concerned - except that Buck has just broaden his variety and has a bigger pallet of mate choosing at his disposal.
I have two very close bi friends, so I know how their minds work, because God knows they share with me more than I ever wanted to know lol. And one of them is watching 911 with me and she is happy for the rep as well, but unhappy with how it was developed too.
At the moment, I have decided to put any Buck and Eddie topics aside and just want to get the LONG AWAITED Madney wedding, if anyone deserve a happy ending, it's them. ❤️
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thebookofanne · 1 day
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Queen of Tears (2024)
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This is not an average love story. This is a tearjerker or one might say an exquisite premium cliche series with a beautiful or maybe painful portrayal of romance shared between a married couple?
It’s been quite sometime since I’ve been so thoroughly engrossed in a series and got drawn with a whirlwind of excitement and sadness. I found myself deeply resonating with the characters’ struggles and it kept me on the edge of my seat throughout. The way Kim Soohyun and Kim Jiwon perfectly embodied the character of Baek Hyunwoo and Hong Haein just left me in awe. They seamlessly blended into their roles as they were tailor-made for it. I can firmly say their acting prowess was cited as the only major reason for watching this series. 
I'm genuinely grateful to whoever conceived the idea of bringing them together. Not to say, their unrivaled and uncanny chemistry conveys a lasting impact and indeed leaves us yearning for more moments shared on screen. Their incredible dynamic, the way they execute the range of emotions from anger, longing, love, happy and sorrow really create an irresistible allure. The way Kim Jiwon plays the role of emotional enigma of Hong Haein and the way Kim Soohyun captivates with myriad of nuanced expressions of Baek Hyunwoo are truly breathtaking. It makes me impossible to imagine Hong Haein and Baek Hyunwoo other than Kim Jiwon and Kim Soohyun.
Their emotions did not even wane a bit despite its messy plot and a little vapid storyline in the second half. One drawback besides its cliche moments, there is actually an abundance of side characters story where it leads to so many things in the story to unfold and that is somehow not so necessary? These subplots can sometimes lead to several episodes where it can be bit draggy and we could feel there is lacking in the screentime of Haein and Hyunwoo. How I wish they would focus more on side stories of these two main characters instead of side characters stories. Amidst these shortcomings, I am truly grateful again for Soohyun and Jiwon for saving the plot and dragging the collar of this series by keeping our immersion into the storyline.
I love how there are a lot of foreshadowing scenes woven into the narrative.
I love how they always welcome us with heart-wrenching and heartwarming hugs.
I love how they depict familial love.
I love how they suppress the very emotions to fuel this series.
Alongside these, there are also parts where some viewers may find certain moments in the cinematography to be overly prolonged, such as extended close-ups of character’s faces. However, I believe these shots essentially depict how much time the characters have wasted for not looking at their partner, so they become lost by the track of time and engrossed in their own thoughts or emotions. We actually could witness their love begins to rekindle and there’s a shift in how the characters gaze and linger at each other.
The beauty of their acting synergies carries such sincerity that I found myself irresistibly drawn in, and all I could utter was,
"Can love truly be this beautiful?”
“Can one truly love someone in such a way?”
Truly, I'm at a loss for words when it comes to expanding upon the essence of true love or perhaps even articulating the depths of emotions where one would willingly sacrifice everything when the life of the person they love was on the line. But their acting prowess and stellar performance keeps on drawing me into the moment and I could truly feel love is in the air.
This is undoubtedly an ode to the tapestry of life, love and loss. 
This series will be etched into my heart forever.
Rest in love, Hyunwoo and Haein.
Thank you, Hong Haein.
Thank you, Baek Hyunwoo.
Thank you, Queen of Tears.
What a series.
2024년 4월 29일, 0306hrs.
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elffees · 2 days
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How Fragile Allyship is Portrayed in Frontiers of Pandora
So I really love this audio log from Priya and needed to talk about it. This entire post will be based on this log.
Transcript:
"I ... it's Priya. Obviously. I don't know what day it is. Nothing makes sense... Alma's dead. Alma. Is. Dead.
