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tyttetardis · 3 months

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Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

#David Tennant #Macbeth #Donmar warehouse #Cush Jumbo #I messed up this recording sooooo bad #I didn't see people pull out their phones to record it so I didn't dare do that either...#and man did I get a shitty recording out of it :(#and the audio ain't great either...Craig was sitting the furthest from me and didn't have a mic so can be a bit difficult to hear at times #Cush was sitting the closest to me (not that close - I was still in second row!) and David was sitting next to her #while I didn't have a perfect frontal view - the angle I was at did mean that I still got a perfect view of David's adorable smiles <3 #and all his other lovely facial expressions as he often looked to Cush when she was talking and replied to her...#which made it FEEL like he was looking in my direction *sigh*#and he looked so good with his comfy cardigan - skin tight jeans - and his glasses!#You know I have seen David quite a few times by now - but I'm pretty sure this was the first time I saw him wearing his own glasses!#I desperately wish I had managed to capture some pictures or a video---because OMG! He was so lovely <3 #Oh didn't know there was a text limit...or that I had written this much...guess I'm continuing in a part 2

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rowenas-megacoven · 4 months

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On a Tiktok of Avengers Loki impersonating Steve Rogers with Tony Stark right there, a commenter was like “Tony loves taking the piss out of Steve, if Loki wasn’t evil here I think they’d be besties” and someone else replied something along the lines of “defs somewhere else in the multiverse” and it made me giggle and got me thinking

One of my What-If related Marvel headcanons is that 1602 IS that somewhere, or at least, one of them. Loki is an eccentric theatre nerd who is out here with early access to the upcoming plays of “Will”, implying this little drama queen knows Shakespeare personally. Tony is an eccentric inventor who likes big made-up words. Shakespeare was also famous for making up words. Tony also says to Steve that he personally would’ve used a sonnet on Peggy. Shakespeare also wrote a bunch of sonnets. Loki likes to pop bottles while talking non-stop about theatre. Tony spent all night inventing on a bender, sooo they’re both a tad indulgent. I think the two of them are the only two not actually sparring with someone during the fighting that breaks out in the throne room (although Tony is trying to get his invention up and running - he’d probably fight if he could)

During my rewatch of this goofy little ep I absolutely LOST it spying a suspiciously Mjolnir shaped hammer/mallet in the back of Tony’s workshop, too. If actually Mjolnir, in this universe it belongs to Loki - who had coincidentally misplaced it when Thor ask him where it’s at. What’s Tony doing with Loki’s hammer, hm? How’d that get there? Theft? Forgetfulness? Or maybe a little prezzie?

You CANNOT convince me they don’t hang out, maybe secretly, passing goblets of palace sourced wine between them, Loki reciting his lines while Tony tinkers away, occasionally pausing to say something like “Where’s the blood, sweat and tears? Give me more, your highness. Also, can you put aside Yorick and hold these tongs for a mo’? Great!”

#the more I think about 1602 the more fascinated I become #also to find out it was inspired by Neil Gaiman Marvel comics!?!?#WILD #I’m a Loki Tony bond truther #Loki #marvel’s what if #what if season 2 #loki tv #the avengers #tony stark #iron man #thor #frostiron #ironfrost #marvel #marvel cinematic universe #mcu #mwah.txt

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how-mytearsricochet · 2 years

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If We Were Villains fanfics - a thread by me

Since some of you asked me to recommend some IWWV fics in order to process that devastating ending, here’s my personal thread. I vividly hope you're gonna enjoy it :)

1. what is woven into the lives of others - helloearthlings - If We Were Villains - M.L. Rio [Archive of Our Own]

I think this is the most popular IWWV fic since the first review on Goodreads has posted a link to this story, but that’s only fair given that it is masterfully crafted. The story’s centre is Oliver and James' reunion, and therefore Oliver’s journey to find him.

2. you've got me wrapped around your finger (do you have to let it linger?) - orphan_account - If We Were Villains - M.L. Rio [Archive of Our Own]

This is a “what if..” and explores how things could have been if the night of their last party -the one in the library, talking through King Lear’s riddles- Oliver would have figured out the truth in time and they would run away together.

I’ve read it an embarrassing number of times, and each time it has the ability to broke my heart in shards not only for the two of them but for the bigger picture of those six as a family (I’m a sucker for a good found-family trope and this one didn’t fail to deliver a heart-warming feeling with only using spare details, shreds of memories and careless laughter from a payphone at 2am).

Also, there’s this brief inner monologue that perfectly encapsulates Oliver’s perspective and his ardent loyalty for his real-life Shakespearean Tragic Hero:

“I never blamed him. Forever, I will blame the plays. I will blame the theater. I will blame myself and I will blame Richard, but I will keep James safe".

This is it. This is canon for me. I’d tattoo it on my skin if I could, there’s so much sentiment in these few lines. Also, can we please talk about the prose? "but the sparrow had begun to open its eyes, and I met James' glazed eyes with my own", it had me in tears.

3. as if it were the first - Chapter 1 - crownsandbirds - If We Were Villains - M.L. Rio [Archive of Our Own]

This is another reunion fic; it takes place two years after Oliver’s release from prison, and in this universe, we found a broken James who is living -literally- under Alexander and Colin’s wing since his failed attempt to suicide six years ago.

It’s written by James’s pov, which allow us to know the real reach of his feelings, how pervasive is his sense of guiltiness, how broken beyond recovery he is –“James doesn't self-harm physically anymore, but he doesn't think he'll ever stop looking for opportunities to break his own heart"- so buckle up for some angst -but really, when it’s not angst when we’re talking about two Shakespearean lovers?-.

Bonus point: the story gives us an intimate view over Alexander and Colin’s relationship, a criminally underrated couple in IWWV in my opinion.

4. the dead man's float - misandrywitch - If We Were Villains - M.L. Rio [Archive of Our Own]

Another reunion fic -yeah, you can practically sense our desperate need of a closure whatsoever after M.L.Rio thrown us under a bus with that last line- passed with full marks not only for its peculiar use of a theatre structure which resembles the original novel’s structure -enter, final act, exeunt- but also for the honest portrait of its characters. There are not cheesy moments nor big declarations of love, which is something that represents the original characters: James and Oliver never opened up about their feelings, not even in the end (M.L.Rio once highlighted the importance of Oliver’s answers to James, a simple “you know why”; not even in that moment, behind the bars, they can state their feelings for each other), they’re only capable of Great Acts as papa Shakespeare taught ‘em (aka: go to prison for a crime you didn’t commit. Aka: fake your own death in order to recreate the only non-tragic Shakespeare novel. Aka: ME SICK AND TIRED OF THOSE THEATRE KIDS).

Despite the premise, I very appreciate this Oliver: long gone the insecure shy obtuse kid, we now find a practical man that knows what and who he wants, who doesn’t step back in front of a confrontation with James -but still, he would blindly follow him to the end of the world-; and I deeply cherish this James Farrow who openly admits and accepts that he’s not the flawless Tragic Hero the Dellecher decided for him to be, so he's finally free now to live his life according to his own rules and desires, that it’s okay if he’s a bit coward; human.

BONUS SMUT FIC - cuz sometimes a brief first and only kiss in the middle of a school play is not enough, no matter how poetic it was

no other companion - crownsandbirds - If We Were Villains - M.L. Rio [Archive of Our Own]

Christmas came early this year. You’re welcome

Now, some secondary fics, shorter but still impressive

1. home is where it hurts - crownsandbirds - If We Were Villains - M.L. Rio [Archive of Our Own]

This is through Alexander’s point of view, and it focuses on the weight of Richard’s death, the motifs that led him to say that fatidic and excruciating “nothing”. There’s a lot of James and Oliver here; there’s this part that to this day is still impressed on my brain:

"Oliver and James were truly a pair of the kind Alexander had only seen in books, old classical books that talked about turning a river into blood and defeating Gods. The prince and his companion, Hamlet and his Horatio".

2. And Therefore is Winged Cupid Blind - Civilbloodoncivilhands - If We Were Villains - M.L. Rio [Archive of Our Own]

Set during the third year of Dellecher, the clique is in the middle of one of Gwendolyn’s classes; Oliver is oblivious, James is whipped, Richard is a dick and Alexander is the queer queen we all know and love.

3. Merely a Madness... - sapphicfratboy - If We Were Villains - M.L. Rio [Archive of Our Own]

This is a close-up on James Farrow's private life, from his first kiss and first crush to the encounter with Oliver.

Something I really appreciated here beside the impeccable prose is the way the author sticked to the truth of the facts: the students of his father that used to slip in the library with him, Oliver’s love for old rock band t-shirts, James addressing his own father as “Professor” in a sardonic way etc

4. Maybe This Is Where It Ends (Take A Bow) - fathand - If We Were Villains - M.L. Rio [Archive of Our Own]

A brief "what if..." if James would have gone to prison. Short but incisive.

#iwwv #iwwv spoilers #if we were villains #if we were villains spoiler #iwwv fanfic #ao3 #dark academia #dark academia books #james farrow #Oliver Marks #james x oliver #queer fiction #mlrio #dellecher #we have to protect the gays #this was my heartstopper

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depressedraisin · 9 months

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song diaries: damon albarn edition

i thought i'd wait until the end of this week to do this weekly library entry for the music i've been checking out, but you know what? fuck it let's to it today, i've just got too much to say.

so this week i've been on a damon albarn discography expedition. listening to the ballad of darren over and over for like a month and consuming hours worth of concert and interview content has clearly broken something in my brain and this old geezer's music is my new hyperfixation. not complaining though cause there's just SO MUCH. there's like five lifetime's worth of music he's put out in 40 years give or take, and i can't think of one genre he hasn't dipped his toes into. also he's worked with so many SO MANY amazing musicians and artists!!!!! which is always so cool so many new people to discover and get obsessed with <3

now blur and gorillaz on their own are pretty much lifetime achievements but albarn also has such rich body of work outside them as well. i've kinda been familiar with those two for years, my recent forage has mainly been into his non-blur, non-gorillaz music.

here are some highlights i need y'all to be obsessed with just as much as i am:

The Moon Exalted (from the opera Dr Dee, 2011)

did u know damon albarn is an composer of operas as well?! i had no idea! a couple days back i heard him mention working on orchestrating one of goethe's unfinished librettos and i, of course had a very Normal reaction to that. (my obsession with classical music might be sleeping but never dead) so i went checking and learnt he already has 3 opera compositions under his belt. woah.

anyway this piece/song is from the 2011 production dr. dee: based on the life story of some elizabethan magic dude. there's a bunch of traditional elizabethan folk instruments- viola de gamba, lute, shawm, recorder etc etc, the wonderful kora (malian instrument, a blend of lute and harp), the harmonium (literally never saw harmonium being used in any music from the west lol im bengali so i get terribly excited abt this) and the iconic, the legendary tony fucking allen featured on this. the vibes are more folksy, earthy than renaissance-lite which i find pretty cool.

the moon exalted is such a lovely, lovely song though. one of the prettiest things albarn's ever written probably. the kora interlude makes me sob like a baby every single time.

check out this live from his solo concert at the globe theatre:

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Go Back (feature on Tony Allen's album Film of Life)

legendary drummer tony allen (i've been listening to afrobeat a bit as well, that's for another day) and albarn has had a long working relationship and friendship. they've worked together on gorillaz, they were in two supergroups together, they worked extensively to champion western african music.

this track is a personal favourite already. wonderful afrobeat elements and tony's distinctive style coupled with some solid jazz keyboard-ing from albarn.

this performance tribute to tony allen makes my heart especially ache (he sadly passed away in 2020). albarn's talked a lot about how much allen meant to him, as a collaborator, mentor and friend, and it's all quite emotional.

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This Is A Low (live from Shakespeare's Globe)

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listen listen listen i said no blur- but. you gotta listen to this version of this is a low (from Parklife, 1994). he plays quite a bit of blur on the piano for his solo shows but they are kinda a hit or miss tbh. but this one works. for this 2021 solo concert albarn introduced a discordant piano solo in place of graham coxon's rather iconic guitar solo. and omfg it came outta nowhere and hit me straight in the face i love it so much

(don't tell anyone but ipreferthepianosolo)

The Nearer The Fountain More Pure The Stream Flows (from The Nearer The Fountain More Pure The Stream Flows, 2021)

damon albarn has two Solo ™ albums and the second, and lastest, one of these is the nearer the fountain more pure the stream flows released in 2021. initially starting out some sort of an orchestral piece inspired by the changing scenery outside the window of his home in albarn, it eventually ended up becoming this set of very melancholic and intimate set of songs. about so many things: loneliness and our changing relationship with nature and anxiety over life etc etc. post-pandemic feels basically.

it's a deeply emotional listening experience, with sweeping strings at places and gentle piano in others. quite a good showcase of albarn's pianowork imho (u see a pattern here right?). my fav out of them is the title track. the name comes from a john clare poem and it's absolutely stunning.

Mr. Tembo and The Selfish Giant (from Everyday Robots, 2014)

albarn's first solo record, everyday robots of 2014, is up there are one of his best works in my books. it's a set of autobiographical songs inspired by various moments in his life, with elements of triphop, folk and electronica and general themes of isolation and nature/technology etc: which are such quintessentially damon albarn, y'know?

mr. tembo is a adorable lil folksy song about this orphaned baby element he met in tanzania. aaaaannnnd, it features a gospel choir because mr. tembo grew up take care of by forest rangers who listened to a lot of gospel radio. cute.

speaking of the selfish giant........oooffff. big ooooffff. such a gut punching song, goodness. like when i heard the line "it's hard to be a lover when the tv's on" it knocked me out of service for a while.

