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#which is why i have this part memorized. lol
columboscreens · 6 months
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solroja · 2 years
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Naur but that prev post has me thinkin...
The "point" of t.oner is advertised to be "balancing the pH of your face to help it absorb additional products" or smthn along those lines. This is what all the beauty bloggers and content creator der.matologists and cosmeticians (or whatever the fuck their professional name is) parrot.
I think it's one of those things that has been backed by the be.auty community for so long that we've just kinda taken it as word of fact. But like. I wanna look into it and see if there's Actually any research backing this or if it's just one of the things that "feels nice" to do
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uhnoobuhhs · 8 months
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My thoughts on these last two episodes:
Though things seems to have gone back to what they were, I believe they are also completely different at the same time.
Because although being a vampire was Guillermo’s dream, I think in the years he’s spent with the vampires, the main reason he wanted to be turned was so he could be considered a valued part of the team
He wanted the vampires to see him like family, to care about him the way he does for them.
And that’s come true, all the vampires care and love and worry for Guillermo now.
They all demonstrated this in their own different ways this season:
from Laszlo actively trying to help Guillermo, showing up at his motel to apologize for not being as helpful (which was actually very sweet of him) to that final scene with Derek
to Nadja taking Guillermo to the vet and protecting him from being harmed
To Colin stopping by the motel to give Guillermo a farewell gift.
They all were worried about him. They all didn’t want him to get killed, that’s why they kept his secret despite knowing how hurt and upset Nandor would be. It’s such a three sixty from the beginning of the series. The found family vibes really made me want to cry in the best way.
(But since I am a huge nandermo shipper I saved my Nandor points for last because I’m gonna dive in DEEP)
I knew that we wouldn’t get a love confession this season, I believe that Guillermo will either be turned into a vampire in a last ditch effort to save his life (hopefully by Nandor)
Or he’ll eventually change his mind and ask Nandor again to be turned and I think if he were to ask again (after everything that’s happened) I think Nandor would do it if he believed Guillermo was sure.
Guillermo did mention to Nandor at the fake ceremony that he really still wanted to be a vampire. (So who knows I wanna keep hope alive)
But overall, I loved this season.
We got a rare peak behind the curtain at Nandor.
He not only deeply cares for Guillermo and can’t imagine losing him but he also knew all along that Guillermo was not ready to be a vampire.
(Remember that scene in s3 where Nandor tells Guillermo that vampirism is a curse? And that he cared too much about him to do that to him?)
The fact that Nandor memorized Guillermo’s letter to him when they first met just speaks volumes about how much he actually loves Guillermo.
Nandor has grown so much this season, it was so refreshing to see. I mean all those self help books really paid off. Cause, not only did he set his own hurt feelings aside and forgave Guillermo despite how important loyalty and honor are to him but
he also didn’t act impulsively when it came to Guillermo transitioning. He let Guillermo experience vampirism and observed his reactions and emotions before stepping in.
(I hope we continue to see more character growth like this and that hopefully in s6 we finally get some romantic plot for these two because fuck I’m in too deep to quit this show/ ship lol)
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urf1lterr · 11 months
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afterglow | pedro pascal [2/3]
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"tell me that you're still mine, tell me that we'll be just fine, even when i lose my mind"
previous chapter: [1]
summary: being nominated for an oscar was a dream come true, until you had to spend the rest of the night near your deceitful ex who still loved you.
pairing: actor!pedro x actress!reader
genre: acting world!au, enemies/exes to lovers ?? au | angst, fluff, fighting, mature
word count: 15k
status: 2/3 complete
author's note: SORRY FOR THE LONG WAIT LOVES. even though its gonna be three parts lol i still want you to want more. i've been confused on my writing because tbh- i feel like i could do better and keep rushing with these storylines and end up regretting them AFTER they are posted lol. not edited- it really isn't.
"Let's cut the chit-chat and get some real answers, why did y'all breakup?"
"Andrew!"
"Three days have passed, she's fine now," he defended, shrugging as Florence shot him an irritated look by his prying behavior.
It has indeed been a few days since the terrible night that consisted in you meeting your favorite artist, crying beside her, running awkwardly away right after, having a screaming match with your ex, and then passing out in the car.
So, you couldn't deny it wasn't a memorable night.
The past three days could've been better to say the least if your management team stopped spamming you with text messages concerning the fight, maybe even ignoring the loads of pictures of your crying face.
Oh, the pictures. Not a fun sight to see.
Luckily for you, the pictures were only ones inside the party near Andrew- not Pedro. Unfortunately, though, your picture was turned into a 'crying in the club' meme.
You couldn't exactly be mad over it, you loved memes.
Thank the Lords the paparazzi were clueless and never ended up catching your argument with Pedro or you wouldn't know how to cover it up.
You could never get away with the typical 'friends fighting' after he shouted how much he loved you.
And bless the celebrities near you for minding their business.
To clear up your meltdown, you took it upon yourself to send out a quick tweet the next morning with a "i'm sorry i'm an emotional drunk. one second we're talking about 500 days of summer and then...well you already know how THAT ends."
In that moment you couldn't care less if people believed you or not, this was going to pass fast anyway.
Now here you were, sitting in front of your kitchen bar as Andrew and Florence decided to pay you a visit because they missed you- or so they say.
Realistically, they wanted to see if you were still a hot mess.
Which you weren't, obviously.
Shailene would have tagged along, but she was busy doing grown up things, such as working on her latest project Andrew claimed which was a slight bummer. She was the mediator, now who else was going to stop the arguments calmly between your two friends.
Florence disagreed, shaking her head. "You can't just ask her that, it's impolite."
Sighing, Andrew sent you an apologetic glance. "Okay, I am sorry." Not taking his eyes off you, you could feel his curiosity and eagerness from the other side of the kitchen. "But we're all thinking it."
Judging by how unresponsive Florence became, you could tell she wasn't going to fight him on this. And well, she was secretly on his side because your fight with Pedro was seriously excessive.
She just wanted to know what he could've done to make you so angry, it didn't make sense to her if he did cheat. He didn't seem like the type, but some people do the most surprising things- so she couldn't really tell.
"Do you want the last reason or all of them?"
Widening his eyes, Andrew shares a glance with Florence for a swift second before finding your eyes. "Last reason?"
"The last fight we had that led us to finalize our breakup."
"Finalize," he giggled, leaning on the marble counter. "This isn't a divorce process."
"For a person who is so concerned about my relationship crisis, you seem to be catch on to the most irrelevant stuff."
"So you admit you still want to be with him," Andrew declared, giving a smug look as you tried to process his words. "If you're still stressing over him, it means you don't want to let him go."
"I never said I was stressing over hi-"
"Did she or did she not just claim she was undergoing a crisis-," Andrew interrupted, slightly raising his voice. "-a relationship crisis, to be exact."
Florence sheepishly looked your way, capturing your stern expression before slowly nodding.
Your male friend clapped his hands loudly before bursting out a wider grin, happy someone had his back. "There we have it, if he's on your mind that much to turn into a crisis- you still love him!"
Furrowing your brows, you didn't know how to respond. It was true, you had many moments where Pedro agitated you even when you haven't been near him for quite some time.
But isn't being wound up over an ex part of healing?
Truth be told, you knew your feelings for Pedro hadn't completely disappeared, but love? You weren't even sure love existed by your past experiences.
"I do not love him," you hiss, vigorously snatching the water bottle on the counter and aggressively opening it. "How can love be real? It's baffling."
"Questioning the real question with a question," he sneers, making Florence and you become confused as ever. "You're so in love him."
Florence cuts in, squinting her face in puzzlement. "Wait- what's the real question she's supposedly questioning with a question?"
"Love!" he cheers happily before placing his hand on his palm, dreamingly gazing at you. "You have your doubts on what love may be, but without knowing it you're having them because you're questioning your love to Pedro since you're too scared to admit you still love him."
"I don't get it."
Rolling your eyes, you swiftly turn away and head towards your living room to lay on your couch. You were not in the mood to have someone else tell you what your feelings were when they weren't you. "I'm done with this conversation."
Hearing a low slapping noise, following an irritated hiss, you could make out Florence's displeased voice. "See what you did! Now she's not going to tell us."
"So much for moral support, you really are nosy," Andrew fought back, whispering loudly.
A minute or two went by since you couldn't make out what they were saying before rushed footsteps soon made their way near you as your friends awkwardly smiled, hoping they didn't upset you too much.
Because they really wanted to know the drama.
Pushing him roughly from behind, Florence sent you an innocent smile as Andrew landed near your side of the couch, trying his best to hold his composure and not turn back around and start another fight.
Placing a light hand on your shoulder, you blankly glance at it before meeting his attention. "We just wanted you to know we totally understand if you aren't comfortable...expressing your past-"
"Get your hand off me and let's get this over with so you two can leave already."
Florence quickly sat right beside Andrew, both not offended with your statement because they were fully aware of how annoying the were becoming.
Before you could say anything, Florence quickly spoke aloud. "Start from the beginning!" Andrew slowly looking back to her, he sent her a confused look. "So we aren't lost, of course."
Laughing lightly, you nod before adjusting yourself on your seat. It was going to be hard to remember all the details clearly because there really wasn't an exact time issues occurred, it kind of just naturally appeared here and there.
Now that you think of it, majority of the tiny disputes during the earlier days of your relationship were probably on the same level as when you two were splitting, but maybe the dense ones created towards the end really made it hard to continue.
"If I'm being totally honest, we never really had problems when we first started dating. He was really great," you begin, clutching onto a pillow you found right beside you. "And he would always make sure to watch me make it inside my house before leaving, that was when I knew he wasn't some fling."
Andrew smirked, nodding proudly. "Classic move."
Smiling at the thought, you focused your mind to uncover the ugly truths that slowly tore you two apart.
"But then one day, I wanna say a few weeks after our second anniversary, we just started...fighting?"
Tilting your head, you look down as sad memories began pouring through your mind completely. "It wasn't our usual small fights over who left the bathroom floor wet or dropping his ipad in the pool-"
"-you dropped his ipad in the pool?" Florence coughed, bewildered by your scandalous actions.
"He wanted to know if it was waterproof," you defended.
"Was it?"
"No," you nervously reply, avoiding their eyes. "But he had it backed up and I bought him a new one!"
"That was kind of a bitchy move," Andrew muttered, catching your pissed gaze. "But at least you made up for it!"
Maybe it wasn't that great of an idea to just throw it in, but he did say he was really curious and wanted to dump it under the sink.
"Anyway," you start back up again, making Andrew lowly sigh in relief. "Our fights were never that serious, or at least not until he started filming for that new tv series he joined."
Florence spoke up, lightly questioning "The Last of Us?"
Nodding, you shrugged. "I guess it's normal to say the time apart did cause a rift in our relationship, but it wasn't too bad. He always made sure to call and facetime at least once every two days."
"But one day when he was visiting during his week break he just...snapped?" you frowned, not even wanting to visualize the tiny argument.
You had to for your own good.
"He had been home for maybe two days before he suddenly became moody. Like- his attitude was insane, I have never seen him like this ever," you sigh, closing your eyes for a second before continuing. "He didn't want to go out to eat, didn't want me to make him food, and when I offered to have it delivered he slammed the bedroom door on my face and claimed he was going to bed."
"Woah, why would he do that?" Andrew asked, seriousness splattered all over his face.
You wish you knew.
"Not sure, I just thought maybe work was stressing him out so I wanted him to have his alone time to clear his mind."
"Did that work?"
Sitting up straighter, you send a sorrowful smile. "For the rest of that week-yes. He ended up apologizing to me when I tried going to bed and said his manager was being tough on him for some scenes they had done."
You remember the moment you walked inside your bedroom, disappointed that he was awake. Not wanting to cause more tension, you planned to sneak under the covers and deal with the incident in the morning.
But his arms slowly wrapping over your waist as you had your back facing him said otherwise. Pulling you closer, you remember the soft "please don't be mad at me" he whispered near your ear, making sure you felt his tight embrace as if to prove you were his.
That night ended with you turning your body over to face him, accepting his open arms as a way to answer his pleading way of forgiveness.
Like always.
"Once he went back to work, we still talked- but I could tell he wasn't fully engaged like he always was," you sulk, remembering the first time you caught him not listening. "It got to the point where I purposely stopped answering his calls."
Your friends quickly send you a shocked look, you continue before they could intercept. "I couldn't handle his lack of attention, I would rather have him panic from the rejected calls than just tell him why I was upset."
It wasn't your best move, but you were frustrated. It wasn't fair that he was the one who got to treat you poorly and you had to accept it.
You admit, maybe if you communicated with him about these issues you could've prevented many future arguments and even saved your relationship.
But you were human and sometimes humans act human.
"Then what happened?" Andrew asked, a curious appearance plastering his face. "You continued ignoring him?"
Laughing lightly, you shake your head. It was the plan, but plans don't always work out. "Actually, he secretly took a flight back home one weekend and confronted me."
Gasping, Florence jumped up in her seat and moved her leg under her. "No way!"
"Yes, way," you sheepishly reply, embarrassed at the memory. You can still picture the way Pedro stood in your shared bedroom as you stepped out of your bathroom, jumping at the sight of him.
Standing with his arms crossed with his bags thrown by the door, he was determined to figure out what was going on with you.
"I wouldn't say we engaged in a heated argument, but it was surprisingly really emotional."
Andrew leaned his body closer, too interested not to let his questions slide. "Were you guys never emotional? I feel like every couple experiences those moments together- it's what makes them stronger."
It should've made you two stronger, but instead it made you weaker without you realizing it.
"Pedro and I had our minor instances, but it never involved problems we were facing," you began, sighing slightly. "All I remember was finding him standing near the bed with no emotion- none. I couldn't read what he may have been feeling, he just looked so....empty?"
"Empty? That's not good." Florence commented.
"That could mean a lot of things, not necessarily anger," Andrew added, trying to make you feel better.
"I knew deep down he was mad, as he should be- I was the one ignoring him," you defended him, taking full responsibility over your childish actions. "But I could tell he was more hurt that mad."
"What did he say?"
"What's going on?" Pedro questioned, his eyes not daring to leave yours as you freeze- stopping your attempts at brushing your wet hair, extremely confused as to why he was here.
He wasn't supposed to visit for another month, or so he said.
"Pedro?" you squint your eyes, still not sure if he was really in front of you or maybe you were daydreaming. You were high off many shots of espressos, it's finally hitting you. "Is that you?"
Still staring plainly at you, he stays right where he was. In any other circumstances he would have run up and wrapped his arms tightly around you, but this night was different.
He looked disorientated, out of place. His eyes lacked intensity as his body followed, looking as stiff as ever. Even his breathing matched his energy, calm yet unsettled.
You left him confused and he did not like that. "Answer my question."
Batting your eyes faster, you realize what was going on and where he was. Gasping, you do the exact opposite of what he wanted. "What the hell are you doing here?! You're not supposed to be home- you could get fired a-"
Taking a hold of your arms, he stills you and ignores your rambling. "What-" he begins, moving his right hand to the back of your neck and forcing you to focus on him only. "-is going on?"
Freezing, you try to back your head away from his grip but he tightens his grasp, making sure to not be too rough so he doesn't actually hurt you- he would never do such a thing. "I don't understand-"
"You haven't been answering my calls, what else is there to understand?" He sternly recalls, not wanting you to bullshit your way out of this. "So you either have been ignoring me on purpose to be petty or this is your way of hinting you don't want to be with me anymore."
Shaking your head frantically, you try to talk but he cuts you off again. "-And don't say you've been busy. You and I both know I would have figured out if you had added projects to your schedule- your mom tells me everything."
If this were a good time, you would have laughed at his side comment regarding your mother, but it wasn't.
"Not everything," you spit out, causing him to squint his face and release his hands from you.
"Are you trying to tell me something? Are you not happy? Is that why you've been avoiding my calls?" he questions, tilting his head in bewilderment, not liking your attitude at the moment. "Because if you really don't want to be with me you should've told me sooner than leaving me feeling fucking clueless while I'm out in another country working."
"I'm not saying I don't want to be with you-"
"But you aren't denying it," he intercepts, firmly nodding in realization. "I get it, I'm just glad I know now and won't have to wait another month to finally understand how you're feeling."
Walking away from you, Pedro walks towards his bags and reaches down for them. You scoff at his disturbed demeanor. There is no way you should be the only one at fault here- you both made mistakes.
Pushing his backpack off his hands, he watches at it lands on the floor before instantly finding your eyes. "Are you seri-"
"Just because I'm avoiding your calls doesn't mean I want to end our relationship" you shriek, glaring at him as his eyes soften at your hidden truth.
Your angered expression and stiff posture hits him like a brick, there was something really bothering you and he was too oblivious to acknowledged it until you began overlooking him.
Taking a deep breath, you watch as your boyfriend intently examines you as if he's trying to read your impractical mind. Sometimes, he wished you would speak up when something was bothering you, in fact- he has told you many times in the past to do so.
But the idea of patiently waiting until it erupts is what he's sure you've normalized in fear of desertion. Or maybe refusal of reality- the two of you weren't perfect.
"What's going on?" He calmly questions again, dropping any signs of fury and replaces it with worry and concern. Reaching out to you, he softly clasps your shoulder before moving in a few inches. "Am I making you upset?"
Slapping his hand away, you cross your arms over your chest in agitation. "I'm mad at you!"
Blinking a few times, he couldn't believe how fast you spilled and chaotic your energy was. He's never seen you act this hysterical and to be honest, he was really debating asking if you were on your period or not. "Why?"
Pursing your lips together, you release your arms and let them fall on your sides. "You know why!" With that, you turn your back to him and make your way back to your bathroom to hide.
At this point, you felt it was acceptable to act unbearable- he left you feeling insignificant and you weren't going to hold it in anymore.
If you stayed there any longer you knew you would break down into tears. Showing your vulnerable side this early into an argument was too easy, you have to show how bold you were in order to get your point across.
Or anger across.
But it was really hard to hold a grudge, he was just so- loving, despite your recent incidents. Deep down, he did care about you and wanted to validate your feelings- or as best he could.
Grabbing anything you could find near your sink, you begin opening some moisturizer and splatter it around your hands to keep you busy. You could feel Pedro come inside your shared bathroom but you don't dare to peep his way.
"Honey- please," you heard him release a soft sigh as he stood behind you, watching through your huge mirror in front of the two of you. He could make out your distressed appearance and you were absolutely not fine. "You can't just steer clear from this, we need to talk about it-"
Slamming the poor jar on the counter, you swiftly twist your body to his front and feel all the rage taking control. "But did you want to talk all those times I called you?! No, you didn't give one fuck about me or Leia!"
"You named your dog after Princess Leia? That's smart," Andrew butted in, grinning. "You know, since he's in the Mandalorian and Star W-"
"We get it."
Maybe it was wrong to bring your beloved corgi into such a serious topic, but she was abandoned by her father too.
"I did talk to you! I made sure to call you whenever I had time an-"
"I'm glad I made it into your schedule- but maybe if you considered adding some compassion and empathy it wouldn't feel like I'm just another business call you hate!"
Panting, you send daggers his way as his eyes widen. Did you just say he doesn't care about your calls? Impossible- he loves your calls, it makes his days better.
"You aren't a business call and you know that. Honey, please understand- hey!" He cuts himself off once you finally had enough of his poor attempts to defend himself, trying to flee but he ends up being quicker on his feet and yanking you back to his arms.
But once you were wrapped around him, even though it was for pure captivity and not warmth, you instantly broke down. He didn't know you were in tears until he felt his shirt become damp and still then he just thought you were trying to spit on him out of anger.
Hearing your tiny whimpers, he immediately glanced down and lifted you up to catch a clear view of your face, despite your protests and blockings. "Baby, I-I didn't mean to make you cry-"
"You don't mean a lot of things," you spit out, swatting his hands that dared to reach your face. You weren't in the mood to make up, all you wanted to do was sleep your troubles away, especially with the draining work day you had.
Continuing your pulling, Pedro began becoming annoyed with your strong protests against his affection. Isn't this what you wanted? "Why won't you let me hold you? I want to console you, can't I be your boyfriend for the night and tomorrow you can continue hating me?"
"You see my tears and now you want to hold me but admit we'll still be out of place tomorrow? That's acceptable for you?" you laugh ruthlessly, allowing space to be brought in front of you. "Do you hear yourself?"
Groaning, he rubs his face hard before speaking his mind, trying not to sound too furious and scare you. "What do you want me to do? I admit, I did lack some energy-"
"Some?" you snort to yourself, your face still wet.
"Don't interrupt me," he declared, shaking his head at how rude you were becoming. "I wasn't the best partner, okay?! There, I admit it, but you don't understand how it is working constantly and not being able to see family and friends and-"
"It's like you don't even know me at all," you ignorantly chuckle over his nonsense and walk towards your bed.
What a way to dismiss your feelings.
"That's not what I meant," he sighs, following after and stopping you from opening your covers and hiding underneath them. "It's just hard being away from everyone I love, I'm in a different country. It's not like I can drive an hour away and suddenly see them!"
"I can't do that either!"
"Can't you just please, please, please- consider that my mindset is not good right now," he declares, his eyes filling with sadness as his arms slowly find your waist. Taking a deep breath, you watch as he looked up at the ceiling before biting his lip. "I know I am not being the best partner right now- or for the past few months, but I am trying."
As soon as uncertainty flushed your face, his hands tightened as his expression deepened into an emotion you never seen him explore before- dejection.
"I can't promise you I'm suddenly going to wake up and give you 110% every interaction we have," he began, his voice lowering as he tried to keep his emotions in check. "But I confess- I am being a little shit and I am willing to work on that. Just please- please don't push me away. Try to understand my situation."
He wasn't wrong, his life switched around once he accepted the role of Joel Miller and you should've known from the start he would face some difficulties. Maybe you were being too self-centered and invalidated his feeling too, not just him.
Sometimes he wasn't good with words when expressing himself and made you feel as if you weren't as popular as him, but you knew it was never his intention to hurt you like that. He had a heart and loved to use it.
Fighting over work should never be a reason to be miserable especially when it's how you both get your income.
"I-I understand," you lightly speak up, watching as his eyes light up by the sound of your now calm voice filling his ears. "I just want you to know that it didn't make me feel good-"
"Of course it wouldn't make you feel good, I was being horrible," Pedro intercepted, pulling you into a tight hug and landing his face in your neck. "And if I wasn't thousands of miles away I would totally spoil you with kisses and chocolates as my sorry."
"Chocolates are still in favor," you joke and feel him softly swat your bottom in disapproval.
Pulling away, he leans his face closer to yours and plants a sweet kiss upon your lips before backing up an inch and whispering softly, "I love you, you know that right?"
Smiling, you slowly nod and surprise him with a deeper kiss before answering him back with a familiar, "I love you, too."
"You better," he smirks, pulling his body on top of yours, hearing your light squeaks once your back hit the mattress and his lips snuck their way into the crook of your neck.
"Did you end up getting chocolates?" Andrew immediately questioned once you finished your long recollection of memories.
"That's not important," Florence rolled her eyes.
"I mean he did promise her it."
Chuckling at his curiosity, it amused you how focused he was about some candy. "Yes, he did- for like a month and then I got over them."
"Understandable," Andrew replied, looking down at his lap.
Florence jumped over him, making herself sit closer to you as he winced at her sudden movements. "Then what happened?! I mean, there had to be more right?"
"My god woman, I hope you're not working for TMZ," Andrew joked.
