#oh i love the visuals and the script going on the same purpose

[siderains]

no line goes harder than hannibal saying “killing must feel good for god too. he does it all the time. and are we not created in his image?” surrounded by religious images

#hannibal #hannigram #hannibal lecter #will graham #hugh dancy #mads mikkelsen #they really made it #get it bc he is a cannibal who kills #and god #and the images #oh i love the visuals and the script going on the same purpose

[greenbirdtrash]

Decided to post some of my clothing analysis of the musical Once-ler. Most of my takes here are outdated (since i didn't had a chance to get acquainted with the script back then, but now i've got a better understanding of some things and the exact timeline, so lots of updated info and the contexts will be added when needed), but some of the listed speculations here are still pretty interesting to think about. It's actually kinda crazy how i came to that, building my own imaginary character profile and the timeline without the chance to watch the entire show, but just from analysing the available photos and the reviews. And the fun thing is..some of my speculations actually fit the story quite well. So..

Part one: Introduction.

[July, 23]

"Again, my conclusions may be wrong because of the fact that I only saw the fragments and photos from this musical, I cannot be completely sure that the slight difference in some of details and elements is present due to a certain story arc or the fact that the "test show" was performed in a different place and with slightly different props, but it's hard not to notice that during the course of events, the clothes of our beloved problematic capitalist change, maybe not as drastically as in the 2012 movie, for example, but this undoubtedly plays an important role in his development as a character (especially considering that we are looking at a stage adaptation with its own nuances, but more on that later) and reflects a certain kind of changes that he goes through in the process. Why is this so important? I'll try to explain.

Working with perception through colors and shapes is one of the most basic things in design that always works, and even being in some cases comically exaggerated, it remains effective because a person somehow always builds a certain association based on the things they saw. Like, we look at the warm green color, and it immediately reminds us of leaves, etc, etc.. Long story short, the aspect of different clothing, colors and patterns on a character who's going through different phases will be very important here. I saw someone else pointing the same thing out in one of the reviews, can't remember which one tho. Anyway, my huge thanks to Rob Howell for giving us all these amazing designs.

What I always loved in stage performances of all kinds and the theater as a whole concept, is the fact that you won't find there such thing as "narrow cinematic frame" in which you can just remove or cut out everything that simply "does not fit" into it, oh no.

In stage performances and musicals, the whole color extravaganza of the stage and the carefully carved environment will talk to you (yes, talk!), and actors are required to do much more than just show a certain face at a certain moment. Nope, it's completely different here, and most of the theatre actors are just built different as well. Spent some of my best years near them, that was an amazing experience. Anyway-

Being able to play simply with with your voice and face is not enough to be a good actor here, especially considering that even if you're lucky to have the most magnificent facial expressions......they are not particularly visible even from the middle rows. Even though most projects and plays are recorded with professional equipment from the close range (mostly for archive purposes), and for some plays you can even get the binoculars with no problem, it is impossible to rely solely on facial expressions.

And here's where costumes and choreography come into play.

So, the costumes...

From what I saw and read, I would say, we are introduced to this Onceler in a pretty interesting way.

At the time of his departure from home in search of a better fate, we are looking at a very ambitious young dreamer who just.. let's say, he doesn't fit into his original environment, neither by his character traits, nor by his ideas about inventions, nor visually. The visual clearly emphasizes this, and I got the impression that among all the green riot of chaotic colorful prints that prevail in his family's clothes, in his tailcoat he kinda looks like a "black sheep" among them, even despite the fact that he shares the same green aesthetic, but his design is not "too much" or hard to look at. In fact, we are still able to spot him even when he's surrounded by his family. According to this adaptation's background, their family is VERY poor, and all they own is an old mill(?) on which they all work tirelessly. Not a particularly wide space for revelry and elements symbolizing prosperity or luxury (yk, tailcoats are quite expensive), so to speak. Things were not going great for them, so perhaps such an expensive thing as a tailcoat in their conditions is some kind of a reference to the guitar of the 2012 version (for which, according to some information available on the web, the 2012 Onceler has been saving up for a long time). Perhaps (and most likely this guess will be more correct) our hero slept and saw himself in a completely different society - with a much higher and richer status [UPD: This guess was partially confirmed after i saw the script, so I will take this as canon. After all, in the stageplay, the young Onceler literally devotes an entire scene to the song about his dream of getting rich on his great idea], and perhaps he also believed that "clothes make the man" and planned searching for glory in the same outfit, I can't tell you for sure, but the fact is that visually he does not fit into his environment at all, he's "an oddball" with his head hovering somewhere in the clouds, and his clothes, among other things, help us draw a imaginary line which separates him from his surroundings and giving us a subconscious signal that he is just different. Not like them. We all faced rejection in one way or another, and we know what not being able to fit feels like, and it also kinda helps us to put ourselves in his shoes, feel his ambitions, and to start sympathizing with him as a character. [UPD: It works really well within the canons of this adaptation, I couldn't remain indifferent to it, and David Greig turned him into exactly that kind of beautifully written tragic deep character that I wanted to see, and at the end of his story, it broke my heart..in a good way, of course.]

Also, there's something really silly about how he looks at the start, he spots the funky striped fingerless gloves (Not the canon long ones, but still..That's a nice touch, every Onceler needs his gloves, and also it looks like he also has a watch on his left arm? Interesting..), some kind of a vintage green fedora, very fluffy green hair, green shirt and green pants with a slightly different "cold" color, brown suspenders and even a bright green neckerchief for some reason, so his green aesthetic is pretty much complete. Idk, his whole look during this phase kinda gives me the countryside vibes, maybe it was actualy intended? Especially considering what his family does for life?[UPD: It kinda was.]

Actually, he leaves the house just because his room and his bed is suddenly rented out for some pennies [UPD: Everything turned out to be much worse and funnier at the same time, he was literally kicked out by his family (You can literally feel their low expectations for him) just for them to take in a random person with "more reasonable ideas", but despite this, all his interactions with the "Bed-stealer" during the first act made me smile and giggle a lot, Small Ed is a great character addition and a pure comedic relief], and this probably becomes his last reason in favor of collecting all of his not very vast possessions and go seek his fate in the hopes that somewhere in this world there will be a better place for him.."

#lorax musical analysis #lorax musical #onceler #the onceler #the lorax #lorax #lorax 2023

[abimess]

My thoughts on MoM [with spoilers!]

Alright, as I said, I have a lot to talk about this movie. So let's start with the good parts:

The movie is very beautiful, visually speaking. The colors were great and the takes were very creative, quite different from the other Marvel movies. As for the effects, I saw it in 3D, which makes the edges blurry, but overall I thought they were good.

The fight scenes were amazing, especially Wanda invading Kamar Taj, I was holding on to my chair the whole time! The scene of the two Stranges in the "musical duel" was very creative as well.

Now, the bad parts:

The story seems to have no purpose. I'd commented to some friends that the script would be simple in order to fit everything they wanted to do in only 2 hours. And indeed it was, but it was a simple without purpose (not to mention rushed). It actually seems that the movie is just a piece of a larger narrative, but we don't know what this larger narrative is, so it doesn't make much sense.

I didn't like that the MCU's Earth is the 616. Although it's inspired by the comics, it's not the same as the comics, it has a loooooooot of different things, a lot. It would've been much better to say the MCU is a different universe, which would respect the 616 one and everything it has already created.

And finally, about the characters:

Strange was very poorly used and the struggles he faces are futile and overused. He spent almost the entire fight against Gargantos sleeping and in the Illuminati he had those handcuffs that prevented him from using magic. They clearly didn't want to use Strange's abilities much except to fight himself, which I thought was a waste, especially considering it's his movie. About the struggles, his arrogance being part of the main narrative again was annoying to me. Everyone knows he's arrogant, there's no need to make the movie about it, again. Not to mention at this point I thought he would've changed but oh well. But not to say only bad things, his powers were very cool and it was nice to see him more creative, especially in the last scene with zombie Stephen.

America is amazing and the character is super charismatic, I can't wait to see more stories with her. But I thought the hero arc was overused. "The hero who can't control their powers because they don't believe in themselves and in the end they succeed" nobody can stand it anymore.

Wanda was divine in the movie. Finally they stopped making her use her powers from an emotional "instability", it was getting too upsetting. I loved seeing her using her powers and casting spells because she wants to. However, her not caring about killing America was completely out of character. Okay, she was under the influence of the Darkhold and they can use that as justification, but it still didn't sit well with me to see her deliberately wanting to kill a child. The scene where the children see her as a monster hurt too much to watch. I understand it was necessary, but it was extremely painful to see her go through that, she has already suffered too much. Wanda (variant) being the only person to offer comfort to Wanda (MCU) was a punch in the gut. The sacrifice was an interesting, but unsurprising, move. Considering she's the most powerful in the MCU, that would be the only way to "stop" her and a lot of people (if not most people) already suspected that would happen. BUT, she didn't die and I have strong theories about what her return to the MCU might be like.

Well, I guess that's it. Those are the comments I thought of making now. In the end I liked the movie, I think it entertains very well and is a fun fan service to watch. However, maybe because of the high expectations I had for it, the movie left a lot to be desired. My rating would be 7/10. It can change over time, though.

Let me know your thoughts! About the points I raised and about other points I left out too. Also, if you want to know my theory about Wanda's return, let me know and I'll comment on that as well.

Edit: So, here's my theory, if you guys wanna check it out: Theories for Wanda's future in the MCU

#abimess talks #mom spoilers #multiverse of madness spoilers #doctor strange 2 spoilers #mom #multiverse of madness #doctor strange 2

[wheelsup]

coffee is the sixth love language | part two

Summary: Over three cups of coffee, Spencer realized his feelings for you. And over three cups of coffee, he acts on them. gn!Reader.

A/N: the italicized this time indicates Spencer’s thoughts, not reader’s. part of this story is inspired directly from these comments made by @doctorthreephds on the reblog! thanks for letting me incorporate them :)

category: fluff, sfw

warnings: technically none, but the “profiling” part is kind of a reach.

word count: 3k

     Once Spencer was firmly resolute on asking you out, he knew he wanted it to be special in a way that only the two of you could appreciate. He realized that he had yet to be the one bringing you coffee, and so it felt only right that it should be how he makes his first move. He woke up extra early on a weekday morning to stop by your favorite coffee shop on his way to work because he knew you loved their banana nut muffins and double-brewed coffee. It was an extra twenty-five minutes out of the way for work each way, so you only got to go there on the rare occasion that you had a day off and were not out of town on a case. It might have been ridiculous to drive fifty minutes for a single damn muffin, but Spencer wanted to make this perfect for you by any means necessary. This was one of the special times that Spencer drove his car, needing the extra speed in order to complete his mission.

     He picked up your regular drink order and the muffin and was anxiously on his way back to Quantico. As per his plan he arrived at the office before you did, though not too much earlier because he wanted to make sure your coffee was still hot by the time you got it. If Spencer’s calculations were correct - which they almost always were - you would arrive within a two to four and a half minute window from when he did. Spencer took out a sharpie from his desk drawer and delicately scrawled a message onto the top corner of the pastry bag holding your muffin. He thought it felt like something out of a cheesy romance novel, the kind of novels that you could find in the fifty cent clearance bins, but dammit if Spencer didn’t deserve a little cheesy romance in his life. The other benefit of this was that he thought he would almost certainly choke on his words if he had to ask you himself. He set the two items on your desk and returned to his own to sit and observe. Spencer hoped it would be the first of many coffees he could buy you.

It wasn’t until you had already walked into the bullpen and were halfway to your desk that Spencer realized he had forgotten to sign his name to the bag. How were you supposed to react to him asking you out if you didn’t actually know it was him? And oh God, he left unsealed food on the desk of an FBI agent, with no indication of who had put it there. That is infinitely more suspicious than it is romantic. He wouldn’t be surprised if she took it straight to the trash can. So long for cheesy romance, Dr. Reid.

     But Spencer was absolutely elated when your first reaction was to peek into the bag and gasp out of joy at what was inside. He watched you break off a piece of your beloved banana nut muffin and chew it gleefully, and all he could think of was how cute you looked when you were happy. Shortly followed by concern that a federal agent would so readily eat unmarked food that could have been tampered with. That’s something I should bring up to her on the date. 

     Spencer’s stomach was in knots not knowing if you would pick up on the message. You swallowed that chunk of the muffin and turned the bag over to find an almost illegible black script that you had nearly missed: Would you like to have coffee with me? It just felt like all of the air had been knocked out of your body. 

     It didn’t even take you half a second to know who this was from; there were so many tells it was Spencer. Before you even noticed the note, you knew it was from him when you saw what was inside the bag. The whole team knew what your favorite coffee shop was because you had talked about it enough times. Hell, you even owned a oversized tee with their name on it that you kept in your go bag as a sleep shirt. But nobody knew what your favorite muffin was because you never mentioned it. In fact, if you thought about it there were maybe only a handful of times over the six months you’d been at the BAU that you even elected to eat this pastry in lieu of a real breakfast. But if anyone was going to detect a pattern, it would have been Dr. Reid. Of course he would pick up on the fact that you only picked those out at cafes when you felt like having a sweet treat, or that when Penelope brought in baked goods for the office you would only indulge if you saw your favorite item in the lineup. 

     You already knew it, but in case you had any doubt, the note itself confirmed your theory twice. One indicator was the phrasing choice would you as opposed to will you. Use of would posits a hypothetical, as in hypothetically, would you have an interest in drinking coffee together, rather than a hard, come with me to get coffee. The hesitance in the tone came off as if the sender were testing the waters, wanting to put the idea out there without coming off as too strong. Because it was reserved, it gave you room to think if you would genuinely enjoy doing so as opposed to making you feel like you should oblige. That level of respect screamed Spencer to you. And though it was so glaringly obvious, if you needed some concrete evidence it was the fact that nobody else had such endearingly atrocious handwriting like Dr. Reid. It was something you always found hilariously ironic for a man who often analyzes other people’s writing styles for work. You wondered what his way of scribbling said about him, and hoped he could tell you on that date of yours. 

     You looked straight at him, finding that his eyes were already fixed on you.

     “Yes.” 

     One word was all you had to say to make the lump in Spencer’s throat disappear, replaced by the sensation that his heart was leaping out of his chest. He was going to keep that memory stored in his brain forever, just to replay the moment when the future of your relationship changed with a simple word. Little did he know that when you finished that muffin, you neatly folded the pastry bag and tucked it into your desk drawer, saving it for the exact same purpose. 

_____

     Spencer had gotten to see your favorite coffee spot already, so for your date you requested that he take you to his to make it even. It was small, but incredibly cozy under the soft ambiance provided by string lights and charm of their mismatched furniture. There was one exposed brick wall adjacent to another that was a floor-to-ceiling bookshelf; it housed copies that loyal patrons left behind for others to pick up. All of those books had different colors of post-its peeking out from the pages. It was almost too eclectic and disorganized for what you would expect Dr. Reid to be into, but at the same time it made perfect sense to you.

     “You know, I think I just learned something about you.” You leaned gently into his side to tell him, both hands wrapped around your coffee cup because you were too nervous to know what else to do with them. Spencer was the kind of guy to sit adjacent to you at a table, rather than across, and you loved that about him. You loved having him as close to you as possible. 

     Spencer’s lips pulled at the edges to form a perfect, lazy smile. “What did you learn about me?” The team had an agreement not to profile each other, but under your gaze, Spencer never felt the kind of scrutiny that came with picking people apart. He trusted that whatever you had to say was going to be kind.

     “I think this place says so much about you. Something about how all those books are donations passed on from locals, and that people feel comfortable taking a book off the shelf and opening it up to read what others recommend. The fact that they leave little notes in it for the next reader to share what those stories meant to each of them. Nobody asked those people to do that, but they all chose to take part in these small actions that ended up creating an entire community.” It was one of the most beautifully human things you’d ever witnessed. A group of people engaging in understated and innocent gestures of love between perfect strangers, completely unprompted. “I think you value simple acts, the kind that can take on profound meaning without even intending to. Like when silence feels so comfortable when you’re with the right person.” You paused to take in his reaction as a gauge for how right or wrong you may be. He gave no objection to what you had posited, eyes simply glued to you in intense focus. Spencer was hanging on everything you said, wordlessly encouraging you to divulge more theories you’d developed on him.

     “And, visually, this furniture reminds me of a family home. The kind where some items were handed down for generations, some bought new, and others gifted by a distant relative who has no idea what the family likes.” Spencer’s soft laughter mirrored your own at your very accurate description of the shop’s decor. The room truly could not be more disjointed in its aesthetic, but that was entirely its charm. “It probably reflects that there are some aspects of your life that just don’t make sense to you, that almost seem to conflict with each other. For a guy so smart, I’m sure it’s scary to feel like you don’t understand something, and there are probably dark spots in that brain of yours that you try to hide from the world. But in this room, these things that don’t seem like they work together actually amount to something so lovely. And just like the charmingly hideous suede couch and the oddly fur-covered armchairs, every facet of you deserves appreciation because without them you wouldn’t make up to be the beautiful person you are overall.” 

     Neither of you could pinpoint the moment which your hands had drifted together, fingers loosely intertwined in gentle embrace. There was too much to unpack in what you had said for Spencer to know where to begin. The only thing he could say for sure was that he was astounded by how deeply you understood him without him ever saying any of those things. He considered that maybe you understood him better than he did himself and wished that he could spend his whole life observing the world through the same rose-tinted lenses with which you viewed him. At a loss for words, Spencer chose not to say any right then. The silence I have with you is the most comfortable I’ve ever had. 

_____

     After each of you consumed one too many caffeinated beverages, you still were not prepared to let the date end. You were willing to sit there and have as many espresso drinks as you could to keep talking to Spencer. 

     The universe must have been in support of your romance as the overcast skies broke and began to rain just minutes after the two of you had left the shop. Spencer was walking you back to your apartment, clearly forcing his long legs to slow down their naturally fast stride so to extend how long it took to get there. He could get an extra thirteen minutes with you this way. Spencer was given his perfect excuse to keep the date going in the form of heavy downpour; his apartment was far closer than yours, and he proposed you two should seek shelter together until it stopped. I hope it never stops. 

     Spencer held tightly onto your hand as he ran with you through the rain, giggling all the way to his apartment. He may not like wet, cold climates, but he sure did like holding your hand. Being next to you made him feel incredibly warm somehow when the temperature outside was very much not. And you felt completely at peace sitting on Spencer’s couch wearing one of his sweaters that he lent you. Truthfully, your own clothes weren’t so wet from the rain that it was necessary, but you both pretended it absolutely was just to be able to experience this. 

     It was clear that the rain would be going for a while and all you wanted to do to pass the time was continue listening to Spencer talk. You discovered that when he’s not interrupted, he loves to go on runaway tangents, often bouncing between different trains of thought as one idea sparked him to remember another. It was almost a sport to keep up with him, but it was perhaps the only one you’ve ever enjoyed. It was so easy when everything he said interested you. You loved that Spencer taught you something new every day, but no matter how niche a piece of trivia or shocking an unknown fact was, it could not beat the things that he taught you about himself. He was letting you in on so many unseen dimensions of himself whether he knew it or not, the explicit ones revealing implicit ones. 

     You had happily stayed in his home for hours, absorbing every word he spoke. What entertained you the most was the ability of your conversation to jump from deep, serious places to lighthearted stories filled with jokes and teasing and back again in a way that felt completely natural. Your favorite anecdote of his was the story of how he got addicted to coffee. It was the BAU’s favorite inside-joke that Spencer liked his coffee sickeningly sweet and you always wondered how he could tolerate it. Just looking at it made your teeth ache. When he told you why, you thought that the backstory was even sweeter than the coffee.

     As a twelve year old college student, Spencer found himself experiencing sleep deprivation for the first time in his life. The course load was more rigorous than he had in high school and even the boy genius needed to readjust to the new expectations of college. More importantly, he needed to cope with pulling late nights at the library if he wanted his first degree by the time he was eligible for a driver’s license. The Red Bulls that the other kids seem to gravitate to seemed far too aggressive for Spencer, their potent smell of chemicals a huge turn off. They were definitely not for him. 

     He remembered how often his mom used to drink coffee, always in the morning while Spencer got ready for school. Being at CalTech and away from his mother, who remained in Las Vegas most of the time due to her condition, made him so homesick that he took up a coffee habit as a reminder of her. He loved the way it smelled like every comfort he had ever known. 

     Though he appreciated its smell, Spencer, of course, was not ready back then to love the way it tasted. He was still after all a twelve year old boy who had a sweet tooth like any other kid. The bitter drink was almost offensive to him, so he always made his coffee with extra, extra sugar. He was a menace to the baristas at the campus coffee cart because they would have to refill the shaker every time he stopped by. As it turned out, Spencer was actually a little troublemaker in his youth. 

     You utterly adored this story and the way it humanized Spencer in a way that other people did not consider often enough. Yes, he was the genius in incredibly advanced classes for his age, but he was also a little kid who behaved as all little kids did. He also experienced struggle and had to cope with it just like everyone else. He was not, as some chose to believe, a complete anomaly beyond understanding. Those many misunderstood idiosyncrasies Spencer had started to feel grounded as you learned more about him and could appreciate how and why they came to be.  

     But the night was dwindling down and two of you had gone through many stories since the start of your day together. Hitting a caffeine crash, you found yourself unable to keep some rogue yawns at bay. It was only eight o’clock in the evening, not an unreasonable time for you to ask Spencer to drive you back home. The rain was letting up to a mellow drizzle. Spencer was running out of excuses to keep you here.

     But you thought about how still hadn’t heard about his first pet lizard, which he caught in his backyard, and you didn’t yet know what kind of music he listened to when he was fourteen. And you no longer thought you needed to make excuses to stay with him longer, so you told him honestly that all you really wanted was to stay the night with him and keep hearing his stories. So you asked him if he would set on a fresh pot of coffee, just so you both could sip at it, staying awake all night together.

     He happily did so, and while he set the large coffee pot on and took out two cups from his cabinet, he thought, this is the first of many wishes of yours that I’d like to make come true.

______

PART THREE

Tag list: @rexorangecounty @rachel-voychuk @snitchthewitch @spencer-blake-supremacy @happyreid187 @rainsong01 @librarymagic 

#spencer reid #criminal minds #spencer reid fic #spencer reid x reader #spencer reid x you #spencer reid fluff #mgg #matthew gray gubler #spencer reid self insert #spencer reid x y/n #criminal minds imagine #spencer reid imagine #spencer reid fanfic #fluff #my fic #criminal minds self insert

[thatweeboverthereisthirsty]

Hello! Can I request hcs for your top 5 favorite characters when they find out their fem s/o vapes/smokes? Have a nice day~💕

I loved writing these ngl. Also I did six because I have no idea how to choose between these guys. 

Characters: Leona, Ruggie, Floyd, Kalim, Idia, Malleus

Warnings: smoking&vaping, overdramatic teenage boys (leona isn’t a teenager, does malleus count?)

Leona:

He didn’t peg you to be that kind of person, but there was no doubt that you were vaping

He had smelled the weed on you a few times but didn’t comment. It was common for there to be clouds of vape in the bathrooms at school so he figured you had just walked through one

At first he wouldn’t comment, but he would watch you do it and keep track of how many times you took a hit and how frequently you pulled your pen out during the day

If he felt like there was nothing serious to worry about then he might let it fly a few times only commenting on how he hated the smell to try and persuade you to do it less often

If he was concerned about the amount of vaping you did, he would probably just steal all your stuff at first to see if you would stop

If that didn’t work then he would confront you about it asking why you started and how long you’ve been doing it

It’s unlikely that he’ll be super upset about it but he will ask you to stop and provide you with other solutions if needed

He prefers the you that isn’t higher than the clouds

After learning more about vaping and the fact that by inhaling toxic metals you could potentially die then he would put up more of a fight

If it got to the point where he was really concerned he might take you to a rehab center just so they could get you to stop (even if you weren’t addicted)

Ruggie:

Wait what?! You smoke!!!

He stares in shock as you pull the cigarette away from your mouth and blow out a large puff of smoke

No no no no no no no no!!!!!!!!!

Already running up to you and snatching the cigarette out of your hands

“Ruggie!”

Absolutely not. He’s seen enough people in the slums turn to smoking or that might even be the reason they were in the slums to begin with. 

He knows the cost. He has seen people die, or get violently sick, or run out of money because they smoke

It is not something he’s gonna watch you go through

Probably gonna yell at you about how awful this is for you before finding all your cigarettes and soaking them before chopping them into little pieces and throwing them away

He’s got a great sense of smell so if he smells nicotine on you again he would get really upset

Ruggie cares about you a lot but would still most definitely threaten you to get you to stop

If he threatens to end your relationship to that means he’s certainly worried about your health

He doesn’t care how you started in the first place he justs wants you to stop

Would totally beg Leona to pay for rehab

Would also totally drag you there

Floyd:

Eh? What’s little shrimpy doing?

Has zero clue what a vape is or how it works, but it looks fun let him try it too

You’re probably hesitant cause he doesn’t know what it is and if Azul and Jade found out they might get mad

He’s gonna try it anyways

Literally has no idea how to use it and probably ends up inhaling his own spit instead

He wants to know how you make clouds with your breath though, and oh! You can make it into shapes!

Definitely gonna ask Azul and his big brother about it

They casually explain what vaping is and what it does. They also tell him that it’s bad for you and he shouldn’t try it

“Huh? But little shrimpy does it all the time?”

Que a further explanation and advice on how to help you stop

He’s gonna pest you about it all the time now

“You didn’t swallow any clouds again today did you?”

“No Floyd I didn’t swallow any clouds”

It’s very easy for him to get you to stop since he’ll just squeeze you everytime he catches you doing it

And when he finds your pen he will pick it up and throw it away

Has he seen your vape? Of course not. Why would Floyd know where your cloud machine went?

Every time you get sick he accuses you of vaping too much

“You wouldn’t be stuck in bed all day if you hadn’t swallowed so many clouds, shrimpy.”

Kalim:

Immediate panic

“JAMIL!!!!!”

Literally Jamil does not have time for this

Tells him to calm down and just ask you about it

Ok yeah. Kalim can do that. He’s calm

He’s not calm

Forgets to ask you about it and instead asks if you wanna go for a ride

Legit takes you to a rehab center and cries at the front desk about you for like 40 min

The people ask you a few questions and determine that no you’re not addicted and tell Kalim that everything is gonna be fine

You are literally so confused right now

When you guys get home he can’t stop asking questions and telling you that it’s bad to smoke

Will bribe you to get you to stop

“I’ll buy you whatever you want just don’t do that”

Literally 100x more panicked than any other normal person

“BUT WHAT IF YOU DIE!!!!!!”

Doesn’t want to leave your side in case you do it again when he’s not looking

Jamil is 200% done with the dramatics

“Listen if you don’t stop I’ll actually poison your food. I have a hard enough time dealing with Kalim when he isn’t freaking out.”

Between the two of them it would just be easier to stop

Kalim will throw you a party for stopping

He’s so proud of you

“Baby you make me so proud!”

“Kalim she’s not your daughter *sigh*” - Jamil

“WHAT IF OUR DAUGHTER SMOKES!!!”