Waterloo Sunset (The Kinks cover with Ray Charles, somewhere in the late 90s)

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this one's quite a legendary performance. in the early blur days, damon albarn was often talked of as like a successor to sir ray davies, he of the kinks fame and witty observational character studies of english life.

this performance of them duetting the iconic the kinks song waterloo sunset was a passing of the baton moment of sorts. and when davies breaks into parklife in the end- all the feels, man, all the feels.

Mali Music (2002 album)

written in collaboration with afel bocoum, toumani diabaté & friends featuring ko kan ko sata, this album explores- you guessed it- music from mali. now i know next to nothing about mali or west african music really so i'm gonna be using this album as a reference point to learn and research more.

Poison Tree (from the 2018 The Good The Bad And The Queen album, Merrie Land)

the good the bad and the queen is 100% for sure one of the most underrated supergroups ever. i mean paul simonon (the clash), simon tong (the verve), tony allen and albarn- can you imagine the sheer level of awesomeness?!

they have two albums, and it's unlikely they'll ever have another. poison tree from their second album is perhaps my fav tgtb&tq song. merrie land was written about and as a reaction to brexit, and there's feelings of farewell and isolation and desolation prominent throughout. but poison tree also reminds me strongly of blur songs like battery in your leg and sweet song and no distance left to run. so yeah, emo hours.

(*for those uninitiated in blur lore the first two songs albarn wrote for/about graham coxon when he left the band in 2003, and the latter was written about his breakup with justine frischmann in 1998)

On Melancholy Hill (live from Matera, 2019)

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blur got a cheat entry, so to balance things out, gorillaz gets one as well. on melancholy hill is a heartbreakingly tender song as it is but solo piano version makes it heartbreaking-lier and tender-er *sniffles*

#otify #Youtube #damon albarn #blur #gorillaz #the good the bad and the queen #song diaries #send me recs if y'all have them!!!

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jazy3 · 3 years

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Free Guy Review

!!!SPOILERS AHEAD!!!

If you haven’t seen the movie Free Guy (2021) stop reading right now! Drop what you’re doing and go get yourself a ticket! You’ll thank me later!

I loved this movie! I saw it this weekend for the second time because it’s that good! I first saw the trailer on YouTube a while back and then when theatres reopened a few weeks ago I saw the trailer again and my interest was piqued. I had high hopes for this movie based on the fun looking trailer, the premise, the cast, and the sense of fun and escapism that the movie seemed to embody and it did not disappoint. It’s always nice when you have high hopes for something and it meets or exceeds your expectations.

Free Guy is just such a fun and joyous movie. Never taking itself too seriously, packed with lots of heart, cool cameos, full of gaming and pop culture references, and it’s fueled by a unique concept that is well executed. There are just so many things I loved about this movie! It was a ton of fun to watch and the actors clearly had a blast making it. During the movie I kept trying to figure out where I knew most of the actors from but couldn’t place them. When I got home, I googled it and I instantly realized why. The roles are just so different and the actors embody their characters so completely you lose yourself in the film and get completely sucked in. I was honestly so surprised when I figured out what I knew most of the actors from because the roles that they’re known for are so different from their characters in the movie. Their appearances, established ages, and even the accents are so different that I literally did a double take, but that’s what makes the movie so good! Because the main actors obviously didn’t need the paycheque they were just there to have fun and it shows. I think if the situation had been different and the actors involved had been desperate for money or took the role for some other reason it wouldn’t have worked. The film would have come off as cheesy, forced, cringeworthy, or just plain bad. Free Guy is none of those things. The film stars Ryan Reynolds as ‘Guy’ a bank teller in a video game called Free City, Jodie Comer whose best known for playing Villanelle in Killing Eve as programmer Millie Rusk and her avatar Molotov Girl, Joe Keery whose best known for playing Steve Harrington in Stranger Things as programmer Walter ‘Keys’ McKey, and Taika Waititi whose best known for playing Viago in What We Do in the Shadows as the Head of Soonami Studios and the film’s main antagonist and villain Antwan. Rounding out the cast are Utkarsh Ambudka as programmer Mouser and Lil Rel Howery as Guy’s best friend and bank security guard Buddy. In a nutshell, Free Guy is about a bank teller named Guy who finds out he’s a non-playable background character (NPC) in an open-world Grand Theft Auto style video game called Free City. Guy becomes the hero of his own story after meeting Millie, the girl of his dreams, and winning fans all over the world by racking up points by being the good guy and helping others. After leveling up and helping Millie escape a dangerous situation in the game, Guy wins her over and she falls for him thinking that he’s another player. But when the world that Guy knows and all of the people in it are threatened, he teams up with Millie to save his friends before it’s too late. In the real world, Millie enlists the help of her former programming partner and best friend Keys in a race against time to stop their code and all of the sentient characters from Free City from being deleted by Antwan the developer who stole their code when the game’s sequel launches. I love that the movie had a unique premise and didn’t overcomplicate things. There are so many movies that I’ve gone to see over the last few years with such excitement only to be disappointed. For example, I loved Wreck It Ralph, but was so disappointed by its sequel Ralph Breaks the Internet. The trailers made it seem like it would take the premise of the first movie and move things into the online gaming world, and I was excited for that. Instead, the sequel left the premise of the first movie behind entirely and way over complicated the plot and the end result was extremely cheesy and disappointing. Free Guy’s strength is that it’s a self-aware movie made by self-aware people who are excellent at what they do. The movie doesn't take itself too seriously, nor should it, and that allows the story to flow and the characters to feel real and genuine. The movie achieves that perfect balance between being entertaining and telling a cohesive and important story because while the movie never takes itself too seriously the people behind it are serious about what they do. This was very clearly a passion project for all involved, especially Ryan Reynolds, and it shows! As he’s spoken about in interviews and on Twitter, Reynolds called on a lot of his friends to be in Free Guy and help him out and the end result was fantastic! I loved all of the cameos! The Chris Evans cameo was by far the funniest and the Alex Trebek cameo got me right in the feels. When I saw the movie in theatres me and everyone else in the theatre gave a collective “awww” when he appeared on screen. Enlisting real YouTubers to show up as fictional versions of themselves to talk about Blue Shirt Guy’s popularity was a nice touch and you’ve also got blink and you miss it voice cameos by John Krasinski, Dwyane The Rock Johnson, Hugh Jackman, and Tina Fey. Channing Tatum appears as the avatar of player Revenjamin Buttons which for the most part was hilarious. One of my few criticisms of the film is that they went a bit overboard the avatar’s antics as Guy and Buddy are attempting to leave and it got bit a cringeworthy. But I know other people found it hilarious so to each their own. I love all of the little details and references in the movie. Just listing them all would be a post in itself. If you’re someone that loves pop culture references and Easter Eggs this is the movie for you. The characters are fun and believable, and you get attached to them quickly. The actors commit completely to their roles which is makes the humour, romance, and heartfelt emotion of the film work. You buy it. 100%. Something that I absolutely loved was that the characters felt realistic and that the dialogue, attire, and settings for each character really felt authentic. I can’t tell you how many times I’ve watched a movie or TV show and walked away thinking, “The person who wrote that clearly never meet a kid, teenager, or twenty something in their life! That was so unrealistic.” The slang’s all wrong. The dialogue is so eloquent everyone sounds like they did Shakespeare in the Park last summer. You walk away thinking, “What the hell was that? No one talks that way!” What I loved about the characters in Free Guy is that they felt like real people you could actually run into or walk past on the street. I’ve read in interviews that in addition to the written dialogue the cast did a lot of ad-libbing and improvisation and the end result is both hilarious and relatable. The dialogue feels real because it is. The big exception to this of course is Antwan who is altogether off the wall and ridiculous. Antwan is such an outrageous, absurd, vulgar, and cartoonish character. He’s so fun to watch and the actors clearly had a lot of fun with his scenes! I’ve read that a lot of his lines with Keys and Mouser were improvised and I believe it. When he goes all Jack Nicholson on the servers? Lord. He’s such a great villain to watch. The characters that are established to be in their twenties like Millie, Keys, Mouser, and the other employees at Soonami Studios talk, act, and dress like they’re in their twenties. The actors that are in their forties are styled to look like they’re in their thirties and honestly, they’re in such great shape it works! I mean I was honestly shocked to find out Taika Waititi’s real age. I love how the costuming really fits each character and allows you to learn more about them. Keys’ clothing is your typical gamer chic which makes because as we learn from his interview with Millie coding is his life and what gets him up in the morning. From Mouser’s clothing we learn that he’s a sports fan, but also isn’t afraid to take risks like with that blazer ensemble he wears in his final scene at Millie’s apartment.

