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#which honestly in s1 is so right
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just watched dead in the water and bloody mary. fantastic dean episode and fantastic sam episode
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certifiedwerewolf · 1 month
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Isn't Riz like canonically aro/ace? Why are there so many fic shipping him with Fabian?
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pray4byron · 3 months
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What the…
HAZBIN HOTEL CAST are like as …
PARTNERS !! (and before that!)
Includes: Charlie Morningstar, Vaggie, Angel Dust, Alastor, Sir Pentious, Husker, Niffty, Lucifer Morningstar, Adam, Lute
Warnings: Swearing, S1 spoilers, sexual references, mentions of abuse, mentions of Valentino, messy, barely proofread
Also side note, if this is highly enjoyed, I will do a Part 2 with more characters!
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Charlie Morningstar
Crush!Charlie is a bit obvious. Not TOO obvious, but maybe if you squint hard enough…
Crush!Charlie has a tendency to show extra attention to you, especially if you’re a resident at the Hotel who’s trying to go up to Heaven.
Example: You’re the first person she asks if they need help, invite for a group activity, etc
Despite the fact that Crush!Charlie is really eager to confess her feelings, she truly does find value in getting to know you as a friend first.
She believes that it has its perks, which it does.
Crush!Charlie enjoys getting to know your hobbies, interests, past, strengths, all of it.
But as you are going off on your usual yap sesh about your face topic …
Crush!Charlie can’t help but peck you on the cheek, you’re cheeks just look so squishy and cute!
You’re stunned… You would’ve never thought that.. Charlie? Likes you? Pffff… Ain’t no way!
Crush!Charlie scrambles to explain to you her genuine feelings, and how she’s wanted to be with you for a long time, and scrambles again to ask you if you feel the same.
Now it’s your turn to shut someone up with a kiss.
You give her a drawn out peck on the lips, not too short, but not too long. Just enough to satisfy.
And yes, you do feel the same.
Now GF!Charlie is totally stoked! But she’s also a bit scared of the shoes she has to fill.
GF!Charlie decides to give you a little candy bouquet (that she made!)! Honestly it’s the cutest frickin thing, it has little chocolates and lollipops like AAA get me a Charlie!
GF!Charlie decides to introduce you to her dad, sure you guys have crossed paths a few times, but like, formally this time.
At first Lucifer is intimidated by you (not that he’d admit that), similar to the rivalry he had with Alastor.
But after awhile, he warms up to you, at the end of the day he loves his daughter, and he sees that you do to. So long as you treat Charlie good and you like rubber ducks, he’s chill with you :)
GF!Charlie’s love language is gift giving and physical touch!
On one hand, she loves giving gifts, it’s very soothing for her to go out and find something to give you, or coming up with an idea to make something for you, it takes her mind off of things
But at the other end of the scale, she loves receiving physical touch, she kinda freezes when she does because it’s so much to her but at the same time she enjoys it dearly! Even something as simple as rubbing her hand with your thumb while handling hands, long hugs, or hand kisses send her into a spiral haha
At the end of the day, GF!Charlie loves you a ton and honestly is just happy to be there loving you lol
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Vaggie
When Crush!Vaggie realizes she has a crush on you, it’s a bit of an ‘Oh Shit’ moment, y’know?
Due to her secret, and the fact that she has a bit of trust issues, they just don’t go hand-in-hand with love.
Crush!Vaggie is a bit dependent on you to make the first move, but that doesn’t mean she won’t, but she needs you to throw a few jabs first.
The more her crush on you stays and the more she doesn’t do about it, the more it starts to bug her
Crush!Vaggie decides one day she doesn’t know how much more of the subtle flirting and eye contact from across the room she can take, cause deep down, she has a gut feeling you like her too.
So, Crush!Vaggie decides she’s going to confess.
When it comes down to it, obviously you feel the same, and she really wants to make an impact right away!
Now GF!Vaggie decides to plan a little surprise for you, a date!
GF!Vaggie decides to just take you out to the back of the hotel and you two lay down and look at the night sky (as I’m not sure if there’s stars in Hell tbh.)
You two sit there and talk, it gets vulnerable for a bit, slowly but surely starting to break down eachothers walls… But not for too long before one of you is like “NOPE, too much emotions for one day!” haha
At the end of the day, GF!Vaggie, isn’t perfect at this whole girlfriend thing, but for you? She’ll sure as hell try.
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Angel Dust
Like Vaggie, Crush!Angel is tempted to “NOPE” out, after falling into Val’s trap, he’s hesitant to try again.
But soon enough Charlie shows him that opening up got her an amazing girlfriend, so he decides, hey, might as well right?
Crush!Angel goes out of his way to obnoxiously flirt with you, but you thought this was normal behavior, as he does it with basically everyone at the hotel.
Crush!Angel thinks it’ll take time, but you’ll catch on, and well… not exactly…
One day, Crush!Angel comes back from a long shoot, and he pulls a good, classic flirt on you, and poof! Right over your head!
And he doesn’t know what got in him, maybe the alcohol, maybe Valentino, maybe the buildup stress, who’s knows, but he snaps…
Crush!Angel proceeds to go off about how he’s always flirting with you and how he just doesn’t get how you’re so blind that you just can’t see it!?
And you start to laugh, which at first makes him more mad.
“Well how was I supposed to know if you flirt with everyone here? I thought it was normal!”
And with that, you walk away, leaving him bamboozled.
The night goes on as normal, you head up to your hotel room, and just as you’re about to turn lights out you hear a knock on your door and a voice from the outside.
“So do you wanna fuck me too, or no?”
The next day, you and Crush!Angel have a talk over a drink or two, and decide, not only do you two wanna fuck, you also want to date!
Now BF!Angel is a bit nervous, but don’t fret! He has that feeling in his stomach that makes him want to grin like he’s never grinned before.
BF!Angel’s love languages are quality time and words of affirmations, considering all that Val can do to him in a day, he doesn’t love being touched without consent, but that doesn’t mean touch is off limits by any means! Just ask and he’ll give it to you!
And for quality time, you and BF!Angel don’t really go out for dates, considering how fans (and Val) are, also considering the fact that he just wants a break from life.
Instead, you two usually just spend time in eachothers hotel rooms, binge shows, give eachother makeovers, play dress up, just being the kids you never got the opportunity to be.
And once he sees that Fat Nuggets likes you, he knows you’re the one.
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Alastor
When Crush!Alastor first realizes he has feelings for you, he makes a mental note and goes on with his day.
He doesn’t really understand the point in fussing about it like most do, but then again, he’s not most people.
Crush!Alastor does thoroughly enjoy spending time with you though, he likes to just sorta keep you around.
He sticks up for you, if somebody gives you a problem, it will be handled, even if it’s a bit sadistic, he will do it everytime.
Crush!Alastor doesn’t feel the need to confess directly, but if you ask him how he feels about it, he won’t deny his feelings towards you!
So whenever Crush!Alastor becomes BF!Alastor, he does lay down some ground rules, as a relationship with him, will not be the same as a relationship with others.
BF!Alastor is a gentleman, no doubt. He opens any door that you may come across (car, building, whatever), he asks for consent before doing anything — however intimate it may be, and he does buy you flowers.
But, that does not mean BF!Alastor is perfect, he’s not the most physically affectionate, unless he initiates it himself, and he’s not great with feelings.
If you’re upset, he tries to stay away, not because he doesn’t care, but because most of the time he’ll keep his upbeat energy and act like nothings wrong in attempts to cheer you up — but sometimes that’s just not what you need.
But, BF!Alastor kicks in eventually, and turns on some calming music, turns his radio affect down in volume so the sound doesn’t overwhelm you, and give you a nice, long hug as you two sway around the room.
By far, BF!Alastor’s love language is acts of service and quality time.
BF!Alastor honestly adores spending time with you, you’ve made him feel more alive than he has in years, and he follows you around like a puppy, but he makes it look like you following him around rather than the other way.
And he’ll always do things for you, even if he doesn’t understand them. If they make you happy, he might as well get started on doing them, because he can’t go awhile without seeing your darling face and your beautiful smile.
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Sir Pentious
Crush!Pentious is… very… obvious.
But you don’t say anything, cause he’s adorkable.
You watch day after day out of pure adoration as Crush!Pentious tumbled over his words and changes his mind as he tried to make a move, and you loved every second of it.
This went on for awhile, and you started to notice his little quirks, which only made you fall for him more.
Eventually, one day after Crush!Pentious had tried to subtly say that he liked you, you decided to do him a favor.
“Pen.”
“I like you too.”
“I- UHM- WELL- YOU’RE- I- UHM-”
Yeah maybe that didn’t go how you thought it would…
Well in more ways than one, cause Crush!Pentious became BF!Pentious that day!
BF!Pentious was really nervous, he finally had you! But he didn’t wanna lose you cause he did something stupid either… He had to make the perfect move!
So he ended up asking Charlie to ask you a bunch of relationship related questions, and ending up deciding on your dream date with your favorite flowers. Basic, but gets the job done right?
BF!Pentious’ love languages are gift giving and physical touch. Like please cuddle him. He’ll get pouty if you don’t notice. So just notice already!!
BF!Pentious, like Charlie, loves making you gifts! He uses his knowledge from war machines to make something homemade and honestly it’s just the sweetest thing!
Is he perfect? Yes. But for this let’s say no. Does he try? Also yes!
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Husker
Crush!Husk can’t even remember the last time he had a crush, but he’s chill with it.
Crush!Husk never planned on officially confessing to you, he just was going with the flow, ya know?
You start talking to him and realize maybe you like him too, but it wasn’t thought about much more than that.
It’s not until Angel asks you, “So are ya fucking or no..?”
And it makes you think, no, but you wouldn’t mind if that were arranged.
So one night, while you’re drunk and talking to Crush!Husk, you say… “Y-Ya knOW! We- We should HAHAH get together! HEHEHEH!” “Talk to me when you’re sober, you’re not making a stupid decision, I won’t let ya.”
And somehow, someway, you remembered that in the morning. So with a headache from your hangover, you go up to Husk’s bar and sit down, “What are we?” “Whatever you want us to be.”
From then on, Crush!Husk became BF!Husk!!
BF!Husk always made sure to look out for you. He’s the ‘defend you in public, correct you in private’ kinda guy.
BF!Husk is big on words of affirmation and acts of service.
He won’t hesitate to tell you how much he loves and cares for you whenever you need it, he’s a very honest guy, but he also loves doing little things to show that he cares.
‘Oh, I did the dishes for you.’ or ‘I cleaned your room.’ or ‘I folded your laundry.’ are things you hear daily.
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Niffty
Crush!Niffty is another one that’s very obvious, and quite frankly, she doesn’t care.
Crush!Niffty has been open to you about her feelings since day one, and you make sure she knows you feel the same way.
So basically instantly, she becomes GF!Niffty.
GF!Niffty loves physical touch and acts of service.
