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artfromsaturn · 4 months

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Collection of Free Art Tutorials

I don't usually make text post on this blog, but a nice artist I know was asking for tutorials a while back and I forgot to send some to them while in school. So here's a post on it since it's easiest to grab and go this way. :)

This list focuses on the basics. I'm focusing on the foundations of art, so medium is generally irrelevant and you can use physical or digital with these. You'll have to google more specific tutorials on things like character design and such.

One of the biggest pieces of advice I can give to you is strangely, introduce things to yourself one at a time. In art class, we took whole topics week by week. For high school, we did a few exercises then spent a week drawing/painting and doing your piece(s). For basic art 1 & 2 in college, we did 1-2 exercises and then did 1-2 drawings, followed by HW (which we turned in next week) and sketchbook practice (which she'd check at midpoints). For basic art lessons with a tutor, we did practice then our own art. You can see the pattern here - the point is don't be distressed if you don't get everything at once, or the lesson in 2 weeks, or the lesson in 3 years - we practice and do a lot over time, and you'll pick up on things you need to improve naturally and through help with others. Take time to be proud of your art in mini steps too, even if it's not the best! You tried and attempting to climb an obstacle over and over again before finally leapfrogging it is still progress to it.

Overall tutorials:

DrawABox.com is a site that's dedicated to art exercises and practicing when you can. They talk about the basics of art as well as how practice is important. It can get tough at times and it's ok to stop and do a balance of say those practices and doodles if you choose to try and do all of it's stuff - but you don't have to either. It's just a nice basic education done by some art nerds who like going hard.

Ethering Brothers - these guys are famous for their 40billion tutorials. If you need help on a specific idea, search their gallery and you'll likely find something.

Thundercluck's Art Fundamentals - She did a good huge ass tutorials on how things work, and it's the least overwhelming of the 3 I got in this section, so I suggest it as one of the first to look at for digital stuff.

Art Instructions Blog - Another good & simpler website that goes great into fundamentals. They focus more on traditional art but if you're digital, you can replicate most of the techniques - art fundamentals and subjects cover all mediums. Very important

Drawsh - Particularly notes on Construction: construction is the basics of building an illusion of a 3D image on a page. Figuring out how to build shape gives depth to your work, and learning how to see in 3D lets you be able to draw an item then move it around in your head (sometimes, when you're good enough, don't be afraid to pull out a reference or use live subjects). Construction is how to figure out the foundation of your drawing, and good planning = better picture! This link starts at the back, hit newer post to go forward.

There's a lot on anatomy and other nitty gritty details for when you want to practice those as well.

Griz and Norm's Assorted tips - Long time artist talk about various tips and tricks they use in art and how to avoid certain pitfalls. It's eclectic but great to look through.

James Gurney's Blog - He's got a lot of thoughts, a lot of tips, and a lot of adventures he catalogues. It's the least organized out of these but fortunately he has plenty of tags and most post have something neat going on. He's fantastic!🥰

BEFORE ALL OTHER BASICS….

How to Make Your Art Look Nice: Mindset

There's a lot of artist with different perspectives on how to approach art and your mindset while doing it, but the general consensus is that it's a process and sometimes you have to remind yourself to enjoy art!

Line

How to draw straight lines without a ruler. …but for the love of all that's good do NOT feel bad about using one! This talks about how to hold your pencil and how to do some good freehand stuff, some good practice.

5 grips for holding a Pencil for Drawing - This goes for pencil, pen, tablet, etc.. Get comfortable and figure out what's right for you and your pictures. I'd like to note that paintbrush holding will overlap, but some will differ.

A few line drawing exercises that help with line confidence.

Types of line drawings & what they are.

Contour Line & exercises with Mrs. Cook - Contour lines are one of the first art exercises I do in all the drawing classes I've taken. The good news is that they're surprisingly fun & look neat, even the blind contours!

Good deep thoughts on lines and how to use them.

Line Weight Tutorial

Lineart Weight Tips!

How to show variation in your line art: part 1 & part 2.

Some teacher's Drawing 1 & 2 lessons put online.

Light, Shadow, & Value

An introduction to tonal values.

Why values are important. The main reasons are that they give depth to a piece, and values literally shape our world.

Tonal Values: Everything you need to know

How does light work & the basics on Light

Light & Shadow in Art - much more in depth of the above! Highly recommended if you have time to spare.

Understanding grayscale/monochrome art. Great for shading & planning.

A guide to Cross Hatching (and hatching in general) - As a side note, crosshatching is one of the early things taught as it marries Line + Value into a nice neat package and helps add form with just a pen.

Crosshatching for Comics

Learn more about coloring by working in grayscale

How to Make Your Art Look Nice - Contrast!

Using lighting to make your art look nice.

Some light & shadow classifications.

Edges - notes on how they work in shading.

Color

A side note - color theory doesn't differ much, but color MIXING will change between mediums. If you're doing traditional colored pencil, you're overlapping 2 or more pigments on top of each other. If you're doing traditional paint, you're mixing & creating a solution/emulsion (depends on the pigment and binding) of pigments with the particles reflecting light in different ways. In digital, overlapping colors & blending colors depend on how the program you use calculates it if you're not just putting 2 color side by side. This just means you have to adjust your mixing when you switch between them. :)

Slawek Fedorczuk's Light & Color Tips - also shows how to guide through a scene.

The Color Tutorial Part 1 & 2 by Sashas - A personal favorite.

Color Studies 1-6 by Sheri Doty Amazingly nice breakdown on how color works in simple terms.

Sarah Culture's Tips on Color

The value of underpainting

A few notes on reflective light.

Experimental color techniques with Alai Ganuza: first post, second, & third.

Color zones of the face charts

Composition

Good Tips on Composition

Here's an example of how you can search the Etherington Brothers' stuff and get like 10 tutorials and tips on one subject. Composition & Cover Design, Shadow Composition, Two Line Composition - plus more.

How to make your art look nice: Thumbnailing!

And don't be afraid to make silly thumbnails or sketches.

Composition Examples - charts like these are great when you can't think of something yourself. There's no shame in using them.

Flow and Rhythm

Formulas for landscape composition.

Perspective

Perspective Drawing Tutorial by Julie Duell

Linear & Atmospheric Perspective Guide

One Point Perspective City Tut by Swingerzetta

Niso Explains Perspective - these are great for drawing figures in perspective!

Putting characters into scenes and drawing backgrounds

Backgrounds that make your character stand out!

Using background detail to guide the eye.

Odds and Ends

I shit you not, probably 1/3rd of my color, value, & structure knowledge comes from pixel art since I've done so much of it and it is all about challenging yourself to do the most you can with limitations. Check out lospec's tutorial database for fun and see how it compares to art techniques you're doing - even if you never try a medium, it's always interesting to see how it works. :D

How to Make Your Art Look Nice: Reference Images & Style, Pushing Proportions, and developing style.

Foervraengd talks about how he expanded his comfort zone with concept art & landscape drawing.

Luna Art talks about what they're thinking when doing concept art.

Repeating visual motifs in character design looks cool.

Eric's Thoughts on Drawing Backgrounds and Props.

Show vs. Tell: Why Visual is Not Optional in comics.

The Lost Vocabulary of Visual Story Telling Day 1, Day 2, Day 3, & Day 4.

Traditional Animation's 2 Digital Library books, The Know-How of Cartooning by Ken Hultgren & Advanced Animation by Preston Blair are two books from the golden age of animation they have up on their site for free viewing!

Animation resources dot org has a lot of cool stuff. Here's Nat Falk's How to Make Animated Cartoons (part 1). Their pages on Instruction & Theory are a good start.

Books

Good news: the internet archive has a TON of resources. Make sure to check around and toggle filters, it's a bit weird with organization. For example, a book can be under art or drawing - techniques, depending on who catalogues it.

Andrew Loomis is someone artist tend to die-hard reccomend. His work is collected here & here on the internet archive (one is Andrew Loomis, the other is Loomis, Andrew - thanks). I own Figure Drawing for All It's Worth and I recommend checking all of his stuff out, especially if you're having trouble with bodies and hands.

The Animator's Survival Guide by Richard Williams is mandatory in animation classes for good reason - it's fantastic!

Perspective for Comic Book Artist by David Chelsea is great for any type of artist. So is Extreme Perspective & Perspective in Action.

Scott McCloud's Understanding Comics, Reinventing Comics, & Making Comics. The first one is on the internet archive, the second two are likely avaliable at your library or at a bookstore as they're pretty popular.

Speaking of comics, Drawing Comics the Marvel Way has been a favorite of comic artist for years no matter what comic book companies and artist you like, it's a good introduction.

Anything by or endorsed by James Gurney, Color and Light: A Guide for the Realistic Painter is one of my favorites (this is his official page but you can get them elsewhere for cheaper too).