Hold up since when did he decide that-

Never mind 

Kalim is just a big drama baby and you love him for it

Idia:

Probably doesn’t really know what to think about it

On one hand you’re old enough to make your own decisions

On the other hand your decision making skills are obviously not great

Literally spend the next month trying to decide what to do about it

Makes a pros and cons visual board for confronting you about it

Also writes up a list of reactions to his confrontation

Probably also writes up like 17 different scripts all in a choose your own ending type format to include how to deal with every reaction

Ngl he panics a lot cause he knows that vaping is bad but after finding out you do it he can’t stop watching these really concerning youtube videos about how people’s lives turned into a total complete disaster because of vaping

He becomes a nervous wreck every time you smell like weed

Always has you count to ten when he sees you

Likely has visions of you in the hospital or homeless on the street wheezing about how you wished someone had stopped you 

Either you’re gonna catch on and ask him about it, initiating the conversation or he’s gonna have Ortho do it

He’s worried you will leave him for not being supportive

Literally asks you if you’re gonna leave him for this

Obviously you won’t so when you confirm that you’re staying he melts into a puddle and just cries

Highkey he looks more like one of those crazy people from the videos than you

“But Idia you’re addicted to video games and sugar. People say that’s as bad as cocaine”

Figures out that sugar releases the same chemical in your brain as cocaine

“What if you just ate a bunch of candy with me instead? We can be sugar addicts together.” (Idia I’d love to but no amount of candy is worth a break out)

Fine fine fine you’ll stop (but only cause he literally looks like he’s having withdrawals just from worrying about you) it’s ironic

Malleus:

Most dramatic by far

WHY WOULD A FRAGILE HUMAN PURPOSELY PUT THEIR HEALTH AT RISK

Ngl has zero clue what’s going on until Lilia points it out

“Huh doesn’t smoking kill humans?”

*blink* *blink*

Smoking does what to a human

“DARLING!!!!”

Seriously thinks that your going to die any minute now

Que the mental breakdown

Calls all the best healers and puts you on bed rest

“Darling I know we’re gonna get through this. Just keep fighting”

Ummm… you have no idea what’s happening

He just kidnapped you from class and put you in a Diasomnia room and started weeping like you were dying

Lowkey he already started looking at ways to preserve your body as long as possible

Also looks at coffins and tombstones

Highkey plans to buy you a large plot of land that looks over the pretty stuff in the valley of thorns

Why? you ask.

Because obviously you deserve a whole cemetery to yourself

“Malleus I’m not gonna-”

“Shhh don’t speak. You’ll only make it harder to heal”

Lilia walks in and finds this

Probably thinks this is super sweet and totally wants to leave you guys like this

But doesn’t want Malleus to suffer and you to be held on house arrest for no reason

“She’s not dying Malleus”

What? Ooooooohhhh… oops

He gets embarrassed af

Has to call back all the people he hired to prepare for your death

“Um hi there. Turns out I don’t need that jewel encrusted coffin. No no the pyramid should still be built, humans have short life spans.”

“MALLEUS!!!!”

He is so grateful you’re not dying

But would totally get pissed if you decided to smoke again

Guess that’s the end of that

#twisted wonderland #disney twst #twst #twst x reader #twst leona #twst ruggie #twst kalim #twst floyd #twst idia #twst malleus #leona kingscholar #ruggie bucchi #kalim al asim #floyd leech #idia shroud #malleus draconia #leona x reader #ruggie x reader #kalim x reader #floyd x reader #idia x reader #malleus x reader

[ayuuria]

Yashahime Translation: Animage Magazine February 2021 Issue

Please do not repost this translation without my consent! This includes screenshots of any type and amount. If you wish to share this translation, simply link to this post.

For more information regarding the use of my translations, click here.

Regarding the Boy Whose True Colors Are Unknown

Riku, the mysterious person with a good smile and speaking words with profound meaning. He enshrouds not only Towa and the others of course, but also the viewers in smoke. Is he actually the Yashahime’s enemy? Ally?

The boy who proclaims to be “A pirate come ashore”, Riku. The figure of him showing a kind smile and talking quickly makes him seem like your typical nice guy at a glance. However, his speech has every bit of shadiness mixed in it.

The first sign was when he called the apple he received from Towa a “Forbidden fruit” (translator’s note: this was written in English). Most likely, he likened it to the story of the Adam and Eve written in the Old Testament; but why does he know about it when he lives in the Feudal Era? Also, the part where it seemed that Kyuuki of the Four Perils and Riku knew each other is of interest. Then above all, there is the dangerous statement he made to Shikabaneya Jyuubee, “I will take care of the Yashahimes, who hold three of the Rainbow Pearls, myself”. What exactly is the reason for him to go so far for the Rainbow Pearls…?

While leaving a strong discomfort, it seems that Riku will be on the move again in episode 14 after disappearing from the center stage for some time. What is the expression Riku shows before the evil mountain god, Homura, who’s heart has been stolen by a human girl? Even continuing into episode 15 which according to Riku’s voice actor, Fukuyama Jun, will be “A pretty big episode”. There is no mistake that Riku’s existence holds the key to the story of “Hanyō no Yashahime”. The strict prohibition on his words down to the details cannot be overlooked.

Character Bios

Riku The person who requested the subjugation of the Four Perils to the corpse shop. He is gathering the Rainbow Pearls and after Kyuuki’s death, he retrieved the purple Rainbow Pearl that she held.

Shikabaneya Jyuubee The owner of the “Corpse Shop” that deals in demon bounties. He lends money to Moroha and has her slay demons as repayment. He possesses the green Rainbow Pearl.

Takechiyo He can transform into a giant and fly the sky, so he runs around a lot as a means of transportation for Towa and the others. Miroku seems to be involved behind why Takechiyo works at the corpse shop.

Towa She has a kind personality, but she does lose her sense of reason when her little sister, Setsuna, is in danger. As she is a half-demon, she loses her demonic powers and turns into a human at the start of the lunar month (new moon).

Setsuna Normally, her “seething demonic blood” is sealed with Miroku’s Buddhist powers. In episode 13, the seal is released, and she repels Tōtetsu of the Four Perils. Unlike Towa, she does not turn into a human at the start of the lunar month.

Moroha A bounty hunter. Lately, she has been unable to retrieve the heads of the demons she defeats and collect bounties which has been the source of her worries. Just like Setsuna, she does not transform into a human at the start of the lunar month.

The Corpse Shop’s Big Client

Riku, who puts a large bounty on the Four Perils’ heads, is a “special client” to Jyuubee. To Riku, Jyuubee is someone who he told “I only kill those I love” and revealed part of his thoughts to. It appears that the green Rainbow Pearl that Jyuubee possesses also has something to do with Riku. We are curious about the two’s past!

Darling Yashahime…?

Riku and Towa met when a lost Riku asked her for directions. Then he introduced himself to Setsuna and Moroha after they fought Kyuuki. According to what Riku told Jyuubee, since he loves the Yashahimes, he is thinking of finishing them off himself. What is the reason…?

Hatred Towards the Four Perils

Riku’s prejudice against the Four Perils is to the point that he bluntly says “This is why I don’t like you” to the dying Kyuuki. He says the reason is because “(They are) unrefined”. On the other hand, Kyuuki knew Riku’s name and it appears that Riku and the Four Perils are acquainted with each other. Does he also have some sort of connection to Kirinmaru who controls the Four Perils?

The Evil God Who Loves a Human

In episode 14, Riku gets involved with Tamano, an extraordinarily beautiful human girl, and the evil god who loves her but has an excessively burning jealousy, Homura. A human and an evil god. When Riku sees a love that goes beyond race, he shows an expression different from what he’s shown Towa and Co, Jyuubee, and the Four Perils so don’t miss it.

Riku Knows Everything?! The Voice of Riku, Fukuyama Jun

Forbidden from revealing anything, even to his fellow voice actors?!  The young man full of mystery, Riku

— From the beginning, what sort of impression did you have of the work “Inuyasha”?

Fukuyama: It was a show that started around the time I started receiving roles in animation work as a voice actor. At the time, it was a long series by Takahashi Rumiko-sensei that came after “Ranma ½” so from the start, it was getting a lot of attention when it began serialization. There were even talks of an anime adaptation. I remember there was chatting among the young people like “Who exactly is going to do the voicing?” “It can’t be anyone other than Yamaguchi Kappei-san?”. The work continued for many years and many of my fellow voice actors took part. I myself did not make an appearance but I had the impression that it was a “far away but familiar work”.

— This time, did you audition for the role of Riku?

Fukuyama: I did not. It was a discussion that happened suddenly, but I received a direct inquiry. It was right about the time when my schedule was a mess because of the COVID crisis, and I remember the correspondence being like “Are you able to take part in the recording schedule?”. For roles without auditions, generally there are multiple candidates so it’s normal to wait a while until the decision is made. However, this time I got the role soon after I received the inquiry, so I was a little surprised. Then, about the same time, the production of “Hanyō no Yashahime” was announced. After that, I started looking for the work that it was based off, but it didn’t exist. I became doubly surprised like “Oh, this is an original work!?”

— Riku is a character with a lot mysteries, but exactly how much do you know about Riku’s back bone?

Fukuyama: The information is to a level that I can’t say anything at this time. They explained to me his position within the work and what would happen to him before hand at the recording studio. Using that as the standard, during the first recording, I had a feeling they told me detailed points. Riku can appear to be androgynous when he doesn’t say anything, but when he actually speaks, he addresses himself as “Oira”, purposely says expressions in a tone of voice that’s almost like a fool, and knows words that he shouldn’t know. The biggest impression I got from him was that he could be considered a major supporting character and I felt that moving in secret isn’t quite what his position is. On top of that, after finding out additional information that I can’t say yet, he’s a more important character than I thought. The staff have told me “Please don’t say anything about Riku to the other cast members.” “We want them to enjoy this too” (laughs)

— That is amazing! It seems Riku’s mystery has a connection to the core of the story.

Fukuyama: Please look forward to finding out (laughs). In the first place as of right now, not only do we not know what intentions Sesshōmaru had behind his actions, but it’ll be a little while longer before we know the full story of the drama that is being spun. To viewers, I think this aspect will make them excited, uncertain, and anxious.

By Being Outwardly Suspicious, His True Intensions Are Wrapped in Smoke

— In contrast to Riku’s Edo-like phrases, you somehow feel a sense of refinement from him. Do you take care in that aspect when playing him?

Fukuyama: When reading the script, I wanted to effectively capitalize on the foolish tone of voice. As I continued to act like that, I think I started leaning towards the feel of an Edo person. However, you can blend the “impression felt from the script” and the “impression created from the image” in animation, so as a result from matching up the length of the lines to the image of the story, that may have become the impression that TV viewers got. Now that recording has progressed, when I think back, I’m glad I didn’t stick with the impression I got from the first script. The expression he shows Towa and the others, the Four Perils, and to other people are subtly different from each other so if I had completely contrasted those, his character image would probably have either changed or become blurred. When I first started, I was glad the image kept me in check.

— So Riku’s character comes together from combining the voice acting and the image acting.

Fukuyama: Yes. In today’s recording (the day of the interview), different from the way he speaks to Towa and the others, he showed an expression that he hasn’t really shown until now. In terms of what’s being broadcasted soon, Riku’s way of speaking breaks the 4th wall in episode 15. He’s a person who shows a lot of different faces so until we reach the heart (of the story), I want him to remain a character that’s hard to grasp.

— In terms of acting, do you receive any instructions from the staff?

Fukuyama: I was given the following order “We want you to bring out more shadiness than what’s depicted”. In terms of Riku’s position, as a way for me to show the character, I moved in a way that made it difficult to figure out what he is as much as possible. If you can visually see that he’s up to something, I would make it not show with my words more than necessary. However, I also thought “There’s no point hiding that he’s obviously acting shady, so I actually want viewers to really understand that”. By doing that, his intentions instead become less obscure as result is what I’ve come to understand as I play him.

— He certainly seemed like a good person but also felt shady when he made his first appearance in episode 7. It was completely suspicious for him to call the apple a “Forbidden Fruit”.

Fukuyama: In beginning, I thought I wouldn’t show any suspiciousness in front of Towa. While the base of the character is the same, I didn’t want Towa to harbor any sort of suspicion. However, with that line, I was told “You can bring out his shadiness”. In order to wrap the story in smoke, I think they’re going to show everything in that way.

Riku Seems Like He Can Obtain Things That Modern People Cannot Have

— It seems that recording is done with only a few people, so who do you record with?

Fukuyama: It’s quite spread out. We record with people we interact with the most in that episode so the group changes with each time. The first time, I was with Hosoya (Yoshimasa) who plays the role of Kirinmaru and then after that I was with Koyama-san (Tsuyoshi) who plays the role of Shikabaneya Jyuubee. On top of that, there was a time when I was with members of “Inuyasha”… By the way, today I was with Fairouz Ai (the role of Takechiyo). This work is the first time that I’m co-acting with her but man she’s a lively young person (laughs). You can tell she’s really enjoying the work, so it makes things easier.

— Please tell us if you have any memorable moments in the recording studio.

Fukuyama: When I’m with the cast of “Hanyō no Yashahime”, I get the impression of “This is a new show”. Around the time when Riku debuted in episode 7, there was a nervousness like you’ve only just started running. However, when I was with the “Inuyasha” team, it felt like a class reunion. The air between Yukino Satsuki-san (the role of Higurashi Kagome) and Kappei-san (the role of Inuyasha) felt like they’ve been working together for a long time and I thought “Oh, so this is “Inuyasha”!” The “level” of difference between each of the recording (groups) is what I found interesting.

— Among the episodes that have already aired, which scene was especially memorable for you?

Fukuyama: The episode where Riku debuted left a big impression on me. His aura when he’s moving behind the scenes and his aura of “No no, he’s shady but he doesn’t seem to be two faced” when he met Towa. The difference in his behavior was fun to act out. Like when he spoiled that Kikujuumonji was something he stole right after giving it to Towa or when he suspended the river water, drank it, and said “Anyone can do it if you focus your mind”. For a first appearance he had a lot of information, so viewers were probably confused. Towa being Towa, she didn’t seem bothered at all and it’s like “At least be a little cautious!” (laughs). I think you will understand the back and forth (between them) better if you rewatch it after watching more (of the story). With the expression “Pirate come ashore”, you’d probably think “Then isn’t he a bandit?” but there’s probably a fixation to that. That expression is also important.

— Now then, what are the highlights going forward?

Fukuyama: In due time, I think you’ll understand that “Riku knew everything”. However, on one hand if he’s an enemy, it would be contradictory and if he’s an ally, there’s a lot of things off. You’ll end up coming back to “Then what’s his objective?”.  With that, I would like everyone to enjoy imagining what his position and future development will be. Among the latest upcoming episodes, episode 15 is a big one. While many mysteries will be revealed, instead of feeling refreshed, I think you’ll end up wondering what’s going to happen from there on. Once again, I feel it’s a very elaborate screen play. Also, in episode 17, Riku is going to move a little differently than he has up until now and in episode 18, Sesshōmaru and Kirinmaru will be making extensive appearances. I think this is going to be a very satisfying episode for “Inuyasha” fans so please look forward to it.

— We would love if you could comment on this month’s illustration (P. 37~)

Fukuyama: I see it’s an illustration of Takechiyo telling the reader “Your head’s too high!”. But in actuality I don’t think Takechiyo really knows who Riku is. I’m sure Takechiyo most likely sensed that he’s someone that you can’t reveal his actions to other people but in the end, Riku is a client. Riku’s immeasurable aura is properly expressed in this illustration. Boy does he have the nerve to show this attitude in front of people (laughs).

— Going forward, could you tell us an illustration scenario you would like to see?

Fukuyama: I’m sure “Inuyasha” fans will want to see “Sesshōmaru comforting a newborn Towa and Setsuna” right? Maybe Jaken getting his body pulled all over the place by the two babies is something that might appear in the main story. However, I have a feeling we won’t get to see Sesshōmaru protecting the kids. Thinking with Riku… How about something like Riku holding a PS5 (Play Station 5). Riku seems like he would have things that even we modern era people can’t get our hands on (laughs).

— (laughs) Now lastly, please give a message to our readers.

Fukuyama: I can’t say yet what sort of actions Riku will be taking from here on, but by the time all of you are reading this, I think you’ll have figured out his stance somewhat. I’ll be happy if you’re able to anticipate what’s to come while imagining it, but probably at this stage, I think what you can image so far will be different from the direction that the story is going (laughs). I will also be looking forward to what will happen to not only Riku but to Sesshōmaru and Kirinmaru as I attend recordings. It would be great if you can fully enjoy it until the end.

Q. Who’s Your Favorite Character?

“I like Homura who appears in episode 14. How do I say it, he feels like a person who’s true to his desires. The result that awaited him afterwards was impressionable. Also in episode 2, there’s the cameo appearance of the hoodlums from “Urusei Yatsura” that looked old fashioned, which was great. Then there’s Kagome’s younger brother, Souta! Though he knew about the existence of demons and time travel from his childhood days, it feels like he’s someone who has transcended (laughs)”

Q. What Is Your Impression of the Three Girls?

“I interacted with Towa in episode 7, but regarding Setsuna and Moroha, I heard their voices for the first time on air. I watched without gaining information beforehand, so I felt moved in a sort of refreshing way. The cast is either 12 years or younger than me, but I could feel the world of “Inuyasha” begin continued in their acting. They made me interested in “what will it feel like recording together with them?”. Including Fairouz-san, I’m happy that there are so many talented female voice actors.”

#Yashahime #hanyou no yashahime #yashahime: princess half demon #translation

[9worldstales]

MCU Loki Ep 1 “Glorious Purpose” intensive analysis

So, I’ve seen the first “Loki” episode and, of course, I couldn’t stop myself from talking about it.

Beware about spoilers!

We start in New York 2012 and that part is merely “Avengers: Endgame” albeit they changed a bit the visual so there’s more focus on Loki. We’ve close up of Loki when he is ‘Captain America’, when he says by to the Hulk in the lift and so on.

It’s a good choice because he’s basically the only character the visual seems to focus on (the only other character who gets a close up is the Hulk yelling ‘No stairs!’), subtly telling us the story is about him.

On a sidenote though, in “Avengers: Endgame” you might see Loki walked vaguely near 2022 Tony Stark and we also have Scott Lang asking Tony if he wears Axe body spray, which he confirms. In “Loki” we don’t see these scenes but keep them in mind, they’ll be relevant later on.

Anyway as everyone knows Loki picks up the Tesseract and disappear.

We get the Marvel opening but without the usual ‘heroic’ music, this time it’s more ominous? Or maybe it’s just me. “Marvel studios” also gets written in green and gold on a black background.

It’s not the first time Marvel changed how it presented, in the first episode of “WandaVision” for example it was in black and white instead than in the usual red and silver but it’s still a nice touch.

So we resume… with the visual showing us an insect walking through the desert. Then the camera shows us the full view of the desert, informing us it’s the Gobi Desert in Mongolia.

Rather high in the sky a space portal opens for a moment and the next we know is that Loki is lying flat on his back on the ground among clouds of sand which, I guess, were raised due to him falling into the desert. Loki is without the chains holding his wrists (did the power of the Tesseract destroy them? The fall?) and easily pulls away the muzzle Thor put on him and from his confused expression as he sits up and see people coming close to him, I get the feeling he didn’t exactly plan to fall there and in such a way.

So I guess maybe this is his first attempt at using the Tesseract and he didn’t quite gave it a direction on WHERE he wanted it to take him? Because really falling from the sky flat on the ground in the middle of the Gobi desert among people who didn’t even talk his language doesn’t seem the sort of thing one would plan.

Anyway, despite being in an unfamiliar situation Loki finds a rock to stand over and introduces himself:

“I am Loki of Asgard. And I am burdened with glorious purpose.”

Which yes, it’s how he introduced himself to Fury in “The Avengers”.

The people there have no idea of what he’s saying and asks him who he is in their own language (Mongolian). It’s unclear if Loki gets what they’re saying.

In the comics all Asgardians, can speak every language thanks to the ‘Allspeak’ or ‘All-Tongue’, in which what they say is understood by every species in their own native language.

In “Thor” earlier script though there was this dialogue:

Darcy: So, how can you speak our language? Volstagg: Your language? Ha! Silly girl, you're speaking ours.

In an interview Ray Stevenson (Volstagg) and Joshua Dallas (Fandral) discussed that bit.

Part of this seems to be set in a world where you guys fit in perfectly and the rest is very much on Earth. Ray: Yes, but on Earth we started it all, you see. This is just one of the realms. This is where all the legends come from. All the ruins have gone into myths and Norse mythology. It’s all us, love. It was all us before that. They’ve forgot their place, really. They think, “Oh, you speak our language?” and it’s actually, “No, you’re speaking ours.” Joshua: We invented it. [Ray Stevenson (Volstagg) and Joshua Dallas (Fandral) On Set Interview THOR]

The implication seemed to be that there was no Allspeak, they just spoke the same language because Asgardians invented it and Midgardians learnt it.

We also have this bit from “Avengers: Infinity War”:

Rocket: You speak Groot? Thor: Yes, they taught it on Asgard. It was an elective.

This implies it’s not that Thor was magically granted the ability to understand Groot, he had to study his language.

So well, I would say that no, so far Asgardians didn’t have Allspeak in the MCU, hence, unless Loki studied Mongolian or his magic powers granted him Allspeak, he can’t get what whose people are saying to him. So really, I don’t think he wanted to end up in Mongolia, he should have thought he wanted the Tesseract to just bring him somewhere very far from New York City. That is unless it’ll turn out someone managed to interfere and have him fall there for some purpose.

But, back to Loki.

As I said he doesn’t really get to talk with those people because a door opens up out of nowhere and near to the Tesseract which is lying forgotten in the sand and people in an armoured suit and carrying weapons start to appear.

Loki is kind of confused but he recovers fast.

Putting up a tone of confidence he orders the guy not to touch the Tesseract, thinking they aim at getting it. Another door opens up out of nowhere and we get another person in armour. To save time I’ll say the woman is supposed to be Hunter B-15. I wonder if she’ll get a name beyond this or not.

The situation of the people at the TVA isn’t exactly great but I’m running ahead.

Now, I think Loki preferred to deal with the Mongolian people because although he can understand what Hunter B-15 says, it clearly makes no sense for him.

Honestly I’m not going to blame him.

“Appears to be a standard sequence violation. Branch is growing at a stable rate and slope. Variant identified.”

This isn’t the kind of sentence that makes sense in a conversation, if you aren’t familiar with the TVA.

Hunter B-15 doesn’t care what she says doesn’t make sense to him and wouldn’t make sense to any other normal person. She calls him ‘Variant’ and talks as if everyone should know and respect the Time Variance Authority as an authority to defer and obey to.

I love Loki’s reply here:

“It's been a very long day, and I think I've had my fill of idiots in armored suits telling me what to do, so, if you don't mind, this is actually your last chance. Now get out of my way.”

He had a very bad day, he’s probably still bruised and sore due to his ‘meeting’ with the Hulk and his fall from the sky, he might very well be exhausted and he’s clearly confused but he acts as if he’s in control and won’t let himself be intimidated. I love him.

As he moves close Hunter B-15 hits him and informs him although he’s moving at 1/16th speed he’s feeling all the pain in real time.

Now… from when “Loki” trailers had started going around there had been a debate if the TVA is the good guys or the bad guys.

I’ll jump a bit ahead and tell you they clearly believe they’re the good guys.

But just from this bit you can start to question the idea they’re good guys.

They aren’t just acting as Vigilantes but they’re claiming an authority that no one on planet Earth gave them and demanding submission, not hesitating to beat people when they do not complain.

I know, some of you are thinking that Loki is a bad guy so serves him right but that’s not really the point because they aren’t even beating him for what he did to New York but for a crime he didn’t know he was committing, acting with an authority no one on Earth gave them. They just took it. And they would have taken it if the one picking up the Tesseract and ending up in Mongolia were to be a random person that out of bad luck had picked up the Tesseract and had ended activating it by accident.

This is not about Loki, this is how the TVA operates and it’s scary.

I don’t know if “Loki” will want to dig into police brutality and I honestly don’t dare to hope in it but it would be an interesting turn.

Hunter B-15 seems to be enjoying her work. I won’t call her evil yet, it’s clear she thinks she has the authority to do so, that the TVA enabled her to think she’s doing a good thing but she doesn’t seem to have… hesitation in doing so. One can still do his duty and not enjoy beating up people and causing them pain, yet the dialogue gives me the impression she’s very cool with beating up resisting Variants who has no idea they’re Variant and causing them pain.

Maybe it’s just me, maybe she’ll prove she’s actually a gentle soul but, for now, she doesn’t look as such. We’ll see.

Anyway she straps a collar around Loki’s neck and then, finally, she let him fall at normal speed before two of the men with her grabs him and carry him away while she picks up the Tesseract and orders to ‘reset the timeline’, which, at first I thought would mean they use that sort of mechanism to send back the time, erasing Loki’s appearance from the timeline. I’m not sure now. It might as well erase everything there. Loki turns to see what this mechanism does and from the look on his face it doesn’t seem anything good.

I hope not but well, in a way, sending everything back of some minutes erases lives that could have possibly be lived differently so yeah, in a way they erased lives. It’s the dilemma of changing time after all.

Whatever, Loki is dragged through the door that opens out of nowhere and appears at the TVA. The door disappears behind him and he has no idea where he is.

Now I guess it’s a good point to point out how people had been wondering which kind of Loki this one was, if he was based on the Loki on “Thor”, the one in “The Avengers”, the one in “Thor: The Dark World” or the one in “Thor: Ragnarok”.

In itself he can’t really be based on neither of them.

Loki’s characterization in “Thor” is split in two, there’s Loki prior to discovering the truth, and there’s Loki after discovering the truth, mad in shock and grief until he realizes his father would never accept him and let go of Gungnir.

This Loki can’t obviously be the Loki pre-truth but he can’t even be the one post it, as in that one the pain was still too new and raw and mixed with the desperation of denial and the attempt at ‘fixing things’.

So, can he be “The Avengers” Loki?

Marvel’s site confirmed that during “The Avengers” unknown to Loki, he was influenced by the sceptre as well. Very likely he wasn’t influenced in Clint Barton or Erik Selvig style, as the site says:

“Gifted with a Scepter that acted as a mind control device, Loki would be able to influence others. Unbeknownst to him, the Scepter was also influencing him, fuelling his hatred over his brother Thor and the inhabitants of Earth.”

Basically the sceptre on Loki works in a manner similar to how it worked on the Avengers when they started arguing in the Helicarrier. It warped his perception to the point he might have seen them as his most hated enemies, making difficult for him to see Thor was extending his hand to him or that the people were actually just scared but it didn’t make him a mindless, loyal servant. A different type of control on him but one that’s no less dangerous. Anyway I’ve talked at length about it while replying to a post so I’ll just link it here.

Loki is now very far from the sceptre so the mind stone shouldn’t be able to influence him any longer. As a result he’s probably more in control of his emotions.

So… “Thor: The Dark World” Loki?

Close enough but not quite, as that Loki had to go through Odin telling him some pretty awful things and spending a year forgotten by Odin and Thor in a jail.

Even more clearly he can’t be “Thor: Ragnarok” Loki as that one lived a huge chunk of things he hadn’t lived yet… never mentioning Waititi wanted “Thor: Ragnarok” to be his own thing, not a continuation of “The Avengers” and “Thor: The Dark World”…

“I was lucky enough they didn’t force me to acknowledge things- there were certain things in the film, like the play, which makes fun of the scene in The Dark World where Loki dies, but there’s a point to that play, sort of to recap what happened, but also to tell the audience, “This is not what you think it’s going to be, this film is not going to be a continuation of that. It’s its own thing, and what you think you expect from this film ends at this play.”” [Empire Podcast Spoiler Special: Thor: Ragnarok with Taika Waititi]

… while Loki is an alternate continuation of “The Avengers” so it has to be more “The Avengers” compliant than “Thor: Ragnarok”.