She loves cleaning for you, and showing you all her accomplishments. But she also loves hugging you, kissing you, just being next to you is enough.
Life isn’t much different versus life with Crush!Niffty but you love it regardless, and you wouldn’t trade either life for anything.
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Lucifer Morningstar
Crush!Lucifer doesn’t really have that shock of realizing he likes you, cause he always has and has always known.
You were the one person who was there after Lilith, even if it was only platonic back then, you were still there.
Crush!Lucifer REALLY likes you and considering how long he’s liked you (literal years) he decides to just man up and say it.
Unsurprisingly, you feel the same way and you two start dating.
BF!Lucifer doesn’t want to lose you like how he lost Charlie and Lilith, so he’s very certain that he gives you everything he thinks you derserve.
BF!Lucifer is a big jumble of all the love languages at once because of this. But I think he leans towards physical touch and words of affirmation.
BF!Lucifer is constantly in need of reassurance as he feels like he’s not enough due to his depression, and also hugs, because y’know, hugs help.
If you have a good relationship with Charlie, which you should, like cmon, he’s ecstatic! And sometimes he needs your help with parenting cause he really wants to try his best for you, and her.
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Adam
Adam and you started off just fucking for fun, and fucking for fun turned into, friends, friends turned into- woah… it turned into a crush…
Crush!Adam is fucking clueless, he’s not good with this stuff, just guitar solos (FUCK YEAAHH).
During Charlie’s meeting with Heaven, he slips you a note…
Hey hot babe,
wanna do more than just fuck? (date)
And my God, you better accept because THAT is ART.
BF!Adam is far from perfect, but damn close. He really cares. But his main love languages are quality time and physical touch.
I mean cmon, he’s not great with his words, he can’t do much other than fight, he’s ass at giving gifts (he tried to give you a dildo once). So it’s really the only thing he’s good at, he can sit there, and touch you. That’s about all he knows how to do!
At the end of the day, BF!Adam really tries his best, he loves you, after all :)
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Lute
Considering the fact you’re Lute’s boss, she spends a lot of time with you.
And because of that, she starts to develop feelings.
Crush!Lute realizes she has a crush on you almost immediately, although she hesitates to tell you, due to how much you guys are together and her job.
But after awhile, she has a bit of a ‘screw it’ moment.
And boom! She turns into GF!Lute.
GF!Lute is a whole new version of the person you had gotten to know. Her wild side comes out, unlike her normal stoic side. (Example: “RIP VAGGIES CUNT MOUTH OUT ‘ER ASS!!!”)
Also side note, GF!Lute is committed as fuckkk. Once she’s there, she’s there for good, cause she loves you!
— END.
Hello! This is my first Hazbin post! I haven’t written for these characters in a solid year so I hope it’s alright! As I said up top, if this gets a lot of love, then I’ll do a part two (Which will include Cherri and the Vees to name a few~) ! Also don’t mind my Lute bias lmao, she’s my fav, she’s so hatable but idgaf and I love her vibe lmao! I’m hyperfixating on Hazbin since the first season just came out lmao! So please send requests! Love ya :)
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misty-caligula · 11 months
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Okay this is gonna be long, but I’ve got a lot of ground to cover so please bear with me. In a real way, this is my series thesis.
I’ve said before, many times now (like a cycle) that for me the most important scene is ep 1 act 1 scene 1. There’s something There that I have been struggling to see clearly, struggling to articulate, and s2e9 really finally gave me the last pieces for it.
I think that Pit Girl is the point of the entire story. But not in the way that I thought going in. I feel like I’m rambling, so I’m going to try to structure my thoughts.
Imagine you’re a new viewer. You haven’t watched yj start to finish 30 times, you’ve never even buzzed before. You turn on the tv and the FIRST thing that happens is you see ... brutality. A half dressed girl chased through the freezing woods, murdered without a chance. They drag her through the snow, string her up, pour her blood on the ground. Hack her into unrecognisable chunks. Sit around in scary outfits and rip at her, with a huge focus on the teeth, as horror music plays. Then, Misty takes off her mask, puts on her glasses, and does the worst possible thing. She smiles. Directly at you.
Again, forget everything you know and go on vibes. You’re seeing the teens pre-crash, and you’re seeing them in the third timeline, fully formed, with horror motifs and covered in fur. You’d be mistaken for thinking that you were seeing start and end. Except that... we know, and you know, that Pit Girl is the middle. These monsters somehow came back from this. How? When they’re so so so far gone?
Hence the show. I know I’m not breaking new ground here, but bear with me. I’m going somewhere.
(Edit: Readmore added because honestly, LONG post)
You’d be forgiven, fresh-faced new viewer, for thinking you were watching some kind of gross-out slasher. But what happens in S1? Restraint. Laura Lee, the first non-crash victim dies at the end of episode eight. Jackie end of ep 10. (For the sake of this thesis we’re going to be almost exclusively focused on the teens.)
And yet there’s this tonal shift, It’s like ... inevitability. Like watching a crack in a window that’s very slowly spreading. Everything is steadily Getting Worse. The weather is slowly getting colder, the days are getting darker, food’s getting scarcer, life is getting harder. But so much of this difficulty is coming from external events and pressure. Yes, cracks start to show in the internal relationship dynamics, of course, but if food was plentiful, if shrooms were less so, if the weather were better, then they could probably work out a very long term stable situation. Sadly for them, things are not stable, and the pressure is building.
Then Jackie dies and the glass gets a really big break.
It’s worth mentioning at this moment that Jackie at any time could’ve come the fuck inside. Safety and warmth and even love were available to her. All it would’ve required was for her not to be the centre of the world. To make actual goddamn concessions and join the team. Which is why she couldn’t possibly make that choice, because she had to be invited, she had to be apologised to, she had to be accommodated. She couldn’t see the rest of the ‘jackets as being people who just like her were in a really shitty situation. She saw them as being external, as being in cahoots against her, as being part of some Thing that she wasn’t in on. She couldn’t let go of the society they’d left, and she preferred to die. Which sure is a choice...
Keep all of that in mind though. We’re taught to blame Shauna for Jackie’s choices. Let’s stop with that. Jackie chose not to assimilate, she looked around the cabin at the team eating the bear and praying to the wilderness and instead of just paying lip service to fit in, like Tai, she decided to put her foot down and make a Thing of it. She decided that being Right was more important than being Included.
Seriously, keep that in mind, we’re coming back to it. Cycles, you know...
Season 2, everyone’s hungry and hey we have this spare Jackie lying around. And we joke like “ha, you gonna eat that?” Only...
No. They WEREN’T going to eat her.
Really think about that for a second. They put her in the meat shed. With the bear. Think about what that does, psychologically. Linguistically. The meat shed is made to store food. The bear has a word: carcass. Day after day after week after month they carve progressively more pathetic chunks from it, subsisting on what little it offers. In the EXACT same room, sitting right there is Jackie. Her body has a different name. Corpse. With many different connotations. At NO point does ANY of them raise the fact that they’ve taken their friend and added her to their meat stockpile.
Because they haven’t. Instead, they’ve added a new sub-room. The meat shed is now also a morgue. And nobody ever once had to say it. They got it. We got it. You got it. And while they starved and their bodies BEGGED for food, Jackie’s corpse lay there, frozen and fresh, and stubbornly refused to become a carcass, because they wouldn’t let it. They knew that there were more important things than meat, even when they were starving.
The bacchanal was a mistake. A literal error. It simply wasn’t planned, wasn’t meant to go down that way. Maybe if they HAD considered that route earlier and had a discussion about it they’d have been prepared, psychologically, maybe if they weren’t so starved. Who knows. But in the middle of the night they were offered a way out, and they took it.
But Shauna took it first.
Even in their state, even faced with an ideal roasted feast infront of them, they waited until Shauna said it was okay. Because Jackie was Shauna’s friend, and they knew that she was still a person. That this was still a corpse first. It was Shauna who was able to give them permission to survive. To turn a friend into a meal. It was not their place to take that step. To shoulder that guilt. So Shauna did it for them.
The next day they’re devastated. The heavy reality sets in, now the hunger is settled. And Jackie’s carcass is far too real, they can’t change her back into a corpse. Nat tries, bless her heart. But Tai’s screaming reaction at having eaten Jackie’s face is only an externalisation of the grief and horror and agony they’re all going through.
And after Jackie they starve again. Hope and heat and light dwindles further. Every single day they all take another step towards death. That’s what starvation is, it’s the same thing as dying, you die a little bit every day until you can’t die anymore.
Kristen falls. Misty doesn’t even consider that she might bring her back as meat. If she had’ve, she might think, maybe she’d be considered like ... heroic. It doesn’t even occur to her. She’s not going to LET those bitches eat her one and only friend, and she goes out of her way to protect her.
Shauna has her horror show birth. And, no matter WHAT the context is, she produces.... meat. In the most awful, brutal way. And while the fandom made so many jokes and stuff, the reality is that yes... at least to an extent there was real nutrients there. And it was never once even brought up as an option, by these desperate, starving girls. 
When Coach tries to kill himself, here’s a ready source of willing meat. And Misty uses it as a threat to stop him. But it’s hollow, she’s just putting on fake fangs to try to keep him safe. She’s not actually that vicious thing that she’s pretending to be, just like she’s not actually homophobic.
When Lottie tells Misty to eat her if she dies, Misty fights her on it. Lottie has to insist. Then when she tells the rest of the team, they are so overwhelmed with the selflessness of the gesture that it inspires them to twist it into their first hunt. That’s what it takes. The hunt is an act of self-sacrifice and love.
And so we get to the hunt. The proto-pit-girl, we’ve come full circle and we start to learn all these answers to questions posed in act 1 scene 1. And they’re not the answers that were assumed.
How do they get to the point of eating each other? They sacrifice themselves willingly, for the sake of each other’s survival.
Why do they hunt the way they do? Because Shauna just can’t stand to murder a friend in cold blood, a friend she cares for and has no reason to hate.
Why the spike pit? Because it keeps the blood off their hands. Because it lets them blame It and preserve a tiny fragment of their innocence.
Why the weird symbols? The ritual itself? Because they need SOMETHING to hold onto, to make it all make sense.
Why so brutal? Is it? We THINK it’s brutal. It’s certainly bloody. But Pit Girl dies almost instantly. Her pain is over fast. She doesn’t have a good time going into it, obviously, none of them want to die. But she chose to run, she could’ve taken the knife instead. And the spike trap was efficient. Yes they drag her through the snow and string her up, but it’s mechanical and just part of the process and she’s dead already. Her pain is over fast, it’s not sadistic.
Why do they chop her up into chunks like that? Because nobody wants to eat her face. Because nobody wants to struggle with her humanity, they want her to look just like any other meat. So that they might be having deer or bear or ... friend. They’re eating because they are biological machines that need to eat, that NEED death to survive. They didn’t ask to be made the way they are, and they’re doing their best to cope. Shauna, probably blindly, takes on that responsibility, to transform their friend into unrecognisable meat to change a corpse into a carcass. She takes that pain for them, holds that sin for them, out of love. So they can eat, so they can survive.