Art resource blogs with good tagging systems: @artist-refs , @help-me-draw , @helpfulharrie , @art-res , @drawingden , & @how-to-art

Lastly, I suggest if you find something you like online for free, SAVE IT! Whether it is through the Wayback Machine, screenshotting a whole webpage, reblogging/retweeting something, or putting it on pinterest, digital media is fickle and tends to go up in smoke when you least expect it. I have a partially organized Pinterest board that helped me find most of the stuff I wanted to keep. Figure out what works for you and save what you can.

#tutorials #art resources #art tutorial #tutorial #txt

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foldingfittedsheets · 3 months

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rando looking for art advice if that's okay :p

I've always wanted to be able to draw cool things for myself, in the same way some of my friends can(they're REALLY good). and I know in order to do that I just gotta draw a lot, practice makes perfect, I'm gonna suck for a while but drawing more means I'll improve. yeah, yeah, I know all that.

but I'm finding it hard to get it started, to get motivated enough to draw. cuz sometimes I'll be like "I wanna draw", and then I draw and it sucks and I'm like "I don't wanna draw :("

do you have any tips for a beginner? not technical art tips, just like how do I get started or get motivated to start. are there tutorials you can recommend(I'm good at following instructions)? or things I can draw that are easy if you're starting out? or just whatever advice.

thanks :p

So, as far as motivation I think I might just be a lil freak, but I draw because I actively like to draw. Even when I wasn't very good, I felt compelled to put pen to paper just for the act of creation so my first piece of advice (besides practice) is just: Make art because you want to and try to divorce whether it's good or not from your enjoyment in that act.

My second piece of advice is that the first year of art school is three critical tools that are really boring but really helpful. The first one is perspective. If you can nail perspective, just dumb lines leading back in space, it does so much heavy lifting for you.

The second tool is sight measuring. Have you ever seen artists doing that stupid thing with their pencil or paintbrush while closing one eye? It's literally so helpful. If you are drawing say a tree, and you drop an imaginary vertical line from a branch you can figure our if your drawing of that tree is awry. When you get good at sight measuring it becomes second nature to do those checks, even in digital art, but it's easy to forget. When I'm doing my little 20 minute speed paints I'm constantly sight measuring to keep stuff in proportion.

The last piece is that practicing drawing from life will improve your drawing so much faster than anything else. Doodling your favorite pokemon or anime character over and over won't be as helpful as boring ass still lifes. Seeing how light reacts, observing the objects form, and practicing sight measuring will all help you improve as an artist.

As tax, I'm going to share a couple examples of schoolwork. This was my first class in perspective. This is how much I improved in a three month period, my first middle and last assignment.

These are from my form class, no lines allowed we needed to use value to describe the form. We did charcoal and gouache so here's me trying to show my progression in that class.

These are just freshman work, from my very first semester. Honestly I have a whole folder of all my assignments so I can scroll through and actively see myself improving, and I highly recommend that too, because it's wildly motivational to see how far you've come!

#ask ffs #art advice

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mask-of-prime · 7 months

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TLG: As You Move Forward

So I went a few months thinking about how I'd forgotten to include Makini to my past depictions of Kion's Guard as adults (1, 2), so I decided to celebrate the 4th anniversary (albeit 2 days late :p) of the Journey of Memories episode by finally showing off the adult design I have for her!

Because I'm still salty about TLG's last-minute decision in making Makini the Mjuzi of the Night Pride instead of Kiara's bestie like Season 2 hyped her up to be, I made a compromise by headcanoning that she frequently journeys back-and-forth between the Pridelands and the Tree of Life, especially when she's called over by each land for a ceremony of some kind.

Design Process:

To avoid making her look too much like a clone of her mother Fikiri, I figured that Makini would develop her dad Kitendo's features as she grew older (I think she's about 20-something in this image). It's kind of a thing for TLG to erroneously depict animals without their distinct sexual dimorphism (see: Mbuni the ostrich), but this time, I felt like embracing Makini's unusual bright colors for a female mandrill and make her look a little androgynous. I feel like it would fit her role as a Mjuzi for some reason lol

I figured the Bakora Staff she received at the Tree of Life would be her last new one as she's since learned to keep better track of it. I like to think that it symbolizes not only growth and learning, but it coming from the Tree of Life symbolizing that her true place is there.

In all that time she's owned it, being the crafty artist she is, she's put years of customization and souvenirs from her back-and-forth Pridelands/Tree of Life adventures into her decorating her staff, selecting just about every pretty flower and naturally-occurring bead she saw. I mainly sought out the idea of people bedazzling their canes for reference, she seems like the type to do that, making just about anything she owns pretty lol

Drawing Process:

ngl I got to work on this very much like that episode where Makini procrastinated on getting started on her portrait of Simba's family. I just, like... really struggled with the composition until I was hit with sudden inspiration to just go wherever my hand took me.

I grabbed a thumbnail sketch of my adult Makini design that I was the most happy with and rendered it digitally and was happy that it got me somewhere... then I ran into the background that I didn't put any thought into.

Because of the cropping and composition I already had going on with Makini's standalone model, it was very hard to come up with something she could be surrounded by, until I decided to insert some headcanons about a certain new TLG-related short Disney released. Basically: I headcanon Makini made those Circle of Life paintings that Kion shows to those younger cubs as I think the style they used in those paintings looks WAY different from Rafiki's (I mean the whole video looks different from the whole TLK art style). You can't tell me those purple pigments and cutesy flowers aren't something Makini would draw everywhere lol

Sources of Inspiration:

Sadly not pictured due to the angle and cropping is the headcanon that she paints her nails all the time, and she's always trying different color combos basically every week lol. I adopted that headcanon from iceflowerglow, who depicts Makini with painted nails in their comic "Shining Above Your Head". Other artists I drew inspiration from were Vtoony's "TLG: Kion's Guard" and tango_fizz.le's "Where'd all the time go?" when it came to designing her fully-developed mane.

#The Lion King #The Lion Guard #TLK #TLG #Makini #My Art

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coastielaceispunk · 2 years

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Finger-Painting

Kinktober22: Cumplay with Dieter Bravo

Dieter Bravo x f!reader

Word Count: 1.8K+ (not beta’d, k bye)

Warnings: Language, STRAIGHT FILTH, extreme cumplay, cum eating, squirting, praise, dirty talk, multiple orgasms, oral m and f receiving, fingering, unprotected PinV, begging if you squint

Masterlist | Kinktober Outline | Absurdthirst’s Kinktober Prompt List

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Dieter Bravo is an artist. Obviously, he’s an actor, but he also enjoys to succumb to paints and pencils when particularly excitable…or vulnerable. Sometimes, during these extreme feelings that threaten to overcome him, he seeks you. You are in fact his favorite canvas. His medium…you and he.

Your essence.

His cum.

He wishes to be covered in you…and he needs to paint you. All of you.

“C’mon, gorgeous, c’mon, give it to me, splash me. Cover me!” Dieter calls up to you from the floor. You are positioned facing the ceiling on his bed, legs dangling off the side, thighs spread wide to the breadth of his broad shoulders, and your pussy on display to him. Kneeling on the floor he has three thick fingers splitting you open over and over and over. You feel the effort in his breaths upon your swollen folds. The cooling effect from how wet you are makes you whine.

“Soak my chest, baby, you can do it, I know you can, I feel it, don’t fight it, baby.” Dieter continues to babble with his other hand pressing into your inner thigh to hold you open for him. You shake as your legs try to close around him but he’s too strong, too focused.

Your walls flutter around his relentless fingers and your lower belly starts to feel warm, you know it's coming, he knows it coming, it is pointless to fight the shocking feeling. That’s when he presses the pad of his thumb forcefully to your clit, angry with arousal, and you scream.

You feel the rush then hear the splash as you soak Dieter’s chest. Your whole body lifts off the bed with the force of your orgasm and when your eyes widen to look down at what you’ve done, Dieter is grinning like an idiot. He’s staring at where his fingers are still inside of you and following his eyes of admiration you see the wetness of his forearm, chest, neck and chin. He wanted to be so close to the action. He got what he wanted, he’s a mess of you.

“God I fucking love that, you pretty thing, so much sweetness comes out of you,” Dieter finally pulls his fingers free and you shudder, “look what you’ve done to my bed…to me.”

You lean up on your elbows, breaths heavy as you still come down from one of your highest peaks. You’re exhausted but you can’t look away from him. Dieter becomes entranced and it’s almost like you shouldn’t be watching him at all.

He brings the hand that was inside of your pussy to rub your cum over the expanse of his bare chest. Dieter begins to move your slick around in figure eights, only pausing twice to pinch his nipples and gasp. His other hand squeezes your inner thigh and you gasp with him. His hand then slides easily up the column of his neck, throwing his head back, his eyes roll shut when his middle and ring fingers push up and over his chin.

You haven’t blinked at all, enthralled with watching him enjoying himself. Then he tilts his head back down and shoves his cum covered fingers deep into his mouth. Dieter groans at your taste and you can see his tongue swirling around his long digits. It’s your whine that finally pulls his attention back to you and he smiles as he pulls his fingers free.

“Sorry, baby, you just taste so fucking good. I’m back.”