Oh wow. That's weird. But you know what the really weird, screwy part is? There's this whole other Alma just walking around. Except she's not blue and she's got tiny eyes. Do we all have such tiny eyes? I just ... I feel like good Alma was killed. And we're left with this other one who everyone hates. But really it's the same person. Or is it?
I don't know what to think. I'm not really the one for existential crises, but this is a real brain-breaker. And I'm ... I'm sad. My friend died. No. No. She was murdered. I know she did some bad things, but Nor had no right. I'm glad he's gone. Maybe he's glad too. He never liked it here. Never liked us. Humans.
But we're trying to help. Alma was trying to help. She was protecting them. She tried. Right? Mercer's the bad one. That's all I know for sure. And that other Alma... she wants to hang out, just like old times. But... she's not my friend. Not— I think I hear someone. Signing off."
This audio log can be found in the Resistance Hideout.
I really like this log because it encapsulates the different ways allies & marginalized peoples view and are affected by certain situations.
Disclaimer before I start: I am not saying Priya is a bad person, nor am I saying allies are bad people.
For starters, I can understand why Priya, and likely other Resistance members, have mixed feelings towards Alma. It's a very complex situation. So Priya regarding it as "weird" and being at a complete loss makes sense.
What I want to focus on in this post are the last 3 paragraphs. Where she expresses confusion and hurt because "Good Alma was murdered".
I think this right here is a very well written distinction on how allies and the marginalized communities they assist experience situations differently.
Alma's Reveal
Everyone had their worlds turned upside down when Alma confessed the full extent of her actions in TAP. Alma admits that her avatar was a tool for manipulation. Although she may care for the Sarentu children now, for the majority of their relationship, from the genocide, to TAP, to being frozen and left behind, Alma's avatar was a tool to manipulate and coerce Na'vi into viewing her (and by extension TAP, then later the Resistance) as "one of them". As someone to trust and relate to. The purpose of her having an avatar was to act as a golden ticket into Na'vi society.
Alma was not "murdered". There is no "good" or even "bad" Alma. There is only Alma.
The human who played a role in the massacre of a clan, then manipulated its survivors for years, then left them behind to remain in stasis for nearly 2 more decades.
Who is also the human who founded the Western Resistance and tried to band together several Na'vi clans to protect Pandora, who encouraged the Sarentu to reclaim their culture and customs the ones that didn't expose her ofc, and who helped rid Pandora of cackling narcissist John Mercer.
There is only ONE Alma that has done all of these things.
Alma was not "murdered". Her tool of manipulation was destroyed. The object, the mask, the weapon that gave Alma her power and confidence and that helped her fool not only the Sarentu, not only the Resistance, but also herself into thinking she was something she was not, was taken from her.
Alma was not murdered. She was thrust back into reality.
And so, Priya's last 3 paragraphs interest me. It's completely fine that she mourns the image of who she thought Alma was. In a way I think the Sarentu (sans Nor) do as well. Everyone thought Alma was just a good person who only wanted to help with no ulterior motives. It's painful to realize that was far from the case.
But then Priya goes on to hate Nor. She spits his name out like a curse. Glad he's gone because "he never liked them anyway". That he had no right to "murder" Alma because she only did a few "bad things".
There's a lot to unpack there.
Priya's Blaming of Nor & It's Ties to Fragile Allyship
I want to break down the lines one by one.
She was murdered. I know she did some bad things, but Nor had no right.
For starters, it is EXTREMELY COMMON for allies of marginalized communities to "insert their two cents" on a delicate topic. More often than not when there is inter-community issues, allies have a tendency to say the phrase: "I'm [insert demographic] so take what I'm saying with a grain of salt, BUT I think..." Any and all oppressed classes have heard this phrase from MILLIONS of allies before.
The FOP writers did remarkably well at capturing what allyship looks like when writing the Resistance. Because Priya, as a human formerly part of the oppressive group trying to wipe out the Na'vi and Pandoran wildlife, fully believes she can judge whether Nor had a right or not.
It's not her call.
She cannot determine whether Nor was justified or not because she, as someone part of the privileged class in the world of the game, has never suffered from the harm that Alma's avatar has caused.
She, and none of the Resistance members, were raised by Alma's avatar.
They were not lied to by Alma's avatar for YEARS about the true fate of their families and loved ones.