What’s with the creepy horror masks? During the ritual they can’t handle being themselves. They create alternate versions of themselves to hold what must be done. The masks aren’t there to scare anyone, because there IS NO AUDIENCE. The masks are there to hide behind. That’s why Misty takes hers off at the end of the scene. The ritual is over and they can go back to being people again.
Why is Misty fucking Quigley in charge? Because she CAN be. Because she’s strong enough. If Lott/Nat/The AQ is the goddess/queen, Misty is the priestess/handmaiden, tasked with actually carrying out her orders. She interprets the queens words when she’s too weak, she provides counsel when she needs it, she tells the team what they need to hear in the moment, she gives out the micromanagement. Misty’s the power behind the throne, because when she says she’ll do something she fucking follows through. No matter the cost. And what the team NEEDS, whether they choose to admit it or not, is a backbone.
So...
They bring home Javi. The music uses a reference that’s never been done before. It uses the spiritual powerballad that was playing when Laura Lee tried to fly away. It builds the expectation of Great Things, of big, potent ...
And then it just stops. As the girls are faced with the reality of what’s laying on the table. The cold, blue corpse of a soft child who never hurt anyone. No matter what they do, no matter how hard they try they just cannot make him a carcass. But they have made the choice already, and if they turn back now it’s not like it’ll bring him back. They’ll just be starving and regretful as he rots.
So Shauna, blind and shaking, does the best she can. And when she brings in the meat, she - of all people - understands EXACTLY what Travis is going through. She knows what he needs. Because she’s been here. With Jackie. So she brings him Javi’s heart. His core. His love. His soul.
(She doesn’t bring him Javi’s head. She cuts that off and puts it aside so nobody has to eat his face... Some things are worth more than pure nutritional survival.)
And Travis, god bless him, does the only thing he can do left to respect Javi. He takes his heart, and he bites it, raw and bloody.
It hurts him to do so. It disgusts him so much, but he manages not to throw up. It disgusts the girls too, but they watch on, horrified. And that’s the POINT. Travis makes sure that before they do this, before they do what they have to... that they all remember this is Javi, this is human, this is a person. And he preserves the horror. For all their sakes. And only then, after he’s given his blessing, after he’s done his human acts, do these starving, ravenous girls allow themselves to reach for their food.
S1E1. Act 1, scene 1. We do not know who Pit Girl is. We do not know the exact circumstances that get us there. But we do know where we started now. What the original meaning is behind each of these little things. And it’s not brutality, not barbarism. It’s love. It’s not lord of the flies, a bunch of monstrous human-shaped creatures giving in to their primal nature and predating on each other. It’s a team of terrified people desperately clutching at their own humanity as hard as they can. Trying SO hard not to let that glass break, to not become the thing that the framing of act 1 scene 1 tried so VERY hard to convince us they were. Context changes everything.
And the proof is in the pudding. After they eat Jackie the shock explodes throughout the cabin. The atmosphere is thick, and horrific. Now with Javi, reduced to simple meat, carefully and lovingly seperated from what made him human, so they can grieve him while they sate their natural needs, the mood post-eating is calm and soft and warm and loving. For once they’re all together,  with grateful full stomachs and in a time of peace and plenty. They’ve done the impossible and maintained their humanity and love for each other and their respect for Javi in a nearly impossible situation.
*takes a deep breath*
Which brings us to THIS asshole.
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Right from the start, Jackie is only kind of part of the team. She’s the team captain, put up there by Coach Martinez, but not because she’s the best of them but because she can maybe wrangle them into doing better. And they KNOW that she’s not really one of them. They plot around her, and just don’t bring her in on it. They put up with her, more than loving her, she’s just kind of forced upon them. But she does her best, to try to maintain some semblance of order, giving pep talks and the like.
Wait, Jackie? I mean coach. My bad.
Anyway, so Jackie has one friend, Shauna. She SEEMS popular, and everyone talks to her, but Shauna’s the only one who actually likes her. And Shauna’s her connection point to the team. She’s got one foot on each side, and is torn as to where her real loyalties lie.
Sorry I’m talking about Jackie again.... weird.
In S1E9/10 Shauna finally chooses the team, for real. And Jackie tries to pull her back away, but Shauna puts her foot down. No way, she counters, I’m ON the team, you’re the odd one out. Why don’t YOU leave, Jackie? Jackie looks around at the burgeoning cult, she thinks “Look at these evil monstrous bitches, and now Shauna’s one of them TOO?” And instead of finding a compromise, instead of doing introspection, instead of anything like that, Jackie goes and freezes to death because it turns out that sheer rage won’t keep you warm in sub zero temperatures. Because no matter what happens, Jackie’s Right and it’s more important to her to be Right than Included. If she’s not in charge than why is she even THERE?
Hold on, I see my mistake. Let me backtrack.
Right from the start, Coach is only kind of part of the team. He’s trying to hide from his real life, from Paul and the complexities of being genuine in society by taking on the job of coaching the ‘jackets. And they KNOW that he’s not really one of them. He’s just the guy they have to listen to, because society put him there. But he tries his best, giving pep talks and the like.
So Coach has one friend, Natalie. He SEEMS popular, and everyone talks to him, but Nat’s the only one who actually likes him. (Ignore Misty, a schoolgirl comphet crush is not the same thing). And Nat’s his connection point to the team. She’s got one foot on each side, and is torn to where her real loyalties lie. Sometimes she’s on the bench with Coach, complaining about the state of things. Sometimes she’s in the thick of it with them all, and Coach is nowhere to be found.
In S2E9, Nat finally chooses the team, for real. And Coach tries to pull her back, but Nat puts her foot down. No way, she counters, I’m ON the team, I’m worse than them, you’re the odd one out. Go, save yourself, you don’t belong in this place. Coach looks at a table covered in blood and gore, at Nat’s face, at the rest of the team pledging fealty to her. And instead of looking for context, or looking for compromise, or even remotely trying to understand what he’s looking at he thinks
Look at these evil monstrous bitches. They’re eating each other. They’ve all gone mad. They’ve even gotten Nat now. There’s no hope for them, there’s no hope for anyone out here.
And he decides that they’re corrupt. That the way you deal with that is fire. And he’s wrong.
(I have a theory that he’s gone and jumped off the cliff, that he set the fire to clear the corruption, and now like Jackie, unable to live in this situation any longer, he’s decided to die himself. I’d not be surprised to find him in s3e1 that way)
Jackie was a frustrating, difficult person. Because no matter how things went she just COULDN’T let go of the fact that she was trying to fit a mold that just didn’t suit her. She was raised with super high expectations, when she was really just kind of mid. And that’s fine, honestly, most people ARE mid, that’s why it’s mid. But she refused to see that those around her were shedding their social pressures, were adapting to the wilderness. They weren’t having a good time, they weren’t hunting and foraging because they were out there, camping for fun. Nobody wanted to be there. They were just trying not to complain about it, because they were all in the same boat.
Coach is similar. He simply won’t adapt. Refuses to. I mean this is a guy who’s STILL trying to live in the closet when there’s open lesbians making out in public around him. Who thinks of others as inherently monstrous when he himself, as a gay man, should know better. Because that’s what trying to fit your society-assigned role does to you.
It’s no accident that he and Jackie both spend a long time in the woods and neither of them can do something as basic as start a fucking campfire. Javi, a little kid, survived for MONTHS on his own in that cave. Coach couldn’t make it a day alone. Jackie couldn’t get through a night. They both rely so heavily on the team without ever once recognising it. Because SOMEONE was keeping the fires going. They both just ... refused to engage.
And just like Jackie can’t see that they’re not having fun out there in the woods, on the knifes edge of survival, Coach can’t see that they’re not having fun when they are so desperate they feel it’s warranted to sacrifice one of their own. He always thought of them as monsters, and he just sees what he expects to: a bunch of stupid useless teenage girls, finally doing what he always expected they would.
At any point... At ANY point he could’ve come in from the cold. He could’ve just accepted reality as they have. He could’ve taken some meat and accepted the price, as they have, joined them in their GRIEF about it, shared their humanity, and survived. Just as Jackie could’ve come in from the cold, and become part of the whole. But instead, they sit in the cold, consumed by their bitter hate, and decide that no, it’s everyone ELSE who’s wrong.
And who emerges from the burning cabin? A bunch of scared kids. Shauna, the FIRST cannibal, who saves Jackie’s prom dress before anything else. Travis, who grabs Javi’s wolf. Nat who grabs the ammunition - that they NEVER use on each other - because if they lost that they’d get SERIOUSLY desperate. And they protect each other, they make sure everyone makes it out. These supposed monsters who are so far gone they don’t even care about eating each other go out of their way to save each other, not just themselves.
Because Coach is wrong. Just like Jackie was wrong. Just like WE were wrong, in s1e1. Which brings me to my actual point.
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This question is asked so many times in S1 it’s almost a mantra. And the ‘jackets’ oath of silence really builds up that it must’ve been something REALLY bad, right? But S2E9 has really made me recognise that fundamentally... Act 1 Scene 1 is entirely what everyone who asks this question is expecting.
Imagine they DID know what really happened out there. With that bloodthirsty fucking look in their eyes...
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They’re not looking for an answer. They’re looking for a story. For an exciting spooky nightmare they didn’t take part in, so they can get a shiver and a thrill they didn’t earn.
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They’re not looking for a love story. They’re not looking to hear how HARD these scared, tragic, broken people fought to hold onto their morals and their humanity and their sanity even against their own survival. They’re not interested in Shauna blinding herself just to try to stop her hands from shaking. They’re not looking to hear about Travis choking down the blood of his brother just to make sure that he can really FEEL it. So he can share the guilt, and never ever pretend like it’s Just Meat. The look in his eye when he can’t think of any good response to Van’s arguments that he needs to let Javi save him. What they want is...
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They don’t want the context. And if the ‘jackets ever did try to tell anybody what actually DID happen out there, all they would see is ... Episode 1, Act 1, Scene 1. A bunch of monsters. Eating each other. Just like Jackie. Just like Coach. Just like we did, on first glance.
I’ve been saying this whole time that Yellowjackets is doing something really special. That it’s letting us see behind the curtain, that while everyone’s asking this big question, “what really happened?”, we’re the ones who get to know. Because it can’t be told. It can’t be spoken. It can only be seen. Experienced. I think that S2 has finally finished the first major arc in the teen timeline, that we now have the context to understand what comes next. And I do believe that it will get messy, it will devolve. Into fighting and screaming and battles. It’s tragic, but it looks like that’s the downward spiral, spiraling. As Travis and Nat deal with the guilt of what they did with Javi for each other. As Shauna and Nat butt heads and people pick sides. As Misty Mistys. As resources get even more desperate now their shelter is gone. As potentially new people (hikers? other cabin people?) get brought into conflict with them (I believe the cabin is a smoke signal, personally).