Dieter stands, his knees cracking but neither of you hear them so lost in each other, then he is crawling towards you. He kneels on top, straddling your waist. His cock is so red and angry, dripping upon your lower stomach as he brings his hands to your shoulders to sit you up with him. When he shoves his lips to yours it's hungry. Tasting yourself on his tongue you press your tits into him sharing the sticky mess between you as your arms become frantic.

You finally pull away to breathe, “Dieter, let me taste you, please, handsome.”

He only answers with a smile and a peck of your lips before he stands on the bed. You’re in shock looking up at him with big doe eyes.

“Don’t look at me like that, pretty girl, you’ll make me cum before you even start!” He quickly squeezes the base of his cock in front of your face, “ok, baby, you can suck me off but before I cum I want you to lean back, okay? Can Dieter paint your lips? Please?”

You’re speechless and just nod your head in agreement. Reaching forward you wrap your arms around his thighs and open your mouth. Dieter guides the head of his length onto your tongue and when you close your lips around him he nearly loses it, he's been hard for so long. He’s made you cum on his tongue and then made you squirt on his fingers so far tonight, he is ready for his first release.

Dieter barely lasts a minute of you bobbing back and forth on his dick before his balls pull up tight and he’s pushing you back off of him with a wet pop of your lips. You sigh in surprise leaning back on your hands and watch as his body shivers above you. His tummy flexes as he cums with his hands in his hair pulling the unruly curls. Ropes of him spurt out over and over, landing on your lips and chin. As his hips jerk with his orgasm his cum covers your neck and chest too.

When he catches his breath, Dieter places his hands on his hips and looks down at you, “Holy shit…aren’t you fucking gorgeous.” You lick some of his cum into your mouth with a smirk and he bites his lower lip to stifle a moan.

He lowers himself back to his knees carefully positioning himself between your legs this time. Immediately, his hands find both of your breasts and he squeezes, satisfaction in his facial features and dark lust in his eyes as he enjoys his own sticky mess on you, mixing with the shine of your essence.

“Ohh, baby, I need to cover more of you. L-let me…fuck I’m already getting hard again…let me fuck you and lick your face clean, then…then the finale.”

“Please, Dieter, I need more.”

The moan he finally lets out between his plush lips makes your whole body vibrate with new found want. As he begins to lick at your chin and cheeks he grinds his hardening cock into your mound. Your fingernails scratch down his back and at his sides making him whine openly. His still slick covered tummy pressing onto yours, your come continuing to mix as you glide together.

Dieter pants as he kitten licks his cum off of your face, his mouth sucking on your bottom lip, and when he finally thrusts himself into your tight pussy, you both release a sigh of relief. He starts to fuck you in earnest, the heat of it all and the slippery sounds your bodies are making already bringing you to another crest.

“C’mon, pretty boy, give it to me, you feel so good, Dieter!” His breaths become ragged as he reaches between you to bring on your third orgasm with expert circles over your needy clit. “Yes! Yes, Dieter, fuck yes!” You cum all around his length and he fucks you through the slow rolling orgasm, weaker than the others, but no less erotic as you add more of your fluid to the mess he’s making of you both. “Paint me, Dieter, paint me!”

You barely hear him growl over the obscene sounds your pussy is making, then he leans back to pull out of you. You groan feeling empty but watch him pump his long, thick cock, creamy with you, a few times before he is spilling over you again. This time the ropes of his hot cum land in a line over your stomach.

Once Dieter slows, the last of his spend flowing over his fingers, he brings his cum covered hand to lay flat over your stomach. Both of your chests are heaving and he is flushed, glistening with sweat and drying cum. Dieter’s tongue comes out to wet his bottom lip as he spreads his cum around your body. Finger painting your ribs and filling your belly button with your combined juices.

You can feel the small trails at the edges of your body where all of the excess is dribbling down around you and staining his dark sheets. You wiggle a little trying to save his egyptian cotton and gather some with your own hand to play in, but he catches on.

“Don’t worry about the sheets, baby, I want them ruined with us. Maybe later we can take a black light to them and see the beautiful outline of your body. See the beautiful art we made together.”

Somehow the dirty things he is saying makes you swoon as he starts to kiss and lick at your hips. Meticulously licking and slurping up every last drop. Then he reaches your belly button where he has pooled some of the mess, his eyes lock with yours as he takes what's there as a body shot. The loud sound catches you off guard and makes you cry out at his depravity.

“Fuck! Dieter, that was hot.”

You are writhing below him as he crawls up to you again, his lips sealed. You know what's coming by the look in his eyes. The finale, one of his favorite things. He grabs your chin and presses his thumb and fingers into your cheeks causing you to open your mouth for him. You present your tongue to him and he hums.

Slowly, while looking into your eyes, Dieter parts his lips and lets the cum leak onto your tongue. It’s filthy. So filthy it makes you throb. When he's satisfied with the amount on your tongue he swallows what's left in his mouth.

“That’s a good girl, damn we are delicious…now…swallow.”

You roll your tongue back into your mouth and he slides his sticky hand down your neck to feel you swallow. It’s salty and musky and so incredibly both of you.

“Mmm, yes…” you lick your lips, “we are delicious, Dieter.”

He huffs out a laugh and lays his weight on top of you. Both of you content to lay in your filth for a moment. It’s Dieter who breaks the comfortable silence.

“Let’s get in the shower, pretty girl, we are NASTY!”

Laughing together you stumble out of eachothers limbs and roll off the bed. Then Dieter holds you both in front of the bathroom mirror and whispers in your ear, “love you, my masterpiece.”

With a kiss to his chin you return the sentiment and start the hot shower.

“It's a shame to wash off, but…” his hands find your waist under the fresh spray, “me likes to have a clean canvas for the next session.” You giggle when he wiggles his eyebrows at you, his curls sticking wet to his forehead. You hand your shower gel to him to lather you clean knowing the next session he speaks of wouldn’t be too far away.

The next session would actually be right then…in the shower.

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A/N: No regular taglist for kinktober but I will tag my enabling menace @lowlights, @littlemisspascal, and @absurdthirst for the inspo. Thanks for reading loves!

Next: Gunplay with Zach Wellison

#kinktober #kinktober 2022 #dieter bravo #dieter bravo x reader #dieter bravo x you #pedro pascal #pedro pascal character fanfiction

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kogarashi-art · 19 days

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It's the last previews for Falling Into Darkness!

Important note before I go into some details on the pictures: I will, in general, not be doing this for other fanfics I post. The main reason I did this series of illustrations was as something of a treat for finally crossposting this 10-20-year-old story to my AO3 account. I don't really plan to draw a ton of illustrations for other fics I do.

That being said, I may do occasional images that will be posted with future stories on AO3 (I have a quick one for the first chapter of the next fic I plan on posting, for one), and if I do other fanart, related to a fic or not, I still plan to post art here.

But I'm glad for all the kind comments and everyone enjoying this series of illustrations with me. :D You guys are awesome.

With that, description-stuff (including more behind-the-scenes than usual) below the cut. 'Tis long; be forewarned.

First up, arguably the easiest illustration to do in the whole set. It's a silhouette, so the foreground wasn't really an issue (other than trying to get the edge glow just right, and I still don't think I quite managed but I'm definitely telling myself not to mess with it any further). The background was already painted for the second illustration in the whole set:

I just fixed up the paths and the treetops and added a little lookout stand to the building on the right, now that Sonic and Sally weren't blocking those spots. After all, it's supposed to be the same view anyway, so I figured I'd make it easy on myself and not have to completely repaint the scene.

The second image employs some little cheats here and there. Here's the original sketch from my sketchbook for comparison:

Very loose, lacking detail. Straight lines are more like suggestions. The robots are spiky blobs. I have a literal note next to a stick figure and a hollow shape telling me to get some references. There's the barest hint of the alcoves the robots are standing in.

I didn't show this level of behind-the-scenes off with other illustrations in this series (though I suppose if anyone's ever interested, I could do a process post about how I worked on these), but one of the first things I did with this series of illustrations was sift through the roughly fifty individual sketches I'd drawn to illustrate various parts of the story (not counting redraws of portions), ranging from vague shapes to much more detailed drawings, to narrow it down to the ones I was actually going to finish for this project. I ended up with 27 total images, including the two I'm previewing today, focusing on having at least one but no more than three images per chapter.

Once I'd determined which sketches, like the above, were going to become a finished piece, I then went through each and every one of them in Photoshop with a sketch pencil brush and filled out the sketches to a point where I could reliably ink them. That meant things like swapping out figures that didn't work with redraws of them or making size adjustments, like so:

The first image is the second illustration, and you can see I redid Sonic because his initial pose didn't work. The redraw was actually a pose of him I did to draw his post-Mobianization robotic elements from the end of the story, but the stance was actually good for what I needed, so I Photoshopped it in and then sketched the rest of the replacement drawing digitally. The second image is Sally watching Knuckles walk away, and you can see that I changed her left arm, and also reproportioned her body prior to inking (bigger head, smaller body).