In short this Loki is his own Loki… or a Loki we hadn’t seen yet because we weren’t really shown much of Loki post sceptre influence, pre one year of solitary confinement.

Back to the story two things are interesting to point out.

One is that there’s a Variant Skrull as well in the TVA.

The other is that once there the Tesseract lost part of its shiny light as if it powered down.

Last but not least, instead than a futuristic look the TVA has the look of midcentury modern aesthetic as if, instead than going in the future ore remaining in the present, we’ve gone back in time.

Anyway, as another prisoner is dragged into the room, Loki tries to escape and discovers that Hunter B-15 can rewind his time so he’s back where he started. She then gives the Tesseract to a man at a desk, telling him to log it as evidence.

The guy, I’ll spoiler you and tell you his name is Casey, has no idea what it is and it’s Loki who has to explain him it’s the Tesseract and one should be very careful with it. Casey merely find it sounding dumb.

This is our first clue that to the TVA the Tesseract doesn’t matter at all. We’ve finished Phase 3 with the infinity stones raised at the level of immensely powerful artifact but, for the TVA, they’re nothing.

This is the first blow that the “Loki” series gives to the MCU as we previously knew it.

On a sidenote it’s nice Loki explained what it was to the unsuspecting desk man. If this weren’t the TVA he might have ended in the Gobi desert as well just by handling it carelessly.

Hunter B-15 drags Loki to a door and Loki tries to threaten her only to be showed inside that door.

Have you noticed how no one read Loki his own rights so far? That’s because he has none and the story is about to make it even more clear.

In the room there’s a robot of some sort (which I find slightly creepy despite its smile) which would like for Loki to undress. At Loki’s refusal accompanied with a comment that “This is fine Asgardian leather” the robot, without any warning, merely disintegrates his clothes.

Some assumed it was played for laugh but the music doesn’t suggest it, and Loki is clearly upset as he stutters when he speaks again. In real life, when you’re arrested, in many states your belonging are confiscated but they will be returned to you once you’re released or they’re returned to your family.

The TVA destroys them.

A trap door opens below Loki and he finds himself in another room, dressed up in TVA uniforms for Variants.

There’s something I think I need to mention which is I love how the show is characterizing TVA desk people.

The guy we’ve met before had his own character which we could guess despite the few lines and moments in which he appeared.

This new guy is also characterized.

He has a kitten in the room, which moves away slightly as Loki appears, probably scared and a mug with the image of a kitten. It’s tiny details but they made him a person instead of merely something that’s there.

He pushes in front of Loki a huge stack of papers telling him to sign to verify this is everything Loki said. Loki’s two following comments get printed and he’s demanded to sign them as well.

It’s another aspect of the TVA that’s actually unpleasant.

The amount of paper is huge and it would take a lot to read it all in order to check it but… the truth is the request is impossible. People isn’t made so that they can remember everything they’ve said, exactly as they’ve said it and it gets even more troublesome if there isn’t the other half of the conversation but just what we said.

So it’s not even a point to discuss if Loki really said just that stack of paper and nothing more or that stack of paper is too small, or if maybe there’s more paper he’ll have to sign or if that stack of paper only cover his time as a Variant and not the time in which he followed the Sacred Timeline.

The request doesn’t just make the TVA look like a bureaucratic place but shows it demands impossible tasks from its victims.

Oh, another interesting thing I noticed is that the camera is at a slightly lower point when it is on the TVA guy, so, despite the guy being seated, it gives him the impression of being higher than us viewers. On the over side when the camera is on Loki, it’s far from him, with the result of making him look small.

It’s a fine detail that gives us a certain subconscious impression.

The TVA guy stares at Loki as the latter gives up and start signing. It seems he only signed one paper, without even trying to read them all. I wish they had let us see how Loki signs. I wonder if he writes his name with runes, since the inscription on Thor’s hammer was in rune.

We’ll see, we’ll find out Loki knows how to write in English so he might use it to sign.

Anyway as soon as he finishes signing another trapdoor opens below him and he finds himself in another room.

So far the TVA is reminding me more and more of “The House that sends you mad” from “The Twelve Tasks of Asterix”. Well, of a very dark Variant of it to be exact, a Variant that reminds me of something way more unpleasant, but we’ll get there. In the next room Loki is asked:

“Please confirm to your knowledge that you are not a fully robotic being, were born an organic creature, and do in fact possess what many cultures would call a soul.”

Loki just asks if there are many people who don’t know if they’re robot and this is taken as a confirmation at which he’s urged to move through it. At Loki’s question he’s told if he actually were a robot and didn’t know it, the machine would melt him from the inside out.

Before thinking the situation is absurd let’s remember Vision exists in the Marvel universe and he’s a robot and he could have been programmed so that he wasn’t aware of this or might lose awareness of it due to a malfunctioning.

So if a Vision variant unaware to be a robot where to show up at the TVA they would just melt him from the inside out, no big deal.

The machine turns out to be a photographic machine, which doesn’t take Loki’s mug shoot but photograph his temporal area, which Loki has no idea what is and no one bothers to explain him.

Again, through the whole procedure there’s no request of consent nor explanations, Loki has no rights for the TVA, he’s merely supposed to comply.

Loki ends up in another room with another ‘convict’. They’re both demanded to take a ticket. The first convict refuses, Loki complain there’s just two of them so it’s useless but complies and put it in his pocket. Loki clearly has better manners or has figured out there’s no point discussing and is bidding his time to when arguing or rebelling might be worth something.

As Loki complains...

“This is a mistake. I shouldn't even be here.”

...we’re introduced with Miss Minute. Miss Minute is a cartoon watch which is supposed to FINALLY help people catch up before they stand to trial for their crimes. We’ll find out that Miss Minute is there not for the convicts’ benefit but for us viewers’ benefit as it explains us the origins of the TVA.

If we want to stretch things it might be there also for the TVA benefit as it might give them a sense of legitimacy.

Anyway Miss Minute’s speech feels like Odin’s speech at the beginning of “Thor”.

Is a self glorifying narration in which they paint themselves as the heroes and something that exist for other people’s benefit.

But it only paints the TVA in an even darker light because when it explains how one becomes a Variant it says:

“But sometimes, people like you veer off the path the Time-Keepers created. We call those Variants. Maybe you started an uprising, or were just late for work. Whatever it was, stepping off your path created a nexus event, which, left unchecked, could branch off into madness, leading to another multiversal war. But, don't worry, to make sure that doesn't happen, the Time-Keepers created the TVA and all its incredible workers. The TVA has stepped in to fix your mistake and set time back on its predetermined path. Now that your actions have left you without a place on the timeline, you must stand trial for your offenses.”

A break here.

From this little bit we’re introduced to the idea there’s only 1 timeline because each time another timeline could be born, the TVA erases it. This begs the question of how we’re supposed to judge this bit in “Avengers: Infinity War”

Stephen Strange: [Panting] I went forward in time to view alternate futures. To see all the possible outcomes of the coming conflict. Peter Quill: How many did you see? Stephen Strange:14,000,605. Tony Stark: How many did we win? [Dr.Strange stares intently at Tony for a moment.] Stephen Strange: [Pause] One.

If there’s only 1 timeline, it seems impossible there could be 14,000,605 futures… but actually the key might be that there could be 14,000,605 futures… but the TVA erases them. The time stone might show those futures who had the possibility to be born… and that the TVA squashes under their feet, all for the sake to make canon their favourite future, while all the others have to cease and desist. If this is true I do wonder if the actions of the TVA can be undone, so that we can have “Doctor Strange in the Multiverse of Madness”.

Back to “Loki” and to what Miss Minute said, which is pretty worrisome and not at all uplifting.

I mean… we can speculate who starts an uprising might be someone bad (which is not necessarily the truth, what about the people involved in the French Revolution or the American Revolutionary War or the Resistance in WW2?) but a poor guy who’s just late for work?

They don’t really see the difference between him and a guy starting an uprising because for them the matter isn’t what they were trying to do or which kind of people they were, just that they created another timeline, a crime they clearly weren’t aware to commit as no one warned them about how this was forbidden by this self imposed authority.

Loki clearly finds all this idiotic but then he hears the previous guy arguing with some sort of guard who demands his ticket. Now the previous guy is clearly a dumb liar, as insists he asked for the ticket but wasn’t given one, when he was loud enough and alone enough everyone in the room could notice he was the one refusing to take a ticket.

Anyway at this point the guard vaporizes him. In short they just murdered him, without trial or anything for the terrible crime of ‘not taking a ticket’.

Loki is appropriately shocked and hurries to get his ticket.

Something that’s also worth mentioning is the whole TVA is clearly structured to make people feel powerless.

There’s no explanation, they’re forcefully dragged in an unknown place by people claiming authority from an unknown structure, they’re forced to comply, they’re stripped naked against their will, dressed all the same, handled like objects who’re not called by their name but ‘Variant’ with even assigned a number, threatened to be melted if they don’t know they’re robot (and what if they know? They don’t take their picture or they just melt them?) and subjected to an explanation in form of a cartoon that feels absurd and that merely has the point of legitimizing the TVA as heroes and them as criminals.

Anyway Loki finds his ticket and shows it in a scene that reminds me of “Indiana Jones and The Last Crusade”. Do you remember when Indy and his father board a Zeppelin to leave Germany and Indy tosses a Nazi out of the window and explains his actions by saying the guy was without ticket so everyone shows his ticket at him?

Anyway at this point we’re shown the title, “Loki" with a filter that makes it look like an old movie and the letters changing font.

Okay, I’m a bit late but I should probably mention that, form when Loki go to the TVA the colouring had a huge abundance of yellow and brown with basically no blue (except a little in the Miss Minute cartoon) which gives an idea of this being like an old movie. The music is kind of creepy and there’s a clock tickling as we see it.

Which is an interesting idea. Even though the TVA seems so modern, furniture and the structure of the place felt all but modern. Even the robot that stripped Loki felt as if it just came out from a very old and outdated idea of how a futuristic robot would look like.

We resume the story but this time we’re at Aix-En-Provence, in France in 1549.

We’re in a beautiful gothic church and one of the TVA agents, explains that the corpses on the ground belongs to some Minutemen (the name for the TVA agents who do field work apparently) who responded to a routine Nexus event. As soon as they arrived someone jumped on them.

Mobius is there as well, and he’s apparently playing the part of the detective as he’s studying the corpses.

Hunter U-92, another poor guy who apparently has no name but just a number clearly suspect of someone and tells so to Mobius who agrees as the stab wounds look consistent with the previous, the Minutemen were hit on surprise and the reset charge (remember? The stuff that erase the deviation from the timeline) is gone.

Oh we’re also told this is the 6th attack in the last week THAT THEY KNOW OF. I hope for them it’s Saturday, because this would mean ‘only 1’ attack each day. This would be rather terrible if they were just at Monday since the day hadn’t even ended yet.

Now… remember when I was comparing the hunters of the TVA to police and wonder if the show would dig into police brutality?

Well, we’ve this scene in which someone enters in the place and Hunter U-92 is immediately ready to attack him with the wand they used against Loki or some other similar TVA weapon.

Only the one who got in is, apparently, just a kid, not the dangerous variant they’re searching and it’s Mobius who has to stop Hunter U-92 from attacking a kid who, for all they know, is completely unrelated to the crime, a kid that’s far from them and weaponless.

I don’t want to know what would have happened in Mobius hadn’t told him ‘Wait, stand down! Stand down’ (note how he has to say ‘stand down’ twice) and had physically stopped him in his track with his arm.

Mobius approaches the kid, speaking gently in French, apologizing for Hunter U-92’s behaviour, saying he’s just an imbecile.

Hunter U-92, annoyed by his comment, reminds him that he too can speak every language on the timeline, and that in short he can understand what Mobius is saying. The sentence though is more for our benefit, telling us those men can use the TVA version of Allspeak or whatever the “Loki” series wants to call it.

There’s a lovely visual showing us the kid and Mobius met in front of a beautiful stained glass window which depicts Satan.

To get the boy to talk Mobius draws a stick figure on some sort of small tablet he has and then passes it to the boy, telling him to tap on it. The boy does and the figure becomes a walking holographic projection which causes the boy to smile instead than assuming it’s witchcraft and running away screaming.

Okay, we are in 1549 and not in middle age, but that would still feel like magic even at the end of Renaissance age. But whatever, boys sometimes can put aside their fear for something that amuses them and this one had no troubles dealing with the guy killing all those TVA agents.

Anyway Mobius asks the boy if he knows who did that and the boy conveniently does. He points to the figure in the glass stained window, a horned demon, likely Satan. We might think it’s symbolic, that for the boy whoever kills someone is a demon… but… wait a moment.

Anyway Mobius says the boy shouldn’t worry because that devil is afraid of them and that they will put the boy back to where he belongs.

The boy smiles and Mobius notices his teeth are blue. It turns out that the ‘devil’ has gifted the kid with some… candies? Bubblegums?

I’ve no idea if those ‘Kablooie’ are actually some kind of American food, sorry about it but it’s clear although the kid has pointed to a devil, he wasn’t so scared by him to turn down his gift or to not try it out. And a devil giving him a gift doesn’t really feel like someone who wanted to harm him, despite the boy seeing him.

I get this feeling this ‘devil’ is targeting specifically TVA hunters only instead than the timeline or people inside it. He leads them somewhere and then attacks and dispose them. If he’s doing so because the TVA hurt him or because he wants to control the timeline that’s up to speculation.

We’ll later be said this guy is another Loki variant, and in this scenes we were given clues to figure out ourselves, like how he stabbed the TVA agents and how the boy pointed to a demon or, more specifically, to a horned figure, and we knows Loki wears horns when in his full Asgardian attire.

Anyway Mobius takes the ‘candies?’ ‘bubblegums?’ away from the boy and orders Hunter U-92 to run the candies for sequence period and temporal aura… not that Hunter U-92 thinks they’ll find anything but he’s worried because the branch is nearing red line and they need to go. In my understanding if it reaches the red line it could risk creating a multiverse.

Mobius sends the boy to play outside while Hunter U-92 orders to set a reset charge.

Again we aren’t explained what a ‘reset charge’ works.

However we’ve seen the cartoon with Miss Minute and in that one there was a reset charge and when it activated it didn’t rewind the timeline… it erased it. So the creepy things is it could be this reset charge just… destroys everything, erases all the lives in that alternate timeline because, in a way, they’re all Variants, and the TVA disposes of Variants.

Well, I hope I’m wrong because otherwise it means each time the TVA resetted a timeline they basically killed each life living in that universe, which would make Thanos, who ‘only’ killed half the population once, a rather tame mass murderer.

Anyway before the timeline is resetted another TVA person joins Mobius and it shows him a file about the just apprehended Loki. Maybe nobody except me cares but they had previously shown an image of a Loki file and in it there were question marks on where the race was. Now they’ve written ‘Frost Giant’. Either the file shown was for another Loki Variant or they managed to remember Loki was a Frost Giant and fix the file.

It could be the file for another variant though, as his height in it is given as 6’4” while in this file he’s 6’2” (1.88m) which is Tom Hiddleston’s true height (for who’s curious 6’4” is Jeff Goldblum’s height… not that I think the Grandmaster is walking around pretending to be Loki because well, this would be weird…)… or they messed up Loki’s height as well. We’ll see.

As I know some have wondered about it, Loki’s eyes are given as blue and not as green… which is correct as Tom Hiddleston said:

Loki is a sexy villain, but that’s not part of his ambition, is it? He doesn’t seem to be interested in love or sex but he has this sexuality about him, maybe it’s his lust for power. What do you think of Loki as a sexy beast? Tom Hiddleston: [Laughs] That’s the first time anyone has ever used that phrase about Loki. It’s fascinating isn’t it? I don’t know because it’s not a part of the conscious construction. I take relish in playing him. I think there’s a physical self-possession about him, a self-acceptance. Of course I’ve been very exacting about his physicality. You know, I was born with very blonde, curly hair, and a mixture of Scottish and English genes, and my complexion is very ruddy and healthy. In making him with this raven black hair and blanching my face of all color, it changes my features. Suddenly my blue eyes look a lot bluer, which lends a severity to my face. And even my own smile has a distorted menace to it. Whatever comes through me naturally is distorted. It’s almost like a filter on a light. ['Thor: The Dark World’: Tom Hiddleston on boom times for evildoers]

Which implies he never wore green contact lenses to play Loki.

Whatever, we’ll go on.

We’re back to the TVA and Loki’s trial starts.

He’s taken in front of the judge Ravonna Renslayer who addresses to him as Laufeyson. Except for a small comic later retconned in “Thor: The Dark World”, this is the first time in the MCU Loki is called Laufeyson… which is a little sad as he never identified as such (the closest he goes is to say he’s Loki of Jotunheim when he tries to trick Malekith) yet meaningful as well as the TVA evidently never recognized Odin’s ‘adoption’ as valid. For them he’s not Odinson, he’s Laufeyson because that’s what he’s born. ‘Loki Odinson’ in his file is labelled as an alias same as ‘God of Mischief’, nothing more.

But well, they aren’t really interested in his name, for them he’s ‘Variant L1130, AKA Loki Laufeyson’. Renslayer informs him he’s charged with sequence violation 7-20-89 which can mean everything and nothing at the same time as, to us, and to Loki, is just a collection of numbers, and asks him how does he plead.

Loki tries, as it’s his habit, to put up a polite yet confident front.

He claims a god doesn’t plead and has been a very enjoyable pantomime, but he'd like to go home… and boys, we know he would really like to do so. He’s putting up a front because we saw how uncomfortable and scared he was through his permanence at the TVA.

In an old interview that’s sadly no more available Tom Hiddleston said:

“The thing with Loki is that, if he’s afraid, he won’t show it. He’s been highly trained, through the experience of his slightly traumatic life, to shield his fears.”

Why didn’t we see him scared in “The Avengers” even though he took risks in it too while now we’re allowed to catch glimpses of his fear here and there?

“The Avengers” had to paint him as the big adversary, the great obstacle the heroes have to overcome.

Are we going to feel that bad for you in this movie, or are you gonna – ? Tom Hiddleston: Yeah. He does some pretty nasty things. On one level, it was like, I knew I had to up the ante because there’s seven superheroes that make up the Avengers, and, in order for the film to work, the film is the most redemptive, feel-good, kind of fist-pumping story. And, in order for the audience to be pumping their fists for Iron Man, and Hulk, and Thor, and Captain America, they need to overcome a really big obstacle. And, unfortunately, that big obstacle is me. [LAUGHS]. I hope I have retained a sense of his kind of emotional damage [like we saw in Thor]. There is a lovely scene with Chris Hemsworth where you see a glimmer of his — his vulnerability, but… he’s yielded to the dark side, you know? [Interview With Tom Hiddleston AKA Loki]

In this episode the Loki we met isn’t the adversary, he’s the main character, so we get glimpses of his true mind. He’s afraid or confuse, yet he reacts to all that by putting up a front, by presenting himself as confident and in control. It started from when he found himself in an unfamiliar situation, facing the Mongolic people and it continues and will continue and mind you, it’s a good and popular technique to hide your fear.

By presenting yourself as confident, your opponent might believe you might have some reason to be confident and be more careful and hesitate in attacking you, and sometimes this is all the advantage you need.

Renslayer remains unfazed, as she likely knows Loki has no advantage over her. She knows he’s powerless, in an unfamiliar environment he knows nothing about, forced to wear a collar that somehow controls his time, submitted to rules he knows nothing about and surrendered by enemies.

Loki isn’t the first who was carried in front of her and she knows he won’t be the last. The system is unjust and the trial a farce but she’s persuaded for it to be righteous and the right way to deal with ‘Variants’ as this leads to the greater good of avoiding wars into the Multiverse so justice and fairness are clearly not something she has to care about.

Anyway she pressures the issue and, understanding she won’t let go, Loki shifts the blame on the Avengers, pointing out how he came into possession of the Tesseract because THEY traveled through time, according to Loki in a ‘last-ditch effort to stave off his ascent to God King’.

So yes, even though he was soundly beaten by them and he’s in a bad spot Loki still tries to play highty and mighty and not cower up in fear. But how did he know about the Avengers travelling through time? We saw he noticed the whole thing with the case, but how did he knew the Avengers were involved and not some other guy?

Remember how I mentioned that “Avengers: Endgame” had Loki walking vaguely near 2022 Tony Stark and we Scott Lang asking Tony if he wears Axe body spray?

Well, Loki clearly has a fine nose because he recognized the Axe body spray coming off from 2022 Tony Stark and figured out he was a future version of 2012 Tony Stark.

It’s kind of a pity they hadn’t kept these bits in the series but whatever, I get why they might have cut them.

Loki, like most of the fandom, blames them as the Time Criminals and suggests if Rendlayer were to provide him a taskforce he could eliminate them for her.

As he spoke we see Mobius intruding in the trial and sitting down as it carries on.

Back to Renslayer, she isn’t interested in the Avengers, claiming they were supposed to go back in the past but Loki wasn’t supposed to grab the Tesseract and escape.

Loki laughs at the absurdity of the statement and demands to know who decided this.

The answer is the Time-Keepers who dictate the proper flow of time so that Renslayer can dictate the proper flow of time according to their dictation.

And you start to see the horror of this system.

The Time-Keepers arbitrarily decide which is the proper flow of time and impose it on everyone. They basically make the rules according to what they like the most… and, of course, they don’t inform anyone of which ones the rules should be.

When Loki picked up the Tesseract and escaped there was nowhere a big warning sign saying ‘if you do so you commit a crime’. He didn’t even know there were Time-Keepers and a sacred timeline and the TVA did nothing to fix this.

While in many countries you’re supposed to know the law and pledging ignorance is not an excuse, the TVA is a self imposed and not recognized Authority of whose existence nobody knows anything which dictate rules according to the Time-Keepers’ tastes.

There’s the risk of total annihilation due to a multiverse war?

Fair worry but then why they get to decide how the sacred timeline should be? Which are their criteria for it? Why the Avengers going back to time was okay?

Although they saved lives, the whole things was incredibly messy as discussed in “The Falcon And The Winter Soldier”… and that series only touched the tip of the iceberg.

But whatever. The Time-Keepers, which Loki defines gods because that’s basically how the TVA paints them, at the moment remind me of the gods of gods in the “Loki: Agent of Asgard” comic and with them the whole idea everything is a tale.

The Sacred timeline feels like nothing else but the tale the Time-Keeper enjoyed, their canon, as if they were Marvel. Everything else is a fictional Au written by fans that gets a ‘cease and desist letter’ and is erased from the net.

Anyway Loki is feed up. He decides to plea ‘guilty’ but not of the crime they’re trying to pin on him but of… using his magic against them. Only his magic doesn’t work.

Hunter B-15 is probably the first who realizes what’s going on and, chuckling, explains it to Renslayer who’s not catching up. As Loki gets angry for not managing to use them, Renslayer explains magic powers don’t work at the TVA, which might explain why she didn’t recognize what Loki was doing while Hunter B-15, used to fieldwork, did. Renslayer might have never seen people using magic powers but Hunter B-15 might have done so.

Only no, because in an interview Gugu Mbatha-raw said about her character:

“She had a history of a hunter and a more military role like Wunmi’s character” [Many Sides of Loki | Marvel Studios' Loki Cast & Creators]

So, no, I’ve no idea why she didn’t catch up. Was she playing dumb? Has she been so out of the field she didn’t recognize the signs? Or, despite being the judge at Loki’s trial she hadn’t read his file and didn’t know he could do magic? It can be, as I said the trial is a farce so she might not have cared to document herself beyond a certain point.

Hunter B-15 is still laughing. She’s enjoying this.

Anyway she decides Loki is guilty and sentenced to be ‘reset’… you know, like the timelines.

Note again how Loki had no rights in this. He had no lawyer, he wasn’t explained things, he was just asked how he pled but that one was more a pro-forma than anything else. They had already decided he wasn’t allowed to do what he did and therefore guilty.

The trial was a farce to give the TVA a semblance of justice but it’s all a show.

Back to Loki, he has no idea what they mean with ‘reset’ and they didn’t even have the courtesy to explain it to him. Angrily he says:

“You ridiculous bureaucrats will not dictate how my story ends!”

To which Renlayer replies:

“It's not your story, Mr. Laufeyson. It never was.”

So yeah, now they’ve started with the references to stories which are another subtle jab at the “Loki: Agent of Asgard” plotline.

By the way, keep in mind Renslayer’s reply.

As Loki complains they have no idea what he’s capable of and tries resisting being taken away Mobius speaks up.

Fundamentally Mobius wants Renslayer to pass Loki to him as he has a plan.

There’s clearly a story behind the relation between Renslayer and Mobius, they aren’t just professional to each other, they’re closer than that.

Renslayer agrees although she says he’ll get the blame for whatever goes wrong.

Mobius looks at Loki, Loki stops struggling and asks him who he is and Mobius smiles in a satisfied manner and doesn’t reply.

The scene shifts to them walking through the place, Loki threatening to burn the place to the ground. Mobius clearly doesn’t take him seriously, saying he can start from his desk.

The fact is… Loki is powerless and Mobius knows. We know too, we’ve seen how the trial went. However there might be more at play. Mobius knows the whole of Loki’s life which as far as we know, included only episodes of violence post discovering who he was and during his permanence on Earth.

To him Loki’s statement might feel more an expression of frustration than a sincere threat.

As they walk Loki happens to see the world outside the place he’s in from what looks like a window. He’s surprised and Mobius encourages him to have a look.

Loki points out he though there was no magic there. I’m not sure if he’s saying so because he sees car flying and assume it’s magic.

In “Thor” and “Thor: The Dark World” magic was compared to science so maybe that’s what he’s saying, that the world he sees seems to advanced.

Mobius insists there isn’t magic there so Loki says that’s not real.

They exchange some more lines in which Mobius continues to play on Loki’s declaration he’ll burn the place down.

I’m curious.

We know Mobius is actually chasing another Loki Variant, one who killed many TVA agents (we’ll see some of them got burned down too).

He’ll later claim this Loki is not dangerous, but what’s the difference between this Loki and the other? What makes the other dangerous? And can’t this Loki get dangerous too?

Is Mobius doing the same that Loki does?

Acting confident and joking about Loki burning down the place because he actually fears he might have the potential to just do so if not handled correctly?

We’ll see.

Once they’re on a lift Mobius decides to introduce himself as ‘Agent Mobius’ and offers him his hand to shake… and I’m reminded of this scene from “The Avengers”.

Natasha: But you figured I'd come. Loki: After. After whatever tortures Fury can concoct, you would appear as a friend, as a balm. And I would cooperate.

The TVA doesn’t see what they’ve done as torture or even as ‘wrong’… but many states wouldn’t approve of some sort of vigilante capture a person for something THEY labelled a crime, force him to undress, destabilize him to the point he’s not even sure if he’s a human or a robot, put him through a mock trial and then threaten him to be ‘reset’.

It’s in dystopic universes you find authorities who can just arrest you for breaking laws they made up without your knowledge and then decide of your life.

Mobius might not be looking like Natasha but, after all this, someone acting like a friend would make him automatically more cooperative and, in a way, it does.

Hunter B-15 had to drag him where Loki just follows Mobius more or less quietly.

