So Ai Di x Chen Yi has essentially taken over my brain, which led to a late-night writing session that resulted in this little thing. Note that it’s really just PWP and definitely NSFW. If that’s your thing, please enjoy! 🖤
Once again Ai Di found himself in Chen Yi’s room, his bed. Weeks of push and pull, teasing and understanding led him back - this time both of them sober and mostly clear-eyed. Things are quiet, probably too quiet - the eye of the storm, no doubt - with no one injured, no one missing, no one beating down the doors, at least not today. Ai Di has noticed something different in Chen Yi’s expressions of late, something hard and gentle at the same time - sure, there’s that same desire, the look that says he might devour Ai Di entirely if given the chance. But there’s something else lurking underneath, and Ai Di wants nothing more than to tear it out of Chen Yi and pull it apart and get his hands dirty with the feeling of it, the promise of what it might be.
Right now, though, Chen Yi’s hands are in his hair and anything he might want to say is swallowed up by Chen Yi’s teeth tugging at his lips. Ai Di melts into the kiss, sliding their tongues together and pressing himself against Chen Yi so hard he almost feels like he could disappear. They stay like this for a long while, Ai Di breathing in the heady scent of Chen Yi, the deep woodsy smell of his cologne and something darker underneath, tasting each others mouths until Ai Di can’t bear it any longer and starts tearing at their clothes. Ai Di pushes Chen Yi onto his back, peppering his jaw with kisses, then moving down to nip and suck at the sensitive skin of his neck, drawing out tiny sounds of pleasure. Ai Di continues lower, his hands roaming freely over Chen Yi’s naked body, enjoying the tremors under his fingers when he hits a particularly sensitive spot. He’s so absorbed in his explorations that he’s caught off guard when Chen Yi grabs him by the waist and tosses him on his back, letting out a huff of indignation that Chen Yi just laughs at.
Chen Yi leans in to offer a kiss of apology, then trails his lips up to Ai Di’s ear and whispers oh so softly, “Wanna taste you.” Ai Di hums in appreciation as Chen Yi takes him in his mouth, carefully at first and then with more and more insistence, sucking him in deeper and deeper until Ai Di’s hips start lifting off the bed of their own accord, his dick slamming against the back of Chen Yi’s throat. Another minute of this and Ai Di knows he won’t last much longer. As if reading his mind, in one fluid motion Chen Yi pulls off his cock and flips him onto his stomach.
“Fuck, Chen Yi!”
Ai Di is turned on and pissed off at the same time as he feels the full weight of Chen Yi on his back, the insistent press of his hard-on against his ass. Before Ai Di can do anything about it, Chen Yi is back at his ear, his voice pitched even lower this time, dripping with intention: “Wanna taste all of you.” The sound that escapes Ai Di’s lips is one that only dogs can hear, and before his brain can fully catch up to what’s happening, Chen Yi has buried himself face-first in Ai Di’s ass, tongue lapping and pressing insistently at his entrance. It doesn’t take long until Ai Di’s legs are shaking and he’s reduced to humping the bed, trying to get any friction he can for his aching dick. He vaguely wonders where the hell Chen Yi learned to do this, a tiny flare of jealousy that he might have been doing this with someone else while Ai Di was gone those four years erupting, only to be pushed aside by the overwhelming sensations radiating from the core of his body.
“Please, Chen Yi - I need you - ah, please, just fuck me already,” Ai Di stutters out, craning his neck to see Chen Yi pull back with a triumphant smile.
“Such an eager boy,” Chen Yi teases, pressing tender kisses to Ai Di’s spine.
Ai Di buries his face in the pillow beneath him, listening to the sounds of Chen Yi slicking up his fingers, barely able to contain himself as Chen Yi works him open slowly but intently. By the time Chen Yi gets a third finger inside of him, Ai Di’s head is swimming and his breath is coming in short, hard bursts. Another flip onto his back and suddenly Chen Yi is above him, inside him, overwhelming him. They cling to each other, Chen Yi’s hips snapping into Ai Di at a steady pace, his head tucked into Ai Di’s shoulder. Ai Di moans Chen Yi’s name again and again, then pulls him back by the hair to press a brutal kiss to his lips. When Chen Yi finally breaks away his eyes stay locked on Ai Di’s face, and when he speaks his voice is filled with emotion: “Tell me you’re mine, Ai Di. Tell me.”
“I’m yours, Chen Yi, I’m yours.” Ai Di whispers it like a holy mantra, tears pricking the edges of his vision. Chen Yi’s eyes flutter closed and he lets out what sounds to Ai Di’s ears like a sigh of relief. But all of a sudden Ai Di feels that ugly flare of envy arise in him again, thoughts of Chen Yi’s desperate crush on their boss rushing to the front of his mind. He needs to know once and for all that Chen Yi only has eyes for him, needs to have the wildfires of his jealousy extinguished for good.