Millie’s clothing shows the contrast between her and her avatar Molotov Girl, and Antwan’s ridiculous coat enhances the overall wackiness of his character. Guy’s clothing tells us something too. He wears the same thing every day until he meets Millie in the game at which point, he starts deviated from his Free City programming and chooses a different blue shirt. I also really love that they put thought into why Keys needs to wear glasses. Something I noticed on rewatch is that Keys is far sighted which is why he has his glasses on when he’s looking at his laptop or computer and sometimes when’s talking to other people, but not when he goes to see Millie at her apartment or when he goes to get them coffee at the end of the movie. Another interesting aspect of Keys’ character that I noticed on rewatch is self-confidence is really something he struggles with in contrast to Millie and Mouser who are very confident. Millie is a genius programmer and Mouser is excellent at what he does, and they are both very confident in their coding abilities, but Keys isn’t despite being every bit the genius that Millie is. At the beginning of the movie when they first notice the issue with Guy Mouser jokes that Keys needs to be better at his job. In response Keys meekly says he thinks he’s pretty good at his job and trails off at the end. Mouser is just joking around, but because Keys lacks self-confidence comments like that hit him hard. Mouser is moving towards his own desk as he talks so he doesn’t notice how self-deprecating and uneasy Keys’ response is. In the interview from the indie games conference that Millie plays for Keys at his apartment, he brushes off the interviewers comment that he’s a genius and says Millie is the real genius because she created the AI engine and he just wrote the code to make it work. Later on, when Keys helps Millie get into the stash house, she calls him a genius and he tells her that as he’s currently sitting on a toilet stealing user code he doesn’t exactly feel like one. Millie responds offhandedly that he never does, but luckily, she knows better. When Keys realizes that Millie was right, and that Antwan did steal their code and their game worked he tells Millie they need to celebrate because once everyone sees their build she’ll be celebrated and she could win a noble prize. Both Millie and Keys are geniuses in their own right. The game wouldn’t have worked without both of their skills and Guy wouldn’t have come to life without both of them working together. Millie’s AI engine made his sentience possible, but Keys is the one who gave him hopes and dreams so that when he met Millie in the game, he came alive. When done right the settings we see tell the story just as much as the characters do and I love how realistic the settings in Free Guy look. The floor at Soonami Studios where Keys and Mouser work looks like a real office and I love that the desks have clutter and personal effects on them like real cubicles do and that they show Keys taking a box of his stuff with him as he leaves. The lobby with the moving water videos and Antwan’s massive but largely empty office fits perfectly with the obnoxious, zany, and over the top character that he is. I also love the contrast between Keys and Millie’s apartments and how those settings tell us a lot about each character and where they are in their lives when the film starts. When Keys comes home from work to find that Millie has broken in, we see that he lives in a stylish one bedroom apartment with an open concept kitchen full of stainless steel appliances, a large living room centred around an expensive wall mounted TV and entertainment system, with his computer and gaming station set up in the corner. On the walls we see artful clusters of black picture frames, through a partially open door we see a bedroom off to the side, the apartment is full of black and white furniture including a plush couch and nice lamps, and features a textured silver accent wall. All of which makes the fact that Millie managed to break in even more impressive because it is clearly an expensive apartment in a nice building. Keys’ style is minimalist and upper scale and based on what we learn about the events that took place before the start of the movie this indicates that Keys got the apartment and all of the nice stuff in it using the money he received when Antwan bought his and Millie’s game. In contrast, Millie lives in a bachelor apartment and spends her time in coffee shops ordering one single black coffee over four hours. This tells us that she kept her original apartment that she had from before the game was sold and is living off the money she got from the sale while she spends all of her time trying to find the proof she needs to win her lawsuit. When we see Millie’s place, we find that it’s cozy, full of plants, throw rugs, quilts, and comfy furniture. She’s got a bike in the corner, you can see her bed from the centre of the room where she’s got her computer and gaming station set up adjacent to the coffee table and the rest of the living room furniture. Her kitchen is smaller and full of wooden cabinets and her bathroom door has DIY multicoloured square panels on it. Keys and Millie’s apartments are very different and through these settings we see the contrast between where these characters are in their lives, their wealth, and their personal style. The song ‘Fantasy’ by Mariah Carey is featured heavily in the film and is guaranteed to get stuck in your head in the best way! Jodie Comer’s cover of it is amazing! It fits the moment where Guy makes it to the island that is Millie and Keys’ original build and shows it to the world perfectly. This movie made me appreciate Mariah Carey’s music in a whole new way and I can’t be the only way. After watching the movie, I went looking for the song on Apple Music, wound up listening to the Mariah Carey Essentials Playlist, and I’ve become obsessed. I knew some of her hits, but after listening to her music more I get why people love her so much. Her five octave vocal range is amazing, and her music is just so fun to listen to. The film has a really great soundtrack overall and I’ve had many of its song on repeat since I saw it. Something I really loved about this movie and the reveal at the end that Keys is in love with Millie and is desperate for her to notice, but she’s been oblivious the whole time is that they don’t do the supposedly nice nerdy guy whose really a jerk trope. So many movies do this where you have a nerdy male character whose unluckily love, looked over, or his love is unrequited, and we’re supposed to root for him because he’s a quote “nice guy”. But really, he’s not. He’s a jerk who feels slighted because a woman in his life doesn’t love him back or notice him and he feels as if she owes him something. The scene at Millie’s place where Millie tells Keys he looks cute when he brags, and Mouser encourages him to tell Millie how he feels is super frustrating to watch but it’s so important to Keys’ character. He asks Millie out for coffee and when she turns him down to jump back into the game, he doesn��t make a big deal about it even though Mouser wants him to. Instead he gets up and goes and gets her a coffee anyway. She goes to tell him her order, oblivious to the fact that he’s memorized it, he tells her he remembers, and goes to get the coffee anyway much to Mouser’s and the audience’s dismay. This is big because Keys clearly doesn’t want to be walking down the street by himself to get coffee. He wants to be getting coffee with Millie so that he can tell her how he feels to see if she might feel the same way, but when she turns him down he goes and gets the coffee anyway because he truly loves and cares about her and he values their friendship enough to put his own feelings aside and suffer in silence rather than lose her and what they’ve built. So, he takes the opportunity to get some air rather than continue to sit there in disappointment. Which is why he’s so confused when Millie runs after him and calls out to him from across the street. He doesn’t understand what she’s doing there. She turned down his offer to get a coffee and he already knows her order so why is she there? I love that they chose to make that scene non-verbal. I think if Millie had come out and made some big declaration of love it would have felt cheesy and overdone. But her running after him and silently communicating through her smile and body language that she understood and that she felt the same way was perfect. It was subtle and beautiful and perfectly acted. It also felt realistic to the characters because in real life when you’ve known someone a really long time and you’ve spent a lot of time with them you don’t always need words to convey what you mean. What Millie wanted to express in that scene was so big and so all-encompassing she couldn’t find the words to say everything that she wanted to say so she didn’t. She just stood there and smiled knowing that being the genius that he is he would understand. It’s like Keys says in their interview, words will fail you, but code never does. His coding worked and now she understands so rather than try and say it all and fail she just looks at him and smiles to show him that she finally gets it. She finally understands what he’s been trying to say to her all this time. And you can see the exact moment Keys realizes why she’s there. The moment where he goes from being confused as to what she wants to realizing that she saw the video and she knows how he feels and that she wouldn’t be standing there smiling at him like that if she didn’t feel the same way. When I watched the scene the first time around, I was anxiously clutching my nachos the entire time because when Keys ran towards her my immediate thought was, “Oh my god he’s gonna get hit by a car and they’re never gonna get to be together! Oh my god!” But then he didn’t get hit by a car and Millie ran out to meet him and for the first time in their relationship she met him halfway and they kissed and it was beautiful! I think because Free City had so much violence in it that’s where my mind went and I’m very glad they didn’t go that route. One of my only criticisms about the movie is that I wish they had stayed on Millie and Keys just a little bit longer. They kiss and embrace and then very quickly they cut to black. I wish they’d linger on that moment just a little bit longer because I love those characters so much and in the scene that follows where Guy and Buddy are reunited we see them hug and then walk away together to start their new lives and I wish we’d gotten just a bit more time with Millie and Keys. I also really loved the parallel between the different kinds of relationships within the movie and how platonic relationships are just as important as romantic ones. The reveal at the end about Guy being Keys’ creation and a love letter to Millie and her realizing she’s been loving Keys vicariously through Guy and them finally coming together and being on the same page is beautiful because from the very beginning the movie is full of clues, hints, and foreshadowing that all comes together at the end. Meanwhile, we see the friendship between Guy and Buddy and how important that friendship is to him because it’s something that he created on his own. His love for Millie is born out of the programming that Keys gave him, but his friendship with Buddy is something that Guy created all on his own of his own volition. Which is part of what makes Buddy’s death on the bridge so tragic. I cried when Buddy disappeared. Reynolds and Howery play their characters with such sincerity that his death pacts an emotional punch you don’t expect. I love that the security guards at Soonami are so moved by Buddy’s heroism and are so captivated by what’s happening with the live stream that Millie is able to sneak past them into the server room and stop Antwan from destroying what’s left of the game. Something else I noticed on rewatch is that during the final battle after Millie gets booted from the game and Guy has to fight Dude on his own the glasses he’s wearing are very similar to the ones Keys wears in the movie which I thought was a cool nod to Guy being Keys’ creation. This really is a movie in which you find something new every time you watch it. For instance, the second time around I noticed that the foreshadowing that Keys is in love with Millie, but she’s oblivious to it because she’s so focused on the game was really well done. In the video from the indie game conference that Millie plays for Keys at his apartment when asked by the interviewer about their chemistry Millie responds first and says that their friends, their relationship is completely platonic, and laughs off the idea that they have chemistry. In contrast Keys falters and is silent and then eventually says meekly that they’re just friends. Millie is looking ahead at the interviewer and to the side away from Keys as she’s laughing and so she doesn’t see Keys’ reaction. At the end of the apartment scene after Millie breaks in to ask Keys for his help, he tells Millie he cares about her and he almost says something else. It feels like he’s about to say, ‘I love you’ but then he catches himself and instead tells her that she needs to leave. When Keys visits Millie’s apartment to tell her that she was right and they’re sitting on the couch he reaches out and puts his hand on her knee and then snatches it back when he realizes he’s gotten too close. He wants so desperately to be closer to her and in his excitement, he gets closer than he normally would before realizing that putting his hand on her knee in that close proximity is not a platonic gesture. Millie is so caught up in the realization that Guy, the person she’s fallen in love with, is an AI and not a real person that she doesn’t notice. My heart broke for Keys in that scene as he realized that Millie had fallen for Guy and kissed him and was so upset about it and meanwhile, he was right in front of her desperate for her to see how much he cares. It must have just wrecked him to go home that night and realize that Guy was based on the lovelorn character he created and that Millie had fallen in love with his creation while at the same time being so oblivious to his real world affection for her. In the scene at Millie’s apartment after they’ve gotten the server from Antwan and Mouser encourages Keys to say something, I noticed on rewatch just how weak and meager Keys’ attempt to ask Millie out is. He stumbles his way through asking her to get a coffee and trails off at the end so it’s no wonder Millie doesn’t clue in that he’s trying to ask her out. And in Keys’ defence he sent her a whole video confessing his feelings for her and all of the little things he loves about her and then told her to watch it and he has no idea if she did or not. We the audience know that Millie only saw half of it, but Keys has no idea if she saw none of it, part of it, or all of it. He knows she got Guy to remember, but she’s also sending him mixed messages. One minute she’s saying he’s cute when he brags and the next, she’s turning him down for coffee to talk to Guy. From the outside it’s so obvious that Keys is in love with Millie, but she doesn’t see it because she’s always looking the other way, not paying attention, so caught up in the game, and too focused on their work to see what’s right in front of her. On rewatch one of the big things I noticed is that Keys is always on the edge of telling Millie how he really feels but he always stops himself because she brushes him or the idea off and because he’s scared of what will become of their work and their friendship if she doesn’t feel the same way. It’s a huge leap. If Millie doesn’t feel the same way it’s going to make their relationship incredibly awkward and could potentially destroy their partnership so Keys decides it’s better not to say anything or only hint at how he feels rather than run the risk of ruining everything. Something else I noticed on rewatch is that in the interview they give Keys says he thinks of himself as an author and that code is what gets him up in the morning and that he loves the ones and zeros of binary because words can fail you and let you down but code never does. At the end of the movie when Millie goes to talk to Guy in Free Life he tells her that he loves her and while he knows that’s his programming he’s realized that he’s a love letter to her and that somewhere out there in the real world is the author. Such a great callback. All in all, I can definitely say that Free Guy has been my favourite movie so far this year! Definitely my favourite movie of the summer. I went to see it twice in theatres and I’ve never done that for any other movie before. I’ll rewatch them at home sure, but I’ve never actually paid money to see something twice on my own. I’m very excited to see the sequel and my hope is that it will be just as good as the first. Until next time.

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bored-mumma · 3 years

Text

Tom Hiddleston - Fluff Alphabet

MASTERLIST

Loki version

A = Attractive. What do they find attractive about the other?

So many things he’s not sure he could ever choose. Your eyes, your hips, your thighs.. oh my God he loves your thighs.

B = Baby. Do they want a family? Why/Why not?

He’s not 100% sure. The thought of raising a family with you is something he finds himself day dreaming about often - and in each scenario there were always multiple little ones running around. However, with his job taking up so much of his time and the thought of the children being raised in the public eyes makes him doubt it slightly. It would have to be a serious conversation between you two.

C = Cuddle. How do they cuddle?

Any way, shape or form. As long as you two are wrapped around each other some way, he’s happy. (Although he does sometimes prefer to be a little spoon - not that he would admit it easily.)

D = Dates. What are dates with them like?

No date with Tom is ever the same. Every time he thinks of some different way to sweep you off your feet. Last week he took you for a romantic candle lit dinner followed by an evening at the theatre. This week he packed you both a picnic and you had lunch at the beach. Next week, who knows. As long as you both have all of each others attention.

E = Everything. You are my ____ (e.g. my life, my world…)

“You are my world. The love of my life.”

F = Feelings. When did they know they were falling in love?

Around three months into your relationship, Tom had stayed over at your place overnight. When he awoke early the next morning and looked over at you, still sound asleep, he just smiled. Happy and content, he realised he wanted to wake up like this every morning. With you tucked up on his side.

G = Gentle. Are they gentle? If so, how?

He’s not really gentle. He knows you’re tough and won’t break if he grabs your waist tightly when he gives you those late night kisses. But if you’ve had a rough day and just want to be held, Tom will be gentle and help sooth your mind.

H = Holding Hands. How do they like to hold hands?

I = Impression. First impression/s?

You met through your mutual friend, Chris Evans. Chris had spoke about you so much to Tom (He knew you two would be a great couple) that when he had finally introduced you both, Tom felt like he already knew you. Except you exceeded everything he thought. You were funnier, smarter, pretier, more full of life. Tom’s first impression was simply “Wow”.

J- Joker. Are they into pulling pranks?

On you, sometimes. But you two LOVE to play pranks on your friends.

K = Kiss. How do they kiss?

It depends on the mood. Most common is a quick peck thanks to both of your busy schedules, though when you both finally have time off, he makes up for it. He’ll either have his hands on your cheeks or your waist and kiss you like it’s the last time.

L = Love. Who says ‘I love you’ first?

You did! It was when you cancelled your date with him last minute thanks to period cramps and he turned up to yours not long after with your favourite take away, bottles of your favourite drinks and a heat pack. It could have been your hormones playing with you, but you nearly cried at the gesture and the words “I love you so much!” just fell out of your mouth.

M = Memory. What’s their favourite memory together?

Your first weekend away together. A little cabin next to a lake, just the two of you. The weather wasn’t that great so you spend the days cuddling on the sofa, playing board games, in bed or simply having long conversations with each other. He loved every second of it and even has a photo next to his bed of you two there.

N = Nickel. Do they spoil? Do they buy the person they love everything?

You are extremely spoilt by him! Anything you could ever want, he would make sure you would get. It would even get to the point where you would hide that you wanted that stunning necklace because it was pricey and you didn't want Tom to go spending so much on you. (Even though he would happily spend every penny on you)

O = Orange. What colour reminds them of their other half?

Red. When you first met, you were wearing a red top. First date, you were wearing a red dress and on the second date, you were wearing red lipstick. He even brought himself a red suit so he could match you in your red dresses.

P = Petnames. What petnames do they use?

“Love.” Mostly but occasionally “Darling.” or “Sweet.”

Q = Quaint. What is their favourite non-modern thing?

Shakespeare. He owns multiple books filled with his poetry and plays and will often randomly recite some for you to express himself.

R = Rainy Day

Board games! He adores to just chill out with you and play some games. Have a laugh together and just take some time away from screens.

S = Sad. How do they cheer themselves/others up?

To cheer you up, he’ll sit back and listen to whatever it is you have to say. Then he’ll simply ask you if there’s something he can do. If you’re not sure he’ll run you a bath, make you some snacks and just let you feel how you feel. If you want anything from him, he’ll do it.

T = Talking. What do they like to talk about?

Movies, Shakespeare, his family, your family, what happened at work. He’s also a huge gossip - not that he would admit that to anyone but you.

U = Unencumbered. What helps them relax?

Lying on the sofa with your head rested on his shoulder, Bobby (his dog) lying across your laps, the room dimly lit with lamps and a movie on TV. He never feels more relaxed than then.

V = Vaunt. What do they like to show off? What are they proud of?

His acting. Tom will often practice his scripts with you and would show off a lot at how he could do it. Especially if its Loki.

W = Wedding. When, how, where do they propose?