She shushed him before leaning closer to you, signaling you to continue on with your memories. "After that fight, things became pretty normal again. We would call each other with far more energy than before and he would even fly back home often to keep our communication strong."
"And how long did that last?"
Frowning, you took a small breath. "Like three months- then we started fighting more."
"Over?"
Rubbing your face, you groaned. "He went back to lacking energy! But that's not even the worst part."
"Please don't tell me he cheated," Andrew begged, covering his eyes with his hands while pulling a sorrow look. "I would never be able to look at him the same."
"I don't know if he did cheat- but I did find out two months before we ended things that he stayed the night at his exes."
Loudly gasping, the company you had began freaking out with their jaws dropping- literally. Florence angrily furrowed her brows, "you've got to be kidding? How is that allowed in a relationship?- It's not!"
Crossing your legs, you shrug as a way to answer her. You really did wonder what was going through his head when he did that. Sadly, you couldn't believe a word he said after you found out what he did.
Maybe that's why you were fine with ending things- because the trust was slowly disappearing.
"Not to mention he would always be with her and ditch plans with me," you form a tight smile, trying not to make things awkward but it was too late.
Who could possible hear this and not feel embarrassed for you? Classic move on his part to follow the 'being friends with my ex is okay' stereotype, but it only left you feeling unwanted and flawed.
Were you not good enough to be in his arms all those times he ditched you for her? And why couldn't he tell you what was really going on- unless he was truly hiding something unspeakable.
"Spill the beans."
Hearing a door slam, you jump up in a daze. You could feel sleep still linger on your body as you crank your neck to the side, capturing the bright '12:47 pm' located on top of your nightstand.
Slowly yanking your body up, you don't stretch as you hurry out of your room to the living room in search of the mysterious person who was either your missing boyfriend or an intruder.
Catching sight of his bright yellow t-shirt as he opens the refrigerator, you could feel your body boil up. "Where have you been? You snuck out last night without even telling me- do you even understand how worried I was?!"
Watching as he gradually turns his head to face yours, Pedro closes the fridge before leaning against the kitchen counter- completely relaxed despite your current state.
"I was out with friends," he declared, grinning to try and take pressure off from you- it didn't work. "I'm sorry, I will tell you next time. I didn't mean to worry you, my love."
Placing your hands on your hips, it pains you that you secretly don't believe a word he's saying. Normally, if this were the case, he would text you if you were sleeping or call you in the morning to inform you with what he'd done.
He did neither one.
Maybe you should test him? Ask him questions and see if he'll freeze up?
"And who were you with?"
He smiled, grabbing a cup from the pantry while easily answering, "Diego and Oscar- we had a couple of drinks and Oscar thought it would be best I stay the night."
Nodding swiftly, you examine him to see if there were any signs of him lying- there weren't. Fuck, you forgot he was an actor. It's literally his job to control his emotions! "And why didn't you call or at least send a simple text?"
After hearing your words, Pedro sends you a small smile before gently placing his cup down. Walking up to you, he opens his arms. "Baby, is that why you're so upset? Because I didn't call?"
Before you could answer, he engulfs you in his arms before swaying you both around. Feeling vibrations as he let out light giggles, you instantly dropped any suspicions you may have had because he had to tell the truth- he would never lie to you.
It's surreal how easily you could throw any convictions out the window when he touched you. It's like he jogged your memory.
"Well, why didn't you at least text?"
Removing his head from your neck, he squeezes you waist and sends you an amused smirk . "Because I was insanely drunk and if I would've used my phone it probably would have resulted in me leaving you hundreds of drunk voicemails confessing my love for you."
"And that's bad?"
He chuckled, shaking his head before pinching your side. "No, but it sure as hell is annoying."
Standing up straighter, you cautiously nod at his answer and watch as he lovingly smiled down at you. "Okay, I believe you."
"Did you really believe him?" Andrew asked.
"I call bullshit," Florence confidently declares, strong on her view that Pedro was not an honest person.
"Let me finish the story!"
Loud footsteps could be heard near your hallway as you stood behind the oven, trying your best to not burn these damn chocolate chip cookies.
Such a basic recipe yet so complex- it was truly aggravating.
"Y/n? Where are you?!" you heard you assistant squeal from a distance.
Trying to properly put your mitten on, you murmur a small "kitchen" before preparing yourself to open the oven. The amount of times you burned yourself thinking it was cool enough not to wear protection-
Point is- always wear protection.
Opening the oven door, you pull the tray of freshly baked cookies towards you as the footsteps became clearly audible. Right when the cookies were in your grip and being lifted, you heard your assistant yelp-
"Pedro was caught leaving his ex's house two days ago."
Throwing yourself up into a standing position, you forget about the tray of cookies until you feel the burning sensation upon your left arm. You accidentally pulled the tray too close to you. "Ow!"
Instantly panicking, your assistant rushes to your side in support and grabs a towel to fill with ice. Pressing downwards on the wound, you wince at the pressure that was building.
"What the hell are you talking about?" you still question, extremely curious to uncover what this situation was.
His ex? That's absurd, he hasn't dated anyone in years when you first met. It's definitely not like he was in contact with them when you made it official, he was always firm when it came with communicating with past relationships.
That was a big no-no, especially when one of your ex's tried reaching out after your last movie dropped. Pedro made it very clear how unhappy he was when he made an appearance at your premiere- your boyfriend not daring to leave your side and even blocking your view whenever your ex had the chance to gawk you up close.
At the time, people thought Pedro only attended because he was close with the director and has always been friendly with other actors. Little did they know he was being extra friendly with you behind the curtains.
"Someone snapped photos of him outside of her door! It looks like he just woke up, too." Grabbing the phone from her hands, you pull it closer to your face and watch what the screen uncovered.
There he was, your boyfriend of two-years smiling brightly as he steps outside her door in the clothes he wore the night before. The same ones he manipulated you with about being with Diego and Oscar that night.
Not just that, but peering on the side of the door was indeed his tall, beautiful ex who definitely aged like fine wine. Hell, she was gorgeous and everybody knew that.
And the fact that they broke up due to their long distance, at the time, did not help this situation. Now that they lived a few cities away, what now? Were you just a doormat he could walk all over and eventually throw away whenever he wanted something new?
Placing a gentle hand on your shoulder, you refuse to take your eyes off the screen as your assistant begins speaking. "Did you know he slept over?" Glancing up, she takes your downcast face as an answer and swiftly pulls you in a tight hug. "Oh no, I'm so sorry."
You were sorry for yourself, too. How could he lie right to your face so easily knowing he was doing it- intentionally. And the most fucked up part was he probably knew you would believe him- just like all the other times you did.
"I saw that picture!" Andrew exclaimed, bewildered at his recollection. "I thought the paparazzi caught him lacking after a hook-up- damn, I wish I would've known you were together sooner."
"Same, I would have unfollowed him," Florence added. "And nobody would've known it was because of you- since you two never been public."
Forcing a smile, you give her a tiny nudge on the arm. "Gee, thanks for being so considerate."
"Continue!"
"Open the god damn door, y/n. You are being overdramatic- it was one night! Nothing happened!" Pedro yelled, pulling the car handle harshly as you searched through your bag that sat on your passenger seat- looking to see if you had everything you needed before your flee.
Let's just say, things were pretty...eventful once you discovered his scheme.
For starters, after bawling your eyes out on your poor assistant's shoulder, she made her departure in order to clean up the spare bedroom she offered you to take if you weren't comfortable staying at your own place.
You accepted.
Once she was out the door, you fled to your bedroom and grabbed any suitcase close by and began stuffing it to the brim, not caring how disorganized it was professing as you reached for more clothes.
You were almost done packing your second bag full of makeup and bathroom necessities when you heard your front door open. Jumping up, you felt your eyes widen once you heard your name being chanted on by your boyfriend. "Y/n?!"
"Fuck," you whispered to yourself, drastically glancing around your now messy bathroom to make changes to your plan- only take things you really need.
Seconds pass and you find yourself zipping your bag and rushing out the door, that was until your body roughly collided with another- causing you to drop your belongings and land on the floor. Groaning, you hesitantly rise, immediately finding your boyfriend's body nearing yours as he pleads to help you off the ground.
"Baby, I'm sorry! I didn't see you coming out," he apologizes, using his fingertips to clasp your forearms to level you. "Look, I need to tell y-"
"Get off of me," you grit, forcibly slapping his palms off you, causing him to cease and stare stunned. He has never seen you once be this aggressive. Sure, you would reject his embrace whenever you two fought here and there, but slap? Not ever.
Brushing roughly past him, you gripped your larger suitcase by its handles and made a beam to the closest exit. You couldn't be around him, not when thoughts of him being unfaithful constantly drowned your head.
A strong tug of your makeup bag made you halt your movements, not by choice, as Pedro made sure to tighten his grip to prevent you from leaving. Glancing down at his now white, clenched hands, you glare. "Let go."
Shaking his head, he stared you down- irritated that you would just pack up and leave so quickly without even hearing his side of the story. Yes, he should have told you what really happened that night- but he knew how you'd react.
It was better to keep it sealed until he was ready to unveil- or so he thought.
"You let go," he hissed, raising one of his hands and smacking yours with it. You hate how much stronger he still was while only using one hand while you had two- fuck his strength and your poor muscles.
Groaning, you dig your feet onto the ground harder as you continue your tug-a-war charade with your selfish boyfriend who didn't seem to believe space was an understandable coping mechanism after he shattered your small heart.
"Fine," you yelp, shoulders falling slightly as he eases his grip- still holding on though. "We both let go on 3."
Tilting his head, he suddenly grew suspicious by your random middle ground. He knew you well enough to know you don't give up that easily, especially when he's fully sure, by your bolting efforts, you saw the picture. "How do I know you won't just run off after?"
"You're faster and stronger than me, you'll catch me eventually."
Internally agreeing, he knew you had a point. Even if you did escape, your little legs weren't going to get you far- he knows from all the times he tackled you down after you countlessly would steal his food.
"1," you begin, eyeing him to see if he would follow.
"2," he stared at you back, cautiously watching your every step.
Taking a deep breath, you count again. "3!" With that, you release your grip from your bag and watch as he still clutches on to the strap. "What the hell- we agreed on 3 we'd both let go!"
Nervously chuckling, he placed the bag on the ground and sheepishly smiled at you. He was glad to see you finally calming down. "Sorry, I didn't think you would actually do it."
Sending him an annoyed glance, he scratches the back of his neck for assuming you wouldn't follow your word. "Trust me, I always tell the truth."
Wincing at your cold tone, he frowns by your hard demeanor. "About that- I was going to tell you-"
Softly placing a hand over your head, you release a sound of discomfort and miss the way his eyes wander in curiosity.
"Can we talk about this after I take my supplements? I am not feeling too good," you cut him off, slowly touching your forehead as you watch his concern grow. "I forgot to take them this morning."
"You know you get bad migraines when you don't take them," he declared, sighing as he raised his hand and began softly rubbing your temple in ease.
He believed you were being serene because you weren't livid and allowed him to stop you from leaving- how wrong he was.
"I know but I had a crammed morning-"
"This is why we need to hire someone to walk Leia, we don't have enough time majority of the week!" he exhales, making you stare at the floor for the point taken. But there was no way you'd hire someone to walk your dog, that's ridiculous and a waste of money. "We'll talk after, let me grab them- stay here."
Sadly nodding, you allow him to flee towards your bathroom in search for your medicine. Peering you head a few inches to the side, you wait till the coast is clear before slowly, but firmly, grabbing your once lost bag and dashing out of your bedroom.
"I almost forgot about Leia," you muttered to yourself, instantly feeling bad at the thought of how quick you were to forget your baby. How terrible of a mother were you.
And what even was more mind blowing was how Pedro didn't catch your innocent acting. Truthfully, he must be trying to be extra helpful so you would believe him. Too late.
Finding your white corgi near the kitchen, you whistle lowly for her to follow as you peddled your way to your garage. "C'mon doggie, if daddy notices our escape plan he won't let us leave that easil-"
"Y/n?!"
Jaw dropping, you shoot a glance of panic to your dog, who only blankly stares back, before rushing to your parked car. "Just like Batman and Robin- now jump in," you hushed, opening the back seat so you could not only throw your bags back there- but also your tiny-legged corgi who struggles at first, but eventually makes it in.
Once you jumped into your seat and turned on the car, you catch a breathless Pedro rushing out through the door to your side. "Fuck."
"You tricked me!"
"You slept with another woman, asshole!" you yell back, glaring as he rolled his eyes- outraged by how unreasonable you were becoming. All he wanted to do was sit you down and have a normal conversation about this, but instead you kept running away.
Once again, he thinks you need to work on your communication skills.
"You used your failing health to your advantage- how sick are you?" he yelped, offended.
"They were gummy supplements!"
Touching your car door, he sternly peers at you as you quickly lock your doors in case he tried opening it. "I did not sleep with another woman," he started, inhaling strongly before releasing it. "Why would I do that when I am in a committed relationship? Huh? Do you think I am capable of cheating?"
Shrugging innocently, you pull a sarcastic face. "Not sure, I do know you're capable of lying- maybe infidelity is the cherry on top?"
Mouth gapping, he sends you a look of hurt and for a second you feel terrible by your choice of words. In your heart, you wanted to take it back- but your head thought otherwise.
"I would never be unfaithful to you- that's not who I am," he firmly states, feeling like absolute shit that you would even accuse him of being with another woman when you were all he thought about every single second of the day.
Dryly chuckling, you nod along to his words. He feels his heart ache, as if hundreds of knives jabbed through the delicate muscle by your painful mien. Did you really think that lowly of him?
"That's who you are to me now."
Once those words flew out of your mouth and he was able to process it clearly, he paused. Whole body turning stiff and cold, he scolded you profoundly before fiercefully charging towards your car door and pounding for entrance.
It was like a nerve was touched and he was not willing to be forgiving anymore. You struck him hard and he knew you meant it out of pure anger- not genuinely, but his awareness soon became replaced with treachery and he so badly wanted you to pay for your foul words.
"Open the god damn door, y/n. You are being overdramatic- it was one night! Nothing happened!" Pedro yelled, pulling the car handle harshly as you searched through your bag that sat on your passenger seat- looking to see if you had everything you needed before fleeing.
Mentally checking off your items before departure, you inhale sharply before lowering down your car's mirror and pressing your garage remote- allowing the door to gradually rise and Pedro to panic.
Cursing in his head, he couldn't let you drive away or else he might never see you for days and he couldn't bear the thought of you moping around in agony without at least hearing from him- the man in the picture- what actually happened that night.
Pressing on the lever and angling down to reverse, you nervously press on the gas and allow your car to drift back as your poor dog watched through the backseat his dad embarrassingly urging you to not go.
You prayed the neighbors couldn't hear a thing, if the cops came you're sure you would never go out in public for at least six months.
Realizing that it was now or never, you see from the corner of your eye a figure running towards the back of your car before a loud thump was heard.
Shakily, pressing on the brakes and putting your car on park, you jump out in horror by the sight of legs near your back tires.
You hit him.
"Shit!" you gasped, involuntarily sprinting- as if your body just knew how to react- and dropping down to your boyfriend's lifeless body-
"You ran him over?!" Andrew and Florence shrieked, interrupting your storytelling, causing you to glare and shush them.
"Shut the fuck up- it's getting to the interesting part!"
Hugging his body tightly, you could feel your face began to fall down and your body slowly begin to tremble. In a matter of seconds, you just knew your garage wasn't going to be a pretty sight to see.
Hitching your breath, you run your hands to your boyfriend's chest and shake him softly in hopes he would open his eyes- he didn't. With tears flushing down your face, you sniff as you grip onto him harder. "Please w-wake up," you begin, trying your best to keep your touch on him but you were a jittering mess. Not being able to stay still, you press your ear over his chest to see his he still had a pulse.
Sighing in relief, he did.
Squeezing his face, you frown as his expressionless face stills. Realizing he might have passed out over a concussion, your lips begin to tremble as you finally breakdown in tears and cradle him.
Leaning over from his side, you bend your body and embrace his head into your neck. "I am such a-a fucking idiot," you squeak, your eyes shutting as you don't have the power to keep them open. "I-I love you- I should've just stayed and t-talked-!"
Cutting yourself off, you ironically feel like the lifeless one despite your literal unconscious boyfriend being in your arms at the moment. Bitch, you really had the nerve. Swiftly kissing his cheek, you plunge yourself into his neck and cushion him with your body- being as fragile as ever when handling him.
Quivering in misery, you keep a strong grip onto him before you felt pressure along your side. "It's been minutes and you still haven't called 911? I could've been dead by now."
Screaming, you instantly drop the figure once on top of you and force your thighs to back up, causing you to sit perplexed on the concrete floor.
Glancing back up, you find your boyfriend brightly grinning your way, using his arms to hold his upper portion up as you looked back in confusion. Didn't you hit him?
"I was my own stunt double for some scenes," he speaks up, smiling to himself proud as you continued staying still, confused as to what had just happened. "As long as you have the right mentality- you can take a pounding."
Registering where he was going with this, you scoff and quickly allow your feet to hit the ground. Following after you, Pedro jumps at your unpleased sight and watches as you cooly open your back door to let your dog jump out before marching towards the door to your house.
"Wait? Are you mad at me for that, too?" He calls out, tilting his head in question and proceeds to get his answer by the slamming of the door behind you. "Never mind."
Angrily storming through your hallway, you accidentally run into the wooden desk placed against the wall. "Ugh!" you scream, turning around and giving it one hard kick before making your way towards your destination- the kitchen.
"What did the desk ever do to you?" Pedro mumbled to himself, stopping right by it once you were out of sight and fixing it back up against the wall, making sure the books settled on top were nested properly before going after you.
"So that's why one of the legs is chipped? I noticed that-"
"Shut up, Andrew."
"Sorry, go on."
Finding you near the blacked marbled kitchen bar, Pedro ceased his movements. To be honest, he was nervous to confront you. Not only did you find out he slept at his ex girlfriend's house, but he made you believe he was dead.
This was not going to end well.
"How could you do this to me?" He hears you ask, you back being in his peripheral view as you leaned your body over the counter, hands gripping the ends roughly.
"Do what?" he idiotically responds back, mentally slapping himself for having the audacity to question something he surely knows.
Slowly turning around, capturing his soft yet worried eyes, he catches onto your tear ones and breaks down on the inside. "Tell me the truth." you gulp, averting your eyes to your feet as you sense him bobble his head. "Did you sleep with her?"
Choking on air, he frantically shakes his head in dismay, not believing you would actually think that despite the past half an hour of him comprehending that you might so. Maybe he just couldn't believe it would ever come out of your mouth- but this whole situation made him nauseous.
Steadily finding his balance, he inched towards your frail body as you kept your contact with the floor strong, not daring to move it even when the sight of his shoes play in your mind. "Honey," he lowly calls out, lifting his fingers to your chin and hastily bringing your vision to his own. "No- I did not sleep or engage in any sexual nor romantic activity with her."
"Then why did you go to her house and not tell me?!" you cried, nudging his hand off your face, him immediately aiming towards your waist to still have you near. "Why would you do this to me? Why would you sleep over when you know how I would feel?"
"I can't tell you," he confesses, whispering softly. Feeling your face fall, you erupt into tears again as you lift up your palms to hide behind them.
Hiccuping, your hands twitch as they support your weight and force you to fall on top of the counter and continue watering your tears there. Everything was unfair and he couldn't seem to realize how bad your fights have progressed throughout the months.
"If you really care about me," you whimper, still behind your hands as he rubs circles on your waist. "You would consider my feelings and understand why I should know what you did with her."
Sighing, he releases you waist and rubs his forehead in frustration. Pedro wasn't the type to hide things in relationships. In fact, he was amazing when it came to expressing feelings and being honest while you were the same- but you typically took longer to reveal your troubles than he did.
But no matter how loyal he was to you, it wasn't his place to share someone else's business no matter who the association may be.
"I know, baby. I know- believe me," he whispers, pulling you in for a hug and lifting you off the counter as your sobs were felt among his chest. It broke his heart. "But I can't betray her, she needed me and trusted me to see her. I can't just deceive her."
"But you can do that to me?" you reply, catching him off guard as he shuts his eyes tightly by how accurate you were being. "It's okay, I understand."
"No," he shakes his head, groaning before staring you down. "You don't understand, hell- I don't understand this either. But what I need you to know is I did not kiss, flirt, wink, tease, or touch her in any sexual way. We did not have sex - there was no removing of any clothing-"
"Then why did you sleepover?!"
"She needed me," he simply replies, causing you to laugh ridiculy.
"I needed you and you left me," you spit out harshly, not believing how he could defend himself and think you would ever fine with it.
Grunting, he runs his hand over his hair before pouring all of his stress onto you. "What do you want me to do? I told you what happened- she needed me, I helped her, it took longer than expected so I fell asleep on the couch- do you want to touch my knotted back for proof? Because you can!"
"Why am I the one being yelled at?" you respond, watching his face fall in disappointment.
Staying in your position for a minute or two, you continued examining him as he did the same, not knowing where this was headed. That was until he motioned with his hand for you to move closer.
"Come here."
Furrowing your brows, you pause at his words. Did he think hugging was going to solve all of your problems- because it wasn't. "No-"
Feeling his arms glide up along your upper body and finally wrapping around your shoulders, he pressed you up against his chest into the warmest bear hug you might have engaged in.
It was...peaceful.
Sighing, he felt your body soften by the touch. Relaxing, you closed your eyes as he made it his mission to not ease up on his grip. "I didn't do anything with her," he whispers, laying his face comfortably on your shoulder. "I promise, I love you."
Sadly, his confession made you break down more as tears flooded your face and your body fell upon his grip. Easily wrapping his palms on the back of your head, he cradled you tightly and never left your sight once the rest of that day and week.
And that's how that fight ended- with you trusting his sweet nothings and letting him take over your body with his hugs and kisses because he somehow made you believe him.
Every single time.
You wish you could have moved on from that topic that night as you allowed him to show you how much he loved you, but unfortunately that wasn't an option.
Especially when paparazzi exploited more pictures with him and his ex the following weeks later.
"And what about your last fight? You know- the one that ended things," Andrew started, making you halt. "What happened then?"
Quickly standing up, you brushed your sweatpants down before sending him a tight smile. Now that you talked about sad memories you hadn't really thought of in months, you knew the mention of your last fight would only break you.
You weren't ready to undergoing the same pain you felt that night.
"I didn't know these talks about my past would take a toll on me, but they have. I don't want to talk about it, but I appreciate the two of you checking up on me- I really do, but I think its time for me to take a shower and maybe nap- it's been a tiring day."
Feeling your discomfort, Florence and Andrew exchanged a weary glance before looking back up to you, hesitantly nodding. Probably an intense memory, they were determined not to mention it again unless you came forward.
"Alright- but give us a call if you ever need a shoulder to cry on or just plain old company!" Florence smiled, wrapping her arms around you for a quick hug before pulling back. "We can even have a sleepover."
"Count me out on that one," Andrew joked, bending down to give you the same hug. "But for real, you can cry on my shoulder any time."
"Thanks," you giggle, soon following them towards your front door as they say goodbye to your dog before departing in their own cars.
What an emotional day it has been.
-
"Do I really have to go? It's no use- I already seen the film. I don't want to rewatch it," you whine as your manager hushes you.
Walking down the side of the theatre, you clutch onto the oversized, black leather jacket you were wearing as your manager and assistant walked on either side of you, directing to to the entrance of a random theatre in the city.