“Tell me you’re mine, Chen Yi - I want to hear you say it.” Ai Di’s hands travel up to caress Chen Yi’s neck. When he presses experimentally, Chen Yi’s eyes fly open, dark as obsidian.
“I’m yours Ai Di,” he gasps, leaning into the pressure. Ai Di tightens his grip just a bit more.
“And no one else’s,” Ai Di demands.
“And no one else’s,” Chen Yi repeats. Ai Di releases his neck, his hands caressing Chen Yi’s face as Chen Yi begins to pick up the pace even more, his cock finally reaching the spot that makes Ai Di arch up off the mattress, a loud moan escaping him. He can feel his orgasm building, and before long he’s coming untouched, spilling all over his stomach. Chen Yi follows soon after, filling Ai Di and collapsing into his arms. Ai Di sighs happily, running his fingers through Chen Yi’s hair, scratching a soothing rhythm into his scalp. A minute of comfortable silence passes, after which Ai Di feels a strange hitching of breath coming from Chen Yi. He pushes himself up a bit, forcing Chen Yi to lift his head, and can’t understand why he’s seeing tears staining Chen Yi’s face.
“Hey, hey - what’s this?” he asks, concern evident in his voice, but Chen Yi can only shake his head. Ai Di gently shifts them around so he can better tuck Chen Yi into his arms, comforting him as he cries.
Eventually Chen Yi looks up at him, choking out the words: “Please - please just promise you’ll never leave me again.”
Ai Di lets out a deep breath and pulls him closer, thumbs brushing away his tears. “I’m not going anywhere, Chen Yi. I’m yours - I’m yours.”
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Angsty hug
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i need ghoap frantically making out against a door finally taking the leap on their feelings. need ghost grinding against soap, expecting to find him just as hard as him, only to feel nothing
and in all his wisdom and experience, he concludes soap was tortured and never told him
he’s trying to think of a delicate way to say he understands, that he’s been through it and it doesn’t change anything about how he feels (and who the fuck touched him so he can hunt them down and rend them limb from limb)
meanwhile trans!soap’s just trying to find the best angle to grind his cunt on ghost’s thigh
just it never even entering ghost’s head bc he’s never known a trans person but he has met plenty of people who’ve been tortured - himself included - so of course that’s his logical leap
soap takes off his shirt and he sees his top surgery scars and ghost asks if he wants him to kill the one who did it and soap just hums like, “actually, man did pretty good, they healed real well,” and ghost’s just teary-eyes with awe at how well he’s coping, “looking on the bright side, that’s my johnny.”
imagine he thinks johnny was fully castrated but sees he’s determined to still have a sex life with him so he buys packers and straps to help him bc hell yeah healing and soap’s just like, “holy shit i’ve never had such a thoughtful partner before, such a sweet man, lt.”
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am i even a real lukas fan without drawing his trailer design? so there’s that. also have some very sweet and gentle baja blast boys 🤗
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I can’t imagine Crowley being cruel to Aziraphale but I can imagine him putting a wall between them to protect himself. No touching, no dates, no bickering.
Imagine Aziraphale joking and seeing Crowley not reacting.
Imagine Aziraphale trying to touch him and Crowley moving away.
Imagine Aziraphale trying to invite him out and Crowley saying no.
Imagine having your other half. You’re so used to them. And suddenly it’s empty where they usually are. Worse, because they are there, but like they don’t know you. There are worse things than The Book of Life.
Aziraphale doesn’t know how to function without him anymore and suddenly he has to.
Imagine Aziraphale hearing from Crowley that he was right, Crowley is a demon, just like them, and it will never change. Aziraphale not understanding what he’s talking about and Crowley telling him to stop.
If he’s always going to not be enough then let him go. Stop taking when you don’t want all of him. Stop taking if you need to excuse every moment together. Stop taking if he’s a sin. Stop taking if he’s not good enough.
Stop taking if you will always remind him at the end that he’s less than you.
The Angel you loved is gone.
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silly au where hunter can also see the other golden guards but all they do is annoy him
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#dick would be a bit too enthusiastic the vibe would be off #they're cool hairless cats not tryhard hairless cats
your tags are sending me
tiny tim can accurately sense that jason has at some point in his life had a warrior catsona and dick has at some point said “wait it’s actually about cats? that fight each other? oh no :(”
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Yeah but what if they're some oddly high budget cartoon from the 00s???
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Champion⚫️
WIP I most likely won’t finish but we’ll see about that 🤷
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I did @pakhnokh’s challenge from twitter to draw this in your style! Here’s the original !
