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#tangled analysis
queer-cosette · 11 months
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Cassandra and Colour
In TTS/RTA, when Cassandra wears red, it's representative of her loyalty to Corona and Princess Rapunzel. The most vivid red she wears is the sleeves of her guard uniform.
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It's important that it's vivid, because this is when her loyalty to the kingdom itself is her priority. And it's the same uniform the other guards wear. It's also brighter than the red she wears as part of her 'action' outfit:
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This is a much more brownish red, almost pinkish, which is interesting because pink is one of Rapunzel's preferred colours. This is significant because Cassandra tends to set aside her loyalties to the kingdom in favour of her loyalty to Rapunzel specifically, which is demonstrated the first time we see her wear this outfit - when she sneaks Rapunzel out of the kingdom for one night of freedom before her coronation.
Also interesting is that the red is worn mainly on her undershirt. From there we can assume that the red undershirt is actually touching her skin (at least on her arms and neck), and it's also presumably the last layer of clothing over any undergarments, meaning it's almost directly over her heart. Loyalty is something that, at this point, she is making her own decisions about.
But then, at the Great Tree, Cassandra's loyalty to Rapunzel is her undoing. Someone else summed it up elsewhere, but basically, Cassandra and Eugene both see Rapunzel's safety as their number one priority - but Rapunzel's number one priority is Eugene's safety. No one has Cassandra's safety as their number one priority, not even herself, and that's why she's the one to get injured. Her arm is badly burnt, even withered, so she puts on this outfit:
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Two things are important to note here. First, the arm that was withered was Cassandra's right arm - her dominant arm, established in the next few episodes where she is forced to relearn how to use a sword. This is significant because it means her right arm is the one she uses to protect Corona and Rapunzel, and now it has been destroyed. She's slipped further away from that position of loyal bodyguard by another tiny amount.
The other thing to note is that she is still wearing red, but now, rather than a garment worn over her heart, it's a cape. The red is on full display, but now it's the furthest garment from both her skin and heart. She's shrouding herself in it now, because at this point she's trying to pretend that everything is still as it was and that she's still highly capable of doing the job she was given (first by insisting she's not as badly injured as she is, and then later when she begins to contemplate double crossing Rapunzel). But she's slipping further and further away, and her loyalty to Rapunzel is nothing more than a mask by the time they reach the Moonstone Chamber of the Dark Kingdom.
A third thing that's interesting to note is that the cape is a much... purplier shade of red than anything else Cassandra is worn. Where else have we seen a purplish red before?
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In fact, knowing that the Great Tree - where Cassandra got the armour - was once Zhan Tiri's stronghold, for whom Gothel once worked, there's even the possibility that the cape is made from the same actual fabric as her dress.
There's more analysis to be done here regarding Cassandra and colours, but I'll put it in a reblog.
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justaaveragecryptid · 2 years
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I wish the tangled the series writers had put more emphasis on some of the other moments where Rapunzel unknowingly one upped Cassandra, the constant talk of gothel made it seem less like Cass was saying “you’ve constantly made yourself the center of attention when I just wanted to get recognized for something I’m good at and passionate about” and more like she was saying “it’s your fault Gothel choose to abandon me in favor of kidnapping you, and I’m going to ignore your trauma at the hands of Gothel because admitting she was a bad mother to both of us will force me to realize I’m blaming the wrong person in this situation.” Like please focus more on the challenge of the brave, when Cass trained as hard as she could so others would see how capable she was, and how it must’ve felt when Rapunzel was getting praise and cheers just because she’s the princess. And we should’ve seen more about Cassandra’s hand. Like her hand was burnt to a crisp and There’s no way she didn’t on some part blame both adira and Rapunzel. I just think they centered her motive for stealing the moonstone on the wrong things and it’s obvious that because they focused so hard on the gothel part of Cassandra’s trauma many people write her off as sorta selfish
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adventuretolkienlover · 8 months
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Okay, please tell I'm not the only one who noticed this. Vex's ear are like, super pointy!
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Okay, y'all gonna call me crazy. But think about it. We've never seen her parents. She has unusually pointy ears. And she's very talented with weapons. I suspect...
She may be part elvish.
Do you see it?! I do! Anyone else notice this? This may or may not be important to my fic later.
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essycogany · 2 months
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Sonic’s been more acceptable to hugs in canon. Specifically with Tangled and Amy. He also has small examples with the Wisps as well. It makes me think after Sonic Forces where Sonic’s had no contact with ANYONE for 6 months, he’s grown to like hugs A LOT more.
Before Sonic Forces:
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After Sonic Forces:
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Before Forces Sonic politely pushes the Wisps away from him for some personal space. While after Forces he greets them with open arms. This gives off the impression after disasters like the metal virus or Frontiers where Sonic couldn’t even high-five his friends, the blue hedgehog grew to be more physically affectionate towards his friends. I guess Sonic decided it was something he wanted to appreciate while he’s able to.
Makes you really wonder how those obstacles might’ve permanently affected him. To be fair those situations including the one with Surge, did a total number on the guy in some fashion. We were told about it more then shown in Forces but it still counts.
Or maybe I’m looking WAY too much into things. It’s your call!
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artist-issues · 16 days
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I remember during the making of Tangled, the filmmakers said they had to work hard to design Rapunzel’s tower to be beautiful and seem like a cozy, fun environment, while also making Mother Gothel seem sweet and loveable, if manipulative.
