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#man I miss wandavision
sincerethoughtsblog · 2 years
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I'm not God's strongest soldier 🤞🏾
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a crown fit for the harbinger of chaos ❤️
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quinn-fucks-shit-up · 5 months
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quantumania should be renamed "an autistic old man's ant fixation once again saves the day"
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watchmorecinema · 7 months
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Something I think is a bit of an issue is the myth that the "great" films from the past are all boring, unrelatable and incomprehensible. That some black and white foreign film from Sweden can only be a really slow, dour experience. I'll admit that I was guilty of that thought at one point too.
The reality is that lots of these great films are actually broadly enjoyable. The reason they're considered great isn't because of elitism, some snobby ideal that they're hard to watch and therefore better, but because they're just extremely well made and stylized films. The black and white Swedish film? That describes a number of Ingmar Bergman films like The Seventh Seal. And The Seventh Seal is hilarious, even now. I honestly thought it was going to just be really serious and depressing but it's a life riot (when not being serious and depressing). There's a scene where a man is trading insults with his wife's lover, but he's not very smart so another man is whispering insults to him to use. It's about a knight that plays chess with death for a chance at living, but death is a cheating bastard that delivers one liners before he kills someone.
I know that a lot of people really only watch whatever is popular and recent, and that's fine, but I don't want people to miss out on truly great films because they think they'd be hard to watch. I did a showing of a silent film at work (One Week by Buster Keaton) and everyone was enthralled by the stunt work on display. It's over 100 years old and it still holds up because there's no expiration date on quality.
If you are looking to engage with older films though, skip Tarkovsky for now. Stalker and Solaris are two incredible films (Stalker is probably top ten for me), but those are absolutely the cliche of some slow, hard to follow "true art is incomprehensible" film. Terrence Malick as well. Excellent filmmaker, but watching The Tree of Life is work. Kurosawa and Hitchcock are some of my favorite directors and every movie they make is straightforward and thrilling. High and Low is the most incredible police procedural I've seen in my life, and Psycho is still a tense, thrilling experience.
To be clear there is absolutely nothing wrong with liking the most popular stuff. I used to watch every marvel movie that came out, and I still think Wandavision is excellent. I have fond memories of going to watch Captain America with friends. I loved the Barbie movie and that's in the top 15 highest grossing films of all time. I just think that there's a lot of great films to explore if you're willing to try.
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snapscube · 1 year
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What are your thoughts on the MCU's latest productions?
Phase 4 was kind of a dud though honestly it started really strong imo. They definitely have their issues but I still maintain that WandaVision, Loki, and Shang Chi were a great start to that phase in their own right. But pretty much everything after that really missed the mark in one way or another for me. I genuinely have not seen a single Phase 5 project though because Phase 4 became so exhausting to keep up with. When they were just putting out like 3 films a year I could keep up with it yknow, but man there are now just like HOURS AND HOURS AND HOURS of disney+ shows that are like kinda necessary to watch to keep up with shit but are also mostly mediocre. I do want to see Guardians 3 ASAP though, been hearing good things.
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abandoned-monarchy · 2 years
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Assuming there is a season 4 of the Umbrella Academy, here is what I think all the main characters’ arcs are going to be about:
- Lila and Diego: I’m assuming there will be a time jump between season 3 and 4, probably a few months. That means Lila will be near the end of her pregnancy or have a newborn baby, and their arc is going to revolve around them panicking over being parents.
- Luther: Searching for Sloane. Assuming she exists in this universe, I predict that he’ll find her but she won’t have any idea of who he is, and Luther will spend the first part of the season trying to rekindle their relationship.
- Allison: I’m assuming she’s trapped in some type of artificially made dimension? Kinda like WandaVision, where she’s living in a false reality to cope with her pain. Over time, I’m assuming Allison will become more and more dissatisfied by this false reality as she notices that Claire and Ray don’t act like real people but rather just do whatever makes Allison happy. I predict the rest of the Umbrella Academy will find a way to help Allison break out of this false world and rejoin them in the real one.
- Klaus: I think Klaus will have a really hard time coping with the fact that he’s no longer immortal. I think the fact that the Void was the only place where he didn’t feel like a freak or an outcast is going to impact him pretty heavily. In season 1, he used drugs in order to drown out the ghosts. In season 4, I think he’s going to be looking for a way to cope with the loneliness now that he can’t see the dead and the world still sees him as a outsider.
- Five: I think he will find that he really does depend on doomsdays and apocalypses to give his life purpose (as multiple people commented on in season 3). He will also find it extremely annoying trying to live his life while everyone perceives him as a teenager, and I wouldn’t be surprised if he ends up staying with another member of the team just because he can’t get an apartment or housing while looking like a teenager (if this happens, I think he’s most likely to stay with Viktor). I think that Five will be the first person to become obsessed with getting their powers back, because Five needs something — ANYTHING — to focus on now that there is no doomsday.
- Ben: I think we will encounter both Sparrow Ben and Umbrella Ben in season 4 (since we saw a second Ben on a Korean train during the credits). I think Sparrow Ben will be focused on finding a new purpose and a new group of people to belong with. I have no idea what Umbrella Ben will be up to, but I imagine that Sparrow Ben will have an identity crisis upon meeting Umbrella Ben because he was compared so much to his counterpart in season 3. I hope Sparrow Ben spends time reflecting on his relationship with the rest of the Sparrows so we get more information on Marcus, Christopher, Fei, etc. Also, tell us what the Jennifer Incident is!!!!!
- Viktor: he will miss Allison the most out of everyone. I think Viktor will play a huge part in saving Allison from her false reality, and hopefully — HOPEFULLY — the two will have a proper conversation where they can sort out their differences. Even if things aren’t the same between them, I hope they can at least understand each other again. I think he will also have a moment where he’s like “man, I spent my whole childhood thinking I didn’t have powers, but then it turns out I did, but now I really don’t have powers!! I’m back to square one!!!”
It seems like the villain of the series is going to be their dad. I think all the main crew will realize that this new reality is very corrupt and strange because Hargreaves owns everything, and the siblings will have to unite once again in order to get their powers back and stop their dictator dad.
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plscallmeeren · 5 months
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Citizens of Westview
Wanda Maximoff x Reader
Request: yes I'm sorry this took me so long but I am now nearing the end of my exam period 🥲
Summary: Wanda is on her way to WandaVision as she arrives in Westview, but before she can freak out on us, she meets someone
Someone = you = retired warrior with telepathy + telekineses
Warnings: sad Wanda; not proofread rip
Word Count: 1.4K
Wanda Maximoff was fuming and upset and destroyed and violently inclined and numb from the pain. Everything hurt. Everything was changing. He was never coming back. No, she was never coming back. Could never be the same as she once was.
When was that again? It felt like a long ago, but was it? Maybe for everyone else, whose five years dragged with the absence of company, but for her... for her it hadn't been long since the peak of her life. It hadn't lasted long, really. From one horror to the next, life had never stopped giving Wanda Maximoff a hard time.
Surely this was the worst of them all.
She stood motionless for a moment in a driveway, staring at the worn foundations of a town house. Vision's house. Vision's vision, ironically.
Slow steps led her to its centre, hand clutching at his plans like a lifeline.
Wanda wondered whether she ever would have lived him. He wasn't what she imagined - ever. He was only there when she needed someone most. Did she have the right to mourn someone she may have used for her own emotional balance? No, she thought.
A strange feeling invaded her senses as she considered her own mind. She knew it. Except she usually felt it from the other side.
Someone was in her head, snooping.
How dare they?
She realised only now that she had fallen to her knees on the harsh ground, tears running down her cheeks uncontrollably. It hurt. It all hurt, and she didn't even know what was causing her all this pain. When she tried to recount everything to herself, it felt like encouraging the water drowning her back over her head in order to make her lungs not only gasp for air and find currents, but also for them to be crushed under all the weight of an ocean.
Everything hurts.
Which is why no one should have been invading on all of that.
With some struggle, she turned, standing, grasping the sacred paper in her one hand while the other cocooned itself in crimson magic.
Before her stood a young-looking man, though certainly older than her, hands pushed into his pockets timidly.