And for pieces like the final one in this illustration series, I sketched in all the details that were missing from the initial sketch (which, as I said, was pretty barebones; in my defense, it was the last one I drew, and by that point I was pretty tired of drawing robot hedgehogs so Sonic was something of a stick figure in most of the last chapters' sketches).

And here's where one of the cheats comes into play. I drew one robot hedgehog. Specifically the one you see the most of, near the tip of Robotnik's cape by the drafting table. I drew it on its own layer in Potoshop, then copied and pasted it into all of the other holding bays, erasing parts that wouldn't be visible as I went along. I also went and found those references I needed for Robotnik and Snively and drew the two of them properly.

And then, because I much prefer physical pen-to-paper inking over digital (my tablet is not one of the fancy screen ones, and I've yet to really get comfortable digitally inking with it, despite owning it for nigh on twenty years), I colored all of the sketches red, assembled them in groups on letter-sized images, and printed them out onto cardstock (my preferred medium when I'm going to be traditionally inking). I inked them with my various inking pens (some Sakura Microns, some Faber-Castell PITT pens), scanned each sheet back into my computer, and cleaned up the lines in Photoshop (the reason for the red printout was to make it a bit smoother removing the sketch from the inked lines, though it wasn't as clean as I would've liked; oh well).

That left us with the above. Because I inked them each by hand individually, the robots don't look copy-pasted, because it was the underlying sketch that had been, not the ink work. The tables and holding bays also have straighter lines thanks to using a proper ruler for those (though I didn't concern myself too much with things like perspective and right angles), and after drawing the straight line, I went back freehand over spots to give them a bit of that hand-inked wobble.

From there it was a matter of laying down the flats in Photoshop, then shading, adding effects, etc. I like the cold yellow light I've got on the robots, and the overall shading on the yellow cape. Also that sense of satisfaction when I called this one done, because it was the last one. Huzzah.

I'll see you on Monday for the last chapter!

#drawing #artwork #sth #sonic the hedgehog #sally acorn #doctor robotnik #snively #behind the scenes #LOTS of behind the scenes #like seriously I went on a bit of a ramble #I regret nothing

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skulkingfoxes · 10 months

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hi, i bought your comic "twigs" and loved it, i was wondering if you had any willingness to share the process of making it?

im an artist whos trying to start doing comics but i find the idea of starting a larger scale comic (such as kingfisher) wildly intimidating in terms of art direction. im trying to start small, such as a 30 page comic (ive done 5-10 page comics before) but i still find the art direction so scary lol

(Oh god this sent is was much longer ago than I thought I'm so sorry I took so long)

First off, thank you so much! I'm glad you liked Twigs, it's a project that still holds special place in my heart.

Okay, SO- the Twigs you know today was made originally for Shortbox, a digital comic fair for debuting short comics.

The concept of what would become Twigs was one developing in my brain for a while. Or, rather, the concept of a changeling trying to figure out where they belong after the person they were meant to replace comes home. At that point though, the changeling was just a cute fairy boy, because who wouldn’t want that. It was playing with the idea of choosing your own family and where you belong. But it was only a vague half idea, I didn’t really have a good sense of how long it could be or even what the point was. I remember musing that it was a story that I would probably never make. These are the only sketches I made for it.

It wasn’t till I remembered another variant of the changeling, one where the creature was just an enchanted bale of hay or twigs and thrown into the fire once they’re discovered. I wondered what it was like to realize that you are in fact completely disposable, destined to fall apart and be forgotten. I thought this was far too depressing of a concept and that I would never use it.

If you’ve read the story, then you know that I changed my mind. The idea just stuck around in my brain too much, it gave such a bittersweetness to the story. It was then the story began to come together. I ended up writing the whole first draft of the outline in a phone-tapping frenzy at 1 am. It's almost stream of conscious prose, where I write out how I imagine the scene going. I'm a very visual thinker.

You mostly asked this in terms of how I figured things out visually. Something that helped me out when I first started was making a pinterest board. It was very useful to put together a visual library to help gestate my ideas and vision for the story.

The inspiration of the witch was the folk tale character Baba Yaga, so that was a starting place for her and, since her home is an extension of her, figuring out the cottage. Down to earth, practical, with an agelessness to them. The Witch doesn't share her home with others so everything in it is suited to her. But it's also warm and cozy, since the cottage serves as a safe space for the characters to talk and rest. Getting reference photos helped a lot in imagining the home and making it feel lived-in.

You can also see me finding a couple of photos that helped my picture the character Tristan and his big feather cloak and other illustrations/photos reflect the world I wanted to create. A dark ancient setting with strangeness and sense of whimsy. Like a sad fairytale.

Don't be afraid to look at movies, books, paintings, etc when finding visual inspiration! For another project, a colored comic based in the Salem Witch trials, I was taking screenshots from the movie VVitch to copy the palette lol. Be a scavenger! Do studies! Take pieces of everything around you to make something unique!

After that, I admit, a lot of it was a lot of sketching, Drawing out ideas, figuring out vibes, I took a pen to cheap sketchbook and just brainstormed. This is how I often bang out design- just keep drawing them until it feels right. It feels a bit like carving away at clay to find the statue underneath. I like designing with a pen because it keeps me from getting too precious with the drawings. These sketches are meant for exploring, not for drawing anything nice yet.

(I know there was a lot more than this but I can't find those files now rip)

I also say- you don't have to figure everything out before you start drawing. It's great to get used to drawing your characters and maybe a blue layout of certain rooms, but it's not 100% needed.

I've seen comic artists obsess over perfecting character sheets and concept art and never actually starting the comic. I've never made a character sheet unless a job demanded I did.

I'm sure there is some pithy quote here I could use, but I find so much of comics to be improv based on what a scene needs lol. If the characters go to the other side of a room that I didn't design, I will probably just find a decent reference (thank you pinterest) sketch it out, and use that.

This really is a great representation of my process 80% of the time.

Whew that ended up being long lol. Sorry about that. But I hope it was helpful at all!

#twigs #ask #process

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majesty-madness · 1 year

Text

A Past Encounter - Bucky Barnes x reader (nsfw)

Summary: Being in a relationship with Bucky, Y/N prided herself on knowing him quite well but when she’s accidentally teleported back to 1940, Y/N discovers that there is a whole other Bucky that she has yet to meet. The sweet flirt that had everything going for him before his unfortunate capture by HYDRA.

Word Count: 3600+

Warnings: flirty 40's!Bucky, small 40's!Steve, slight angst, nothing else really (I mean it's a little sad)

a/n: I started a new job and I haven't had the time to write much before hand so I hope at least one person will enjoy this. Also I'm posting this at like 11:30 at night so I'll repost it tomorrow.

Series Masterlist

Main Masterlist

Chapter Three

First thing her ears pick up on are the sounds of cars driving on the street with the occasional honking.

Despite the aching thrumming over her body, Y/N managed to open her eyes to take in the slightly darkened room.

She kept still as she took in the environment around her; at first the familiar edge of panic shot up her spine causing her to whip up in the bed she occupied. However, the longer she stared out into the room, the more it sank in.

The small bedroom complete with a bed fitted with olden sheets and a comforter, a modest dresser sitting against a wall covered in chipped paint and scrapped wooden panels acting as the floor.

It wasn’t a dream, everything that happened last night was real.

She was in Brooklyn, New York, in the 40’s.

Once the memories rushed back to her, Y/N took a deep breath, fingers carding through her hair while her arms rested on top of her thighs.

Then she wondered what time it was so she moved her eyes about the room, subconsciously looking for a digital clock and forgetting she wouldn’t find one. Though she found a small analogous clock sitting on the nightstand that read, 8:30am.

She hummed, knowing that it was about the same time she got up every morning.

Nice to know that even in traveling through time, she kept to a schedule.

Figuring she should get up, Y/N pushed the comforter from her legs and bundled them up at the end of the bed. Then quietly, she stood up from the warm mattress and tip toed over to the wooden bedroom door. Her fingers reached forward, taking the cool metal of the doorknob into her grip, the cold almost stinging the surface of her skin as she turned it. A clicking sound resonated into the room and she pushed the door open.

Y/N peaked out into the living room, seeing that Bucky and Steve were already up and running for the day.

Jeez. It seemed that even in the 40’s, Bucky and Steve were early risers too.

Before stepping out, Y/N listened in on their soft voices talking to each other.

“You think she’ll be okay? She seemed out of it.” Steve asked, as he poured himself a glass of orange juice.

Bucky, taking a sip from his coffee mug, shrugged then swallowed the contents. “I’m not sure, but she seemed alright for the most part. Besides, she doesn’t have anywhere else to go; it wouldn’t do us any harm giving her a chance to get back on her feet.”

Steve nodded in agreement.

The said woman smiled tenderly, mostly to herself, at Bucky’s words. They didn’t know each other all that well at this time, and yet Bucky was putting her needs before his own.

That was a rare gift to find in any time period.

Finally, she stepped out from Bucky’s room, quietly making her way to the side of the dining table.