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Because, they said, if the environment is too much like a prison, and Gothel is too much like a villainess, the audience wouldn’t believe in Rapunzel as a character. They’d think she was either stupid or cowardly, to stay in such a nasty situation without trying to escape sooner. But if her circumstances seem just livable enough, just sweet enough, that you can see some of the appeal, then you wouldn’t blame her for waiting so long to leave.
Why didn’t they do that with Wish?
Why didn’t they think that relatability through?
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Nobody is really feeling compelled to root for the everyday Rosas citizens during the movie. You don’t feel like rooting for Asha’s cause, or even Queen Amaya’s. Because you think to yourself, “why did it take the townspeople so long to ask the question ‘why can’t we just have our wishes back?’”
Asha comes up with those culture-breaking questions, inexplicably, in the first twenty minutes of the movie. It takes the rest of the townspeople about 24 hours to suddenly start asking that, too.
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So why don’t you root for them?
Because when something bad happens to them, part of your brain goes, “why didn’t they see that coming, though? Why didn’t they ask questions? That one’s a little bit on them.”
And you don’t really feel that feeling you got with Mother Gothel, where you were like, “Oh yeah, I can see why the main character trusted this villain; the villain really seems to care about the hero, if you didn’t know what she was after.” You don’t;t get that same feeling with Magnifico. Because the whole idea of what he does—by erasing people’s memories and yelling at them and having no moments with regular folk where he’s warm and personal and building trust—is so malicious that we don’t believe the other characters couldn’t see it.
We COULD HAVE believed it. If they’d added in good writing and character moments to make it believable.
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When Magnifico interacts with the people who trust him and are duped by him, he’s up on a stage, flashing superpowers they don’t have and then disappearing back into his tower after only granting one wish. He’s not on the welcome tour with Asha. He doesn’t know his own palace staff by name. He’s done nothing to build the trust all the side-characters unquestioningly give him. So even at the end, when everyone’s like, “aw, we wanted to believe in Magnifico,” we don’t feel it. Because didja? Why? Everyone could see that coming.
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Meanwhile Mother Gothel tells Rapunzel she loves her most every time she leaves. She laughs with her. She reinforces every conversation they have with the idea that she’s desperate to protect Rapunzel. She brings her her favorite soup as a surprise and remembers the ingredients. She goes to get white paint on a very long trip so Rapunzel can paint. She compliments her strength and beauty—even if it’s backhanded. She calls her “dear,” and “darling.” She knocks thugs out with sticks, returning even after she argued with and supposedly ‘gave up’ on Rapunzel, all to supposedly’ protect’ her. So when Rapunzel realizes it was all an act, and she’s wrathful and furious and grabs Gothel’s hand, we DO feel it. Because we believed that Rapunzel really didn’t see this coming, so the shock stings worse. We don’t blame Rapunzel, and we do blame Gothel.
Just another example of what #NotMyDisney forgot about themselves.
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paintbrushnebula · 20 days
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I really wish we got to see what that first month of Rapunzel and Eugene's relationship was like
Because it would've been really interesting to see the reality set in for the fact that their relationship technically began 3 days after they met--that the first month or so of them essentially being boyfriend and girlfriend will be spent actually getting to know each other. They're both gonna be discovering all these things they didn't get to see in each other in those stressful, unrelenting first three days. They'll find out about their flaws and that there are things they might not like, which is perfectly normal in any relationship of course.
But they'll also discover all these crazy new things that they'll LOVE about each other, things that didn't have time to shine in those first three days. Things three days could never do justice, and boy are they grateful that their love survived those three days. Three days wouldn't have been enough, and oh there was so SO much more to discover. So all these beautiful things could never not outweigh all the uncovered flaws, and there's never that moment when either of them think they were wrong about the other, or that they jumped into things too soon, because its still them ^u^
wish me luck eepsters, I have an oceanography exam tomorrow. this bites 😖
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themattress · 5 months
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Why are these Disney heroines "adorkable"?
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Rapunzel (Tangled): Because she was raised in isolation her entire life. She doesn't have a clue about the outside world or social graces or other people besides her "mother" in general. But she's extremely eager to learn and eager to please, not to mention is a pent-up ball of energy waiting to run wild, which leads to her adorkability. It makes perfect narrative sense.
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Anna (Frozen): While not as badly as Rapunzel, she was also raised in isolation for much of her life, largely having to rely on the books in her castle library to teach her about the world and things such as proper etiquette, life skills and romance. But real life is not a book, so when she actually has to do these things, she often flounders due to her nervousness, excitement or inexperience, which leads to her adorkability. It makes perfect narrative sense.
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Moana (Moana): From early in her life, she was raised under a very strict set of rules and instilled with a strong sense of responsibility, which is at odds with her instinctive desire to break these rules and her fears that she isn't up to the challenge her responsibilities pose. All of this pent-up stress she carries within her will often cause her to explode with emotion at the slightest provocation, which leads to her adorkability. It makes perfect narrative sense.
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Mirabel (Encanto): As a young child, she failed to receive a special gift and room the same way the rest of her family did. Now feeling like the failure of the family, Mirabel's coping mechanism became trying to make herself as extravagant and quirky as possible. She's an incredibly "Try Hard" person, which leads to her adorkability. It makes perfect narrative sense.
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Asha (Wish): Um.....well, she.....yeah, I got nothing. There is no narrative justification here.
Disney doesn't have an Adorkable Problem. Just an Asha Problem.