Since the Oscars, nothing has really changed. It's been about three weeks now and there wasn't chaos anymore- it seemed like news about that night had already faded.
Regularly, you did chat with Florence, Shailene, and Andrew on the phone- individually at times throughout your past weeks- but nothing too crazy.
You all had your busy schedules and your manager was still being as hardworking as ever trying to exploit more of you to the press and on the screen. Safe to say, every time she had news it would always be something impressive.
Except for today, when she proudly announced after barging into your house during breakfast that there was a new film premiere you had to attend.
It's not like you opposed the idea- but you watched the film when the production team invited you to their private screening. It would be useless watching it again.
But as persistent as ever, your manager claimed there would be great press and directors attending the public's premiere, following with "an Oscar-nominated actress like you must make themself remembered."
As dramatic as always- but at least she was highly active in your career.
She did everything to make you get noticed, especially when you were at your lowest point mentally after your breakup.
Now onto past relationships, you hadn't heard any news regarding Pedro since you last saw him. Not that you wanted to, but for some reason he was still on your mind. Due to the fact you did sit with your friends ranting about your shared troubles, that's likely the reason.
But all jokes aside, you seriously can't stop thinking about him.
However, you were too scared to admit this to anyone. You tried telling Florence, but every time you mentioned his name she would immediately disregard him, pissed by how he treated you.
Which you loved that she had your back, but you needed someone else to have his own- oddly.
Maybe it was your head deep in thoughts that revealed how you were feeling, but your assistant seemed to notice that you weren't okay- mentally.
After checking in and finding a small crowd, you accepted that maybe most of the audience were in their seats already despite the film starting in almost an hour. Nudging you once your manager left to find one of the producers, you glanced at her as she motioned you to move towards the wall.
"What's up?"
She made a face, practically laughing at your question before continuing on. "Why don't you tell me 'what's up?' The whole ride here you've been silent and I know it's not because you were tired- you slept all afternoon, what's really up?"
Chuckling, you roll her eyes at how nosy she was being- but you knew she only wanted to help you. After working together for years, it was a ritual both of you performed: don't let the other be sad.
Surprisingly, it worked every time. She would hide you from people who upset you while you let her have more vacation days whenever she felt the same.
"I don't know what you're talking about."
"You're thinking about him, huh."
Eyes widening, you shake your head quickly as she laughs at your poor attempt of denying her idea. But she knew right from the moment you got lost in your head that he was the one to blame.
"Don't worry, I won't tell," she whispered loudly, causing you to shove her as she laughed louder.
"Shut up, someone might hear you," you hiss, watching as she tried holding her breath to stop herself from cackling again. She just looked like a fish in need of water.
"Don't think about him then," she teased. "If it's making you lost in your thoughts! Wait- why is he in your head? I thought you hated him?"
Coughing, you shake your head. "I don't hate him- I could never."
"Never?" she raises a brow in shock. "I think we're seeing some progress here. You're falling back in loveeeee with him."
"No way," you scoffed as she grinned heavily. "I'm just thinking about the Oscars since that was the last work-related event I've been to since today and you know- he was there so he ended up in my mind...for a little."
She slowly nods, teasing a smug as makes it pretty clear she did not believe one word you said. Your assistant has seen everything, so she is quite familiar with your thoughts regarding Pedro.
She knows when your happily, sadly, angrily, and crazily daydreaming about him. In this case, she's stuck between happily and crazily- not seeming to find any hints of fury and sorrow through your expressions.
But definitely warmth and frustration- all due to him not being able to leave your head.
"When are you just going to admit you still love him?" She blurts out, causing you to snap your heard towards her. "Everybody sees it, you obviously have a soft spot for him if you let him be near you."
"Near me? He's never near me," you laugh. "And I never show signs I want him back, I don't. I made it clear for months now after perfectly avoiding him at all costs."
"Yeah, but he's still on your mind- that must mean something," she declares, causing your small grin to fall into a tight line.
That must mean something.
Did it?
Shaking that thought away, you reject her idea. "It means he traumatized me."
"It means you're in denial and scared to be with him again," she replied, placing her hands on her hips. "Look, I just know you two are meant to be. Next time you see him, talk to him. Tell him how much you care for him- even if you don't want to admit it in a lovey-dovey way. It can be friendly!"
Giving her a strange look, she lowers her energy quickly before looking around the room, making sure no one saw how enthuastic she became.
"You get the point!" she rolls her eyes. "Just be nice, maybe the both of you can form a friendship or just drift apart knowing there's no hard feelings."
"But there is hard feelings," you declared, pointing out the obvious.
There is a reason why you two broke up, like there is also a reason why you despise him. It all comes down to history and actions, which you've both experienced- which is why, again, you broke up.
"Just..." she started, thinking about it for a second before sending you a sincere glance. "-give it a shot. If you don't hate him, like you said, it wouldn't be terrible to be civil."
Slowly nodding, you understand where she's coming from. This tension between Pedro and you was getting old, and the fact it was only you adding fuel to the non-existent fire since you've broken up is sad.
Especially when all he's been around you was sweet and considerate of your feelings, leaving you alone when he felt your energy- except for that one night, but you have to admit that was your fault for riling him up.
The roughness of heels came marching your way, forcing the both of you to instantly lift your head- finding your manager striking a fake breaming grin with two men beside her. She was trying too hard.
"Girls! This is Greg and Shawn- the writers of the film!" she exclaimed, fluttering her lashes rapidly as both men awkwardly raised a hand, waving it.
Releasing a tiny chuckle, you do the same as your assistant walks closer, sticking out her hand to fully gain their attention and introduce herself.
What can you say- she was a charmer.
Wrapping an arm around your shoulder, your manager slightly pulls you closer to the strangers and strangely bobbles her head- preparing whatever gibberish was about to spit out of her talkative mouth.
"Y/n- the boys thought it would be a great idea to sit in the vip selection among other A-listers- isn't that just lovely? We are very grateful for your offer-"
Boys? Oh god- now she was bonding for her hopeful chances of getting a call for an audition.
Compelling a sweet smile, you feel the only possible response you could give them was a meaningless 'thank you so much' after she literally put you on blast to communicate more. The funniest part about this situation was- you already watched the film!
Clearly you never met these writers- but instead the director himself! Your manager should be satisfied enough with that.
"Would you look at the time,-" Greg- you believe, softly gasps while raising his arm to examine the tiny apple watch planted. "Guests are probably filling up in their seats by now, terribly sorry- but we should probably go."
"I hadn't realized how close we were to showtime- we certainly must continue off our conversation after the film is over!" Shawn proclaims, making your manager nod far too quickly. "I look forward to meeting again."
With that, the two men inclined their motions of farewells before taking off down a dimmed hall, likely finding the exact destination set to premiere their comedic film.
Sighing, you send daggers to your managers who barely blinks before coughing out a swift, "What?"
"You really couldn't wait till after the film was over to sweet talk them?"
Dramatically rolling her eyes at your annoyance, she waves you off by your sudden introversion. It was her job to throw her best compliments about you too them, and she knew you were still too young to understand that everything she did was for a cost.
You.
"C'mon grumpy, let's locate the theatre before you start whining that your feet hurt, too."
Feeling your mouth slightly drop from her remark, you hear your assistant cackle right beside you, using her right palm to hold in her giggles while you mentally prepared for what comeback to throw her way.
You got nothing.
Huffing, your legs followed hers as she guided the two of you towards the same hall the men approached minutes before. The closer you've walked, the larger the capacity gathered around.
For such a low-budget film, it sure did gain quite the crowd.
As the rolling of the ending credits flooded the screen once you sat the last two and a half hours trying to act as if you didn't know what was coming next, you wish you had it in you to say the second time made up for the first- but it didn't.
There we have it, tonight was just not your night and endlessly enough- you couldn't blame it on some silly excuse of watching the same film over again.
Not even your assistant's sneaky offerings of her red licorice lifted your blues- and that speaks enough volume to say the least.
"That wasn't so bad, now was it?" the whole-heartedly voice of your manager's voice filled your ears as the three of you sat in the same lobby as before, still not finding a way to escape a cold room.
Oh how you abominated the sharp hits of the air conditioning- it frankly made coming to the theaters a horror unless layers of clothing and a blanket was tagged along.
"Why can't we leave? The film is done and people are walking out."
"We still have to talk to Shawn and Greg!" your manager declared, presenting a look of pure determination to get her way with their levels of skill.
Groaning, you throw your head in absolute exhaustion. Fairly, if your manager hadn't had made such an early visit during the morning hours you're sure you would've been in a better mood.
It was like the more you interacted, the less energy you had to give.
In order to survive the next few hours, you needed your phone or who knows how your fake laughters will sound.
And you call yourself an actress.
Sliding your hand to the back of your pockets, you wait for the feel of your large iphone to surface- but that moment never comes. Swiftly, you check your leather jacket ones just in case you slipped it there without realizing.
You didn't.
Anxiously glancing towards your assistant, your trembling hands find her arm. "Have you seen my phone? It's not on me."
Examining your hands before meeting your eyes, she shrugs it off. "Relax, no need to have a nervous breakdown- I'm sure you left it in the car with your bag-"
"No, I had it on me during the previews."
"We did go to the bathroom, too- why not just go check those two places?" she suggests. Concerned filled you, hoping nobody was capable of actually stealing your phone- it would be such a hassle getting another one. "I'll check the bathroom, you check our seats."
Agreeing, the two of you sneakily escape your manager when her back was turned, unpleasantly speed walking down the familiar hall before parting ways to your needed locations.
Opening the thick, black doors and striding up the long runway, your eyes are met with the same darkened seating area you were in less than twenty minutes ago.
Then and there, you use this desertion in power- running towards the middle rows consider 'vip' and begin your inspection. Fuck, you wish your had some form of light to help- you couldn't see shit.
Sliding your fingers among the seat, you lift up the cushions in hopes it mysteriously pops up, but all you find is pieces of popcorn and gum glued down.
Gross.
Feeling your eyes begin to water, you were sure you were seconds away from crying like a little kid over the loss of your beloved possession before you heard a deep voice call out for your attention.
"Is this yours? I heard it ringing when I came back in and- uh," the person froze, not having the ability to finish off their sentence as you gradually lifted your body off the floor into their view.
Hopelessly praying the stranger was regarding your phone, your eyes search for their hands first and there it was- your phone!
The corners of your mouth lift up, as well as the creases around your eyes as you internally cheer for your discovery. However, it faltered once you noticed a familiar tattoo laying on one of their palms. Moving your eyes up, you're sure your smile completely disappears once you recognize those brown eyes.
How did you not catch onto his voice from down there?
"Uh- yeah- that's mine," you nervously reply, choking on your words that probably made you sound like you were about to lose consciousness by how strung you were, and hesitantly reach out for the device.
Pedro quietly lets you grab it, not saying one word as your hands collide for a split second before the object was back in your own. You didn't miss the name that appeared on the lit up screen when touched- your assistant must have tried calling you to see if the phone would ring in the bathroom.
Smart.
Avoiding awkward farewells, Pedro swiftly turns around and makes his way down the theatre stairs, not daring to continue on with the barely existing conversation you shared. He's leaving, that fast?
Thinking about all your past interactions, he would always try to chat with you- even when you did give him the coldest shoulder of all time- because that's who he was: kind.
But now he's...walking away?
"Hey- uhm," you begin, following clumsily after him, almost tripping on one of the steps as he reaches his final steps and doubtfully turns your way. Once you stood another step ahead of him, you feel that swirling feeling in your stomach again.
You were nervous- you've never felt this way around him during your breakup- never.
Adjusting your arms inside your jacket, a small smile is extracted out of you as you watch his stay flat. He did not look interested one bit and it frightened you to death. "Thanks for finding my phone- I-I was really scared there for a minute."
Not reacting to your little laugh at the end, he replied- dull. "I didn't know it was yours, I would have given it to guest services if so."
Ouch, you're sure you're hurt expression was recognizable on the outside as much as it pained you on the inside. He really did not want to talk to you, even when you're showing your appreciation.
He really was over you.
"I know," you squeak out, not missing the way his eyes tiredly scanned your own as his body stood there stiff as ever. "I just wanted to thank you, that's all- you saved me a lot of trouble."
Coldly laughing from that, he nods. "I'm sure I have."
Your body tingled with rage as he carelessly ignored your warmth and threw jabs in return. "What's with the attitude? I'm doing nothing wrong here- I'm trying to be friendly."
Inching up, his face presents a sullen one and you immediately feel intimated by the height he owned and used as his advantage. Just the first few seconds before he spoke alone made you feel his displeasure. "And what about all those times I was friendly? I received shit so forgive me for allowing you to experience the same treatment you give others."
Loss for words, you were speechless and didn't know what to say back. For one, you were alarmed by his hard demeanor he gifted to you. Second, humiliation soared throughout as he called out your imperfections.
In other words, he wanted you to know you were a bitch.
"And I take that back but-"
Pedro was about to burst out laughing in front of your face, but he held himself together in sake of your feelings. Can you believe that, despite the misery he still cared for your state of mind. "Taking back isn't apologizing."
Sneering, you cross your arms as his eyebrows furrowed in irritation. "Apologize for what? You were the one who fucked my life over."
Scoffing, he shakes his head in vexation by your lack of empathy- as always. "Countless of times we would contemplate our faults and how we could move on and now you're discounting your wrongdoings- typical."
Pedro did not want to have another unpleasant argument with you, especially in a public setting again, and decided it was best to just walk away. If he kept his mouth shut, he wouldn't make this altercation worse.
Meeting his broad back, you lightly gasp as he ignores you altogether and makes his leave far too early for your liking. Charging towards him, you feel his back solidify once your fingers yank him to a halt.
You were not done with this conversation, but you did know once you got home you were definitely going to regret how toxic you were radiating in the room.
"Typical? What do you mean by that?"
"Knock it off and let me walk away, y/n," Pedro warns, still facing his back towards you after blocking your attempts of moving him. "We both know how badly this will end."
You know, but for some reason you don't want him to leave. Was that so bad?
"No, I wanna hear exactly what you have to say about me- maybe it'll make me recognize the ignorant ego I have."
"You're talking out in anger, you're trying to cause a fire that I won't let you ignite," he simply replies, his eyes still not found by his hidden appearance.
Very poetic.
Scowling profoundly, you don't realize what you're doing until you're finally met with his provoked display after. Stalking around his body, you stand in front of him and jab a finger towards his chest. "You're preventing me from bettering myself, isn't that what you always wanted?"
Leaning down until his face with inches away from yours, you make out his hard features clearly now. His face expressed discomfort as his eyes creased while lifting- even his lips stayed hard as a rock. "I'm going to tell you one more time, let me go."
Ignoring his cold shoulder, he inhaled a sharp breath before taking matters into his own hands. You don't want to listen? Fine. But he wasn't going to let you drag him into this any further.
Right as you push another finger up against him, your wrist was taken and roughly pushed down by your side as Pedro's body practically belted against yours. "Get off me!"
"Not until you stop fucking around," he grunted, immediately widening his eyes in realization. He knows you don't like when he casually curses directly to you- even when he doesn't harm. "Sorry- I-I meant when you stop playing around."
Praying that a smile doesn't escape you, it made you feel some type of way capturing his manners and how even though you two were on rocky terms- he still had some respect for you.
"Why are we even fighting right now?" you sigh, slowly softening your muscles in forfeit.
"You tell me- it sounds like you want my attention," he casually replied, releasing your hands and stepping back an inch. "Considering you won't let me leave."
"I'm just trying to have a normal, polite conversation! Is that so wrong?"
Softly laughing, he shakes his head in disappointment. "You don't get it."
Scrunching your face, you become lost by his words. "Get what?"
Scanning the wall before meeting your eyes again, Pedro motions his hands between the two of you. "What do you think will come out of us having a conversation? Acquaintances? Maybe a friendship?"
Thinking about it for a second, you feel your head eventually nod as he squeezes his eyes shut in return. Was that not what he's been trying to do- end in good terms? "It's what's healthy for us."
"Us?!" Pedro groans, sending you a tired gaze that had you weak to the knees. "There is no 'us' anymore. You made that perfectly clear after causing a scene last month in front of your friends."
"I didn't plan on that happening a-"
"I'm even letting go the bigger scene you caused inside the after party- isn't that enough to understand why I feel this way?" he adds on, frustrated that you would think otherwise.
You were the one who caused the attention and brought a bad look on his name. He should be shouting at you like you would have done to him if the roles were reversed.
"I'm not saying we should get back together, all I want-"
"-is a friendship? Some sort of relation that won't make us strangers?" he interjects, causing you to stay silent. That was all he needed to understand what you really wanted: not to let him go. "Look, we had our history, but I don't think it's good we keep in contact anymore."
You swear you felt all air leave your body as your face felt cold. Was he breaking up with you- in life itself?
"I-uhm don't- I don't understand," you cough, scared to make a bigger fool out of yourself. You're sure you probably look like a ghost by how much color you've lost since his recent reveal and again- you were grateful this room was dim. "Why can't we at least be friends? Not even that- why can't we at least know we have each other in our lives? Why end up as strangers?"
"What do you mean? We hadn't talked to each other in almost a year till last month! We basically are strangers," he exclaimed, causing you to look down at your feet as your heart ached.
He wasn't wrong- you just hadn't realized he's been right. And to blame was you, not him. You pushed him away in the first place, he was only kind enough to oblige.
And it was surely pathetic how now you wanted him back in your life, even if it meant not even talking just to assure yourself he still had your back.
He didn't.
"Y/n..." he sadly muttered, trying his best not to hurt your feelings as you were still continued to stay downwards- not wanting to disclose more hurt. "You didn't even say happy birthday to me, how can you be considered a friend? Friends don't do that, not to me at least."
This caused you to glance back up to him, disagreeing immediately as to what he was trying to get at. Of course you knew it was his birthday, you celebrated two with him in the past! "I didn't want to make things weird-"
"You never do but still avoid me like the plague and breakdown whenever I'm too close to your liking. I'm sorry for trying to do what's best and leave us in the past,-" he explains, closing his eyes in discomfort, "-but I can't keep letting this go on. I'm too old to be going back and forth as if this is some high school relationship- it's not."
High school relationship- you never knew simple three words could have you shrinking in guilt.
"And I know things will be easier for you when the time comes- I won't be around to nag you," Pedro tries to lighten up the mood but you can't break the line upon your lips. You were emotionless and it made Pedro upset.
Why would he be upset? You finally deserved learning your lesson after treating him as if he was nothing to you. But despite all your flaws, he still cared for you.
He cares so much that he's willing to let you go so you can do better things in life- without him.
Trying to find the right words to say, you give up. There isn't much to discuss now that he wants nothing to do with you.
You fucked up- for real this time.
In fact, you shouldn't even be hurt- you wanted this. Or at least that's what you thought before last month when he wasn't on your mind 24/7.
Maybe it was the way he begged for your forgiveness after not seeing each other for so long that made you realize how badly you adored him nearby.
Maybe it was the attention he was giving you after you continuously rejected his pleads, furthering the argument until he stormed off in the end.
And maybe you should've took his concluding estrangement announcement seriously before he left you last month.
But just like they say, you never know what you have until it's gone.
"I see," you quietly respond, slowly nodding as a faint grin forms among Pedro's lips, appreciating your cooperation over this mess. "Maybe it is best if we stray away from each other- you can even delete my number."
"I already have," he accidentally blurts out, not realizing how bad that sounds until he hears it himself and cringes. Your sufferable reaction didn't make things better.
"You know what," you fake a laugh, trying to calm your voice as you feel it about to crack any second. The tears were heading your way- you just knew it. "Fuck you."
Pedro's face falls, taken back by your inappropriate language. "Excuse me?"
Noticing your rushed attitude, he wanted to stop you and tell you everything was alright. That everything was going to be easy and how the two of you would get passed this.
But he knew he'd be lying.
"You heard me, fuck you," you casually slip out, scoffing as his eyes darken. "For someone who's so kind to others, I would have thought you would know what words were right to say."
"You're one to talk, sweetheart," he chuckled, staring at you in repulse. "Every time you talk you always have to neglect someone else, I'm fucking glad I don't have to witness that ever again."
"Me too, my family was right- you are a joke who wasted my time."
With that, you make your leave to have the chance of having the last word. Maybe if you left this room faster he would forget about your comment. You knew it was harsh but you didn't know what else to say.
You wanted him to hurt- but to what extent?
Your arm was instantly tugged as Pedro pulled you back, not letting his grip go as his face was still filled with resentment. "And your team was right, you are a bitch."
Freezing, you stare at him in shock as his face doesn't fall once. What the hell is he talking about? "Get away from me or else-"
"Or else what? Weren't you the one physically blocking me from leaving minutes ago? What has changed?" he tries to smirk, manipulating you into believing how ruthless he could be when really he was dying to tell you the act he was pulling. "Cat got your tongue?"
Your face felt hot with rage as you yanked your arm off his hand, catching him by surprise as you glared at him. "I'm so glad I never took you back, you're fucking pathetic."
"And I'm insanely glad you didn’t, saved thousands returning that fucking ring."
Those twelve words made you halt and even made Pedro speechless. By the staggered look planted on his face, you could tell he didn't mean to say that.
Ring? As in, an engagement ring?
Weakly failing to stand straight, you felt your voice crack. "You were going to propose?"
Shaking his head, he swiftly backed away. "I need to go." Before you could stop him, he was already out of the theatre and probably near larger gatherings of people that would only prevent you from talking about this more.
Holding your face with your hands, you couldn't even cry. You didn't know what to do, you were utterly lost for words.
If he was really going to propose like he hinted at, what meaning did your last fight have? Nothing made sense and you don't know how you could move on from this now that he wanted you out of his life completely.
Hearing doors open, you instantly averted your gaze in hopes he had come back in and planned to properly finish what he started.
Instead, you manager came barging in while gripping onto your assistant's wrist harshly.
"Where the hell have you been?! I've been looking for you everywhere and to find out your stupid assistant-"
"Don't you dare disrespect her," you sternly cut her off, watching as her face falters by your sudden tone. "If you're here to pester us some more, feel free to walk home."
Laughing in shock, your manager tilts her head at your rudeness. "Excuse me? It wasn't my fault your assistant wondered off. After everything I have done to protect you and your career you feel the need to throw me out-"
"Did she hurt you?" you cut her off, focusing on your assistant who has gone quiet. You notice the redness on her small wrists before she slowly nods, looking down in fear your manager would try something else.
"You're fired," you simply state, pushing past your frantic ex- manager as you lightly guide your assistant out the door.
You ignore the rage your ex- manager unveils as you make it back to the lobby. Ignoring the waves random people sent your way in hopes of finding your destined car sooner so you could help your assistant with her injuries and be home already.
And in bed to think about what the fuck just happened tonight.