But don’t ever forget that we got here with love. Expect that the downward spiral will be lubricated with toxic, broken, codependant, self-destructive love as well. Watch them love each other to death... they’ve already begun.
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God, this man has the absolute worst case of nostalgia based rose tinted glasses
In nightbringer itself Asmo says the day before they Fell he was hiding from Raphael for messing with him/pissing him off
All of Lucifer's siblings (minus Levi, as far as we know) were frequently sneaking into the human world while they were actively at war with the Devildom and while it was forbidden to interact with humans
Mammon used the angels as his own giant chess set????
Mammon used to sneak into the human world to collect pigeon feathers and sell them to angels by saying they were Raphael's feathers, which is hilarious but is also A FUCKING SCAM THAT CURRENT MAMMON WOULD ABSOLUTELY PULL
The others actually thought Mammon would Fall long before he did because he was such a shit head
Asmo used to have his Asmo parties or Asmo nights or whatever up in the Celestial Realm despite Raphael saying parties are bad (I feel like the actual word he used was "immoral"? )
Asmo used to sneak into the human world to go partying with humans
It is heavily implied in s3 that asmo was fucking & sucking his way through the celestial realm (good for him btw get those sticks outta the angels' asses babe i believe in you <3 )
The twins and Lilith used to frequently sneak into the human world
Lilith started a whole ass relationship with a human and lied her ass off about it so that she could keep it secret
Lilith compared Michael to a jellyfish???? the first time she met him and that pissed him off
Lilith held a hell of a grudge
Belphie used to skip work so he could go nap
The brothers, as a team, used to catch frogs, cut holes in books, put the frogs into them and wait for Raphael to open them
The brothers, as a team, used to dig pits in the ground and cover them up so that other angels would fall into them (at least the frog thing was kinda funny this is just them being straight up dicks)
Raphael was constantly chasing them around with his spears and getting on Lucifer's ass about them because of how troublesome they were
S4 implies that the reason the brothers' pranks are more refined as demons, compared to when they were angels, is because they now have Satan
So yeah, they were always asses
But even if there is some truth in what Lucifer said about them being kind & sincere (and honestly, there is. We've seen more than enough evidence of it in the events, devilgrams, chats & s1-4) :
Levi says he was depressed in the Celestial Realm and felt like he didn't fit in.
Both Mammon & Beel didn't fit in until Lucifer found them.
Lilith definitely didn't feel like she fit in.
Lucifer, as a demon, says he'll never want to go back. Talking with Diavolo as an angel made him lose a little faith in the Celestial Realm. His greatest fear is possibly his father. Even before they Fell something in the Celestial Realm was pissing him off so much that he managed to spawn a whole other conscious life form - Satan says he gained his own consciousness even before Asmo was created meaning that anger had been festering for a long time.
As far as we know Asmo & Belphie were the only ones who were genuinely happy throughout their entire time in the Celestial Realm (and I think once Asmo gets used to his demon form he'll appreciate the freedom in the devildom over the strictness of the celestial realm)
Mammon, in Nightbringer, says that they know there's no real difference between being an angel or a demon and that they're all just labels.
Whatever sincerity and kindness they, may or may not have, had in the Celestial Realm wasn't because they were angels. Or because of the Celestial Realm.
It was in spite of all that.
It was just what they are like as people.
And of course that sincerity and kindness aren't gonna shine through right after a horribly traumatic event that killed their sister and permanently changed their bodies. And due to such an event & their Sins becoming more...more, they'll obviously be different and treat each other differently as demons.
But at the end of the day they are good, kind people, even as demons.
Like we've seen that.
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mitsies · 10 months
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i just read "intrinsic warmth" and it was sooo good ( YOU AHVE AMAZING TASTE). pls give us more gojo recs ao3 or tumblr.
gojo + ao3:
UPDATED
+ intrinsic warmth: my favourite fic of all time. like genuinely. insane writing, fucking amazing in every sense of the term. 2nd time recommending this! reader's character is so sick BUT updates real slow (which isnt a bad thing!! good things take time!!) so i wouldn't read if you aren't patient // 90k words, 13 chapters, incomplete
+ ripverse: not really a series, more like a compilation of fics! it's got a lot of angst and the one titled 'interlude' contains smut i think so beware, and it's also a lovetriangle/poly-but-geto-goes-crazy-so-not-poly moment // 55k words, 8 pieces
+ the witches' brew: super cute fluff! reader owns a cafe, gojo is a regular, it's all around adorable // 2 chapters, 11k words, completed
+ all that is solid melts into air: arranged marriage trope! i haven't read but @/aanobrain loves this one // 7k words, 1 chapter, complete
+ cake batter: established relationship w/ dad!gojo & megumi <33 not much to say, just short n sweet, i am such a sucker for dad gojo so its no surprise there's one of these on the list.. // 2k words, 1 chapter, complete
+ best of luck: initial concept is really unique!! confessions, slight angst, takes place at the beginning/middle-ish of s1 i think? so cute loved this &lt;;3 // 5k words, 1 chapter, complete
+ afternoon tea(se): gojo torturing megumi. classic !! so so cute love the banter // 1.7k words, 1 chapter, complete
+ my apologies, gordon ramsay: god i hate this man. jk. reader is a teacher and a functional human being; gojo is not. loved! // 8k words, 1 chapter, complete
+ a name known only to paper: platonic, angst- beautifully written, such a unique idea. reader is gojo's older sibling. // 3k words, 1 chapter, complete
gojo + tumblr:
+ untitled by @/augustinewrites: actually idk if there's a title and if i just can't find it but... this is so so cute love me a lil drunkass gojo hes so cute and the author writes him so well i am a huge fan LMFAO just check out their whole masterlist if u havent alr!!
+ i could fall asleep or stare in your eyes (you're right by my side) by @/seoafin: hurt/comfort !!! lovely, this author's writing style is so so good i eat this shit UPP
+ growing pains by @/seoafin: another lovely work by this author!! im pretty sure they also wrote ripverse (on the ao3 part) as well? parental gojo again!
+ close combat by @aanobrain: honestly it's taking everything in me to not link all of art's gojo fics so i'm limiting myself to my fav 3, and this is one: love the reader's personality, so so much and NO im not biased bc i helped write it....
+ family photo by @aanobrain: fifteen THOUSAND words of pure mastery. the motifs, techniques, all make an intricate storyline even better- wonderful characterisation and i cannot express enough how amazing this is
+ 10:15 AM by @aanobrain: short n silly. this one makes me giggle. i requested it in return for an aki fic i wrote which is how u know its good. ok bye done w aanobrain art now i dont even know them who is this
+ quiet game drabble by @/moonbeamwritings: so so cute looooove silent treatment fics bc theyre always so silly n this is characterised so well !!
+ no good, very bad date by @sixosix: again i am fighting my demons to not rec all of six's gojo fics........ THIS ONE IS MY FAV THO!!! so so fluffy so sooo fluffy i thrw up in my mouth (in a good way)
+ fan letters by @sixosix: FLUSTERED GOJO............. i was hissing and squirming and [REDACTED] wjen i read this for the first time. short n so so sweet
+ formation b! by @earthtooz: oh god another place where i want to give u the whole masterlist... go check it out if u havent alr but this is a classic i LOOOVE my sillies !! teacher gojo based on that one ending cutscene w megumi its so so sweet
+ untitled by @earthtooz: ok again idk if there is a title i am finding all of these fics bc theyre saved in my drafts but.... THIS IS SO CUTE!! if i were to give it a name i'd call it 'gojo being awhore but only for u'
+ untitled by @/od4saku: hmmmmmmmmm this is cute!!!!! kinda a character study i liked it ;)
okay so... this is as far as ima go because i have been staring at this man's face and name for way longer than is probably healthy!! but if u want more recs i'm sure i can find some because i'm actually insane!! hope i could help !
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actual-changeling · 4 months
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I have written many meta posts and s3-theories, and read even more, but I got hit by an idea I have not seen before. (If there is another post, please link it!)
After vibrating for an hour and losing my mind in my dms, I have no scraped together enough brain cells to present what is probably my first actual 'main-plot meta'.
Welcome to another edition of Alex's unhinged meta corner, today with a title to honour Crowley's James Bond obsession and the possibility of another heaven heist.
I give you:
From Jesus with Love - You Will Live Twice
Now, let's get right into it.
I think Neil might have told us more about the main s3 plotline in the announcement article than we previously thought. We all got stuck on 'they're not talking'—for good reason—but it is the part before that which has been bugging me ever since then.
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The plans are going wrong—and this time that is a problem for earth and humanity. Turning that around, it means that whatever that plan consists of would be the way to go and beneficial for everyone, the opposite of the main plot of s1.
"They need to prevent the Second Coming (SC)" is pretty much the only and most popular idea I have seen, hundreds of fics and metas and whatnot have been written about it, but I think there's a good chance we're wrong. If we're not, well, I will honestly just be happy to be watching season 3.
Whatever the Metatron is planning will have negative consequences for everyone, or as Michael puts it: "And so… it ends. Everything ends. Time and the world is over, and we begin Eternity… forever and ever."
It sounds very much like Apocalypse #1 - Same Old Plan, same expected result, yet if we look at different interpretations of scripture we find that the SC is not entirely about complete destruction and death for all of humanity—it is about creating a new world/migrating to the kingdom of God.
This is taken from the Wikipedia article about the SC
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Resurrection and life in a world to come are a direct contradiction to the result Michael is explaining—total annihilation of humanity.
Now, I am neither religious in any way nor have I ever received any sort of biblical education. Luckily, Christians seem to love talking about the bible because there are dozens of bible website to wade through. If I get anything wrong, please point it out, I have never touched a bible in my life.
So, after reading many, many quotes by a bunch of different guys, I tried to create a somewhat coherent picture of what the SC might look like based on the assumption that the end result is positive. I will talk about how they can be interpreted more in-depth later, otherwise this would turn into a string-net very fast.
Additionally, we can also see where these points overlap with the statement Jimbriel gave in the bookshop in episode three.
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What is Jesus' job description?
only God knows when and how exactly it will begin/happen, no one else does, including Jesus and the Metatron
a lot of different catastrophes are mentioned or quoted as something Jesus said, like earthquakes and storms -> Jimbriel mentioned a tempest and great storms
there is also the line "All these are the beginning of birth pains." Birth pains dictate that there will be a birth—birth of the world to come perhaps?
dead people will be resurrected/leave their graves so that they too can be judged (I'd say participate in it but that sounds like the Second Coming is a summer camp activity)
there are also mentions of stars and the heavens in general falling from the sky and the sun going dark -> Jimbriel also mentions darkness as one of the signs
great lamentations, as Jimbriel says, are also a part of many different passages, with humans mourning the world as it was
the Lord will descent with the voice of an Archangel and the sound of a trumpet/the trumpet of God; the grammatical structure of that sentence seems to be interpreted differently depending on who you ask, but the voices of angels/an Archangel and some sort of trumpet are common terms
once everyone is in heaven/wherever the 'main even' will take place, a judgement call will be made for every single person in relation to the book of life, which decides whether they will be punished forever or not (one passage talks about a lake of fire and mentions it several times in a row)
And this is where it gets tricky. To figure out what the SC looks like, we first need to understand a) what the Metatron's capabilities are, b) what he has to lose, and c) what exactly would be a threat to him.