They were not encouraged to view Alma as a mother-figure or nurturing teacher or beloved caretaker, when she was actually just eager for fame and success.
They were not put into cryosleep and then left behind for 16 MORE YEARS with suspicions that this abandonment was an intentional coverup.
They did not suffer any of that.
They saw her as the leader of the Resistance and as a friend, which does cause an impactful betrayal of course, but Alma's avatar never tried to force them to see her as family. As someone to love.
While Priya only says all this in a private audio log and thankfully doesn't say it to any of the Sarentu or god forbid So'lek, these are her thoughts. The simple fact she believes she can judge Nor, that she has the capacity and authority to scold one of the main victims, is a reoccurring feature of privileged allies who struggle to realize that they cannot relate or ever fully understand how marginalized communities experience oppression.
Priya says Nor had "no right" to "murder" Alma. When truthfully, Priya has no right to judge how the Sarentu feel and respond.
I'm glad he's gone. Maybe he's glad too. He never liked it here. Never liked us. Humans.
After Priya attempts to place judgement on Nor's actions, she then dives deeper.
She is glad Nor is gone. Not ONLY because of what he did to Alma's avatar. No. She is also glad he's gone because Nor was not friendly.
Another prime instance of fragile allyship is that allies tend to believe that marginalized people are only worth their sympathy if they're likeable.
This has a lot ties to the "Perfect Victim" concept.
Because Nor was not friendly, because his trauma caused him to distrust humans and he did not quickly get over it and befriend Resistance members, he is undeserving of as much sympathy as the other Sarentu.
It's seen as a positive that he's gone (despite the fact he ran away in clear emotional distress.) Not just because of what he did to Alma's avatar, but because now Priya and the Resistance no longer have to assist someone that's "ungrateful" and "not as nice" as they should be.
The purpose of being an ally is to help oppressed classes survive against circumstances that would otherwise have them discriminated against or have them dead. Being a truly good ally should not hinder on whether the person is "likeable" or "grateful" for their services. But sadly, in the real world, that is one of the most common "conditions" a LOT of allies have when it comes to offering support. How much they like the person or groups they claim to want to help.
Allyship is more often than not based on likeability, rather than morality.
But we're trying to help. Alma was trying to help. She tried. Right?
Another feature of fragile allyship is the tendency to change sides.
Priya agrees that what Alma did was wrong. She understands that.
But because of the simple fact that Alma is human, Priya not only relates but tries to defend Alma's actions. Seeing herself in Alma is understandable because they are both human and were friends. The problem comes when Priya begins to project and defend Alma's actions.
It doesn't matter that by her own admission Alma's main goals were fame and achievement. It doesn't matter how much the Sarentu are hurt by her actions. It doesn't matter that Nor was outraged. It doesn't matter that even calm and collected Ri'nela was disgusted. It doesn't matter HOW the Sarentu, as the direct victims, feel about Alma's actions. It doesn't matter that intent ≠ impact.
Alma is human like Priya, so from Priya's POV, Alma's 'intentions' hold more value than how the Sarentu were impacted. "We're" trying to help. Alma was trying to help. So her actions can't have been that bad. Right?
Mercer's the bad one. That's all I know for sure.
And finally, this is another feature of how allies tend to respond to things.
Of the two, Mercer is the one who unabashedly committed the massacre and oppressed the Sarentu for years. Mercer is "the bad one" because his actions are overt. They are clear cut, obvious, and maniacally evil.
When real world marginalized groups face microaggressions or covert prejudice, allies have a tendency to step in and defend the offender. "Hm, I don't think that was racist." "Are you sure that's homophobic?" "It's just a word. I don't see how it can be ableist to say." - "It's not like it's really hurting anyone."
When oppression is not as clear cut to allies, they tend to dismiss it entirely. It doesn't matter how the victims feel about the situation. As discussed earlier in the post, allies tend to think they have the authority and capability to make judgements on prejudice they do not face, and ergo believe they can determine how "bad" something really is. Better than the marginalized class can themselves.
In Priya's eyes, Alma is better than Mercer because Mercer's oppression was harsh yelling, explosions, and murder. "Mercer's the bad one" while Alma was "only trying to help."