You adore his family and they adore you. So he decided to propose at one of his family's dinners. Between the main meal and dessert, Tom tapped his glass to gather everyone's attention and began to make a speech about how much he adored you before getting down on one knee to propose. You, of course, said yes. Although not many could hear it thanks to his mother and sisters almost screeching with happiness.

X = Xylophone. What’s their song?

Cha cha slide. Let me explain.

You and Tom are a goofy couple. Always having fun together. And you’re both competitive. Whenever you’re at a party or a wedding and this song comes on, you both jump on the dance floor to out do the other.

Y = You. You are the ___ to my ___ (e.g. the cookies to my milk, the macaroni to my cheese)

“You’re the Monica to my Chandler.”

Z = Zebra. If they wanted a pet, what would they get?

Tom already had Bobby when he met you. Neither of you really wanted any more pets, Bobby already was enough for you.

#tom hiddleston #tom hiddleston imagines #imagine tom hiddleston #tom hiddleston x reader #reader insert #hiddleston #fluff alphabet #tom hiddleston alphabet #tom hiddleston fluff alphabet #bored-mumma #imagines #fic #tom hiddleston fluff

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jiminrings · 3 years

Note

honestly i could talk w band!hobi abt numbers all day, like i wouldn't even mind. what are ur thoughts on 27 hobi? i think they a bad bitch. also UM might i request a drabble abt like a film major! yn (that is very enthusiastic abt films and the aesthetics + cinematography and whatnot) w like,,, a theatre kid?? any of ot7 works fine and it's all good if u can't or don't want to! thankyouu 💜

muse of mine

pairing: namjoon x y/n

wordcount: 4k

glimpse: namjoon’s always been a little sensitive to feedback whether it’s positive or negative, y/n’s an endearing type of talker, and smuggled snacks to the theater haven’t ever tasted this sweet :D // gif from pinterest!

notes: i kinda switched it up a lil bit and made them more established in their respective fields bc my mind went berserk on this concept!!! also this is mayhaps my oNLY piece that’s just pure fluff

“27? The number? Hmm. That sounds... sexy.” - band!hobi

this been’s bugging you for the past half hour

this whole experience feels oddly familiar

you’ve been in this theater for half an hour so far to watch this play!!

lmao ur gonna admit RIGHT off the bat that theatre’s definitely not it for you

your slight unfondness for it is deeply-rooted back to university and for four years, you’ve consistently taken dumps on theatre kids even if it’s under your breath

alright it’s possible that you don’t hATE the actual people ( only some of them ;D ) themselves but rather this whole type of cockiness and the “i’m a direct descendant of shakespeare himself. trust me bro. on god” energy that they always seem to exhude

but realistically, maybe this deep-rooted hate stemmed from seokjin

he was the guy you’d share the exact same elective class with him for two straight whole semesters and you’ve been seatmates from time to time

homie took foreign language as an elective?????

the language is korean?????????????????

“wait b-but i — aren’t you — n-no but i really???”

that’s what you first sputtered to him in realization when he took his seat beside you

the two of you have only ever shown each other notes bc the other was dozing off and the occasional sharing of gummy bears that’s already pre-opened to not make any noise

but for some reason, it’s only dawned in you why seokjin’s a god in this class and he answers your questions without even looking at his notes by hALFWAY through the whole semester of foreign language

one day, u are gonna find a way to bodyslam yourself and never recover from it ever again

“mhmm. don’t sweat it, sweetheart. i personally think it’s very don quixote of me to y’know, take something as impractical and amusing as this.”

you snort at his choice of words because honestly!! you barely remember don quixote and jin’s use of it as an adjective jigs up a refresher course on your brain

who was he again??

was he the donkey

.. or are you thinking about shrek again because of your film analysis

you sWEAR there was a donkey in that story

it’s good fun to talk with jin even if he keeps sliding bourgeoisie words here and there and you’re a lil confused with all these references that he makes but that’s okay !!!

atleast even him saying it in a long-winded way that he was like someone from the merchant of somewhere, you know now that he pretty-pleased and charmed his way to the registrar for him to take korean as an elective

...

two weeks later, jin sits next to you in class

in ACTUAL non-elective, non-native language he already speaks class

now that you’re squinting a bit more, jin does look a little uh?? different

his hair that was once a hybrid of lavender and peach and pink and then blonde was now wholly black and it’s probably his original hair color because it matches with those eyebrows of his!!!

his combo of a black bomber jacket with a silk button-up underneath honestly SLAPS and it makes you forget how he used to exclusively wear only knitted shirts and argyle-patterned cardigans

you have ur jaw dropped because you totally would’ve fallen for seokjin jAW-FIRST

— if only he didn’t strike you as the brother type when he smacked the back of your head because you were falling asleep on class again and uhhh you mUst be forgetting that the two of you were sitting in front

you had no time to reevaluate whether you should develop a crush for him or not

he’s immediately slapping his hands on his knees, looking at you so intensely before pointing a finger at you with so much conviction, and then scoffing to himself

“switched majors to film. theatre was gonna be the death of me!!! y/n, if you even think about trying to switch to that cheap, amazon-ordered quill and tanning lights for stage lighting major, you’re absolutely dEAD to me-”

you’ve never had a conversation this striking nor long with jin but you genuinely have no complaints at all

seokjin talks pure shit about theatre and theatre junkies and everything in between for the WHOLE day

trails beside you for every single class you had, which was convenient because he can then sweet-talk his way again (if anybody even dared to question him) that he’s just newly-switched

sat with you for lunch and him not eating because he just needS to tell you all about it and you trying not to choke on your pasta as you try to reply to him

followed you back hOME and decided to crash the night there

yeah, that. your unfondness for theatre’s rooted on that one

uh-huh safe to say that you’ve become best friends with jin ever since that day

you’re a sponge for your friends and jin’s the closest one you have, so it was only natural that you soak up his distastes and whatnot

not to brag but aha :D

you add salt to the water while you boil pasta so u may be a little bit of a masterchef or somewhat, no big deal :D

he’s absorbed your fascination for all kinds of lights and fixtures that he has about seven different nightlights in the form of squishies or neon and everything else on his bedside table, in which he turns all of them on at night

fun fact: he’s capable of sleeping in the dark

jin’s the whole reason for your stance on this

he’s adamant about his points and you’ve graduated uni four years ago!!!

which is why you DON’T get why jin would give you a scented black envelope, with “don’t come to this” scribbled in gold at the front, carrying a single ticket to this play with a sticky note saying “don’t watch this at 7 pm, wearing your boss lady year-end award show type of clothes, sitting at the ninth row from the back and two seats from your right.”

because of course!! what the hell did he expect you to do? NOT come to this play at 7 pm wearing your boss lady year-end award show type of clothes then sitting at the ninth row from the back, two seats from the right???

OF COURSE YOU WOULD

your goal in life is to do exactly the opposite of what jin tells you. there’s literally nothing else in life you’d want to fulfill

he’s made it quite easy for you to spite him and although you wouldn’t admit it.,,.,., you may be a little petty ok

he’s the even bigger goof out of the two of you and you can never have the final say!! it’s always him and his wit and yOU being the dunce

it’s a lil sus that jin’s basically ASKING for it with his instructions but whatever

whatever it is, this is finally your chance to enact the final say and you’re gonna pull ALL the stops

all you know about theater-goers is that they dress fancy and wear these mini binoculars and that’s about it

there’s not even one film you know that you see anyone in the audience wearing a worn-in cardigan or even a puffer jacket even if the theater’s mad cold

all the people bring are scarves and shawls???? thee thinnest version of a blanket that won’t warm them up against the frigid airconditioning

that whole dress code sounds ridiculous!!! great please ring out this thousand-dollar dress im gonna wear to the theater thank u

you’re a little worried that you’re not gonna blend into the crowd, but after some digging about the invitation, formal wear is most definitely recommended

it’s an exclusive invite-only play which would be later released to the general public later on so yeah the situation dOES call for a gown thank u very much

also how could you forget that jin explicitly told you not to wear this type of attire

if you’re being humble right now, which you always normally are, even if that jUST sounded boastful talking about how you’re humble all the time —

you do look pretty breath-taking :-)

even when the doors weren’t opened and everyone’s just collectively loitering outside the hall, you’d feel glances at you

the sweet security guard did a double-take at you and mumbled a “very very nice evening to you, miss :D” instead of his normal “enjoy the show!” to the other patrons before you

you’re gonna soak all the silent compliments up and try to remember all of them before writing them on your journal later hee-hee

your midnight blue satin dress that’s floor-length and off-shoulder is dEFINITELY in your favor :D

your dress still glimmers even if the spotlight isn’t on you and you wish you weren’t shy to ask a random stranger to take a picture of you

going on self-timer isn’t ideal either when there’s like a hundred other people in the room

they probably wouldn’t even care if you took a picture of yourself!!! but in your head they probably think that you’re laughable so you’d rather not.. do that

the theater’s dark as hell if that wasn’t established

it is literally pitch black in the room and the ushers at each row holding the flashlights that are meant to guide the patrons aren’t exactly helpful

big kudos to them though,, must take a lot of self-control to not wave their lights like it was a rave :D

a flashlight tHAT bright?? whew pls is this what ships feel in the night

the last time you were in a rave, your thirty minutes of fun was cut short when seokjin immediately got hammered and wouldn’t stop throwing a fit if you didn’t drive him home that instant

his energy seemed to compelling everyone that he’s managed to somehow suck the energy out of a WHOLE rave so you took him home for everyone’s enjoyment :(((( except yours apparently

you’re trying hard to focus on the play that’s happening because for the past twenty minutes, all you’ve done is zone out randomly with ideas all of a sudden

you NEED to listen

....

uh-huh...

UH-HUH......

wait this is actually.. good

you find plays hard to follow and absolutely boring when you don’t immerse yourself in a run-down PRIOR to watching it in order to get

it’s the same analogy as reading the plot of a movie on wikipedia before watching the movie at the cinema.... absolutely useless

it sucks out the fun from something you weren’t supposed to know

watching plays is two hours of you being confused, going home to read the plot and only understand it by tHEN, and never coming to the theater again because you’d waste your money.... watching something cluelessly in the theater..... for a plot you’d grasp at home

but no

because this one

actually this one that you’re watching...

it’s not bad

it’s nice, actually.

within two minutes, you managed to grasp that it’s a story about a never-ending spring between these two lovers

there’s something about the whole setting of it actually that just sucks you in

in some plays, the outfits would seem so forced even in the given context that it reminds you of uh a particular superhero movie

and yes ur aware that stage makeup has to be enhanced so that people all the way to the back row would see

but there’s just something in this scene that’s laid out right-now that actually gets you in awe

it’s of the couple in the back of their pick-up truck and everything about it seems so natural

the background straight up looks like what it’d be if you were to go outside

the guy’s arm around her shoulder seems so natural and in nature that it doesn’t feel like a random cue in the script

the girl twinkles and it doesn’t even feel like a forced type of laugh you’d cue in attempt to warm the audience’s hearts

it’s of a plot where the the guy eventually falls out of love with the girl, while girl gets even more smitten with the guy at the same time

it’s what you take from the past ten minutes that you watch in dead silence, and you don’t even remember in the back of your head that you’re supposed to hate plays

“no way.”

you mumble in disbelief under your breath, head shaking profusely

is your mind playing tricks on you???

you’ve got too used to seokjin sitting beside you that you immediately turn to your right, whispering out your concerns

“is it just me or is she wearing a different shade of pink?”

you don’t even buffer for one second when you ask the stranger beside you

you’re so concerned that you’re looking at him intently while waiting for his answer that could either console or despair you, a random theater-goer that’s too noisy with her questions for her own good

it’s absolutely dARK as fuck in the theater but after awhile your eyes adjusted slightly

and the first thing you look at after the stage is him

him as in the dude in your right that you just asked all of a sudden

you could only see his silhouette and the faintest features of his face along with his well-dressed suit but god

... you are totally not lying if you say that even the barest silhouette of him doesn’t look handsome

you’re expecting him to tell you off for being so noisy but instead, he’s the one who takes you by surprise

“how did you notice that?”

“oh my god!” you exclaim almost too loudly that you yourself even jolts, the guy even making you duck with him slightly for a brief second, “im sO sorry!! am i accidentally spoiling it out for you?”

the guy blinks twice, lips slightly parted before shaking his head no

“no, no... this is the first screening — i mean uh, how would you know that?”

oh boy

you’re adjusting yourself on your seat, bum now warm as you try to explain and not be nervous because what if you just made a wrong assumption about this play and you’re sitting next to a goddamn tHEATRE BUFF???

“well i —uh, uhm what’s your name?” you’re flustered and the FIRST thing you ask is what was his name.,.,,

he seems equally as flustered before he adjusts his glasses, “o-oh uhm i’m namjoon...?”

alright! handsome guy is namjoon!

“you see, namjoon — okay it might just be in my head, but i tHINK it looks deeper with the light somehow. but uh...? the spotlight’s not following her and — is it just me or without the light, her sweater looks brown?”

you’re squinting and if u squint even more, maybe your contacts would just crumple by then

hold on a second

“brown, like — oh my gOD LIKE-”

namjoon puts a hand over his mouth before you could even gasp, hand reaching out for your forearm even before you manage to grasp his shoulder to take it in realization

was it under your nose the whole time??