"I'm sorry. I didn't read your thoughts, I just... I just felt."
Wanda's mind spun at the sound of your voice. Deep, as if the ocean was now enveloping her protectively. Slightly raspy, as if you had smoked one year too many. Melodic, as if she had missed the lyrics to an important song.
"I... How did you- You can't-"
"I don't know what made you feel the way you feel right now, but it must be truly horrible. That pain..." You shuddered, approaching her with a little more confidence, but keeping a safe distance.
Wanda was lost for words.
"Why here of all places?"
She hesitated, then decided: "My boyfriend plans on building a house here. I wanted to see it. Or, well, what it would be."
You nodded contemplatively. "So there's a boyfriend, huh?" you teased, stopping when you were only a meter away from her. She felt volatile. She couldn't bear it if you tried to touch her. But for a moment, she was distracted.
"No," she found herself saying instinctively, though this hadn't been the plan, "no boyfriend anymore."
"Sorry to hear it. Or at least, sorry for you." You smiled a little. It was all risky when someone was this emotional - or so spoke experience. One wrong word or wrong daring and it was all over, but in the end, treating someone like a snowflake was the most likely to backfire.
She stared at you incredulously, gaping at the simple flirting. She observed her contender closer: a tall, toned man with short black hair and a bandana. She could have screamed and kicked when her subconscious reminded her this was more like her type.
You watched her, too. If you hadn't been so distracted by her dishevelled look, you might have called her flawlessly beautiful.
"What's the house gonna look like?" you asked as pleasantly as possible, sitting down in the wiry grass with crossed legs.
"I, uh..." Wanda pulled out the plans, handing them over. You took them graciously, taking a moment to look properly before smiling widely.
"This is really nice. Good town house feel. Kinda looks like one of those old sit-coms, you know?"
She couldn't help but stare further. The coiling witchcraft encompassing her arm slowly dissipated as she collapsed on the ground opposite you.
"Yes," she said finally, leaning forward tiredly. "I always liked sit-coms. Especially the Dick Van Dyke Show. I watched it when I was little, and recently... well, I was just getting into it again."
"I don't know that one," you confessed. "But I always liked Bewitched and The Brady Brunch. Sometimes I Dreamed of Jeannie, when I was feeling particularly whimsical." You chuckled and a watery laugh escaped her in response.
"I know Bewitched and The Brady Brunch. They're both good. I loved the dresses in Bewitched, you know? It was always so classy. What's the other one?"
"Oh, it's about this guy who unleashes a beautiful woman called Jeannie and she's bound to him. She can fulfil all of his wishes, but her attempts at doing him good often go a bit awry... it's very funny."
"I can imagine."
She could believe she was smiling. Honestly smiling. Practically grinning.
"If I may ask; where are you from? That's an interesting accent you got there." You saw the complicated expression on her face and quickly rectified: "I'm sure people ask you all the time - I shouldn't be so unoriginal."
"No, no, it's fine. People don't ask as often as I'd sometimes like." Her eyes glazed over in distant imagery and you wondered where she had travelled to. "I'm from Sokovia."
Your brain sent you immediate news footage of the disaster in Sokovia and the Avengers and-
Wanda Maximoff.
But you didn't comment on any of this, because really, what good would it do?
"I've heard of it." Her shoulders sagged. She could see the pitiful questions coming her way already. "It's somewhere between Slovakia and the Czech Republic, no?"
Her eyes widened. For another moment, she was distracted.
"Yeah. That's it. It's beautiful, you know. Terrible government, but beautiful."
"Just like the U.S., then?" you smirked, earning an Eastern European smile of superiority in return.
"Mhm. We had this tradition in the winter where we would..."
You listened intently, hanging onto every word as if you were going to be tested in the material.
You didn't generally like people too much. You didn't hate them, either. You had just seen too much. Too many thoughts, emotions, memories, fears - too much humanity for one receiver.
But another person who had seen all that? Had felt and heard the facets of a thousand lives? That was interesting. You were very interested. Maybe you would have been even if that hadn't been the case.
Darkness crawled over the clouded planes of this Western sky, draping its silky blanket dotted with shining light and an iridescent crescent over the town of Westview. The two of you hardly noticed, delved deep in conversation, until making out the other's face proved a challenge.
"I should be going," Wanda gave in to nature's lullaby eventually. "I'm not sure where to go, though."
You considered her for a moment, then offered: "You're welcome to stay at my place for a while. If not, I know an inn downtown that's probably still open?"
She gazed at you in a way that the naïve mind could interpret as loving, then slowly nodded.
"Yes, I'd like to stay with you. I trust you, stranger, even if it is not in my best interest." Her accent was thick with drowsiness.
"Good. Can I ask - just to be sure - what's your name?"
"Wanda. You knew?"
"I had a hunch. My name's (y/n)."
"Do you have a superhero name or something, too?" she laughed warmly, but she could still taste the salt of tears on her tongue.
"No, I never cared much for superheroes."
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Pt 2?
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I see you hate Sylvie so much and the Loki TV show too. why?
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Okay, lemme break it down into a final, once-and-for-all peace speaking on the issue of the series and Sylvie. I'll try to make this as painless as possible.
1- Looking at it beyond the surface, she's not really interesting. The term 'Mary Sue' gets thrown around a lot with Sylvie, and I kind of have to agree. She seems to be little more than a trope checklist. -Sad background that motivates her actions? Check. -Deep down she just wants to be loved? Check. -Inexplicable instant "chemistry" with the male lead? Check. -She's just so super special and important? Check.
But even so, there have been others with similar Sue-ish backgrounds that the MCU has managed to make into pretty decent characters, like Scarlet Witch in WandaVision. Arguably, both characters share some traits, but the writers of Wanda (at least before Multiverse of Mehhness) clearly knew how to bring those ideas into a twisted story of learning how to confront the past and to mourn with a character who still had something to learn.
In contrast, Sylvie really doesn't have any flaws to turn into a deep character study, does she? I think that's her second-biggest detriment (see below for the biggest). A good character is never perfect. A good character had flaws, wants, drives, and other things that make them imperfect but relatable. Sylvie is incredibly unrelatable.
Truly I believe she was written for the stans as a self-insert. She isn't even a decent one. I read fanfics on here with amazing examples of a good insert character, so it clearly can be done. Again, Sylvie ain't it.
2- Sylvie's existence both mocks the comics as well as Norse mythology as a whole. Most of us anti-sylkis know this already, but in Norse mythology AND the Marvel canon that goes beyond the MCU, Loki has had several lovers and wives. Loki married and had three children with Angreboda, and then went on to have twins with wife Sigyn. In the comics, he also had a lover named Amora the Enchantress (which we ALMOST got in the MCU before her cameo was cut). Any one of these three would've made a fantastic romantic plot for Loki if the MCU *really* had the compulsion to go that route.
Alas, instead, the MCU kind of bastardized Amora, Sigyn, as well as another character from the comics named Sylvie, and combined them into TV!Sylvie. This not only means we will likely never see Amora or Sigyn in the MCU, it means they were replaced by an inferior on the same level as Randy from That 70s Show, who was also a sucky character created for the fans as an amalgamation of pre-existing characters.
3- She's just another in a long line of Loki-abusers. Like, does she ever comfort him after all he does for her? Does she even really listen to him? Because from what I saw there was just a lot of this happening between them:
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Jesus, lady. What has he done to make you such a jerk to him? I get you're supposed to be a #GuuurlBoss but that doesn't mean "be a total cunt to a man whenever you feel like it."
After all this time, if we really had to have a Loki character study series, why doesn't he get some respite from the fact that basically everyone he knows has either been cryptic and mysterious to him at best, and hostile/violent/malicious to him at worst?
THIS is probably the single biggest reason I loathe Sylvie. We're suppose to believe she's just being Miss Independent when she's really just bringing the poor god down even more than most. I feel like if she met Thor, he'd get upset at seeing how she treats him, and he'd be confused by how easily Loki just accepts it all.