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nerdasaurus1200 · 2 months
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I just realized some sad things about Eugene and Varian’s talk in PEEV so Imma talk about that scene.
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So first Eugene starts pretty small with it. I think you could interpret this as either Eugene trying to imply Quirin being a mole as gently as he can, or bringing up a sort of…I guess fact to start the tense conversation. And of course it kinda flies over Varian’s head. He takes it at face value, making sure to reassure Eugene. Which to me implies Eugene has probably been worrying about the Brotherhood for a while now.
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So Eugene tries again, much more obvious this time. Although he never outright says anything he directly points the finger at Quirin. The implication is there. And lately I’ve been wondering if there’s something a little deeper to this conversation. i feel like could easily be echos of season 1 cause the whole reason Varian’s villain arc started was cause his dad was in danger. And now his dad is in danger, again. Except Eugene may be trying to not repeat history by actually checking on Varian this time and trying to nip this potential threat in the bud.
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And if you listen to the dialogue Varian never actually says it either. But you can see in his eyes. Now that Eugene’s planted the idea in his head, the fear is very much there. And his trauma from season 1 is probably coming back a bit too.
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So of course he mildly deflects and snaps at Eugene. I think this is…I’d say 60% trauma reaction, with the other 40% being Varian just being generally angry at the idea that Quirin would ever betray or hurt him. And maybe slightly at the idea that Cassandra would do that to him. Cause Adira and Hector are one thing, Edmund and Quirin is a new low.
Also I think this is actually the first time we’ve actually seen Varian seriously angry since season 1 ended. Yeah we’ve seen him pissed before this season but that was for jokes. There is nothing funny about Varian’s anger here. Cause when Varian gets angry shit goes down.
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So of course Eugene backs off and drops the topic. He probably thinks (or rather hopes) Varian has some failsafe already taken care of for that situation but I think it’s more likely that Eugene doesn’t wanna press Varian any further and trigger him.
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But, sadly…Varian knows Eugene is right. He knows he has to do something to make sure nobody gets seriously hurt or worse when Quirin inevitably turns on them.
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silvernmoonlace · 15 days
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I mean, dresses can be very practical if they're made well but still, I somewhat agree. There's only so much you can do in below-knee dresses with puffy skirts. Women's sportswear in the 19th century did exist, but mostly in the later part of the century (I'm kind of unsure tho), when skirts started getting narrower again.
Also, it's not historically accurate. Tangled takes place just before Frozen, which takes place in ~1843. I assume then that Vat7K takes place in ~1845, and dresses back then did NOT look like Nuru's dress, even after excusing the heavy creative liberties that Tangled the Series usually takes. Nuru's outfit looks like someone took a dress from the 1820s, cropped it, and added sheer fabric and a few 18th century details. The high waistline here would have started dropping lower during the 1830s, and by the '40s it'd be practically at the natural waist.
Additionally, Nuru's dress looks very different from the Kotoans' dresses depicted in TTS S3 Ep7: Beginnings (Koto is commonly considered to be the Air Kingdom in Vat7K). This episode would have taken place very close in timing to Tangled, so around 1840. The Kotoans' dresses look pretty good in terms of historical accuracy and also in terms of differentiating them from other kingdoms. However, they would not have changed that dramatically to the style that Nuru's dress is, in the span of just 4-5 years after which Vat7K takes place.
edit: I often give her an alternate outfit when I draw her. However this is usually still a dress, although less sparkly, because I don't think the Trials are all that physically taxing. I've seen that a lot of ppl hc Nuru as lesbian, so imo it would be cool to see her in menswear too, just to try out that aesthetic.
Lastly, please note that I am in no way an expert and literally just a kid with a special interest on fashion history, so take my words with several grains of salt. I may sound 100% confident here, but the things I say might still be wrong. I would also like to acknowledge that historical accuracy was never the point of Disney shows, but it's fun to analyse them like it was. Thanks for reading through my silly rant/infodump 🌿🐛
(making this a non-reblog post because I want attention; OG post by @foursthemagicknumber)
Image references below so you know what I'm talking about (please read image descriptions).
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malucofiliz · 23 days
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Nome: Rapuzel-Dotada de Cura
Custo🎨: 4 | Lor: 2 | Raridade: Lendária
Força: 1 | Força de vontade: 5
Classificações: Clássico-Herói-Príncipe
Habilidades: [ESPALHE SUA MAGIA] Ao jogar este personagem, Remova até 3 de dano de um personagem. Compre uma carta para cada 1 dano Removido desta forma.
Número de coleção: 18/204 • 1
Cometários
Os Status são bons já que contribuem para deixar o personagem durável
Só a Classificação Princesa realmente importa
A habilidade é excelentemente versátil, faz compras extras como Ametista, e continua sedo um personagem Âmbar que foca em curar
Resumo breve: Magnífica por vários motivos, uma das melhores cartas do primeiro capítulo
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buttercupshands · 20 days
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Chapter 419 Analysis or "How to make allies not pawns" a helpful guide from League of Villains (part 2)
This is now a second part of Tomura character analysis.
With chapter 419 being probably our last time seeing Tomura for a while, since we need to learn what happened with Aizawa now is time to remember that not only bad things exist it Tomura's life.
Warning of spoilers to the whole manga to the point of chapter 419! All of the warnings from My Villain Academy side of manga are applicable
So like... mentions of death, killing other people, manipulation, emotional abuse and many more!
