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#that’s right i’ll say it
esha-isboogara · 1 year
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act appalled
this was a gross piece of work…i’m so happy with it :) i’ve taken such a liking to mammon over the past two days
here’s my other work
mammon wants the entire house to know who you belong to
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✰mammon is so possessive, dom!manmon, mentions of exhibitionism
“ah come on now y/n. i jus know you can be a hell of a lot louder than that”. he taunted,grabbing you by the hair and yanking your head back. your eyes met his, the normally icy blue orbs were turned dark with lust.
“b-but..the entirety of this floor will hear us” you stuttered out between whimpers.
he chuckled darkly. “let em’ hear us, baby. i bet you’d love it if one of my brothers walked through that door and saw me taking the precious little human. they’d finally find out what a dirty slut you are and you would take in every second of it”.
your chest was heaving with adrenaline mixed with a fast approaching orgasm.
you really did not want to admit to such a humiliating act but mammon was not wrong. the chance that the two of you could get caught was enough to get you all hot and bothered.
“why don’t ya make some more noise for me pretty girl? I want them to hear you scream my name”. he laughed almost maniacally. “tell em who owns you”.
a string of profanities left your lips all at once as he gripped your hips with unbelievable force and began thrusting relentlessly.
“you, mammon. i belong to you and only you”.
he felt your walls flutter around him as your orgasm hit but he did not plan on stopping. hearing her admit to being his drove him off the deep end.
“you’re such a good fucking girl aren’t ya ? how bout i give ya a reward for bein so good”?
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elodieunderglass · 7 months
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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sopuu · 11 months
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HAPPY LET PAPYRUS SAY FUCK DAY 🎉
[audio source]
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myrkulitescourge · 5 months
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the way that one line from the new epilogue in an astarion romance is going to HAUNT me
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just. what a profoundly intense thing to confess to someone.
like, just these six months of newfound happiness with you exerts a force on his heart equal and in direct opposition to two centuries of endless torment, the gnawing hunger and exploitation. this flashbulb-bright fraction of his long life holds the same gravity to him as years upon years of darkness and suffering.
in all likelihood, he hasn’t even known his lover for as long as his worst memory lasted, that year sealed away to go mad from starvation and sensory deprivation, yet he still tells them this brief time has been so fundamentally and powerfully important that the weight of even that unimaginable hell is vanishingly small compared to this present he has now and the future ahead of them both.
how am i supposed to act normal about this.
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belovedgamers · 2 years
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His siblings will be able to go to college.
If they want to, of course. But that’s the thing that’s stuck with me the most. He wanted us to know that. In his last words to us, he made sure we knew that. He apologized for selling out, not that he needed to, and told us there was a reason and a result: “thanks to everyone that bought hoodies, plushies and channel memberships, my siblings are going to college”.
Technoblade changed so many lives, both of fans and creators alike. Hell, he changed my life too, he brought joy, he brought light, he brought laughter.
His legacy lives on, through us, through his friends, through the Sarcoma Research Foundation, through his colleagues.
Through his family.
His siblings can go to college.
We changed his life too. And he wanted us to know.
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kindlythevoid · 8 months
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I have read Fellowship of the Ring more times than I have cared to keep count and every time I read Boromir’s, well, possession for lack of a better word, I have read it in fear, in discomfort, in horror, indifferently.
This was, I think, the first time I read it in pity. I looked at all the plans Boromir was making, how he would save his beloved city, how obstinate he was in his belief that the men of Minas Tirith would not be corrupted when wielding the Ring against Sauron —and I felt sad. He’s waving his hands and hollering and part of him is desperate just for the Ring, of course he is, he’s been traveling beside it with no hope for months, but he’s also desperate for hope. He’s desperate for a chance to save his people, save his brother, save his city.
Moreover, every time he calls out the Elves or the Wizards, you have to remember that he doesn’t know them. All he knows is that he traveled almost a full year to get their advice and they send him on, in his eyes, a hopeless venture. The one hope they give him is Aragorn, who promises to return and help save Minas Tirith with him, but even that all changes once Gandalf dies. They come to Lothlorien and of course it’s a welcome break, but they cannot, or maybe in Boromir’s eyes will not, help his people. And once they leave, Aragorn assumes his role as leader of the Fellowship in Gandalf’s stead more permanently and suddenly even that one, brief, uncertain hope of his is gone. Aragorn will follow Frodo. And it’s almost certain that Frodo will not go to Minas Tirith.
So is it any wonder, really, that tired, desperate, hopeless Boromir, out of his realm, out of his depth, already hanging by a thread when he joins the Fellowship and having been gnawed on by the Ring for months upon months afterwards, finally snaps once it’s clear that he will have to return home empty-handed and almost certain that somewhere far away Sauron is capturing the Ring and killing the companions that he had bonded with? Of course part of the Ring is making him lust for power, but it’s also his only “reliable” (in his mind) source of hope left to save his city.
And so I read Boromir’s (intelligent and thought out, mind you) raving and I don’t feel scared for Frodo, not after reading it so many times and knowing what ultimately happens, but sorrow for Boromir.