But in truth, both Mercer and Alma have done and continued to do harmful things. They both played a part in the decimation and continued manipulation of the Sarentu. Both for their own selfish purposes.
Oppression has many faces. It does not always look the same, it is not always a mustache twirling villain. It can be subtle and quiet. It can be hidden behind gentle eyes and smiles. It can be from "good intentions" just as easily as it comes from "bad intentions". It can be subconscious, it can be self aware, it can be secretive, it can be out in the open. It can be many things. There is not only "one bad" style.
Oppression is just as diverse as the communities it aims to harm.
Conclusion
I want to reiterate that I do not dislike Priya and this post isn't a hate campaign against her. I know many dudebros in the fanbase unfairly criticize her.
The point of this post is to applaud the FOP writers. It is very rare when mainstream media is able to accurately depict how fragile allyship is. Priya's reaction to Nor stabbing Alma's avatar is painfully realistic to the many ways allies have reacted to certain situations in the real world.
This is one of the many reasons why I love this game and feel it hits home. Not only can I relate to the Na'vi clans, but my god can I relate to the way allies are written in relation to them. And I feel like this audio log from Priya, while brief and easily missable, is one of the prime moments of realism this game portrays really well.
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leandra-winchester · 2 days
Text
So. There's been a lot of speculation, and a lot of hot and lukewarm and some honest and valid takes about the new trailer and the potential of what might go down next ep.
I've been thinking thoughts, and I have my own personal stance on the matter. And no, I will not be 'taking criticism', because this is the way I view things in general, and it won't change. So this isn't me opening up a debate about this, this is just me sharing my personal views, which you absolutely can agree or disagree with. (So if your views on cheating are vastly different from mine, don't come at me telling me how wrong I am, I'm not doing that at you either)
That being said, here are my thoughts and beliefs.
Kissing isn't (automatically) cheating. For me, it highly, highly depends on the accompanying circumstances. There are kisses for shits and giggles that are not cheating. There are kisses happening under heavy influence of whatever substance - something that can render you legally not responsible for a lot of things, so how does it make you responsible for a moment's poor choice? There are kisses that are done deliberately with intention and feelings/high physical attraction involved, and THAT is cheating. When we look at the Buck/Lucy kiss, I didn't see it as huge a deal as many of the fandom did. The kiss itself somewhat fell into the second category. But what made it at the very least borderline cheating was the fact that Buck made a secret of it afterwards. Had he said "Look, something happened last night. I was drunk, then Lucy kissed me, and I didn't instantly pull back, but I didn't want to kiss her again or anything. I have no feelings for her whatsoever and I will watch myself in future a whole lot more to notice any signs of flirting, which, in hindsight, there were. I'm sorry." - then I think that's still grounds for a partner to be mad, sad, disappointed, but it's not really full-on cheating. Not in my book, by my definition.
Emotional cheating is much worse than physical cheating Being in love with someone and knowing it, imagining yourself to be with that other person, THAT is much more cheating by my definition than a fleeting kiss. And sometimes, depending on the circumstances, maybe even more than a drunken fumble or one night stand, but that is a very complex question. However, emotional cheating means you're not really in it with your current partner, pining for someone else but settling for what you can have out of convenience, fear of being left behind or some other highly egoistical motivation. That really sucks. (I've seen that take expressed on my dashboard as well, though with slightly different nuance to what I feel and believe, but pretty close)
So, taking these two of my underlying beliefs as the basis, what can I see happen in the next episode that would leave me feel okay with it, or happy about it, and what would make me feel iffy about it?
Let's start with the iffy.
Buck:
If, at any point in their drunken Hangover-movie escapades Buck and Eddie kiss, full on kiss (with maybe a little bit of tongue), and that kicks something lose in Buck, I would utterly hate that. Not that I wouldn't find it plausible that a kiss like that would trigger him realizing romantic feelings for Eddie, but that it happens now.
Someone else made a long post about negative stereotypes about bisexuals, and I agree. This is the promiscuity/bisexuals can't be trusted to be faithful stereotype, and I don't want Buck to ever be seen in that light.
Also, Buck JUST (and that post mentioned that too) convinced Tommy to come with him to the wedding, that he's ready for something... only to emotionally cheat (because it's that aspect for me rather than the kiss itself) on him the very next opportunity?