This is Part 2 - See here for Part 1 of this depressing mess
With AFO being so sure that he knows better and actually controlled every single part of Tenko's life creating a Symbol of Fear without any redeeming qualities or even hope for saving after he destroys him. There's one thing that AFO still doesn't understand about Tomura and never did - and that's his allies, or the League of Villains that he created.
Even Kurogiri, being a Nomu who's views do not stray from what AFO thought was important didn't exactly understand what did Tomura think about his allies quick to assume that he thought of them as pawns all the was back in the Training Camp arc. With Tomura making game examples to explain the situation, he still didn't think of LoV as just pawns on a desk, like AFO does.
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At the time of USJ arc there weren't many people Tomura called this, which could make you wonder how much it was just AFO's plan rather than Tomura's with him never worrying about those other villains yet getting so worked up over losing Nomu not only because he was strong enough to defend him from All-Might, but treating his defeat as something that must be avenged.
And that was long before Stain even entered the picture, the first of three people who greatly affected Tomura's view of his own motives alongside AFO's manipulation of literally everything else.
Tomura was terrified of fighting All-Might seconds before this and yet as this goes on it's becoming more noticeable - Tomura doesn't care for his own fear or worries as long as he's fighting for someone else's good. Not so different from how Izuku is ready to disregard himself for the sake of others, resulting in many injuries and being so close to dying so many times.
It never was a secret that Tomura is highly dependent on others to keep himself from losing confidence, or even will to fight, getting either too anxious to continue without anyone's reassurance.
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And while AFO's "help" was mostly given only with some kind of lesson as we saw in "Tomura Shigaraki: Origin", with AFO literally sitting there, saying how Tenko is weak for not killing but showing some restrain instead suffering himself, never actually helping or comforting him. Only offering what he deemed nessesary for his own plan of making Tenko kill those thugs not caring that he's feeling sick from those hands.
But in USJ it's not AFO who's there with Tomura, it's Kurogiri, who was shown to still have some care that Shirakumo had that even Aizawa and Mic couldn't argue that it's similar to how Shirakumo couldn't just leave a kitten in the rain. No matter the responsibility that it would bring with taking a little one in.
A helpless little kitten that didn't get the help it needs from anyone else. Sounds way too familiar.
This never was a direct order from AFO other than he needs to "tend and protect" for Tomura, which can mean anything from just looking out when Tomura's sick, or protect him from any tread like someone trying to kill him.
Not helping him getting over his anxiety to fight or helping him and guiding him to do better as a leader of the League calming him if it got out of control. Which is somewhat opposite to the way AFO deals with Decay and Tomura's temper - letting him destroy anything even the hands that he gave him, just offering new ones when he succeedes and never really caring for his pawns, he can always get new ones.
And surely not asking if Tomura's well the first thing while talking to Heroes.
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Which then leads us back to how Tomura never viewed anyone that he chose as pawns calling them his allies, with the word '仲間' which can even be translated as friends in needed context, but usually used as comrade or ally when Tomura says it. And the same thing is usually translated as "friend" when used by Twice.
In any case Tomura never once doubted his allies since he saw them as reliable, even if his first meeting with Toga and Dabi went so wrong that Kurogiri had to stop them from killing each other.
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Up to the point of Training Camp AFO describes as him teaching Tomura to be independent which was at that point too far from the truth than he thought. If Tomura begging for AFO to leave with them is any indicator he actually was even less independent after All-Might almost caught them, making him doubt his own worth as a leader. Even if AFO's defeat finally let him think and wonder about himself and his past.
AFO believed that Tomura just knowing how to recruit people would suddenly make him great at using those new "pawns" which was proven wrong by Overhaul no so long after that. Showing how Tomura believed the same thing AFO did as well, fully trusting his judgement of anything including himself, all the while parroting what AFO says without fully understanding what it means.
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Only after losing both Magne and Mr. Compress arm does Tomura slowly start making progress in becoming someone more than AFO tells him to do. Even if as we see in part 1 it used Decay as the ground to make it stable since he believed it was his quirk. And yet.
Even if Tomura didn't simply instruct his allies how to choose who to recruit, he never blamed them for it. On the opposite, when Twice was hard on himself after bringing Overhaul to them Tomura just looked at them for the first time without a hand on his face, or even on himself at all, showing how he trusts them as much as he would trust himself and believes that they can do it.
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Taking off hands of his family would mean not relying on the conflicting feelings that they bring into the picture, something AFO would very much dissaprove, since he was now like an equal to everyone in LoV instead of being above them. He
And with this instead of making them blindly trust his decisions and following him from fear or adoration like people had been following AFO or Overhaul, he instead was an equal to them both in failure and victory that wasn't even all that guaranteed yet.
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Each one of them had their own somewhat selfish goal that just seemed like they were just using each other without any worry being each other's pawns. Or maybe that's just how AFO would see them.
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Yet it doesn't explain why did Toga care for Twice's trauma response of not having his mask on, since he already did his part and all that they both needed to do was done. But LoV was never about following orders or giving them, expecting for the pawns to follow without question. It was about a leader of the group that would stand up for his allies while allowing them full freedom, except when they needed to also accept that something is needed to be done for their own sake.
Like following Overhaul for a while all for cutting off his hands leaving him with nothing. Did that sound like something reasonable to do? No! They literally lost their chance at having sushi instead of just living at some abadoned building all the while occasionally searching for money or food, stealing and killing just to survive all while Tomura was just... waiting.