At first, the boys didn’t notice her presence, however, once Y/N just a few feet from the table, Bucky straightened himself up.

“Hey, good morning.” He greeted boyishly.

Steve whipped himself around to see Y/N standing there. “Good morning.”

She shyly smiled, head dipping down a couple of times. “Good morning, you two.”

“Did you sleep well?” Bucky asked, setting his cup onto the table; deep blue eyes never straying from Y/N’s delicate figure covered in nothing but his baggy white shirt.

“Yeah I did. You were right, it did get chilly in there last night.” She joked light heartedly, trying to keep the situation less odd.

“Were you able to stay warm at least?”

Y/N nodded. “Thank you, I really appreciate it.”

“No problem, and if there’s anything else you need, just let us know.” Bucky said, seemingly distracted by Y/N’s morning beauty.

Steve looked between the two adults then let out a cough causing Bucky to shake out of his thoughts. “So Y/N, do you want some breakfast?”

Her eyes snapped to Steve who stood from the tablwe. “Oh yeah, that’d be great. Thank you.”

He politely smiled at her, proceeding to pull out one of the dining chairs for her. She walked over and sat on the wooden material of the chair; it wasn’t exactly comfortable but she wouldn’t be sitting at the dinner table for a long time.

“What would you like?” Steve asked Y/N who had spaced out for a moment.

“What do you two have to eat?” She asked as she looked between the two men.

Bucky strolled into the compact kitchen searching for food. “We have - let me see - we got eggs, bread, oatmeal, cereal and….I think that’s all we got.”

“How about uh…oatmeal?” Y/N answered though it sounded more like a question.

Bucky scoffed with a grin. “Oatmeal? Unsure are we?”

Y/N laughed. “No, I mean oatmeal please.”

Then the dark haired man pulled out a sealed small packet of, what Y/N assumed was the breakfast food itself. He rummaged through the shared kitchen, eyes dancing over the different metal pans inside to find the one he needed.

As he began to prepare the simple meal for Y/N, she pulled her attention to Steve who had sat back down diagonal from her. “Did you sleep okay?”

There it was again, the look of startled surprise appearing across Steve’s face upon hearing her question.

She wondered, was it really so odd for someone other than Bucky to be concerned for him?

Nonetheless, he answered. “Oh yeah, I slept fine. Thanks for asking.”

“What about you, Bucky?” Y/N tested out the name, feeling a bit awkward for saying it despite having said it many times.

From what she could tell, it didn’t bother him as he stood over the stove waiting for the water to heat up, rubbing the back of his neck uncomfortably.

“Uh…well I slept about as well as one could on that rickety sofa.” He admitted, a small groan falling from his lips as he set his hand down to his side.

A pout formed on her lips. “I’m sorry to hear that, hopefully I won’t be taking up your bed for too long.”

“It's really not a big deal. Besides I'm the one that offered, didn't I?”

Y/N tilted her head to the side, “Well technically, you both offered your beds.”

The boys laughed at her witty comment, easing some of the tension in Y/N’s shoulders.

“That’s true, but still…” Bucky snickered, pouring the oatmeal packet into a bowl and then mixing it with hot water. “I wouldn’t worry your pretty little head about our sleeping arrangement.”

He picked up the bowl from the counter and brought it to the table, placing it carefully in front of Y/N.

“We said we’d help you out until you got back on your feet, and we meant it.” He added while taking his place at the table, across from her.

She smiled gratefully at him, and spared Steve that look as well. “And I am grateful for that.”

Bucky gave a slight nod, taking a sip of his coffee. And in the corner of her eye, Y/N saw Steve take a drink of his orange juice at the same time.

Y/N gripped a hold of the spoon already buried by the thick oatmeal and took a bite. The moment it hit her tongue, it burned and in a panic she quickly swallowed to make it go away; feeling the uncomfortable sensation of it traveling down her throat into her stomach.

Should’ve blown on it first. She scolded herself in more ways than one.

She managed to keep her distress on the downlow as neither one of the boys reacted to her searing her tongue off. Honestly, it was better that way, she already felt awkward around them.

Deciding to take another bite, Y/N first blew on the food before swallowing it, much happier that it didn’t burn her that time.

“Speaking of getting you back on your feet, do you have any other belongings with you that we might be able to pick up?” Bucky asked, thumbling the handle of his cup.

Y/N thought on it, gaze dancing about over the surface of the table. “Um…no, no there isn’t. Like I said before, that purse was all I had.”

“Well that means we’ll have to go out today and replace what got stolen.”

She quirked a brow up at the implication. “You don’t mean you’re going to replace it?”

“Well yeah..” He stated matter of factly, with a little hesitation.

“I can’t ask you to do that.” Y/N objected, her breakfast nearly forgotten. “That would be so expensive.”

Steve leaned forward, clearing his throat as he began to voice his thoughts. “But we can’t leave you with nothing to call your own.”

“The question of money isn’t a serious concern either; both of us have steady jobs so getting you something like clothes won’t be a problem.” Bucky added to further support Steve’s point.

Y/N listened to the two, becoming more and more conflicted because one, she wasn’t even from this time period so it would be pointless for her to buy things when she would ultimately leave, but she wasn’t even sure that she could leave or if she could when she’d be able to leave and if she was going to stay, she did need regular household items to live in this time.

Either way, she needed at least the bare minimum for a person to live semi-conveniently.

“I would feel guilty if you spent money on me; I’m not from around here.” Y/N still tried to reason with them, but they weren’t having it.

“It doesn’t matter if you’re from around here or not. You’re here now with us, and life can be difficult on your own so let us two gents help a pretty lady in trouble huh?” He teased confidently.

Again, the familiar heat rose to her cheeks and her heart skipped a beat in her chest. She was not used to this type of flirting from him. Back home, Bucky was much more subtle with his flirting; his self consciousness made him hesitant in any kind of romantic relationship. Therefore, to know that he was flirting in the first place, one would have to look under the surface to see what his intentions were.

To have Bucky, in a time she knew nothing about, being much more obvious in his intent was a shock to be sure.

Regardless, she shyly moved her head down to her breakfast. “O-okay…”

Once they had all finished with breakfast, Steve cleaned up the table and kitchen while Bucky searched through his closet for his smallest clothes for Y/N to wear, at least until they got to the clothing store a couple of blocks down the street.

He had handed her another white button up shirt, and a pair of brown high-waisted jeans with a belt. They were the smallest he could find, but they all soon realized that wasn’t going to work because as soon as she stepped out of the bathroom, the pants would not stay up properly.

Y/N had pulled the belt over the very last notch and it still wasn’t tight enough around her waist.

Bucky stood still, thumb resting under his chin as he contemplated what to do next. Then Steve made the suggestion that maybe a pair of his pants could fit, so he grabbed a pair and waited for Y/N to change again.

When she stepped out they saw immediately that with the coupling of Bucky’s belt, the pants did indeed fit around her waist so right after that, they left for the clothes shop down the road.

Though the clothes fit, it was clear they weren’t her’s, if the slighted stares of people walking by her on the sidewalk was any indication. Luckily, Y/N didn’t care what others thought about her clothes, she’d be wearing a different pair here before too long anyhow.

The three of them mostly kept quiet until they came into view of the shop Bucky had mentioned earlier that morning. Bucky pointed it out, and they jogged across the street to meet at the front door.

Steve stepped forward to open the door first, letting Y/N and Bucky step through before he did.

The first thing Y/N noticed was the counter with a lone bell sitting on top of it and nobody occupying the space behind it though that quickly changed as Bucky casually strolled up to the counter and tapped the bell, causing a ringing sound to echo through the small inside.

An older woman, probably about fifty years old, walked out with a pair of black glasses attached to a thin chain around her neck, and a maroon colored dress. Once her eyes set upon Bucky’s figure, she smiled brightly.

“Hello, dear, it’s been so long since I’ve seen you!”

He smiled back at her in return. “I’ve been busy with work.”

The woman then playfully slapped his arm. “Don’t give me that, James. You said the same thing when you were in school.”

That caused Bucky to laugh while the woman looked at Steve. “Hello, Steve, dear. How are you feeling?”

He gave a nod and a much more relaxed smile. “I’m feeling alright.”

“You staying out of trouble?” She asked inquisitively while raising a brow at him.

He laughed then too, bashfully, almost like she had caught him red handed. “Mostly.”

“Oh my word, boy! You’ll worry me and James to an early grave!” She let out a laugh of her own that time then her attention was pulled to the unfamiliar young woman standing between them. “And who is this young lady?”

“This is a new friend of mine, Y/N. She, unfortunately, had her stuff stolen and is in the market for some new clothes.” Bucky explained, pivoting himself to look back at the young woman.

The older woman walked around the counter to shake Y/N’s hand which Y/N politely reciprocated. “I’m so sorry to hear that dear. I’m Irene, nice to meet you.”

“Nice to meet you too, Ma’am.”

“Don’t you worry, now. We’ll find you something real nice, something that..” She took a small step back to eye the baggy clothes she wore, her smile falling and expression utterly perplexed. “...will suit you much better.”