4- I'm becoming more convinced Tom's only doing the show out of obligation, and that his creativity is being tossed aside for the sake of the series. I normally don't like to speculate like some others do, but with more people (like Zoe Saldana) coming out and saying they felt repeatedly stifled by the MCU's yuckity-yucks in terms of character development, I definitely believe they're telling Tom to shut up and read the script. I mean, the guy probably knows as much Norse/Loki mythology as any scholar by this time, and he seems to be a really creative person by nature. They're tossing out a whole trove of potential.
I get he's got a family now and he needs to bring in some bacon, but 1- he and his fiancee are both prolific actors who could probably get any roles they wanted. Hell, Zawe's about to enter the MCU herself when The Marvels come out later this year. If she has a larger role in the next few phases, I hope to god they treat her better than they've treated Tom and Zoe and other actors. But I doubt it. 2- he's probably already richer than God
He's almost certainly trapped by contractual obligations at this point, and that fucking sucks, and yes, I blame the tv show for this.
So, in conclusion: this really is a train wreck of a show hidden behind a lot of smoke and mirrors. I'm not sorry to say it. Sylvie lacks any kind of genuine depth, and the writers seem both lost on where to take Loki's character arcs, and not interested.
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breckstonevailskier · 11 months
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Rewriting Captain America: Civil War to actually make it a Captain America movie
Let's face it, the biggest problem with Civil War is that despite Captain America's name being in the title, it's not really a Captain America movie. It's more like an Iron Man 4 or Avengers 2.5 masquerading as a Captain America movie. I mean, the plot relies more heavily on threads from Avengers: Age of Ultron than it does Captain America: The Winter Soldier. Not to mention the creators deliberately trimmed/cut Team Cap scenes because they wanted audiences to be split 50-50 on what side to take, as if they needed to do that to make Team Iron Man Support a Piece of Legislation That Reads Like Something Written By HYDRA look good. And Tony Stark has more dialogue than Steve Rogers gets. And this is around the time when basically, the writing for the MCU decided to stop letting other characters call Tony out on his wrongdoings.
So how does one fix that?
General changes:
For starters, have HYDRA still be as important as they were in Captain America: The Winter Soldier. Rather than have them be conspicuously absent, they are still very much lurking in the shadows. Bonus points by having the movie strongly imply (and members of Steve's side speculate) that the Sokovia Accords might be a brainchild of HYDRA's. After all, the Accords (and the ways they basically take away the rights and freedoms of enhanced individuals) read like something out of Nazi Germany, the place that Red Skull's HYDRA originated in.
Scene by scene changes:
Lagos aftermath:
The opening act in Lagos remains unchanged. It's a great action setpiece. However, some extra stuff is added to acknowledge that Rumlow's cell is obtaining the bioweapon with the purpose of carrying out an attack directed at people who pose a threat to HYDRA's existence.
In the aftermath, what I would change is the press coverage that goes out of its way to vilify Wanda. T'Chaka's biased take blaming the heroes for the destruction caused by Wanda relocating the explosion can stay, and maybe the second one where if not for the mentions of Wanda, you'd think they were talking about Rumlow. But I'd also add at least one newscast that is speaking favorably of the heroes, and praising Wanda for her efforts.
I'd slightly tweak Steve's scene with Wanda, and instead of saying, "The deaths are on both of us," he'd say, "It's not your fault, Wanda. It's Rumlow's fault. It's not your fault that he was a spiteful coward who decided he wouldn't let us take him in alive." I'd also have a scene or two of Vision doing his best to comfort Wanda and provide her someone to express her thoughts to, not unlike this scene from WandaVision:
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Also a thing I'd fix is that I'd have the Avengers make some sort of press statement to defend Wanda from those who are unfairly vilifying her. Something to the effect of Natasha, Steve, and/or Vision going in front of a gaggle of reporters to read a statement as follows:
For the past month, the Avengers have been in pursuit of Brock Rumlow, international terrorist and confirmed member of HYDRA. Last week, the Avengers tracked him down to Lagos, Nigeria, where his cell was plotting to steal a biological weapon that it is believed they were going to use to carry out an attack that would kill hundreds of people. Acting per their training, the Avengers engaged Rumlow and his men, successfully killing or incapacitating most of them, and reclaiming the bioweapon. Eventually, Rumlow was successfully cornered. However, as Captain America was preparing to arrest Rumlow, he decided to blow himself up. As there were hundreds of people in the immediate area, Wanda Maximoff instinctively stepped in and used her powers to try to relocate the explosion into the sky where it wouldn't kill anyone. Despite Miss Maximoff's efforts, she ended up losing control of the bomb, and it ended up destroying part of one office building. It is a tragedy that despite the Avengers' successful efforts to stop Rumlow, there were still innocent civilian casualties, including the dozen or so people in the office building that were killed by Rumlow when he blew himself up. However, the blame for those deaths does not fall on Wanda Maximoff. Those deaths are the fault of a madman who, two years ago, was part of a plot by an organization dating back to Nazi Germany to use gunships to mass murder 20 million people, and whose motto is "Cut off one head, two more shall take its place." In addition, it needs to be pointed out Miss Maximoff also saved the lives of everyone in that marketplace. If it was not for her split second thinking, hundreds more people would be dead. And if the Avengers were not there in Lagos, a group of terrorists would have successfully released a bioweapon into the world, one capable of killing thousands. The Avengers are not responsible for the destruction brought upon by the bad guys that they are attempting to stop. That blame should start and end with the bad guys.
Because yeah, that would do wonders for Wanda.
Ross blaming the heroes for the destruction caused by the villains:
Yeah, this is something where Ross is a fucking hypocrite. “How about ‘dangerous’? What would you call a group of US-based, enhanced individuals who routinely ignore sovereign borders and inflict their will wherever they choose and who, frankly, seem unconcerned about what they leave behind?” Then his biased presentation showing footage from the Chitauri invasion in New York (The Avengers), the destruction of the Triskelion (Winter Soldier), Sokovia (Age of Ultron), and Lagos. This presentation is clearly done to paint Steve and his allies in a bad light, and Tony in a good light.
Thing is, though, this is just Thaddeus Ross blaming the heroes for the destruction caused by the villains. Not only in every aforementioned situation would things be worse if the Avengers weren't there (New York City would've been nuked by the WSC, HYDRA would've gotten the Project Insight carriers launched and 20 million people dead, Ultron would've wiped out human life, and terrorists would've gotten away with a bioweapon), but Ross is a hypocrite to try to pin this destruction on the heroes given his failures to capture the Hulk and the destruction he caused in his efforts. @thehollowprince posited here that they really should've had Steve call Ross on his hypocrisy right there and then.
Like, in response to Ross's remarks, Steve would speak up to say, "The Avengers as a whole are not responsible for Ultron destroying Sokovia's capital city. If you want to blame someone for that, direct all your blame at that man who decided to go behind his teammates' back to create Ultron," and point an accusatory finger at Tony. And as I said, have Steve throw Ross's failure back in his face to show that he really has no skin in the game.
Passage from thehollowprince's take on what should've been said:
“But, in the spirit of fairness, let’s talk consequences.” Steve went on. “F.R.I.D.A.Y.?” “Yes, Steve?” The A.I. said from the speakers. “Could you roll footage of Culver University, spring semester, 2008?” The screen that had been off immediately clicked back on and began playing back footage from cellphones and cameras of Ross’ failed attempt to contain and capture the Hulk in the middle of a crowded campus, using an unauthorized enhanced human, as well as weapons that put the civilian population in extreme danger. The last image was of the Hulk launching an armored truck at another, the screen immediately going static as the footage was lost. “Harlem, three days later.” The Hulk’s fight with a severely mutated Blonsky showed on the screen next, as well as the atrocities that Emil committed on his own before Banner stepped in to stop him. Ross’s face was reddening at having one of his biggest failures played in front of the very people he was trying to intimidate. Harlem was on of his biggest failures and he did a lot to try and distance himself from it. “Thank you, F.R.I.D.A.Y.” Steve said and the screen froze on an image of the infamous Abomination lifting a car above his head, about to crush it into some police officers. “Tell me, Mr. Secretary, where were your consequences? Because from what I understand, you tried to pin the whole thing on Blonsky and Banner, getting a medal and a promotion for your trouble.”