Anyway, back to the story.

Mobius decided to introduce himself in a friendly manner and I would want to remark Loki asked him who he was when they were at the trial so this is a rather late introduction which he might be doing right now because we just hear Loki sighing as he’s clearly unnerved.

Mobius is playing the role of the good cop in a way, trying to gain his trust.

Loki doesn’t handshake, he’s not going to make friend so easily, but asks him if he’s taking him somewhere to kill him.

Mobius says no, that’s where he just was which, if it’s not a lie, means that resetting Loki would have meant to actually kill him. So again… what about the timelines that get resetted? All the people in them get killed? The place gets razed to the ground? Disintegrated? What?

Mobius’ reply might be truthful but it’s also clever because he’s setting himself up as Loki’s ‘saviour’. Others wanted to kill Loki but he? He just saved him which begs the question of ‘shouldn’t Loki be a good boy and comply with Mobius’ requests and trust him and all the stuff?’

Now… I know that people feel like Mobius is a good guy because he saved Loki but the story will make clear he didn’t do it out of the goodness of his heart… but merely because he needs him.

We’ve seen Mobius with the boy before, he made him comfortable so that the boy complied and gave him info, which is one of the many interrogating techniques.

That’s what Mobius is doing here.

Anyway we proceed with the best known scene of “Loki” as it was in the very first trailer.

I remember people discussing Mobius’ words about Loki liking to talk, as in the first movie he was often silent and quiet.

Well, to be honest if the movie had been left in his original cut Loki would have surely talked more, but what stuck with me watching “Thor” wasn’t so much that Loki was often quiet, but that many times he attempts to speak but he’s silenced.

On the Rainbow Bridge Volstagg asks him:

Volstagg: What happened? Your silver tongue turn to lead?

…which means Loki normally was skilful at persuading people to believe what they say or to do what they want them to do, which doesn’t necessarily makes him a chatter, but surely someone who knows how to talk. And we see that in “The Avengers” when nobody is there to interrupt him he allows himself to monologue. It’s an interpretation, of course, with whom people can disagree.

Anyway Loki decides to talk with Mobius. It’s not a stupid decision. Mobius is clearly not seeing him as a threat but he’s not being overly hostile either. Loki is completely a fish out of the water so it’s in his own interest to play along with Mobius, talk with him and find out more information about the place. In fact the first thing he asks is how long Mobius had been there, because this is tied in how much knowledge he could have.

In fact, the more he’d been there, the more he might know.

Mobius though remarks since time passes differently at the TVA he has no idea… which is a convenient reply as it only confuses Loki and explains nothing. In fact he could have said not the exact time he’d been there but give an approximation like ‘a lot’ or ‘very little’, instead, by giving out a vague reply he gives Loki an info he could do nothing with (time passes differently) and no real info about himself. At the same time, by giving out an answer, he again seems amicable, like how, when Loki asks what his answer means, he says Loki will catch up, as if he’s not withholding information, it’s just ‘complicate’.

Loki resorts to check the information Miss Minute gave him in her cartoon, which Mobius confirms because he has nothing to lose.

Loki laughs and tries to spark a response by being rude in defining the TVA system.

“The idea that your little club decides the fate of trillions of people across all of existence at the behest of three space lizards, yes, it's funny. It's absurd.”

Note, ‘little club’, ‘three space lizards’, ‘funny’, ‘absurd’.

He’s mocking the system, likely in order to get a response, but also in order to gain some measure of control.

It’s something he has done during the trial and is something he did in “Thor: The Dark World” facing Odin… or in “The Avengers” when he was held captive. But in “The Avengers” and “Thor: The Dark World” he had some understanding of what to expect. Here he’s blind flying, trying to test Mobius to see what he can get out of him while still trying to hold a façade of control.

On another note Loki says rather often how all this is absurd. To him this is a world of nonsense, like the one Alice found when she ended up in Wonderland (and it’s ironic how “Alice in the Wonderland” also contain a mock trial about the stealing of tarts in which rules are made on the spot as well as Alice here and there questioning her own identity or discussions about paths…) but I think having him repeat ‘it’s absurd’ so often it’s also for us viewers, to drive home we’re in a dystopic universe.

The TVA isn’t good, it’s absurd, with its rules that don’t make sense, a huge bureaucratic world and we might laugh at it if it wasn’t that’s also an organization that kidnap people from their timelines and subject them to their rules, rules they follow without questioning, like religious fanatics.

Who says what the Time-Keepers chose it has to happen is better than something else? They don’t know but, what’s more, they don’t care.

But let’s go on.

Mobius don’t fall for Loki’s provocation, he just retorts

“I thought you didn't like to talk.”

Which is a convenient way to answer Loki without giving Loki any answer.

They enter in a room which, Loki comments, looks very much ‘like a killing-me kind of a room’.

Mobius turns the situation by shifting the blame on Loki. It’s not that the room looks like a killing-him kind of room, it’s just that Loki is not big on trust. Because Mobius is totally deserving Loki’s trust because he saved him and was nice to him and acted like the perfect good cop so Loki really, should trust him. If he’s not doing it then it’s because he’s lacking in the trusting department.

But Loki had had his fill with trusting people and then discovering he wasn’t his parents’ son nor an Asgardian. His answer his moved by all the pain that discovery caused him.

“Trust is for children and dogs. There's only one person you can trust.”

Mobius’ reply again doesn’t take Loki’s words seriously, as if they were just something to slap on a shirt. He’s being passive aggressive in order to force Loki to question himself and keep control of him. The more Loki is unsure and question himself, the easy for Mobius is to manipulate him.

A break here.

It’s not that everyone has only one person they can trust… actually sometimes you can’t even trust yourself, while some other times you’ve plenty of people you can trust.

The idea you CAN’T trust in anyone is as damaging as the idea you should blindly trust in people but, in Loki’s situation yes, he should definitely only trust in himself, everyone in that situation should do it, trauma of being lied through your whole life or not, because Mobius isn’t doing all his out of good will but out of his need to use Loki.

So he’s not to be blindly trusted, he’s to be assessed so that one can see up until which point Mobius can be of some aid, so as to turn the exchange one of reciprocal benefit. If Loki were to hand himself in his hands, instead, only Mobius would get a gain for it, while Loki would risk to be used and then disposed once he has ended his purpose.

As Mobius is fiddling with a round thing that apparently control a projector, Loki questions him again, but with those words he has raised the bar a little.

If Mobius wants him to trust him, he has to start giving more clear answers.

“If the TVA truly oversees all of time, how have I never heard of you until now?”

Mobius is still good at diverting the attention as his reply irritates Loki and causes him to lose track of the conversation.

Mobius: 'Cause you've never needed to. You've always lived within your set path. Loki: I live within whatever path I choose. Mobius: Sure you do.

There are two things from the exchange.

One is that Mobius ends up confirming that the TVA is sort of a secret organization that decides for others, that’s ABOVE OTHERS. They don’t let you know which rules you’ve to follow, they decide which rule you’ve to follow and then let you blind fly until you stumble into a rule you didn’t know exist and break it. And then they come to punish you. And that’s when you learn they existed.

The second is that again Mobius, while not openly disagree with him, is dismissive of Loki. He has made him defensive by pushing him to say ‘I live within whatever path I choose’ then he hadn’t outright said ‘no, you don’t’ but by the way he replied he hugely implied it in a manner that sounds more like he had said ‘oh, you naïve child, and your delusions, of course you don’t chose your path’.

As Mobius invites him to sit down Loki tries to attack him since Mobius gave him his back but Mobius uses what we’ll learn is a Time Twister to loops him and send him standing back where he was. Then Mobius very calmly insists for Loki to have a seat, again driving home the point that Loki has no choices and is powerless.

Loki complies and sit down.

We can argue if he should have or not but the truth is there was no real point in resisting beyond making things difficult for himself because if there’s something true here is that he’s powerless and he should just bid his time and search for a weakness, instead than resisting.

Of course this is all well and good for Mobius, as things are proceeding in the way he wants.

Loki crosses his arms, which, in body language, hints that he’s feeling anxious, resistant, tense, insecure, afraid, or responding to distress. Arms crossed indicate also defensiveness, unyielding attitudes, and perseverance working as an act of self-comfort.

Long story short, Loki is not comfortable or willing to cooperate and he’s physically putting a barrier between himself and Mobius… and letting Mobius know of this.

Mobius is unfazed.

“If looks could kill.”

It’s a simple sentence that let Loki know that yes, he gets the message Loki isn’t going to go down to this willingly, but also reminds him of Loki’s powerlessness and of how Mobius is unafraid and in a position of power. ‘If looks could kill… you would kill me, but looks can’t kill so you’ll have to sit there and do as I say. Your resistance is futile. Amusing even.’

Loki doesn’t play along, making clear he doesn’t plan to cooperate. At least not easily. Mobius doesn’t believe him.

“Really? Even when you're wooing someone powerful you intend to betray? Come on.”

It’s an interesting sentence for Mobius to say, because he’s lampshading Loki isn’t using with him the same technique he used with Thanos and the Grandmaster. Since the story knows Loki should act more cooperative and obedient according to his previous records, I wonder which point they’re trying to make. Is the idea that Loki started to act as such after his one year imprisonment in Asgard, understanding opening defiling Odin got him nowhere and that he should have instead played along, therefore this Loki hadn’t gotten to that point yet?

Or is the idea Loki is deliberately choosing to act like this because he has already figured playing along with Mobius wouldn’t work?

We’ll see.

The answer could as well be a Doylist one, the audience expects him to act a certain way, the author is aware Loki normally acted in a certain way but they wanted him to act differently for… reasons.

We’ll see.

Mobius continues to make a show of his power. He is specialized in the pursuit of dangerous Variants but not like Loki, Loki is just a pussycat… only it’s EXACTLY like Loki… as it’s Loki he’s pursuing. Another version of him. He’s not telling him that though, exactly because the whole point of the discussion is making Loki feel small so that he can control him.

Credits when it’s due, Mobius is playing a dangerous game because the Loki he’s pursuit and this one might be two different Variants but they’re always Loki and this one has all the potential to become the same as the other, if he’s not already and just keeping it buried inside himself.

Anyway, the fact that Loki is so contrary, forces Mobius to act as if he were willing to make Loki some concessions for his cooperation. A reward for good behaviour if so we can call it.

“You answer them honestly, and then maybe I can give you something you want. You wanna get out of here, right?”

The truth is I genuinely doubt Mobius can grant him that, or, at least, not that in the way Loki might intend it. The TVA erased the timeline he came from. He has no more a place outside of the TVA. The most ‘getting out of there’ could mean is what will later happen, make him a worker for the TVA. He won’t be allowed to go back home, he’ll just have to serve them in exchange for having them not delete him.

Mobius though shifts cards and pretends it means he can go back to where he was, asking him what he would do, should he return.

I particularly enjoy this dialogue.

Mobius: You wanna be king? Loki: I don't want to be, I was born to be. Mobius: I know, but king of what exactly? Loki: ( Scoffs ) You wouldn't understand. Mobius: Try me. Loki: Midgard.

The ‘I don’t want to be’ echoes what Loki said to Thor in “Thor”…

“I never wanted the throne! I only ever wanted to be your equal.”

…and ties in with what Odin told him as a child…

“Only one of you can ascend to the throne. But both of you were born to be kings.”

Which is something Loki hints at in “Thor: The Dark World” as well.

Frigga: You know full well it was your actions that brought you here. Loki: My actions. I was merely giving truth to the lie that I had been fed my entire life, that I was born to be a king.

“The Avengers” suffers of a huge plot problem in this regard, which is the jump between Loki in “Thor” and Loki in “The Avengers”. In the year that went between the two Loki is deeply changed but “The Avengers” refused to explain why, it just shows us a different Loki.

To search for an explanation we’ve to read interviews:

“And in the time between the end of Thor and the beginning of the Avengers, Loki has explored the shadowy highways and byways of the universe – and he’s met some terrible, terrible people and probably had some awful experiences, which he has survived and overcome. So by the time he arrives in The Avengers, he knows the extent of his power – and he’s unafraid to use it. And more importantly, he’s unafraid to enjoy it.” In Marvel’s The Avengers, Loki sets out to remake Earth as his personal kingdom. “That’s his motivation. Thor has his own kingdom in Asgard. Why shouldn’t Loki have his own? As Loki sees it, planet Earth is a world at war with itself. All of these races and tribes are fighting each other. And if they were united in the reverence of one king, there would be peace. It’s not that he plans to attack Earth. It’s that he plans to ‘restructure’ it as a new kingdom of which he will be the head. Loki feels that it’s his birthright. He feels that he was born to rule. And he sees the human race as an incredibly weak people who actually were made to be ruled. And, in his mind and in his opinion, the human race functions better under rule.” [The art of The Avengers]

“I think he went, like with everything else, to—Joss Whedon and I discussed it—to a sort of… it was just, like, the worst place imaginable. I think he went to, sort of, all of the darkest recesses of the universe. I’m sure he had a brush with—several brushes with death. I think he ran into the shadiest characters you can find in the Nine Realms. I think he had to rely on his wits to protect himself. It was really, really, really unpleasant, I think. I don’t have any frame of reference for that, except for imagining what it might be like to be kidnapped by a terrorist or something and have to survive a very, very frightening and precarious existence. But whatever it was, it was important when Loki came back for The Avengers, that whatever compassion he had left was absolutely shriveled to a minimum because of the experience that he had. Harrowing, I think, and scarring for life—in a way that Thor and Odin and Frigga find very, very difficult to understand.” [Tom Hiddleston - live on stage Q&A: Popcorn Taxi - part 2]

And in the end we stumble into this:

“Well, I can’t tell you exactly what went on because it’s this dark, dark secret that I didn’t make up yet. But, the other day, I had trouble with that because he had this very passionate Shakespearean tragedy thing going on in Thor and then I needed a villain who’s not only capable, but ready and willing and anxious to take on all these heroes. For me, he just basically went on some horrible walkabout… That was pretty much as far as I got.” [Joss Whedon told Comic-Con the question he doesn’t want us to ask ever again ]

So fundamentally “The Avengers” didn’t know what happened to Loki that changed him, they just went with the idea something bad happened, which of course should have happened since Loki met up with Thanos, who’s famous for torturing his daughters. They also tossed in that while on Midgard he was under the influence of the Mind stone.

“Gifted with a Scepter that acted as a mind control device, Loki would be able to influence others. Unbeknownst to him, the Scepter was also influencing him, fuelling his hatred over his brother Thor and the inhabitants of Earth.” [www.marvel.com/characters/loki/on-screen]

Ultimately though, what happened is never stated nor explained.

When Loki wants Asgard’s throne it’s clear he’s doing so because he associates it with his father’s love. Who gets the throne is the son Odin’s love.

“To prove to Father that I am the worthy son. When he wakes, I will have saved his life. I will have destroyed that race of monsters. And I will be true heir to the throne!”

But Midgard? Midgard is chosen by Thanos, because he needs the Tesseract, which is there. Did Loki wanted it too? Or was it Thanos who chose for him? Hard to say but “The Avengers” still ties Loki’s wish for a kingdom to his father.

THE OTHER: You question us? You question him? He who put the scepter in your hand, who gave you ancient knowledge and new purpose when you were cast out, defeated? LOKI: I was a king! The rightful kind of Asgard! Betrayed! THE OTHER: Your ambition is little, born of childish need. We look beyond the Earth to greater worlds the Tesseract will unveil.

It makes sense. When Loki is told his whole life is a lie, his first action is try to erase the truth by erasing Jotunheim. That was as much personal as practical (they were at war with Jotunheim). Becoming a king might have been another attempt at still erasing the truth. He doesn’t attempt to become king of Jotunheim, as it would be his birthright, but of something else, Midgard. He’s imitating Odin.

Loki: I went down to Midgard to rule the people of Earth as a benevolent god. Just like you.

All this to say that Loki’s reply ‘I don't want to be, I was born to be’ is actually a lot more layered that it sounds is actually a lot more layered that it sounds and that’s why he doesn’t think Mobius would understand it and gives him a simple answer, something he thinks he could understand. A location over which he could rule.

At the same time the irony of the situation isn’t lost on me. A moment ago Loki said he ‘live within whatever path he chooses’ yet he claims he was born to do something. This wasn’t a choice, this was predetermination. Or letting Odin dictate his path.

Anyway Loki claims he would then move to conquer Asgard and the Nine Realms and agree when Mobius suggests him to go for the space… and honestly I think here Loki is just playing a part. He’s giving Mobius the answers he thinks Mobius wants, an evil Loki. “Loki” clearly is not going to retcon “Thor: Ragnarok” and we’ve seen that in that movie once Loki had the throne of Asgard he didn’t start a conquering rampage but just contented himself with it.

So, no, Loki doesn’t want to rule the universe, he just wants to prove himself something he was told was true.

Mobius don’t take him seriously, either because he knows Loki doesn’t aim to universe domination or because this is convenient for him. He says something interesting though, albeit misleading.

Loki: Mock me if you dare. Mobius: No, I'm not. Honestly, I'm actually a fan. Yeah. And I guess I'm wondering why does someone with so much range just wanna rule?

With ‘I’m actually a fan’ I don’t think he means he supports Loki, I think he’s subtly hinting he’s very interested in Loki. The other Loki, the Variant he’s trying to catch and that holds them all in a stalemate. Kind of like Sherlock Holmes might have appreciated Professor Moriarty’s intellect. This Loki and his other Variant might have a shared past… which makes this Loki interesting as well.

Then Mobius lead Loki in a loop in Loki’s reasoning. Loki is big on how he decides what he does. He values his own freedom. A huge part of why he reject the TVA system is because they want to dictate what he can and can’t do.

Yet in “The Avengers” he said:

Loki: I come with glad tidings, of a world made free. Fury: Free from what? Loki: Freedom. Freedom is life's great lie. Once you accept that, in your heart...[Like a gunslinger, Loki turns to face Selvig who's standing behind him and places his spear against Selvig's heart. Selvig's eyes glow black.] Loki: You will know peace.

and

Loki: Kneel before me. [The crowd ignores him. Three more Loki's appear, surrounding and blocking the crowd from escaping.] I said KNEEL! [While the crowd quietly kneels, Loki embraces out his arms with a wide smile] Is not this simpler? Is this not your natural state? It's the unspoken truth of humanity, that you crave subjugation. The bright lure of freedom diminishes your life's joy in a mad scramble for power, for identity. You were made to be ruled. In the end, you will always kneel.

It’s unclear how Loki came up with those ideas, albeit the fact he came from Asgard, which is a place where Odin rules as a supreme ruler and humans are viewed as inferior…

Odin: She does not belong here in Asgard anymore than a goat belongs at a banquet table.

…this might be another result of Odin’s awesome parenting, and not necessarily the result of Thanos’ manipulation… though the two might have superimposed so that it’s hard to say where one stop and the other begins.

Loki confirms this view here as well.

Loki: I would've made it easy for them. Mobius: People like easy. Loki: The first and most oppressive lie ever uttered was the song of freedom. Mobius: How's that one go? Loki: For nearly every living thing, choice breeds shame and uncertainty and regret. There's a fork in every road, yet the wrong path always taken.

On a personal note I think Loki wants to see himself above of this, but it’s clear that he too had to deal with choices that breed shame, uncertainty and regret, never mentioning he believes he was seen as inferior by Odin and deprived of his path.

Loki: So I am no more than another stolen relic, locked up here until you might have use of me.

The fact he thinks Odin would have never put on the throne of Asgard a Frost Giant (a monster and therefore even more inferior in the Asgardians’ opinion than humans) no matter what and that he thinks this got confirmed when Odin told him he couldn’t do it, which pushed him to let go of Gungnir.

Loki wants to be above… he wants to be the master of his fate after instead he was forced to dance on other people’s strings (Odin, Thanos) but deep down he’s drawing from his own experience the downsides of freedom. He just wants to overcome them.

Mobius then says he’ll show Loki a sampling of Loki’s greatest hits… which are basically the end of the battle of New York.

It’s fundamentally a close up of how he was beaten and how he asked for a drink, which Mobius mocks further offering him a drink, which Loki refuses pointing out he remembers that scene.

We kind of stumble in a problem the series has. Mobius says:

“It's funny, for someone born to rule, you sure do lose a lot. You might even say it's in your nature.”

The problem here is that the sentence is misleading. Loki at the moment has two big failures on his shoulders, the one in “Thor” and the one in “The Avengers”. It doesn’t make a lot and note that in “The Avengers” he also had minor successes. He walked away from SHIELD’s facility with the Tesseract, he managed to have Clint Barton steal the Iridium, he let the Avengers capture him so that he could let the Hulk lose, which worked and he could recover the scepter and escape, he managed to open the portal and let the Chitauri in. Basically, since he let himself be captured and even Steve knows, Loki won all the battles except the one who decided the war. Which yes, was a big loss because it was the one that mattered the most but still it shows Loki’s losing record isn’t as big as Mobius makes it look like.

Loki ends up bringing up Coulson. To prove his point that Loki isn’t really good at winning Mobius could bring up the fact that Coulson was resurrected in “Agents of S.H.I.E.L.D.” but no, he prefers to say the Avengers came together to literally avenge him by defeating him.

Now yes, Coulson’s death played a big part in all that, they felt guilty and sorry for him, as they all were tied to him one way or the other and this made what Loki did personal enough they could easily put away their differences… but I’m not overly fond of this theory because it implies if Coulson hadn’t died the Avengers would have never came together, would have never overcome their difficulties and would have lost.

Which, I guess, might be a possibility “Loki” might want to explore, we saw in a trailer an image of New York completely destroyed… but it’s something I don’t particularly like because it paints the Avengers in a pretty dark light.

If they didn’t have a common grief, they would have never cooperate for the common good.

Of course it’s not that Mobius care, this explanation is convenient for him, an Augustinian view of evil in which evil collapse its evil’s own doing. Because Loki killed Coulson, Loki set up his own defeat. Evil loses because it’s a snake that bites its own tail… which is an interesting view, really, but, in this case, it put a huge shadow on the Avengers.

Whatever, let’s go on, Mobius’ point is to make Loki feel small, not to explain him why he lost.

But still… he would manage to make a better point if the series weren’t forced to use only the footage from the movies. But well, I guess they had no other choice.

I enjoy the next bit of discussion. Mobius asks Loki:

“Do you enjoy hurting people? Making them feel small? Making them feel afraid?”

Which is exactly what he’s doing to him. There’s a huge irony in the whole discussion. They both think they’re in the right doing what they’re doing/what they did and that this excuses their actions.

They set up a moral motive, Loki sees himself as a liberator, Mobius sees himself as the saviour of the sacred timeline so they are above others, they came make them feel small and afraid and don’t have to feel guilty for it.

They get to a stalemate, although Loki isn’t looking at the screen, which is our clue he isn’t enjoying what he’s seeing, the people suffering. He didn’t like to look at them in “The Avengers” either, not looking when he ‘freed that eyeball’ as Mobius put in. Even when Thor forces him to look at the attacked city he shows he’s distressed. Loki however enjoyed being at the centre of the attention, it’s that what got him to smile, not hurting that man.

But whatever, to try to compensate, the series shows us some unseen material from Loki’s past, namely when he played the role of D.B. Cooper.

On a sidenote this hugely confirms my theory Loki used to hang out on Earth since he could play that part. Among the other things which the series didn’t show Cooper appeared familiar with the local terrain; at one point he remarked, "Looks like Tacoma down there," as the aircraft flew above it. He also correctly mentioned that McChord Air Force Base was only a 20-minute drive (at that time) from Seattle-Tacoma Airport. He asks for 2 bourbon and soda, paid his drink tab (and attempted to give flight attendant Tina Mucklow the change). He even offered to request meals for the flight crew during the stop in Seattle This makes Loki someone who knows very well how things work in Midgard… contrary to Thor.

Mobius introduces the whole thing saying

“You're really good at doing awful things, and then just getting away.”

And yes, it was awful. Although Cooper is described as extremely polite I can’t imagine that the crew who knew he had a bomb onboard felt comfortable with dealing with that situation. The worst part though is that he did it because he lost a bet with Thor.

Now they don’t exactly dig in what the bet was, but Heimdall was likely watching his every move and Thor asking him to do something similar as penance for losing a bet paints Thor also as pretty awful.

The best part though is that Loki excuses it by saying ‘he was young’. The whole thing took place in 1971, in short, 41 years before “The Avengers”. 41 years are a lot for a human, enough to make them say ’41 years ago I was young’, but Loki is at least 1047 in “The Avengers”. We don’t know how fast exactly Frost Giants and Asgardians age but, unless they do an abrupt jump, if Loki was young 41 years ago, he probably still is, which would match with the fan theory he’s actually around 17 in human years.

Now we can take Loki’s sentence as something a young person would say, as in a span of a short time they effectively grow and change a lot so their slightly younger self might feel a lot younger to them, or he might be talking in a more metaphorical sense.

Discovering the truth about himself and what followed forced him to grow faster. Now he wouldn’t do such immature things… which is a rather sad though.

At Loki’s request of where was the TVA back then, Mobius replies they were right there with him, just surfing that Sacred Timeline. Loki asks then if that has the Time-Keepers' seal of approval.

He scores one on this one as Mobius can’t reply, he just says not to think in terms of approval or disapproval.

Let’s remember something else that had the Time-Keepers' seal of approval was Thanos wiping away half of the universe but not just that. There’s also Thanos travelling through time to get to that future and stop “The Avengers” from undoing what he did with the infinity stones, which means they approved Tony Stark’s death in order to stop him.

Awesome people, don’t you think? More similar to writers who’ve to sell a good story than to people who care and wants to protect the people who lives in the timeline.

Anyway Mobius says they’ll go back to Loki’s escape and to a little psychobabble, which tells us not even Mobius sees this as a psychology session or therapy or whatever you want to call it. This interrogatory’s aim isn’t to let him know Loki better, he believes he knows him already. He’s trying to shape Loki into a willing collaborator because that’s his goal, not heal Loki or whatever.

Mind you, I think he’d like to get to know Loki in the sense he’s trying to catch a Loki and knowing Loki better might help him in his work… but so far he really hadn’t asked anything he didn’t know already so no, this isn’t a big ‘let’s get to know Loki’, though he might find some interest in seeing what makes him tick in the conversation, this is just a ‘let’s manipulate Loki into cooperating’.

Loki wants to stand, Mobius uses the Time Twister to loops him ‘back in his cage’. Because don’t mistake the situation just because he’s not being aggressive or physically abusive, Loki is in a cage and Mobius makes a show of showing it to Loki. He can’t stand up without Mobius’ permission and Mobius further remarks it by saying he ‘can play the heavy keys, too’, in short that he can play the role of the ‘bad cop’ that slams back the prisoner in his chair when he tries to move.

Or should we assume Mobius feared Loki was going to attack him?

Maybe, as I said Loki and Mobius might be more similar than it looks like, both acting in control and high and mighty to hide they are actually in a tight spot. Mobius isn’t a hunter, he might not be strong, he might not know how to fight beyond waving that Time Twister and the TVA wand, while Loki knows. We don’t know from which race Mobius is, but Asgardians and Frost Giants are naturally very physically strong, much stronger than humans, and Mobius might belong to a race that’s just not the same.

But still the scene works conveniently for Mobius, because it’s another chance to drive home how he completely control Loki.

Loki’s reply, regardless of it being sincere or not, is good because it says Mobius just overreacted as Loki merely wanted to make a point.