Y/N watched Bucky cough awkwardly while Steve avoided Irene’s gaze all together.

“Seriously, boys, you couldn’t have found something better for the poor thing to wear? Shame on you.”

Y/N might have laughed if she hadn’t felt embarrassed that she let Bucky and Steve let her wear their clothes.

So much for not caring what others thought.

Irene then gently grabbed Y/N by the shoulders, beginning to lead her further into the store. “Now let’s pick a nice dress for you.”

“Dress?” Y/N questioned, abruptly stopping in the middle of the store.

“Of course a dress, deary! What else would you expect to wear?” The older woman gawked at her.

Y/N eyes fluttered down to what she was already wearing, briefly gesturing to it. “These?”

Irene shook her head. “Don’t you think that sends the wrong message dear? Wearing two different men’s clothes?”

“How could you tell they were from two different men?” Y/N asked, surprised.

The older woman turned over her shoulder for a moment, staring at Bucky and Steve as they avoided looking at her sight directly, awkwardly busying themselves with anything other than the woman herself.

She sighed. “Honey, I’ve been doing this for a long time, I think I can tell when the clothes don’t match.”

“Oh..” Y/N mumbled.

“Now let’s stop wasting time and get you something pretty to wear!” She insisted, beginning to lead her towards the back of the shop again.

In the span of thirty minutes, Irene has picked three different outfits for Y/N to try on, and each seemed to fit her personality perfectly while also being shockingly comfortable.

The first outfit had been a green shirt waist dress with white flowers decorating the fabric; next there was the tan lined skirt and a white blouse, and lastly, a pale blue peplum top dress with a gray cardigan and a pair of black flats with a thin strap going over the foot.

The pale blue dress had really caught Y/N’s eye, urgently pointing to it as soon as she’d seen it hanging on one of the many racks in the store. Irene seemed to agree that it was the perfect dress since she exclaimed the word beautiful once she’d stepped out of the changing room.

Y/N took a moment to admire herself in the mirror, liking the way that the dress wrapped around her curves in a classy sort of way. She thought she looked attractive with the combination of being polite, best of both worlds.

Although there was something oddly familiar about this shopping trip. Y/N couldn’t place it.

“I have to say, you are a natural at picking out clothes, Ma’am.” Y/N complimented, continuing to look in the mirror.

“Please call me Irene.” The woman waved at hand at the formality. “Besides I should be good at this, considering I’ve been doing this for twenty years.”

Y/N grinned at the woman’s carefree attitude then let the older woman guide her back to the front of the store where Bucky and Steve had been waiting patiently.

Upon catching Y/N in that pale blue dress, Bucky nearly jumped up from the chair he’d been sitting in, eyes growing wide with awe.

“Wow, you look…” He paused for a brief second to swallow hard. “..beautiful.”

Then it hit her.

She had stepped out of the changing room inside one of the various clothing stores inside the mall, watching as Bucky’s eyes grew wide and stood straight up when his blue eyes settled on the dress she was wearing.

“Wow, you look…beautiful.”

Y/N couldn’t help the giddy grin and an excited laugh that left her. “You think so?”

He nodded, completely stunned. “Yeah, I mean, god, you’re perfect.”

“Aww, Bucky.” She stepped forward, resting her hands on his shoulders and pecked his lips. “You are the sweetest, you know that?”

Bucky raised his metal arm to the small of her back with a smile that could light up the world. “Only for you, Doll.”

Suddenly, she felt like she didn’t know how to breathe as that one memory knocked the air right from her lungs.

In the short span of less than a day, somehow she’d forgotten the reason she was here, the whole point to why she had to be getting new clothes in the first place.

She didn’t belong here, but the memory and what was happening now started to merge together in a way that made her want to drag him into her arms and never let go; kiss him until they both had troubling breathing.

Unfortunately, he didn’t know anything of what they shared together, what they had.

He didn’t know her.

Fighting back the suffocating ache in her chest, Y/N tried to convincingly show she was flattered by his compliment. “Thank you, Bucky.”

“No problem.” Bucky shyly nodded, beginning to fidget in his spot. He didn’t have to fidget for long as Irene called for his attention.

“Now, James, normally I would charge you the usual rate, but seeing as how she had her stuff stolen, I’ll take fifty-percent off.” Irene explained, writing down something on a sheet of paper.

“Well that’s awfully kind of you, Irene.”

The woman huffed. “Don’t get smart with me, Buchanan or I will charge you in full.”

Bucky raised his hands in mock surrender. “Alright, alright. I’ll stop.”

Irene wrote a couple more things down, then turned a clipboard towards the tall brunette. “Sign here, and here and I’ll get these wrapped up for you, Honey.” She said to Y/N, already pulling on a roll of brown paper and wrapping the outfits she picked out.

It took another few minutes eventually though, they bid the older woman farewell, not before she playfully scolded Bucky to ‘take care of her.’

Being out with a pair of clothes that fit the times actually made Y/N feel a little more at ease. Now there wouldn’t be any more random strangers staring at her like she was an eyesore.

To be fair, it did nothing to release the painful ache in her heart.

Her thoughts ran rampant on all the small things that her and Bucky had done together back in her modern time. Happiness was the usual feeling that accompanied it but today, sadness tugged at her instead.

The screwed up thing was that she was with Bucky right now, but she couldn’t be with him like that. It felt like in some way, the world was teasing her. In reality, the notion of going home was futile because she had no clue if it was possible to get back home and if it wasn’t then what would she do?

Would she live out the rest of her days in time that she had no business being in? Live her entire life in love with a man she could never touch or hold?

She knew she’d never be able to live a life that way.

But how were things going to go from here on out? What were they going to look like? She wondered.

Y/N didn’t know it, nor could she, but right now in a time far away, a single man was wondering the exact same thing.

#marvel #bucky barnes #james buchanan barnes #bucky x reader #bucky barnes x reader #bucky barnes x female reader #female reader #bucky barnes fanfiction #bucky barnes imagine #bucky barnes series #winter soldier #winter soldier x reader

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eternalshadeart · 3 months

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I've been doing digital art for almost 2 years now, with little to no practice on actual paper for these 2 years, and that got me thinking did I Lose my touch with traditional art, Haven't picked up an actual paint brush in so long. Its easy to get lost in the vast possibilities that digital painting softwares offer, ranging from hundreds of brush textures, to tools to make your shaky lines smooth, making the perfect circles, filing a solid colour in an instant.

Where you absolutely dont have to wait for your oils or watercolor to dry up before going for the next layer, and most importantly no need to spend dollars on art supplies and if you make any mistake the undo option is always there for you.

It did make painting easier in a way, but it also comes with its own cons, when I started digital painting I felt like I had to learn from scratch how to use the particular software, and had to learn to paint all over again. Tho it catches up quick but still figuering out how to use each tool, how all the functions, brushes, layers, blend modes work. It does take some time.

Nevertheless I ventured from my point, so since I've been painting dgitally for 2 years I figured its time to indulge in some traditional work, touch base and see If im still worthy.

I tried painting a couple of small canvas and got stuck figuring out what to draw, to have the exact outcome planned out because if I decide halfway through coloring my background that I dont like how it looks, I dont have a ctrl Z to help me this time, I'll have to paint over the whole thing and start from scratch. Painting on the canvas directly is a commitment and theres a looming pressure that the outcome should look beautiful and completed, and I already have enough anxiety, not really excited about been anxious about the thing i love.

One warm afternoon I picked up a tiny notebook I had, bought it on a whim last year and it has been sitting on my shelf since then, its a 4"x4" pocket notebook with decent paper quality, perfect to try out the random black gel pen I found lying around. And I got to it, found a cozy warm place and made a small pen sketch of a tree. The texture looked nice, i did mess up a couple timeson the leaves but since its just a disposable paper I didnt worry much on it, just covered it up with more scriblings. It felt pretty good, ad I realised with digital art the one thing I'm missing is customisign how I organise and decorate my work collection.

With digital software all your art is stored as mere .png or .jpg or whichever format you prefer, but thats it, its just a photo album, unlike a sketchbook where you can decorate the cover, add a couple of sticker or notes to it, stick a dried flower you found, or just about anything creative.

The overall feel of a sketchbook is entirely different and I dont have to worry about each page looking like a finished work.

I love painting digitally but painting on a sketchbook is almost nostalgic, so I finally started one.

Got myself a small A6 sketcbook with a pretty floral cover,cut out the pen sketch i did and glued it on the first page, and thus started to fill each page with totally random unrelated paintings.

So anyway this was a lengthy way to tell you how painting on a sketchbook somehow made me improve my art, and felt incredibly amazing, tho I've completed just couple pages, each page looks beatifull in its own way, and i got to try out a couple of pens, and paints that I havnt used in so long.

got to try doing simple portraits, tried to double tap multiple times on the page (stupid muscle memory).

so anyway here are a few pages that I have completed, and if you did read till the end, thanks for bearing with the (rant)?