+
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spif-lol · 7 months
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Reasons why the simpsons hit and run stream is jerma's best stream
it's ELEVEN HOURS LONG
you get to witness his slow descent into madness as he insists on playing the whole game in one sitting
I can watch it when i replay the game, would recommend makes it way more enjoyable
he spends too much time doing really bad impressions trying to copy voice lines for the game and yelling "HIRE ME IM AVAILABLE"
He decides to confess half an hour in that he knows nothing about the simpsons and has only seen like one or two episodes
this is ten minutes after he references a specific episode, and then proceeds to get told off for 'spoiling' an episode of the simpsons (from like 1995) by chat
Chat also somehow manages to convince him that ten year old boy Bart Simpson's famous catchphrase from everyone's favourite family animated tv show is 'eat ass'
In general it switches between him refusing to believe things people tell him about the game despite being true and falling for obvious lies
he starts the game going 'lol wouldnt it be funny if you could run over simpsons characters' and then jokingly drives towards civillians thinking they'll jump out of the way. they go flying. he is so confused
the dissonance between early and later parts of the stream are palpable. It turns from a cheerful and lighthearted exploration of a funny simpsons game that he refuses to take seriously or accept that it could genuinely make him angry, and transforms into a desperate race against time, his computer and his own hubris as he seeks simply to finish the game so he can sleep. This stream destroys him.
the way the stream highlights are named on his youtube is hilarious. "Jerma will not get angry at the simpson's hit and run" -> "Jerma might get a bit angry at the simpson's hit and run" -> "d'oh"
it's extremely funny how many time he's convinced he's in the last level of the game, only to be wrong. the first time he thinks that is in the first section and hour of the stream
easily his most rewatchable stream (this is gonna cover a lot of dot points)
the amount of tragic irony and foreshadowing in this stream is almost cinematic.
at the very start of the game he complains about the music being too loud and monologues about sounds and over stimulation of game music bothers him, which of course will be very funny in the finale
he also comments a few time at the start about how annoying homer's random voice lines are, and says 'oh god he's gonna repeat that a thousand times before the end of this game'. he's right, and it nearly drives him crazy by the final mission
speaking of the final mission(s), the second time he has to transport the toxic sludge from power plant to the school he like pauses the game and very seriously addresses chat like 'alright tell me right now are the next three levels also me driving the nuclear waste to the school that cant be possible right'. and then just accepting in defeat that that is in fact how this incredibly stupid and difficult children's game finishes
when he first races against the malibu stacy car and gets destroyed he gets mad and says he wishes he could drive that car. then when he gets to drive it in later levels he quickly decides its his favourite and maintains that until the end of the game
on rewatch... you hear him audibly crack open a can that chat demands he prove to them is soft drink and not alcohol like A WHOLE HOUR before The Incident and it's a little like watching a disaster movie where you see the characters laughing and having fun little knowing how they are being hastened towards their own doom... like chat keeps bugging him about it, he keeps making excuses, he keeps sipping the drink. they bring attention to it so much and you listen to it just knowing the pain that is yet to come. dramatic irony at its finest and most heartache inducing
15. ohmyfucking gaaaawd no! no... god... ICANDOITINAJUMP! ..... BART. WHERE IS HE??? BAAART!!!! AAAUUGH
16. actually fr there's a lot of memorable jerma lines in this stream, rewatching it is like watching a jerma funny moment compilation
17. the final couple of levels where he is getting steadily more overwhelmed to the point of ferality, and then he says he has an idea and goes to the sound menu and turns everything off. voice lines. music. sound effects. and then we watch him play the level in complete silence. and it actually helps him focus its really funny
18. the whole tragic sequence where he is in the FINAL LEVEL. he has played it so many times and just missed it by a few seconds. he is tired. he is hungry. he just wants to get off stream and eat a BURGER. he is focussing as hard as he can. he is almost there. he runs over too many things and the police are after him. but its okay. he's doing it! he's gonna make it!!! he gets to the school with time to spare and is sucked up into the end of the game beam. it's over. except then the police get sucked into the beam as well. he gets arrested in the beam. which teleports him and the car out of the beam. WHICH MEANS THE TIMER RUNS OUT AND HE LOSES. so he has to do it all over again. it's actually so so so funny and also something i think i personally wouldn't survive if i was in jerma's position in that moment
19. okay we have to talk about The Incident. bc i already alluded to it and bc like, i couldn't not talk about it. as stated above Jerma cracks open a can so you can hear it and chat immediately accuses him of being an alcoholic. he adamantly insists that it is a soft drink not a beer but they refuse to believe him unless he proves it by showing camera. he's playing on a modded ps2 pc port or whatever of the simpsons so it's a complicated setup and he explains that it would be too hard and also he's shirtless so they will just have to believe without seeing. chat continues to harass him while he goes on to play the game, specifically most of the lisa level. he laughs it off but eventually caves, gets up and get a blanket to cover himself and then alt tabs, holds his can up to the camera and says 'alright you satisfied? that might have just fucked up the game'. so then he tries to tab back into the game and it. crashes. hard. so hard that the game won't actually turn back on. so jerma's cursing and fiddling with the controls and saying its over. then it finally reboots and the game works and he's so relieved and it loads and he realises that he has lost SO MUCH PROGRESS. he's back at the start of the lisa section. this is truly the turning point of the game where it goes from being a fun experience to a nightmare gauntlet
20. on a related note: jerma waiting with bated breath *sound of simpsons game booting back up after refusing to for far too long* jerma: yeeeAAAAAH
21. im watching it right now as i replay, which is why im thinking about it obv. so i will almost certainly have more to add to this
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Teaching Them Spanish 18+ Ft: Baji, Hakkai, Hanma, Rindou, and Ran WC:900 part 2 TW; Swearing in Spanish, humor (unedited) A/N: Hello babes! I decided to do something more on the fun side! Teaching some lucky men Spanish part 1! Please understand there are different dialects and meanings for some of the words used. This is what I grew up knowing and learning as a kid! For example, since I'm Mexican concha means shell in Spanish for me and I have a friend who is from Argentina concha means p**** in Spanish to her. Hope you enjoy! (@sashi-ya and I had a long convo about this lol)
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Hanma
From the start, it was a bad idea to teach him any bad words in Spanish. The man literally memorized every single word and used them on a daily basis. He would say it at the most random places as well. Getting an iced coffee at one of your favorite spots as your order was ready. Hanma grabbed both drinks “Thanks puto.” he spoke nonchalantly with a smile. You looked at your boyfriend squinting your eyes at him. The barista didn’t know what he said but just smiled and waved us goodbye. 
“You cannot keep saying it like that!” you scolded him.
“Come on babe like they really know what puto means,” he smirked while taking a drink of his coffee, his hand draping around your shoulder. “Bet you anything if I say it to a random person right now they will not know what it means. Wanna see?”
“No-no I believe you.” letting a low chuckle out knowing how gutsy he already was. “I wish you picked up on the sweet things I taught you rather than the bad ones.”
Even though he loved saying the bad words he did learn the phrase just for you  “Eres el amor de mi vida (You are the love of my life),” The way he rolled his r’s so perfectly made your heart drop the scarlet color dusting your cheeks. 
Baji 
 “Leave them alone pinche baboso!” Hearing your long-haired boyfriend's voice raise louder. It startled you a bit to hear the aggressive tone he used.  A person who seemed to not get the hint to leave you. They seemed to finally get the hint and walk off. His eyes followed the person until they were out of his sight letting out an annoyed sigh. His hand was still holding onto yours. 
Your other hand begins to rub his forearm. “you okay??” Looking up at him. 
He looked down at you as his stern look lessened “Yeah…” he noticed the smile on your face “What? Why are you looking at me like that?”
“We need to practice your pronunciation a bit more. But you used the terms correctly.” You spoke chirpily 
Raising his brow  “stop acting like a teacher! I said it perfectly.” 
“You had the sas which was great but Pinche we need to work on you have to let it come down deeeeep from your soul when you say it.” You said smiling. Letting go of your hand he began to walk off “Babe wait!” You took off chasing him. 
Hakkai
He wanted to learn for you. Bless his soul it took him son to ask you. Every day like a clock work you sat down with him. He didn’t know how to even have the words come out of his mouth. The phrase was very simple to say.  “Don’t be shy babe.” both of your hands were resting on your cheeks giving him a sweet smile.
‘They cannot look at me this cute and ask me to do this.’ he thought to himself. The blush dusted his cheeks. “I-I can’t.” his hands began to rub his face Reaching for his hands bringing them down from his face. “You got this, don't second guess yourself.” sweetly speaking to him. Swallowing the hard lump in the back of his throat “¿Me regalas un beso? (can you give me a kiss?)” 
“Sí” leaning over pressing your lips lightly against trembling lips. “You wanna learn another one?” you looked at him, he was still a bit shocked. You think you might have made your boyfriend pass out with his eyes open.
Rindou
“I would use this phrase a lot.” He looked at you “teach me it.” “I told you I didn’t wanna teach you the bad words. And all I’ve been teaching you is the bad phrases.” you pouted. Rin was so persistent in learning the phrases he wanted to know... You wanted to teach him Spanish but each time he asked it was the bad ones. 
“Come on, just let me know what it is, can't you see I want to learn.” Rin’s violet eyes looking at you. 
Being the sucker you are just the simple look at you with his violet eyes you couldn’t help but give into him “que chingados( what the fuck)” crossing your arms and sighing. “que chingados.” he repeated it a few times, getting the feel and the tone he should use with it.
“Okay stop saying it, you don’t need to say it right now.”  
“¿Por qué?” he smirked.
Ran 
“Mi Amor~~~” Ran loved the phrases he was a natural at learning the new language. Literally felt like you were dating a telenovela actor. It all started when you were actually watching a telenovela. He wanted to know what was going on and he didn’t want to read the subtitles. You were putty in his hands, his hands wrapping around your waist.  Your hands resting against his chest. “Sí mi Rey~~(yes my king)”  you cooed. He loved hearing you speak to him in Spanish. “God I love how you say that. Me gusta mucho (i like it a lot)”  
“ I know you do. Are you ready to watch the rest of the show?” asking him,  your fingers running through his hair.
“ I was thinking about having our own little romantico moment right now.” looking at your lips then back at your eyes the corner of his lip slightly curled up.
“If yall going to act like cochinos close the door.” Rin  was walking past the open door.
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vvatchword · 1 year
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In Defense of BioShock Infinite
Although I had preordered BioShock Infinite with all its bells and whistles, I did not actually play it until January 2023. And lordy, I had me another Experience with a capital E. How the hell a bunch of urban Yanks could capture my experience as a queer democratic-socialist atheist struggling with her roots as a rural evangelical-cum-fascist is kinda magical, honestly. As to the game itself, it didn’t hurt how good it looked—the kickass skyhook gun battles—that novel setting—the complex characters—that delicious historical setting—that bloodthirsty critique of America—and to top it all off, they had pulled yet another Cassandra. Hell, speaking of which—not only was the game fun, it was fucking smart. It was intelligent, memorable, and meaningful in a way I hadn’t experienced in video games for years.
Now, back in 2013, when I had realized that I would be spoiled for Infinite, I left the BioShock fandom. After completing the game, I headed to Tumblr to re-engage, wagging my whole body like an excitable golden retriever, only to discover that BioShock Infinite was remarkably absent, and when mentioned, brutally derided. 
“I hate BioShock Infinite and all my friends do, too,” someone said in the tags under a post. 
I was utterly befuddled and deeply sad. I wanted to talk about BioShock Infinite! I wanted to dig into it, uncover unexpected ideas, learn new things, talk shit, make new friends—the full fandom experience. And instead I kept stumbling into hateful diatribes and super-charged disgust.
Obviously, I first looked at myself and my own judgment. Had I missed some obvious problem or misread some theme or dialogue? This wouldn’t be the first time I’d snapped down on a hook. But the more I thought about it, the angrier I got.
There are two parts of BioShock Infinite that are unquestionably terrible: the fridging of Daisy Fitzroy and the false equivalence of violence between haves and have-nots (lol what are the have-nots supposed to do, ask nicely?). Additionally, one could look at the use of real Native American tragedies as tasteless. Personally, I do not—in the same way that I don’t find it tasteless that real war victims were used as inspiration for Splicer deformities. This is what really happened; this is commentary on events that really happened to real people. 
At this point, I’m sure I don’t have to explain why two of these themes are Unequivocally Bad. 
Anyway, I thought that perhaps these were the reasons BSI had been condemned to Super Hell.
I was wrong.
How Criitcsim Werk
This wasn’t the fandom I’d made friends in over 2010. Hell, this wasn’t the fandom of 2013. This was a fandom made up of Babies. They were making their first coltish stumblings into media criticism and with it, dredging up the same brain-dead bullshit from Tumblr circa 2008.
Suddenly I was brought face to face with people who seemed to think that if a character couldn’t be likable or good that the story itself couldn’t be likable or good; that one bad element means the story is unsalvageable (lol u pussies); the implication that one is bad for liking it; the destructive juvenile insistence that media accurately measures its fans’ moral qualities en masse like an astrological sign. This goes far beyond simple like or dislike and plunges head-first into Puritanism: praying loudly on street-corners instead of quietly in a dark corner where God might hear you.
At one point I had a kid go off about how they wouldn’t take time to understand Booker DeWitt’s perspective because he had (fictionally) taken part in a genocide. (That same person said the Native American element had been employed for shock value, a thought that sometimes keeps me up at night, because it is legitimately one of the dumbest criticisms the game has ever received.) At another point I saw someone acting personally offended that (fictional person) Dr. Suchong’s (fictional) data was being stolen (in a fiction) by a (fictional) racist who would (fictionally) take credit for (fictional person) Suchong’s (fictional) inventions “while calling him slurs”. Sure, a better question would have been, “Why would the creative team opt to do this” rather than assume intentional racism from a Jewish creative director with an in-office multi-ethnic team in the year of our lord 2013, but why not handwave the choice with prurient moral dismay so your audience won’t beat you to death with bats? 
It was as though fans were treating these completely fictional characters as real people whose personal gods had opted to torment them, and that their tormentors merited the kind of censure that psychopaths should receive. As I hope all of you understand, this is fucking madness.
More than once I saw people posting about hating the studio or the creative director in ways that seemed intense, unreasoning, and excessive—notably an “I Hate [Irrational Games creative director] Ken Levine” stamp (rofl the more things change amirite). People get so performatively moralistic about it that I started wondering if I missed something big along the way. Was there some secret Voxophone I missed swearing fealty to baby Hitler or some shit?
Double Standards
At the same time, I was utterly confused. BioShocks 1 and 2 both featured some absolutely ghastly bullshit based on real-life horrors and a thick mix of complicated human beings—many of them victims who have become monsters. The fact they are grounded in historical tragedies is a huge part of their appeal. Hell, I don’t think those games would have had half their meaning without World Wars I and II and the threat of a third.
A gay man who feels so cursed by his orientation that he is incapable of intimacy and systematically destroys his ex-lovers—including the man he loves the most. A Korean who survived Japanese occupation and a Jewish Holocaust survivor repeat the violence and traumas exacted upon them and their people, subjecting a new generation to agonies unthinkable. Chasing the shadows of Bolsheviks, a Russian citizen becomes the brutal tyrant that he loathed. A rich lawyer with an easygoing drawl designs a concentration camp and systematically harvests hundreds, if not thousands of political prisoners, selling them out to medical testing for a quick buck.
But a Native man who destroys his own people and class to ensure his own survival and social acceptability is too far? This character is where people drew the line, so much so that the entire game is disavowed? Hell, if you’re just talking about Booker (rather than Comstock), he doesn’t have anywhere near the largest bodycount. If we were to judge on the metric of human misery alone, Booker wouldn’t even hit the top ten. 
Keep in mind that the most-discussed BioShock game on Tumblr is BioShock 2, and that one of the biggest fandom favorites is Augustus Sinclair—the easy-talkin’ Georgia lawyer who sells your character into horrors past all human comprehension, as he sold hundreds before and after you. Sinclair is a motherfucker so vile that BioShock 2 gives you no choice but to murder him. But Sinclair is also pleasant; good-looking to some; spends the whole game making sweet love to your ear; is one of the only true positive experiences you experience in a horror story. Unlike DeWitt, a man who is brutal and awful from step one, Sinclair is smooth and sweet. Unlike DeWitt, Sinclair’s victims are faceless, completely fictional, and carry no political or social baggage.
People fuckin’ ship this guy with Subject Delta, his explicit victim. He’s usually described as a squishy cinnamon roll. In most fanfiction, he often gets to escape to the surface and fuck Delta while helping raise Eleanor as Dad 2. It is rare that I find fanfiction that acknowledges his monsterhood in all its glory. In fact, I can only think of two.
Literacy Comes in Levels
My problem with the over-the-top hatred of BioShock Infinite is along the same lines as my confusion at Twilight and Harry Potter hate: there is so much worse out there (how much do the haters actually engage with media if they think this is that bad—yes, even considering the shitty creators themselves!), the hatred far outweighs the sin committed (in BioShock’s case, the truly bad bits are not central enough to derail the larger narrative), people don’t seem to hate it so much as they want to be seen hating it, fans want to enforce an unspoken rule hating it (bitches this is poison. Stop this), and there’s something about the hate that stinks of poor reading comprehension.
A great metric for general literacy is the newspaper. In journalism, you’re writing for the lowest-common denominator, which for years here in the USA has been about a fifth-grade reading level (about 10-11 years old, for my non-American readers). The AP posted an article a couple years back about how the general reading comprehension of Americans needs to be dropped to a third-grade one (8-9 years), and baby, I’m here to say it’s true. 
Most of the problem is that the American education system is shitty as fuck. The rest of it is from an extremely American disdain of intellectualism and the arts. People are not taught how to interpret art or literature—a difficult and subtle skill which involves accepting such truths as “multiple contradictory readings can exist and yet be simultaneously correct”, “the author can be a complete tool and still be right about things”, “the author can be a great person and still write horrifyingly incorrect bullshit”, and “worthwhile works can be ridiculously long and it really is your fault for not having an attention span”. 
Media criticism must be learned through trial, error, asking questions, confidently swaggering into a public space to announce your brilliant insight only to have your ass handed to you (usually by your older self ten years later), being willing to admit you swaggered confidently into a public space to state bullshit and then amending your bullshit only to produce more bullshit, and otherwise making a complete and utter cock of yourself. We are taught to fear and flee pain and failure, despite the fact this is how we learn and improve. Because we judge our value by whether or not we are “smart,” we are afraid of displaying that we don’t know something or might be mistaken–better not to try at all than to reveal ourselves to be fools. And yet the best way to learn is to crash up against someone else and be proven wrong!
American parents are terrified of hurting their children to the point that they spare them cognitive dissonance of any kind, disavowing difficult art—without any appreciation for the fact that art is how we provide safe spaces to explore key human experiences, better preparing us to face those difficult subjects when there are real-world consequences (sex, gender and social expression, grief, violence, predation, illness, interacting with people of different ideologies, whatever new issue is pissing off some smooth-brained old motherfucker somewhere). 
If parents and teachers aren’t teaching us how to interpret art, we’re probably never going to develop the skill at all, or crash unsubtly into it in a piecemeal fashion (hello it me). Another unfortunate side effect is that these readers tend to be blitheringly superficial: they are literally intellectually incapable of reading deeper than the uppermost layer of a text. The curtains are always blue.
And let’s not forget the role moral performatism plays in media criticism, which although faaar from new, has reached hilarious levels in the age of social media. What’s important isn’t understanding something, it’s finding something to symbolically burn at the stake so everyone knows God loves us: please keep loving me, please don’t hurt me, please don’t throw me on the fire—for performatism is not for outsiders. We long for human connection so fucking much that it’s more important to destroy what might point out our fallibilities than it is to let ourselves stand in the furnace and burn out the dross.
What do you think the point of BioShock Infinite was?
Emotional Machines
Let’s face it. Human beings give a lot more credence to how something makes them feel than they do its complex invisible reality. We are not logical creatures; we are emotional ones. Our logic is too new a biological mechanism to override something as powerfully stupid as our primal lizard brains.
Knowing this, let’s take BioShock’s most popular characters. The first two are Subject Delta and Jack Wynand, the protagonists of BioShocks 2 and 1, respectively; and why not? They’re the characters we play. In the first two BioShocks, whether or not you kill Little Sisters determines the ending you receive. In other words, Delta and Jack can only be as “wicked” as the players are. 
How do people want to see themselves? As good. What do people want to see around themselves? Good. (What is “good”? Uh, well,,,,,,) What do they want? Simple moral questions with simple moral answers. And in the first two BioShocks, what is moral is obvious: don’t kill little girls. It’s actually kind of insulting once you say it out loud.
In-fandom, Jack and Subject Delta are almost never painted as murderers or monsters, but as victims and heroes; I saw someone musing about putting Subject Delta on a “gentle giants” poll and I nearly choked on my own tongue. I only saw that musing because someone put Subject Delta and Jack in a “Best Fathers” poll. Nobody in-fandom really considers the “evil” or “complicated” endings as canon choices, despite those versions being fully understandable alternate readings, with a story that doesn’t make sense without them. (I don’t believe Burial at Sea is necessarily canon; in fact, I would bet good money that it is a huge middle finger lol, mostly because a number of brain-dead motherfuckers won’t take unhappiness for an answer.)
Most fandom art and writing is gentle, sweet, good: the symbolic healing of the damaged, the salvation of innocents, the turning of new leaves. These things are not just saccharine sweet—they tend to be unrealistically sweet. Now, far be it from me to demand these works cease. There’s a reason they exist. People write them because they need hope and happiness; I have enjoyed them greatly myself and intend to enjoy them in the future. But if y’all get to have your dessert, I demand the right to have my dinner.
The Colours Out of Earth
Let there be media where the opposite can also be true: where everything is unbelievably complicated and unforgivably fucked-up. Let there be characters who slide slurs into their speech without thinking. Let there be characters who destroy themselves in a thousand different ways, not all of them obvious, some of them horrifying. Let there be well-meaning people struggling with all their mights to do what is right only to destroy everyone around them and then completely miss the fact it’s all their faults. Let there be wickedness painted as goodness, superficial appearances accepted over essential and inherent values, denial of change and transformation, failure to accept that what is old must die and what is new must live, human stupidity and short-sightedness and cruelty in all their flavors. Let’s smash it all together and see how it plays out. 
Oh, badly? No shit! But “badly” isn’t the point. How does it play out?
Let there be a world of gradients—a place I can float from color to color, hue to hue, value to value, while attempting to figure out where, why, how, and by whom they transform—to taste concepts in a hundred different ways, test their textures by a hundred different mediums, insert them into a hundred different contexts. I need to understand why I feel the way I do; I need to understand morality in all its hideous, fragmentary glory. For I have been sold to a ideology of blacks and whites, and let me tell you: it prepares you for nothing, and it will always destroy what is most precious about human life.
I can no longer believe in a world where what is lost always returns, because that world does not exist. I have a reflexive need to come to terms with Finality: what I have lost, what I have destroyed, what will never return, what will never be better. I have a reflexive need to understand Transformation: what I am now, what is as of the present, what has risen shambling from the ashes, what turns to gaze upon me in the darkness. I need to understand what is wretched about me as much as I need to heal myself. How can I heal if I can’t understand how I have hurt and been hurt? 
I need to shine a light in the dark. Not to remodel it, not to destroy it—because I also can’t believe in a world where the wicked is destroyed forever—but to behold it, to learn from it, to view my own impact upon it, to accept how it has become a part of me, to learn how to do my best (because that’s all one can do). I must learn to love people more than causes, I must learn to love people rather than the act of winning, I must learn to love people rather than battle. I need to stand in that endless black with the lamp off and my eyes closed, letting the agony roll over me, burning with a fire that throws no light, rolling back and forth from an intense self-loathing to a fury at a society that destroys what is most valuable because it didn’t make them feel the way they wanted.
The Unforgivable
I believe that there are only two differences between Booker DeWitt and his equally cursed cohorts.