After an exchange in which Mobius gives him permission to stand and Loki remarks he’ll do what he wants, which in a way he did since ultimately he stood, he asks him what he wants.

Mobius says

“I want you to be honest about why you do what you do.”

Loki calls it a lie and he’s probably not completely right but neither completely wrong. Mobius likely doesn’t care about why Loki did what he did in the past, that’s not a time he has to deal with, but he cares about forcing Loki to be honest. Loki has to trust him and cooperate with him and this includes that he has to open up. Mobius has to already know the answer to his questions, otherwise he could never know if Loki is being honest and he knows them because he knows Loki’s future, how he evolves, how it pained him to see Frigga die, how he saved Thor even though it lead him to be stabbed, how he didn’t aim for space domination when he was king of Asgard, how he came back to save Asgard, how he died for his brother.

So Mobius is not lying when he says he wants Loki to be honest… but that’s not because he cares about the answer, which is what Loki figured and why Loki called him a liar. It’s a matter of control and Loki can see it.

Loki: I know what this place is. Mobius: What is it? Loki: It's an illusion. It's a cruel, elaborate trick conjured by the weak to inspire fear. A desperate attempt at control. Now, you all parade about as if you're the divine arbiters of power in the universe.

And Mobius claims to be sure to have such a role which again, it’s an awesome irony because they both play the same game, they act as if they’re superior than others.

Mobius shows him his speech about freedom, which of course feels like a slap on his face because now it’s turned against him and his mad scramble for power.

Loki catches up and insists on his freedom, on how he’s the one in charge of his destiny who will win because HE did it, not because it was supposed to happen or was allowed by the TVA.

Mobius tries to bring him down again informing him if he hadn’t picked up the Tesseract he would have been taken to a cell on Asgard… or, you know, he might have been out there killing TVA men staging the 7th attack in the last week that they know of. But let’s not tell this to Loki at this stage. It might give him ideas about not being completely powerless against the TVA.

Mobius shows him the scene of his return to Asgard, which Loki rejects as a trick as ‘it never happened’.

Mobius agrees, it didn’t happen TO HIM, but it would have because they know also how his future was meant to be and that he should think of it as ‘comforting’. Which is not considering how his life was meant to be.

Note how Mobius is showing him only Frigga. How she was there for him when he came back, how she asked him if she wasn’t his mother and how he rejected her, hurting her. Loki doesn’t know what the argument was about or what pushed him to say so, all he sees is her being there for him and him hurting her and as he watches he moves closer.

Then Mobius explains how Loki believed to send the dark elves to Thor and instead sent them to Frigga… only he’s conveniently overlooking Loki had no idea they were Dark Elves or that there was a Dark Elves attack. Loki assumed the Kurse was just another Marauder arrested by Thor.

The Marauders were a collective of loosely affiliated alien pirates composed of many different races. When the Kurse is captured no Asgardian figured out what he is, they’re all persuaded the Dark Elves are dead, exterminated by Bor. For all Loki’s know this is a prison uprising, the Dark Elves’ ships hadn’t even appeared yet and started their attack when Loki sent Kurse on his way.

Mobius is cherry picking facts so as to shape them the way he wants.

Loki is shocked at seeing Frigga’s death which Mobius knew would have happened because he knew how he reacted when this happened.

He tries to rationalize what he saw by thinking they captured Frigga and forced her to play that part, while Mobius insists that’s the proper flow of time and that’s what has to happen because it has to and the TVA makes sure of it. However, although the TVA ensures Frigga’s death, he tries to make it all Loki’s fault. He caused it, and now Mobius wants to know if he enjoys hurting people, as if he could not know how devastated Loki was when Frigga died. He asks him if he enjoys killing people like he did with his mother.

He knows the past time Loki felt completely responsible for it, he’s trying to get him to feel the same even if Loki actually never meant to kill Frigga.

On a sidenote, he’s trying to send him on a vulnerable loop to get his collaboration like Thor did that time… but it’s a dumb move. Let’s assume Loki swallows they could send him back to his time and accepts to submit to being jailed. The TVA would still ensure he would direct the Kurse to Frigga so that she’ll die because this is the proper flow of time for them.

Although I doubt he meant it, Mobius actually isn’t giving Loki reasons to cooperate with him permanently, just to think harder to a way to avoid that future.

I don’t really know what Mobius is thinking but he seems so sure that he can come out as so overly powerful and righteous he can both bend Loki to his will by saying he’s to blame for Frigga’s death and, at the same time, that he should do nothing to prevent it.

Anyway at this point Loki attack him and is looped again. He ends on the ground with Mobius apologizing, BEFORE PUTTING THE TIME TWISTER IN HIS POCKET, saying it because the Time Twister just loops him, not the furniture… but he actually meant it, because Loki had been standing by a while and he could have looped him to just standing there.

Mobius goes on trying to make him again feel even more smaller.

“You weren't born to be king, Loki. You were born to cause pain and suffering and death. That's how it is, that's how it was, that's how it will be. All so that others can achieve their best versions of themselves.”

In short he was born to be used by the sacred timeline to create heroes. But it’s a ridicule argument, in itself, because every living being create pain and suffering in his life, albeit sometimes in smaller measure than Loki or for better reasons. And the idea that people become better only through pain and suffering and death… is scary because somehow it legitimize it. It makes right to kill Coulson because then the Avengers can be born. It makes right for Thanos to wipe away half of humanity because so the Avengers joined forces again.

It’s a damaging and wrong mindset… that Mobius is of course pushing forward because that’s the narrative the TVA spins. They don’t save people, they just decide who lives and die according to their taste… which works if you’re a storywriter but it’s awful if you’re talking of real people.

Loki calms down and asks again what is that place. Mobius offers him his hand in a classic stick and carrot game. He wants Loki to obey. Loki complies and they’re interrupted by Hunter B-15. Mobius is forced to leave with her but not before telling Loki:

“Don't go anywhere. It was just getting good. Spirited.”

In short he was enjoying making Loki feel miserable, which I don’t think he does because he’s a jerk but just because that’s his job. Like Hunter B-15, they’re very motivated in doing their job to the point they don’t realize the other isn’t just ‘a variant’ but a person with feeling. They think they’re doing the people a service by murdering the extra.

Kind of like how Thanos saw himself as noble when he murdered half of the people in the universe to save the other half and expected people to feel grateful to him.

By the way, do you think that Loki is complying too easily?

Not really, do check the way he let Mobius pull him up and how he then moves his left hand for a moment inside his pocket to pull it out immediately afterward. We’ll come back to it in a moment. For now let’s follow the plot that has Hunter B-15 claiming that talking ‘to that Variant’ is a mistake as he should just be reset, read, if Mobius had been honest, killed.

For Hunter B-15 Loki is not a person, he’s just a Variant, a Variant to destroy. Actually it’s not even because the other Loki Variant is killing their units, because Mobius says she thinks all the Variants should be reset.

And remember about how Loki could be in a jail or plotting the 7th attack in the last week that they know of? Well, that’s just what the other Loki variant did as they just lost another unit.

I know I should be cheering for this Loki but I’m also really cheering for that other Loki variant. Go burn the TVA to the ground.

Mobius goes back to Loki and… discovers he disappeared. Because when Loki let Mobius pull him up he caught his chance to stuff his hand in Mobius’ pocket, steal the Time Twister and put it in his own pocket. That’s what Loki was thinking when he calmed down, a plan to get out of there, a chance to take the Time Twister.

Now… don’t the TVA know in advance what happens in the TVA? What the Variants would do once they’re captive? Because Mobius seems genuinely surprised and they’ve to search for Loki so for all their bragging about knowing everything and controlling everything maybe they actually don’t. They can’t control the Variants, which is why the other Loki Variant can attack without them knowing in advance. Their sacred timeline doesn’t cover it so they’re blind to it.

Of course it’s possible he let Loki take it on purpose but I want to think against it.

We see that Loki has looped himself in an early point of his entrance in the TVA and has noticed Casey, the guy at the desk who has taken the Tesseract. He follows him, clearly planning to get the Tesseract back and, with it, to leave the place.

Mobius and Hunter B-15 search for Loki, giving each other the blame for his disappearance. Hunter B-15 would like to catch this chance to dispose of Loki but Mobius rejects the idea since he believes he can still help.

Loki tracks Casey down. Casey recognizes him and he forces him to kneel behind the desk. He asks him his name and once he has it he tells him in his most threatening tone to give him the Tesseract or he’ll gut him like a fish.

Only Casey wants to know what’s a fish because he wants to know what he’s being threatened with, before complying and he has spent all his life behind a desk so he has no idea what a fish is. I guess he also doesn’t know what it means gutting.

Loki can’t imagine not knowing what a fish is… which is kind of weird because he should know for example humans never head of bilchsnipes… but maybe due to his name he’s thinking Casey is human. Honestly the whole TVA staff seems human. Can I say I don’t like it?

In the comics though, the TVA staff was made by people cloned. They literally were made by the TVA. I wonder if this is Casey’s situation.

Anyway Loki clarifies he’s threatening him with death. It doesn’t unfazed Casey much (do people die INSIDE the TVA?) but, to Loki’s relief, he complies, opens his drawer and give him the Tesseract whose light is still mostly turned off. Loki feels a moment of relief before noticing that in the drawer there are assorted infinity stones.

At Loki’s confusing Casey explains they get a lot of those, enough to use them as paperweight. I guess the infinity stones influence might allow people to do different choices and become Variants as they can influence them.

Something inside the TVA though, turns off their power.

Loki is confused as he picks up a green one, which should be a time stone. We hear the sound of stones moving but we can’t see if he placed it back where it was.

Loki is utterly confused as he walks away with the Tesseract in a daze looking at the sacred timeline and wondering if the TVA is really the greatest power in the universe. Behind him, Casey nods.

The elevator opens, Hunter B-15 tries to hit Loki but Loki uses the Time Twister to disappear again so she misses him completely and almost hits poor Casey. Note that the blow would have been fatal for either Loki or Casey.

Hunter B-15 didn’t care of how Mobius said no pruning or resetting, we can see that the cart, which gets hit instead of Loki, disappear.

This time Hunter B-15 didn’t go for physical pain, she went for the kill.

Loki is back in the interrogation chamber where he put the Time Twister on the table and watches on the projector his future. First Frigga’s death, as if to try to accept it, and he’s almost in tears, then he lash forward to Odin telling him and Thor that he loves them and that they should remember that place. This too touches him emotionally. He sees Thor telling him how he thought the world of him and he sees them fighting side by side against Hela and then telling him maybe he’s not so bad. He smiles at seeing that, laughing sadly but then… he sees his death at the hands of Thanos. It’s obviously traumatic but, I hope, when he can think at all that in perspective, he’ll be able to see the truth.

He wasn’t born to cause pain and suffering and death. He also saved lives, his brother’s specifically but also the ones of some Asgardians.

And, at the same time, he could see, he could learn his father and brother did love him, or at least that was the intended message of those scenes (I won’t dig into them portraying it correctly or not).

The file about him ends.

Loki gives into a slightly hysterical chuckling and the door behind him opens. It’s Hunter B-15 who asks him what’s so funny.

Loki replies ‘Glorious purpose’ which can mean all and nothing. According to the file his glorious purpose wasn’t to become king, but not even to cause pain and suffering and death. At the same time it’s not a particularly uplifting message the one that file gave him. The moment he could start again with Thor, Thanos killed him. In the end, even if he tried to change, his life would be one of pain and suffering until his death.

Loki and Hunter B-15 fight and somehow she doesn’t have anymore her murdering wand nor the men following her.

She’s alone and disarmed but she’s clearly a trained to fight and rather strong. Loki is smarter though. As soon as she slams him on the table he grabs the Time Twister, unlatches his collar and wraps it around her neck. Then takes on her his revenge for having been looped way too many times that day by looping her a lot until he makes her disappear. Where to I’ve no idea but I hope for him far enough. He was clearly taking out on her all the abuse he suffered from her and Mobius. In the end he tosses the Time Twister again on the table.

Meanwhile Casey is retelling his misfortunate meeting… evidently finding the idea that Loki would turn him into a fish much worse than the idea Loki threatened to kill him and then complains about the hunters showing up and pruning his cart.

Really, it makes me wonder if the TVA doesn’t use the world ‘dead’ in conversation. It’s all ‘reset’ or ‘prune’. I’m not saying they don’t know of it, just that they don’t use it to define what they do because it would make them look bad. You murder a living being. You reset a timeline, prune a branch. There’s a psychological difference that allows them to see Variants not as living beings but as objects.

As he speaks Hunter B-15 appears in front of him so that’s where Loki sent her.

Meanwhile Loki has remained in the room in which he was. He seems worn out as he sat on the floor against a wall, his face in his hands and the Tesseract set next to him.

Mobius, who gets into the room holding one of those TVA wands, finds him like that. Mobius rubs in he has nowhere left to run.

Loki states how he can’t go back to his timeline, then decides to comply with Mobius previous request. He tells him he doesn’t enjoy hurting people, he does it because he has to, because it's part of the illusion. It's the cruel, elaborate trick conjured by the weak to inspire fear. And claims to be a villain.

Is he being sincere or just telling Mobius what he wants to hear?

I like to think he’s being both. In “The Mentalist” Patrick Jane once tried to teach Teresa Lisbon how to gain someone’s trust. His first suggestion was to ask that person for a favour, so that they would feel more powerful, when this didn’t work he told her to get that person to lower their guard she should lower her own. I get the feeling Loki is doing this. He’s lowering his guard, giving Mobius what he wants, so that Mobius will lower his guard too. Like when he accepted his hand only to steal the time twister.

There’s a power in being sincere as well, which is to make Mobius feel more powerful by giving him power and therefore push him to underestimate Loki.

Mobius, who previously told him

“You weren't born to be king, Loki. You were born to cause pain and suffering and death. That's how it is, that's how it was, that's how it will be. All so that others can achieve their best versions of themselves.”

Now saying him that’s not how he sees it.

He’s either giving him the carrot in his carrot and stick game or he’s just remarking one of the main characteristics of the TVA. The TVA is neutral, they don’t approve or disapprove actions, people has no choice, they’ve to follow a path and Loki’s path was to do what he did so that others could become better. The TVA doesn’t really seems to care of the moral axis of Loki’s alignment… or their own or everyone else, they only care of the ethical alignment.

Now, as I’ve seen fandom discuss this, in roleplays people created character alignments to give an ‘ideal’ for a character to live up.

This caused the birth of two Axis, the moral axis (Good, Neutral, and Evil) and the ethical axis (Lawful, Neutral, and Chaotic).

The alignments of the moral axis are pretty easy to figure out, so I’m not even discuss them, but the one of the ethical axis are basically meant to tell if a character follows the law or not.

The TVA is clearly lawful aligned, they blindly follow their rules as if they were a dogma, a faith. Hydra is lawful. Steve Roger is lawful, as he wants to follow rules.

Loki in a good part of the movies doesn’t follow the rules, we saw it from the start, in “Thor” he decided to act to interrupt the coronation, which was against the rules of Asgard, and then he tricked Laufey, which is against the rules of war. In “The Avengers” he let himself be arrested so as to unleash the Hulk. In “Thor: The Dark World” he pretended to join forces with Malekith so that he would remove the Aether from Jane and then stole from Odin the throne… and so on. He’s not the only one though, Thor himself as moments in which he’s chaotic, like when he invades Jotunheim against his father’s order and how later will invade that SHIELD facility, or how he’s challenge his father again in “Thor: The Dark World”.

Actually all the Avengers here and there had been chaotic… and here and there had been lawful.

Loki’s situation places him more on the chaotic axis because he has no other master but himself. In short he doesn’t respect anyone else’s rules, sometimes not even his own as he claims Frigga isn’t his mother when he clearly feels she is and fights to avenge her… but he too had his own moments of being lawful.

That’s because people aren’t roleplay characters and they wouldn’t feel realistic if they were just sitting on one alignment.

But whatever, let’s go on.

Loki picks up the Tesseract, and Mobius asks him if he tried to use it.

“Oh, several times. Even an Infinity Stone is useless here. ( Scoffs ) The TVA is formidable.”

And here we’ve Loki trying on ‘wooing someone powerful he intend to betray’, to put it with Mobius’ words. I wonder if Mobius can realize it or he’s so sure in his idea he’s powerful he misses it.

Either way he has gotten what he wanted, Loki acting this way means he has acknowledged they’re powerful enough he has to play along with them.

Mobius tell him:

“I can't offer you salvation, but maybe I can offer you something better.”

And here I feel an echo of Thor in “Thor: The Dark World”:

“I did not come here to share our grief. Instead I offer you the chance of a far richer sacrament.”

I wonder if Mobius is trying to play that same game to get Loki to cooperate. Loki though has seen the video. Maybe he knows too. And well, at least Mobius came out more honest because he told him he can’t offer him salvation. Remember when he babbled about what Loki could do if he were to go back to his timeline? It was all a pourparler, words that weren’t meant to turn true as Loki is not meant to go back to his timeline. Ever.

That timeline doesn’t exist anymore it was reset.

But at this point Mobius has to be honest and give Loki something back, the reason why they’re interested in him… which is the dangerous Variant they’re hunting is HIM, or better another Variant of himself.

Meanwhile in Salina Oklahoma, 1858 Hunter U-92 and his men are checking on something. They find an object from the early third millennium but discover there’s oil on the ground and think it’s just someone who found himself a time machine and came back here to get rich. Hunter U-92 thinks he’s not worth the paperwork of searching for him and that they should just prune the timeline. Then they notice a figure in a black cape.

The figure has a oil lamp which they drop on the petrol covered ground. The fire spread to the Minuteman who start to die by arson. Hunter U-92 tries to crawl to the reset charge but someone grabs him and pulls him back. Then a hand, clearly not his own, picks up the resect charge.

And either this is the story sharing with us the 7th attack or the other Loki’s Variant has just managed to make the 8th attack in the last week that they know of. Really, I would say for the TVA it’s better to hope it’s not Monday.

As for me, I’m sorry for them but I hope it’s Monday there.

I’ve no sympathy for bureaucratic regimes who views people who don’t complain with their wishes as things… pardon, as Variant, and implement on them the “Final Solution” under the guise of pruning or resetting them.

This doesn’t mean everyone at the TVA is necessarily evil… but they’re dangerous, they’re fanatic who live in a regime that elect them at judges of other people’s lives. Judge Ravonna Renslayer dictates the proper flow of time according to the Time-Keepers dictations without bothering to question them, or the justice of it. At the TVA no one asks himself if it’s right or wrong, they just do it, they don’t know any other way to do it.

It’s not that they want to be evil, they actually want to be noble and just, they believe in the propaganda that’s all spread on the creepy posters around them and think they’re incredible, courageous and dedicated workers and don’t question their work or their lives at all.

They’re just many little Adolf Eichmann mostly bereft of initiative, cultural and moral depth; the latter did not go beyond the conditioning that had been given to them by society.

They lack empathy for what they destroy, for what they prune or reset and so they won’t stop thinking at what they’re doing.

Long story short, we should be grateful the TVA doesn’t exist because, really, that’s a creepy organization that pulls out the worst from people empowering them to murder others and telling them they’re doing something good.

Mobius, Casey, Hunter B-15 are brainwashed by the TVA worldview. It’ll be interesting to see if prolonged interaction with a Variant, Loki, might open his eyes or not. For now they’re like children who can’t distinguish good from bad because they buy a wrong narrative in which they’re above it.

I’m curious to see if they will ultimately eat the fruit of the tree of the knowledge of the good and the evil or if they’ll remain ignorant and dedicate executors of the TVA. We’ll see.

Well, this was long. Thank you to all the people who remained through this long, long episode study of mine. I can’t wait to see the next Loki episode!

#loki #loki odinson #loki laufeyson #mobius m mobius #thor #thor odinson #mcu the avengers #mcu loki #mcu thor #mcu thor ragnarok #mcu thor the dark world #mcu avengers endgame #mcu avengers infinity war #frigga #tony stark #clint barton #steve rogers #odin borson #9 worlds study #9 worlds study mcu loki

[deadlymodern]

Hello! I hope you don't mind me asking; but how in the WORLD do you edit your legacy posts? I love how they just overlap with each other and i love the background behind the texts like, how do you do it?

Oh hi! Thank you, I'm happy you like them ☺️

I don't really have much to say about my editing, to be honest. It is very very simple!

I start off by choosing a picture that I'd like to add the a 3D cutout bit to (I'm just gonna call it 3D cause I don't know what else to call it haha)

I make a selection of the body part/object I'd like to stick out - in this case, I chose the head - and then I copy it over the original image. So then I end up with two layers: the original picture and the cutout.

Then, I delete as much as I want from the OG image that is on the under layer. That way, I will have the sticking out bit in a transparent part.

I'm not very good at explaining, so I hope this image is helpful!

For my story posts, I never plan where these 3D parts will be placed, so it's a fun little puzzle to put together in editing. I do write scripts and shooting scripts, though. So I already have an idea of what kind of close up shots and facial expressions I'm going to get, and these are my go to when doing this little "trick".

I usually 3D things with a purpose in mind:

Making objects pop out will emphasize their importance to the story, show their connection to the dialogue and/or their relevance to the character as well as contextualize the environment.

Making close up body parts (such as hands) pop will accentuate a characters' sentiment; insecurity, sadness, shyness, etc. (like Odette's hands on the image above).

And sticking out a character's head or movement will make them the centre of attention in a panel. So, whenever I want a certain character to be a protagonist (either because they are making a monologue or because they are having a facial/body expression I find important) I will make them stick out like that.

To keep the flow between panels, I edit them all as one big panel first and then I separate them into the images that will be posted on Tumblr. That really helps me visualize where I can add the "bumps", the speech bubbles placements etc. (Each strip is a story post)

As for the background behind the text, I'm assuming you're speaking of the container boxes for the dialogue? 

If not, I'm sorry lmao.

But, well, this is the most simple thing in the entire universe. I just make a rectangle and add text above it haha. 

I add a black drop shadow to both the container and the text, at 30% opacity. I personally prefer using Sans Serif fonts - in my case, Poppins in 30px - because they are easier to read in my opinion. But just have fun with whichever aesthetic you're going for!

I have my own template so all the containers will have the same space between them, but I manually adjust their width because it changes depending on the size of the sentence.

I like to colour code the dialogue so it will be easier for the reader to distinguish who is the one speaking and because I personally don't enjoy having a "CHARACTER NAME:" before the dialogue because it breaks my immersion a little bit. 

I also tend to match the container colour to the character's outfit, but sometimes it doesn't really work. So, lately, I've been making a colour palette based on the post itself (Eg. the last post, Mary's red is from furniture accents around the school and Odette's is from pops of green from the outside nature). 

For the translation subtitles, I do the same. I just make the overall dialogue smaller, set the container to black and the opacity to 30%.

I talked a lot because I'm assuming you're still a a bit unfamiliar with Photoshop, but I promise these things are all super super easy to do 🥰 I hope this was helpful and not just repetitive rambling jkdlfgjfkldjg xxx

#thaistalks #anonymous #tips

[misterbitches]

i live in a universe where if i were to walk down the street i could get murdered willy nilly cos im black but men are out here going around being like “my boyfriend and i met when he was a junior in high school” i don’t believe in jail and i try not to make jail jokes but HOW IS THAT FAIR? JAIL!!! GUILLOTINE!!!! GET THIS MAN A RETIREMENT FUND AND A THERAPIST

that dialogue was fucking embarrassing. he shoulda just said “im 12 yrs older than him” no one needs to know u were 30 dating a 17 year old u insecure freak. retire bitch and get away from her

 i wanted muren so badly to be like “LMAO SRY didnt mean to seem surprised i just like men my own age i guess?” i wouldnt have even apologized if i was surprised. my friend was dating someone ten yrs younger than him and i made fun of him for it and he was like “i know” bc he does know.

just a tip: i don’t like getting hit on by men way older than me, a lot of people don’t. i’ve had men who are 36 interested in me when i was 23, and i reciprocated, but now as i am 29 and older i realize how much it confused me and how i didn’t like it.

age gaps are what they are. ther’es many times i do not like it especially if it is a pattern (this is what happens in tv shows and movies and the opposite of that isn’t gay age gaps or power imbalances or women much older than a younger man ok that’s not progress it’s just peopl ewanting to be like cis men and no one wants that) and esp if the person’s peers are all their ages. people seem to forget that we travel in the same social circles on purpose due to our environments and also our world experiences. the only way to meet an older man is outside of school and yet adults can’t seem to control themselves?

i saw this person who was one of the editors of sexual hegemony (a book on capitalism and homophobic laws and sex basically idk google it it’s interesting) and he was trying to have a foucultian outlook (i hate focault btw doesn’t mean what he says wasnt interesting but it does mean i am not okay with psychosexual philosophers who take advantage of people. the only testament against him having reltaions with younger people is a bunch of young people i nfucking tunisia and there’s an excuse that he wasn’t a fucking pedophile he was those ebebebbeopopopo people and it doesnt matter when ur in fucking tunisia as a white french algerian fucking preying on children) how age of consent laws desexualize younger people. they were passed for  abunch of reasons like any law but here is the thing

we have no business in being in spaces to determine children’s sexual identity and teenagers in their own realm. THEY need to figure it out. our job as adults is to PROTECT THEM full stop. not intrude on their lfe and not give them the tools to decide for themselves. age of consent laws are meant to protect not to facilitate children against some boogeyman of sex. the issue is the way our society views it but young people are sexual AS YOUNG PEOPLE. it has NOTHING to do with adults and it shouldn’t. that’s why it is extra fucking intrusive when you are literally wedged into someone’s life who you have no business being around. it’s only by fucking circumstance. it’s abysmal and not cute. 

what this tells me is that the age gap is salacious. not in the way that i was 23 and a man was 36. in the way that he was 17 and this dude was 29. that’s interesting right? it’s “oooh” and it means we shouldn’t balk at it. saying 12 years would have sufficed, raises some eyebrows, and we can figure out the dynamics after but you just had to put that in BECAUSE YOU FUCKING LIKE IT but the thing is there’s no part of it that was fun. i’m just going to assume you like fucking teenagers bc that’s what it’s telling me lmao

i rarely talk about this couple but to put them in my eyeballs and then have that stupid conversation it was insulting lmao god please get a fucking script supervisor fuck but none of them care about sotry or any of what i fucking laid out. how stupid and careless and just unfun. i don’t like it. also ew at the idea of 2 tops and 2 bottoms talking oh my god i am gonna give myself a heart attack i’m already so fucking anxious i have to see my family lemme chill

im 29 and feel bad having a crush on a 23 year old CELEBRITY ok and i SHOULD feel ashamed and it’s not even a big deal that’s how everyone should approach life tbqh u walk around like ur 100 yrs old to avoid children. oh what’s that this korean cebrity learned english and moved to america to start a family with me and i find him very hot and i like his voice but we’re 6 years apart i’m not sure if i would work (how fun of a drama would that be. pointless and ridiculous. i love it.)

oh there’s a great review on CMBYN and its history and how the isolation and seeclusion was so fuckign capitalist bougie patriarchy and yea idk if anyone is interested. i think it’s ironic the ending for the people in CMBYN irl bc it’s just. so indicative of this shit. i dont like guadignino (idk is that how u spell his name) and think he’s not a great....person or director (i love the look of suspiria tho likke visually and edited. the DP was thai btw! he did an amazing job!!!) but it critiques this film from a perspective of someone who clearly at least cares about artistry, no matter how poorly i think he executes it, and just how hollow it is. the thing about “escapism” is that it relies on the harsh realities of the world to make it opposite, everything has context, nothing is apolitical. to make something that exists in a vacuum is negligent and it doesn’t help you escape it makes you even more tied to this world and its flaws because it doesn’t do anything to mitigate it.