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Nothing was really stable at the start of what we call My Villain Academia and yet no one from the LoV left while their state was... bad at the very least. No matter how AFO was teaching Tomura he was still left mostly waiting for something to happen rather than doing something to change the situation himself.
Sure, Tomura now was a famous leader of League of Villains that suddenly needed to be stopped rather that underestimated like before. But that was in the future, now LoV was laying low on funds and slowly Tomura showing his face became the norm, with him usually never wearing hands around LoV.
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And with Tomura becoming more and more comfortable around LoV, the LoV itself was becoming more like a place that had one core value that accepted anything else added without anyone wondering about the past of others, like Compress said. Just some selfish people, who still followed their own needs first.
And yet somehow Toga, who joined just because she loved Stain and disliked how life was too hard found her place in the LoV alongside Twice who just needed to be trusted and trust in return. If Tomura only followed what AFO deemed to be the best way to lead no one would actually feel like they're accepted in the LoV as much as they were.
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Goal or no goal Tomura succeeded even without having the whole world at the palm of his hands by just never pressing anyone to actually follow him - if they wanted to they could've just left here and there, but since they chose to follow he did what he thought was the obvious best - let his allies do what they wanted.
Which was okay for someone like Toga or Dabi who were either already comfortable by just being allowed to be themselves or being free to plan their own things for their own goals.
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But not exactly that for Spinner. Who was instead literally searching for someone to show him what to do, not so different from Tomura, who still only followed whatever 'his Sensei' deemed worthy for him to look into, like letting Kurogiri go find unknown "power" that AFO left along with contact with Doctor.
And while Spinner was not fine with still being hollow even while following Tomura pretending that it's the same thing as following Stain... all it took for him to look differently at how exactly was Tomura thinking was the last real "barrier" that there was - Tomura basically spilling his whole backstory and motivations mostly for LoV to listen to, since Doctor was just testing Tomura's will all according to AFO's plan.
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And after that it didn't took too long for Spinner to now follow Tomura, even if it was still not the time to really see the 'warped horizon that was waiting for them'. And yet in times where Tomura still showed some doubt over his decisions - that one old trait of his showing up like it was always at the back of his head not so different from USJ, only thing changing that Tomura got better and better at not letting his emotions control him so easily.
Since the price of that would literally be lifes of his allies.
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And neither that or using their emotions to his own benefit was ever in his plans, contrast to AFO manipulating Tomura to do just that. Letting his emotions consume him completely just for his own goal and for his own sake. But as a person who was so familiar with this Tomura still was adamant at NOT allowing something like this to happen to his friends allies.
Effectively creating a bond between all six of them, including Toya that in the end kept them together until the very final arc, with Spinner keeping what Tomura would've thought and with him waking up and calling Machia to get LoV first and foremost Spinner did understand their's leader wishes, as well as Twice's who literally died for his friends.
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With all that happening in the War arc the moment AFO returned with both being in control of Tomura's body and just abadoned anything that Tomura would care for like leaving Mr. Compress and Machia behind just to punish him for not getting OFA or not even caring to show any actual respect for Tomura's wishes. Instead showing how little he actually cared for anything but his own good.
But while AFO made so many pawns that he could change like gloves at any given moment, threating them and manipulating them with his power and quirks, Tomura only had 6 allies who stayed after AFO was caught and who were willing to die just to live the life they wanted.
And AFO couldn't give them that.
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Even if Decay isn't Tenko's quirk and even if he has so much guilt for killing without it being a little bit justified by it...
LoV still followed him as a person who allowed them to live as they please and so what they want, not some all-powerfull overlord but an ally and a leader who had his flaws and fallings.
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queer-cosette · 11 months
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Given your clothing analysis, would you say that green is more Cassandra’s color than Rapunzel’s?
Yes, absolutely! I don't know if you saw the final update I added to my post, but imo green for Cassandra represents innocence and new beginnings - it's the colour she's seen wearing in flashbacks to when she was a child, suggesting that when she wears it in the final scenes of Plus Est En Vous, it's a happy return to square one. She's reconciled with Rapunzel, forgiven herself, and reunited with her father - and it's the same colour she was wearing when Gothel abandoned her without a second thought, but the Captain chose to protect her and love her, and I can't imagine it would be lost on Cassandra that even after all she's done to push him away, he still loves her without question and wants her in his life.
(Green for Rapunzel, on the other hand, I think more likely represents doubt and uncertainty, since we only see her wear it on Terapi Island, where she argues with first Pascal (about his lie to the Lorbs), then Eugene (about how Hookfoot should conduct himself on his date with Serafina), then everyone (about the Idol). It's somewhat of a low point for her in Season 2 - and we see green on Rapunzel again when she uses the Hurt Incantation on the Great Tree, which, while not a moment of direct uncertainty, does mark the beginning of her friendship with Cassandra slowly truly unravelling.)