In the Hall of Whores: The Unmarked Slate
First, unlike the previous two games, where you enter the world as a tabula rasa and might roleplay as what you perceive as a good person, you are explicitly put into the shoes of a monster, and nothing you do can save you.
With other shitty BioShock characters, you are passively watching other people, and you are able to hold yourself apart. Sure, everyone else is crazy as fuck from using biological Kryptonite, but you’re too smart to end up a crazy fucking asshole like them! Sure, you are now technically a mass murderer, but those fuckers deserved it, damn it! 
“Look at this crazy bastard!” you say, rolling your eyes at the Steinmans and Cohens and Ryans and Fontaines. “It sure is a great thing I’m not a crazy bastard!”
You are able to escape acknowledging that you, too, in certain circumstances, might be the crazy bastard. You are being challenged to stand in the body of a person who has committed unforgivable sins. Imagine if you yourself committed those sins. Imagine what sins you have already committed. Imagine what brutalities you cannot take back. Imagine what horrors you have wreaked just by breathing.
“Ahhhh!” said players, probably. “What do you mean I’m not allowed to be good?”
Because that’s what the game was designed to do. Because “good” is a fucking cop-out and if it’s how you live with yourself wait until you find out you’ve been doing horrifying bullshit all your life without question. You can be evil by association through no fault of your own.
Original Sin
Second, the plight of Native Americans is a sin that non-Natives will always carry, and the socially conscious are aware of this even if they don’t know how to put it into words. The state of affairs being what it is, it is unlikely that First Peoples will ever be treated humanely, much less have their land returned. They must struggle for scraps of what is rightfully theirs while we lounge on their corpses. We cannot help but benefit from their destruction; we are made unwitting partners with our forebears; we steal the fruits of their lands and make mockeries of their faiths and identities. We have destroyed part of what made this world fascinating and unique and most of it can never be returned. Even if everything were to be made right tomorrow, their genocide is a sin that we will carry until we die, because the only reason we could be here at all is because they were killed. 
The obvious solution stands before us, but the powers that be are so much greater than we that we are effectively powerless, and achieving anything less than total restoration smacks of anticlimax. 
This is unbearable.
How can one think of oneself as a good person if one sees the good that must be done, but cannot achieve it? If one’s actions are meaningless? Goodness without action is pretension.
We are all Booker DeWitt. We have all set fire to the tipi. We swept the ashes away, we ignored the sizes of the bones, we built a CVS on their graves, and then we made statues and holidays commemorating Native Americans like the world’s cheapest “Thinking of You” card. We have de-fanged them, transformed them into cardboard cutouts, and set them up as cute little side characters in our sweeping American dream.
Booker is not a man. Booker is America and Americans—and America and Americans are monstrous: one part hypocrisy, two parts incessant violence, three parts constant peacocking, and four parts dumb as a stump.
The Monsters We Make
Outside of the message about “choice,” an enormous part of BioShock’s thematic ensemble is the creation of monsters. How are monsters created? Who or what is responsible for creating them? What do the monsters think made them the ways they are? Can a monster be saved? How? Is it enough to acknowledge you did wrong and want to be a better person?
Maybe most people are aware on some instinctive level of what facing one’s own monsterhood means. No one wants it. It’s not fun. It hurts. It’s embarrassing. It’s destructive. It’s admitting you don’t have it all together and might never, ever—that despite your best actions, you can have it horribly wrong at any point. In an age where we demand moral perfection, it demands vulnerability: you must admit that sometimes you’re the racist, the transphobe, the sexist, the nationalist, the classist, the homophobe, the violent, the wrong, the dumbfuck. 
Human beings are not built to be moral; human beings are built to survive. We so rapidly learn how to deal with our contexts at such young ages that we don’t have the time or capabilities to question why those contexts are the ways they are or why it is demanded we perform the ways we do.
In a very real way, BioShock Infinite demands vulnerability of us. It demands you look in the mirror and see what is monstrous in you—how you have been created—manufactured—a tool, a machine, a trained animal. It asks you to recognize that you can be a monster simply by association. And if we can’t look into the mirror and truly acknowledge that monsterhood, we run very real risks of becoming or enabling those monsters in one way or another.
Worst of all: perhaps monsterhood isn’t optional. Perhaps the monster was inside of us from the very beginning. It’s not a matter of if you become a monster, but when, under what circumstances, by whose hand. What is more, believing the “right” moral stances will not save you. Monsterhood can afflict anyone, in any ideology, any political stance, in any social movement, in any faith. The only element that can save you is to truly love other people, and even then, you can fail, for there can be states where there is no winner and ways to misread how best to treat another person.
Environment and Society: Context Will Not Be Denied
BioShock 1’s original ending is Jack-as-monster, regardless of how many children he saves, regardless of your feelings as player. He passes through the gauntlet of Rapture, but he has supped of its poison. And he wasn’t poisoned when he entered Rapture the second time—he was poisoned the minute he was conceived. He was born of it. He had no hope of ever escaping it—he never could have—he’d never had a choice to begin with.
No matter what choices you make in BioShock Infinite, Elizabeth will always kill you. Why? Because she has seen every world—every context—every limitation—every boon. And there is no way to stop what has been; there is no way to undo what has been done. The minute you have committed to a decision, you have split the universe; there is no telling what kind of person it will make you. In fact, there’s no telling which of your decisions will matter at all. Only Elizabeth can see because she is the unlimited future: your offspring stands before you, judge and jury, and you will have no choice but to accept her verdict, for despite your name, you are incapable of controlling how you are interpreted. 
Elizabeth sits across from you in the boat and stares without blinking. She sees a million million similar Bookers. Some are a little bit taller, some a little bit shorter, some a little heavier or lighter. Some more-resemble one grandparent or another. They have different colored ties. This one blinks when rain hits him in the eyeball. That one took a brutal beating back on the airship and one eye is swollen shut. That one can’t stop shaking; this one is unable to speak at all; one hasn’t yet lost hope, although even he doesn’t realize it.
They all lowered the torch to the tipi.
The baptism determined Comstock; what determined Booker?
Why Booker Is
In BioShock 1, characters are often stand-ins for larger concepts. Thus Ryan stands in as Ayn Rand’s Objectivist Ubermensch; Bill McDonagh as Andrew Ryan’s conscience; Diane McClintock as the citizenry of Rapture; Captain Sullivan as law and order; Frank Fontaine as the truest expression of Objectivism in its distilled form.
Who is Booker? Most importantly: why is he?
Booker is a fictional character with a brutal background based on historical events, alternative and true. Booker might be Lakota; Booker might have undergone forced Anglicization; Booker might have been ripped from his parents; Booker is a product of violence, perhaps literally. Booker is American exceptionalism distilled. Booker is the past in constant judgment of itself, unable to live with itself and unable to die. Booker destroys what is best in him and around him in exchange for belonging. Booker has sold the future to absolve his sins. Booker has sold his daughter because he is a fictional character in a work of fiction who needs to be propelled.
Booker is a shell, a sluice, an environment. Booker is the broken shape you are meant to fill, horrified. His internal shape should torture you as it has tortured him: the messy slaggy soul of a shitty tin soldier.
Does Booker take the baptism and become Comstock? If so, it might be his second one. His last name literally means “the white.” His first name can mean “author.” It is most likely his second name: an attempt to rewrite himself. And when he was unable to rewrite himself the first time, when the cognitive dissonance boiled at the edges of his skull, he found there was only one way to cleanse himself the second: to remake the world entirely. To force transformation on everyone else. To take vengeance on a world that could never love him, never want him—to create a world that has no choice but to love him. If he can’t change the world’s mind, he’ll change the world.
Note what he opts to do: to take the fight to the environment–to the unyielding universe.
Context Is Everything
It is no mistake that BioShock Infinite occurs in 1912: the sinking of the Titanic is often credited with ending an unfettered optimism, a period when the Western world believed technology had brought the human race into a golden age. With World War I—which would follow a mere two years later—came modern warfare and all the horrors thereof, not the least of which was the realization that humans had created a kind of war that could destroy the entire world. World War I also seeded the rise of the United States: much of the wealth of warring Europe—itself fat on the blood of subjugated peoples and stolen lands—would rattle into America’s coffers.
It is also no mistake that BioShock 1 directly follows World War II. With WWII came a heightened terror—that this war is not the last war, that there will never be an end to war, that war will go on expanding and expanding until it has consumed us all. World War III would not be denied: prettily packaged in the ideals of its children, it simply followed the utopians down to their underwater tombs. According to BioShock 1’s original ending, World War III is not a matter of if—it’s a matter of when.
But even more important than the history in the BioShock games are their settings. Mute leviathans, Rapture and Columbia determine all of your behaviors: from where you can exist in space to all of your desires and goals to how you choose to present yourself to how you opt to behave. Isolated in extremism—whether that extremism is the crushing depths of the ocean or the unbearable lightness of the air—most of their power is that they simply cannot be escaped. You can’t outrun them. They are everywhere. They are everything.
Like Lovecraft before it, BioShock acknowledges the greatest horror of all: you cannot escape your context. Your context does not only involve your immediate surroundings. It is also historical; contains zeitgeists from various cultures and subcultures; is filled with pressures both personal and impersonal, human and nonhuman. Many of these forces can hurt you. Many more can destroy you. What you do to survive depends very much on where, when, and with whom you must live.
Human beings are not built to be moral.
The Death of the Future
In the film Operation, Burma!, a soldier asks Errol Flynn: “Who were you before the war?”
“An architect,” says Flynn.
Who were you? Because that “you” doesn’t matter now. That “you” is irrelevant. So you’re an architect. What the war does to you; what these deaths mean to you; your past, your education, your loves and desires and forward motivation, the you that could have been outside war, the you that slogs alone into the brutal future—all completely irrelevant. Your forebears don’t care so long as you can bleed. 
Children are the manufactured tools of their creators—helpless before the enormous strength of their elders and the zeitgeists that enclose them, poisoned by their parents’ insecurities and flaws, utilized like weapons regardless of the cost—often with great love.
Consider something more than the traumatized culture: consider the society filled with traumatized children; consider the traumatized society. Consider channeling children through that trauma over and over and over again, if you can. Poisoned—poisoned—poisoned—all of us poisoned. Poisoned by those who loved us most. Poisoned by the people we trusted. Poisoned by the people who meant to make a better world.
I believe it is notable that creative director Ken Levine is Jewish; I have read from multiple accounts that the European Jewish diaspora was uniquely traumatized from the Holocaust and passed that trauma down upon their own families. I sometimes wonder if he saw that firsthand.
The fathers eat sour grapes; their children’s teeth are set on edge.
Choice: Player Expectations and Entitlement
For players who experienced BioShocks 1 and 2 with their multiple endings (Good, Bad, and “ok bye then I guess” respectively), it must have been jarring to suddenly reckon with being a monster. How often I see players grousing that nothing they do will change their wicked pasts! These players completely miss that the only meaningful choice had already been made, that it had nothing to do with the player at all, and even if they had been there, DeWitt was still unforgivable. The only way to go on was to bow out and allow the future to redefine herself.
Nobody was ready for that shit. 
Like it or not, BioShock 1 had set a precedent. Not everyone’s going to read up on creator intentions. If any keyword came blaring through the noise, it would have been “choice.” Most players only recognize choice by the ability to make it, not the absence of it, and most of them weren’t equipped to recognize that its lack was the point. The meaningless choices were commentary, and they were as much about the player as they were about DeWitt himself. Not every choice will be meaningful, will it? And there will be choices you make that will be momentous, but they will seem very small when you make them.
Because most players had experienced what they thought was a basic moralistic tale in the first two games, and would see Infinite not as reflection upon America’s destructive personality, its obsession with a meaningless Good/Bad duocracy, and the infinite, cyclical nature of violence, they saw Booker’s death as corrupted artsy claptrap.
“I did the good schuut,” they say. “I want the good schuut end. Where happy end??? Where treat :(”
Bitch the future is here. 
Time to die.
It’s Not Me, It’s You
Generally I despise essays that end with, “But the real fault lay with the clueless motherfuckers who played the game!” Often, if enough people complain, there’s something to it; the message has been obscured somehow. Details or explanations weren’t clear or intuitive enough, some mechanism isn’t working somewhere, some character needs to talk more or less, some setting needs to be transformed. O artist: stop whining and get cracking. If everywhere you go smells like shit, it’s time to look under your shoe. 
But sometimes it’s true that a piece of media is on a level folks aren’t equipped for. Think of every literature and art class you’ve ever had, if you’ve been fortunate enough to have one. There’s always someone scoffing in a back row, like here are all these jokers making more of something than they should. Similarly, some of you have been arguing with me this entire time, saying: “I just wanted a video game. I just wanted to shoot something and feel better and instead I get this bullshit ending that makes no sense.”
First of all, smart bullshit (and even fucked-up attempts at smart bullshit! Hi BioShock 2) gets to exist on this Earth along with Gmod and Roblox or Schuut Big Tits 84 (there are 84 tits and you must shoot them all. They explode into smaller tits) or whatever-the-fuck-else you think is a worthwhile gaming experience. Second of all, miserable bullshit also gets to exist, and what did you fucking expect if you played through either BioShocks 1 or 2? When you hear a football player quavering out in the darkness for his mom to pick him up, how’d that make you feel? What did you think was going to happen to Jack after pounding back the entire Plasmid library, the cancer cocktail that explicitly destroys the fuck out of its users? Third of all, if you missed the smart bullshit going on in BioShock 1 and didn’t think BioShock Infinite might be larger in scope in more ways than one, that’s on you. Fourthly, if you were simply satisfied with saving like, 15 kids from a violently-perishing city of thousands and call it good, I mean… is that really where your thoughts end? Are you really that fucking small?
It’s Not You, It’s Me
You ever meet those motherfuckers who talk shit about Shakespeare or modern art? And you’re just left there staring with dead eyes at this poseur who mistakes playing devil’s advocate for intelligence, cheek resting on your fist, thinking about the fanfic you’re writing, wondering who it’s for, remembering that all your smut-writing friends get ten times the viewers, and considering throwing yourself in front of a bus.
Yeah, there’s a personal element to this: the fact that BioShock Infinite is the kind of art I like and long for and want to make myself, the fact that the game was successful and yet the studio was closed, the way its DLC was so rushed that the story plopped out like half-baked mystery meat—realizing that the same forced rush was at 2K’s behest for BioShock 2, as well, and wondering how good art can ever be made in this unforgiving capitalist hellscape. The game was weirdly niche and I’m not 100% sure I’ll ever experience anything quite like it again. And with the whiners in this fandom, the loud ones controlling the narrative, some fresh brain-dead exec in some brain-dead publisher might be like: “We must keep it safer and simpler for these fuckin babby adult!”
Nah bitch nah. Naaaah. Cry some more while I enjoy me my fucking dinner. I’ll eat it while making loud smacking noises and keeping unbroken eye contact. Come here. Let’s look at each other. It’ll be like Lady and the Tramp but we want to punch each other. What truer form of love can there be here in the modern world?
I keep having to remind myself that this response isn’t new. I keep having to remind myself of my place. I keep having to remind myself why I write, why I read, why I like to experience art to begin with. It’s not for the reasons other people do it. Oh, I want the same emotional release as everyone else, I want the same rollicking plots, I adore the same tropes. I seek out everything and anything for a good time; I’ll read Moby Dick today and a smutty 5,000-word abortion with the world’s most suspect grammar tomorrow. I don’t give a shit if it’s low- or high-brow; there are all kinds of ways to have fun and there are all kinds of ways to engage with art, and lord knows I’ve done my share of smooth-brain criticism. The problem is that I’ve always wandered off by myself, sunk into an all-consuming reverie, on tracks that no one else ever seems to be on, and then looked up to talk excitedly about something only to realize I’m alone. And whose fault is that?
By the same token, maybe I haven’t talked enough. Maybe I spend too much time with my mouth shut. Maybe I haven’t stood up enough for things that are worth our time, worth talking up, worth setting on pedestals.
I tell you, BioShock Infinite will stand the test of time. It’s too good for this. It’s too good for you, warts and all. Some of you will grow to understand that; some of you won’t; many of you will shrug and go on with your lives (and this is fine; it is only a video game). But I’ve truly not seen anything like it. I can’t believe a mainstream video game was allowed to be so fucking brutal about the American juggernaut, and what’s more, that it sold like hotcakes. Plus, I can’t think of any works in recent memory that have struck me so close to my own heart. No creative work has made me start beating a monster’s face into a washbasin for ten hours only to lift her by the scalp and see my own eyes looking back.
Look into those eyes. See your own stupid impulses pouring out. Your own stupid excuses, your violences, your sins—your claws, your teeth, your costumes, your hilarious attempts at interpretive dance. The beast doth protest too much.
O, monster—behold thyself—and tremble.
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carlyraejepsans · 26 days
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i feel like uty improves on things undertale did but it doesnt have the same strong foundation as the original. like all the qol tweaks and secret shit and meta flowey are all super impressive but as a whole i agree i didnt find it cohesive or consistent
eh, sorry but i don't really think UTY "improves" much of... anything from Undertale? you can make an argument for the visuals, which are more detailed and certainly better animated, but i would argue right back that undertale's rougher, retro, "kinda ugly" graphics are a deliberate design choice on Toby's part that he stuck to for a reason. not to mention, even in their ugliness, the original main cast managed to display more variety in shape language and size than the entire UTY one, which seemed unable to break past the "tall, skinny, anime proportioned humanoid" figure for anyone beyond the occasional side NPC (which, credit where it is due, DID have some really creative designs).
the secret shit is part of my critiques, actually! while conceptually cool, i don't think they appropriately distributed their story and lore at all. i feel like if we got to the end of the pacifist run and were wholly confused as to why dalv was even a character in the story, the whole "human attack" backstory was... not delivered properly. now, there's no problem with having secret lore, gaster is right there. but if you DO have it then it shouldn't be... yknow... tied to the main backstory conflict that literally set the story in motion? lol? it felt like a game with dataminers in mind, rather than players. which was unavoidably detrimental to its storytelling.
the bullet patterns and attack designs were very visually creative but what they improved from the original in their cleverness they tanked with their execution. WAYYY too unfair, counting too much on memorization and giving you no time to accustom yourself to the mechanics (shout-out to the gun tutorial that... didn't teach us how to shoot. at all. we figured it out on our own in the axis fight LMFAO)
the meta flowey stuff was a fun idea that only really delivered in the neutral run and didn't amount to enough anywhere else to justify his presence in the game imo. like, i lost my shit during his fight too, don't get me wrong, i like when fan stories let him be a little FREAK. but everything else was just so... wasted? i almost didn't see the neutral ending at all because the way pacifist handled flowey disappointed me so much.
uhhhhh running was a good addition and the music fucked hard. can't say anything against those two, nossir. not sure it'd go so far as to call them improvements tho, just nice touches
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yesimwriting · 1 year
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Sick Day
Set in the Final Girl universe, but it is a stand alone fic that can easily be read with no context :)
Summary: Billy and Stu don’t get why they’re so antsy about the latest addition to their friend group being absent from school. Sure, they talk about her more than they talk about anyone else, but not seeing her for one day isn’t enough to justify panic, right? Guess that doesn’t matter, because they find a way to justify checking in anyways.
a/n if you haven’t read final girl and this makes you curious,, the main fic and extras can be found here: Final Girl Series 
fun fact, this is chronologically set at some point after ‘first impressions’ but before the main series, if you haven’t read either that’s fine, it’ll still make sense, i just like building “lore” lol 
also if there are any typos i’m sorry, i’m stuck wearing a wrist brace for a little while, especially while writing
also this was really fun to write so i might do some more mini fics in the final girl universe in between full chapters, it’s more low stakes and is a good way for me to work on adding to their dynamics,, so if you have any ideas/requests for final girl universe specific stuff pls feel free to ask! 
----
It didn’t take Billy long to realize that part of your appeal comes from the fact that you’re not as predictable as everyone else. Maybe it’s because you’re still new, but that’s easy in Woodsboro, where lifelong friendships are practically assigned by the locker you’re given on your first d of middle school.
You’re also a contradiction. Almost everything you’re feeling is visible on your face, but what you’re thinking isn’t as easy to guess. It balances you out, keeping you from being unknown enough to be threatening but still letting you pop enough to keep you from blurring into the background. 
That’s part of the reason he picked up on your routine so quickly. What he knows about you isn’t as concrete as what he has on the people that are a part of his plan, but he knows enough. More than he intended to. He memorized your classes without meaning to and knows the time you get to school and the approximate time you leave. It’s useful, he tells himself, you’re around Sidney and Tatum all the time and him and Stu are still working on fitting you into the plan.
Sure, they’ve decided that you fit as their potential final girl, but it’s rocky. You bring out something panicky in him and some days it’s too much to be around you and know you have the ability to affect him. It’s not the same, not at all, but Billy can’t help the way it reminds him of what his mom’s distance used to make him feel. At risk. And Billy knows Stu, knows that he probably thinks about you twice as much as he brings you up and that there’s such a thing as Stu liking someone too much. 
When there’s uncertainty, it’s easy to fall back on routine, and you stick to a relatively simple one. You get to school riding close to late more often than not, during your study hall you tend to study outside unless Randy doesn’t use it as an excuse to leave early, then you bother him in the library (something Billy doesn’t get), and you take a little longer at your locker at the end of the day. Billy also knows you’re not one to skip. 
You’re never not at school (which may or may not have lead to an increase in the regularity of Stu and Billy’s attendance). You’re too hyper focused on your grades to not show up without a reason. So when Billy passes by your locker right before the home room bell rings and you’re not there it’s weird.
Billy knows you really must not be here when his eyes land on Stu, who’s staring at your locker. Stu walks you to most of your classes and always walks you to homeroom. 
“She’s not here,” Billy summarizes flatly. 
Stu turns his head, a little unsure. “Or she went to class without me.” 
The jab would be subtle to anyone else, but Billy knows what Stu’s getting at. “She’d still be at her locker, she’s always running late in the morning.” Billy focuses on hearing his words, tries to feel them. “We can check her homeroom.” 
A casual enough suggestion. Still not overly concerned. Stu has to walk past your classroom to get to his anyways and Billy takes that route sometimes. With that justification, the two walk down the hall and peak through the door’s long window as un-notably as possible. You’re not in your usual spot, at the desk right behind Casey Becker, who you talk to from time to time (a potential future problem they’re both aware of).
By lunch, it’s confirmed that you never showed up. You’re not in the first period you have with Stu or the third period you have with Sidney and Billy. Tatum brings it up first. Where’s Y/n? Sidney shrugged and mumbled about how you weren’t in second period today. It only took a minute for the girls and Randy to brush over your absence with a simple she must be sick. 
That got under Billy’s skin a little and he couldn’t figure out why. You’re almost weirdly into the whole school thing--everyone here could likely list your top 3 colleges--and stubborn. Even if you’re only absent because you’re sick, you must be pretty knocked out to not be here. But why should he care about you being really sick or your friends being relatively dismissive? 
“Isn’t she a little...Annie Wilkes about school?” Stu’s question comes out casually enough.
Randy looks up, “She’s not that bad.”
Stu blinks, forcing himself to stay in the moment. Randy was quick to defend you even though Stu’s seen him call you worse to your face. Maybe that back and forth is a sad attempt at flirting. “Easy, no one’s saying anything bad about your girlfriend.” 
“She’s not my girlfriend.” 
“Knock it off, Stu, they’re basically related,” Billy forces the words out as casually as he can manage.