people view it as like “we can put something stupid on screen and people have to accept it in this world” but that isn’t how IT WORKS. you hvae to build up the stakes of the world. but i can’t see introducing some “taboo” (see: stupid) elements and pretending the escapism is seeing this and allowing it. how could it be when the problem is the nature of the rship itself? what world are you taking us to? and why does this world ignore the pressing realities? and i wouldnt say either of these are explicit escapism (i think i hate that word now) becuase um they arent. this fantastical generally rich people escapism isn’t about bending things that don’t work to mold it into our society because WE DO THAT ALREADY it’s about taking those things and twisting them to something we can accept and like or something that has real consequences for people. it’s so funny how marketing and the idea of pc culture and shit and conservative ideology seeps into these. they have  an explicit interest in holding the status quou of taking advantage of people and using their power; age is a huge structure to do so. in this society when we struggle why would its existence not be challenged? because rape, ridiculous rships, abusive rships, torture etc is a power move, conservatives rest on it and people who gain power. what about that is appealing? making it gay? well, no. especially because men DO have power. 

every fucking thing in BL is a reflection of of patriarchy honestly. i can admit that and i’m not okay with it but it’s consumption. there’s a way to make this decent or entertaining without it being so fucking poorly done. and atp i dont even want to call things bl it’s a tv show just bc it’s for a certain audience doesnt mean anything do better idiots

#i am soooooo #history 4 #history 4: close to you #history 3 #history 3: make our days count

[jiminrings]

could you maybe do something where it’s yoongi in rich boy!jimin’s au and he meets his y/n or a peak into how their relationship would work ? i love you 🥺💚

contact: you

pairing: yoongi x y/n

glimpse: the water’s cold but yoongi makes it warmer; or that piece in which model!yoongi meets his y/n!!

wordcount: 4k

notes: i love you too!!! :D

also, this yoongi comes from insufferable, that rich boy!jimin au!! in this fic we’re all just gonna pretend that yoongi’s PA goes by another name and not y/n :)) yoongi’s y/n is not jimin’s y/n!! pls don’t be confused that’s all hehe // gif isn’t mine!!

there’s a fine line in between compliments and insults

hENCE backhanded compliments

but in a way it’s still a compliment, right???

would it still be a backhanded compliment if you give it to yourself though,,,,, that’s the question

tHREE YEARS IN FILM SCHOOL

you just can’t seem to know whether graduating a year early than intended from film school is a cOMPLIMENT OR AN INSULT

is it an achievement or is it a curse??

ok initially, you were proud from graduating a year early because that meant one less year dedicating yoursef to studies, right???

big wrong :D

that meant you choosing the most cramped schedule with more units than you think is humanely possible

you just cAN’T help wanting to go on with life faster and easier!!! you went with this track anyway so you could become closer to the diRECTOR you’ve always wanted to be

it’s a pretty simple analogy

and u don’t get why people who took the same course as you did, didn’t think as the same way as you do

because like for example

there’s two options to go to your destination

hmmm let’s say it’s to go to the park!!! a rEALLY famous and beautiful park and if you aren’t early enough, then there’d be no place for you to lay a blanket out and properly enjoy it

the first route is a nicely-paved, nicely-leveled and cemented road, but it’s gonna take about twenty minutes because there’s traffic

oR

the second route is a much shorter trip that would take only ten minutes, but the road may be a lil rocky and not all postlamps are lit and there mAY be a crossing chicken or not

of course you’d go for the second route :D

and now you know why much more people wanted to go with the first route aHA

no disrespect to your alma mater or something but that shit sUCKED

sURE they had decent dorms and it was your decision to take the more hectic schedule that meant much less time for you to do basically anything that’s outside of your film degree

it was having instant noodles atleast four out of the seven days in a week and sometimes even skipping that processed goodie because it always felt like you’d have to be hustling

hustling is a very icky word in ur humble opinion but you like saying that now ironically in your quarter-life crisis

it was the “why would i wait to cook this for ten minutes wHEN i could be doing something else more productive iNSTEAD of eating aka delecting food that helps give what i need to atleast enact my motor functions???” thinking

which is unhealthy ok

beyond unhealthy lmao that’s what you’re sure of

and then you graduated film school!!!

the opportunities you were promised of when you were still studying?? aha zero :D

the idea that once you graduate film school and you iMMEDIATELY have the job of whatever you majored such as directing or screenwriting and etc.,,,,, that is a whole load of bull-

:D

it’s a hierarchy

you’ve graduated with LATIN HONORS and u persevered for three years with your major in directing and u wore a really nice dress for your ceremony :))))

and now you’re fetching coffee and making twenty calls in a half hour and running around to set things up :)))))

an intern :)))))

the only ones who immediately become what they’ve studied for has sOME sort of tie and pull to the industry

you may have made a thesis film that’s ranked the highest in the history of all thesis films in your university :)) and you may have had submitted it to film competitions and got approved and got some plaques :)))

but no that doesn’t mean a sINGLE bit once you’re out in the real world

you’re just taking whatever you get

i mean you dID want to work your way up in the film industry

like as in the movie industry??? the one you went to film school for?????

but what you are doing now :)) is working as an intern for this huge company that handles tv commercials and adverts and shoots :))

aHA not exactly the film industry but atleast it’s still within the media industry, right??

right???

pls say right

anyways

the agenda for today is this watch shoot!!

there’s a tv commercial to be produced out of it and there would also be multiple shoots for the models who’d be here

you dressed up extra good today :D

it wouldn’t matter but atleast it’s the thought that counts somehow

your company’s official lanyard kinda sucks and you can’t change the lace for it nO matter what but it’s no pressure!! your outfit’s gonna make up for it

there’s not exactly a dress code for interns,, it just goes for the terms as long as:

a) it’s still work-appropriate

b) this is a simultaneously unspoken yet obvious rule bUt you just need some boundaries,,,, you can’t stroll up into the set looking like the executive producer or the director who looks a lil bit fancy

c) you shouldn’t attract attention so much because you’re an intern :)) even if that iS the sole purpose of the intern because otherwise how would you land a more secure and higher-ranking job???? are they thinking or-

it’s a black shirt!!!

groundbreaking

but it’s a nice black shirt with embroidery in the front!!!

it’s just n i c e embroidered in the front and uH right on the middle of your chest area that’s clothed obviously but that’s cool

simple, casual, effortless, tINY bit fun

you also aren’t an intern with black pants

but no this is a nICER pair of pants

they’re like slacks!! like fitted slacks but not too fitted and not too formal

you wanted to wear it in tan but that’s not exactly optimized for your job because you are literally always in the go

it’s always just ease of movement in your clothes

and if you could dash in them in getting coffee or whatever the fuck the production team wants or look for duct tape and print lacking scripts like a madman, then you’re good to go :D

you caved in buying those nurse shoes that are raved about because you’re on your feet almost 24/7 and slip-on vans would not always save ur life

ur always wearing ankle support socks too because you’d rather look like an athlete misplaced in a commercial shoot rather than crying at home with how sore your body and most eSPECIALLY your legs are

that can’t stop you either

so now,,, you’re wearing cute socks on top of the support

it’s barely noticeable but it’s the effort you put in ok

and to be extra presentable, you traded your digital watch for the day with your watch that looks a little bit more classy with the silver!!!

it’s an analog watch with a really nice and shiny silver watch strap and although normally ur mind takes tWO seconds to buffer and read it as opposed to instantly knowing the exact time with a digital one, it’s worth it :D

it better be

you can get atleast one glance from park jimin and your life would be forever fulfilled

you signed a non-disclosure agreement once it was presented because after all

wHO WOULDN’T GUSH WHEN THEY KNEW THE LINE-UP FOR THIS SHOOT????

park jimin!!!

kim taehyung!!!

jung hoseok!!!

that’s the only three you knew so far

because they said that you’d know the other ones who are participating for the shoot once it actually happens

and that could mean two things

either you don’t know them at all oR they’d be really really famous and this ensures that you wouldn’t breach the nda you signed

hmmmm jimin’s kinda cute you’re not gonna lie :))

you can’t laze around in the job though because your walkie-talkie’s already bearing your name again and you’re being summoned now

this may be a blessing in disguise tho

you’re one of the interns who get called and noticed frequently and although that means mORE WORK, that also means you’re more trusted and more likely to secure the job you’re aspiring for!!!

“Y/N. There’s some extra copies of the shoot schedule by one of the makeup tables. Bring it over to me in the brief room.”

“of course!!! :D”

that’s one of your favorite producers specifically calling for you in the radio

he also talks very formally

you’ve always been a little bit close to mr. hyun bin because you were a bit of the teacher’s pet back in uni!!! he served as a professor while also being a producer and HE’S the reason you got accepted immediately as an intern here anyway!!

they’re always in the blue folders and that’s what you’re looking for very eagerly right now

because uHHHH there seems to be about a hundred makeup tables right now and mr. hyun didn’t exactly specify where

ok now where could that be

okay no it’s not on the table

lmao you find them sitting by a chair in front of the makeup table and you need to get it before someone sITS and dents the folder because mr. hyun gets a bit cranky when the folder isn’t smooth

“But the folder’s job is to keep the documents inside it smooth. If the folder’s damaged, then that also means that the contents inside it, is also damaged to a degree.”

no he said that

he literally said that once

if you could read thoughts in the air then mr. hyun probably speaks in proper punctuation AND capitalization

you found the schedule

and you also found this guy dressed in a really nice suit who looks very breathtaking

.... and is frustrated?

NOW HE LOOKS VERY FAMILIAR!!! you just can’t remember the name right now

he must be a talent because no one else is wearing the same suit that he is and his visuals are just beyond gorgeous so that must be it

he’s hunched on his makeup chair alone???

and there’s something on his hand and he keeps dipping his finger to his cupped hand and keeps squinting to the mirror in front of him and

oh

OH

“do you need help, sir?”

yoongi almost jumps out from his chair because oh my god are you-

oh huh.,., you’re not his personal assistant

you see

contact lens would be the absolute BANE of yoongi’s whole existence

he just can’t put it in

he’s said that sO many times to people who find him frustrating over it and whenever they make a “that’s what she said” joke it just makes him want to poke his eyeballs

“no, no. uh it’s okay!! i just can’t aGH shit i just need to learn how to put these cursed contacts in.”

oh he’s cute

like real cute

“name?”

wait wHAT

he’s a bit perplexed because why are you asking for his name

and uh quick question wHY don’t you know his name

not to brag but yoongi,,,, he knows to himself that he’s a world-renowned model!!! he’s done countless shoots!!! he’s appeared in so many things!!!!! why don’t you-

ok he’s being a little bit boastful in his head now

“min yoongi.”

he just states his name and he doesn’t get how would that help with his problem right now

you’ve asked because you’re searching for his name by the schedule and you’re just absent-mindedly muttering his name as you search for it

“min yoongi min yoongi min yOU OH!!! oh!!!! min yoongi!!!!!”

lmao alright that’s it

you remember him immediately and it clicks with you that oh my god this is min yoongi!!!!

that’s the reaction he was initially looking for but it’s okay he’s just gonna be humble about it

“okay well first of all, it says here that you’re about to be called in nine minutes from now so hOW about i just give you a hand, hmm??”

that is not exactly a request

because even before yoongi could like half-heartedly agree (he wants to do it so badly but he can’t) and thank you, you’re already pulling his palm towards yours

“the solution’s drying out,,, how long have you been trying to get it in?”

he hears you ask him in a teasing voice and he kinda frowns at that because well NOW he’s too embarrassed to answer :((

you’re wordlessly grabbing the solution that’s on his desk before you squirt some on your curved palm and plucking out the lens that used to be on his palm

“you have to clean it first.”

“mhmm....,., yes.,.,.., i know that.”

a little bit

jUST a little bit

“you clean it first in these motions, see?? don’t rub it clockwise or anything like that”

ooh so that’s how it goes

he doesn’t want to be rude but he thinks that you’re not the director of this shoot

and there’s nothing bad about that!!!! he just wouldn’t know how to feel if the director were to see him frustrated over contact lens and they’d be the one to do it for him

“pick it up like a bowl!! make sure that the ends of it turn iNWARDS, okay?? inwards!!! if the ends poke out then it would literally hurt so much and maybe you’d be blind”

oh

YOONGI DIDN’T EVEN KNOW THAT UNTIL NOW

so that’s where he went wrong for like five times,,,,,

“never put it in dry, okay? otherwise it would hurt too.”

that’s it yoongi’s taking this girl’s words down

he doesn’t know wHO you are but he appreciates you

“now tilt your head down a little bit for me :))”

yoongi bows his head and it kinda makes you snort because he was serious with that one

“nO NO just a little bit, mr. min.”

you have your thumb on his chin just to get it to the right position

he will d-word right now oh my god is he a dummy

how could you pOSSIBLY put the contacts on him if his head was hung that low

in any angle though, he looks so nice

he has long eyelashes too and they’re pointing downwards so that may add on to his problem

“now look up”

whew oh god you need to avert your eyes a little bit because you’re just realizing now that this is mIN YOONGI you’re dealing with right now

“or at me!! yeah that would work too :))”

yoongi’s just killing it with his social cues huh :)))))))))

you’re placing delicately the lens by his sclera and yoongi kinda panics and is at the same excited because this is dEFINITELY HAPPENING

“ok calm dOWN and now move your eye until the contact clings and keep moving it still even if you’ve got it already for like eight seconds!!!”

he did it

well technically yOU DID IT

BUT STILL!!!!!

“oh my god that is the qUICKEST thing ever omg now the other eye!! do the other eye!!! :D”

he’s so giddy over you putting on his contact lens and he doesn’t even know you and you just feel so familiar to him!!

yoongi trusts you with his contact lens and that’s enough trust you’d ever need

“aaaaand we’re done!! :D”

“thank you!! what’s your n-“

alright that is mr. hyun asking for a follow-up in the walkie-talkie by asking where’s the schedules and that means you immediately have to dash to the briefing room :))

yoongi didn’t even catch your name :((

you didn’t even get to say goodbye to him :((

you didn’t get to see yoongi for the rest of the shoot because after you’ve delivered the papers, you were then summoned to take care of the catering company that’s gonna do it’s second rounds and to facilitate whatever they needed to do :((((

it’s a bummer though

you dIDN’T even get to see the actual shoot get done because you were too busy verifying the payments if those fish fingers are really priced like that in the receipt you were given :((

you’re probably never gonna see him again

there’s another shoot you’ve been called for again the next week and this time, it was for a luxury brand that’s releasing it’s summer line and the settings for it were a beach AND a swimming pool

they couldn’t have just become satisfied with a beach and had to add on a fancy pool filled with chlorine and then more chlorine for the sets

“Y/N, do you know how to swim?”

mr. hyun asks you so casually as your only task as of now is to stand beside him as he lists things and you check it off in your clipboard

“hmm. i do know how to swim, mr. hyun, but not professionally, y’know?? they don’t exactly teach dives in film school”

he laughs at that and you smile at that because good for you :))

“Good. Because we’re gonna need someone to keep these floaties still, and the lifeguard’s out, and here’s a rashguard.”

what

what in the actual fUCK

you see

although this is for a summer line and a summer shoot

yOU’RE SHOOTING IN JANUARY

and you came into work today not thinking that you’re gonna be in a frEEZING pool wearing a rashguard underneath your shirt to keep these floaties still!!!!

you love your job you love your job you love your job!!!!!

maybe if you say it enough, it’s gonna come true!!!!!

“oH ITS YOU AGAIN!!!”

hold up

that’s

“yoongi????”

“cONTACT GIRL!!!!!”

the both of you are genuinely surprised to see each other ok

at this point, you should automatically assume that yoongi would always be the undisclosed model in your shoots

you’re looking up at him and he’s looking down on you because CLEARLY he is not in the freezing pool as you are

“i’d let you put in my contacts right now, but it doesn’t exactly make a good addition to chlorine :]”

the water’s freezing but yoongi just makes it warmer :))

mr. hyun’s saying the directions to you as to where in the pool you should place yoongi and the floatie’s slippery and you dON’T want to risk getting the clothes wet because it’s not intended.,..,. even if this is a summer shoot

he has a tough crowd (you) and you’re just kinda deadpanning because you now feel you aRE a little bit embarrassed even if this is your job and u shouldn’t be

“i’m kidding!! jus kidding :D”

humor doesn’t exactly click when you’re about waist-deep and aBOUT to be shoulder-deep into freezing cold water

and now since you look a fool, you’re just gonna deal with the slippery floatie and yoongi notices so he’s the one who takes your hand instead as he nudges you to move

:] i was just joking pls don’t hate me :]

you stop the moment mr. hyun says sTOP that’s perfect and before you could awkwardly waddle yourself away from the camera’s view-

“is your face just good and the sunscreen you used is matte, or do you just not have any sunscreen on??”

yoongi asks with much concern as if it’s the most important thing in the world and he doesn’t have a shoot to do

“i don’t have-...”

“no? oh come on, contact girl!! come here for a second!!!”

you look to mr. hyun because Sir is it really and he’s just screaming back with his eyes going gO COME TO MIN YOONGI

you’re confused and before you know it, yoongi’s reaching for you and digging into his pocket and-

“sunscreen stick!! the sun’s always there even if it’s freezing, y’know?”

this time, it’s yoongi tilting your chin up and very delicately swipes the stick on your face and even taps it in

:))

“all done!! let’s start the shoot!!”

he claps up and everybody gets into position and you have to waddle back to your spot awkwardly with your cheeks heating up

you don’t know if it’s yoongi’s power move to swipe his own sunscreen sticks on people but it fEELS LIKE IT IS

he’s very well-aware of what he’s done and he now has every intention to ask you what’s your name after this

although tHAT doesn’t happen again because now mr. hyun’s telling you to come up and get all dried down because after this, he’s gonna need you to ask the front desk if you could access more of their amenities for the sudden changes in the shoot :(((

yoongi almost doesn’t want to leave the set because you’re out again :((( and he still hasn’t had the chance to ask you your name

uGH it’s just so unfair :(((

you feel the same way and you just wanna see him!!! even if he’s only gonna tease you for most of the time and you’re gonna be a blushing mess throughout!!!

you’re cranky ok

you’re more cranky than how mr. hyun gets with dented folders

you’ve had two back-to-back shoots this week and you’ve only had ONE hour of sleep for the whole time

seriously

not to mention that you thought you’d also see yoongi in atleast one of those projects :(( but it was a no-go either

your job is just sO demanding

it starts earlier and ends later than how the printed schedules say and is much more different than the talent’s

speaking of talents, these artists are just pure out LATE and not only are they setting a bad impression on the director!!!!

but they are also the reason for the bane of your existence!!!you call their drivers non-stop to ask for the whereabouts and to adjust the catering’s schedule and the amends that you need to make for people

they make your job harder and your hours longer and your fatigue greater

you actually feel like you’re gonna pASS OUT

mr. hyun’s the one who’s assigning you to these projects and as MUCH as you’re thankful because that means better pay and more exposure and more experience,,, he’s really not seeing the fatigue he’s putting you thru right now

you forgot your ankle support,,,, you have nOT eaten three meals today,,,, you haven’t drank water for hours,,,,, you fEEL like you’re gonna pass out

and someone’s just called you over again to deliver these hair pins to this specific trailer asap and oh god your ankles are just gonna fall off at this point

ok quick knock and you enter and-

“hmm?? oh, it’s okay!! we don’t need it anymore. someone else already brought in new ones :))”

fu-

“cONTACT GIRL!!!!!!”

if you took a moment to read the name that’s by the front of the trailer, you’d know that this is yoongi’s trailer and the makeup artists just went straight to his,, instead of him coming to them because he just can’t be damned to stand and walk over there :D

the makeup artist you were talking to moved out of the way so the both of you could see each other and sO yoongi could also stop stretching his neck out to the max

they’re finishing up anyway

his contact lens case was held by this makeup artist and she was about to put em in and yoongi snatched back the case :))

“here!!! put them on me!!!”

okay that’s a bit awkward for the other girl yikes.,.,. she’s just uh gonna exit the trailer with the other makeup artists now

“hi.”

you only greet back now as you get the case for him and yoongi frowns at that

why aren’t you cheery???? he’s used to you being more enthusiastic than him so wHY is he the one carrying the conversation (that hasn’t been even started) that’s already dwindling out

you’re getting really really sluggish and this sudden heavy wave of sleepiness is really hitting you

you dO look kinda hazy

“are you okay??”

yoongi’s holding you by the sides of your arms and your eyes are blinking so slowly as you try to nod but that just won’t cut it for him

“well i think yOU need to rest”

he’s standing up and is about to put you onto his sofa so you could like perhaps nap a minute or two since he knows fatigue when he sees it

but by the looks of it, he can’t even make you lie down because you’re already sitting down

sitting down

on his lap

oN HIS LAP

this is really.,.,...nice

yoongi’s a bit shocked and there aren’t any sentences forming in his head besides “what’s your name, contact girl???” as if that is the mOST pressing issue right now

“ᶦ’ᵐ ʸ/ⁿ” is what you could only practically mumble because this pillow is really soft and warm and heavenly and u want nothing more at the moment than to be buried in it

yoongi has never felt this soft

ever

there’s you accidentally falling asleep on him

literally ON him

and his hands are still hovering but he decides to relocate them on your back, rubbing small circles and even patting softly

your hair smells really good too

he must’ve been to engrossed in it as you burst awake some minutes later and you almost bump his jaw on your way up

“oh my gOD did i just pass out on your lap???”

well you’re still sat on his lap and you’re scrambling away while you’re still groggy and he has to reach for you before you could topple over

“no problem!! it’s cool i sWEAR!!!”

he quickly explains what’s happened and how he’s close with hyun bin and how he literally conversed for like two seconds and your producer immediately agreed

yoongi just said “hEY mr. hyun!!! y/n works for you, right?? i’m SO sorry if this isn’t in my position to ask but y’know she did just kinda pass out and i was wondering if she could just lay down in my trailer for awhile??”

within two minutes mr. hyun apparently went to the trailer and delivered your backpack and he keeps in mind to apologize to you later on and hmmmmm is there anything going on between you and yoongi???

“are there any pillows?”

underneath the cushion the both of you are sitting at, there is a shit tON of pillows he just keeps there

there’s memory foam!! cotton!! feather!! a hybird of those two!!!

yoongi decides to answer and he delivers it with the straightest answer possible

“... no.”

he quickly clears his throat as he looks to his lap and taps on it so you could lie down on him!!

you think you like yoongi :)))

yoongi is positive that he likes you :)))

you stand up for a moment and he panics because nO where are you going??? but it was just for you to retrieve your phone and grab your earphones!!

you kind of have an irrational fear of buying airpods and that shit just falling every two seconds and then you could nEVER find it

and so here you are :)) offering yoongi an earphone as you lay your head on his lap

there’s just something so familiar with the melody

the lyrics

the vOICE

so familiar to the point that yoongi’s heart practically drops because oh god

tHAT’S HIM

THAT’S HIM IN HIS OTHER JOB THAT ONLY HE KNOWS ABOUT

“this suga guy.,, i like him.”

“o-oH???”

yoongi doesn’t know whether he should feel jealous because you like this suga guy

but he doesn’t know shit because he IS that suga guy!!!

and so his mind’s fuzzy and all-conflicted as you babble on, about to be lulled to sleep again

“once i get to make a film, like an actual full-length film and jUST not a thesis film,,,, i’m hiring him,,,, i don’t care if he consumes like 80% of my budget for that film iM HIRING HIM!!!”

yoongi’s about to practically combust right now

he’s grinning from ear-to-ear, looking down on you who he’s grown fond of so much so fast and is lying down on his lap, his thumb pressing down on your cheek softly as he tilts his head

“do you wanna know a secret?”

#tHANK U SO MUCH BABIE THIS WAS SO HEARTWARMING AND FUN TO WRITE!!! #feedback pls and thank u :D #requested drabbles #yoongi #min yoongi #yoongi imagine #yoongi imagines #min yoongi imagine #min yoongi imagines #yoongi blurb #yoongi blurbs #yoongi oneshot #yoongi oneshots #min yoongi oneshot #yoongi headcanon #yoongi headcanons #yoongi fic rec #yoongi fic recs #insufferable

[sexyrasputin]

“I’m not upset you broke your leg; I’m upset you didn’t break your face,” Lauren snapped at Sebastian. A week ago, during winter break, he’d gone and crashed his motorcycle. He’d been high or drunk, too, if not both.

“I don’t have insurance on my face. Had to keep it safe,” Seb retorted, using his crutches (awkwardly) to propel himself forward. Even Lauren was tactful enough not to comment on his crutches. For now.

“How does someone like you even stay alive, anyways?” Lauren didn’t get it. She had issues—plenty of them—but none of them seriously risked her life. Her livelihood? Potentially. Her life? No. Then there was Seb, who liked his alcohol a little too much and apparently wasn’t opposed to driving his motorcycle afterwards.

Seb shrugged. “Lady Luck has granted me her favor.”

Lauren rolled her eyes at his poetic words. You could take the man away from his poetry, but he’d never give it up. At least Serb’s poems were actually decent. Then again, to be at the esteemed Frederick Kennedy School of the Arts, you had to be nothing less than great. Lauren would never tell Seb he was a future US Poet Laureate, but he was.

“Shut up already,” she grumbled, a beat too late. They had reached the door to the classroom the group would be meeting in for the introductions. Eight of the strongest students from across the three colleges—performance arts, visual arts, and storytelling—had been handpicked by faculty members to produce a short film for Sundance. It wasn’t for a competition so much as a guaranteed win. FKSA always won these events. Maybe there was pressure to continue the legacy, but Lauren didn’t mind. She had been picked to star as the leading actress, which was a fantastic opening to more auditions than her current agent was getting her.

“Open the door already,” Seb snapped back, back to his scowl. Lauren shot him a glare but obliged. It was time to get to work.

////

“What I was saying—“

“You clearly don’t care about what I wrote, so tell me why I should care about you telling me that my script—selected by the chair of Storytelling—isn’t good enough?” Marsie spat out, ignoring the two new entrants to their eclectic group of “artists”.

“Because you don’t have the experience that I do!”

Silas Renwick was going to be the reason Marsie finally broke her promise to her father and used her Krav Maga skills for their true purpose—homicide.

Now, Pop swore up and down that the whole “kill a man with a paper cup” joke she loved to toss around with the martial art was just that, a joke, but Marsie knew better. Pop hated the joke, too. Said Krav Maga outside of the military was for self-defense and exercise only (which included competitions, thankfully).

Marsie disagreed with his entire philosophy when it came to Silas Renwick. But the arrogant senior was the director that the same Storytelling chair she mentioned had picked for her script. He was going to direct the short film, which was one hundred percent inspired by Taylor Swift’s iconic (and maybe infamous for John Mayer fans) “Dear John”. Marsie had known of the guy since early high school. She’d had her eyes set on FKSA since the eighth grade when she got her first unofficial publishing offer, and Silas had broken records with some short film he’d produced in high school that got him a full ride scholarship. It was unheard of for the college to give out anything more than a half tuition scholarship at best.

Yeah, she’d heard of Silas before, but meeting him ruined every project of his that she had seen and adored.