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leavingautumn13 · 1 year

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What equipment and programs do you use to make your art? Your about says you're self taught, what helped you learn? And does anything specific give you inspiration for your current style or what you'd like to achieve in the future? I really like your art❤️

ahh!! hey, thank you so much!! <3 that's so kind of you to say!!

easy questions first: for digital art i use a wacom intuos tablet and paint tool sai, which is the only setup i've ever used. i've been trying to get into clip studio paint but something about it just doesn't stick with me. i think i need more practice.

for comic panels and lettering i use adobe indesign, and export as png to before putting them in sai.

everything else under the cut so this post isn't miles long

i've been drawing ever since i was a kid, but until middle school i mostly just drew animals or little notebook paper comics about animals. i grew up on a farm so there were lots around, and drawing from life is something i think really helped. like, there's a difference between knowing what a cat looks like and being able to pick one up and see how its bones and muscles fit together, being able to watch it change how it moves around depending on what it's doing, whether it's catching a mouse or playing with another cat or curled up asleep, and being able to break down that anatomy and movement into simple shapes. i'm a pretty visually oriented person so knowing how a thing functions or fits together as simple shapes helps me visualize it in my head and imagine how it would look in different poses or from different angles.

around middle school i moved onto drawing people, again from life while sitting in a cafe or at a park. actually being able to get what's in my head down onto paper in a way that satisfies me is something that i think just took practice. only recently (like, late last/this year) have i been consistently satisfied with the way i draw things.

sorry if that sounds weird or clinical--this is the first time i've been asked to explain how i learned to draw and this is the best way i can think to say it.

honestly, finding my own style has been looking at what i like about other artists' styles and trying to figure out how they achieved that. i did a lot of redraws of other peoples' art as a kid. for me, trying to replicate something makes me really think about why i like the way it looks. i try to lean towards a semi-realistic style--i don't like drawing super realistic all the time, i love cartoons and think they have a lot of character--but i also don't want to lose the underlying anatomy or structure because it helps my brain make sense of stuff. so i try to find the middle of the road, where things are simplified but still structured, if that makes sense.

brief tangent... that's why i draw pokémon the way i do. they're not on model, they're how i imagine they would look if they were real animals, based on the sort of animals they're... uh, based on. so like for this piece, because camerupt is a cow/camel hybrid, i looked at a bunch of pictures of cows laying on their sides, what their hooves and skulls looked like from certain angles, etc. and then i could draw what i wanted.

as for improvements, i need to get better at backgrounds and realistic coloring/lighting. color theory is one of those things that i understand... well, in theory, but when it comes to practice and paying attention to it when i color, i need work. and because i've mostly drawn animals and people my whole life--organic stuff--i find buildings and backgrounds difficult, so i tend to avoid them. and i need to not do that.

#thank you for the ask!! this one really made me think #let me know if you'd like me to clarify anything... i tend to get longwinded and distract myself with tangents.#so idk how clear this is? i really look like the charlie conspiracy board meme trying to explain anything to anybody #bc like there's CONTEXT alright #like i deleted a tangent about how much i love hiromu arakawa and fullmetal alchemist and it was a huge inspiration and #like damn dude that amount of granular detail was not asked for lmao #autumn.ask #autumn.personal

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not-xpr-art · 1 year

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just wanted to share a few comparisons to show how my digital painting skills have developed over the years!

(these were all done with the same brush type on the same program btw!)

see below for a mini kinda Art Advice post where i go into each of these comparisons!

wanna start by saying the brush i used for all these pieces is the 'watercolour' brush on firealpaca... essentially just a default flat brush that usually comes with most software!

the first two are to show unintentional messiness vs intentional messiness. a lot of my early art had a pretty messy quality to it purely because i was still unfamiliar with the mechanics of digital! (though i will say, i think i was going for a more painter-ly style in the 2015 art anyway because i was basing it on pre-raphaelite works)

i think once you become a lot more familiar with certain mediums, you allow yourself to be a bit more confident with the brushstrokes you make! the 2022 piece is one where i wanted to create a sense of texture, almost like a digital version of impasto (aka thick layers of paint), and i know better now how to use digital software to create this kind of effect!

and you can see with the next row & the 2016 piece that i managed to create a much smoother, more blended appearance whilst still using the same brush! a part of my improvement came from me allowing myself to spend a little longer on pieces, especially in those first few years. i think a lot of beginners to digital (or any other kind of medium for that matter) think that if they spend the same amount of time on a piece as they would in another medium that they're more familiar with they'll get the same results, but it doesn't really work that way lol... especially if you're very new to digital... my advice here, then, would be to allow yourself to be slow at figuring out the medium (and let yourself make mistakes!)

going back to the 2016 vs 2022 comparison, i wanted to include this to show how sometimes you can keep things still messy, but still controlled and complete looking! also, remember that in digital most programs will let you adjust the 'colour mixing levels' or another similar 'blending level' option, which essentially just means how much the strokes blend or don't blend into what you've already painted... (knowing this would have made blending a whole lot easier back in 2016 lemme tell you lol.....)

(i also wanted to include that comparison cos it looks like they're looking at each other and i find it funny pfft)

the final comparison is, again, to show how controlled brushstrokes can give a piece a simultaneously painter-ly and smooth appearance! in both the 2015 and 2023 pieces, i wasn't super precise in my painting skills. but the 2023, to me at least, doesn't look as messy purely in the way i've been able to use the brush!

i mainly wanted to share this because i spent a long time trying to make my paintings look smooth, and i definitely do still do this in some artworks (particularly if i'm using fluffy/textured brushes), but i realised that i really enjoyed being able to create messy works that overall feel more finished due to the painting skills i've developed over the years!

i also just want to say that i'm not saying that either of these sides are 'better' than the other, they're just a few different ways i've approached art in my years as a digital artist! my observational drawing skills have grown a lot since the left side pieces, but i still think there's a lot to like in my early works and i'm definitely still very proud of them!

thanks for reading & feel free to check out my other art advice posts and consider tipping me here on tumblr or heading to my kofi if you wanna support me! (no pressure ofc!!) <3

#art advice #digital art #art advice for beginners #digital art advice #firealpaca #portraiture #digital painting #painting advice #i havent actually posted the full 2023 piece yet 👀 so you're getting a sneak preview lol

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placesyoucallhome · 11 months

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Drunk wasps, wild turkeys and pokemon cakes. You live an interesting life.

mmm, bear with me here-

I've taken art classes since I was a kid, like traditional art training since the age of like, five. Mostly from the same guy, he was also my AP art teacher in highschool. But for a lot of that time my art was very... bland, flat. I was taught to draw what I saw, in a very literal sense, he wouldn't even allow us to take a picture of our subject matter to work on outside of class hours (mind you, there were no cell phone cameras then we were working off digital cameras mostly but that's beside the point). So, much of my art was also literal, leaves were greens, brick was red, water was blue. My art wasn't great, and I couldn't quite figure out why.

I also took art classes in college, whole different teacher, he admitted my technical skill was there, but I wasn't pushing things at all, and I really still didn't 'get' it. I eventually got to an oil painting class, and again my technical skill was there, but it fell flat.

Until one assignment. He set up a still life, basic, I couldn't tell you how many damn still lifes I've done, but this one was only in greys. Every single item was a flat shade of grey, and our assignment was 'paint in color'. It took me a bit, to see it, and I won't say that I got it immediately right then, but it started to click. Literally, those vases and boxes were grey, and that wasn't the point, the point was choosing to see the colors in that. There's the golds of the sun through dirty skylights, the copper bouncing up from the cheap flooring, the blue shining from the jacket of the kid falling asleep in the front row. Once you think to look for it, you can see the bouncelights and colors, there's a rainbow in even a white wall, I would know, I painted one.

My point is, life is bland, painfully so, or worse, its stressful, painful. One can see things literally, in dull shades, that tree in the yard invites bugs, living near the metroparks means local forest wildlife, a lot of my 'art' nowadays is done in buttercream, and everything is... boring.

Or, you can find the color in the little things, like the ridiculousness of the fact that apparently local herds of deer like to get drunk off fermenting ornamental pears in our front yard, or the comedy of trying to find a way to explain what the hell Mewtwo is to a coworker that's never played pokemon.

I write and present things the way I do because, I choose to see the colors in mundane things. It doesn't make living less painful, but it can make it easier to bear.

#something something philosophy of living something #or figuring out coping mechanisms when you had no health insurance anyways #idk im not actually that good a writer i hope it makes sense tho #I could choose to see everything as tedium #but i don't think it actually helps anything #like a ghibli movie #the importance of the softer things and kindnesses and absurdities #like food i mean gd ghibli makes food look good

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delta-piscium · 9 months

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Trying? Trying??? By learning. By succeeding!