“... fall.”

holy fucking shit

namjoon looks positively euphoric looking at your face of realization, his once-heavy chest about the whole scene becoming completely devoid of weight

“exactly!!”

his confirmation makes you inwardly squeal, grinning as you point at him and the stage back and forth

“i think this is the first play i’ve become ever interested in watching.”

okay what now

his ears perk up at that, your first sentence that you’ve said after your pink sweater that looks like spring also looks brown like fall in certain scene because of the lighting realization

“it is?”

he takes the chance to look at you as best as he could, trying to play his squinting as cool as he can

namjoon’s far sighted and the glasses he’s wearing are nOT up to date with his current grade bc he’s pretty sure his eyesight’s worsened the past month

he can’t make you out wholly, but he does know that you’re pretty

his eyes don’t linger on you because of the snacks you’re fishing from your purse while you talk that are absolutely illegal in this theater house lmao

but instead, his gaze lingers on you because you’re so pretty

the minimal light that’s bouncing off the stage is enough for him to see a faint outline of your features, highlighting your smiles just right and your dress to glint underneath

“mhmm. i actually hate plays,” suddenly, you’re not scared if namjoon happens to be some sort of theatre buff and you’re offending him because honestly, you feel at ease. “crunch?” you’re holding out the mini bar of chocolate out to him, one he politely declines to because his eyes are bulging out the next second

“you do????”

his genuine reaction indulges you, making you grin ultimately that you put off eating snacks for now to focus on him

“yeah! this is my hate outfit :D”

namjoon giggles as if it’s the funniest thing he’s ever heard

you automatically scoot closer because this time, it’s yOUR turn to shush him

this is totally for just the reason of talking more discreetly and not distracting anyone and is totally not an excuse to be closer to the next guy and touch shoulders with him then get a whiff of cologne because it’s rare for a guy to be handsome and aLSO smell good

your eyes get used to the darkness and eventually, you could make out features of namjoon beside you

he has the prettiest eyes you’ve ever seen

and the way he looks at you makes you feel safe and even your height difference is visible with how probably lonG his torso is compared to yours, his gaze doesn’t make you feel small

namjoon’s still (unsurprisingly) far-sighted and ur so close that he’s a lil cross-eyed

fuck it he’s gonna go to ophthalmologist FIRST thing in the morning tomorrow

“then why are you here?”

“my friend seokjin,” you lean back upon realizing the original reason why you’re here, the situation being so ironic that you puff out a smile

your friend’s named seokjin?

cool :D kim seokjin is namjoon’s of his favorite directors eVER!!

second best for him actually though.,., no one could quite compare to his first

your explanation makes him cackle several times, a swell of pride recounting why you hate (it’ll be past tense probably after this one) theatre

“what about you?”

you turn the question to him, making his dimples disappear effectively that you think you’ve just spooked him

“i uh, well i always wanted to see a story that went like this, so i’m here.”

“you’re a critic? oh god. please don’t tell me you heard all my mumbles.”

no this is even WORSE

namjoon’s not a theatre buff

HE’S A CRITIC????????????

god im coming up

“don’t worry, i also think that the drapings must probably be dirty.”

he breaks out into a smile recounting how you were talking to yourself earlier, a snort escaping him involuntarily

“RIGHT??? it’s like how do you even clean them?? do they fit in washing machines or-”

my god he’s such a nice guy!!!

in fact, he’s everything you want in a guy

you’ve went through atleast twelve facets of emotions for the past hour and you’re not even dating!!!!!!!

“my thoughts exactly!! and if it’s by hand, how do you even scrub the entirety of it?? or wring the water out??”

namjoon KNOWS exactly what’s up :’)

“is there even a clothesline that’d bEAR the weight??”

the two of you are so happy that you just look at each other laughing, a moment in time before namjoon nudges you to lean back because the ending’s happening

you don’t even question him how he’d know that it’s the ending and not just another opening to a new scene, just listening to him

you’re so happy

the play made you happy but namjoon made you even happier :-)

“if you are a critic, you should probably open up your review with this chatty play-hating girl beside you, then at the end, close it off with how she loves it.”

it’s the parting conversation as you realize and holy fuck you are nOT ready for it

you r gonna drag this out for as long as you could <3

......

and namjoon wants in too <3

“noted. if i was a playwright, i’d even make you the lead. which detail should i include? offering me wrapper-covered rice crispy snacks, or asking how you’d watch it while going thru the bathroom?”

this feels so natural

as natural as the couple in the play you’ve just finished watching :))

“you’re hilarious,” you’re not even the slightest bit annoyed and your restrained smile tells him all about it

yea you may have brought in snacks illegally but you aRE gathering your trash up as you’re a decent human being

namjoon wishes you’d pick up after yourself slowly, standing up from his seat as he has the plan of picking up trash that isn’t even his

“what name should i put then?”

you’re silent and oh god he thinks you found his company stupid and would definitely not give him your name

you’re not ignoring him though!!!

his words are still stuck in your head, realizing it lately with his “which detail should i include?”

“me wanting to turn this into a film, actually.”

you test the words out on your tongue, nodding to yourself after a few seconds that you seem so sure of it

“yeah. i wanna make it into a film.”

the lights turn on after being dim for so long, namjoon’s eyes going wide trying to digest what you’ve just said

“w-what?

.....

no fucking way

HOLY FUCKING SHIT SWFRWFBWRHGBRBVWRV SWBHJSDB SHJAVBHGJDS BWHRGHBSVWBGRH

namjoon’s malfunctioning as he’s looking at you from eye to eye, bottom lip trembling while he’s so keen at pointing at you

“y-you’re miss y/n!!”

....

right

oH RIGHT

he’s a fan of yours??

namjoon’s fanning his face because he’s about to literally burst into tears

how could he nOT???

how could he not be emotional when all along, he’s been talking to his number one favorite director????

you and your films are the absolute gems of his life namjoon’s not even kidding

your films were world-renowned for being so natural and sentimental without loading too much into it!!!! you’re known for being so humble through the multiple back-to-back awards and praise you get!!!!

he cannot calm the fUCK down when you’re rubbing circles on his back

“you w-want to turn my play into a film?”

oh my gOD

you’re fumbling for the envelope and it’s only nOW that you realize that it’s not from seokjin in the first place

spring day a play by kim namjoon an invite for director y/n y/l/n

“it’s you!!!!”

“no it’s YOU!!”

jin’s plan worked alright :D

he’s just FOUR rows behind you lmao

it was just two weeks ago when yoongi, the executive producer of his film that he was directing, let it slip that he was co-financing a play

he met yoongi some semesters later after he became close with you, and he’s aLSO converted yoongi into hating theatre then he fit right in to your little posse of theatre kid-hating film students

that gave jin the laugh of his laugh and yoongi was not joking at all

“no, no. i’m telling you man. it’s different! i even have the script that i’ll let you read.”

and holy shit it IS different

if you see a couple tears on the last seven pages of yoongi’s copy of spring day’s script then mind yo oWN fucking business

then two weeks later, here he is :D

jin managed to also convert you to love theatre even IF it is namjoon’s play that did all the work

( also coincidentally found you a future boyfriend because he’s tired of seeing you alone and the closest you’d get to having someone is projecting your yearning into writing the scripts for the films you’d make )

he’s also secretly co-financed the whole play along with yoongi and he’ll drop that bomb later on lmao

“and that must mean i looked like a total FOOL beside you oh my god im so sorry!!”

namjoon panics at that, about to cry when another realization hits him when he’s about to put his head on his hands

“then that means the friend who gave you the ticket was-”

SEOKJIN VBFHSBVHSFBVSFHDVBSJFV SFJVJSFVSJVSSV SSV V FS FSV SFBVRBVRSVSWVGU

he cries to your shoulder and you never expected to be hugging and consoling someone you’ve just met two hours ago, a more than fond smile on your face he takes advantage of when he sneaks in the chance to ask you

“do you mean that?”

“now why would i lie to the playwright who’s been listening to me talk shit, then theorizing, then crying for the past hour?”

it’s true though

namjoon’s seen it all

he’s still handsome as ever even when he sniffles, his dimples on display when you return his question

“now did you mean it? writing me into your play?”

why are you even ASKING

he’s the biggest fan of u

namjoon’s made notes of your work, dedicated scripts to your movies, and he’s thinking about how it’s not yet hitting you how your whole epiphany about the pink sweater turning brown on his play,,, was entirely inspired from you and your affinity for lighting in your films

he thinks it’s still a little early to kiss you on the cheek even if you’ve already hugged, instead settling on pinching your cheek with satisfaction present in all corners

“you’ve always been my muse.”

#feedback pls and thank you :D I WAS SCREAMING THE WHOLE TIME I HAVE A TEST TOMORROW I NEED TO SLEEP #namjoon #kim namjoon #namjoon imagine #namjoon imagines #namjoon oneshot #namjoon oneshots #namjoon x y/n #namjoon x reader #namjoon fluff #namjoon au #namjoon fluff imagine #namjoon fluff imagines #namjoon fic #namjoon fics #namjoon fic recs #namjoon scenario #bts namjoon imagine

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marmosa · 3 years

Text

hogwarts theatre program hc’s

i was chatting with a friend of mine and she brought of something about how Hogwarts had a drama department that collapsed because there was too much drama 😭😭 very much on brand tbh. but this hc list was born out of that conversation and i just very much AHHHH. also under the cut are some character related hc’s 😋🙈

***

run crew just moving things with their wands from the wings so their transitions are like ultra smooth

alternatively, because they’re using magic the transitions are worse...somehow??

“how did you manage to knock out an actor?” “IM SORRY SOMEONE WAS TALKING AND MY AIM WAS OFF”

programs having enchanted photos, so each headshot also includes the shenanigans from before the photo was taken

professor mcgonagall having to okay the play because dumbledore is too nice and will literally let anything through

trying to convince mcgonagall to let them do a more raunchy show

“absolutely not”

“well professor dumbledore said it was a lovely idea!”

“ALBUS”

mic checks would just be seeing who knows how to use the voice amplifying charm correctly or not

actors enchanting one another as pranks during rehearsals and professor flitwick nearly seizing from the stress

flitwick is the director, it has been decided

an enchanted orchestra!!! so at the end of the play when the cast motions to the pit the instruments fly out and do their own little bows 😭

idk if hogwarts has an orchestra with actual students uhhh,,,, moving on

CLOSING NIGHT PARTY IN THE GRYFINDOR COMMON ROOM

non-theatre kids have to go hide in their dorms or escape elsewhere cause they don’t want to deal with it akdjksfb

someone hexing the makeup of a lead that they don’t like so their foundation turns green after they apply it

or their hair spray turns their hair a different color

idk just hexing the lead with a fat ego’s products because they’re a pain in the ass

the ghosts are brought in to critique the run throughs, this is sir nicholas’ favorite past time, he has a note pad and pen and everything

“sir nicholas?”

“yes?”

“did you hear we’re doing romeo and juliet this year?”

“is that so? i knew shakespeare, bloody prick he was.”

sound techies having to hunt down the idiot who won’t un-charm their voice so their lines keep echoing through the department and it’s driving people crazy

props creators seizing because flitwick for some reason was like “we have magic MAKE THE PROPS MORE COMPLEX”

really and i mean REALLY elaborate sets because it’s a magic school why tf not

forget a wooden standie of a castle, mf’s built a whole castle out of bricks and enchanted it so it didn’t fall through and crack the stage

students all doing shitty american rendition’s of english accent when they do typically english productions for ✨ ambience ✨

tech week is hell

i mean bloody anarchy

dumbledore is nice enough to get them special catering

but extra snacks doesn’t calm the storm

flitwick is ruthless, he will tear a performance apart to make it better if he has to

“did you finish the last touches on the costumes?”

“no, i thought you did?”

[panicked screaming]

don’t even look at the stage manager, they’ll literally kill you

“you STILL haven’t memorized your big monologue@%^*#”

“it’s not my fault!! snape keeps assigning too much work!”

“serverus is going to get my foot up his ass if he doesn’t-”

“PROFESSOR”

asking hagrid for creatures that will be featured in plays

he usually always says yes just because he loves seeing his babies star in the productions

ron suddenly getting fifty “unrelated” owl requests for charlie’s contact info

“please ron we need the dragon”

“for what”

“it’s confidential, just please-,”

“what for-?”

“JESUS RON JUST GIVE US THE DRAGON”

george is stage manager

fred is lights head

they were first put in there for detention but quickly realized they liked it

it was also a lot easier to get away with wack shit

“fred would you stop messing with the lights?? we’re having a run thru”

“why don’t you come up here and do it urself then, genius????”

“hold my mf script”

“GEORGE NO”

harry keeps getting cast as token hot straight boy male lead tm

not necissarily that he is straight, just,,,,, the typecast

^^^ alternatively cedric

cedric is mr. heartthrob

he’s the hot sports guy u don’t expect to audition

but does and gets in

and now every1 wants a piece of that

when he dies graduates the department is Devastated </3

ron keeps getting cast as token silly best friend who’s there 4 comic relief

hermoine keeps getting cast as token feminist girl tm

(no those aren’t just their book roles whaaaaat)

opening night is a Big Deal

idk why

it just IS

“i heard we get house points if more students from our house show up!”

“really?!”

“no.”