“Oh, since I’m eighteen, a second semester freshman, and have two published books with a sequel in the works means I’m inexperienced?”

“With scripts,” Silas hissed through clenched teeth. And maybe he was right, this was only her second complete screenplay (even if both were short films). This was her first real production. She knew she relinquished some many of her creative rights by offering it up for production, but there were some places where Marsie would not budge. Silas telling her to completely scrap the first three scenes and replace them with a shorter intro? Yeah, she was not going to leave out her key exposition scenes—which were short, too!

“Experience isn’t the concern here,” the assistant director, Atlas Raptis said, joining the conversation. He had a gentle voice. Not because it was soft, but because it was kind. Marsie didn’t trust it, but he was siding with her at least a little bit, so she wouldn’t push him off entirely.

“Then what is?” Marsie asked.

“The scenes are great for a written story, but visualizing some of this stuff is outside of our capabilities with the time we have. We gotta work with what we’ve been given, and that means this script and the weather outdoors.”

Sadly, he was right. But Silas had still be a total jerk about it. Marsie understood being mean on accident sometimes. Everyone did it. But he just hadn’t cared about his obvious cruelty!

“Okay, now that you’ve brought up a reasonable point with valid evidence, I’m willing to work that out. Thank you, Atlas.” Marsie stared Silas down as she spoke, and matched her glare with every ounce of ferocity he probably had. It was a lot, she’d give him that, but Marsie had more.

“I know I’m just the actress and all,” one of the two newcomers said, finally joining the conversation. That must have been Lauren. “But Silas, she’s right. I don’t even know what’s going on, but the chick is right.”

Silas spun around, and Marsie finally let her shoulders drop in relief. Thank the heavens. His attention was off of her, if only for now.

////

Xander liked Lauren. She was fun, a good lay, and absolutely hilarious. But she also was sometimes stupid. Going up against Silas Renwick when the man was already in a mood? It kept Xander outside the door of the classroom. He didn’t need that energy in his life. And if anybody asked why he was late to the meeting, he’d say filming for his TV show ran over. It was a teen murder mystery drama, thankfully not too much like Riverdale.

He let the door close before entering and retreated a hundred feet up the hallway. He sent a text to Atlas, his twin, telling him to give him the all clear when Silas was soothed.

Xander wouldn’t touch Silas with a ten foot pole. Not when Lauren was involved. And especially not when it involved something as important as the script.

Also, the screenwriter sounded like she was going to be a problem for the entirety of the semester.

Yeah, Xander was thrilled.

#Frederick Kennedy School of the Arts

[pepperf]

Consider this me asking you about DVD Extras, I fricking LOVE that fic! What do you wanna tell us about it? (And when Intro to Recycled Cinema aired, I was totally like, 'hey, wait a minute...I've read this fic!'😂)

Ahaha, now you're asking, and I have no idea! XD Other than, holy crap, I hope no one ever asks me to explain the plot to Abed's movie because that does not exist.

Okay, behind the cut for me rambling!

I loved the ep 'Pillows and Blankets' SO MUCH, it was goddamn art, I think it's one of the best examples of why Community is actually such a good show, they did some brilliant things. So I thought it would be fun to try it in text form. Which is a weird step even further back - from live action TV, to photos and narration, to descriptions of photos... I was going full-on arthouse, let's-play-with-the-form there. I think that only works for short pieces though, for Community it worked because they do 22min eps, and for me it worked because it's like 5.5k words.

It was also kind of my tribute to a Stargate fanfic I read a long time ago (following the adventures of Jack's clone, and the clones they make of Sam, Teal'c, and Daniel) that has a description of a photo in it, which has forever stuck in my head, a weird kind of visual that I will never see. It's funny how doing that, writing it rather than actually depicting it, sometimes fixes something in your head (or my head, anyhow) more perfectly, because it's the ideal version and not an interpretation, like how characters from a book you read first never quite translate into TV or movies. I am more on the writing side of this equation, I am not good enough to make visual representations of my ideas (for the record, I think both are equally valid, it's just that's not my personal strength), so I am fascinated by the techniques of making a piece of writing really visual. And I grew up reading Terry Pratchett, who is an incredibly visual writer, all his things read like movies.

I am also really into the mechanics of filmmaking, the way it's a cooperative effort - but of course this is Community, so for every one of Abed's filmmaking eps, everyone else is in their own head about the part they're playing. Abed will be trying to do one thing, and Troy generally works really well with him and riffs on his ideas, makes them more fun and less inwardly-focused - but the others all have their own agenda and will yank at the edges until it all collapses. Abed sometimes seems to make it happen on purpose, or at least has an idea of how to channel the chaos - or maybe he's just really zen and prepared to see where it takes him, idk.

And and and! I liked the idea of making something that was the written version of all the miscellaneous crap you get on a DVD, all the bts videos and bloopers and production stills...a lot of the time, they feel like no one really knows what they should contain, it's just a huge grab-bag of whatever they had lying around. There's no consistency, so you never know if you're going to get absolutely every inch of how it was made, to the nth degree, à la LotR, or if you're just going to get the theatrical trailer because fuck you, you've got the movie, what more do you want?! And these have only come up since we got DVDs, you didn't really get this with video, it just wasn't practical - so it's this weird, confused, relatively new situation, sort of an unintentional art form, of how much or how little you're told - and what that tells you about the people behind it, if they're oversharers or purists. Commentaries are the same. I've tried to listen to the notorious Blake's 7 commentaries, which, oh my god, they are the worst, it's like sitting in a bar with a bunch of drunk luvvies, thirty years after they were in a play together. But currently I'm listening to the commentaries for Leverage, which are amazing and informative and perfect.

Hmm, what else... Oh, so, things I got right for what they did in 'Intro to Recycled Cinema': scifi setting (duh), chaotic script changing on the fly (also duh), death scene (although I think I got that idea from the bit in 'Ladders' where Annie is hurt and Jeff rushes to her side), Jeff having a meltdown (double duh). I like to think that mine had the edge, because it a) had Troy, and b) had an emotional resolution for Jeff and Annie that was long overdue. But maybe I'm biased. And I am violently against crossing the streams, but if ever I was in a social situation with Dan Harmon and it somehow wasn't weird, this would be the one piece of my work I'd want to give him.

Also, I still make myself laugh with the Titanic-scene-turned-horror-movie-moment with Pierce in the car, at the end. XD

#community #fic by pepper #writing #mememe #the first edit of this shows how I'm in fic-posting mode bc instead of actually just italicising I put in the italics tags instead #d'oh!

[iconsumeheadcanons]

persona characters autism headcanons!

hi im autistic and i started my day with sun so now im !!!!!!!!! some of these headcanons are from elsewhere on tumbr, but i dont know where :(((  so i am hoping someone out there knows that n that everybody knows that i love them <3

(also go check out mollypaup and i think hypeswap if you havent already! they post some good stuff autism+adhd hc too!!! i think.. oh! and thieves-in-the-palace!!!)

P5

Joker

there was some artwork from someone on tublr..where they pointed out that he doesnt really talk outside the metaverse so--hes hyperverbal as joker and just near nonverbal as akiren

he stims ALL THE TIME. that phone thing, the pencil thing, the little tappy tap of his foot, pulling at his bangs when hes embarrassed/smug. someone get him a fidget spinner. he’ll prob learn to do tricks with it

he probably sucks at focusing in class, like i know its just the game design but hes always surprised out of his daily “star out the window at the nearby office building” when his teachers ask him questions

mona mentions when the pt is at Wilton for the first time (after they run into shido) that joker eats like shit, and that could have multiple causes at the start of the story of course, but when i first played i thought that joker was a picky eater and that the variety (and amount of food) at the buffet would be an Ordeal...

tho mona makes that comment bc joker looked pale after having a little ptsd moment from shidos voice, but i didnt know that the first time i played

maybe when joker makes a face at ryuji putting so much ginger in his gyudon? joker probably does not like pickled ginger lol

his favortive foods are all spicy, which is why the curry he makes for his friends is always ‘overly spicy’, and why kasumi makes him a curry bento and joker kept going “...?” .... “....?!”

overly reflective glasses have been a great plus for him bc now he never has to make real eye contact every again!

mona Soft. play with Ann hair. maybe Braid. nice

puns (Gorou the Goroumet)

he has so many options to be straight up rude sometimes in game. he probably no clue on his own, which is why he defaults to Not Talking. people probably mention his constant scary face, which is just him being nonexpressive, squinting at all the fucking bright lights, and Tired

executive function who? we do everything last minute folks

high pain tolerance, which is why he was the kid that was always climbing trees in elementary school to get basketballs unstuck from the branches

his sixth sense lets him see treasure and possible places to climb/crawl bc 1. Shiny? Steal it. Steal it Now. and 2. Could i fit in that? Time to Find Out

probalby a bit of a klepto too oops. he’ll return it tho!! but he has to do it dramatically or he’ll die

cant sit properly to save his life

smells and touch are Great, they can keep him grounded when his brain goes off to police or dead rivals or guilt or

if a friend hung out with him and gave him total reigns of the agenda, he would choose to nap on the floor while his friend does something off to the side quietly

hyperfocuses on handy tasks (i.e. lockpicks, coffee brewing, cleaning, his part time jobs) and some things like movies and books. everything else is a tossup

his (normal) navigation app is his most used app bc he still doesnt know where hes going, even though he only goes to the same few places in the city

hates being sweaty, literally cannot stand it. probably double exhausted during the summer

but Needs Compression so hes often Struggling

Futaba

paraphrase from p5d “i have no motor skills so i cant play rhythm games :(” need i say more? (i will regardless)

echolalia all the time, from anime, memes, the PT

those headphones she wears all the time? noise cancelling ear protectors babey

only talks about her interests, “normal” talking is Not Easy, but she is still communicative w others despite her worries. shes not “hard to understand” at all but she feels the anxiety nonetheless

only talks informally, cannot talk ‘politely’ with out imitating someone around her

shes had meltdowns and anxiety attacks in game :( i relate so hard

Technology. thats it

def had an egypt phase that pops up every few months. probably came from yu-gi-oh

has Immune to Bright Lights buff.  joker is very jealous

“Time to make like a tree and leave!” and 30 other iterations

video game metaphors are the only ones that makes sense to her

probably relates hard to robot characters in anime for their general androgyny and confusion about human emotions and connections

probably gets told that shes “too smart to be on the spectrum” by teachers >:( she fails their classes on purpose

wakaba’s autistic too that just how it is

the Connection that she establishes with Joker is so Warm. my life goals include adopting an older brother like futaba has lsdkfjslkfj

also eater of 5 foods only, i mean, she brings cup ramen to the beach. i just really admire her...

hides in small spaces for comfort

doesnt she have like uhhhhh hyperthymesia or something like that?

Yusuke

art

his entire social link is learning how humans work, which i relate

talks seriously all the time

“sarcasm? who is that? are you saying I was sarcastic?...how?”

cant remember to take care of his body, and madarame did not help with that either

lot of uncomfortable staring, hes overdoing the eye contact thingy

infodumps all the time, doesnt know hes doing it

needs a lot of support even if he doesnt think he deserves it. no one ever complains about helping him out tho

visual stims my friends

he didnt know that you could look up pictures on the internet but he does know you can stream live videos of waterfalls and fluffy animales!!

I am certainly in the mood

for something salty today.

he and joker are scared of math. numbers do not interact

Yusuke, futaba, and akiren are a trio and i know this bc their first day of non-thievery interacts is Akiren clearing Futabas room w/o permission, futaba hyperfocusing on destroying medjed, and yusuke rearranging futabas figurines so they are more visually appealing

morgana is a support friend for all of them bc igor knows they need it

P4

Souji/Yu

yes, he mostly wears gray semi formal clothes bc parents tell him to, no, he will not changes this

Schedule or Death

“sorry, could you repeat that?” “huh? oh yeah, i was saying that--” “yeah that’d be cool.”

cats, fishing, he just likes to be quiet. you can literally spend a day at the beach just to think if you want, and that is what yu want

has a lot of scripts for things (of which he shares with nanako!) but if he runs out he just stops talking..

inaba is a godsend bc its so fucking quiet and warm

he Yearns to hold his friends hands, but he shies away from a lot of touch (excepting yosuke, teddie, and nanako)

Cooking and Cleaning makes the world better. he and joker vibe together with this

unlike akiren, he strong arms any executive dysfunction into Be Productive or Else. his punishment is feeling the pure anxiety of having to make up for ‘lost time’. (another symptom of his workaholic parents)

writes everything down, notes are very neat, has pages dedicated for bad doodles when hes not feeling his usual Super Classroom Focus

Cannot handle secondhand embarrassment (most often caused by yosuke) and will quietly slip away to random cats or origami folding

hungry, crunch crunch folks. probably needs chewelry bc he used to chew on his shirt collars when he was younger.

cleans up after everyone in the food court, constantly worries about them accidently hurting themselves. likely spends half of group conversations watching peoples hands

he canonically eats expired food, nanako plz help your brother

really clumsy, but people only notice after they decide that he is a cool person

video games are too chaotic for him

exhausted every night from the pure amount of masking he does, if a friend spends the night (or is like yosuke) they will know his more comfortable weirdo self (tho everyone knows hes a weirdo eventually)

hyperempathetic, sometimes just understands animals and children better than peeople his age or older

Yukiko

her jokes

she and souji get in ‘trouble’ together, she and joker commit crimes together

she and chie have to coordinate outfits, its important

actually understands metaphors, but does not understand people

like me, had no clue that creepy kid was flirting with her

she is very angry when she has meltdowns that might involve slamming doors and shouting. her parents call these ‘tantrums’ and ‘unfitting for a polite daughter’ but really thats because her meltdowns tend to be caused by arguments w her family after a long day of school and TV world traipsing

the metronome meme, except hers goes between Loudest Person in the Room to Quietest Pin Drop in the Planet. she is completely unaware of this

her atmosphere brightens when chie appears. that is not only the lesbian energy within her, but also because chie is like her Favorite Person

Cannot wear Pants. No (tho she wants to try it! but she puts them on and her soul instantly squashes)

happy flappy lesbian! watch out!

Naoto

the pouty face. all the time lskdfjlasdkf

hes really snappy sometimes and i love that for him. he and akechi should fight just to see what would happen (please read Bang Bang Shoot Shoot on AO3)

“do not touch me or my hat, thank you”

no one has ever seen him shutdown and no one ever will (except for his grandpa)(and kanji)(and rise)

probably likes certain food textures and will stand for nothing less, probably feels embarrassed about his preferences with friends

constantly jumps between ‘everybody hates me so i should act like them so they dont hate me’ to ‘i refuse to be anything but very comfortable as myself, and i dont care that im making you upset sir’

he and souji are the king and queen of subtle stims, but for unhappy reasons :(

does not make jokes. cannot joke around. understand? yes, do? no.

loose clothes are the only good clothes, but all tags and obtrusive seams will be obliterated by kanji tatsumi

not very empathetic so he probably comes off as an asshole to strangers (like when he throws away his classmates confession letters without reading them) but he tries so hard to sound comforting when his buds are struggling.

his understanding of others emotions/reactions come from his learning as a detective, which seems cold+clinical to others, especially compared to souji, whos completely unexpressive but very introverted people person

P3

Hamuko/Minako/Kotone

big personality!! very people-oriented!! koromaru and her are buddies!! when shes having a real bad time, shes very quiet and expressions turn off

interrupts herself in the middle of conversations all the time. no one knows where shes coming from. her brains is thousands of km ahead of her body

bouncey legs, swingin arms, twirlly skirt, little somersaults! when will she stop? never!

very obvious music stims with her hands and arms! people are like “oh there she goes! happy as usual!” shes listening to minatos heavy metal playlist

switches from exhausted to excited within milliseconds. no one can predict, not even her

SEES has to ask her for context all the time cuz she’ll just continue shit from 2 weeks ago without warning

professionals will assume shes very childish bc of how chipper she is, but she is beyond mature for her age and only feels comfortable enough to have serious conversations if a person has proved themself able to handle it

collects every little thing. her room is a mess and she has to get rid of most of it every time she moves :(

hates cleaning! smells bad, feels bad hhhhhgggg

dont let mitsuru-senpai see her bedroom

gets lost in the middle of conversations with others bc shes thinking about a story connected to one(1) word that was said earlier

 no sense of time and place, she just sees her friends and goes “ah, this is the right place, then” but junpei and akihiko are also lost so now theyre all screwed

Minato/Makoto/Sakuya

no talkies, no walkies

his story in the movies is him literally learning how to function around people he cares for

doesnt get jokes, expressions, body language, empathy, subtlety, metaphors, physical contact, or eye contact. aigis is probably the only person he truly understands right away

he is still nice to people because he doesnt see a reason not to be, but also he has very limited energy so only his senpai and old people get his most polite-kindnesses

cannot describe feelings for the life of him. the team wont know hes injured or sick until hes passed out

everything is too loud, time to drown it out with my loud ass music

rocking and chewing stims, ryoji is the first person to point him out for these subtle stims (not accusingly of course, just general pure curiosity and love for the uniqueness of humanity)

likes to cover his face with whatever is available, lives like a bat in a dark dry cave

will wear anything that has pockets and his blue/gray/black palette

sleepy at all times bc he never has much energy

when he was younger he probably needed a lot of support, especially after his parents died, because he wouldnt communicate like a neurotypical and would shutdown for hours in the middle of school without warning. probably missed a lot of lessons and field trips out of pure overstimulation

eating at all times. no preference, just whatevers closest

his meltdowns probalby include humming whining noises and curling up in a ball, which makes people want to touch him, but that is the LAST thing he wants. put a blanket on him! play some music! do not talk and do not expect him to speak

aigis is the only person who can touch him normally bc her hands are cold and he likes cold

never nude, feels mmmmmmmmm without clothes and probalby wears a full robe in the hotsprings

will not do things that take more than one step w/o someone else walking him thru it, which Same

#my writing #p3 #p4 #p5 #persona 3 #persona 4 #persona 5 #ren #futaba #souji #hamuko #minato #vibes straight thru the sun #i sincerely hope the read more works #im so srry for grammar problems #i literally cant read rn

[verobatto]

Saileen: the new toy for Chuck

And about how TFW are winning some powerful allies...

Saileen meta. Castiel meta. TFW meta. Chuck meta. 15x08 meta. Our Father Who aren't in Heaven.

Hi my friends! This is my second meta from this epic episode. If you want to read my first meta, the Destiel one, is right here.

Okay, let's start this...

Cas...? Better out!

Okay, did you noticed at the beginning of the episode? We know now Chuck is afraid to something, and that's "his crack", this mention of a crack just recalled me that Cas has a crack in his chasis, si we just need to make the connections to who Chuck fears of...

Okay... This was very visual...

Thanks @agusvedder for all this gifs!! You're amazing!

Okay... Watch this... Whatch how Chuck threw that blue little umbrella that was on top of his drink away from him, with disgust. Like. This no. He doesn't want that blue umbrella there, bothering him while he wants drinking his YELLOW AND RED drink.

You know me... Blue/Cas... Yellow/Sam and Red/toxic Dean.

So evidently, Chuck doesn't want Castiel to be around his plans, because as I said in this meta, he changes the script.

See what Cas had just did... He recruited Michael against him!

And Chuck is out of control, he killing everyone, he's mad and bored.

Then there was that moment when he literally heard the whole intent to read the demon tablet to defeat him.

So, Donnatello is a kind of... Connection between the Divine, the dimensions, and humanity. So, why don't to use him as if he were a hidden mic or something? Then why not to talk through that mic? You know how Donnie is an entire celestial communication technology, right? @emblue-sparks marked this too.

And so clever and thanks Metatron, the one who knew how God worked, he knew God's weakness, and God's madness maybe too... He wrote a few editor's notes, just in case God will go to the bad side...

And the good news are... @weirddorkylittlediana you were right. My friend said to me that episode 14x15 Peace of mind, could be a forshadow of how they could defeat Chuck, by lock-in him out in his own mind.

And now we had the premise from Donatello reading the demon tablet and Michael, God can be locked.

Son.. I think we have the spell... The archangel... We just need a god as powerful as God to do this... Oh! Hello Amara!

I'm just seeing Chuck will be defeated soon I'm next half and then we will have the whole Empty plot in which I expect Dean will rescue Cas. I hope so.

I'm just so curious about God's fears... Is it Cas? Is it Free Will? Is it Amara? Or being locked down for eternity?

If they locked God in his own mind, in his own fake happiness, like Peace of Mind showed us, then..m we could call that an Emotional Prison. Right? I love how every Meta I wrote is confluencing now in this season... *Cries in enochian*.

Your Father, not mine

And this is why I say, Chuck is afraid of Cas.

When Castiel decided to pray to Michael. By the way, it could be taken as a foreshadow for Dean's prayers too, the scene was careful shot so we can see Cas through a circle, as if we were spying him...

Is not us, but Chuck, who's spying what Cas is saying. And also... It was a lot of this kind of shot made by the camera in season 12, 13 and 14. But if you recall in season 12, we had this scene...

So I truly believe Chuck was spotted here too... Spying at these two.

But let's come back to Cas and his prayers...

(thank you Agus for all these gifs!)

Castiel is repeating TWICE: YOUR FATHER, YOUR FATHER. This was very huge, because... Castiel is not recognizing Chuck as his father anymore. He's not. Because he's evil. And he lied. And he's a monster.

But Michael, he knows Michael doesn't know all of this, and because Michael was always the Righteous Son, the favorite, he know he won't do nothing against his father. Because he's the obedient one. So Cas knows he has to dig slowly to get Michael as an ally.

Castiel tries to connect with h, to empathize, talking about Michael's being locked on that cage, talking about heaven, saying he's not his enemy, but Chuck.

Finally, Michael goes to him, and it was very interesting to watch Adam and Michael dynamic. They were friends, partners. Even Adam sounded like Michael's conscience. Trying to make him see the Winchesters's intentions. This reminded me to 12x19: when Castiel talked about Benjamin and his vessel, and how bonded they were, they were more than friends. So, this look similar, is like two persons living in harmony inside of one vessel.

So Adam, acting like Michael's conscience, is trying to show him fathers can make mistakes...

Castiel, the rebellious son, will try to convince him, but now, Adam, is trying to show him he can be a rebellious son too. Just like Dean did with CAS in 4x22.

How the thing ends, and I don't think Chuck likes this or wrote this or expected this... But Castiel prayed to Michael, he brought him to the Winchesters. He talked with him and he showed him the truth. So... Is Chuck afraid of Cas? I truly believe he is more afraid of FREE WILL. And the Winchesters have now this powerful ally from Heaven

Michael, who said that FREE WILL IS AN ILLUSION, is trying to use some now.

Saileen is the new interest of Chuck

I really love seeing Sam worried about Eileen, running after her to help her, and Saileen saying he is overprotective. Gah!!! Amazing! Really...

They are a power couple of strong hunter's, and watching them going that path it makes me happy. Settled down with a hunter. This is how it should be.

I really screamed when I saw Rowena like the Queen of Hell. He wanted the throne and she took it. Because like we were talking with @legendary-destiel , if you want something, you take it, right? Cut frame to CAS. 🤣🤣

But well. The Winchesters had an ally in Hell, a very powerful and Beautiful ally. So, everytime they were asking for something or explaining something bro her, Rowena looked immediately at Sam. She needed his confirmation, because she trusts him, blindly.

And it was hilarious how she asked Sam to fill her glass with whiskey, and they caressed their hands... Okay this one , the healing hand, and the hand by hand side during the spell... Is talking about foreshadow too for our Destiel holding hands... Oh... Where was I? Oh! Right!

So, Chuck named Jody, Donna, and Eileen when he was asking them to drop it, threatening TFW, and then he focused on Eileen. Because they didn't drop it.

He dragged Eileen and consequently, as he knew, Sam with her to his hands. He needs them. He needs them to his purpose, he knows now Eileen is Sam new weakness.

And we are seeing how the toxic codependency between the brothers is dying slowly, just like @espejonight28738 said in her meta. Go to read it here.

To Conclude

This episode showed us how TFW is winning allies in Hell and Heaven to defeat God, they tried the same in season 11 finale episode, using angels, demons and witches.

Castiel is the one who track Michael down and convince him to fight by their side showing him the truth.

Michael, who had said Free Will is an illusion, is experiencing now what free will means.

The dynamic between Adam (vessel) and Michael (Archangel) was very enlightening to understand how two friends can share a vessel. (Calling here @emblue-sparks who wrote a series of metas about this spec).

Saileen is the example of what settled down with a hunter means, is a reflection of what Destiel should ended.

Chuck has a crack in his chasis and is fear, maybe, I suspect, to free will, things that he can't write. Example: Castiel.

I hope you like this meta! See you in my Narrative Meta!

Tagging @metafest @gneisscastiel @emblue-sparks @magnificent-winged-beast @agusvedder @weirddorkylittlediana @michyribeiro @whyjm @legendary-destiel @a-bit-of-influence @thatwitchydestielfan @misha-moose-dean-burger-lover @lykanyouko @evvvissticante @savannadarkbaby @trickster-archangel @dea-stiel @mybonsai1976 @anarchiana @angelwithashotgunandtrenchcoat @trashblackrainbow @destielshipper221b @mishtho @dancingtuesdaymorning @feathered-castiel @bre95611 @zoerayne2426 @justmeand-myinsight @that-one-fandom-chick @proccastinate @studio-hatter @pepevons @liwopanyaasss @poorreputation @mrsaquaman187 @staycejo1

Buenos Aires December 13rd 2019 1:49 AM

#supernatural meta #15x08 meta #15x08 spoiler #our father who aren't in heaven #tfw meta #castiel meta #chuck meta #saileen meta #destiel #destiel meta

[calpalirwin]

Artsy Folk

Summary: Funny how working at a high school makes you feel seventeen again.

A/N: Teacher!Ash!

Content: Fluff. Almost cuss word free.

Word Count: 2.8k

And away, and away we go!

~~~

You frowned as you looked at your box of decorations and around your bare classroom walls. Just how the hell you were going to decorate in time for the first day was beyond you. What you needed was help, preferably from someone who was tall. But, that wasn’t in the cards for you. You were on your own.

You cracked your knuckles and set out to work. In two hours, your fingers were sore. In four, your back ached.

You wiped the sweat from your forehead as you caught your breath, looking around the room. It was certainly better than it had been, but still not exactly how you wanted it. You thought the heavy pounding was coming from your chest, but as you rested your hand on your chest, you realized the noise wasn’t coming from you.

You got up and walked over to your opened classroom door, peeking out across the quad. Another classroom door was swung open and the pounding had gotten louder. Curiosity took control and you found yourself strolling towards the music pouring out of the other classroom.

Your knuckles rapped politely on the door as you poked your head in. “Hello?” you announced.

The man at the drumkit didn’t hear you as he drummed with his whole body, lost in the music. The midnight hair covered his face as the drumsticks twirled effortlessly in his large fingers. You could see the swell of his arm muscles and the thickness of his thighs as he beat mercilessly on the kit- a fast-paced, steady rhythm.

“Hello?” you said a bit louder, moving deeper into the room.

There was a thunderous finish, before his fingers gripped the cymbals to silence them, the notes still reverberating around in your ears. Those same fingers pushed his hair out of his face and then a startled pair of the prettiest eyes you’ve ever seen were taking you in. “Oh, hello,” his voice called out and you detected the trace of an accent.

You blinked and he was in front of you, taller than you by a foot, and reaching out a hand. “I’m Ashton.”

“Y/N,” you breathed back, wondering when you had blacked out as you shook his hand.

“I wasn’t bothering you, was I? I keep asking admin to soundproof this room, but they never get around to it. I swear one of these days, I’m just gonna do it myself.”

You shook your head to clear it, his words filtering foggily into your head. “What? No, you weren’t bothering me. I… uh… it was good! I thought I was alone.”

He giggled and you saw stars. “Nah, I’m always here.”

“Hard time separating work and home?”

He giggled again as he shrugged. “Not much to go home to. Plus, I spend so much time teaching music, I don’t get around to playing it a whole lot. So, I try to fit it in when I can.”

You nodded, “I get what you mean. Too busy teaching our passion to partake in it ourselves.”

“Exactly,” he smiled and you melted at that dimple in his cheek. You, you decided, were in big fucking trouble. “So, what do you teach?”

“Oh, I’m the new drama teacher.”

“Oh, sweet! We’ll have a lot of the same students then.”

“Probably work together a lot too, huh?”

He nodded, smiling wider. “Oh, for sure. What kind of productions do you have planned? Or have you got that far yet?”

You laughed, shaking your head. “Today is just a decorating day. Hunting down age-appropriate productions is tomorrow’s job.”

“Did you need any help decorating?” the words rushed from his mouth. “I mean, I…” he started to falter, his cheeks flushing as he passed a hand through his raven locks. “I’m tall so I can… I mean… if you don’t wanna stand on a desk.”

“That would be great actually! If you don’t mind?”

“Nah, not at all. Us artsy folk gotta stick together.”