Sidney picks up on the joke, mumbling some comment about how they do sort of act like siblings, which gets Tatum off on some tangent about her brother. The conversation doesn’t circle back to the person that’s missing.
In the english class you share with Billy and Stu, the teacher hands back an old essay and gives out a homework packet. The two of them exchange a look. That’s a good enough excuse to stop by your house...if they...wanted to, which they don’t because it’s not like your absence is that relevant.
Billy talks to the teacher after class anyways, saying that he could make sure you get the graded essay and homework. You’re friendly enough that he’s sure he’ll be able to get it to you before you come to class and it’s never a bad idea to have options. Stu doesn’t say anything when Billy gets the papers and neatly places them in a folder. 
----
There’s all this energy and there’s no real outlet for it. Stu doesn’t know what it is, he can’t tell what he wants to do with it or what’d make it feel better. He’s felt versions of it all day, having it drop and morph into an off-brand version of that dark, craving feeling he gets at the thought of feeling a knife plunge into someone and rise back up to an antsy-ness that’d better fit a kid in line for a ride at a theme park.
The energy reaches its peak on the front steps of your porch, but the feeling doesn’t settle on a particular charge. It remains focused on the more positive side of the spectrum, but it’s undercut by some of the urgency of the other urge. 
He had been the first one to bring it up after school, when Billy and him were finally alone. It had started relatively detached, things are still weird when they mention you outside of certain contexts. They’re so used to being open about other things that the fact that they’re both almost shy about something--someone--is twisting. It’s a feeling they’re still learning to take in larger doses. 
They had spent a little too long trying to find an angle to justify a pop in to themselves. It’s one thing to think about you, to talk about you, to like you even. But it’s something else entirely to openly care. To worry about why you’re missing school or if you’re sick. 
Eventually, want won and Billy finally said something that stuck. She can’t be a final girl if she’s dying, and we need her to trust us, to like us. 
This is stupid. A flaring feeling in Billy’s chest has been yelling at him to stop since the idea first formed his mind. It’s a distorted echo of his father’s voice. 
Billy swallows once, forcing himself to finally knock. The only thing more pathetic than what he’s doing is lingering, coming here and then turning back. 
The seconds pass and with each of them, they both feel worse about their decision. And then they hear the lock click and the front door opens and they see you. 
You look more tired than usual and the blanket that’s practically swallowing you whole makes you seem smaller, more vulnerable even though you’re more covered than usual. You squint at the sunlight in a way that makes them think you’ve spent the day in intentionally dimly lit spaces. It takes you a second, but once you finally register them, it’s visible. You’re grinning, practically beaming. 
Billy feels the reaction in his chest. It strains uneasily beneath his ribs, not much unlike what he imagines a heart palpitation could feel like. He briefly thinks he might be able to hold the discomfort against you, but even that thought mostly fades. 
Stu’s flooded with the strange desire to wrap you up in bundles of blankets the way that his mom used to when he was younger. The few times it happened, it was weirdly comforting. He can’t remember the last time she took the time to make sure he was warm until his fever broke, but he knows his dad put a stop to it at an early age. Too needy, too dependent.
“Hi?” It’s partially a question, and your voice hints at raspiness. 
Snapping back into reality, Billy answers, “You weren’t at school.” Your eyebrows draw together and Billy realizes that that wasn’t the easy reaction he thought it’d be. It’s too open and implies concern. 
“Yeah, I kinda have a cold-fever-something. It’s a bug my mom brought home from work. I thought she was being dramatic, but it totally knocked me out.” You lean against your front door. If you sense either of their conflicts, you give no indication of it. “Karma, I guess.” 
Stu lets out a laugh at that. “Karma? You were that mean?” 
Your lips pull into an almost-smile. “The universe seemed to think so.” 
“You think the universe gave you a punishment cold, but your mom’s the dramatic one?” Stu’s biting down a grin, all concerns about showing up melting. 
You glare halfheartedly, “You can’t be not-on-my-side when I’m sick. That’s like...against friend...rules.” Your eyebrows draw together. “That was--that was really lame, forget I said that.” 
The reaction is so warm and you’re doing your best even though you’re clearly still not feeling well and Billy feels an awful swell of what’s likely fondness. “Not sure I want to.” 
Rolling your eyes, you relax even more of your weight against the doorframe. The shift is small, but Billy can’t help but note it. Are you just being casual or are you that tired? “You’re both here to cause problems.” 
“We’re here to be nice.” The look on your face says you might be a little out of it but you haven’t lost IQ points. “We got our essays back and some homework. Billy picked up yours and I drove him to school, and because one day felt way too long to go without seeing you...”
Your laugh is punctuated by a brief cough you burry into your elbow. It’s not like you’re coughing up a lung, but it is a little concerning. “You guys grabbed my stuff?” 
The genuine surprise in your voice sticks out. “Yeah,” Billy slides his backpack off of his shoulders and starts unzipping it, “One of those friend rules.” 
Billy finds his folder as you roll your eyes. “Funny.” 
“It’s what I’m known for,” he keeps his voice flat, and the sarcasm feels a little off, but you smile and that makes it a little easier.
He hands you the papers, his fingertips brushing against yours. “I see why.” 
“I never get that many gold stars.” Stu leans forward, re-reading some of the notes scribbled on next to your grade. “Maybe you should invite me over, tutor me...”
Your nose wrinkles. “Shut up.” By now they’ve learned that that’s the closest you’ll come to retreating.
Stu exaggerates a frown, “What? Bringing you your stuff doesn’t get us invited in?” 
The redirect is a bit of a stretch, but you’re used to the jumps and you’re tired enough to not read much into it. Not as much as Billy does, who’s a little surprised because he and Stu never talked about what they’d do after. He decides that it’s harmless enough. 
Turning your head a little, it almost feels like a part of you forgot there was anything to be invited into. “I don’t want to get you guys sick.” 
It’s such a you response. Always considerate, polite. Billy looks past you and into the house. There’s no noise indicating that anyone’s in there, but that doesn’t necessarily mean you’re alone. Though the one time he came over to work on a project, he briefly met your mother and was given the impression that she likes making her presence alone. There’s also your mother’s boyfriend, who wasn’t around when Billy came over but based on your comments, he’s not sure being alone with him isn’t worse than being alone. 
“Are you okay?” The question comes out of Billy a little unexpectedly. “You don’t look too...” 
You glare. “Thanks.”
“Not like--” Billy cuts himself off with a sigh. Your eyebrows pinch together briefly. “You look too sick to be alone. At least say your mom’s here.” 
Billy takes in the details of your reaction even though he already has a good idea on what you lying looks like. Harmless, white lies often used to seem more okay with things than you actually are. He sees something similar in the way your chin tilts upwards slightly. “I’m fine.” 
That’s all the confirmation Billy needs. You’re definitely alone. The lack of lie and attempt at dismissal is oddly endearing, especially while you’re like this, leaning against the front door and squeezing your blanket a little tighter. Wait--are you colder? It’s warm out today and there’s not even a breeze. 
A half thought embeds itself beneath Billy’s skin. He gives in, extending an arm slowly. You’re just as confused until Billy’s turning his hand so that the back of his palm is facing you. “I’m--Billy, it’s--” 
The cutoff of your words is sudden, your lips still partially parted, some other jumble of words dying in the back of your throat as Billy’s hand meets your forehead. You don’t move away. It’s been a few seconds, definitely long enough for Billy to have deduced whether or not you have a fever. How did his mom use to do this? 
He takes his time dropping his arm back to his side. Billy doesn’t have too many references to what a fever feels like on someone else, but you did feel warm. “You have a fever.” 
You press your lips together briefly in a forced pout. “You’re worse than my mom.” The blanket is slipping off of your shoulders, you tug it back up. “I’ll take some Tylenol, find a jar of vapor rub.” Angling your head to glance behind you again, you’re returning to that awkward uncertainty. 
The small dismissal digs at them both. It’s bad enough that they let themselves get to this point over one absence and here you are, alone and unwell and completely okay with sending them away. “You sure you’re good here?” 
This time you’re considering it. The proof of the deliberation is there in your silence. More often than not it takes you two or three offers to accept anything you think is an inconvenience. You’re nice to a point of fault. “I’m okay, because no one dies of fever, but if hanging out for a little and seeing absolutely nothing happen to me makes you guys feel better, that’d be cool. But you need to be careful.”
Stu grins, “I thought no one dies of a fever.” 
You take a step back, offering some space for them to pass, “I hope you get this, I think you could use a karma cold.” 
“Now I see why you have one,” Stu mumbles, pretending to be more annoyed than he feels as he steps into your house as you turn your head to stick your tongue out at him. 
Billy follows, lingering in your doorway before shutting your front door. You’re approaching the kitchen, turning your head to look Billy in the eye, “What do you think? Stu deserve one?” 
He briefly pretends to debate, “Worse.” 
You laugh at the irritated sound Stu lets out at the back of his throat. “Do you guys want anything?” They swear they’re fine as you pour yourself a glass of water and use it to down two tylonel tablets. “If my mom gets back from work and thinks I haven’t offered you guys anything to eat or drink, I’m not hearing the end of it.” 
“We’ll defend you.” Stu rests his weight against the kitchen counter, noting the bottle of cough syrup still out. “You need this?” 
You shake your head immediately. “I took some earlier and still feel foggy. I slept most of today.” 
Stu runs his thumb over the white cap, watching it spin without coming off. He considers pushing. Billy changes the subject before Stu has fully made up his mind, “You would be the type to have the most boring sick day.” 
“What’s that supposed to mean?” You’re offended, and it’s oddly soft. “I didn’t just sleep.” 
Billy’s amused enough to press, “What else did you do?” 
“I think I know...” There’s a smugness in Stu’s voice that instantly floods you with embarrassment. Oh no. He’s found them. You snap your head up in time to see Stu holding up some of the tapes you left stacked on the counter. “Beverly Hills 90210, the first four seasons.” 
Billy looks right past you and focuses on Stu. “Only four?” 
“Uh--” You’re caught. “Five’s on right now...and I don’t have a copy of six.” They’re both too quiet, fighting the urge to burst into laughter. “Don’t judge. Trashy teen soaps are popular for a reason.” 
“What about artistic integrity?” 
You dismiss Billy’s question with a scoff that’s a hint too raspy. “Cheap writing in Hollywood isn’t my fault.” 
Instead of returning with another joke (maybe some comment about what Randy would say if he ever found out), Billy pushes himself off of the wall he was leaning against and approaches your refrigerator. 
Billy knows he’s at least heard of the usual home remedies, but he can’t quite place them. Won’t place them because the only person that ever worried about these kinds of things isn’t someone Billy’s willing to think about right now. 
Starve a fever or maybe that’s colds. There’s also...electrolytes? And hydration. That’s probably the best idea. Why does it matter? That thought bothers him, digs under his skin and settles at a wrong angle. He’s seen you. You’re alive, unscathed, and relatively fine. It’s not like any of the bad thoughts were proven right--you weren’t skipping for some other person or leaving.
But you’re uncomfortable. And alone. And vulnerable. Billy hates it. Hates that his awareness of your feelings is lodging itself in his mind and that he can’t really help and that it matters. He’s not sure he remembers the last time anyone besides Stu’s feelings actually mattered. Maybe Sidney’s did once, awhile ago, but that--that didn’t feel nearly as urgent as this.
“You okay?” Your voice snaps him back to the moment, to the glass of water he was getting. “You’re kind of staring at that glass like it knows something it shouldn’t.” 
You drop your voice a little, chin tilting down as you try to be funny. The humor is real enough that Billy doesn’t feel overly pushed, but he does note the thinly veiled genuineness in your words. That’s another thing about you. You say things and you mean them. Even if it’s completely casual, even if it’s a sentiment you’ll forget about immediately until it comes up again. You mean it. 
Billy sets the freshly filled glass on the counter, “Drink more water, your voice sounds like it could be used by a horror movie villain.” 
You frown like Billy’s offended you beyond repair. Just as he thinks you might protest, you pick up the glass and down a fair amount in a few gulps. “Happy?” 
“Oh, he’s thrilled,” Stu hums, “That’s what he looks like when he’s happy.” 
“I think I believe you.” Billy waits until your attention is fully on Stu before letting himself give in and smile a little. 
Stu takes a step towards you, “I’d never lie to you, baby.” He ignores the slight face you make at the nickname. Being sick must make you more irritable because you’ve let much more creative nicknames slide. Stu cups your face between his hands before you can protest. You don’t move or try to shake him off. He takes a second to exaggeratedly feel your skin. “You’re as hot as you look and that’s saying something.” 
“I’m wearing Christmas pajama pants that I got in 8th grade and I spent half the morning on the bathroom floor. No one could find this look attractive.” Stu half shrugs, protests already building, but you snap back to reality before he can get them out. “And if I’m that hot,” you step back, using your hands to pry him off of you, “You shouldn’t be touching me.”
He takes a step towards you. “My immune system’s strong.” Stu briefly flexes an arm, “You think all this could be supported by a weak one?” 
You half smile, giving Stu the opportunity he needs to place his hands on the soft blanket still on your shoulder’s. Again, he’s pleasantly surprised when you don’t brush him off. “You’re gonna get sick.”
Stu rubs a hand up and down your left shoulder, hoping the gesture comes off as light and comforting. “I’ll be fine.” 
Nothing about Stu has given you the indication that he’d be a tolerable sick person. Also, a small part of you is worried a cold like this could really take him out. He rarely dresses warm enough and you’ve seen the amount of energy drinks he’s willing to consume on one day. You’re also not sure you’ve ever seen him eat anything with significant nutritional value. “Every day I find out you’ve managed to keep yourself alive, I’m pleasantly surprised.” 
He squeezes your shoulder. “You’re cranky when you’re sick.” 
“At least she said pleasantly.” 
Stu looks past you to throw a dirty look in Billy’s direction. “Aw, he’s jealous of what we have.” 
Okay--you might be drowsy but you know where the play fighting over you goes. It starts off lighthearted enough, but if you’re not careful it can end kind of sour. One second everyone’s joking and the next Stu’s actually pushing you to pick a side on something that should be harmless but feels heavy. Sometimes Billy gets a little more involved than you think he wants to seem and it never feels fully about you. It’s like half of what they say means something else to them. 
“Okay, no fighting over me,” you shrug Stu off as best you can without losing your blanket, “I belong to this blanket and the couch.” 
You grab your cup of water off the counter and start walking to the living room without checking if they’re following. You hear their footsteps, but pay little mind to that as you settle on the couch and set your glass on the coffee table. 
Billy sits down next to you. “Couch and not your room?” 
Reluctantly sighing, you drop your head back, letting your neck rest at an awkward angle. "I live here now.” 
He can’t tell how much of that is a joke. Are you feeling that sick? “Right.” 
Your attention briefly flickers to the TV, the cliche teen drama that’s still playing being enough to suck you back in even though you’ve missed some context. To him it just looks like overly pretty-ed people overreacting. The scene ends and you return to the present enough to shrug off your blanket and settle the fabric more comfortably on your lap. “You guys can change the tape if you want.” 
A small mercy. Billy stands and begins looking at the tapes stacked on a shelf near the TV. It’s a fair collection, but the movies he saw in your room the time he came over to work on a project were better. He picks the first title that feels decent enough for background that doesn’t seem like too much just in case you’re prone to nausea. 
You’re patiently waiting for the tapes to switch out. Stu’s being quiet, which would have clued you in on a better rested, less sick day. You don’t realize he’s planning anything until you feel the side of your blanket being tugged on. “Stu.”
He scoots closer, “It’s cold.” 
Stu stretches his legs, weaseling himself under your blanket. You weakly try to push him out “There’s another blanket over there.” He ignores you, adjusting so that your legs overlap. “You’re going to get sick.” 
“Your pants are soft,” it’s said so softly, like a kid getting clothes fresh from the laundry.  You’re not sure you have it in you to ruin his good mood. He stretches a foot past your knee and a few inches up your thigh before relaxing back into place. “Fuzzy.”
Despite what you’re wearing, you can feel the comfortable warmth radiating off of him, turning the space beneath the blanket into a space heater. “You’re like a radiator.” 
“I’ll keep you warm an--” 
“Don’t ruin it.”
He frowns, mumbling something about you being “no fun” before sinking further into the couch. You pull more of the blanket onto you and Stu’s hit with the realization that you might not be warm enough. “You want another blanket?” 
You’re clearly surprised by the question. “Uh--no, I think I’m--” 
Stu pushes himself so that his legs are almost off your lap in order to reach the fabric draped over an armchair. He moves back into place and makes a point of draping the blanket over you. “Warmer?” 
“Yeah,” the admission is hesitant.
That is so like you, needing a little push to accept what you need. “Told ya.” 
He must be right because you don’t say anything else. Silence is usually your way of being reluctantly wrong. Stu takes his victory as an excuse to move a little closer. 
Billy sits back down, settling a little closer to the side of the couch. He’s not exactly jealous of how open Stu is. Distance is a good thing, a smart thing. But he does--
A weight on his shoulder. It takes less than a second for realization to wash over him. You’re relaxed, head resting on his upper arm. The room feels a little snugger but it’s not an uncomfortable change. 
The opening credits of the movie are rolling off screen and your eyes are focused on that. “Not to make this weird or lame,” you pause, sniffling slightly as you breathe, “But you guys are kind of nice, sometimes.” 
That has to be a sign of you being tired. Billy fights down a smile. “Sometimes?”
Stu turns his leg to tap your knee, “I think we deserve a little more than that.” 
You move your hand under the blanket to halfheartedly flick his leg. After that, your hand relaxes and rests there. “Fine. Most of the time.” 
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shuttershocky · 22 days
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I will preface this by saying I don't believe in ghosts, but...
1) One time in highschool when there was a class event involving sleeping overnight in the gym, I spent one evening talking to a friend while walking around the school field in the dark. However, after some time, they stopped replying, and I realized I had wandered off alone.
I returned to the gym, saw them sleeping there, and asked why they ditched me. They claimed they were inside the gym the whole time.
I had no idea who I was talking to in the dark.
2) I actually posted this story on Tumblr before.
In 2016 we reached our lunchbreak ("lunchbreak" but at like 3PM lol) at work, but the elevators going down were taking way too long to arrive.
Getting impatient, I told my friends/coworkers I was taking the stairs down. A few floors down, I heard their voices above me and realized they followed after me, but they all quieted down after a few minutes of walking.
When I reached the bottom, my coworkers were all there ahead of me, asking me where I had been. They told me they walked down the entire staircase but never saw me. I called bullshit and said they all probably took an elevator down, but they all insisted they didn't.
I checked my phone's clock, and it was 10 whole minutes later than I should have arrived at the bottom of the staircase. I have no idea where that time went.
3) You know what was one of the wildest parts of Catholic school? Bravery tests.
My elementary school would have outings like normal schools do, but one part of the 3 day outings would always involve the teachers making some bravery test they'd challenge the kids to do. They wouldn't be necessary for your grade or anything, they just thought it would be fun.
The problem is, these tests mattered more to the kids than their actual grades. Being graded a dumbass in Math? That was nothing. Being graded a baby? That was the end of you.
Looking back, some of these were really dumb, like one of the security guards was made to put on a gorilla suit and wander the school at night while you were tasked with retrieving stuff the teachers left inside. They wouldn't make the guard chase you or anything, they just wanted you to experience shuffling around in the dark and encountering a gorilla.
Anyway, one year, the bravery test was going through a dimly lit garden full of statues on stands / pedestals, memorizing a written piece a teacher left at the end, and then coming back and reciting it. Many kids were freaked out by all the statues of angels and saints in the dark, especially when stories of statues of Mary or Jesus walking around on their own or crying blood were common ghost stories for kids.
So there I was, in the dark, a little freaked out but not visibly freaking out or I would be bullied even harder than I already was in Grade 5, when i noticed one statue waved. It wasn't a scary moment or anything, just a "hi" wave, which looked so obvious I realized some teacher meant to jumpscare you with that and that kind of broke the tension.
I still failed the bravery test because I never found that notebook in the dark, but yknow, at least I didn't cry or anything.
The next day though, I went back to that garden in the daytime to see which empty pedestal the teacher stood on to jumpscare the kids and found that none of them were empty.
Bonus Round: When Finding Nemo came out, McDonalds made Finding Nemo toys for their Happy Meals. Dory would do her whale call, and Nemo kind of just laughed like a kid. Unfortunately, my little sisters bringing the toys into the bathtubs broke the speakers inside, so one time late at night, Nemo began laughing on his own with no button press, and Dory began a garbled whale call after him. Every 5 or so minutes they would just do that. It creeped my mom out enough that she picked up the toys and tossed them out of the house at 3 AM. They were absolutely just broken toys, but she wasn't taking any chances.
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magewritesstories · 1 month
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obsessed w ur gilmore girls EVERYTHING, would love some more logan whenever ur feeling up to it 💖 (even tho im a jess girlie at heart)
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[ ʟᴏɢᴀɴ ʜᴜɴᴛᴢʙᴇʀɢᴇʀ ] ᴄʟᴀꜱꜱ ᴀꜱꜱɪɢɴᴇᴍᴇɴᴛ
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summary: logan is in your business economics class and he absolutly does not work in class—except when you're involved of course ;) TW: none note: i'm also a jess girlie at heart, but im definitly team logan when it comes to rory lol, also i dont know what this is but i hope you enjoy it anyway.
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♣ you're pretty much the only reason he even attends this class ♣ he just sits in the back and watches with interest as you participate in class discussions. ♣ if Finn and Colin notice how his seat keeps getting closer to yours every lecture they dont comment on it ♣ speaking of Finn and Colin—they're both little shits (affectionate) ♣ the kind of guys to ask you the most stupid questions, and when you ask them why they even took this class they just shrug and reply, "it sounded fun." ♣ like what about business ec sounded fun to you?? ♣ (in reality they just followed logan)
♣ when the blessed day finally arrives and you ask him if he wants to work on the group assignment together he's over the moon ♣ (he has selective observation skill and ignores the fact that the only reason you asked him was because him, colin and finn basically had you surrounded in terms of seats) ♣ he obviously agrees and you exchange numbers to meet up and work on the project
♣ now, lets get one thing straight, logan does not work ♣ if there is anyway this man can slack off and get a passing grade without doing anything he will do it ♣ but now its you and there's no way he's making a bad impression by makign you do all the work (he will tell colin and finn to make up some stupid excuse to not be there (they have an entire book on them))
♣ you get a consecutive one hour of working in before he suggests that the two of you go get coffee (more than you expected honstly) ♣ he lets you order, pretends to point to something very interesting outside and pays for the food ♣ he also has the most satisfied smirk on his face as you tell him you're gonna pay him back ♣ "suureeee~" ♣ he also memorizes the drink you'd ordered and shows up to the lecture ten mintues before time just to give it to you and make small talk before the professor starts droning on about whatever's on the agenda that day
♣ once the assignement is finished (you and logan did most of the work) you expect to go back to sitting next to him in class for half the lecture and him leaving once he's bored ♣ like it was before ♣ and that does happen. sort of. ♣ except now everytime he leaves, logan sends you a message that afternoon asking for the notes on the lectures (he just wants an excuse to draw you out of your dorm to the nearby coffee stand)
♣ eventually, after he's spent an entire month making up the most ridiculous excuses for meeting up with you ♣ claimed he didn't understand a paragraph once—he was talking about a paragraph of his human recources class (this boy has no clue which book belongs to which subject) ♣ anyway, after a month of ridiculoussness that kinda makes you smile he's succesfully become a part of your everyday life. one day he's bringing you coffee, another he's asking you to meet up with him in the library to study ♣ so now that that part of his plan is successfull he finally asks you out.