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eurydicees · 3 years

Text

i adore this au have more theatre club hcs (first post is here) bc i don’t have the energy to write an actual fic (though i might do it later when i have more time and less emotional fatigue, ironically i’m exhausted because i’m doing a show rn):

tamaki loves musicals. like he LOVES them. he can sing for days— his only weakness is his dancing. they do “bye bye birdie” and he gets cast as conrad but hikaru nearly kills him because he just can’t get the steps and conrad’s “whole THING is the DANCING, tamaki!!!!”

that being said, when he sings “honestly sincere” half of the audience nearly passes out. (“Oh, baby! Oh, honey! Hug me! Suffer!”)

more on bye bye birdie: hikaru is albert, haruhi is rose, honey is the brother (sry i forget his name lmao), renge is the mom, kaoru is the dad (kaoru singing “kids these days” is the funniest fucking thing i’m sorry), mori is hugo idk who kim or everyone else is fuck i forgot how big this cast is

hikaru and kaoru once propose that they do “cats,” but they couldn’t get the rights

in addition to shows, they also do a coffee shop cabaret yearly

tamaki always comes out with a show stopping song (one time he sings “being alive,” and, though kyoya will never admit it, the rendition makes him cry)

kyoya and mori do a scene from a shakespeare show together (they’re both unsure of themselves when it comes to acting, so they choose each other to do the scene with bc they both think, though they can’t compare to haruhi or renge’s acting, that at the very least they can be better than the other)

haruhi refuses to participate if they don’t have to, so kyoya ropes them into organizing and running all the tech shit (which is incredibly overwhelming, but they manage, somehow)

i think i said this in the last post, but mori does the lighting design for the all the shows, and he’s absolutely brilliant at it, but his real specialty is stage fighting

when they do “romeo and juliet” he gets cast as tybalt solely on the basis of his skill with a sword (kaoru is mercutio, because he’s both a dramatic homosexual and the only one who can keep up with mori)

tamaki allows himself to explore his gender via theatre— it’s a safe way to dress up and wear makeup and fuck around with gender norms without making a big deal of it

he starts requesting female roles on the dl (since they still only have one woman and an afab nonbinary person)— it comes as a surprise to everyone except kyoya, who was directing the first show that tamaki got the lead female role in, and somehow knew exactly what tamaki needed (yet again we see the top notch director/sm pair working together without question or confusion)

the show was “romeo and juliet” (like i talked about before) and tamaki played juliet to haruhi’s romeo (it came as a shock to the rest of the school when the cast list went up, and tamaki was super nervous about it, but the hosts were all really supportive even when the rest of the school was a lil apprehensive)

he absolutely killed it as juliet (pun intended)

sorry this turned into tamaki gender exploration hcs back tO THEATRE

their show schedule is intense for high schoolers: a musical in the early fall and late spring, a one act in the winter just before break, and a full length play to celebrate the start of the spring semester

each show performs for a friday and a weekend, and then closes— tickets are hot commodities

they spend about two months rehearsing for each show; and kyoya holds them to a very strict rehearsal schedule— miss a rehearsal for anything less than literal death, and you’ll have to face his wrath

most of them don’t really plan on going into theatre professionally, but they have a lot of fun while in high school

kyoya likes being sm because it helps with his organizational skills, which he’ll def be using as ceo for whatever business he ends up running into new heights

honey just has fun with it— chika thinks it’s a waste of time, but honey likes to make the argument that he practices martial arts via stage fighting (unfortunately, the haninozuka method is strictly banned from the stage— they use non-lethal methods only, thank you very much)

haruhi ends up actually really liking theatre, and they spend their free time finding new plays to read, and end up proposing a few of them for their one act show in the winter

kaoru secretly starts writing his own plays, just for fun (when the other hosts find out, they want to produce the shows, but he refuses)

#ohshc #ouran high school host club #ouran high school host club fanfic #ohshc headcanons #ouran koukou host club #theatre club au #fun fact the being alive hc is based on the fact that one of my friends nearly made me cry while he sang it for an audition #i hope the tamaki gender hcs are ok lmk if there's something harmful there #there aren't a lot of honey hcs just bc i don't have a great grip on his chara #but i will hopefully work on that for another post

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grasslandgirl · 3 years

Note

do you like plays/musicals? and if you do which are your favorites?

in case you couldn’t tell by. Everything about the way that I am. I’m a recovering theatre kid and this ask is like waving a red flag in front of a bull in the best possible way. Mutuals and followers, if you don’t want to see me take this as a wholehearted excuse to talk loudly, exuberantly, and at length about theatre, please keep scrolling, ty ily and I’m sorry 💛

I was lucky enough to go to a high school with a very vivacious theatre department with a very experienced and talented teacher. It was kind of like a second home to me and I spent more time after school in rehearsals than was probably healthy, but here we are. I think I did around 13 shows while I was in high school, 5 of which I did during my senior year. I acted in most of them, but was lucky enough to get the opportunity to work on the production team for some, and to be able to direct or co-direct two of them.

Straight plays (non musicals):

DNA, by Dennis Kelly: technically a dark comedy that probably leans a little too close in to horrific tragedy territory, this was the first show that made me really understand what theatre was and what it meant to Act. That it wasn’t just standing on a stage and saying words. In retrospect this show was probably a little too dark and a little too graphic for us as a cast of mostly 15 and 16 year olds but you know what. You live and you learn. It’s a brilliantly written script that really delves into the social structure of high school friendships and group dynamics, and how tragedy can both bind a group together and also tear them apart. To this day one of my favorite shows I’ve ever done and probably the show I’d be most eager to do again if given the opportunity

you can read dna here!!

Antigone, the Anne Carson translation: a really breathtaking and poetic translation of the classic Greek tragedy, the text of this show is so dense and layered with so many secondary and tertiary meanings, and it was an absolute delight to get to work on. I remember spending so much rehearsal time really digging into the text and the script and to the multiple meanings behind every line. There’s an alternate translation she also did that I was able to see performed by a local college troupe around the same time called Antigonick which is a little less traditional approach to both the translation and the retelling but I’d highly recommend reading and seeing both if you’re given the opportunity

I Am Not Batman, by Marco Ramirez: A really lovely one person short play that features a love drum accompaniment. I believe it was featured in a Humana festival a couple years back which was how I discovered it, and I was actually able to direct this show as part of a larger festival of short plays through my high school and it was such a incredible and enlightening experience. The show is really heartfelt and takes a really heart wrenching turn in the second half of the script and I’m so lucky and thankful I was given the opportunity to see it brought to life

you can see I am not Batman performed in Adam driver’s Ted talk about acting!

Horse Girls, by Jenny Rachel Weiner: a truly hysterical dark comedy that I like to describe as: if Heathers was set in a middle school in Florida. It was the last show I did in my high school, and it was a show directed and produced by my peers as part of our senior year final project and it’s one my favorite shows I’ve ever done. It’s so funny and tongue in cheek and surprising and takes a shocking turn in the last fifteen minutes that was always so delightful- I got stabbed in the stomach with a horse statue and got to bleed out onstage every night!

A Midsummer Night’s Dream, by Shakespeare: probably my current favorite Shakespeare, it’s just so funny and interesting and while i do think it’s probably over done I also am delighted with every production and adaptation I see of it

Musicals:

The Sound of Music, Rogers and Hammerstein: I got to co-direct this show my senior year which was something of a dream come true. This is one of my favorite movies of all time and the musical takes some interesting diversions from the film- there are a couple songs that were written for the film, and a few songs that were written out of the film, including two songs by the baroness and Max! You can find the original Broadway cast recording on Broadway that has those original songs and if you’re a big fan of SoM like I am I highly recommend it!! They’re very fun

The 25th Annual Putnam Country Spelling Bee: a little more niche of a Broadway musical, but I got to see it performed locally and it was SO good so funny so sweet and heartfelt highly highly recommend a listen if you haven’t; there’s a song called My Unfortunate Erection and yes it’s as funny as it sounds

In the Heights: probably one of my favorite musicals I’ve ever heard. I’ve never seen it performed but I’m so terribly excited to see the movie when it comes out on hbo and it’s such a beautiful score with such a compelling story behind it

Anastasia: that’s right the beloved 90’s princess movie was made into a Broadway musical and let me just tell you it’s SO GOOD. I got to see this while it was still running on Broadway and it’s so breathtaking please please please please go listen to the obc soundtrack on Spotify

aaaaaaaaaaa okay I think that’s it for now PLEASE let me know if you have any thoughts on these or other plays I miss theatre so badly and would love to talk about plays or performing or theatre!!!

get to know the blogger: send me questions!

#asks #theatre #aaaaaaa I have many thoughts and feelings oaky

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noshitshakespeare · 4 years

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I would be interested in knowing more of how to understand/approach early modern dramas, Shakespeare especially, but other writers from his time too if you know more about them, fron the angle of race/other. Do you have resources/references on how to approach early modern drama this way? I do realise this might be a broad topic, I'm looking to expand my readings and the way I approach/read Shakespeare as a non-black POC who is very fond of his works.

As you’ve said yourself, this is a really huge topic. And as you may imagine, it’s one that’s been getting more focus now than ever (though it has existed as a topic of interest since at least the 1980s). I don’t think I could do justice to the topic in just Shakespeare, let alone in all early modern drama. But let’s see if I can make a reasonable start.

Because the term ‘race’ didn’t signify what it does now, and because Shakespeare was living in a time before England established itself as a major centre for slave trade, the first thing to be aware of is the difference of understanding. We can’t unproblematically apply modern standards and notions of race and other any more than we can talk about Shakespeare in terms of our modern understandings of sexuality and sexual identity. This isn’t to say that people didn’t notice colour, as can be seen from the terms like ‘blackamoor’ that were being used, but the question of otherness was, then as now, caught up in the more complex issue of religion, and colonisation. Because the Ottoman empire was one of the greatest powers in the world at the time, and Islam was perceived as a major threat to the European countries, difference in skin colour could also denote a difference in ideology (I talked about this a little in relation to Othello once). But sometimes an equal threat was perceived in those who didn’t look different, but who didn’t hold similar beliefs.

Given that your question is about otherness in general, this is very relevant, and broadly speaking, we can categorise otherness in terms of

Those who come from abroad

Those who look different (black, brown, even a slightly different shade of white)

Those who have different belief systems (Jewish people, Islamic people, Catholic people)

Those who look different and have a different belief system.

What to make of early modern treatments of this difference is very difficult, because there isn’t a homogenous viewpoint. There’s never been a time when everybody thought the same thing, and so one can find all sorts of perspectives on race and otherness in early modern writings. Some are missionary perspectives, seeing difference as a mark of heathenism, and wishing to ‘help’ them by converting them, which went hand in hand with those who considered them subjects to be colonised and ‘civilised’ (see for instance Richard Hakluyt, Reasons for Colonisation, 1585). But there were people even at the time who saw the colonial project for what it was, and denounced the cruelty of the conquistadores (Bartolomé de las Casas’ The Spanish Colonie, translated into English in 1583 is a very interesting read), and even people like Michel de Montaigne, who admired what seemed to be a state of prelapsarian paradise in the people of the new world (see ‘Of Cannibals’). In the other direction, looking from Europe towards the East, the great and far superior power of the Ottoman empire manifests itself in a kind of awe, fear, and Islamophobia, but less in a desire to civilise or convert. Often you’ll even find in military and conduct guides a favourable description of the Ottoman nations to the detriment of European cultures. Part of this might have something to do with the fact that Elizabethan England had treaties with the Ottoman empire, but it might be a tactic to shame to west into better practices too.

Many scholars now attribute the notion of ‘otherness’ in the early modern period as part of the creation of ideas of ‘nationhood’ in a time when nationalism was really beginning to take shape. It’s an age-old notion and one that Shakespeare points out in Henry V that patriotism and national unity is made stronger by demonisation of others. By contrasting themselves with the Catholics, the Protestants could define their own faithfulness, by contrasting themselves with Jewish and Islam religions, the Christian nations could achieve a more unified identity, and by comparing themselves to the less ‘civilised’. In that sense, sometimes more fears are expressed in relation to those one can’t differentiate easily by physical characteristics, like Jewish people, or, for that matter, Irish people. In fact, there are some very interesting depictions, for instance in The Merchant of Venice or Marlowe’s Jew of Malta in which the so-called Christians condemn the ‘other’ (Barabas, Shylock) for things they do themselves. Barabas, while playing the stereotypical bogeyman of a Jew, will criticise the Christians for their hypocrisy in the way they quote the bible to steal his money: ‘Will you steal my goods? / Is theft the ground of your religion?’ (I.ii.95-96). Shylock is accused of cruelty for essentially buying Antonio’s flesh, even though the Christians have ‘many a purchased slave / Which, like your asses and your dogs and mules, / You use in abject and in slavish parts’ (4.1.89-91). The same applies to more physically different characters. Aaron from Titus Andronicus is a problematic character, almost a cardboard cutout of an evil villain, but though he’s undeniably cruel, so are so many other characters in Titus, and strangely, while internalising the idea that black = moral blackness, he nevertheless shows more love for his child than Titus (who kills his own son), and questions ‘is black so base a hue?’ (4.2.73)

This is all to say that there’s no single approach to studying race and otherness in Shakespeare and other early modern writers. The treatment of the other will differ depending on the writer, the play, and even between characters in the plays, because it wasn’t a straightforward topic then any more than it is now. So the best thing you could do would be to familiarise yourself with the discourse that surrounds the subject without committing yourself too much to one view as being more correct than another (it’s a good scholarly approach to avoid bias as much as possible). Unfortunately, the books on the subject tend to be quite hardcore academic. But here’s a short list if you want to get started on something.