If you ask me, all of this comes down to the Metatron wanting to stay and be in power for eternity with full control over angels so he can do as he please, aka keeping the system running as it is.
We know the book of life (bol) is a thing in the Good Omens universe, whether it does what Michael said is an entirely different question. So far, we have also only got confirmation that hell collects and tortures souls—in such large amounts that they are understaffed—while heaven looks completely empty.
The Metatron runs heaven as an institution, he seems to be the highest power any of the angels have access to and the one they defer to. He refers to himself as the voice of God and combines judge, jury and executioner, making him one great celestial dictator.
From what we know of hell, they do things a lot more democratically, having different councils, dukes, and ranks that are responsible for different levels of command.
We also know that that the Metatron wants the world to end, his goals can probably be summarized as the statement Michael makes, which would leave him in charge without any opposing forces.
We also also know that he sees Crowley and Aziraphale as a threat—why exactly remains a mystery for now—and that the success of his plan hinges on having a Supreme Archangel (SA) he can control. Gabriel decided to become princess of hell and Beez' sugar baby, so he was out of the equation, and after the Armageddon disaster, I don't think he wants to risk failing because of an unfamiliarity with earth (plus, y'know, getting our two idiots away from the plan).
It's interesting to me that right at the end, he says to Aziraphale "We call it the Second Coming"—call, not it is or it will be, CALL. We know that nothing Neil writes is a coincidence, definitely not with such an important line.
Just because you CALL something a specific name doesn't mean it IS what you call it, e.g. Aziraphale calls Crowley a foul fiend when we know he very much isn't.
The Metatron is selling his plan as part of the "Great/Ineffable Plan", so any questions can be blocked by saying it's God's will, it's ineffable. Whatever his plan is, he hides it behind the concept of the Second Coming, which angels know just enough about to understand the basics without having in-depth knowledge of what exactly it entails.
It is a good fucking strategy, I'll give him that, and it WORKS because angels—even if they have doubts—do not question. They simply don't; fear of punishment and millennia of conditioning have left them in a horrible place. When they encounter something unknown, their response is "I already knew that" as to not ask questions.
Crowley questions, we know that, and Aziraphale, ohhhhh, Aziraphale ALSO questions, but he does it in a less dangerous and obvious way. The Metatron is vastly underprepared for that.
(Side note: That alone would be its own meta post, but the gist is that he questions heaven's plans and then adjusts his assumptions of what God might want to what he WANTS God to want, e.g. Job, the Arch)
To summarize everything I just said, the Metatron wants to do what Armageddon failed to do—destroy earth and the universe—so he can be supreme dictator of all remaining celestial beings and gorge himself on power.
But instead of calling it his Big Evil Plan, he calls it the Second Coming, making everyone play along without resistance.
We cycle aaaaall the way back to the sentence I quoted—the ACTUAL plans are going wrong since the Metatron's would mean total destruction.
But what is the SC supposed to be if not the Apocalypse 2.0?
When I look at all the different aspects of the SC and assume a positive outcome, then the end result to me would be a new world that is pretty much like the old world, or maybe even literally the old world but with any destruction reversed. Heaven and hell get dissolved since now that everyone has been "judged", they as institutions are no longer needed, they have fulfilled their purpose.
No more judgement means there is no reason to keep track anymore, so why do you need to run celestial corporations whose only job is doing exactly that? You don't—and THAT is what I believe is the biggest perceived threat to the Metatron, losing full control over everyone and everything, losing his position, his title, and whatever else he has.
On top of that, Good Omens has told us again and again that God doesn't seem to give a fuck about good and evil anymore, and that without heaven and hell being all wrapped up in it, humanity would have 100% free will without any consequences.
Maybe the BoL is empty, maybe it isn't real, maybe Jesus stole it to straighten a wobbly table, who knows. There is a chance it is what Michael says, but I would admittedly find that a bit. too obvious and boring since it would boil the plot down to "they save their own asses again" and not "they save humanity at all cost".
Regarding Crowley and Aziraphale's role in this—I have Thoughts TM but those definitely need their own post. In short, they have to get the SC back on track, the real one.
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If you have made it this far, thank you for working through what I hope are more or less coherent rambles. Any spelling or grammar mistakes are my own.
Questions? Thoughts? Corrections? Expansions and additions?
Feel free to add to this post however you like (and I can't believe I have to mentions this but if you clown on my post or behave like an asshole you will be blocked).
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brigdh · 6 months
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Okay. My thoughts on the Our Flag Means Death finale. Obviously I'm not very happy with the ending, though I'm also not as upset as some people are. I would say I'm discontent. Unsatisfied. Too aware of how it could have been improved, and a bit bitter that we didn't get a better version, but I also don't hate what we did get.
I know a lot of meta has attributed the problems to a shorter season, and absolutely I would have loved to get 10 episodes instead. I would have loved 22 episodes! Why don't we do that anymore? But I don't think the 8 episode length was the ultimate problem. A) The showrunner and writers knew they had only 8 episodes, so they needed to choose a story that fit into that length, but even more importantly, B) my problem is not that they had too much story for too little time, but actually that they had plenty of time and chose to fill it with too little story.
As I've sat with it over the last few days and thought more about the season's arc, it feels to me like we got eight episodes of filler. Filler episodes can be great! Filler episodes can have some of the funniest lines, the greatest scenes, the most intriguing ideas. But filler episodes do not progress character arcs or major themes, and that's exactly the problem this season had.
The only characters who got arcs this season are Izzy, and to a lesser and more rushed extent, Lucius. Which sure is a choice.
Ed and Stede and their relationship did not meaningfully change from S1. (Okay, yes, they had sex, they said I Love You – but these are external changes, not internal. They don't represent character growth. Stede realized he loved Ed and was telling everyone back in 1x10. Ed clearly would have slept with him in S1 if they'd had a little more time.) Ed and Stede in 2x08 are not different from who they are in 2x01. If Ed had asked Stede to be innkeepers in 2x01, does anyone think Stede wouldn't have immediately agreed? One of the big moments in 2x08 is Ed reading a letter that Stede wrote in 2x01! Stede's exact words from the very beginning of the season! What better way to underline that none of the subsequent seven episodes had important growth or changes?
Another one of 2x08's big shippy moments is Ed and Stede running to each other across a beach – deliberately paralleling the dream Stede had in 2x01. What are we supposed to take from this parallel? My original thought was that we're supposed to see how different the real version is from the dream, but there's honestly not many differences. Neither one has a beard, now? The dream mocked how Stede knew they needed to have a conversation about their relationship that he wanted to avoid, but they don't have a conversation in the "real" version either. They exchange about two sentences (which includes Ed's I Love You, yes, which is a big deal but still isn't a conversation) and then they charge right back into the fight, without discussing anything like Ed abruptly dumping Stede to go be a fisherman, Stede killing Ned Low when Ed asked him not to, their differences of opinion on being pirates, if having sex was a mistake or if that's only a thing Ed said because he was panicking, etc etc. They have just as many issues to address as they did in the dream, but just like the dream they act like everything is magically okay without talking about it!
So I think we're meant to take the beach-run parallels as "here's what Stede's been wanting, and after waiting for so long he finally gets it". Which is fine, a very sweet take-away for a finale. But it underlines what I'm saying is the problem of the season: Stede has just been waiting for eight episodes for his dream to come true. Not changing. Not growing. Not doing anything to bring the dream about, other than trying to get himself and Ed into the same physical location. Just... waiting.
This is an extra surprising development, because the show was really good at giving Ed and Stede character arcs in S1! Ed and Stede in 1x10 are significantly different than they were in their first introductions. Also, just to preempt some criticism, by 'progressing' I do not mean 'wrap up literally every loose end and make a firm final ending' – S1's finale is an excellent example of both moving the characters forward and leaving a ton of room for future stories. I wasn't expecting for 2x08 to show us a Stede and Ed who were perfectly on the same page and would never again have a problem. I was expecting them to be somewhat different than they were in 2x01, and I just don't see that.
Instead of arcs, we got little pieces of single-episode growth here and there that never added up to an overall whole. The season brought up a ton of potential arcs for Ed – violence, piracy, guilt, suicide, daddy issues, self-loathing, apologies, redemption, his tendency to idealize escaping into a different life – but didn't do anything with any of these options. Stede had nothing resembling a season arc at all.
Stede works to improve as a captain! Stede kills someone and has regrets! Stede confronts Ed's dark side! <- All potential arcs, but none of which lasted for more than an episode or had consequences. We don't even know what the ending means for Stede: does he want to be an innkeeper because he failed as a pirate in 2x07? Because piracy was always just a displaced search for love, and now that he has love, he doesn't need piracy? What does the crew of the Revenge leaving mean to him? Stede's understanding of their new arrangement literally happens off-screen and we're left to fumble at guesses for its significance to him as an individual.
Ed and Stede's last big conversation in the season is their break-up fight in 2x07, which is a shocking way to send off your main couple in a rom-com. Yes, there's the I Love You on the beach (again: two sentences) and the brief 'let's try to be innkeepers' conversation at the very end, but that's it for them in 2x08, except for their inclusion in some brief large group conversations about their fighting skills and the plan for escaping the British. How can you end your rom-com with the main couple exchanging only a paragraph's worth of dialogue in the finale? None of the stuff was brought up in the fishing fight in 2x07 is ever addressed at all!
Again, I don't think this is solely a matter of time crunch. Instead of using the eight episodes to progress the two main characters, we got a bunch of filler episodes that used the time in amusing side tangents instead of forward progress. I don't think that's the inevitable result of having to work with eight episodes.
Look, I can come up with a better Ed/Stede relationship arc without needing more episodes, and despite only thinking about this for a couple days and not having an entire writing room to work with:
(Note: this only addresses the Ed/Stede relationship. It doesn't fix Stede completely lacking an independent character arc and Ed having about ten thousand of them, none of which went anywhere.)
In 2x05 to 2x07, I would make Ed's motivations in their relationship very clearly that he's pushing Stede away so he doesn't get hurt again. Basically play up Ed's comment about "I was all in" in 2x04, and make him determined not to get 'all in' this time around. This aligns the "let's take it slow" conversation in 2x05, the "sex was a mistake" in 2x06, and Ed running away to be a fisherman in 2x07 into a single arc. He wants Stede, but he's afraid of what that wanting will do to him. He's trying to find a way to have a relationship without making himself vulnerable. He keeps pushing off commitment and openness.