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justaaveragecryptid · 2 years
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It has recently been brought to my attention that certain people actually don’t like the hair cutting scene in tangled (movie not show) because Eugene “cut it to short” so because of that statement I will now being writing an entire rant about why I hate, hate, hate this take. (I know most of the people that say this are joking and I’m hindsight it literally doesn’t matter I’m not even being 100% serious, more like 83% serious but I love this movie and I’m a Eugene Stan till I die)
First of all just the situation itself, Eugene almost died like 20 minutes to maybe an hour ago he’s likely traumatized from that. I mean c’mon your telling me almost being hung wouldn’t mess you up, he’s likely still reeling from that plus he needs to make sure Rapunzel is safe and when he finds her she basically the furthest thing from it. Chained up, gagged, clearly distressed. and the biggest thing of all, he was STABBED! He’s laying on the ground bleeding out in a completely unfamiliar place (I know he was there earlier in the movie but I can’t bring myself to believe he got a little tour before they hit the road he knew nothing except Rapunzel and gothel live there). Then Rapunzel is trying to heal him and Eugene in his mind that’s probably not completely coherent can only think “if she does this she’ll be forced to live with this abusive woman shut out from the world forever” and he knows that’s not what Rapunzel wants, and the she would be completely miserable so he does the most logical thing in his mind. He cuts the hair. With just a mirror shard and his last bit of strength he sets Rapunzel free from gothel. But yes tell me again that in this state he should’ve given her bangs a wolf cut and maybe feathered some pieces.
And this brings me to my second issue with this critique, the fact that this take completely ignores the metaphor and deeper meaning of Eugene cutting Rapunzel’s hair. It’s not just cutting hair it’s so much deeper than that, he’s Literally setting her free from her abuser and stopping her from a future where she probably wouldn’t even be allowed to look out side. Her hair while yes being able to do wonderful things such as heal the sick and wounded and keep people young, ultimately is what chains her to the tower before she’s, Literally chained up in her tower. And it’s a big thing in the movie that Eugene always moves her hair AWAY from her face, because he loves HER not the magic hair. He cuts it that short one because as mentioned earlier he’s weak and dying but also because he doesn’t care about the hair he just wants Rapunzel to be aloud to live her own happy free life, and with the hair left uncut gothel still lives and if gothel lives Rapunzel doesn’t get that life. He breaks the chain at the cost of his own life because that’s how much he loves Rapunzel. And by the way since i know some of the people who say this maybe haven’t seen the series, she cuts her hair the exact FUCKING LENGTH EUGENE DID! she liked the hair cut and brought it back!
(Is 2:25 am for me so let it be known spelling errors aren’t my fault)
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tangledbea · 1 year
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Who named Rapunzel? If it was the king or the queen, why Eugene couldn't recognize her by the name? And why Gothel kept this name?
If it was Gothel, then why the king and the queen kept the name? Doesn't it mean "lettuce" or something?
According to the series, it was canonically her parents who named her. We know this for two reasons:
In Tangled: Before Ever After, when Fredric is remembering the night she was kidnapped, he calls out her name in his memory.
In the season 3 episode "No Time Like the Past," we see missing posters of her up around Corona with her name on them.
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I have headcanons that go way back to before the series existed about her name, so strap in, because this is a kind of involved answer.
First, I'll address the meaning. Rapunzel is not lettuce. Rapunzel is another name for the rampion plant which, yes, has edible leaves and roots and can be used as a salad green, but more closely resembles a radish than lettuce. However, it is also the name of the plant's flower, and just like how Rose, Daisy, Lily, Hyacinth, etc are all names, why not Rapunzel? Furthermore, Disney's Rapunzel was not named after the rampion flower, specifically. She was named after the Sundrop flower that saved her and the queen's life.
Here is what the rapunzel flower looks like:
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And here is what the Sundrop flower looks like:
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Notice how the center of the Sundrop flower essentially contains a rapunzel flower. This was deliberate on the part of the artists who designed it. Rapunzel was named after this flower.
As for why Gothel kept the name, I have a headcanon for that.
Back in the day, in ye olden tymes, babies were often not named until they were Christened, which didn't really happen until the parents were relatively sure the kid would survive. Now, Corona doesn't appear to be a Christian nation (it appears to be a sun-worshiping one that has the trappings of Christianity, if you ask me, but that's neither here nor there), and the king and queen clearly named their baby. So my headcanon is that the night they lifted the lantern was not the day she was born. I mean, look at that baby. She has the wiggliness and personality of a three-month-old, at the youngest. I think the lantern lifting was their version of her Christening, when her name would be revealed to the people. Up until then, I headcanon she was called Baby Princess by the citizens. Now, since the people only knew her name for one night, they sort of defaulted to calling her The Lost Princess after she was kidnapped.
My headcanon goes on to say that Gothel either didn't know the baby's name and also named her Rapunzel after the flower that she now embodied, or else she did know her name and figured that the girl was never going to see this kingdom again, so was too lazy to come up with anything different when it already suited her perfectly.
Eugene is, canonically to the series, not raised in a Corona orphanage. He's raised in a Vardaros orphanage. If the citizens were by and large calling her The Lost Princess, then that's the name that would spread to other kingdoms and territories. Then, by the time Eugene was doing that job in Corona that was happening in "No Time Like the Past," he wasn't looking at "lost baby" posters around town, just keeping an eye out for the guards (and other things worth stealing). He wasn't consciously aware of the posters, he didn't hear anyone referring to the Lost Princess as Rapunzel, he didn't know that was the princess' name.
All of this is a long way to say that the series actually complicated things by having the king and queen name her Rapunzel. If it had been Gothel, I wouldn't have had to come up with a convoluted headcanon to explain it all.
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essycogany · 2 months
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Rare But Not So Rare Sonic Moments Being Both Extroverted And Introverted
Game!Sonic is more of an Ambivert then you’d think.
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Disclaimer: My opinions on Sonic as a character tends to be mixed since I didn’t grow up with this franchise. Forgive me if I have conflicting points of views on this blue brat with his inconsistent characterizations.