And, as happens in the hollowprince fix-it, Steve, as a last-minute parting shot, drops a bombshell on Ross that he was on HYDRA's hit list and would've been eliminated by Project Insight in the initial attacks upon the helicarriers' launches.
The Accords debate itself:
The big problem with the debate itself is that it's very one-sided. It's more "Tony and his allies make a lot of flawed points, and no one on Team Cap is allowed to call them out on it." So basically, the way to fix it would be to rewrite the debate using a combination of this one by @thehollowprince, as well as these ficlets on Archive of Our Own.
So, obviously, I would rewrite the debate to be more in Team Cap's favor, while we get multiple opportunities for Tony's side's points to be quickly picked apart and called out. To give examples of how this could go:
Have someone on Team Cap point out the whole fact that HYDRA would benefit greatly from this legislation, since it would curtail the freedom of superheroes' ability to respond quickly. And even for those in the UN who might not be compromised by HYDRA, it's a power grab. And it's also a power grab for Ross.
When Rhodey brings up Ross's medal of honor, have Sam point out (as he does in thehollowprince's fix-it) that a Congressional Medal of Honor doesn't mean shit, and comes off with Ross like a white man being rewarded for doing a subpar job. (Also, have someone remind Rhodey that the Accords would've prevented him and Tony from rescuing the President of the United States from Aldrich Killian had they been in place at the time of Iron Man 3, especially seeing as the Vice President was also in Killian's circle.)
I'd cut Vision's whole BS equation entirely. Instead, I'd have him on the side of Team Cap for this movie, and logic, "The number of potentially world-ending events has risen at a commensurate rate. Oversight is not an idea that can be dismissed out of hand, but the form that is being given to us by Ross is one that makes me calculate that the next world ending event has a likelier chance of succeeding.” (Vision's reason for being on Team Cap here is partly because he cares for Wanda, but mostly because he views himself as human, and the way Ross just dehumanized Thor and the Hulk by likening them to nukes makes Vision think Ross would view him the same way; this would actually be consistent with the will he has in WandaVision where he wished not to be turned into a living weapon, the very will that Tyler Hayward disregarded. On top of which, he realizes that he, Wanda, and Steve would be the most severely impacted by the Accords because they seem to be harsher on those who have innate superpowers than those who have removable suits.)
Have an instance or two of Tony being called out on his America centrism. Particularly when he brings up Charlie Spencer's death. In response to that, I'd have Wanda snap at him with a bit of pure rage. Why would I have Wanda do this? Because he's basically ignoring all the Sokovian citizens who died, up to and including Wanda's brother. "And what about my brother, hmm? What about Pietro? Remember him? Does his death matter to you, Mr. Stark? Or do you not give a shit about him because he's not American?"
Use Ross's antics from The Incredible Hulk to posit that Ross or HYDRA or any party with nefarious intentions could use the clause about demanding enhanced give up blood samples so they could use said DNA to create their own army of super soldiers.
Peggy's funeral, UN bombing, pursuit of Bucky
There's few changes here. But one change I would make is that Steve wouldn't just go with Sam to bring in Bucky. I'd have Wanda and Vision brought along too, because after a serious discussion, they think that the best way to salvage Wanda's reputation with the public is to have her going out to do heroism in public. When they get to where Bucky is hiding out, they bring him in, and Wanda gets to use her telepathic powers to render unconscious some of the SWAT forces sent to bring Bucky in. Then T'Challa joins the pursuit, and they are all captured in the tunnel.
Wanda meets Zemo and T'Challa
We then have the whole setpiece at the detention center where Bucky is detained. Natasha is firmly on Team Cap's side, but is taking a neutral stance to gain dirt on the other side. In addition to all the canon interactions, we also have Wanda interacting with T'Challa and recognizing his revenge quest because she still remembers very well what it was like for her last year wanting revenge against the Avengers, and how badly that ended for her. She empathizes with T'Challa and tries to persuade him to look at the bigger picture, not with much success. When Zemo infiltrates the facility to activate Bucky's Winter Soldier programming, Wanda goes down with Steve to subdue him and ends up encountering Zemo. She recognizes him because she knew his wife and son before they died, she once met him at the dedication of one of the memorials to the victims of Ultron's attack, and he's got a reputation in Sokovia as a killer.
Airport battle
The airport battle obviously is very different. Tony has Rhodey, Spider-Man, T'Challa, and a few other superheroes (or maybe Ross's special forces are there as backup). While Steve has Bucky, Scott, Clint, Wanda, Natasha, Sam, and Vision. This airport battle plays out more in Steve's favor, and despite Tony's efforts, everyone on Steve's side makes it to the quinjet and flees to Siberia with him.
Siberia final act
Steve and his team enter the HYDRA base, and make it to the containment area where the other Winter Soldiers were kept on ice, and have been all put down by Zemo. The fact that the Winter Soldiers are already dead, all shot in the head with a pistol, makes Steve surmise that they're walking into a trap.
They've barely had time to acknowledge this when Team Iron Man arrives and corners them. At this point, Steve is fed up with Tony for having such flawed judgement, and T'Challa still very much is on the warpath against Bucky. But as the two sides prepare to clash once again, Zemo chooses this moment to reveal himself. He wasn't exactly expecting to have an entire Avengers team there, but he's willing to improvise. Zemo even tries to liken his crusade to Wanda's misguided revenge campaign, only for her to shut him down by pointing out that she never wanted innocent people to get hurt, whereas Zemo did murder innocent people for his crusade (T'Challa's father and everyone else at the UN; the doctor that he killed and stole the identity of to get into the detention center to activate Bucky). After that, Zemo plays the surveillance footage of Bucky killing Tony's parents.
The moment Steve and Natasha realize what the footage is showing, Steve gestures for the others on his team to get Bucky away from Tony. Rhodey also realizes that Tony's preparing to attack Bucky, and tries to reason with him, but to no avail. Steve doesn't want Zemo to win, so he clarifies that he didn't know it was the Winter Soldier that HYDRA used to kill Tony's parents. This only enrages Tony further, and a nervous Natasha admits that she was also there when Zola told Steve this information.
In that split second, all hell breaks loose. Tony's rage boils over and he shoots Natasha with one repulsor, throwing her backwards and knocking her out. He tries to shoot Bucky with the other, but Rhodey is able to grab his hand and deflect the blast away from Bucky.
A fight ensues. Like in canon, T'Challa is the one who captures Zemo, though he also has some help from Scott, Spider-Man, and maybe Clint. Meanwhile, the other Avengers are left either fighting Tony, protecting Bucky, or both. With a fight that basically plays out as a mix of "the Guardians plus Iron Man, Spider-Man and Doctor Strange vs. Thanos on Titan" and a bit of "Payback vs. Soldier Boy from The Boys".
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Ultimately, the Avengers still in the bunker succeed in taking down Tony, but Natasha, Rhodey and Bucky take severe injuries in the process. The fight ends when Wanda leaps on Tony from behind and uses her powers to attempt to disorient him, giving Steve an opening to smash his arc reactor with his shield. Vision then tears it out of the armor for good measure.
The Avengers effectively turn their backs on Tony Stark, and the movie ends with them as a whole condemning his misguided actions as well as condemning the Sokovia Accords, and taking the unified position, "After the events that happened in the course of pursuing the person responsible for bombing the UN in Vienna, the Avengers have elected to reject the Sokovia Accords, although we are open to alternative forms of oversight if the UN is willing to negotiate with us and also purge their ranks of anyone who might have ties to HYDRA." They also make publicly condemn Tony for trying to murder Bucky out of misplaced anger. Vision and Wanda settle down in Westview, Clint and Scott return to their families, though they'll still meet up with Steve, Sam, Natasha and Bucky for missions, and Natasha still meets up with Yelena and her old spy "family" to destroy the Red Room.
This then segues into another movie that's about Steve and his team of Avengers (Sam, Natasha, and occasionally Wanda, Vision, and Clint) going around the United States doing everything to get the Accords struck down and Ross removed from office for his abuses of power (especially since while the UN's been forced to let them go, the Raft is a walking human rights violation that no one should be locked up in for any reason).