Then, in 2x08, I'd make it more explicit that Ed thinks/fears Stede is dead when he sees the pirate ships burning. I think it's subtext in the episode as-is, but give him a line or two to make it really clear. Ed and Stede still see each other on the beach, have their dramatic run to each other, and Ed says, "I love you". Now this moment is Ed acknowledging his love, exactly what he's been avoiding for the last three episodes.
Near the end of the episode, Ed and Stede have a conversation where Ed says something like, "I didn't want to get hurt again, I was afraid of the risk of falling in love and you leaving again, but thinking you were dead made me realize that never loving you would be worse" (but better written, ha, this is a tumblr post that's already too long). (Also possibly you could tie in Izzy's death here to underline both Ed and Stede not wanting to lose another person they care about, if we must have that plot point for some reason.) We actually get to see Ed asking Stede to come be innkeepers with him, paralleling asking him to run away to China (and paralleling NOT asking Stede to a fisherman), Stede voices some of his worries (paralleling him keeping them inside in 1x09, but also giving him a chance to explain what piracy and love mean to him and why he'd give up one for the other), but ultimately they agree that they at least want to try.
This both puts them into a much clearer place for a happy ending, has clear growth from S1 and the beginning of this season, but also leaves open a ton of room for S3, because welp, it turns out trying to have a relationship entails all sorts of problems! Especially with these two. It also would make me feel like they'd at least addressed some of the issues between them.
Right now I feel like S3 will have to spend at least the first few episodes running through exactly the same "don't talk – break up – get back together dramatically" arc that Stede and Ed have already done twice but have never discussed and never learned from. I liked it, but I don't need to see it yet again. That will – ironically – feel like yet more wasted time, more episodes that are just churning through beats without moving the characters forward. I wanted them to have new, different fights in S3, but now I don't even feel like they've made enough progress to have a fresh set of problems.
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eph-em-era · 7 months
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hey so i am so so pleased they hired an intimacy coordinator this time around! and you can tell that the actors are much more comfortable too! the intimacy is much much better!!
let's do a lil intimacy breakdown from my knowledge as an IC in training and a director just in general
(this is a long post so it's under the cut)
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fact is, there's some awkwardness in the ed/stede s1 kiss, which i am ninety percent sure is due to body placement. i'd wager there was a discussion on set that was like "hey this is a stunning shot, we love what it looks like, let's get the actors in" and they got the actors in and got to the blocking for the kiss and everyone was like "hey this is a bit awkward but we'll muscle through" - cause that awkwardness fits the character arcs.
but it's not actually all that easy turning all the way to one side to kiss someone without moving where your legs are! it's weird! it's an awkward angle! - or more accurately, it's the angle that two people would kiss at if it was a very impulsive, awkward surprise; or if your two lead actors are very good friends faced with playing lovers for the first time and not sure what to feel about that (we've all been there) - there's reticence, but it fits the scene so it's fine.
(Lucius and Pete and Olu and Jim also have moments of intimacy, which for the most part are fine, and I suspect that's a combo of a) their staging is SO MUCH BETTER, b) character choices, c) different directors and d) less of that "OMG WE'RE PLAYING LOVERS NOW" anxiety)
~~onto season 2~~
for the record, intimacy direction isn't just for kissing/sex scenes, ICs can come in for intimacy building exercises and additional blocking, as well as things like nudity, childbirth or any similar sensitive work, but I'm going to be talking mostly about kisses in this. anyway!
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Beautiful! Kind, lovely, tender! The backdrop is super nice too. Honestly, the Lucius/Pete stuff has really been so nice all the way along; that's great casting! Especially in S2E5, everything reads as very earnest and space is used very well.
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Archie and Jim. Now, we don't have anything to compare it to from S1, but I'm flagging it cause yeah, they definitely have similar staging to Ed/Stede from S1E09. I would say there's a much better range of movement in this one, likely because they're sitting on the floor, braced against the bed, so they can compensate for the weird angle better than E/S could. This might come off as a lil rude but it's also more likely that these two actors are slightly more flexible and can make this staging work better than Taika and Rhys.
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Cannot for the LIFE OF ME find a gif of their hug, but they have fantastic chemistry! despite only showing up for like 2/3s of one episode. I've seen people whining about how they absolutely should have kissed - and you know what, I would have liked that too!
however, I suspect that what happened here was that one or both of the actors didn't want to kiss on screen, and voiced their objections to the IC, who found a work around. It was likely not cause of any kind of ill will or homophobia, for the record - sometimes you just don't want to kiss people. Maybe you're sick, maybe you're feeling weird, maybe you're just not in the right headspace, but a kiss might be off the cards that day.
This is behaviour we want to encourage, btw. The goal is to ensure that actors feel comfortable and that the shot isn't be all end all. I've done something very similar, we had 20 mins to get the blocking done and the actors weren't at a point where kissing felt comfy, so we did a kiss on the cheek and a hug.
it is better that the actors are comfortable than your ship is fulfilled.
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Hey yknow what I was saying about how ICs aren't just used for blocking, they're used for chemistry building? That's what they've HIT ON HERE. This is genuinely a very lovely kiss. It's deeply appropriate for the characters, and it's private and simple. things get a little more raunchy, and hands start moving, but then it's stopped, for a narrative reason, and the chemistry remains with the hand hold. It's really very nice, well blocked and well performed. the hand placement! the tenderness! it's great. there's none of that s1 reticence, whether that was from characters or actors.
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I think the intimacy work, much like the writing and the characterisation is much, much stronger in this season, and that's to the show's benefit. I know we're only halfway through, but I'm thoroughly interested to see where things go in the remaining episodes. I will update this post if anything exciting crops up in the final five.
and this is why you need to hire ICs! they make life easier for actors, directors and crew alike!!
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vidavalor · 9 months
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The kiss, the Book of Life and the fly...
I've not seen anyone talk about this in this way so here's a fun theory of sorts for you... one that might make the kiss hurt less, even?!?!
More under the big cutty thing...
So the threat of erasure from The Book of Life looms large, right? The Metatron's plan honestly looks like he was delaying Michael's Book of Life erasure plan for Aziraphale until he could lure Aziraphale away from Crowley and up to Heaven, which makes sense because Crowley is powerful and can raise the dead and all that, yes? Ok, so, because Aziraphale is in some major, major trouble here... let's presume this happens. Let's presume that all the foreshadowing of Aziraphale winding up getting some of Gabriel's plot from their paralleling happens and Aziraphale is stripped of memories and erased from existence. Slight problem here being...
...Good Omens largely cannot exist without Aziraphale and obviously Aziraphale is going to have to come back, correct? So how does he? Well, how did Gabriel? If you say "the fly", you are obviously correct but look a little deeper at what the fly actually *is*... it's literally *Beezelbub*.
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It's not some random fly-- it's part of Beez's body/essence/whatever you want to call what demons have. Beez literally gives Gabriel their body and Gabriel chooses to hide his whole self there-- chooses the fly to keep himself safe and to stay with/get to be with Beez on some level, no matter what happened to him. Gabriel got to make conscious choices about all of this because he had a plan and got to try to enact one out. Aziraphale does not.
Aziraphale has been fooled into going to Heaven believing that The Metatron wants him to get to work as the new archangel but, in reality, the plan is to restart armageddon and end all life on earth. It's time for war and Aziraphale is probably inevitably going to get Book of Life'd at some point. They keep foreshadowing it and they also have parallels to it with Crowley unable to remember much pre-Fall, Aziraphale's discorporation and the Madame Tracy plot in S1, and other moments. So if Aziraphale gets erased from existence from being taken out of The Book of Life, he somehow has to *still in exist in some way*, theoretically, to be brought back... which would seem to not make sense as he was just erased, yes?
It cannot be as simple as Crowley snapping Mr. Brown of Brown's World of Carpets back into existence. Mr. Brown was a human who existed and was killed. Crowley brought him back to life. But an angel erased from The Book of Life is then a being who never existed, right? It's not resurrection; it'd be creation, which might be the one thing Crowley cannot do because you could argue only God could. So *some part of Aziraphale must still exist* for Crowley to use to bring him back, right? There has to be an Ineffable Husbands version of Beez's fly... and there is. We've already seen it.
Just like how the fly was Beez, Aziraphale remains alive within Crowley... but how? When?
Crowley's never offered that to Aziraphale, has he?
Oh, hasn't he just, though?
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For the record, I'm not saying that Crowley is suddenly going to have a Madame Tracy plot where he's like possessed by Aziraphale lol. I *am* saying that Madame Tracy as a vessel for Aziraphale's essence, Beez's fly, and the S1 Crowley and Aziraphale body swap... all of these things together foreshadow how Aziraphale survives erasure from existence. Plus, this hilarious bit below from S1 that'll seem even funnier in retrospect...
...as here is Aziraphale in S1, in a state of semi-non-existence, in search of a body to live in long enough to try to stop the end of the world and he says to Crowley...
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An angel and a demon... probably explode. Except... it's the opposite... and S2 illustrates that. In S2, they perform a miracle together and they do have immense power but it doesn't cause destruction. It protects Gabriel. At the end of the season, they kiss-- a paralleling of sorts to the shared miracle but also to other aspects of shared form. It's not possession, like Aziraphale and Madame Tracy (and like Adam's eventual separation of them/reviving of Aziraphale) and it's not the body swap at the end of S1 and it's not even quite as much yet of a sexual metaphor as 'you can find all of Gabriel's essence-- hook, line and sinker-- in a literal part of Beezelbub'... but all of those things foreshadow and suggest that Aziraphale might actually survive his trip up to Heaven because of the kiss that's literally breaking us all in pieces right now.
Because of Crowley loving him, really.
I'm not saying that Crowley intentionally set out to do this but even unintentionally, he could have opened a kind of container for Aziraphale equivalent to Beez's fly, which would then mean that Aziraphale is alive in S3... in the memories and essence of the being he loves and who loves him. Aziraphale cannot be fully erased by Heaven permanently because he's quite literally *a part of* Crowley now.
It was just (again) like Agnes said-- they were playing with fire and would need to choose their faces wisely.
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genericpuff · 3 months
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Why is the art so unappealing in lore Olympus now Persephone looks like a highlighter and maybe it’s just me but the proportions like the fingers in arms are soul over the place I don’t think they used to be this bad. Am I just looking at it with nostalgia or am I crazy ?
Honestly, nostalgia does play a huge part in it, even to this day there are times I look back on old S1 panels and go-
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Actually here's a great example that literally just happened yesterday in the ULO Discord that nearly had me on the floor LOL This is from Episode 70:
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Like I didn't even believe that that was real until I was told what episode it was from and I was just. Astounded and flabbergasted. The over-shading of the blanket that just makes it look like a really bad edit. Insane.