(about this and my text under the cut)

this is very nice actually thank you so much <3 <3 and like, i probably do need to give myself more credit in general but also i am still very much learning and stumbling and figuring digital art out (and for the most part it is so fun)

I’m gonna ramble about this a bit so bear with me and also i apologize lol, but that art was done after a month of getting increasingly more frustrated with everything turning out so badly and eventually realizing that I was trying to 1. copy a certain look/style that i’ve internalized is what fanart and digital art should look like and is very far away from my style/comfort zone 2. i was trying to do everything digital allows without being comfortable with it or understanding it

so (and this took me a month to realize ? ??) i did what i already knew from doing acrylic and oil painting in the past and could somewhat easily transfer to digital without having to know more than the basics, like i didn’t use a lot of the things digital provides or allows for. i used layers for my own peace of mind but without actually needing them and did some color adjusting (honestly, the color adjusting digital lets you do is such a blessing to me) but the only fancy way i really utilized the medium was making it a gif (which is so fun and a lot easier than i would have thought, like honestly watch me make any future art into gifs too) but there are so many things you can do with the medium with settings/effects, different brushes, tools to use in the process etc that i just do not understand what they are or how to implement them so i am very slowly learning digital art as a whole new medium rather than just being able to use it to adapt what i already know

#sorry you just wanted to say a quick thing and i went on a whole rant (welcome to my blog tbh)#like i'll watch tutorials and they'll be like 'and i just did an overlay and then a multiply layer in a good color (:' and im like ??? wdym #'a good color' what color is a good color? like i can put those effects on my work but that's just me clicking a button without knowing wha #will happen really and like i watch speed paints and see them do stuff and im just ? HUH? what was that and why?#i also do not understand a lot of these concepts with traditional art tbh like people will talk about under paintings and im like yeah sure #i hear you however i also do not- i just place a color where it should be and that's that which i know is why my colors often don't feel #cohesive which is also something i need to learn which is blah- im basically just saying i actually do not know any theory or technique #even with traditional it is all just vibes and hoping for the best which in the long run just makes me very confused about what i am #actually doing and not confident at all i'll be able to do it again so u know #we're out here literally just raw dogging art without any thought #but it's also just i do not need to do all those fancy things but i would like to understand them and i am excited to see my progress now #i just really had a shitty month of making ugly things up until now okay so i was a little fragile when i posted that #but people have been so so nice about it and ive been crying for two days straight #also people have been so lovely about the colors and colors are deadass the hardest part about digital like with paint you often buy a set #that already match and then mix them if needed and they'll look nice together but with digital you're just on your own- no training wheels #ask #anon

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lepierr0t · 7 months

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Me: I’ll try to be more active on tumblr

Also me: *disappears for 4 months*

Anyway, keeping up in social media has always been a challenge for me so, I1l give myself a break.

Ive been precticind quite a lot with oils recently. It was already something I wanted to do, but I was figuring out how to for a while.

the thing is, painting always scared me, when I was trying digital painting, It was always so overwhelming. I didn't really knew what to do, and I could do anything, there were no rules, no limitations and no easy process, at least not in my head.

But since I started oil painting, everything seems rigth, everything is starting to make sense. why the blocking, and why we aint the way we do, and how color works. Oh GOD! color is finally starting to make some sense to me!

I need paint, I need the need to mix it and pay attention to the saturation, and the pigments and the contrasts, I need to touch it, and to smell it and to feel the texture when it is dry. It is a whole different experience that the digital world can't provide. And a whole understandment that the digital can only replicate very poorly.

Recently I've realized how much of a megalomaniac I am and How my personal projects are always too complex for someone with no experience at anything and that's probably oneof the reasons it's so hard for me to finish anything. so I wanted to start this slowly. I wanted to paint one small object that I liked, so I picked Candles.

I also have bookbinding as a hobbie of mine, so I also bind a book just for studiyng painting. I used my very first painting of a candle I did during the pandemic when I was first trying out oils as a detail for the cover.

after that I started practicing painting just candles. Simple. with some notes to each just so I can orient myself

"paint the glowing around the candle before doing the flame"

"try blocking the whole candle in one color only"

but recently I got a commission from a friend, and I wanted to try and do it on oils. At first I tried doing it by observation alone. But I had many structural problems I should have solved in the drawing phase and the colours would not save it..

So I started over and decided to actually break the portrait apart and... you know... do things correctly...

I separated her face in more simple shapes and tried working out on a composition that would work better. after some editing on ClipStudio, I used Adobe color wheel to produce a pallete, which I used to guide me

This is the result so far... Although this is still the "ugly stage" I'm already pretty happy with it.

I just wanted to share my experience with painting so far. I don't know if other artists can relate, but painting seems less scary now that it is physical. I can touch it and bend it and it is actually pretty fun!

#study #arts and crafts #craft #painting #oil painting #digital painting #artists on tumblr #small artist

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justsomeno1s · 1 year

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Basil - Kel Omori RoleSwap AU

(Stars I need an actual name for this thing-) This is a collection of Notes and Thoughts I have about my interpretation of the AU! Please understand- I've been working on this with an IRL friend who hasn't played through the Faraway segments and doesn't know the Truth yet (soon, but not as of this point), so I haven't had a good way to brainstorm about it yet.

ALSO: I know I may seem somewhat incoherent at points, as a lot of things are based on my and said friend's interpretations of the characters. I'll try to explain if requested.

Headspace will be different! Since Kel (an active force) is replaced with Basil (Significantly more passive), major events and places including either or both of them will have to be changed to keep working, and some character dynamics will be shifted. The fanfic will mostly be the group's adventures through Headspace- As if it were an actual game/mod.

Pre-Vanishing below Read More:

Omori's greeted by Hero, Aubrey and Basil, ofc. Kel isn't part of the initial group because "Kel and Aubrey have been going at it again.' ... 'It’s to the point where Kel won’t even come into the Neighbors room if Aubrey’s here."

Basil's wearing sleepwear, and Kel's got a more awake outfit! The most important thing about this is that Basil's got his Jump Rope as a belt (Where else would I put it?) and Kel has a blanket cape. I'm gonna draw or sprite them later, b/c I'm completely in love with the idea "

Basil still has a flower crown! It would be equipped as a weapon, but he uses his Jump Rope as a whip in fights. When the friends disagree or fight, it starts falling apart and dying faster- Aubrey's Stuffed Toy quest is replaced by Basil needing to find a replacement for his current crown. (Would be called Flower Crown, or something similar) (Bonus: Basil infodumps about each kind of flower in his crowns when he first gets them)

I write the characters as having EMOTIONS (like the colored auras) even out of battle. Kel would experience 3rd tier EMOTIONS, and goes MANIC before he goes missing because he gets over-excited about something.

No watermelons- Instead, there are cardboard boxes or pillows that Omori can slice apart. (Kel can't take care of plants, but he and his brother are Master Blanket Fort Makers, after all! Plus, I figure Kel would be a crafty kid)

Hero's a bit more proactive in this so far, physically stopping Kel and Aubrey's fights and calming Kel out of MANIC. He'll probably be a bit more high strung as well, since he's looking for his little brother. (I kind of want to have him be the one to cry after Space Ex-Boyfriend- "He's not here either... Sniffle... God, I'm such an awful brother."- but I'm not sure if that makes enough sense to put so early.)

Kel has a Camcorder! Its digital, and he uses it to record any and all things he thinks he should remember/are interesting enough. Its a secondhand, off-brand device that he uses so much he's dented it and worn off some of the paint. [In reality, the viewer's been snapped off, and its lost/hidden somewhere in Sunny's house. Kel got it for his birthday the year before the recital, and used it whole year. His parents recorded all of Hero's events- The spelling bee, the cooking competition, and such- and told him that 'we record things so that we can remember them and watch them again later', so he wanted one that he could use on his own.]

The tutorial sections are actually just for Basil! Kel goes into battle and bring Basil with him so that he can teach Basil how to fight and use his skills. (Would break the fourth wall a bit, but Canon does the same, so I'm not too torn up ") (Everyone but Basil would basicallly start at level 2, reasoning that they do fight monsters on their own.)

Kel's got some OP battle skills, because he doesn't stay on the team. [Also, way, way farther than where I am in writing rn- Black space involves Kel fighting of dangers on his own, and I want it to be an overconfident into overwhelmed kinda thing "]

Kel's "Basil's house/garden" equivalent is a Blanket Fort set up between a mountain and forest, with half for Hero and half for Kel. Kel's half (the primary focus) is a sunset colored living room, filled with blankets, pillows, stuffed animals- the usual kind of stuff you might find in a sleepover. (I think? idk I'm weird) It has shelves of movies and comic books, themed by who likes what, and a wall spanning projector screen so they can watch them. It would be the fourth wall if in a game/mod, and Kel would get yoinked after it starts playing his memory of the Truth. [My friend had the idea of him calling out to Sunny before he gets got, b/c we're both shipping trash and Caprisun is The Good Shit, but I'm not sure it makes enough sense.]

I'll talk about a bit more soon, but I've got a thing today, so. It'll have to be later. Soon " Feel free to interact/Give ideas/Tell me it's unrealistic- whatever! Will respond asap "

#Omori au #BasilKel swap #no1sy #long post #omori #omori caprisun #(slight)#omori solar system #(even slighter)#White Noise AU

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