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tobiasdrake · 1 year
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Wanda's farewell to Vision is such a beautiful and tearjerking ending that in no way segues well into Multiverse of Madness. Wanda has found the strength to live once more in the harsh reality she came from. The series ends with a promise that in some form, somehow, Vision and Wanda will find each other again.
And then she goes crazy, murders a bunch of people, and kills herself. Thanks, I hate it.
What really gets me about the jarring leap from WandaVision's ending to Multiverse of Madness is that. Like. Multiverse pins all of Wanda's actions on Wanda missing her children. It's all about her going insane with grief again because Billy and Tommy were taken from her. She murders countless people to find a way to live in a universe where she can have Billy and Tommy again.
It's even in the title: MOM. Wanda being homicidally crazy because of her maternal grief is what her entire arc in that film is about.
But right here, in the moment, Billy and Tommy are barely an afterthought. They aren't real. They never were real. She puts the boys to bed with some small words of gratitude. But as imaginary friends she invented, they aren't given too much attention.
The focus is on her farewell to Vision - A reflection of a real person who meant so much to her. In saying goodbye to the construct of Vision, she is having the opportunity to truly say goodbye to Vision, a man that she loved. This farewell is about closure for the loss that Thanos inflicted on her, the real loss of the real man.
She isn't mourning for the kids or for the construct of Vision. She's mourning him, and letting go of the coping mechanisms she created to deal with his loss. And there just isn't any way to move from that to "Wanda hates the universe now because it made her lose her fake kids."
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vineofroses · 3 months
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I'm going to actually keep up with TV shows this year. This will be my running list of the shows I'm watching.
First up: Echo
Notes:
I haven't watched a Marvel property in years. I think the last full one was WandaVision. Hopefully I won't be too lost.
Will edit this post with final thoughts after I finish it.
REVIEW:
I really liked this but it's definitely another candidate for the Bring Back Longer Seasons campaign. The easiest show to compare it to is obviously Daredevil -- imagine what this show could have done with 13 episodes. I miss those days, but just know that when I say bring back longer seasons, I mean the 22 episode ones. But the Daredevil days was the bridge between the 22 episode seasons and the bullshit 5 or 6 or 8 episode seasons. Echo sitting at five episodes is a travesty.
But even though I did feel a little behind on some Marvel information, I enjoyed what was there. Everything is there to make it one of the best Marvel things, but it just doesn't feel lived in. There's not a lot of exploration for the audience to do within both of Maya's worlds, which makes some of the emotionally engaging scenes fall flat.
Particularly with Wilson Fisk. That's the other issue. How does Wilson Fisk fit in here? I know he was in two episodes of Hawkeye in 2021 (which I didn't finish) but Echo feels like Vincent D'Onofrio's true return as the character -- which I'm grateful for! But it's been six years (omg!) since Daredevil on Netflix was cancelled -- he's feels so out of context here. Is he the same man from that Netflix show? How much of his story from the Netflix show should I be bringing into his Disney+ era? These same questions go for Daredevil/Matt Murdock. The absolute scream I screamed when he appeared was so loud my dog fled to her crate. Oh, how I've missed Charlie Cox as Matt Murdock/Daredevil. But it's a double-edged sword, isn't it? Even if they confirm these are the same characters from Netflix, they are going to be different in some way. They will be a strange mix of the Netflix DNA and the Disney+ DNA and even after five episodes, I'm still not sure what to think of Fisk right now. Didn't we last leave him in prison (again) at the end of Daredevil Season 3? (perfect season of television). All of this context-less world building is just another casualty of the show's short season.
All that aside, Alaqua Cox was amazing. I vaguely remembered her from Hawkeye (again, never finished this show) but I'm so glad she gets a fleshed out story in Echo, even it's too short of one. While there's certainly too much exposition, the show's flashbacks are probably my favorite part. These are the emotional scenes and themes that work. Maya discovering her connection to her ancestors was beautiful; that final battle when Chafa, Lowak, Tuklo, and Taloa all show up to stand behind Maya gave me chills. And to see the power run through Bonnie and Chula was really powerful. The subtle genre breaks for these flashbacks were also really well done, especially Tuklo's silent movie flashback. I really loved that final battle scene being mostly silent since we were experiencing it through Maya's perspective. Very, very effective.
All I ask is for more Devery Jacobs. I'm still salty about The Order being cancelled, too.
--
Up Next: TBD
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bbyboybucket · 22 days
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Bc it’s the 10 year anniversary of CATWS, I just have to tell all of you what it was like for me when I watched it the first time.
Let me just say, I didn’t watch CATWS until summer 2021 and the way I watched the mcu as a whole was completely out of order. So for back story, I watched TFA when I was like 10 or something, tbh didn’t remember much of it all I knew was the important part of small guy got big by science, fell in love, got frozen in the end. And I watched Ant-Man in theatres when I was like 14 (edit: I was definitely not 14, I was 12 my bad, anyways 👀) so I knew Sam from that.
But I watched endgame when it first came out and loved it and by 2021 I’d probably watched it about 5 or 6 times. Like literally I had watched it a million damn times, and as far as it goes with Steve and Sam as I was like “cool, flying guy from ant-man is Captain America now, ig they’re friends. Good for Steve for lifting mjolnir and turning into Joe Biden.”
So back to 2021, I was trying to catch up on the mcu (thanks to wandavision and Loki) so i decided to watch CATWS. And you know, that gave the back ground info of “ohhh so Steve and Sam are besties okay.”
But that’s the least relevant part, bc let me tell y’all, I was so fucking confused and annoyed for like majority of the movie. Because despite having watched TFA, Infinity War, and Endgame, I had no fucking clue who Bucky was. Like literally out of all the times I’d watched those movies, I had no memory of being in any of them. Like I stg his presence in endgame is my personal Mandela effect bc that man WAS NOT THERE FOR ME.
So ofc, for majority of CATWS, I was so fucking annoyed bc they kept bringing up Bucky and how he was Steve’s dead best friend. And I was like “who tf is this? I don’t give a fuck about this dead bitch.” And I was pissed bc I was like “why do they keep bringing up this random ass dead guy as if we’re supposed to know who that is or care about him, like just shut up about Bucky.” I dead ass thought he was just some random ass character they suddenly made up for Steve’s backstory during this movie.
Then I was gagged. The winter soldier mask came off and I was like “ohhhhh that’s why they keep talking about him” but then also I was like:
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“I clearly missed a few steps bc how did we get here?” So I had to pause the movie and google Bucky, only to discover he’s not irrelevant or someone random they just threw into the plot, and I had in fact watched several movies with him in it.
And basically that’s how we got here: me having an unhealthy obsession with and fanpage dedicated to the “irrelevant dead bitch”. So yeah, deepest apologies to Bucky.
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wearelondonhq · 2 months
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Time for a meme! If you want to take part all you have to do is reblog this post. Remember if you reblog to send them out to those who also do. Meme lasts from today (17/02) to the next Friday (22/02)! As always, please have fun and happy meme day!
MARVEL CINEMATIC UNIVERSE SENTENCE STARTERS: featuring quotes from deadpool, venom, ant-man & the wasp, thor: ragnarok, wandavision, doctor strange, ant-man & more. credit for some of these goes to @scotchymemes
Go back to whatever cave you ever crept out of!
What is grief, if not love persevering?
The world has taken too much from you for you to still be considered innocent.
I love you. I love you in every universe.
Where once you were nothing, now you are something.
Expect disappointment and you will never be disappointed.
We were good together, weren’t we? Maybe it’s time to reignite that flame...
I love you 3000.
You still owe me a dance.
Every good family film starts with a great murder.
Kiss me like you missed me.
You’re a lot smarter than I look. You can’t really live until you’ve died a little.
You are not judge, jury or executioner.
You’ve let me down for the last time. What did I do to piss off a grumpy old sucker with a Winter Soldier arm?
You shut your trashmouth!
Sorry, I tend to process traumatic events with dad jokes. 
The only thing that does make sense is that nothing makes sense.
I make grave mistakes all the time. It all seems to work out.
You are my sadness and my hope. But mostly, you’re my love.
Good morning! Are you ready for your hot fresh cup of bodily harm?
You’re not seriously thinking of going back, are you?