♣ when you just smile and say yes, rolling you eyes as you tell him 'it was about damn time' he thinks he's fallen in love with you just a little more.
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forever-rogue · 1 year
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how about tasm!peter helping reader overcome anxiety, but she has a hard time expressing herself to others, even about anxiety. but peter wants to help comfort her no matter what 🤍 don't need to write this if you don't want lol
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AN | Okay, this got away from me, but I think it’s so cute! There’s also a first kiss🥰❤️
Pairing | tasm!Peter Parker x Fem!Reader
Warnings | Language
Word Count | 3.9k
Masterlist | Main | Peter
─── ・ 。゚☆: *.☽ .* :☆゚. ───
Peter Parker was pretty. Really fucking pretty. 
That was one of the first things you’d noticed about him freshman year in your early morning biochem class. You learned, later on, that he was also incredibly kind, charming, and ridiculously smart. Like genius level smart. You knew he liked photography, which happened to be a hobby of your own. You wanted to be his friend; you’d thought many times about going up and speaking to him, but always talked yourself out of it.
Why would Peter Parker want to be your friend?
Instead you admired from afar, from a safe distance. But once you both graduated from ESU and went on to getting advanced degrees, you were sure that you’d never see him again. After all, New York was a huge city, and the odds that your lives would be intertwined enough to run into each other on a regular basis seemed slim to none. 
So - imagine your surprise when you started working as a research scientist at Biotech a few years and another degree later and you found that Peter Parker was starting at the same time as you. You’d done so well to keep your distance, to keep your feelings in check by being a silent admirer. But now, not only would you be seeing him every day…you’d be working closely with him in a lab all by yourself. 
You had no clue how you were going to survive, and part of you was tempted to quit and look for a different job, but you’d worked so long and so hard for this position that you weren’t going to just give it up. You were just going to have to suck it up. 
─── ・ 。゚☆: *.☽ .* :☆゚. ───
And it worked, surprisingly. Peter was nothing if not polite and kind, and honestly he was a dream to work with. The two of you had a certain synchronicity that just was hard to put into words, but you complimented perfectly. Despite your initial fear, working in a lab with Peter went well. The worst part was that it made it all the more easy to fall for him. But you doubted he would ever see you as anything other than the girl at work. 
“Hey,” Peter softly interrupted your silent prayer to release any feelings for him with a soft smile. It was getting later into the evening and you were both getting ready to leave for the weekend. You flashed him a smile in response but slipped on your coat, “I was wondering…umm, do you want to grab a bite to eat?”
No way. No freaking way was Peter Parker asking you to get dinner. Right? Right?
“I-I’m sorry,” you blinked a few times and looked at him with wide eyes. His cheeks flushed a pretty pastel shade of pink as he nervously ran a hand through his hair, “what did you say?”
“I was wondering if you wanted to get some dinner,” he repeated softly, shrugging one of his shoulders lightly, “you don’t have to if you don’t want to, of course. I just thought it might be nice to spend some time outside of work together.”
“You want to spend time with me?” your eyebrows shot up in surprise. You needed to make an appointment to get your ears checked. Peter would never want to be with you outside of work. Or, if anything, he might have been so lonely that he welcomed anyone’s company, “me?”
“Yes you,” he laughed softly and it was a sound you’d memorized over the years but still made your knees weak. He took a step closer and bit his lip for a moment, “let me clarify so we’re both on the same page - I, Peter Parker, am asking you, you, if you’d like to go out and dinner.”
“Oh,” every dream you’d ever had of Peter seemed to be coming true then and there. Peter liked you, Peter wanted to spend time with you; maybe you’d never been invisible to him after all. But no. You couldn’t…you just couldn’t. You were sure if anything he’d spend about ten minutes with you alone and he’d grow bored of you and make some excuse to leave. The idea that Peter would end up being bored of you was enough to make you never want to speak again, “umm…Peter, t-that’s really nice of you to ask. But I just…can’t. I’m sorry.”
“Oh,” it was laced with disappointment and you could see his face falling. You were pretty sure you’d just made things so much worse than if you’d just agreed on going, “no worries! I just thought I’d ask, it’s no big deal - maybe next time…well, enjoy your weekend.”
“You too, Peter,” you watched as he grabbed his bag and left, pausing at the door to turn around and give you a small wave. You returned and remained rooted in place, regret clouding your mind. If you hadn’t had such bad anxiety, you would have said yes. But the fear of messing everything up had been worse. You sighed at yourself, “pathetic.”
─── ・ 。゚☆: *.☽ .* :☆゚. ───
There was something quite lovely about New York in the middle of the night. The city never quite deadened, but there was a lull to life that made everything feel so much calmer than normal. That, combined with the insomnia you struggled with from time to time, was enough of a reason for you to venture outside. You grabbed your camera and slowly climbed out of your window and onto the fire escape, slowly making your way the several floors up to the rooftop. When you got there, you set out a long exhale of relief as you looked around the space and found the big blanket you stashed up here for times like this. 
It was chilly out, but it was exhilarating and made you feel more alive than you had all day. You walked around the rooftop and looked out into the city, trying to find anything worthy of your attention. After scouring for a few minutes, you found a gathering on one of the nearby streets and decided to capture it. You framed the shot, but before you could even press the shutter, you heard something loud fall next to you, accompanied by a small oof. 
You dropped the camera which was luckily around a strap on your neck and turned towards the commotion. To your surprise and shock you found Spider-Man looking right back at you. You gasped, hands covered your face as you looked at the man in the blue and red spandex suit, “Spider-Man?”
“Hi,” he cheerily waved before putting his hands on his hips and cocking his head to the side, “what’re you doing up here? It’s freezing - and it’s late.”
“What are you doing on my roof?” you asked with just as much surprise. You’d seen him on the news, read about him on the internet, but you’d never seen him in the flesh before, “you’re shorter than I expected.”
He playfully groaned and you were sure that he’d rolled his eyes under that mask, “first of all, I’m patrolling, and I happened to be swinging by. Secondly - I’m above average height, thank you very much!”
“Well, I don’t know, I expected you to be like…6’5 or something,” you shrugged, stifling a laugh at his distress, “aren’t you a superhero and all?”
“I am still a person-”
“With spider-like abilities,” you found yourself grinning in spite of the initial nerves, “so I dunno, I figured you might be tall. The news does you justice I guess.”
“Yeah well…fine,” he huffed lightly as you laughed at him. You could have sworn that he sounded so familiar and you couldn’t quite place it. Part of you was sure that he sounded like Peter, but there was no way that your crush of eight plus years and lab partner was Spider-Man, “but seriously, what are you doing up here?”
“I…I couldn’t sleep,” you found it incredibly easy to talk to him, nerves and anxiety the last thing on your mind. Maybe it was the fact that you couldn’t see his face, or the fact that you had no clue who he was, “I go outside when I can’t sleep…it helps sometimes.”
“It’s dangerous,” he reminded you and you shrugged lightly, “you shouldn’t be out alone at night in this city.”
“Well I don’t exactly have someone that’s just available to come out with me at three in morning when I’m dealing with insomnia,” if you didn’t know any better you were sure that he sounded concerned, “it’s not the first time I’ve done this. I’ll be okay.”
“You have someone now,” he insisted and your mouth opened in surprise. When he saw the visible confusion on your face he pointed at himself, “that way I know you’ll be safe.”
“There’s only one problem with that.”
“Which is…?”
“How am I supposed to just call you if I need you?” you asked softly and he chuckled warmly as if there was some sort of inside joke between the two of you, “I don’t think there’s some sort of Spidey Signal or something.”
“I’ll be here,” he promised, “I’ll know.”
“Sure,” you liked the sound of it but you highly doubted he would just show up when you needed him. He had a whole city that he kept safe, and you were just one unimportant, small person among millions, “thanks for the concern.”
“I care about you, you know,” he said it like it was something of some personal thing to him. He must have caught his mistake because he quickly cleared his throat and added, “I care about everyone in New York.”
“Of course you do, you’re Spider-Man,” you gave him a small smile and decided that perhaps it was time for you to go. You were about to turn around and head for the fire escape when he stopped you.
“You have a camera,” you looked down before looking back at him and nodding softly, “you’re a photographer?”
“Amateur,” you confessed with a shy smile, “scientist by day, amateur photographer by night. It’s just a hobby, but it’s stuck with me through the years.”
“Wow,” you could tell that he sounded genuinely impressed. Peter, of course, knew you were a scientist, but he had no idea that you’d shared the same hobby too. It made his heart melt a little more, “that’s really cool.”
“Not as cool as being Spider-Man,” you insisted softly as he made a small sound, “I guess I better get going. And let you get back to work…or whatever you call it.”
“I’d love to see some of your work sometime,” the small that worked its way onto your face was breathtaking and made his knees weak, “if that’s okay.”
“Yeah,” you nodded with your face warm despite the chill of the late fall air, “definitely. Well…I guess I’ll see you around Spidey.”
“See you around, smart girl,” if he’d had the mask off, you’d have seen the giant, dopey grin on Peter’s face. But he was gone, swinging back into the evening as you stood there and stared after him.
You were pretty sure you had just  befriended Spider-Man. Holy fuck.
─── ・ 。゚☆: *.☽ .* :☆゚. ───
You really hadn’t expected to see him ever again. But on your next little, a late night walk through the streets of Queens, he made another appearance. He swung over and gracefully landed next to you, easily catching up to your stride. You couldn’t deny that you were elated to have him there. There was something easy about talking to him, about giving bits and pieces of yourself to him, and taking what he gave back. He was always careful not to give too much away, not to reveal too much of his real identity, but you felt like you were getting to know him. And you really liked him. You spend weeks upon weeks of your evenings with Spider-Man, growing closer than you’d have thought possible to the masked man.
On the other hand, it felt like your relationship with Peter was slowly slipping away. After that first night when you’d turned him down, you created a bit of a divide between the two of you. It wasn’t for lack of wanting to be his friend or even more, it was just that you didn’t trust yourself around him. He made was Peter fucking Parker and you were just…nobody. He never made you feel that way, but that’s just what you had ingrained in your mind. And, to your dismay, Peter slowly pulled back as well, which you took as rejection, when in reality it was him not wanting to make you uncomfortable. Either way, you wished you could go back in time and just say yes to him. 
─── ・ 。゚☆: *.☽ .* :☆゚. ───
Spider-Man seemed to notice your glum mood the next time he saw you. You hadn’t even gone out to the roof or for a walk, but he’d made an appearance at your bedroom window, gently tapping on the glass once he’d spied you sitting at your desk, typing away. When you heard the noise, you turned around and your face morphed into a look of surprise and then happiness. You rushed over to open the window and let him.
“How did you know which window was mine?” you asked softly as he took your outstretched hand and stepped into the room. He set his hands on his hips and looked around your room, taking it all in; your face flushed with warmth as he realized he was getting a glimpse into your most intimate space. 
“I’m Spider-Man,” he said as though that explained everything, “I was in the neighborhood and wanted to see you.”
“You wanted to see me?” your face softened and he nodded. 
“Can I sit?” he pointed at your bed and you nodded eagerly before plopping back down into your cushy desk chair, “I like your room. ‘s cute.”
“I…I never thought Spider-Man would be in my bedroom, I might have decorated a little more,” you joked and he laughed lightly, but he could see that your smile didn’t quite reach your eyes. He paused for a moment and you could feel that he was studying you, trying to pull you apart, “what?”
“You seem upset,” he whispered, leaning towards and holding out his hand. He hesitated for a moment, trying to make sure that he didn’t cross any of your boundaries, but when he noticed that you almost leaned, put his hand on the side of your face and gently stroked your cheek, “what’s wrong, my smart girl?”
My smart girl. He had a tendency to call you; you secretly loved it more than you cared to admit. 
“It’s nothing.” you insisted, biting the inside of your cheek in order to keep the tears from welling up. You put your hand on his forearm and gave it a gentle squeeze. When he made a small sound of concern in his throat, you couldn’t back the tears. A few pearled up and rolled down your cheeks, “it’s my own fault, it’s so stupid. Really, i-it’s fine.”
“It’s making you upset,” you could practically hear the frown in his voice as he used his thumb to wipe away your tears, “it’s not stupid if it’s making you upset. You don’t have to tell me…but I am here for you if you want to tell me. You can tell me anything.”
“It’s just…my friend,” you sighed lightly and pulled back, curling into yourself, “I think he’s my friend, anyway. I feel like I kept pushing him away and now I don’t think he wants to be my friend anymore. I don’t think he wants anything to do with me. We work together, and he almost never talks to me anymore unless it is about work.”
Peter’s breath hitched in his throat as he realized you were talking about him. He felt himself getting choked up as well, “what makes you think that?”
“I feel so dumb,” you shook your head, “it’s just that…I think I like him. I mean I do like him, a-as more than a friend. I’ve had a crush on Peter for a long time. Like eight years, but I’ve always thought I was invisible to him. But he just…he knows all these things about me, and it’s like…it feels like he’s always seen me, you know?”
“Why did you push him away?” Peter’s heart was beating so fast and hard he was surprised you couldn’t hear it, and even more surprised it didn’t just burst through his chest, “what happened?”
“He asked me if I wanted to have dinner with him,” you confessed as if he didn’t know all of this, “and I thought it was just as friends at first but I think he might have meant more…he seemed so upset when I said no. It made me sad to see him like that. I didn’t mean to hurt him or upset him, I just…I got so in my head and let my anxiety get the best of me. So I just said no.” 
“Did you want to say no?” he asked softly as you looked up and met his gaze through the white eyes of the mask. It just felt like he knew you, and that you knew him. There had always been that very familiar air about him, but you’d never been able to quite place why.
“No,” you admitted with a small, bitter little laugh, “I wanted to say yes. I want to spend more time with him and…I really do like him. But I’m afraid he’s going to get to know me more and think I’m boring or lame, or he just won’t like me. I have really bad anxiety and it really gets to me.”
“I’d never be able to guess,” he confessed and you gave him a small smile.
“It’s different with you,” you admitted shyly, “I feel comfortable around you, andI always have. I don't know why, but it’s true. That’s how I feel with Peter too, except that one time I clammed up so much and ruined everything.”
“I’m sure you didn’t ruin anything,” he insisted softly, and you couldn’t help but laugh lightly, “what’s so funny?”
“I don’t have as much confidence,” you shrugged, “how are you so sure? You don’t know Peter, you didn’t see the look on face when I said no. I…I never want to see that look on his face again. It made me so sad.”
Peter was internally debating on what to do. He could either tell you that it was him and risk the chance that you’d hate him forever for not telling you for so long and getting all of this out of you. Or he could continue on as Spider-Man and never tell you that it was. Or he could tell you tomorrow at work…as Peter. There were risks and benefits from each scenario. All he knew was that he couldn’t lose you; that would be too much.
“You know, Spidey, you remind me of Peter in some ways,” you whispered shyly and his heart plummeted into his stomach, “you sound like him. And you like a lot of the same things and I dunno…I feel the same way around you as I do around him. That’s never really happened with anyone before.”
“Listen-”
“It’s almost like….” you stopped yourself, worrying your bottom lip between your teeth as you shook your head, “it’s silly. So stupid, really.”
“Tell me,” he asked softly, “please.”
You inhaled softly, your heart pitter-pattering wildly in your chest. It was your turn to hold up your hand and reach over, ghosting your fingertips along his jaw. He leaned into your touch ever so slightly and you could feel the warmth of his skin even under the mask. You closed your eyes for a moment before exhaling shakily, “Peter?”
He paused for a moment before taking your hand and guiding it to the back of your neck where you felt the zip of the mask. You undid it softly, slowly, and when he sensed your hesitation, he helped you and slowly pulled off the mask, revealing himself to you. 
You gasped lightly when you found Peter Parker’s glittering honeyed eyes looking back at you nervously. You couldn’t help the nervous laugh that bubbled up, and he visibly relaxed when you didn’t get angry. He held up his hand nervously, “hi.”
“This whole time,” you felt your face warm up when you realized that you had basically confessed your feelings to him, “I knew you seemed familiar, Spidey. I should've known that it was you. I’ve never felt the way I do about you with anyone else. When it happened with Spider-Man, I didn’t think anything of it. But it was you this whole time.”
“I didn’t know if I should tell you,” he whispered, “but I wanted you to know. And I never meant to make you feel like I was pushing you away. I just didn’t want you to feel uncomfortable….when I had asked you out and you said no, I thought maybe you didn’t feel the same way, so I thought it’d be best to back off.”
“It wasn’t you,” you promised, “it never was. It was me. Peter, I meant what I said, I’ve had a crush on you since that first day in biochem. I wanted to be your friend for so long, but just could never bring myself to say anything. I thought maybe I could use the photography thing since that’s something we both like but it just never seemed like a good time. And when we started working together…it was nerve-wracking and wonderful. And when you asked me for dinner, I panicked and thought I would surely ruin everything, so I took the possibility of failure away by saying no and making it impossible.”
“Ever the logical scientist,” he smiled softly, “my smart girl. But so you know, you could never have ruined anything. Do you want to know a secret?”
“Yes.”
“I’ve liked you too,” he admitted and your heart felt like it was going to burst, “since that first day in biochem. But you’ve always been way out of my league, so I never said anything.”
“No way!”
“Way,” the look on your face was both pretty and priceless and he was dying to finally kiss you, “now you know all my secrets.”
“Do you want to know one of mine, Peter Parker?”
“Yes.”
“I thought about what it would be like to kiss you so many times,” you whispered so softly that he was sure he wouldn’t have been able to hear you without his heightened senses, “I’d really like to kiss you now.”
Peter’s eyes lit up and you both leaned in, his lips inches away from yours. After a moment of hesitation, he finally kissed you, soft and sweet. He pulled back much sooner than you would have wished, his eyes searching yours as if to make sure it was alright. Your beaming face told him it was more than alright. 
“Was that okay?” he sounded so nervous it was almost too precious.
“I think so,” you teased lightly, “but I am a scientist and need more data to form a proper conclusion.”
“As a fellow scientist, I’m more than happy to provide all the data you could need,” he was grinning from ear to ear, “if you want that is…”
“Yes, Peter Parker,” you kissed him softly, “I would love that.”
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jaehyunsprincesspeach · 5 months
Note
awh!!! the love at first sight is too cute that i had to request a little something...
anyways, you know this like trope (does it even count as one?), where like person A keeps on dreaming / thinking this particular "imaginary" person not knowing that that person actually exist?!? and then they just like run into them at somewhere where there isn't much time to like plan i guess? example, person A is about to miss the last train or something when they just walk past this person and be like, wait a minute, isn't that person who i kept dreaming / thinking about??? :0 and then person B is just confused cause why is person A acting like they've met before ykwim? so like that but it's the scenario where skz members keeps dreaming/ thinking about this person they don't even know existed and then actually running into them one day in a really "rushed" scenario lol
so so sorry for the lengthy word vomit, i got carried away :( and remember to take your time and take veryyyy good care of yourself otherwise i'll hunt you down >:( /hj
i’m obsessed with this !! thank you so much for the request , i’m sorry it took so long but I hope you enjoy !!
apologies in advance, this is a bit lengthy, but i hope it fits each member !! feedback is always appreciated 🤍
all the love ~ lunar
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Am I Dreaming?
skz ot8 x reader
warnings : super fluff
scenario: he can’t stop thinking about you, and the worst part is, he doesn’t even know if you truly exist. with the number if people he sees everyday, its hard to remember names or faces, but out of nowhere, you appeared in his dreams. weeks have gone by, and you are there every night, a face without a name, without a voice, still, a face that he longs to meet. a face that he longs to memorize and learn more about. a face of someone he thinks would change his life, if you truly exist. for weeks, you are in his dreams, to the point that now wherever he goes, he looks for you. in crowded rooms, in quiet coffee shops, even in the crowds at his concerts, he’s always looking for you. after a few months his hope slowly drifts away, leading him to believe you are simply part of his imagination. one random day, he’s rushing around with the rest of his team, Stray Kids, trying to get through the crowd of fans outside of their show, and back to their hotel. fans swarmed the front doors of the hotel, and they are pushed inside, where you are waiting to simply leave for a meal, which proves to be impossible with the number of screaming fans outside. how you managed to book a room at the same hotel as Stray Kids is a shock to you, but seeing what they are going through right now, you quietly sit in the lobby, not wanting to make them more stressed than they already must be. finally, the group manages to burst through the doors, practically stumbling through the lobby, as the hotel security does their best to keep the fans outside. that’s when he sees you.
Bang Chan
Chan would be counting his children, when he sees you sitting in the lobby. you are reading something on your phone, trying to ignore the curiosity of the commotion that is unfolding right in front of you. he would finish what he needed to do before approaching you, shyness evident in every movement, but confident enough to approach a complete stranger.
“excuse me, im sorry to interrupt you, but have we met before? this may be weird, you just look very familiar…” he would say, trying not to startle you, or make you uncomfortable.
“I dont think we have… im y/n.” you say with a gentle smile.
its the smile that makes him realize you are the person from his dreams. he would introduce himself, and try to have a conversation with you, before being pulled away. before he leaves, he would make sure to get your phone number, saying that he would love to get to know you more over a cup of coffee. i feel like he would want to text you right away, but he waits till a few hours passed before asking for your room number, emphasizing that its not what you think it is, but five minutes later there is a knock at the door, and when you open it, you are greeted with chocolate covered strawberries, and a note that says “surprise, I hope you enjoy, can’t wait to talk with you more”. I think it’s safe to say, you were swept off your feet immediately, even after the rather rushed introductions.
Lee Know
oh goodness, this man is upset. he loves his fans with his entire heart, but after a long day, he wants to simply enjoy a quiet area, reading a book that he has been putting off for a while now. when he stumbles through the door, he keeps his composure very well, though it is evident that he is not in the greatest mood with all of the commotion that he just had to make his way through. he sees you as Chan is doing a head count, making sure that everyone is accounted for, and he simply cannot take his eyes away from you. I don't think he would approach you right away, but when you catch him staring, and give him a smile, he might finally walk over and start talking.
"Im sorry, I don't mean to stare, you just look really familiar."
"That's okay, im y/n"
the two of you would have a very light conversation, mostly him explaining what was happening outside, and what all the commotion is, and then Chan would drag him away. Lee Know would ask the person at the front desk to send chocolates or some sort of dessert to your room, with a note that tells you to meet in a specific area of the lobby to talk some more. hes really not sure what this feeling is, but he simply cannot bring himself to stay away from you. from the first interaction, he wants to talk with you for as long as he possibly can, even if he has to risk getting into trouble.
Changbin
Changbin would simply stop functioning the second he sees you, but contrary to Lee Know, I think he would approach you rather quickly. he knows you are the person he has been dreaming about, but he doesn't want to come off as weird, so he would gently ask if he has met you before.
"excuse me, have we met before?"
"I don't think so, but im y/n! its nice to meet you!"
he wouldn't have too much trouble, and lucky for him, he happened to be wearing a shirt that accentuated his muscles (hehehe hes totally trying to flex without being obvious about it). rather than being dragged away, he would ask why you're in the lobby in the first place, and would offer to escort you wherever you are going. when he finds out you are trying to go get food, he immediately takes you to the concierge to order, and goes on his way, leaving with your number of course.