I’m not expecting everyone to agree with me. Sonic being an introvert is such an agreed upon head-canon in this community. But I would like to fairly appreciate both introverted and extroverted sides to Sonic. I couldn’t pick between the two regardless because Sonic’s character has always been everywhere, but I like the blue hedgie in general. So, I’m going to gush about both of them.
Traits
This is my personal take, but I’ll do my best to describe them. I’m not speaking for everyone who caries these. To not make things complicated, I’ll use two characters who fit each personality trait the most. In my subjective views anyways.
Introvert: Someone who isn’t outgoing. Who prefers to be alone in their thoughts then be surrounded by people. Introverts spend time with one or two people instead of large groups and gets exhausted by social interactions very quickly. They also don’t like getting too much attention from others either.
Shadow and Whisper
Extrovert: An outgoing person who prefers to be with others and thrives in hanging out with large groups of people. Extroverts enjoy social interactions and can start a conversation with most people. Their energy is gained by spending time with different people and getting attention from them.
Tangled and Amy
Ambivert: A mixture of an introvert and extrovert. They enjoy both stimulating and none-stimulating environments. Can start a conversation with strangers, but enjoy doing their own thing. They gain energy by being in small or large groups simultaneously.
Sonic and Tails
Where Does Sonic Fall Into These Categories?
Let me start with Sonic X’s Sonic. For this analysis, it’s important to discuss different mediums of him to get my point across clearly. I might get off course and discuss how certain characteristics are due to the personality more then what normally falls into personality traits. Hold onto something!
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Sonic X: He doesn’t enjoy people praising him and mostly talks to people who speaks to him first. He tends to not be much of a chatter box and is not in the show as much as you’d expect. This Sonic prefers to go off on his own then spend time with his friends at the beach in one episode. In another Sonic bails on his invitation to meet the President in order to spend time with his new friend, Helen.
Showing how he prefers to be with a few amount of people then with a group. He even leaves the group in a bunch of episodes to have his alone time. Sonic also doesn’t like hugs all that much unless he’s protecting someone, (mostly Amy) but I’d say that falls more into personal choice more than having to do with him being an introvert. Especially since he hugged Chris in one episode.
Even in Sonic’s more extroverted depictions he can be awkward with hugs. That being said, my hot take is this Sonic is one of two variants who fully commits to being introverted. Which is not a surprise because of reasons I’ll get into later.
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Here’s where I’ll talk about his extroverted variants. I’ll start with Movie and Prime Sonic, since they fall into this personality trait the most.
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Movie!Sonic: He lived alone for most of his life after his caretaker “Long Claw’s” sacrifice. Sonic had to raise himself by watching action movies on his soon to be families television. Due to his lack of interactions, love, or anything outside of being alone, he has a mental breakdown and his powers takes over his emotions. Causing the entire world’s lights to shut down.
Once he starts meeting different people he gets ecstatic and has fun with the situation. Getting into different shenanigans with his soon to be father, Tom. Again, Sonic Wachowski has been alone for years. Which makes his reasons of being extroverted make sense.
Prime!Sonic: (I deem this version of the character as not canon, so I’ll treat him as such.) Prime!Sonic is naturally affectionate and open towards anyone and everyone. Even Eggman by the end of the show. Like Movie!Sonic, he hates being alone and is very optimistic when it comes to interacting with people. The First Episode of the show: Sonic: “Are you ignoring me? You’re ignoring me. Why are you ignoring me?! WHY IS EVERYONE IGNORING ME?!”
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He inspires others to become their better selves because he reaches out to them and often talks about trust and expressing yourself. Almost every Sonic does, but this energetic ball of stubbornness is the least subtle about it. His naivety seems to be both the worst and best aspect of his character. Worst because it gets really repetitive and best because you can understand how much compassion he has for people.
It getting out of hand at times is more of a flaw in the writing then the character, but I digress. I’d say Prime!Sonic is very emotionally honest with himself, but even in the show he internalizes his emotions at times. It’s not often, but still happens. Proving you don’t have to be introverted in order to want to keep your emotions to yourself.
Ep 3 Of Season One: Nine: “Are you okay?” Sonic: “Yeah, I’m fine.” Obviously wasn’t true. You can tell when this guy is holding back his emotions. All be it not perfectly.
Every Other TV Show Or Comic Depiction Of Sonic: Even if these adaptations are different in some regard, they all carry the core extroverted side to Sonic. Just not as much as the first two.
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They are way more egotistical and wants to be the center of attention. (Archie!Sonic is literally a celebrity in his universe.) Likes their alone time, but mostly hangs out and fights with friends. Talks to a bunch of people, and so on.
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Let’s finally get into the main canon Sonic.
Game!Sonic: Sonic is 100% an introvert in his Japanese depictions. It’s the same story as Sonic X. In terms of how Sonic’s written in the country he was created in, he is a complete introvert. Like being shy when it comes to being complimented (especially when people view him as an authority figure) In the American dubs before Pontiac and Graff wrote for the games, Sonic’s almost the same way. But as time went on especially during IDW’s run, Sonic tends to be pretty extroverted. It’s mostly how he’s depicted in the west if the examples before means anything.
Even beforehand he’s been more extroverted then one would think. He talks to strangers and in almost every game meets someone new. He doesn’t get exhausted or needs solitude afterwards either.
Sonic always could be around more than a few people at once. Sure, he doesn’t mind being alone, but again you don’t have to be an introvert in order to enjoy being alone. And there are plenty of introverts who talk a BUNCH with the people they’re most comfortable with. Then extroverts who can take the time to listen to others when needed. It all depends on the person.