Piss off, ghost! I have to get off this planet.
It’s an honor to meet you, officially. I sort of met you, I mean, I watched you while you were sleeping.
We never lose our demons. We only learn to live above them.
I’m expendable. That’s why I’m here.
Some of the best love stories begin with a murder.
You ever feel lost? Just look into the eyes of the people you love.
Do I have to figure out my whole future before lunch, or is there, like…?”
He’d rather lose this fight than lose you.
I’m gonna have to rain check that dance. 
Don’t do anything I would do, and don’t do anything I wouldn’t do. There’s a little gray area in there. That’s where you operate.”
Love is a dagger. It’s a weapon to be wielded far away or up close. You can see yourself in it. It’s beautiful until it makes you bleed.
Someday I’m gonna make great machines that fly. And me and my friends are gonna go flying together, into the forever and beautiful sky.
There’s not a day that goes by where I don’t regret having said yes.
I just want a chance to prove myself. Because that’s what heroes do!
You know what I like about being upset? The blame.
You’re just using me to get to (...). That’s so gross, you’re not even my friend.
You don’t have to fight anyone, but we’re in danger so we have to move.
Your hair looks nice. What did you do to it? Did you change it, maybe wash it?
He is as dishonourable as he is attractive.
Where do you store all this useless information?
Good is not a thing you are. It's a thing you do.
You know you didn’t have to humiliate him in front of everyone.
House blowing up builds character.
I’m just a bad guy who gets paid to fuck up even worse guys.
Motherfucker, you’re the world’s worst friend.
Less talking, more kissing.
Do you kiss your mother with that mouth?
I know what you’re going to say, but this guy/girl/person is all the way bad.
You are so pathologically self-observed
Love the optimism, but in my experience, when it looks bad, it’s usually worse.
I do not understand the intricacies of social interaction.
What master do I serve? What am I supposed to say, Jesus?
I told you that when I was drunk, why are you bringing this up?
Please tell me nobody just kissed me.
There’s a shawarma place two blocks from here. I don’t know what it is, but I want to try it.
If he ends up being evil, we’ll just kill him.
Trying to get you to stop has been one of the few failures of my entire life.
! Do you ever feel like your life is one monumental screw-up?
You people have no shame! What does the FBI even stand for? Forever Bothering Individuals?
Ninja Turtle, you better stop poking me.
I get emails from a raccoon, so nothing sounds crazy.
I just keep imagining you waking up in the morning, sir, looking in the mirror and then in all seriousness saying to yourself, ‘You know what would be a really kickass name? ______!’
I told you, I don’t want to join your super-secret boy band.
Look, I’m going to be totally honest with you:
I forgot you’re here. Well, I was in the neighborhood so I thought I’d save you the hassle.
So are you two…do you…fondue?
You call me _______ again, I’ll shove my foot up somewhere it’s not supposed to be.
Don’t drink fountain water, you idiot.
That’s disgusting.
We'll be okay. You can rest now.
I do some dumb things and it ends up hurting the people I love the most.
Maybe you need a partner, someone to watch your back.
You can do it. You can do anything.
Together, we’ll figure something out.
Missed me, missed me, now you gotta- You know what, forget I said anything.
I’m not one to be judgemental, but you, sir, are an extremely disturbed man.
Lie is such an ugly word. I prefer misdirection
I just conned the hell out of you and here you are trying to save me. How can you be so damn nice all the time?
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animebw · 5 months
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So I've been stewing a bit with the whole concept of "MCU Fatigue" after my disappointment with The Marvels, and I think I've come to a realization.
See, most people when they shit on the modern MCU act like they're been putting out tons of terrible stuff. But looking at their track record, that's not actually true. In fact, I'd argue that the majority of their Phase 4 and 5 output has still been above average. The only real misses I'd count are FATWS, Dr. Strange 2, The Marvels, and maybe What If if I was feeling particularly uncharitable (and I guess Secret Invasion, but the bad response kept me away from that one so I've never watched it myself). Other than that, Marvel's still putting out a lot of good stuff.
The problem is they're not putting out a lot of great stuff.
Like, we need to take a step back and realize just how fucking insane the MCU's track record used to be. They didn't just put out good movies on a regular basis that put every other franchise to shame, they regularly released some of the most iconic superhero blockbusters of all time. They cranked out all-time classics on such a consistent basis that at this point, at least half of the top 20 greatest superhero movies of all time list would be taken up by MCU projects, maybe more. That's how they built trust with the general audience; not just consistency, but the promise of greatness. People flocked to the MCU not just because there was a near guarantee of a well-made fun time at the cinema, but because that was a strong probability you were going to see something truly spectacular.
Seriously, just look at the studio's track record through Phase 2 and 3. Iron Man 3, Captain America 2 and 3, the first two Guardians movies, Thor Ragnorak, Black Panther, Infinity War and Endgame... you could argue that over half of their movie output from this period was unqualified home runs. And sure, maybe Thor 2 was a dud and Avengers 2 was disappointing, but it didn't matter because there was always the promise of another masterpiece waiting in the wings. People weathered the occasional misstep because they could trust the MCU to always find its way back to greatness.
But now consider: how many all-time bangers can you name from Phases 4 and 5?
Like, I can name a few. Wandavision, Black Panther 2, Guardians 3, Spider-Man 3, maybe Ms. Marvel if I pretend episode 5 doesn't exist (and I've heard Loki season 2 was also great, but that's another one I haven't seen yet). But the ratio of Big Deal Events to Just Another Marvel Thing has gotten much steeper. Between the movies and the Disney+ series, Marvel's cranking out more stuff than ever, but it hasn't been cranking out landmarks any faster than it used to. It's just shoving a lot more padding between the properties that really set the world on fire. And it's training the audience, unintentionally, to no longer associate the MCU with guaranteed smash successes every other weekend.
And I still like most of the MCU's current output! But I don't love it as much as some of its older stuff. Black Widow and Shang-Chi are good, but not quite great. Eternals I will defend to my dying breath, but it was destined for cult classic status. Love and Thunder I would argue is actually pretty fantastic, fuck you fight me, and Quantummania is fine, you guys, but I wouldn't die defending them the way I would, say, Iron Man 3. And as much as I enjoyed Hawkeye, Moon Knight and She-Hulk, you can only watch so much Pretty Good TV before it starts to feel like a chore.
This deluge of content hasn't resulted in tons of more Great Marvel Stuff. It's just resulted in tons of more Good, Okay, and Not That Great Actually Marvel Stuff. It's resulted in audiences feeling like you can't trust Marvel to regularly crank out classics that change the way you view superhero media. And it turns out, it gets a lot harder to justify spending so much time on such an overstuffed time-sink of a franchise when it can't guarantee you a steady stream of masterpieces on a regular basis.
Especially with so much more of it coming out now in such a painfully short timespan. Even in Marvel's busiest years, they used to max out at three movies per year and a couple spinoffs like the Netflix shows that you didn't need to watch to feel up to date. You went out to the movies a couple times a year and were basically guaranteed a good movie every time, and that was it. Now, though, with the Disney+ content, it feels like a constant battle to not fall behind, to keep up with tons of stuff you're just kind of enjoying to justify getting to the increasingly few nuggets of true gold. This stuff would need a track record just as good as the Phase 2/3 days to justify sitting through so much of it, and it just... doesn't. And the second you drop off from exhaustion, it's already roaring ahead and leaving you with too much to ever reasonably catch up on if you're not prepared for a couple days of heavy bingeing.
The shared universe model is fucking hard. Every studio's failed attempt to copy Marvel's playbook is a testament to that. The fact it even maintained its cultural domination as long as it did is nothing short of a miracle. Because it turns out, even being consistently good isn't enough to maintain the level of trust and engagement necessary for such a long haul. You need to be consistently excellent. You need audiences to come away from every other event singing your praises as the new gold standard of blockbuster cinema. And the second you can't maintain that standard anymore, all that goodwill slowly bleeds out as more and more people decide that the effort it takes to keep up with everything is no longer worth the reward.