And yeah, there are a lot of old panels that hit different now that the rose-colored glasses have been removed, crushed, and thrown into the trash compactor.
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I think that's why it makes it all the more amusing when people come into my inbox and ask me "wait, why did you like LO to begin with?? It's always been ugly as shit, I think you're just romanticizing it" because like... there's something to be said about art and subjectivity, even if something is ugly to one person doesn't mean it isn't beautiful to someone else. It's why I try not to be too mean towards the fans of this comic for still enjoying it, because while I definitely have strong opinions about how "LO has gotten worse" and what kind of following Rachel has cultivated (cough cough), there are also just as equally valid arguments that LO has never begin good to begin with that I can't necessarily disagree with now that I'm looking back on it with a more critical eye.
That said, there's tons of media that I enjoy that is objectively awful. Like y'all, you don't need to take my opinions about a dumb pink x blue fantasy romance comic seriously, I like Starfox Adventures-
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Like yeah it's a badly made rushed piece of shit that was developed right on the ass end of Rare's glory days and was really an original IP (Dinosaur Planet) that got Frankenstein'd into a Starfox game so it could "sell better" for Nintendo, but I don't give a fuck, I love Starfox Adventures and some day I wanna be in the top 10 speedrunner leaderboards for it, which I know doesn't mean much because no one is speedrunning Starfox, but I do and no one can take that away from me dammit-
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Anyways. Lore Olympus has, in many regards, always had "bad art". But "bad art" can and should still be enjoyed by those who find joy in it.
And in LO's case, the world it existed in when it launched was a lot smaller than it is now - more specifically, the world of Webtoons. We can look back and see how 'bad' LO looks and reads now because there are genuinely way better comics surrounding it. It was unique and refreshing and experimental back then... now it's just "that stupid blue and pink comic for horny teenagers".
In most cases I would consider that "cringing in hindsight" feeling a good thing because normally it means something has grown and that it seeming "bad" in hindsight would mean that it's outgrown itself and moved onto bigger things. But LO has the more unique problem of "its current stuff is shit and it's making us want the old stuff more, even if the old stuff wasn't good either". In that regard, LO is closer to being like Harry Potter. Remember when The Cursed Child came out at the height of Rowling being exposed for being a TERF and even people who liked Harry Potter didn't like The Cursed Child because it was just objectively worse overall (with or without Rowling's bullshit attached)? It made a lot of people go back and re-read / rewatch Harry Potter with a more objective lens and go "wait a minute guys, I think we only adored these books so much because we were 12 when we read them". Often times it's the good memories we have surrounding certain things that make us have the opinion about them that we do.
Of course, LO is definitely not as politically weaponized as Harry Potter is, so that's where that comparison ends. But my point is that LO is definitely in a situation where it's been riding off the same privileges it had back in 2018 - having an 'experimental' art style while also utilizing tropes and characters that were VERY popular at the time (remember that 2017-18 was when Tumblr was at its height of H x P "Hades was a chill accountant guy who wore socks and sandals and didn't cheat on his wife like Zeus did" fantasizing) - and thinks that those same tricks and tropes will still work today.
Because of this, the art in LO really, really hasn't aged well, even the stuff that we look back on fondly. But I think it's the panels that we specifically think of when remembering "old LO" - the ones that stuck in our memories the most - that are the ones that make us miss or just not care about the panels that don't look good (the panels that make people question why we ever liked it to begin with).
We liked it because of how it made us feel to look at panels like these-
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Those genuinely wonderful panels that we think back on the most don't exist separately from the bad panels, they exist in spite of them. Even if we can look back on panels like these and pick out problems in the lineart or the proportions or the color travelling outside of the lines, that can't and shouldn't change how those panels made us feel at some point or another. And that's why when people ask me "why were you even into LO in the first place" I don't have any one answer, because I can't fully explain how something made me feel to justify why it's good to someone who can see from the outside - without rose-colored glasses - that it evidently isn't. It's very much a "you had to be there" type of thing.
Unfortunately, nowadays even the 'best' LO panels in S3 still don't come close to what the S1 panels accomplished - because for many of us, the rose-colored glasses are gone, we can't appreciate the good among the bad because we know now how bad it truly is and so the good just feels like wasted attempts at trying to recreate something it can no longer be. It "came back wrong" so to speak.
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LO came back just regular. But our journey to resurrecting it changed us to such a degree that even its closest intimacies are now foreign to us. Sorry dude.
This is still probably one of my favorite panels out of the entirety of S3 for being as close to "old LO" as I've seen since S2, and even it feels like a mistake, an accident, how could a panel like this exist in S3 when so much of it is a dumpster fire? It's like a flower growing in the ruins of an apocalyptic wasteland.
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But wasn't that always the case? Isn't that 'always' what LO has been, since the very beginning? A poorly cobbled together mess of writing and panels that, every now and then, manages to leave an impression that makes you feel something? Did we ever truly know LO? Or have we just been relying entirely on an idea of it that we've built up in our heads that when it does do exactly what it's evidently always done (even if not made apparent until looking back on it in hindsight) we think it "came back wrong"?
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tainbocuailnge · 7 months
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folinic is genuinely such a good unit please raise your folinic there's so many fun little niches folinic can fill please listen to my folinic manifesto
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folinic was the game's first Medic That Can Hurt You!!! respect your ancestors!!! they later refined this concept into incantation medics but the big weakness of incantation medics is that they need to have enemies in range in order to heal allies which isn't the case for folinic, if there's no enemies to hit she just blasts allies instead. she won't be killing strong enemies on her own the way reed can cast explode your dick but she's great at helping thin out large numbers that threaten to overwhelm your blockers. as you can see the uptime on her skill is pretty decent and since it's splash attacks that prioritise enemies she can reach allies that are blocking enemies just outside her range with it or just pull double duty as aoe healer for a bit
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s2 is the one people usually think of when they remember folinic exists but her s1 is actually strong as fuck and it scales really hard with masteries too i just haven't gotten around to that yet, it upgrades to two extra tiles of range at m1 and goes all the way to +80% atk for 30sp at m3. it has good uptime it very straightforwardly jacks up her healing and it gives you a lot more leeway with positioning because of the huge range it gives her, criminally underrated skill she's just straight up a strong medic even without her funny meme skill
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folinic by default has status resistance and reduced damage from environmental effects for herself and with her module she gets the unique niche of being able to extend that reduced environmental damage to other team members, meaning you have much less healing pressure from things like poison mist and sandstorms just by having her on the field and you can cover even more allies with it through her s1 range extension. i actually have no idea if this also works on tile effects like active originum or nethersea brand i should experiment with that sometime but the status resistance alone already makes her more reliable than her colleagues when there's another fucking ice altar stage or something
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folinic is a fucking god in the workshop she can make you 24 tier 2 mats in one sitting she's worth the e2 for this alone honestly
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she's FREE she comes free with your fucking xbox go get your FREE fucking folinic RIGHT NOW
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pray4byron · 3 months
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Could I please request a Vox, Adam, and Lucifer x GN! Reader who’s typically very chatty and hyper when excited. And maybe somebody says something like “you talk too much”, and it obviously gets to the reader. And how Vox, Adam, and Lucifer would respond and/ or defend their s/o? Thank you!~ :3
ofc!! this is very fun to brainstorm and write for haha (especially for Vox)
Warnings: S1 finale spoilers in Lucifer’s section, randos + Alastor being shitheads
Adam, Lucifer, Vox x Reader who talks a lot
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Adam
He had absolutely no idea you felt this way until you two were having a conversation before bed, and he said something he didn't mean
“Geez, you talk a lot.” Adam commented with a light hearted chuckle as he looked down at you, snuggled into his chest and the covers of your shared bed, he didn’t mean any harm though, it was more so commentary.
“I can stop…” You murmured, embarrassed. “No no no, it’s okay, keep going.” He said, rushing to cut you off, as he snuggled your face deeper into his chest.
Adam won’t hesitate to jump in if somebody says something, because only HE can do that.
“You talk too much, you need to calm down, it’s not that serious.” An angel said, while at a meeting, your shoulders dropped before you heard your boyfriend pipe up,
“And? Who gives a fuck? It’s fucking Heaven, bitch. People are allowed to talk and be happy, damn bruh, you’re a fucking party pooper!”
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Lucifer
He has his own tendencies to go on endless rants here and there so honestly you both just talk nonstop, and he doesn’t mind a bit!
If someone were to say something to you, he’d have a reaction similar to his reaction with the Charlie-Adam fight, but more tame cause the person didn’t physically harm you
“Stop talking and let me finish!” Alastor said cheerfully with a grin as he went to continue his sentence.
“You don’t get to talk to my partner that way, you smiling freak.” Luci said with a forced grin between gritted teeth, turning his focus away from the conversation with his daughter and her girlfriend and putting it to the conversation between you and Alastor.
“I’m the smiling freak? Look at you! You’re face is all messed up, especially that god-awful smile.” Alastor remarked, poking the bear that was the very protective Lucifer Morningstar, both when it came to his daughter and his partner.
“OKAY!” Charlie said attempting to separate the two, with Vaggie rushing to her aid.
Yeah, if they weren’t stopped, that wouldn’t have ended well😀
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Vox
He doesn’t mind your talks, he’s a good listener, but he might not catch everything if he’s working, but if he’s not? He’s all ears.
He’ll act super nonchalant about it, but he thinks it’s the cutest thing.
Normally, he isn’t willing to cause a scene because of his status, but when someone insults the thing he loves most about his partner? Yeah, that shit isn’t flying with him around.
You were scrolling through the comments of the most recent interview that Vox had on his show, which happened to be with you, and you couldn’t bare what you were reading. Mainly the comments like: ‘Omfg Vox’s partner doesn’t stop talking’ or ‘Vox can do better’ or ‘Can they just shut the fuck up? Like bro it’s not that hard.’
You just shut your phone off and slammed it onto the night stand, as tears trickled down your face, all you wanted was to be enough for him, if these people think these things, he probably would to.
You hear someone enter your shared bedroom, with you curled up in blankets and sniffles coming out of you, you feel the bed dip next to you, and a robotic voice that has to belong to Vox ask, “What’s troubling you, my dear?”
“People are just mean…” You mumbled, turning on your other side to face him and picking up your phone and handing it to Vox, you watched Vox scroll for a moment, watching his eye twitch angrily.
“I will handle it, sweetheart. I’ll be right back, don’t you worry your precious mind about a thing.” Vox said, stroking your hair, as he got up and left the room.
Turns out, Vox did a bit of…digging. He got the contact information of the main commenter who gave you issues, and sent them, a little surprise video…
The video showed Vox in office chair, he got straight to the point immediately, banging his fist onto his desk. “Listen here, you little bitch.” He growled, he was glitching out of anger already, damn.
“You don’t get to talk about my partner that way.” Vox stated, waving his pointer finger at the camera, “And if you do?” Vox asked rhetorically, giving a fake grin, before he became more visibly angry then you’ve ever seen him.