That goes for Sonic keeping his emotions to himself. No matter where people fall, some may feel the need to keep their emotions to themselves. Extroverted or not. Especially since Sonic from X has expressed himself before. It’s just not as common for him.
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I also feel the blue hedgehog does it so everyone else can keep their heads up. His own included. I understand if anyone doesn’t agree with that take though. The classic ara is a good example his ambivert traits as well. He starts out as a none talking loner, but soon starts talking and meeting different people. These are reasons I believe Game!Sonic’s an Ambivert.
I believe Sonic’s a leap before he thinks kind of guy and is bad at expressing himself. He can sometimes be talkative. Especially when it comes to going back and forth with other characters. Villains and rivals to be specific. Sonic’s stubborn about his morals and will stop at nothing to keep those morals. He’s introverted enough to take some time to himself and do things his way without anyone to stop him, but extroverted enough to inspire strangers to become great hero’s themselves.
Let me simplify it even further. The situation is Sonic getting praised by a crowd of people.
X: Gets overwhelmed and runs away.
Every Other Variation: Appreciates the praise and maybe even start flexing to boost his ego.
Game: Would humbly appreciate the cheers and probably leave or stay. It depends on his mood.
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I don’t know if I got my point across very well, but I did my best. I honestly believe I might be alone with this take. Hope my rambling didn’t get too out of line.
Stay Creative! 💜
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artist-issues · 8 months
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What Even Are Disney Princesses?
I think two things make Disney Princesses super-successful. The first thing is that they’re “One of Us.” The second thing is, they’re “Examples of Superheroic Character.” Not as in “super-power,” but as in, “strength of values.” Just like the best super-heroes (like Spidey) usually are. The difference is, Disney Princesses don’t (usually) have superpowers that show off their strength of character—so how they respond to circumstances is what shows off their strength of character, instead.
For example:
Ariel’s One of Us
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It’s ironic but it’s true. She’s the modern catalyst for this idea. She’s “the girl next door.” Every single person can relate to wanting more than what you have even if what you have is wonderful; every single person who’s been a teenager can relate to wanting to be understood, and feeling this horrible tension between loving what they’ve got but feeling like what they’ve got doesn’t fit anymore as they grow up.
She’s got these sweet little moments where she doesn’t know how a fork works but she’s so excited to see one and then embarrassed when she gets funny looks for brushing her hair with it. She sobs and runs away from an argument where her dad isn’t listening to her. She laughs at herself for pretending to be engaged to Eric’s statue. And tiny changes are made so that we think of her less as a mermaid or a princess and more as one of us—nobody ever calls her “Princess” regularly, except the bad guy. AND
Ariel’s Superheroic Character
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Ariel has a strength of faith that many of us can only dream of. She learns a tiny piece of truth—that humans make wonderful things—and from that, she chooses to believe that all of her culture’s history, everything her dad says, and even the fact that her own mother was killed by humans, is wrong. When she says, “I don’t see how a world that makes such wonderful things could be bad,” she’s doing what so few of us are capable of: she’s taking truth, and acting upon it, instead of going with the crowd and listening to the popular opinion.
She does the same thing when she learns that Eric is a selfless, noble, self-sacrificial human—she knows those things are true, so she chooses to love him and sacrifice for him, against all odds and hard circumstances. We’d all like to be the kind of people who can do that, so that’s why she’s a good example.
Another example!
Belle’s One of Us
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We can all relate to feeling lonely, and out of place. To feeling like we want what we see in stories—adventure, big, epic lives—and then finding out that what we really want is the thing that makes those stories worthwhile: love, simple and plain. Love that sees our inner world and meets us there.
She has these tiny moments of trying to talk to people about what she’s really excited and passionate about in her stories, but people who can only see the work and day-to-day in front of their noses don’t get it. She’s charmed and excited by things that are charming, like dancing silverware. She rages to herself about annoying suitors while she does her chores. She’s afraid of things that make sense to be afraid of, like hungry wolves and horrifying beasts. And she misses her father, even when she’s living the storybook adventure she’s always dreamed of, and she isn’t afraid to show it.
AND
Belle’s Superheroic Character
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Belle has this almost-unattainable, inspiring character trait of self-sacrifice. She’s read books about heroes her whole life. She’s dreamt of freedom and adventure. But she gives it all up for her father, and sacrifices her independence, her home, her only source of love, to be like the heroes in her storybooks, even though she’s done nothing deserving of that fate. And considering her relationship with Gaston, we know that what she’s really giving up is every dream and every love to live with her worst nightmare—chained to a tyrant who’s cruel and self-focused.
But she does it anyway. And she doesn’t stop there. She makes the most of her situation—not by breaking her word and trying to get free, but by being willing to see that there’s more to that self-focused tyrant than she originally thought. By believing, once he shows her that he has enough good in him to save her life, that that good can be coaxed out and strengthened, and even loved. She’s this high ideal of self-sacrifice at every decision she makes.
I could add to this post with every single Disney Princess from Snow White to Moana, but I don’t have to. You guys know what I mean! The Disney Princesses have hearts that are everything we wish we could be—and because they’re also relatable humans, they make us believe that we could one day have the same hearts, too.
It’s never about their ability to sing, or have tiny waists, or big eyes, or healing hair and freezing powers and magic mermaid voices. It’s about their strength of character.
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