Miranda Kaufmann, Black Tudors: The Untold Story

This is great for a more general readership and helps to break preconceptions about what the early modern period in England was like, but it’s not strictly about Shakespeare or drama

Catherine Alexander and Stanley Wells, Shakespeare and Race

An essay collection, which is academic, but gives a broader scope than a monograph

Jonathan Gill Harris, Foreign Bodies

Quite hard, but very good for a wider approach to ‘otherness’ rather than being limited to skin colour. Does focus on drama alongside history.

Ania Loomba, Shakespeare, Race, and Colonialism

A classic. Again quite hard, and somewhat inflected by modern notions, but very useful.

Miranda Virginia Mason Vaughan, Performing Blackness on English Stages, 1500-1800

Good if you’re interested in performance history and the actual presentation of blackness on stage, including blacking up.

Kim Hall, Things of Darkness: Economies of Race and Gender in Early Modern England

Hardcore academic stuff, and more history-based about the beginnings of the colonial project and slavery.

Patricia Akhimie, Shakespeare and the Cultivation of Difference: Race Conduct and the Early Modern World

Covers that question of building national identity and deliberate emphasis of race or difference.

Mary Floyd-Wilson, English Ethnicity and Race in Early Modern Drama

Like the one above, this is broadly about the way English ethnicity is created by othering.

Sujata Iyengar, Shades of Difference: Mythologies of Skin Color in Early Modern England

Deals with the ways early modern people understood colour in comparison to our own notions.

Nabil Matar, Turks, Moors, and Englishmen in the Age of Discovery

Looking eastward and southward at the relationship between Europe and the Ottoman empire as well as Africa

Daniel Vitkus, Turning Turk: English Theater and the Multicultural Mediterranean

Another work on the relation between England and Islam, and deals very well with the British sense of inadequacy in comparison to the Ottoman Empire, as well as their fears about others who don’t have distinctly racial characteristics.

Jerry Brotton, This Orient Isle: Elizabethan England and the Islamic World

A history book that charts the incredible trade and political relationship the court of Elizabeth had with the Ottoman Empire.

Ayanna Thompson, Passing Strange: Shakespeare, Race, and Contemporary America

Jumping to the present, this is more about how Shakespeare is used in America now, especially focusing on pop culture and the representation of racial issues.

For a more casual approach, and one that’s about as up-to-date as can be, you could check out the #ShakesRace hashtag on Twitter. All the scholars and theatres are using it for discussion, or for advertising new books, new conferences, talks and podcasts on this subject, though the focus is, as you may imagine, more on colour than otherness more generally.

#anon anon sir!#asks #long post #very long #oops #reading recommendations #race #other #Aaron #Othello #Blackness #Barabas #Marlowe #Shakesrace #this question was asked at a really timely moment in our current history #but I'm less timely in replying #POC

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yegarts · 3 years

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“I Am YEG Arts” Series: Hunter Cardinal

The magic of collaboration and connection starts with an encounter. If you’re an artist reading this, you likely have goosebumps. If you’re the artist who said it, you’re Hunter Cardinal, a sakāwithiniwak (Woodland Cree) theatre artist, hailing from Sucker Creek Cree First Nation. Though his name has been on the lips of Fringe Theatre fans since 2018, he’s most recently gained attention for his and his sister’s newest co-endeavour, Naheyawin. With clients including the Legislative Assembly Office, Naheyawin offers sustainable, Indigenous-based solutions for businesses and institutions working to improve diversity and inclusions and reinvigorate the spirit of Treaty into their organizations.

Regardless of whether he’s writing a play or teaching a workshop, it’s the questions Hunter asks that change the approaches people take. Those skills, paired with his belief that storytellers tell stories for those who need them, help us value our shared histories. Playwright, actor, and myth architect, this week’s “I Am YEG Arts” story belongs to Hunter Cardinal.

How did you first get involved in the YEG arts community?

I got my start in high school at Strathcona Composite High School! Through the different musicals and training opportunities during that time, I found myself surrounded by incredible teachers and artists from this vibrant community. This often results in me getting to work with people I’ve looked up to for a very long time—something that never gets old for me.

You describe yourself as an Indigenous myth-architect. What does that involve, and what’s the significance of the title?

Myth-architecture is an extension of the teachings we’ve gained from our Elders, who have told us that storytellers tell stories for those who need them. Myth architecture begins with a question that feels important but is without an answer and challenges us to craft a narrative that provides some sort of response. Often, this looks like “completing,” “expanding,” or “setting up” a pre-existing myth. With the play Lake of the Strangers, for example, we completed the myth of Mista Muskwa (The Big Bear) as we tried to answer the question: Why should we heal when there is so much darkness?

Looking back on your success as a first-time playwright with Fringe Theatre, what advice would you give aspiring playwrights?

I would encourage people to use everything they can about themselves and who they are as a person when crafting a story. So often we’re encouraged to leave who we are and whatever we’re bringing with us ‘at the door’ so that we can perform at our best. However, in my experience, the personal is highly universal.

Tell us a little about how Naheyawin came to be and what one of the highlights has been for you.

Naheyawin came from the ways in which my sister and I wanted to combine our passions—storytelling and system thinking—and be of service to our communities. The word Naheyawin, which can be said to translate into ‘the act of being Cree,’ was inspired by a phrase in our family.

That phrase is “When the people forget, the language remembers,” which reminds us that we can look to aspects of who we are—like our language—for guidance and tools to help us with the challenges we’re faced with today. What this looks like today is providing Indigenous-based solutions for the improvement of diversity and inclusion in businesses and organizations across Turtle Island (North America). This can take the form of webinars or us working with organizations on the unique challenges and opportunities they have to better incorporate Indigenous ideas or peoples into their work. I would say a highlight for me is whenever I get the opportunity to facilitate a webinar. I am so honoured to take part in the journey of learning that folx embark on—and so inspired by their open minds and hearts during our time together.

When you’re working with Edmonton businesses or community groups, what do you help them understand about Indigenous spirit.

For me, the most important thing is recognizing the gaps in world views of Indigenous and non-Indigenous peoples. We often forget that Indigenous peoples have an entirely different way of looking at the world, so when we are talking about certain things like art, land stewardship, or Treaty—though we are using the same words, we are relating to them in entirely different ways. So recognizing these gaps gives us the opportunity to build those metaphoric bridges that lead to a deeper understanding and innovative solutions.

Did you always want to combine your passions for your work and your culture into your artistry?

Combing my culture into my work was fairly recent for me. I was raised with regular, but not frequent, exposure to things like smudging, going to sweat lodges, and visiting family up north at Sucker Creek First Nation. But it wasn’t until I was struggling with a role for a small project that was exploring Chekhov’s Three Sisters that I saw the utility of my culture and identity. For the entire process, I felt like the worst actor in the whole world (an all too familiar feeling)—every choice I made felt awkward and contrived, and nothing felt authentic or realized. When debriefing with my director at the time, he drew a connection between my character’s love of Latin and my love of Indigenous languages—and then everything changed for me. I felt like I had permission to use parts of myself that I otherwise would have ignored because I didn’t think it would be useful or appropriate (kind of tragic when I think about it). I then explored using parts of my identity as an Indigenous 20-something male as the backbone of my role as Hamlet at the Freewill Shakespeare Festival and felt like I could bring something very unique and grounded to that role.

What role has mentorship played in your life? Is there a piece of advice that you carry with you?

Mentorship has guided me entirely through my career—so it would be difficult to pin down just one piece of advice. But if I had to pick one, it would be the late Brent Carver sharing with me that in order to be fully present in a scene, an actor cannot leave themselves at the door. The bits of your life, emotions, etc., that you carry with you throughout the day can be fuel for creating beautiful, authentic, and singular moments on the stage. In that teaching, I walked away with the feeling that I am more than enough, and every single part of who I am and where my life has taken me is valuable.

What excites you most about the YEG arts scene right now?

The community. Edmonton has such a thriving scene here—and I would attribute that to the wonderful people that make this such an incredible ecosystem. All the success I’ve been fortunate to experience was all given to me (freely, without question) by those in this community—the roles, experiences, training, and connections.

A lot of the themes in your work seem to focus on the benefits of talking and listening—the richness of understanding. How have you seen that turn into meaningful change.

Talking and listening—whether as an actor, artist, or just a human going about their day—allows you to take a moment to connect with whoever or whatever is around you. That moment of reflection can also allow you to ground yourself in who you are, the values you enter a space with, etc., while at the same time allowing others to be different and unique themselves. I find that this moment to remember that you are connected—yet distinct—can really help folx become a more rooted ally, actor, or person. Often this can be done by asking yourself things like: what or who brought me here? How? What is my goal? What or who is around me?

Why do you choose to live and work in Edmonton?

I’m living here because this is where my friends and family are! When I’ve travelled or lived in other cities, I have always missed the sense of community here. Plus, the cost of living here is much more reasonable than Toronto or Vancouver. Also, I have a great connection to a local farmer for some very high quality, grass-fed beef.

What kind of city do you hope to help Edmonton become?

I hope this city becomes a place where folx feel connected to the larger stories that we’re connected to as Indigenous and non-Indigenous peoples. The richness of our shared histories makes me so excited to be here, and I really hope that people feel that in the future when they think about their connection to this place. Not only that, I hope that they feel a sense of wonder at the futures that await us.

Want more YEG Arts Stories? We’ll be sharing them here all year and on social media using the hashtag #IamYegArts. Follow along! Click here to learn more about Hunter Cardinal and Nahayawin

About Hunter Cardinal

Hunter Cardinal is a sakāwithiniwak (Woodland Cree) theatrical artist hailing from Sucker Creek Cree First Nation and currently based in Edmonton, Alberta. Holding a Bachelor of Fine Arts in Acting degree from the University of Alberta, class of 2015, Hunter has performed across Canada and off-Broadway in New York. Recent stage credits include Titus Bouffonious (Theatre Network), Lake of the Strangers (Naheyawin and Fringe Theatre) and Hamlet (Freewill Shakespeare Festival). He is humbled by the steadfast support of his community, with notable achievements to date including the 2020 Elizabeth Sterling Haynes Award for Outstanding Performance in a Supporting Role in a Comedy for his work as Fink in Titus Bouffonious, the 2019 Elizabeth Sterling Haynes Award for Outstanding New Play given to Lake of the Strangers, his first play co-written with his sister and dubbed Edmonton’s Best Actor by Vue Weekly in 2018.

#yeg #yegarts #edmonton #edmontonarts #yegtheatre #IAmYegArts #artistfeature #IndigenousArtist

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maiassensibleblog · 4 years

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Dear theatre people, this is what I mean when I say theatre is elitist...

(All views expressed are my opinion).

I’ve been considering whether now is the right time to post this but when theatre comes back (which it will, it must), it cannot look how it looked before. I love theatre with all my heart, it is the part of my life that heals the most. But the industry drives me crazy.

I want to address the questions: Why don’t people go to the theatre? And why don’t people care about theatre? My perspective is from a West End theatre goer who is working class, not white and not straight. I am not involved in making theatre and do not desire to be involved.

To answer this huge question, I’d like to start with two definitions:

Elitist: Relating to or supporting the view that a society or system should be led by an elite.

Inaccessible: Unable to be reached.

I often see people asking “why don’t people go to the theatre?” with only responses related to accessibility. When we talk about accessibility, we need to consider barriers such as ticket prices, geographical location and ableism. An awful lot of people are not stopped by accessibility, but they do not go to the theatre. Why? Theatre is elitist.

Elitism is the feeling that you do not belong in a space because the people who are there are different from you and often appear to think they are better than you. In my opinion, this is the reason that the general public do not care about theatre. Elitism is built into the theatre world and this has only been highlighted recently through the BLM movement (I don’t need to go into this here, you’ve all seen it).

From a personal perspective, I’m privileged to have been going to the theatre since I was tiny. We didn’t have a lot of money but my mum was really good at finding deals on tickets and I grew to love theatre more and more as I grew up. I go around once a week and see a lot of off West-end stuff. I, a seasoned theatregoer, feel elitism every time I go to the theatre. I will elaborate on these in the sub-topics below but I wanted to point out that I am somebody who is relatively confident around the elitist feeling, imagine if you aren’t. You just wouldn’t bother and that is what we’re seeing.

Tickets

The first thing I would like to discuss may seem to sit between accessibility and elitism but getting affordable tickets sits in with elitism in my opinion. I am often asked how I can afford to go to the theatre so often and my answer is always I know where to look. Why do theatres feel that it is acceptable to hide their cheap seats? The only thing that is achieved here is keeping theatre for those who know where to look.

If you have not be brought up around theatre folk, you don’t know that day seats exist. Even when theatres advertise and say something like “£15 day seats available”, people who do not know anything about theatre will not have a clue what that means. They won’t know the difference between a digital lottery and a regular in-person day seat, they won’t know how to press buy now just at the right time on TodayTix to get a rush ticket. Having cheaper options does improve accessibility but the way it has been done doesn’t serve to reduce elitism.

Put yourself in the shoes of somebody who has never been to the theatre before. They see a poster for a musical that looks amazing, they google it, they see decent seats for £100+. They decide to go for the £30 option in the Gods. They feel ripped off and don’t bother again OR they know that those are crap seats and don’t bother at all. There is nowhere on that main booking page that mentions cheaper, good seats. That is telling people that they only deserve good seats if they’re rich. That is elitist.