Does the MCU recover from this? I don't know. At this point, what it needs to do more than anything is slow the fuck down instead of overloading audiences with too many shows and movies to keep up with. Maybe it's not the dominant cultural force anymore, but with a little patience and willingness to sacrifice quantity for quality, it can at least re-establish itself as a franchise worth sticking around for. Marvel used to be special; with a little luck, maybe it can be again.
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jokenotfunny · 2 years
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𝐝𝐨𝐧’𝐭 𝐰𝐞 𝐚𝐥𝐥 𝐣𝐮𝐬𝐭 𝐝𝐞𝐬𝐞𝐫𝐯𝐞 𝐭𝐨 𝐛𝐞 𝐡𝐚𝐩𝐩𝐲?
synopsis : reader is an individual with powers she doesn’t quite understand. she’s overcome with despair of her and her friends’ failure and her boyfriend eddie’s “death”. so in a fit of rage, her powers go beserk, and she accidentally turns the town of hawkins into a collection of her favorite sitcoms.
stanger things x reader (wandavision! au)
future warnings : swearing, emotional (mainly angry) reader, confused eddie, plotting grandma. i don’t really know what other warnings to put other than swearing and manipulation (?) 🫣 so we’ll just have to see
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2 days later
“it’s been less than 48 hours since a 7.4 magnitude earthquake rocked the quaint town lf Hawkins, 80 miles outside of indianapolis, in an event that seismologists are caling “a natural disaster of near unprecedented scale.”
you distantly heard the newscaster on the t.v. say, as you walked past your grandmother and mother in the living room, watching it.
“the death toll stands at 22. but with hundreds more filling roane county hospitals and many more still missing, officials expect those numbers to rise.” he continued
“mom turn this off, she doesn’t need this right now.” you heard your mother, attempt to whisper to your grandmother, but to no avail.
“i’m just waiting for the good stuff to come on, y/m/n, no need to throw a fit.” your grandmother responded nonchalantly.
“mother, you know for a fact, all of the channels are going to be taking about just this, for who knows how long!” your mother scolded her.
“look, the quicker she-“
“this is only the latest tragedy to befall this once-safe town. most recently, a string of high school student were killed in a series of ritualistic murders, which have been linked to a local satanic cult known as “hellfire.” their bickering was cut off by the man continuing. the next words escaping his mouth, making all three of you stop in your tracks.
“eddie munson, the leader of this cult and prime suspect in the murders, has been missing since the earthquake and is presumed dead. but this offers little comfort to the people of hawkins, who are scared, angry, and searching for answers.” he finished.
with the flick of your mother’s hand the t.v. shut off, as she glared at your grandmother, silence filling the house. a slam broke the silence, along with the sounds of heavy footsteps leaving the kitchen, and the front door opening and slamming behind you as you exited the house.
“let’s hope she doesn’t go kill him.” your grandmother said nonchalantly, sipping her tea. “he’s only the messenger after all.”
“mom, i really do wish you could be sympathetic about this. her boyfriend not only died, but he’s also being accused of murders he didn’t commit.” your mother sighed, getting up to watch you from the window, as you got into your car and drove to god knows where.
“i don’t know why they even think that, the boy cried when a bee flew near him once, and yet think he could do something like that? please.” your grandmother scoffed. “he was a pain in the ass, but he was no murderer that’s for certain.”
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sunday , march 2, 1986 | 2:24 a.m.
“you know when we graduate sweetheart, and run like hell out of here, i’m definitely taking you with me.” eddie whispered, rubbing your back, as you two laid in your bed.
“is that so? i figured you’d be too good for everyone and eveything in this town at that point.” you joked, lifting your head off of his chest to look at him.
“never you. and maybe those sheep of ours can join us too.” he said.
“eddie, i’m pretty sure that’s kidnapping.” you laughed softly.
“yeah i actually think so too. besides, i don’t think “king”steve would appreciate stealing his children from him.” he laughed.
“so what are your grand plans for us mr. munson? you know i need organization in advance.” you joked again,
“well mrs. munson, first we’ll buy a house in a small town-“
“you? settled in a small town? i’m shocked!” you look at him in fake horror, making him roll his eyes, and playfully push you away from him.
“just for that, now i’m not continuing.” he fake pouted and rolled to face away from you.
“okay, okay i’m sorry baby.” you held him from behind now, kissing his cheek. “keep going, please?”
“the small town thing’s for you. so we can live out your crazy, dick van dyke, bewitched, good times, brady bunch, sabrina the teena-“ he started listing all the shows you’ve made him watch.
“okay, i get it! i like a lot of shows, sue me!” you giggle, smushing his face together.
“but yeah we can do all of those things, i mean the bewitched and sabrina one may be kinda hard seeing that you aren’t a witch but, i’ve already got the evil mother-in-law, trying to get rid of me thing going so how far off can it get.” he cheekily said, once he successfully moved your hand, scooting down to lay his head in your lap, as you sat up to lean against the headboard.
“my mother loves you though?” you leaned over him confusedly, purposely not acknowledging the other thing he said.
“yeah i know. i’m talking ‘bout your grandmother, i mean i swear i can feel her burning a hole in the back of my neck whenever i turn away from her.” he winced.
you froze remembering the time he let you put his hair up, and as he walked away from you and your grandmother at the kitchen table, she stared daggers into him until he jumped, swearing that the back of his neck was on fire for a second.
“you’re an idiot.” you laughed nervously, running your fingers through his hair.
“and we can have our own little tabitha too.” he smiled.
“you want kids after we graduate?” you asked incredulously.
“well not just yet, but i’m sure yours can visit.” he nonchalantly said
“mine?”
“yeah, these two!” he exclaimed picking up a framed photo on your dresser of you, el and will before they moved away.
“she can be your tabitha, and he’ll be my all-seeing/knowing son.” he joked, putting the picture back.
it’s scary how accurate he can be sometimes.
as you can tell, eddie wasn’t aware of your family’s… lineage at this point. you wanted to tell him, really you did, but you knew you wouldn’t unless it was absolutely necessary. you’d been involved with the events of the upside down since the year will was taken, in fact that’s how the kids found out. then max found out, robin, and at this point you didn’t want anyone else knowing, even if it was your own boyfriend, in case it put him in danger. that all changed quicker than you thought it would, though.
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saturday, march 22, 1986 | reefer rick’s cabin
after everyone left to follow the cop cars, you volunteered to stay with eddie, and try to console him. so how it turned into a full-blown screaming match, was beyond you.
“so you’re telling me, that you’ve been dealing with shit like this, for three years! three! and didn’t want to tell me?! we’ve been dating for two! which means all those times you blew me off for days on end, was because of this shit?!” he paced around frantically.
“yes, eddie. can you please calm down?!” you sighed.
“calm down?! my girlfriend could’ve died on countless different occasions and you want me to calm down! what, they would’ve just fed me the same bullshit that they did to that one girl’s parents?!
“yes eddie, i do want you to calm down because if you haven’t noticed you’re in hiding! do you want people to hear you?! and nobody would’ve told you anything because i wasn’t and am not going to die!”
“why didn’t you just tell me? is it because you think i’m weak?” he suddenly got offended.
“what? no! eddie, it’s complicated okay! we don’t just go around really telling people about it! they just find out!
he groaned, still pacing around.
“eddie, i’m going to tell you something.”
“oh, now you wanna tell me stuff.” he scoffed, going to sit down on a crate, but before he could it disappeared from under him and he fell to the ground.
“what the hell?” he muttered looking around for it before seeing it sitting at your feet. “how did tha-“
“i don’t appreciate your attitude with me right now.” you pouted, crossing your arms.
“i-i don’t understand how that was just right here- and then.” he stammered
“i’m a witch, eddie.” you sighed, transporting it back to him.
there were a lot of reactions you expected from him at this point, but him laughing hysterically was not one of them. you just stared at him not really knowing what to say. after he stopped, he dragged the crate to where you were standing and sat down on it, sighing he pulled you to sit on his lap.
“you know, out of all the things i’ve heard today that actually makes the most sense.” he whispered, dropping his head on your shoulder.
“really?”
“oh yeah. i mean, i knew those magic tricks had something to them, and wait-“ he cut himself off, looking at you. “does that mean that your family is too?”
“yeah…why?” you asked quietly.