“I will personally find you myself, you low-life, fucking loser, and I will tear you apart. Just because your a sad sad, 40 year old virgin man, who still lives with mommy and daddy rent-free and plays on your VoxBox all day, doesn’t mean you get to insult my partner, and you should know better to not EVER pull that shit again, and if you even think about trying to I’ll fly drowns all throughout Hell and make sure they fucking find you and rip you apart, you hear me?”
His anger falters as the glitch does in his voice, “Anyway, have a lovely day, and don’t fuck with my partner again.” He said with his usual show grin as the screen went black immediately.
Yeah, don’t expect him to do that often.
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avelera · 6 months
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I admittedly haven’t seen much OFMD S2 criticism but I did masochistically go looking to see what the major complaints were.
I’m not all that interested in addressing individual critiques. Some of them made sense to me. Some of them were a bit silly. Some were clearly based on the show not being the fanfic people had written in their heads after they watched S1. Some were mad for the inevitable shipping reasons.
But what I think is the most important thing for OFMD fans and fans of any ongoing story to remember is this:
The sequel will never be able to match the fact you watched the first part without preconceived expectations.
No second season of OFMD could ever match the fact that no one was expecting Season 1. They weren’t expecting the kiss. They can’t recapture the uncertainty and euphoria of that relationship becoming canon. They can’t recreate the audience discovering its unique mix of Muppet humor and heartfelt drama with glancing moments of historical accuracy, all awash in stageplay level special effects as a love letter to old-school pirate plays and musicals. You can’t ever experience that again for the first time.
If these two seasons had aired back to back, far from seeing a decrease in quality or change in tone, I think you’d find they match one another very closely and seamlessly throughout. It was only the long break that allowed people to imagine certain story beats or characterizations or threads like historical accuracy as being more important than they were.
If Season 1 had ended, say, with the, “Never left.” beat while “The Chain” played as the last thing we saw before the credits rolled and the wait for S2 began, the fandom landscape and expectations would have been wildly different. But then, every OFMD episode adds wildly new elements, they’re all very different from each other, and anyone who thought any one those elements would be the new constant tone of the show going forward would be wrong. And yet, that’s what happened inevitably after the last episode of S1.
Honestly, I thought it was a bit of a shame, from a fanfic writer perspective only, that S1 ended on such a dark note because it was so out of keeping with 90% of the rest of the show but inevitably, I knew the fandom and fan writers would latch onto that dark thread in an effort to continue the story, since it’s where S1 left off. But OFMD was always going to resolve that separation quickly then return to humor and hijinks (albeit with notes of drama and more serious emotions, as it always has) , it’s right there in the romcom plot structure, a structure which owes much more to OFMD’s DNA than any historical pirate drama.
*Sigh* Anyway, I’m excited for the season finale. And truly I haven’t seen much criticism, but I’ve been chewing on these thoughts since I woke up to critiques of ep 6-7 last week and was then baffled by it once I saw the episodes myself. So there it is.
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baurbiediv · 1 year
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midsummers
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pairing ➔ jj maybank x gf!pogue!reader
warnings ➔ reader got that STRAP ON HER, reader basically pulls a S1E01 jj move at the boneyard that will forever be classic, fic takes place during S1,E05, mention(s) of a gun, reader is not playing around with y’all, and yes i used the dialogue from the show, and yes i altered it???
synopsis ➔ what happens when the reader happens to be in the wrong place at the right time?
a/n ➔ not proofread per usual
-
midsummers.
the annual island club party. you never understood what it was and why it was so special, yet every year kie attempted to drag the entire group with her in an effort to keep herself sane during the kook event.
this was the year that kie was able to get you to join along with her.
the one time of the year where every kook princess ever got dressed up in pretty silk dresses and wore weaved flower crowns that almost identically matched the dress.
“i’m not too sure about this guys. i mean what if something goes down and we’re not there?” pope questioned, he said tapping his foot on the creaky floorboard of the chateau porch.
“i mean me and kie will be there, nothing too much to worry about. we’re both responsible!” you piped in earning a nod from kie.
jj spoke up from his spot on the small seat, “look, in the event that something happens, someone’s gotta have something on them.” he said, pulling the gun out off his pocket, waving it around in the air.
you leaned over and snatched the gun out of his hand, proceeding to tuck it in the waistband of your shorts, then turned back around at jj then looked at him as if he was stupid.
john b pointed at you, “see jj, that’s exactly why you shouldn’t do that.” he said before laughing, causing jj to dramatically roll his eyes. “look j, you can’t just do that,”
you said mimicking his previous actions with your hands, which made everyone else but jj laugh. “but the guns safe with me. i promise.” you said as everyone nodded and carried out with the rest of the plans.
-
the day of midsummers had crept up on you.
and quite honestly, part of you was excited for it, the other half? not so much, an uneasy feeling had rested in the pit of your stomach.
something inside was saying that about to tonight was going to go down, but clearly you couldn’t pin point your finger on what exactly it was, and so you easily decided to brush it off.
kie had practically begged on her hands and knees to get you to stay over her house, saying that it was ‘important so she wouldn’t lose her mind’, if that wasn’t one way of asking to get ready then you don’t know what was.
sighing loudly, you flattened the small wrinkles in your dress with your hands. the silky fabric feeling smooth against your hands.
kie came bursting into her room (like it wasn’t even hers to begin with), “hey y/n? you almost ready —,” she blurted out before seeing you standing in front of the full body mirror in the corner of her room.
“dude, you look amazing!” kie said excitedly before running over and hugging you, which made you smile brightly before hugging her back.
“this almost wants to make me go full kook! almost.”
-
the amount of fancy suits and rich entities that surrounded you was quite literally starting to give you a headache.
trying to enjoy yourself was going well until the amount of kooks that bumped into you and eyed you like you were the one to blame.
chugging down a shot, sarah found you clearly lost from kiara even though you two arrived together. “you’re by yourself huh?” sarah said leaning against the counter.
you playfully smiled at her, “i don’t know how though, kie magically disappeared and that’s how i ended up here!” you laughed.
“look, if you see her tell me!” patting her shoulder before walking away to find the bathroom.
-
during your hiatus from the main venue, jj was trying to not make himself too noticeable as he tried to slip a note to sarah, but in the midst of trying to get away, he was a little too late.
rafe caught up to him and turned him around, making sure jj faced him.
“i’m wonderin’ if you could get me a mai tai my friend.”
“yeah pogue, how about you make that two?” kelce piped in.
“well i’m on the clock right now, you guys look spiffy.” jj blurted out in an attempt to buy himself some time to escape his situation.
“you know, uh, i got a couple of orders ahead of you, so why don’t you guys go ahead and wait by the bar?” jj suggested, hoping that they’d actually listen to him.
but of course, rafe didn’t like that answer, “but until then, help yourselves to hors d’oeuvres.” jj said now walking backwards in a poor attempt to run away.
rafe scoffed as he brought his friends over with a simple hand motion, “hey guys, jj’s gonna serve us some hors d’oeuvres.” rafe said now hot on his trail. “we’re actually gonna follow you in here just to make sure.” rafe said, chasing jj through the door.
meanwhile you were still on the hunt for the bathroom, seeing so many hallways that lead to literally nowhere.
much to your knowledge, you stumbled upon a door and you pushed it open, not to sure on where you were you looked to the right of you and opened the large brown door and walked in then groaned, you were in the goddamn men’s locker room.
of course you out of all people would do something this stupid. you cursed yourself mentally before hearing multiple voices suddenly come in, quickly putting your ear on the door.
“hey, man, what are you doin’ in the locker room?” a voice all too familiar voice said, rafe. you rolled your eyes before hearing more footsteps and grunts. “wow that’s a cute outfit.” another voice said, jj.
you wish how badly you could’ve sighed out loud right now, you wanted to help him, scratch that, you needed to help him.
only god knows what rafe and his friends were planning on doing. kelce came up behind jj and put him in a chokehold. at this point in time, you were peeking through the small openings of the door.
“hold him still. what — what do you think? a four iron, right?” rafe said cracking his knuckles.
“alright hold his head still. i’m gonna line this up.” he said.
“very rafe of you. five on one?” jj said trying to get out of kelce’s grip.
“if you could please stop talking? it’s very disrespectful, i’m trying to hit a ball. learn. your etiquette my friend” rafe said, getting ready to punch him.
“come on.” jj said still wriggling
in one swift motion, you took the gun from out the holster of your dress and opened the door. sliding the barrel of the gun back and placing it on the back of rafe’s neck.
jj looked at you, “y/n?” he said.
the entire room fell silent, “look rafe,” you said before laughing, “i don’t think your friends would enjoy seeing your brains splattered all over the floor now would they?”
you said out loud, rafe kneeling down with his hands in the air while you were waiting from a response from his friends, nothing.
“look y/n, you seriously have no idea who you’re messing with.” rafe said, sounding very confident in himself you scoffed as you put your index finger on the trigger, “shut the fuck up and let me repeat myself. do you think your friends would like seeing your brains splattered on the floor? yes or no!”
this time putting more emphasis in your voice, and pushing the muzzle of the gun harder into his neck.
hearing various ‘no’s’ coming from the boys, “didn’t think so.” you muttered, suddenly you pointed it at kelce, “let him go.” you spat and he complied, letting jj out of his grip.
you slyly put the gun back under your dress and making your way over to jj, and grabbing his hand leaving rafe and his friends behind and dumbfounded.
jj was hollering, he was so proud of you, “that’s right! that’s my girl!” he screamed, you slapped your hand over his mouth and laughed, “too loud j!”, before finding your way to john b and finding the others
-
“i mean you guys should’ve seen it!” jj said as he re-enacting the entire scene, pope was shaking his head, shocked at everything he was hearing.
“y/n, no way you pulled a gun on the rafe cameron.” pope said.
you sat up brushing your shoulders off, jokingly, “i did! but i mean look. i wasn’t about to let jj get his ass jumped by a bunch of kooks.” you said as jj stepped in.
“now now, i wasn’t letting them jump me, i was just .. stalling.” he said which caused you to look at him at the side of your eye,
“yeah. sure. okay jj.”
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ellionwrites · 4 months
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I just finished my Satosugu fic on AO3!!
I took Geto and Gojo from the canon, mid-Hidden Inventory / Premature Death arc and diverged right before Geto's defection.
Satoru and Suguru have so much canonical love for each other that I wanted to explore how to use that love to give them a happy ending in a way that still felt in character for them - despite their own challenges and hang ups. (I tried my best!)
The fic starts off a little silly and has a tiny dash of (S1-level) angst, but is mostly about the depth and layers and ways in which Geto and Gojo love each other. (Honestly, I just hope it leaves readers giggling and feet kicking.)
If you want to read 60k+ words of slow burn Fix-It where Geto and Gojo pine after each other and are disgustingly in love, consider giving it a shot!
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