"But Tommy and Buck aren't in a relationship yet," I heard someone say, and well, yes. But this isn't REAL LIFE. It's writing. Things are crafted in a certain way to form a story, and stories have a purpose. The narrative gave us an arc where Buck seemingly wasn't ready for a relationship with a man yet, where he fucked up and had to fix that, had to take a leap and take some courage to make it work.
Just purely from a narrative standpoint, it would be so inconsistent to reverse that healthy step forward just one episode later.
From what we know about the episode, it also doesn't look like he's breaking up with Tommy in that episode. A lovely, potentially dramatic moment where Buck kisses Tommy in front of everyone as a means of 'coming out' is highly implied/likely. So that would mean him being aware of some feelings towards Eddie and still going through with that. And yeah. No. I'd really, really fucking hate that.
Eddie:
If they kiss at some point and it kicks something loose in Eddie, and he then goes back to Marisol... I'd have much less of a problem with that because it could still be explained and justified with him just being in utter panic about coming out. It would match the catholic guilt arc, and all his previous attempts at conforming to heteronormativity... BUT, if the relationship just continued as is and he'd actively use her as beard that would be shitty, even for poor confused, repressed, closeted Eddie.
The Not Iffy
On with Eddie:
If that kiss brings something to the surface in Eddie and he then breaks up with Marisol one episode later I would not consider that cheating or poor morals or anything of the sort. He wasn't aware of it until that moment, and as soon as he is aware of it and has had a little bit of time to process it, he draws the right consequences from it and breaks off a relationship he's not fully in.
So this would actually be fine to me. This could be the kick starter for a potentially long and complex arc for Eddie to a) come to terms with his sexuality and b) pine for Buck from a distance, because Buck is with Tommy and c) eventually, when the time is right, for Buddie to go canon.
Buck:
The kiss itself wasn't a serious or real kiss. I'd be okay with it, if it was some silly, exaggerated "MWAH" smack of the lips kiss, prompted by someone or something around them - I dunno, maybe one of the women there saying "Aww you're such a cute couple" and they going in for it just for shits and giggles; or Buck gushing about Tommy and what a great kisser he is and Eddie drunkenly, outwardly jokingly saying "Hey, I'm a great kisser too!" and them jokingly leaning in for a smooch, again, for shits and giggles.
Buck afterwards doesn't even remember it because it meant nothing in that moment, and so he's neither seriously physically nor emotionally cheating on Tommy in the slightest.
"But Buck has deep feelings for Eddie. How can he kiss him and not realize them?"
Well, see, Buck has been around Eddie for almost 6 years now and not realized them. They are so, so far past that getting to know and falling in love phase that it makes it a bazillion times more complicated to distinguish those deep platonic feelings from deep romantic feelings (because, what it comes down to in both instances is a deep bond; the bond of love you feel after years of dating isn't that different from a deep platonic bond. Again, Eros vs. Pragma and all that).
But Buck is *in love* with Tommy, he's just entered that exciting, chemically turbulent process of falling in love with someone which, with all the newly formed neural connections and all those hormones overrides anything else that has long since been present and is only now presented with the opportunity to take on a new nuance. Of course he doesn't get it, and he likely won't get it until much, much later, when he's falling out of love with Tommy again for whatever reason, or they break up amicably for whatever reason.
And THIS again is something that could easily go into the iffy, because I would really fucking HATE the implication that Buck needs to break up with Tommy to be with his One True Love. I don't want this to be a difficult and painful choice.
IF (when) Buddie goes canon, I want them both to be ready and free for it and not accidentally pushed towards it, or struggle with a guilty conscience for it, or hurt someone else about it. (Marisol wouldn't count in that context as Eddie would have broken up with her months ago and gone on his own long self-discovery trip).
So yes, even if for slightly different reasons, and even if my views on what constitutes 'cheating' may differ from a lot of yours, I agree that any actual MUTUAL feelings realization right now, under these external circumstances, would totally tarnish the beginning of the Buddie relationship.
Which also makes me hopeful it won't happen in such a way. Up until now, the writing has been extremely solid, and Buck's coming out arc has been done with so much care. I doubt they'd do something that ruins it. (But I'm not 100% sure of it either).
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