“well then your grandmother makes a whole lot more sense.” he started laughing, remembering all the times he felt like she did something to him, but couldn’t figure out what.
“so. can i show you some things?” you asked hopefully.
“uhh yes? please? i promise i’ll be much more understanding than that stupid darrin!” he urged, referencing bewitched.
you spent the rest of that day, keeping his mind occupied, and away from all the vecna madness.
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march 25, 1986 | hawkins hospital
you walked down the bright hallways, carrying a bouqet of carnations, narrowly avoiding bumping into frantic nurses and families trying to get back to their loved ones. as you stopped outside of the room you were told, you heard the sound of lucas’ voice, reciting stephen king’s “the talisman”.
not wanting to lose your nerve, you quietly knock on the door, entering slowly. lucas and erica looked surprised to see you, being that you had just up and disappeared after max was checked into the hospital.
“hey, guys.” you said quietly, as you walked to max’s bedside and set the flowers, down. looking down at her you brushed some of her hair away from her face, and turned to look at the two.
“are you guys okay? i’m sorry, i haven’t been here.“ your voice cracked as you squeezed lucas’ shoulders and gave erica a hug.
before you could continue, you were cut off by the two tackling you into a hug.
“we’re fine.” erica responded.
“you’re here now.” lucas whispered
“yeah, we didn’t know if you’d ever come back.”
“did they say when she’d wake up?” you asked, looking at max.
“no.” lucas whispered, making eye contact with erica, leaving out the part where the doctors said she might not at all.
“oh, okay. well just call me when she does, i’ll be right over.” you said squeezing them one last time, before heading back towards the door.
“i love you guys, i’ll see you later, okay?” you said, leaving before they could respond.
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you were originally going to go to the high school, and help everyone down there, but instead found yourself driving past it, and a little further into town, where there wasn’t any wreck or openings in the ground. as you drove you looked up at the sky passed the windshield and at the red and black clouds. you were suddenly pulled out of your thoughts, by the sound of someone clearing their throat.
“go away, i don’t want to talk to you.” you sighed, looking away from the woman in the rearview mirror.
“you know we can make this better.” the woman said nonchalantly.
“no, we can’t do anything, so just go away, you’re irritating me.” you started to get annoyed.
“you realize that you just called yourself irritating, right?” she said crossing her arms and smirking.
“yes, i do.”
“you know you’re really self-deprecating now. it’s depressing.” she sighed.
“are you trying to make me feel bad about what i did? because i’ll have you know that i don’t.” you said looking back at her for a second.
she didn’t say anything.
“what do you want?” you said, now whining.
“i want you to let me back in.”
“aww what’s wrong are you lonely?” you joked before straightening up and saying. “absolutely not.”
“do you truly think that separating from apart of yourself was the right thing to do?”
“yes! because you can’t control yourself, and you just fuck everything up!” you yelled.
“we can restore everything.” she said, climbing between the front and passenger seat and into the latter.
“we need to kill vecna.” you responded.
“don’t you deserve a break? all of you? you’re sad and you all deserve to be happy.” she said, repeating something you’d said before.
“don’t twist my words around! okay, i’m not sad, i’m angry! angry that we lost, and angry that i couldn’t do anything about it!” you seethed.
“and we can’t take breaks, you know that. vecna’s gonna strike at any point now, and we need to be prepared.” you tried to calm down, not wanting to crash.
“you can do something about it now, but you’re choosing not to!” she hissed at you.
“you know what! fine, i’ll indulge you. what is this grand plan you have to restore everything. “ you asked faux interested.
“do you trust me?” she asked seriously, ignoring your sarcasm.
“barely.” you said looking over at her again suspiciously before turning your eyes back to the road.
“i guess that works.” she said flippantly before reaching over and covering your eyes.
“what the hell are you doing?!”
“shhh i’m fixing what you won’t, you’ll thank me later i swear. now sleep.”
the last thing you heard was your “doppelgänger’s” chuckles before everything soon went completely dark and silent for you.
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you woke up to a cacaphony of voices above and around you, all echoing and making your head hurt.
“is she breathing? i don’t think she’s breathing!” you heard a muffled voice from next to you.
“steve back up! all she’ll be able to inhale is you, if you don’t give her some space!” another, albeit, clearer voice sounded from behind you. almost like robin?
“her eyes are moving underneath her eyelids, maybe she’s waking up.” you heard… max? say.
you groaned as you finally opened your eyes, before quickly shutting them back, and squinting, trying to get used to the bright light around you.
“i’m okay, but what the hell is happening?” you asked trying to sit up.
“shh it’s okay, we just came in and found you on the ground, then brought you to the couch.” dustin said, trying to calm you down.
“what? dustin i was in my car, and where did you all come from anyways, what are you talking about?”
“we just found you here. your door was wide open and someone could’ve came in and-“ lucas started before being cut off.
“lucas you’re being dramatic.” erica said, making you open your eyes to finally look at the people around you.
“erica shut up!” he hissed back at her.
“okay you two are both being dramatic now!” steve chimed in before everybody started to go back and forth.
as they all started to drown each other out with jabs and insults towards each other, you could only look at one person.
“max? is that you? are you okay?! when did you- when did you wake up?” you asked her all at once, pulling her towards you into a hug.
“umm what are you talking about? how hard did you hit your head?” she asked pulling back to see if she could see if you’d gone crazy.
as you finally took the time to really look at what appeared to be your friends, you realized that something was just off about it. then quickly remembering the last interaction you had.
“shh you’ll thank me later i swear! now sleep.” you remembered the other version of you said, before doing something to you. you quietly gasped realizing that she let herself back in with you and did something drastic, your memories now merging with hers.
all you remembered were glimpses of you going to the middle of town, having some sort of breakdown, yelling something about how much pain you were in before everything went red, then you woke up here.
“babe, are you okay? you’re acting kind of weird.” a voice you never thought you’d hear again, said from your living room doorway.
“eddie?….i-is that really you? are you really here?” you asked quickly standing up, feeling like you were in a whirlwind.
“yeah..? where else would i be? are you sure you’re okay?” he asked holding his hands out for you.
now when eddie saw you slowly walking towards him, he thought you were going to hug him real tight, maybe even kiss him! because for some reason he couldn’t remember the last time you did either of those.
so imagine his surprise when he saw the now enraged look on your face, heard the shouts of protest from your friends, and the last thing he saw was the sight of your fist quickly swinging through the air, and straight into the right side of his jaw, before everything went black.
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a/n : not eddie thinking that shit he pulled would just slip past you 😭 this took me so fucking long i’m actually not alright. i wrote this to try and jumpstart my brain for ideas for “we’re going to summer camp bitches” and my “eddie x 007! reader” works but it really didn’t 😐
@floralenvu @pinkfeatherboarry
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avaisnerdytoo · 4 months
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"You're chasing a Demon In A Bottle"
Tony told Valkyrie*
WHAT IF S2 - EP4
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I'm loving this 4th episode, I miss Tony so much 😭😭😭
He stayed to help sakaar, because he's a hero, my hero 🥹❤️
(I'm a biased Iron Man Fangirl btw)
And his resourcefulness is so lovely to see. It's odd to me that I low key feel he had a more positive impact on his Sakaar visit than Thor. Although to be fair he was in a rush because of Ragnarok.
In a way him being stuck in Sakaar is essentially the same as being stuck in a Cave.
He built a car in a cave!!! With a bunch of scraps!!!
(also another Comic thing too btw 🤭🥰)
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The implications of Tony's tale being known across the Galaxy and not just by Thanos is awesome though.
I bet that's canon to the main MCU too.
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Also, just saying... In the Comics Tony did sleep with Gamora that one time yk...
Although for the MCU I don't quite ship them.
Not to mention Tony is already with Pepper at this point but still.
Crazy to think in this Universe simply because Tony got stuck outside Earth for a while, the entirety of Infinity War and Endgame was avoided. Which could even move into like... Avoiding Wandavision and other stuff.
Although Age of Ultron maybe not quite... He did still argue he wanted a suit of armor around the World and Universe in Season 1..
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Sucks we didn't get this episode on season 1, but I'm glad we got it at all!!!
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