~~~

You felt a flutter in your stomach every time he flashed you a smile across the quad as you both held the door to your respective classrooms open for your students.. You couldn’t stop your own smile how you heard his voice boom out after every bell with a welcoming, “Alright class!” Was working on a high school campus destined to make you feel like a lovestruck teenager yourself?

The flutter in your stomach got more pronounced on your lunch breaks when he’d spin a chair around to lean his chest against the back, his dimple indenting his cheek as he popped an orange slice in his mouth.

“How was your break?” he asked after the holidays had finished.

“It was good,” you smiled at him, wishing for the millionth time to be that orange slice that brushed up against his perfect lips. “How was yours? Get to put your passion to good use?”

“Did you?” he challenged, tapping the screenplay you had next to your own lunch. “Seriously, how many of these do you read?”

“A lot,” you laughed. “Mostly to get scene ideas for the kids to practice. But this is for the spring musical.”

“Sound of Music, huh?” he asked, glancing at the title. “I always loved that one.”

“Me too. I’ve always wanted to do it.”

“Have you talked with Luke and Mike?” he asked, referencing the tall choir teacher and the wild art teacher.

“No, I need to,” you said, pulling out a pen and scratching the note down on the back of the script. “Thanks for the reminder.”

“No problem,” he grinned, swallowing another orange slice. “Lemme know if I can help with any musical arrangements.”

“Would you?” you asked, eyes hopeful and wide. His name had been first on your list of people to ask for help when you got the rights to put on the production.

“Us artsy folk gotta stick together.”

~~~

You sighed, rubbing your eyes as the teenagers on the stage looked at you with sheepish smiles on their faces. You glanced down at your phone to note the time. You had an hour left of rehearsal time. Sixty minutes to nail your favorite scene. The students were hard-working, there was no denying that. But nothing about this scene felt right to you. It felt forced. And you hated that. Maybe it was the long hours getting to you. Maybe there was a pressure you were putting on yourself to put on the perfect production of your favorite musical. Either way, something wasn’t clicking today and it was driving you up a wall. “What’s going on, guys? Is it the lyrics? Do we need another day with Mr. Hemmings? Is it the blocking? Do I need to break it down again? Help me, help you, guys. C’mon.”

“It’s just not clicking, Miss,” Charlie, a lanky sophomore, said, rubbing at his neck.

“He keeps throwing me around like a ragdoll!” McKenzie, a petite junior, turned on her partner, hands on her hips.

“I’m supposed to spin you! That’s the scene!” he fought back, towering over her.

“Not so fast! And do you have to grab me so hard?! Miss, he’s bruising my hips!”

“I’m not doing it on purpose!”

“Alright!” you shouted above their bickering, waving your hands. “Fighting’s not gonna get this done. Kenz, Charlie’s right. Spinning you is the scene. But Charlie, slow it down like half a step. Go with the beat of the music.”

“Miss, it’s a little much. The music, the lyrics, the blocking,” Charlie admitted with another sheepish look.

You sighed again, glancing at your phone again. It was Charlie’s first production and he had landed himself quite the role. You had specifically cast him alongside McKenzie so the older girl could lend her experience on the stage to the boy. It had been working, or so you thought. “Why don’t we take it one piece at a time? Just do the blocking. Then add the lyrics. Then the music. 3 more takes.”

Charlie and McKenzie nodded in agreement.

“Alright, Mr. Irwin, keep off the music cue, please,” you said, turning to where Ashton was a little ways off with the band.

Ashton nodded with a small smile that had your insides doing somersaults.

“Alright, take it away.”

The action on stage was gawky as the two students moved in silence, the only sound being the scuffling of their shoes. All three of you shared a collective frown as they moved back to run it again. The second take flowed better as the lyrics they sang provided structure to their movements. “Alright, better,” you approved, smiling as they moved back for the last take. “Now, let’s add the music. Mr. Irwin?”

Ashton led his students through the music as you trained your eyes on Charlie and McKenzie’s movements. Charlie’s foot stumbled as he picked up McKenzie, falling into his usual half-step behind the music. He spun fast and hard to catch back up to pace, but forgot to spot his turn, so the toes of his sneakers lost their grip and with McKenzie in his arms, he couldn’t regain his balance. Both teenagers tumbled to the stage floor, Charlie graciously taking the brunt of it, “oof,”s falling from everyone’s lips as you winced.

“We good?” you checked, your face a mask of worry.

Charlie stood up, dusting off his jeans, before reaching a hand to help McKenzie to her feet, both breathless with laughter. “Yeah, we’re good, Miss. Sorry, Kenz.”

“You forgot to spot,” McKenzie scolded, patting the boy’s chest. “Miss, he always forgets to spot his turns.”

“She’s right, Charlie,” you told them, with a soft chuckle.

“Miss, it’s too much. Every time I think I got it, my brain messes it up.”

“You’re doing fine, Charlie. This is a process. That’s why we have rehearsals. Do we need to take a small break?”

Charlie and McKenzie shared a look that bordered on dangerous before Charlie spoke up. “You know, Miss… I’m a visual learner… maybe if you showed me how this scene goes…?” his eyes fluttered over to Ashton suggestively as you felt heat rise to your cheeks.

You narrowed your eyes at McKenzie in particular. You had gotten to know the girl pretty well over your stint as her teacher, and she gave you relentless teasing when she had caught you subconsciously biting your lip when you and Ashton shared your smile and wave between classes. You also knew that a lot of the students thought you and Ashton shared something that went beyond those small smiles, a rumor that was growing with how close you were becoming to the music teacher now that you were working on the musical together. Teenagers, you had come to realize, were incredibly observant when it came to matters of the heart.

You pulled yourself onto the stage and moved to stand between the teenagers, ignoring the eyes on you, Ashton’s in particular. “It’s like this,” you explained. “Pick, twirl, land,” you demonstrated, going through the motions. “It’s not even a full spin, Charlie. It’s a 180 degree turn, not a full 360.”

Charlie shared another look with McKenzie before he flashed you a grin. “Yeah, Miss, I still don’t fully get it. Can… hey, Mr. Irwin! Can you come help?”

A smirk threatened to overtake Ashton’s face, his hazel eyes wide as they looked at you. “Uh…” he faltered, a hand running through his ink-like hair.

“Clearly there’s only so much teaching I can do before I require reinforcements,” you told him with a shy smile and small giggle, sweeping your arm before you in silent question.

A matching giggle came out of Ashton’s own lips as he effortlessly swung himself up on stage with you. “You know the scene?” you checked.

“Course I do,” he confirmed.

“Alright, from the top then,” you said, directing your attention away from his close proximity to look at your students. “Charlie, watch Mr. Irwin’s movements. McKenzie, watch mine. As much as the pressure is on Charlie in this scene, you’re playing an important role, too. Keep him grounded,” you explained as you and Ashton took your marks.

Ashton gestured for his students to start playing the music and your eyes went wide for a moment as he started singing. You were surprised you were so surprised by his singing voice. His regular talking voice was as smooth as honey, of course his singing voice would be even more magnificent.

Your bodies moved in sync through the scene, his hand there to guide you up to step onto the bench, before his strong hands were on your waist and you were lifted into the air. You bit on your lip to keep in the schoolgirl like giggle bubbling up inside as he pivoted in a graceful half spin and placed you gently on your feet, the music and your voices fading out across the theater.

Your heart was racing and your ears were ringing as his hands stayed glued to your hips, eyes locked on each other.

“Oh!” Charlie’s voice sounded, and you and Ashton jumped apart, his fingertips lighting you up as they slid across skin, keeping contact until the last possible second. “I think I get it now!”

“Yeah?” you asked, a smile on your lips and your eyes shining as you kept your gaze on Ashton.

“Yeah!” Charlie said, excitedly.

“Alright, take your marks. Run it from the top,” you said, biting your lip as Ashton’s tongue poked out to wet his own.

When Charlie and McKenzie ran through the scene, they didn’t mess up once. You raised your eyebrows in suspicion at them and they just grinned at you. You shook your head, your shoulders shaking in a silent chuckle before your eyes darted over to see if Ashton was looking. When he wasn’t, you mouthed a thank you to the conspirators. “Alright, great work, guys. Let’s call it early,” you said loudly, gathering everyone’s attention. “Back here at 3:30 sharp tomorrow.”

~~~

You stood in front of the auditorium, watching the last of the students get picked up by parents or jet off into the evening with their friends. You crossed your arms over the chest to ward of the chill, desperately wishing for the parking lot to empty so you could seek the warm shelter of your own car.

“Hey,” a voice piped up and you jumped. “Sorry, didn’t mean to scare ya,” Ashton chuckled.

Your hand fluttered to your racing heart. “I figured you would have left already.”

“Nah,” he said, leaning up against the wall of the building, a leg kicked up so his foot rested against the wall along with his shoulders. “Just got finished locking up the band room.”

“Mmm,” you nodded, looking out across the parking lot, not wanting to look at the man who had set a fire in your soul not even twenty minutes ago. How someone could ooze sexiness without even trying made you shiver at what he was capable of when he used his charm full force.

“I didn’t make you uncomfortable in there, did I?” he questioned, his eyebrows furrowing together.

“What? No! No,” you laughed, “not at all.”

He let out a small chuckle of relief, “Good. Cuz I was gonna say, I think they’ve been plotting that one for a while.”

“Me too. Wonder where they got such a crazy idea from,” you wondered out loud.

He pushed off the wall and stuffed his hands in the pockets of his jeans. “Dunno. Kids get these crazy notions sometimes.”

“Crazy,” you said, biting into your lip as you turned to look at him.

“Totally,” he agreed, swallowing thickly. “It’s like I can’t smile at a pretty girl without the whole school thinking I got a crush.”

“And do you?” you asked, your cheeks warming at his dropped compliment.

“Do I what?”

“Have a crush on the pretty girl?”

His shoulders shrugged and his eyes danced away. “Maybe…” his voice murmured the answer.

“Maybe the pretty girl has a crush on you too,” you admitted shyly.

“Yeah?” You noticed the hopeful lilt in his voice and the heat in your cheeks grew in intensity.

“Night, Ashton,” you smiled, walking off slowly in the direction of your car.

He didn’t answer as you continued to walk away and you let out a small sigh of discontent. Maybe it was best to have kept your attraction a secret from the music teacher across the hall. Better to have the small moments of affection and tenderness rather than lose it if things went by the wayside. So when his fingers danced onto your waist, you nearly jumped out of your skin before instinctively relaxing into his touch, wondering how someone so big could move so silently. Those same fingers you had spent many a sleepless night imagining exploring the expanse of your body tugged at your flesh, spinning you around to face him. “You have no idea how long I’ve been wanting to do this,” he breathed down at you before his perfect lips were on yours.

“You have no idea how long I’ve been wanting you to do that,” you replied, melting into him, his kiss, his touch, craving more and more.

“Us artsy folk gotta stick together.” His eyes were shining and his voice was breathless and you were thinking things that left you wet between your legs.

“That we do,” you said before reaching up on your tiptoes to kiss him again.

~~~

Tag List

@goeatsomelife​ @flameraine​ @cashtonasff5sos​ @here-for-the-uproars​ @cxddlyash​ @1-irwin-94​ @baldcalum​ @sparkling-chaos​ @tea4sykes​ @youngblood199456​ @5-seconds-of-obsession​

#artsy folk #ashton irwin #ashton irwin fic #teacher!ash #5sos #galcal irwin

[letmetellyouaboutmyfeels]

I don't know if this could be taken the wrong way, so let me just say that I'm approaching this with the utmost respect and admiration for you work: would you ever consider writing a "how to" kind of tutorial for how to structure a smut fic? I love your fics and would love to get a sense of your process, since mine apparently does not work for me anymore.

Okay, phew, this took me far longer to get to than I’d hoped, my apologies, nonny! I’ve never considered writing a “how to” before, since I don’t really see myself as an expert or a teacher, and everyone’s process is very personal and subjective. But I hope this sort of slap-dash tutorial will help you in your writing endeavors!

Warning: NSFW and “crude” language ahead, since I’ll be damned if I’m bothering to use a bunch of euphemisms while I’m literally talking about writing sex scenes.

So You Wanna Earn that “E” Rating: One Kinky Idiot’s Guide to Writing Smut

(Shut up, I’m hilarious.)

First Steps: Before You Write

Okay, so, I say this pretty much anyone asks me for writing advice about something, no matter what the topic might be: start with research.

Shocking as this might be, I have not had sex with a vampire, a dragon, or a werewolf (yet, hit me up, I’m single). This is pretty easy for the reader to assume, since most of us have not met a vampire or any other supernatural creature (alas). But a lot of the other sex stuff I write about I haven’t done, either, and same with a lot of other writers. For example, I have never given a blowjob to an uncircumcised man. Garcia Flynn is from Europe, where it’s a lot more common for Gentiles (non-Jews) to be uncircumcised, so it made sense for him to still have a foreskin (compared to Wyatt Logan, being American where most men regardless of religion are circumcised). So when writing sex scenes, especially blowjob scenes, I had to know what the fuck to do with the foreskin.

RESEARCH!!!!

Research can also be kind of helpful in the erotic sense. Most articles such as “how to use a vibrating dildo” can be very straightforward and clinical, but the detail of their descriptions can help you to start picturing the sex scene you want to write.

So before anything else: if you don’t have the hands-on experience, RESEARCH RESEARCH RESEARCH. This includes reading other smut fics that have whatever it is you want to write about! I read a lot of gay smut before I wrote two men getting it on, seeing as I am not a man (I am as swift as a coursing river and have the strength of a raging fire but, alas, do not possess the force of a great typhoon and I am the farthest thing from mysterious as the dark side of the moon).

Another thing some fellow smut writers have found helpful is watching porn. They’re much more visual than I am, and so seeing things acted out, even if they’re acted in a cheesy way, can help them to get creative juices flowing and visualize what they want their characters to do. I do not like porn, since I am a fucking snob and criticize the lighting, the script, and the camera angles the entire time.

Yes, I’m a great time at parties, thanks for asking.

Also? Masturbation. YES I’M SERIOUS. Think long and hard (ha) about what turns you on when you’re touching yourself. I don’t just mean that fantasy about the pirate captain, I mean literally, what parts of yourself does it feel good to touch? Do you like to tease and take your time, or get right to it and be a little rough? Do you prefer big dildos that fill you up or a small vibrator that concentrates on your clit?

What you like and how you want to be touched is a great way to start.

Part Two: How to Get Your Blank Word Doc To Stop Mocking You

I usually start my smut scenes one of two ways. The first way is generally for my oneshots: WHAT KINK ARE WE GOING TO GET EVERYONE INTO TODAY??? LET’S SPIN THE WHEEL!!! *game show theme music*

The second way is more for my multichapter fics, which is: what is the purpose of the sex scene? Why are these characters having sex?

Everyone has times where they have sex just ‘cause they wanna have it. That’s what PWPs are for. “I’m horny and I want to read someone getting two cocks in their vagina/being tied up and made to orgasm five times/fucked against a wall.” Great! Excellent. Wonderful. For those cases I ask myself, “well, if I were in Character A’s shoes, what would I find hot?” I consider the person’s personality, and then roleplay in my head what would feel good to me to do. Then I swap and do the same thing through Character B’s shoes.

For example, I am very submissive in bed. I want my partner to tell me what to do (not all the time but when we’re getting kinky). I do not want to be the one giving orders. Lucy Preston, however, is dominant in bed. She wants to be in control. So when I write sex scenes I can’t just say, as Lucy the woman, “oh I want him to hold me down and fuck me,” because that doesn’t fit her characterization (at least, not the characterization I see for her). That’s important to consider, always.

CHARACTERIZATION IS KEY!!!! I can’t tell you how many damn good fics I was into until I got to a part where a character was acting OOC and it took me completely out of the story. Most recently, I was reading this hilarious and sexy smut oneshot that I was absolutely in love with–until I got to the end, and Character B, who is known for being very taciturn and not good with words, started spouting off all this really earnest and romantic stuff.

Look, there are ways that a taciturn person, who isn’t good with words, can be earnest. Having them say cliche romantic stuff is not it. I was completely taken out of the story and that saddened me because I loved it up until that part.

***Interlude***

A good example of this is pet names! Pet names that characters call each other really showcase their personality. For example, I have Flynn call Lucy moja draga and moja ljubav which are Croatian for, respectively, “my darling” and “my love.” But he calls Wyatt moj tigriću which is Croatian for “my tiger,” because it just doesn’t fit the snarky, chaotic, initially-adversarial Wyatt/Flynn relationship for them to call one another “my love” or “my darling.” Wyatt calls Flynn “babe” in a way that started out sarcastic and became a habit before he could stop it.

I could go on (the trio has a lot of pet names for each other) but my point is, the pet names fit their personalities and their dynamics. Gotta do the same for your sex scenes! People don’t just become porn stars when they have sex, they’re still themselves!

***Interlude Outro***

Okay, so that’s PWP But what if it’s in a longer fic? What if this is the sex the characters have been building towards for 50k, 100k, 200 FUCKING THOUSAND WORDS WHAT THE FUCK–

*ahem*

Anyway, if you do that, then of course it’s not just about “hey I’m horny and have a thing for being spanked.” There have to be reasons why. Consider the circumstances. Is it a release of tension? Did they just have an argument and they’re running high on adrenaline? Did one of them just suffer a loss and they want physical intimacy to feel comforted? Why are they having sex now, instead of at another time, and once you figure that out, that’ll set the tone for the whole thing.

This was something I really struggled with in The Thing With Shadows Is (They Come From Light, From Somewhere). The setup for that fic is that Lucy was a dominatrix at a BDSM club, and needs to become one again to go undercover and get personal information on Rittenhouse members. To maintain her cover, only one person will be in contact with her, by posing as a client and doing BDSM scenes with her. The person chosen is Flynn.

This was a bit of a shameless excuse to have Flynn and Lucy fucking every chapter, but having characters doing sexy stuff to each other every chapter can get boring quickly. So every chapter I was thinking, why are they doing this. Why are they being sexually intimate? What are their emotional states? What do they want, and what are they not saying to each other? What is coming out through the sex because they’re refusing to use their words?

The why will immediately dictate what sex stuff actually happens in your scene. If a character is, say, grieving the death of a loved one and wants intense physical comfort, they’re probably going to want to be on the bottom (missionary position) so that the weight of the other person on top of them grounds them. Or, perhaps they would like to be on top, so that the other person can wrap their arms around them, and they feel held and cared for. Perhaps they want to do it with the other person behind them, kneeling, arms around them, so that they feel held but they don’t look at the other person’s face, because they can’t handle that kind of intimacy right now with all the emotions they’re struggling with.

But on the contrary–maybe they want to be fucked hard and rough, taken out of their heads, made to not think about anything at all! All of these are viable choices based on the character, and it’s up to you!

Comparing it to yourself can really help. How would you want to have sex in that given situation?

Is the sex tender? Is it explosive? Is it frantic and on the floor of the foyer with their clothes mostly on because they can’t get enough of each other and they’ve waited too damn long already? Or is it done slow and soft in a bed, fully naked, their hands interlocked, staring into each other’s eyes? What the characters are feeling and why they’re having this sex now, here, will help with that.

Figure all that out, then projectile vomit it onto the page.

Part Three: Revision, or, Taking Your Darlings Out Back and Shooting Them

Once I finish vomiting unleash my first draft, then that’s where the research comes in. I read the scene over again and go, okay, well, this and this and this are very hot, but this position here isn’t physically possible. Or I can add in bits of realism like, okay, here’s a part where I can describe the safeword, or how she tied the knots, or what the vibrator looked like.

Your first draft is where you just vomit up whatever you find sexy. Because if you keep stopping along the way to interject realism or to double-check everything, you’ll never get finished. Save that for the second draft.

And by the way–I’m using the word ‘vomit’ for a very important reason. The goal of your first draft is for it simply to exist. So often we want perfection immediately, and that’s not gonna happen. If you aim for perfection, your story will never be finished. It doesn’t matter how crappy your first draft is. What matters is that it exists.

So. Revision time. Now, fanfiction can be, say it with me folks, ESCAPISM.

LOUDER FOR THE PURITANS IN THE BACK!!!

FANFICTION CAN BE ESCAPISM!!!!!!!

So sometimes that means your sex is a little too good to be true, sometimes the BDSM practices are a little unrealistic (who the fuck is going to survive ten orgasms without a break, the closest I got was five and I got a fuckin’ UTI out of the deal), and so on. But! Don’t break the rules until you know what the rules are! Learn the rules! Do your research! Then you can break them without breaking your readers’ sense of realism.

For example, I have read fics where the person was tied up and had an unreasonable amount of vibrator orgasms, and yeah, probably in real life, there should’ve been a pee break in there somewhere, they should’ve stretched their limbs, taken a breather. But it was a damn good fic to fantasize.

On the other hand, I was rudely jolted out of a fic I read once when the dom fit his FIST inside the sub’s MOUTH.

I tried it, guys. My hand is not that big. It did not work. I was literally reading the fic screeching YOU’VE DISLOCATED HIS JAW, HIS JAW IS NOW DISLOCATED, OH MY FUCKING GOD.

So yeah. Do your research so that you know how to break reality in fun ways that enhance the sexiness, not in weird random ways that take your readers out of the story.

Going back in and looking at your sex fantasy (because that’s what your first draft was, a sex fantasy) through the lens of your research and your critical eye ensures that you can add in details that make it more realistic, and sexier.

When you’re three fingers deep (or jacking off, I don’t know, whatever your genitalia is) and you’re picturing your favorite actor fucking you, you’re not thinking about the details.

Unless you’re me in which case you halt halfway through because no no we should’ve taken our shirts off in the hallway and then she could pick me up–rewind, let’s take it one more time from the top…

And that’s good! You’re flooded with endorphins, you’re chasing an orgasm, who the fuck cares about logistics! But it’s an experience that’s just for you, in your head. When you’re writing a story, you’re giving that experience to someone else, so you have to provide them with as many details as you can so that they can experience that fantasy, too.

Of course, all rules are meant to be broken. There are times when a lack of detail is good, and fits the mood. My smut scene at the end of Love You Like a Killer (I Want To Make Your Heart Stop) was very mood-oriented, very emotional, very much about release and the connection between these characters. I had them make love during a goddamn thunderstorm of all things. So I didn’t go into huge detail about whose throbbing cock was where and so on. Because going into too much detail would’ve ruined the dreamy, emotional, romantic-music-swelling mood I was going for.

But yes, revisions, add in all those lovely realistic details about logistics (I have drawn stick figures in the past to figure out sex positions, do what you must) and things I learned from my research, and ta-da!

Part Four: Random Information I Find Helpful

Variety is the spice of sex. Be careful not to overuse words. This is something you tackle after you revise, when you’re on the more nit-picky stage. If you find yourself using the word “yet” a lot, or you’ve drawn attention to someone’s “massive” cock three times in the last paragraph or said that she spoke “breathlessly” a dozen times… grab the thesaurus.

Fanfiction is often escapism, that means it’s okay to sometimes leave out mundane details like “hey are you on birth control,” using a condom, peeing right after sex, tying your hair back so it’s not in your mouth while you eat them out/blow them, etc. You can use those details! But don’t feel shackled by them if you feel they take the reader out of the moment. Use your discretion.

Cock and dick are the words to use. Prick is okay but it depends on your audience–it’s a very British/UK term, but as an American it’s kind of a weird word to me (it always makes me picture his dick as like three inches long). Use your discretion. “Shaft” works if you’re stroking it or blowing it (i.e. she swallowed around his shaft) and don’t overuse the word. Personally I find “cock” is more erotic than “dick” so I tend to use dick for non-sexy moments and cock for when I’m trying to turn on the reader, but again, that’s personal preference.

For the love of God just call it her entrance, her pussy, her cunt. None of these ridiculous euphemisms. “Her lower lips”? What the fuck. Be careful not to overuse pussy/cunt though because those are unfortunately also used as insults so if you use it too much, readers can find it too crude. Find a balance. Yes it sucks. (Or y’know generally avoid using any term altogether which is what I do yes I’m aware I have a hangup stop looking at me like that.)

Common sense should always prevail. Know your biology. A 40 year old man is not going to get it up again five minutes after coming. A 20 year old man is going to have shit stamina. Characters should not be having athletic sex after they’ve been stabbed. Nobody can deep throat a cock without choking on their first time. And so on.

Don’t bite off more than you can chew. If you don’t know how to describe the knots you’re using to tie your character up, then don’t describe it! Just say Character A tied them up! A good rule of thumb is if you don’t know how to describe something logistically, focus instead on how the character feels while it’s happening. Are they exhilarated by being tied up? Nervous? Describe that instead.

 It’s okay to write something you haven’t done. I was writing smut (well praised and enjoyed smut) long before I ever had sex (on a similar note, hey, it’s okay if you don’t have sex until your mid-twenties or even later, you do not have a “sell by” date, okay?). Don’t be afraid to ask questions of people you trust, if you want first-hand information.

Take. Your. Time. Don’t rush it! Savor it. Enjoy it. Really dive into it. Nobody likes rushed sex in real life and nobody likes rushed smut.

And last but not least, have fun! This should be fun, titillating, this is your fantasy about these two characters. Enjoy it. Maybe your kinks aren’t someone else’s kinks, but your goal isn’t to please everyone (that’s impossible) or even to write what you think will be the most popular. It’s to write what you want, and what you find sexy. So experiment! Enjoy!

We all have moments of writer’s block. But the more you do it, the easier it gets. I hope this was all helpful, dear nonny, and I hope that you’ve having a wonderful day and that you get your smut writing mojo back!

yes that was an Austin Powers reference I’m sorry I couldn’t resist please forgive me

#mads answers things #smut #fanfiction #fanfiction writing #writing #writing advice #smut writing #what the fuck else should I tag this #I was so tempted to specifically reference some really bad fics I read back in the day on FF.net #but I resisted #because I am (sometimes) capable of being mature #I had way too much fun with this