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every story i've ever made is about fear
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imagine spending months flirting with remus and he reciprocates but there is a slight age gap, not big enough for you to even think about or other people to think about but he overthinks it and worries he's too old for you, that you're 'wasting your youth' and you should be 'spending time with people your own age'. obviously you think it's rubbish but the thing about remus is he can be hypocritical, he says all this stuff but flirts with you anyway, it's very confusing.
one day he just snaps at you, you've been spending the night at 12 grimmauld place and everyone else has gone to bed, it's just you two and you flirt a bit, no more than usual and that's what shocks you so much at his outburst. "I'm not your boyfriend," he says coldly, in a tone that you've never heard him use directed at you before.
a shiver runs down your spine and you feel like all the warmth leave your body, you hated the way he just talked to you, dismissed you like that. after a moments silence you reply to him quietly, "i never thought you were."
"i never said it was your mistake," he mumbles back softer than before. he gets up from his chair and leaves the room without saying another word.
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You know those video games where the character has to complete puzzles and work through their trauma to escape/wake up/something? Obstacles getting in their way and being tied to their past as they delve more into their trauma and have to learn/heal from it before they can progress?
Danny has been around a loooong time. He's old, he's powerful, and has a space in the ghost zone that he controls much like a god. The ghosts have long since started leaving him alone, the ones he's friends with have their own affaires to deal with, and in his ever shifting labyrinthian layer he's too powerful, and even outside of it he can still kick their asses.
and he's without a purpose
His friends had long since passed on after leading long and wonderful lives with him, not even leaving a ghost behind. His Family as well. Jazz had never had children, and try as he and Sam might have, half dead as he was he couldn't have children. He had no one left and nothing to do, and all of eternity to do it in.
Thinking of Jazz is what made him do it the first time
She loved helping people with her psychology, and Danny decided to do it in his own way. It hadn't been pretty, and it hadn't been easy, but he had found his method. Some took to it better than others, and many had different theories about his lair and his motives, but he helped people move past their trauma. Some believed his lair was some kind of purgatory, and... they weren't totally off
So, when Danny moved on to the timeline of the DC multiverse, he had some experience under his belt
He just underestimated how much trauma superheroes can have
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Disguised forms for the other Basilisks!
(Including my interpretation of Number II's appearance)
+ headcanons, as well as backstory for my AU highlighted in green.
Number II, aka Tulip🌷
Age≈ late 20's/early 30's (~15 years older than Vee)
Goes by They/Them, Is the second oldest of the experimented Basilisks. They firsthand witnessed Number One(Greater basilisk that attacks Hexide)'s descent into madness and animalistic hunger. They were scared of what they could become, so they fought extra hard to retain their sanity, vowing to protect their younger kin. Tulip often risked taking punishments from the captors in the other's stead.
(Hight comparison for Tulip's true form (Vee for reference)
At around 15 years old, Tulip hears scouts talk about a new test subject that hatched recently and will soon be ready for experiments. Tulip breaks out and rescues the infant number five. A month of laying low later, and they are both hiding in a cave. Tulip finds a pool of Titan's blood trapped deep within, and they both enter into the human realm.
Tulip can't stay. They know they need to protect Treble and Ivy. So they watch in the shadows as Vee is taken into the care of a couple of humans before leaving her behind, where she can grow up in a place far from the Emperor's grasp. They absorb the remaining magic in the portal, severing this temporary link so that nobody can follow their child.
🎼Treble & Ivy🌿
Ages≈ Mid twenties
Treble: He/They, Ivy: She/Her
I got the idea to name him Treble from The Angel of the Owl house, by OwlHouseAngel on A03. I thought fit well, considering they're playing Eda's Citern in the finale, and the Idea of a basilisk playing instruments sounds cool. (even inspired some things for my AU)
Both were created from the same set of samples at the same time, making them twins. They've got a close-knit sibling bond, very protective of each other. Treble gets headstrong and does risky things like attack coven scouts. Ivy often has to reign Treble in to prevent him from being too reckless. She tends to take an overly cautious approach to anything new.
I'm still not entirely sure how they play into the AU, but they meet Vee and are introduced to Camila to be accepted into their family
I loved this shot when I first saw it, I'm glad to see at least someone in the crew cares about them
& 🌺Viola "Vee" Noceda
I like to think she has a collection of different sweaters and chooses to wear them to keep her warm. Basilisks are mostly cold-blooded but passivly use up their magic to keep warm in cold temperatures. Vee likes to conserve energy by dressing warm during the colder months
She ended up in the human realm thanks to Tulip and was quickly adopted by the Nocedas. Not knowing about her origins, she's horrified learning what her kin has gone through.
She's less timid when confronting danger and hasn't gone through her canon trauma (minus a few fears like sharp objects and dark basements from ). She does, however, have trauma and grief from Manny's sickness and death.
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