Hyunjin
Hyunjin gets so nervous omg !! you would catch his eye, and he would just stare at you for a minute trying to connect the dots. when he does, he refuses to make eye contact, though you've already caught him staring. you would probably have to initiate any sort of conversation with him, but once the two of you start talking, he would get even more nervous.
"are you okay? your cheeks are flushed.."
"y-yeah im fine, just feels like we've met before..."
"i don't think we have, but maybe in a past life"
the two of you would start talking about theories about past lives before Chan walks over and pulls Hyunjin out of the conversation. he would ask for your number very shyly, but would spend the rest of the night texting with you about anything and everything (cute !!)
Han
Han completely stops functioning, but unlike Changbin, he wouldnt approach you at all. he would be a nervous wreck the entire time, even after you start a conversation with him, cause honestly you would have to approach him first.
"are you okay? youre staring quite a bit..."
"y-yeah"
"are you sure?"
"y-yeah"
poor baby, he really doesnt know what to do.... Chan has to literally drag him away… once he comes to terms with everything he would probably freak out about not getting your number and totally embarrassing himself… creds to Channie for getting your contact info for him, cause if not he probably would have never had the chance to speak to you again…
Felix
Felix would have no issues walking up to you. he’s sociable, but there’s no doubt that he’s nervous !! he does a fairly good job at hiding it, but the blush that dusts his cheeks, and the shy tone he speaks with totally gives it away…
“hi, i’m so sorry to bother you, but could you tell me your name? i feel like we’ve met before…”
“i don’t believe we have, but im y/n!”
please give him a gentle smile, it’ll warm his heart and calm his nerves a little bit. honestly he might not approach you immediately, as he wouldn’t want to bother you in any way, but once he decides, he sticks to it, and carries out a very gentle conversation, ending up with your number before anyone has the chance to pull him away. 100% sends you some sort of dessert with a super sweet message on it, while texting you for the rest of the night.
Seungmin
when Seungmin sees you, he would be so shocked … like big puppy eyes activated, as he tries to remember where he has seen you before. once he finally makes the connection, he would approach you. on the outside he looks confident, but honestly he’s freaking out on the inside.
“hi, this might sound weird but i think ive seen you before… can you tell me your name?”
“oh, i’m y/n! i don’t think we’ve met before though…”
he would want to get as much information about you in the short time that he has, and wouldn’t have any troubles asking for your number, but as soon as he walks away, his breath becomes heavy like he was holding it the entire time… fake it till you make it right ?
I.N.
sweet baby angel would NOT approach you. he would pull one of his hyungs aside and point you out like “hyung, she’s the girl that’s i’ve been dreaming about!” would do his best not to stare but he just finds you so mesmerizing. whoever he pulled aside would probably be the one to walk up to you first.
“hi, my friend over there thinks he knows you from somewhere … could we get your name by chance?”
“my name? y/n… but why doesn’t he come talk to me if he thinks he knows me?”
with that, his hyung would convince him to go talk to you, and as nervous and shy as he might be, the two of you would hit it off pretty well !! as he gets more comfortable, before being pulled away, he would get your contact info. i think like Chan he would wait a little bit before messaging you, so that he doesn’t come off as weird or anything like that, but the two of you would talk about literally anything and everything for the rest of the night !!
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pippin-katz · 7 months
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Hey!
Why does Henry rebuff Alex during their first meeting? Like when Alex greets him, he walks away ignoring him.. What's the theory there?
I'm kinda new here and if this was already discussed or known, my apologies 😊
No prob! I like explaining things, even if it's obvious or everyone is like "we know already". My little neurodivergent brain gets happy when I make neat essays with GIFs and sections and whatnot lol
Post Writing Note: once again, this very simple question with a fairly simple answer turned into a fucking essay and I am so sorry lmfao, I know I said I like making them but I did not intend this to be a long one!! You have been warned!!
Foreword Regarding The Canon
I, and I assume most viewers who have also read the book, interpret the film's canon to be a combination of the film's events, and parts of the book that we didn't see, but could've happened anyway. Things like what was said in the emails, Bea's history with drug abuse, Pez' foundation, and whatnot are sort of meshed together with the film in my mind; just because the film didn't have the time to show it to us does not mean it did not happen in that version of their world. I say this cause I'm going to be discussing both the book and the film.
Also a key: Pink - internal dialogue from the book Red - Alex's dialogue in both versions Blue - Henry's dialogue in both versions
Establishing The Basics
I assume you’re referring to this moment during the greeting line:
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Side note: Alex’s face at the end never fails to make me laugh 😂
While this is their first interaction in the film, it’s not their first meeting, as they explain that they met at the Melbourne Climate Conference a few years ago. In the book, they met in Rio at the Olympics when they were teenagers. The only difference this makes is that they're more mature in the film than the book, but it doesn't change much.
The beats for how their first meeting went are practically identical.
Alex approached Henry to introduce himself. Henry, who was dealing with his grief and depression after his father’s passing, was an ass.
He looks at him unkindly; in the film, Alex describes it as: “like he had head lice”, and in the book, Alex describes it as: “like I was the most offensive thing you had ever seen”. Either way, he looked at him in a way that visibly communicated a dislike or lack of respect for him.
Then he turns to Shaan and says he needs to leave, though the wording is different between book and film. In the film, he says, “I need to get out of here” -which Alex mishears as "get me out of here"- while in the book, he says, “Can you get rid of him?”.
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Henry Meeting Alex
Admittedly, the line from the book is far more rude, but Henry does explain far later -after Alex storms Kensington Palace and they agree that they’re committed to being together- through an email what he was thinking during their first meeting. I see no reason for these thoughts to be any different in the film's context, as the reason for Henry's behavior is still rooted in his depression and trauma surrounding his father's death. They're also relevant to understanding Henry's behavior.
You might have seen edits or mentions of this email because it’s one of the most memorable.
Henry explains he had been dealing with his trauma by basically compartmentalizing the most impactful -mostly negative- events of his life into “rooms”. He puts those moments into “rooms” in his head, based on the layout of Buckingham Palace. He chooses which room based on how traumatic or impactful it was; two examples he mentions are losing his virginity in college, which he shoves it into “the smallest, most cramped little broom cupboard” he could find, and the night his father died, which he puts in “the biggest room, a ballroom, wide open and dark, windows drawn and covered”.
But when he saw Alex for the first time, he felt such a strong reaction that he took it “down to the gardens” and “pressed it into the leaves of a silver maple and recited it to the Waterloo Vase”. He quite memorably says, “It didn’t fit in any rooms.”
Then he describes what Alex looked like, and how he was talking to Nora and June, and how he was so animated, happy, and beautiful, and Henry was in a dark place, and felt like he couldn't experience life the same way.
Here's the most popular/remembered bit: "I thought, this is the most incredible thing I have ever seen, and I had better keep it a safe distance away from me. I thought, if someone like that ever loved me, it would set me on fire."
Henry basically pushed Alex away on purpose because on top of all the trauma he was experiencing, he was convinced he would ruin him, if you will, and that he didn't deserve someone like Alex.
Alex Meeting Henry
It's easy looking back with the knowledge we have now to wonder why Henry didn't just approach Alex, provide an explanation for his behavior (doesn't have to be his father, any justifiable reason would've worked), and apologize the very next time they saw each other.
But it's important to remember that this was their first ever interaction with each other. Henry was feeling a ton of different emotions, but so was Alex.
Alex is a smart, but stubborn, person. He develops very strong opinions fast, that may make sense, but sometimes fails to consider the alternatives. It's sort of like the two sides of his brain work at different speeds. He's very smart, but sometimes his emotional bias can blind him to fairly obvious things that would change his opinion.
For example, Alex sees Henry as rude, smug, entitled, and a snob, which are all inherently false notions. However, based on his one meeting with him, those aren't unfounded assumptions for him to make.
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If you look at it purely from Alex's perspective, not knowing anything about Henry's depression and the depths of his struggle with grief, Henry does act and sound incredibly rude to Alex. Giving someone a nasty look when they introduce themselves to you and then immediately requesting to get out of the conversation, screams: "I don't care about your existence".
Couple that with the fact that Henry is a white, blue-eyed (in the book), blond who was born into royalty, and Alex is a working class person of color who has had to run himself into the ground to get to where he is.
That is the perfect set up for Henry's behavior to be interpreted worse than just rude. All of that information can logically add up to the assumption: Henry is an elitist, racist, asshole.
Before They Met
Alex also secretly admired Henry when he was younger. This wasn't translated to the screen, but like I mentioned, it's something I think of as happening in that universe anyway, just slightly differently.
June gets a teen magazine for her fifteenth birthday; since June isn't part of the film's canon, I can headcanon that this was Nora instead, since she's sort of a combination of the two characters for the movie. All the details don't really matter, but I know someone would be like "but that didn't happen in the movie-" and I just don't feel like explaining that to each comment I end up getting.
There's a teen magazine with a picture of Henry in it. It's a candid picture that captured his actual essence rather than the stuffy pictures Alex had seen on the news. He describes it, saying, "there was a happy, sun-bright confidence to him that couldn't be posed".
Alex definitely developed an unconscious crush on him, not realizing it until later. He would keep going back to the magazine and to the page with him on it. He would touch his hair in the picture, trying to imagine how it felt. He considered prying the stables apart and taking just that page to hide in his room.
As his parents started getting higher in the government, Henry also became his role model. He wanted to match the easy confidence he seemed to have.
But then he met him, and the fantasy he had of him was shattered by how rude Henry was.
The tabloids and news are always comparing Alex to him, which he mentions in the film to Nora in the car. He resents the fact that he's compared to Henry when he has every advantage, if you will, but he also resents that he ever wanted to be like Henry in the first place, having convinced himself now that he was a fake, boring, obnoxious prick.
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Because Alex doesn't not know about Henry's dad, but its something he thought about more as a bullet point on his fact sheet rather than considering it any further.
Henry's depression is more explicitly explored in the book, since they have the time to go into all those details. He isolates himself, and has insomnia like he mentioned in the movie, but he also takes medication, and Alex makes a mention of a "tense little grimace Henry does in public" that he thought was him being aloof.
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Once Henry mentions his father's passing during their conversation in the hospital closet, Alex's brain puts everything together very fast. He's not stupid, and in the book even says, "He's been aware for too long that most people don't navigate thoughts of whether they'll ever be good enough or if they're disappointing the entire world. He's never considered Henry might feel any of the same things."
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Antagonizing Each Other
However, that is all information Alex doesn't have at the wedding. They don't say exactly how many times they've spoken in either version, just that they have met a few times since their first introduction.
Alex, on top of dealing with the comparisons, is convinced that Henry doesn't like him either. The quote from the books is: "The most annoying thing of all is Alex knows Henry hates him too-he must, they're naturally mutual antagonists-but he refuses to outright act like it."
He actively antagonizes him whenever they are at the same event. It's implied in the film when Henry describes him as "the world's most irritating person", but the book makes it clear that Alex is always the one to attack first, if you will.
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As soon as Alex goes over to him at the wedding, we can see Henry visibly react in a way that implies he's bothered but has to pretend so they don't cause a scene. His expressions say, "oh here we go 🙄". Henry knows that Alex is going to pick a fight with him. It happens every time they run into each other.
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This interaction in the book is pretty iconic and it does a great job of showing what I'm describing. Alex gets drunk and approaches Henry and while they're talking, Henry notices. He suggests Alex switch to water after he makes a lot of rude comments about him pretending to be more important than everyone and pretending to hate the attention the media gives him.
"Should I?" Alex says. He pushes aside the thought that maybe the wine is what gave him the nerve to stomp over to Henry in the first place and makes his eyes as coy and angelic as he knows how. "Am I offending you? Sorry I'm not obsessed with you like everyone else. I know that must be confusing for you."
"Do you know what?" Henry says. "I think you are."
Alex's mouth drops open, while the corner of Henry's turns smug and almost a little mean.
"Only a thought," Henry says, tone polite. "Have you ever noticed I have never once approached you and have been exhaustingly civil every time we've spoken? Yet here you are, seeking me out again." He takes a sip of his champagne. "Simply an observation."
"What? I'm not-" Alex stammers. "You're the-"
"Have a lovely evening, Alex," Henry says tersely, and turns to walk off.
It drives Alex nuts that Henry thinks he gets to have the last word, and without thinking, he reaches out and pulls Henry's shoulder back.
You know what happens from there.
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Their conversation in the film is slightly different, but it carries the same beats as the book: Alex approaching Henry, he pretends to be nice while saying something rude, Henry starts retaliating against the comments, Henry tries to walk away, and Alex tries to stop him. In the book, Alex just stumbles when Henry turns back around really fast. He gets tripped up and starts falling, and just like in the movie, he grabs Henry to trying and keep himself upright. The icing on the jacket bit was added into the movie, which I have to say was a brilliant addition.
Back to their conversation, remember that Henry doesn't dislike Alex, rather he's had a crush on him since they met. But Alex has made his opinions very clear, and Henry is not a pushover. He doesn't engage him, but returns the energy he's given. When Alex is rude, he's rude back, but he doesn't start the fight.
I imagine that any attempt Henry could've made to explain or apologize for the Climate Conference/Olympics would have been squashed before he even had the chance by Alex's need to insult him. They also only ever see each other at very public events, so he can't ask why Alex doesn't like him; that's partly why he does it when they're stuck in the broom closet at the hospital.
They're completely alone and have nowhere to go, and it's probably been eating him alive every time he's thought about Alex for the last few years. Even if he doesn't like the answer, he knows that he will get an answer, so he asks.
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Why Does Henry Walk Away?
This all being said, back to the moment in question:
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The most common interpretation of this interaction is that Henry walks away because 1) he doesn't want to start anything, & 2) he has a raging crush on Alex, and he can't deal with it.
Now, Alex does start off playing nice here, being friendly and polite, but it's a reoccurring issue between them that even if things start off civil, Alex will end up antagonizing him.
They also both "know" that "the other hates them", so they both probably want to avoid each other.
Henry knows that Alex doesn't like him. He doesn't know why Alex doesn't like him, but he's well aware of the animosity. Therefore, he knows that Alex's politeness is a front.
He has a crush on him. He likes Alex, but he's gotten basically nothing but disdain from him since they met. That has to hurt, to have the person you like actively hate you. It also has to hurt knowing that they're pretending to be friendly.
Because Alex is pretending here. He's representing his mother, the President of the United States, at a massive foreign event. He knows better than to act up, so even if he doesn't like him, he is polite with his greeting.
After Henry brushes him off again, he's visibly pissed off, but he doesn't do anything. He avoids him. He stands off to the side, and sort wanders around alone, just drinking and feeling anxious. He has no intention of starting a conflict.
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The only reason Alex approaches Henry is because he gets wasted drunk. This is the same in the book. While he was able to control himself before, once he's drunk, he just goes with his first impulses. One of those is to piss Henry the fuck off the second he sees him.
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The book says, "[Henry] looks politely half-interested in that obnoxious way of his, like he has somewhere else to be. And Alex can't resist the urge to call his bluff."
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This is to say that if Alex hadn't gotten as drunk as he did, he probably would've avoided Henry for the evening. Alex always seeks him out to provoke him, but like I said, he's aware of how important this event is. He does not want to start anything because it could reflect poorly on his mother. But Henry has no reason to think Alex will behave any differently than he has in the past, which he ends up being right about.
So to finally answer your question: Henry walking away was his attempt to avoid the conflict, as well as spare himself the emotional torture that would be watching the person you like be friendly with you, when you know it's fake and that they actually hate you.
Holy fuck, I could've told you that in two sentences but instead it turned into a whole fucking essay for NO REASON! Geez, just why? Why am I like this? lmfao 😭
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savnofilter · 6 months
Text
Taking Them Trick or Treating vs. Passing Out Candy HCs
-> h. sero, h. shinso, s. aizawa
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Hanta Sero | Hitoshi Shinso | Shota Aizawa x [GN]Reader
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CONTENT WARNING(S): college au—aizawa a professor, the other two are college students. sfw, trick or treating, established relationships.
COUNT: 1017 words.
I/B: His Spidey-Senses by me.
READ MORE: masterlist [students & adults masterlist].
A/N: i thought this was a fitting part two for the other fic i posted!! this was so much more fun than i thought i was going to have lol. again, my pc is fucking up so no fun text colors buts it's not that serious... anyways, enjoy! thank you, anon!
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Sero chose… to go trick or treating! 🍭
since about the later teen years, Sero has always been one to hand out candy, but this year he wanted to be the one receiving the candy!
which it's funny, he literally chose this on his own volition and it’s you who’s being dragged out to go trick or treating.
this young twenty-something year old was so excited about y’all matching that he wanted to show out on Halloween night lmao.
+ if y’all went out partying on any of the prior nights, just know he was stuck by your hip the whole time (and even did a demonstration of ykw).
Sero literally makes a whole spectacle about it like the thought is hilarious.
bro is swinging from building to building with you in his arms when you get tired of walking, he keeps the mask on the whole time just so the kids around him still feel the excitement of “Spiderman” making a guest appearance in their neighborhood. :’)
please the amount of times you or the older people accompanying the other kids out have made you take pictures of Sero and them was too many times to count LOL.
At a certain point some grumpy person is like, “why is yo big funky ass doin’ all of this fo" and he doesn’t give a FUCK.
To which Sero is like, “my Spidey senses are telling me it’s passed your bedtime, geriatic” meanwhile the person questioning him is like 40 years old.
you hate to admit that you actually had fun doing this foolishness with him and it is one of the memorable nights for you.
would you do it again next year? absolutely not.
+ except, Sero always had a way of persuading you….
BONUS: Sero became a trending topic on social media with even news stations covering it. this latent function ended up being more beneficial than you ever thought it would be.
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Shinso chose… to go trick or treating! 🍭
this was barely his decision.
Shinso had already known about your adoration for Halloween but this was one of the first years of you two being together that you dragged him out on your shenanigans.
normally, you dress up and go along your merry way, with of course him reminding you to let him know if anything happens to call him. but this year, you wanted to do something different.
you wanted to do a couples costume.
the first idea was to do something like Squid Games, which he wasn’t opposed to. he could keep his face covered, spare his dignity, y'know?
then you changed your mind and wanted something more cute like Jack Skellington and Sally, which okay he doesn’t mind. he didn't want to say it out loud but you guys would look hot as them.
but the last and bright idea you went with was… salt and pepper?
yeah.
salt and pepper.
Shinso nearly passed out from it making no sense at all.
the worst part knowing he had no choice in the matter because once you made up your mind, that’s what y’all going with LMAO.
He’s like “why the fuck did you go with that idea?? Shit makes no sense.”
And you’re like, “sense when I have ever made sense with shit like this??? Be serious.”
let’s be real, y’all go together well because y’all both be so very unserious.
so when it’s Halloween night and y’all are out trick or treating, he has no choice but to keep his head held high and calls out to each door with a monotone, “trick or treat 😐".
he secretly had fun that night but you better not make him say it out loud.
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Aizawa chose… to pass out candy! 🎭
Aizawa doesn’t really give a fuck about holidays, like he does not care at all.
he’s the type of man who only does stuff if his s/o or someone he generally cares about loves it, but other than that if it was up to him he would not be entertaining this.
it's not like he hates holidays or like has some vendetta against them from traumatic experiences, mans just doesn’t gaf.
BUTTTTTT he will show out in the most driest way known to man just to support you lmao.
He’ll be like, “what? I thought this is what you wanted?” in his makeshift Halloween costume made with tissue paper around his forehead and waist as a ‘mummy’ as if his hero costume doesn’t already have those components?))?)#*(%)4
I hate to break the 4th wall here, but now I’m starting to debate whether he’d do some ghetto goofy costume or be one of those types to have a super good looking and creepy costume and jumpscares kids as they try to reach for the bowl.
FUCK IT, he decides to do both. this year and the next.
safe to say, you gave him a new tradition??? like visiting his house really is a trick or treat but this time it's in the area of if he will put in the effort or not depending on the year.
at a certain point this man is committed to stealing the show???
all you gotta do is come back to replace the candy lol.
not what you were expecting but it works out?
BONUS: you help with the fake-out sometimes by pranking the kids and reassuring them that the “statue” doesn’t move. it's even better when the parents get scared too.
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virtualtyrant69 · 27 days
Text
The bad batch as people in theater!!
I'm a theater major and I love the bad batch so I thought why not combine the two lol. Most of this is personal experience working in some of these positions but some I have never worked as and it's just based on my own observations of these people that I have while working with them. Sadly, none of the bad batch are costumers, which is my area of focus but I have done other stuff like lighting and set building. Also, she/her pronouns for hunter because she's a woman to me. Anyways, onto the list!
Hunter- She would be a stage manager. She has the spirit to be one. She's the kind of stage manager that takes absolutely no bullshit at all from anyone but would also be very nice and carry around a fanny pack full of snacks. She would also have first aid essentials, gaff tape, and pins in that thing. Maybe a multi tool too. She is prepared for anything to happen even if she isn’t an assistant stage manager and is only calling cues. She would also be so on top of cues and would run that theater like the navy. Her timing is absolutely impeccable.
Tech- I know in my heart of hearts that Tech is a sound guy. ((respect to people who do sound in theater, I could never)) Like, in TCW episodes, they mention that Tech is always recording sounds??? And they never bring it up again??? Wish they would since that’s so interesting but whatever. Anyways, he’s sound because he likes sounds and I think he would have a genuinely good time making audioscapes and sound effects for plays. I feel like he would get annoyed at having to help actors with putting mics on but I don’t really think he’d be audio crew, just the board operator and the sound designer. ((this also kinda goes along with my hc that Tech makes beats/EDM))
Wrecker- I had a bit of a tough time with Wrecker but I think I’ve settled on him being in set building/carpentry. I feel like this is a bit obvious and uninspired but I really do think it fits him. He would have a fun time doing tasks like welding and painting and carving. I feel like this field really works with his ADHD in that he has a lot of different tasks he can do and the way he would need to build something changes every time. It's a constantly changing puzzle that he needs to solve with his brain and strength and I think he would get a kick out of it.
Crosshair- Another obvious choice to me but Crosshair does lighting. I’m not sure if he enjoys the programming or design aspects of lighting but I’m sure he would love the electrician parts of lighting. He would have such a good time doing lighting focusing. I can also imagine him yelling at an actor to stay in their light lol. Also from what I’ve experienced in college, many people who do lighting do stage management and Crosshair feels like the kind of guy who would also want to be a stage manager so he’s probably an assistant stage manager to like, Hunter. I bet he’s so intimidating backstage lol. The deck and costume crew are shaking in their boots.
Echo- They’re a props guy. I don’t think they work props in a show but instead they design and build them. All the props people I know are pretty chill but really weird and I think that fits Echo pretty well lol. I think they have loads of fun making realistic food out of inedible things. Whenever an actor breaks a prop Echo does the whole “I’m not mad, just disappointed” thing and that shames the actors more than being angry would. They just have a fun time building and finding objects that would fit whatever play they are working on.
Omega- She’s an actor :). And she would be an absolute darling of an actor too. She would have some trouble trying not to talk too loud backstage but she would be able to learn before the performance. I also feel like she gets kinda nervous about her entrances so she’s always really early in places just to make sure she isn’t late. She also does a bunch of weird things to help her memorize her lines like singing them or saying them in funny accents. She can cry on demand and sometimes uses this power off stage and for evil lol
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