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sweetest-honeybee · 1 year
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Me: I don’t think I’m gonna do ship stuff
Also me: Okay but hear me out-
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un-pearable · 1 year
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wait wait wait i actually have a genuine research question i’ve been curious about for a while
we’re talking whichever wacky critter ORIGINALLY got you super stoked for the speedy hedgehog - whether it was five-year-old you or just recently, whoever lived in your head first i wanna know…. i’ve got a theory :]
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sokkas-therapist · 9 days
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Breaking my silence: I think Zuko’s “I’m angry at myself” explosion in The Beach episode was queer coded
*runs away before I can be booed off the stage*
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huiyi07 · 8 months
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GENSHIN MANGA SPOILERS! but honestly if you haven’t read it by now it’s your fault alone
So why did Kaeya initially try to hurt Collei?
The obvious answer- he was trying to defend Mondstadt, Collei was a very suspicious figure at the time, and he knew that being aggressive towards her would probably draw out her hidden powers and reveal herself as the culprit of the Black Fire incident.
But there’s more to it than that.
Kaeya canonically loves, LOVES kids. He adores them- there’s lots of times in the game where he talks about how precious childhood is and how he wants to protect the purity of childhood dreams for as long as possible before kids have to grow up and face the real world (kinda similar to Childe). In 3.8, it shows how he is literally willing to do anything to protect a child- Klee, when he literally throws aside his own sibling issues in order to shield Klee from being exposed to the same thing and scolds a couple of bickering brothers for upsetting her.
Additionally, there’s his whole thing with Mika and how he’s basically a big brother figure to the entirety of Mondstadt’s population under 17. The highly implied bond between Bennett, Razor, Fischl and him, even.
Anyway this whole aspect of his character obviously stems from his own childhood and how tainted it was by his hidden identity, so like he probably doesn’t want any other kids to have to go through such hardship especially while they’re still young.
So if he loves kids so much, and wants to protect them so badly, why did he not hesitate to become a full blown villain against Collei, literally wounding an innocent 12-year old girl?
Because he sees himself in her.
Collei hates herself (or at least she used to LOL). She hates the burden (her powers) that was forced upon her from a young age, and those powers inevitably label her as a bad person, one who can harness evil powers to kill And hurt and whatever. It makes her feel like she has no real control over herself, and that she has no self-identity- she doesn’t think of herself as a regular person, instead a monster. And she hates, hates, hates herself for it, but she shoves all of it down under a mask.
Sound familiar to a certain cavalry captain?
That’s why Kaeya didnt hesitate to Go after her. He knows her too well, knows that she’s hiding her true identity under a well-crafted face, that there’s something evil and dark in her- because that’s exactly who he was as a kid.
But then this panel happens.
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Collei, evidently so tired of living such a torn life, gives up and offers her life to Kaeya just so that the torment can end, which stops Kaeya in his tracks, because that’s when she reminds him off himself just a little too much.
Kaeya, so caught up in her uncontrollable evil, forgets that she’s just a child, one who never should’ve been forced to deal with such a thing, and certainly not want to die because of it.
That’s exactly what happens internally to him, as well. Over the years, Kaeya internalized being a traitor so much, that often he convinces himself that he’s truly not a good person. Yes, he acknowledges that it’s really not his fault, but that still gets lost and it shows through when Kaeya shows us how willing he is to get himself harmed- because of his self hatred, he places so little value in his own wellbeing and his own life, because he thinks that all harm that comes to him is deserved and that it’s better off if he’s dead anyway so that he doesn’t have to deal with being torn apart every day.
No I’m not making this up, it’s in how he literally covers for Diluc all the time and risks himself in the process, and how Adelinde told us about that one time Kaeya literally took Diluc’s punishment for himself when they snuck into the wine cellars. There’s lots of times, even throughout in the game where Kaeya tries to convince us he’s not a good person- he quite literally says that, at some point.
Only when Collei shows that she’s in the exact same position does Kaeya realize what he’s doing and stops himself. Only then does he remember how painful and hard it really is, and he ends up helping to save Collei and removing her powers, because that’s one burden he can help take off, unlike his own.
Idk man for me the Kaeya vs Collei fight (I like to call it the chapter where collei gave us the hottest panel of Kaeya choking ever) told a story about Kaeya’s internalizations, too, and his own-self hatred and how deep it really goes. BRB CRYING
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fruitlicense · 2 years
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I feel like if other superheroes were to find out that Tim had a crush on Conner it’d be because of a sleep-deprived, filterless Tim slipping up
Like, imagine a bunch of heroes crowded around a conference table talking about something to do with Conner’s DNA and his powers or whatever and someone just
random person, gesturing to the computer screen: yo Tim what’s your opinion on Conner’s genes
Tim, absently: Conner’s jeans? too tight. distracting
Dick, trying to decide whether to laugh or cry: Tim. buddy. his DNA genes
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cenpede · 1 year
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While I might be a SS-Otacon fan first, Kaz is my baby girl and the DDs are my favorites to be delusional about ❤️
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eddienashtonn · 10 months
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there’s something so autistic about the riddler as a character. the frustration of having no one really see you, the need to prove yourself smarter and cleverer than all of them to make up for the fact that you could never fit in with them, the compulsive joy of forcing others to play by your rules, the obsession with truth and answers, the comfort of having your own space where you’re in control, the fear of inadequacy, the isolation and loneliness, the need to be acknowledged in your reality to be satisfied but never able to reach that satisfaction.
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virgothozul · 3 months
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I-
hum.
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bigchunkyrocksss · 2 months
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may not forgive for the mischaracterization of zuko in natla for making him literally almost Kill people but i can forgive dallas liu who plays a perfect portrayal of zuko
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ufolliegy · 2 months
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The bugs r back. Now with fresh redesigns and brand new names.
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