Image

My next two points spill into each other, but they are not the same thing. What do you think of when you think of somebody who goes to the theatre. We all just thought of the same old, white couple. They tut at young people who talk at interval? Yeah we all know the type. It’s amazing that these people, who usually have disposable income, go to the theatre and spend money there but they are coming anyway. Why are you therefore using them to advertise?

Some theatres do this amazingly (Bush, Soho, Young Vic, loves) but most don’t. Some shows have gone too far (looking at you Heathers West End transfer) but think: What is the demographic that you think would want to come, but isn’t? If you’re trying to attract non-theatre goers, they have to see themselves in those who are recommending it.

Obviously, some known reviewers have to be included to keep the regulars in but theatres must start including a wider range of reviewers, they must be open to criticism from young people, queer people, Black people... Then, they must show the faces of these reviewers in their advertising, they must include their views using their vocabulary. And once you get these voices (and start respecting them), theatres must start taking these views into account. A mainstream producer actually listening (and properly listening) to the views of not the mainstream critics? That is revolutionary. That’s showing you’re willing to change.

Etiquette

This is the big one. Theatre etiquette is elitist. I’m sure many people know what I mean by this: Hushed tones even when the show isn’t on and you’re in the bar, FOH using theatre-y vocabulary to usher people places (even things like “the house is open” mean nothing to people who aren’t in theatre), expected restraint to reactions towards what’s happening on stage. I’ve never been to a theatre that doesn’t use vocabulary that would be alienating to non-theatregoers. Only a few theatres don’t have that feeling of “we’re better than you” hanging in the air.

I have been told that I do not match up to people’s ideas of expected theatre etiquette twice outside of fandom things. I remember them both. Once, I was laughing at funny moments during a funny play. The second time I was talking to my friends excitedly at interval and had some older theatre-goers tut and ask us to be quiet (hun, it’s the interval). As I mentioned, I go to the theatre all the time, I generally conform (even when I hate it). Imagine how you’d feel if you didn’t know the nonsense rules.

The solution? Dismantle the rules.

People dismiss panto because is does this and it’s the least elitist theatre out there. Stop getting on your high horse about people openly enjoying themselves. And to those panicking, very few people are actually going to chat their way through a whole show they’ve paid money for.

We need more relaxed performances. We need more for disabled people but we also need more for young people, where they can react to what’s going on during the show and whisper to each other about it.

We need more sing-a-longs. Musicals can create an amazing fandom this way. Six is doing an amazing job because they’ve fostered this environment. Imagine a Hamilton sing-a-long. Just sit in that for a moment. Imagine a person who had never been to the theatre before and has heard a few songs of the soundtrack getting the feeling of a gig from the theatre. It’s powerful and it needs to happen.

Shakespeare

Nothing exhibits the elitism of theatre more than Shakespeare. The sheer prevalence of it. And, I’m going to say it: Nobody fully understands what’s going on.

Why, as an industry, are you all so obsessed with a sexist, racist, homophobe who died in the 1600′s? People alive today are writing plays about stories that people want to hear, in a language that people can understand. Commission them.

That is all on that.

Secrecy

There’s certainly something to be said about keeping the magic of theatre alive by keeping tricks a secret. I totally appreciate and love that about this art medium. You watch things happening in real time that look like magic and it’s beautiful.

However, the secrecy around productions has gone too far. Why are full on HQ recordings of shows being filmed for them never to see the light of day? I have seen the argument that people will not feel the need to watch the show if they have seen a recording but I have only seen that argument from people who work in theatre. Listen to the people who just go to the theatre. I don’t know what I can actually say to convince the industry of this, but theatre people will still come because there’s nothing like live theatre.

What you will do by releasing a good recording is open the show to the masses (and make money from it). You will essentially be building a fandom. People can watch football on TV but choose to pay for a ticket to go watch live because it is a different experience. People can listen to a band but choose to pay for a ticket to go to a concert because it is a different experience. It is the same thing. You honestly need to get over this because I think this is a massive reason why this elitism still exists.

Also why not release HQ footage even as a trailer? Stick it on YouTube for free, get ad revenue and advertise.

These are just a few things that need to be taken into consideration when theatres re-open. Theatre must come back better and stronger than it was before and it must get more people in the room. The people will need art.

This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal. - Toni Morrison

#theatre #theatre culture #west end #broadway #elitism #opinion

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dreamsafterhours · 4 years

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college boyfriend!markhyuk au series: II (donghyuk’s pathway)

a universe in which roommates!markhyuk meet each other's s/o in class

markhyuk are roommates, my/n and dy/n are roommates, mark and dy/n take classes together and so do donghyuk and my/n — how will their fates intertwine?

genre: fluff pairings: platonic!mark+dy/n format: dotpoint AU universe: non idol, college best friend warning: a lil swearing (best get used to it lol)

masterlist

or click here to continue your friendship with paediatrics!haechan!

I ⇤ | II | ⇥ III

II: relationship consolidation.. it’s platonic i swear

the fellowship continues (mark + dy/n)

so the month that follows your first meeting

is full of

a mixture of crackheadedness and tortured artist vibes

a lot of it is sending lit memes and other shit to each other at 2am when u have an 8am the next morning and yelling at each other for keeping u up so late but then laughing again at whatever the ridiculous punchline was

“to quote shakespeare’s hamlet, act v, scene ii, line 270: no”

/deep inhale/ /unhinged laughter/

that’s your inside joke for a whole two weeks mark couldn’t get the numbers right the first few times uwu poor confused thing but he got it after a while so good on him

in the second class after the first day, you try your best to find in him the crowd of people lining up to go into the lecture theatre but you can’t and it’s almost time to go in and—

oop you’re getting swept by the current of the masses

you still try to look for him even then

and luckily your attempts pay off !bc you do see him further up the stairs

,, but he’s

,.talking to another person, sitting in a seat on the end of the row

slightly disappointed that you can’t sit together and get to know him better and hopefully become friends but !! still optimistic that you’ll just make new friends

you file into an empty seat near his row a little further down the stairs from where he was sitting

you take out your materials and start to go over your notes from the day before when

someone plops himself down on the seat next to you

you look up and before you can smile in greeting, you recognise

it’s mark!!

he says “heyyy” in that rlly soft voice idk if you’ve seen the vid of him going ʰᶦ but that’s the voice he uses here

and you’re like “oh hi! wait i thought i saw you sitting over there” pointing behind u

and he’s like “oh i just met a friend and i was saving his girlfriend’s seat haha.. she just arrived so they kicked me out and i saw u and !!yeah”

and u nod at him like “nice nice i thought you ditched me” jokingly ofc

“no no i was actually trying to find you but.. you’re too short”

“i’m what”

/whispers/ “i’m sorry omg don’t kill me pls”

/stands up straighter to assert dominance/ “say that again, marcus. say that again”

ajsagdfo cuties

“ok then should we meet somewhere before the lectures”

so you decide on the benches outside the building as Your Spot™

the lecture’s just an introduction to the first text in the syllabus bc . second class

and so there’s quite a bit of note taking,, naturally

mark forgets what the prof says before he can write it down and this particular prof, you learn, is prone to talking fast and then switching the lecture slides before anyone can write anything important down

poor mark is doing a lot of looking up at the slides and then down at his notebook and :(((

so r u but u seem to have better memory than him so u either have the lecture slides up if you’re a typer with your notes or manage to write your notes and still listen to the prof if you’re a writer idk yalls preferences so

meanwhile mark whispers under his breath,, half to himself

“what” don’t we all,, mark.. don’t we all

and he does that a few times so you look over and he’s written barely anything so at that point he’s almost just resorted to listening to the prof and not taking notes at all

then he seems to catch himself and he starts writing down whatever key terms the prof is spewing and you realise

kid’s blanking out lmfao

so you tell him you’ll send your notes over to him after class and he’s like !! R U SURE im so sorry im not used to this sPEED and i can’t put my hand up and ask him to slow down someone else has to do that

and u just nod and tell him it’s all g

so class ends and you wave goodbye (confirming to meet at the benches next week too) to go to your tutorial class that happens to be right after the lecture and so does he,,

and this is your thought process for the next five or so minutes:

there’s only one exit so surely he’s only going outside and not the same way as me

oh look he’s going the same way as me.. i’m sure he’s just going to another building ooh that’s a pretty cool tree

hey we can walk to our next classes together and then split up where we have to go in different directions

is he turning left or right left or right i’m going left left or right left or—wait oh cool

ah there’s a bunch of classes in this building too surely he’s on a different floor. see he’s going up the stairs—wait he’s going up the stairs.. so am i..,,,

nah surely he’s going up another floor

wait if he’s going up another floor.. why isn’t he going on the elevator

does he have a fear of enclosed spaces

does he have childhood trauma in an elevator

maybe he keeps fit by climbing stairs

lol this is my floor, be funny if..

hang on a second

HANG ON A SECOND

“HANG ON A SECOND” that wasn’t one of your thoughts btw that was. out loud

very loud

and he turns around, startled at your voice again

looking up from his phone and eyes getting wider than they were in their initial reaction

“wHAT THE—WAIT HOLD UP HOLD UP HOLD UP—”

he’s giggling at this point bc it’s so funny to him

“HOLD—YOU’RE?? in this tute too??”

“are we??—”

“—in the same class?” yall say that in unison bc that’s the proliferation of a Wholesome Friendship™ right there

u laugh bc wow this is my new best friend

“this is crazyyy”

“yeah what the f..” he highkey cuts himself off bc i mean day 2 guys

but then you

“exactly what the fuck...”

lmfao he knows then that it’s ok to swear with you

n e ways

y’all keep talking until your tutor arrives and lets you in the class

ofc you sit next to each other in the tute as well

you have a great time and class ends quicker than you thought bc you’re having fun and that’s always gewd

so the next few weeks u’re just vibing with each other

walking to class together after ur lectures

walking each other to other classes

studying together in the library in your spare time catching up on content and exploring ideas discussed in tutes for your shakespearean sonnets class

"o romeo, romeo, wherefore were thou and juliet teenage dumbfucks”

he couldn’t stop laughing at that for three days straight

“t..teENAGE /wheeze/ dUMBFUCKS HAHAHAHAHA”

getting pretty close basically

sharing hobbies and music tastes (u find out he plays guitar and it’s the biggest possession he brought into his dorm from his house and listens to frank ocean and john mayer a lot, watches fullmetal alchemist)

sometimes you’ll come to meet him at the benches full on catwalking down the path with your airpods in and resting bitch face on listening to some dope shit while the crowd parts for you and he’s just like O.O

how is she friends with me

he thinks you’re so cool it’s cute

but he’s also alr convinced himself that you’re so out of his league he highkey won’t dare try and make a move

n e ways

he sees ur airpods and he’s like “aren’t you afraid you’re gonna lose them one day”

and you just look at him and go “do i look like a fool, marcus”

he laughs so hard at that

complaining to you abt his roommate in real time over text like

marcus the fool 🤡: “dude he’s whining at me to ‘play with him’ i don’t want to play with him”

marcus the fool 🤡: “now he’s getting jealous of u”

marcus the fool 🤡: “he asks who u think u r”

you: “tell him i would fight him”

marcus the fool 🤡: “he says u won’t win”

you: “bet”

marcus the fool 🤡: “i told him u don’t need to fight for my attention bc uve alr got it”

marcus the fool 🤡: “now he’s fake crying”

marcus the fool 🤡: “he’s telling me to leave the house and leave the kids”

you: “am i a homewrecker now”

marcus the fool 🤡: “he calls u a homewrecker”

you: “tell him i’ll kiss it better”

one day like a month or so into your friendship

you rush to the benches with that look on your face that says you’re about to murder someone which usually disappears when you see him and take out your airpods bc rbf

so he ,, approaches with caution ,,, easy does it,,

yes he’s wondering if it’s your time of month

ngl it åctually was which makes things worse

t e n t a t i v e l y he asks on the way into the lecture theatre

“hey dy/n u ok?? u look.. ok nvm”

bc u lowkey glared at him but u didn’t mean to i swear u just looked at him but u were alr in a bad mood

so ure like “sorry yes i’m fine i didn’t have my coffee today so i may be a bit cranky”

“what happened? u sleep in or smth”

“yeah i slept at 4 last night”

“wHY did u do that”

“idK but i was running late just now and the line at the cafe was so long i stood in line for five minutes and i said nop class is abt to start”

“oh okey”

this keeps bugging him all throughout the lecture

so he turns to u when the lecture is over and he’s like

“u have another lecture next right”

“yes marcus i have another lecture that you’re taking with me”

“come ditch with me i’ll shout u a coffee”

“what really”

“for sure, we can catch up on the lecture in the library tonight”

and you remember that you’d made plans with your roommate my/n to go to the library that night anyway so you agree and let him know

so he’s like “oh rlly? can i bring my roomie along too he probs doesn’t have other plans anyway i hear they’re doing some kind of project so he better not be going anywhere” with a lil frown uwu angery mark

“sure don’t see why not. we’ll all study together”

“nice i’ll let him know”

“cool”

cool

u see where i’m going with this

waggles eyebrows

wink wink nudge nudge

click here to continue your friendship with paediatrics!haechan!

I ⇤ | II | ⇥ III

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